Podcasts about Direction

Making things better without intention is a grand waste of time.Was this helpful? If so then you need to check out the 7 Fundamentals Of Self Improvement which features short summaries of the most popular and impactful episodes from the past 7 years.Takes only 5 minutes to read through them today but it'll help you avoid years of making things so much harder than they need to be. Plus, I bet you'll be surprised to learn what they are...

« Les Rayons et les Ombres », le nouveau film du réalisateur Xavier Giannoli avec Jean Dujardin dans le rôle principal, sort ce mercredi 18 mars. Une fresque historique de plus de 3 heures qui raconte l'histoire vraie d'un patron de presse pacifiste qui va se mettre au service de l'occupant nazi pendant la Seconde Guerre mondiale. Jean Dujardin a commencé sa carrière à la fin des années 1990 en incarnant des personnages humoristiques, par exemple dans la série « Un gars, une fille », « OSS 117» ou encore « Brice de Nice », l'histoire d'un surfeur un peu looser qui attend une vague qui n'arrive jamais. Au fil des années, Jean Dujardin joue aussi dans des films d'auteur, comme « The Artist », un film muet en noir et blanc qui lui vaut de remporter l'Oscar du meilleur acteur en 2012.Code source brosse le portrait de Jean Dujardin avec Catherine Balle, spécialiste cinéma au Parisien. Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Judith Perret - Production : Clémentine Spiler, Clara Garnier-Amouroux et Thibault Lambert - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network - Archives : France TV - Photo : LP/Fred Dugit. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Le 28 février, Israël et les États-Unis déclenchent une guerre contre l'Iran. Rapidement, le conflit s'étend au Moyen-Orient et gagne notamment le Liban. Depuis le 2 mars, les frappes sur le pays ont tué 886 personnes selon les autorités libanaises, et plus d'un million de libanais ont été déplacés.Ce n'est pas l'armée régulière libanaise qui entre en guerre mais la milice du Hezbollah, un parti politique ainsi qu'une force paramilitaire puissante, implanté dans le pays depuis les années 1980. Ce nouveau conflit avec Israël ravive les tensions entre les différentes communautés du Liban, alors que le pays est déjà morcelé et frappé par une série de crises économiques et politiques ces dernières années. Cet épisode de Code Source est raconté par Caroline Hayek, grand reporter au journal l'Orient-Le Jour. Elle est en ligne avec nous depuis Beyrouth, au Liban. Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Judith Perret - Production : Clémentine Spiler, Clara Garnier-Amouroux et Thibault Lambert - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network - Archives : AFP, CBSNews, France 24, C à Vous - Photo : Reuters/Khalil Ashawi. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Today on Ascend: The Great Books Podcast, Dcn. Harrison Garlick and Fr. Patrick Biscoe, OP, discuss gluttony and lust in Dante's Purgatorio, Cantos 23-27.Check out thegreatbookspodcast.com for more information.Check out our LIBRARY OF WRITTEN GUIDES for the great books.Check out the Dominicans, the Order of Preachers.Check out Fr. Patrick Briscoe, OP, at Godsplaining Podcast.In this episode of Ascend: The Great Books Podcast, Deacon Harrison Garlick is joined by Dominican friar Fr. Patrick Briscoe, OP, currently serving in Rome as the Order's General Promoter for Social Communication. The conversation opens with Fr. Patrick explaining Dominican life, the charism of preaching rooted in study and contemplation, the historical significance of Santa Sabina, and the Order's ongoing vitality—especially through institutions like the Angelicum. The bulk of the episode then offers a close, theologically rich reading of the Purgatorio.The hosts explore how Dante structures these sins as forms of excessive or misdirected love, placing them high on the mountain because they are less grave than pride, envy, or wrath, yet still require deep purification. Key themes include the contrapasso of emaciated souls on the gluttony terrace, the “OMO DEI” face motif symbolizing refashioning in God's image, the role of intercessory prayer (especially Nella's for Forese Donati), the two instructive trees, medieval embryology and hylomorphism (how airy shades appear gaunt), and the wall of flame on the lust terrace.They highlight Dante's nuanced treatment of lust—treating both heterosexual excess (Pasiphaë/bestiality) and sodomy as incontinence—while emphasizing the praise of chaste marriage and the enduring good of ordered eros. The episode closes powerfully with Virgil's farewell in Canto 27, crowning Dante “lord of himself” once his will is aligned with the good, symbolizing true Christian freedom.Throughout, the discussion weaves literary analysis with practical spiritual application—especially apt for Lent—showing Purgatorio as a map for self-mastery, image perfection, and liberation from disordered desire. Fr. Patrick and Dcn. Garlick underscore Beatrice as an icon of divine beauty and grace, whose memory motivates Dante through the flames rather than being purged away. The episode ends with an invitation to reread the text, follow the Dominicans' work, and prepare for the Earthly Paradise cantos in the next installment.Chapters00:00 Introduction to Ascend and Dante's Purgatorio07:37 The Role of Communication in the Dominican Order13:24 Contrapasso and the Nature of Sin18:19 The Importance of Free Will in Purgatory24:03 The Interconnectedness of Souls29:49 Family Dynamics in the Afterlife35:59 Exploring Purgatory's Dynamics39:49 Consequences of Disordered Love43:43 Desires and Reason in Purgatory48:39 Understanding Gluttony and Vigilance52:13 Beatitudes and Spiritual Hunger57:07 Gradations of the Soul58:53 The Relationship Between Body and Soul01:02:02 The Finality of Body and Soul Reunion01:06:51 The Transition to Lust in Purgatory01:08:02 Contrasting Spirits on the Mountain01:08:30 Marian and Pagan Examples of Purity01:09:25 The Nature of Purification in Purgatory01:10:55 The Healing Power of Praise01:11:41 Understanding Sexuality and Love01:12:53 Dante's Quasi-Liturgical Procession01:14:02 The Psychology of Lust in Purgatory01:16:03 The Nature of Sin and Its Consequences01:17:48 The Unnaturalness of Lust01:19:33 The Direction of Souls in Purgatory01:20:55 The Role of Intercessory Prayer01:21:48 Dante's Final Challenge01:23:11 The Role of Beatrice in Dante's Journey01:25:38 Purification Through Love01:27:55 The Symbolism of Eyes and Intellect01:30:37 Virgil's Final Guidance to Dante01:34:13 The Aim of Lent and Self-MasteryFollowing us on X, Facebook, and More!

Through candid reflection and gentle urgency, Angel invites you to sit with the uncomfortable gift of detours: closed doors that protect, setbacks that prepare, and shifts that position us for something greater. He paints the scene of ordinary plans disrupted and how those disruptions became the roads that led to meaning, purpose, and deeper faith. This episode feels like a conversation at the kitchen table—intimate, encouraging, and hopeful—where a father and daughter promise a new story each weekday. Tune in, fasten your seatbelt, and let this brief, honest testimony remind you that when life changes direction, it could be the start of everything you were meant to become. Have faith—let it begin.

Le dimanche 15 mars, Emmanuel Grégoire, député socialiste et candidat de la gauche hors LFI à la mairie de Paris, arrive largement en tête du premier tour des élections municipales avec 37,98% des suffrages. Rachida Dati, candidate Les Républicains, ancienne ministre de la Culture et maire du septième arrondissement est arrivée en deuxième position, avec 25,46% des voix et a réaffirmé son ambition de faire gagner l'alternance dans la capitale, en appelant la droite à s'unir.Cela fait près de 25 ans que la gauche dirige Paris, d'abord avec le socialiste Bertrand Delanoë, élu pour la première fois en 2001 et réélu en 2008, puis avec Anne Hidalgo, la maire sortante, socialiste elle aussi. Comment se présente le second tour du scrutin à Paris dimanche prochain ? Emmanuel Grégoire peut-il gagner sans s'allier à la candidate LFI Sophia Chikirou, arrivée troisième lors du premier tour ? Rachida Dati peut-elle créer la surprise ?Code source fait le point avec Elie Julien, journaliste au service politique du Parisien, et Marion Mourgue, cheffe de ce service.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Judith Perret - Production : Clara Garnier-Amouroux et Thibault Lambert - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network - Archives : BFM TV, France Info, Le Parisien, Ouest France - Photo : LP/Olivier Corsan. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Satisfaction, Provision, Restoration, Direction, Protection, Accommodation, Destination—in 6 verses?

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This week closes a chapter — and opens a new one.Not because everything is finished, but because the bigger picture finally comes into focus. What's ending now does so with clarity. What begins next is shaped by everything you've learned.With Mercury still in review, old themes resurface — but without the emotional charge. This is understanding, not reliving. When Mercury meets the North Node, something clicks. Insight lands. Direction becomes clear.The New Moon in Pisces at the final degrees marks a powerful moment of completion and intention. This is about releasing with honesty and setting goals rooted in emotional truth — not pressure.As Mercury stations direct and the Sun enters Aries, momentum returns. But it's intentional now. Clean. Clear. Grounded.This week bridges inner work and outward movement — reminding you that aligned action flows more easily than force.✨ Watch for how this energy activates your chart and what it asks you to begin next.P.S. Available now at The Southern Mystic: • 15-minute recorded readings – Perfect for quick questions or focused insight• 30-minute sessions – Ideal for short timing questions or clarity on one topic• 60-minute deep-dive sessions – A full exploration of past themes, current patterns, and where you're headed• Birthday reports – A meaningful gift and a fresh way to understand the year ahead• 3 & 6-month transit reports – Helpful for planning and understanding upcoming challenges and opportunities• Relationship reports – Insight into what makes connections flow… and where friction can show up• Written natal chart interpretations – Designed for self-study, reflection, and deeper self-understanding• Harmonic Chart Report (new at The Southern Mystic) – This report highlights the subtle rhythms and hidden strengths in your chart, revealing patterns that aren't always obvious at first glance.View all offerings and gift cards here: 

Welcome to The First Run 2026 Oscars special! Chris and Matt share their predictions for the big 6 categories: Best Supporting Actress/Actor, Best Actor/Actress, Direction, and Best Picture. You can also review Matt and Chris' selections for all the other categories as well as they've linked their ballots in the show notes. Enjoy and good luck on your Oscars Pool!Theme music by Jamal Malachi Ford-Bey

(Premier épisode) Le samedi 19 mars 2022, vers 6h15 du matin, Federico Martín Aramburú, ancien joueur international de rugby, est abattu de six balles à Paris, dans le quartier chic de Saint-Germain-des-Prés. Loïk Le Priol et Romain Bouvier, les deux tireurs présumés, sont issus des milieux d'extrême droite néo-nazis. Après la mort du rugbyman, les deux hommes disparaissent. Dans Crime story, la journaliste Clawdia Prolongeau raconte cette enquête avec Damien Delseny, chef du service police-justice du Parisien.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Ecriture et voix : Clawdia Prolongeau et Damien Delseny - Production : Clémentine Spiler et Anaïs Godard - Réalisation et mixage : Julien Montcouquiol - Musiques : Audio Network - Archives : INA - Photo : Franck FIFE / AFP.Documentation.Cet épisode de Crime story a été préparé en puisant dans les archives du Parisien, avec l'aide de nos documentalistes ainsi que de L'Équipe. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

(Deuxième et dernier épisode) Le samedi 19 mars 2022, vers 6h15 du matin, Federico Martín Aramburú, ancien joueur international de rugby, est abattu de six balles à Paris, dans le quartier chic de Saint-Germain-des-Prés. Loïk Le Priol et Romain Bouvier, les deux tireurs présumés, sont issus des milieux d'extrême droite néo-nazis. Après la mort du rugbyman, les deux hommes disparaissent. Dans Crime story, la journaliste Clawdia Prolongeau raconte cette enquête avec Damien Delseny, chef du service police-justice du Parisien.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Ecriture et voix : Clawdia Prolongeau et Damien Delseny - Production : Clémentine Spiler et Anaïs Godard - Réalisation et mixage : Julien Montcouquiol - Musiques : Audio Network - Archives : INA - Photo : Franck FIFE / AFP.Documentation.Cet épisode de Crime story a été préparé en puisant dans les archives du Parisien, avec l'aide de nos documentalistes ainsi que de L'Équipe. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Mego and Scheim kick off the show by giving their overall thoughts on the Patriots offseason. Scheim goes off about how the Patriots sent so much money on a fullback. And is the rumor true of Tom Brady not trading Maxx Crosby to the Patriots?

Q is a physical therapist and strength coach. He is a former college lacrosse player at BYU and at the University of North Carolina, team USA Bobsled athlete, and strength coach with experience between UNC men's and women's basketball, football lacrosse, volleyball, and high school football and lacrosse teams. Currently Q teaches seminars as well as offers in-person and long-distance private consultation and services for professional and collegiate teams, athletes, and recreational athletes of all ages.    https://www.instagram.com/coach_q_physio/    https://www.findphysiotherapy.com/ Check Out My Game Speed Course and Programs at www.multidirectionalpower.com   

À Saint-Michel-sur-Meurthe, dans les Vosges, les habitants sont horrifiés d'apprendre le calvaire enduré par Lilian Coinchelin, septuagénaire qui vivait supposément avec ses enfants depuis quatre ans mais qu'on ne voyait plus. Et pour cause, elle était en réalité décédée depuis plusieurs années à la suite de mauvais traitements de la part de ses fils.Incarcérés pour séquestration, actes de barbarie et complicité, suspectés d'avoir poussé à la mort leur mère pour toucher ses revenus, ses deux fils auraient dissimulé le corps qui n'a pas encore été retrouvé. Retour sur l'enquête dans cet épisode de Code Source avec Christel Brigaudeau, journaliste au service police-justice du Parisien.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Anaïs Godard et Clémentine Spiler - Réalisation et mixage : Pierre Chaffanjon - Musiques : François Clos, Audio Network. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In this episode of That Will Nevr Work, Maurice sits down with Sara Nay to unpack why so many businesses skip strategy and jump straight into technology. Sara challenges leaders to slow down, think clearly, and make intentional decisions before investing in tools. If your business feels busy but unfocused, this conversation will change how you approach growth.

In this episode, we explore one of the most striking narrative turns in the Bible: the transition from 1 Kings 10 to 1 Kings 11—the moment when Solomon's story “folds.” At the height of wisdom, wealth, and global influence, the very king who asked God for understanding begins to drift away from Him. Our conversation wrestles with the tension inside that moment. Why do the warning signs of spiritual drift often hide behind visible success? What happens when our hopes attach themselves to people, outcomes, or even good things that cannot ultimately carry the weight we give them?Along the way, we talk about:How biblical narratives often place their most important meaning at the center of the story.Why Solomon's failure exposes the limits of human leadership.The difference between cultural promises of flourishing and the reality Jesus describes in Luke 9.The quiet “dashboard warnings” that show up in life long before collapse.Rather than ending with easy answers, the story points us toward something deeper: the recognition that even the wisest king could not carry the hopes of God's people. That realization opens the door to a different kind of hope—one that doesn't depend on perfect leaders or perfect lives.This episode is part of our ongoing conversation around 1 Kings 10–11 and the nature of hope, failure, and grace.

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TSN Hockey Insiders Darren Dreger and Chris Johnston on the Maple Leafs' losing skid in the spotlight, the perception from management on the team, the direction of.a retool in the organization, the Red Wings playing through big injuries, Linus Ullmark's stance in Ottawa, the Blues' lack of larger moves and more.

Depuis 2021, Gaëlle Guiny, 57 ans, anime le podcast « Ainsi va la vie » dans lequel elle reçoit des personnes qui ont perdu un proche, aborde des thèmes comme la fin de vie ou le don d'organes. Elle reçoit aussi différents spécialistes avec lesquels elle décortique les questions liées à la mort. Elle-même longtemps traumatisée par l'expérience d'une fausse couche, elle s'est formée à l'accompagnement au deuil notamment via le shiatsu, une forme de thérapie japonnaise par le corps. Dans Code Source, elle raconte au micro de notre reporter Judith Perret la découverte de sa vocation. Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Anaïs Godard et Clémentine Spiler - Réalisation et mixage : Pierre Chaffanjon - Musiques : François Clos, Audio Network - Archives : Ainsi va la vie - Photo : Jean-Baptiste Quentin pour Le Parisien. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Want to Start or Grow a Successful Business? Schedule a FREE 13-Point Assessment with Clay Clark Today At: www.ThrivetimeShow.com   Join Clay Clark's Thrivetime Show Business Workshop!!! Learn Branding, Marketing, SEO, Sales, Workflow Design, Accounting & More. **Request Tickets & See Testimonials At: www.ThrivetimeShow.com  **Request Tickets Via Text At (918) 851-0102   See the Thousands of Success Stories and Millionaires That Clay Clark Has Helped to Produce HERE: https://www.thrivetimeshow.com/testimonials/ Download A Millionaire's Guide to Become Sustainably Rich: A Step-by-Step Guide to Become a Successful Money-Generating and Time-Freedom Creating Business HERE: www.ThrivetimeShow.com/Millionaire   See Thousands of Case Studies Today HERE: www.thrivetimeshow.com/does-it-work/  

C'est une croyance qui attire toujours autant d'adeptes en France : la voyance. Dans une étude publiée fin 2020, 14% des personnes interrogées affirmaient avoir déjà consulté un ou une voyante. Technologie oblige, les consultations sont désormais possibles par téléphone, tchat ou encore sur TikTok. Le but : avoir des réponses sur son avenir professionnel, sa vie amoureuse ou - plus inattendu - les études de ses enfants. En parallèle, les organismes de formation se multiplient et proposent des cours aux tarifs et aux contenus variés pour s'initier à cet art divinatoire, même s'il n'existe aucun diplôme officiellement reconnu pour exercer. Cet épisode de Code source est raconté par trois journalistes du Parisien : Lucile Descamps, qui a suivi une formation de 36 heures pour devenir voyante, Christine Mateus, du service Vie privée et Florian Loisy, journaliste au service police-justice Île-de-France.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Anaïs Godard, Clara Garnier-Amouroux et Clémentine Spiler - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network - Archives : TikTok - Crédit photo : LP / Arnaud Journois. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Welcome to today's Guided Prayer, where we invite you to find a quiet space to still your mind and body.  Guided Prayers are a daily 5–10 minute, intentionally created moment to slow down and meet with God—through scripture, reflection, and honest prayer.It's not a program you attend.It's a pathway you practice.A guided space where people can stop, breathe, and connect with Jesus—every single day.

Top line growth is the key priority for Kohl's (KSS) moving forward, says Dana Telsey. She talks about the company's recent earnings and the retail industry's reaction to pinched consumer wallets. Target (TGT) is taking the approach of lowering prices on thousands of items. Dana still believes Walmart's (WMT) success will keep it in the driver's seat for big box retail. Top line growth is the key priority for Kohl's (KSS) moving forward, says Dana Telsey. She talks about the company's recent earnings and the retail industry's reaction to pinched consumer wallets. Target (TGT) is taking the approach of lowering prices on thousands of items. Dana still believes Walmart's (WMT) success will keep it in the driver's seat for big box retail. ======== Schwab Network ========Empowering every investor and trader, every market day.Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – / schwabnetwork Follow us on Facebook – / schwabnetwork Follow us on LinkedIn - / schwab-network About Schwab Network - https://schwabnetwork.com/about

Most entrepreneurs start their business for freedom — but end up becoming the bottleneck.In this episode of The $100M Entrepreneur Podcast, Brad breaks down how to build a team that doesn't just run the business, but actually grows it without you. He walks through the four stages of leadership development — Direction, Delegation, Duplication, and Development — and explains why many founders stay stuck managing tasks instead of building leaders. You'll learn how accountability really works inside high-performing companies, how to identify and develop A-players, and why clear goals, transparent metrics, and leadership systems are essential if you want your business to scale beyond you.If you want a company that performs even when you step away — this episode will show you how to build it.About Brad SugarsInternationally known as one of the most influential entrepreneurs, Brad Sugars is a bestselling author, keynote speaker, and the #1 business coach in the world. Over the course of his 30-year career as an entrepreneur, Brad has become the CEO of 9+ companies and is the owner of the multimillion-dollar franchise ActionCOACH®. As a husband and father of five, Brad is equally as passionate about his family as he is about business. That's why, Brad is a strong advocate for building a business that works without you – so you can spend more time doing what really matters to you. Over the years of starting, scaling and selling many businesses, Brad has earned his fair share of scars. Being an entrepreneur is not an easy road. But if you can learn from those who have gone before you, it becomes a lot easier than going at it alone. Please click here to learn more about Brad Sugars: https://bradsugars.com/Build a Business That Gives You More Time, Money & Life: Get The $100M Playbook: https://go.bradsugars.com/100m-playbook-ebook

The United States Department of Agriculture's March WASDE report offered little new information to drive grain markets, leaving traders focused more on outside influences such as energy markets and geopolitics. USDA estimates for major crops were largely unchanged from the previous month, resulting in muted market reactions. For wheat, the USDA maintained its U.S. production,... Read More

Depuis le déclenchement des hostilités contre l'Iran, le Mali observe une prudence toute diplomatique. Une prudence que l'on retrouve au travers de la presse officielle. Ainsi, le quotidien L'Essor à Bamako pèse ses mots et évite soigneusement de citer les États-Unis : « ce 11 mars, écrit-il, la deuxième guerre Iran–Israël compte douze jours, égalant déjà celle de juin dernier. Au-delà de ce seuil, l'incertitude sur la fin du conflit ne fera que s'épaissir. (…) Pour une grande partie du monde, attachée au droit international et au système des Nations unies censé garantir la paix, ce scénario paraît ubuesque, s'exclame L'Essor. Le Mali appartient à cette communauté pacifiste, intransigeante sur la souveraineté des États. C'est le message que le Premier ministre Abdoulaye Maïga a porté à l'ambassade d'Iran, jeudi dernier, en signant le livre de condoléances après la mort du Guide suprême, l'Ayatollah Ali Khamenei. Le Mali ne peut rester indifférent lorsque le souverain d'un pays ami périt sous les bombes, quelle que soit la nature du conflit ». Vers une reprise du renseignement aérien ? Aucune mention donc des États-Unis et pour cause, Bamako et Washington semblent esquisser un rapprochement. C'est du moins ce que croit savoir Afrik.com : « selon plusieurs sources au sein de l'administration américaine, les États-Unis, affirme le site panafricain, seraient sur le point de conclure un accord stratégique avec les autorités de transition maliennes. Ce texte ouvrirait la voie à la reprise de vols de surveillance, menés par avions et drones, au-dessus du territoire malien. L'objectif affiché est de renforcer la collecte de renseignements sur l'évolution des groupes jihadistes actifs dans la région. En ligne de mire, la progression du GSIM, affilié à al-Qaïda, qui étend son influence dans plusieurs zones du Sahel. Le dégel a été amorcé de manière concrète le 27 février dernier, précise Afrik.com. Dans un geste politique fort, Washington a levé les sanctions pesant sur le ministre de la Défense malien ainsi que sur plusieurs hauts responsables. Ces officiels étaient jusqu'alors visés pour leurs liens supposés avec des groupes paramilitaires russes ». Ne pas laisser le champ libre à Moscou… D'ailleurs, relève encore Afrik.com, « ce rapprochement est également déterminant dans la compétition pour l'influence au Sahel. Alors que la Russie, via Africa Corps, est devenue le principal partenaire sécuritaire du Mali après le départ des forces françaises de l'opération Barkhane en 2022, Washington ne souhaite pas laisser le champ totalement libre à Moscou. Contrairement aux diplomaties européennes, l'administration américaine actuelle semble prête à tolérer la présence russe si cela permet d'endiguer l'instabilité régionale ». Le site de l'agence Ecofin, spécialisée sur l'économie du continent, note pour sa part que « l'administration Trump a largement abandonné la politique de promotion démocratique de son prédécesseur (Joe Biden) dans le Sahel (…). Cette posture est bien accueillie à Bamako, Niamey et Ouagadougou. Le chemin reste toutefois semé d'embûches, tempère Ecofin : le Mali, le Niger et le Burkina Faso ont institué en décembre dernier un régime de réciprocité face aux restrictions de voyage américaines, signe que les nouvelles relations entre Washington et ses anciens partenaires sahéliens demeurent fragiles ». L'agent français emprisonné à Bamako se porte « bien » Enfin toujours à propos du Mali, Jeune Afrique apporte des précisions sur le sort de cet officier français détenu à Bamako depuis l'été dernier. Un lieutenant-colonel, officiellement deuxième secrétaire à l'ambassade de France à Bamako, mais qui était aussi accrédité auprès des autorités maliennes en tant qu'agent de la DGSE, la Direction générale de la sécurité extérieure, les services secrets français. Il est accusé d'avoir joué un rôle clé dans un complot contre la junte malienne. D'après Jeune Afrique, cet officier français serait « détenu à la base aérienne 100 de Bamako, dans une installation relevant de la Sécurité d'État malienne. Selon une source sécuritaire, l'agent français se porte "bien". Un espace dédié lui permettant de faire régulièrement du sport a été mis à sa disposition. Et "il mange et boit ce qu'il veut", confie la même source. (…) Les autorités françaises ont également pu entrer en contact avec lui ». Jeune Afrique confirme aussi « le fait que, depuis le début de sa détention, il n'a toujours pas eu accès à un avocat. »

Leila Rahimi and Marshall Harris opened their show by reacting to the Bears' additions as NFL free agency got going Monday. After that, they discussed what to expect from new Bears safety Coby Bryant and new center Garrett Bradbury. Later, they opened up the phone lines for Score listeners to share their thoughts on the Bears' moves early in free agency.

Leila Rahimi and Marshall Harris reacted to the Bears' additions as NFL free agency got going Monday.

D-Lo spends hour four talking with Locked on Raiders' Q Meyers and then gets back to the Kings.

In this powerful spiritual talk, Rev. Lee Wolak explores the difference between setting clear intentions and worrying about the future. Learn how present-moment awareness, mindset mastery, and conscious living help reduce anxiety while guiding your life with clarity and purpose. Discover practical wisdom for personal growth, inner peace, and spiritual awakening. Sign up for my daily thought and weekly newsletter by clicking this link: https://www.agapespiritualcenter.com/free-affirmations If you find value in what Agape offers spiritually, emotionally, and in community, consider becoming a supporting member. Your recurring contribution helps us continue to share truth, healing, and transformation with the world. Click here to become a supporter: https://www.agapespiritualcenter.com/recurring-contributions/

Maybe something just fell apart. A job. A relationship. A plan you thought was stable. When life shifts suddenly it is easy to believe everything is happening to you.In this conversation Rick talks about the idea that life might actually be happening for you instead. He shares the moment he was laid off when his twins were born and how that disruption eventually led to building the company that changed his life. The truth is that strength is not a feeling. Strength is a decision followed by action.When everything feels uncertain the goal is not to solve the next five years. The goal is to take the next step you can see.What Rick explores in this episode:Why hard seasons often hide the opportunity you cannot see yetThe difference between feeling strong and choosing to actHow setbacks like job loss or divorce can redirect your lifeWhy the only step that matters is the next one in front of youHow small action rebuilds confidence faster than waiting for clarityKeywords: resilience mindset, overcoming setbacks, job loss motivation, life transition advice, personal strength, take the next step, growth through adversity, mindset shift, life happens for you, rebuild after failure, career pivot motivation, personal development podcast, resilience leadership, confidence after failure, emotional strength, overcoming uncertainty, growth mindset, bounce back mindset, turning setbacks into opportunity, leadership resilience

Le 7 février 2025, dans l'après-midi, Heddy Renaud est violemment agressé à Nice (Alpes-Maritimes), alors qu'il devait retrouver un homme rencontré sur l'application de rencontres Grindr. L'homme en question l'attend sur le lieu de rendez-vous, accompagné par une deuxième personne et il attaque Heddy, en le projetant contre un mur. Il tente également de lui voler ses affaires.Rapidement, Heddy Renaud dépose plainte. Ce représentant de l'association SOS Homophobie, aujourd'hui âgé de 27 ans, est convaincu qu'il a été victime d'un guet-apens homophobe, et que son agresseur a utilisé un faux profil sur Grindr pour s'en prendre à lui. Mais quelques mois plus tard, sa plainte est classée sans suite, et ses agresseurs sont toujours introuvables.Heddy Renaud témoigne au micro de Manon Hilaire pour Code source. Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Clara Garnier-Amouroux, Anaïs Godard et Barbara Gouy - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network - Photo : Manon Hilaire Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Tuesday, March 10, 2026

Rebecca Oertell is the founder of CoachMe2.world, a global nonprofit on a mission to ensure every teen has access to professional support during one of the most challenging and formative periods of their lives. Rebecca started CoachMe2.world after witnessing how today's teens are struggling with unprecedented levels of anxiety, burnout, and achievement pressure—yet most families face insurmountable barriers to getting help. In 2026, CoachMe2.world is launching a Peer Coaching Program where teens will learn transformative coaching skills to support one another, creating a community of connection in a world where teens increasingly feel isolated and overwhelmed.On this episode of Smart Parents Successful Students, you will hear:Why the modern parent-teen relationship is struggling and what is actually happening beneath the surface of daily frictionHow to recognize when your actions don't match your words and the simple shift that builds real trust A practical tool you can use immediately to move from "lecturing" to truly hearing your teenWhy shifting your focus from "college prep" to "adult prep" is the key to long-term success, and how peer coaching bridges that gap You can find Rebecca Oertell at https://www.coachme2.world or email her at rebecca@coachme2.world. You can learn more and connect with a coach at www.coachme2.world. Visit the website to fill out her form. You can find Dynamis Learning on all the social media platforms: Facebook, Instagram, Twitter, and LinkedIn. Helen can be reached at info@dynamislearningacademy.com.

There was a season in my doula business where I was stuck making about $2K a month… while working constantly.Late nights. Weekend consults. Posting on Instagram. Networking in Facebook groups. Tweaking my website. Lowering my prices.I was doing everything the industry said to do—and nothing was changing.In this episode, I'm sharing the moment I realized I had completely misdiagnosed the problem in my business.Because most doulas don't actually have a lead problem.They have a bottleneck problem.Once I figured out where my business was truly stuck, everything shifted—and I went from $2K months to consistent $10K+ months as an in-person doula.If you feel like you're working incredibly hard but your income isn't reflecting it, this episode will help you identify what's really going on.In This Episode• The brutal math behind my $2K months • Why more information didn't fix my business • The funnel rabbit hole that wasted months of time • The 4 doula business bottlenecks that keep people stuckTake the Doula Revenue Bottleneck Analysis and find out exactly where your business is stuck.Or DM me DIRECTION on Instagram @thelisavee and I'll send it to you.Struggling to grow your doula business? Tired of chasing pregnant mothers online? Imagine effortlessly attracting your dream clients and reaching the mamas you're meant to serve!? ⬇️ START HERE ⬇️FREE: Book Out Your Doula Calendar With These 3 Questions The Booked AF Doula Toolkit

I know only one person who set a Guinness World Record at age 66 by swimming across the Catalina Island Channel—and that's Deborah Gardner. She's even been hailed as the "Pit Bull in a Skirt" by major Fortune 500 companies and she shares how she navigated pitch-black waters, 2-to-3 foot swells, and the physical toll of open water swimming to achieve the impossible. As we explore what's possible at mid-career or halftime of life, it's important to remember that you don't need to set a world record to create meaningful change—but you do need clear, measurable goals with a strong purpose. Today, I'm thrilled to interview Deborah, who not only conquers open water but also helps organizations and professionals rise to new heights with action, focus, and success. Have you ever felt overwhelmed by a massive goal or discouraged by those telling you it cannot be done? **We've learned** from Deborah that the secret lies in breaking the impossible into small, manageable victories—moving simply from "feed to feed." Her story is a testament to the "Power of After" and maximizing your resources during the halftime of life. Despite the naysayers and the physical pain, Deborah found beauty in the moonlight and the support of her crew. We talk about the importance of mindset, the willingness to change, and the discipline to train when no one is watching. We also explore the value of purpose—and why you shouldn't fear quitting, pivoting, or failing, especially at mid-career or the halftime season of life. Full article here: https://GoalsForYourLife.com/breaking-barriers  Find out more about Deborah Gardner at: https://DeborahGardner.com YoutTube Video Here: https://youtu.be/evr9oSB1iMM Listen & Subscribe! #goalsetting #watchmemindset #growthmindset #successmindset #halftimeoflife Get POWER OF AFTER BOOK HERE: https://amzn.to/3GpEGlJ Make sure you're getting all our podcast updates and articles! Get them here: https://goalsforyourlife.com/newsletter Resources with tools and guidance for mid-career individuals, professionals & those at the halftime of life seeking growth and fulfillment: http://HalftimeSuccess.com CHAPTERS: 00:00 - Introduction & Interview Overview 1:29 - Meet the Open Water Swimmer 4:28 - Goal Setting & Overcoming Fear 10:44 - Catalina Channel Swimming Story 14:10 - Future Swimming Challenges & Goals 19:01 - Open Water Swimming Experience 20:01 - Dealing with Naysayers & Criticism 22:18 - Cold Water Swimming Tips 28:02 - Swim Duration & Logistics 33:00 - Mental Toughness & Perseverance 35:48 - Mentorship & Coaching Advice 37:16 - Upcoming Projects & Races 40:55 - Expert Advice & Social Links 43:11 - Conclusion & Outro

How do you capture something as enormous and personal as the feeling of “home” in a book? How can you navigate the chaotic discovery period in writing something new? With Roz Morris. In the intro, KU vs Wide [Written Word Media]; Podcasts Overtake Radio, book marketing implications [The New Publishing Standard]; Tips for podcast guests; The Vatican embraces AI for translation, but not for sermons [National Catholic Reporter]; NotebookLM; Self-Publishing in German; Bones of the Deep. This episode is sponsored by Publisher Rocket, which will help you get your book in front of more Amazon readers so you can spend less time marketing and more time writing. I use Publisher Rocket for researching book titles, categories, and keywords — for new books and for updating my backlist. Check it out at www.PublisherRocket.com This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Roz Morris is an award-nominated literary fiction author, memoirist, and previously a bestselling ghostwriter. She writes writing craft books for authors under the Nail Your Novel brand, and is also an editor, speaker, and writing coach. Her latest travel memoir is Turn Right at the Rainbow: A Diary of House-Hunting, Happenstance & Home. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How being an indie author has evolved over 15 years, from ebooks-only to special editions, multi-voice audiobooks and tools to help with everything Why “home” is such a powerful emotional theme and how to turn personal experiences into universal memoir Practical craft tips on show-don't-tell, writing about real people, and finding the right book title The chaotic discovery writing phase — why some books take seven years and why that's okay Building a newsletter sustainably by finding your authentic voice (and the power of a good pet story) Low-key book marketing strategies for memoir, including Roz's community-driven “home” collage campaign You can find Roz at RozMorris.org. Transcript of the interview with Roz Morris JOANNA: Roz Morris is an award-nominated literary fiction author, memoirist, and previously a bestselling ghostwriter. She writes writing craft books for authors under the Nail Your Novel brand, and is also an editor, speaker, and writing coach. Her latest travel memoir is Turn Right at the Rainbow: A Diary of House-Hunting, Happenstance & Home. Welcome back to the show, Roz. ROZ: Hi, Jo. It's so lovely to be back. I love that we managed to catch up every now and again on what we're doing. We've been doing this for so long. JOANNA: In fact, if people don't know, the first time you came on this show was 2011, which is 15 years. ROZ: I know! JOANNA: It is so crazy. I guess we should say, we do know each other in person, in real life, but realistically we mainly catch up when you come on the podcast. ROZ: Yes, we do, and by following what we're doing around the web. So I read your newsletters, you read mine. JOANNA: Exactly. So good to return. You write all kinds of different things, but let's first take a look back. The first time you were on was 2011, 15 years ago. You've spanned traditional and indie, you've seen a lot. You know a lot of people in publishing as well. What are the key things you think have shifted over the years, and why do you still choose indie for your work? ROZ: Well, lots of things have shifted. Some things are more difficult now, some things are a lot easier. We were lucky to be in right at the start and we learned the ropes and managed to make a lot of contacts with people. Now it's much more difficult to get your work out there and noticed by readers. You have to be more knowledgeable about things like marketing and promotions. But that said, there are now much better tools for doing all this. Some really smart people have put their brains to work about how authors can get their work to the right readers, and there's also a lot more understanding of how that can be done in the modern world. Everything is now much more niche-driven, isn't it? People know exactly what kind of thriller they like or what kind of memoir they like. In the old days it was probably just, “Well, you like thrillers,” and that could be absolutely loads of things. Now we can find far better who might like our work. The tools we have are astonishing. To start with, in about 2011, we could only really produce ebooks and paperbacks. That was it. Anything else, you'd have to get a print run that would be quite expensive. Now we can get amazing, beautiful special editions made. We can do audiobooks, multi-voice audiobooks. We can do ebooks with all sorts of enhancements. We can even make apps if we want to. There's absolutely loads that creators can do now that they couldn't before, so it's still a very exciting world. JOANNA: When we first met, there was still a lot of negativity here in the UK around indie authors or self-publishing. That does feel like it's shifted. Do you think that stigma around self-publishing has changed? ROZ: I think it has really changed, yes. To start with, we were regarded as a bit of the Wild West. We were just tramping in and making our mark in places that we hadn't been invited into. Now it's changed entirely. I think we've managed to convince people that we have the same quality standards. Readers don't mind—I don't think the readers ever minded, actually, so long as the book looked right, felt right, read right. It's much easier now. It's much more of a level playing field. We can prove ourselves. In fact, we don't necessarily have to prove ourselves anymore. We just go and find readers. JOANNA: Yes, I feel like that. I have nothing to prove. I just get on with my work and writing our books and putting them out there. We've got our own audiences now. I guess I always think of it as perhaps not a shadow industry, but almost a parallel industry. You have spanned a lot of traditional publishing and you still do editing work. You know a lot of trad pub authors too. Do you still actively choose indie for a particular reason? ROZ: I do. I really like building my own body of work, and I'm now experienced enough to know what I do well, what I need advice with, and help with. I mean, we don't do all this completely by ourselves, do we? We bring in experts who will give us the right feedback if we're doing a new genre or a genre that's new to us. I choose indie because I like the control. Because I began in traditional publishing—I was making books for other people—I just learned all the trades and how to do everything to a professional standard. I love being able to apply that to my own work. I also love the way I can decide what I'm going to write next. If I was traditionally published, I would have to do something that fitted with whatever the publisher would want of me, and that isn't necessarily where my muse is taking me or what I've become interested in. I think creative humans evolve throughout their lives. They become interested in different things, different themes, different ways of expressing themselves. I began by thinking I would just write novels, and now I've found myself writing memoirs as well. That shift would have been difficult if someone else was having to make me fit into their marketing plans or what their imprint was known for. But because I've built my own audience, I can just bring them with me and say, “You might like this. It's still me. I'm just doing something different.” JOANNA: I like that phrase: “creative humans.” That's what we are. As you say, I never thought I would write a memoir, and then I wrote Pilgrimage, and I think there's probably another one on its way. We do these different things over time. Let's get into this new book, Turn Right at the Rainbow. It's about the idea of home. I've talked a lot about home on my Books And Travel Podcast, but not so much here. Why is home such an emotional topic, for both positive and negative reasons? Why did you want to explore it? ROZ: I think home is so emotional because it grows around you and it grows on you very slowly without you really realising it. As you are not looking, you suddenly realise, “Oh, it means such a lot.” I love to play this mind game with myself—if you compare what your street looks like to you now and how it looked the first time you set eyes on it, it's a world of difference. There are so many emotional layers that build up just because of the amount of time we spend in a place. It's like a relationship, a very slow-growing friendship. And as you say, sometimes it can be negative as well. I became really fascinated with this because we decided to move house and we'd lived in the same house for about 30 years, which is a lot of time. It had seen a lot of us—a lot of our lives, a lot of big decisions, a lot of good times, a lot of difficult times. I felt that was all somehow encapsulated in the place. I know that readers of certain horror or even spiritual fiction will have this feeling that a place contains emotions and pasts and all sorts of vibes that just stay in there. When we were going around looking at a house to buy, I was thinking, “How do we even know how we will feel about it?” We're moving out of somewhere that has immense amounts of feelings and associations, and we're trying to judge whether somewhere else will feel right. It just seemed like we were making a decision of cosmic proportions. It comes down so much to chance as well. You're not only just deciding, “Okay, I'd like to buy that one,” and pressing a button like on eBay and you've won it. It doesn't happen like that. There are lots of middle steps. The other person's got to agree to sell to you, not do the dirty on you and sell to someone else. You've got all sorts of machinations going on that you have no idea about. And you only have what's on offer—you only get an opportunity to buy a place because someone else has decided to let it go. All this seemed like immense amounts of chance, of dice rolling. I thought, yet we end up in these places and they mean so much to us. It just blew my mind. I thought, “I've got to write about this.” JOANNA: It's really interesting, isn't it? I really only started using the word “home” after the pandemic and living here in Bath. We had luckily just bought a house before then, and I'd never really considered anywhere to be a home. I've talked about this idea of third culture kids—people who grow up between cultures and don't feel like there's a home anywhere. I was really interested in your book because there's so much about the functional things that have to happen when you move house or look for a house, and often people aren't thinking about it as deeply as you are. So did you start working on the memoir as you went to see places, or was it something you thought about when you were leaving? Was it a “moving towards” kind of memoir or a “sad nostalgia” memoir? ROZ: Well, it could have been very sad and nostalgic because I do like to write really emotional things, and they're not necessarily for sharing with everybody, but I was very interested in the emotions of it. I started keeping diaries. Some of them were just diaries I'd write down, some of them were emails I'd send to friends who were saying, “How's it going?” And then I'd find I was just writing pieces rather than emails, and it built up really. JOANNA: It's interesting, you said you write emotional things. We mentioned nostalgia, and obviously there are memories in the home, but it's very easy to say a word like “nostalgia” and everyone thinks that means different things. One of the important things about writing is to be very specific rather than general. Can you give us some tips about how we can turn big emotions into specific written things that bring it alive for our readers? ROZ: It's really interesting that you mention nostalgia, because what we have to be careful of is not writing just for ourselves. It starts with us—our feelings about something, our responses, our curiosities—but we then have to let other people in. There's nothing more boring than reading something that's just a memoir manuscript that doesn't reach out to anyone in any way. It's like looking through their holiday snaps. What you have to do is somehow find something bigger in there that will allow everyone to connect and think, “Oh, this is about me too,” or “I've thought this too.” As I said, we start with things that feel powerful and important for us, and I think we don't necessarily need to go looking for them. They emerge the more deeply we think about what we're writing. We find they're building. Certainly for me, it's what pulls me back to an idea, thinking, “There's something in this idea that's really talking to me now. What is it?” Often I'll need to go for walks and things to let the logical mind turn off and ideas start coming in. But I'll find that something is building and it seems to become more and more something that will speak to others rather than just to me. That's one way of doing it—by listening to your intuition and delving more and more until you find something that seems worth saying to other people. But you could do it another way. If you decided you wanted to write a book about home, and you'd already got your big theme, you could then think, “Well, how will I make this into something manageable?” So you start with something big and build it into smaller-scale things that can be related to. You might look at ideas of homes—situations of people who have lost their home, like the kind of displacement we see at the moment. Or we might look at another aspect, such as people who sell homes and what they must feel like being these go-betweens between worlds, between people who are doing these immense changes in their lives. Or we might think of an ecological angle—the planet Earth and what we're doing to it, or our place in the cosmos. We might start with a thing we want to write about and then find, “How are we going to treat it?” That usually comes down to what appeals to us. It might be the ecological side. It might be the story of a few estate agents who are trying to sell homes for people. Or it might be like mine—just a personal story of trying to move house. From that, we can create something that will have a wider resonance as well as starting with something that's personally interesting to you. The big emotions will come out of that wider resonance. JOANNA: Trying to go deeper on that— It's the “show, don't tell” idea, isn't it? If you'd said, “I felt very sad about leaving my house” or “I felt very sad about the prospect of leaving my house,” that is not a whole book. ROZ: Yes. It's why you felt sad, how you felt sad, what it made you think of. That's a very good point about “show, don't tell,” which is a fundamental writing technique. It basically tells people exactly how you feel about a particular thing, which is not the same as the way anyone else would feel about it—but still, curiously, it can be universal and something that we can all tap into. Funnily enough, by being very specific, by saying, “I realised when we'd signed the contract to sell the house that it wasn't ours anymore, and it had been, and I felt like I was betraying it,” that starts to get really personal. People might think, “Yes, I felt like that too,” or “I hadn't thought you'd feel like that, but I can understand it.” Those specifics are what really let people into the journey that you're taking them on. JOANNA: And isn't this one of the challenges, that we're not even going to use a word like “sad,” basically. ROZ: Yes. It's like, who was it who said, “Don't tell me if they got wet—tell me how it felt to get wet in that particular situation.” Then the reader will think, “Oh yes, they got wet,” but they'll also have had an experience that took them somewhere interesting. JOANNA: Yes. Show me the raindrops on the umbrella and the splashing through the puddles. I think this is so important with big emotions. Also, when we say nostalgia—we've talked before about Stranger Things and Kate Bush and the way Stranger Things used songs and nostalgia. Oh, I was watching Derry Girls—have you seen Derry Girls? ROZ: No, I haven't yet. JOANNA: Oh, it's brilliant. It's so good. It's pretty old now, but it's a nineties soundtrack and I'm watching going, “Oh, they got this so right.” They just got it right with the songs. You feel nostalgic because you feel an emotion that is linked to that music. It makes you feel a certain way, but everyone feels these things in different ways. I think that is a challenge of fiction, and also memoir. Certainly with memoir and fiction, this is so important. ROZ: Yes, and I was just thinking with self-help books, it's even important there because self-help books have to show they understand how the reader is feeling. JOANNA: Yes, and sometimes you use anecdotes to do that. Another challenge with memoir—in this book, you're going round having a look at places, and they're real places and there are real people. This can be difficult. What are things that people need to be wary of if using real people in real places? Do you need permissions for things? ROZ: That book was particularly tricky because, as you said, I was going around real places and talking about real people. With most of them, they're not identifiable. Even though I was specific about particular aspects of particular houses, it would be very hard for anyone to know where those houses were. I think possibly the only way you would recognise it is if that happened to be your own house. The people, similarly—there's a lot about estate agents and other professionals. They were all real incidents and real things that happened, but no one is identifiable. A very important thing about writing a book like this is you're always going to have antagonists, because you have to have people who you're finding difficult, people who are making life a bit difficult for you. You have to present them in a way that understands what it's like to be them as well. If you're writing a book where your purpose is to expose wrongdoing or injustices, then you might be more forthright about just saying, “This is wrong, the way this person behaved was wrong.” You might identify villains if that's appropriate, although you'd have to be very careful legally. This kind of book is more nuanced. The antagonists were simply people who were trying to do the right thing for them. You have to understand what it's like to be them. Quite a lot of the time, I found that the real story was how ill-equipped I sometimes felt to deal with people who were maybe covering something up, or maybe not, but just not expressing themselves very clearly. Estate agents who had an agenda, and I was thinking, “Who are they acting for? Are they acting for me, or are they acting for someone else that we don't even know about?” There's a fair bit of conflict in the book, but it comes from people being people and doing what they have to do. I just wanted to find a good house in an area that was nice, a house I could trust and rely on, for a price that was right. The people who were selling to me just wanted to sell the house no matter what because that was what they needed to do. You always have to understand what the other person's point of view is. Often in this kind of memoir, even though you might be getting very frustrated, it's best to also see a bit of a ridiculous side to yourself—when you're getting grumpy, for instance. It's all just humans being humans in a situation where ultimately you're going to end up doing a life-changing and important thing. I found there's quite a lot of humour in that. We were shuffling things around and, as I said, we were eventually going to be making a cosmic change that would affect the place we called home. I found that quite amusing in a lot of ways. I think you've got to be very levelheaded about this, particularly about writing about other people. Sometimes you do have to ask for permission. I didn't have to do that very much in this book. There were people I wrote about who are actually friends, who would recognise themselves and their stories. I checked that they didn't mind me quoting particular things, and they were all fine with that. In my previous memoir, Not Quite Lost, I actually wrote about a group of people who were completely identifiable. They would definitely have known who they were, and other people would have known who they were. There was no hiding them. They were the people near Brighton who were cryonicists—preserving dead bodies, freezing them, in the hope that they could be revived at a much later date when science had solved the problem that killed them. I went to visit this group of cryonicists, and I'd written a diary about it at the time. Then I followed up when I was writing the book to find out what happened to them. I thought, I've simply got to contact them and tell them I'm going to write this. “I'll send it to you, you give me your comments,” and I did. They gave me some good comments and said, “Oh, please don't put that,” or “Let me clarify this.” Everything was fine. So there I did actually seek them out and check that what I was going to write was okay. JOANNA: Yes, in that situation, there can't be many cryonicists in that area. ROZ: They really were identifiable. JOANNA: There's probably only one group! But this is really interesting, because obviously memoir is a personal thing. You're curating who you are as well in the book, and your husband. I think it's interesting, because I had the problem of “Am I giving away too much about myself?” Do you feel like with everything you've written, you've already given away everything about yourself by now? Are you just completely relaxed about being personal, for yourself and for your husband? ROZ: I think I have become more relaxed about it. My first memoir wasn't nearly as personal as yours was. You were going to some quite difficult places. With Turn Right at the Rainbow, I was approaching some darker places, actually, and I had to consider how much to reveal and how much not to. But I found once I started writing, the honesty just took over. I thought, “This is fine. I have read plenty of books that have done this, and I've loved them. I've loved getting to know someone on that deeper level.” It was just something I took my example from—other writers I'd enjoyed. JOANNA: Yes. I think that's definitely the way memoir has to happen, because it can be very hard to know how to structure it. Let's come to the title. Turn Right at the Rainbow. Really great title, and obviously a subtitle which is important as well for theme. Talk about where the title came from and also the challenges of titling books of any genre. You've had some other great titles for your novels—at least titles I've thought, “Oh yes, that's perfect.” Titling can be really hard. ROZ: Oh, thank you for that. Yes, it is hard. Ever Rest, which was the title of my last novel, just came to me early on. I was very lucky with that. It fitted the themes and it fitted what was going on, but it was just a bolt from the blue. I found that also with Turn Right at the Rainbow, it was an accident. It slipped out. I was going to call it something else, and then this incident happened. “Turn Right at the Rainbow” is actually one of the stories in the book. I call it the title track, as if it's an album. We were going somewhere in the car and the sat nav said, “Turn right at the rainbow.” And Dave and I just fell about, “What did it just say?!” It also seemed to really sum up the journey we were on. We were looking for rainbows and pots of gold and completely at the mercy of chance. It just stayed with me. It seemed the right thing. I wrote the piece first and then I kept thinking, “Well, this sounds like a good title.” Dave said it sounded like a good title. And then a friend of mine who does a lot of beta reading for me said, “Oh, that is the title, isn't it?” When several people tell you that's the title, you've got to take notice. But how we find these things is more difficult, as you said. You just work and work at it, beating your head against the wall. I find they always come to me when I'm not looking. It really helps to do something like exercise, which will put you in a bit of a different mind state. Do you find this as well? JOANNA: Yes, I often like a title earlier on that then changes as the book goes. I mean, we're both discovery writers really, although you do reverse outlines and other things. You have a chaotic discovery phase. I feel like when I'm in that phase, it might be called something, and then I often find that's not what it ends up being, because the book has actually changed in the process. ROZ: Yes, very much. That's part of how we realise what we should be writing. I do have working titles and then something might come along and say, “This seems actually like what you should call it and what you've been working towards, what you've been discovering about it.” I think a good title has a real sense of emotional frisson as well. With memoir, it's easier because we can add a subtitle to explain what we mean. With fiction, it's more difficult. We've got to really hope that it all comes through those few words, and that's a bit harder. JOANNA: Let's talk about your next book. On your website it says it might be a novel, it might be narrative nonfiction, and you have a working title of Four. I wondered if you'd talk a bit more about this chaotic discovery writing phase when we just don't know what's coming. I feel like you and I have been doing this long enough—you longer than me—so maybe we're okay with it. But newer writers might find this stage really difficult. Where's the fun in it? Why is it so difficult? And how can people deal with it? ROZ: You've summed that up really well. It's fun and it's difficult, and I still find it difficult even after all these years. I have to remind myself, looking back at where Ever Rest started, because that was a particularly difficult one. It took me seven years to work out what to do with it, and I wrote three other books in the meantime. It just comes together in the end. What I find is that something takes root in my mind and it collects things. The title you just picked out there—the book with working title of Four—it's now two books. One possibly another memoir and one possibly fiction. It's evolving all the time. I'm just collecting what seems to go with it for now and thinking, “That belongs with it somehow. I don't yet know how, but my intuition is that the two work well together.” There's a harmony there that I see. In the very early stages, that's what I find something is. Then I might get a more concrete idea, say a piece of story or a character, and I'll have the feeling that they really fit together. Once I've got something concrete like that, I can start doing more active research to pursue the idea. But in the beginning, they're all just little twinkles in the eye and you just have to let them develop. If you want to get started on something because you feel you want to get started and you don't feel happy if you're not working on something, you could do a far more active kind of discovery. Writing lists. Lists are great for this. I find lists of what you don't want it to be are just as helpful as what you do want it to be because that certainly narrows down a lot and helps you make good choices. You've got a lot of choices to make at the beginning of a book. You've got to decide: What's it going to be about? What isn't it going to be about? What kind of characters am I interested in? What kind of situations am I interested in? What doesn't interest me about this situation? Very important—saves you a lot of time. What does interest me? If you can start by doing that kind of thing, you will find that you start gathering stuff that gets attracted to it. It's almost like the world starts giving it to you. This is discovery writing, but it's also chivvying it along a bit and getting going. It does work. Joanna: I like the idea of listing what you don't want it to be. I think that's very useful because often writers, especially in the early stages—or even not, I still struggle with this—it's knowing what genre it might actually be. With Bones of the Deep, which is my next thriller, it was originally going to be horror and I was writing it, and then I realised one of the big differences between horror and thriller is the ending and how character arcs are resolved and the way things are written. I was just like, “Do you know what? I actually feel like this is more thriller than horror,” and that really shaped the direction. Even though so much of it was the same, it shaped a lot about the book. It's always hard talking about this stuff without giving spoilers, but I think deciding, “Okay, this is not a horror,” actually helped me find my way back to thriller. ROZ: Yes, I do know what you mean. That makes perfect sense to me, with no spoilers either. It's so interesting how a very broad-strokes picture like that can still be very helpful. Just trying to make something a bit different from the way you've been envisaging it can lead to massive breakthroughs. “Oh no, it's not a thriller—I don't have to be aiming for that kind of effect.” Or try changing the tone a little bit and see if that just makes you happier with what you're making, more comfortable with it. JOANNA: You mentioned the seven years that Ever Rest took. We should say the title is in two words—”Ever” and “Rest”—but it is also about Everest the mountain in many ways. That's why it's such a perfect title. If that took seven years and you were doing all this other stuff and writing other books along the way, how do you keep your research under control? How do you do that? I still use Scrivener projects as my main research place. How do you do your research and organisation? ROZ: A lot of scraps of paper. My desk is massive. It used to be a dining table with leaves in it. It's spread out to its fullest length, and it's got heaps of little pieces of paper. I know what's on them all, and there are different areas, different zones. I'm very much a paper writer because I like the tangibility of it. I also like the creativity of taking a piece of paper and tearing it into an odd shape and writing a note on that. It seems as sort of profound and lucky as the idea. I really like that. I do make text files and keep notes that way. Once something is starting to get to a phase where it's becoming serious, it will then be a folder with various files that discuss different aspects of it. I do a lot of discussing with myself while writing, and I don't necessarily look at it all again. The writing of it clarifies something or allows me to put something aside and say, “No, that doesn't quite belong.” Gradually I start to look at things, look at what I've gathered, and think, “How does this fit with this?” And it helps to look away as well. As I said with finding titles, sometimes the right thing is in your subconscious and it's waiting to just sail in if you look at it in a different way. There's a lot to be said for working on several ideas, not looking at some of them for a while, then going back and thinking, “Oh, I know what to do with this now.” JOANNA: Yes. My Writing the Shadow, I was talking about that when we met, and that definitely took about a decade. ROZ: Yes. JOANNA: I kept having to come back to that, and sometimes we're just not ready. Even as experienced writers, we're not ready for a particular book. With Bones of the Deep, I did the trip that it's based on in 1999. Since I became a writer, I've thought I have to use that trip in some way, and I never found the right way to use it. I came at it a couple of times and it just never sat right with me. Then something on this master's course I'm doing around human remains and indigenous cultures just suddenly all clicked. You can't really rush that, can you? ROZ: You absolutely can't. It's something you develop a sense for, the more you do—whether something's ready or whether you should just let it think about itself for a while whilst you work on something else. It really helps to have something else to work on because I panic a bit if I don't have something creative to do. I just have to create, I have to make things, particularly in writing. But I also like doing various little arty things as well. I need to always have something to be writing about or exploring in words. Sometimes a book isn't ready for that intense pressure of being properly written. So it helps to have several things that I can play with and then pick one and go, “Okay, now I'm going to really perform this on the page.” JOANNA: Do you find that nonfiction—because you have some craft books as well—do you find the nonfiction side is quite different? Can you almost just go and write a nonfiction book or work on someone else's project? Does that use a different kind of creativity? ROZ: Yes, it does. Creativity where you're trying to explain something to creative people is totally different from creativity where you're trying to involve them in emotions and a journey and nuances of meaning. They're very different, but they're still fun. So, yes, I am an editor as well, and that feeds my creativity in various unexpected ways. I'll see what someone has done and think, “Oh, that's very interesting that they did that.” It can make me think in different ways—different shapes for stories, different kinds of characters to have. It really opens your eyes, working with other creative people. JOANNA: I wanted to return to what you said at the beginning, that it is more difficult these days to get our work noticed. There's certainly a challenge in writing a travel memoir about home. What are you doing to market this book? What have you learned about book marketing for memoir in particular that might help other people? ROZ: Partly I realised it was quite a natural progression for me because in my newsletter I always write a couple of little pieces. I think they're called “life writing.” Just little things that have happened to me. That's sort of like memoir, creative nonfiction, personal essays. I was quite naturally writing that sort of thing to my newsletter readers, and I realised that was already good preparation for the kind of way that I would write in a memoir. As for the actual campaign, I actually came up with an idea which quite surprised me because I didn't think I was good at that. I'm making a collage of the word “home” written in lots of different handwriting, on lots of different things, in lots of different languages. I'm getting people to contribute these and send them to me, and I'm building them into a series of collages that's just got the word “home” everywhere. People have been contributing them by sending them by email or on Facebook Messenger, and I've been putting them up on my social platforms. They look stunning. It's amazing. People are writing the word “home” on a post-it or sticking it to a picture of their radiator. Someone wrote it in snow on her car when we had snow. Someone wrote it on a pottery shard she found in her drive when she bought the house. She thought it was mysterious. There are all these lovely stories that people are telling me as well. I'm making them into little artworks and putting them up every day as the book comes to launch. It's so much fun, and it also has a deeper purpose because it shows how home is different for all of us and how it builds as uniquely as our handwriting. Our handwriting has a story. I should do a book about that! JOANNA: That's a weird one. Handwriting always gets me, although it'd be interesting these days because so many people don't handwrite things anymore. You can probably tell the age of someone by how well-developed their handwriting is. ROZ: Except mine has just withered. I can barely write for more than a few minutes. JOANNA: Oh, I know what you mean. Your hand gets really tired. ROZ: We used to write three-hour exams. How did we do that? JOANNA: I really don't know. JOANNA: Just coming back on that. You mentioned mainly you're doing your newsletter and connecting with your own community. You've done podcasts with me and with other people. But I feel like in the indie community, the whole “you must build your newsletter” thing is described as something quite frantic. How have you built a newsletter in a sustainable manner? ROZ: I've built it by finding what suited me. To start with I thought, “What will I put in it? News, obviously.” But I wasn't doing that much that was newsworthy. Then I began to examine what news could actually be. The turning point really happened when I wrote the first memoir, Not Quite Lost: Travels Without a Sense of Direction. I thought, “I have to explain to people why I'm writing a memoir,” because it seemed like a very audacious thing to do—”Read about me!” I thought I had to explain myself. So I told the story of how I came to think about writing such an audacious book. I just found a natural way to tell stories about what I was doing creatively. I thought, “I like this. I like writing a newsletter like this.” And it's not all me, me, me. It's “I'm discovering this and it makes me think this,” and it just seems to be generally about life, about little questions that we might all face. From then, I found I really enjoyed writing a newsletter because I felt I had something to say. I couldn't put lists of where I was speaking, what I was teaching, what special offers I had, because that wasn't really how my creative life worked. Once I found something I could sustainably write about every month, it really helped. Oh, it also helps to have a pet, by the way. JOANNA: Yes, you have a horse! ROZ: I've got a horse. People absolutely love hearing the stories about my ongoing relationship with this horse. Even if they're not horsey, they write to me and say, “We just love your horse.” It helps to have a human interest thing going on like that. So that works for me. Everyone's got different things that will work for them. But for me, it builds just a sense of connection, human connection. I'm human, making things. JOANNA: In terms of actually getting people signed up—has it literally just been over time? People have read your book, signed up from the link at the back? Have you ever done any specific growth marketing around your newsletter? ROZ: I tried a little bit of growth marketing. I have a freebie version of one of my Nail Your Novel books and I put that on a promotion site. I got lots of newsletter signups, but they sort of dwindled away. When I get unsubscribes, it's usually from that list, because it wasn't really what they came for. They just came for a free book of writing tips. While I do writing tips on my blog—I'm still doing those—it wasn't really what my newsletter was about. What I found was that that wasn't going to get people who were going to be interested long-term in what I was writing about in my newsletter. Whatever you do, I found, has got to be true to what you are actually giving them. JOANNA: Yes, I think that's really key. I make sure I email once every couple of weeks. And you welcome the unsubscribes. You have to welcome them because those people are not right for you and they're not interested in what you're doing. At the end of the day, we're still trying to sell books. As much as you're enjoying the connection with your audience, you are still trying to sell Turn Right at the Rainbow and your other books, right? ROZ: Absolutely, yes. And as you say, someone who decides, “No, not for me anymore,” and that's good. There are still people who you are right for. JOANNA: Mm-hmm. ROZ: I do market my newsletter in a very low-key way. I make a graphic every month for the newsletter, it's like a magazine cover. “What's in it?” And I put that around all my social media. I change my Facebook page header so it's got that on it, my Bluesky header. People can see what it's like, what the vibe is, and they know where to find it if they're interested. I find that kind of low-key approach works quite well for what I'm offering. It's got to be true to what you offer. JOANNA: Yes, and true for a long-term career, I think. When I first met you and your husband Dave, it was like, “Oh, here are some people who are in this writing business, have already been in it for a while.” And both of you are still here. I just feel like— You have to do it in a sustainable way, whether it's writing or marketing or any of this. The only way to do it is to, as you said, live as a creative human and not make it all frantic and “must be now.” ROZ: Yes. I mean, I do have to-do lists that are quite long for every week, but I've learned to pace myself. I've learned how often I can write a good blog post. I could churn out blog posts that were far more frequent, but they wouldn't be as good. They wouldn't be as properly thought through. In the old days with blogs, you had an advantage if you were blogging very frequently, I think you got more noticed by Google because you were constantly putting up fresh content. But if that's not sustainable for you, it's not going to do you any good. Now there's so much content around that it's probably fine to post once a month if that is what you're going to do and how you're going to present the best of yourself. I see a lot on Substack—I've recently started Substack as well—I see people writing every other day. I think they're good, that's interesting, but I don't have time to read it. I would love to have the time, but I don't. So there's actually no sin in only posting once a month—one newsletter a month, one blog post a month, one Substack a month. That's plenty. People will still find that enough if they get you. JOANNA: Fantastic. So where can people find you and your books and everything you do online? ROZ: My website is probably the easiest place, RozMorris.org. JOANNA: Brilliant. Well, thank you so much for your time, Roz. As ever, that was great. ROZ: Thank you, Jo.The post Writing Emotion, Discovery Writing, And Slow Sustainable Book Marketing With Roz Morris first appeared on The Creative Penn.

Le samedi 16 novembre 2019, le corps atrocement mutilé d'Elisa Pilarski, 29 ans, est découvert dans une forêt du département de l'Aisne, dans le nord de la France. L'enquête conclut que la jeune femme a été mordue à mort par le chien de son compagnon, Curtis, un pitbull qu'elle était allée promener. Elle était enceinte de six mois.Six ans plus tard, entre le 3 et le 5 mars 2026, Christophe Ellul, l'ancien compagnon d'Elisa, a été jugé à Soissons pour homicide involontaire. Cet homme de 51 ans est accusé d'avoir fait venir son chien illégalement, et de l'avoir dressé au « mordant », une pratique illégale en France. Il encourt jusqu'à dix ans de prison. La décision du tribunal est attendue au mois de juin.Cet épisode de Code source est raconté par Louise Colcombet, journaliste police-justice du Parisien. Elle a assisté au procès de Christophe Ellul à Soissons.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Anaïs Godard, Clara Garnier-Amouroux et Clémentine Spiler - Réalisation et mixage : Julien Montcouquiol - Crédit photo : DR - Musiques : François Clos, Audio Network. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Richard Gearhart and Elizabeth Gearhart, co-hosts of the Passage to Profit Show, sit down with entrepreneurs Scott Harris and Greg Weir to discuss the psychology of success, building businesses from scratch, navigating high-stakes real estate and security industries, and the resilience required to overcome setbacks and create lasting wealth. What if buying a home isn't just a transaction—but a psychological journey? Real estate expert and bestselling author Scott Harris, founder of Magnetic Real Esate reveals why most people approach buying and selling homes the wrong way and how understanding the human side of real estate can change everything. Discover the surprising psychology behind one of the biggest decisions of your life. Read more at: https://magneticre.com/ From a $4-an-hour security guard to building a successful business from the ground up, Greg Weir shares a powerful story of resilience and entrepreneurship. After facing betrayal, business collapse, and even attempts on his life, he reveals the hard-earned lessons that helped him rebuild and succeed. Check out his book, More Than Just Luck releasing on March 17, 2026. Read more at: https://www.gregwier.com/ Whether you're a seasoned entrepreneur, startup founder, inventor, or small business owner, the Passage to Profit Show is a leading podcast for insights on entrepreneurship, innovation, intellectual property and business strategy. Hosted by Richard Gearhart and Elizabeth Gearhart, the show features industry leaders, investors, and founders who share real-world lessons on scaling companies, protecting ideas, building generational wealth, and navigating today's evolving business landscape. Visit https://passagetoprofitshow.com/ for the latest episodes, expert interviews, and resources designed to help you grow, protect, and profit from your ideas. Chapters (00:00:00) - Passing to Profit(00:00:22) - Passage to Profit(00:01:23) - The Decision That Changed the Direction of My Business(00:02:40) - What was the one decision you made that changed the trajectory of Your(00:05:49) - Scott Harris: Chasing Homes the Wrong Way(00:07:38) - How Real Estate Salespeople Get to Know Their Clients(00:08:59) - Real Estate Agents on the Pursuit of Home(00:10:20) - How to Manage a Home Buyer's Emotions(00:14:18) - Are Real Estate Agents Bad People?(00:17:02) - What to Do When Your Couple Is At Odd and Divor(00:18:38) - 7 Things That Destroy Trust in Real Estate(00:19:49) - Car Shield(00:20:48) - Better Health Insurance for You and Your Family(00:21:49) - Passing to Profit: The Real Estate Process(00:25:40) - When Real Estate Agents Get It Wrong(00:29:21) - Be Prepared For Buying or Selling A Home(00:30:34) - Real Estate Business Owners Roundtable: AI in Your Business(00:33:28) - How Business Owners are Using AI in Business(00:36:08) - Debt Relief for Divorced People(00:38:31) - A Former Google Employee Gets Convicted of Stealing AI Trade Secrets(00:42:41) - How to Start a Business on Your Own(00:45:06) - The Secret to Remarkable Resilience(00:48:42) - How Married People Get Through Life(00:49:51) - In the Elevator With Greg Gaines(00:52:08) - Richard Harris on Becoming Wealthy(00:56:35) - In the Elevator With Rick Rubin(00:57:33) - Greg Weir on How to Get Rich in Michigan(01:00:43) - Scott Harris on Trusting His Gut(01:03:29) - Do You Should Have Said No to a Marketing Agency?(01:07:14) - Car Shield(01:08:18) - Old Things That Will Never Change(01:09:24) - 7 Secrets of the Entrepreneurial Mind(01:10:27) - Always Be Available(01:11:17) - Copyright Basics

Direction le Sénégal où une chape de plomb pèse sur les homosexuels : après demain, mercredi, l'Assemblée nationale à Dakar va débattre d'un projet de loi visant à doubler les peines encourues pour relations entre personnes de même sexe. La communauté gay au Sénégal vit dans la crainte.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Monday, March 9, 2026

We share the first of our 12 Keys to Happiness and explain why happiness isn't a finish line but a direction you choose. Direction reframes joy as a daily response, not a destination or a thing you can own.• the 12 Keys to Happiness program and monthly tokens• why happiness functions as direction rather than destination• choosing responses over chasing outcomes• practical ways to pivot one degree toward joy• how small, repeatable choices set your pathhttps://aarondegler.com/

In today's episode, we break down the latest Miami Dolphins roster moves, discuss the team's direction heading into the offseason, and preview what could happen in NFL Free Agency.

HEAVEN - Psalm 103:19, The Lord has established His throne in heaven, and His kingdom rules over all. CHURCH - 2 Corinthians 3:9, For we are God's fellow workers; you are God's field, you are God's building. SOCIETY - Jeremiah 22:3, “Execute judgment and righteousness, and deliver the plundered out of the hand of the oppressor. Do no wrong and do no violence to the stranger, the fatherless, or the widow, nor shed innocent blood in this place.” Matthew 25:34-36 Then the King will say to those on His right hand, ‘Come, you blessed of My Father, inherit the kingdom prepared for you from the foundation of the world: 35 for I was hungry and you gave Me food; I was thirsty and you gave Me drink; I was a stranger and you took Me in; 36 I was naked and you clothed Me; I was sick and you visited Me; I was in prison and you came to Me.'

There are seasons when life goes quiet—like the screen just cuts to black. In Healthy Mind, Healthy Life, hosted by Yusuf, former CNN producer Jamie Maglietta shares how that “dip to black” moment can become a turning point instead of a breakdown. This episode is for anyone facing job loss, identity shifts, or that in-between space where the old plan doesn't fit—but the new one isn't clear yet. Jamie offers a grounded way to move forward: slow your mind while life speeds up, work with what you have, test your next steps, and let clarity arrive through action. Episode Chapters: 00:01:43 — When life “cuts to black” and the plan disappears 00:02:42 — Jamie's first real “dip to black” after career shifts 00:03:42 — What “dip to black” means in live TV—and in real life 00:06:25 — Why disruption takes time (and why it looks “sudden” online) 00:08:01 — Embracing the mess: how reps create clarity 00:09:18 — The liminal space: mourning what you lost and rebuilding identity 00:15:44 — Doubt after clarity: anchoring without reverting to old patterns About the Guest: Jamie Maglietta is a former television news producer who worked at CNN. She now helps professionals become more media-ready and on-camera confident, and shares resources through her platform On Cam Ready. Key Takeaways: Name your “dip to black” moment so you stop treating it like personal failure Don't wait for certainty—test small moves until clarity shows up Mentally slow down when everything feels fast: ask “What do I know is true?” Commit to a direction for a set window (e.g., 3–6 months) before judging it Expect pivots inside pivots—adjust without turning it into self-doubt Stop producing everyone else's life: step into the frame and build your own story How to Connect With the Guest: YouTube: On Cam Ready Instagram: @jamie_maglietta Website: OnCamReady.com Want to be a guest on Healthy Mind, Healthy Life? DM on PM - Send me a message on PodMatch DM Me Here: https://www.podmatch.com/hostdetailpreview/avik Disclaimer: This video is for educational and informational purposes only. The views expressed are the personal opinions of the guest and do not reflect the views of the host or Healthy Mind By Avik™️. We do not intend to harm, defame, or discredit any person, organization, brand, product, country, or profession mentioned. All third-party media used remain the property of their respective owners and are used under fair use for informational purposes. By watching, you acknowledge and accept this disclaimer. Healthy Mind By Avik™️ is a global platform redefining mental health as a necessity, not a luxury. Born during the pandemic, it's become a sanctuary for healing, growth, and mindful living. Hosted by Avik Chakraborty, storyteller, survivor, and wellness advocate. With over 6000+ episodes and 200K+ global listeners, we unite voices, break stigma, and build a world where every story matters.

3/8/2026 - Joshua 6 - Carlos Farias: God's Direction ＞ Human Wisdom by Pastor Dennis Fountain

I REPLACED THE AIR YOU'RE BREATHING WITH POWER. TAKE IT IN. I'M TAKING IT UP. www.curlynikki.comSupport the show-> http://patreon.com/goodmornings

3.5.26, Nicki Jhabvala from The Athletic joins The Kevin Sheehan Show to discuss the Commanders' recent moves prior to free agency, what roster moves the team should make this offseason and if they should consider signing Stefon Diggs.

3.5.26 Hour 2, Nicki Jhabvala from The Athletic joins The Kevin Sheehan Show to discuss the Commanders' recent moves prior to free agency, what roster moves the team should make this offseason and if they should consider signing Stefon Diggs. Tim Murray from VSiN joins The Kevin Sheehan Show to discuss the passing of Lou Holtz and evaluate top prospects going into the NFL Draft.