Podcasts about Direction

How do you capture something as enormous and personal as the feeling of “home” in a book? How can you navigate the chaotic discovery period in writing something new? With Roz Morris. In the intro, KU vs Wide [Written Word Media]; Podcasts Overtake Radio, book marketing implications [The New Publishing Standard]; Tips for podcast guests; The Vatican embraces AI for translation, but not for sermons [National Catholic Reporter]; NotebookLM; Self-Publishing in German; Bones of the Deep. This episode is sponsored by Publisher Rocket, which will help you get your book in front of more Amazon readers so you can spend less time marketing and more time writing. I use Publisher Rocket for researching book titles, categories, and keywords — for new books and for updating my backlist. Check it out at www.PublisherRocket.com This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Roz Morris is an award-nominated literary fiction author, memoirist, and previously a bestselling ghostwriter. She writes writing craft books for authors under the Nail Your Novel brand, and is also an editor, speaker, and writing coach. Her latest travel memoir is Turn Right at the Rainbow: A Diary of House-Hunting, Happenstance & Home. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How being an indie author has evolved over 15 years, from ebooks-only to special editions, multi-voice audiobooks and tools to help with everything Why “home” is such a powerful emotional theme and how to turn personal experiences into universal memoir Practical craft tips on show-don't-tell, writing about real people, and finding the right book title The chaotic discovery writing phase — why some books take seven years and why that's okay Building a newsletter sustainably by finding your authentic voice (and the power of a good pet story) Low-key book marketing strategies for memoir, including Roz's community-driven “home” collage campaign You can find Roz at RozMorris.org. Transcript of the interview with Roz Morris JOANNA: Roz Morris is an award-nominated literary fiction author, memoirist, and previously a bestselling ghostwriter. She writes writing craft books for authors under the Nail Your Novel brand, and is also an editor, speaker, and writing coach. Her latest travel memoir is Turn Right at the Rainbow: A Diary of House-Hunting, Happenstance & Home. Welcome back to the show, Roz. ROZ: Hi, Jo. It's so lovely to be back. I love that we managed to catch up every now and again on what we're doing. We've been doing this for so long. JOANNA: In fact, if people don't know, the first time you came on this show was 2011, which is 15 years. ROZ: I know! JOANNA: It is so crazy. I guess we should say, we do know each other in person, in real life, but realistically we mainly catch up when you come on the podcast. ROZ: Yes, we do, and by following what we're doing around the web. So I read your newsletters, you read mine. JOANNA: Exactly. So good to return. You write all kinds of different things, but let's first take a look back. The first time you were on was 2011, 15 years ago. You've spanned traditional and indie, you've seen a lot. You know a lot of people in publishing as well. What are the key things you think have shifted over the years, and why do you still choose indie for your work? ROZ: Well, lots of things have shifted. Some things are more difficult now, some things are a lot easier. We were lucky to be in right at the start and we learned the ropes and managed to make a lot of contacts with people. Now it's much more difficult to get your work out there and noticed by readers. You have to be more knowledgeable about things like marketing and promotions. But that said, there are now much better tools for doing all this. Some really smart people have put their brains to work about how authors can get their work to the right readers, and there's also a lot more understanding of how that can be done in the modern world. Everything is now much more niche-driven, isn't it? People know exactly what kind of thriller they like or what kind of memoir they like. In the old days it was probably just, “Well, you like thrillers,” and that could be absolutely loads of things. Now we can find far better who might like our work. The tools we have are astonishing. To start with, in about 2011, we could only really produce ebooks and paperbacks. That was it. Anything else, you'd have to get a print run that would be quite expensive. Now we can get amazing, beautiful special editions made. We can do audiobooks, multi-voice audiobooks. We can do ebooks with all sorts of enhancements. We can even make apps if we want to. There's absolutely loads that creators can do now that they couldn't before, so it's still a very exciting world. JOANNA: When we first met, there was still a lot of negativity here in the UK around indie authors or self-publishing. That does feel like it's shifted. Do you think that stigma around self-publishing has changed? ROZ: I think it has really changed, yes. To start with, we were regarded as a bit of the Wild West. We were just tramping in and making our mark in places that we hadn't been invited into. Now it's changed entirely. I think we've managed to convince people that we have the same quality standards. Readers don't mind—I don't think the readers ever minded, actually, so long as the book looked right, felt right, read right. It's much easier now. It's much more of a level playing field. We can prove ourselves. In fact, we don't necessarily have to prove ourselves anymore. We just go and find readers. JOANNA: Yes, I feel like that. I have nothing to prove. I just get on with my work and writing our books and putting them out there. We've got our own audiences now. I guess I always think of it as perhaps not a shadow industry, but almost a parallel industry. You have spanned a lot of traditional publishing and you still do editing work. You know a lot of trad pub authors too. Do you still actively choose indie for a particular reason? ROZ: I do. I really like building my own body of work, and I'm now experienced enough to know what I do well, what I need advice with, and help with. I mean, we don't do all this completely by ourselves, do we? We bring in experts who will give us the right feedback if we're doing a new genre or a genre that's new to us. I choose indie because I like the control. Because I began in traditional publishing—I was making books for other people—I just learned all the trades and how to do everything to a professional standard. I love being able to apply that to my own work. I also love the way I can decide what I'm going to write next. If I was traditionally published, I would have to do something that fitted with whatever the publisher would want of me, and that isn't necessarily where my muse is taking me or what I've become interested in. I think creative humans evolve throughout their lives. They become interested in different things, different themes, different ways of expressing themselves. I began by thinking I would just write novels, and now I've found myself writing memoirs as well. That shift would have been difficult if someone else was having to make me fit into their marketing plans or what their imprint was known for. But because I've built my own audience, I can just bring them with me and say, “You might like this. It's still me. I'm just doing something different.” JOANNA: I like that phrase: “creative humans.” That's what we are. As you say, I never thought I would write a memoir, and then I wrote Pilgrimage, and I think there's probably another one on its way. We do these different things over time. Let's get into this new book, Turn Right at the Rainbow. It's about the idea of home. I've talked a lot about home on my Books And Travel Podcast, but not so much here. Why is home such an emotional topic, for both positive and negative reasons? Why did you want to explore it? ROZ: I think home is so emotional because it grows around you and it grows on you very slowly without you really realising it. As you are not looking, you suddenly realise, “Oh, it means such a lot.” I love to play this mind game with myself—if you compare what your street looks like to you now and how it looked the first time you set eyes on it, it's a world of difference. There are so many emotional layers that build up just because of the amount of time we spend in a place. It's like a relationship, a very slow-growing friendship. And as you say, sometimes it can be negative as well. I became really fascinated with this because we decided to move house and we'd lived in the same house for about 30 years, which is a lot of time. It had seen a lot of us—a lot of our lives, a lot of big decisions, a lot of good times, a lot of difficult times. I felt that was all somehow encapsulated in the place. I know that readers of certain horror or even spiritual fiction will have this feeling that a place contains emotions and pasts and all sorts of vibes that just stay in there. When we were going around looking at a house to buy, I was thinking, “How do we even know how we will feel about it?” We're moving out of somewhere that has immense amounts of feelings and associations, and we're trying to judge whether somewhere else will feel right. It just seemed like we were making a decision of cosmic proportions. It comes down so much to chance as well. You're not only just deciding, “Okay, I'd like to buy that one,” and pressing a button like on eBay and you've won it. It doesn't happen like that. There are lots of middle steps. The other person's got to agree to sell to you, not do the dirty on you and sell to someone else. You've got all sorts of machinations going on that you have no idea about. And you only have what's on offer—you only get an opportunity to buy a place because someone else has decided to let it go. All this seemed like immense amounts of chance, of dice rolling. I thought, yet we end up in these places and they mean so much to us. It just blew my mind. I thought, “I've got to write about this.” JOANNA: It's really interesting, isn't it? I really only started using the word “home” after the pandemic and living here in Bath. We had luckily just bought a house before then, and I'd never really considered anywhere to be a home. I've talked about this idea of third culture kids—people who grow up between cultures and don't feel like there's a home anywhere. I was really interested in your book because there's so much about the functional things that have to happen when you move house or look for a house, and often people aren't thinking about it as deeply as you are. So did you start working on the memoir as you went to see places, or was it something you thought about when you were leaving? Was it a “moving towards” kind of memoir or a “sad nostalgia” memoir? ROZ: Well, it could have been very sad and nostalgic because I do like to write really emotional things, and they're not necessarily for sharing with everybody, but I was very interested in the emotions of it. I started keeping diaries. Some of them were just diaries I'd write down, some of them were emails I'd send to friends who were saying, “How's it going?” And then I'd find I was just writing pieces rather than emails, and it built up really. JOANNA: It's interesting, you said you write emotional things. We mentioned nostalgia, and obviously there are memories in the home, but it's very easy to say a word like “nostalgia” and everyone thinks that means different things. One of the important things about writing is to be very specific rather than general. Can you give us some tips about how we can turn big emotions into specific written things that bring it alive for our readers? ROZ: It's really interesting that you mention nostalgia, because what we have to be careful of is not writing just for ourselves. It starts with us—our feelings about something, our responses, our curiosities—but we then have to let other people in. There's nothing more boring than reading something that's just a memoir manuscript that doesn't reach out to anyone in any way. It's like looking through their holiday snaps. What you have to do is somehow find something bigger in there that will allow everyone to connect and think, “Oh, this is about me too,” or “I've thought this too.” As I said, we start with things that feel powerful and important for us, and I think we don't necessarily need to go looking for them. They emerge the more deeply we think about what we're writing. We find they're building. Certainly for me, it's what pulls me back to an idea, thinking, “There's something in this idea that's really talking to me now. What is it?” Often I'll need to go for walks and things to let the logical mind turn off and ideas start coming in. But I'll find that something is building and it seems to become more and more something that will speak to others rather than just to me. That's one way of doing it—by listening to your intuition and delving more and more until you find something that seems worth saying to other people. But you could do it another way. If you decided you wanted to write a book about home, and you'd already got your big theme, you could then think, “Well, how will I make this into something manageable?” So you start with something big and build it into smaller-scale things that can be related to. You might look at ideas of homes—situations of people who have lost their home, like the kind of displacement we see at the moment. Or we might look at another aspect, such as people who sell homes and what they must feel like being these go-betweens between worlds, between people who are doing these immense changes in their lives. Or we might think of an ecological angle—the planet Earth and what we're doing to it, or our place in the cosmos. We might start with a thing we want to write about and then find, “How are we going to treat it?” That usually comes down to what appeals to us. It might be the ecological side. It might be the story of a few estate agents who are trying to sell homes for people. Or it might be like mine—just a personal story of trying to move house. From that, we can create something that will have a wider resonance as well as starting with something that's personally interesting to you. The big emotions will come out of that wider resonance. JOANNA: Trying to go deeper on that— It's the “show, don't tell” idea, isn't it? If you'd said, “I felt very sad about leaving my house” or “I felt very sad about the prospect of leaving my house,” that is not a whole book. ROZ: Yes. It's why you felt sad, how you felt sad, what it made you think of. That's a very good point about “show, don't tell,” which is a fundamental writing technique. It basically tells people exactly how you feel about a particular thing, which is not the same as the way anyone else would feel about it—but still, curiously, it can be universal and something that we can all tap into. Funnily enough, by being very specific, by saying, “I realised when we'd signed the contract to sell the house that it wasn't ours anymore, and it had been, and I felt like I was betraying it,” that starts to get really personal. People might think, “Yes, I felt like that too,” or “I hadn't thought you'd feel like that, but I can understand it.” Those specifics are what really let people into the journey that you're taking them on. JOANNA: And isn't this one of the challenges, that we're not even going to use a word like “sad,” basically. ROZ: Yes. It's like, who was it who said, “Don't tell me if they got wet—tell me how it felt to get wet in that particular situation.” Then the reader will think, “Oh yes, they got wet,” but they'll also have had an experience that took them somewhere interesting. JOANNA: Yes. Show me the raindrops on the umbrella and the splashing through the puddles. I think this is so important with big emotions. Also, when we say nostalgia—we've talked before about Stranger Things and Kate Bush and the way Stranger Things used songs and nostalgia. Oh, I was watching Derry Girls—have you seen Derry Girls? ROZ: No, I haven't yet. JOANNA: Oh, it's brilliant. It's so good. It's pretty old now, but it's a nineties soundtrack and I'm watching going, “Oh, they got this so right.” They just got it right with the songs. You feel nostalgic because you feel an emotion that is linked to that music. It makes you feel a certain way, but everyone feels these things in different ways. I think that is a challenge of fiction, and also memoir. Certainly with memoir and fiction, this is so important. ROZ: Yes, and I was just thinking with self-help books, it's even important there because self-help books have to show they understand how the reader is feeling. JOANNA: Yes, and sometimes you use anecdotes to do that. Another challenge with memoir—in this book, you're going round having a look at places, and they're real places and there are real people. This can be difficult. What are things that people need to be wary of if using real people in real places? Do you need permissions for things? ROZ: That book was particularly tricky because, as you said, I was going around real places and talking about real people. With most of them, they're not identifiable. Even though I was specific about particular aspects of particular houses, it would be very hard for anyone to know where those houses were. I think possibly the only way you would recognise it is if that happened to be your own house. The people, similarly—there's a lot about estate agents and other professionals. They were all real incidents and real things that happened, but no one is identifiable. A very important thing about writing a book like this is you're always going to have antagonists, because you have to have people who you're finding difficult, people who are making life a bit difficult for you. You have to present them in a way that understands what it's like to be them as well. If you're writing a book where your purpose is to expose wrongdoing or injustices, then you might be more forthright about just saying, “This is wrong, the way this person behaved was wrong.” You might identify villains if that's appropriate, although you'd have to be very careful legally. This kind of book is more nuanced. The antagonists were simply people who were trying to do the right thing for them. You have to understand what it's like to be them. Quite a lot of the time, I found that the real story was how ill-equipped I sometimes felt to deal with people who were maybe covering something up, or maybe not, but just not expressing themselves very clearly. Estate agents who had an agenda, and I was thinking, “Who are they acting for? Are they acting for me, or are they acting for someone else that we don't even know about?” There's a fair bit of conflict in the book, but it comes from people being people and doing what they have to do. I just wanted to find a good house in an area that was nice, a house I could trust and rely on, for a price that was right. The people who were selling to me just wanted to sell the house no matter what because that was what they needed to do. You always have to understand what the other person's point of view is. Often in this kind of memoir, even though you might be getting very frustrated, it's best to also see a bit of a ridiculous side to yourself—when you're getting grumpy, for instance. It's all just humans being humans in a situation where ultimately you're going to end up doing a life-changing and important thing. I found there's quite a lot of humour in that. We were shuffling things around and, as I said, we were eventually going to be making a cosmic change that would affect the place we called home. I found that quite amusing in a lot of ways. I think you've got to be very levelheaded about this, particularly about writing about other people. Sometimes you do have to ask for permission. I didn't have to do that very much in this book. There were people I wrote about who are actually friends, who would recognise themselves and their stories. I checked that they didn't mind me quoting particular things, and they were all fine with that. In my previous memoir, Not Quite Lost, I actually wrote about a group of people who were completely identifiable. They would definitely have known who they were, and other people would have known who they were. There was no hiding them. They were the people near Brighton who were cryonicists—preserving dead bodies, freezing them, in the hope that they could be revived at a much later date when science had solved the problem that killed them. I went to visit this group of cryonicists, and I'd written a diary about it at the time. Then I followed up when I was writing the book to find out what happened to them. I thought, I've simply got to contact them and tell them I'm going to write this. “I'll send it to you, you give me your comments,” and I did. They gave me some good comments and said, “Oh, please don't put that,” or “Let me clarify this.” Everything was fine. So there I did actually seek them out and check that what I was going to write was okay. JOANNA: Yes, in that situation, there can't be many cryonicists in that area. ROZ: They really were identifiable. JOANNA: There's probably only one group! But this is really interesting, because obviously memoir is a personal thing. You're curating who you are as well in the book, and your husband. I think it's interesting, because I had the problem of “Am I giving away too much about myself?” Do you feel like with everything you've written, you've already given away everything about yourself by now? Are you just completely relaxed about being personal, for yourself and for your husband? ROZ: I think I have become more relaxed about it. My first memoir wasn't nearly as personal as yours was. You were going to some quite difficult places. With Turn Right at the Rainbow, I was approaching some darker places, actually, and I had to consider how much to reveal and how much not to. But I found once I started writing, the honesty just took over. I thought, “This is fine. I have read plenty of books that have done this, and I've loved them. I've loved getting to know someone on that deeper level.” It was just something I took my example from—other writers I'd enjoyed. JOANNA: Yes. I think that's definitely the way memoir has to happen, because it can be very hard to know how to structure it. Let's come to the title. Turn Right at the Rainbow. Really great title, and obviously a subtitle which is important as well for theme. Talk about where the title came from and also the challenges of titling books of any genre. You've had some other great titles for your novels—at least titles I've thought, “Oh yes, that's perfect.” Titling can be really hard. ROZ: Oh, thank you for that. Yes, it is hard. Ever Rest, which was the title of my last novel, just came to me early on. I was very lucky with that. It fitted the themes and it fitted what was going on, but it was just a bolt from the blue. I found that also with Turn Right at the Rainbow, it was an accident. It slipped out. I was going to call it something else, and then this incident happened. “Turn Right at the Rainbow” is actually one of the stories in the book. I call it the title track, as if it's an album. We were going somewhere in the car and the sat nav said, “Turn right at the rainbow.” And Dave and I just fell about, “What did it just say?!” It also seemed to really sum up the journey we were on. We were looking for rainbows and pots of gold and completely at the mercy of chance. It just stayed with me. It seemed the right thing. I wrote the piece first and then I kept thinking, “Well, this sounds like a good title.” Dave said it sounded like a good title. And then a friend of mine who does a lot of beta reading for me said, “Oh, that is the title, isn't it?” When several people tell you that's the title, you've got to take notice. But how we find these things is more difficult, as you said. You just work and work at it, beating your head against the wall. I find they always come to me when I'm not looking. It really helps to do something like exercise, which will put you in a bit of a different mind state. Do you find this as well? JOANNA: Yes, I often like a title earlier on that then changes as the book goes. I mean, we're both discovery writers really, although you do reverse outlines and other things. You have a chaotic discovery phase. I feel like when I'm in that phase, it might be called something, and then I often find that's not what it ends up being, because the book has actually changed in the process. ROZ: Yes, very much. That's part of how we realise what we should be writing. I do have working titles and then something might come along and say, “This seems actually like what you should call it and what you've been working towards, what you've been discovering about it.” I think a good title has a real sense of emotional frisson as well. With memoir, it's easier because we can add a subtitle to explain what we mean. With fiction, it's more difficult. We've got to really hope that it all comes through those few words, and that's a bit harder. JOANNA: Let's talk about your next book. On your website it says it might be a novel, it might be narrative nonfiction, and you have a working title of Four. I wondered if you'd talk a bit more about this chaotic discovery writing phase when we just don't know what's coming. I feel like you and I have been doing this long enough—you longer than me—so maybe we're okay with it. But newer writers might find this stage really difficult. Where's the fun in it? Why is it so difficult? And how can people deal with it? ROZ: You've summed that up really well. It's fun and it's difficult, and I still find it difficult even after all these years. I have to remind myself, looking back at where Ever Rest started, because that was a particularly difficult one. It took me seven years to work out what to do with it, and I wrote three other books in the meantime. It just comes together in the end. What I find is that something takes root in my mind and it collects things. The title you just picked out there—the book with working title of Four—it's now two books. One possibly another memoir and one possibly fiction. It's evolving all the time. I'm just collecting what seems to go with it for now and thinking, “That belongs with it somehow. I don't yet know how, but my intuition is that the two work well together.” There's a harmony there that I see. In the very early stages, that's what I find something is. Then I might get a more concrete idea, say a piece of story or a character, and I'll have the feeling that they really fit together. Once I've got something concrete like that, I can start doing more active research to pursue the idea. But in the beginning, they're all just little twinkles in the eye and you just have to let them develop. If you want to get started on something because you feel you want to get started and you don't feel happy if you're not working on something, you could do a far more active kind of discovery. Writing lists. Lists are great for this. I find lists of what you don't want it to be are just as helpful as what you do want it to be because that certainly narrows down a lot and helps you make good choices. You've got a lot of choices to make at the beginning of a book. You've got to decide: What's it going to be about? What isn't it going to be about? What kind of characters am I interested in? What kind of situations am I interested in? What doesn't interest me about this situation? Very important—saves you a lot of time. What does interest me? If you can start by doing that kind of thing, you will find that you start gathering stuff that gets attracted to it. It's almost like the world starts giving it to you. This is discovery writing, but it's also chivvying it along a bit and getting going. It does work. Joanna: I like the idea of listing what you don't want it to be. I think that's very useful because often writers, especially in the early stages—or even not, I still struggle with this—it's knowing what genre it might actually be. With Bones of the Deep, which is my next thriller, it was originally going to be horror and I was writing it, and then I realised one of the big differences between horror and thriller is the ending and how character arcs are resolved and the way things are written. I was just like, “Do you know what? I actually feel like this is more thriller than horror,” and that really shaped the direction. Even though so much of it was the same, it shaped a lot about the book. It's always hard talking about this stuff without giving spoilers, but I think deciding, “Okay, this is not a horror,” actually helped me find my way back to thriller. ROZ: Yes, I do know what you mean. That makes perfect sense to me, with no spoilers either. It's so interesting how a very broad-strokes picture like that can still be very helpful. Just trying to make something a bit different from the way you've been envisaging it can lead to massive breakthroughs. “Oh no, it's not a thriller—I don't have to be aiming for that kind of effect.” Or try changing the tone a little bit and see if that just makes you happier with what you're making, more comfortable with it. JOANNA: You mentioned the seven years that Ever Rest took. We should say the title is in two words—”Ever” and “Rest”—but it is also about Everest the mountain in many ways. That's why it's such a perfect title. If that took seven years and you were doing all this other stuff and writing other books along the way, how do you keep your research under control? How do you do that? I still use Scrivener projects as my main research place. How do you do your research and organisation? ROZ: A lot of scraps of paper. My desk is massive. It used to be a dining table with leaves in it. It's spread out to its fullest length, and it's got heaps of little pieces of paper. I know what's on them all, and there are different areas, different zones. I'm very much a paper writer because I like the tangibility of it. I also like the creativity of taking a piece of paper and tearing it into an odd shape and writing a note on that. It seems as sort of profound and lucky as the idea. I really like that. I do make text files and keep notes that way. Once something is starting to get to a phase where it's becoming serious, it will then be a folder with various files that discuss different aspects of it. I do a lot of discussing with myself while writing, and I don't necessarily look at it all again. The writing of it clarifies something or allows me to put something aside and say, “No, that doesn't quite belong.” Gradually I start to look at things, look at what I've gathered, and think, “How does this fit with this?” And it helps to look away as well. As I said with finding titles, sometimes the right thing is in your subconscious and it's waiting to just sail in if you look at it in a different way. There's a lot to be said for working on several ideas, not looking at some of them for a while, then going back and thinking, “Oh, I know what to do with this now.” JOANNA: Yes. My Writing the Shadow, I was talking about that when we met, and that definitely took about a decade. ROZ: Yes. JOANNA: I kept having to come back to that, and sometimes we're just not ready. Even as experienced writers, we're not ready for a particular book. With Bones of the Deep, I did the trip that it's based on in 1999. Since I became a writer, I've thought I have to use that trip in some way, and I never found the right way to use it. I came at it a couple of times and it just never sat right with me. Then something on this master's course I'm doing around human remains and indigenous cultures just suddenly all clicked. You can't really rush that, can you? ROZ: You absolutely can't. It's something you develop a sense for, the more you do—whether something's ready or whether you should just let it think about itself for a while whilst you work on something else. It really helps to have something else to work on because I panic a bit if I don't have something creative to do. I just have to create, I have to make things, particularly in writing. But I also like doing various little arty things as well. I need to always have something to be writing about or exploring in words. Sometimes a book isn't ready for that intense pressure of being properly written. So it helps to have several things that I can play with and then pick one and go, “Okay, now I'm going to really perform this on the page.” JOANNA: Do you find that nonfiction—because you have some craft books as well—do you find the nonfiction side is quite different? Can you almost just go and write a nonfiction book or work on someone else's project? Does that use a different kind of creativity? ROZ: Yes, it does. Creativity where you're trying to explain something to creative people is totally different from creativity where you're trying to involve them in emotions and a journey and nuances of meaning. They're very different, but they're still fun. So, yes, I am an editor as well, and that feeds my creativity in various unexpected ways. I'll see what someone has done and think, “Oh, that's very interesting that they did that.” It can make me think in different ways—different shapes for stories, different kinds of characters to have. It really opens your eyes, working with other creative people. JOANNA: I wanted to return to what you said at the beginning, that it is more difficult these days to get our work noticed. There's certainly a challenge in writing a travel memoir about home. What are you doing to market this book? What have you learned about book marketing for memoir in particular that might help other people? ROZ: Partly I realised it was quite a natural progression for me because in my newsletter I always write a couple of little pieces. I think they're called “life writing.” Just little things that have happened to me. That's sort of like memoir, creative nonfiction, personal essays. I was quite naturally writing that sort of thing to my newsletter readers, and I realised that was already good preparation for the kind of way that I would write in a memoir. As for the actual campaign, I actually came up with an idea which quite surprised me because I didn't think I was good at that. I'm making a collage of the word “home” written in lots of different handwriting, on lots of different things, in lots of different languages. I'm getting people to contribute these and send them to me, and I'm building them into a series of collages that's just got the word “home” everywhere. People have been contributing them by sending them by email or on Facebook Messenger, and I've been putting them up on my social platforms. They look stunning. It's amazing. People are writing the word “home” on a post-it or sticking it to a picture of their radiator. Someone wrote it in snow on her car when we had snow. Someone wrote it on a pottery shard she found in her drive when she bought the house. She thought it was mysterious. There are all these lovely stories that people are telling me as well. I'm making them into little artworks and putting them up every day as the book comes to launch. It's so much fun, and it also has a deeper purpose because it shows how home is different for all of us and how it builds as uniquely as our handwriting. Our handwriting has a story. I should do a book about that! JOANNA: That's a weird one. Handwriting always gets me, although it'd be interesting these days because so many people don't handwrite things anymore. You can probably tell the age of someone by how well-developed their handwriting is. ROZ: Except mine has just withered. I can barely write for more than a few minutes. JOANNA: Oh, I know what you mean. Your hand gets really tired. ROZ: We used to write three-hour exams. How did we do that? JOANNA: I really don't know. JOANNA: Just coming back on that. You mentioned mainly you're doing your newsletter and connecting with your own community. You've done podcasts with me and with other people. But I feel like in the indie community, the whole “you must build your newsletter” thing is described as something quite frantic. How have you built a newsletter in a sustainable manner? ROZ: I've built it by finding what suited me. To start with I thought, “What will I put in it? News, obviously.” But I wasn't doing that much that was newsworthy. Then I began to examine what news could actually be. The turning point really happened when I wrote the first memoir, Not Quite Lost: Travels Without a Sense of Direction. I thought, “I have to explain to people why I'm writing a memoir,” because it seemed like a very audacious thing to do—”Read about me!” I thought I had to explain myself. So I told the story of how I came to think about writing such an audacious book. I just found a natural way to tell stories about what I was doing creatively. I thought, “I like this. I like writing a newsletter like this.” And it's not all me, me, me. It's “I'm discovering this and it makes me think this,” and it just seems to be generally about life, about little questions that we might all face. From then, I found I really enjoyed writing a newsletter because I felt I had something to say. I couldn't put lists of where I was speaking, what I was teaching, what special offers I had, because that wasn't really how my creative life worked. Once I found something I could sustainably write about every month, it really helped. Oh, it also helps to have a pet, by the way. JOANNA: Yes, you have a horse! ROZ: I've got a horse. People absolutely love hearing the stories about my ongoing relationship with this horse. Even if they're not horsey, they write to me and say, “We just love your horse.” It helps to have a human interest thing going on like that. So that works for me. Everyone's got different things that will work for them. But for me, it builds just a sense of connection, human connection. I'm human, making things. JOANNA: In terms of actually getting people signed up—has it literally just been over time? People have read your book, signed up from the link at the back? Have you ever done any specific growth marketing around your newsletter? ROZ: I tried a little bit of growth marketing. I have a freebie version of one of my Nail Your Novel books and I put that on a promotion site. I got lots of newsletter signups, but they sort of dwindled away. When I get unsubscribes, it's usually from that list, because it wasn't really what they came for. They just came for a free book of writing tips. While I do writing tips on my blog—I'm still doing those—it wasn't really what my newsletter was about. What I found was that that wasn't going to get people who were going to be interested long-term in what I was writing about in my newsletter. Whatever you do, I found, has got to be true to what you are actually giving them. JOANNA: Yes, I think that's really key. I make sure I email once every couple of weeks. And you welcome the unsubscribes. You have to welcome them because those people are not right for you and they're not interested in what you're doing. At the end of the day, we're still trying to sell books. As much as you're enjoying the connection with your audience, you are still trying to sell Turn Right at the Rainbow and your other books, right? ROZ: Absolutely, yes. And as you say, someone who decides, “No, not for me anymore,” and that's good. There are still people who you are right for. JOANNA: Mm-hmm. ROZ: I do market my newsletter in a very low-key way. I make a graphic every month for the newsletter, it's like a magazine cover. “What's in it?” And I put that around all my social media. I change my Facebook page header so it's got that on it, my Bluesky header. People can see what it's like, what the vibe is, and they know where to find it if they're interested. I find that kind of low-key approach works quite well for what I'm offering. It's got to be true to what you offer. JOANNA: Yes, and true for a long-term career, I think. When I first met you and your husband Dave, it was like, “Oh, here are some people who are in this writing business, have already been in it for a while.” And both of you are still here. I just feel like— You have to do it in a sustainable way, whether it's writing or marketing or any of this. The only way to do it is to, as you said, live as a creative human and not make it all frantic and “must be now.” ROZ: Yes. I mean, I do have to-do lists that are quite long for every week, but I've learned to pace myself. I've learned how often I can write a good blog post. I could churn out blog posts that were far more frequent, but they wouldn't be as good. They wouldn't be as properly thought through. In the old days with blogs, you had an advantage if you were blogging very frequently, I think you got more noticed by Google because you were constantly putting up fresh content. But if that's not sustainable for you, it's not going to do you any good. Now there's so much content around that it's probably fine to post once a month if that is what you're going to do and how you're going to present the best of yourself. I see a lot on Substack—I've recently started Substack as well—I see people writing every other day. I think they're good, that's interesting, but I don't have time to read it. I would love to have the time, but I don't. So there's actually no sin in only posting once a month—one newsletter a month, one blog post a month, one Substack a month. That's plenty. People will still find that enough if they get you. JOANNA: Fantastic. So where can people find you and your books and everything you do online? ROZ: My website is probably the easiest place, RozMorris.org. JOANNA: Brilliant. Well, thank you so much for your time, Roz. As ever, that was great. ROZ: Thank you, Jo.The post Writing Emotion, Discovery Writing, And Slow Sustainable Book Marketing With Roz Morris first appeared on The Creative Penn.

Monday, March 9, 2026

We share the first of our 12 Keys to Happiness and explain why happiness isn't a finish line but a direction you choose. Direction reframes joy as a daily response, not a destination or a thing you can own.• the 12 Keys to Happiness program and monthly tokens• why happiness functions as direction rather than destination• choosing responses over chasing outcomes• practical ways to pivot one degree toward joy• how small, repeatable choices set your pathhttps://aarondegler.com/

HEAVEN - Psalm 103:19, The Lord has established His throne in heaven, and His kingdom rules over all. CHURCH - 2 Corinthians 3:9, For we are God's fellow workers; you are God's field, you are God's building. SOCIETY - Jeremiah 22:3, “Execute judgment and righteousness, and deliver the plundered out of the hand of the oppressor. Do no wrong and do no violence to the stranger, the fatherless, or the widow, nor shed innocent blood in this place.” Matthew 25:34-36 Then the King will say to those on His right hand, ‘Come, you blessed of My Father, inherit the kingdom prepared for you from the foundation of the world: 35 for I was hungry and you gave Me food; I was thirsty and you gave Me drink; I was a stranger and you took Me in; 36 I was naked and you clothed Me; I was sick and you visited Me; I was in prison and you came to Me.'

Direction le supermarché ! Souvent dans les supermarchés, on retrouve des caddies plein qui trainent….Aidez- nous ce matin à retrouver qui qu'il est le caddie !

There are seasons when life goes quiet—like the screen just cuts to black. In Healthy Mind, Healthy Life, hosted by Yusuf, former CNN producer Jamie Maglietta shares how that “dip to black” moment can become a turning point instead of a breakdown. This episode is for anyone facing job loss, identity shifts, or that in-between space where the old plan doesn't fit—but the new one isn't clear yet. Jamie offers a grounded way to move forward: slow your mind while life speeds up, work with what you have, test your next steps, and let clarity arrive through action. Episode Chapters: 00:01:43 — When life “cuts to black” and the plan disappears 00:02:42 — Jamie's first real “dip to black” after career shifts 00:03:42 — What “dip to black” means in live TV—and in real life 00:06:25 — Why disruption takes time (and why it looks “sudden” online) 00:08:01 — Embracing the mess: how reps create clarity 00:09:18 — The liminal space: mourning what you lost and rebuilding identity 00:15:44 — Doubt after clarity: anchoring without reverting to old patterns About the Guest: Jamie Maglietta is a former television news producer who worked at CNN. She now helps professionals become more media-ready and on-camera confident, and shares resources through her platform On Cam Ready. Key Takeaways: Name your “dip to black” moment so you stop treating it like personal failure Don't wait for certainty—test small moves until clarity shows up Mentally slow down when everything feels fast: ask “What do I know is true?” Commit to a direction for a set window (e.g., 3–6 months) before judging it Expect pivots inside pivots—adjust without turning it into self-doubt Stop producing everyone else's life: step into the frame and build your own story How to Connect With the Guest: YouTube: On Cam Ready Instagram: @jamie_maglietta Website: OnCamReady.com Want to be a guest on Healthy Mind, Healthy Life? DM on PM - Send me a message on PodMatch DM Me Here: https://www.podmatch.com/hostdetailpreview/avik Disclaimer: This video is for educational and informational purposes only. The views expressed are the personal opinions of the guest and do not reflect the views of the host or Healthy Mind By Avik™️. We do not intend to harm, defame, or discredit any person, organization, brand, product, country, or profession mentioned. All third-party media used remain the property of their respective owners and are used under fair use for informational purposes. By watching, you acknowledge and accept this disclaimer. Healthy Mind By Avik™️ is a global platform redefining mental health as a necessity, not a luxury. Born during the pandemic, it's become a sanctuary for healing, growth, and mindful living. Hosted by Avik Chakraborty, storyteller, survivor, and wellness advocate. With over 6000+ episodes and 200K+ global listeners, we unite voices, break stigma, and build a world where every story matters.

Sometimes we need to just read the instructions! God created us and gave us a “manufacturer's handbook” (The Bible) on how to live. As Pastor Andrew reminds us…“follow the directions!” Romans 8:14 For as many as are led by the Spirit of God, these are sons of God. 

Stéphane Szeremeta nous emmène à la découverte Direction du Lot-et-Garonne

Laika reviews recent production Music Portrait of a Humble Disabled Samoan, the upcoming My Name is Rachel Corrie at Te Pou Theatre, and Words In Motion at Basement Theatre. Whakarongo mai nei!

I REPLACED THE AIR YOU'RE BREATHING WITH POWER. TAKE IT IN. I'M TAKING IT UP. www.curlynikki.comSupport the show-> http://patreon.com/goodmornings

In this episode of the Foundations of Transition Series, Jason and Makenzie focus on the theme of Strategic Direction, asking the critical question: What direction are we moving in, and how are we getting there? Each workshop-style conversation in this series is designed to help business owners think more intentionally about the future of their company and the role they play in shaping it. This episode challenges owners to step back and “look up” from the day-to-day demands of running a business to look ahead. Jason and Makenzie discuss why better questions lead to better strategy, and how defining what you hope to gain from the future of the company can lead to a plan that is both realistic and effective. Through practical insights, they explore how thoughtful strategic direction creates clarity, momentum, and a path forward for both the owner and the organization.

4 femmes, 4 combats. L'une a changé la loi. L'autre défend l'éducation. La 3ème a transformé l'art en manifeste. Et la dernière a relié les luttes entre elles. Parce qu'on ne peut pas défendre les droits des femmes sans parler aussi de racisme, de pauvreté et de justice sociale... on revient aujourd'hui sur 4 héroïnes qui ont fait bougé les lignes.Première figure incontournable : Simone Veil. Nous sommes le 26 novembre 1974 à l'Assemblée nationale française. La ministre de la Santé prend la parole pour défendre un texte explosif : la légalisation de l'avortement. Dans l'hémicycle, la situation est impressionnante : seulement neuf femmes pour 481 hommes. Le débat est extrêmement violent. Simone Veil est interrompue, insultée, attaquée personnellement. Mais elle tient bon. Sa phrase restera célèbre : « Aucune femme ne recourt de gaieté de cœur à l'avortement ». Après plus de vingt-quatre heures de débat, la loi est adoptée. La loi Veil marque un tournant majeur : elle permet aux femmes de disposer de leur corps et transforme une réalité clandestine et dangereuse en un droit reconnu.Autre combat, autre génération : celui de Malala Yousafzai. En 2014, elle reçoit le prix Nobel de la paix à seulement 17 ans. Son histoire commence au Pakistan. En 2009, les talibans interdisent aux filles d'aller à l'école. Malala n'a alors que 12 ans. Malgré les menaces, elle continue d'étudier et raconte son quotidien dans un blog. En 2012, elle est attaquée et grièvement blessée par balle. Elle survit, est soignée au Royaume-Uni et décide de poursuivre son combat. Sa voix devient mondiale. Elle crée une fondation pour soutenir l'éducation des filles. Son message est clair : l'éducation est l'une des clés de l'émancipation. Aujourd'hui encore, environ 10 % des filles dans le monde n'ont pas accès à l'école.Direction ensuite le Mexique avec Frida Kahlo. À 18 ans, elle est victime d'un grave accident qui la laisse immobilisée pendant des mois. C'est depuis son lit qu'elle commence à peindre. Mais Frida Kahlo ne cherche pas à plaire. Elle peint son corps blessé, ses douleurs, ses fausses couches, son identité mexicaine. Dans un monde artistique dominé par les hommes, elle s'impose comme une artiste libre et radicale. Son œuvre devient un manifeste : celui d'une femme qui refuse les normes et revendique son identité.Enfin, impossible de parler de luttes féministes sans évoquer Angela Davis.Dans les années 1970, la philosophe et militante américaine devient une figure mondiale. Proche des Black Panthers, elle est accusée de complicité dans une prise d'otages. Son procès devient international. Des artistes comme The Rolling Stones ou John Lennon lui apportent leur soutien. En 1972, elle est finalement acquittée. Angela Davis développe l'idée d'un féminisme intersectionnel : un féminisme qui reconnaît que les discriminations peuvent se croiser — sexisme, racisme, inégalités sociales. Une vision qui influence encore aujourd'hui de nombreux mouvements.4 femmes, 4 combats différents. Mais un point commun : chacune a contribué à élargir le champ des possibles.Le 8 mars est l'occasion de s'en souvenir. Et de rappeler que les droits dont nous bénéficions aujourd'hui sont souvent le résultat de luttes longues, courageuses et parfois solitaires.Vous aimez ce contenu ? Alors n'hésitez pas à vous abonner, à lui donner des étoiles et à partager ce podcast autour de vous. Ça nous aide à nous faire connaitre et à essaimer les idées constructives qui rendent le monde plus joli ! Une chronique signée Leslie Rijmenams à retrouver (aussi) sur Nostalgie et www.nostalgie.be

Hey les fans de sport On est de retour dans l'émission qui décrypte l'actualité sportive du moment!! Aujourd'hui, le 3e épisode va revenir sur les principaux faits marquants de l'année 2025 en sport! Entre le football, le basket et la formule 1, vos chroniqueurs et chroniqueuses vont revenir aussi sur la natation et le tennis. Bonne écoute! Direction éditoriale: Maïli Hedde Direction émission: Antonin Grosselin Chroniqueur.e.s : Baptiste Scelles, Antonin Grosselin, Halima Lablack, Thibault Wolski , Manon Decastille, Trevis Coudray Montage: Halima Lablack Communication: Antonin Grosselin

3.5.26 Hour 2, Nicki Jhabvala from The Athletic joins The Kevin Sheehan Show to discuss the Commanders' recent moves prior to free agency, what roster moves the team should make this offseason and if they should consider signing Stefon Diggs. Tim Murray from VSiN joins The Kevin Sheehan Show to discuss the passing of Lou Holtz and evaluate top prospects going into the NFL Draft.

3.5.26, Nicki Jhabvala from The Athletic joins The Kevin Sheehan Show to discuss the Commanders' recent moves prior to free agency, what roster moves the team should make this offseason and if they should consider signing Stefon Diggs.

En février, la Haute Autorité de santé a formellement recommandé d'abandonner la psychanalyse pour prendre en charge l'autisme. Théorisée à la fin du 19e siècle par Sigmund Freud, la psychanalyse est utilisée depuis les années 1960 pour traiter plusieurs troubles infantiles, notamment l'autisme et le TDAH, le trouble de déficit de l'attention. L'idée, c'est que ces troubles seraient liés à un lien parent/enfant défaillant. Or, depuis plusieurs années, de plus en plus de parents protestent contre ces pratiques thérapeutiques qui les culpabilisent et qui peuvent retarder le diagnostic de leurs enfants. Pourquoi la psychanalyse est sous le feu des critiques ? Comment faut-il prendre en charge ces troubles infantiles ? Éléments de réponses avec deux journalistes du Parisien : Véronique Hunsinger et Bérangère Lepetit, journalistes au pôle Vie privée.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Judith Perret - Production : Barbara Gouy, Anaïs Godard et Clara Garnier-Amouroux - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network. Archives : XX. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

What if the most dangerous thing AI can do isn't give you the wrong answer… but give you a good enough one right when you've stopped trusting yourself?AI doesn't erode your leadership overnight. It happens quietly  when relief replaces discernment and “good enough” replaces instinct.In this Thursday edition, Dawn shares a personal moment where she almost handed her judgment over to AI simply because she was tired. You'll learn the four-word rule that protects your power, the subtle pattern that causes founders to lose confidence, and how the top 1% use AI as perspective not permission. If you've felt your decision-making muscle weakening, this episode will hit.If somewhere along the way you've stopped fully trusting your own judgment  and your business is running but you're not truly leading it, that's not a tool problem. That's a leadership clarity problem.Inside CEO Clarity Consulting, we rebuild your decision-making from the inside out. Six months. Private. Strategic. AI as leverage, never as your substitute.Key TakeawaysWhy “good enough” AI answers are more dangerous than wrong onesThe critical difference between asking AI what to think vs. how to thinkThe four-word leadership rule: AI informs. I decide.How relief can quietly replace discernment when you're depletedWhy AI amplifies the leader you already are clarity or anxietyResources & LinksCEO Clarity Consulting Free Guide: 10 Ways AI Will Make You a Better LeaderRelated Episodes:Ep 136 | Is AI Stealing Your Confidence as a Leader – The critical difference between AI as thought partner vs. decision maker.134 | The Delegation Mistake That's Keeping You Stuck Working 60 Hours a Week – why cognitive labor costs more than time.110 | 3 Custom GPTs That Save Female Founders 16 Hours a Week – building AI that acts like your team.118 | How Female Founders Use AI to Stop Feeling Like Failures – using AI as truth-teller and confidence builder. Send a text AI in Action Conference March 19th and 20th in Grand Rapids, Michigan. Get In the Room! https://hellodawn.live/Action2026Want to increase revenue and impact? Listen to “She's That Founder” for insights on business strategy and female leadership to scale your business. Each episode offers advice on effective communication, team building, and management. Learn to master routines and systems to boost productivity and prevent burnout. Our delegation tips and business consulting will advance your executive leadership skills and presence.

Dans le film « À pied d'œuvre », sorti début février et réalisé par Valérie Donzelli, un écrivain tombe dans la pauvreté après avoir quitté son travail de photographe pour se lancer dans la littérature. Ce film est adapté du premier roman de l'écrivain Franck Courtès dans lequel il raconte sa propre expérience.À 45 ans, Franck Courtès arrête la photographie, un secteur dans lequel il gagne bien sa vie, pour se mettre à écrire. Mais les ventes de son premier recueil ne lui rapportent pas assez d'argent. Il voit son niveau de vie dégringoler et se met à faire des petits boulots pour survivre.Franck Courtès témoigne, au micro de Judith Perret.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Judith Perret - Production : Clara Garnier-Amouroux et Barbara Gouy - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network - Crédit photo : LP/Olivier Arandel. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

durée : 00:38:00 - Les Nuits de France Culture - par : Antoine Dhulster - Par Roger Régent - Avec le concours de Haroun Tazieff (volcanologue, spéléologue, écrivain et cinéaste) - Direction d'orchestre et adaptation : Marius-François Gaillard - Réalisation Jacqueline Adler - réalisation : Antoine Larcher

Ever feel like life is moving so fast you barely know yourself anymore? That was me last week, scrolling through emails, thinking about my next move, and realizing I haven't hit pause to really check in with my own gut in ages. That's exactly why I was so pumped to sit down with Julie Reisler on The Happy Hustle Podcast. If you're a high performer trying to navigate success without losing yourself, this conversation is gold. Julie is a HeartLed Intuitive Guide, two-time Tech-X speaker, host of the USU podcast, board-certified master coach, faculty member at Georgetown University, and founder of the Intuitive Life Designer Coach Academy. She helps purpose-driven leaders trust their intuition and create success that feels aligned, fulfilling, and sustainable. On top of that, she's a mother, wife, and a Happy Hustler just like the rest of us, juggling multiple roles. Her book, Getting a PhD in You, dives deep into self-discovery and learning to make decisions from your truest sense. In this episode, Julie and I explored how to understand yourself better, honor your present, and navigate life's big decisions from intuition instead of stress. We also went down some fun rabbit holes about acting, modeling, and how even unexpected experiences in life can shape your clarity and confidence. This episode matters because it's a reminder that knowing yourself isn't just self-indulgent—it's essential for building a life and career that truly works for you. Here are a few takeaways from our conversation that you can start applying today: Your past is your fertilizer. Julie calls it compost. The struggles and challenges you've faced aren't just bumps in the road—they're material you can use to grow wisdom, clarity, and confidence. Honor the present. No matter where you are in life, give yourself grace. Celebrate small wins, acknowledge your efforts, and be fully present before moving to the next goal. Direction is everything. Like an archer aiming at a target, clarity about where you want to go ensures your actions are aligned and effective. Without a clear aim, you risk being reactive instead of proactive. Intuition is built-in. Everyone has access to guidance from within, but most of us haven't practiced listening to it. Start with meditation, grounding walks, or simple awareness exercises to tap into your inner compass. Curiosity and grace keep you learning. When you approach life with curiosity instead of judgment and give yourself grace for mistakes, you open up space to learn, grow, and make better decisions. If you want to dive deeper and actually start getting a PhD in you, you've got to hear the full episode. Julie drops actionable strategies, personal stories, and exercises you can start today to create clarity and alignment in your life. Listen to the full episode now at caryjack.com/podcastin. What does Happy Hustlin mean to you? Julie says it means getting paid to do something I am in love with and would do for free. Connect with Julie Instagram Facebook Linkedin Youtube Find Dr. Joy on her website: Awaken To Your You-est You® Connect with Cary! Instagram Facebook Linkedin Twitter Youtube Get a copy of his new book, The Happy Hustle, 10 Alignments to Avoid Burnout & Achieve Blissful Balance Sign up for The Journey: 10 Days To Become a Happy Hustler Online Course Apply to the Montana Mastermind Epic Camping Adventure “It's time to Happy Hustle, a blissfully balanced life you love, full of passion, purpose, and positive impact!” Episode Sponsors: If you're feeling stressed, not sleeping great, or your energy's been kinda meh lately—let me put you on to something that's been a total game-changer for me: Magnesium Breakthrough by BiOptimizers. This ain't your average magnesium—it's got all 7 essential forms that your body needs to chill out, sleep deeper, and feel more balanced. I take it every night and legit notice the difference the next day. No more waking up groggy or tossing and turning all night If you're ready to sleep like a baby, calm your nervous system, and optimize your recovery, go grab yours now at bioptimizers.com/happy and use code HAPPY10 for 10% OFF.

TSN Hockey Analyst Mike Johnson joins to discuss the headlines around the NHL trade deadline, the Oilers looking to improve their forwards, the Maple Leafs' trade deadline outlook, Robert Thomas' potential deal and the Sabres' perspective as a contender in the league, the buyers and sellers throughout the NHL and more.

Are you drifting through life without realizing it? In thissolo episode, I, Dwight Heck, break down how life drift quietly steals direction in your finances, career, relationships, health, and purpose, and I share the four-step clarity process to stop drifting and start livingintentionally.

Ce samedi 28 février, les Etats-Unis ont lancé une opération militaire d'ampleur, baptisée Epic Fury, « Fureur épique », aux côtés d'Israël, l'ennemi juré du régime iranien au Moyen-Orient.La capitale de l'Iran, Téhéran, a été frappée ainsi que des infrastructures stratégiques de défense au sud et à l'ouest du pays. L'objectif : réduire à néant l'appareil politique et militaire du pays. Ali Khamenei, guide suprême de la République islamique d'Iran est mort dans ces frappes. Il dirigeait l'Iran d'une main de fer depuis 36 ans.Code source fait le point sur cette nouvelle guerre au Moyen-Orient qui a des répercussions sur toute la région du Golfe et au Liban. Pourquoi Donald Trump a-t-il décidé de passer à l'action ? Que reste-t-il du régime des mollahs après la mort de leur leader ? Combien de temps ces opérations peuvent-elles durer ?On fait le point avec Charles de Saint Sauveur, chef du service international du Parisien, et Vincent Pialat, correspondant du Parisien à New York.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Barbara Gouy, Anaïs Godard et Clara Garnier-Amouroux - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network - Archives : Le monde, France TV, France Info, INA - Crédit photo : AFP STRINGER/ AFP. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

The March 3 edition of the AgNet News Hour delivered one of the most candid conversations yet about the mounting pressures facing California agriculture. Hosts Nick Papagni and Josh McGill welcomed Dave Roberts of R7 Enterprises, a diversified grower in Woodlake farming cherries, citrus, lemons, pomegranates, Asian pears, avocados, and more. His message was clear: California farmers are doing everything right — but the system is making it harder and harder to survive. Roberts explained how global imports, shrinking marketing windows, and fewer major buyers are compressing profitability. In the lemon market alone, imports from the Southern Hemisphere have cut weeks out of California's traditional selling window. The result? More volume forced into a shorter time frame, softer prices, and in some cases, fruit left unharvested. “When fruit leaves my farm, everybody knows what they're going to get paid that day except for me,” Roberts said — a striking reality for any business owner. Beyond imports, consolidation is reshaping agriculture. Large retailers like Costco, Walmart, and Kroger dominate buying power, while smaller packers struggle to afford the new technology required to stay competitive. As packers consolidate, growers have fewer marketing options, often putting additional downward pressure on returns. Regulation remains another major challenge. Roberts estimates compliance costs are consuming roughly 20 percent of farm budgets. From labor and fuel to water policy and environmental mandates, the expenses continue climbing — without corresponding increases in farmgate prices. “The number one rule of sustainability is making a profit,” Roberts emphasized. Without profitability, there is no next generation. Water policy also dominated the discussion. Roberts voiced strong concerns about SGMA and the potential removal of productive farmland from use. With California already importing significant food, he questioned how reducing domestic production strengthens food security. “Food security is national security,” he said, urging policymakers to reconsider how water is stored, moved, and allocated. The conversation extended to labor reform, avocado imports, cartel-controlled production in Mexico, and the long-term future of small farming communities. Throughout the interview, one theme remained constant: farmers are willing to compete — but they need a level playing field. Roberts ended with a message of resilience, saying California agriculture “has to get better” because people depend on safe, nutritious food. For California farmers listening, the episode was more than an interview — it was a reflection of the real-world pressures many are feeling today.

In this season of life, success asks different questions. Not just What am I building? but How am I living while I build it? Many people discover they don't want to abandon structure—but they also don't want to live under it. Especially as most of us have lived under that structure for twenty or more years! Today we're exploring what it means to live with clear purpose and steady direction, without locking yourself into a way of working that no longer honors who you are now. Many times we focus first on mindset and today is no exception as we approach the topic, "Focused, Not Rigid: Enjoying Life Without Losing Direction." Full article here: https://goalsforyourife.com/focused-not-rigid On YouTube: https://youtu.be/PUmMURl4_ZA - Watch and subscribe! Get POWER OF AFTER BOOK HERE: https://amzn.to/3GpEGlJ Make sure you're getting all our podcast updates and articles! Get them here: https://goalsforyourlife.com/newsletter Resources with tools and guidance for mid-career individuals, professionals & those at the halftime of life seeking growth and fulfillment: http://HalftimeSuccess.com CHAPTERS: 00:00 - Intro 01:58 - Focused Not Rigid: Flexibility vs. Discipline 04:00 - The Myth of Constant Hustle: Work-Life Balance 08:20 - Purpose: Your Clear Focus for Success 11:16 - Core Values: Your Quiet Decision-Makers 12:42 - How Will I Work: Defining Your Work Style 16:18 - Schedule Your Values: Time Management Strategies 20:40 - Healthy Systems: Building Productive Habits 23:58 - Stewarding: Managing Resources Wisely 25:35 - How to Apply This: Practical Implementation Tips 28:19 - Final Thoughts: Key Takeaways and Reflections

ABOUT THE NEWWe are a people of love and excellence who are result-oriented, spirit-led, word-rooted, prayer-driven, and kingdom-conscious. Led by Pst. Shola Okodugha, we are on a divine assignment to equip and raise men; to release people from strongholds that have stifled them from taking their rightful places, and to give young people an avenue for their God-given gifts to find expression.OUR CREED"As sure as God helps us,We will not give upWe will not cave inWe will not quitWe will not failWe will not dieUntil our job is doneAnd victory is won"——Partner with us to spread the influence of God all over the world. Give - https://pay.squadco.com/TheNewglobal——BROADCAST DETAILSMinister: Pastor Shola OkodughaDate: 3rd March 2026——Stay ConnectedSubscribe to the latest content: http://bit.ly/subscribethenewliveWebsite: http://wearethenew.org/Instagram: https://www.instagram.com/wearethenew_global/#TheNewLive #SholaOkodugha

Lundi 2 mars, le procès de Tariq Ramadan s'ouvre en son absence devant la cour criminelle départementale de Paris. Le conférencier et islamologue suisse y est jugé jusqu'au 27 mars, à huis clos, pour viol et viol aggravé commis sur trois femmes. Tariq Ramadan a été mis en examen dès 2018, mais il a fallu attendre 8 ans pour qu'un procès ait lieu, après de multiples rebondissements au cours de la procédure.C'est en 2017 que l'affaire éclate. Dans le sillage du mouvement #MeToo, plusieurs femmes accusent Tariq Ramadan de les avoir violées, la plupart du temps dans des hôtels en marge de ses conférences. Elles portent plainte.Code source revient sur cette affaire avec Timothée Boutry, grand reporter au service police justice du Parisien.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Clara Garnier-Amouroux, Anaïs Godard et Barbara Gouy - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network - Archives : RMC, Europe 1 - Photo : LP / Arnaud Journois. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Richard Gearhart and Elizabeth Gearhart, co-hosts of the Passage to Profit Show, sit down with commercial real estate powerhouse Todd Drollett of TITAN Commercial Realty Group and star of A&E's The Real Estate Commission, crypto retirement expert Chris Kline of Bitcoin IRA, and literacy innovator Jessica Sliwerski of Ignite Reading. In this episode, these three entrepreneurs reveal how to win high-stakes negotiations, build generational wealth with Bitcoin IRAs, and solve America's literacy crisis using AI-powered education. Todd Drollette is a self-made millionaire commercial real estate broker and star of The Real Estate Commission on A&E Network, with more than 1,700 closed deals totaling over $2 billion in transactions. In this episode, he reveals high-stakes negotiation strategies, the biggest mistake entrepreneurs make in deals, and how to use silence and leverage to win million-dollar agreements. Todd also shares how he overcame severe panic attacks while scaling multiple businesses, offering practical advice on mental resilience for founders and CEOs. Chris Kline, COO and Co-Founder of Bitcoin IRA, explains how investors can hold Bitcoin and other cryptocurrencies inside tax-advantaged retirement accounts. He breaks down what Bitcoin is, how a Bitcoin IRA works, and why diversification beyond traditional stocks and bonds may help future-proof retirement portfolios. Chris also discusses financial literacy, generational wealth strategies, and how entrepreneurs can use Roth IRAs, SEP IRAs, and Solo 401(k)s to maximize long-term growth. Jessica Reid Sliwerski is the CEO and Co-founder of Ignite Reading, a fast-growing company addressing America's literacy crisis through one-to-one virtual tutoring grounded in the Science of Reading. She shares how she spun Ignite Reading out of a nonprofit into a scalable for-profit company and took the leap as a single parent entrepreneur to expand national impact. Jessica also explains how AI-powered tutoring tools are helping personalize instruction, accelerate reading proficiency, and prepare students for an increasingly technology-driven workforce. Whether you're a seasoned entrepreneur, startup founder, inventor, or small business owner, the Passage to Profit Show is a leading podcast for insights on entrepreneurship, innovation, intellectual property and business strategy. Hosted by Richard Gearhart and Elizabeth Gearhart, the show features industry leaders, investors, and founders who share real-world lessons on scaling companies, protecting ideas, building generational wealth, and navigating today's evolving business landscape. Visit https://passagetoprofitshow.com/ for the latest episodes, expert interviews, and resources designed to help you grow, protect, and profit from your ideas. Chapters (00:00:02) - Passing Through the Money: How to Start and Profit(00:00:25) - Passage to Profit(00:01:20) - The One Decision That Changed the Direction of Your Business(00:03:38) - So when you're an entrepreneur, you make bad decisions(00:04:29) - What's the One Decision That Changed the Direction of Your Business?(00:07:09) - Meet Todd Drollett(00:07:50) - What was the most intense, high pressure moment you faced in your(00:09:42) - Barbara Lee on Re-inventing Yourself(00:10:44) - Todd Akin: Did I Build My Brand?(00:12:36) - On Getting Your Face on TV(00:14:11) - What Makes for a Good Negotiation?(00:16:02) - How to Stop Worrying and Having Panic Attacks(00:19:29) - How to Stop Anxiety in Your Life(00:21:48) - Car Shield(00:22:47) - Better Health Insurance for You Now!(00:23:47) - Todd Drollett on The Real Estate Commission(00:25:31) - Business Owners Roundtable: AI Use Cases(00:27:25) - How Microsoft Copilot Is Using AI in Your Business(00:28:32) - Google Gemini, ChatGPT and More(00:31:02) - The Debt Relief Hotline(00:33:33) - Taylor Swift's Fight to Stop a Trademark Application(00:37:13) - Should You Buy Bitcoin? According to Chris Klein(00:40:47) - What is Crypto-Money? (Bitcoin) Explained(00:47:02) - Is Tokenization the Future of Real Estate?(00:48:02) - Do You Think Bitcoin Will Be Like a Real Currency?(00:49:50) - Can People Buy Small Amounts of Bitcoin in Their IRA?(00:50:55) - How to Plan for Your Retirement(00:54:11) - Does Cryptocurrency Mirror the Stock Market?(00:55:45) - How to Find a Crypto Money Guru(00:56:36) - Passage to Profit with Richard and Elizabeth Gerhardt(00:57:24) - Why aren't kids learning to read?(01:04:45) - How Literacy Got to You(01:06:55) - Tips for Helping Kids Read Better(01:11:55) - Secret to Negotiating(01:13:18) - How to Keep Your Business From Getting Pulled In(01:13:58) - What's Your Secret to Entrepreneurial Success?(01:15:22) - Passage to Profit

In this episode of American Dream Factory, Nick Smoot sits down with Morgan Dixon, a 24-year-old PhD student in artificial intelligence and machine learning at the University of Idaho.Morgan represents a rare but replicable archetype: a young man preparing to launch into the world with technical competence, grounded character, and calm confidence. While many of his peers feel uncertain about the future of work, Morgan is building inside it. He works as a consulting data scientist and software engineer, contributing to healthcare and behavioral health systems, including AI-driven modernization efforts connected to state-level crisis infrastructure.This conversation is not about hype. It is about formation.It is about how young men develop direction in an era of automation, distraction, and drift.What This Episode Covers:The Launch PathMorgan shares how his path was shaped by:Early entrepreneurship in his teensDual enrollment in high schoolPivoting degrees after academic setbacksWalking resumes door-to-door in SeattleWorking full-time while pursuing graduate studiesHis story reinforces a simple truth: initiative compounds.Proof of Work Over CredentialsA degree is common. Proof of execution is rare.Morgan explains why many computer science graduates are struggling and why building real projects, writing models, and demonstrating competence now matter more than ever. In a world where AI lowers the barrier to entry, differentiation requires depth, discipline, and visible output.AI Is Changing the Shape of OpportunityThe conversation explores:How AI has democratized software developmentWhy domain expertise now matters more than surface coding abilityWhy Morgan is exploring hardware and security-heavy industriesWhat he has learned from working inside healthcare data and reimbursement systemsInnovation follows incentives. Understanding those incentives creates leverage.Healthcare and Government as Builder EnvironmentsMorgan offers insight into working within healthcare and state systems:Data fragmentation and interoperability challengesBilling structures that shape innovationThe need for simplicity in behavioral health and remote monitoringThe patience required to work in public infrastructureThese are complex systems that reward serious builders.Raising Men Who BuildNick asks a direct question:“What should I do so my kid's not a turd?”Morgan's answer is direct:Send them into the real world.Have them job shadow.Let them see real work.Expose them to adults who build and solve problems.Direction comes from exposure. Confidence comes from competence. Drift comes from isolation.Key TakeawaysFor young men:Stop waiting. Go build something.Meet people in person. Initiative creates luck.Develop technical depth and real-world exposure.Do hard things before you feel ready.For parents:Exposure beats lectures.Responsibility builds identity.Encourage initiative, not comfort.In an era where machines are accelerating and many young people feel unmoored, this episode offers a grounded alternative: calm confidence, technical competence, and the discipline to build.Learn more at buildcities.com or Morgan Dixon

As we approach 4.7 PTU, headline features, new locations, and new ships are exciting. Q1 has been an exciting time, but today I'm joined by TheAstroHistorian to put this first quarter, Star Citizen's current successful run, and the next couple quarters into perspective.Today's Guests: @TheAstroHistorian  YouTube: https://www.youtube.com/c/theastrohistorianTwitch: https://www.twitch.tv/theastropubToC:00:00 Introductions 01:20 Crafting & Inventory 19:00 Contracts, Missions, & Things to Do 21:20 Player Increase This Year 28:40 2026 First Quarter Report 46:00 The Direction of Star Citizen 01:03:20 Why Does Pyro Suck? 01:12:25 Reputation & Lore 01:32:20 Why is Star Citizen Succeeding?Follow Space Tomato on social media:⁠⁠⁠Website⁠⁠⁠  ⁠⁠⁠Youtube⁠⁠⁠  ⁠⁠⁠My Other Youtube⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠ ⁠⁠⁠Twitter⁠⁠⁠ ⁠⁠⁠Facebook⁠⁠⁠ ⁠⁠⁠Discord

Listen in as Family Pastor Dan Carson shares the next in our "Direction for Life" series. This week, our message covers the Core Value of Growing True Disciples and looks at Matthew 28:18-20; Luke 14:25-33, and 2 Timothy 2:2.   www.CalvaryFayetteville.com info@CalvaryFayetteville.com 479-442-4634 

Summary of Message by Pastor Bryan Hudson, DMin FORWARD: The Only Direction God Is Moving (Generated by OpenAI) This message presents “Forward” as a foundational theme: God's direction is always forward, and those who walk with Him must align themselves with that movement. The focus is on developing the right perspective, mindset, and faith to move into a new season with clarity and spiritual strength. Hebrews 12:1–2, Therefore we also, since we are surrounded by so great a cloud of witnesses, let us lay aside every weight, and the sin which so easily ensnares us, and let us run with endurance the race that is set before us, 2 looking unto Jesus, the author and finisher of our faith, who for the joy that was set before Him endured the cross, despising the shame, and has sat down at the right hand of the throne of God. Perception by Ryan Holiday: Perception is how we see and understand what occurs around us—and what we decide those events will mean. Our perceptions can be a source of strength or of great weakness.  Just because other people say that something is hopeless or crazy or broken to pieces doesn't mean it is. We decide what story to tell ourselves. Or whether we will tell one at all. Welcome to the power of perception.    Forward Is a Mindset Forward is more than physical movement. It is a way of thinking and living. Without a forward mindset, life becomes confined to two realities: The past (what has already happened) The present (what is currently happening) But God is always revealing something beyond what we currently see. A forward mindset embraces growth, development, and destiny rather than remaining trapped in memory or circumstance.   Perception Shapes Experience A central principle of the message is that perception influences reality. Events are real, but how we interpret them determines how they shape us. Believers must guard against allowing: Other people's narratives Cultural narratives Emotional reactions to define their reality. This is not about positive thinking alone; it is about aligning perception with God's Word, promises, and character. Faith itself is a God-centered perspective. What you perceive may not automatically change circumstances—but it will change you, and that transformation positions you for forward movement.   Hebrews 12:1–2 — The Roadmap for Forward Movement The message uses Hebrews 12:1–2 as a spiritual roadmap for going forward: Lay aside every weight — not everything that slows you down is sinful, but unnecessary burdens must be released. Lay aside sin — entanglements that ensnare must be removed. Run with endurance — forward progress requires persistence, not speed. Run your race — avoid distraction, comparison, and outside noise. Look unto Jesus — He is both the author (starter) and finisher (developer) of faith. Forward living requires discipline and focus. Just as travel requires a map, purposeful spiritual movement requires direction and clarity.   The Greatest Obstacles: The Past and the Present The message identifies two major threats to forward progress, along with a third contrasting promise: The Peril of the Past The Peril of the Present The Promise of the Future   The Peril of the Past The past becomes dangerous when it pulls us backward emotionally, mentally, or spiritually. The peril of the past includes: Successes that create complacency Failures that create shame Mistakes that create regret People who try to hold us in old versions of ourselves A key distinction is made: Remembering means learning lessons. Looking back means longing to return. Looking back prevents growth because it distracts from what God is doing now. The warning of Lot's wife illustrates that backward movement can lead to destruction. She was instructed to flee judgment, but instead turned back toward what she was leaving. The lesson: when God says move forward, hesitation and reversal are dangerous. The message also emphasizes the importance of accurate remembrance. Ignoring or distorting history does not solve problems; it perpetuates them. To move forward properly, foundations must be truthful and sound.   The Peril of the Present The present becomes perilous when circumstances alone define identity and possibility. The example of Israel at the Red Sea (Exodus 14) demonstrates this danger. They had been delivered from slavery but faced: An impassable sea ahead An advancing army behind Their past slavery mindset combined with present fear tempted them to retreat. Circumstances seemed to say they would never be free. The command “Go forward” was not merely directional; it was transformational. It was a call to: Change perspective Reject fear-driven narratives Align with God's promise Even when nothing had visibly changed in the moment, God's word introduced a new reality. The message stresses that the greatest difference between a crisis and victory is often what you think about it. God's perspective interrupts fear and invites repentance—not necessarily from sin, but from wrong thinking. Repentance is defined as changing the mind, and mindset change becomes the gateway to blessing.   Moving Forward Requires Intentional Alignment Forward progress may require practical changes: Adjusting what influences your thinking Limiting negative or fear-based inputs Choosing trusted voices Refusing paralysis by over-analysis Standing still is easy. Moving forward is difficult because it involves risk, mistakes, and emotional discomfort. But stopping is not an option if God is moving.   The Promise of the Future If the past contains peril and the present contains pressure, the future contains promise. The promise of the future rests on two anchors: Character in Christ God's promises These provide stability when circumstances fluctuate. Jesus endured the cross “for the joy set before Him,” seeing the future redemption of humanity. That forward vision sustained Him through suffering. Likewise, believers endure by focusing on what God is building ahead.   The Meaning of FORWARD The message concludes by defining forward living through seven qualities: Faithful — steady and full of faith Obedient — responsive to God without delay Resilient — able to recover after setbacks Wise — operating in Christ-centered discernment Aligned — staying in step with God's Word and plan Redemptive — participating in spiritual and social restoration Destined — moving toward God's appointed purpose Final Emphasis The core declaration remains clear: Do not be trapped by the peril of the past. Do not be defined by the peril of the present. Live in the promise of the future. God's way is forward. Those who walk with Him must move in that same direction—mentally, spiritually, relationally, and missionally—bringing others along toward redemption and purpose.

Join host Molly Baker for a thoughtful conversation exploring the evolving realities of paid media in a performance-driven world. From the rise of converged media to the tension between brand and performance, this episode unpacks what it really takes to drive meaningful growth today. Our guest shares insights on incrementally, forward-looking measurement, and why transparency matters more than ever in modern media partnerships. Whether you are refining your media strategy, navigating tighter budgets, or rethinking how brand and performance work together, this conversation delivers clear, practical insight for what's next in paid media.

The prayers of Psalm 17

Not everyone receives the Holy Spirit at the same time.

What do you do when God's plan for your life looks completely different from the one you carefully mapped out?In this week's episode of Latter-day Lights, Scott and Emily sit down with author and special guest — Tayma Johnson — to share her journey from never planning to serve a mission, to feeling unmistakably called by the Lord to step into the unknown. Through moments of prayer, spiritual prompting, and unexpected mundane confirmations that subtly nudged her towards mission prep, Tayma recounts how she learned to trust God's timing over her own fears about the future. Her story offers a deeply relatable look at the wrestle between personal desire and divine direction, and how real intent in prayer can open the door to clarity and peace.Tayma also discusses the inspiration behind her upcoming book, “Called to Serve?” which features the stories of 27 women navigating the complex decision of whether or not to serve missions, in hopes to inspire others to take the leap. Alongside reflections on companionship, revelation, and faith during uncertain seasons such as the COVID-era missionary work, this conversation explores how God guides individuals differently—and how seeking to be spiritually ready to receive answers can be just as important as the answers themselves.*** Please SHARE Tayma's story and help us spread hope and light to others. ***To WATCH this episode on YouTube, visit: https://youtu.be/SGXzYv6Hlgw-----To READ Tayma's book, “Called to Serve?” visit: https://www.cedarfort.com/products/called-to-serveTo SUPPORT Emily's non-profit organization, "The Marcovia Project," visit: https://themarcoviaproject.org/To READ Scott's new book “Faith to Stay” for free, visit: https://www.faithtostay.com/-----Keep updated with us on Instagram: https://www.instagram.com/latter.day.lights/Follow us on Facebook: https://www.facebook.com/latterdaylightsAlso, if you have a faith-promoting or inspiring story, or know someone who does, please let us know by going to https://www.latterdaylights.com and reaching out to us.

Message me your 'Takeaways'.Most men are not stuck.They are avoiding a decision.After running 58 marathons in 58 consecutive days and coaching more than 1,200 high-performing men, I have seen the same pattern over and over.Men hit a ceiling.They get comfortable.Then they start asking, “Is this all there is?”In this episode of Life Performance, I break down the exact 4-step framework I use with clients who feel stuck personally or professionally.We cover:• Why paralysis by analysis keeps men frozen • How to build a compelling vision • How to choose a 90-day goal • How to use fear as feedback • Why action creates clarity, not the other way aroundIf you are considering a career change, chasing a new goal, or simply tired of drifting, this will give you direction.Take the free Life Performance Scorecard and see where you stand across Strong Body, Calm Mind, Clear Purpose, and Confident Life: https://lifeperformance.scoreapp.com/Coaching: https://www.lachlanstuart.com.au/coachingInstagram: https://www.instagram.com/lachlanstuart/Support the showTake the "Life Performance" Scorecard: HERE Follow Lachlan:Instagram: https://www.instagram.com/lachlanstuart/YouTube: https://youtube.com/@lachlanstuart91Website: https://themanthatcanproject.com/Newsletter: https://lachlan-stuart-tmtcp.ck.page/profileDo Something Today To Be Better For Tomorrow

Listen below or click here for full show notes Main Mission, Part 1 Star Trek: Starfleet AcademySeason 1, Episode 7“Ko’Zeine”Written by Alex Taub & Eric Anthony GloverDirected by Andi Armaganian Subspace Chatter Star Trek: Starfleet Academy Season 2 Wraps Filming! – Trek Central Land The Shuttlecraft Galileo by Brian Mix — Kickstarter Star Trek: Starfleet Academy Showrunners on Deep Space Nine Star Trek Finally Closes a Plot Hole That's Haunted The Original Series 59 Years Later The twelve newly announced ships joining the collection include: The Texas-class USS Aledo from Lower Decks The android-manned Synth attack ship from Picard The USS Damocles, the Klingon-constructed false Federation starship from Strange New Worlds The USS Athena from Starfleet Academy A one-nacelled Freedom-class variant of the USS Cerritos The classic Shuttlecraft Galileo from The Original Series The USS Kelcie Mae from Strange New Worlds An XL-sized model of the USS Cerritos with its hull removed The Nova Flyer vessel from Prodigy The USS Adventure from Strange New Worlds A Gorn Hunter ship from Strange New Worlds An XL-sized USS Protostar featuring a deployed proto-warp drive Fanhome Announces Expansion to STAR TREK STARSHIPS Collection, with Additions from STARFLEET ACADEMY, STRANGE NEW WORLDS, and More Quick mention of the Warner Bros., Netflix, Paramount continuing saga article. Here are links to 83 additional stories.broken out by series, movies and other categories. You’ll find articles on everything from How Lucille Ball Saved Star Trek to the 1980’s attempt to make a Starfleet Academy movie.. CLASSIC TV SERIES (in order of premiere) Star Trek: The Original Series (1966 – 1969) [3 seasons] The Original Drafts for Star Trek’s Opening Narration – Neatorama How Lucille Ball Saved ‘Star Trek’ But Lost Her Studio (Exclusive) | Woman’s World Star Trek: The Next Generation (1987 – 1994) [7 seasons] Michael Dorn almost quit Star Trek The Next Generation after just two seasons in the role of Worf – 3DVF Why ‘Star Trek' Star Couldn't Sleep While Playing His Iconic Role – Parade Star Trek: Deep Space Nine (1993 – 1999) [7 seasons] Star Trek: Deep Space Nine Was Inspired By This Hit ’50s Western Series Star Trek: Voyager (1995 – 2001) [7 seasons] ‘Star Trek' Icon, 72, Admits His Character’s Beloved Trait Was a ‘Mistake’ Star Trek: Enterprise (2001 – 2005) [4 seasons] Why Star Trek Bosses Were Afraid Scott Bakula Would Pass On Enterprise Until The Last Minute Why Was Star Trek: Enterprise Cancelled and Can It Be Revived? – Cancelled Sci Fi STREAMING SERIES AND MOVIES (in order of premiere) Star Trek: Discovery (2017 – 2024) [5 seasons] Star Trek: Discovery Cancellation Was Surprising, Says Mary Wiseman Star Trek: Strange New Worlds (2022 – present) [4th and 5th seasons] Jonathan Frakes On Directing Jack Quaid’s Hilarious ‘Riker Maneuver’ In Star Trek Crossover Star Trek: Starfleet Academy [2026 – present] [renewed for second season] REVIEW – Star Trek: Starfleet Academy “Come, Let’s Away” – Trek Central ‘Starfleet Academy’ Decides Everyone Needs a Harsh Lesson Star Trek’s Divisive New Series Just Proved The Doubters Wrong Star Trek: Starfleet Academy Episode 6 Review – Come, Let's Away | Den of Geek Star Trek: Starfleet Academy Episode 6 Review – Return to the Miyazaki! – IGN Has ‘Star Trek: Starfleet Academy’ just unleashed its very own Khan? | Space Star Trek Finally Reveals Voyager’s Official Replacement – ComicBook.com Star Trek’s New TV Series is Changing the Galaxy More Than Any Other Show Before It – ComicBook.com Star Trek: Starfleet Academy Proves Just How Influential Spock Truly Was Did Starfleet Academy nail its ‘love letter’ to Star Trek: DS9? After Starfleet Academy’s DS9 Episode, I Know How The Star Trek Series Could Bring Back A Legacy Character | Cinemablend I Was Surprised At How Real Star Trek: Starfleet Academy's Mind Space Was, But The Stars Said It Had A Funny Downside Starfleet Academy Finally Finds The Sweet Spot For Storytelling Starfleet Academy Can Succeed Where Every Other New Star Trek Series Has Failed NickALive!: The Cadets Return Home for the Holidays in New ‘Star Trek: Starfleet Academy’ Episode ‘Ko'Zeine’ | First Look Star Trek's Epic New Klingon Villain Return Officially Addressed by Star – ComicBook.com Starfleet Academy Episode 7 “Ko’Zeine” Pits Ambition Against Family Duty as Cadets Return Home + 10 New Photos – TREKNEWS.NET | Your daily dose of Star Trek news and opinion Star Trek: Starfleet Academy’s Hidden Connection To Chris Pine’s Captain Kirk Star Trek Officially Confirms a Major Klingon Theory (& Sets Up a New Problem) – ComicBook.com Paramount+'s Unexpected Sci-Fi Hit Officially Wraps Season 2 Very Soon [Exclusive] Interview — STAR TREK: STARFLEET ACADEMY's George Hawkins on His “Fishboy” Alter Ego, Cadet Darem Reymi – TrekCore.com ‘Star Trek’ Star Says He Was ‘Scared' to Play His Groundbreaking Role — Here's Why Star Trek: DS9 actor was ‘amazing’ to work with on Starfleet Academy Starfleet Academy Episode 7: One Wedding and a Burglary Star Trek: Starfleet Academy’s George Hawkins Admitted Darem’s Episode Made One ‘Brutal’ Change ‘Starfleet Academy’ Gives Its Kids (and Itself) the Grace to Find Their Own Path 61 Years Later, Star Trek Is Taking A New Approach To The Captain Kirk Question 33 Years Later, Star Trek Just Released a Secret Sequel to a Classic Next Generation Episode – ComicBook.com Healing Old Wounds and New Beginnings in Starfleet Academy Episode 8 “The Life of the Stars” + 17 New Photos – TREKNEWS.NET | Your daily dose of Star Trek news and opinion ‘Star Trek: Starfleet Academy’ Fan Backlash Explained | The Mary Sue ‘Star Trek: Starfleet Academy’: Bella Shepard Reveals How Genesis’ Setback Just Set up Season 2 33 Years On, Star Trek Officially Reverses a Decision The Next Generation Admitted Was a Mistake – ComicBook.com Star Trek: Starfleet Academy Actors Wrao Season 2 Filming: Impact On Paramount+ Franchise As ‘Star Trek’ Nears 60, Showrunners Say It Must ‘Bring Something Back’—Here's What They Mean – Parade Star Trek: Discovery’s Captain Burnham Creates Dilemma For Star Trek: Starfleet Academy Star Trek returns to Top 10 charts on Friday the 13th (& Paul Giamatti seems to be why) New 88% RT Star Trek Show Gets Exciting Season 2 Update STAR TREK: STARFLEET ACADEMY Gives VOYAGER’s Doctor New Role – Nerdist Alex Kurtzman Learned to Put the Stars of ‘Starfleet Academy’ in Danger From an Unlikely Source Unannounced “Star Trek: United” A Star Trek Producer Has A Perfect Idea To Bring Back Captain Archer Trek series that never were, for one reason or another, [such as “Phase II”] ‘Star Trek Phase II’: The Lost ’70s Series That Shaped the Franchise | Woman’s World THEATRICAL MOTION PICTURES (in order of premiere) Star Trek: Generations (1994) Tom Hanks Nearly Changed the Best Star Trek Movie Ever Made Star Trek (2009) Starfleet Academy subtly pays homage to J.J. Abrams’ Star Trek (2009) Star Trek into Darkness (2013) Star Trek Into Darkness Director J.J. Abrams Has One Big Regret About The Sequel Karl Urban’s Script Critique Led To One Of Star Trek Into Darkness’ Funniest LinesTrek movies that never were, for one reason or another, [such as Tarantino’s movie] The Lost ‘Star Trek’ Starfleet Academy Movie: An Inside Look (Exclusive) | Woman’s World The Lost 1970s ‘Star Trek' Movie That Almost Changed Spock Forever | Woman’s World OTHER MEDIAStar Trek video games/board games Everything We Know About Star Trek: Across the Unknown – Trek Central NickALive!: Star Trek: Voyager – Across the Unknown | Personal Log: Tom Paris | English | Daedalic Entertainment Ezri Dax returns to Star Trek Online to face a Lovecraftian threat Star Trek toys/collectibles/other merchandise Nacelle Showcases STAR TREK Action Figure Paint Masters, Holodeck, TOS Bridge Playset, and More at Toy Fair 2026 – TrekCore.com Star Trek Comics/graphic novels/magazines After 37 Years, Star Trek Makes Its Biggest Starfleet Retcon Yet With the Borg NickALive!: Star Trek: Starfleet Academy–Lost Contact Trailer | IDWPublishing Ensign’s Log: Nyota Uhura shines on in STAR TREK: DEVIATIONS – THREADS OF DESTINY #1 REVIEW – Star Trek: Deviations – Threads of Destiny – Trek Central The Future of ‘Star Trek’ Comics Is Ready for a New Next Generation (Exclusive) IDW Launching Two New STAR TREK Comic Series in September, Additional CELEBRATIONS One-Shots, and More! – TrekCore.com MISCELLANEOUS Franchise-wide/Miscellaneous Star Trek: Everything We NOW Know About The Lost Era Star Trek: 10 Episodes That Are UNWATCHABLE Now 28 Memorable ‘Star Trek’ Crossovers Across 60 Years | Woman’s World ‘Star Trek Next Generation’ Cast Then and Now: 35 Years Later | Woman’s World 10 Worst Star Trek Ship Designs, Ranked ‘Star Trek: Starfleet Academy' wants you to flash the Vulcan salute at Pier 39 Some Star Trek Fans Complain About The Franchise's Direction, But I Need To Hit Back After Watching Final Frontier For The First Time | Cinemablend The Kelvin Timeline's Lasting Legacy: How Abrams’ Star Trek Trilogy Shaped the Franchise's Streaming Era – TREKNEWS.NET | Your daily dose of Star Trek news and opinion Convention news/fandom Star Trek celebrates 60 years with star-studded cruise – CBS News The Lost Story That United the Original ‘Star Trek’ and ‘Doctor Who’ | Woman’s World How ‘Star Trek' Fans Saved the Show With a Million Letters (EXCLUSIVE) | Woman’s World Actor Watch STAR TREK: VOYAGER's Captain Janeway Defends STARFLEET ACADEMY's Captain Ake From Online Trolls Beam Me Up, Sulu Directors on Star Trek’s Ongoing Cultural Relevance Leonard Nimoy | All Star Trek James Doohan Military Service: ‘Star Trek’ Scotty’s Secret D-Day Story | Woman’s WorldPassings ‘Star Trek' Actor John Wheeler Dead at 95 Main Mission, Part 2 Star Trek: Starfleet AcademySeason 1, Episode 8“The Life of the Stars”Written by Gaia Violo & Jane MaggsDirected by Andi Armaganian Our Town 2003 Broadway Production Paul Newman as Stage Manager – YouTube Time to refill the dilithium chamber and warp on out of here! End Of Show It’s about time to refill the dilithium chamber and get on out of here. Find Clinton at Comedy4Cast Find Chuck and Kreg at Technorama Podcast If you liked the show, please be sure to tell a friend about it. And subscribe, so you’ll never miss an episode. We’d love to hear from you. Follow us on BlueSky (@thetopicistrek), visit our Facebook page or call us at 816-TREKKER, that’s (816) 873-5537 Until next time, on behalf of my absent co-hosts, Chuck, Kreg and myself, and my special guest, Gary, I’m Clinton, thanking you for listening. And, as we always say here on “The Topic Is Trek” Don’t put on the red shirt! END RECORDING – HAILING FREQUENCIES CLOSED

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En octobre 2025, après avoir rempli trois soirs de suite la plus grande salle de concert d'Europe, Booba a terminé sa tournée par un passage en garde à vue, suivi d'une mise en examen pour harcèlement aggravé. Un bon résumé de la carrière d'un artiste qui consacre autant d'énergie à ses albums qu'à déchaîner sa colère, et celle de ses fans, contre celles et ceux qui lui déplaisent. Le tout, en bénéficiant d'une certaine complaisance médiatique, voire d'un laisser faire qui pose question. Alors comment et pourquoi ce double jeu continue de fonctionner ?Thomas Rozec raconte.Programme B est un podcast de Binge Audio présenté par Thomas Rozec. Réalisation : Paul Bertiaux. Production et édition : Charlotte Baix. Générique : François Clos et Thibault Lefranc. Identité sonore Binge Audio : Jean-Benoît Dunckel (musique) et Bonnie El Bokeili (voix). Identité graphique : Sébastien Brothier et Thomas Steffen (Upian). Direction des programmes : Joël Ronez.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

(Premier épisode) À Nice, en octobre 2011, Mayeul Gaden ne donne plus de nouvelles à ses proches. Un an auparavant, ce jeune homme de 20 ans a fondé un club de bikers, les “Fenry”. Petite particularité : ils n'ont de motards que le nom. Les membres du club partagent une idéologie raciste et une fascination pour la violence. Devenu une sorte de gourou pour la dizaine de membres du groupe, Mayeul, qui se fait appeler Karl, a l'image d'un garçon charismatique mais aussi très autoritaire. Quinze mois passent, sans nouvelle de Mayeul. Jusqu'à ce que le lundi 16 décembre 2012, un peu plus d'un an après sa disparition, une jeune fille de 19 ans pousse la porte du commissariat de Grasse et fasse basculer l'affaire.Dans Crime story, la journaliste Clawdia Prolongeau raconte cette enquête avec Damien Delseny, chef du service police-justice du Parisien.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Ecriture et voix : Clawdia Prolongeau et Damien Delseny - Production : Clara Garnier-Amouroux, Anaïs Godard et Thibault Lambert - Réalisation et mixage : Julien Montcouquiol - Musiques : Audio Network, Archives : Nice Matin.Documentation. Cet épisode de Crime story a été préparé en puisant dans les archives du Parisien, avec l'aide de nos documentalistes ainsi que les ressources suivantes : Nice Matin. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

(Deuxième et dernier épisode) À Nice, en octobre 2011, Mayeul Gaden ne donne plus de nouvelles à ses proches. Un an auparavant, ce jeune homme de 20 ans a fondé un club de bikers, les “Fenry”. Petite particularité : ils n'ont de motards que le nom. Les membres du club partagent une idéologie raciste et une fascination pour la violence. Devenu une sorte de gourou pour la dizaine de membres du groupe, Mayeul, qui se fait appeler Karl, a l'image d'un garçon charismatique mais aussi très autoritaire. Quinze mois passent, sans nouvelle de Mayeul. Jusqu'à ce que le lundi 16 décembre 2012, un peu plus d'un an après sa disparition, une jeune fille de 19 ans pousse la porte du commissariat de Grasse et fasse basculer l'affaire.Dans Crime story, la journaliste Clawdia Prolongeau raconte cette enquête avec Damien Delseny, chef du service police-justice du Parisien.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Ecriture et voix : Clawdia Prolongeau et Damien Delseny - Production : Clara Garnier-Amouroux, Anaïs Godard et Thibault Lambert - Réalisation et mixage : Julien Montcouquiol - Musiques : Audio Network, Archives : Nice Matin.Documentation. Cet épisode de Crime story a été préparé en puisant dans les archives du Parisien, avec l'aide de nos documentalistes ainsi que les ressources suivantes : Nice Matin. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

••• Overcoming Stress, Ep 418a . ••• Bible Study Verse: 1 Kings 19.1-18 . ••• Part-B Bible Verses: Psalm 23, John 6.35, Ecclesiastes 3:11, Psalms 118:5-6 . ••• “To be a true minister to men is always to accept new happiness and new distress. The man who gives himself to other men can never be a wholly sad man; but no more can he be a man of unclouded gladness. To him shall come with every deeper consecration a before untasted joy, but in the same cup shall be mixed a sorrow that it was beyond his power to feel before”, Phillips Brooks, 1835-1893, The Influence of Jesus, H.R. Allenson, 1875, pg191, † ••• "As Christians, our lives should be marked by joy (Phil. 4:4), taste like joy (Gal 5:22), and be filled with the fullness of joy (John 15:11). Busyness attacks all of that" NL Demoss, †† . ••• “Be anxious for nothing, but in everything by prayer and supplication, with thanksgiving, let your requests be made known to God and the peace of God, which surpasses all understanding, will guard your hearts and minds through Christ Jesus” Philippians 4.6-7, NKJV . ••• What are 5-reasons why Elijah got so stress out that he wanted God to take his life? ••• Why did Elijah run from Jezebel? ••• How did Elijah get from being the bold and confident prophet to being a stressed out prophet on the run? ••• What are 7-negative consequences of being stressed out? ••• What were 5-life actions in Elijah's life that pulled him out of despair? ••• What is a reason for people to eat the wrong things? ••• What is the ‘Bread of Life'? ••• Are you going to ask your small group to pray that you will be more intentional about reducing unnecessary stress in your life through Godly wisdom & the power of Holy Spirit? Part-B Bible Study Questions: ••• What is the “activation energy”? ••• How does a 15-minute power nap affect one's stress levels? ••• How does receiving a touch from Our Creator affect stress in our lives? ••• How does the Christian regain full strength and vitality? ••• What is rest's affect on personal perspective? s••• Pastor Otuno expounds on this and much more on the exciting journey of Fresh Encounter Radio Podcast originally aired on WNQM, Nashville Quality Ministries and WWCR World Wide Christian Radio broadcast to all 7-continents on this big beautiful blue marble, earth, floating through space. Please be prayerful before studying The Word of God so that you will receive the most inspiration possible.••• This Discipleship Teaching Podcast is a listener supported production by all the beloved of God who believe in its mission through prayer and support. Thank you . ••• Broadcaster's Website - https://www.lifelonganointing.com/ .••• Exceeding Thanks to Universe Creator Christ Jesus AND photo by Etty Fidele Photography, Paris France, https://www.fideletty.com/, https://www.instagram.com/fideletty/, https://www.paypal.com/paypalme/FideleEtty, Direction by gil on his mac with free mac layout software . ••• † https://gracequotes.org/author-quote/phillips-brooks/ , Phillips Brooks was an American clergyman and author, in 1877 he published a course of lectures about preaching, which he had delivered at the theological school of Yale University, & which are an expression of his own experience. He is best known for authoring the Christmas carol "O Little Town of Bethlehem" . ••• †† https://gracequotes.org/author-quote/nancy-leigh-demoss/ .••• SHARING LINK: https://shows.acast.com/fresh-encounter-radio-podcast/ep418a-winning-the-battle-of-for-the-mind-pt3a . ••• Study Guides at - https://shows.acast.com/fresh-encounter-radio-podcast/episodes . ••• RESOURCE: FREE Max Maclean Chronological Audio Bible! https://tinyurl.com/godspeaks777 . ••• RESOURCE - IONA, “Burning Like Fire” https://www.youtube.com/watch?v=qaXikLXH_sQ . ••• RESOURCE - https://www.soundcloud.com/thewaytogod/ . ••• RESOURCE - PRAYER@SWRC.COM . ••• FERP260228 Episode#418a GOT260228 Ep418a . ••• Winning The Battle Of the Mind, Part-3a of 10: Overcoming Stress, Ep 418a . ††† † † † Hosted on Acast. See acast.com/privacy for more information.

Send a textRyan Pineda and Brian Davila break down eight biblical traits God expects from husbands and leaders, unpacking how strength, serving, patience, vision, provision, discipleship, trust, and spiritual fruit shape both marriage and business.⁣⁣__________⁣If you want to start your real estate investing business, we'll give you 1:1 coaching, seller leads, software, & everything you need. https://www.wealthyinvestor.com⁣⁣If you're a business owner who wants to get in peak physical shape, we can help! https://www.boardroom-athlete.com/apply⁣⁣Join our private mastermind for elite business leaders who golf. https://www.mastermind19.com⁣⁣Join free Bible studies and workshops for Christian business leaders. https://www.tentmakers.us⁣__________⁣CHAPTERS: ⁣0:00 - The 8 Traits God Expects from Husbands & Leaders.⁣0:10 - Strength: Physical, Emotional & Spiritual Leadership.⁣2:25 - Leaving Your Parents & Becoming One in Marriage.⁣5:25 - Passive vs. Controlling: What Real Strength Looks Like.⁣9:33 - Serving Your Spouse Like Jesus Served Others.⁣16:04 - Patience in Marriage, Parenting & Business.⁣25:40 - Vision: Leading Your Family & Team with Direction.⁣31:55 - Providing: Execution Over Excuses.⁣39:35 - Making Disciples at Home & in Business.⁣44:20 - Trust, Culture & The Fruit of the Spirit.Learn how to invest in real estate with the Cashflow 2.0 System! Your business in a box with 1:1 coaching, motivated seller leads, & softwares. https://www.wealthyinvestor.com/Want to work 1:1 with Ryan Pineda? Apply at ryanpineda.comJoin our FREE community, weekly calls, and bible studies for Christian entrepreneurs and business people. https://tentmakers.us/Want to grow your business and network with elite entrepreneurs on world-class golf courses? Apply now to join Mastermind19 – Ryan Pineda's private golf mastermind for high-level founders and dealmakers. www.mastermind19.com--- About Ryan Pineda: Ryan Pineda has been in the real estate industry since 2010 and has invested in over $100,000,000 of real estate. He has completed over 700 flips and wholesales, and he owns over 650 rental units. As an entrepreneur, he has founded seven different businesses that have generated 7-8 figures of revenue. Ryan has amassed over 2 million followers on social media and has generated over 1 billion views online. Starting as a minor league baseball player making less than $2,000 a month, Ryan is now worth over $100 million. He shares his experiences in building wealth and believes that anyone can change their life with real estate investing. ...

La mardi 24 février, Laurence des Cars démissionne de la présidence du Louvre. Quatre mois après le casse spectaculaire du Louvre et plusieurs semaines de tensions avec les salariés du musée, elle a remis sa démission à Emmanuel Macron, qui l'a acceptée.Première femme a diriger le Louvre depuis sa création en 1793, Laurence des Cars occupait ce poste prestigieux depuis 2021. Officiellement, son départ est une décision « personnelle », mais cette historienne de l'art de 59 ans était de plus en plus contestée en interne… Après le braquage du Louvre en octobre dernier, elle a dû affronter des crises en cascades, qui ont précipité la fin de son mandat.Cet épisode de Code source est raconté par Yves Jaeglé, journaliste au service culture du Parisien.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Anaïs Godard et Clara Garnier-Amouroux - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network - Archives : Le Point, France 2, Le Monde - Photo : Sarah Meyssonnier/Reuters. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

The Toronto Maple Leafs get swept in their back-to-back in the Sunshine State, as they fall 5-1 to the Florida Panthers. JD Bunkis and Sam McKee start with a broader view of the team, how this loss reinforces the case for selling at the deadline, and their levels of trust in Brad Treliving to get it done. Then, they break down the game and discuss the brutal first period, another slow one for Auston Matthews as he works back to speed, William Nylander's costly giveaway, and more. The views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Sports & Media or any affiliates.

La mort du militant néofasciste Quentin Deranque le 14 février 2026 a brutalement remis en lumière une galaxie souvent méconnue : celle de l'extrême droite radicale.Identitaires, nationalistes-révolutionnaires, royalistes : ces mouvances, composées quasi exclusivement d'hommes, ne se définissent pas seulement par leurs idées, mais par une certaine culture de la virilité et du corps, par un certain rapport au territoire, à la hiérarchie et à la confrontation.Qui sont ces jeunes hommes qui s'engagent dans l'extrême droite radicale ? Pourquoi la violence y tient lieu de langage politique ? Et comment ces réseaux minoritaires parviennent-ils à irriguer des espaces bien plus larges ?Tal Madesta reçoit Sébastien Bourdon, journaliste indépendant et auteur de Drapeau noir, jeunesses blanches. Enquête sur le renouveau de l'extrême droite radicale (éd. du Seuil, 2025).Retrouvez toutes les références citées dans l'épisode à la page : https://www.binge.audio/podcast/les-couilles-sur-la-table/virilites-radicalesCRÉDITS : Les Couilles sur la table est un podcast créé par Victoire Tuaillon produit par Binge Audio. Cet entretien a été préparé, mené et monté par Tal Madesta et enregistré le mardi 17 février au studio Virginie Despentes de Binge Audio (Paris, 19e). Prise de son, réalisation et mixage : Jude Rigaud. Supervision éditoriale et de production : Naomi Titti. Direction de production : Albane Fily. Communication : Lise Niederkorn. Rédacteur en chef : Thomas Rozec. Responsable des productions éditoriales : Charlotte Baix. Responsable administrative et financière : Adrienne Marino. Musique originale : Théo Boulenger. Composition identité sonore : Jean-Benoît Dunckel. Voix identité sonore : Bonnie El Bokeili. Direction des programmes : Joël Ronez.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Your LinkedIn “About” section isn't a résumé summary. It's your positioning statement.If someone lands on your profile, they should immediately understand who you are, who you help, and how you create results.In this training, I break down how to structure it the right way.Start with something personal that makes you relatable and human. Not your life story, just enough to build a connection.Then clearly state who you help and how you help them. Be specific about the problem you solve and the outcome you create.Next, include quantified metrics. Numbers build credibility. Revenue grown, teams scaled, engagement increased, clients served. Specific results separate you from everyone else.After that, highlight the key skills you've developed throughout your career that support those outcomes.And finally, end with a clear call to action. Tell people exactly what to do next, whether that's visiting your website, emailing you, or booking a call.Clarity builds trust. Direction drives action.Don't forget to get our FREE LinkedIn Profile Optimization Guide here:https://www.thetimetogrow.com/ecsoptimizeyourprofile