Podcast appearances and mentions of jamal elias

In his groundbreaking new book, Alef is for Allah: Childhood, Emotion, and Visual Culture in Islamic Societies (University of California Press, 2018), Jamal Elias takes his readers on a riveting intellectual tour thematically centered on the interaction of childhood, visual culture, and affect in contemporary Muslim majority societies, and in Muslim intellectual thought more broadly. Drawing on while also significantly extending and reworking recent theoretical explorations in the field of affect theory, Elias interrogates, with lucidity as well as with dazzling insight, the promises, aspirations, and tensions invested in childhood and the figure of the child in Muslim visual culture. Elias convincingly shows that not only is childhood itself a concept and construct fraught with ambiguity, but also that the mobilization of the ideal child through material and visual culture can take remarkably malleable forms and purposes. Alef is for Allah moves seamlessly between such varied contexts as Iran, Turkey, and Pakistan to illumine the depth and diversity of the intersection of piety, nationalism, and visual culture in Islam and Muslim societies. This lyrically written book also includes incredible and excellently presented images making it particularly well suited for undergraduate and graduate seminars on material Islam, Muslim visual culture, affect studies, and childhood studies. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available at https://fandm.academia.edu/SheraliTareen/. He can be reached at stareen@fandm.edu. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his groundbreaking new book, Alef is for Allah: Childhood, Emotion, and Visual Culture in Islamic Societies (University of California Press, 2018), Jamal Elias takes his readers on a riveting intellectual tour thematically centered on the interaction of childhood, visual culture, and affect in contemporary Muslim majority societies, and in Muslim intellectual thought more broadly. Drawing on while also significantly extending and reworking recent theoretical explorations in the field of affect theory, Elias interrogates, with lucidity as well as with dazzling insight, the promises, aspirations, and tensions invested in childhood and the figure of the child in Muslim visual culture. Elias convincingly shows that not only is childhood itself a concept and construct fraught with ambiguity, but also that the mobilization of the ideal child through material and visual culture can take remarkably malleable forms and purposes. Alef is for Allah moves seamlessly between such varied contexts as Iran, Turkey, and Pakistan to illumine the depth and diversity of the intersection of piety, nationalism, and visual culture in Islam and Muslim societies. This lyrically written book also includes incredible and excellently presented images making it particularly well suited for undergraduate and graduate seminars on material Islam, Muslim visual culture, affect studies, and childhood studies. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available at https://fandm.academia.edu/SheraliTareen/. He can be reached at stareen@fandm.edu. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his groundbreaking new book, Alef is for Allah: Childhood, Emotion, and Visual Culture in Islamic Societies (University of California Press, 2018), Jamal Elias takes his readers on a riveting intellectual tour thematically centered on the interaction of childhood, visual culture, and affect in contemporary Muslim majority societies, and in Muslim intellectual thought more broadly. Drawing on while also significantly extending and reworking recent theoretical explorations in the field of affect theory, Elias interrogates, with lucidity as well as with dazzling insight, the promises, aspirations, and tensions invested in childhood and the figure of the child in Muslim visual culture. Elias convincingly shows that not only is childhood itself a concept and construct fraught with ambiguity, but also that the mobilization of the ideal child through material and visual culture can take remarkably malleable forms and purposes. Alef is for Allah moves seamlessly between such varied contexts as Iran, Turkey, and Pakistan to illumine the depth and diversity of the intersection of piety, nationalism, and visual culture in Islam and Muslim societies. This lyrically written book also includes incredible and excellently presented images making it particularly well suited for undergraduate and graduate seminars on material Islam, Muslim visual culture, affect studies, and childhood studies. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available at https://fandm.academia.edu/SheraliTareen/. He can be reached at stareen@fandm.edu. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his groundbreaking new book, Alef is for Allah: Childhood, Emotion, and Visual Culture in Islamic Societies (University of California Press, 2018), Jamal Elias takes his readers on a riveting intellectual tour thematically centered on the interaction of childhood, visual culture, and affect in contemporary Muslim majority societies, and in Muslim intellectual thought more broadly. Drawing on while also significantly extending and reworking recent theoretical explorations in the field of affect theory, Elias interrogates, with lucidity as well as with dazzling insight, the promises, aspirations, and tensions invested in childhood and the figure of the child in Muslim visual culture. Elias convincingly shows that not only is childhood itself a concept and construct fraught with ambiguity, but also that the mobilization of the ideal child through material and visual culture can take remarkably malleable forms and purposes. Alef is for Allah moves seamlessly between such varied contexts as Iran, Turkey, and Pakistan to illumine the depth and diversity of the intersection of piety, nationalism, and visual culture in Islam and Muslim societies. This lyrically written book also includes incredible and excellently presented images making it particularly well suited for undergraduate and graduate seminars on material Islam, Muslim visual culture, affect studies, and childhood studies. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available at https://fandm.academia.edu/SheraliTareen/. He can be reached at stareen@fandm.edu. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his groundbreaking new book, Alef is for Allah: Childhood, Emotion, and Visual Culture in Islamic Societies (University of California Press, 2018), Jamal Elias takes his readers on a riveting intellectual tour thematically centered on the interaction of childhood, visual culture, and affect in contemporary Muslim majority societies, and in Muslim intellectual thought more broadly. Drawing on while also significantly extending and reworking recent theoretical explorations in the field of affect theory, Elias interrogates, with lucidity as well as with dazzling insight, the promises, aspirations, and tensions invested in childhood and the figure of the child in Muslim visual culture. Elias convincingly shows that not only is childhood itself a concept and construct fraught with ambiguity, but also that the mobilization of the ideal child through material and visual culture can take remarkably malleable forms and purposes. Alef is for Allah moves seamlessly between such varied contexts as Iran, Turkey, and Pakistan to illumine the depth and diversity of the intersection of piety, nationalism, and visual culture in Islam and Muslim societies. This lyrically written book also includes incredible and excellently presented images making it particularly well suited for undergraduate and graduate seminars on material Islam, Muslim visual culture, affect studies, and childhood studies. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available at https://fandm.academia.edu/SheraliTareen/. He can be reached at stareen@fandm.edu. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his groundbreaking new book, Alef is for Allah: Childhood, Emotion, and Visual Culture in Islamic Societies (University of California Press, 2018), Jamal Elias takes his readers on a riveting intellectual tour thematically centered on the interaction of childhood, visual culture, and affect in contemporary Muslim majority societies, and in Muslim intellectual thought more broadly. Drawing on while also significantly extending and reworking recent theoretical explorations in the field of affect theory, Elias interrogates, with lucidity as well as with dazzling insight, the promises, aspirations, and tensions invested in childhood and the figure of the child in Muslim visual culture. Elias convincingly shows that not only is childhood itself a concept and construct fraught with ambiguity, but also that the mobilization of the ideal child through material and visual culture can take remarkably malleable forms and purposes. Alef is for Allah moves seamlessly between such varied contexts as Iran, Turkey, and Pakistan to illumine the depth and diversity of the intersection of piety, nationalism, and visual culture in Islam and Muslim societies. This lyrically written book also includes incredible and excellently presented images making it particularly well suited for undergraduate and graduate seminars on material Islam, Muslim visual culture, affect studies, and childhood studies. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available at https://fandm.academia.edu/SheraliTareen/. He can be reached at stareen@fandm.edu. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his groundbreaking new book, Alef is for Allah: Childhood, Emotion, and Visual Culture in Islamic Societies (University of California Press, 2018), Jamal Elias takes his readers on a riveting intellectual tour thematically centered on the interaction of childhood, visual culture, and affect in contemporary Muslim majority societies, and in Muslim intellectual thought more broadly. Drawing on while also significantly extending and reworking recent theoretical explorations in the field of affect theory, Elias interrogates, with lucidity as well as with dazzling insight, the promises, aspirations, and tensions invested in childhood and the figure of the child in Muslim visual culture. Elias convincingly shows that not only is childhood itself a concept and construct fraught with ambiguity, but also that the mobilization of the ideal child through material and visual culture can take remarkably malleable forms and purposes. Alef is for Allah moves seamlessly between such varied contexts as Iran, Turkey, and Pakistan to illumine the depth and diversity of the intersection of piety, nationalism, and visual culture in Islam and Muslim societies. This lyrically written book also includes incredible and excellently presented images making it particularly well suited for undergraduate and graduate seminars on material Islam, Muslim visual culture, affect studies, and childhood studies. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available at https://fandm.academia.edu/SheraliTareen/. He can be reached at stareen@fandm.edu. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his remarkable new book Aisha’s Cushion: Religious Art, Practice, and Perception in Islam (Harvard University Press, 2012), Jamal Elias, Professor of Religious Studies at the University of Pennsylvania, presents a magisterial study of Muslim attitudes towards visual culture, images, and perception. Through meticulous historical and textual analysis, Elias successfully unravels the stereotype that there is no place for visual images in Islam, or that calligraphy represents the only normative form of art in Islam. He shows that throughout history Muslims have approached the question of images and art in a much more nuanced and complicated fashion, while negotiating important philosophical, theological, and perceptual considerations. He argues that “Muslim thinkers have developed systematic and advanced theories of representation and signification, and that many of these theories have been internalized by Islamic society at large and continue to inform cultural attitudes toward the visual arts.” What is most unusual about this book is the almost overwhelming range and varieties of sources that Elias marshals to construct his argument. The reader of this book travels through a glittering arcade of intellectual histories populated by texts on philosophy, Sufism, alchemy, dreams, optics, and architecture and monuments. This painstakingly researched and lyrically written book is sure to delight the intellectual palate of specialists and non-specialists alike. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his remarkable new book Aisha’s Cushion: Religious Art, Practice, and Perception in Islam (Harvard University Press, 2012), Jamal Elias, Professor of Religious Studies at the University of Pennsylvania, presents a magisterial study of Muslim attitudes towards visual culture, images, and perception. Through meticulous historical and textual analysis, Elias successfully unravels the stereotype that there is no place for visual images in Islam, or that calligraphy represents the only normative form of art in Islam. He shows that throughout history Muslims have approached the question of images and art in a much more nuanced and complicated fashion, while negotiating important philosophical, theological, and perceptual considerations. He argues that “Muslim thinkers have developed systematic and advanced theories of representation and signification, and that many of these theories have been internalized by Islamic society at large and continue to inform cultural attitudes toward the visual arts.” What is most unusual about this book is the almost overwhelming range and varieties of sources that Elias marshals to construct his argument. The reader of this book travels through a glittering arcade of intellectual histories populated by texts on philosophy, Sufism, alchemy, dreams, optics, and architecture and monuments. This painstakingly researched and lyrically written book is sure to delight the intellectual palate of specialists and non-specialists alike. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his remarkable new book Aisha’s Cushion: Religious Art, Practice, and Perception in Islam (Harvard University Press, 2012), Jamal Elias, Professor of Religious Studies at the University of Pennsylvania, presents a magisterial study of Muslim attitudes towards visual culture, images, and perception. Through meticulous historical and textual analysis, Elias successfully unravels the stereotype that there is no place for visual images in Islam, or that calligraphy represents the only normative form of art in Islam. He shows that throughout history Muslims have approached the question of images and art in a much more nuanced and complicated fashion, while negotiating important philosophical, theological, and perceptual considerations. He argues that “Muslim thinkers have developed systematic and advanced theories of representation and signification, and that many of these theories have been internalized by Islamic society at large and continue to inform cultural attitudes toward the visual arts.” What is most unusual about this book is the almost overwhelming range and varieties of sources that Elias marshals to construct his argument. The reader of this book travels through a glittering arcade of intellectual histories populated by texts on philosophy, Sufism, alchemy, dreams, optics, and architecture and monuments. This painstakingly researched and lyrically written book is sure to delight the intellectual palate of specialists and non-specialists alike. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his remarkable new book Aisha’s Cushion: Religious Art, Practice, and Perception in Islam (Harvard University Press, 2012), Jamal Elias, Professor of Religious Studies at the University of Pennsylvania, presents a magisterial study of Muslim attitudes towards visual culture, images, and perception. Through meticulous historical and textual analysis, Elias successfully unravels the stereotype that there is no place for visual images in Islam, or that calligraphy represents the only normative form of art in Islam. He shows that throughout history Muslims have approached the question of images and art in a much more nuanced and complicated fashion, while negotiating important philosophical, theological, and perceptual considerations. He argues that “Muslim thinkers have developed systematic and advanced theories of representation and signification, and that many of these theories have been internalized by Islamic society at large and continue to inform cultural attitudes toward the visual arts.” What is most unusual about this book is the almost overwhelming range and varieties of sources that Elias marshals to construct his argument. The reader of this book travels through a glittering arcade of intellectual histories populated by texts on philosophy, Sufism, alchemy, dreams, optics, and architecture and monuments. This painstakingly researched and lyrically written book is sure to delight the intellectual palate of specialists and non-specialists alike. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his remarkable new book Aisha’s Cushion: Religious Art, Practice, and Perception in Islam (Harvard University Press, 2012), Jamal Elias, Professor of Religious Studies at the University of Pennsylvania, presents a magisterial study of Muslim attitudes towards visual culture, images, and perception. Through meticulous historical and textual analysis, Elias successfully unravels the stereotype that there is no place for visual images in Islam, or that calligraphy represents the only normative form of art in Islam. He shows that throughout history Muslims have approached the question of images and art in a much more nuanced and complicated fashion, while negotiating important philosophical, theological, and perceptual considerations. He argues that “Muslim thinkers have developed systematic and advanced theories of representation and signification, and that many of these theories have been internalized by Islamic society at large and continue to inform cultural attitudes toward the visual arts.” What is most unusual about this book is the almost overwhelming range and varieties of sources that Elias marshals to construct his argument. The reader of this book travels through a glittering arcade of intellectual histories populated by texts on philosophy, Sufism, alchemy, dreams, optics, and architecture and monuments. This painstakingly researched and lyrically written book is sure to delight the intellectual palate of specialists and non-specialists alike. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, On Wings of Diesel, Jamal Elias, professor of Religious Studies, takes readers on journey through the world of Pakistani truck decoration. These ornately adorned vehicles depict all aspects of life and fuel an extensive artisanal industry. To provide a unique understanding of Pakistan's complex society, Elias explores designs and motifs in truck art, the motivations of those involved in the practice and its cultural significance. An accomplished amateur photographer, Elias illustrates his research with vivid photos of these "mechanical dinosaurs adorned in full courtship colors." In this audio slideshow, view Elias' pictures of Pakistani truck art and listen to him discuss his research. Rachel Witte and Nikkolai Davenport contributed to this story.