Podcast appearances and mentions of Melissa L Cooper

Recent reports about tax hikes, black land loss, and the near extinction of Gullah culture in the Lowcountry of regions of Georgia and South Carolina have made headlines in the New York Times, and featured on national TV networks like CNN. Missing from these reports is an account of how these unique African Americans emerged in the national imagination as distinct populations whose traditions should be documented and examined. Enter Melissa L. Cooper, an Assistant Professor in the Department of History at Rutgers University-Newark. Her groundbreaking book, Making Gullah: A History of Sapelo Islanders, Race and the American Imagination (University of North Carolina Press), is set to be released on April 17, 2017. It is the first book to trace the construction of the Gullah identity. Using Sapelo Island as a case study, Cooper unearths the intellectual and cultural trends that inspired, and continues to inspire, fascination with Gullah culture and their African roots. In addition, --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Making Gullah: A History of Sapelo Islanders, Race, and the American Imagination (University of North Carolina Press, 2017) is a wide-ranging history that upends a long tradition of scrutinizing the Low Country blacks of Sapelo Island by outsiders. The book promotes a refocusing, and the observational lens is instead focused on those white and black scholars who the Gullah of Sapelo Island during the early 20th Century. The author uses a wide variety of sources to unmask the connections between the rise of the social sciences, the voodoo craze during the interwar years, the black studies movement, and black land loss and land struggles in coastal black communities in the Low Country. What emerges is a fascinating examination of Gullah people's heritage, and how it was reimagined and transformed to serve vastly divergent ends over the decades. During the 1920s and 1930s, anthropologists and folklorists became obsessed with uncovering connections between African Americans and their African roots. At the same time, popular print media and artistic productions tapped the new appeal of black folk life, highlighting African-styled voodoo as an essential element of black folk culture. A number of researchers converged on one site in particular, Sapelo Island, Georgia, to seek support for their theories about “African survivals,” bringing with them a curious mix of both influences. The legacy of that body of research is the area's contemporary identification as a Gullah community. Melissa L. Cooper is an assistant professor of history at Rutgers University-Newark. She specializes in African American cultural and intellectual history, and the history of the African Diaspora. In addition to Making Gullah: A History of Sapelo Islanders, Race, and the American Imagination Cooper is also the author of Instructor's Resource Manual Freedom on My Mind: A History of African Americans with Documents and a contributing writer to Race and Retail: Consumption Across the Color Line. Her current research concerns the connections between Afrocentricism and its portrayals in mass media and popular culture. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.

Making Gullah: A History of Sapelo Islanders, Race, and the American Imagination (University of North Carolina Press, 2017) is a wide-ranging history that upends a long tradition of scrutinizing the Low Country blacks of Sapelo Island by outsiders. The book promotes a refocusing, and the observational lens is instead focused on those white and black scholars who the Gullah of Sapelo Island during the early 20th Century. The author uses a wide variety of sources to unmask the connections between the rise of the social sciences, the voodoo craze during the interwar years, the black studies movement, and black land loss and land struggles in coastal black communities in the Low Country. What emerges is a fascinating examination of Gullah people’s heritage, and how it was reimagined and transformed to serve vastly divergent ends over the decades. During the 1920s and 1930s, anthropologists and folklorists became obsessed with uncovering connections between African Americans and their African roots. At the same time, popular print media and artistic productions tapped the new appeal of black folk life, highlighting African-styled voodoo as an essential element of black folk culture. A number of researchers converged on one site in particular, Sapelo Island, Georgia, to seek support for their theories about “African survivals,” bringing with them a curious mix of both influences. The legacy of that body of research is the area’s contemporary identification as a Gullah community. Melissa L. Cooper is an assistant professor of history at Rutgers University-Newark. She specializes in African American cultural and intellectual history, and the history of the African Diaspora. In addition to Making Gullah: A History of Sapelo Islanders, Race, and the American Imagination Cooper is also the author of Instructor’s Resource Manual Freedom on My Mind: A History of African Americans with Documents and a contributing writer to Race and Retail: Consumption Across the Color Line. Her current research concerns the connections between Afrocentricism and its portrayals in mass media and popular culture. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Making Gullah: A History of Sapelo Islanders, Race, and the American Imagination (University of North Carolina Press, 2017) is a wide-ranging history that upends a long tradition of scrutinizing the Low Country blacks of Sapelo Island by outsiders. The book promotes a refocusing, and the observational lens is instead focused on those white and black scholars who the Gullah of Sapelo Island during the early 20th Century. The author uses a wide variety of sources to unmask the connections between the rise of the social sciences, the voodoo craze during the interwar years, the black studies movement, and black land loss and land struggles in coastal black communities in the Low Country. What emerges is a fascinating examination of Gullah people’s heritage, and how it was reimagined and transformed to serve vastly divergent ends over the decades. During the 1920s and 1930s, anthropologists and folklorists became obsessed with uncovering connections between African Americans and their African roots. At the same time, popular print media and artistic productions tapped the new appeal of black folk life, highlighting African-styled voodoo as an essential element of black folk culture. A number of researchers converged on one site in particular, Sapelo Island, Georgia, to seek support for their theories about “African survivals,” bringing with them a curious mix of both influences. The legacy of that body of research is the area’s contemporary identification as a Gullah community. Melissa L. Cooper is an assistant professor of history at Rutgers University-Newark. She specializes in African American cultural and intellectual history, and the history of the African Diaspora. In addition to Making Gullah: A History of Sapelo Islanders, Race, and the American Imagination Cooper is also the author of Instructor’s Resource Manual Freedom on My Mind: A History of African Americans with Documents and a contributing writer to Race and Retail: Consumption Across the Color Line. Her current research concerns the connections between Afrocentricism and its portrayals in mass media and popular culture. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Making Gullah: A History of Sapelo Islanders, Race, and the American Imagination (University of North Carolina Press, 2017) is a wide-ranging history that upends a long tradition of scrutinizing the Low Country blacks of Sapelo Island by outsiders. The book promotes a refocusing, and the observational lens is instead focused on those white and black scholars who the Gullah of Sapelo Island during the early 20th Century. The author uses a wide variety of sources to unmask the connections between the rise of the social sciences, the voodoo craze during the interwar years, the black studies movement, and black land loss and land struggles in coastal black communities in the Low Country. What emerges is a fascinating examination of Gullah people’s heritage, and how it was reimagined and transformed to serve vastly divergent ends over the decades. During the 1920s and 1930s, anthropologists and folklorists became obsessed with uncovering connections between African Americans and their African roots. At the same time, popular print media and artistic productions tapped the new appeal of black folk life, highlighting African-styled voodoo as an essential element of black folk culture. A number of researchers converged on one site in particular, Sapelo Island, Georgia, to seek support for their theories about “African survivals,” bringing with them a curious mix of both influences. The legacy of that body of research is the area’s contemporary identification as a Gullah community. Melissa L. Cooper is an assistant professor of history at Rutgers University-Newark. She specializes in African American cultural and intellectual history, and the history of the African Diaspora. In addition to Making Gullah: A History of Sapelo Islanders, Race, and the American Imagination Cooper is also the author of Instructor’s Resource Manual Freedom on My Mind: A History of African Americans with Documents and a contributing writer to Race and Retail: Consumption Across the Color Line. Her current research concerns the connections between Afrocentricism and its portrayals in mass media and popular culture. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Making Gullah: A History of Sapelo Islanders, Race, and the American Imagination (University of North Carolina Press, 2017) is a wide-ranging history that upends a long tradition of scrutinizing the Low Country blacks of Sapelo Island by outsiders. The book promotes a refocusing, and the observational lens is instead focused on those white and black scholars who the Gullah of Sapelo Island during the early 20th Century. The author uses a wide variety of sources to unmask the connections between the rise of the social sciences, the voodoo craze during the interwar years, the black studies movement, and black land loss and land struggles in coastal black communities in the Low Country. What emerges is a fascinating examination of Gullah people’s heritage, and how it was reimagined and transformed to serve vastly divergent ends over the decades. During the 1920s and 1930s, anthropologists and folklorists became obsessed with uncovering connections between African Americans and their African roots. At the same time, popular print media and artistic productions tapped the new appeal of black folk life, highlighting African-styled voodoo as an essential element of black folk culture. A number of researchers converged on one site in particular, Sapelo Island, Georgia, to seek support for their theories about “African survivals,” bringing with them a curious mix of both influences. The legacy of that body of research is the area’s contemporary identification as a Gullah community. Melissa L. Cooper is an assistant professor of history at Rutgers University-Newark. She specializes in African American cultural and intellectual history, and the history of the African Diaspora. In addition to Making Gullah: A History of Sapelo Islanders, Race, and the American Imagination Cooper is also the author of Instructor’s Resource Manual Freedom on My Mind: A History of African Americans with Documents and a contributing writer to Race and Retail: Consumption Across the Color Line. Her current research concerns the connections between Afrocentricism and its portrayals in mass media and popular culture. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Making Gullah: A History of Sapelo Islanders, Race, and the American Imagination (University of North Carolina Press, 2017) is a wide-ranging history that upends a long tradition of scrutinizing the Low Country blacks of Sapelo Island by outsiders. The book promotes a refocusing, and the observational lens is instead focused on those white and black scholars who the Gullah of Sapelo Island during the early 20th Century. The author uses a wide variety of sources to unmask the connections between the rise of the social sciences, the voodoo craze during the interwar years, the black studies movement, and black land loss and land struggles in coastal black communities in the Low Country. What emerges is a fascinating examination of Gullah people’s heritage, and how it was reimagined and transformed to serve vastly divergent ends over the decades. During the 1920s and 1930s, anthropologists and folklorists became obsessed with uncovering connections between African Americans and their African roots. At the same time, popular print media and artistic productions tapped the new appeal of black folk life, highlighting African-styled voodoo as an essential element of black folk culture. A number of researchers converged on one site in particular, Sapelo Island, Georgia, to seek support for their theories about “African survivals,” bringing with them a curious mix of both influences. The legacy of that body of research is the area’s contemporary identification as a Gullah community. Melissa L. Cooper is an assistant professor of history at Rutgers University-Newark. She specializes in African American cultural and intellectual history, and the history of the African Diaspora. In addition to Making Gullah: A History of Sapelo Islanders, Race, and the American Imagination Cooper is also the author of Instructor’s Resource Manual Freedom on My Mind: A History of African Americans with Documents and a contributing writer to Race and Retail: Consumption Across the Color Line. Her current research concerns the connections between Afrocentricism and its portrayals in mass media and popular culture. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Making Gullah: A History of Sapelo Islanders, Race, and the American Imagination (University of North Carolina Press, 2017) is a wide-ranging history that upends a long tradition of scrutinizing the Low Country blacks of Sapelo Island by outsiders. The book promotes a refocusing, and the observational lens is instead focused on those white and black scholars who the Gullah of Sapelo Island during the early 20th Century. The author uses a wide variety of sources to unmask the connections between the rise of the social sciences, the voodoo craze during the interwar years, the black studies movement, and black land loss and land struggles in coastal black communities in the Low Country. What emerges is a fascinating examination of Gullah people's heritage, and how it was reimagined and transformed to serve vastly divergent ends over the decades. During the 1920s and 1930s, anthropologists and folklorists became obsessed with uncovering connections between African Americans and their African roots. At the same time, popular print media and artistic productions tapped the new appeal of black folk life, highlighting African-styled voodoo as an essential element of black folk culture. A number of researchers converged on one site in particular, Sapelo Island, Georgia, to seek support for their theories about “African survivals,” bringing with them a curious mix of both influences. The legacy of that body of research is the area's contemporary identification as a Gullah community. Melissa L. Cooper is an assistant professor of history at Rutgers University-Newark. She specializes in African American cultural and intellectual history, and the history of the African Diaspora. In addition to Making Gullah: A History of Sapelo Islanders, Race, and the American Imagination Cooper is also the author of Instructor's Resource Manual Freedom on My Mind: A History of African Americans with Documents and a contributing writer to Race and Retail: Consumption Across the Color Line. Her current research concerns the connections between Afrocentricism and its portrayals in mass media and popular culture. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Melissa L. Cooper is an Assistant Professor in the Department of History at Rutgers University-Newark. Cooper’s ground breaking book, Making Gullah: A History of Sapelo Islanders, Race and the American Imagination, published by the University of North Carolina Press, is a fascinating history.  Using Sapelo Island as a case study, Cooper unearths the intellectual and cultural trends that inspired, and continues to inspire, fascination with low country blacks and the African roots of their unique culture. Examining the history of Islanders in published works, Making Gullah tells a larger story about race and the American imagination.  Drawing inspiration from her own family’s connection to Sapelo, Cooper explores how the Islanders’ multi-generational struggle for land and racial equality have been overshadowed by the race fantasies that pervaded the stories that researchers and writers told about their exotic folk culture.  From the 1920s and 1930s to the present day, Cooper follows evolving theories about Gullah people's heritage through the rise of the social sciences; the Harlem Renaissance; the Great Migration; the voodoo craze; Jim Crow; and the Black Studies Movement. As new fears about the vanishing Gullah grip the nation, Making Gullah offers readers an opportunity to discover the complexity of an identity famous for its simplicity and timelessness.