Podcasts about Great Migration

Melissa Swift shares strategies for navigating the chaos of the modern workplace more effectively. — YOU'LL LEARN — 1) The four trends making work feel more intense and chaotic 2) How to hone in on what makes you effective 3) Two critical questions to ask in the face of chaos Subscribe or visit AwesomeAtYourJob.com/ep1176 for clickable versions of the links below. — ABOUT MELISSA — Melissa Swift is a leading voice on how organizations, teams, and individuals can succeed in an ever-more challenging world of work. As founder and CEO of Anthrome Insight, she is a practicing consultant and keynote speaker. She has held consulting leadership roles at Capgemini, Mercer, Korn Ferry, and Deloitte. She is also the author of Work Here Now: Think Like a Human and Build a Powerhouse Workplace (Wiley, 2023).Her quarterly columns in MIT Sloan Management Review often rank among their most-read articles. Swift speaks regularly at events, including the MIT CIO Symposium, and has been quoted on the subject in The New York Times, The Wall Street Journal, NPR, Newsweek, The Economist, The Washington Post, Axios, and more.Throughout her career, Swift has pioneered techniques to reshape organizations for digital and workforce transformation, leading breakthrough projects across industries ranging from manufacturing to professional services to biotech to consumer goods. She earned her B.A. from Harvard University and her MBA from Columbia Business School.• Book: Effective: How to Do Great Work in a Fast-Changing World• LinkedIn: Melissa Swift• Website: AnthromeInsight.com— RESOURCES MENTIONED IN THE SHOW — • Database: O*ONET• Study: “Work intensification: Towards mapping the study field and defining a research agenda” by Ana Heloísa da Costa Lemos, Waleska Yone Yamakawa Zavatti Campos, and Marcelo Quintão• Book: The Warmth of Other Suns: The Epic Story of America's Great Migration by Isabel Wilkerson• Past episode: 314: How to Feel Less Busy With Laura Vanderkam• Past episode: 366: Mastering Conversations through Compassionate Curiosity with Kwame Christian• Past episode: 417: Managing Infinite Expectations with Laura Vanderkam• Past episode: 798: How to Have Difficult Conversations about Race with Kwame Christian• Past episode: 981: Using AI to Enhance Your Reading, Notes, Memory, and Decisions with Kwame Christian• Past episode: 1150: How to Reclaim Your Schedule and Own Your Time with Laura Vanderkam— THANK YOU SPONSORS! — • Shopify. Sign up for your free trial at Shopify.com/awesomepod• Vinted. Download the Vinted app for free to start selling with no seller fees!• Fitnexa. Get $10 off the SomniPods3 with the link and code AWESOMESee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Rev. Dr. Melanie Harris is a professor of Black Feminist and Womanist Theologies at Wake Forest University, an ordained minister in the African Methodist Episcopal Church and one of the founders of ecowomanism — a theology and environmental philosophy centering the voices, wisdom, and spiritual practices of Black women and women of color.In this conversation, Harris traces her own eco-memories back to Dearfield, Colorado, one of the historic Black-owned farming settlements founded by families who migrated west during the Great Migration — including her own grandparents. She reflects on growing up with a rare and precious connection to land and growing things, even as her family navigated the very real dangers racism posed to simply being outdoors in rural America.Harris speaks candidly about how, in many African American communities, painful histories tied to slavery and cotton have led families to intentionally distance children from the land — a protective severing that ecowomanism seeks to gently repair. Drawing on her mother's practice of singing and humming to plants, she describes music, spirituality and land stewardship as deeply entwined threads of Black religious life.She also talks about the hidden ecological history of Black women and why it matters to see  women like Harriet Tubman and Fannie Lou Hamer not just as liberators and Civil Rights leaders, but as environmentalists who understood the connection between racial justice and earth justice. The episode closes with a meditation on the high desert of New Mexico, where the conversation was recorded – a portrait of land, memory, grief and grace held together.This episode was produced in partnership with the Center for Humans and Nature and with support from the Kalliopeia Foundation. —00:00:00 Introduction00:03:00 Roots, Roses and Ecowomanism00:10:55 Harriet Tubman, Environmentalist00:17:30 The Lynching Tree and What Needs Repair00:27:10 The Divine Feminine and the Desert— Melanie Harris academic bio  Book: “Ecowomanism: African American Women and Earth-Honoring Faiths” Book: “Preaching Black Earth” Wonder Cabinet is hosted by Anne Strainchamps and Steve Paulson. Find out more about the show at https://wondercabinetproductions.com, where you can subscribe to the podcast and our newsletter.

San Francisco's Nina LaCour is a bestselling YA author who has turned to adult novels in the past few years. Her new book, “Meet Me In the Garden” is a shimmering novel about a Creole family's migration from New Orleans to California and the ways that they reinterpret their racial and queer identities in their new home. We talk about the Great Migration, the promise of California, and writing characters readers actually love. Guest: Nina LaCour, author, “Meet Me in the Garden,” “Yerba Buena” and “We Are Okay” Learn more about your ad choices. Visit megaphone.fm/adchoices

Why is exclusionary zoning, which restricts land to expensive single-family houses, so commonplace in the US compared to other countries? Alexander Sahn shares strong evidence that local responses to a wave of migration by Southern Blacks in the middle of the 20th century played a big role.Read about the Lewis Center's work at lewis.ucla.edu.Follow our Substack at uclahousingvoice.substack.com.Email Shane at at shanephillips@ucla.edu and follow him on Bluesky and LinkedIn.Show notes:Sahn, A. (2025). Racial diversity and exclusionary zoning: Evidence from the Great Migration. The Journal of Politics, 87(4), 1302-1318.Boustan, L. P. (2007). Black migration, white flight: the effect of black migration on northern cities and labor markets. The Journal of Economic History, 67(2), 484-488.Derenoncourt, E. (2022). Can you move to opportunity? Evidence from the Great Migration. American Economic Review, 112(2), 369-408.Grant, K. N. (2014). Relocation and Realignment: How the Great Migration Changed the Face of the Democratic Party. Syracuse University.Cui, T. (2024). Did race fence off the American city? The great migration and the evolution of exclusionary zoning [working paper].Gallagher, R., Shertzer, A., & Twinam, T. (2026). Zoning and the American Suburb (No. 26-37). Federal Reserve Bank of Philadelphia.Lens, M. C. (2024). Where the hood at?: Fifty years of change in black neighborhoods. Russell Sage Foundation.Episode 23 of UCLA Housing Voice, on political representation and housing supply with Michael Hankinson.

“Honestly, I am blessed. What up Doe?” That joyful introduction sets the tone for an unforgettable conversation with AJ Williams, a journalist and storyteller whose words have helped shape Black culture while remaining grounded in the lessons of family, migration, and Detroit. From reflecting on being “used to asking the questions” to tracing her roots from Newark to Chicago and ultimately Detroit, AJ reminds us that every journey carries a deeper community story. She shares how her grandmother and mother built new beginnings, how Black cities remain connected through shared experiences, and why Detroit became part of her family's legacy. Along the way, the conversation celebrates everything from hoodies and summer style to the significance behind a simple Detroit greeting of “What up though?” while uncovering the deeper meaning of identity, belonging, and home. This episode explores how personal history becomes cultural history, showing that the people who document our stories are shaped by stories of their own. AJ's reflections connect the Great Migration, Black journalism, and today's evolving media landscape, reminding listeners that preserving our voices is essential to building our future. If we understand where our families have traveled, struggled, and flourished, we become better equipped to tell the stories that strengthen our communities for generations to come. Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different. Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher. Comment, suggest and connect with the podcast by emailing info@detroitisdifferent.com Find out more at https://detroit-is-different.pinecast.co

CLICK HERE! To send us a message! Ask us a Question or just let us know what you think!Recorded sound is so normal now that we barely notice it, but the first time people heard a phonograph it felt impossible. Jack Stanley returns to unpack the social history of early sound recording: the disbelief, the tests, the accusations of fraud, and the moment audiences realized a machine could capture a human voice and play it back on command. We talk about Edison's instincts for showmanship and why the phonograph succeeds not just as an invention, but as a public spectacle.From there we follow the medium as it grows up. Wax grooves, cylinders, and discs turn a novelty into a product people bring into the home, changing what music access looks like for everyday listeners who may never see an opera house or Broadway stage. We dig into the birth of the modern recording industry through Columbia, Victor, and the gramophone era, including the power of branding, the Nipper image, and the surprising economics of early records when a few minutes of music can cost a week's pay.The conversation also gets honest about culture and conflict: John Philip Sousa's “canned music” complaints, the shock of early jazz on record, the Great Migration's role in spreading new sounds, and the barriers Black musicians face even as their styles get copied and sold. We close with Edison's aggressive marketing ideas like the Edison Realism Test, plus Diamond Disc technology, World War I material shortages, and why these fragile artifacts still matter. If you enjoy deep dives into phonograph history and the origins of the music business, subscribe, share the episode, and leave us a review.

Thursday, August 8th 2024 The Georgia Election Board gives local officials new powers to investigate election results; the Trump judge in Alaska that resigned over sexual assault allegations is impacting at least 21 cases; despite new criticism; Trump told Walz in 2020 he was 'very happy' with his handling of George Floyd protests; we will fact check Vance's attack on Tim Walz's military record; how Lahaina's 150 year old banyan tree is coming back to life; plus Allison and Dana deliver your Good News. Our Guest Ben Folds Ben Folds Tour   Stories Georgia Republicans Just Threw a Wrench in How the State Certifies Elections (NOTUS) Federal judge in Alaska resigned after sexual misconduct probe, panel says (Reuters) Vance reopens line of attack into Walz's military record as two veterans now vie to be vice president (CNN) How Lahaina's more than 150-year-old banyan tree is coming back to life after devastating fire (AP News)   Subscribe for free to MuellerSheWrote on Substack https://muellershewrote.substack.com   From The Good News The Warmth of Other Suns: The Epic Story of America's Great Migration by Isabel Wilkerson (goodreads) humanesociety.org daysforgirls.org Reminder - you can see the pod pics if you become a Patron. The good news pics are at the bottom of the show notes of each Patreon episode! That's just one of the perks of subscribing! patreon.com/muellershewrote Listener Survey:http://survey.podtrac.com/start-survey.aspx?pubid=BffJOlI7qQcF&ver=shortFollow the Podcast on Apple:https://apple.co/3XNx7ckWant to support the show and get it ad-free and early?https://patreon.com/thedailybeanshttps://dailybeans.supercast.com/https://apple.co/3UKzKt0 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Vince Fakhoury Horn speakswith Rima Vesely-Flad about The Fire Inside: The Dharma of James Baldwin and Audre Lorde—the silence she found in her own Buddhist community when she began writing about Palestine, Baldwin and Lorde's distinction between hatred that corrodes and rage that comes from the examined life, and the question they keep returning to: how to feel it all without causing more harm.Vince Horn: So, Rima, great to see you.I've been really loving getting to know you as a person and also your work. I've been reading your book. Unfortunately, I also spilled water on my copy, so it is a little... If you see me struggling to flip through the pages, that's ‘cause we had a bit of an accident here. But I've really enjoyed reading your work. Can't wait to get into it with you. Thank you so much for your time.Rima Vesely-Flad: Yeah. Thank you, Vince. It's been great to get to know you, too. We're so close. Amazing. Amazing.Vince Horn: Yes, and it's amazing as adults, we can carve out the time to hang out. So that's sometimes the hardest part. I feel like being in middle age is, like, making time to spend with cool people, so appreciate your time.Rima Vesely-Flad: Me too.Vince Horn: So let's talk about your new book. This is The Fire Inside: The Dharma of James Baldwin and Audre Lorde. Of course, before reading this book, I was familiar with you and your work. But it really struck me that you were writing in this book, like from the very beginning, you're writing about Palestine and Israel, which is not something I see many Buddhists really writing about or talking about in America.So it stands out just the fact that you're even talking about this subject. And then on top of that, you're bringing to bear these beautiful Dharma teachings and wisdom teachings from the Black tradition of James Baldwin and Audre Lorde, bringing them to bear on this topic in the first chapter of the book, which I thought was quite courageous.And I really appreciate it, you know, as someone who has Palestinian family members and people in the West Bank I care about. So just on a personal level, really am grateful that you centered this in your writing. And I thought maybe we could start with that first chapter if you're up for it.Rima Vesely-Flad: Absolutely. It was actually the very last chapter I wrote. I wrote this book of course over several years, but as I was concluding in real time, the genocide was taking place, and I just found myself absolutely in a state of grief and rage and was really politically active around it in ways that I hadn't been in quite some time.Like feeling very pushed to speak out and to contact the Biden administration and representatives, people here in North Carolina who might or might not speak in Congress, and just found that I needed ways to speak out, and this is my community. The people who self-identify as Buddhist claim these traditions, these lineages, these practices, these schools of thought, and yet there was so much silence, and I felt really compelled to speak into that silence. And I know that's something that you feel and understand in a deep way. And then also, I'm not by any stretch the first Black activist or academic or thought leader to make the connections between oppression of people of African descent whose ancestors were enslaved and people who are in a state of survival as their land is being taken in real time. So all of those connections were very present, and yet in the Buddhist world, there was so much silence, so much evasion or even erasure of what's taking place. And it felt like it wasn't separate from my practice, and I had to speak.Even though at the time I hadn't even visited the West Bank. I since have, but at the time I was thinking and writing and observing and feeling from afar.Vince Horn: Yeah. Okay. I didn't realize you'd gone to the West Bank. Wow, we'll have to talk about that sometime. Yeah, there's early on in the book, there's a quote here that's really echoing what you just shared.I thought I'd share this ‘cause it really moved me quite a bit. You said, “I, like many Black Americans, like Southwest Asian and North African Buddhists, observe that violent oppression of Palestinians can never bring safety and security to Jewish Israelis. And as a Buddhist practitioner, it's important for me to speak out against the violence sanctioned by my government, my tax dollars.The policies of the US government do not represent my commitments. I'm horrified by the massacres in Gaza day after day, by the constant terrorizing of Palestinians in the West Bank. I think daily of Baldwin's words, ‘You don't know what's happening on the other side of the wall because you don't want to know.'”Rima Vesely-Flad: Wow. Even just hearing Baldwin's words in that context again, it really brings me chills. And so prescient, right? So prescient in terms of just anticipating how much more extensive... At the time actually that Baldwin visited, there wasn't a formal occupation, although there was theft of land. But this— that was 1961, and then the wall— right now the walls, the checkpoints, the just sheer magnitude of aggression and violence. Like Baldwin anticipated that, and then the myopia in Israel and in the United States.Vince Horn: Yeah. I think at the same time though as I read through your writing on this, I was really also struck that you're really trying to hold multiple realities here at once.You know, both holding the suffering of the Palestinians and the apartheid state that you're describing. At the same time, you have a lot of, as I do, Jewish friends and people that you care about who may not be able to hold that reality in the same way or who are struggling to in some cases. Who...and you treat that with real compassion I think in your writing and in your words. As I try to, you know, my best. And it's, of course, important to differentiate between Jewish identity and Israeli identity, which is often, you know, merged intentionally by the State of Israel.And for many people it's the way they're inculturated. It seems like that was kind of an unconscious merger in a lot of folks' identity. At least I've noticed that with close friends and even students in the last few years where we've had conversations around this. There's been real tension.And anyway, I appreciate that you're holding it with compassion, both realities here, not trying to sort of demonize Israelis or Jewish people. And really being aware of the antisemitism that this whole issue is also bringing about. Or it's... I'm not sure if it's bringing about or giving excuse to people to be bigoted.So I think it's cool the way that you're trying to weave those different things. And I guess I'm curious if you could say a bit about how you're taking that approach or why that's important to you.Rima Vesely-Flad: Yes. I start off the book talking about a relationship I had with a, I would say a mama bear, a mother figure who claimed herself, who self-identified as my godmother, and she was born in France to a very well-known filmmaker who had the opportunity for asylum in the United States, and he and his wife were granted this opportunity to flee, but were told they couldn't take their daughter, who was my godmother Via–Vince Horn: Wow.Rima Vesely-Flad: –was sent to a convent in France. So a Jewish girl sent to a Catholic institution, and she was blamed for the war and has suffered horrific antisemitic abuse. And it scarred her indefinitely. When she came to the United States, she took off the first part of her name, just called herself Via.She died of cancer many years later, and the wounds of that period were still quite evident at the time. I just remember, I have such extraordinary memories of her and what she suffered. And so part of my compassion and empathy, which is real, is that this nation state we call Israel was founded as ostensibly a refuge for people like Via and her parents.And this is a nation state founded upon theft of land. And what it meant practically is that 750,000 Palestinians were driven from their ancestral lands, and they and their descendants still to date live in refugee camps, which I was able to visit when I went to the West Bank. These are no longer tents.They're now concrete buildings, but stacked very high, very crowded, very narrow passages for walking, no play space for children. One of the refugee camps I visited in Bethlehem has an entryway that consists of keys welded into an arc, and these are the keys for return. People still possess the keys to their homes they were driven from 75 years ago. So to recognize the terror that took place during the Holocaust in Europe, and then to recognize the consequent suffering that was inflicted upon Palestinians, I think is not simple. Yes, safety, but one thing Baldwin says that stays with me over and over is that Palestinians should not pay for the sins of Europeans.Europeans committed the genocide, the Holocaust, and Palestinians should not have had to pay for that and should not have been driven from their lands to establish what is supposed to be a state of safety. And yet the atrocities being committed by this government and other governments, not saying that this very right-wing government is the only government that has committed atrocities against Palestinians. To say that this is a state of safety for people whose ancestors were exposed to the horrors of the Holocaust is, I think, to be very myopic, very limited. And part of what I'm trying to wrestle with is such deep confusion, like a deep state of confusion of how, if your ancestors have experienced the Holocaust, could you inflict this upon another peoples?So that's some of what I wrestle with in this first chapter is just like—Vince Horn: Yes.Rima Vesely-Flad: —what? And I'm not the only one. Like Ta-Nehisi Coates starts off his book talking about the— the book is called The Message. And he starts off his book saying like, “I just don't get it.” And I feel that too. I just don't get it. But then also, I don't understand this claim to sacred land, and that's part of what's happening with the atrocities in the West Bank in real time. And you know, all of us know it has escalated dramatically in the past few weeks.Vince Horn: Yes.Rima Vesely-Flad: Like even worse than when I was there. And when I was there, that's when the farmers during harvest, the Palestinian farmers during the olive harvest were being terrorized.Vince Horn: Yes.Rima Vesely-Flad: Including many Jewish activists, similarly from the United States and from Israel were being terrorized, all of them. Everyone who was in the fields trying to harvest the olives.Vince Horn: Right.Rima Vesely-Flad: That was happening in October, but now it has escalated dramatically in a city called Nablus and its surrounds.Vince Horn: Yes.Rima Vesely-Flad: I actually went to Nablus. That was one of the places we spent some time.Vince Horn: Yeah. That's where my cousin is based. So yes. Oh, yeah. And I've heard that as well from her. So that's, in recent, like week or two, her house was broken into by the IDF and they destroyed one of the walls and were calling out for someone who they have no idea who it is.Yeah. And just, you know, like that's becoming more just kind of more standard. Like that's just happening all over the place. Yeah.Rima Vesely-Flad: It's becoming normalized.Vince Horn: Normalized, yeah, exactly.Rima Vesely-Flad: That aggression. Yes, so much. And one of the things I just sat with when I went, you know, I was in Jerusalem initially.There is coexistence. It's, you know, people are not separate. They are coexisting in real time. And yet, when I went to the West Bank and, you know, it's like I just don't understand. Jewish refugees were given 51% of the land by initially Britain and the United Nations then in 1948, 1947, 1948.Drove out Palestinians from their ancestral villages into refugee camps. Why do they want more? And one of the things I realized is that the West Bank consists or has many holy sites, both for Palestinians who practice Islam and for Jewish peoples who see these sites also as their holy sites. So I was based in a city called Al-Halil, and there's a mosque there that's called the Tomb of the Patriarchs, and that is one of the holy sites also for Jewish practitioners, people who are adherents.They have built settlements on top of Palestinian buildings, especially in the old village. So I saw all of this actually arrive just as there was an incursion of young people from these settlements into the city of Al-Khalil, which is also called Hebron. In any case, that claim to holy space in the sense, the idea, the narrative that God gave it to a certain peoples who are chosen and therefore all of the land is theirs, something I don't understand. And I have some real hatred— with regards to the atrocities taking place. And I feel that part of my practice is to really own that and feel that in my body, and then to work with it in such a way that it doesn't come out and get directed towards people.But I can feel that. And so part of what it means for me to claim these practices, like you, I'm in the Insight Diaspora, so we likely know many of the same practices. But part of it is working effectively with the body so much so that it's not targeted, it doesn't come out in random ways and cause further harm.But it's a hard practice, and some of what you see in that chapter or read is that muscle being flexed of like, how do I feel without it coming out in a way that causes harm? That is part of the wrestling. That is part of the practice.Vince Horn: Yes. And it's one that I noticed, like in my own training, I didn't get a lot of tools for that in the insight tradition because hatred was sort of like something we're trying to transcend or, you know, like notice and then counteract.That was usually the frame around hatred. It wasn't something like you can actually feel this anger and really feel rage. Like although sometimes people would, I think, give lip service to that, it never felt to me like a culture where people were actually doing that.And so I was just sort of repressing all this rage and sort of like carrying on. And now I realize that the wisdom of what you're saying is like, if you repressed all that rage it goes inward, it goes outward. It is not constructive. It's not generative. It's not healing. It's just kind of like a time bomb ticking.Rima Vesely-Flad: Yeah I think that's so wise. It causes anxiety and depression. It needs a place to land, and part of what I think we're meant to do with this work is cultivate that place to land, but do it in a way that's skillful so that we're not creating more harm. And I don't think that... is harmful, but I think it, when it's not effectively worked with, it does come out sideways, and then it can inadvertently or maybe—Vince Horn: Intentionally even.Rima Vesely-Flad: —intentionally create that. But I think part of it also is recognizing it, giving it space to be named—Vince Horn: Yes.Rima Vesely-Flad: —and legitimizing it. Like, it is a just rage. And hatred— actually Baldwin and Lorde both talk about hatred as corrosive. They talk about how it does actually impact us in ways that are not useful, and it does need to be worked with skillfully.But rage, they both say, comes from the examined life. It comes from legitimate and clear observation of patterns of oppression taking place and experienced in real time. And so that's energy that can be used, that can be directed in fruitful ways. And I think that distinction is really important, and it did inform my own experience of hatred.Of like, “Oh, it's here. How do I work with it in a way that doesn't corrode my spirit or it doesn't corrode relationships that matter to me?”Vince Horn: Yeah. I love what you're saying there. It seems like conflating hatred and rage would be one mistake there, to think like, “Oh, I shouldn't be experiencing this anger or this rage because somehow it's a sign that I'm, like, in this corrosive state of hatred.”But like, oh, it's real, and it's arising in response to something real. Like, I had never seen this quote from James Baldwin about how being a Black American means living with rage all the time everywhere, and that hit me so hard. I'm like, yeah, that's what it feels like as a Palestinian right now. I feel that and have always felt that.I didn't know that's what I was feeling for so many decades. But now that it's out in the open and it's like, oh yeah, like it's just this constant sense of rage at being constantly policed. You know, having your tone of voice policed, your words. Not being able to be a certain kind of emotive or, you know, loud.Like, all these things that are culturally, like what I grew up with. This was like the way that our family was. Like, it's not okay in this larger kind of white culture to display these kinds of things. And so you just like, you gotta tamp it down.Rima Vesely-Flad: And, you know, Foucault would say we learn to police ourselves to discipline ourselves. And I think part of our work then, in terms of recovery, is to name the ways that we self-oppress.Vince Horn: Yes.Rima Vesely-Flad: I would say that's a huge, huge part of my practice, ongoing.Vince Horn: Yes. That makes so much sense because it is, like you're saying, it's internalized.Like, I— yeah, it's like I only need to get a few social signals before I start to realize, ‘cause I'm a socially intelligent being, like we all are. Like, oh, like, this is not okay. And if I continue to do this, there's gonna be kind of repercussions. And I think the bravery and the courage to do it anyway, and to deal with those repercussions, like, that seems to be where your work lives here, and it's a hard place to live.Rima Vesely-Flad: It is hard, yes. I mean, one of the things I also talk about in this book more broadly is that I grew up in a family where I wasn't wanted. My birth was not welcome, and that was something I knew from a very early age. So I learned to adapt. I learned all of these ways of trying to be wanted, trying to be claimed, being exceptional.Vince Horn: Yes.Rima Vesely-Flad: So the idea that I would self-exile is, like, anathema. And that's where I start talking. And part of the way I use Audre Lorde's work in this first chapter in particular is to say, she calls us out, saying, “We must speak remembering we were never meant to survive.” But for me to speak in ways that might be confrontational or perceived as offensive is a very hard edge.But to self-silence is also to betray myself and my people. And that's the edge, right? To speak and to risk exile for someone like me, who has been exiled just because of the way I appeared in the world with dark skin, dark eyes, dark hair, curly hair. And then also to adapt in so many ways that I recognize a level of self-betrayal or a betrayal of the people to whom I'm accountable.And I do consider my people are people of African descent who have been oppressed because of their embodiment in this particular context, which has shunned people of African descent as unworthy, as less intelligent. Has seen a kind of embodiment as inferior. We come up against that. I came up against that in my own family.Vince Horn: Yes.Rima Vesely-Flad: It's a hard edge, and I think part of the work is to actually not be so alone, to find our people, to find people with whom we feel mirrored. That's also hard work, but it has come over time. I have found community, and that matters. And I think part of this work of sangha, which I think in our lineage is not so prioritized—Vince Horn: Right.Rima Vesely-Flad: —but if we take it on intentionally, we can truly honor it as one of the three jewels. Part of our work is really investing in sangha, even when it feels scary or even when it feels like, wow, I have to be held accountable for things that I say that might actually really harm somebody else. But to keep doing that work and to ask for that feedback and that accountability.Vince Horn: Yeah, that strikes me as so true, and I understand why sangha isn't prioritized when you have such an individualistic kind of culture of, you know, meditative achievement and self-work. It's like, oh yeah, well, of course if we're all just focusing on ourselves together, we're not gonna be focused on the bonds that connect us.And yeah, I found that to be a limitation really for many years now in that community. And sort of what drove me to like explore relational practices and other things that felt like they kind of help soften those boundaries and begin to kind of get a felt sense for like what interbeing feels like in real time.It's like this is what it actually is like to be connected to someone or to disconnect or to lose myself in someone else's perspective. I guess I wanted to honor too that like you're talking about all the reasons that one could not speak out even if there's injustice and one wants to speak out on behalf of people they care about and are identified with.That on top of the racial dimension of this, there's also imagine the gendered dimension of this for you as well. Like I see with my wife and other women I know who are raised in a more kind of gendered female way. Like it's just speaking up in general is hard to do. Or it's not something that's encouraged or, you know, people don't have...they're not offered that same level of training often when they're in a female body. So I guess I'm curious like is that also part of what you've had to work with in addition to the racial dimension of this?Rima Vesely-Flad: That's a really good question. I think initially, yes.Like, I was raised to watch and serve and people please. And that's how I got my goods, as my therapist would say. Like, I felt wanted when I—Vince Horn: Right.Rima Vesely-Flad: —gave people what they wanted, and I think that is a very, very gendered experience. I cleaned the house at an early age. I took care of my younger brother.I was with a single mother who worked a lot, so I held things together in the family home. And yes, I think that is a highly gendered experience that I've carried into adulthood. I think I have patterns that I'm still trying to work with around serving and adapting, people pleasing and what have you.I do also feel like there's some corrective, if you will, by becoming an academic. I think in my line of work, having jumped through a thousand hoops, I did three master's degrees, I did a PhD, I learned how to cite research and ask questions and back up and demonstrate. You see it in this book, right?Actually, the book initially was an academic book where I just took on Baldwin and Lorde and tried to show how they illuminate these incredibly important and timeless teachings that we now associate with Buddhism or call Buddhist. And I had a friend and a mentor, Ruth King, say, “Actually, we need your practice in this book.We need this to not just be through the third person, but we actually need your voice in this book,” which was really important and also incredibly hard. But part of why I felt I could take it on is that I was in a world in which I was expected to speak and facilitate, and I think there was a training not necessarily in the broader environment to which you're pointing, but in an academic environment where standing up and giving a talk or a lecture or doing Q&A on the spot was something I learned how to do.So in that way, I think there's more of a sense of, oh, I have this. I can do this. And that feels more, I would say, naturalized, for lack of a better word, just because it's been two decades of doing this so explicitly. And I've loved the academy, you know, being with people who read thick books.And I'm the kind of person, I'll walk into a store and I'll look at the endnotes before I look at the introduction, just ‘cause I wanna know who's cited and, you know, what research are they relying on? And like, who has informed this work? That matters to me even more so than the title or even the introduction.I wanna just know who, what school of thought is this author drawing upon. And I love being with people who also operate in that way. And I have this funny story of being a consultant for a book project for a friend of mine, and we were all taken out to Portland. It was my first time in Portland, and you know, beautiful city.And we hung out and talked and conversed and worked through these chapters, and then we sat in the hot tub and discussed Foucault. And, you know, it's just so, for me, natural to be in an environment where something like that is really fun. And that is, I think, a part of learning how to speak. I think the harder part, and this goes back to the gender question, is having been a Black girl in a white family and trying to figure out how to survive in such hostility.So yes, I do think that's both racialized and gendered kind of experience.Vince Horn: Yeah. Okay. Yeah, makes sense. I hadn't considered the training in academia would be such a sharp training. But it makes sense, yeah, that you'd sort of be expected to be able to receive critique and offer it and speak and debate.Yeah, that... I could see that both being kind of traumatizing and a very good training at the same time.Yeah. I appreciate it so much that you did bring your story into this book as well, because I feel like at least for me as a reader, it gives me something personally to connect with where I can sort of see, like, how the universal becomes personal, you know, in a way. Where it's like all these things that you're describing, and Baldwin and Lorde are describing, like, they make sense to me and I understand it.But then when you describe, you know, your experience of coming up with your grandparents and the specific ways, like not having your picture hanging up with the rest of your cousins, for instance. Like, that specific experience and the way that you shared it just made... It made all of the abstract universal stuff real for me in a way, you know, that I think it sticks with me, and it's like it lands in my heart, you know, in a way that is transformative.So I suspect that's probably true for others as well. So thank you for sharing that.Rima Vesely-Flad: Yeah, I would say that was hard in a way that academic citations and reading for ideas, making arguments is not so hard. Like, it actually comes very naturally. But the harder work of communicating the harm that was done and how I received it, and certainly because I was raised knowing them, my grandparents' rejection of me based on my skin color in particular was, it was deeply traumatizing, and I still work with some of my patterns of adapting, ways that still do not serve me.And then too, and this is something I'm more present with, is my experience of being abandoned by my father. Actually, yesterday was his birthday, August 2nd, also James Baldwin's birthday, and I found myself honoring James Baldwin, and having a really hard time honoring my father, who I had not seen at the time that he passed away for more than 40 years. And I also feel that, and the disconnection not just from him, but also my lineage. And a big part of this book is actually not attempting to reconcile with my grandparents or the members of my family that are still very overtly racist, and there are many, but actually to find my father's people and to cultivate a sense of lineage and belonging through my father's people who came from the Mississippi Delta.My grandmother moved north during the Great Migration, and I am in touch with those family members who descended from her. She's now deceased, but, and my father is also deceased. But to have some sense of connection and being claimed, to have visited the graves of my great-grandparents, in a certain way it's not full circle, but it is a sense of return, and by that I mean return to ancestors, biological ancestors who I now know the names of and have a place to go and now developing relationships with in terms of a broader family system. And those are folks who have claimed me.I, about a month ago, maybe just about three weeks ago, got to talk to the matriarch of my father's family, one of, uh, his youngest... Uh, not my father, I'm sorry. My great-grandparents, their lineage. I was able to speak to one of their youngest daughters, my great-aunt who turned 100 last December.Vince Horn: Wow.Rima Vesely-Flad: Who's now about 100 and a half, and I just think, wow, how amazing to have met her. That she knows my name, that I had some time with her, that she still wants to speak to me on the phone. That she sees me as a way to connect to her sister, my grandmother, who's, as mentioned, deceased. Sometimes I think that healing process is not attempting to reconcile with the people who have denied or rejected your existence, but to find people who claim you and who want to be part of you.I think that also speaks to this broader political environment. It's not about getting accepted by the people who have ideas of your inferiority. It's not about proving that you are, in fact, worthy of X, Y, and Z, but it's actually about claiming and developing and cultivating your own spaces. And I'll say this in a personal way, not so much about being accepted by a dominant white culture community, as much as cultivating the spaces that do feel supportive, in which I am mirrored.And I feel like both Audre Lorde and James Baldwin were oriented that way as well. Like Audre Lorde was part of the second generation women's movement, and they weren't, like, trying to fit into some stereotype of women. They created their own communities, and they had relationships with one another. She was a self-defined lesbian, and was with a community of women who honored their own sexuality and their gender, and who sought a kind of alternative to the broader dominant culture. I think that is so important. And Baldwin, as a gay man too, was oriented towards honoring his own sexuality and creating communities that essentially I don't want to use the word affirmed in, like, a tidy way, but just said, like, all of you, every part of you is welcome here.Vince Horn: Yes.Rima Vesely-Flad: And so I do think that is incumbent upon us as well, not to look for acceptance, not to be claimed, but rather to invest in communities that we want to be part of.Vince Horn: Yeah. So it's like you're getting your belonging needs met by creating or finding the kind of community that you can be yourself there and not have to be constantly seeking external validation from a culture that's not going to validate you, or probably not for the next few decades at least. Rima Vesely-Flad: We could even say that within our insight lineages.Vince Horn: Yeah, absolutely. I guess that's the need for diasporas is rooted there. You know, finding... I remember the early community of people I hung out with were mostly people that were unabashedly interested in, like, mastering the states and stages of the path, which is a weird thing to say now ‘cause that's not where I am at all.But yeah, it was like a subculture of people who were like, “Yeah, we're really interested in hardcore meditation.” And that wasn't the scene in the insight tradition. It was more like healing and kind of long-term retreat. So yeah, I can absolutely relate to what you're saying. I'm curious to go back a little to the part of the book where you talk about karma.Because this is, I think this is an area where I've always struggled with early Buddhist teachings. And I remember the first class I took at Naropa on the first turning with Judith Simmer-Brown. We really explored karma in depth there, and it became clear to me, like the early Buddhist vision of karma was very individualistic.It was like you are the cause of— it was primarily putting everything back onto the individual. So I thought it was interesting when you're trying to bridge that with collective understanding of karma as well, and seemed like you're trying to hold both the individual and collective perspectives together, like not kind of falling into one or the other.But I always found early Buddhism was like collapsed straight into the individual perspective. So I'm curious, like how do you work with... Is that true from your point of view and from, you know, your scholarship? And like how do you then work with a tradition that seems to be, I don't know, hyper individualistic when there are also deep teachings on interdependence and interbeing you can find in the tradition as well, though I haven't found them as prominently in the early Buddhist tradition.Rima Vesely-Flad: I think that's true. I mean, the sutta that I rely on at the beginning of the chapter, which I can put into the chat if that's helpful, is one of the few that explicitly says, oh, and there are other causes and conditions for suffering, and I actually, I'll read that.Vince Horn: That's cool. So it is there.Rima Vesely-Flad: Yeah. It's, so it's an early Buddhist teaching or sutta, the Moliyasivaka Sutta, and it says, “Bile, phlegm, and also wind.” So our bodies, what's around us, “imbalance and climate too—”Vince Horn: Wow.Rima Vesely-Flad: —”carelessness and assault, with karma result as the eighth.”And it's saying these are all reasons for suffering. But it's true. It's one of the few suttas that explicitly acknowledges causes and conditions as sources of suffering. Where I delve into collective karma is, it's true, I found it less in early Buddhism, more in Mahayana Buddhism, the focus on language actually.The fact that we come of age as very small beings and learn language, and our language is collective. We are learning certain meanings along with certain phrases, and that is collectively formed, and that is a part of our thoughts. That is something that a number of scholars within the Mahayana Buddhist lineage talk about in many very complex texts over actually several centuries.So it is to say that we find that less in early Buddhism, but we do find that, and it's with that analysis in mind that I talk about the fact that we are shaped by the collective, and also that we have agency.Some of the gleanings I have towards how we might employ karma in a very constructive way come from postmodern thinkers who claim Buddhism, but who are also broadly read with thinkers such as Marx, thinkers such as Foucault, and, you know, people who are making connections in ways that, of course, are very far removed from early Buddhism.But one of the things that is drawn out by now a wide range of postmodern Buddhist scholars, so people who both practice Buddhism and are scholars of Buddhist teachings, is that we have agency. We're not simply beholden to actions of the past or even the collective, that we actually can practice and cultivate our thoughts, cultivate our words, cultivate our actions in a way that allows us to break free of patterns that are harmful or do not serve us. So that's where I go with that chapter on karma.Vince Horn: Yeah.Rima Vesely-Flad: Wanting to say we inherit so much, and we do. We inherit language. We also inherit culture. We inherit ways of thinking, and it's hard to see that because we swim in the waters even as we are inheriting them, yet there is some capacity for agency.Vince Horn: Yes.Rima Vesely-Flad: And that is what we can do. And maybe that's the emphasis in early Buddhism, is that we can work on our minds. We can free our minds from these oppressive patterns.Vince Horn: Yes. Yeah, and that makes so much sense in the context of, like, Indian caste system and the emergence of this, like, other way of living that's kind of outside of that caste system.I mean, it seems like such a powerful move to claim agency when you're in a culture that's, like, so determined by birth and status.Rima Vesely-Flad: Yes.Vince Horn: And then now, but in 21st century America, it feels like in some ways that view prevents moving forward to me with some of the deep learnings that the postmodern theorists have offered us over the last decades, you know, around the way that power gets calcified and ossified in systems, you know, that we're embedded in, in cultures that we are raised in.You know, having grown up here in the rural South, you know, this is a lot of what I've reflected on when it's come to reading works like yours and looking at racialization. Is like how I can't separate myself out from the place that I came up in. And I can see even with a Palestinian mixed racial household, like I was in a sea of white Southern Baptist Christians mostly.And, like, it had a huge effect on the way I talked and the things I thought were acceptable to say or to think. And, you know, I can even see the ways that I was always... I was trying to bridge the gaps with folks who are different because my grandfather moved into the part of town where the only Black folks in the entire county lived.There were two students in my high school who were Black. They were both... We rode on the bus together. I was quite close friends with one person. And it's like growing up in the small little mini minority space I remember trying to make connections with folks and sometimes just like really messing up and not because of that inculturation.I remember one time I wanted to share this story, which I've never shared before. Which I think it... I want to meet you in your vulnerability here because you shared so much in the book. But I remember a friend of mine had a friend over, young Black girl, and she was, I forget her name, but she came over.We were hanging out and getting to know each other. And I remember this thing that I said to her as a... Really, my intention was to try to connect. And I said, sometimes me and my family, we're also called “sand,” and then I used the N word. And this was my— and I said it totally smiling, you know, like really assuming this would bridge some gap between us, and that she would see, like, I'm like her.But the impact that it had was totally the opposite. You know, it's like, it really bothered her. She was crying later. My friends were like, “What the heck is wrong with you? Why did you say that?” And I was like, oh my gosh. And it was just such a rude awakening to the reality of race, and I could see that even as an older adult, you know, asking people where they're from to try to connect, when I appear as white, has this impact of really causing people to feel paranoid or feel like I'm coming at them in a way that's racially biased.You know, where I'm trying to, like, figure out where they're from ‘cause they're not from around here, you know, and stuff like that. And I could see how even being well-intentioned when you're trying to connect across difference, it's very easy to, because of ignorance, to really harm people. And I can see that in the community of white Buddhist practitioners, you know, where a lot of very smart and well-intentioned people, as they engage with this work, like, we struggle to figure out how to do that in a way that's not perpetuating harm on a racial basis.It seems safer to just not talk about it sometimes. And I can see that this is a real problem. Like, it prevents learning and it prevents people from being able to kind of see their own conditioning and kind of acknowledge like, oh, this is really ugly. You know, it's really ugly that I thought it was okay to just, like, use that language and that it wouldn't have that kind of impact.Like, I thought for some reason it was neutral.Rima Vesely-Flad: Yeah. Yeah, that, I think that does speak to what we were just talking about with regards to karma and language and how we are socialized, how we inherit so much, and how even a word that has been weaponized with such vitriol and hatred over centuries in real time is still like a brick at the body.Like, it can land and it's almost... Yeah, I could even feel, like your reference to it, just how it landed, ‘cause it's still such a powerful word, and it does point to the fact that we do exist in conditions of such hatred and violence, that we are landed upon all the time, and we have to figure out, like, how to acknowledge that in ways that don't take us under or, frankly, if this is wanted on all sides, create rupture so that there can't be a way forward to acknowledge the weight of what's taken place.And I think for people who have had that hatred— and again, I'm thinking of both Baldwin and Lorde speaking to this with such clarity and self-empathy. For that hatred to be received over and over, especially in early years, but not exclusively in early years, and to have ways to acknowledge it and to come out of it, I think is something that we are all called to do.And to maybe to, and I say this with real tenderness, ‘cause I am still learning and asking for feedback all the time. With some tenderness to, if you notice that something has been, that some harm has taken place, that something has caused rupture, or if you're told that by other people to go in, not with some sense of defensiveness or a sense of needing to explain yourself, or even needing to clarify your intention, but to come in and to say with real humility, “I'm sorry, and I want to know what this is for you, and it matters to me that your inner being, that your wellbeing is cared for.”That's what matters. And actually, I had a moment a couple of weeks ago, not even quite that long, where I said something quite offensive to a friend of mine, and I noticed. I just— you know, noticed by reading facial expressions, and this is part of our work too, right? To observe. And so I asked, and was able to receive some feedback and to really hear it.And I think something that I struggle with, and I imagine for you, Vince, this is real as well, is we both are parenting young kiddos. You have an 11-year-old, I have a 10-year-old, about to be 11. We are really busy. We're running households, and I think some of what I come up against in my own work is, where is the time to do that inner work of reflecting, processing, synthesizing how we might have created harm, returning to the relationship?Like, where is the time to really do that? And that is something I'm sitting with, is if I have said something or not said something and it has created harm, where is the space to process that? And so this practice of sitting every day, of taking refuge, creating a kind of consistent place to land every day, I think that is some of the work as well, is to have a place where we can receive ourselves and how we are working with that harm that we have imputed upon someone else.And that's a big part of the practice as well for me, is just to create that level of consistency. And to feel into that remorse, to feel into that regret, to feel how it lands with us, and to hope that we might be able to convey that and to be received. And we don't always know. We can put ourselves out there.We may not be received, but just to have that sincerity of approach and to not make it about us, but to really focus on how it has landed for the other person, and then in our own practice to do our work. I think that, for me anyway, has been a way forward. Not that I could write a rule book or some set of instructions. I would not say that. But, you know, I take real guidance from Audre Lorde who said, like, “It's on me to see my heel print on another woman's face.” I have to do my own work even if I do self-identify as someone who has had that level of systemic and interpersonal harm coming at me.I'm also in a place where I can oppress other people. I'm doing real harm for other people. And it's not one or the other. It's not simplistic, but it involves a level, I think, of spiritual and emotional maturity to really see that for ourselves and to be open to whatever has arisen and whatever harm has been done, and then to be accountable, to put ourselves in a position of being accountable to a group or to another person it is really hard work. Really very hard work.Vince Horn: Yeah. Yeah. At the same time, I mean, I can see that's the only way to gain in wisdom is to be able to do that work and then be like, “Oh, yeah, now I know better. You know, I know a little better how to engage or be with folks in a way that's not gonna cause as much harm.It's going to, you know, support others.” So yeah, thank you for talking to me today and for exploring this with us here in the Insight Diaspora. I wanted to mention, too, that you're very generously offering up sort of in-depth content around this for sanghas and other communities and leaders that are kind of interested in bringing this work into their communities.I don't know if you wanted to mention that for those that are listening and might want to reach out to you and explore that.Rima Vesely-Flad: Oh, yes. And I can put... I have a couple of things I want to put in the chat, but I can put my website in, and the bottom of the page are these offerings. Yeah, so—Vince Horn: Please.Rima Vesely-Flad: I have recorded a number of Dharma talks, eight Dharma talks with two practices based on the book. And the hope is that this is a self-guided course, but the hope is that people can both listen and then practice. And the hope is in community that actually that can happen. And still trying to figure out exactly how to essentially package all of that.But at the moment, people can register for a self-guided course and listen to Dharma talks, some of which come from the book and are somewhat expanded, and some of which come from other work I've done. So there's one called The Dharma of James Baldwin and Audre Lorde, and then there are three that will be offered live with a good friend of mine, Rashid Hughes, who has put together a practice he refers to as rest.He is a lovely human. He's done restorative justice work for a long time. He also has a Master of Divinity degree and leads a sangha in DC. And so Rashid will offer practice spaces live, and I will record Dharma talks. The next one is called Buddhism and Black Liberation. That comes from a book I published in 2022.And then there will be one offered in January called The Discipline of Liberation, and I think that's my next project. I'm just starting to get my head around it, but it's informed and guided by the writings of bell hooks.And then there will be one that actually points to exactly what we were just talking about with regards to harm and conflict and how to work with it internally and how to be in community, and I think a lot of us don't have that training, and I'm still someone, even now, who if I receive something in a hard way, I will go to my cushion before I'll go to another person.And maybe that's okay, except if I don't ever get off the cushion and go to that person, that's not okay. So really trying to, this is in real time, also trying to learn, like, how to have these harder conversations and do repair. That's really what I'm pointing to, how to do repair effectively so that there isn't only rupture, but there's a relationship that's sustained. So there will be one self-guided course. It will open in about a month on Tuesday, September 1st, and then three live classes with my friend Rashid, and starting in October, and then in 2027, two classes. And my hope is that we start to create some spaces that are trainings and also collective spaces where we can be guided, especially by, in my case, I'm thinking of Black thinkers, although always in conversation with other lineages, but really wanting to bring the wisdom of Black thinkers to the center of Dharma practice.Vince Horn: Yeah.Rima Vesely-Flad: Palestinian voices as well. I am really invested in that, too. And a friend, Kareem Gandoor, refers to Palestinian dharma, and I think, yes, that really resonates with me.Vince Horn: So yeah, Kareem. I know Kareem. Good stuff. Yeah, I've recently just connected with Mohsen Mawdawi, who is the president of Buddhist Association at Columbia.I think— didn't you do your grad work at Columbia?Rima Vesely-Flad: I did one of those degrees there. Uh-huh. In the same program he was in, yeah.Vince Horn: Uh-huh. Yeah. And it's been so nice to connect with fellow Palestinian Buddhists. All five of us are now connected. So I feel a lot of solidarity with the work that you're doing, and the way that you're centering the wisdom of Black teachers in the Buddhist lineage, bringing that to bear.So thank you so much for that work. I hope you continue doing it for a long time.Rima Vesely-Flad: Well, thank you. It does feel like the right work, and I feel so grateful to be able to do it long term. I mean, that's I think where I'm going here. Actually, being able to work... I'm gonna put my website into the chat.Being able to organize some of these classes is an attempt to make this work more sustainable, in addition to being like it both informs the next project and is an outgrowth of the current project. Get full access to Buddhist Geeks at www.buddhistgeeks.org/subscribe

Du hast keine Lust mehr auf deinen 9-5-Job und möchtest lieber frei & ortsunabhängig als Social Media Manager arbeiten? Dann sei gerne bei meinem nächsten kostenlosen Social Freelance Online-Training dabei: https://www.thetraveleo.eu/social-freedomMeld dich gerne bei Fragen aller Art per Instagram: https://www.instagram.com/thetraveleo/Oder per Mail:⁠⁠mail@thetraveleo.com⁠⁠⁠⁠In weniger als 48 Stunden sitze ich im Flieger Richtung Tansania – Kilimanjaro, Serengeti, Great Migration. Und ehrlich: Vor ein paar Tagen war ich kurz davor, alles abzusagen. Meine Arm-Verletzung, drei Stunden Kochen mit links, der Gedanke „wie soll ich SO auf einen 6.000-Meter-Berg?" – und dann die Nachrichten der Teilnehmer, die alles verändert haben.In dieser sehr persönlichen Folge nehme ich dich mit hinter die Kulissen kurz vor Abreise: warum es überhaupt Tansania geworden ist, wie ein Satz meines Dozenten aus dem Jahr 2013 diese Reise angestoßen hat, und wie aus einer zufälligen Begegnung auf einer Messe ein Traum mit Datum wurde.Das erwartet dich:– Warum ich die Reise fast gecancelt hätte – und was mich umgestimmt hat– Wie 2013, ein Klassenzimmer und die schmelzende Eisspitze des Kilimanjaro alles ins Rollen brachten– Warum der Berg viel mehr Kopfsache ist als Kondition (unser Guide war über 200 Mal oben – zuletzt mit einem 90-Jährigen)– Die 3 der 7 Naturwunder Afrikas, die wir auf diesem Trip sehen– Und der eine Impuls für dein Leben: Träume brauchen ein DatumDiese Folge ist für dich, wenn du auch so einen Traum mit dir rumträgst, den du immer wieder aufschiebst – und den Anstoß brauchst, ihm endlich ein Datum zu geben.Ganz viel Spaß beim Hören und gute Momentimpulse

Have you ever had a relative that you enjoyed sitting by during family functions because they always had good stories to tell? Ben Tucker is that kind of guy. He's known for his storytelling performances as part of the Oakland based Stagebridge, where he tells stories about his ‘storied' life. His family was part of the Great Migration of African-Americans to the West- he grew up in SF's Bayview neighborhood.  He was an All-American track star back in the 1960s when he ran for San Jose State. And Ben has been a preschool teacher in Berkeley, a social worker in Harlem and a track coach in Nigeria.He immerses readers in all these life adventures in his new memoir, “A Good Run.” KALW's Jenee Darden spoke with Ben on the Sights and Sounds show. 

The Oregon Trail was more than a single path across the American West. This episode explores the network of routes that carried hundreds of thousands of emigrants toward Oregon, California, and beyond, and how those trails changed over time. Along the way, you'll hear about famous cutoffs, river crossings, mountain passes, frontier forts, and the geography that shaped one of the largest overland migrations in American history. It's steady and consistent, with no whispering and no sudden changes, just enough to give your mind something to follow as you wind down. Happy sleeping! Read with permission from Oregon Trail, Wikipedia (https://en.wikipedia.org/wiki/Oregon_Trail), licensed under CC BY-SA 4.0. — Ad-free episodes: ⁠icantsleep.supportingcast.fm⁠Have a topic in mind? ⁠Request a topic⁠ Learn more about your ad choices. Visit ⁠megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Andrew Camp interviews Hugh Hollowell, pastor of Open Door Mennonite Church in Jackson, Mississippi and author of the memoir-essay collection Food Is Love, about how food and tables reveal God's love, shape memory, and build connection. Hollowell calls the Last Supper his most compelling Christian story, arguing meals are intimate, mnemonic, and inherently communal, and that communion is scandalous because it includes people who fail us. He discusses Southern foodways, the Great Migration's use of cooking to preserve home, and a long conversation about sweet potatoes with Senator Roger Wicker as an example of food humanizing opponents. They critique privileged food moralism amid Jackson's food deserts and poverty, describe how “bad” celebratory foods and enslaved people's ingenuity became valued cuisines, and frame cooking and writing about food as acts of care and political resistance. They close with reflections on church as support for weekday discipleship, lingering meals as welcome, and Hollowell's favorite foods and stories.Hugh Hollowell is a sixth generation Mississippian and is the pastor of Open Door Mennonite Church in Jackson, MS – a multiracial peace church formed in the aftermath of the Civil Rights movement. He is a writer and storyteller and has been the publisher of a weekly newsletter called Life is So Beautiful for more than a decade. Before becoming pastor at Open Door, Hugh spent 12 years working as a pastor among unhoused people and those struggling with addictions. This taught him much of what he knows about both second chances and grace, but not much that is useful at denominational meetings. He and his spouse Renee live in the Fondren neighborhood of Jackson, where they run a small scale kitten rescue and co-parent five house cats and seven chickens.Hugh's website: hughhollowell.orgFollow Andrew CampFacebook: andrew.camp.9Instagram: @andrewcamp80Substack: @thebiggesttableThis episode of the Biggest Table is brought to you in part by Wild Goose Coffee. Since 2008, Wild Goose has sought to build better communities through coffee. For our listeners, Wild Goose is offering a special promotion of 20% off a one time order using the code TABLE at checkout. To learn more and to order coffee, please visit wildgoosecoffee.com.  (00:00) - Sponsor and Guest Intro (01:32) - Food Memory and Communion (20:11) - Privilege Shame and Care (39:13) - Cooking as Resistance (44:51) - Church Around the Table (54:14) - Remembering and Last Meals

“You carry this brilliance in you—this is something that's in your DNA.” In this moving Detroit is Different conversation, Tiara Jones, owner of Black Beautiful & Brilliant, shares how love, grief, family, and purpose shaped her decision to continue the brand created by her late husband. Tiara traces her roots from Inkster to Alabama, connecting her family's Great Migration story and the trauma of racial violence to the strength that generations carried into Metro Detroit. She reflects on meeting her husband during the COVID era, building a life together, and choosing to preserve his vision after his passing: “I'm going to pick this brand back up, because it can be bigger than what he envisioned.” More than clothing or a slogan, Black Beautiful & Brilliant becomes a lesson for their son and daughter about “what love looks like,” commitment, loyalty, and cultural pride. Tiara also speaks honestly about grief, finding her voice, supporting Black women, and reminding the community that brilliance is not something granted from outside—it already lives within us. This episode connects the past to the future by showing how ancestral survival, neighborhood memory, Black enterprise, and family legacy can become tools for healing, ownership, and collective possibility. Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different. Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher. Comment, suggest and connect with the podcast by emailing info@detroitisdifferent.com Find out more at https://detroit-is-different.pinecast.co

The Author Events Series presents Dorothy Roberts | The Mixed Marriage Project In Conversation with Marcia Chatelain  Dorothy Roberts grew up in a deeply segregated Chicago of the 1960s where relationships barely crossed the ''colorline.'' Yet inside her own home, where her father was white and her mother a Black Jamaican immigrant, interracial marriage wasn't just a part of her upbringing, it was a shared mission. Her father, an anthropologist, spent her entire childhood working on a book about Black-white marriages-a project he never finished but shaped every aspect of their family life. As a 21-year-old graduate student, Dorothy's father dedicated himself to the study of interracial marriage and her mother soon became his full-time partner in that work. Together over the years they interviewed over 500 couples and assembled stunning stories about interracial marriages that took place as early as the 1880s-studying, but also living, championing, and believing in their power to advance social equality. Decades later, while sorting through her father's papers, Roberts uncovers a truth that upends everything she thought she knew about her family: her father's research didn't begin with her parents' love story-it came long before it. This discovery forces her to wrestle with her father's intentions, her own views about interracial relationships, and where she fits in that story. Rather than finish the book her father never published, Roberts immerses herself in their archive of interviews to trace the story of her parents and to better understand her own. Though grounded in her parents' research, it's Roberts' captivating storytelling that drives this memoir. In following the arc of her parents' interviews and marriage, The Mixed Marriage Project invites us into the everyday lives of interracial couples in Chicago over four decades. Along the way, Roberts reflects on her own childhood as a Black girl with a white father, and how those experiences shaped her into one of today's most prominent public thinkers and scholars on race. Blurring the boundaries between the political and the personal, between memoir and history, The Mixed Marriage Project is a deeply moving meditation on family, race, identity, and love. Dorothy Roberts is the George A. Weiss University Professor of Law and Sociology at the University of Pennsylvania, where she directs the Penn Program on Race, Science, and Society. The author of five books, including Killing the Black Body, a MacArthur Fellow, and member of the American Academy of Arts and Sciences, she lives in Philadelphia, Pennsylvania. Marcia Chatelain is the Presidential Penn Compact Professor of Africana Studies at the University of Pennsylvania. She is the author of two books, South Side Girls: Growing up in the Great Migration and the Pulitzer Prize winning Franchise: The Golden Arches in Black America. Her forthcoming book, How Bright the Path Grows: The Women who Made the March on Washington will be released in fall 2026 with Pantheon Books. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night! All tickets are non-refundable. (recorded 2/11/2026)

Is it time to quit your job? In just 5 minutes, I'll show you the framework that helps women build profitable businesses while they're still collecting a paycheck.

pWotD Episode 3335: Juneteenth Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 606,543 views on Friday, 19 June 2026 our article of the day is Juneteenth.Juneteenth, officially Juneteenth National Independence Day, is a federal holiday in the United States. It is celebrated annually on June 19 to commemorate the end of slavery in the United States. The holiday's name, first used in the 1890s, is a portmanteau of June and nineteenth, referring to June 19, 1865, the day when Major General Gordon Granger ordered the final enforcement of the Emancipation Proclamation in Texas at the end of the American Civil War.During the Civil War period, slavery came to an end in various areas of the United States at different times. Many enslaved Southerners escaped, demanded wages, stopped work, or took up arms against the Confederacy of slave states. In January 1865, Congress proposed the Thirteenth Amendment to the United States Constitution for the national abolition of slavery. By June 1865, almost all of the enslaved population had been freed by the victorious Union Army or by state abolition laws. When the national abolition amendment was ratified in December, the remaining enslaved people in Delaware and Kentucky were freed.Early Juneteenth celebrations date back to 1866, at first involving church-centered community gatherings in Texas. They spread across the South among newly freed African-Americans and their descendants and became more commercialized in the 1920s and 1930s, often centering on a food festival. Participants in the Great Migration brought these celebrations to the rest of the country. During the Civil Rights Movement of the 1960s, Juneteenth celebrations were eclipsed by the nonviolent determination to achieve civil rights, but they grew in popularity again in the 1970s, with a focus on African-American freedom and African-American arts. Beginning with Texas by proclamation in 1938, and by legislation in 1979, every U. S. state and the District of Columbia has formally recognized the holiday in some way. Juneteenth was recognized as a federal holiday in 2021, when the 117th U. S. Congress enacted and President Joe Biden signed the Juneteenth National Independence Day Act into law. Juneteenth became the first new federal holiday since Martin Luther King Jr. Day was adopted in 1983. Juneteenth is also celebrated by the Mascogos, descendants of Black Seminoles who escaped from slavery in 1852 and settled in Coahuila, Mexico.This recording reflects the Wikipedia text as of 02:35 UTC on Saturday, 20 June 2026.For the full current version of the article, see Juneteenth on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Niamh.

In honor of Juneteenth, we're sharing something special: the opening chapter of Reimagining Democracy for a Good Life, the podcast hosted by legendary equity advocate Angela Glover Blackwell, founder in residence of PolicyLink. In "Democracy Dreaming," Angela takes us to Los Angeles, a city she didn't expect to become a hopeful case study in multiracial democracy, and shows us why it might be exactly that. Featuring voices from LA Mayor Karen Bass, economist Manuel Pastor, Community Coalition CEO Alberto Retana, young housing organizer Tiffany Benitez, advocate Denise Fairchild, and the poetry of Chinaka Hodge, this episode reframes democracy not as something we have, but as something we practice. Angela's second season is coming soon, and we're thrilled to share that we'll be sitting down with Angela herself in early July, with that conversation releasing later next month. Got a question you'd love us to ask her? Send it to hello@caremorebebetter.com. Chapter Markers (relative timestamps, mapped from the original episode) 3:09 — Why Angela's spent half a century in this work 4:07 — Memory of the municipal opera, and being shielded from hate 4:53 — Newsreel montage: January 6th, book bans, voting rights battles 5:26 — Reframing the conversation: realizing democracy's potential, not just naming its threats 6:07 — Why multiracial democracy means everybody, including white people 6:21 — Chinaka Hodge's poem, "All Power to the People" 6:56 — Welcome to Reimagining Democracy for a Good Life 7:26 — Why Los Angeles: the election of Mayor Karen Bass 8:17 — What draws Angela to Bass's leadership style 8:56 — Defining "human flourishing" 9:17 — The decades of organizing behind one election 9:46 — LA's origins: Indigenous land, Mexican founders, Asian Pacific Islander neighborhoods, the Great Migration 11:21 — The brutality beneath the diversity: stolen land, segregation, racial violence 11:41 — A history of protest: Watts 1965, East LA walkouts 1968, the 1992 uprising 12:38 — Manuel Pastor on the lessons organizers drew from 1992 13:41 — How modern LA's multiracial coalition-building emerged 14:16 — Alberto Retana on unity, struggle, and naming the real opposition 15:20 — What actually makes LA's leadership unique 16:12 — The reality check: LA's poverty, homelessness, and housing crisis 17:10 — Tiffany Benitez's story: displacement in Boyle Heights 19:10 — Tiffany on organizing as the answer to insecurity 20:04 — Denise Fairchild on what it means to flourish 21:16 — Interconnectedness: democracy, people, and planet 21:42 — Chinaka Hodge's poem, on what we're owed and what we want 22:33 — The Constitution's contradiction, and its capacity to grow 23:23 — The bigger question: can any democracy ever fully serve a diverse population? 23:39 — Why LA, and why this matters beyond LA 24:43 — Preview of next chapter: "There's No I in Leader" 25:17 — Credits and closing reflection on voting Resources & Links Follow Reimagining Democracy for a Good Life: wherever you listen to podcasts Apple: https://podcasts.apple.com/us/podcast/reimagining-democracy-for-a-good-life/id1742644681 Radical Imagination Instagram: https://www.instagram.com/radicalimagination.us/ Learn more about PolicyLink: https://www.policylink.org/ Have a question for our upcoming interview with Angela Glover Blackwell? Email hello@caremorebebetter.com Protest Interview with Annie Leonard and Andre Carothers: https://caremorebebetter.com/if-we-lose-the-right-to-protest-we-lose-everything-with-annie-leonard-andre-carothers/ BUILD A GREENER FUTURE: Together, we planted 36,044 trees in 2025 through our partnership with ForestPlanet https://forestplanet.org/ CAUSE PARTNER: Support Prescott College https://prescott.edu/ — visit https://caremorebebetter.com/support/ for details. Follow Care More Be Better: YouTube: https://www.youtube.com/c/caremorebebetter TikTok: https://www.tiktok.com/@caremorebebetter Instagram: https://www.instagram.com/caremorebebetter Facebook: https://www.facebook.com/CareMoreBeBetter LinkedIn: https://www.linkedin.com/company/care-more-be-better Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Harlem Renaissance, the great flowering of African American arts and culture in the early twentieth century, is hard to define but easy to admire. Coupled with the Great Migration, in which hundreds of thousands of Southern black workers moved to the rapidly industrializing cities of the North, the Harlem Renaissance was a time of radically innovative artistic expression, as musicians, visual artists, and writers forged a new consciousness. The works they produced reflected a spirit of change, progress, and optimism – but underlying the excitement were also a sense of struggle; reflective themes of nostalgia, guilt, and regret; and a clear-eyed view of racial relations in American culture. In this episode, Jacke looks at the social context for the Harlem Renaissance, with a particular focus on works by Langston Hughes, Nella Larsen, and Zora Neale Hurston. On Sale Now! For more information and to order Great Detective! An Adventure for Two People [2-Book Boxed Set] by Jacke Wilson, visit press.historyofliterature.com. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

King Kong (1933) was the creation of Merian C. Cooper, one of Hollywood's most extraordinary and least remembered figures, and it arrived at a precise and loaded moment: during the Great Migration, a time of mass unemployment, and racial tensions on American streets. It was, depending on who was watching and from where, either the ultimate escapist spectacle or something far more pointed; and quite possibly both at once.The film was a technical revolution built largely on improvisation. Willis H. O'Brien's stop-motion animation; an 18-inch rubber puppet, shot one agonising frame at a time on meticulously constructed miniature sets, was composited with live action through techniques his team largely invented during production, including miniature rear projection and the optical printer, a device that would remain a cornerstone of special effects filmmaking until the digital age.It was also a pre-Code film, made before Hollywood's moral censorship apparatus fully clamped down, which meant Cooper could let Kong be genuinely violent and terrifying in ways the Production Code Administration mandated 1938 reissue would systematically strip away, scene by scene, with a censor's scissors.What makes King Kong endlessly worth returning to is that it refuses to be fully settled. The racial subtext is real and documented; so is the fact that audiences have always, instinctively, rooted for the monster. The craft is breathtaking, but so is the discomfort.Support Verbal DioramaLoved this episode? Here's how you can help:⭐ Leave a 5-star review on your podcast app

“I didn't want to be any attorney. I wanted to be a second chance attorney for our people,” Jade Mathis shares in a Detroit is Different conversation that moves from Black Bottom ancestry to courtroom advocacy and City Hall leadership. Jade's Detroit story begins with grandparents who migrated from Little Rock and Tuscaloosa during the Great Migration, met in Black Bottom, and built family roots on Dexter and Philadelphia, where her grandmother gardened, fed neighborhood children, and kept beauty alive on the block. Jade carries that same community care into her legal journey. After illness shifted her path from journalism to law, Jade pushed through LSAT setbacks, law school rejection, and taking the bar six times before becoming the attorney she promised God she would be. Her work included the Project Clean Slate, expungements, NAACP service, GED tutoring, and civil rights cases with Attorney Ben Crump traveling the nation, representing families struggling from police killings and fighting through litigation, protest, and grief. Now leading Detroit's Civil Rights, Inclusion & Opportunity Department, CRIO, Jade brings those lessons home: clean records, recognize grassroots leadership, defend rights, and make government answer to the people's future. Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different. Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher. Comment, suggest and connect with the podcast by emailing info@detroitisdifferent.com Find out more at https://detroit-is-different.pinecast.co

Today, Theo Ellington is the secretary at the Ruth Williams Opera House. This born-and-raised San Franciscan is also running to be the next D10 supervisor. In Part 1 of this episode, meet Theo. His maternal grandfather, Clifton Weeks, came to SF because his sister, Marie Weeks (Theo's great-aunt), had come here. Clifton and his sister had grown up in rural Natchez, Mississippi, but they came out West during the Great Migration. Their first landing spot was The Fillmore. Clifton found work as a laborer, where he helped build roads and bridges. He also did a little work at the shipyard back when it was still in The City. He had three daughters and made enough money to be able to buy a house in Bayview. Theo grew up in that house with his aunts and cousins. Theo's dad, Grant Ellington, a veteran, came here from Cleveland as an adult. While Theo isn't 100 percent sure what the story is, his parents say that they met at a party … in the Eighties, no less. Grant was a big dude, 6'5", and he commanded a presence. Grant would come by the house, Theo says, and seemed overly concerned with whether his son had a girlfriend. Theo would get that question as young as 6. His dad passed away when Theo was in high school. Theo has two brothers—one older and one younger. He was the third-youngest among the 10 cousins living in his house at Third and Palou. They grew up pre-internet, and so, like a lot of us, went out and made up their own games. He and his cousins and their friends would stay out until the streetlights came on. Theo goes an aside about one of the games they invented—"baserunner." They rode bikes and skateboards, as well. He was born in 1988 and went to a lot of school all in The Bayview. Because he's born-and-raised, I ask Theo to rattle off the schools he attended: Charles Drew Elementary, afterschool at Leola Havard, and Gloria R. Davis Middle School, where he helped make a documentary on a grant from Salesforce about the 24-Divisadero called Bus 24 "The Diversity Bus." It's very much worth watching. That experience really helped to shape Theo's perspective. He started to see his neighborhood, The Bayview, in a different light. And he saw the rest of The City. It sparked a curiosity in him—why was his own hood living in such poverty while other parts of SF thrived? Theo was in the top of his class at Davis Middle School. He began high school at Sacred Heart, and suddenly found himself at the bottom of his class. Drawing from his experience making the Muni documentary, for his junior year, he transferred to School of the Arts (SOTA), where he could focus less on academics and more on filmmaking and documentaries. When he was a kid, Theo had done some acting with American Conservatory Theater (ACT) and WB TV, back when they had a studio in The Bayview. He spent two years in SoCal at Marymount College. One aspect he appreciated as a young freshman was the townhouse dorms, which felt less like typical college dorms and more like adult homes. The move served two goals—go to college, but also, pursue his dream of working in the film industry. While at Marymount, Theo worked at the local Boys and Girls Club, where he and others helped young boys who lacked role models. The experience allowed him to see how life in Southern California was different than life in his hometown. Check back Thursday for Part 2 and the conclusion of Theo Ellington's story. We recorded this podcast at the Bayview Opera House in Bayview in November 2025. Photography by Jeff Hunt

America turns 250 this year, and the steel that built the modern nation was forged on the banks of the Monongahela. In Part 2 of our three-part series on 250 years of American manufacturing, Scott Paul tours the Carrie Blast Furnaces in Pittsburgh with Ron Baraff of Rivers of Steel. They trace how the region's last pre-WWII blast furnaces poured thousands of tons of iron a day for Carnegie's Homestead Works across the river; how the Bessemer converter made steel cheap and scalable enough to raise skyscrapers, lay railroads, and float a navy; how steel jobs forged the American middle class and drew Black workers north in the Great Migration; and why the lessons of this “man-made volcano” still matter as America fights to bring manufacturing home.

This episode of Across The Margin : The Podcast features an interview with Bill Morrison who has been called the poet laureate of lost films (New York Times, 9/21/2021), as he often makes films that re-frame long-forgotten moving images. He has premiered feature-length documentary films at the New York, Sundance, Telluride and Venice film festivals. In 2021 Morrison became a member of the documentary branch of the Academy of Motion Pictures Arts and Sciences. His found footage opus Decasia (2002) was the first film of the 21st century to be named to the Library of Congress' National Film Registry. Dawson City: Frozen Time (2016) was included on over 100 critics' lists of the best films of the year and was later listed as one of the best films of its decade by the Associated Press, Los Angeles Times, and Vanity Fair, among others. His most recent film, Incident (2023) won the Best Short Film Award from International Documentary Association in 2023, the Cinema Eye Honors for Outstanding Nonfiction Short, and was nominated for an Academy Award in Documentary Short in 2025. His film, The Great Flood (2013) — the focus of this episode — was recognized with the Smithsonian Ingenuity Award for historical scholarship.The Mississippi River Flood of 1927 was the most destructive river flood in American history. In the spring of 1927, the river broke out of its banks in 145 places and inundated 27,000 square miles to a depth of up to 30 feet. Part of its enduring legacy was the mass exodus of displaced sharecroppers. Musically, the “Great Migration” of rural southern blacks to Northern cities saw the Delta Blues electrified and reinterpreted as the Chicago Blues, Rhythm and Blues, and Rock and Roll. Using minimal text and no spoken dialog, filmmaker Bill Morrison and composer / guitarist Bill Frisell have created with The Great Flood a powerful portrait of a seminal moment in American history through a collection of silent images matched to a searing original soundtrack. Hosted on Acast. See acast.com/privacy for more information.

Welcome to "Travel to Listen," a new Unpacked series hosted by veteran music journalist Tim Chester. Over four episodes rolling out every other week, Tim takes us into the cities where music is more than entertainment—it's the shortcut to a place's soul. This week, he heads to Minneapolis to hear how a community center, a cold climate, and a once-in-a-generation genius combined to create one of the most distinctive sounds in American music, plus how the city is celebrating a decade since Prince's passing. In this episode How the Minneapolis sound emerged from the Great Migration, housing segregation, rock radio, and a community center called The Way, where a teenage Prince jammed alongside Morris Day and Terry Lewis Why Paul Peterson (dubbed St. Paul by Prince himself) believes the Minneapolis sound is joyous, funky, and built to last, and how his supergroup, the Minneapolis Funk All-Stars, is carrying it forward The story of historian Kristen Zschomler: how grief over Prince's death led her to track 50+ locations across Minneapolis where he lived, worked, and recorded, and her ongoing mission to get them on the National Register of Historic Places What Prince mastered at his childhood home in North Minneapolis. Plus, why Sound 80, the studio where he cut his first demo tapes at 19, was the launchpad for everything that followed How to experience Minneapolis in 2026: from Paisley Park to First Avenue, Bunkers Music Bar to the Dakota, and the five-day Prince Celebration festival in June marking the 10th anniversary of Prince's death Meet this week's guests Paul Peterson is a musician, songwriter, and former Prince collaborator, dubbed "St. Paul" by the Purple One himself. He was a member of The Time and The Family, appeared in Purple Rain, and is now the leader of the Minneapolis Funk All-Stars, an all-star alumni supergroup dedicated to keeping the Minneapolis sound alive. Kristen Zschomler⁠ is a historian and co-founder of the International Center 4 Prince Studies. She gives guided tours of Prince's Minneapolis and created Sound Around Tours, a self-guided audio tour app. She has researched and documented over 50 locations tied to Prince's life and work, and has successfully advocated for two of them to be added to the National Register of Historic Places. Guest host ⁠Tim Chester⁠ is a freelance travel and culture writer who has spent the past 20 years exploring the world through the lens of music. His reporting has appeared in NME, Spin, and Afar, and his travels have taken him from Manhattan to Malawi and Beijing to Berlin in search of the festivals, scenes, and stories that reveal a city's soul. Chapters 00:00:00 Welcome to Minneapolis 00:01:00 The Minneapolis Funk All-Stars 00:03:45 Music as Healing 00:06:45 What Made Minneapolis a Crucible 00:09:30 The Way and the Scene's Roots 00:12:45 Prince's Landmarks 00:15:30 Celebrating a Decade Since Prince A Music Fan's Travel Guide to Minneapolis Minneapolis is a walkable city with a thriving live music scene, and the landmarks of the Minneapolis sound are spread across a compact, navigable footprint. Here's how to do it like a fan. Start here: the essential stops Paisley Park—Prince's home, recording complex, and creative sanctuary in Chanhassen, just outside the city. Now a museum and events venue. Prince's childhood home—the North Minneapolis house where he mastered the piano, decoded albums note by note, and became Prince. Sound 80 Studios—the recording studio where a 19-year-old Prince cut the demo tapes that landed him his Warner Brothers contract. First Avenue—the venue Prince made famous in Purple Rain (he also recorded the song there, performing it live for the first time on that stage). Hear live music Bunkers Music Bar & Grill—the historic North Loop spot where Dr. Mambo's Combo plays every Sunday and Monday night. The Dakota—an intimate downtown jazz club with a packed calendar every night of the week. The Green Room—the venue where St. Paul and the Minneapolis Funk All Stars frequently play Plan for June Celebration 2026—the annual Prince estate event runs June 3–7 this year as a five-day gathering with concerts, dance parties, and unseen footage. The International Center 4 Prince Studies has programming June 1–2 as well, and a new community museum opening in North Minneapolis that flips the curatorial lens: instead of Prince's instruments, it collects the stories of the people he touched. Artists to watch L.A. Buckner and Big Homie David Feily Cory Wong Dylan Salfer Chris Lawrence Alex Rossi Nur-D Nunnabove Up next on Travel to Listen Tim heads to Southern California to explore the spacey, grungy desert rock scene—and to find out there's a lot more to the region than Coachella. New episode in two weeks. Learn more about your ad choices. Visit megaphone.fm/adchoices

“The Freedom Fighter is in my blood,” Jenell Mansfield says, tracing her roots from Macon, Georgia, to Dexter-Davidson, the Jeffries Projects, Central High School, and Haiti's revolutionary legacy. In this Detroit is Different conversation, Mansfield, a teacher and social worker running for Wayne County Commissioner in the 5th District, opens up about the generations that shaped her politics, purpose, and love for Black people. Her family story begins with Great Migration dreams, a veteran great-grandfather seeking something better, grandparents who came of age in Motown-era Detroit, and a Haitian father whose history taught her that freedom is never given. Mansfield connects personal memory to public policy, breaking down how housing, poverty, education, water shutoffs, and “hyper ghetto” conditions impact what Detroiters can imagine for their futures. She reminds us, “You can't be what you can't see,” while challenging listeners to think about what happens when Black communities are separated from resources, elders, and examples of possibility. This interview matters because it ties Detroit's past to the political choices ahead, showing how lived experience, social work, teaching, and community love can become a blueprint for leadership rooted in the people. Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different. Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher. Comment, suggest and connect with the podcast by emailing info@detroitisdifferent.com Find out more at https://detroit-is-different.pinecast.co

5/20/26(Co-Host Brian Adams) We Fishwrap Picture Main Street and the news on Hampshire's closing. From Transitions Through Motion in Hatfield -- Leora Barry, Ex Dir, and Theresa Fischer: horses helping people. Kate Buckman, Aquatic Ecologist with the Greenfield-based Connecticut River Conservancy: happening here – fish on elevators, the great migration, nest building male fish, shad's return from their world tour, local sea lampreys – don't call them eels or snakes. Filmmakers Larry Hott and John Manulis on “Fortunate Sons” – highly recommended.

Welcome back to Travel Stories with Moush and what a way to kick off Season 7! For our very first episode, I am joined by Meerah Ketait, Head of Retail & Leisure at dnata Travel and one of the most influential voices in the travel industry in this part of the world. With years of experience curating extraordinary journeys for all kinds of travelers, Meerah doesn't just know travel, she lives it. From family getaways to once-in-a-lifetime adventures, she brings it all to the table in this conversation. Episode Highlights & Destination Gems: 1. The Maldives - Not just a Honeymoon Destination. Meerah says that the Maldives is for everyone - families, couples, solo travellers and groups.   • Beach villas offering covered, private access - ideal for families seeking privacy • Kids clubs catering to all age groups, from toddlers to teens • Options for every budget - from Hard Rock Maldives to Ritz Carlton and Patina • Just a 4-hour flight from Dubai - perfect for long weekends and short Eid breaks 2. Japan – A Once-In-a-Lifetime Destination. Over 37 million tourists visited in 2025, with forward bookings already being made 1-2 years in advance • Cherry blossom season in March is peak time, book ASAP or risk missing it entirely • Classic itinerary: Tokyo (world-class shopping) → Kyoto (bamboo gardens, temples) → Osaka → bullet train experience • Rich in culture, history, culinary depth and cutting-edge innovation 3. Aurora Lights / Northern Lights — THIS(2026) Is the Year! The solar cycle peaks in 2026, meaning Aurora frequency is at its absolute maximum RIGHT NOW. • The next peak won't be until the 2030s, so if it's on your bucket list, the time is now • Book as early as possible for winter departures coz availability is filling up fast 4. Uganda & Rwanda – Gorilla Trekking A physically demanding but life-changing experience, hiking through rainforests to spot gorillas in their natural habitat. • Suitable for ages 15 and above • Not your typical holiday but one that will shift your perspective on the world entirely 5. Kenya – The Great Migration Witnessing millions of animals migrate across the wild is a truly once-in-a-lifetime natural experience. • A bucket list moment for wildlife enthusiasts. 6. Gulf Cruises - The Perfect Introduction to Cruising Top recommendation for first-time cruisers - start with a Gulf cruise. • Ports include Abu Dhabi, Doha and Bahrain — close to home, familiar, and a great way to experience life on a moving hotel • Ideal for families, groups and couples alike 7. South Africa - Underrated & On the Rise One of dnata's top-selling international summer destinations in 2025. • Incredible value for money. Cape Town has an amazing coastline, world-class safaris and game drives • A destination for every budget, with outstanding food   8. Morocco - Quiet Luxury Meets Vibrant Culture Bustling souks in Marrakech to ultra-luxe resorts like Royal Mansour. • The Atlas Mountains, stunning beaches and rich cultural flavours • A destination that is deeply underrated and deserves far more attention 9. Thailand — The Ultimate Culinary Destination • From Michelin-starred restaurants to family-run street food stalls • Night markets, food markets and dining-led itineraries make this a foodie's paradise 10. Italy - The Soul of Slow Food Rome and Florence both deliver equally on culinary richness • dnata curates dedicated culinary itineraries like pasta-making classes, dough-rolling sessions and cooking with local Italian grandmothers 2026 is the UAE Year of Family and the team at dnata Travel are making it their mission to help families make the most of it.   Connect with dnata Travel: www.dnatatravel.com https://www.instagram.com/dnatatravel/ https://www.facebook.com/dnatatravel https://www.linkedin.com/company/dnatatravelgroup/ https://www.youtube.com/@dnatatravel Thank you for tuning in to the Season 7 premiere of Travel Stories with Moush. If you loved this episode, please hit subscribe on your favorite podcast platform and leave us a rating or review - it truly helps us reach more travelers like you.   Drop a comment and tell us which destination from today's episode is going straight to your bucket list? Stay connected with me on https://www.instagram.com/moushtravels/ to find out who's joining me next week.   Explore all past episodes and destinations here: https://podcasts.apple.com/ae/podcast/travel-stories-with-moush/id1691525895 https://open.spotify.com/show/1pAUXiXuRLv1E9WFznWm7T?si=qA_E3Cf8RqKT97pUJcINxQ https://www.youtube.com/@travelstorieswithmoush Until next time…safe travels and keep adventuring.   "Want a spotlight on our show? Visit https://admanager.fm/client/podcasts/moushtravels and align your brand with our audience."Connect with me on the following:Instagram @moushtravelsFacebook @travelstorieswithmoushLinkedIn @Moushumi BhuyanYou Tube @travelstorieswithmoush Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The New York State Museum is collecting oral histories from Black New Yorkers connected to the Great Migration. The project, led by Jennifer Lemak, focuses on preserving the traditions and experiences that shaped communities across New York State.

In this special live episode, Donna and Sam sat down with the producer of Authentically Detroit, Sarah Johnson and Jerjuan Howard, the owner of the newly opened Howard Family Bookstore for a powerful evening rooted in storytelling, reflection, and community.The discussion surrounded the creation of Divining Freedom, a novel written by Donna. This multigenerational story explores the legacy of the Great Migration, the building of Black institutions, and the women who carry communities forward when systems failed them.They also spoke with JerJuan about his writing journey, and what it means to create and share Black literature within Black-owned spaces. The conversation serves as a reminder that storytelling is not only an art form, but a way of preserving memory, challenging systems, and imagining new possibilities for our communitiesTo purchase copies of Divining Freedom, click here.Support the showFollow us on Instagram, Facebook and Twitter. 

The legendary George Carlin warned decades ago, the game is rigged by the owners of the "Big Party" you aren't invited to. While the media keeps the masses distracted with a twenty-flavor bagel selection, the foundational pillars of American safety and sovereignty are being dismantled. From Colorado, where House Democrats just passed a chilling bill to lower penalties for murder, to Connecticut, where state leaders are effectively doxing federal agents to hinder deportations, the message is clear: the law-abiding, tax-paying citizen is no longer the priority. We dive deep into the "Kabuki Theatre" of modern politics, exposing how the system treats the backbone of this country as an enemy of the state while offering "discounts" to criminals and prioritizing those who bypass our borders.Beneath the veneer of progressive altruism lies a mathematical reality that is rapidly pushing the nation toward a fiscal cliff. We analyze the staggering data from recent European studies that strip away the "Nordic Model" fantasy, revealing the astronomical costs associated with open-border policies and refugee resettlement. With some demographic groups representing a net fiscal drain of over $1.2 million per person, the "all-you-can-eat buffet" of the national treasury is officially running dry. We contrast this reality with the bold rhetoric of state representatives who openly prioritize funneling American tax dollars to foreign interests, asking the hard question: at what point does "resettlement" simply become state-sponsored national bankruptcy?As biological reality is erased from the starting lines of our athletic fields and Title IX's fifty-year legacy is dismantled in the name of gender identity, Americans are facing a pivotal crossroads. Is it time to stay and fight, or join the exodus from states like California, where even political leaders are beginning to admit the middle class is being replaced? Featuring insights from Tom Homan on the necessity of mass deportations and a hard look at the NCAA's shifting policies, this episode explores the escalating war between the state and the citizen. We examine the "Great Migration" happening within our own borders as people choose between the safety of their families and the ideologies of a government that has forgotten who it serves.

This 2019 episode marked 100 years since a wave of racist violence in the U.S. that became known as Red Summer. In many ways, Red Summer was a response to (but NOT caused by) two earlier events: the Great Migration and the return of black soldiers who had fought in World War I.See omnystudio.com/listener for privacy information.

We talk with Katie Seal from Wonder Workshop Children's Museum about how hands-on play builds real community ties in Manhattan and why Grow Green Match Day feels like a town-wide reunion. Student guest Zake brings soul food history to the table and helps us see the museum's signature fundraiser as culture, connection, and learning not just a meal. • gratitude for Grow Green Match Day and donors • Wonder Workshop's 30+ year mission of hands-on learning and play • Richard Pitts' legacy of inclusion and community connection • the Soul Food Dinner tradition and its 25-year history • the new Soul Food Summer Bash and what families can expect • Zake on soul food as heritage tied to the Great Migration • favorite dishes from mac and cheese to collard greens plus the mystery of hog cheese • why the fundraiser supports the museum's long-term survival • museum updates including rising attendance and summer camp prep Tickets will go on sale in a couple of weeks. Just go to our website, it'll be on there. Wonderworkshop.org is the website.GMCFCFAs

When the Great Migration began in the early 20th century, there were very few fully established intercity bus lines. In 1930, through the consolidation of more than 100 different bus lines, the Greyhound Corporation began offering a different kind of experience for millions of passengers every year, many of whom were leaving the South to establish new lives in northern cities, such as Cleveland, Detroit, and Chicago, and cities in the West.rnrnThe work of historian Robert Edwards focuses on the architecture of the Great Migration--the spaces, built environments, and vehicles essential to the experience of the journey north and west. In recent years, Edwards acquired and is restoring a vintage 1947 Greyhound Bus, destined to become an interactive museum experience.rnrnAs we celebrate the 250th anniversary of the nation's founding, we welcome Edwards to the City Club to offer his unique and compelling perspective on this integral part of our shared history and the journey that shaped our community.

The Epic Story of America's Great Migration. Get all the news you need by listening to WBZ - Boston's News Radio! We're here for you, 24/7. See omnystudio.com/listener for privacy information.

A person's accent can influence the way they are perceived. When it comes to broadcast journalism, the way a person talks is front and center and can open the door to both praise and unsolicited criticism. In our last episode, contributor Arionne Nettles looked at the Southern roots of the Black Chicago accent. It goes back to the Great Migration. Even though many Chicagoans are generations removed from their Southern relatives, some aspects of the accent persist for three main reasons: Black Chicagoans tend to live close to each other, they maintain relationships with family in the South and they like how the accent sounds. Today, we get personal with Nettles, who grew up on Chicago's South Side. She's a journalism professor at Florida A&M University, a culture reporter and author. As a person with the Black Chicago accent, she considered changing the way she spoke to pursue a career in broadcast journalism. She talks about what the accent means to her, and why she ultimately decided not to change it.

How have Black Chicagoans kept so many features of the Southern dialect? To answer starts with the Great Migration.

April's Full Episode: Nobody's Dinner (Kenya)Story: Nia the eland is SUPER worried about joining the Great Migration from the Serengeti to the Masai Mara. I mean treacherous rivers…hungry lions and crocodiles…who could blame her?? Luckily, Tosha the cheerful bee eater and Kiloki the cool Zebra are on hand with friendly encouragement, good advice, and a few swift kicks to the armpit…for the lions and crocodiles, of course.Region: KenyaSticky Situation: What do you do when you're feeling worried about EVERYTHING?Unstick Tricks by: Denver (Age 6), Valentina (Age 7)Special Guest Narrator: Njeri GachathiFeelings Focus: Feeling worried, coping with anxiety; managing fear; positive visualizationKnow a kid with great advice for Sticky Situations? Tell us! Details at www.storypillar.com/unsticktricks. Make a donation! Support Storypillar!https://ko-fi.com/storypillar Info/Get in Touch: Website: www.storypillar.com Instagram: @storypillar Join our mailing list Story by:Courtney Lewis Listen to another of Courtney's stories here.Created, Written, and Produced by: Meg Lewis Sound Design/Audio Editing: Meg Lewis and Nate BlaweissStorypillar Theme Song: Lyrics by Meg Lewis Music by Meg Lewis, Andy Jobe, and Suzanna Bridges Produced by Andy Jobe Episode Cover Art Mackenzie AllisonSound Effects and Additional Music: -Freesound.org-Sounddino.com -Suzanna Bridges (As Sparky) -Pixabay Artists: HitsLab; Miguelppais; Tunetank; 9JackJack8; RaspberryMusic; GeoffHarvey© 2026 PowerMouse Press, LLC

April's Sneak Attack!!! Bee Dinners and Continental Cracks in Kenya (Season 5 Premiere)Join Sneak for facts about our next Storypillar destination and kid-approved jokes that will make you laugh your face off! Region: KenyaFacts: The Great Rift Valley, The Maasai, The Great Migration, The Masai Mara Animals: Elands and Little Bee EatersJokes: Lions and Bees!Links for Kids: -The Great Migration in the Masai Mara-The Maasai People-Little Bee Eater Facts-Eland Facts-The Great Rift ValleyMake a donation! Support Storypillar!https://ko-fi.com/storypillar Shop at: storypillarstore.threadless.comInfo/Get in Touch: Website: www.storypillar.com Instagram: @storypillar Created, Written, and Produced by: Meg Lewis Storypillar Theme Song: Lyrics by Meg Lewis Music by Meg Lewis, Andy Jobe, and Suzanna Bridges Produced by Andy Jobe Episode Cover Art: Mackenzie Allison and Meg LewisSound Effects and Additional Music: -https://freesound.org/ and sounddino.com-Flamingo Sounds-Joke Time Song: https://freesound.org/people/BlondPanda/sounds/659889/ -Silly Country Rhyme Song: BackgroundMusicforVideo-Pixabay Artists: Starostin; RaspberryMusic; Ivan_LuzanKnow a kid with great advice for Sticky Situations? Check out www.storypillar.com/unsticktricks.© 2026 PowerMouse Press, LLC

Mar 30, 2026 – The accelerating US demographic migration is redrawing the economic landscape. Jim Puplava analyzes the macro trends behind the unprecedented flow of capital and talent from high-tax, high-regulation states to more...

Episode Summary In this forward-looking episode of The Prosperity Podcast, Kim Butler and Spencer explore how autonomous vehicles and humanoid robots are poised to reshape both real estate markets and how we work — faster than most people expect. Drawing from insights shared in the Peter Diamandis innovation community, the conversation examines a powerful idea: If commuting becomes effortless and robots handle physical labor, location becomes flexible. That shift has enormous implications: Suburbs may empty. Rural land demand may surge. Office buildings may continue to struggle. Real estate pricing could flatten across regions. Humans will increasingly be hired for their ability to work with AI — not compete against it. From five-acre parcel demand exploding in semi-rural areas to robots repairing fences, weeding gardens, and assisting skilled craftsmen, this episode reframes automation as leverage, not loss. The key mindset? Prosperity thinking sees opportunity where others see displacement. Links & Resources For resources and additional information of this episode go to https://prosperitythinkers.com/podcasts/ http://prosperityparents.com/  https://storage.googleapis.com/msgsndr/yBEuMuj6fSwGh7YB8K87/media/68e557c906b06d836d9effad.pdf  https://www.youtube.com/@KimDHButler Keywords Real Estate Autonomous Vehicles Self-Driving Cars Humanoid Robots Rural Land Investment Real Estate Remote Work AI Workforce Automation Peter Diamandis Economic Shift Supply and Demand Five Acre Parcels Real Estate Trends Prosperity Thinking Future of Work Value Creation Robotics Leasing Innovation Wealth Building Episode Highlights 00:00–00:28 - How real estate and work are about to change dramatically 00:00–01:22 - Why homes are central to peace, productivity, and income 01:22–02:05 - Self-driving cars eliminate geographic constraints 02:05–03:28 - Value creators vs. workers replaced by AI 03:28–04:49 - The coming shift in real estate pricing and supply 05:28–05:56 - Surging demand for rural five-acre parcels 06:00–06:54 - Autonomous robots as the missing key to rural expansion 07:10–08:35 - Robots handling physical labor and property maintenance 08:35–09:00 - Two-to-three-year timeline for mass robot adoption 10:00–10:53 - Leasing robots: affordability and scale 11:02–11:57 - Human + robot collaboration in skilled craftsmanship 12:03–12:28 - Prosperity lens vs. dystopian fear 12:28–13:23 - Stay on the innovative edge  

Send us Fan MailHello, passionate travelers! This is Paul, welcome to this special episode pertaining solely to our 14-Day Kenya & Egypt—Safaris, Great Pyramids & Nile River Cruise bucket list trip. An unforgettable journey through the wilds of Kenya and the treasures of Egypt! Discover the legendary Maasai Mara Natural Reserve, the scene of the annual Great Migration. At Lake Nakuru, contemplate the amazing landscapes and spot diverse birdlife before heading to Egypt to marvel at the Great Pyramids and experience the wonders of the Nile on a 4-night full-board river cruise!Joining me today is a special guest, world traveler, the star associate in The Joy of Vacation by Dream Vacations travel agency, and I call her Ms. TikTok, my daughter Shornay. Besides keeping me straight in summarizing this amazing trip, she can provide her perspective. I am both jealous of, and proud of her, for having beat me to some bucket list locations—including the continent of Africa, even though I have been traveling for over 40 years.A couple of years ago Cheryl, my wife, and I, along with Shornay, pursued a brand extension and started The Joy of Vacation travel agency. In our announcement to friends, we stated a vision of someday leading a group to the Motherland, and we are proud to see this come to fruition.Questions or to book: pthornton@dreamvacations.comOnline brochure: https://v2.app.moguplatform.com/trips/46015-paulDo you have a dream car? Support the showSupport thejoyofcruisingpodcast https://www.buzzsprout.com/2113608/supporters/newSupport Me https://www.buymeacoffee.com/drpaulthContact Me https://www.thejoyofcruising.net/contact-me.htmlBook Cruises http://www.thejoyofvacation.com/US Orders (coupon code joyofcruisingpodcast)The Joy of Cruising https://bit.ly/TheJoyOfCruisingCruising Interrupted https://bit.ly/CruisingInterruptedThe Joy of Cruising Again https://bit.ly/TheJoyOfCruisingAgainIntl Orders via Amazon

“You are a Black Panther. You're a Malcolm X. Do something.” That charge from Edythe Ford, Executive Director of MACC Development, sets the tone for a powerful Detroit is Different conversation rooted in memory, movement, and the living responsibility of Black legacy. In this rich interview, Ford traces her family's journey from Alabama, Georgia, South Carolina, and Tennessee—“the place that the Ku Klux Klan started”—to Detroit, sharing how her ancestors carried courage, skill, and strategy north during the Great Migration. She reflects on family Bibles as legal records, barber surgeons as early Black professionals, and the importance of protecting stories before they are lost: “History will have you think your family wasn't great.” From surviving racist violence and childhood civil rights protests to building community on Detroit's east side today, Ford makes clear that Black history is not distant—it is personal, present, and unfinished. This episode is a masterclass on preserving family truth, affirming dignity, and understanding why Black history matters to both the past and future of Detroit. It's a conversation about inheritance, responsibility, and why legacy must be documented, defended, and lived. Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different. Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher. Comment, suggest and connect with the podcast by emailing info@detroitisdifferent.com Find out more at https://detroit-is-different.pinecast.co

“I'm your publicist, not your therapist.” Publicist and brand strategist Pam Perry pulls up to the Detroit is Different studio and drops gems that hit like a drumline—because, as she reminds us, before “content creation,” our people were already “getting the word out” through bells, drums, and community signal. From Coney Gardens roots and Hamtramck church connections to Cass Tech, the RenCen, Wayne State, and the Detroit Free Press, Pam maps Detroit as a training ground for messaging, hustle, and legacy. She breaks down the marketing suite—“public relations, publicity, advertising, promotions”—and why every creator, church, business, author, and speaker needs strategy, not vibes. Pam talks Great Migration family history, the power of Black press—“we have to create our own narrative, our own media”—and the discipline of charging for skilled work: “You got to invest time or money, it ain't for free.” She explains spotting the “it factor,” preparing clients for national stages, and leveraging PR as “a traffic builder” with systems like email lists and owned platforms. In an era where “you don't know what's real,” Pam's blueprint connects Detroit's past signal-makers to the future of Legacy Black culture. And her advice: “Get a mentor…have longevity.” Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different. Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher. Comment, suggest and connect with the podcast by emailing info@detroitisdifferent.com Find out more at https://detroit-is-different.pinecast.co

Winner of the 2025 James Laughlin Award from The Academy of American Poets  When her grandmother died, poet Diamond Forde inherited a well-worn family Bible to remember her by. In The Book of Alice (Scribner, 2026), she retells the story of her grandmother's life through the framework of the only poetry Alice knew: the King James Bible. A Black woman born in the Jim Crow South, Alice joined the tide of the Great Migration when she made her exodus to New York City. She married, divorced, and raised eight children, all while struggling to define herself in an America that looks frighteningly like our own. Using found forms like recipes, a family tree, and a US Census Report alongside imagined psalms and scriptures, Diamond draws bold parallels between biblical narratives and the lived experiences of those often relegated to the margins of history. The result is both a heartfelt elegy and a new sacred text. Find Diamond at her website and on Instagram. And find host, Sullivan Summer, at her website, on Instagram, and over on Substack, where she and Diamond continued their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Gospel music has roots in southern spirituals during slavery and migrated north during the Great Migration in the early 1900s. Chicago has staked its claim as the birthplace of modern gospel thanks to Bronzeville's Pilgrim Baptist Church and Thomas Dorsey, its choir director for 50 years. In 2022, we talked with writer and producer Stacy Robinson about the WTTW documentary “The Birth of Gospel” and Chicago's place in music history. Good News: The DuSable Museum - Black History Month Closeout Celebration Want some more City Cast Chicago news? Then make sure to sign up for our newsletter. Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Learn more about the sponsors of this Feb. 25 episode: Steppenwolf Theatre Griffin MSI South By Southwest – Unlock a 10% discount on your Innovation Badge when you use code citycast10 Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE

In this special Black History Month episode of Busy Kids Love Music, we travel back about 100 years to Harlem, New York—an exciting neighborhood overflowing with creativity, poetry, dancing, painting, and bold new musical sounds. This remarkable time in American history is known as the Harlem Renaissance, a cultural "rebirth" that took place during the 1920s and 1930s. In this episode, we'll explore how music helped shape the Harlem Renaissance—and how the Harlem Renaissance changed the future of American music forever. What Was the Harlem Renaissance? The word renaissance means "rebirth." During this period, Harlem became a gathering place for African American artists, writers, and musicians who were creating fresh ideas and sharing their voices with the world. Families arriving during the Great Migration brought musical traditions from many parts of the country. When these styles blended together in one vibrant neighborhood, something extraordinary happened. In this episode, you'll meet some of the influential artists who helped define Harlem's sound, explore some famous Harlem venues and listen to examples of colorful music with jazz, blues and big band sounds! Listen Along! Check out the curated Harlem Renaissance playlist here. As you listen, see if you can spot: A steady beat that makes you want to tap your foot Instruments taking turns playing solos Fast piano patterns Bright brass sounds like trumpets and trombones Coming Up Next… In the next episode of Busy Kids Love Music, we'll focus on composer Margaret Bonds, who collaborated closely with Harlem Renaissance poets and blended classical music with spirituals and jazz colors—carrying the movement's spirit into concert halls and classrooms. Be sure to subscribe so you don't miss it!

Today on the podcast, why are more unequal neighborhoods sometimes better at promoting the collective good?A world of high inequality is, in many ways, a world in which the fortunes of the rich are detached from the welfare of the poor. It's a world in which the affluent are less reliant on public goods for securing their own safety and wellbeing. Those with money can purchase essential services – even things like security, sewage systems, or street lights – on private markets – rather than turning to the government. A highly unequal society is thus one in which the affluent may have little reason to support public infrastructure and services – or the high taxes required to finance them. It's a society, in short, that's going to have a hard time providing widespread public goods. The result can be a vicious circle – deteriorating living conditions among the poorest and growing comfort and prosperity among the better-off.But our guest today argues that things don't always have to work this way – that the consequences of inequality depend not only on who has what, but also on where. Dr. Alice Xu is an Assistant Professor at the University of Pennsylvania's School of Social Policy and Practice and Department of Political Science. In her article published in the American Political Science Review – and a book project currently in progress – Alice argues that whether or not the affluent support the provision of public goods depends on patterns of residential segregation and integration. As Alice argues, when the middle and upper classes live in close proximity to the poor, their fortunes are more closely intertwined than they are in cities that are highly segregated by social class. In an integrated city, when the poor experience unsafe streets or disease-ridden sewage runoff, so too do their better-off neighbors. Alice talks to us about the in-depth, mixed method study she carried out in several cities in Brazil – one of the world's most unequal countries. We dig into how class-integrated neighborhoods sometimes escape inequality's vicious circle – as the middle and upper classes demand that the state invest more generously in urban infrastructure and services for everyone. This is work that doesn't just shed new light on the political economy of inequality but also holds important lessons for the planning and governance of the world's cities – in particular, showing just what is at stake in avoiding high levels of segregation by social class.We hope you enjoy this conversation. To stay informed about future episodes, follow us on Bluesky @scopeconditions and check out our website, scopeconditionspodcast.com, where you can also find references to all the academic works we discuss. And if you like the show, please rate and review us on Apple Podcasts or Spotify.Now, here's our conversation with Alice Xu.Works cited in this episodeAllport, Gordon Willard, Kenneth Clark, and Thomas F. Pettigrew. The nature of prejudice. Vol. 2. Reading, MA: Addison-Wesley, 1954.Boustan, Leah Platt. “Was postwar suburbanization ‘white flight'? Evidence from the black migration.” The Quarterly Journal of Economics 125, no. 1 (2010): 417–443.Derenoncourt, Ellora. “Can you move to opportunity? Evidence from the Great Migration.” American Economic Review 112, no. 2 (2022): 369–408.Habyarimana, James, Macartan Humphreys, Daniel N. Posner, and Jeremy M. Weinstein. Coethnicity: Diversity and the dilemmas of collective action. Russell Sage Foundation, 2009.McGhee, Heather. The sum of us: What racism costs everyone and how we can prosper together. One World, 2022.Milanovic, Branko. Worlds apart: Measuring international and global inequality. Princeton University Press, 20

Before the Great Migration, there was a smaller, yet just as important emigration of Black Americans out of the South. For several months in 1879, thousands of freedmen and their families headed for Kansas, hoping to create a better life for themselves and establish a better future for the children. Learn about the motivation behind this exodus and why it sparked a Senate investigation.Support the show

This week, Sharifah talks about her current read, which she's loving, and her next nonfiction read, which she cannot wait to pick up! Subscribe to All the Books! using RSS, Apple Podcasts, or Spotify and never miss a book. Sign up for the weekly New Books! newsletter for even more new book news. Keep track of new releases with Book Riot's New Release Index, now included with All Access membership. Click here to get started today! Books Discussed: The Seven Daughters of Dupree by Nikesha Elise Williams Caste: The Origins of our Discontents by Isabel Wilkerson The Warmth of Other Suns: The Epic Story of America's Great Migration by Isabel Wilkerson This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Harlem Renaissance was a vibrant 1920s-1930s Black cultural movement centered in Harlem, a hub for African American creativity, literature (Langston Hughes, Zora Neale Hurston), music (jazz, blues), and art (Aaron Douglas), fueled by the Great Migration and a desire to redefine Black identity that forged a new sense of Black Pride. In this program, we hear less well known artists such as James (“Big Jim”) Reese Europe who led an orchestra of 120 musicians. We also hear iconic songs of the era including Fats Waller's “Ain't Misbehavin'”, Mamie Smith's massive 1920 hit “Crazy Blues,” Cab Colloway's “St. James Infirmary” and more. Along the way, we'll enjoy the Fletcher Henderson Orchestra featuring Louis Armstrong on trumpet and vocals and Coleman Hawkins on sax, Ethel Waters, James P. Johnson, and Willie the Lion Smith. Harlem also drew the top Cuban orchestras who came to New York by steamship to record, calyso singers, and Haitian vodou music and theater. Harlem was famous for its rent parties and a wide open attitude to defying Prohibition where revelers danced to the shimmy, the black bottom, and the Charleston from down south. Relive the glory! APWW #226 Produced by Ned Sublette