State and local laws enforcing racial segregation in the Southern United States
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Join Jim and Greg for Wednesday's 3 Martini Lunch as they examine Major League Baseball's return to Atlanta for the All-Star Game four years after Democrats pressured the league to pull the event over Georgia's election integrity law. They also dig into the ridiculously slow wildfire recovery efforts in Los Angeles County and break down what could be a wild U.S. Senate race in Texas next year.First, they're glad to see the all-star game back in Georgia, where it was originally scheduled in 2021 before Commissioner Rob Manfred moved it under political pressure. Democrats claimed Georgia's election law was “Jim Crow 2.0,” but two election cycles later, record turnout disproves those claims. Jim and Greg ask whether Manfred, the media, or top Democrats will ever acknowledge how wrong they were, or apologize to Gov. Brian Kemp for likening him to segregationists and the confederacy?Next, they fume as little more than a hundred building permits have been issued in Los Angeles County in the six months since the devastating wildfires. Jim says this is a perfect example of how the blue state, big government approach to problems grinds progress to a halt and how Mayor Karen Bass and Gov. Gavin Newsom have failed. Greg offers insights on why the media won't criticize Newsom and Bass over this.Finally, they look ahead to the 2026 Texas U.S. Senate race, where new polling suggests Rep. Jasmine Crockett could dominate the Democratic primary if she runs. The GOP primary has plenty of its own drama as Sen. John Cornyn and Texas Attorney General Ken Paxton battle for the nomination. Many in the MAGA base are disappointed in Cornyn but Paxton brings his own baggage, including a very public divorce that was just announced.Please visit our great sponsors:Stop putting off those doctors' appointments and go to https://zocdoc.com/3ML to find and instantly book a top rated doctor today. If your business can't adapt in real-time, you're in a world of hurt. Get the free e-book “Navigating Global Trade: 3 Insights for Leaders” from NetSuite by Oracle. Download today at https://NetSuite.com/MARTINI No missed calls, no missed customers with OpenPhone. Get 20% off your first 6 months at https://Openphone.com/3ml
12 - Keep sports for sports journalists only! A reporter asked Pat McAfee and a panel of athletes at the MLB All-Star Media Day in Atlanta about Jim Crow laws and election interference within the state back in previous elections. 1210 - Side - associated with prison/jail. 1220 - Just how in favor are Americans for mass deportation? Dom tells the story of a local illegal alien criminal's assault, but the neighborhood is outraged he might get deported! What did Alan Dershowitz say about Jeffrey Epstein with Cuomo? 1235 - EPA Administrator Lee Zeldin joins the program today. How excited is he to be with Dave McCormick at his big summit today in the Pittsburgh area? What was so important for Americans to know about both the environment and the economy when the EPA acted back on the 12th? What qualifies as a federal waterway? Why be completely transparent on geoengineering? What would Lee like the public to know regarding policy? Are they chemtrails or contrails? 1250 - Your calls at the end of the hour. 1 - Legal scholar and professor, as well as Jeffrey Epstein's former attorney, joins us to today to pour cold water all over the rumors and speculations around the case as the Trump administration has pivoted away from releasing the case's information, despite promising answers. Why does Alan think the judges, and not the Trump administration, are holding the information from the public? Are the people rumored to be on his guest list actually mentioned in the files? Did they even set foot on the island? What about Prince Andrew and his antics? How did Ghislane Maxwell embarrass not only herself, but other high profile people she said were hanging around Epstein? 110 - Is Christopher Columbus “provocative”? Are there icons that didn't do bad things as well? Who should be in the “Garden of Heroes”? 120 - Who is in Trump's “Garden of Heroes”? Who are the notable omissions 135 - Should there be a “Garden of Losers” for those who project anti–American Trump sentiment? Would someone decline an invitation to the “Garden of Heroes”? 150 - Your calls. Are Trump supporters trying to unmask corrupt elites? 2 - Who was causing a problem at the Joe Conklin Show last weekend? It was Chief Pat Molloy and his friends taking Dom's seats up front! Senator Muth might not be a fan of law enforcement, but now she wants front facing license plates! Did Chief Molloy sandbag Dan to get on the show? Does he like the front license plate? What kind of vanity plate should we get Dan? How revolutionary is their plate recognizing technology? 215 - Dom's Money Melody! 225 - As Penn continues to allow transgender rhetoric to flow in its classrooms, we are alerted to a scholar with an interesting name who says “sex is fake”, referring to one's physiology. Dinesh D'Souza had some thought on new Epstein revelations. 235 - Hank Johnson put out a song calling out Trump. 240 - Is Trump seriously equating the Epstein files to Russiagate? 250 - The Lightning Round!
Story #1: How was attempted Trump assassin Thomas Crooks able to escape the surveillance state that has information on everyone? Will revisits his conversations with Mike Benz and Jason Chaffetz on yesterday's 'The Will Cain Show' and realizes there's a question that few are asking. Story #2: The Host of 'The Wade Show with Wade,' Wade Stotts joins Will to discuss the rise of the new Minneapolis Mamdani, Omar Fateh, the remittance problem in America, and picking apart Vice President J.D. Vance's “dad run” and Gov. Gavin Newsom's (D-CA) odd hand movements on the 'Shawn Ryan Show.' Story #3: Despite no changes to the "Jim Crow 2.0" election laws that saw Major League Baseball take away the All-Star Game from Atlanta, Will asks why no one is holding people accountable for their faux outrage four years ago? Plus, Two-A-Dayz give his review of one of Will's sports movie favorites, ‘Days Of Thunder.' Subscribe to 'Will Cain Country' on YouTube here: Watch Will Cain Country! Follow Will on X: @WillCain Learn more about your ad choices. Visit podcastchoices.com/adchoices
12 - Keep sports for sports journalists only! A reporter asked Pat McAfee and a panel of athletes at the MLB All-Star Media Day in Atlanta about Jim Crow laws and election interference within the state back in previous elections. You're asking the wrong people here... 1210 - Side - media associated with prison/jail. 1220 - Just how in favor are Americans for mass deportation? Dom tells the story of a local illegal alien criminal's assault, but the neighborhood is outraged he might get deported! What did Alan Dershowitz say about Jeffret Epstein with Cuomo? 1235 - EPA Administrator Lee Zeldin joins the program today. How excited is he to be with Dave McCormick at his big summit today in the Pittsburgh area? What was so important for Americans to know about both the environment and the economy when the EPA acted back on the 12th? What qualifies as a federal waterway? Why be completely transparent on geoengineering? What would Lee like the public to know regarding policy? Are they chemtrails or contrails? 1250 - Your calls at the end of the hour.
This week on Black & Published, Nikesha speaks with Nikkolas Smith about his new picture book The History of We. It's a book he says shows the lineage for every human on Earth beginning with Black people in Africa. In our conversation, Nikkolas discusses why he's grateful for the winding path that led him to his full time role as an illustrator. Plus the Jim Crow era story that was one inspiration point for the book. And the viral piece he created for the 2016 summer games as a tribute to Simone Biles that led to his first book deal and current career. Mahogany Books Mentioned in this episode:Rate & ReviewThanks for listening, family! Please do us a solid and take a quick moment to rate and/or leave a review for this podcast. It will go a long way to making sure content featuring our stories and perspectives are seen on this platform
Have a comment? Send us a text! (We read all of them but can't reply). Email us: Will@faithfulpoliticspodcast.comIn 1954, white Southern churches declared that school integration “defied God's design.” Seven decades later, many of those congregations champion “color-blindness” instead. What changed—and what hasn't? Historian Rusty Hawkins (Indiana Wesleyan University), co-editor of The Bible Told Them So: How Southern Evangelicals Fought to Preserve White Supremacy, joins Faithful Politics to trace the theological through-line from Jim Crow sermons to modern debates over CRT and DEI. Hawkins explains how pastors and laypeople alike used Scripture to sanctify segregation, then re-branded the same resistance as a fight for “quality education” and “parental choice.” He also argues that today's church can still become a force for racial reconciliation—if it learns from the prophetic witness of the Black church and rejects power for service. Whether you're a pastor, activist, or history buff, this conversation equips you with the receipts—and the hope—to confront racism's religious roots.Guest BioRusty Hawkins is Associate Professor of History at Indiana Wesleyan University, specializing in American religion and race. He co-edited the award-winning The Bible Told Them So and is currently writing a religious biography of Alabama Governor George Wallace. Hawkins's scholarship appears in Christianity Today, the Journal of Southern Religion, and other outlets, making him a leading voice on how evangelical theology has shaped—and been shaped by—America's color line. Support the show
Hour 2 of the Tuesday Bob Rose Show, on the fearmongering years ago leveled by the left over a Georgia voting reform bill, which led to Major League Baseball punishing the state by pulling the All-Star Game from Atlanta. With the game's return to ATL tonight, baseball now admits the voting law was the opposite of “Jim Crow 2.0,” actually increasing voter participation. Plus all the morning's breaking news for 7-15-25
Dr Boyce Watkins gives the truth about Jim Crow from the work of Dr Claud Anderson
To craft legal discrimination, the Third Reich studied the United States - and Jim Crow policies. Join this channel for exclusive access and bonus content: https://www.youtube.com/channel/UCkbwLFZhawBqK2b9gW08z3g/join Five Minute News is an Evergreen Podcast, covering politics, inequality, health and climate - delivering independent, unbiased and essential news for the US and across the world. Visit us online at http://www.fiveminute.news Follow us on Bluesky https://bsky.app/profile/fiveminutenews.bsky.social Follow us on Instagram http://instagram.com/fiveminnews Support us on Patreon http://www.patreon.com/fiveminutenews You can subscribe to Five Minute News with your preferred podcast app, ask your smart speaker, or enable Five Minute News as your Amazon Alexa Flash Briefing skill. Please subscribe HERE https://www.youtube.com/channel/UCkbwLFZhawBqK2b9gW08z3g?sub_confirmation=1 CONTENT DISCLAIMER The views and opinions expressed on this channel are those of the guests and authors and do not necessarily reflect the official policy or position of Anthony Davis or Five Minute News LLC. Any content provided by our hosts, guests or authors are of their opinion and are not intended to malign any religion, ethnic group, club, organization, company, individual or anyone or anything, in line with the First Amendment right to free and protected speech. Learn more about your ad choices. Visit megaphone.fm/adchoices
We pick up where we left off with the infamous formation of everyone's most hated wizards, the Ku Klux Klan, during the Reconstruction era; this movement sparked a rise in hate crimes and lynchings for decades to come. As we enter the Jim Crow era, we see state and local laws worsen the societal divide by enforcing racial segregation and discrimination. The Great Migration sees the movement of African Americans from the South to the bustling cities of the West and the North, including Emmitt's mother Mamie, though it is not all sunshine and rainbows in these areas either; prejudice runs rampant, and Emmett Till's family is about to be at the center of it all.
This week, I'm reading Chapter 23, the final chapter of the Peter David penned movie novelization of the 1991 Rocketeer film. Ironically, this episode will come out right after the United States' birthday (7/4/1776), at a time when there is a lot of turmoil in the country. It's not the first time, nor will it be the last, I suspect. I won't get into the wasteland of politics, but since this episode is on the Rocketeer, I thought it would be an interesting time to reflect on how the character fits some American ideals. Speaking of which - ideals ... the country was founded on the idea that all men are created equal and all deserve some basic rights. Was this true in 1776? Let's be frank (it's an American ideal). No. Not even close. It might have been true if you were a free white man but was probably not anywhere close to being true if you were a woman, child, slave, indentured servant, or a race other Caucasian. It took a long time for other groups to finally catch up. US women finally achieved the right to vote in national elections in 1920 (19th amendment to the US Constitution). Though slavery was officially abolished after the US Civil War in 1865, black men were were not granted the right to vote in federal elections until 1870 (the 15th amendment to the US Constitution), and it was not until the 1950s and 60s and beyond that segregation practices were ended (Jim Crow laws ended on a national level in 1964, but in many cases, still exist in other, less overt forms depending on the location). It was not until 1967 that interracial marriage was allowed on a federal level (see the 1967 US Supreme Court case of Loving v. Virginia). Although the United States was founded by immigrants, the Chinese exclusion act, passed in 1882, was the first significant law that restricted the flow of immigrants into the US, targeting Chinese laborers. While there were amendments to the law in 1943, there were still quotas and other restrictions to abide by. It was not until 2012 (!) that the Chinese exclusion act was official condemned by Congress. Although Native Americans were the first people on this land, they were not granted access to US citizenship until 1924 (Indian Citizenship Act), and it was not until 1965 that they were granted the federal right to vote (Voting Rights Act of 1965), though US Native Americans still are often unable to vote for various reasons to this day. Same sex marriage was not legally allowed on federal level until 2015 (see the US Supreme Court decision of Obergefell v. Hodges). These are just a few examples of inequality in the face of a federal Constitution claiming basic rights for all. I write all this not to condemn all the ways in which we as a country fail to live up to our ideals but rather to show that as any society, especially one made up by immigrants from all over the world, is going to have its problems and will require a lot of work and constant maintenance to work in any somewhat functional way. The US is basically a nearly 250 year old hotel with guests constantly coming and going, clogging the sinks and toilets, running down the hot water, making messes, and yelling in the hallway. Even in low season times, there is still plenty of maintenance to do since things break. Nothing lasts forever. How does all this relate to the Rocketeer? Read more at https://13thhr.wordpress.com/2025/07/07/the-thirteenth-hour-podcast-517-and-like-a-hood-ornament-81-reading-the-conclusion-of-the-rocketeer-movie-novelization-chapter-23/∞∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form on services such as Bandcamp, Spotify, and YouTube Music. -Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk
The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south
The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.
The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
The show opens with new numbers that completely destroys the ones from yesterday. No matter how hard the bought-and-paid-for Legacy/mainstream media tries, their predictions of economic doom and gloom are not coming true. DNI Gabbard calls out a reporter at the Washington Post for using a burner phone and trying to get members of the ODNI to leak classified information to her. The paper is already being scrutinized for printing such material. A CIA report just dropped telling us what this audience already knew – the Obama-era intel and leadership rushed a narrative when pushing the Trump-Russia collusion hoax. The Secretary of State's Office is continuing to stand by their reforms to track aid funds to ensure they get to where they are supposed to go. They also remind the press that Hamas is to blame for all of the lack of ceasefires, let alone the Oct 7, 2023 attack. Dollar Store 44 goes on a 7+ hour filibuster to try to stop the BBB from getting a new vote in the House. Funny, not that long ago he accused those who did such a thing as clinging to the vestiges of the Jim Crow days. Treasury Secretary Scott Bessent says of Rep. Hakeem Jeffries (D-NY), “I would not ask an arsonist advice about how to put out a fire.” Then, I spend some time on two inter-related subjects. I am trying to understand how a sub-set of our nation can be convinced to believe in Marxist/socialist ideas. I think it's because we have all forgotten to take stock of the wealth we have thanks to Capitalism. We all need to learn how to explain it and defend it. This leads to my closing about the US Constitution and how the signing of the Declaration of Independence was the start of a radical transformation on how people could and should be governed. With our 249th birthday on July 4, I think it made sense to give just a little reminder about what our Founding Fathers achieved and why we must all fight to keep this glorious Republic intact. Happy Independece Day, America! Please take a moment to rate and review the show and then share the episode on social media. You can find me on Facebook, X, Instagram, GETTR, TRUTH Social and YouTube by searching for The Alan Sanders Show. And, consider becoming a sponsor of the show by visiting my Patreon page!!
Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions. When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy's mask remapped plantation slavery on Canadian stages. It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom. Find Dr. Thompson on her website and the website of Mapping Ontario's Black Archives, on BlueSky, and on Substack. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions. When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy's mask remapped plantation slavery on Canadian stages. It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom. Find Dr. Thompson on her website and the website of Mapping Ontario's Black Archives, on BlueSky, and on Substack. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions. When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy's mask remapped plantation slavery on Canadian stages. It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom. Find Dr. Thompson on her website and the website of Mapping Ontario's Black Archives, on BlueSky, and on Substack. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Emmy Award Winner ArtistNetflix's ground-breaking Paralympic documentary ‘Rising Phoenix' won two prestigious Sports Emmy AwardsKeith Jones is the President and CEO of SoulTouchin' Experiences LLC,. It is an organization aimed at bringing a perspective to the issues of access inclusion and empowerment, which affect him as well as others who are persons with and without disabilities. To achieve this multicultural, cross-disability education and outreach efforts he collaborates and conducts trainings with the purpose of strengthening efforts to provide services and information for people with disabilities. The issues he tackles are wide ranging from immigration, criminal justice reform, health care and environmental justice just to name a few. Paralleling with his policy and social justice work Mr. Jones is a multitalented artist who along with Leroy Moore and Rob Temple founded Krip Hop Nation which is an international collection of artists with disabilities. Krip Hop Nation is currently celebrating 14 years with the recent Emmy Award winning success of their title song for the Netflix documentary of the Paralympic Games, Rising Phoenix and its critical acclaimed sound track. © 2025 Building Abundant Success!!2025 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy: https://tinyurl.com/BASAud
Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions. When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy's mask remapped plantation slavery on Canadian stages. It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom. Find Dr. Thompson on her website and the website of Mapping Ontario's Black Archives, on BlueSky, and on Substack. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions. When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy's mask remapped plantation slavery on Canadian stages. It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom. Find Dr. Thompson on her website and the website of Mapping Ontario's Black Archives, on BlueSky, and on Substack. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
The Southern Fault Line: How Race, Class, and Region Shaped One Family's History (Oxford University Press, 2025) explores the under-appreciated division in the South between the oligarchic rule of plantation owners and industrialists on the one hand, and the more democratic mindset of the mountain-dwelling small farmers on the other. These two mindsets were in continual tension from the 1800s to the 1960s, when the adherents of the more democratic side of the struggle capitulated to the oligarchical side in response to the Civil Rights movement. Bryan Jones draws from his own family's centuries-old history in the region to explore the rise and fall of the "two minds" of the South. Through a comparison of the experiences of a slaveholding line in his family with three non-slaveholding lines, Jones provides a rich history of the politics of both class and race in the region from the Founding era to the present. The slaveholding side of his family settled in Black Belt Alabama, while ancestral members of the other side of his family were poorer uplanders. In the 1890s, the latter supported the burgeoning populist movement, which for a short window of time tried to unite poor Blacks and poor whites against the patrician planter class and industrialists. After a series of close elections, the planter class was able to stanch the populist tide. They did this in large part by sowing racial division among populism's supporters. Indeed, one of Jones' ancestors helped draft the 1901 Alabama constitution that made Jim Crow the law of the state. Throughout, Jones shows how deep the political differences were between the two regions, with oligarchy characterizing the slaveholding region and a more democratic ethos shaping the non-slaveholding areas. Jones serves as the final observer, a white boy observing not only the demise of the Jim Crow South, but--in the wake of the Civil Rights movement--the demise of the mountain democratic South as well. Today, the vast majority of Southern whites regardless of class support an oligarchical Republican Party. Bryan Jones is J.J."Jake" Pickle Regents' Chair in Congressional Studies at the University of Texas at Austin. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
The Southern Fault Line: How Race, Class, and Region Shaped One Family's History (Oxford University Press, 2025) explores the under-appreciated division in the South between the oligarchic rule of plantation owners and industrialists on the one hand, and the more democratic mindset of the mountain-dwelling small farmers on the other. These two mindsets were in continual tension from the 1800s to the 1960s, when the adherents of the more democratic side of the struggle capitulated to the oligarchical side in response to the Civil Rights movement. Bryan Jones draws from his own family's centuries-old history in the region to explore the rise and fall of the "two minds" of the South. Through a comparison of the experiences of a slaveholding line in his family with three non-slaveholding lines, Jones provides a rich history of the politics of both class and race in the region from the Founding era to the present. The slaveholding side of his family settled in Black Belt Alabama, while ancestral members of the other side of his family were poorer uplanders. In the 1890s, the latter supported the burgeoning populist movement, which for a short window of time tried to unite poor Blacks and poor whites against the patrician planter class and industrialists. After a series of close elections, the planter class was able to stanch the populist tide. They did this in large part by sowing racial division among populism's supporters. Indeed, one of Jones' ancestors helped draft the 1901 Alabama constitution that made Jim Crow the law of the state. Throughout, Jones shows how deep the political differences were between the two regions, with oligarchy characterizing the slaveholding region and a more democratic ethos shaping the non-slaveholding areas. Jones serves as the final observer, a white boy observing not only the demise of the Jim Crow South, but--in the wake of the Civil Rights movement--the demise of the mountain democratic South as well. Today, the vast majority of Southern whites regardless of class support an oligarchical Republican Party. Bryan Jones is J.J."Jake" Pickle Regents' Chair in Congressional Studies at the University of Texas at Austin. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Southern Fault Line: How Race, Class, and Region Shaped One Family's History (Oxford University Press, 2025) explores the under-appreciated division in the South between the oligarchic rule of plantation owners and industrialists on the one hand, and the more democratic mindset of the mountain-dwelling small farmers on the other. These two mindsets were in continual tension from the 1800s to the 1960s, when the adherents of the more democratic side of the struggle capitulated to the oligarchical side in response to the Civil Rights movement. Bryan Jones draws from his own family's centuries-old history in the region to explore the rise and fall of the "two minds" of the South. Through a comparison of the experiences of a slaveholding line in his family with three non-slaveholding lines, Jones provides a rich history of the politics of both class and race in the region from the Founding era to the present. The slaveholding side of his family settled in Black Belt Alabama, while ancestral members of the other side of his family were poorer uplanders. In the 1890s, the latter supported the burgeoning populist movement, which for a short window of time tried to unite poor Blacks and poor whites against the patrician planter class and industrialists. After a series of close elections, the planter class was able to stanch the populist tide. They did this in large part by sowing racial division among populism's supporters. Indeed, one of Jones' ancestors helped draft the 1901 Alabama constitution that made Jim Crow the law of the state. Throughout, Jones shows how deep the political differences were between the two regions, with oligarchy characterizing the slaveholding region and a more democratic ethos shaping the non-slaveholding areas. Jones serves as the final observer, a white boy observing not only the demise of the Jim Crow South, but--in the wake of the Civil Rights movement--the demise of the mountain democratic South as well. Today, the vast majority of Southern whites regardless of class support an oligarchical Republican Party. Bryan Jones is J.J."Jake" Pickle Regents' Chair in Congressional Studies at the University of Texas at Austin. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
The Southern Fault Line: How Race, Class, and Region Shaped One Family's History (Oxford University Press, 2025) explores the under-appreciated division in the South between the oligarchic rule of plantation owners and industrialists on the one hand, and the more democratic mindset of the mountain-dwelling small farmers on the other. These two mindsets were in continual tension from the 1800s to the 1960s, when the adherents of the more democratic side of the struggle capitulated to the oligarchical side in response to the Civil Rights movement. Bryan Jones draws from his own family's centuries-old history in the region to explore the rise and fall of the "two minds" of the South. Through a comparison of the experiences of a slaveholding line in his family with three non-slaveholding lines, Jones provides a rich history of the politics of both class and race in the region from the Founding era to the present. The slaveholding side of his family settled in Black Belt Alabama, while ancestral members of the other side of his family were poorer uplanders. In the 1890s, the latter supported the burgeoning populist movement, which for a short window of time tried to unite poor Blacks and poor whites against the patrician planter class and industrialists. After a series of close elections, the planter class was able to stanch the populist tide. They did this in large part by sowing racial division among populism's supporters. Indeed, one of Jones' ancestors helped draft the 1901 Alabama constitution that made Jim Crow the law of the state. Throughout, Jones shows how deep the political differences were between the two regions, with oligarchy characterizing the slaveholding region and a more democratic ethos shaping the non-slaveholding areas. Jones serves as the final observer, a white boy observing not only the demise of the Jim Crow South, but--in the wake of the Civil Rights movement--the demise of the mountain democratic South as well. Today, the vast majority of Southern whites regardless of class support an oligarchical Republican Party. Bryan Jones is J.J."Jake" Pickle Regents' Chair in Congressional Studies at the University of Texas at Austin. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
The Southern Fault Line: How Race, Class, and Region Shaped One Family's History (Oxford University Press, 2025) explores the under-appreciated division in the South between the oligarchic rule of plantation owners and industrialists on the one hand, and the more democratic mindset of the mountain-dwelling small farmers on the other. These two mindsets were in continual tension from the 1800s to the 1960s, when the adherents of the more democratic side of the struggle capitulated to the oligarchical side in response to the Civil Rights movement. Bryan Jones draws from his own family's centuries-old history in the region to explore the rise and fall of the "two minds" of the South. Through a comparison of the experiences of a slaveholding line in his family with three non-slaveholding lines, Jones provides a rich history of the politics of both class and race in the region from the Founding era to the present. The slaveholding side of his family settled in Black Belt Alabama, while ancestral members of the other side of his family were poorer uplanders. In the 1890s, the latter supported the burgeoning populist movement, which for a short window of time tried to unite poor Blacks and poor whites against the patrician planter class and industrialists. After a series of close elections, the planter class was able to stanch the populist tide. They did this in large part by sowing racial division among populism's supporters. Indeed, one of Jones' ancestors helped draft the 1901 Alabama constitution that made Jim Crow the law of the state. Throughout, Jones shows how deep the political differences were between the two regions, with oligarchy characterizing the slaveholding region and a more democratic ethos shaping the non-slaveholding areas. Jones serves as the final observer, a white boy observing not only the demise of the Jim Crow South, but--in the wake of the Civil Rights movement--the demise of the mountain democratic South as well. Today, the vast majority of Southern whites regardless of class support an oligarchical Republican Party. Bryan Jones is J.J."Jake" Pickle Regents' Chair in Congressional Studies at the University of Texas at Austin. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography
The Southern Fault Line: How Race, Class, and Region Shaped One Family's History (Oxford University Press, 2025) explores the under-appreciated division in the South between the oligarchic rule of plantation owners and industrialists on the one hand, and the more democratic mindset of the mountain-dwelling small farmers on the other. These two mindsets were in continual tension from the 1800s to the 1960s, when the adherents of the more democratic side of the struggle capitulated to the oligarchical side in response to the Civil Rights movement. Bryan Jones draws from his own family's centuries-old history in the region to explore the rise and fall of the "two minds" of the South. Through a comparison of the experiences of a slaveholding line in his family with three non-slaveholding lines, Jones provides a rich history of the politics of both class and race in the region from the Founding era to the present. The slaveholding side of his family settled in Black Belt Alabama, while ancestral members of the other side of his family were poorer uplanders. In the 1890s, the latter supported the burgeoning populist movement, which for a short window of time tried to unite poor Blacks and poor whites against the patrician planter class and industrialists. After a series of close elections, the planter class was able to stanch the populist tide. They did this in large part by sowing racial division among populism's supporters. Indeed, one of Jones' ancestors helped draft the 1901 Alabama constitution that made Jim Crow the law of the state. Throughout, Jones shows how deep the political differences were between the two regions, with oligarchy characterizing the slaveholding region and a more democratic ethos shaping the non-slaveholding areas. Jones serves as the final observer, a white boy observing not only the demise of the Jim Crow South, but--in the wake of the Civil Rights movement--the demise of the mountain democratic South as well. Today, the vast majority of Southern whites regardless of class support an oligarchical Republican Party. Bryan Jones is J.J."Jake" Pickle Regents' Chair in Congressional Studies at the University of Texas at Austin. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
The Southern Fault Line: How Race, Class, and Region Shaped One Family's History (Oxford University Press, 2025) explores the under-appreciated division in the South between the oligarchic rule of plantation owners and industrialists on the one hand, and the more democratic mindset of the mountain-dwelling small farmers on the other. These two mindsets were in continual tension from the 1800s to the 1960s, when the adherents of the more democratic side of the struggle capitulated to the oligarchical side in response to the Civil Rights movement. Bryan Jones draws from his own family's centuries-old history in the region to explore the rise and fall of the "two minds" of the South. Through a comparison of the experiences of a slaveholding line in his family with three non-slaveholding lines, Jones provides a rich history of the politics of both class and race in the region from the Founding era to the present. The slaveholding side of his family settled in Black Belt Alabama, while ancestral members of the other side of his family were poorer uplanders. In the 1890s, the latter supported the burgeoning populist movement, which for a short window of time tried to unite poor Blacks and poor whites against the patrician planter class and industrialists. After a series of close elections, the planter class was able to stanch the populist tide. They did this in large part by sowing racial division among populism's supporters. Indeed, one of Jones' ancestors helped draft the 1901 Alabama constitution that made Jim Crow the law of the state. Throughout, Jones shows how deep the political differences were between the two regions, with oligarchy characterizing the slaveholding region and a more democratic ethos shaping the non-slaveholding areas. Jones serves as the final observer, a white boy observing not only the demise of the Jim Crow South, but--in the wake of the Civil Rights movement--the demise of the mountain democratic South as well. Today, the vast majority of Southern whites regardless of class support an oligarchical Republican Party. Bryan Jones is J.J."Jake" Pickle Regents' Chair in Congressional Studies at the University of Texas at Austin. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Southern Fault Line: How Race, Class, and Region Shaped One Family's History (Oxford University Press, 2025) explores the under-appreciated division in the South between the oligarchic rule of plantation owners and industrialists on the one hand, and the more democratic mindset of the mountain-dwelling small farmers on the other. These two mindsets were in continual tension from the 1800s to the 1960s, when the adherents of the more democratic side of the struggle capitulated to the oligarchical side in response to the Civil Rights movement. Bryan Jones draws from his own family's centuries-old history in the region to explore the rise and fall of the "two minds" of the South. Through a comparison of the experiences of a slaveholding line in his family with three non-slaveholding lines, Jones provides a rich history of the politics of both class and race in the region from the Founding era to the present. The slaveholding side of his family settled in Black Belt Alabama, while ancestral members of the other side of his family were poorer uplanders. In the 1890s, the latter supported the burgeoning populist movement, which for a short window of time tried to unite poor Blacks and poor whites against the patrician planter class and industrialists. After a series of close elections, the planter class was able to stanch the populist tide. They did this in large part by sowing racial division among populism's supporters. Indeed, one of Jones' ancestors helped draft the 1901 Alabama constitution that made Jim Crow the law of the state. Throughout, Jones shows how deep the political differences were between the two regions, with oligarchy characterizing the slaveholding region and a more democratic ethos shaping the non-slaveholding areas. Jones serves as the final observer, a white boy observing not only the demise of the Jim Crow South, but--in the wake of the Civil Rights movement--the demise of the mountain democratic South as well. Today, the vast majority of Southern whites regardless of class support an oligarchical Republican Party. Bryan Jones is J.J."Jake" Pickle Regents' Chair in Congressional Studies at the University of Texas at Austin. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south
Monique and Kevin dive into the life and philosophy of Booker T. Washington, exploring his seminal work, Up from Slavery. They discuss how his story of resilience, education, and self-reliance contrasts with modern narratives about race and history. Kevin also shares his controversial perspective on why he thinks the Civil Rights Act of 1964 should be repealed, arguing it violates constitutional freedoms of association, creating bureaucratic overreach and unintended consequences. From Washington's vision of black empowerment to the complexities of Jim Crow, integration, and DEI, this episode challenges mainstream views and invites honest dialogue. Time Stamps: 0:00 Intro 2:58 Booker T. Washington's Up from Slavery 38:01 The Case Against the Civil Rights Act 1:04:33 Final Thoughts & Call to Action
Trey's Table Episode 323: Book Awards, Racism, and UF Law.
This month, as Louisiana Eats marks our 15th anniversary, we're relishing the opportunity to bring you some favorite moments from our archives. We begin with our 2011 interview with the late civil rights activist, Dr. Rudy Lombard. He talks about his role in the 1960 McCrory's lunch counter sit-in and what motivated him to write his seminal 1978 book, "Creole Feast." Then, we revisit our 2011 tribute to one of the chefs featured in that tome: Clarence "Buster" Holmes. British jazz drummer Barry Martyn and Chef Susan Spicer both share memories of their friend and mentor. Next, we hear again from the late Michael Mizell-Nelson, who spent his career studying the experience of working-class New Orleans. We bring you the second half of our streetcar ride with Michael in 2010, as he shares the history of public transportation during the era of Jim Crow. To end our show, we spotlight our 2011 conversation with local icon Mildred Covert, who taught the world how to cook Creole and Cajun while keeping kosher. For more of all things Louisiana Eats, be sure to visit us at PoppyTooker.com.
This month, as Louisiana Eats marks our 15th anniversary, we're relishing the opportunity to bring you some favorite moments from our archives. We begin with our 2011 interview with the late civil rights activist, Dr. Rudy Lombard. He talks about his role in the 1960 McCrory's lunch counter sit-in and what motivated him to write his seminal 1978 book, "Creole Feast." Then, we revisit our 2011 tribute to one of the chefs featured in that tome: Clarence "Buster" Holmes. British jazz drummer Barry Martyn and Chef Susan Spicer both share memories of their friend and mentor. Next, we hear again from the late Michael Mizell-Nelson, who spent his career studying the experience of working-class New Orleans. We bring you the second half of our streetcar ride with Michael in 2010, as he shares the history of public transportation during the era of Jim Crow. To end our show, we spotlight our 2011 conversation with local icon Mildred Covert, who taught the world how to cook Creole and Cajun while keeping kosher. For more of all things Louisiana Eats, be sure to visit us at PoppyTooker.com.
Mahmoud Khalil spent over 100 days locked in a Louisiana detention center. Why? Not for breaking the law, but because the law—designed to protect people like him—was turned against him.He's a Palestinian grad student, a green card holder, and he led pro-Palestinian protests at Columbia University. For that, he was swept up under an obscure Cold War statute originally meant to keep Soviet spies out of the U.S. The government called him a “foreign threat.” He was yanked from his life, his wife, and his newborn child—and stuffed into ICE's LaSalle facility like a piece of evidence.That law—along with speech codes, hate crime statutes, and campus safety mandates—wasn't supposed to be used like this. It was born from the trauma of the Holocaust, the brutality of Jim Crow, and the moral reckoning of the Civil Rights Movement. It was forged to shield Black Americans, Jewish Americans, women, queer people, immigrants, and yes—people like Mahmoud—from harm.But laws don't remember why they were written. They only remember that they can be enforced.Laws are like blades forged in fire. They emerge sharp, blunt, sometimes beautiful—but always dangerous. Once crafted, anyone can pick them up. And that's what's happened.We spent decades expanding the definition of harm: from physical to emotional, from violence to words. We created speech codes, safe spaces, trigger warnings, anti-hate language. We said “words are violence.” And in many cases, we were right.But those same frameworks now allow the government to treat protest signs like terrorism. They empower campus administrators to punish dissent. And they justify deporting green card holders for saying the wrong thing at the wrong rally.The law didn't ask whether Mahmoud Khalil's signs were hateful. It asked whether they could be interpreted that way. The same logic used to ban homophobic preachers from campus is now being used to silence pro-Palestinian students.Jewish students say chants like “From the river to the sea” make them feel unsafe. And the state listens—just as it once did when LGBTQ+ students complained about hate groups on the quad.And now, activists are shocked to see their own weapons used against them.That's the boomerang. You throw it in the name of protection—and it comes back around with someone else's hand on it.This isn't a glitch. It's not a betrayal of justice. It's exactly what happens when you build a legal system so powerful, so expansive, so morally coded that it can't distinguish between righteous protection and strategic repression.You can't invent a nuclear bomb and act surprised when someone else sets it off.You can't create hate crime laws and assume they'll only ever defend your people, your narrative, your trauma.You built the system. Someone else inherited the keys.The forge doesn't care who picks up the hammer.It only cares that it's hot enough to burn.TL;DRThe provided text argues that anti-hate laws, initially crafted to safeguard vulnerable groups and promote civil rights, have been misappropriated and weaponized. The author contends that these laws, once seen as progressive tools, are now being used to suppress dissent and activism, particularly against pro-Palestinian voices, as exemplified by the case of Mahmoud Khalil. The text uses the metaphor of a "forge" to illustrate how laws, though forged with good intentions, become neutral tools that can be wielded by any political side. Ultimately, the source suggests that the broadening of what constitutes "harmful speech" has created a "boomerang effect," where legal frameworks designed to protect are now being used to silence those they were originally intended to help.
In this episode, we unpack Michael B. Jordan's transformative dual performance as twin brothers Smoke and Stack, a seamless embodiment that redefines his craft. We journey through the film's evocative cinematography, transporting viewers to the Jim Crow era Mississippi Delta, and explore the intricate tapestry of characters who bring this world to life. From the raw power and spiritual significance of the blues to complex family dynamics and the relentless pursuit of survival, "SINNERS" weaves historical depth with a compelling, unexpected narrative.A Special Note from Father.Son.Galaxy.:This discussion marks a unique first for our channel, as we explore "SINNERS" as husband and wife, Tanya and Kerwin. Given the film's R-rating and its unflinching engagement with mature, adult themes, this episode delves into subject matter beyond our typical galaxy explorations. We navigate complex elements from the film's narrative, inviting viewers to join us in considering these challenging dimensions of storytelling.Topics in this Discussion:Michael B. Jordan's compelling portrayal of Smoke and Stack, exploring their distinct cadences and motivations.1. The profound power of music in "SINNERS," from its historical roots in the Delta to its role as a spiritual force.2. The nuanced roles of the women of "SINNERS" and their pivotal contributions to the narrative.3. The unsettling arrival of antagonists and their dramatic impact on the community.4. The harrowing struggle for survival and the film's ultimate reflections on freedom and legacy.This isn't just a review. It's an exploration of a film that pushes boundaries and asks hard questions.
Stan's guest this week is NYU professor Robert Cohen, who discusses his new book, Confronting Jim Crow: Race, Memory, and the University of Georgia in the Twentieth Century (University of North Carolina Press, 2024). Cohen focuses his lens on UGA's controversial and violent desegregation in 1961 and the ways that event has been remembered and ...Continue Reading »
Brotherhood is more than skin-deep. After Alex's family is killed by the Ku Klux Klan during the Great Depression, he takes refuge in the barn of a nearby dairy farm. The family that owns the dairy, including their young son Pete, take in Alex and raise the boys together. Pete and Alex consider themselves brothers and together they navigate the Jim Crow racial intolerance of the rural South. Tune in for an inspiring discussion with Roger Newman on his Nautilus award-winning book Boys: A Novel, based on a true story. Moments with Marianne airs in the Southern California area on KMET 1490AM & 98.1 FM, an ABC Talk News Radio Affiliate! https://www.kmet1490am.comIn addition to Boys which is based on a true story, Roger Newman is the author of a series of medical thrillers: Occam's Razor, Two Drifters, and What Becomes; and a Civil War historical fiction novel Will O' the Wisp: Madness, War, and Recompense. He is a professor of obstetrics and gynecology, specializing in the care of women with multiple gestations. He has authored two hundred scientific papers, a dozen book chapters, and the award-winning and bestselling When You're Expecting Twins, Triplets, or Quads; Fourth Edition. He served as the national president for the Society forMaternal-Fetal Medicine and has been voted by his peers as one of the “Best Doctors in America” for thirty consecutive years. He and his wife, Diane, live on the Ashley River in Charleston, South Carolina. https://rogerbnewman.com Order Boys on Amazon: https://a.co/d/9exs9vCFor more show information visit: www.MariannePestana.com
Crows play many roles in human cultures, from ominous tricksters to sacred purveyors of wisdom. After exploring the stories behind her family surname, attorney and playwright Alice T. Crowe discovered a deep historical connection between the racist symbology of Jim Crow and the negative image of these birds in many Western cultures. Despite the social stigma surrounding crows, Alice says we can learn important lessons from how they treat each other.More info and transcript at BirdNote.org.Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks. BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible.
CoHosts Alex Simmons and Chris Ryan have a bloody good episode for you this time!The boys dive into Ryan Coogler's ‘Sinners'—a film blending horror, history, and heart. To help them on the hunt, they've invited pop-culture-spoken-word-guru and writer-commentator Omar Holmon, horror writer, and TV production pro, Steven Van Patton. Together, the panel explores the film's depiction of Jim Crow-era America, vampiric appropriation, music as resistance, and Michael B. Jordan's layers of performance. They celebrate the film's refusal to be boxed in by genre and its commitment to authenticity, cultural nuance, and emotional storytelling.It's a complex, yet poetic look at America's mosaic roots, through a wide and bloody lens.Where To Find Them:Omar Holman: - @OmarHolman (https://www.instagram.com/omarholman) on all platforms, including TikTokSteven Van Patten:Facebook: https://www.facebook.com/stephen.vanpatten (the only Black one, as he jokes) - Instagram: @svp_thinks - Website: http://www.laughingblackvampire.comChris Ryan: - Social: @ChrisRyanWrites - Website: https://chrisryanwrites.wordpress.com Alex Simmons: - Instagram: @AlexSimmonsSays - Newsletter: “Simmons Says”Have any questions, comments, or suggestions?Then, please leave them in the Comments Section.Write: TTDSOnAir@gmail.comAnd follow us on ...@Tell The Damn Story www.TellTheDamnStory.comwww.Facebook.com/Tell The Damn Story Youtube.com/ Tell The Damn StoryIf you're enjoying these episodes, please take a moment to help wet our whistle by clicking on the link to ... Buy Me A Coffee!
MPR News host Angela Davis talks with a brother and sister who are both award-winning storytellers. They talk about their work and how they support each other as part of our MPR News Power Pairs series.Guests: Daniel Bergin is a filmmaker, executive producer and director of history at Twin Cities PBS, where he was hired more than 30 years ago as a production assistant. He has won more than 20 regional Emmy Awards for his films covering diverse topics rooted in Minnesota history, including “Jim Crow of the North,” “North Star: Minnesota's Black Pioneers,” and “Out North: MNLGBTQ History.” Lea B. Olsen is a veteran TV analyst covering her 15th season with the Minnesota Lynx and is a sideline reporter for the Minnesota Timberwolves. She also covers both the boys' and girls' state high school basketball tournaments. Beyond the court, Lea is a professional speaker and the founder of Rethink the Win — a platform that challenges athletes, coaches and parents to see sports as a powerful tool for growth, connection and lifelong impact.Check out Angela's previous Power Pair conversations. Do you know a Power Pair?We'd love to hear your ideas for Power Pairs to interview. Send us your suggestions.
The mass incarceration system has been dubbed “the new Jim Crow”—there are now more Black men in prison or on probation or parole than there were living in bondage as chattel slaves in 1850. There are significantly more people caught up in the system of incarceration and supervision in America today—over six million—than inhabited Stalin's gulag at its height. And while the United States constitutes less than 5 percent of the world's people, it holds over 25 percent of the world's combined prison population. There's more, of course, but you get the idea—the tentacles of the criminal legal system touch us all, coming down with especially lethal force against poor and marginalized people who are increasingly deemed disposable in the eyes of the powerful. We're joined in conversation with Patrick Hoffman, a writer and private investigator based in Brooklyn whose latest novel, Friends Helping Friends, is a dazzling triller and a portrait of two young men living on the borderland of society. Their unwanted contact with a corrupt legal system drags them into a frightening brush with a white nationalist group that tests the redemptive power of friendship.
5.30.2025 #RolandMartinUnfiltered: Shocking S.C. Ocean Blvd Shooting, Trump Ends Black Biz Aid & History Channel Omits Slavery A deadly shooting on South Carolina's Ocean Boulevard leaves 11 people injured--including teens-- and one person dead. Community leaders question whether the dead suspect shot the 11 people before police killed him. Tonight, we'll speak with an activist searching for answers and one of those young survivors who will share what really happened during the chaos and what's next for her recovery. The twice-impeached, criminally convicted felon-in-chief, Donald "The Con" Trump, moves to end a program that's helped Black business entrepreneurs for decades. We'll discuss what this means for our community's future and economic power. With the changes in education, what's the future for charter schools? The CEO of the National Charter Collaborative will be present to discuss how the administration's policies may affect charter schools. And renowned historian Gerald Horne, author of The Counter Revolution of 1836: Texas Slavery & Jim Crow and the Roots of American Fascism, will be here to discuss the History Channel's omission of slavery in the series, "The Men Who Built America." You don't want to miss that conversation. #BlackStarNetwork partner: Fanbasehttps://www.startengine.com/offering/fanbase This Reg A+ offering is made available through StartEngine Primary, LLC, member FINRA/SIPC. This investment is speculative, illiquid, and involves a high degree of risk, including the possible loss of your entire investment. You should read the Offering Circular (https://bit.ly/3VDPKjD) and Risks (https://bit.ly/3ZQzHl0) related to this offering before investing. Download the Black Star Network app at http://www.blackstarnetwork.com! We're on iOS, AppleTV, Android, AndroidTV, Roku, FireTV, XBox and SamsungTV. The #BlackStarNetwork is a news reporting platform covered under Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.See omnystudio.com/listener for privacy information.
This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comJake Tapper is the lead DC anchor and chief Washington correspondent for CNN, whose books include The Outpost, The Hellfire Club, and The Devil May Dance. Alex Thompson is a national political correspondent for Axios and a political analyst for CNN. They just published Original Sin: President Biden's Decline, Its Cover-Up, and His Disastrous Choice to Run Again.For two clips of our convo — on the deep dysfunction of the Biden family, and the blame Jill deserves for concealing Joe's decline — head to our YouTube page.Other topics: Alex leaving the Mormon Church after his dad's ex-communication and a loss of faith; the cult-like loyalty of Biden's aides; hiding Beau's cancer; Hunter's profound addiction; dating Beau's widow and getting her on crack too; his emotional blackmailing of Joe; his influence peddling; his infamous laptop; Ashley Biden's rehab and relapse; the Kennedys; the Bidens' rift with the Obamas; Joe's bitterness over Barack backing Hillary in 2016; the first signs of cognitive decline; the Covid election and razor-thin victory; his moderate campaign followed by a radical left agenda in office; Ron Klain's woke influence; Mike Donilon's greed and propaganda; “Jim Crow 2.0”; Joe preoccupied with foreign policy; inflation and Larry Summers; Jill addicted to the glamor of the White House; their disowning of a granddaughter born out of wedlock; Joe's hubris and selfishness to run again; his delusions over polling; his disastrous debate; sticking with Kamala and sticking it to the Dems; the pillorying of Robert Hur; the media's complicity in hiding Joe's decline; the dissent of George Clooney, Ari Emanuel, and Dean Phillips; and the Bidens paving the way for Trump 2.0.Browse the Dishcast archive for an episode you might enjoy (the first 102 are free in their entirety — subscribe to get everything else). Coming up: Chris Matthews — who just revived “Hardball” on Substack, Robert Merry on President McKinley, Tara Zahra on the revolt against globalization after WWI, Walter Isaacson on Ben Franklin, Arthur C. Brooks on the science of happiness, Paul Elie on crypto-religion in ‘80s pop culture, and Johann Hari coming back to kibbitz for his fourth appearance on the pod. Please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.
Three epic romances, but only one of them makes it into the time capsule. Nichole, Zakiya, and Emmanuel must choose the best Black Love story for the world of the future.This week on Snap, we're featuring an episode from our friends at Our Ancestors Were Messy.Our Ancestors Were Messy, is a podcast covering the gossip, scandals, and pop culture that made headlines in the Black newspapers of segregated communities during the pre-Civil Rights era. On each episode, host Nichole Hill and her guests follow the story of an ancestor in search of opportunity, adventure, love, and a way to beat Jim Crow. Hill and her guests learn the mess - and eventual history - their ancestors make along the way. You can listen to this incredible show on any podcast platform!Our Ancestors Were Messy is hosted by Nichole Hill (@nicholewthanh). This episode feautres Emmanuel Dzotsi (@newsmanual_) and Zakiya Gibbons (@zak_sauce). Executive Producer A.A. Hernandez. Sound design by Helena de Groot. Story Producer Martina Abrahams Ilunga (@m_tina). Research Producer Chioke I'Anson. Story Editing by Shonte Hill. Show Art by Aseloka Smith.Season 16 - Episode 21 Learn about your ad choices: dovetail.prx.org/ad-choices