Podcasts about The New York Times

Why Science Is Pointing Back to God. Dr. Stephen Meyer. ACU Saturday Series. For decades, we've been told that science and faith are incompatible that the more we understand the universe, the less room there is for God. In this interview, we explore the latest discoveries in cosmology, physics, and biology from the Big Bang to DNA and how they reveal a universe that looks designed. What if modern science isn't disproving God, but actually pointing us back to Him? Watch this interview at- https://youtu.be/wpKIlmIvhKY?si=u9Vx-CKMPCjlYbjx Stephen Meyer 60.6K subscribers 38,616 views Premiered Jul 23, 2025 ====================================================== Are you interested in the origins of life and the universe? Get this free book and explore the debate between Darwinian evolution and intelligent design. If you're intrigued by the origins of life, this is a must-read. It might change the way you view our world. As a special gift Dr. Meyer would like you to download his 32-page mini-book Scientific Evidence for a Creator for FREE: https://evolutionnews.org/_/sefac This is the official Youtube page of Dr. Stephen C. Meyer, director of Discovery Institute's Center for Science & Culture. Meyer received his Ph.D. in the philosophy of science from the University of Cambridge. His latest book is Return of the God Hypothesis: Three Scientific Discoveries that Reveal the Mind Behind the Universe. He is also the author of The New York Times best selling book Darwin's Doubt: The Explosive Origin of Animal Life and the case for Intelligent Design (HarperOne, 2013), and Signature In The Cell: DNA and the Evidence for Intelligent Design (2009). For more information about Dr. Meyer, his research, and his books visit https://stephencmeyer.org/. The Center for Science & Culture is the institutional hub for scientists, educators, and inquiring minds who think that nature supplies compelling evidence of intelligent design. The CSC supports research, sponsors educational programs, defends free speech, and produce articles, books, and multimedia content. Visit other YouTube channels connected to the Center for Science & Culture Discovery Institute:    / discoveryinstitute   Discovery Science Channel:    / @discoverysciencechannel   Follow Dr. Meyer on social media: X: @StephenCMeyer   / stephencmeyer   Facebook:   / drstephencmeyer     / discoverycsc   Instagram discoverycsc   / discoverycsc   Tik Tok discoverycsc   / discoverycsc  

Ralph and the crew spend the whole hour with Omer Bartov, professor of Holocaust and genocide studies at Brown University, who grew up in a Zionist home, lived the first half of his life in Israel, served in the I.D.F. as a soldier and officer and is the author a New York Times op-ed entitled “I'm a Genocide Scholar. I Know It When I See It.” Plus, Ralph pays tribute to legendary Washington Post reporter, Morton Mintz.Omer Bartov is a professor of Holocaust and genocide studies at Brown University. He has written widely on modern Germany, France, the Holocaust, and representations of war and genocide. He is the author of the Mirrors of Destruction: War, Genocide, and Modern Identity, and the forthcoming book, Israel: What Went Wrong?, and he's penned a New York Times op-ed entitled “I'm a Genocide Scholar. I Know It When I See It.”I published an op-ed in November 2023, and I said there were war crimes, clearly, crimes against humanity, and this will become genocide if it's not stopped. And the Biden administration at the time did nothing. President Biden could have stopped that within two weeks. The Israeli military machine cannot function for more than two or three weeks without constant supply of munitions, without constant supply of financial help, and most importantly, without a diplomatic Iron Dome, especially in the Security Council.Professor Omer BartovIf you say that you are shutting down speech because of anti-Semitism, who are the people who are pushing that? It must be all kinds of Jewish interests that are pushing that. And in that sense, this false campaign against anti-Semitism – some of whose leaders are people with pretty good anti-Semitic credentials themselves – is the best way to raise, to promote and incite anti-Semitism.Professor Omer BartovThere's no moral responsibility, there's no empathy being shown, and much of the population shares that view. To me, as someone who was raised in Israel, spent half of my life there, served four years in the army, to see my own society (including some of my friends) show this kind of moral callousness is frankly quite heartbreaking. And I have to say, it's the result of a long process. It's not only a response to October 7th, it's the result of six decades of occupation, of thinking of Palestinians as not really people who have any right to have rights or any right to health, to security. And in that sense, that long-term occupation has corrupted much of Israeli society. And maybe the most surprising thing is that there's still extraordinary people there who are fighting against that, but their numbers are diminishing, not growing.Professor Omer BartovMorton Mintz was hands-down the greatest consumer reporter of his generation. He opened up one field after another because he had a special sense of newsworthiness that other reporters and editors didn't have. He opened up the coverage of the pharmaceutical industry. He opened up the coverage of the auto industry. And he did so with such formidable documentation and research that other reporters started following the same subject area. So he was a pioneer.Ralph NaderNews 8/1/25* Crusading environmental lawyer Steven Donziger has published a new report in the left-wing outlet Orinoco Tribune on the undercount of the dead in Gaza. In this piece, Donziger uses the statistical model laid out by the prestigious medical journal The Lancet in their 2024 study on the Israeli military campaign, which found the direct and indirect death toll could be as high as 186,000. The Lancet study found that as many as 732 Gazans died every day from these direct and indirect causes. Multiplied by the 594 days the conflict has dragged on, this would equate to a death toll of 434,800, or 20.7% of the enclave's population. As Donziger notes, “If the same level of killing and indirect death that took place in Gaza…happened in the United States proportional to population, roughly 70 million Americans would have been killed.”* In more Gaza news, the Guardian reports that, “On Saturday night, the…IDF…intercepted and boarded the Handala, an aid ship that attempted to reach Gaza as part of the Freedom Flotilla Coalition…According to the coalition, IDF soldiers beat and choked…labor activist Chris Smalls.” The severity of the attack on Christian Smalls – founder of the independent Amazon Labor Union (ALU) – caused international outcry. From the Guardian report, “Smalls was physically assaulted by seven uniformed individuals. They choked him and kicked him in the legs, leaving visible signs of violence on his neck and back.” The incident also drew criticism for another reason: Smalls was the only Black person on board the Handala. While 21 members of the Flotilla group were detained, in their words ”abducted,” “This level of force was not used.” It is unclear why this level of force was used against Smalls and Smalls alone, other than the color of his skin.* Yet more tragic news from Gaza concerns the death of Odeh Hadalin, the 31-year-old Palestinian activist and English teacher featured in the Oscar-winning documentary No Other Land. Al Jazeera reports that footage taken by Israeli human rights group B'Tselem “appears to show [Israeli settler Yinon] Levi opening fire on Hadalin during a confrontation in the village [of Umm al-Kheir, south of Hebron].” Levi, already sanctioned by the European Union and the United States over past attacks on Palestinians, reportedly told witnesses he was “glad about it.” Despite all of this, an Israeli court has released Levi on house arrest. Basel Adra, who co-directed No Other Land with Yuval Abraham, wrote “This is how Israel erases us — one life at a time.”* One positive development is in progress however. According to the Embassy of France in the United States, "France is prepared to fully recognize the State of Palestine, and will do so in September." French recognition of the Palestinian state, will If it ultimately comes to pass, have major ramifications on the world stage. While 147 member states of the United Nations have recognized Palestine, only 10 out of 27 EU countries have done so, mostly former Eastern Bloc states like Bulgaria, Hungary, Poland, and Romania, along with the former country of Czechoslovakia. The modern country of Slovakia has reaffirmed their recognition; Czechia has not. In 2024, several more European nations extended recognition, including Norway, Slovenia, Ireland and Spain. France however would tip the permanent members of the United Nations Security Council to a 3-2 majority in recognition of Palestine, along with Russia and China. Moreover, AP reports the United Kingdom is now saying they will “recognize a Palestinian state in September unless Israel agrees to a ceasefire in Gaza,” among other conditions. If this happens, The permanent members of the Security Council would be split 4-1, with the United States as the lone holdout. This would be nothing short of an international relations sea change on the question of Palestine.* In some more positive foreign policy news, Jeremy Corbyn's new party in the U.K. is getting started with a bang. According to the man himself, over 600,000 people have signed up to register with the new party, which describes itself as “a new kind of political party. One that is rooted in our communities, trade unions and social movements. One that builds power in all regions and nations. One that belongs to you.” Polls show this new party in the lead among Britons aged 18-24 and Corbyn leading Labour Party leader Keir Starmer by “Almost Every Metric,” among members of the rightwing populist Reform Party. That said, the Reform Party is still projected to win an overwhelming victory compared to all other parties in the next elections, though those are not expected to be held until 2029.* In Congress, Bernie Sanders forced a vote Wednesday on two new Senate resolutions to block arms transfers to Israel. Resolution 34 would “prohibit the U.S.-taxpayer financed $675.7 million sale of 201 MK 83 1,000-pound bombs; 4,799 BLU-110A/B General Purpose 1,000-pound bombs; 1,500 Joint Direct Attack Munition (JDAM) guidance kits for MK 83 bombs; 3,500 JDAM guidance kits for MK 83 bombs; and related logistics and technical support services,” while Resolution 41 would “prohibit the sale of tens of thousands of fully automatic assault rifles.” These resolutions got the support of 27 Senators, a new record and a majority of the Democratic Senate Caucus, but still far, far short of even a simple Senate majority. Perhaps a more portentous development is that Georgia Congresswoman Marjorie Taylor Greene this week became the first Republican in Congress to call the crisis in Gaza a “genocide,” according to the Hill. It remains to be seen whether this will help break the dam on that side of the aisle.* In New York City, new polling shows stunning results for Zohran Mamdani. The new poll conducted by Zenith Research and Public Progress Solutions shows Zohran dominating the 5-way race, earning 50% and beating out the other four candidates combined. Mamdani does even better in head-to-head matches against disgraced former Governor Andrew Cuomo and corruption-dogged incumbent Mayor Eric Adams. The crosstabs are even more astonishing. Despite the breathless and baseless accusations of antisemitism, Zohran is winning 67% of Jews under age 45 and a whopping 85% of men ages 18-34. This second number is key as Democrats struggle to attract young men. One warning sign: a recent Pew poll shows Republicans with an 18-point lead among men in the Gen Z cohort.* In an ominous challenge to the separation of church and state, the Hill reports President Donald Trump released a memo Monday allowing federal employees to “attempt to persuade co-workers about why their religious beliefs are ‘correct.'” This memo cites “crosses, crucifixes and mezuzah,” as displays of religious indicia that should not result in disciplinary action. This bizarre and constitutionally dubious policy seems likely to lead to workplace discord.* In more Trump news, CBS reports Trump has ousted “Two top Justice Department antitrust officials.” According to sources, two deputies to Assistant Attorney General Gail Slater, who leads DOJ antitrust efforts, were “placed on administrative leave last week and fired on Monday for insubordination.” These two figures are Roger Alford, principal deputy assistant attorney general, and Bill Rinner, deputy assistant attorney general and head of merger enforcement. It is not clear why exactly Alford and Rinner were pushed out, but there has apparently been substantial strife within the administration over the antitrust cases against T-Mobile and Hewlett Packard Enterprise. AAG Slater is also overseeing antitrust lawsuits against Capital One, Apple, Google, and other major companies.* Finally, Wired reports the small Pacific island nation of Tuvalu is planning the first migration of an entire country. Tuvalu, which could be completely submerged by rising sea levels within the next 25 years, is seeking to resettle 280 Tuvaluans in Australia each year. This climate-driven mass migration is a stark sign of things to come if the international community continues to dither or deny the reality of the oncoming climate catastrophe. Today Tuvalu, tomorrow the world.This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe

Merriam-Webster's Word of the Day for August 2, 2025 is: palimpsest • PAL-imp-sest • noun Palimpsest in its original use refers to writing material (such as a parchment manuscript) used one or more times after earlier writing has been erased; the underlying text is said to be “in palimpsest.” Palimpsest in extended use refers to something that has usually diverse layers or aspects apparent beneath the surface. // Scholars believe the motive for making palimpsests was often economic—reusing parchment was cheaper than preparing a new skin. // The ancient city is an architectural palimpsest. See the entry > Examples: “My aim was to trace the course of … the Aqua Marcia, built between 144 and 140 B.C. by Julius Caesar's ancestor Quintus Marcius Rex. … The original tuff arches carried the Marcia across a steep ravine. Subsequent retaining walls and buttresses have transformed the bridge into a palimpsest of building styles.” — David Laskin, The New York Times, 24 Apr. 2024 Did you know? Long ago, writing surfaces were so highly valued that they were often used more than once. Palimpsest in its original use referred to an early form of recycling in which an old document was erased to make room for a new one when parchment ran short. (The word is from the Greek palimpsēstos, meaning “scraped again.”) Fortunately for modern scholars, the erasing process wasn't completely effective, so the original could often be distinguished under the newer writing. De republica, by Roman statesman and orator Cicero, is one of many documents recovered from a palimpsest. Nowadays, the word palimpsest can refer not only to such a document but to anything that has multiple layers apparent beneath the surface.

The Storm does not cover athletes or gear or hot tubs or whisky bars or helicopters or bros jumping off things. I'm focused on the lift-served skiing world that 99 percent of skiers actually inhabit, and I'm covering it year-round. To support this mission of independent ski journalism, please subscribe to the free or paid versions of the email newsletter.WhoGreg Pack, President and General Manager of Mt. Hood Meadows, OregonRecorded onApril 28, 2025About Mt. Hood MeadowsClick here for a mountain stats overviewOwned by: The Drake Family (and other minority shareholders)Located in: Mt. Hood, OregonYear founded: 1968Pass affiliations:* Indy Pass – 2 days, select blackouts* Indy+ Pass – 2 days, no blackoutsClosest neighboring U.S. ski areas: Summit (:17), Mt. Hood Skibowl (:19), Cooper Spur (:23), Timberline (:26)Base elevation: 4,528 feetSummit elevation: 7,305 feet at top of Cascade Express; 9,000 feet at top of hike-to permit area; 11,249 feet at summit of Mount HoodVertical drop: 2,777 feet lift-served; 4,472 hike-to inbounds; 6,721 feet from Mount Hood summitSkiable acres: 2,150Average annual snowfall: 430 inchesTrail count: 87 (15% beginner, 40% intermediate, 15% advanced, 30% expert)Lift count: 11 (1 six-pack, 5 high-speed quads, 1 fixed-grip quad, 3 doubles, 1 carpet – view Lift Blog's inventory of Mount Hood Meadows' lift fleet)About Cooper SpurClick here for a mountain stats overviewOwned by: The Drake FamilyLocated in: Mt. Hood, OregonYear founded: 1927Pass affiliations: Indy Pass, Indy+ Pass – 2 days, no blackoutsClosest neighboring U.S. ski areas: Mt. Hood Meadows (:22), Summit (:29), Mt. Hood Skibowl (:30), Timberline (:37)Base elevation: 3,969 feetSummit elevation: 4,400 feetVertical drop: 431 feetSkiable acres: 50Average annual snowfall: 250 inchesTrail count: 9 (1 most difficult, 7 more difficult, 1 easier)Lift count: 2 (1 double, 1 ropetow – view Lift Blog's inventory of Cooper Spur's lift fleet)Why I interviewed himVolcanoes are weird. Oh look, an exploding mountain. Because that seems reasonable. Volcanoes sound like something imagined, like dragons or teleportation or dinosaurs*. “So let me get this straight,” I imagine some puzzled Appalachian miner, circa 1852, responding to the fellow across the fire as he tells of his adventures in the Oregon Territory, “you expect me to believe that out thataways they got themselves mountains that just blow their roofs off whenever they feel like it, and shoot off fire and rocks and gas for 50 mile or more, and no one never knows when it's a'comin'? You must think I'm dumber'n that there tree stump.”Turns out volcanoes are real. How humanity survived past day one I have no idea. But here we are, skiing on volcanoes instead of tossing our virgins from the rim as a way of asking the nice mountain to please not explode (seriously how did anyone make it out of the past alive?).And one of the volcanoes we can ski on is Mount Hood. This actually seems more unbelievable to me than the concept of a vengeful nuclear mountain. PNW Nature Bros shield every blade of grass like they're guarding Fort Knox. When, in 2014, federal scientists proposed installing four monitoring stations on Hood, which the U.S. Geological Survey ranks as the sixth-highest threat to erupt out of America's 161 active volcanoes, these morons stalled the process for six years. “I think it is so important to have places like that where we can just step back, out of respect and humility, and appreciate nature for what it is,” a Wilderness Watch official told The New York Times. Personally I think it's so important to install basic monitoring infrastructure so that thousands of people are not incinerated in a predictable volcanic eruption. While “Japan, Iceland and Chile smother their high-threat volcanoes in scientific instruments,” The Times wrote, American Granola Bros say things like, “This is more proof that the Forest Service has abandoned any pretense of administering wilderness as per the letter or spirit of the Wilderness Act.” And Hood and the nation's other volcanoes cackle madly. “These idiots are dumber than the human-sacrifice people,” they say just before belching up an ash cloud that could take down a 747. When officials finally installed these instrument clusters on Hood in 2020, they occupied three boxes that look to be approximately the size of a convenience-store ice freezer, which feels like an acceptable trade-off to mass death and airplanes falling out of the sky.I know that as an outdoor writer I'm supposed to be all pissed off if anyone anywhere suggests any use of even a centimeter of undeveloped land other than giving it back to the deer in a treaty printed on recycled Styrofoam and signed with human blood to symbolize the life we've looted from nature by commandeering 108 square feet to potentially protect millions of lives from volcanic eruption, but this sort of trivial protectionism and willful denial that humans ought to have rights too is the kind of brainless uncompromising overreach that I fear will one day lead to a massive over-correction at the other extreme, in which a federal government exhausted with never being able to do anything strips away or massively dilutes land protections that allow anyone to do anything they can afford. And that's when we get Monster Pete's Arctic Dune Buggies setting up a casino/coal mine/rhinoceros-hunting ranch on the Eliot Glacier and it's like thanks Bros I hope that was worth it to stall the placement of gardenshed-sized public safety infrastructure for six years.Anyway, given the trouble U.S. officials have with installing necessary things on Mount Hood, it's incredible how many unnecessary ones our ancestors were able to build. But in 1927 the good old boys hacked their way into the wilderness and said, “by gum what a spot for snoskiing” and built a bunch of ski areas. And today 31 lifts serve four Mt. Hood ski areas covering a combined 4,845 acres:Which I'm just like, do these Wilderness Watch people not know about this? Perhaps if this and similar groups truly cared about the environmental integrity of Mount Hood they would invest their time, energy, and attention into a long-term regional infrastructure plan that identified parcels for concentrated mixed-use development and non-personal-car-based transit options to mitigate the impact of thousands of skiers traveling up the mountain daily from Portland, rather than in delaying the installation of basic monitoring equipment that notifies humanity of a civilization-shattering volcanic eruption before it happens. But then again I am probably not considering how this would impact the integrity of squirrel poop decomposition below 6,000 feet and the concomitant impacts on pinestand soil erosion which of course would basically end life as we know it on planet Earth.OK this went sideways let me try to salvage it.*Whoops I know dinosaurs were real; I meant to write “the moon landing.” How embarrassing.What we talked aboutA strong 2024-25; recruiting employees in mountains with little nearby housing; why Meadows doesn't compete with Timberline for summer skiing; bye-bye Blue double, Meadows' last standing opening-year chairlift; what it takes to keep an old Riblet operating; the reliability of old versus new chairlifts; Blue's slow-motion demolition and which relics might remain long term; the logic of getting a free anytime buddy lift ticket with your season pass; thoughts on ski area software providers that take a percentage of all sales; why Meadows and Cooper Spur have no pass reciprocity; the ongoing Cooper Spur land exchange; the value of Cooper Spur and Summit on a volcano with three large ski areas; why Meadows hasn't backed away from reciprocal agreements; why Meadows chose Indy over Epic, Ikon, or Mountain Collective; becoming a ski kid when you're not from a ski family; landing at Mountain Creek, New Jersey after a Colorado ski career; how Moonlight Basin started as an independent ski area and eventually became part of Big Sky; the tension underlying Telluride; how the Drake Family, who has managed the ski area since inception, makes decisions; a board that reinvests 100 percent of earnings back into the mountain; why we need large independents in a consolidating world; being independent is “our badge of honor”; whether ownership wants to remain independent long term; potential next lift upgrades; a potential all-new lift line and small expansion; thoughts on a better Heather lift; wild Hood weather and the upper limits of lift service; considering surface lifts on the upper mountain; the challenges of running Cascade Express; the future of the Daisy and Easy Rider doubles; more potential future expansion; and whether we could ever see a ski connection with Timberline Lodge.Why now was a good time for this interviewIt's kind of dumb that 210 episodes into this podcast I've only recorded one Oregon ep: Timberline Lodge President Jeff Kohnstamm, more than three years ago. While Oregon only has 11 active ski areas, and the state ranks 11th-ish in skier visits, it's an important ski state. PNW skiers treat skiing like the Northeast treats baseball or the Midwest treats football or D.C. treats politics: rabid beyond reason. That explains the eight Idaho pods and half dozen each in Washington and B.C. These episodes hit like a hash stand at a Dead show. So why so few Oregon eps?Eh, no reason in particular. There isn't a ski area in North America that I don't want to feature on the podcast, but I can't just order them online like a pizza. Relationships, more than anything, drive the podcast, and The Storm's schedule is primarily opportunity driven. I invite folks on as I meet them or when they do something cool. And sometimes we can connect right away and sometimes it takes months or even years, even if they want to do it. Sometimes we're waiting on contracts or approvals so we can discuss some big project in depth. It can take time to build trust, or to convince a non-podcast person that they have a great story to tell.So we finally get to Meadows. Not to be It-Must-Be-Nice Bro about benefits that arise from clear deliberate life choices, but It must be nice to live in the PNW, where every city sits within 90 minutes of a ripping, open-until-Memorial-Day skyscraper that gets carpet bombed with 400 annual inches but receives between one and four out-of-state visitors per winter. Yeah the ski areas are busy anyway because they don't have enough of them, but busy with Subaru-driving Granola Bros is different than busy with Subaru-driving Granola Bros + Texas Bro whose cowboy boots aren't clicking in right + Florida Bro who bought a Trans Am for his boa constrictor + Midwest Bro rocking Olin 210s he found in Gramp's garage + Hella Rad Cali Bro + New Yorker Bro asking what time they groom Corbet's + Aussie Bro touring the Rockies on a seven-week long weekend + Euro Bro rocking 65 cm underfoot on a two-foot powder day. I have no issue with tourists mind you because I am one but there is something amazing about a ski area that is gigantic and snowy and covered in modern infrastructure while simultaneously being unknown outside of its area code.Yes this is hyperbole. But while everyone in Portland knows that Meadows has the best parking lot views in America and a statistical profile that matches up with Beaver Creek and as many detachable chairlifts as Snowbasin or Snowbird and more snow than Steamboat or Jackson or Palisades or Pow Mow, most of the rest of the world doesn't, and I think they should.Why you should ski Mt. Hood Meadows and Cooper SpurIt's interesting that the 4,845 combined skiable acres of Hood's four ski areas are just a touch larger than the 4,323 acres at Mt. Bachelor, which as far as I know has operated as a single interconnected facility since its 1958 founding. Both are volcanoes whose ski areas operate on U.S. Forest Service land a commutable distance from demographically similar markets, providing a case study in distributed versus centralized management.Bachelor in many ways delivers a better experience. Bachelor's snow is almost always drier and better, an outlier in the kingdom of Cascade Concrete. Skiers can move contiguously across its full acreage, an impossible mission on Balkanized Hood. The mountain runs an efficient, mostly modern 15 lifts to Hood's wild 31, which includes a dozen detachables but also a half dozen vintage Riblet doubles with no safety bars. Bachelor's lifts scale the summit, rather than stopping thousands of feet short as they do on Hood. While neither are Colorado-grade destination ski areas, metro Portland is stuffed with 25 times more people than Bend, and Hood ski areas have an everbusy feel that skiers can often outrun at Bachelor. Bachelor is closer to its mothership – just 26 minutes from Bend to Portland's hour-to-two-hour commutes up to the ski areas. And Bachelor, accessible on all versions of the Ikon Pass and not hamstrung by the confusing counter-branding of multiple ski areas with similar names occupying the same mountain, presents a more clearcut target for the mainstream skier.But Mount Hood's quirky scatterplot ski centers reward skiers in other ways. Four distinct ski areas means four distinct ski cultures, each with its own pace, purpose, customs, traditions, and orientation to the outside world. Timberline Lodge is a funky mix of summertime Bro parks, Government Camp greens, St. Bernards, and its upscale landmark namesake hotel. Cooper Spur is tucked-away, low-key, low-vert family resort skiing. Meadows sprawls, big and steep, with Hood's most interesting terrain. And low-altitude, closest-to-the-city Skibowl is night-lit slowpoke with a vintage all-Riblet lift fleet. Your Epic and Ikon passes are no good here, though Indy gets you Meadows and Cooper Spur. Walk-up lift tickets (still the only way to buy them at Skibowl), are more tier-varied and affordable than those at Bachelor, which can exceed $200 on peak days (though Bachelor heavily discounts access to its beginner lifts, with free access to select novice areas). Bachelor's $1,299 season pass is 30 percent more expensive than Meadows'.This dynamic, of course, showcases single-entity efficiency and market capture versus the messy choice of competition. Yes Free Market Bro you are right sometimes. Hood's ski areas have more inherent motivators to fight on price, forge allegiances like the Timberline-Skibowl joint season pass, invest in risks like night and summer skiing, and run wonky low-tide lift ticket deals. Empowering this flexibility: all four Hood ski areas remain locally owned – Meadows and T-Line by their founding families. Bachelor, of course, is a fiefdom of Park City, Utah-based Powdr, which owns a half-dozen other ski areas across the West.I don't think that Hood is better than Bachelor or that Bachelor is better than Hood. They're different, and you should ski both. But however you dissect the niceties of these not-really-competing-but-close-enough-that-a-comarison-makes-sense ski centers, the on-the-ground reality adds up to this: Hood locals, in general, are a far more contented gang than Bachelor Bros. I don't have any way to quantify this, and Bachelor has its partisans. But I talk to skiers all over the country, all the time. Skiers will complain about anything, and online guttings of even the most beloved mountains exist. But talk to enough people and strong enough patterns emerge to understand that, in general, locals are happy with Mammoth and Alpine Meadows and Sierra-at-Tahoe and A-Basin and Copper and Bridger Bowl and Nub's Nob and Perfect North and Elk and Plattekill and Berkshire East and Smuggs and Loon and Saddleback and, mostly, the Hood ski areas. And locals are generally less happy with Camelback and Seven Springs and Park City and Sunrise and Shasta and Stratton and, lately, former locals' faves Sugarbush and Wildcat. And, as far as I can tell, Bachelor.Potential explanations for Hood happiness versus Bachelor blues abound, all of them partial, none completely satisfactory, all asterisked with the vagaries of skiing and skiers and weather and luck. But my sense is this: Meadows, Timberline, and Skibowl locals are generally content not because they have better skiing than everyplace else or because their ski areas are some grand bargain or because they're not crowded or because they have the best lift systems or terrain parks or grooming or snow conditions, but because Hood, in its haphazard and confounding-to-outsiders borders and layout, has forced its varied operators to hyper-adapt to niche needs in the local market while liberating them from the all-things-to-everyone imperative thrust on isolated operations like Bachelor. They have to decide what they're good at and be good at that all the time, because they have no other option. Hood operators can't be Vail-owned Paoli Peaks, turning in 25-day ski seasons and saying well it's Indiana what do you expect? They have to be independent Perfect North, striving always for triple-digit operating days and saying it's Indiana and we're doing this anyway because if we don't you'll stop coming and we'll all be broke.In this way Hood is a snapshot of old skiing, pre-consolidation, pre-national pass, pre-social media platforms that flung open global windows onto local mountains. Other than Timberline summer parks no one is asking these places to be anything other than very good local ski areas serving rabid local skiers. And they're doing a damn good job.Podcast NotesOn Meadows and Timberline Lodge opening and closing datesOne of the most baffling set of basic facts to get straight in American skiing is the number of ski areas on Mount Hood and the distinction between them. Part of the reason for this is the volcano's famous summer skiing, which takes place not at either of the eponymous ski areas – Mt. Hood Meadows or Mt. Hood Skibowl – but at the awkwardly named Timberline Lodge, which sounds more like a hipster cocktail lounge with a 19th-century fur-trapper aesthetic than the name of a ski resort (which is why no one actually calls it “Timberline Lodge”; I do so only to avoid confusion with the ski area in West Virginia, because people are constantly getting Appalachian ski areas mixed up with those in the Cascades). I couldn't find a comprehensive list of historic closing dates for Meadows and Timberline, but the basic distinction is this: Meadows tends to wrap winter sometime between late April and late May. Timberline goes into August and beyond when it can. Why doesn't Meadows push its season when it is right next door and probably could? We discuss in the pod.On Riblet clipsFun fact about defunct-as-a-company-even-though-a-couple-hundred-of-their-machines-are-still-spinning Riblet chairlifts: rather than clamping on like a vice grip, the end of each chair is woven into the rope via something called an “insert clip.” I wrote about this in my Wildcat pod last year:On Alpental Chair 2A small but vocal segment of Broseph McBros with nothing better to do always reflexively oppose the demolition of legacy fixed-grip lifts to make way for modern machines. Pack does a great job laying out why it's harder to maintain older chairlifts than many skiers may think. I wrote about this here:On Blue's breakover towers and unload rampWe also dropped photos of this into the video version of the pod:On the Cooper Spur land exchangeHere's a somewhat-dated and very biased-against-the-ski-area infographic summarizing the proposed land swap between Meadows and the U.S. Forest Service, from the Cooper Spur Wild & Free Coalition, an organization that “first came together in 2002 to fight Mt. Hood Meadows' plans to develop a sprawling destination resort on the slopes of Mt. Hood near Cooper Spur”:While I find the sanctimonious language in this timeline off-putting, I'm more sympathetic to Enviro Bro here than I was with the eruption-detection controversy discussed up top. Opposing small-footprint, high-impact catastrophe-monitoring equipment on an active volcano to save five bushes but potentially endanger millions of human lives is foolish. But checking sprawling wilderness development by identifying smaller parcels adjacent to already-disturbed lands as alternative sites for denser, hopefully walkable, hopefully mixed-use projects is exactly the sort of thing that every mountain community ought to prioritize.On the combination of Summit and Timberline LodgeThe small Summit Pass ski area in Government Camp operated as an independent entity from its 1927 founding until Timberline Lodge purchased the ski area in 2018. In 2021, the owners connected the two – at least in one direction. Skiers can move 4,540 vertical feet from the top of Timberline's Palmer chair to the base of Summit. While Palmer tends to open late in the season and Summit tends to close early, and while skiers will have to ride shuttles back up to the Timberline lifts until the resort builds a much anticipated gondola connecting the full height, this is technically America's largest lift-served vertical drop.On Meadows' reciprocalsMeadows only has three season pass reciprocal partners, but they're all aspirational spots that passholders would actually travel for: Baker, Schweitzer, and Whitefish. I ask Pack why he continues to offer these exchanges even as larger ski areas such as Brundage and Tamarack move away from them. One bit of context I neglected to include, however, is that neighboring Timberline Lodge and Mount Hood Skibowl not only offer a joint pass, but are longtime members of Powder Alliance, which is an incredible regional reciprocal pass that's free for passholders at any of these mountains:On Ski Broadmoor, ColoradoColorado Springs is less convenient to skiing than the name implies – skiers are driving a couple of hours, minimum, to access Monarch or the Summit County ski areas. So I was surprised, when I looked up Pack's original home mountain of Ski Broadmoor, to see that it sat on the city's outskirts:This was never a big ski area, with 600 vertical feet served by an “America The Beautiful Lift” that sounds as though it was named by Donald Trump:The “famous” Broadmoor Hotel built and operated the ski area, according to Colorado Ski History. They sold the hotel in 1986 to the city, which promptly sold it to Vail Associates (now Vail Resorts), in 1988. Vail closed the ski area in 1991 – the only mountain they ever surrendered on. I'll update all my charts and such to reflect this soon.On pre-high-speed KeystoneIt's kind of amazing that Keystone, which now spins seven high-speed chairlifts, didn't install its first detachable until 1990, nearly a decade after neighboring Breckenridge installed the world's first, in 1981. As with many resorts that have aggressively modernized, this means that Keystone once ran more chairlifts than it does today. When Pack started his ski career at the mountain in 1989, Keystone ran 10 frontside aerial lifts (8 doubles, 1 triple, 1 gondola) compared to just six today (2 doubles, 2 sixers, a high-speed quad, and a higher-capacity gondy).On Mountain CreekI've talked about the bananas-ness of Mountain Creek many times. I love this unhinged New Jersey bump in the same way I loved my crazy late uncle who would get wasted at the Bay City fireworks and yell at people driving Toyotas to “Buy American!” (This was the ‘80s in Michigan, dudes. I don't know what to tell you. The auto industry was falling apart and everybody was tripping, especially dudes who worked in – or, in my uncle's case, adjacent to (steel) – the auto industry.)On IntrawestOne of the reasons I did this insane timeline project was so that I would no longer have to sink 30 minutes into Google every time someone said the word “Intrawest.” The timeline was a pain in the ass, but worth it, because now whenever I think “wait exactly what did Intrawest own and when?” I can just say “oh yeah I already did that here you go”:On Moonlight Basin and merging with Big SkyIt's kind of weird how many now-united ski areas started out as separate operations: Beaver Creek and Arrowhead (merged 1997), Canyons and Park City (2014), Whistler and Blackcomb (1997), Alpine Meadows and Squaw Valley (connected via gondola in 2022), Carinthia and Mount Snow (1986), Sugarbush and Mount Ellen (connected via chairlift in 1995). Sometimes – Beaver Creek, Mount Snow – the terrain and culture mergers are seamless. Other times – Alpine and the Palisades side of what is now Palisades Tahoe – the connection feels like opening a store that sells four-wheelers and 74-piece high-end dinnerware sets. Like, these things don't go together, Man. But when Big Sky absorbed Moonlight Basin and Spanish Peaks in 2013, everyone immediately forgot that it was ever any different. This suggests that Big Sky's 2032 Yellowstone Club acquisition will be seamless.**Kidding, Brah. Maybe.On Lehman BrothersNearly two decades later, it's still astonishing how quickly Lehman Brothers, in business for 158 years, collapsed in 2008.On the “mutiny” at TellurideEvery now and then, a reader will ask the very reasonable question about why I never pay any attention to Telluride, one of America's great ski resorts, and one that Pack once led. Mostly it's because management is unstable, making long-term skier experience stories of the sort I mostly focus on hard to tell. And management is mostly unstable because the resort's owner is, by all accounts, willful and boorish and sort of unhinged. Blevins, in The Colorado Sun's “Outsider” newsletter earlier this week:A few months ago, locals in Telluride and Mountain Village began publicly blasting the resort's owner, a rare revolt by a community that has grown weary of the erratic Chuck Horning.For years, residents around the resort had quietly lamented the antics and decisions of the temperamental Horning, the 81-year-old California real estate investor who acquired Telluride Ski & Golf Resort in 2004. It's the only resort Horning has ever owned and over the last 21 years, he has fired several veteran ski area executives — including, earlier this year, his son, Chad.Now, unnamed locals have launched a website, publicly detailing the resort owner's messy management of the Telluride ski area and other businesses across the country.“For years, Chuck Horning has caused harm to us all, both individually and collectively,” reads the opening paragraph of ChuckChuck.ski — which originated when a Telluride councilman in March said that it was “time to chuck Chuck.” “The community deserves something better. For years, we've whispered about the stories, the incidents, the poor decisions we've witnessed. Those stories should no longer be kept secret from everyone that relies on our ski resort for our wellbeing.”The chuckchuck.ski site drags skeletons out of Horning's closet. There are a lot of skeletons in there. The website details a long history of lawsuits across the country accusing Horning and the Newport Federal Financial investment firm he founded in 1970 of fraud.It's a pretty amazing site.On Bogus BasinI was surprised that ostensibly for-profit Meadows regularly re-invests 100 percent of profits into the ski area. Such a model is more typical for explicitly nonprofit outfits such as Bogus Basin, Idaho. Longtime GM Brad Wilson outlined how that ski area functions a few years back:The Storm explores the world of lift-served skiing year-round. Join us. Get full access to The Storm Skiing Journal and Podcast at www.stormskiing.com/subscribe

Today's guest is Victoria Granof—the food stylist, creative director, and visionary behind some of the most beautiful cookbook photos and food campaigns around. Victoria joins host Jessie Sheehan to talk about her career, from her classical culinary training to working on projects for Vogue, Bon Appétit, and The New York Times, and her book, “Sicily, My Sweet: Love Notes to an Island, with Recipes for Cakes, Cookies, Puddings, and Preserves.”Victoria also opens up about her deep love for Sicily and the influence her Italian heritage has on her cooking and baking. Plus, she walks us through the Crostata Capricciosa recipe from her book, including four different fillings: chocolate custard, sweetened ricotta, pastry cream, and sun-cooked peach preserves.Click here for Victoria's Crostata Capricciosa recipe. Thank you to California Prunes for their support. Jubilee L.A. tickets are on sale now!Join our Summer Tastemaker Tour waitlistSubscribe here to get The Italy Issue, out in Sept.Visit cherrybombe.com for subscriptions, show transcripts, and tickets to upcoming events.More on Victoria: Instagram, Substack, websiteMore on Jessie: Instagram, “Salty, Cheesy, Herby, Crispy Snackable Bakes” cookbook

How many times can one newspaper screw up a story?Narrated by Jared Moore This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.racket.news/subscribe

Den of Spies: Reagan, Carter, and the Secret History of the Treason That Stole the White House Craig Unger The explosive inside story of the October Surprise conspiracy, a stunning act of treason that changed American history. New York Times bestselling author Craig Unger reveals his thirty-year investigation into the secret collusion between Ronald Reagan's 1980 presidential campaign and Iran, raising urgent questions about what happens when foreign meddling in our elections goes unpunished and what gets remembered when the political price for treason is victory.It was a tinderbox of an accusation. In April 1991, the New York Times ran an op-ed alleging that Ronald Reagan's 1980 presidential campaign had conspired with the Iranian government to delay the release of 52 American hostages until after the 1980 election. The Iranian hostage crisis was President Jimmy Carter's largest political vulnerability, and his lack of success freeing them ultimately sealed his fate at the ballot box. In return for keeping Americans in captivity until Reagan assumed the oath of office, the Republicans had secretly funneled arms to Iran. Treasonous and illegal, the operation—planned and executed by Reagan's campaign manager Bill Casey—amounted to a shadow foreign policy run by private citizens that ensured Reagan's victory.Investigative journalist Craig Unger was one of the first reporters covering the October Surprise—initially for Esquire and then Newsweek—and while attempting to unravel the mystery, he was fired, sued, and ostracized by the Washington prehttps://amzn.to/4o97NLjBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

We're off this week, but we're excited to bring you an episode of the New York Times's newest podcast, Cannonball, hosted by critic Wesley Morris. In this episode, Wesley and his friend, film curator Eric Hynes, discuss the Times's recently-published list of the 100 Best Movies of the 21st Century — what it gets right, what it's missing, and what they would put on their own best-of lists instead.

As the images of starving Palestinian children continue to come out of Gaza and aid groups have confirmed a rising number of deaths from malnutrition, there has been a new round of international outrage, including from Israel's own allies.Emmanuelle Elbaz-Phelps, an independent Israeli journalist, discusses whether any of the outcry is resonating with Israeli society.Guest: Emmanuelle Elbaz-Phelps, an Israeli journalist.Background reading: Israelis are voicing dissent against the war in Gaza.Anger over the starvation in Gaza is leaving Israel increasingly isolated.For more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. Photo: Ohad Zwigenberg/Associated Press Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Vice President JD Vance gave a speech recently that deserved more attention than it got. Accepting an award at a right-wing think tank, he argued that there's a fundamental brokenness in how we define who is an American. He explained that this is the root of many of our country's problems: a national identity that has become too broad.That was also a core idea of the 2018 book “The Virtue of Nationalism,” which caused a sensation on the right. Its author, the Israeli political theorist Yoram Hazony, went on to build a movement. For years, he has hosted NatCon — short for National Conservatism — conferences. Those events have featured speakers like Marco Rubio, who is now the secretary of state, and Senator Josh Hawley. And one of the most reliable speakers, year after year, has been Vance.I wanted to talk to Hazony. What exactly is his argument, his worldview? And are the Trump administration's policies putting it into practice?Mentioned:JD Vance's speech at The Claremont InstituteBook Recommendations:The Demon in Democracy by Ryszard LegutkoThe Strategy of Denial by Elbridge ColbyIsrael and Civilization by Josh HammerThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.htmlThis episode of “The Ezra Klein Show” was produced by Elias Isquith. Fact-checking by Will Peischel. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show's production team also includes Marie Cascione, Annie Galvin, Michelle Harris, Rollin Hu, Marina King, Jan Kobal, Kristin Lin and Jack McCordick. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Getting 50 grams of protein per meal may be the single most underrated biohacking protein strategy for muscle growth, metabolism, and longevity. In this episode, you'll discover why animal protein vs vegan is not a fair match biologically, how hitting the leucine threshold activates mTOR for longevity, and why muscle is the most overlooked organ of aging. This is must-listen content for anyone optimizing human performance, hacking metabolism, or reversing muscle loss with food. Host Dave Asprey is joined by Dr. Gabrielle Lyon, a pioneer in Muscle-Centric Medicine®, functional medicine expert, and top authority on clinical nutrition for longevity. Trained by protein researcher Dr. Donald Layman, she brings decades of expertise on how to use high-protein diets, amino acid science, and functional medicine to radically improve healthspan and brain optimization. Dr. Lyon works with everyone from special operators to aging patients, making her one of the most trusted voices in anti-aging diet strategies. Watch this channel on YouTube for the full video experience: https://www.youtube.com/@DaveAspreyBPR You'll learn: • Why 50g of protein per meal matters more than total daily intake • How mTOR and longevity are misunderstood in mainstream nutrition • Why protein vs plant protein debates ignore hard biological data • How leucine thresholds determine muscle activation • Why fasting and protein cycling beats low-protein veganism • How ketosis and protein intake impact metabolic health • Why many on a vegan diet experience sleep issues, hormone crashes, and reduced resilience • How functional medicine podcasts like this one reveal the truth about aging and muscle loss • What happens clinically when patients switch to a high-protein diet • How to use supplements, nootropics, and protein hacks to enhance neuroplasticity, mitochondrial energy, and total body performance If you've ever asked “what's the best protein for muscle growth?” or “how does protein affect metabolism in aging?”, this episode gives you evidence-based answers from the front lines of clinical nutrition. This channel is a must-listen for anyone serious about hacking their biology, upgrading cognitive performance, and using unconventional tools to create lasting transformation. Whether you're tracking HRV, optimizing for deep sleep, or working toward metabolic resilience, these conversations deliver insights you won't hear anywhere else. Dave Asprey is a four-time New York Times bestselling author, founder of Bulletproof Coffee, and the father of biohacking. With over 1,000 interviews and 1 million monthly listeners, The Human Upgrade is the top podcast for people who want to take control of their biology, extend their longevity, and optimize every system in the body and mind. Each episode features cutting-edge insights in health, performance, neuroscience, supplements, nutrition, hacking, emotional intelligence, and conscious living. Episodes are released every Tuesday, Thursday, and Friday where Dave asks the questions no one else dares, and brings you real tools to become more resilient, aware, and high performing. Thank you to our sponsors! 40 Years of Zen | Neurofeedback Training for Advanced Cognitive Enhancement: https://40yearsofzen.com fatty15 | Go to https://fatty15.com/dave and save an extra $15 when you subscribe with code DAVE. Lumiram | Go to http://healthlighting.com/dave to save 10% on your order. Resources: • Gabrielle's Website: https://drgabriellelyon.com/ • Gabrielle's IG: https://www.instagram.com/drgabriellelyon/ • Dave Asprey's Website: https://daveasprey.com • Danger Coffee: https://dangercoffee.com/DAVE15 • Dave Asprey's BEYOND Conference: https://beyondconference.com • Dave Asprey's New Book – Heavily Meditated: https://daveasprey.com/heavily-meditated • Upgrade Collective: https://www.ourupgradecollective.com • Upgrade Labs: https://upgradelabs.com • 40 Years of Zen: https://40yearsofzen.com Timestamps: • 0:00 Trailer • 0:51 Protein Controversy • 2:38 Leucine • 6:00 mTOR, Methionine, and Protein Synthesis • 9:00 Vegan vs. Carnivore • 16:00 Optimizing Protein Intake & Aging • 22:00 Carbohydrates, Hormones, and Female Health • 28:00 Environmental Impact & Food Sourcing • 34:00 Debunking Plant-Based Documentaries • 40:00 Key Takeaways & Closing Keywords: protein vs plant protein, 50 grams of protein, biohacking protein, mTOR and longevity, animal protein vs vegan, leucine threshold, Gabrielle Lyon, muscle-centric medicine, best protein for muscle growth, anti-aging diet, muscle as organ of longevity, fasting and protein, ketosis and protein, vegan diet risks, optimizing metabolism, high-protein diet, functional medicine podcast, Dave Asprey protein, aging and muscle loss, clinical nutrition for longevity See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, we look at the fallout from a sweeping internet age-verification law that went into effect in Britain. We explain why age restrictions are suddenly popping up all over the internet — and how some might create more problems than they solve. Then Matthew Prince, chief executive of Cloudflare, returns to the show to discuss his company's new plan to help publishers fight back against A.I. scrapers and potentially to create a new online marketplace for quality content in the process. Finally, we round up some headlines from around the tech world in the latest round of HatGPT.Guests:Matthew Prince, chief executive of CloudflareAdditional Reading:Supreme Court Upholds Texas Law Limiting Access to PornographyThe U.K.'s age gates are coming to AmericaCloudflare Introduces Default Blocking of A.I. Data ScrapersAlso, you can still get a special-edition “Hard Fork” hat! For a limited time, you'll receive one when you purchase an annual New York Times Audio subscription for the first time. Go to nytimes.com/hardforkhat.We want to hear from you. Email us at hardfork@nytimes.com. Find “Hard Fork” on YouTube and TikTok. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Summer is the season for road trips, and also for road trip stories. Jack Kerouac's “On the Road” may be the most famous example in American literature — but there are lots of other great road trip books, so this week the Book Review's staff critics Dwight Garner, Alexandra Jacobs and Jennifer Szalai presented readers with a list of 18 of their favorites. On this episode of the podcast they chat with host Gilbert Cruz about the project, their picks and the top-down, wind blown, carefree appeal of the road trip narrative as a genre.Books discussed in this episode:“On the Road,” by Jack Kerouac“Sing, Unburied, Sing,” by Jesmyn Ward“Lost Children Archive,” by Valeria Luiselli“I Am Homeless if This Is Not My Home,” by Lorrie Moore“Tramps Like Us," by Joe Westmoreland“Driving Mr. Albert,” by Michael Paterniti“Gypsy: A Memoir," by Gypsy Rose Lee“The Dog of the South,” by Charles Portis“All Fours,” by Miranda July“Hearts,” by Hilma Wolitzer“The Pigeon Tunnel: Stories From My Life,” by John le Carré“Machine Dreams,” by Jayne Anne Phillips“Lonesome Dove,” by Larry McMurtry“Lolita,” by Vladimir Nabokov“The Grapes of Wrath,” by John Steinbeck“The Price of Salt,” by Patricia Highsmith Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

So why are media outlets still talking down the economy? And why is Chairman of the Federal Reserve Jerome Powell refusing to cut interest rates, despite earlier recession warnings that never materialized? Victor Davis Hanson breaks it all down on today's episode of “Victor Davis Hanson: In His Own Words.” “Remember that The Wall Street Journal, New York Times, Washington Post, and our main media organs all told us in May when Donald Trump was talking about art of the deal tariffs, … we were going to have high inflation, stagflation, bad job growth, static GDP, and a trade war along with a Wall Street collapse, basically a recession. Well, wall Street stock prices are at historical highs. Every one of those predictions was wrong. “If [Powell] is worried about a trade war, and tariffs and soft job growth, which was predictive but didn't happen, why don't you lower interest rates? And the fact is that if you look at the interest rates that he did cut right before the 2024 election and his all over the map, attitude toward interest rates today, there is no logic because if he's worried that the economy inflation might— it's gone up one 10th of an point and it's steaming and then he's going to what? Keep interest rates that high?”

Feeling like you're stuck in perpetual brain fog?  In this episode, I'm joined by the incredible Dr. Austin Perlmutter, internal medicine physician and NYT bestselling author, for a conversation that just might change how you think about your brain (literally).  We dive into the hidden cause behind brain fog and emotional burnout in perimenopause—brain inflammation—and how it affects everything from your memory to your mood.  Dr. Perlmutter unpacks the surprising foods, habits, and environmental triggers that are lighting up your brain in all the wrong ways—and shares science-backed strategies to help you reclaim your clarity.  If you've been blaming yourself for feeling “off,” this episode is your guide to start supporting your brain with what it really needs.  It isn't just about reversing brain fog—it's about reigniting your brilliance and finally feeling like you again. Tune in here! Dr. Austin Perlmutter Dr. Austin Perlmutter is a board-certified internal medicine physician, New York Times bestselling author, researcher, podcaster, and health entrepreneur. He's been featured on PBS, Rolling Stone, Newsweek, NPR, Fox, and other top media outlets. He's the Managing Director of Big Bold Health and is the CEO of Lichen Air. His main mission is to help people across the world to get their brains “unstuck”. IN THIS EPISODE Shifts in midlife that cause brain-related symptoms  Main drivers of brain inflammation and what it can mean for you The intersection between your immune system and metabolism  How inflammation is related to dementia and depression  Diet and nutrition tips for a healthier brain and body  Movement and resistance training to decrease brain inflammation Top tips to minimize inflammation and protect your brain   QUOTES“That may be one of the reasons why postmenopausal women are at higher risk of depression and dementia because estrogen has a neurotrophic role, meaning it helps to regulate neuroplasticity and inflammation in the brain and energy metabolism.” “The core point here is that the brain seems to have more trouble using fuel as we get older. And this correlates with dementia in particular.” “I think what has been a deep truth of mine for quite some time is that brain inflammation or inflammation in general can have an impact on cognitive function… and this is an everybody problem. Most importantly, how do we future-proof our brain?” RESOURCES MENTIONED Dr. Austin's Free E-Guide on preventing dementia  Licehn Air: Dr. Austin's Air health brand that targets brain-damaging air pollutants Big Bold Health: Get Tartary Buckwheat for longevity and immunity, plus other top supplements HERE Dr. Austin Perlmutter's Website Dr. Austin Perlmutter's Instagram  Preorder my new book: The Perimenopause Revolution HERE and get instant access to over $500 worth of bonuses! RELATED EPISODES  #636: Improve Your Mood, Clear Brain Fog & Reverse Autoimmune Disease by Healing Your Microbiome with Dr. Steven Gundry #659: Brain Fog, Joint Pain, and Aging Skin? The Truth About Zombie Cells and How to Reverse Them with Dr. Greg Kelly  #653: Mitochondria, Menopause & Metabolism: The Cellular Secret to More Energy After 40 with Dr. Felice Gersh #635: The Connection Between Your Gut, Inflammation, Mood, and How to Start Healing Your Microbiome with Tina Anderson

New York Times columnist David Brooks and Jonathan Capehart of MSNBC join Amna Nawaz to discuss the week in politics, including President Trump fires the head of the agency that produces the monthly jobs report, the White House surveys the humanitarian situation in Gaza today and former Vice President Harris makes her first television appearance since losing the election. PBS News is supported by - https://www.pbs.org/newshour/about/funders

Send us a textIn this episode, Mike Lindell, the CEO of MyPillow, discusses the breaking news and recent developments regarding his $5 million challenge related to the 2020 election data. He details the arbitration and court process, culminating in a federal court decision that vindicated him, confirming the data's integrity. This victory allows the possibility of revisiting previous legal setbacks. Lindell also updates listeners on new MyPillow products and offers exclusive discounts, emphasizing the importance of supporting his efforts to secure fair elections through various funds and social media advocacy.00:00 Catch-Up with Mike: Latest Updates00:42 Cyber Symposium Controversy02:58 Legal Battles and Vindication08:51 Employee Retention Credits Explained15:50 MyPillow's New Products and Offers17:19 Shipping and Product Overview18:03 Personal Testimonial: The MyPillow Pillow19:16 The Science Behind MyPillow Products22:14 Customer Service and Customization24:12 Warranty and Quality Assurance25:30 Final Thoughts and Call to Action Episode Keywords and Phrases:Robert Zeidman, $5 million challenge, Mike Lindell, 2020 election data, inside the machine, data file evidence, ERC, Employer Retention Credits, IRS, tax credits, Lindell Offense fund, hand counted paper ballots, mattress toppers, Free MyPillow Promo Code, Remarkable, MyPillow Main Stream Media Sources Reporting on the Overturned Decision:CBS News: https://www.cbsnews.com/minnesota/news/mike-lindell-appeals-court-voids-5m-award-election-data-dispute/The New York Times: https://www.nytimes.com/2025/07/24/us/elections/mypillow-founder-challenge-winnings.htmlThe Hill: https://thehill.com/regulation/court-battles/5415777-federal-court-sides-with-lindell/Support the showWant Even More?

French President Emmanuel Macron is suing Candace Owens for claiming his wife was born a man. Candace joins us to present her evidence and explain why she's looking forward to a legal battle. (00:00) Brigitte Macron and the Lawsuit Against Candace (12:06) The Origins of Candace's Investigation Into the Macron Family (35:17) Why Are People Defending Sigmund Freud? (1:01:01) Candace's Interview With Nick Fuentes (1:24:41) The Deranged Babylon Bee Guy (1:30:19) Candace's Interview With Harvey Weinstein Candace Owens is the host of "Candace," one of the most downloaded podcasts in America. She is a New York Times best-selling writer and the author of the forthcoming "Make Him a Sandwich," (https://candaceowensbooks.com/) available for pre-order now. She has recently created the series "Becoming Brigitte," "Harvey Speaks," and "The Epstein Files." She lives in Nashville with her husband and four children. She is a practicing Catholic. Paid partnerships with: Masa Chips: Get 25% off with code TUCKER at https://masachips.com/tucker MeriwetherFarms: Visit https://MeriwetherFarms.com/Tucker and use code TUCKER for 15% off your first order. Beam: Get 30% off the American Strength Bundle using the code TUCKER at https://ShopBeam.com/Tucker Learn more about your ad choices. Visit megaphone.fm/adchoices

Kamala Harris goes on Stephen Colbert and cackles her way into answering questions. Zohran Mamdani puts out a statement flip-flopping his stance on defunding the police. Dana gives credit to Trump for refusing to buy into Hamas propaganda like some on both political sides are currently doing. Chicagoans are discovering a unique way to relieve stress by gathering on Sunday evenings to scream into Lake Michigan. Kamala Harris records a cringe TikTok joking about writing a book instead of drinking margaritas. Kamala also blames “the system” for deciding to not run for Governor of California. James Clapper and John Brennan publish an op/ed in the New York Times defending their actions during the Russian Hoax of 2016. France halts all evacuations from Gaza over alleged antisemitic reposts by a Palestinian student. NPR and PBS say they will end operations within months after federal budget cuts. Trump orders two nuclear submarines to Russia. A 12 foot bronze statue of a fat black woman just went up in Ontario.Thank you for supporting our sponsors that make The Dana Show possible…Byrnahttps://Byrna.com/danaGet your hands on the new compact Byrna CL. Visit Byrna.com/Dana receive 10% off Patriot Mobilehttps://PatriotMobile.com/DanaDana's personal cell phone provider is Patriot Mobile. Get a FREE MONTH of service code DANAHumanNhttps://HumanN.comSupport your cholesterol health with SuperBerine—on sale at Sam's Club from 7/23 to 8/17. Boost your metabolic health and save!Keltechttps://KelTecWeapons.comSee the third generation of the iconic SUB2000 and the NEW PS57 - Keltec Innovation & Performance at its bestAngel Studioshttps://Angel.com/danaGet free tickets to see Sketch in theaters on 8/6. Sign up for the Angel Studios Member's Guild and claim your perks today.Allio CapitalDownload Allio from the App Store or Google Play, or text “DANA” to 511511 to get started today.All Family Pharmacyhttps://AllFamilyPharmacy.com/Dana Medical freedom is American freedom. Use code DANA10 to get 10% off your order.Ruff GreensCall 214-RUFF-DOG Get a FREE Jumpstart Bag AND Ruff Chews—just pay shipping! A $30 value. Phone offer only!!!

New York Times columnist David Brooks and Jonathan Capehart of MSNBC join Amna Nawaz to discuss the week in politics, including President Trump fires the head of the agency that produces the monthly jobs report, the White House surveys the humanitarian situation in Gaza today and former Vice President Harris makes her first television appearance since losing the election. PBS News is supported by - https://www.pbs.org/newshour/about/funders

Watch the full podcast here! https://chinauncensored.tv/programs/podcast-304 A US governor spent years calling for investigations into corruption and CCP influence. Then he suddenly died. Joining us once again is Cleo Paskal, Senior Fellow at The Foundation for Defense of Democracies, who traveled to Woleai and the Federated States of Micronesia and knew Governor Palacios. And check out our other channel, China Uncensored: https://www.youtube.com/ChinaUncensored Our social media: X: https://www.x.com/ChinaUncensored Facebook: https://www.facebook.com/ChinaUncensored Instagram: https://www.instagram.com/ChinaUncensored #China

On today's episode of Turtle Time - "Don't Tell It to the Judge" - we discuss more news than you could ever imagine. We talk about the potential Next Gen LA cast, Jax Taylor trying out a new pair of Toto's at The Valley reunion, and Scheana Shay being a New York Times bestselling author.

Hosts Fran Chismar and Tom Knezick connect with Todd Bittner (Director of Natural Areas, Cornell Botanic Gardens) to talk about Native Lawns. Topics include the history of Native Lawn 1.0 and its advantages, New York Times coverage, surprise performers and workhorses in native lawn settings, what comes next, and of course, favorite native plants.  Music by Egocentric Plastic Men, Outro music by Dave Bennett. Find More Info on Native Lawns Here. Have a question or a comment?  Call (215) 346-6189. Follow Native Plants Healthy Planet – Website / Instagram / Facebook / YouTube Follow Fran Chismar Here. Buy a T-shirt, spread the message, and do some good. Visit Old store Here. Visit New store Here!

Sarina's second thriller is now out. It's a twisty thriller with a single-mom protagonist and some deep, dark secrets. It's called Dying to Meet You and it is creepy in the best possible way. In this episode, Jennie interviews Sarina about the new book, and about the difference between writing romance and writing thrillers. You may think that's obvious, but Sarina has recently shifted into writing thrillers and she has such a nuanced understanding about what it all means. She gets into what defines a genre, how you have to honor your readers expectations, and the different ways you hold tension when telling a story. It's a masterclass in genre.Books mentioned:Dying to Meet You, Sarina BowenSarina's other thriller, The Five Year LieThe Guest List, Lucy Foley On a Quiet Street, Seraphina Nova Glass Rowan Gallagher is a devoted single mother and a talented architect with a high-profile commission restoring an historic mansion for the most powerful family in Maine. But inside, she's a mess. She knows that stalking her ex's avatar all over Portland on her phone isn't the healthiest way to heal from their breakup. But she's out of ice cream and she's sick of romcoms.Watching his every move is both fascinating and infuriating. He's dining out while she's wallowing on the couch. The last straw comes when he parks in their favorite spot on the waterfront. In a weak moment, she leashes the dog and sets off to see who else is in his car.Instead of catching her ex in a kiss, Rowan becomes the first witness to his murder—and the primary suspect.Digital books at: Amazon | Nook | Apple Books | Kobo | Google Play | AudiblePhysical books at: Bookshop.org | Amazon | Barnes & Noble | Indigo | More paperback links here!Transcript below!EPISODE 459 - TRANSCRIPTKJ Dell'AntoniaListeners who I know are also readers—have I got a summer book for you. If you haven't yet ordered Dying to Meet You, Sarina Bowen's latest thriller with just enough romance, you have to. So let me lay this out for you. Rowan Gallagher is a devoted single mother and a talented architect with a high-profile commission restoring a historic mansion for the most powerful family in Maine, but inside, she's a mess. She knows stalking her ex's avatar all over Portland on her phone isn't the healthiest way to heal from their breakup, but she's out of ice cream and she's sick of rom-coms. Watching his every move is both fascinating and infuriating. He's dining out while she's wallowing on the couch. The last straw comes when he parks in their favorite spot on the waterfront. In a weak moment, she leashes the dog and sets off to see who else is in his car. But instead of catching her ex in a kiss, Rowan becomes the first witness to his murder—and the primary suspect. But Rowan isn't the only one keeping secrets. As she digs for the truth, she discovers that the dead man was stalking her too, gathering intimate details about her job and her past. Struggling to clear her name, Rowan finds herself spiraling into the shadowy plot that killed him. Will she be the next to die? You're going to love this. I've had a sneak preview, and I think we all know that The Five Year Lie was among the very best reads and listens of last summer. Dying to Meet You is available in every format and anywhere that you buy books. And you could grab your copy—and you absolutely should—right now.Multiple SpeakersIs it recording? Now it's recording. Yay! Go ahead. This is the part where I stare blankly at the microphone. Try to remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay. Now, one, two, three.Jennie NashHey, writers, I'm Jennie Nash, and this is the Hashtag AmWriting Podcast, the place where we talk about writing all the things—short things, long things, fiction, non-fiction, pitches, and proposals. I'm here today to talk to our own Sarina Bowen. Her newest thriller, Dying to Meet You, just came out a few weeks ago, and I've been dying to talk to Sarina about the way she's been switching back and forth between romance and thriller. This is her second thriller. The last one came out last year. That one's called The Five Year Lie. And so we're just here to talk about genre, and romance, and thriller, and how Sarina does it—this back-and-forth kind of code switching between genres. So, welcome, Sarina.Sarina BowenThank you. It's always fun to talk about genre. It's my favorite thing.Jennie NashWell, I just was really struck when I was reading. I've been reading your romances for so long, and you have so many of them, and you're so good at them, and...Sarina BowenWell, thank you.Jennie NashAnd then here we have an entirely new genre that you have entered into in a really big way. And it's not—so this is not about, how do you come up with your idea, or how did you do it? Or—I mean, all those are great questions. We love those. And I've heard you talk about those other places. But what I want to try to get at here is this idea—really, what is genre? So when you think about that, you're sitting down to start one or this other. What do you think about, like, what are the things that—genre? What does the genre mean to you?Sarina BowenWell, I talk about this a lot when I am discussing my books, which is that I don't find that—that the thriller genre and that the romance genres are all that different. Like, each one of those things makes a promise to the reader and then must deliver it by the last page. It's just that the promise is slightly different between those two things. So in a romance, the reader is promised a satisfactory romantic conclusion to the book. And in a thriller, the reader is promised that whatever mess and confusion is established on page one, that it will be rectified and solved by the end of the book—that the chaos will become at least understanding, if not order. So the thing is that the job of the novelist is kind of the same in both situations, which is, we are going to take the main character on a journey, and she is going to learn some stuff before it's over—or it's not really a novel. Now, to be fair, not every novel is constructed like that and does both of those things. Like what—what makes it feel familiar to me in both cases is that I always write an empathetic main character, and not every author of suspense does this. So there are a lot of really popular suspense novels where you're not sure who to root for, and you don't really like any of the characters. And those books can be really exciting and really well written, and there's a total—a huge audience for that. But that is not what I do in suspense space, and that doesn't make me unique. Like, there are a lot of suspense authors who also operate this way. For example, Harlan Coben and Karin Slaughter write best-selling novels of suspense where you always know who to root for from the first chapter. Like, you are given a main character who is a likable human—a flawed person—but still, like, you know, somebody to root for, and you're rooting for that person until the end of the book. So it's not like this is just my special romance author's twist on it—like, it's a thing. It's just that there are other suspense authors who don't operate under that, you know, scenario. So that's one of the reasons why, to me, like, the job feels kind of similar to writing a romance and writing a suspense the way that I do it. It's just that when I'm writing a suspense, first of all, it takes a lot longer, because a suspense reader is really there to match wits with you, and you have to deliver on—on that experience of paying a lot of attention to where the camera is swinging, and to show them some truths that will turn out to be only half-truths, and to make it a really great ride. Like, the roller coaster of a suspense novel requires more engineering than the roller coaster of a romance, and it can be a lot less linear in construction. And, you know, there are complexities that a romance does not need to—to succeed. So yeah, it's not exactly the same job. But, you know, romance requires on a different level a lot of those same narrative tricks. Like, people love to say that romances are formulaic, and I always want to cry, because if that were true, then it would be so easy. And I—I would spend less time sweating at my keyboard if a romance was formulaic, because then I would know what to do. And it's almost harder to hold the tension when the reader knows you're going to get somewhere satisfying. So, you—you know, you have to make sure that couple has some real issues to work through, and that's hard.Jennie NashYeah, we're going to come back to so many things that you're saying because...Sarina BowenOkay.Jennie NashThis is—this is great. But I want to return to something you said at the very beginning, where you were explaining this, which is the promise to the reader, and this idea of a contract that the writer and the reader enter into. When—when a reader starts a book, there's this promise, there's this expectation, there's—And you—it sounds like what I heard from you, which I just think is so interesting, is a very deep respect for the writer—I mean, for the reader's experience. And is that something that you have as a human, or, you know, like, is it—is that just—does that just come from respect for the time somebody's going to spend and that sort of thing? Or is that respect of the genre?Sarina BowenOh, it's both. I mean, of course, we were all readers before we were writers, and I know what I find frustrating and unsatisfying in a book. So I want to deliver a reader experience that aligns with my most satisfying experiences in—in each genre. And it's such a work in progress. Like, over 10 years of delivering stories, my understanding of what really matters is constantly shifting.Jennie NashOoh, can you say more?Sarina BowenYeah. So—I have the things that I like as a reader. So of course, those are going to figure in heavily. Like, I love a good secret unveiled, no matter what genre I'm reading. Like, a secret in romance that comes out and changes everything is just as satisfying as when that happens in suspense, even though it's less necessary. And each genre has its own bell curve of stakes, let's just say. Like, if you picture a bell curve of stakes—for romance, you could have on the lower end, like a rom-com, where the stakes, you know, are only as large as this couple. And in a thriller, like in an international spy thriller, the stakes could be like, the world might end, or—or a bomb might go off in the middle of Times Square, you know. So there's a bell curve of stakes. And as a—as a writer, I'm not suggesting that you can't, you know, move around on that bell curve and make it work for you. But the two genres—you know, the bell curves are in different spots, and you have to figure out where you are on that gradient of possible results, and then figure out where your stakes are coming from. And I guess what it took me a real—a really long time to learn is how much in control I am of what the reader is paying attention to, and what the reader is focused on, and that the best way to write a novel is almost always to ask yourself, what experience do I want the reader to have? And then figure that out. Like, it's almost like—if you think about roller coaster design, and there's just this really fun video on the WIRED Magazine website with an actual roller coaster designer who shows you how it's done.Jennie NashOh that's very cool. We'll get the link for that in the show notes.Sarina BowenYeah, I'll try to find it. But it makes you think about all these things you don't think about when you're getting on it. Like, your view of getting on a roller coaster is that weird little shed where you step into the car, and you know, you pull on your protective stuff, and you think to yourself, like, whoa, I hope it doesn't fail this time—ha ha ha. And then you experience it, you know. And certain parts of the ride are really predictable, like the initial climb—like, no roller coaster starts without that initial climb—and then the first drop. And, you know, parts of the experience, you—you know before you get on what's going to happen. And then other parts of it are just like, you know, a thrill a minute, like waving you around, and, oh, you didn't see that curve coming. And so, you know, looking at that thing and designing it from the outside to have that experience is something I didn't realize I had to do. Like, as a reader of genre fiction, I just experienced everything like the person getting on the roller coaster at the beginning. And it's taken me, like, a decade to realize that, you know, I have to actually view this thing—like, plan ahead. What—you know, what I want people to feel. Like, where do I want them to cry? Where are we going to laugh? Like, how can we put those two things in the same book? And you know, that—that's the job, and I really like it. But it requires a certain amount of analysis, which is why, when I meet somebody who doesn't plan their books, I'm always, like, stunned. Although, you know, it can—it can work.Jennie NashThat idea of what you want the reader to feel is why we're having this conversation. Because I actually can barely stand to read suspense or thrillers, because I get too scared. I really get into it, and I—I freak myself out, and it's been that way for a very long time. But I really wanted to read yours, because I wanted to see this shift in your professional life, and I wanted to see what all the buzz was about, because people are loving these thrillers. And I thought, oh, I surely can handle this now. But it's so hard for me because—and you do such a good job of making that scary tension so palpable, and that what you feel as the reader. And then I was thinking about why the same thing happens in Sarina's romances. I feel something. You know, you're—there's a tension that you're wanting, a resolution that you're—what—you know, wondering, will they? Will they, you know, declare their love for each other? Will they—whatever the thing is? And it just really struck me that I'm in the hands of somebody who's not manipulating that, but has engineered that form. And so it's curious to hear that you're—that's the work you feel that you do. So can you talk about how that is different from plotting the novel—that emotional engineering, if you will? Or is it?Sarina BowenNo, you're right. It is—it is? Um, so one of the things that I feel I'm pretty good at is establishing empathy early in the book. And I—uh, like I said, there are some thriller authors who write entire books without doing that—like, where you're not sure who you're supposed to like. But to me, that actually seems harder, because if you establish empathy for some characters early on, then the stakes are automatically higher.Jennie NashYeah.Sarina BowenBecause the reader cares about that person.Jennie NashYeah.Sarina BowenAnd I read a book a couple years ago that I thought was so good with this, and it was On a Quiet Street by Seraphina Nova Glass. And she establishes empathy with a character in the prologue, and then chapter one establishes empathy with a different one. And she has this sort of medley of voices that tells this story of something dire happening on a quiet street. And the thing is that she does later—is she really shifts your empathy around, where you care about all these people but you can't—like, because somebody is guilty. So, you know, the length of your empathy is actually going to be snipped in a couple of places, which I think is masterful. And I think it's more masterful than the thriller author who, um, doesn't care if you like anybody but is still delivering, like, big shocks. To me, that just has less emotional resonance, and I care less. But apparently, that's unique to me, because if you look at The New York Times bestseller list, it does not reflect my preference for empathy.Jennie NashSo what do you do to create that empathy? How are you doing that work in the start of the book?Sarina BowenOh, wow, I never think about this.Jennie NashI'm sure you—sure you have an answer, though.Sarina BowenNo, I—yeah. Okay, so I guess the reason that my thrillers read a little bit like my romances to you, is that I really like a female main character who is like one of us, who's just trying to get through the day. And maybe she has even a glamorous job, and she's a super successful person, but that doesn't mean she's not, like, a little bit of a mess inside—but a relatable mess. So establishing empathy early on, to me, is just like breathing. Like, you know, we might have this glamorous job, but, my God, the world is just so irritating. Or—right? Or, how did we just, you know, make ourselves sound like—like a dunderhead in front of the hot guy or whatever, you know? Like, to me, that's not hard.Jennie NashRight, right. And so you talked about engineering and complexity as a difference between the two genres, and that the thrillers require more engineering of plot, is what I imagine you're referring to. How do you go about—how does it differ? So here you're creating a character. You're creating empathy for the character. And now these genres are going to go in really different directions. What? What are the steps? Not like, how do you do it, or how do you write a novel, but sort of almost your emotional steps, like, okay, now I need to do X, or now I need to—I want them to feel Y.Sarina BowenRight. Well, one way to think about it—and this works for almost any novel that you'd ever want to write—is you have to look at the sort of landscape of this story you're going to tell, or the plot you think you're going to pull off, and you have to say, what are my "oh s**t moments"?Jennie NashYeah.Sarina BowenWhere do I want the reader to go, oh s**t? And if you don't know that when you start the book—like, I would find that to be a problem.Jennie NashYeah.Sarina BowenAnd you don't have to know exactly where they're standing when this happens, or exactly what page of the book. I'm actually terrible at that. I never know how long anything is going to take. But—but you have to know what that oh s**t moment is. And then you have to sort of back—work backwards from that. Like, okay, well, if I know why that's a big problem and a big deal—like, why is it, and how am I going to set that up? So—and I also think ahead of time about the fun and games part of any book.Jennie NashYeah.Sarina BowenLike, what is the sort of rising action of, like, the learning about it and the deepening of the problem. So I'm working on a romance right now that takes place at a wedding.Jennie NashFun!Sarina BowenAnd I... yeah, well okay, is it, though? Because one of, one the reasons I chose this setting, is that it's a hockey player. And I've written so many hockey books that take place, like, at the arena and at the office. And I'm like; we got to get out of here. Um, so we're both going to a wedding—this—we have to go to the same wedding, and work—everything's going to happen here. And I never write weddings. And then I'm into it, and I'm writing this wedding, and I look at myself and I'm like, you know why we don't write weddings? We don't like weddings very much.Jennie NashWhat don't you like about them?Sarina BowenOh, because they're all the same. I don't know. It's—to me, they feel—I guess I'm not a really reverent person. Like, ceremony isn't a big part of my life, and I don't love it. So—um, so what I was able to do in this book that makes this book something that I can identify with is that neither one of our characters is totally excited to be here, either. So there's some problems like this. There's some real family mayhem that is preventing either of these characters from being like, woo hoo, wedding! Yeah, let's have a good time! And then—yeah, so I have to bring my own experience into it. And then, of course, the ceremony itself—it turns out they're both feeling a lot of things. And, you know, there's this very lovely part right at the beginning. I'm like, okay, okay, so we got here, we can feel the feelings, but we didn't have to, like, every moment of this wedding for—to pull it off. So—um—but I looked at my, like, little scaffolding of what I wanted these characters to experience and what their "oh s**t moments" might be, and then I sort of grafted them onto the typical wedding experience and, you know, tried to find the best matches for that. And that was kind of the work of this book.Jennie NashSo the "oh s**t moment" in a romance is—what would some of those be? Like, oh, I think—I think he likes me, or, oh, I think I like him? Like, is it those ratcheting up of the emotional stakes?Sarina BowenIt's—yes. Like, oh s**t, I can't believe I have revealed myself like this. I have exposed myself like this. I have made myself vulnerable. And then—and then, as the—as the arc goes on, you're like, oh s**t, here's why I don't usually do this...Jennie NashRight.Sarina BowenHere's the reason I didn't want to make myself vulnerable and exposed—because, oh s**t, you know? Like—so you get to—you get to play with that. And hopefully, in most romances, there's a moment when, you know, it looks like it's all going to go wrong.Jennie NashRight. So what strikes me in listening to you, is that, writing about human nature—of course, because they're people and their stories—and the human nature around romance is—well, you said, I don't want to reveal myself or be vulnerable, so you want to protect your heart. And in the thrillers, it's, I want to protect my body and the bodies of the people I love. Is that—is that a fair differentiator? Like, we're trying to keep ourselves safe in some profound way in each of these genres, right?Sarina BowenRight. And we're also trying to avoid betrayal, and, like, to avoid backing the wrong horse in both genres as well.Jennie NashOoh, that's interesting, right? Let's talk about that.Sarina BowenWell—um, in a thriller, one of the best ways to craft a twist is when you get the reader to back the wrong character. And, you know, you have multiple characters, and if—even if you're going along with a relatable protagonist that the reader knows is not going to turn into a bad guy—that person still has people around them, and they're going to trust some of them and not others. And did they pick correctly? So that's the kind of betrayal that makes a good twist. But in a romance, it's the same possibilities. Like, you know, you made yourself very vulnerable to this other romantic partner. And, you know, it might not be a straight-up betrayal of, you know, oh wait, I love someone else. But it could just be a betrayal of priorities, or, you know, of courage.Jennie NashAnd at the end of each of these types of stories, the reader feels a sense of—we're back, we've talked about the bell curve—of back to safety, or—or homeostasis, or there's a relief, or it's going to be okay, and everything's okay now. So they have that in common too, right? That intense resolution of the tension.Sarina BowenRight. And then sometimes, in suspense space, you see an author pull this off in a way that all of that is done at the reader's own level, and not at the character's. Like, there's this book I love by Lucy Foley, called The Guest List, and that book is not typical, in that the work of the book is not to solve the crime in real time in the story. The work of that book is for the reader to understand what happened—like, the reader is the sleuth.Jennie NashOh.Sarina BowenBut nobody is actually sleuthing the story... at all. You know what happens, but it's to the satisfaction of you as the reader, but not the people running around in the book.Jennie NashRight, wow that sounds cool.Sarina BowenIt is very cool, but it's still true. Like, the—the work of the book is to figure out what happened, but the people on the page are not figuring out what happened. It's you having the experience that is figuring out what happened, but there's no mystery about it in the actual book. It's really—you would just have to try it.Jennie NashIs it fair to say that your second thriller—the new one, Dying to Meet You—is creepier than the first one, which is, The Five Year Lie? Do you think that's fair to say? Are people saying that? Do you feel that?Sarina BowenYeah, okay—yes, a little. But I think what's a better classification is that Dying to Meet You, sits a little more fully on the thriller shelf. It has a plot arc that is more typical of thrillers that are also on that shelf than The Five Year Lie.Jennie NashOkay, maybe that's what—maybe that's the feeling, because The Five Year Lie—there's a—there's a romance baked into it as well. Like, there is so much going on in there. So that's interesting, that you—did you consciously move in that direction, or did—was it just right for that story?Sarina BowenI think maybe both. I can't even remember now.Jennie NashYeah, yeah.Sarina BowenBut I really loved the premise of Dying to Meet You, and I wanted to play with that. And—I mean, I guess what distinguishes them from a reader standpoint, who's, like, reading the backs of both of those books, maybe, is that there is a dead body at the beginning of one of them and not the other one. So, like, it—it lands more firmly in the reader's expectations, that Dying to Meet You is more thriller-y, because you know—it says in the flap copy, like, this book starts when somebody dies.Jennie NashSo you said that it was a little harder to plan out the—to engineer a thriller and the complexities. And we all know that you are a very fast and efficient writer, so I'd be curious to hear: how much time do you set aside to get the complexities and engineering of the thriller versus the romance? What's the time demand of that?Sarina BowenI think, at least at this point, thrillers still require twice as much work in terms of, like, days.Jennie NashYeah.Sarina BowenYeah. It's like six months instead of three.Jennie NashYeah. Wow. Wow. And is the moving back and forth from one to the other—do you—are you finding that satisfying? Are you finding it difficult? Like, what's that like? Because I know right now—well, you—you're working on a romance, and then thriller number three is coming up. So do you—how are you making those transitions?Sarina BowenWell, I think any writer would agree that the book you're not working on today is always the one that seems more appealing.Jennie NashIt's always a better book…Sarina BowenRight?!Jennie NashSuch a good book.Sarina BowenSo, of course, I'm in the finishing part, on the romance that I'm working on, which is, everybody knows, the hardest part, where you have to make all the toughest decisions. So I just cannot wait to write that thriller.Jennie NashDo you—are you—do you cheat? Are you cheating on your romance? Like, do you—do you cheat and do a little research on the new—new thriller?Sarina BowenWell, I've actually written part of that thriller already.Jennie NashYeah.Sarina BowenI wrote part of it, and then I had to stop and finish this other one. So it's not cheating exactly. It's how I had to do my crazy schedule this year, because I had two deadlines in 2024, and they're closer together than I could execute, like, a whole book in each. But cheating is a wonderful thing to do, because when you're like, technically, I'm writing the romance this month, and almost all my time is spent on that—but when you give your brain permission to, like, not be finishing that other book, it goes in all these exciting places, and it comes up with stuff for you. So even though I'm writing a romance this month, I have made notes in my notebook for, like, four other books, some of which I might never write.Jennie NashOh, that's so funny. Well...Sarina BowenYeah.Jennie NashAnd—and are they thrillers or romance?Sarina BowenOh, just that—we're all over the place here. Like, I have made notes for... a romance in an ongoing series, that I'm not sure if I'm continuing, for an unrelated romance that I might never write, and I have, like, scribbled down plot frameworks for unrelated books in two other genres that I probably—probably will never write.Jennie NashSo it's interesting—that's an interesting habit that you're talking about. Because I often see with writers—there was an agent, and I can't remember who it is, which pains me—but they said something that was just so funny and so clever, which was a criticism of a writer who—the phrasing would be, you know, "puts everything and the kitchen sink into every book." But the way this agent framed it was, it was "no note left behind." You know, every note you have goes into the book—and that—that's not good. And you have such a restraint. It's not like, oh, here's a good idea, I'm going to shoehorn it into what I'm writing now. I'm going to shoehorn it into the thriller. I'm going to, you know, wedge it in here. You—this restraint of where an idea belongs or doesn't belong, or that it might get written or might not get written—where do you think that discernment or restraint comes from?Sarina BowenYou know, it doesn't feel like restraint when I'm in the middle of trying to finish a book. Like, every book feels like—so messy. You know, it's like, if I'm building a roller coaster, like, the parts are laying all over the field right now. Like, that's how it feels at every moment. And even for the end of this book, I have, like, written—scribbled down ideas for, like, nine different scenes, and they're not all going to make it, and they're going to have to duke it out.Jennie NashThe scenes are going to have to duke it out?Sarina BowenYes. And, like, oh, this would be cute. Oh, that would be cute. Oh, this would be cute. But you can't have them all—like, they're not—that just doesn't work. So I'm looking for the best, most efficient way to execute that emotional arc that the end of this book needs.Jennie NashYeah. yeah.Sarina BowenAnd I do—okay, fine, maybe it is restraint, because I do care about efficiency. Like, I'm not just going to write and write and write and write because I had a cute little thing that I wanted somebody to say. Because in order to put all that stuff in, I'm going to need too much, like, filler—junk.Jennie NashYeah, that is restraint, Sarina. That is totally restraint.Sarina BowenWell, honestly, I think one of my strengths—like, writers don't think about their strengths all that often, to be honest. Like, we only think about the stuff that's hard. But one of my strengths has always been that every scene is accomplishing, like, two or three things. Like, no bit of dialog is ever just in there because my brain spat it out when I was sitting at a keyboard. Like, it has to be doing something.Jennie NashYeah.Sarina BowenSo I have to look at this little collection of cute scenes and—um—make it do something. Just yesterday, I thought, wouldn't it be funny if the rookie on the team that shows up for this new season to start—you know, after the wedding—spoke entirely in Gen Alpha slang, like my 19-year-old? So I wrote, like, a little bit of dialog where he does this in a—in the rink, and—and the—the main character of the book is like, oh, my God, I don't even know what you just said. And I'm like, oh, I'm so cute and funny. This is going to be great. And then I realized that I just didn't need a bit of discussion in the rink. So I moved that conversation to a different spot, where the heroine was also present. And, like, she jumps in and responds in Gen Alpha slang and to—like, to solve his issue. And the hero is impressed. So, you know, I just needed—it was a fun idea, but I needed it to work harder.Jennie NashYeah.Sarina BowenAnd then I found a way for it to work harder. But if I hadn't, then that bit was just going to have to be cut. It could just go somewhere else—a different book, a different day.Jennie NashThere's a scene in The Five Year Lie where the main character is on a bus—a very long bus trip with her small child—and it goes on for some time at a place in the novel where the tension is pretty high. And I read it—I read it three times, actually, because I was like, what is going on here? What's... what am I—what am I supposed to take away? Like, what? What's happening here? What's—you know, what is the work that this scene is doing? I was curious about it because it felt—the feeling really shifted for me as the reader, where it was a tension reliever for one thing. Like, the tension was really high, and so it was a sort of a chance to breathe. And then there was something that happened on the bus trip that made things much, much worse for this character, so that they're showing up in an even more vulnerable place. Like—and I started seeing the layers of what was happening on that bus trip. And that—I think that's another strength you have—is that the—you don't show your hand. The reader has to work if they want to figure out what—what are all these scenes doing? Like, because you're just in it as the reader. But it was... it was sort of beautiful. I sort of loved that scene because I saw—well, I was trying to figure it out, but I saw, oh, I see what's happening here. I know what she's doing. Like, this is cool. I don't know, you're very good at—uh, like I said, not showing your hand. It's not—you don't see the mechanism of the engineer when you're reading the books.Sarina BowenWell, thank you. That scene—I actually am. It's the first thing I wrote for that book.Jennie NashWhat?!Sarina BowenWhich is—yeah, I know.Jennie NashThat is so interesting.Sarina BowenIt comes really deep in the book. That's why Jennie is so surprised, because it's, like, near the end. But I wrote that scene in my head—which, you know, you sort of almost never do—five years before the book came out. Like, I was—I was wandering around this town nearby while my kid took a violin lesson, and I thought of that. I'm like; wouldn't it be terrifying if you were on a bus, you know? And I thought it—like, I scared myself with this idea of how vulnerable she is at that moment in time. Like you said, it's a moment of safety, and it sort of is a little bit, because, you know, nobody can get her on the bus. But at the same time, if you read the prologue, you realize that, like, it's not really a moment of safety because—and then also, then I did that thing that makes her even more vulnerable. And that's the thing that scared me. Like, I'm like, oh, that would be really bad. And then I sort of filed that away in my head until I figured out what book it fit in.Jennie NashOh yeah, it's brutal. It's a brutal moment.Sarina BowenBut then—but that actual scene, like, that is a really long bus ride, and I had to keep cutting that scene. Like, I wrote it, and I cut it down, and I cut it down, and I cut it down, because I didn't want it to drag. And it was actually really hard to get that right. But people mention that scene to me a lot, so I'm staying—and they don't say, hey, that scene lasted too long.Jennie NashNo—well, when I say it's a moment of safety, it's—what I mean is, she's gotten away from the immediate threat. So there's a—there's a chance to sort of take a little bit of a deep breath. But as it goes on and on, it—that scene—she's on all the different buses, is what I mean. She's moving toward- like, there's a lot that could be really bad. So it was great. So to wrap up, can you tell us what you want to tell us about Dying to Meet You? So to entice those who like to be—match wits with the writer and be in a tense thriller, and there's a sort of haunted house vibe to this one. Tell us. Tell us about this book.Sarina BowenYeah, so—who doesn't love a creepy old mansion? That's kind of what this book is about. But also, the dedication to this book tells, like, a lot of what I was thinking about when I wrote it. And the dedication is to my sons: "Thank you for sharing your location with me so that I could think up the terrifying plot of this book." And when there's—when my older son had got his—got an e-bike is when I first opened the—that app where I could see his location, because I wanted to make sure he got places safely, because I was really terrified. But that—the weird thing of being able to watch him in real time, like his—the blue dot move on the map—um, I thought that was, like, so existentially creepy. And I just thought—kept thinking to myself, like, what's the worst thing that could happen with this? Like, if I'm—if I find this creepy, you know, what if it really was, you know? And that's just kind of where I went from that. And it turned out to be a really good time.Jennie NashMy husband likes this app called FlightAware that tracks the airplanes. And when my children fly, he's always saying, "Oh, they're over wherever." And I'm like, nope, nope. I want none of this information. I do not wish to know where in the sky my child is hanging,Sarina BowenRight.Jennie NashI don't wish to know that.Sarina BowenYeah, I get it. I get it.Jennie NashSo, Dying to Meet You—out now. So good. Before that, The Five Year Lie. There's a third one coming that you'll be writing soon. So we get Sarina Bowen—romance, thriller, back and forth for the foreseeable future?Sarina BowenI hope so. Let's keep it going.Jennie NashAwesome. Well, thank you for chatting about genre and how you do it. It's always fun to get inside your brain. And for our listeners—until next time, keep your butt in the chair and your head in the game.Jess LaheyThe Hashtag AmWriting Podcast is produced by Andrew Perella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

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“The Jewish voice must be heard, not because it's more right or less right, but it's there. The suffering is there, the grief is there, and human grief is human grief.” As Jews around the world mark Tisha B'Av, we're joined by Columbia University professor and award-winning poet Owen Lewis, whose new collection, “A Prayer of Six Wings,” offers a powerful reflection on grief in the aftermath of October 7th. In this conversation, Lewis explores the healing power of poetry in the face of trauma, what it means to be a Jewish professor in today's campus climate, and how poetry can foster empathy, encourage dialogue, and resist the pull of division. *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.   Listen – AJC Podcasts: The Forgotten Exodus: Untold stories of Jews who left or were driven from Arab nations and Iran People of the Pod:  Latest Episodes:  An Orange Tie and A Grieving Crowd: Comedian Yohay Sponder on Jewish Resilience From Broadway to Jewish Advocacy: Jonah Platt on Identity, Antisemitism, and Israel Sexual Violence as a Weapon of War: The Dinah Project's Quest to Hold Hamas Accountable Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript of the Interview:   Owen Lewis:   Overheard in a New York Restaurant.   I can't talk about Israel tonight.    I know.    I can't not talk about Israel tonight.    I know.    Can we talk about . . .   Here? Sure. Let's try to talk about here.   Manya Brachear Pashman:   On Saturday night, Jews around the world will commemorate Tisha B'av. Known as the saddest day on the Jewish calendar, the culmination of a three week period of mourning to commemorate several tragedies throughout early Jewish history.  As a list of tragedies throughout modern Jewish history has continued to grow, many people spend this day fasting, listening to the book of Lamentations in synagogue, or visiting the graves of loved ones. Some might spend the day reading poetry.  Owen Lewis is a Professor of Psychiatry in the Department of Medical Humanities and Ethics at Columbia University. But he's also the award-winning author of four poetry collections which have won accolades, including the EE Cummings Prize and the Rumi Prize for Poetry.  His most recent collection, A Prayer of Six Wings documents in verse his grief since the October 7 terror attacks. Owen is with us now to talk about the role of poetry in times of violence and war, what it's been like to be a Jewish professor on the Columbia campus, and a Jewish father with children and grandchildren in Israel. And also, how to keep writing amid a climate of rising antisemitism. Owen, welcome to People of the Pod. Owen Lewis:   Thank you so much, Manya. Manya Brachear Pashman:   So you opened with that short poem titled overheard in a New York restaurant. I asked you to read that because I wanted to ask whether it reflected how you felt about poetry after October 7.  Did you find yourself in a place where you couldn't write about Israel, but yet you couldn't not write about Israel? Owen Lewis:   Among the many difficult things of that First Year, not only the war, not only the flagrant attacks on the posters of the hostages one block from where I live, 79th and Broadway, every day, taken down every day, put back up again, defaced. It was as if the war were being fought right here on 79th and Broadway.  Another aspect that made this all so painful was watching the artistic and literary world turn against Israel. This past spring, 2000 writers and artists signed a petition, it was published, there was an oped about it in The Times, boycotting Israeli cultural institutions.  And I thought: artists don't have a right to shut their ears. We all need to listen to each other's grief, and if we poets and artists can't listen to one another, what do we expect of statesmen? Statesmen, yeah, they can create a ceasefire. That's not the same as creating peace. And peace can only come when we really listen to each other. To feel ostracized by the poetry community and the intellectual community was very painful. Fortunately, last summer, as well as this past summer, I was a fellow at the Yetzirah conference. Yetzirah is an organization of Jewish American poets, although we're starting to branch out. And this kind of in-gathering of like-minded people gave me so much strength.  So this dilemma, I can't talk about it, because we just can't take the trauma. We can't take hearing one more thing about it, but not talk about it…it's a compulsion to talk about it, and that's a way to process trauma. And that was the same with this poetry, this particular book.  I feel in many ways, it just kind of blew through me, and it was at the same time it blew through me, created this container in which I could express myself, and it actually held me together for that year. I mean, still, in many ways, the writing does that, but not as immediately and acutely as I felt that year.  Manya Brachear Pashman:   This book has been praised as not being for the ideological but for the intellectually and emotionally engaged. So it's not it's not something that ideologically minded readers will necessarily be able to connect to, or is it actually quite the opposite?  Owen Lewis:  Well, it's very much written from the gut, from the experience, from in a sense, being on the ground, both in Israel and here in New York and on campus, and trying to keep a presence in the world of poetry and writers. So what comes from emotion should speak to emotion. There are a few wisps of political statements, but it's not essentially a politically motivated piece of writing.  I feel that I have no problem keeping my sympathies with Israel and with Jews. I can still be critical of aspects of the government, and my sympathies can also be with the thousands of Palestinians, killed, hurt, displaced. I don't see a contradiction. I don't have to take sides.  But the first poem is called My Partisan Grief, and it begins on October 7. I was originally going to call the bookMy Partisan Grief, because I felt that American, Jewish, and Israeli grief was being silenced, was being marginalized. And I wanted to say, this is our grief. Listen to it. You must listen to this. It doesn't privilege this grief over another grief. Grief is grief. But I wanted ultimately to move past that title into something broader, more encompassing, more humanitarian. Manya Brachear Pashman:  And did that decision come as the death toll in Gaza rose and this war kept going and going and the hostages remained in captivity, did that kind of sway your thinking in terms of how to approach the book and frame it?  Owen Lewis:  Yes, but even more than those kind of headlines, which can be impersonal, the poetry of some remarkable Palestinian poets move me into a broader look. Abu Toha was first one who comes to mind Fady Joudah, who's also a physician, by the way. I mean his poetry, I mean many others, but it's gorgeous, moving poetry.  Some of it is a diatribe, and you know, some of it is ideological, and people can do that with poetry, but when poetry really drills down into human experience, that's what I find so compelling and moving. And that's what I think can move the peace process. I know it sounds quite idealistic, but I really think poetry has a role in the peace process here. Manya Brachear Pashman:  I want to I want to unpack that a little bit later. But first, I want to go back to the protests that were roiling Columbia's campus over the past year and a half, two years. What was it like to be, one, writing this book, but also, teaching on campus as a Jewish professor?  Owen Lewis:  Most of my teaching takes place up at the Medical Center at 168th Street. And there I have to say, I didn't feel battered in any way by what was happening. I had a very shocking experience. I had a meeting that I needed to attend on, or that had been scheduled, I hadn't been quite paying attention. I mean, I knew about the encampments, but I hadn't seen them, and I come face to face with a blocked campus. I couldn't get on the campus. And what I'm staring at are signs to the effect, send the Jews back to Poland. I'm thinking, Where am I? What is this? I mean, protest, sure. I mean we expect undergraduates, we expect humans, to protest when things really aren't fair. But what did this have to do…why invoke the Holocaust and re-invoke it, as if to imply the Jews should be punished? All Jews.  And what it fails to account for are the diversity of Jewish opinion. And you know, for some Jews, it's a black or white matter, but for most thinking Jews that I know, we all struggle very much with a loyalty to Israel, to the Jewish people, to the homeland and larger humanitarian values. So that was quite a shock. And I wrote a piece called “The Scars of Encampment,” in which I say, I can't unsee that. " And I go to campus, and, okay, it's a little bit more security to get onto campus. It's a beautiful campus. It's like an oasis there, but at the same time, I'm seeing what was as if it still is. And in a way, that's the nature of trauma that things from the past just roil and are present with almost as much emotion as when first encountered. Manya Brachear Pashman:  So did you need to tune out those voices, or did that fuel your work? Owen Lewis:  No, that fueled my work. I mean, if anything, it made me feel much more, a sense of mission with this book. And a commitment, despite criticism that I may receive, and no position I take is that outlandish, except to sympathize with the murdered on October 7th, to sympathize with their families, to resonate with what it must be like to have family members as hostages in brutal, brutal conditions. Not knowing whether they're dead or alive. So I really felt that the Jewish voice must be heard, not because it's more right or less right, but it's there. The suffering is there, the grief is there, and human grief is human grief. Manya Brachear Pashman:  Owen, if you wouldn't mind reading another poem from the collection. Of course, many of us remember the news out of Israel on Thanksgiving Day 2023, right after October 7th. And this poem is titled, “Waiting for the Next Release, Reported by the New York Times, November 23 2023”. Owen Lewis:  Waiting For the Next Release, Reported N.Y. Times, Nov. 23, 2023    Maybe tomorrow, if distrust  doesn't flare like a missile,  some families will be reunited.    How awful this lottery of choice; Solomon would not deliberate. Poster faces always before my eyes,   Among them, Emma & Yuli Cunio.  Twins age 3, Raz Katz-Asher, age 4, Ariel Bibas, another four year old.    What do their four year old minds make  of captivity? What will they say? What would my Noa say?    What will the other Noas say?  Remembering Noa Argamani, age 26,  thrown across the motorcycle    to laughter and Hamas joy.   I have almost forgotten this American day,  Thanks- giving,   With its cornucopian harvests,  I am thinking of the cornucopian  jails of human bounty.    (What matter now who is to blame?) Manya Brachear Pashman:  Really beautiful, and it really captures all of our emotions that day. You have children and grandchildren in Israel, as I mentioned and as you mentioned in that poem, your granddaughter, Noa. So your grief and your fear, it's not only a collective grief and fear that we all share, but also very personal, which you weave throughout the collection.  In another poem, “In a Van to JFK”, you talk about just wanting to spend one more hour with your family before they fly off to Israel. And it's very moving.  But in addition to many of the poems, like the one you just read, they are based on and somewhat named for newspaper headlines, you said that kind of establishes a timeline. But are there other reasons why you transformed those headlines into verse? Owen Lewis:  Yes, William Carlos Williams in his poem Asphodel, says, and I'm going to paraphrase it badly. You won't get news from poems yet, men die every day for wanting what is found there. And I think it's a very interesting juxtaposition of journalism and poetry. And I mean, I'm not writing news, I'm writing where my reflections, where my heart, goes in response to the news, and trying to bring another element to the news that, you know, we were confronted.  I mean, in any time of high stress, you swear off – I'm not watching any more TV. I'm not even gonna look at the newspaper. And then, of course, you do. I can't talk about Israel today. I can't not talk about it. I can't read the paper. I can't not read the paper. It's kind of that back and forth. But what is driving that? And so I'm trying to get at that next dimension of what's resonating behind each one of these headlines, or resonating for me. I mean, I'm not claiming this is an interpretation of news. It's my reaction, but people do react, and there's that other dimension to headlines. Manya Brachear Pashman:  That seems like it might be therapeutic, no? Owen Lewis:  Oh, totally, totally. You know, I'm very fortunate that having started a career in medicine, in psychiatry, and particularly in child and adolescent psychiatry. I always had one foot in the door academically. I spent, you know, my life as, I still teach, but I'm very fortunate to have, maybe 10+ years ago, been introduced to a basically a woman who created the field of Narrative Medicine, Rita Sharon. And now at Columbia in the medical school, we have a free-standing Department of Medical Humanities and Ethics, of which she's chairman.  So I've had the fortune of bringing psychiatry and medicine and writing together in a very integrated way. And yes, writing is therapeutic, especially, I could say in medicine, which has given itself over to electronic medical record keeping, but our whole society is moving towards the electronic. And what happens when you sit and write, and what happens when you then sit and read, you reflect. Your mind engages in a different way that is a bit slower than the fast pace of electronic communications and instant communications and instant thinking. And now with AI, instant analysis of any situation you want to feed data from.  So that's sorely lacking in the human experience. And the act of writing, the act of reading has huge therapeutic values, huge salutary benefits for humans in general, but particularly in times of stress. In a lot of work on Post Traumatic Stress Disorder, finding an outlet, an artistic outlet, it doesn't have to be writing, but that's often a way of transcending the trauma.  And medicine is filled with trauma. People trying to come to terms with acute illnesses, chronic illnesses. Doctors and caregivers trying to come to terms with what they can and can't do. And you know, we're coming up against limitations. But how do you make peace with those limitations? And it's not that it's a magical panacea, but it's a process of engagement, not only with the subject, but with yourself in relation to the subject. Manya Brachear Pashman:  I mean, I imagine dialogue is really the healthiest way of conversation and speaking through and interacting with a topic. And so I would imagine poetry, or, as you said, any art form, responding to news reports, it makes that a two way conversation when you're able to process and it's not just the headlines shouting at you, you're actually interacting and processing it by writing and reaction, or painting and reaction, whatever you choose to do. Owen Lewis:  Exactly. Manya Brachear Pashman:  You have said that poetry can serve a purpose during times of war. Is this one of the purposes to to be therapeutic or are you talking more in terms of what statesmen could learn from it?  Owen Lewis:  Well, yes, of course, what statesmen could learn from it, but it's human nature to want to take sides. I mean, that's kind of just what we do. But I think we can always do better than that. So I'm really talking about the people. I mean, there are also many Jews who are so angry at Israel that they can't listen to the story of Jewish grief. They should be reading mine and others poetries from this era. I wish the Palestinian poets were. I wish the Palestinian people. I mean, of course, in their current situation, they don't have time when you're starving, when you're looking for your next glass of fresh water. You don't have time for anything beyond survival.  But once we get beyond that, how long are these positions going to be hardened. I mean, I think when the people of all sides of the dilemma really listen to the others, I mean, they're, I mean, if, unless as Hamas has expressed, you know, wants to push Israel into the sea, if Israel is going to coexist with the Palestinian people, whether they're in a nation or not in a nation, each has to listen to the other.  And it's, you know, it's not one side is right, one side is wrong. It's far too complex a history to reduce it to that kind of simplicity. And I think poetry, everyone's poetry, gets at the complexity of experience, which includes wanting to take sides and questioning your wanting to take sides and moving towards something more humanitarian.  Manya Brachear Pashman:  You said earlier, you recommend Abu Toha, Fady Joudah, two Palestinian poets who have written some beautiful verse about– tragically beautiful verse–about what's happening. But there have been some really deep rifts in the literary world over this war. I mean, as you mentioned before, there was a letter written by authors and entertainers who pledged to boycott Israeli cultural institutions. Some authors have refused to sell rights to their books to publishers in Israel. So why not reciprocate? And I know the answer. I think you've already addressed it pretty well. What's wrong with that approach? Owen Lewis:  In any conflict, there are at least three sides to the conflict. I mean, claims to nationhood, claims to who shoved first, who. I mean, you don't entangle things by aggressively reacting. I mean, if we learned anything from Mahatma Gandhi, it's what happens when we don't retaliate, right? And what happens when we go the extra mile to create bridges and connections.  There are a host of people in Israel who continue to help Palestinians get to medical facilities, driving them back and forth, working for peace. I mean, there's a Palestinian on the Supreme Court of Israel, and well, he should be there. You know, that's the part of Israel that I am deeply proud of. So why not retaliate? I think it entrenches positions and never moves anything forward. Manya Brachear Pashman:  So have you gotten any negative feedback from your writing colleagues? Owen Lewis:  Some cold shoulders, yes. I mean not nothing overtly. I haven't been slammed in a review yet. Maybe that's coming. But when I publish pieces, I tend not to look at them. I had an oped in the LA Times. I've had some other pieces, you know, that precipitates blogs, and I started to read them.  And the first blog that came off of the the LA Times oped was, God, is he an opportunist, just taking advantage of having a daughter in Israel? And trying to make a name for himself or something. And I said, You know what, you can't put yourself out and take a position without getting some kind of flack. So occasionally, those things filter back, it's par for the course. Manya Brachear Pashman:  Right, not really worth reading some of those. You included Midrash in this book. You also spelled God in the traditional sense in the poems. Why did you choose to do that? Owen Lewis:  Well, I felt it honors a tradition of Jewish writing. It mean we have yud, hey, vav, hey, you know, which in English comes down as Yahweh, but it's unpronounceable. The name of God is unpronounceable. And, you know, yud, hey, vav, hey is just a representation. It isn't God's name. And there's a tradition that the name of God, when it's written down, can't be destroyed. And it's a way of honoring that tradition. Millennium of Jewish writers, you know, it's similar to say Elokim, instead of Elohim when the text is written. To sort of substitute. We know what we're talking about, but really to honor tradition, to pay respect and sort of to stay in the mind frame that, if there is a God, he, she, they, are unknowable. And somehow it creates, for me, a little bit of that mystery by leaving a letter out. It's like, G, O, D, seems more knowable than G-d. It's leaving that white space right for something bigger, grander, and mysterious, for the presence of that  right in the word itself. Manya Brachear Pashman:  And what about including Midrash? Owen Lewis: That's a very interesting question. You know Midrash for me, when you steep yourself in traditional Midrash, there's stories that exemplify principles and they fill in gaps. I mean, some of the most important. I mean, we have this notion of Abraham breaking the idols of his father before he left. No. That's Midrash, thats not in the Torah. And yet, nine out of ten Jews will say that's in the Torah, right? So, it kind of expands our understanding of the traditional text. But it also very much allows a writer to creatively engage with the text and expand it. It's like a commentary, but it's a commentary in story, and it's a commentary in terms that evoke human responses, not necessarily intellectual responses. So frankly, I think it's every Jews' responsibility to write Midrash. That reinvigorates the stories, the texts, and the meanings, and then we write midrashes upon midrashes. And you know, we get a whole community buzzing about a single story. Manya Brachear Pashman:  Which is very much what you've done with this collection, you know, writing poetry in response to news stories and engaging it in that way. It's very Jewish response, I would argue.  Do you observe Tisha B'av? Owen Lewis:  You know what I do. You're gonna laugh. My grandmother always warned us, don't go in the water on Tisha B'av, the sea will swallow you up. So I'm a big swimmer. I love swimming. I don't swim on Tisha B'av, because I hear my grandmother's voice, I'm going to be swallowed up. Manya Brachear Pashman:  If you could please wrap up this conversation by sharing a poem of your choice from your latest collection. Owen Lewis:  A poem I love to read again starts with a headline.   2000 Pound Bombs Drop, Reported N.Y. Times, Dec,, 22 2023.   In Khan Younis, the call to prayer  is the call of a dazed Palestinian child crying baba, standing at the brim of a cavernous pit of rubble   biting his knuckles–baba, baba . . .  It's so close to the abba of the dazed  Israeli children of Be'eri, Kfar Azza. There is no comfort. From his uncles   he's heard the calls for revenge– for his home and school, for his bed  of nighttime stories, for his nana's  whisper-song of G-d's many names.   His Allah, his neighbor's Adonai,  cry the same tears for death  and shun more blood. No miracle these waters turning red. Who called forth    the fleets of avenging angels? By viral post: Jewish Plagues on Gaza! A firstborn lost,  then a second, a third. What other plagues  pass over? Hail from the tepid sky?   From on high it falls and keeps falling.  Though we've “seen terrible things,” will you tell us, Adonai, Allah, tell us– do You remember the forgotten promise?   From the pile once home of rubble stone, a father's hand reaching out, baba, abba crushed by the load. We know the silence  of the lost child . . . G-d “has injured us   but will bind up our wounds . . .” Mothers  Look for us, called by the name yamma, calling  the name imma. Our father of mercy, not the god of sacrifice. Our many crying heads explode. Manya Brachear Pashman:   Owen Lewis, thank you so much for talking to us about how this book came about and for sharing some of these verses. Owen Lewis:   Thank you so much. Manya Brachear Pashman: If you missed last week's episode, be sure to listen to my conversation with Israeli comedian Yohay Sponder on the sidelines of AJC Global Forum 2025. Hear how his Jewish identity shapes his work, how his comedy has evolved since the Hamas terror attacks, and what he says to those who try to silence him.

#1 New York Times bestselling author Josie Silver spoke to me about the laptop that changed her life, overcoming adversity early on, and her latest ghost-hunting rom-com CRAZY SPOOKY LOVE. Josie Silver is the #1 New York Times bestselling author of One Day in December, The Two Lives of Lydia Bird, One Night on the Island, and A Winter in New York, and her books have been published in over 25 languages. Her latest novel, CRAZY SPOOKY LOVE (September 2, 2025), features a plucky medium, her fame-chasing ex, and an infuriatingly handsome skeptic reporter in a ghost-hunting series full of romance and humor. Although Josie Silver burst onto the scene with her smash-hit debut romance, One Day in December in 2018, she had published books before—just under a different name, and never in the U.S. She tells me that story here. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Josie Silver and I discussed: How she wrote on maternity leave, won a contest, and got an agent Why she couldn't imagine doing anything else amidst multiple rejections The need for authors to reinvent themselves often How her latest protagonist strolled into her imagination fully formed Rewriting a previously published work for a new set of editors And a lot more! Show Notes: josiesilver.com Crazy Spooky Love: A Melody Bittersweet Novel (Melody Bittersweet, 1) – September 2, 2025 – by Josie Silver (Amazon) Josie Silver Amazon Author Page Josie Silver on Twitter/X Josie Silver on Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's show is sponsored in part by EPIC-MRA Public Opinion Research MIRS News

If there are three true outcomes in baseball, this Mariners bomber had two of them (the HRs and Ks) nailed.Card 285 on Beckett - https://marketplace.beckett.com/item/1082/1988-topps-285-jim-presley_53873437Escambia Mascot Riots in 1976 New York Times - https://www.nytimes.com/1976/03/07/archives/racial-animosity-turns-to-violence-in-pensacola-fla-on-issue-of.html Opening Day Walk Off Grand Slam - https://youtu.be/b34n3DBbiIg?si=rFPrEBtb43HJ_O6g 2nd Walk off Grand Slam - https://www.mlb.com/video/presley-s-walk-off-slam-in-11th-c1709636783 2016 Interview with Jim - https://www.kvue.com/article/sports/one-on-one-with-express-coach-jim-presley/269-270797388 

If you're an action, adventure, or adrenaline junkie, then surely you've heard of or seen the insanity that is Mad Max: Fury Road. George Miller ratchets the dial well past its maximum setting in his fourth installment of a saga he hadn't touched in thirty years. Or so you think…Kyle Buchanan, pop culture reporter and awards season columnist at the New York Times, captures over 130 perspectives from cast and crew while detailing the film's decades long development and production in his book, “Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road.” Listen as Kyle joins Nick and Sophia to celebrate the movie's 10th anniversary in a high octane conversation about his book and their favorite moments onscreen, including: Charlize Theron and Tom Hardy's tense relationship on set, the magnificently constructed set pieces including all of the monstrous vehicles, the eye-popping practical visual effects, and many more! Follow Kyle @nytimes and on socials @kylebuchananFollow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Nick @sauerkraut27Follow Sophia @sophia_cimMusic: “The Greatest Adventure” by Jonathan Adamich

You can purchase your own copy of The Lives of the Muses: Nine Women and the Artists They Inspired HERE.Francine Prose is a renowned American author and critic. She has published several non-fiction books, including The Lives of the Muses, as well as several novels, essays, and short-stories. She has also contributed works to major publications such as The New York Times and The New Yorker. Her novel Blue Angel was a finalist for the National Book award, and her novel A Changed Man, won the Dayton Literary Peace Prize. Prose is also the former president of PEN American Center and holds the title of Distinguished Writer in Residence at Bard College, where she is currently a professor. If you have not yet listened to ArtMuse's episodes on Elizabeth Siddall and Gala Dali, you can find these episodes by searching for ArtMuse on all streaming platforms, as well as on our website: www.artmusepodcast.com. Be sure to follow ArtMuse on Instagram & TikTok. Donate to ArtMuse HERE.ArtMuse is produced by Kula Production Company.Today's episode was written by host Grace Anna.There are accompanying images, resources and suggestions for further reading on the ArtMuse website and Instagram.

It was the first ever blockbuster, capturing an entire generation, becoming a cultural phenomenon and turning 50 this year! Jaws continues to enthrall audiences along with that iconic menacing soundtrack. Steven Spielberg was just 27 when he directed Jaws and changed the course of cinema with a mechanical shark. New York Times film critic Alissa Wilkinson has written about how Jaws changed the course of cinema, why it endures and whether the film would be made today. She speaks with Perlina Lau.

After rolling back a slew of regulations aimed at reversing climate change, and pulling funding for the scientists who monitor it, the Trump administration is now taking its boldest action yet.It's eliminating the scientific finding at the heart of the government's ability to fight climate change in the first place.Lisa Friedman, who covers climate policy, discusses the history of the finding, what it did and what happens once it's gone.Guest: Lisa Friedman, a reporter covering climate policy and politics at The New York Times.Background reading: In a game-changing climate rollback, the E.P.A. aims to kill a bedrock scientific finding.For more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. Photo: Ulysse Bellier/Agence France-Presse — Getty Images Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

On Wednesday's Mark Levin Show, Zohran Mamdani recently returned from a lavish, expensive wedding in Uganda featuring a walled estate and armed guards, funded by capitalists rather than the government. He portrays himself as the victim while yelling at Andrew Cuomo and Eric Adams. Don't believe a word Mamdani says, he would defund the police and disarm the citizen. Rep Mike Lawler calls in to discuss limousine liberal, trust fund baby Mamdani. Lawler warns that Mamdani becoming mayor of New York City would undermine safety and well-being, harming the city and country.  Later, in On Power there were early debates among Hamilton, Madison, and Jefferson on interpreting the U.S. Constitution. Despite Hamilton's role in authoring the Federalist Papers to promote ratification and his advocacy for a strong national government, he proposed ideas like lifetime Senate and presidential terms, which were rejected. Afterward, David Friedman joins the show to express alarm at the unprecedented levels of anti-Semitism and hatred toward Israel, which is worsening monthly and fueled by media misinformation, such as the New York Times falsely portraying a congenitally ill child as starving due to Israel. Also, recognizing Palestine as a state incentivizes Hamas to continue without concessions, making hostage releases harder despite pleas from families. Finally, Steve Hilton calls in to discuss his run for California Governor and Kamala Harris' announcement that she won't run for Governor. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today our pal Eddie Kaufholz and I keep talking about our summer, Eddie's new tattoo, and what it's like to go on a cruise. We also need to know the perfect time of a day for soft serve ice cream. I would love to know your answer. . . . . . Want to watch this episode on YouTube? Head on over to our YouTube Channel and be sure to like and subscribe!  . . . . . Sign up to receive the AFD Week In Review email and ask questions to future guests! #thatsoundsfunpodcast . . . . . Thank you to our sponsors! Shopify: Sign up for your one-dollar-per-month trial and start selling today at shopify.com/soundsfun.  Helix Sleep: Go to helixsleep.com/thatsoundsfun for 20% off sitewide. Make sure you enter our show name after checkout so they know we sent you! NIV Application Bible: Save an additional 10% on any NIV Application Bible and NIV Application Commentary Resources by visiting faithgateway.com/NIVAB and use promo code THATSOUNDSFUN. Thrive Market: Head over to ThriveMarket.com/THATSOUNDSFUN to get 30% off your first order and a FREE $60 gift. If you'd like to partner with Annie as a sponsor for the That Sounds Fun podcast, fill out our Advertise With Us form! . . . . . NYTimes bestselling Christian author, speaker, and host of popular Christian podcast, That Sounds Fun Podcast, Annie F. Downs shares with you some of her favorite things: new books, faith conversations, entertainers not to miss, and interviews with friends. #thatsoundsfunpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

What does Ryan Coogler's vampire movie “Sinners” have in common with the Drake-Kendrick beef? Wesley has a theory that he's been sitting with for weeks. He shares it with the writer Rembert Browne, and together they consider the vampiric threats facing Black art in America right now.Thoughts? Email us at cannonball@nytimes.comWatch our show on YouTube: youtube.com/@CannonballPodcastFor transcripts and more, visit: nytimes.com/cannonball Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

This is one of the single best conversations ever had on the podcast. Today, in honor of Dr. Jim Doty, Mel is sharing this episode on manifestation, neuroscience, and what's truly possible when you unlock the power of your mind and heart.Dr. Doty was truly an extraordinary human being who lived an extraordinary life.He was a world-renowned Stanford neurosurgeon and neuroscientist, a New York Times bestselling author, a philanthropist, and the founder of the Stanford Center for Compassion and Altruism Research. He also served as the chairman of the Dalai Lama Foundation.Dr. Doty recently passed away, and this conversation – recorded before his death — is part of his legacy. It is one of the most shared, listened to, and beloved episodes in the history of the podcast.In it, he explains the science behind manifesting and visualization: why it works, what's happening in your brain, and how to do it effectively.He also dives deep into the science behind creating the life you want, explains why your negative self-talk is holding you back, and how you can reprogram your brain using simple yet powerful tools rooted in neuroscience.Whether you've heard this episode before or it's your first time, Mel invites you to listen to this episode and to honor Dr. Doty by carrying his wisdom forward. His words will open your mind to the extraordinary possibilities of your life.For more resources, click here for the podcast episode page. To honor Dr. Doty's memory and see how his life touched so many, you can visit his memorial page here. If you liked the episode, check out this one next: Life Is Short (How to Spend It Wisely)Connect with Mel:  Get Mel's #1 bestselling book, The Let Them TheoryWatch the episodes on YouTubeFollow Mel on Instagram The Mel Robbins Podcast InstagramMel's TikTok Sign up for Mel's personal letter Subscribe to SiriusXM Podcasts+ to listen to new episodes ad-freeDisclaimer

This episode reveals how military-grade sound frequencies can rapidly shift your mental state, enhance neuroplasticity, and accelerate brain optimization. You'll learn how to hack your nervous system using real-time biometric data, how frequency compositions are changing functional medicine, and why sound is emerging as one of the most powerful tools for human performance and longevity. Watch this episode on YouTube for the full video experience: https://www.youtube.com/@DaveAspreyBPR Host Dave Asprey is joined by Rev. Michael Beckwith, founder of the internationally renowned Agape International Spiritual Center and one of the most respected voices in spiritual transformation and human potential. With over four decades of teaching, Michael has impacted millions through his work in consciousness, meditation, and high-performance inner development. Joining him is Henry Penix, founder of SOAAK Technologies, a cutting-edge frequency healing platform trusted by clinicians, elite performers, and even the US Air Force. Together, they explore how sound can rewire brainwaves, reduce anxiety, support sleep optimization, and create measurable changes in metabolism, mood, and mindset. You'll learn: • How the Air Force is using frequency tech to support mental recovery and cognitive performance • What makes SOAAK's custom sound compositions biologically effective • How sound impacts mitochondria, mood, and brainwave coherence • The link between sound healing, neuroplasticity, and high-performance states • Why hydration, supplements, and biohacking stacks boost sound-based protocols • The surprising connection between prayer, frequency, and emotional regulation • How to integrate sound biohacks with fasting, ketosis, sleep tools, and nootropics • Why this tech pairs with cold therapy, Danger Coffee, and smarter not harder principles This channel is a must-listen for anyone serious about hacking their biology, upgrading cognitive performance, and using unconventional tools to create lasting transformation. Whether you're tracking HRV, optimizing for deep sleep, or working toward metabolic resilience, these conversations deliver insights you won't hear anywhere else. Dave Asprey is a four-time New York Times bestselling author, founder of Bulletproof Coffee, and the father of biohacking. With over 1,000 interviews and 1 million monthly listeners, The Human Upgrade is the top podcast for people who want to take control of their biology, extend their longevity, and optimize every system in the body and mind. Each episode features cutting-edge insights in health, performance, neuroscience, supplements, nutrition, hacking, emotional intelligence, and conscious living. Episodes are released every Tuesday, Thursday, and Friday where Dave asks the questions no one else dares, and brings you real tools to become more resilient, aware, and high performing. Thank you to our sponsors! Leela Quantum Tech | Head to https://leelaq.com/DAVE for 10% off. Active Skin Repair | Visit http://activeskinrepair.com/ to learn more and use code DAVE to get 20% off your order. ARMRA | Go to https://tryarmra.com/ and use the code DAVE to get 15% off your first order Resources: • SOAAK Website: https://www.soaak.com/dave • Dave Asprey's Website: https://daveasprey.com • Danger Coffee: https://dangercoffee.com/DAVE15 • Dave Asprey's BEYOND Conference: https://beyondconference.com • Dave Asprey's New Book – Heavily Meditated: https://daveasprey.com/heavily-meditated • Upgrade Collective: https://www.ourupgradecollective.com • Upgrade Labs: https://upgradelabs.com • 40 Years of Zen: https://40yearsofzen.com Timestamps: • 0:00 — Trailer • 1:00 — Intro • 2:42 — Humor & Frequency • 5:20 — Soak App Origins • 8:15 — Biometrics & Sound Delivery • 10:40 — Inner Alignment & Brain Mapping • 13:46 — Beckwith's Results • 19:44 — Sound & Biohacking • 23:32 — Mood & Sleep Shifts • 24:53 — Supplements & Water Synergy • 26:25 — Emotional Congruence • 29:49 — Frequency & Sexuality • 32:43 — Military & Medicine • 35:32 — Light, Sound & Quantum Effects • 40:34 — Analog vs. Digital Sound • 48:45 — Spiritual Experiences • 53:14 — Conclusion & CTA See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of “Sara Gonzales Unfiltered,” the Left's body positivity movement is now claiming that conservatives are the strange ones for wanting to stay fit. Also, U.S. Sen. Chuck Grassley (R-Iowa) — along with Attorney General Pam Bondi, FBI Director Kash Patel, Director of National Intelligence Tulsi Gabbard, and CIA Director John Ratcliffe — released a previously classified appendix to the Durham probe that further condemns Hillary Clinton and even implicates George Soros. Next, the victim of the Cincinnati attack has stepped forward to reveal the depth of her injuries. Finally, Nancy Pelosi has her feet put to the fire when asked about her husband's alleged insider trading.   Today's Guests: Sara is joined by Dallas County GOP Chairman Lt. Col. Allen West and Blaze News contributor Steve Baker.   Today's Sponsors:     Birch Gold: Just text my name, SARA, to the number 989898, and Birch Gold will send you a FREE info kit on gold.   Fauci Cover-Up: Watch the first FOUR episodes of “The Coverup” now before episode 5 drops at http://www.FauciCoverup.com/SARA and get $20 off your subscription. Learn more about your ad choices. Visit megaphone.fm/adchoices

New York Times bestselling author Amy Odell joins Kate to discuss her new book, Gwyneth: The Biography. Love her or hate her, Gwyneth Paltrow has managed to stay on the A-list, her influence spanning entertainment, fashion, and the modern wellness industry. Gwyneth was born to parents viewed as Hollywood royalty, and that immense privilege turned her into a target of backlash when, at just twenty-six, she won an Oscar. Rather than cave in to criticism, she leveraged the attention for valuable endorsement deals and film roles, eventually founding her controversial wellness and lifestyle company, Goop. Over the decades, she has participated in countless carefully managed interviews, but the real Gwyneth—the basis of her motives, desires, strengths, faults, and vulnerabilities—has never been fully revealed, until now. Based on exclusive conversations with more than 220 sources, including close current and former friends and colleagues, this deeply researched biography provides insight and behind-the-scenes details of her relationships, family, friendships, iconic films, and tenure as the CEO of Goop. Gwyneth offers the fascinating, definitive look at how Paltrow rose to prominence, stayed in the limelight, and shaped culture—for better or worse—for so long. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: https://www.tiktok.com/@itskatecasey?lang=en Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Does America have a moral obligation to the world? The former Department of Government Efficiency staffer Jeremy Lewin, now deputy administrator for the United States Agency for International Development, explains how he is implementing President Trump's foreign aid philosophy and what it means for humanitarian assistance going forward.01:59 - From the private sector to interviewing with Elon Musk09:18 - The rapid restructuring of U.S.A.I.D.19:44 - Lewin's critiques of U.S.A.I.D.'s focus25:15 - The most controversial cuts: humanitarian aid 29:50 - America's interests first, values-based interests second40:14 - What is the future vision for foreign aid?(A full transcript of this episode is available on the Times website.)Thoughts? Email us at interestingtimes@nytimes.com. Please subscribe to our YouTube Channel, Interesting Times with Ross Douthat. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Carl Zimmer joins to discuss Airborne: The Hidden History of the Life We Breathe, a book that excavates the forgotten science of airborne disease transmission—from Louis Pasteur's broth experiments to why COVID's airborne nature was dismissed by health authorities. Also : praise for the New York Times' recent  front-page study that honestly asses the failure of a cash transfer program to aid in childhood development. Produced by Corey Wara Production Coordinator Ashley Khan Email us at ⁠⁠⁠⁠thegist@mikepesca.com⁠⁠⁠⁠ To advertise on the show, contact ⁠⁠⁠⁠ad-sales@libsyn.com⁠⁠⁠⁠ or visit ⁠⁠⁠⁠https://advertising.libsyn.com/TheGist⁠⁠⁠⁠ Subscribe to The Gist: ⁠⁠⁠⁠https://subscribe.mikepesca.com/⁠⁠⁠⁠ Subscribe to The Gist Youtube Page: ⁠⁠⁠⁠https://www.youtube.com/channel/UC4_bh0wHgk2YfpKf4rg40_g⁠⁠⁠⁠ Subscribe to The Gist Instagram Page: ⁠⁠⁠⁠GIST INSTAGRAM⁠⁠⁠⁠ Follow The Gist List at: ⁠⁠⁠⁠Pesca⁠⁠⁠⁠ ⁠⁠⁠⁠Profundities | Mike Pesca | Substack

Scott speaks with Ezra Klein, New York Times columnist and host of The Ezra Klein Show, to discuss America's political crossroads. They talk about Trump's influence, the Democratic Party's leadership gap, and the growing divide among American Jews over Israel. Ezra also shares his thoughts on the future of democracy, rising nationalism, and how to rebuild trust in U.S. institutions. Follow Ezra Klein, @ezraklein. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Susie hasn't been this happy since we found out Luigi Mangioni's name thanks to the Coldplay cheaters on the kiss cam. We discuss how it's not the crime, but the cover-up once again that got them into trouble. We debate which concerts are cheater concerts, whether it's ok to make fun of people like them who go viral, and what we think will happen to them now. We talk about the Amy Bradley Is Missing documentary, the insanity of cruise "law" and security, and what we think happened to this woman who disappeared mysteriously from a cruise ship. Sarah explains why young people need more "little treats" than previous generations, and for once Susie defends younger generations. Plus, we hear about the Gilgo Beach Long Island serial killer's family, why they can't accept that he killed people despite the overwhelming evidence pointing to him.Brain Candy Podcast Website - https://thebraincandypodcast.com/Brain Candy Podcast Book Recommendations - https://thebraincandypodcast.com/books/Brain Candy Podcast Merchandise - https://thebraincandypodcast.com/candy-store/Brain Candy Podcast Candy Club - https://thebraincandypodcast.com/product/candy-club/Brain Candy Podcast Sponsor Codes - https://thebraincandypodcast.com/support-us/Brain Candy Podcast Social Media & Platforms:Brain Candy Podcast LIVE Interactive Trivia Nights - https://www.youtube.com/@BrainCandyPodcast/streamsBrain Candy Podcast Instagram: https://www.instagram.com/braincandypodcastHost Susie Meister Instagram: https://www.instagram.com/susiemeisterHost Sarah Rice Instagram: https://www.instagram.com/imsarahriceBrain Candy Podcast on X: https://www.x.com/braincandypodBrain Candy Podcast Patreon: https://www.patreon.com/braincandy (JOIN FREE - TONS OF REALITY TV CONTENT)Brain Candy Podcast Sponsors, partnerships, & Products that we love:Get $10 off your first month's subscription and free shipping when you go to https://nutrafol.com and enter the promo code BRAINCANDYThis episode is sponsored by BetterHelp. Get 10% off their first month at https://www.betterhelp.com/braincandyGo to https://thrivecausemetics.com/braincandy for an exclusive offer of 20% off your first order.For a limited time, get 40% off your first box PLUS get a free item in every box for life when you go to https://www.hungryroot.com/braincandy and use code BRAINCANDYSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What if success isn't just about working hard, but about creating your own opportunities?Today we're here with teen phenom and author of the new book, You Can Just Do Things, Jay Yang. I met Jay last year through our friend and past guest of the show, Noah Kagan. At 17, Jay sent Noah Kagan, founder of AppSumo, a 19-page pitch deck breaking down gaps in his social media and email marketing—and how to fix them. That landed him a role as Head of Content, where he led social media campaigns, including the one that made Million Dollar Weekend a New York Times bestseller.In the following months, Jay went ahead and wrote and published and launched a book himself. I love the gumption on this kid. Building six-figure brands before he could legally drink, Jay is all about taking action, and what he has to say is worth a close listen. Your procrastination and excuses don't stand a chance. On this episode with the prodigal young entrepreneur Jay Yang, you'll discover:How to balance deep work with constant demands of influencer cultureWhy mastering the art of cold outreach can be a superpower, especially for introvertsWhat skill stacks will be most relevant in an increasingly unpredictable futureWhy talent doesn't matter if you don't have the courage to fight for the opportunity to share it with the worldAnd much more…In this episode of The Abel James Show, we sit down with Jay Yang, a teenage prodigy and author of "You Can Just Do Things." Jay shares his journey from a high school student reaching out to Noah Kagan to help with marketing, to becoming an integral part of the launch of "Million Dollar Weekend," a New York Times bestseller. Jay's story is one of taking initiative, mastering the art of cold outreach, and understanding the importance of creating opportunities rather than waiting for them. We delve into his experiences with entrepreneurship, his decision to write and self-publish his own book, and his insights on the skills needed for future success.Jay also discusses the importance of balancing deep work with the demands of influencer culture, and how empathy and intentionality play crucial roles in successful marketing and entrepreneurship. He shares his thoughts on education, the value of college experiences, and how he navigated the decision to drop out after a year. Throughout the conversation, Jay emphasizes the significance of relentless learning, the courage to pursue one's unique path, and the power of building meaningful relationships. Join us as we explore these themes and more with the inspiring Jay Yang.I also want give a quick thank you to all of you who have reached out with well-wishes. (In case you missed the last episode, early this summer I was seriously injured in an a high-speed hit-and-run. I'm still recovering from a gnarly concussion, herniated discs, and ligament damage. The other driver fled, but I'm grateful to have a team of Docs and Pros helping me recover. I'm making good progress with physical and balance therapy and I'll keep you all updated.)This episode is brought to you by:Peluva - Go to Peluva.com/WILD to save 15% off your first pair. Fresh Pressed Olive Oil Club - Go to GetFreshAbel.com to get your $39 bottle for just $1 shipping.iRestore.com - Go to iRestore.com and save on the Illumina Face Mask by using the code WILD.To stay up to date on our next live events, masterminds, shows and more, sign up for my newsletter at AbelJames.com, and check out my Substack at abeljames.substack.com.

Katie talks to Lieutenant Colonel Daniel Davis about Gaza, Russia, Tulsi Gabbard, Epstein. But first Katie talks to Murad Awawdeh, President and CEO at the New York Immigration Coalition (NYIC) and Ron Kuby, a criminal defense Civil Rights lawyer about Trump's illegal war on immigrants and to doctors Feroze Sidhwa and Mark Perlmutter about their time in Gaza and Israel's starvation campaign. To see the rest of my discussion with Lt. Col. Daniel Davis, please join us on Patreon at - https://www.patreon.com/posts/patreon-lt-col-135269024 Lieutenant Colonel Daniel Davis is a four time 4x combat veteran, the author of Eleventh Hour in 2020 America and the host of the Daniel Davis Deep Dive on YouTube. He was one of the earliest military officers to publicly criticize the war in Afghanistan.In 2025, Davis was selected by Director of National Intelligence Tulsi Gabbard for appointment as deputy director for mission integration. Gabbard withdrew the selection prior to Davis' appointment after news of its pendency leaked, possibly over his criticism of Israel. Murad Awawdeh is a strategist, organizer, and advocacy expert currently serving as the President and CEO at the New York Immigration Coalition (NYIC). The son of Palestinian immigrants, Murad has dedicated over two decades of his life fighting for low-income communities of color across the State of New York. He grew up organizing to stop dangerous and hazardous developments in Sunset Park, Brooklyn, and engaging community residents to build power and bring transformational change to their neighborhoods Ron Kuby is a criminal defense and civil rights lawyer based in New York. Dr. Feroze Sidhwa, MD, is a general, trauma, and critical care surgeon from California, As a humanitarian surgeon, Dr. Sidhwa has not only worked extensively in Palestine, but also in Ukraine, Haiti, Zimbabwe, and Burkina Faso. He has written and spoken about his surgical humanitarian work, the United States' role in the Israeli-Palestinian conflict, and the political consequences of medical relief work. His op-eds have appeared in several major media outlets, including the New York Times. Dr. Mark Perlmutter, MD, is a Jewish orthopedic and hand surgeon from North Carolina. He has worked in conflict zones around the world for decades. Watch me live on youtube every Tuesday at 7PM EST https://www.youtube.com/TheKatieHalperShow Subscribe so you don't miss livestreams and daily clips https://www.youtube.com/TheKatieHalperShow Support my work and get exclusive interviews https://www.patreon.com/thekatiehalpershow Listen to, rate & review my podcast! The Katie Halper Show on Itunes follow me on Twitter! http://twitter.com/kthalps

Sarah Kliff, investigative health care reporter for the New York Times, talks about her new reporting on an uptick in health insurers denying prescription drug claims over the last decade.

The Trump EPA radically revises regulations over greenhouse gas emissions, and we're joined by Energy Secretary Chris Wright to discuss the energy revolution; Cory Booker gets performative on the Senate floor; and The New York Times admits a horrifying screw-up in its Gaza coverage. Click here to join the member-exclusive portion of my show: https://bit.ly/3WDjgHE Ep.2249 - - - Facts Don't Care About Your Feelings - - - DailyWire+: Watch Journey to the UFC: Joe Pyfer now—streaming exclusively on DailyWire+. My new book, “Lions and Scavengers,” drops September 2nd—pre-order today at https://dailywire.com/benshapiro Get your Ben Shapiro merch here: https://bit.ly/3TAu2cw - - - Today's Sponsors: Perplexity - Perplexity is an AI-powered answer engine that searches the internet to deliver fast, unbiased, high-quality answers, with sources and in-line citations. Ask Perplexity anything here: https://pplx.ai/benshapiro PureTalk - Switch to PureTalk and start saving today! Visit https://PureTalk.com/SHAPIRO Lumen - Go to https://lumen.me/SHAPIRO to get 10% off your Lumen. CovePure - Go to https://covepure.com/shapiro to get $200 off. One Nation America - Learn more at https://OneNationAmerica.org - - - Socials: Follow on Twitter: https://bit.ly/3cXUn53  Follow on Instagram: https://bit.ly/3QtuibJ  Follow on Facebook: https://bit.ly/3TTirqd  Subscribe on YouTube: https://bit.ly/3RPyBiB - - - Privacy Policy: https://www.dailywire.com/privacy Learn more about your ad choices. Visit megaphone.fm/adchoices

The Trump EPA radically revises regulations over greenhouse gas emissions, and we're joined by Energy Secretary Chris Wright to discuss the energy revolution; Cory Booker gets performative on the Senate floor; and The New York Times admits a horrifying screw-up in its Gaza coverage. Click here to join the member-exclusive portion of my show: https://bit.ly/3WDjgHE Ep.2249 - - - Facts Don't Care About Your Feelings - - - DailyWire+: Watch Journey to the UFC: Joe Pyfer now—streaming exclusively on DailyWire+. My new book, “Lions and Scavengers,” drops September 2nd—pre-order today at https://dailywire.com/benshapiro Get your Ben Shapiro merch here: https://bit.ly/3TAu2cw - - - Today's Sponsors: Perplexity - Go to https://helixsleep.com/klavan to get an exclusive discount. PureTalk - Switch to PureTalk and start saving today! Visit https://PureTalk.com/SHAPIRO Lumen - Go to https://lumen.me/SHAPIRO to get 10% off your Lumen. CovePure - Go to https://covepure.com/shapiro to get $200 off. One Nation America - Learn more at https://OneNationAmerica.org - - - Socials: Follow on Twitter: https://bit.ly/3cXUn53 Follow on Instagram: https://bit.ly/3QtuibJ Follow on Facebook: https://bit.ly/3TTirqd Subscribe on YouTube: https://bit.ly/3RPyBiB - - - Privacy Policy: https://www.dailywire.com/privacy