Podcasts about open studios

What does it really mean to live a musical life?As we look ahead to 2026, Adam and Peter talk about music as a way of being. Not a checklist, or a finish line, or something reserved for “professionals.” They share why they believe everyone is a musician, and why taste and curiosity matter more than optimization.Whether you're a musician, or a lover of music, anyone can lead a musical life.00:00 - How to Live a Musical Life in 202607:00 - There is No Finish Line08:45 - All Humans Are Musicians19:10 - Find Your Own Taste28:00 - How We Choose Topics for You'll Hear It Play better in 2026 and beyond at Open Studio. Join today with our last BIG savings of the year at openstudiojazz.com/yhi

Prince's Sign O' the Times is one of our most requested albums at You'll Hear It. But, there is a certain window of millennial that doesn't really "get" Prince. If that's you, this episode is your on ramp into his music. We start with Prince's earliest albums, tracing his incredible run from 1978 through to 1986. By the time we hit 1987 (around the time our dear mid-millennials were born), you can hear exactly why Sign O' the Times has become so beloved by critics and music-lovers alike.If you're already a Prince fan (like us!), get comfy. Put on your purple rain coat. We talk through the influences we hear all over this music: James Brown, Marvin Gaye, Parliament, Earth, Wind & Fire. We share our apex moments from Sign O' the Times. And yes… we've got a few quibble bits too.We'll be taking a short break in January, and returning with more great episodes in February 2026. We'll be dropping a few special episodes in the meantime, so keep an eye on the feed. 00:00 - Intro Jam: "U Got the Look"02:10 - Welcome + New at Open Studio03:50 - Coming Up Next Season05:10 - How We Make Decisions for the Show08:35 - Why "Sign O' the Times"?11:35 - "Soft and Wet" from For You (1978)14:50 - "I Wanna Be Your Lover" from Prince (1979)17:50 - "Head" from Dirty Mind (1980)19:15 - "Controversy" from Controversy (1981)22:35 - "1999" from 1999 (1982)25:15 - "Purple Rain" from Purple Rain (1984)28:40 - "Raspberry Beret" from Around the World in a Day (1985)29:45 - "Kiss" from Parade (1986)40:20 - "Sign O' the Times"45:40 - "Housequake" 47:20 - "The Ballad of Dorothy Parker"51:50 - "Starfish and Coffee"53:05 - "Slow Love"55:20 - "Hot Thing"57:10 - "U Got the Look"59:25 - Miles on Prince1:02:25 - "If I Was Your Girlfriend"1:04:00 - "Strange Relationship"1:05:20 - "The Cross"1:08:00 - "Adore" 1:09:50 - Apex Moments1:14:55 - Categories1:19:35 - Snobometer1:23:55 - Coming Up on YHI1:24:20 - Outro Jam: "U Got the Look" Play better in 2026 and beyond at Open Studio. Join today with our last BIG savings of the year at openstudiojazz.com/yhi

My intention inside this episode is to honor all the work you've done this year by offering a Winter Solstice spell, inviting you to get curious about the somatic architecture you're dreaming from inside your next season. But above all, in this episode I want to celebrate you. Over the past 5 years you have held the overlapping grief of witnessing public lynchings by the hands of the police, a global pandemic we're still inside of, wildfires and other continuous climate crises and witnessing genocide and humanitarian crises from Palestine to Sudan — not to name the domestic and relational ruptures you've tended to on more intimate scales, the new cities moved to, the new homes and communities you've had to build. And look at you, still choosing vulnerability, still choosing relation, still choosing love, still choosing to believe in yourself and your values and by extension — still choosing to believe in us. For that I am recording this episode to say thank you. This is my offering of gratitude.ResourcesLearn More and Apply The Powerhouse Portal to Work Together 1:1: https://www.seedaschool.com/phEnroll Into The Laboratory of Erotic Engineering Membership: https://www.seedaschool.com/labSubscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠Follow Ayana on Threads: ⁠⁠@ayzaco⁠⁠Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠Follow Seeda School on TikTok: @seedaschoolCitations“Switching Houses From Scared Child House To Erotic Power House: How Corporal Punishment in Childhood Impacts Desire” by Ayana Zaire CottonSeed A World Retreat Alumni nènè myriam konaté invited us to imagine our existence as the offer in one of Seeda School's Open Studio sessions and that has been our grounding north star ever since. Check out their, clap back manifest(o), a 9-week personal excavation offer in service of fugitive practice(s).“Tend to the scared child first” post by Sonya Renee Taylor“Because I Love You” by Lex MarieCover Art: Betye Saar, Black Girl's Window (1969) Saar has acknowledged the self-referential nature of the assemblage: “Even at the time, I knew it was autobiographical,” she has said. “We'd had the Watts Riots and the Black revolution. Also that was the year of my divorce. So in addition to the occult subject matter there was political and also personal content.” (Source: MoMA)

Host Jeremy C. Park interviews Derek Patterson, affectionately known as "Patt," Executive Director of Contemporary Arts Memphis (CAM), who highlights the nonprofit organization focused on building community through arts education and developing young artists through direct engagement with visual art. Founded by visual artist Derek Fordjour, CAM offers no cost visual arts programming to high schoolers, including a Summer Fellowship, a Summer Intensive, Teen Art Lab, and Teacher Professional Development. The organization provides comprehensive art instruction across multiple disciplines while helping students develop portfolios for college scholarships and career opportunities. Through its community-focused initiatives and supportive environment, CAM has successfully transformed lives by providing artistic expression and mentorship, while also fostering a vibrant cultural scene in Memphis.SummaryOrigins of Contemporary Arts Memphis (CAM) - Derek Patterson (known as "Patt"), Executive Director of Contemporary Arts Memphis (CAM), discusses the nonprofit organization's origins. Patt explains that CAM was founded by Derek Fordjour, an internationally-renowned visual artist from Memphis, who attended Central High School and wanted to give back to his community. What began as a four-week summer experience for 25 high school students has now grown into an ongoing, year-round program with several with several components, including a Summer Fellowship Program, Teen Art Lab, and Artist Mentoring Programs.Summer Fellowship for High School Artists - CAM offers a four-week summer fellowship for rising juniors and seniors, focusing on portfolio development for high school artists. The organization provides a dedicated space at 652 Marshall Avenue in the Edge Medical District, where students can create portfolios equivalent to ACT scores for college scholarships. The facility offers a wide range of art classes and workshops, including oil painting, drawing, printmaking, sculpture, and ceramics, with additional opportunities for students through the Teen Art Lab and Open Studio sessions on weekends and weekdays.Art Program Success Stories - Patt shares some success stories of young artists participating in their program. He highlights how the program helps overcome societal fears about pursuing art as a career and provides mentorship and guidance. Derek shares specific examples, including a student who changed his career path from mechanics to painting and sold several large paintings at their inaugural art sale. They also mentioned that their college readiness program has helped students secure over $500,000 in scholarships.Art as Therapy for Youth - Patt emphasizes the power of art to build community and importance of art as a form of expression and therapy for young people, highlighting its role in providing a supportive environment for those who might not have one elsewhere. He notes that while not all students will pursue careers in art, there are numerous related jobs and the creative process itself can be therapeutic. Patt also stresses the need for parents and teachers to understand and support artistic expression.Flagship Summer Art Fellowship Program - Patt describes their flagship Summer Fellowship program, which selects 25 young artists through a competitive 4-round process including portfolio review and interviews with parents. The program includes a 3-week immersive experience at St. Columba, where participants focus on artwork without cell phone distractions, followed by visits to Memphis art locations and a trip to New York where they see exhibitions and learn about the art business from Derek Fordjour.Community Art Programs and Initiatives - Patt explains how CAM offers art programs including printmaking, sculpture, and art history, and provides 6 college credit hours at no cost to young people. He emphasizes the importance of community support, inviting people to visit the facility, talk to participants, and consider donations. Derek also highlights CAM's initiatives, such as trips to New York and college application assistance, and mentioned their annual "Deck the Walls" event where participants' artwork is showcased for purchase.Transforming Lives Through Arts - Patt discusses the positive impact of Contemporary Arts Memphis on the community, highlighting how the program transforms lives, provides scholarship opportunities, and fosters a vibrant city. He shares feedback from teachers, parents, and donors, emphasizing how the program changes classroom culture, shifts parental mindsets about art's importance, and enables young people to pursue higher education, including prestigious institutions like Yale. He also mentions removing barriers such as transportation by providing Ubers. The conversation concludes with information on how to learn more and get involved, including Instagram and the website contemporaryartsmemphis.org.So, visit https://contemporaryartsmemphis.org/ to get involved.

Could this be peak Frank? Sinatra at the Sands captures the energy, the cool, and the incredible voice that made this crooner so iconic. Backed by the Count Basie Orchestra with arrangements by a young Quincy Jones, this live album still swings 60 years later!Sinatra at the Sands was recorded at a moment when Sinatra was emerging from a slump. Rock and roll dominated the airwaves, the Beatles were redefining popular music and crooning just wasn't cool anymore. But this album, recorded live in Vegas, shows a 50-year-old Frank sounding loose, confident, and completely at home in front of a band that swings like nothing else. Listen with us as we break down and react to the best of this swingin' album.Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi   00:00 - Intro Jam: Fly Me To the Moon01:35 - The Sinatra-Basie Episode!03:45 - Is This Peak Frank?05:45 - The Mid-60s Culture Shift07:45 - "Come Fly With Me" 12:00 - The Quincy Influence14:45 - "I've Got You Under My Skin"17:30 - What To Listen For22:30 - "The Shadow of Your Smile"26:20 - Freddie Green's "Chunking" Technique28:15 - Sinatra's Vocal Gift33:30 - "Street of Dreams"35:50 - "One For My Baby (And One More for the Road)"38:40 - "Fly Me To the Moon"45:00 - "One O'Clock Jump"49:50 - Desert Island Tracks54:05 - Apex Moments59:05 - Categories1:03:20 - Coming Up Next Week

How much do you know about Peter Martin? In this conversation with Kirk Hamilton of the Strong Songs podcast, Peter shares his musical influences and trajectory as a young jazz pianist. He brings us right back to the '70s, '80s, and '90s with stories of meeting Wynton Marsalis, and playing with jazz legends like Betty Carter, Roy Hargrove and Joshua Redman.Plus, he shares his take on jazz education, the marathon runner's mindset and why anyone and everyone can play music.Check out the Strong Songs podcast: https://strongsongspodcast.com/Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi 00:00 - Introducing Today's Episode02:50 - Peter's Strong Songs Interview06:00 - Peter's Musical Background08:00 - The Suzuki Method14:30 - Nurturing Talent 16:30 - How Peter Discovered Jazz20:30 - Meeting Wynton Marsalis27:00 - The Midwestern Jazz Scene33:20 - Juilliard, Roy Hargrove and the Young Lions35:40 - Moving to New Orleans38:30 - The Economics of Jazz in the 90s40:00 - Playing with the Legendary Betty Carter44:30 - Jazz Musicianship Then and Now47:15 - Roy Hargrove and the Summer of '9452:15 - Joining Joshua Redman57:45 - Rethinking Jazz Education1:02:15 - The Marathon Runner's Mindset1:07:20 - Kenny Kirkland: Awe & Inspiration1:15:00 - Roy Hargrove, The RH Factor and Hard Groove1:20:00 - My Funny Valentine - Miles Davis1:25:00 - How to Find the Recommendations in this Episode

On this BONUS EPISODE of CASCADE OF HISTORY, Feliks Banel tours the historic "U.S. Immigrant Station and Assay Office" on the south edge of downtown Seattle with Brian Lane, one of the many artists who have studio spaces inside the former U.S. government facility. Brian Lane is a printmaker and letterpress artist who's had a studio in the building for 12 years. He's an arts educator, and is deeply committed to his art, as well as to sharing the history of the old immigration facility - and especially how that history intersects with his work, with current events, and with the work of others artists who have spaces there. The non-profit group Friends of Inscape will hold the holiday season edition of their twice-a-year-only open studios event on Saturday, December 6, 2025 from 12:00 noon to 6:00 p.m. Admission is free. The event features dozens of artists and crafts vendors offering their wares, thought-provoking history displays about specific elements and places within the former immigration facility, and peeks inside some of the most distinctive studio spaces in the Pacific Northwest. More information about Friends of Inscape Open Studios on December 6, 2025: https://friendsofinscape.org/news/inscape-arts-open-studios-winter-2025 CASCADE OF HISTORY is broadcast LIVE most Sunday nights at 8pm Pacific Time via flagship station SPACE 101.1 FM in Seattle and gallantly streams everywhere via www.space101fm.org. The radio station broadcasts from studios at historic Magnuson Park – located in the former Master-at-Arms' quarters in the old Sand Point Naval Air Station - on the shores of Lake Washington in Seattle. Subscribe to the CASCADE OF HISTORY podcast via most podcast platforms and never miss regular weekly episodes of Sunday night broadcasts as well as frequent bonus episodes.

"Music is all about connection, and nurturing your relationships is so important to keeping those connections happening! Hang with Bob & Reuben today as they discuss their thoughts on staying connected and keeping your relationships happening."If you like Bass - you're in the right place! Interested in more music and practice advice? Check out Open Studio...where you'll find courses and much more by world-class bassists like Reuben Rogers, Ron Carter, Christian McBride, Bob DeBoo and more. Reach out to the Upright Citizens anytime at uprightcitizenspodcast@gmail.com ★ Support this podcast ★

It's Cyber Monday at Open Studio! Grab our biggest savings of the year and take your playing to the next level: https://www.openstudiojazz.com/yhi/The Miseducation of Lauryn Hill was one of the BIGGEST records of the 90s. When you sell 20 million records, like Lauryn Hill did, you're into mass market territory; you're selling records all over the world and reaching across genres. With Miseducation, Lauryn Hill struck a nerve with humanity.  How did she do it?As you'll hear in this episode, the album sounded unlike other chart-topping hits at the time. It features tons of acoustic instruments, beautiful chord progressions, Stevie Wonder vibes, palatable melodies, a D'Angelo cameo and deeply personal storytelling. And Lauryn Hill herself has the presence of an actor with the soul of an underground musician.Listen with us as we parse through Lauryn Hill's only album track-by-track to answer the question: What makes this album great? It's Cyber Monday at Open Studio! Grab our biggest savings of the year and take your playing to the next level: https://www.openstudiojazz.com/yhi/00:00 - Intro Jam: "Doo Wop (That Thing)"02:05 - A Concept Album About Love04:55 – The Fugees, Sister Act II & Stardom07:40 - "Intro" + "Lost Ones"10:50 - “Ex-Factor”13:15 - "To Zion (Feat. Carlos Santana)"20:05 - "Doo Wop (That Thing)"21:45 - "Superstar"23:30 - “When It Hurts So Bad”25:50 - "I Used to Love Him (feat. Mary J. Blige)"33:00 - Hitting a Nerve with Humanity37:20 - "Every Ghetto, Every City"40:20 - "Nothing Even Matters"42:50 - "Everything Is Everything"45:10 - "The Miseducation of Lauryn Hill"47:30 - "Can't Take My Eyes Off of You - (I Love You Baby)"52:35 - Desert Island Tracks + Apex Moments1:01:50 - Up Next

Kirk sits down with jazz piano legend Peter Martin to talk about Peter's musical background, his momentous early encounters with Wynton Marsalis and Kenny Kirkland, the jazz scene of the 1990s, how the Suzuki method works, and why jazz students today should be less shy about talking to their heroes. Check out Peter's online jazz education program Open Studio, as well as You'll Hear It, the music podcast he co-hosts with Adam Maness. DISCUSSED/REFERENCED:“Variations Sur ‘Le Carnaval de Venise” feat. Wynton Marsalis and the Eastman Wind Ensemble from Carnival, 1987“Path Adjacent” Peter Martin w/ Gregory Hutchinson, Sarah Hanahan & Reuben Rogers from Generation S, 2023“Bag's Groove” by Milt Jackson from Miles Davis, Bag's Groove, 1967“Tea For Two” by Youmans/Ceasar, played by Art Tatum from Piano Starts Here, 1968“Broad Way Blues” by Ornette Coleman from New York Is Now, 1968“Swingin' at the Haven” by Branford Marsalis from Royal Garden Blues, 1986“Now's The Time/Billie's Bounce” by Charlie Parker from Jamey Aebersold Vol. 6: All Bird“Naima's Love Song” by Betty Carter from I_t's Not About The Melody_, 1992“Mental Phrasing” by Roy Hargrove live w/ Joshua Redman, Ron Blake, Peter Martin, Rodney Whitaker, Greg Hutchinson“Turnaround” by Joshua Redman w/ Pat Metheny from Wish, 1993“Jig-A-Jug” by Joshua Redman and “St. Thomas” by Sonny Rollins” from Spirit of the Moment: Live at the Village Vanguard, 1995“Cat Battles” and “One Shining Soul” by Joshua Redman from Freedom in the Groove, 1996“The Loneliness of a Long Distance Runner” intro and “Mind and Body” from Solo, Live in New York, 2015“Why Approach Chords Matter” - Adam Maness for Open Studio on YouTube, 2025“2 Down & 2 Across,” “Sing a Song of Song,” “Before It's Time to Say Goodbye” by Kenny Garrett feat. Kenny Kirkland from Songbook, 1997“Phyrzzinian Man” by Wynton Marsalis from Black Codes from the Underground, 1985“Necessary Evil” by Elvin Jones and “Whatever Possessed Me” by Chet Baker feat. Pat LaBarbera (Tenor) and Kenny Kirkland from Brother John, 1982“Stella by Starlight” by Hoagy Carmichael, performed by the Miles Davis Quintet on My Funny Valentine: In Concert, 1965----LINKS-----

It's Cyber Monday at Open Studio! Grab our biggest savings of the year and take your playing to the next level: https://www.openstudiojazz.com/yhi/Keith Jarrett's "The Köln Concert" is the best selling solo piano album of all time. But why this album? Possibly because it sounded like nothing else in popular music at the time of its release in 1975. It is cinematic, genre-fluid and masterful – in many ways ahead of its time.Jazz musicians Adam Maness and Peter Martin listen to one of the most popular albums in the history of jazz, pulling apart all the elements that make it great: the melodies, the vamps, even the "soul" of Jarrett's notoriously flawed piano. If you know "The Köln Concert" well, watch for the analysis and hot takes. If you haven't heard this album before, it may just become the soundtrack to your life!00:00 - Is it Köln or Cologne?06:30 - Part I09:20 - How Jarrett Made Music for the Moment17:00 - Jumping Back Into Part I23:00 - Joyful and Fearless 29:00 - All the Genres33:20 - Legit Amazing AND Popular36:05 - The Harp42:00 - Part II a48:25 - 80s Cinema Vibes54:20 - Part II b1:00:55 - Part II c1:04:00 - Apex Moments & Categories1:11:45 - GALA + Black Friday at Open Studio!

It's Black Friday at Open Studio! Grab our biggest savings of the year and take your playing to the next level: https://www.openstudiojazz.com/yhi/Songs in the Key of Life stands apart, even next to the other four albums in Stevie Wonder's classic period. It resulted in the most hit singles: "I Wish", "Sir Duke", "As" and "Another Star". Chris Molanphy of the Hit Parade podcast leads us through this album's incredible charts story. Not only did it produce FOUR singles, but it inspired two other chart-topping hits: Coolio's "Gangsta's Paradise" and Will Smith's "Wild Wild West".Plus — Peter and Adam nerd out on the keys, dissecting every track to highlight the musical complexity that makes Songs in the Key of Life a favorite among jazz musicians. You may have heard Songs in the Key of Life ... possibly many times. But you've never heard it quite like this!00:00 - Intro Jam: "As"02:13 - The Chart Story Behind SITKOL05:40 - The Long Wait for Songs in the Key of Life12:45 - "Love's In Need of Love Today"19:40 - Comparing Stevie to Prince20:30 - "I Wish"24:00 - The Ultimate Crossover Hitmaker27:25 - "Sir Duke"32:30 - Making Jazz Fun37:25 - "Passtime Paradise"40:00 - Stevie the Synth Innovator43:50 - How Stevie Commanded the Charts46:40 - How Was This Track Not a Hit Single?52:00 - This Hit Was NOT On an Album56:00 - The SITKOL Jazz Standard1:00:30 - "Another Star"1:04:05 - "As"1:15:00 - How SITKOL Singles Broke Ground1:22:20 - Our Favorite SITKOL Tracks1:25:35 - The Best Moments on SITKOL1:29:50 - Bespoke Spotify Playlists1:32:45 - What to Listen to Next1:35:20 - Quibble Bits1:37:50 - How "Snobby" is This Record?1:40:50 - Is it Better than Kind of Blue?1:42:40 - Packaging Gets a 10/101:45:00 - Outro: "As"

Artspeak Radio, Wednesday, November 19, 2025, 9am -10am CST, 90.1fm KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd welcomes artists KE Griffin, Anna Marten, DeAnna Skedel, and gallerist/curator Lee Smalter. KAREN E. GRIFFIN (KE) Kansas City native is an award-winning visual, teaching, and performing artist creates vibrant abstract works explore themes of identity and urban landscapes. Influenced by her mother's entrepreneurial spirit and formative experiences with her seventh-grade art teacher, art classes the Boys & Girls Club of Greater Kansas City and Hallmark Cards Inc. Griffin's art reflects a unique perspective shaped by her Kansas City, Missouri and Marlin, Texas roots. She is a Certified National and International Storyteller due to life encounters regarding her grandmother picking cotton and her mother measuring cotton in the garment district in Kansas City. Karen E. Griffins artistic contributions to the Kansas City area have earned her significant recognition, including being named the Missouri Arts Council Honoree 2025 Individual Artist presenting the State of Missouri and the City of Kansas City. The Jackson County, Missouri, Office of the County Legislature further honored her with Proclamation Resolution NO. 21819. Artist-in-Residence, Englewood Arts Center 2023- 2025, Independence, Missouri. Her educational and historical collections, exhibited across the metro area and other states, were highlighted in the Examiner, Wichita, Kansas The Shout, Kansas City Studio Magazine, The Call Paper and The Kansas Ci Globe. In addition to her art, Griffin dedicates time to reading, enjoying conversations with her grandchildren, and supporting the homeless community. Karen E. Griffin (KE) creates striking two-dimensional portraits that aim to empower viewers to embrace their unique identities as well as African based abstractions depicting cultural and community narratives. She fuses high fashion with vibrant storytelling of African American heritage. Inspired by her connection to the diaspora, Karen uses African prints to meticulously render each image, capturing the intricate details of the fabric and the bold energy of the patterns. Her work celebrates the the rich tapestry of African American culture through the exploration of prints, patterns, and symbols. By incorporating these elements, she aims to create pieces that resonate deeply with the African American community and offer a connection to our ancestral heritage. “While we may never fully comprehend the lives of our ancestors, we carry their legacy within us through art, fashion, music and storytelling.” Her art serves as a visual expression of this enduring connection. See website for upcoming events  https://www.artbykegriffin.com Linkedin: www.linkedin.com/in/ IG:artbykegriffin  ANNA MARTEN- After ten years as a production illustrator who hand painted signs and murals for a grocery store, I left to reimagine creative processes outside the context of corporate structure. The professional setting introduced me to a wide range of technical skills, from hand-lettering to woodworking, but it was also a world that penalized asking too many questions. My professional practice now reacquaints myself with permission to generate inquiry rather than sell something. As an avid daydreamer, my work tends to examine the boundary between memory, fantasy, and reality. I've been described as a “playful” creator, but we all learn early in life that play is the only way to grow. Are we not playing our way through new experiences even in adulthood? I want to reconcile fantasy with everyday. I want to remind adults that we're in charge of allowing ourselves surprise and delight. Find Me Here... ● Open Studios at Bunker Center First Fridays 6pm ● PACE Magazine Publication August Issue 2025 anna.marten.91@gmail.com Instagram: @kc_muralist Bluesky: @kc-muralist Cara: @kcmuralist DEANNA SKEDEL - DeAnna M. Skedel https://www.instagram.com/deannaskedel/ LEE SMALTER, Curator/gallery founder/owner The Smalter Gallery located at 1802 W. 39th St. KCMO Our Community Vision The Smalter Gallery is a community space that fosters human connection through art. The gallery door opens to all, from casual visitors to avid collectors. A visit to our gallery is an experience of exploration and discovery, free of pretentiousness, pressure, or gatekeeping. Here you will find a welcoming and inclusive environment where art is accessible to patrons of all economic circumstances. Through vibrant discussion with fellow guests, fascinating cultural events, and the joy of falling in love with a new artist's work, each visit to the Smalter Gallery is an opportunity to forge your own destiny via the power of artistic expression. Our Artistic Mission The Smalter Gallery aims to create a space in which our artists feel guided, valued, and cared for. We are a second home for both emerging and experienced artists, driven by a desire to support creators so they may realize their greatest artistic ambitions. Never imposing ourselves upon an artist's creative vision, we will act as a safe and ever-present foundation upon which artists of all backgrounds can evolve and thrive. Simply put: The Smalter Gallery nurtures creativity and trusts artists. The Smalter Gallery 1802 W. 39th St., 816-200-2554, smalterart.com Currently on exhibit; Vespera - A Solo Exhibition by Brittany Noriega The Smalter Gallery is located at 1802 West 39th Street Kansas City, MO, 64111. From the artist: Vespera means “evening star” or “of the evening.” It is a threshold; when day exhales into night, shadows stretch long, and the air grows heavy with quiet. Resilience here isn't loud; it is patient, watchful, and steady. For the past two years I've been studying thresholds, in my artwork, in my research, and my own life. What does it mean to step into darkness prepared instead of afraid? The drawings that emerged became guardians: figures that endure, quietly holding space. We all pass through seasons of transition, grief, and change. These moments aren't ornamental; they are essential. Vespera reminds us that resilience often hums low in the marrow, where endings fold into beginnings, asking us simply to notice, to wait, to watch. The opening reception, including an opportunity to meet the artist, will be held at Smalter Gallery on November 7th from 5pm - 8pm. Lee Smalter, who grew up in Connecticut, felt compelled to own and operate an art gallery. She answered an advertisement for a space in Kansas City's West 39th Street neighborhood next to Prospero's Books. Extensive renovation in 2018-2019 led to the gallery's debut before the COVID-19 pandemic. Despite citywide uncertainty and isolation at the time, the public embraced Smalter's gallery, situated in the dense residential and small business community. Since inception, the gallery has served as a space dedicated to displaying work by emerging and established artists. By design, Smalter established a space that's non-elitist and inviting for both artists and the public, especially passersby who may not be avid arts patrons. Contact Info: • Website: smalterart.com • Instagram: smalterart • Facebook: The Smalter Gallery Smalter Gallery hours Thursday, Friday, Saturday | 1pm - 7pm Tuesday & Wednesday | By Appointment Only Sunday & Monday | Closed

1959 gave us Kind of Blue, Time Out ... and Mingus Ah Um. Adam and Peter dig into Charles Mingus's most adventurous, soulful record: gospel, bebop, and pure Mingus genius. You've never heard it quite like this.Charles Mingus was one of jazz's greatest bass players AND composers. Listen with us as we break down the genius in every track of his best-selling record, and share stories of the brilliant, chaotic, occasionally volatile man behind Mingus Ah Um. Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi    00:00 — Opening Jam: "Better Git It In Your Soul"01:40 — What's happening at Open Studio3:15 — 1959: What a Great Year!5:40 — Early Mingus10:40 — "All the Things You Can C#" from Mingus at the Bohemia11:40 — "A Foggy Day" from Pithecanthropus Erectus16:15 — "Better Get Hit In Your Soul"23:35 — This One is For the Nerds27:50 — "Goodbye Pork Pie Hat" 34:36 — "Boogie Stop Shuffle"38:30 — "Self-Portrait in Three Colors"40:30 — The Duke Ellington Influence45:10 — "Open Letter to Duke" 48:05 — "Bird Calls"49:00 — "Fables of Faubus"56:40 - "Pussy Cat Dues"58:15 — "Jelly Roll"1:00:15 — Categories1:10:50 — GALA

"Bassist extraordinaire Joe Sanders is getting his flowers from the Upright Citizens this time. Nobody plays like Joe, and his writing and collaborations are always incredible. Let's listen and share thoughts on this master!" The UC Joe Sanders playlist: https://open.spotify.com/playlist/0ASufk595TtFJygTLRQGt9?si=b1d483320c8043e7If you like Bass - you're in the right place! Interested in more music and practice advice? Check out Open Studio...where you'll find courses and much more by world-class bassists like Reuben Rogers, Ron Carter, Christian McBride, Bob DeBoo and more. Reach out to the Upright Citizens anytime at uprightcitizenspodcast@gmail.com ★ Support this podcast ★

At Town Hall captures a pivotal moment in Nina Simone's story, when she left behind her dream of being a concert pianist and embraced her identity as an indefinable and remarkable talent.At Town Hall shows off Nina's classical chops, infused with the jazz influences from working in nightclubs and mixed with the folk and gospel sounds of her youth. Adam and Peter pull apart the tracks to highlight each element of her unique musical blend. This may not be one of her most recognizable albums, but it is one of her most interesting. It's made even more fascinating by the fact that Nina met bassist Wilbur Ware and drummer Ben Riley only as they walked on stage! Listen to hear her arranging and composing on the spot.Subscribe to the You'll Read It newsletter for stories that didn't make the pod: https://youllhearit.com/newsletter Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi   

In 1981, Michael Jackson and Quincy Jones set out on one of the most ambitious projects in pop music history: an album where every song was a hit. The result was Thriller. The record-breaking, chart-topping masterpiece produced six top-ten hits, became the best-selling album of all time, and propelled Black American music into global pop dominance.Watch as jazz musicians Peter Martin and Adam Maness react to this iconic '80s pop album. They break it down track-by-track: MJ's timeless ad-libbed melodies, Ndugu Chancler's drum intros (the greatest in pop history?!), Greg Phillinganes's synths, and Rod Temperton's songwriting.Thriller is so much more than "Thriller". Listen with us, and you'll never hear this record the same way again.Michael Jackson unveils the moonwalk at NBC's Motown 25 special: https://www.youtube.com/watch?v=dB7TqzPVt_M&t=538sGreg Phillinganes breaks down the bass line on "Thriller": https://www.youtube.com/watch?v=4UqxOg3M-OM Adam and Peter analyze Off the Wall: https://youtu.be/jR9zxGueeq4 Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi  

In light of D'Angelo's passing, we're replaying our episode on Voodoo from June 2025. This Grammy-winning, genre-defying album changed the sound of R&B, soul, and hip-hop forever. And it has seriously influenced the playing of so many musicians, including our own Adam Maness. From Questlove's behind-the-beat drumming to Roy Hargrove's horn arrangements, Voodoo is packed with the kind of deep musicality that jazz musicians truly connect with.Twenty-five years later, Voodoo still hits harder than many albums of its generation. We've heard from so many of you in the comments on Spotify and YouTube about what this album, and D'Angelo's music, means to you. Tell us how D'Angelo has influenced you in the comments on Spotify or YouTube: https://youtu.be/AYqmFNF2s0U   Watch Open Studio perform D'Angelo's "Spanish Joint": https://youtu.be/CG5yqmkj0G4

Hip hop wouldn't sound the same without jazz. From A Tribe Called Quest to PinkPantheress, jazz provides the groove behind of some of the most iconic tracks of the genre.Diallo Riddle and Luxxury of One Song join Adam and Peter to geek out on deep cuts and the genius behind hip hop's greatest jazz samples. We explore how sampling has shaped both genres, why the art of “borrowing” has always been part of the jazz tradition, and why some jazz musicians don't get paid for their contributions to hip hop.If you loved our episode with Nate Sloan and Charlie Harding from Switched On Pop, you'll love this one. We cover a lot of ground, so dive into our full playlist of every track we discuss. Find that here. YHI x Switched On Pop episode on jazz influences in hip hop. One Song episode on Patrice Rushen's "Remind Me".One Song episode on A Tribe Called Quest's "Electric Relaxation".Get our newsletter for bonus stories that didn't make the pod:https://youllhearit.com/newsletterStart your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi 

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"The role of the bass is support of course, but there's ways that we can be more or less 'melodic' with our playing. This episode dives into what it means to play 'melodically' and why you might want to..."If you like Bass - you're in the right place! Interested in more music and practice advice? Check out Open Studio...where you'll find courses and much more by world-class bassists like Reuben Rogers, Ron Carter, Christian McBride, Bob DeBoo and more. Reach out to the Upright Citizens anytime at uprightcitizenspodcast@gmail.com ★ Support this podcast ★

Hometown Radio 10/07/25 3:30p: Open Studios returns

Explore artist studios and connect with local artists at the 2025 Durango Open Studio Tour. Authors, writers, and literature lovers are invited to Durango Public Library's Literary Festival. And the Payroll Department and Community Foundation Serving Southwest Colorado launched an interactive grantmaking initiative that replaces “Meet Your Match.” By Rachel Hughes. Watch this story at www.durangolocal.news/newsstories/durango-open-studio-tour-connects-art-lovers-with-artists  This story is sponsored by Sky Ute Casino Resort and Crystal Mart. Support the show

The RH Factor's Hard Groove might sound uncontroversial to modern ears, but in the early 2000s it was revolutionary. With this record, Roy Hargrove broke away from the straight-ahead jazz revival of the Young Lions era and created something entirely new. Hard Groove blended Roy's trumpet with the voices of R&B and soul heavyweights like D'Angelo, Erykah Badu, and Common, artists whose platinum-selling albums (Voodoo, Mama's Gun, Like Water for Chocolate) already featured Roy's melodic horn playing and orchestral arrangements.With Hard Groove, Roy flipped the script: instead of lending his sound to the hip hop and neo-soul world, he invited those artists into a jazz record. The result was a landmark project that blurred genres and redefined what jazz could be in the 21st century.You'll Hear It has been nominated for a Listener's Choice award for Best Music Podcast at the Signal Awards. Vote for us here: https://vote.signalaward.com/PublicVoting#/2025/shows/genre/musicWant more neo-soul? Check out our Voodoo episode: https://youtu.be/AYqmFNF2s0U Watch the documentary "Hargrove": https://youtu.be/liK1u6DQQ4M?si=SZ83SNHazZX2JMImStart your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi 

Joni Mitchell's Blue, a folk masterpiece, has inspired jazz musicians since its release in 1971. Is it because she sings like a horn player? Her improvisational melodies? Her unconventional chord structures? Her confessional songwriting?We dive into every song on Blue, breaking down her favorite chords and her vocal phrasing to understand what makes this album great. You'll never hear this record the same way again.Watch to the end to see the Open Studio band's extended interpretation of our favorite song off this record: “River.”You'll Hear It has been nominated for a Listener's Choice award for Best Music Podcast at the Signal Awards. Vote for us here: https://vote.signalaward.com/PublicVoting#/2025/shows/genre/musicGet our newsletter for bonus stories that didn't make the pod:https://youllhearit.com/newsletterStart your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi 

John Coltrane's A Love Supreme: Some call it the greatest album of the 20th century. Others say it isn't even Coltrane's best album ... of 1965. No matter where you think it sits in the jazz music canon, Coltrane's love letter to God is a masterpiece. We break it down track-by-track, chord-by-chord to uncover what makes this album such a rewarding listen from front to back.This week marks 99 years since Coltrane's birth. In his honor, we look back at this episode from 2024, where we listen deeply to what just may be Coltrane's magnum opus.Looking for more Coltrane? Here are 6 Songs To Turn Coltrane Curious Into Coltrane Converted: https://youtu.be/aSdNNTmL7YkStart your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi 

In Part 2, we pick up where we left off in Part 1. Although it made all kinds of sense for Shrey to move halfway around the world to go to art school, he says it was "an uphill battle” convincing his parents of the plan. Still, his mom was and is a champion of her son and his art. It was 2018 and Shrey was 20. We talk about his experience of arriving in San Francisco, a city that was “such a beacon of hope” for him. He dedicated himself to his studies at CCA. He also paid serious attention to the news, and even attempted political art. When that didn't pan out financially, a professor at CCA strongly encouraged Shrey to stay with painting, that it was his lane. This was just before the pandemic. When he got his first stimulus check, Shrey bought an easel and began going out and painting en plein air. He did this so much and promoted his art so well that, by the time he graduated, he had started getting commissions. He was able to become a full-time artist—a dream of his. Shrey is such an artist, through and through, that he even has an art job. Like, a job-job. Four days a week, Shrey works for ArtSpan—a local arts nonprofit possibly best-known for Open Studios. Shrey shares the history of ArtSpan and OpenStudios. What began in 1975 in South of Market as a way for artists shunned by galleries to show their art and sell it today sees around 600 artists opening their studio doors all over The City. Shrey manages the Arts and Neighborhoods program for ArtSpan. That group helps organize exhibitions during Open Studios at non-studio locations. Mission Bowling Club is one such location. In fact, Shrey got his first art show after graduation through help from ArtSpan. It's a beautiful full-circle story. That first show led to other shows. And Shrey credits his entrepreneurial brain for recognizing an opportunity in all of this—if a cafe has suitable walls, you can talk with the owner about hanging art by local artists, promote an opening, and make things happen. And so that's what he did. Partly because putting on one art show, not to mention doing multiple shows at the same, is what the kids refer to as a lot, Shrey focussed his efforts at one location. Ballast Coffee on West Portal became the home of Ingleside Gallery. The first art show at his gallery brought in more than $10,000 in sales. I have to insert some editorial here, so thanks for indulging me. Shrey and I recorded this podcast before our Every Kinda People show. I won't pretend that my own art curation is anywhere close to the level that he (and my friend Anita of KnownSF and countless others around SF, The Bay, and the world) operates on. But Shrey does speak to the nature of both the volume and the intensity of the work that goes into putting on an art show. In my own way, I relate. Back to my and Shrey's conversation, I ask him to talk about how our lives intersected. It was earlier this year after I recorded with Ellen Lo of Ask Me SF. I needed to drop off a Storied: SF hoodie for Ellen, so she asked me to meet her one Saturday morning on Ocean Avenue. She and some friends and community members would be out there painting a mural over a dilapidated street wall in front of a PG&E substation. Sign me up! After politely declining to add my own (attempted) artistic touch to their creation that day, Ellen introduced me to a friend of hers. Right away, I got a sense of that exuberance Shrey embodies, a trait I am now very familiar with. We end the episode with thoughts about the Every Kinda People show, up at Mini Bar through October 19. Follow Shrey on Instagram @shreypurohit and @inglesidegallery.

We're talking jazz influences in hip hop today with Nate Sloan and Charlie Harding from Switched On Pop. We dig into tracks from Kendrick Lamar (there's that TPAB acronym!), Common, Cautious Clay and David Bowie to surface the musical qualities that explain why jazz musicians love these artists. Plus - we explore the striking similarities between jazz and hip hop, especially in the recording booth, and why we don't hear more jazz in the popular music canon.Check out our Robert Glasper episode: https://youtu.be/hsJpuqtNH9oGet our newsletter for bonus stories that didn't make the pod: https://youllhearit.com/newsletter Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi

We're diving back into Stevie Wonder with Innervisions, right in the heart of his classic period from 1972 to 1976. There's something magical about this stretch of music history, and Innervisions stands as one of the greatest albums to emerge from it.Stevie wrote every song on this album, and played every instrument on many tracks. From "Too High" to "Living For The City" to "Don't You Worry 'Bout A Thing", we pull apart these incredible songs to spend time with the many sides of Stevie Wonder: bass player, drummer, lyricist, and vocalist. Plus -- we're bringing back the keys for this one so Peter and Adam can pull apart all the musical nuances that make jazz musicians love Stevie Wonder so much.Adam breaks down why jazz musicians love Stevie in our You'll Read It newsletter. Sign up for personal reflections and a behind-the-scenes look at the making of You'll Hear It. Start your free Open Studio trial for ALLLLL your jazz lesson needs.This episode references our episode on Talking Book, "Is This Stevie's Greatest Album?" Check it out here.

"We're back with another drum & bass teamup focus! This time we're celebrating the connection that Larry Grenadier and Jeff Ballard have, as well as the the incredible driving force of the Rodney Whitaker and Carl Allen hookup."If you like Bass - you're in the right place! Interested in more music and practice advice? Check out Open Studio...where you'll find courses and much more by world-class bassists like Reuben Rogers, Ron Carter, Christian McBride, Bob DeBoo and more. Reach out to the Upright Citizens anytime at uprightcitizenspodcast@gmail.com ★ Support this podcast ★

There is no more important relationship in this era of music than that of Miles Davis and John Coltrane; two masters ever-present in the musical and cultural landscape. Someday My Prince Will Come marks the last time Coltrane and Davis played together, and it couldn't be more perfect.We dive into how their partnership played out on stage and in the recording studio over the years, and how their dynamic on Someday My Prince Will Come marks a handoff from '50s jazz to the rock and roll sound of the '60s, with Coltrane leading the way.And Miles Davis, even more so than a masterful trumpet player or composer, was a tastemaker. From the musicians he picked, to the chord changes, to his choice of album art, we explore how this record brings it all together in one phenomenal package.

When does Afro Blue and Smells Like Teen Spirit belong on the same record? When it's a Robert Glasper album! In 2012, Glasper's Black Radio brought together artists like Erykah Badu to bring a jazz standard, Afro Blue, back into the popular music canon. Black Radio hit #1 on the jazz charts, while simultaneously reaching #4 on the hip-hop R&B charts and #15 on the Top 200. The Blue Note pianist has been bending genres since the 90s, bringing together the best of traditional jazz and weaving it seamlessly with R&B, hip-hop, soul and rock & roll. And it all fits, because Glasper is equally at home in all of these categories. He grew up listening to all kinds of music, like Nirvana, Billy Joel, Busta Rhymes -- everything. Black Radio, he says, was a way to put his "life on wax". Rob Harvilla from 60 Songs to Explain the 90s: The 2000s joins Adam and Peter to dive into what makes this album great, and how it refutes from any attempt to categorize it. From the J. Dilla Influence, to Casey Benjamin's album-defining flute, to the Erykah Badu of it all, you'll never hear this album the same way again.And this album inspired what is possibly our best YHI outro yet. Let us know if you agree!

Most artists focus on growing their email list—but what if the real power comes from trimming it? In this solo episode of The Art Biz, host Alyson Stanfield walks you through why and how to clean your email list. This isn't just about numbers—it's about improving deliverability rates, boosting engagement, and building trust with the people who are actually listening. If you want to email with more confidence—and stop second-guessing who's on the other end—this episode is for you. IN THIS EPISODE Why list hygiene is essential for deliverability and visibility How neglecting your list hurts your confidence and metrics A 5-step process to clean your list (without panicking) Why this matters more than ever with changes to email deliverability A mindset shift: You're not deleting people—you're making space How this ties into the upcoming Followers to Collectors planning workshop 00:32 Why email list hygiene often gets overlooked but is critical for your marketing 01:49 The emotional impact of sending emails to people who aren't engaging 03:04 How deliverability is changing and why this matters now more than ever 04:47 What happens when you keep inactive contacts on your list 05:53 Garden metaphor: pruning your list is thoughtful, not ruthless 06:58 Signs it's time to clean: analytics, hesitation, and confidence dips 07:54 Step-by-step process to clean your list (starting with segmentation) 11:12 Why a smaller list can be more energizing 11:44 How cleaning your list connects to the Followers to Collectors workshop 12:45 Your action step this week and how refreshing your list brings clarity  

Today we're going on an aquatic journey with Herbie Hancock's Maiden Voyage. Herbie calls the title track the best tune he's ever written.  We dive deep into the music to explore what makes this tune, and this album, great. The roots of Maiden Voyage date back in 1963, when Herbie began hearing rumors that Miles Davis wanted to hear him play. He didn't believe it at first -- Miles was at the height of his celebrity by this point. But soon he got a call. He went over to Miles's house and played with him, George Coleman, Tony Williams and Ron Carter for three days. On the third day, Miles asks the group to come to studio to record Seven Steps to Heaven. Herbie says, "Does that mean I'm in the band?" Miles says, "You're making the record, mother f**cker!" After two years playing in what many call the one of the greatest jazz ensembles of all time, Herbie would release Maiden Voyage in 1965. Along with George, Tony and Ron, plus saxophonist Freddie Hubbard. Although it is one of his simplest tunes -- with a rhythm inspired by a cologne commercial -- Maiden Voyage would become a favorite and a standard among jazz musicians. In this episode, you'll hear:- Adam and Peter pick apart the greatest moments from the album, including some perfect solos- The story of the commercial roots of this jazz standard- Where the record got its aquatic theme- Why a great song starts with a great bassline (just ask Ron Carter)- How this record could have been even better ... if it weren't for that piano sound- Where we land on Van Gelder Sound controversy-----Keyboards? Albums we haven't covered. "Boomer" talk. We know you have opinions about this show. Help us make You'll Hear It better by sharing your feedback with us and answering a short survey. You could win one of three $100 Amazon gift cards! Visit youllhearitsurvey.com to learn more and fill out the survey.Want more Herbie Hancock content? Learn why Herbie's greatest era is not even jazz on last season's episode on Headhunters.

You've shown up. You've posted, emailed, exhibited, maybe even launched something. And yet... the sales aren't coming. In this solo episode of The Art Biz, host Alyson Stanfield walks you through six insight areas to investigate when your art isn't selling like it used to—or like you believe it should. These aren't quick fixes, but reflective prompts that can lead to real clarity and intentional next steps. Whether you're feeling stuck, confused, or just curious about how to improve your results, this episode will help you pause, reflect, and reassess—with empathy and a practical path forward. HIGHLIGHTS 01:00 – The emotional toll of not selling and how to approach it with curiosity, not panic 01:56 – Introduction of the When Your Art Isn't Selling guide and what to expect from this episode 03:07 – External Factors: What's beyond your control (economy, distraction, collector habits) 04:00 – The Work Itself: Has your style or message shifted? Are collectors keeping up? 05:00 – How You're Showing the Work: Venues, pricing visibility, and perceived value 06:36 – The Buying Experience: Is it easy to buy from you, or are you creating friction? 07:28 – How You're Connecting: Relationships, follow-up, and trust-building 08:54 – How You're Promoting It: Visibility, storytelling, and showing up consistently 10:10 – Reassurance and encouragement to act from insight, not overwhelm 10:52 – Three options for you

"Everybody makes "mistakes"...and there's no better way to learn! Join Bob & Reuben on this discussion of what's important to keep in mind when we have things go other than expected..."If you like Bass - you're in the right place! Interested in more music and practice advice? Check out Open Studio...where you'll find courses and much more by world-class bassists like Reuben Rogers, Ron Carter, Christian McBride, Bob DeBoo and more. Reach out to the Upright Citizens anytime at uprightcitizenspodcast@gmail.com ★ Support this podcast ★

Broken Record's Justin Richmond joins us to talk Still Crazy After All These Years. Paul Simon's Grammy-winning album was born out of divorce, and produced some of his greatest songs of all time, like 50 Ways To Leave Your Lover, My Little Town and I Do It For Your Love.We dive into the story behind this remarkable album, including Steve Gadd's famous drum beat and how Stevie Wonder's Innervisions may have been the catalyst for Paul Simon's divorce?! Plus - Adam shares why this has been such a transformative album for him, and how it influenced his playing. And, we ask: Is this the ultimate sad boy album? Is this the apex moment of boomerism? We kick off our new season with these questions and so much more!

We turn our own categories back on ourselves! We're looking back on the past 20 epiosdes, which we're calling You'll Hear It Season 12, and ask:- What are our apex moments? - What are our desert island tracks?- Is season 12 better than Kind of Blue?! And - we hear from you, dear listeners. You sent in your questions on Speakpipe, and we answer them. Plus - look ahead at what's coming up next season.☎️ Leave us a Speakpipe New to You'll Hear It? Start with these apex moments:

HUGE Summer Sale! Get 50% off all annual plans at Open Studio and take your playing to the next level: https://link.youllhearit.com/summer John Coltrane's Giant Steps isn't just a jazz classic — it's a rite of passage. Peter Martin and Adam Maness dig into what makes the album so technically punishing and emotionally electrifying. From the iconic solo on the title track to the symmetrical harmonies, the lightning-fast chord changes, the fiery swing of Cousin Mary, and the full-throttle chaos of Countdown, they unpack the brilliance, the feel, and the mythology. Whether you've studied this album or are hearing it with fresh ears, you'll come away understanding Coltrane — and Giant Steps — like never before.You'll hear:- Adam's deep dive into Coltrane's use of symmetrical harmony and lightning fast chord changes — and why it still stumps players today- A glimpse into Coltrane's early years with Miles Davis and Dizzy Gillespie- The truth about Tommy Flanagan's controversial solo — was he lost or just playing it cool?- How Giant Steps became the tune every jazz musician has to face- Apex moments, desert island tracks, and a spirited debate: is Giant Steps better than Kind of Blue?