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D'Angelo's Brown Sugar sounded like nothing else in 1995. R&B was slick, polished, and built for clubs. D'Angelo later said the "deeper consciousness" had gone out of contemporary music. Questlove later wrote that contemporary R&B had become "trite" and "soulless" ... and then there was Brown Sugar, D'Angelo's debut album. It sounded more like the '70s than the '90s. More like church than the club. On this episode of You'll Hear It, jazz pianists Adam Maness and Peter Martin go track by track through D'Angelo's debut, pulling apart the vocal stems, naming the jazz chords underneath the soul, and tracing every influence back to its root. They also bring in the archival recordings you might have missed: a live set from the Jazz Café London that gives the album a whole second life, and a J Dilla remix.-------------------------------Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://openstudiojazz.com/yhi-------------------------------Related You'll Hear It episodes:Voodoo: https://youtu.be/AYqmFNF2s0U-------------------------------About You'll Hear It:In this popular music series Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.-------------------------------Sign up for the You'll Read It newsletter for little known stories about the artists you love: https://youllhearit.com/newsletter -------------------------------00:00 - D'Angelo's Brown Sugar01:11 - Let's Go Back to 1995 05:35 - "Brown Sugar"08:30 - Engineer Bob Power's Influence 09:13 - "Brown Sugar" Felt Different From Anything Else in 199516:57 - D'Angelo on Why He Picked Bob Power19:30 - "Alright" 28:57 - Isolated Vocal Stems on "Alright"31:27 - "Jones in My Bones" 33:20 - The Little-Known D'Angelo Album36:25 - "Me & Those Dreamin' Eyes of Mine"40:30 - The J Dilla Remix (1997)44:18 - "Shit, Damn, Motherfucker" 46:30 - Live at the Jazz Cafe - "Shit, Damn, Motherfucker"48:10 - "Smooth" 50:20 - D'Angelo Could Have Been a Jazz Pianist53:04 - D'Angelo and Peter's Ellis Marsalis Connection56:21 - "Cruisin'" 59:25 - Ad Break: Learn To Play Like D'Angelo1:00:37 - "When We Get By"1:04:44 - "We Were Just Mocking Dilla": Raphael Saadiq on How "Lady" Was Made1:06:20 - "Lady"1:11:02 - "Higher"1:15:28 - "Brown Sugar" Hits Different 30 Years Later1:17:00 - Our Favorite Moments1:23:45 - Quibble Bits, Snob-O-Meter & Accoutrements1:27:26 - Up Next + Listener Reviews1:29:45 - Open Studio Plays "Lady"
Ornette Coleman's The Shape of Jazz to Come (1959) may be the most controversial album in jazz history, and one of the most important.In 1959, a broke musician from Fort Worth, Texas arrived in New York City with a plastic saxophone and a band that didn't play by the rules. And EVERYONE had an opinion about it.Jazz legends hated it. Miles Davis said Ornette was "all screwed up inside." Max Roach punched him in the mouth. Dizzy Gillespie said Ornette's music wasn't even jazz. Meanwhile, Leonard Berstein and John Coltrane celebrated him.So what exactly is The Shape of Jazz to Come, and why was it so radical? Jazz pianists Peter Martin and Adam Maness break down every track, from "Lonely Woman" to "Chronology". They dig into harmolodics, free jazz, and how Ornette shaped everyone from Miles Davis (who eventually came around) to the '80s burnout crew, including Wynton Marsalis, who personally recommended this record to Peter.Dig into The Shape of Jazz to Come with us, and learn why this soft spoken saxophonist inspired both criticism and awe.-------------------------------Start your free Open Studio trial for ALLLLL your jazz lesson needs:https://openstudiojazz.com/yhi-------------------------------Related You'll Hear It episodes:Mingus Ah Um: https://youtu.be/XYeRZ0Awui4Giant Steps: https://youtu.be/8umC2yZlPHcKind of Blue: https://youtu.be/ShzSnjP8bSgTime Out: https://youtu.be/-_qPhFSJeQUNina Simone at Town Hall: https://youtu.be/2PDjN5_2y5Q-------------------------------About You'll Hear It:In this popular music series Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.-------------------------------Sign up for the You'll Read It newsletter for little known stories about the artists you love:https://youllhearit.com/newsletter-------------------------------0:00:00 - Ornette Coleman's The Shape of Jazz to Come0:01:42 - 1959: A Pivotal Year0:03:06 - Ornette Coleman: The Backstory0:04:44 - Ornette's Earlier Sound0:06:18 - Lore of the Five Spot0:07:00 - "Lonely Woman"0:12:27 - Harmolodics Explained (Charlie Haden + Don Cherry)0:13:27 - "Eventually"0:14:42 - The '80s Jazz Connection (Wynton, Branford, Kirkland)0:17:21 - "Peace"0:23:50 - Ad: Open Studio0:24:57 - Mingus Said THIS About Coleman0:27:47 - "Focus on Sanity"0:29:40 - When Peter Played with Charlie Haden0:32:43 - Don Cherry's Kids: Neneh Cherry + Eagle-Eye Cherry0:34:22 - "Congeniality"0:36:28 - "Chronology"0:37:23 - Technical Technique vs. Artistic Vision0:42:13 - Categories: Desert Island Tracks, Apex Moments0:48:55 - You'll Read It Newsletter + Ambies
What happens when you let a musical genius make the album of his dreams? You get Stevie Wonder's Music of My Mind (1972), the start of the greatest run in music history. Music of My Mind would be the first of a five-album run that formed Stevie Wonder's Classic Period, including Talking Book (1972), Innervisions (1973), Fulfillingness' First Finale (1974) and Songs in the Key of Life (1976).In this episode of You'll Hear It, jazz pianists Adam Maness and Peter Martin dive into every track on Music of My Mind, listening to isolated stems and breaking down the theory behind the songs. Plus - we talk about TONTO, the one-ton synthesizer Stevie used to create this record. And we dig into the innovative ways Stevie and collaborators Malcolm Cecil and Robert Margouleff mixed the album.-------------------------------Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://openstudiojazz.com/yhi-------------------------------Related You'll Hear It episodes:Talking Book: https://youtu.be/ymcy3ot116w Innervisions: https://youtu.be/mUYwIijL7s0Songs in the Key of Life: https://youtu.be/uk5x4-uTzj8 -------------------------------About You'll Hear It:In this popular music series, You'll Hear It, Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.-------------------------------Like the jam at the end of the show? Head to youtube.com/@OpenStudioMusic for more.00:00 - Stevie Wonder's Music of My Mind03:40 - Breaking Free: The Motown Contract Story05:35 - Finding TONTO: Malcolm Cecil & Robert Margouleff08:45 - What Was TONTO? The Technology Explained09:20 - How Stevie Wonder Met Cecil & Margouleff12:00 - "If You Really Love Me" - Stevie's Motown Sound16:40 - What Albums Belong in the Run?19:10 - "Love Having You Around"22:20 - Isolated Breakdown: Vocals, Talk Box, Rhythm Section27:35 - Stevie Made Albums Different32:10 - "Superwoman (Where Were You When I Needed You)"36:25 - The Greatest Transition EVER41:45 - Innovation Behind the Mix44:10 - Ad Break: Learn to play like Stevie Wonder45:18 - "I Love Every Little Thing About You"52:55 - "Sweet Little Girl"56:14 - "Happier Than the Morning Sun"1:00:53 - Find more performances from Adam and Peter at Open Studio Music1:01:58 - "Girl Blue"1:09:28 - "Seems So Long"1:11:49 - "Keep on Running"1:15:52 - "Evil" - The biggest moment on the album1:21:10 - This One is for the Math Nerds About Music 1:23:05 - Categories1:29:05 - Better Than Innervisions? / Up Next1:32:05 - More from You'll Hear It: You'll Read It1:32:40 - Open Studio plays "Superwoman"
We're looking at the best jazz releases of February 2026! Listen with pianist Adam Maness as he breaks down and reacts to these great tracks.Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi
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To those who say we're not an arty town, I say look around! And so does Jen Sterling, an abstract painter based in Annapolis who heads up a non-profit called Artist Open Studios! Today we chat a bit about Jen's work, but the best part is about an art-filled weekend in April (11th and 12th) where artists across Maryland will open their studios to the public! You can create a Maryland Artistic Road Trip and see art being made, not just hanging on a gallery wall! Jen and I chat about the event, some of the can't-miss artists, and a lot about art in general, the benefits, and how fortunate we are to live in an art-filled world! And if you know an artist--make sure they know about this! First, mark your calendars for April 11th and 12th and then.... Have a listen! LINKS: Artist Open Studios (Website) Artist Open Studios (Facebook) Artist Open Studios (Instagram) Jen Sterling Art (Website) Jen Sterling Art (Facebook) Jen Sterling Art (Instagram)
Carole King's Tapestry is so cozy, you'll want to hug it; sit with it. It sounds simple, warm, and totally unassuming. But it's way more impressive than it seems at first.Adam and Peter break down what's actually going on beneath the surface of Tapestry ... and what most people miss. Carole King was already an elite songwriter long before this album. You know Aretha Franklin's “(You Make Me Feel Like) A Natural Woman”? Carole wrote that. “Will You Love Me Tomorrow” by The Shirelles? She wrote that, too. When she was just 17! Listen closely and you hear it everywhere: in the chord choices, in the way the she actually PLAYS the piano instead of just accompanying her vocals, and in the way her melodies and lyrics lock together so naturally you barely notice how intentional it all is. Add in that soulful, sweet voice, and you start to understand how this unassuming record became a chart-topping, Grammy-dominating classic when it came out in 1971.Tapestry sounds easy, but it's not. Check out this episode, and you'll never hear this album the same way again. Get our newsletter for bonus stories that didn't make the pod:https://youllhearit.com/newsletter00:00 - Opening Tune: It's Too Late01:25 - Introducing Carole King's Tapestry05:00 - That Time Young Paul Simon and Carole Played Together07:10 - Carole's Early Doo-wop Sound10:20 - "(You Make Me Feel Like) A Natural Woman" - Aretha Franklin13:30 - When Songwriter Became Performer16:30 - B.B. and Carole 18:00 - "I Feel the Earth Move"22:00 - "So Far Away"30:45 - "It's Too Late"40:50 - "Home Again"44:00 - "Beautiful"45:35 - "Way Over Yonder" 50:00 - "You've Got a Friend"58:20 - "Where You Lead"1:02:30 - "Will You Love Me Tomorrow"1:04:40 - "Tapestry"1:08:45 - "(You Make Me Feel Like) A Natural Woman"1:13:10 - Apex Moments of Tapestry1:21:20 - Coming Up On on You'll Hear It1:22:00 - Outro: "It's Too Late"
We're looking at the best jazz releases of January 2026! Listen with pianist Adam Maness as he breaks down and reacts to these great tracks.Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi 00:00 - Intro00:50 - Why Don't You - Sam Fribush, Corey Fonville, Charlie Hunter03:09 - Talking Drum - Julian Lage04:58 - Flim - Winderman, Colman, Kimock06:53 - Nacho Supreme - Motion II08:51 - Wisdom Is Eternal (For Barry Harris)10:49 - Unpersuadable Extern - N∆BOU12:11 - Free Walk - Vladko14:17 - Fireball - John Ellis & Double Wide15:52 - Giant Steps - Billy Hart18:50 - Parks Lope - Aaron Parks
"There are always certain traits, habits, or even non-tangible elements that draw us to our favorite people and artists. Find out what those elements are to Bob and Reuben in this episode."If you like Bass - you're in the right place! Interested in more music and practice advice? Check out Open Studio...where you'll find courses and much more by world-class bassists like Reuben Rogers, Ron Carter, Christian McBride, Bob DeBoo and more. Reach out to the Upright Citizens anytime at uprightcitizenspodcast@gmail.com ★ Support this podcast ★
We're looking back at the best jazz releases of 2025. Listen with pianist Adam Maness as he breaks down and reacts to these great tracks.This is a new segment from the team behind You'll Hear It, and we're looking to continue this music discovery pod as a weekly series in 2026. Help us shape this series and leave us a comment with your feedback.00:00 - The Best New Jazz of 202500:55 - "Spiral Dance" - Branford Marsalis Quartet02:30 - "Minor Blues Redux" - Kenny Barron4:54 - "Icarus" - Joshua Redman6:55 - "Thou Swell" - Gillian Margot, Geoffrey Keezer9:30 - "Southern Nights" - Sullivan Fortner12:30 - "Anything but now" - Cécile McLorin Salvant16:30 - "Everything Means Nothing to Me" - Brad Mehldau22:00 - "Over (feat. Yebba)" - Robert Glasper24:40 - "Carved From" - Mary Halvorson26:45 - "Old Folks" - Christian McBride29:00 - "Windows" - Chick Corea, Christian McBride, Brian Blade33:00 - "Mood Indigo" - Dee Dee Bridgewater, Bill Charlap Play better in 2026 and beyond at Open Studio. Join today with our last BIG savings of the year at openstudiojazz.com/yhi
What does it really mean to live a musical life?As we look ahead to 2026, Adam and Peter talk about music as a way of being. Not a checklist, or a finish line, or something reserved for “professionals.” They share why they believe everyone is a musician, and why taste and curiosity matter more than optimization.Whether you're a musician, or a lover of music, anyone can lead a musical life.00:00 - How to Live a Musical Life in 202607:00 - There is No Finish Line08:45 - All Humans Are Musicians19:10 - Find Your Own Taste28:00 - How We Choose Topics for You'll Hear It Play better in 2026 and beyond at Open Studio. Join today with our last BIG savings of the year at openstudiojazz.com/yhi
Prince's Sign O' the Times is one of our most requested albums at You'll Hear It. But, there is a certain window of millennial that doesn't really "get" Prince. If that's you, this episode is your on ramp into his music. We start with Prince's earliest albums, tracing his incredible run from 1978 through to 1986. By the time we hit 1987 (around the time our dear mid-millennials were born), you can hear exactly why Sign O' the Times has become so beloved by critics and music-lovers alike.If you're already a Prince fan (like us!), get comfy. Put on your purple rain coat. We talk through the influences we hear all over this music: James Brown, Marvin Gaye, Parliament, Earth, Wind & Fire. We share our apex moments from Sign O' the Times. And yes… we've got a few quibble bits too.We'll be taking a short break in January, and returning with more great episodes in February 2026. We'll be dropping a few special episodes in the meantime, so keep an eye on the feed. 00:00 - Intro Jam: "U Got the Look"02:10 - Welcome + New at Open Studio03:50 - Coming Up Next Season05:10 - How We Make Decisions for the Show08:35 - Why "Sign O' the Times"?11:35 - "Soft and Wet" from For You (1978)14:50 - "I Wanna Be Your Lover" from Prince (1979)17:50 - "Head" from Dirty Mind (1980)19:15 - "Controversy" from Controversy (1981)22:35 - "1999" from 1999 (1982)25:15 - "Purple Rain" from Purple Rain (1984)28:40 - "Raspberry Beret" from Around the World in a Day (1985)29:45 - "Kiss" from Parade (1986)40:20 - "Sign O' the Times"45:40 - "Housequake" 47:20 - "The Ballad of Dorothy Parker"51:50 - "Starfish and Coffee"53:05 - "Slow Love"55:20 - "Hot Thing"57:10 - "U Got the Look"59:25 - Miles on Prince1:02:25 - "If I Was Your Girlfriend"1:04:00 - "Strange Relationship"1:05:20 - "The Cross"1:08:00 - "Adore" 1:09:50 - Apex Moments1:14:55 - Categories1:19:35 - Snobometer1:23:55 - Coming Up on YHI1:24:20 - Outro Jam: "U Got the Look" Play better in 2026 and beyond at Open Studio. Join today with our last BIG savings of the year at openstudiojazz.com/yhi
Could this be peak Frank? Sinatra at the Sands captures the energy, the cool, and the incredible voice that made this crooner so iconic. Backed by the Count Basie Orchestra with arrangements by a young Quincy Jones, this live album still swings 60 years later!Sinatra at the Sands was recorded at a moment when Sinatra was emerging from a slump. Rock and roll dominated the airwaves, the Beatles were redefining popular music and crooning just wasn't cool anymore. But this album, recorded live in Vegas, shows a 50-year-old Frank sounding loose, confident, and completely at home in front of a band that swings like nothing else. Listen with us as we break down and react to the best of this swingin' album.Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi 00:00 - Intro Jam: Fly Me To the Moon01:35 - The Sinatra-Basie Episode!03:45 - Is This Peak Frank?05:45 - The Mid-60s Culture Shift07:45 - "Come Fly With Me" 12:00 - The Quincy Influence14:45 - "I've Got You Under My Skin"17:30 - What To Listen For22:30 - "The Shadow of Your Smile"26:20 - Freddie Green's "Chunking" Technique28:15 - Sinatra's Vocal Gift33:30 - "Street of Dreams"35:50 - "One For My Baby (And One More for the Road)"38:40 - "Fly Me To the Moon"45:00 - "One O'Clock Jump"49:50 - Desert Island Tracks54:05 - Apex Moments59:05 - Categories1:03:20 - Coming Up Next Week
How much do you know about Peter Martin? In this conversation with Kirk Hamilton of the Strong Songs podcast, Peter shares his musical influences and trajectory as a young jazz pianist. He brings us right back to the '70s, '80s, and '90s with stories of meeting Wynton Marsalis, and playing with jazz legends like Betty Carter, Roy Hargrove and Joshua Redman.Plus, he shares his take on jazz education, the marathon runner's mindset and why anyone and everyone can play music.Check out the Strong Songs podcast: https://strongsongspodcast.com/Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi 00:00 - Introducing Today's Episode02:50 - Peter's Strong Songs Interview06:00 - Peter's Musical Background08:00 - The Suzuki Method14:30 - Nurturing Talent 16:30 - How Peter Discovered Jazz20:30 - Meeting Wynton Marsalis27:00 - The Midwestern Jazz Scene33:20 - Juilliard, Roy Hargrove and the Young Lions35:40 - Moving to New Orleans38:30 - The Economics of Jazz in the 90s40:00 - Playing with the Legendary Betty Carter44:30 - Jazz Musicianship Then and Now47:15 - Roy Hargrove and the Summer of '9452:15 - Joining Joshua Redman57:45 - Rethinking Jazz Education1:02:15 - The Marathon Runner's Mindset1:07:20 - Kenny Kirkland: Awe & Inspiration1:15:00 - Roy Hargrove, The RH Factor and Hard Groove1:20:00 - My Funny Valentine - Miles Davis1:25:00 - How to Find the Recommendations in this Episode
Kirk sits down with jazz piano legend Peter Martin to talk about Peter's musical background, his momentous early encounters with Wynton Marsalis and Kenny Kirkland, the jazz scene of the 1990s, how the Suzuki method works, and why jazz students today should be less shy about talking to their heroes. Check out Peter's online jazz education program Open Studio, as well as You'll Hear It, the music podcast he co-hosts with Adam Maness. DISCUSSED/REFERENCED:“Variations Sur ‘Le Carnaval de Venise” feat. Wynton Marsalis and the Eastman Wind Ensemble from Carnival, 1987“Path Adjacent” Peter Martin w/ Gregory Hutchinson, Sarah Hanahan & Reuben Rogers from Generation S, 2023“Bag's Groove” by Milt Jackson from Miles Davis, Bag's Groove, 1967“Tea For Two” by Youmans/Ceasar, played by Art Tatum from Piano Starts Here, 1968“Broad Way Blues” by Ornette Coleman from New York Is Now, 1968“Swingin' at the Haven” by Branford Marsalis from Royal Garden Blues, 1986“Now's The Time/Billie's Bounce” by Charlie Parker from Jamey Aebersold Vol. 6: All Bird“Naima's Love Song” by Betty Carter from I_t's Not About The Melody_, 1992“Mental Phrasing” by Roy Hargrove live w/ Joshua Redman, Ron Blake, Peter Martin, Rodney Whitaker, Greg Hutchinson“Turnaround” by Joshua Redman w/ Pat Metheny from Wish, 1993“Jig-A-Jug” by Joshua Redman and “St. Thomas” by Sonny Rollins” from Spirit of the Moment: Live at the Village Vanguard, 1995“Cat Battles” and “One Shining Soul” by Joshua Redman from Freedom in the Groove, 1996“The Loneliness of a Long Distance Runner” intro and “Mind and Body” from Solo, Live in New York, 2015“Why Approach Chords Matter” - Adam Maness for Open Studio on YouTube, 2025“2 Down & 2 Across,” “Sing a Song of Song,” “Before It's Time to Say Goodbye” by Kenny Garrett feat. Kenny Kirkland from Songbook, 1997“Phyrzzinian Man” by Wynton Marsalis from Black Codes from the Underground, 1985“Necessary Evil” by Elvin Jones and “Whatever Possessed Me” by Chet Baker feat. Pat LaBarbera (Tenor) and Kenny Kirkland from Brother John, 1982“Stella by Starlight” by Hoagy Carmichael, performed by the Miles Davis Quintet on My Funny Valentine: In Concert, 1965----LINKS-----