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1959 gave us Kind of Blue, Time Out ... and Mingus Ah Um. Adam and Peter dig into Charles Mingus's most adventurous, soulful record: gospel, bebop, and pure Mingus genius. You've never heard it quite like this.Charles Mingus was one of jazz's greatest bass players AND composers. Listen with us as we break down the genius in every track of his best-selling record, and share stories of the brilliant, chaotic, occasionally volatile man behind Mingus Ah Um. Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi 00:00 — Opening Jam: "Better Git It In Your Soul"01:40 — What's happening at Open Studio3:15 — 1959: What a Great Year!5:40 — Early Mingus10:40 — "All the Things You Can C#" from Mingus at the Bohemia11:40 — "A Foggy Day" from Pithecanthropus Erectus16:15 — "Better Get Hit In Your Soul"23:35 — This One is For the Nerds27:50 — "Goodbye Pork Pie Hat" 34:36 — "Boogie Stop Shuffle"38:30 — "Self-Portrait in Three Colors"40:30 — The Duke Ellington Influence45:10 — "Open Letter to Duke" 48:05 — "Bird Calls"49:00 — "Fables of Faubus"56:40 - "Pussy Cat Dues"58:15 — "Jelly Roll"1:00:15 — Categories1:10:50 — GALA
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Here is my music podcast of Bluesland November 6, 2025 with the music of William Clarke, John Lee Hooker, George Thorogood, Muddy Waters, Sue Foley, Tinsley Ellis and more. Click on the picture/link and dance up a storm!
МУЗГОСТ - это музыкальный подкаст о клубной, популярной и хорошей (по мнению авторов) музыке. Welcome to TG: t.me/muzgost Click this: hipolink.me/wasserman МУЗГОСТ #445 @ Music Podcast [07.11.25] cover @ WASSERMAN
The Deadcast explores Bobby Weir's guitar étude, “Sage and Spirit,” speaking with one of the song's namesakes, Sage Scully, before taking an extended trip to legendary Dead show at the Great American Music Hall in August 1975, where the song received its only full live performance.Guests: David Lemieux, Donna Jean Godchaux MacKay, Sage Scully, Ron Rakow, Al Teller, Steve Brown, Roger Lewis, Lee Brenkman, Steve Schuster, Gary Lambert, Deb Trist, Ed Perlstein, Danno Henklein, Joan Miller, Steve Silberman, Michael Parrish, Keith Eaton, Shaugn O'Donnell, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Pat welcomes Kevin Hartbarger to the "Rock Room East" to play songs from some of his favorite North Carolina bands!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-good-morning-portugal-podcast-with-carl-munson--2903992/support.Let us help you find YOUR home in Portugal...Whether you are looking to BUY, RENT or SCOUT, reach out to Carl Munson and connect with the biggest and best network of professionals that have come together through Good Morning Portugal! over the last five years that have seen Portugal's meteoric rise in popularity.Simply contact Carl by phone/WhatsApp on (00 351) 913 590 303, email carl@carlmunson.com or enter your details at www.goodmorningportugal.com And join The Portugal Club FREE here - www.theportugalclub.com
“Be a homie & let us know what you think”A beat can cross oceans faster than any plane ticket—this showcase proves it. We're celebrating Filipino producers from Manila to Sacramento with a curated trip through sample alchemy, razor-sharp cuts, and pulse-raising drum and bass. The goal is simple: connect you with artists worth following and give you a map to explore their catalogs, crews, and scenes.We open with a Filipino alchemist from Florida named Soy or Soyisreal then we feature a track with atmosphere and intent—Free The Robots sets a cinematic frame before HeruHeruHeru reminds us not to overthink a great loop. Elijah B raises the stakes with head-twisting arrangements, then Roboplex teams with Hendrik to merge live visuals culture with studio craft. KiNG HYSTERiA, Imaginary Other, Chewy, and IF1 light up the cipher, while D-Styles demonstrates why scratching remains composition, percussion, and storytelling all at once. The energy pivots into TKDPLL's drum and bass, a lane resonating deeply across Filipino circles, and lands on LUSTBASS and Filipino 1990 where feel meets message.From there, Six The NorthStar tightens the groove, Skeematic explores meditative texture, and 4B5ynth out of Marikina turns off-kilter rhythm into a hypnotic flip. Higher Ground's The PHARM brings collective firepower, Dpsht and Tenkousei.'s cool the room with downtempo warmth, and Skeptics and Ize pull dancers to the front with summer color and clever edits. We close with Loopin_iii's high-velocity DnB, then shout Wave Groove and tease that this is only part one of the all-Filipino spotlight.If something moves you, follow the links, grab a tee, buy a coffee, or send us a text directly from the description—we read every messag Support the showEdited, Mixed and Mastered by GldnmndPodcast Website Link: The Rec Show PodcastSubscribe to Our YouTube Channel: Press Here
I recently learned about Dr. Emma Dayhuff's new album, “Innovations & Lineage: The Chicago Project,”, which has been garnering a lot of attention, and I wanted to learn more.When it came to bringing this album to life, she knew exactly who she wanted on board. She assembled a remarkable group of musicians: Dee Alexander on vocals, Isaiah Collier on tenor sax, and Kahil El'Zabar on percussion.Recorded live, the album captures the energy of the performance while presenting a clear, resonant bass sound that anchors the music beautifully. It's both a nod to Chicago's rich jazz tradition and a glimpse into the innovative directions Dr. Dayhuff is exploring in her work.Today, we'll hear about her musical journey, the inspiration behind this album, and what she has planned next. Please join me in welcoming Dr. Emma Dayhuff.This interview first appeared in Bass Musician Magazine in October 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.
Send us a textThis week, Time Pals co-host ShadoSpartan brings back Mini-Episodes and takes hilarious dive into the world of pro wrestling botches — from debut disasters to matches that went completely off the rails.Fellow Time Pal Underscore and Special guest Twitch streamer MrBortman (twitch.tv/mrbortmanttv) cover the infamous Sting vs. Jeff Hardy meltdown, Ted Dibiase Jr iconic excuses, the Thanksgiving fever dream known as The Gobbledy Gooker, and much more!Join us as we react, relive, and roast the madness of our fair sport.#TimePalsPodcast #ProWrestling #WrestlingBotches #Botchamania #Sting #JeffHardy #GobbledyGooker #NXT #NXTShowdown2025 #WWE #TNA #AEW #WrestlingFails #IndieWrestling #WrestlingCommunity #TedDibiaseJr ##MaydayMediaNetwork #Twitch #TwitchStreamer #MrBortman #MaydayMediaNetwork #GeekCast #DadCast #StoneCold #SteveAustin #OwenHart | Take your earholes back to the era of Hammerpants, backwards overalls, grunge, and New Jack Swing! A 90's Music Podcast. Press rewind as we chat with the hitmakers, bringing you closer to the musicians you love.https://www.teepublic.com/user/dopenostalgiaSupport the show
From "King Tut" to the top of the bluegrass charts! Grammy and IBMA award-winning banjoists and songwriters Steve Martin and Alison Brown join us to chat about their respective careers and their first full-length collaborative album, Safe, Sensible and Sane. PART ONEPaul and Scott chat about how impressed they are with all the various hats Alison Brown and Steve Martin wear, while also trying to wrap their heads around the seeming complexity of the banjo. PART TWOOur in-depth conversation with Steve Martin and Alison BrownABOUT STEVE MARTIN AND ALISON BROWNThough he began his career as a stand-up comedian, Steve Martin has released more musical albums than comedy albums. Between 2009 and 2017 he issued six, many of which were collaborations with Steep Canyon Rangers, Edie Brickell, or both. They all reached number one on the bluegrass chart, and nearly all appeared on the Billboard 200. He has been nominated for 15 Grammy awards and has won five, including Best American Roots Song, Best Bluegrass Album, and Best Country Instrumental Performance for his appearance on “Foggy Mountain Breakdown” alongside Earl Scruggs, Vince Gill, Albert Lee, and Glen Duncan on the 2001 album Earl Scruggs and Friends. Martin's latest album, his seventh bluegrass chart topper, is called Safe, Sensible and Sane, and is a collaboration with fellow banjoist Alison Brown.Brown first came to prominence as a member of Alison Krauss and Union Station and, in 1991, became the first woman to win the International Bluegrass Association's Banjo Player of the Year award. After a stint as Michelle Shocked's band leader she launched a solo career blending bluegrass, jazz, Latin, and Celtic influences. She has received two Grammy nominations for Best Bluegrass Album, and two for Best Country Instrumental Performance, one of which she won for “Leaving Cottondale,” a collaboration with Bela Fleck. In 2015 Alison received the Distinguished Achievement Award from the International Bluegrass Music Association for the furtherance of bluegrass music. She and Martin first collaborated on “Foggy Mountain Breaking” from her 2023 album, On Banjo. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
You loved part 1 so we're back with more! Sometimes-third host Rob joins us as we read your Kelly Clarkson unpopular opinions and confessions!Support us on Patreon: patreon.com/MissIndepodcastBuy merch from our new merch storeFollow us!Facebook | Twitter/X | InstagramFind more at missindepodcast.com
Send us a textDziadek zaraził go miłością do Willie Nelsona. Kto by przypuszczał, że Jakub Polewka zdąży zobaczyć na żywo jednego ze swoich ostatnich odwiecznych idoli. Legenda country ma się świetnie biorąc pod uwagę, że ma... 92 lata!Usiedliśmy sobie duetem podcastowym by porozmawiać o Farm Aid 40 - amerykańskim festiwalu z wielkimi gwiazdami muzyki country / americany (z jednej strony) i bogatej historii wielkiej imprezy charytatywnej, która ma pomagać farmerom w Stanach Zjednoczonych. Wyszedł z tego bardzo ciepły wywiad z naszym młodszym z Prezesów a przy okazji kolejna historia o tym dlaczego warto spełniać marzenia!Możecie odsłuchać ten odcinek tutaj: https://tiny.pl/1xn9xg07Link do Spotify: Youtube: muzyka: Łukasz Wojciechowski (jingiel)Zachęcamy też do śledzenia naszego profilu na Facebooku - https://www.facebook.com/PickPlease/oraz Instagramie - https://tiny.pl/cxk21Będziemy wdzięczni za wsparcie nas na Patronite (specjalne bonusy dla naszych patronów!): https://tiny.pl/r8yq62q5LINKOWNIA:Willie Nelson (Wikipedia) - https://tiny.pl/8905tq2sFarm Aid (Wikipedia) - https://tiny.pl/jzyg-gdhArtyści wymienieni w odcinku: Willie Nelson, Lukas Nelson, Tyler Childers, Neil Young, Dave Matthews, Margot Price, Madeline Edwards, Bob Dylan, Eric Burton (Black Pumas), Melanie Safka, John Mellancamp, Billy Strings, Wynonna Judd, Trampled by Turtles, Steve Earle, Nathaniel Rateliff and the Night Sweats, Sierra Ferrel, Kenny Chesney, Neil Young and the Chrome Hearts, Jesse Welles, Waxahatchee, Madeline Edwards, Lily Meola, Tom Waits, Keith Richards, Pearl Jam.Utwory:Tom Waits, Keith Richards - Last Leaf (2011) - https://tiny.pl/snxg5f78Willie Nelson - Last Leaf - https://tiny.pl/pqdjzcj2Willie Nelson - On The Road Again - https://tiny.pl/qsmvbr2k
In this episode of The Bandwich Tapes, I sit down with legendary session drummer Paul Leim, whose six-decade career quietly powers a staggering piece of the soundtrack to our lives. Paul has played on more than 12,000 songs across over 2,000 releases, with 1,400+ silver/gold/platinum certifications, and global sales topping 540 million units. His discography encompasses over 150 combined GRAMMY nominations and wins, as well as 40+ major film/TV awards, and credits on more than 150 films and 100 television specials and series. If you've heard Lionel Richie, Shania Twain, Lyle Lovett, Kenny Chesney, Whitney Houston—or cues from Dirty Dancing, Smokey and the Bandit II, The River, or even Return of the Jedi, you've likely heard Paul.We trace the arc from East Texas clubs and Dallas jingle mills to late-'70s Los Angeles, where a “typical” week meant two complete drum rigs leapfrogging between Lionel Richie sessions, network TV soundstages, film dates, and award shows. Paul talks mentors and “angels” (band director Neil Grant, Robin Hood Brians, Doc Severinsen), lifelong friendships with the TCB family (Ron Tutt, Jerry Scheff), and lessons that still anchor his playing—especially dynamic control and “letting the mics work.” We get inside the high-wire reality of studio life. Paul calls it “95% boredom and 5% sheer terror”, including how to read conductors, when to lead the time, and when to ride it, and what it's like to move from live kit to orchestral percussion with John Williams.There are great shop-floor stories: cutting Lionel's “Truly” and counseling Lionel at the fork-in-the-road moment of leaving the Commodores; discovering that Lyle Lovett's “The Blues Walk” was gloriously vocal-free; and a deep dive into the precision world of Mutt Lange and Shania, ending bass notes just before the snare for mix “air,” the chrome-over-brass “important” snare, and the on-the-fly invention of tom “Mutt flaps” for short, open fills. Paul also shares a personal fork he chose differently: turning down a James Taylor tour to be home with his young family, only to hand JT the final serial-numbered Leim signature snare decades later at the White House.Today, Paul is still very much in motion: bandleading the TCB Band in Europe, steering The Tennessee Four with Thomas Gabriel to carry the Cash legacy, and jumping into Million Dollar Quartet shows—proof that the hang, the humility, and the groove endure. It's a conversation about craft, friendship, stewardship of a gift, and the choices that shape both a career and a life.Music from the Episode:Pick it Apart (Mark O'Connor)Truly (Lionel Richie)The Blues Walk (Lyle Lovett)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.Theme music: "Playcation" by Mark Mundy
Ever wonder what really changes when a producer moves from a living room setup to a studio with a door, a sign, and a tax ID? We sit down with Kodi “Phunkiefoot” Owens to unpack the leap to Studio 22 and why that one decision reshapes how clients show up, how money flows, and how a whole city can take itself more seriously as a music market. It's a grounded blueprint for indie artists and producers who want more than streams—they want structure, ownership, and a path that pays.Kodi takes us through his journey from cassette tapes and a budget keyboard to running sessions that keep teens off the streets and point them toward records they actually own. We get real about why Arkansas often gets overlooked in hip hop: too many songs riding unlicensed beats and too little paperwork for labels to engage. The fix isn't glamorous, but it's powerful—original production, clean rights, consistent promotion, and a studio that people can actually find on a map. COVID-19 unexpectedly amplified that mission, bringing more eyes to social media and motivating artists to release, while Kodi doubled down on the back-end steps that turn views into revenue.We also spotlight Pine Bluff's musical backbone—from school bands to UAPB's national showcases—and the community energy behind a Black Lives Matter project featuring local names, live sax, and messages aimed at the youth. Along the way, Kodi shares current collaborations, upcoming releases, and the mentors and peers pushing him to experiment and expand. If you're building an indie career, this conversation gives you practical steps and a mindset shift: treat your art like a business, protect your rights, and make your city part of your strategy.Subscribe for more stories that blend creativity with real-world tactics, share this with an artist who needs the push, and leave a review to help more indie creators find us.Support the show
Want to request a song? Tell us your rating? Send us a Text Message right now! Was It Must Have Been Love by Roxette really a heartbreaking ballad… or the world's most elegant song about farts?
Techhouse, House Music und alles mit Fusion Elemtenten, das sind die Styles und Genres im Traex Techno House Music Podcast No. 494. Kostenlose Downloads und Sharing der Techno Tracks im Podcast über die Icons unter dem Player. Abonniere den Traex Techno House Music Podcast über die Buttons unter dem Player… weiterlesen >>>
Techhouse, House Music und alles mit Fusion Elemtenten, das sind die Styles und Genres im Traex Techno House Music Podcast No. 494. Kostenlose Downloads und Sharing der Techno Tracks im Podcast über die Icons unter dem Player. Abonniere den Traex Techno House Music Podcast über die Buttons unter dem Player… weiterlesen >>>
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Trick 'r Treat! Happy Halloween, here's a fabulous treat for our listeners- Jonathan X returning for his fourth appearance! Yaayyy!!!This week, we celebrate Halloween 2025 with a Horror-themed double, plus chat with JX about the craziness that has been Los Angeles 2025.Then, we preview our brand-new show, Speed Junket, with JX being our first racer to speed through our list of questions and setting the score for the racers when they take to the podium from November 14th!--SOCIALS--Jonathan X - https://www.twitter.com/jxdirector -- https://www.instagram.com/jonathanx.tbhcDave the New Kid: https://www.instagram.com/1_of_the_daves_you_know/Art For My Sake: https://www.thetonastontales.com/bookstore/p/artformysake-ebookTnT/Bloop Networkhttps://www.thetonastontales.com/listen -- https://www.patreon.com/bloomingtheatricals - https://twitter.com/thrashntreasurehttps://linktr.ee/thrashntreasure*****Help support Thrash 'n Treasure and keep us on-air, PLUS go on a fantastical adventure at the same time!Grab your copy of The Tonaston Tales by AW, and use the code TNT20 when you check out for 20% off eBooks and Paperbacks!https://www.thetonastontales.com/bookstore - TNT20 ***** ★ Support this podcast on Patreon ★
On this week's show, we take a deep dive into the Nebraska '82 Expanded Edition box set, and explore the legacy, lore and enduring impact of Bruce Springsteen's Nebraska. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast.
In this episode, I've got five songs for you with a more laid back feel. I hope you enjoy them. The songs are "Change the Course" by Ari Herstand, "Boje" by Gin Cooler, "Reflect" by The Ventriloquist Mute, "Ya No Pierdo" by Gaby Red, and "It's Been a Long, Long Time" by Harry James and his Orchestra.
SIGGRAPH Spotlight Show Notes: Episode 96 Title: 96 – Live From SIGGRAPH 2025: Impact of SIGGRAPH at All Career Stages ABOUT THE EPISODE In this episode of SIGGRAPH Spotlight, recorded live from Vancouver at SIGGRAPH 2025, Steve Granados Lopez (production assistant, Voyage Productions) sits down with Kevin McNulty, professor of animation at Middle Tennessee State University (MTSU), and Kat Shattuck, an MTSU animation student and SIGGRAPH 2025 Student Volunteer Team Leader. Together, they reflect on how SIGGRAPH has shaped their creative journeys, the impact of building a campus chapter, and the friendships and mentorships that keep the community thriving all year long. MUSIC Podcast theme, "SIGGRAPH," composed by Julius Dobos. || LINKS *Episode* https://www.siggraph.org/ | https://www.siggraph.org/join-a-chapter/ | https://www.siggraph.org/inside-siggraph/find-a-chapter/ | https://www.siggraph.org/committees/education-committee/ | https://mtsu.siggraph.org/ *Social Media* http://blog.siggraph.org/ | https://www.facebook.com/SIGGRAPHConferences | https://twitter.com/siggraph | https://www.youtube.com/user/ACMSIGGRAPH | https://www.instagram.com/acmsiggraph/ | https://www.linkedin.com/company/acm-siggraph/ *Conference Website* https://s2025.siggraph.org/ | https://s2026.siggraph.org/
I've been noticing a lot of buzz around The Big Ol' Nasty Getdown on social media lately, and it definitely caught my attention. Recently, I came across their track “Wrong Side of the Law” featuring rising star bassist Ellen Alaverdyan alongside her dad, Hovak. The energy of the project was so contagious that I felt compelled to dig deeper and find out what it's all about.At the heart of it all is John Heintz, who wears many hats… bassist, producer, and the self-proclaimed “Ringleader” behind this one-of-a-kind concept: a massive, collaborative, big-band-style jam that blends creativity, funk, and sheer musical joy.John graciously took the time to chat with me, and he shared so many fascinating stories… from how he first got started in music and fell in love with the bass, to highlights of his stunning bass collection, to the exciting projects he's currently working on and what's next for The Big Ol' Nasty Getdown.So without further ado… here's John Heintz!Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.
We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2020 conversation with Stax legend David Porter.ABOUT DAVID PORTER Named one of Rolling Stone magazine's “100 Greatest Songwriters of All Time,” Porter is best known for his songwriting partnership with Isaac Hayes that helped define the sound of Memphis's legendary Stax Records. As the first African American staff songwriter at Stax, Porter, along with his partner, wrote and produced songs such as “B-A-B-Y” for Carla Thomas, “Your Good Thing (Is About to End)”—an R&B hit for Mable John that later became a pop and R&B smash for Lou Rawls, and his own recording of “Can't See You When I Want To.” Hayes and Porter are best known, however, for their work with Sam & Dave, including such classic hits as “You Don't Know Like I Know,” “You Got Me Hummin',” “Hold On! I'm Comin'” (which later became a country hit for Waylon Jennings and Jerry Reed), “Soul Man” (which became a hit a second time thanks to the Blues Brothers), “I Thank You” (which was later covered by ZZ Top), and “When Something is Wrong with My Baby” (which was reimagined as a memorable duet between Otis Redding and Carla Thomas, a country hit for Sonny James, and an adult contemporary hit for Linda Ronstadt and Aaron Neville). The list of artists who've covered Porter's songs includes Aretha Franklin, Bruce Springsteen, William Bell, Melissa Ethridge, Bonnie Raitt, Garth Brooks, Etta James, Celine Dion, Wilson Pickett, George Benson, Dusty Springfield, Jerry Lee Lewis, The Staple Singers, Solomon Burke, James Brown, Eric Clapton, B. B. King, Tina Turner, Jackie Wilson, and more. His songs have been used as samples in countless recordings by artists such as Jay-Z, Eminem, Wu-Tang Clan, The Notorious B.I.G., Justin Bieber, Mariah Carey, and others. A highly celebrated giant among celebrated songwriters, Porter was inducted into the Songwriters Hall of Fame in 2005. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
We're bringing back our series Her Songs, Our Stories, inspired by Songs & Stories from The Kelly Clarkson Show. Tune in to hear fans share stories about why they find Kelly's songs to be meaningful and inspiring.Support us on Patreon: patreon.com/MissIndepodcastBuy merch from our new merch storeFollow us!Facebook | Twitter/X | InstagramFind more at missindepodcast.com
In 1981, Michael Jackson and Quincy Jones set out on one of the most ambitious projects in pop music history: an album where every song was a hit. The result was Thriller. The record-breaking, chart-topping masterpiece produced six top-ten hits, became the best-selling album of all time, and propelled Black American music into global pop dominance.Watch as jazz musicians Peter Martin and Adam Maness react to this iconic '80s pop album. They break it down track-by-track: MJ's timeless ad-libbed melodies, Ndugu Chancler's drum intros (the greatest in pop history?!), Greg Phillinganes's synths, and Rod Temperton's songwriting.Thriller is so much more than "Thriller". Listen with us, and you'll never hear this record the same way again.Michael Jackson unveils the moonwalk at NBC's Motown 25 special: https://www.youtube.com/watch?v=dB7TqzPVt_M&t=538sGreg Phillinganes breaks down the bass line on "Thriller": https://www.youtube.com/watch?v=4UqxOg3M-OM Adam and Peter analyze Off the Wall: https://youtu.be/jR9zxGueeq4 Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi
Pat and Pilar play some of the Patreon Supporters favorite "1st singles" by their favorite artists!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In the conclusion of our series, we bring the Babymetal story up to date. Like it our not, these kawaii heroines are here to stay, having upset the Metal Establishment and fostered a fanatically loyal fanbase that follows them through every puzzling career move. But are they in fact "the future of metal"? And if so is that a good or bad thing for the genre as a whole?Other topics of discussion include some bizarre Babymetal collabs, kawaii metal imitators and the mysterious departure of founding member Yui-metal. FOLLOW US:Instagram: polishing.podcast Twitter/X: @polishing_turds email: polishingturdspodcast@gmail.com
On this week's show, we catch up on new singles from Sugar, Courtney Barnett and Margo Price, give it up for our good personal friends The Whiskey Charmers and Boygirl Rising, and give you all a break with a much shorter episode than usual. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast.
I am wearing a hat... again! Because this week, Mary Testa has returned to our torture chamber, and this Queen sure was Missed! So this week, newest co-host Dave challenges this Broadway immortal with Daedric's 'Mortal', because we toss Dave over the waterfall with Annie Edson Taylor, the titular 'Queen of the Mist'!Plus, we chat about egos and being remembered, stage doors, pay our respects to William Finn, jumping in puddles, relationships with collaborators, touching trees (not grass), and heaps more in this episode filled with a barrel of laughs! --SOCIALS--Mary: https://www.instagram.com/marytesta.actressDave the New Kid: https://www.instagram.com/1_of_the_daves_you_know/Art For My Sake: https://www.thetonastontales.com/bookstore/p/artformysake-ebookTnT/Bloop Networkhttps://www.thetonastontales.com/listen -- https://www.patreon.com/bloomingtheatricals - https://twitter.com/thrashntreasurehttps://linktr.ee/thrashntreasure*****Help support Thrash 'n Treasure and keep us on-air, PLUS go on a fantastical adventure at the same time!Grab your copy of The Tonaston Tales by AW, and use the code TNT20 when you check out for 20% off eBooks and Paperbacks!https://www.thetonastontales.com/bookstore - TNT20 ***** ★ Support this podcast on Patreon ★
This week on Bad For The Community, we're joined by Yanna G, a rising star in Boston's music scene returning one year after her debut appearance! We caught up on everything that's changed since—her growth as an artist and person, the creation of 'On Everything I Love Vol. 2', and the stories behind her collaborations and visuals for singles like “My Name” and “Slow Dance.”Yanna also opened up about the meaning behind her outro “I Promise,” reflecting on her journey from hoop dreams to pursuing her true passion in music. And of course, we had to react to the recently announced nominations for the Boston Music Awards 2025! Yanna G and co-host Nahli are both up for R&B Artist of the Year, and Bad For The Community earned its third straight nomination for Music Podcast of the Year.Time Stamps:0:00 - Intro/ Certain music just hits harder in the winter6:00 - What's changed with Yanna G since "On Every I Love Vol. I"?11:00 - Yanna on her favorite collaborations from the project16:30 - Yanna reflecting on her listening party/ Letting go of basketball26:30 - Yanna on the visuals for "My Name" and "Slow Dance"34:30 - Our reactions to the Boston Music Awards 2025 nominations1:12:45 - What keeps Yanna G grounded?/ What's coming next?1:22:55 - Yanna on going direct-to-consumer and delaying streaming release1:25:00 - Are the next generation of kids cooked?/ Twitch vs cartoons1:34:00 - OutroFind us at www.BadForTheCommunity.comFollow us: Instagram | Twitter/X | TikTok
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Send us a textDon stops by the show to discuss his book on Chet Atkins, teaching and his long career as a professor, writer, and more.********Don Cusic is one of the premier historians of country music and an internationally known scholar and writer. As an author, teacher, historian, songwriter, producer and executive, Cusic has been actively involved in the music business since 1973. He is a 2022 inductee in the Western Music Hall of Fame. He is an American author, songwriter and record producer who is best known as a historian of U.S. popular music. He is the author of 28 books, most of them related to country music; they include biographies of performers like Eddy Arnold, Roger Miller, Merle Haggard and Gene Autry. He is a special correspondent for Billboard magazine, a book reviewer for MusicRow magazine, and editor for trade magazines Record World and Cashbox . Cusic was a consultant for Ken Burns' documentary miniseries Country Music. He is a Curb Professor of Music Industry History at Belmont University in Nashville, where his former students include Brad Paisley and Chris Young. He is a frequent contributor of liner notes for prominent recording artists and has contributed various encyclopedia entries, magazine articles, and book chapters.Grab a copy of the book here: https://www.ama***** If you would like to contact the show about being a guest, please email us at Dauna@bettertopodcast.comUpcoming guests can be found: https://dmneedom.com/upcoming-guest Follow us on Social MediaInstagram: https://www.instagram.com/author_d.m.needom/Facebook: https://www.facebook.com/bettertopodcastwithdmneedomIntro and Outro music compliments of Fast Suzi©2025 Better To...Podcast with D. M. NeedomSupport the show
Our Words & Music Podcast brings the Words of our speakers directly to you in podcast format. For the Start of Words & Music Season 25-26 we present:Scary StoriesAn hour of Music & frightful Tales to share. So join the All In Band... IF YOU DARE!They say don't come alone - It's true. Bring a friend to Plymouth Hall with you!All are welcome to join us at the intersection of pop culture and faith! Our monthly Words & Music programs take place typically on the 2nd or 3rd Sunday of the month at 5PM in Plymouth Hall from September to May! During these popular services, All In features songs interspersed with personal stories from guest speakers on a unique theme, and at every performance, a free will offering is collected to support BANDWITH CHICAGO.Founded in 2015, BandWith is a Chicago-based non-profit organization whose mission is to provide lasting access to high quality music and performing arts instruction to underserved Chicago communities. Beginning in Chicago's East Garfield Park neighborhood, BandWith is now providing free access to programs around dance, drumline, instrumental, choral ensemble and sound engineering activities.Find more of our Musical opportunities by going to:https://www.wscongo.org/music/
Our Words & Music Podcast brings the Words of our speakers directly to you in podcast format. For the Start of Words & Music Season 25-26 we present:Scary StoriesAn hour of Music & frightful Tales to share. So join the All In Band... IF YOU DARE!They say don't come alone - It's true. Bring a friend to Plymouth Hall with you!All are welcome to join us at the intersection of pop culture and faith! Our monthly Words & Music programs take place typically on the 2nd or 3rd Sunday of the month at 5PM in Plymouth Hall from September to May! During these popular services, All In features songs interspersed with personal stories from guest speakers on a unique theme, and at every performance, a free will offering is collected to support BANDWITH CHICAGO.Founded in 2015, BandWith is a Chicago-based non-profit organization whose mission is to provide lasting access to high quality music and performing arts instruction to underserved Chicago communities. Beginning in Chicago's East Garfield Park neighborhood, BandWith is now providing free access to programs around dance, drumline, instrumental, choral ensemble and sound engineering activities.Find more of our Musical opportunities by going to:https://www.wscongo.org/music/
Our Words & Music Podcast brings the Words of our speakers directly to you in podcast format. For the Start of Words & Music Season 25-26 we present:Scary StoriesAn hour of Music & frightful Tales to share. So join the All In Band... IF YOU DARE!They say don't come alone - It's true. Bring a friend to Plymouth Hall with you!All are welcome to join us at the intersection of pop culture and faith! Our monthly Words & Music programs take place typically on the 2nd or 3rd Sunday of the month at 5PM in Plymouth Hall from September to May! During these popular services, All In features songs interspersed with personal stories from guest speakers on a unique theme, and at every performance, a free will offering is collected to support BANDWITH CHICAGO.Founded in 2015, BandWith is a Chicago-based non-profit organization whose mission is to provide lasting access to high quality music and performing arts instruction to underserved Chicago communities. Beginning in Chicago's East Garfield Park neighborhood, BandWith is now providing free access to programs around dance, drumline, instrumental, choral ensemble and sound engineering activities.Find more of our Musical opportunities by going to:https://www.wscongo.org/music/
Here is my Bluesland music podcast from October 23, 2025. Included is the music of Bo Diddley, pictured, John Lee Hooker, Ronnie Baker Brooks, D.K.Harrell, Bonnie Raitt, Sue Foley, Ray Charles and more. Click on the link/picture and enjoy. Art of Bo by Brian Kramer. Thanks Brian.
We explore how the dreamy delicacy of Crazy Fingers came about at a time of great tumult in Grateful Dead history, with visits from new record company boss Al Teller of United Artists and Seastones composer Ned Lagin, plus a stop at Winterland for the Bob Fried Memorial Boogie.Guests: David Lemieux, Al Teller, Ron Rakow, Ned Lagin, Gary Lambert, Michael Parrish, Danno Henklein, Ed Perlstein, Geoff Gould, Jay Kerley, Blair Jackson, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Pat and Kyle sit down in the "Rock Room East" to discuss the career of Ozzy Osbourne. This was the very first episode ever recorded in the "Rock Room East."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Grammy-winning singer/songwriter Shawn Camp pulls back the curtain on his varied career, including his latest album of songs that were composed with the legendary Guy Clark.PART ONEScott and Paul talk about how technology is changing the songwriting game, and other old man complaints. PART TWOOur in-depth conversation with Shawn Camp ABOUT SHAWN CAMPSinger/songwriter Shawn Camp has written chart-topping hits such as “Two Pina Coladas” by Garth Brooks, “How Long Gone” by Brooks & Dunn, “Would You Go With Me” by Josh Turner, and “River of Love” by George Strait. Additionally, he has written charting singles for Blake Shelton, Billy Currington, Hal Kechum, Wade Hayes, the duo of Sammy Kershaw and Lorrie Morgan, and others. With a foundation in bluegrass and roots music, Shawn became a trusted collaborator of legends such as Loretta Lynn, Guy Clark, and John Prine. He wrote two songs, including the title track, of Willie Nelson's 2022 album, A Beautiful Time, which won the Grammy for Country Album of the Year. Camp has also earned Grammy awards for his production work on Guy Clark's final album, My Favorite Picture of You, and for his work as a member of the bluegrass group The Earls of Leicester. Other artists who've recorded Shawn Camp songs include Randy Travis, Patty Loveless, Alan Jackson, Kenny Chesney, Rhett Akins, Gary Allan, John Anderson, Gene Watson, Porter Wagoner, and Emmylou Harris. Shawn's latest album as a solo artist—his first in almost 20 years—is The Ghost of Sis Draper. The theme album is based around a collection of songs co-written with Guy Clark and is available on Truly Handmade Records, which is dedicated to preserving and building upon Clark's legacy. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
This week, we're sharing some Kelly Clarkson songs that don't sound like much of her catalog. From Whyyawannabringmedown to Tie It Up and more, tune in to see which songs we picked!Support us on Patreon: patreon.com/MissIndepodcastBuy merch from our new merch storeFollow us!Facebook | Twitter/X | InstagramFind more at missindepodcast.com
This week we're discussing every album by Women. From Calgary, Alberta, Canada, Women are a right-down-the-middle-split between indie garage rock and noisy prog rock, with almost nothing in the middle. Made up of Patrick Flegel (guitar, vocals), Matt Flegel (bass, vocals), Mike Wallace (drums), and Christopher Reimer (guitar). The band struggled in their existence, despite their acclaimed second album, Public Strain and broke up due to an onstage fight. Reimer tragically died unexpectedly two years later. Intro 00:00 Mike and Alex Mourn D'Angelo 13:07 Band Overview 20:28 Self-Titled 22:46 Public Strain 41:04 Rarities 2007-2010 1:10:23 Outro 1:16:49 ---------------------------------------------------------------------------------------------------------- Patreon https://www.patreon.com/everyalbumever Merch https://pandermonkey.creator-spring.com/ Mike's EP: Pander Monkey on Bandcamp, Spotify, Apple, Mike on Instagram @pandermonkey Alex on Bluesky @octatron3030 Tom on Instagram @tomosmansounds History Tom's stuff: Music on Spotify, Apple Podcast on Spotify, YouTube Substack Website ----------------------------------------------------------------------------------------------------------
Welcome to TG: t.me/muzgost Click this: hipolink.me/step1
The Köln Concert by Keith Jarrett is one of the most iconic recordings in jazz history — a completely improvised solo piano performance, recorded in 1975, that became both the best-selling solo album and the best-selling piano album of all time. And yet, the concert almost didn't happen. The new film Köln 75, directed by Brooklyn-based filmmaker Ido Fluk, tells the remarkable true story behind that night through the eyes of Vera Brandes, the 18-year-old German concert promoter whose persistence and intuition made it possible. Against all odds - and with only a broken, nearly unplayable piano to work with - Brandes helped turn what could have been a disaster into a historic moment that continues to resonate fifty years later. Here Vera Brandes shares her memories of that night and her reflections on the making of Köln 75, which captures not only a pivotal event in jazz but also a coming-of-age story set in a post-war Germany rebuilding its identity. The conversation explores how art, community, and chance intersect, how the myths, friendships, and behind-the-scenes stories give life to the music itself. Narrative films about jazz are notoriously difficult to make, but Köln 75 manages to do the almost unthinkable: it's funny, urgent, and even sexy — a movie about a concert promoter trying to put on a show that somehow feels thrilling and alive. www.third-story.com leosidran.substack.com wbgo.org/studios
Pat and "The Daves" referee a battle between 3 debut solo albums by Stevie Nicks, Steve Perry and Lou Gramm! This one was recorded LIVE and IN PERSON at the "Rock Room East" in NC.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Hip hop wouldn't sound the same without jazz. From A Tribe Called Quest to PinkPantheress, jazz provides the groove behind of some of the most iconic tracks of the genre.Diallo Riddle and Luxxury of One Song join Adam and Peter to geek out on deep cuts and the genius behind hip hop's greatest jazz samples. We explore how sampling has shaped both genres, why the art of “borrowing” has always been part of the jazz tradition, and why some jazz musicians don't get paid for their contributions to hip hop.If you loved our episode with Nate Sloan and Charlie Harding from Switched On Pop, you'll love this one. We cover a lot of ground, so dive into our full playlist of every track we discuss. Find that here. YHI x Switched On Pop episode on jazz influences in hip hop. One Song episode on Patrice Rushen's "Remind Me".One Song episode on A Tribe Called Quest's "Electric Relaxation".Get our newsletter for bonus stories that didn't make the pod:https://youllhearit.com/newsletterStart your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi
Bobby Weir & John Perry Barlow's classic “The Music Never Stopped” came into being when the music was briefly in danger of stopping, the song transforming from live jam to final form as the Dead struggled to solve the financial difficulties that came with a retirement from the road.Guests: David Lemieux, Ron Rakow, Steven Schuster, Steve Silberman, Sean Howe, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Graeme Boone, Eric Lindquist, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.