Podcast appearances and mentions of James Taylor

A mid-July Vision Cast loaded with accessible-tech wins, live-on-Zoom family updates, and a second helping of the Summer Song and Dance Festival. Hosted by Salvis with Donald, George, Preston, Phil, and Veronica on the panel - plus pre-recorded drop-ins from JC (calling in from Puerto Rico) and Stacey James with a high-energy launch promo for her brand-new Crazy Stacey Radio Network. The centerpiece of the night is Donald's blind-coder AI breakthrough: he walks the crew through his journey using ChatGPT to write actual C# code for the Microsoft .NET 8 framework, building his own custom audio recorder and a fully working MP3 player he's calling "MP3 DJ." It's a live case study for the "AI is finally lowering the barrier for non-programmer blind creators" trend - landing the same week the industry is buzzing over the Suno AI source-code leak that pulls back the curtain on how much AI music is trained on scraped YouTube audio.The Summer Song and Dance Festival keeps rolling with pre-submitted covers from the crew: JC on "America the Beautiful" and The Rolling Stones' "I Can't Get No Satisfaction," Rita's fan-favorite "Como La Flor" and "La Bamba," Veronica delivering James Taylor's "Fire and Rain," and Preston closing it out with Toby Keith's "I Love This Bar."The instant-classic bit of the night is "Shower in the Dark." Veronica sets it up telling the story of a sighted friend who lost power and immediately worried about how she'd shower. Veronica's dry reply - "I don't have to see to take a shower" - sends the crew into fits, and Salvis coins the phrase "Shower in the Dark. That sounds like a great song or even story," calling it back later alongside the running pizza-on-a-black-Waymo joke.Phil is back on the panel after fighting a 4th of July flu and previews Sunday's grand final of the FIFA World Cup 2026 - Spain vs. Argentina - the biggest match of the summer as the tournament wraps up its US/Mexico/Canada hosting run. George brings the crackle in JC's absence, catching up with the crew about the wild-swinging summer weather, quality time with his girlfriend, a shout-out to his Portland friend Taylor, ongoing Mac and screen-reader compatibility challenges facing blind creators in 2026, and yes, a busted toenail on the way into the show. He also relays a family update on Phil's behalf: Phil's mother is home from the hospital after a bout of pneumonia and the crew keeps her in their prayers.Preston rounds it out with a new patio bistro set, a booked DJ gig at a local crab and karaoke bar, his transit-advocacy video for the CTAA hitting Facebook and Instagram, plus plans to catch the new Twisters movie. JC's pre-recorded tropical postcard from Puerto Rico teases coquí, salsa, and street food stories in a future episode, and Stacey's high-energy audio drop announces the launch of her brand-new independent Crazy Stacey Radio Network. Warm shout-outs to Phil's mom recovering, baby Noah still home safe post-NICU, and a nod to Katie's birthday callback from the previous week close the show.Keep technology alive, let your talent shine.Recorded 2026-07-15. Hosted by Salvis on the VisionCast Network.Final note:Bear is a tentative schedule for crazy Stacy‘s new radio edition now posted on the vision cast email list.

Taylor Swift Today with Lyla: the honeymoon is on, the newlyweds have vanished — and the wedding still won't stop making headlines. This week a genuine war broke out over whether the wedding of the century was fabulous or, per some anonymous guests, kind of tacky. The complaints: a buffet instead of a sit-down dinner, an hour-long luxury raffle, and vows that ran twenty minutes each. The pushback came from people willing to attach their names to it. Plus the secret dog nobody knew about, the loveliest story about the man who stood beside Taylor at the altar, and a little more on the dress.

Burnt Belly , World Cup , James Taylor , Missing Bailey , Stop N' Go Signs , Tiredness and Weight , Packing for Holidays , Most Romantic City , Trades People and more ....

Jon Steele and James Taylor reconvened for the second part of their HYVL review. In this episode, they each chose one outstanding goalkeeper, defender, midfielder, attacker, and manager from the four regional groups (Jon covered the East; James the West.) Thank you for your support of the J-Talk Podcast and J-Talk: Extra Time. *Join the J-Talk Podcast Patreon here: https://patreon.com/jtalkpod *Find our JLeague Chat Discord server here: https://discord.gg/UwN2ambAwg *Follow JTET on Bluesky here: @jtalket.bsky.social

Hoje temos mais um sucesso com James Taylor por aqui (que já passou por aqui com "You've Got a Friend"). ✅ Procurando um curso de inglês passo a passo? VENHA PARA O MEU CURSO INTENSIVO

Record producer and manager Peter Asher discovered James Taylor and launched Carole King's career. Paul McCartney and John Lennon wrote “I Want to Hold Your Hand” in his family's basement. He spoke with Terry Gross about having a front-row seat to some of the biggest moments in recording history.Also, romance novelist Kennedy Ryan talks about how she fell for the genre in middle school, even though her mother, a preacher, didn't approve. Ryan's best-selling books center on people who are usually at the margins – Black women, queer women, and women with chronic illnesses and disabilities. TV critic David Bianculli has a review of the ‘Little House on the Prairie' remake.Subscribe to our free weekly newsletter Follow us on Instagram Subscribe to our YouTube channel Check out the Fresh Air ArchivesSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Record producer and manager Peter Asher discovered James Taylor and launched Carole King's career. Paul McCartney and John Lennon wrote “I Want to Hold Your Hand” in his family's basement. He spoke with Terry Gross about having a front-row seat to some of the biggest moments in recording history.Also, romance novelist Kennedy Ryan talks about how she fell for the genre in middle school, even though her mother, a preacher, didn't approve. Ryan's best-selling books center on people who are usually at the margins – Black women, queer women, and women with chronic illnesses and disabilities. TV critic David Bianculli has a review of the ‘Little House on the Prairie' remake.Subscribe to our free weekly newsletter Follow us on Instagram Subscribe to our YouTube channel Check out the Fresh Air ArchivesSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Pop Culture Thursday: Jared reads the latest celebrity headlines from Page Six and gives his unfiltered takes!Taylor Swift and Travis Kelce's insider wedding details: the menu, the no phone policy, and the 20 minute vowsHarry Styles' on stage wardrobe malfunctionLeonardo DiCaprio, Alix Earle, and Tate McRae escape to the Hamptons for 4th of July weekend Mike Tyson celebrates 60th birthday at Richie Akiva's celebrity filled Hamptons bashJames Taylor turns down Taylor and Travis' wedding invitationZendaya wears Eiffel Tower themed headpiece at The Odyssey premiereJared is on tour! jaredfreid.comCheck out his new book! Order Walking Red Flag: Dating Advice from Your Favorite Guy FriendSupport the podcast by supporting our sponsors!Connect with quality therapists & mental health experts who specialize in you at https://www.rula.com/JTRAIN #rulapod #adGo to https://cometeer.com/JTRAIN for $20 off your order!

Backlash over The Odyssey movie, Dave Landau back in-studio, Justin Verlander retiring, Mackenzie Shirilla: Prison Influencer, OnlyFans top cities, and the Chattanooga outrage train. Dave Landau stops by the studio today. Check out his tour dates. Dave will be on Gutfeld! tomorrow night.  Jaden Smith entered a restaurant while holding on to his junk. Brother Bilaal is still attacking the family. Jada and Will are back living together JLo exited a restaurant in the most annoying way possible. Chattanooga News is up in arms over a part-time train conductor being a bit too patriotic on the job. A couple of tattletales called him out and now he's fired. Graham Platner's ex-girlfriend says he used to removed condoms during sex without consent. It's also known as 'stealthing'. Music: Bon Jovi is back on stage and Jon is center stage. Richie Sambora sounds a little better to be honest. Vince Neil sounded great over the weekend. Nicholas Cage is one of our finest actors. The Odyssey: The trailer for Christopher Nolan's new movie has a lot of views and negative comments.  Elliot Page is super ripped now and getting hate for her role in the film. Lupita Nyong'o is stirring it up. John Leguizamo pretends to be Greek in the film. Supergirl BOMBED and Milly Alcock is not helping. We check out Crack Amico's parody song ripping the Riyadh Comedy Festival comics.  Rainn Wilson has a problem with Ricky Gervais' Golden Globes speech... from 2020. Paige Shiver is the victim and sues the University of Michigan after banging head coach Sherrone Moore. Mackenzie Shirilla is looking good in prison and keeping her Instagram updated. Susan Smith likes to bang in prison. Sarah Pender had a love affair with a corrupt correctional officer. Shout out to Tilly. Charles Barkley and James Taylor wanted nothing to do with Taylor Swift and Travis Kelce's wedding. We can't get over the fact that Dean Blandino was invited. Margaret Qualley has dumped Jack Antonoff. Maybe he'll get back with Lena Dunham. Miami news anchor, Jenise Fernandez, is smoking hot and her spicy pics on Instagram despite her station not being too thrilled about it. Top Ten Simp Cities: Atlanta tops the list for OnlyFans use. Grand Rapids loves the content as well. Jelly Roll and Bunnie Xo are on the outs. Bunnie is ready to bang the young dudes. Emily Ratajkowski is writing a book about all the dongs she has conquered since her divorce. Justin Verlander is hanging up the cleats at the end of this season. Here is some recent video of Justin on the mound. Phil Mickelson is trying to catch Tiger Woods in controversies. Jim's list tomorrow is completely sucking up to Drew Lane. Click for your chance to win Drew's Champions Club tickets! Merch, yo. Check it. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley, BranDon, and Roberto).

Morning news conversation and later James Taylor, President of the HEARTLAND INSTITUTE kicks around with me the latest Climate Realism report just released...even though everywhere it is all climate change fear ad nauseam.

In this episode of JTET, Jon Steele and James Taylor begin their review of the J2/J3 100 Year Vision League by discussing the teams that overachieved and underachieved.   Stay tuned for part 2!   Thank you for your support of the J-Talk Podcast and J-Talk: Extra Time. *Join the J-Talk Podcast Patreon here: https://patreon.com/jtalkpod *Find our JLeague Chat Discord server here: https://discord.gg/UwN2ambAwg *Follow JTET on Bluesky here: @jtalket.bsky.social    

Asher remembers when Paul McCartney and John Lennon played “I Want to Hold Your Hand” for him for the first time. “I thought, am I losing my mind, or is this one of the best songs I've ever heard in my life?” McCartney, who was dating Asher's sister at the time, was living with his family. A new documentary, ‘Peter Asher: Everywhere Man,' chronicles Asher's life in the record industry. He spoke with Terry Gross about his own band in the British Invasion (Peter and Gordon), discovering James Taylor and launching Linda Ronstadt. Subscribe to our free weekly newsletter Follow us on Instagram Subscribe to our YouTube channel Check out the Fresh Air ArchivesSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Asher remembers when Paul McCartney and John Lennon played “I Want to Hold Your Hand” for him for the first time. “I thought, am I losing my mind, or is this one of the best songs I've ever heard in my life?” McCartney, who was dating Asher's sister at the time, was living with his family. A new documentary, ‘Peter Asher: Everywhere Man,' chronicles Asher's life in the record industry. He spoke with Terry Gross about his own band in the British Invasion (Peter and Gordon), discovering James Taylor and launching Linda Ronstadt. Subscribe to our free weekly newsletter Follow us on Instagram Subscribe to our YouTube channel Check out the Fresh Air ArchivesSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Renowned Black Politics expert Dr. James Taylor as he returns to our classroom this Monday morning. Dr. Taylor will passionately discuss why Black Joy Matters and offer invaluable insights into the Democratic Socialists' relationship to Black Politics—an issue shaping the future of our communities. He’ll also shed light on the urgent topic of white supremacists' July 4th march in Washington, DC. Black Blogger Brandon will also critically examine whether Democratic Socialists can energize Black voter turnout in the coming elections.See omnystudio.com/listener for privacy information.

Sage Steele joins the Try That In A Small Town podcast for an honest, uncensored look at sports media, politics, faith, and standing up when it could cost you everything. She shares the real story behind her controversial Obama comments, the COVID vaccine moment that changed her career at ESPN, suing Disney while still on air, and why she refuses to back down from her convictions.The crew also dives into the “Try That In A Small Town” backlash, country music, Jason Aldean's TV bans, social media burnout, raising kids with values, and how Sage found love and a second chance at marriage in Nashville.If you care about free speech, faith, sports, country music, and common sense, this one's for you.TIMED HIGHLIGHTS / CHAPTERS: 00:17:08 – Is “Sage Steele” a real name? Childhood, identity and keeping her name after marriage 00:19:02 – Growing up a military kid: Earth, Wind & Fire, Lionel Richie, James Taylor and first concerts 00:22:34 – First reaction to “Try That In A Small Town” and why Sage never saw it as racist 00:24:22 – Sponsor break: Original Glory beer and Patriot Mobile 00:25:40 – Sage vs The View: Barbara Walters, race, Obama and getting elbowed backstage 00:33:00 – “No going back”: politics, division since 2016 and losing common sense 00:36:33 – COVID, mandates, Fauci, Tulsi Gabbard and accountability in leadership 00:48:10 – The Jay Cutler podcast: Disney's vaccine deadline and Sage's fateful comments 00:50:36 – Suspended, forced apology and living in fear inside ESPN 00:54:24 – Double standard: political rants allowed on ESPN air… unless they're from Sage 00:56:20 – Suing Disney/ESPN while still on the air and the moment her son told her to stand up 01:00:09 – Her relationship with Stephen A. Smith and why he still stands next to her 01:03:50 – How ESPN lost its way with politics, personalities and cord‑cutting 01:07:05 – Missing the old SportsCenter era: Stuart Scott, Berman, Linda Cohn and big TV moments 01:17:01 – Launching The Sage Steele Show and learning to be an independent creator 01:20:45 – Being labeled “conservative” and how that shuts doors in media and entertainment 01:21:34 – Jason Aldean, banned TV appearances and corporate fear around “Try That In A Small Town” 01:23:27 – When controversy makes a song bigger: backlash, business and blessing in disguise 01:30:15 – Meeting Dave: military‑brat connection, charity event, and a whirlwind Nashville love story 01:37:36 – Daily devotionals on camera: praying out loud, public faith and the fear of “send” 01:39:24 – First ever public prayer: doing the invocation at a NASCAR race on live TV 01:42:30 – Why praying out loud feels scarier than live TV and why we're never “worthy” 01:49:41 – Pet peeves, movie etiquette and “read the room” moments in public 01:55:36 – Airplane chaos: overhead bin wars, service animals and entitlement culture 01:59:31 – Sage's patriotic merch and the line “raised right, seasoned well” 02:01:02 – Why Sage came on the show and what standing up has really cost—and given—her______________________________________________________________________________________________SPONSORS: The Try That in a Small Town Podcast is powered by e|spaces!Redefining Coworking - Exceptional Office Space for Every BusinessBook a tour today at espaces.comFrom the Patriot Mobile studios:Don't get fooled by other cellular providers pretending to share your values or have the same coverage. They don't and they can't!Go to PATRIOTMOBILE.COM/SMALLTOWN or call 972-PATRIOTRight now, get a FREE MONTH when you use the offer code SMALLTOWN.Original Brands - Our original sponsor since the beginning!!Original brands is starting a new era and American domestic premium beer, American made, American owned, Original glory.Join the movement at www.drinkoriginalbrands.comPeacemaker Coffee CompanyFounded by retired police officer/chief Chris Morris, Peacemaker delivers clean, low-acidity coffee while supporting police, firefighters, EMS, military, veterans, teachers, dispatchers, and medical personnel through donations and programs.https://www.peacemakercoffeecompany.com/________________________________________________________________________________________________Follow/Rate/Share at www.trythatinasmalltown.com -For advertising inquiries, email info@trythatinasmalltown.comProduced by Jim McCarthy and www.ItsYourShow.coSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to another episode of Rick's Rambles, where every week we explore fascinating stories, inspiring ideas, music history, and a little fun along the way. This week's episode is packed with something for everyone!

This morning, Ariana Grande continues to fuel rumors about a romance rekindle with Ricky Alvarez, Prince Harry has arrived in the UK without Meghan and the children, and the Aussie actress who's become a mum for the fourth time at 49. ☕ Prince Harry arrives in the UK alone ☕ James Taylor confirms he was invited to Taylor Swift's wedding, but had to decline. ☕ Ariana Grande spends July 4 grocery shopping and at her parents' house with Ricky Alvarez☕ Frankie Grande suffers an onstage concussion at Titanique☕ Melissa George welcomes her fourth son at 49 on the French Riviera ☕ GRL member Lauren Bennett passes away at just 37 THE END BITS Take The Spill's monthly pop culture quiz here and test your knowledge! Once you’ve devoured this morning’s celeb stories, get your daily news headlines from The Quicky here. Support independent women's media Follow us on TikTok, Instagram and Facebook. And subscribe to our Youtube channel. Read all the latest entertainment news on Mamamia... here. Discover more Mamamia Podcasts here. CREDITS Host & Producer: Ash London Executive Producer: Monisha Iswaran Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Join us for an unforgettable stroll as we delve into the extraordinary journey of legendary singer-songwriter Tom Rush, a pioneer who has shaped the landscape of American music for over six decades. On this episode of takin' a walk, host Buzz Knight engages in a heartfelt conversation with Rush, whose influence resonates through the melodies of iconic artists like Joni Mitchell and James Taylor, long before they became household names. As we walk through Rush's remarkable career, he shares captivating stories that reveal the essence of a true musical icon. From his humble beginnings in the Boston folk scene while attending Harvard to becoming a beacon for emerging artists, Rush reflects on the accidental introductions of fellow musicians through his albums, showcasing the interconnectedness of the music journey. His latest album, Gardens Old, Flowers New, is hailed as his best work yet, and Rush discusses the inspiration behind it, highlighting the importance of creativity in today’s music industry. As Buzz Knight and Tom Rush navigate the challenges of the modern music scene, they explore the significance of connecting with audiences and the emotional healing that music brings. Their conversation touches on memorable moments from significant events like the Americana Awards and the Newport Folk Festival, providing listeners with music history insights that are both nostalgic and enlightening. This episode is not just a walk down memory lane; it’s a celebration of music and resilience, filled with inspiring stories of artistic reinvention and the unwavering passion that drives legendary musicians like Rush. Tune in for a rich exploration of takin' a walk through the life of a true music legend, where every note tells a story and every step reveals the heart of American music. Whether you’re a fan of indie music, classic rock history, or simply love the art of storytelling in music, this episode promises to inspire and entertain. Join us as we celebrate the music legacy of Tom Rush and the incredible journeys of legendary songwriters who have shaped our lives through their art. Don't miss this captivating episode of takin' a walkwith Buzz Knight!Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Mazel morons! Fatherhood looks a little different for each Good Guy. Josh shares why Father's Day has quietly become his favorite holiday, while Ben recaps the perfect day with Ruby- a trip to the Natural History Museum, and a massage worthy of Dad of the Year. Plus: Ben reviews a James Taylor concert, Josh takes his boys to the FIFA Club World Cup opener, the guys debate arriving early vs. fashionably late, discuss why nobody approaches people at bars anymore, and hand out "What Are You Nuts?!" awards to overzealous political canvassers and one very confused Drake & Josh fan. Rate us five stars and watch the full episode on Spotify! What are ya nuts?! Love ya!  Write us! Send your messages to goodguyspodcast1@gmail.com  Follow us on Instagram and TikTok!  Sponsors: Please note that this episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this episode. Produced by Dear Media. Learn more about your ad choices. Visit megaphone.fm/adchoices

Derek and Chris discuss the latest Rangers news in Thursday's Morning Briefing. // For the best Rangers journalism, subscribe today

Derek and Chris discuss the latest Rangers news in Thursday's Morning Briefing. // For the best Rangers journalism, subscribe today

Join us for an unforgettable stroll as we delve into the extraordinary journey of legendary singer-songwriter Tom Rush, a pioneer who has shaped the landscape of American music for over six decades. On this episode of takin' a walk, host Buzz Knight engages in a heartfelt conversation with Rush, whose influence resonates through the melodies of iconic artists like Joni Mitchell and James Taylor, long before they became household names. As we walk through Rush's remarkable career, he shares captivating stories that reveal the essence of a true musical icon. From his humble beginnings in the Boston folk scene while attending Harvard to becoming a beacon for emerging artists, Rush reflects on the accidental introductions of fellow musicians through his albums, showcasing the interconnectedness of the music journey. His latest album, Gardens Old, Flowers New, is hailed as his best work yet, and Rush discusses the inspiration behind it, highlighting the importance of creativity in today’s music industry. As Buzz Knight and Tom Rush navigate the challenges of the modern music scene, they explore the significance of connecting with audiences and the emotional healing that music brings. Their conversation touches on memorable moments from significant events like the Americana Awards and the Newport Folk Festival, providing listeners with music history insights that are both nostalgic and enlightening. This episode is not just a walk down memory lane; it’s a celebration of music and resilience, filled with inspiring stories of artistic reinvention and the unwavering passion that drives legendary musicians like Rush. Tune in for a rich exploration of takin' a walk through the life of a true music legend, where every note tells a story and every step reveals the heart of American music. Whether you’re a fan of indie music, classic rock history, or simply love the art of storytelling in music, this episode promises to inspire and entertain. Join us as we celebrate the music legacy of Tom Rush and the incredible journeys of legendary songwriters who have shaped our lives through their art. Don't miss this captivating episode of takin' a walkwith Buzz Knight!Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

In this episode of JTET, James Taylor tells Jon Steele about his trip to the cinema to see One Creature, the documentary about the Japan men's national team.   Thank you for your support of the J-Talk Podcast and J-Talk: Extra Time. *Join the J-Talk Podcast Patreon here: https://patreon.com/jtalkpod *Find our JLeague Chat Discord server here: https://discord.gg/UwN2ambAwg *Follow JTET on Bluesky here: @jtalket.bsky.social

The first half of 2026 has already delivered a stacked lineup of rap releases, so we fired up the mics to take stock of the year's best albums so far. Before getting into our midyear favorites, we talk about our all-time favorite summer rap anthems and unpack J. Cole's unexpected affinity for James Taylor. Then we dive into some of our favorite releases of the year, including Play With Something Safe by Roscoe P. Coldchain and Nicolas Craven, Planet Frog by Action Bronson, Cry Baby by Vince Staples, and several other standout projects that have been living in our rotation. Theme song produced by DJ Cutso. Rhymes by DEM ONE. Episode produced by DEM ONE.

The topic: The new documentary Peter Asher: Everywhere Man shines a spotlight on the man behind some of America's most famous singer-songwriters. The man: Asher started as a performer himself in the 60s pop duo Peter and Gordon. Despite some hit songs, Asher decided to step off the stage and became a producer and manager for acts including James Taylor, Linda Ronstadt, and Carole King, just to name a few. The documentary: The new documentary chronicling Asher's life is directed by Dan Geller and Dayna Goldfine. The film includes exclusive interviews with Asher. You can see Peter Asher: Everywhere Man at the Laemmle Royal in West LA and the Laemmle NoHo in North Hollywood. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency

Day Break | FAUCI FILES, IRAN DEAL, AND THE TRUMP EFFECT --- 00:00 - Monologue 19:14 – Brian Pannebecker, veteran auto worker, founder of Auto Workers for Trump, and author of Blue Collar Conservative: From Reagan to Trump. Pannebecker discusses the political realignment of many working-class and union voters, sharing his perspective on how auto workers helped reshape American politics and why many blue-collar voters shifted from traditional Democratic support toward the Republican Party. 28:16 – Nick Hopwood, Certified Financial Planner and Founder of Peak Wealth Management. Hopwood discusses the passing of former Federal Reserve Chairman Alan Greenspan, recent market volatility driven by weakness in Asian technology stocks, and expectations for future interest rate policy. He also encourages listeners to conduct a mid-year financial review, including portfolio performance, retirement projections, tax-advantaged contributions, beneficiary updates, and cash-flow planning. 38:30 - Monologue 47:30 – James Taylor, President of The Heartland Institute. Taylor discusses efforts by the Trump administration to repeal the EPA's Endangerment Finding and argues that bureaucratic and regulatory challenges continue to complicate implementation of proposed environmental policy changes. 57:44 – Jack Tomczak, Vice President of Outreach for Americans for Citizen Voting. Tomczak discusses a proposal in Los Angeles that would allow noncitizens to vote in certain local elections, the public response to the proposal, and broader debates surrounding election law, citizenship requirements, and voting rights. 1:06:40 – Johanna Neuman, former Los Angeles Times and USA Today White House correspondent and author of Trump's Superpower: A Historical Novel About the Founding Fathers & One Founding Mother. Neuman discusses Hillary Clinton's continued role in public discourse, political divisions in America, and the ongoing debate surrounding the legacy of the 2016 and 2024 elections. 1:16:55 - Monologue 1:25:50 – Ryan Duffy, member of the Enbridge Communications Team. Duffy provides an update on the Line 5 tunnel project, explaining how water from Lake Michigan would be used during construction, what environmental safeguards are in place, the status of state permitting processes, and opportunities for the public to learn more about the project during community events in St. Ignace. 1:33:55 – Katie Heid, News Director for Michigan News Source. Heid delivers the Michigan Rundown, highlighting major state news stories, political developments, and breaking headlines affecting communities across Michigan. 1:44:50 – Ivey Gruber, President of the Michigan Talk Network. Gruber discusses an upcoming song being released in honor of America's 250th anniversary and reflects on patriotism and national heritage. The conversation also touches on a controversial MLB play in which a fan reached into the field of play and took a ball from a catcher's glove, sparking debate among baseball fans. --- Check out our brand new podcast, 'Forgotten America'... Episode 20 is live NOW at Steve Gruber on YouTube! Link below: https://youtu.be/rsjeaCh_UBA

In this episode of J-Talk: Extra Time, Jon Steele tells James Taylor about his experience at the All Star Cup. Thank you for your support of the J-Talk Podcast and J-Talk: Extra Time. *Join the J-Talk Podcast Patreon here: https://patreon.com/jtalkpod *Find our JLeague Chat Discord server here: https://discord.gg/UwN2ambAwg *Follow JTET on Bluesky here: @jtalket.bsky.social

Guests Include: FAIR's Hannah Davis, MacIver Institute's Annette Olson, Heartland Institute's James Taylor, MRC's Tim Graham, Rep.Derrick Van Orden, WILL's Rebecca Furdek

One of the best books of 2025 now has Volume 2 available in paperback! To celebrate, I sat down for an interview with it's author to discuss its creation, themes, characters, and musical intersection. Some spoilers for Volume 1, but we try to be coy about developments in Vol 2 and beyond! Also available in full in e-book format! Vol 2 Paperback: https://a.co/d/0jfxMtYn Cover and inside are by Dasha Belokrylova: @dashabelokrylova and @dashabelokrylova.ink on Instagram! Intro is "Light Me Up" by Audiorezout of Free Music Archive Other musical tracks used: "Opening Theme - Fellowship Of The Ring" - Howard Shore "Simon (Instrumental) - Lifehouse "Level of Concern" - 21 Pilots "Montero (Bardcore Version)" - Original by Lil Nas X, cover by Stan Tough "I Want To Come Over (Instrumental) - Melissa Etheridge "Take Me To Church" original by Hozier, instrumental by Brooklyn Duo "In Your Eyes" - original by Peter Gabriel, cover by Vitamin String Quartet "Christian Brothers" - Elliot Smith "Blasphemous Rumors" - Original by Depeche mode, cover by  "Twilight" - David Gray "Twilight" - Antony and the Johnsons "Everybody Wants To Rule The World" - Tears for Fears, cover from Bioshock Infinite "Army of Me"  - Bjork "Fire and Rain" - Original by James Taylor, instrumental by Kelly Valleau "Televators" - Original by The Mars Volta, instrumental by Nilesh Badola "Unholy (Instrumental)" - Sam Smith "Witch by the Sea" - Darren Curtis "Wonderland (Instrumental) - Caravan Palace "Kings Crossing " Original by Elliot Smith, piano cover by Heavypiano "The Sky is Falling" - Queens of the Stone Age "Magic Forest", "Scheming Weasel", "Babylon" - Kevin Macleod "Danse Macabre (Instrumental)" - Original by Ghost, cover by Hector Garcia  'Water Runs Dry" - original by Boyz II Men, guitar cover by Acoustic Lounge "It's So Hard To Say Goodbye to Yesterday" - original by Boyz II Men, cello cover by Helen Newby "How Not To Drown (Instrumenal)" -CHVRCHES "Subdivisions (Instrumental)"- Rush "Wishing Well" - original by Bob Mould, instrumental cover by Mathew Savard "Valse sur une berceuse anglaise" - Fernando Velasquez "Love Me Harder" - Ariana Grande Outro is "Deus in Absentia" by Ghost  

Can the folks at Pixar continue to extract gold from the "Toy Story" mine after over thirty years? As "Toy Story 5" deftly demonstrates, the answer is definitely, "Yes." This time out, the focus is on cowgirl Jessie and how she and the other old school toys are threatened by high tech devices. As we've come to expect the folks at Pixar spend most of their efforts on creating a compelling and heartfelt story. Take some tissues because "Toy Story 5" has the smarts and the feels. You won't find any Merry Men in the excessively dark, violent and dour revisionary drama, "The Death of Robin Hood." Hugh Jackman stars as an aging and tired Robin Hood who, as it turns out, was a selfish bandit who robbed from the rich…and kept it. After numerous injuries, all he wants to do is die, but a nun at a rural sanctuary played by Jodie Comer insists on nursing him back to health. Despite a great cast and atmospheric production, “The Death of Robin Hood” is brooding, bloody and boring. “Peter Asher: Everywhere Man” is an involving documentary about the life of the pop star who arrived in the U.S. as part of the 60s British Invasion duo Peter and Gordon and stayed to become a phenomenally successful record producer steering the careers of superstars like Linda Ronstadt, James Taylor, Carol King and many others. Asher tells his own story through a unique live concert mixed with extensive film clips as well as observations from his many famous pals, including mentor Paul McCartney. “Peter Asher: Everywhere Man” is a snappy pop music time capsule.

Legendary bassist Leland Sklar has played on more than 2,000 albums, performed with some of the biggest names in music, and helped create the soundtrack of the last five decades. But behind the credits is a fascinating story of talent, timing, friendship, and an unwavering love of music. In this episode of My Rock Moment, Leland reflects on his remarkable journey…from growing up in Los Angeles, to the moment James Taylor walked into a rehearsal for Leland's band Wolfgang and reportedly told Peter Asher, "I just found the bass player of my dreams." We dive into the magic of the Troubadour era, where Leland found himself surrounded by future legends including Carole King, Russ Kunkel, and Danny Kortchmar, and discuss the uniquely collaborative spirit of Laurel Canyon.  Along the way, we talk about the tremendous impact Peter Asher had on his career, the importance of giving session musicians proper credit, and how a chance opportunity turned into decades of performing and recording with James Taylor, Phil Collins, Jackson Browne, and countless others. Leland also recounts surviving two frightening airplane incidents, including a near-disaster en route to a Kent State performance, his deep admiration for Phil Collins, why "In the Air Tonight" remains his favorite song to play live, and the origins of The Immediate Family and the acclaimed documentary that tells the story of the musicians behind some of rock's most iconic recordings. And of course, we couldn't resist talking about his YouTube channel, his viral Everybody Loves Me photo project, and the humor that has endeared him to generations of fans. The conversation is funny, insightful, and filled with incredible stories from one of music's most respected players. Find out more about Leland Sklar: Website: ⁠https://lelandsklarsbeard.com⁠ ⁠YouTube⁠ Songs from the episode: Jackson Browne "Doctor My Eyes" James Taylor "Country Road" Phil Collins "Sussudio" The Immediate Family "Werewolves of London" Phil Collins "In the Air Tonight" For more information on My Rock Moment, visit www.myrockmoment.com Follow us for photos and news of upcoming episodes at: https://www.instagram.com/la_woman_rocks Learn more about your ad choices. Visit megaphone.fm/adchoices

The J2/J3 100 Year Vision League drew to a close with the 2nd round of playoff fixtures, and in this episode James Taylor and new JPred champion Jon Steele discussed the match to decide who was overall winner, Sendai v Toyama (to 14:00). They then moved on to talk about Yokohama FC's final game at home to Yamaguchi (to 27:10), and ended with a look at Kanazawa v Gunma (to 39:35), managerial changes (to 51:20), and a preview of the All Star Game (to end).   Thank you for your support of the J-Talk Podcast and J-Talk: Extra Time. *Join the J-Talk Podcast Patreon here: https://patreon.com/jtalkpod *Find our JLeague Chat Discord server here: https://discord.gg/UwN2ambAwg *Follow JTET on Bluesky here: @jtalket.bsky.social

On this Artist Spotlight episode, we visit with Grammy Award winning engineer, Michael O'Reilly.Michael is a Grammy Award winning engineer for his work recording and mixing Dianne Reeves' A Little Moonlight (Best Jazz Vocal Album). Michael is also the mixer/engineer of 11 Grammy Award winning albums and 6 Grammy Award nominated albums, as well as 15 Platinum,19 Gold and 8 Multi-Platinum records. Simply put, most of us have heard the familiar sounds he's captured. Take for instance the Prince song “I Feel For You”, recorded by Chaka Kahn, or the very first single, “You Give Good Love”, from Whitney Houston's debut album, Whitney Houston.Michael began his career at New York's legendary Atlantic Records Recording Studios as an assistant engineer where he honed his craft. He gained experience working with a range of mega artists-- from The Rolling Stones, Bette Midler, Average White Band, George Carlin, and James Taylor to Aretha Franklin and Charles Mingus. Michael had the distinguished honor of working alongside legendary Producer Arif Mardin on virtually all of Arif's projects over the last 30 years. In addition, he has taught as an adjunct instructor of Music Engineering at NYU.

***This show is brought to you by DistroKid. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠http://distrokid.com/vip/the500⁠⁠⁠⁠⁠⁠⁠⁠⁠ for 30% off your first year!*** Complete our⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ listener survey⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for a chance to win a $50 gift card! Grammy-winning singer-songwriter Jason Mraz explores the timeless songs, deeply personal storytelling, and enduring legacy of James Taylor's landmark 1970 masterpiece, Sweet Baby James. Follow Jason on Instagram: https://www.instagram.com/jason_mraz/ Distrokid Artist of the Week: Freedom Fry https://www.youtube.com/watch?v=SFK48RVzvs0 Follow Josh on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/joshadammeyers/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@joshadammeyers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JoshAdamMeyers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/joshameyers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Josh's Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.joshadammeyers.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow DJ Morty Coyle on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/djmortycoyle/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.instagram.com/alldaysucker/ Follow The 500 on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/the500podcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow The 500 on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/the500podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow The 500 on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/The500PodcastWithJAM/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠500podcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Check the show's website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Encore episode with Leland Sklar from February 25, 2025.If the movie world has 6° of separation from Kevin Bacon then the music world would have 3° of separation from legendary bassist Leland Sklar. Leland has appeared on over 2000 albums and has played and/or toured with a who's who in music including James Taylor, Jackson Browne and Phil Collins to name only a few. And if you seek out Leland on social media or his popular YouTube channel you discover right away he's a consummate dog guy as well so it was an absolute thrill to have him come on the show and discuss his beloved trio of basset hounds Marcello, Rossanos and Romeo.Leland is currently on tour with Lyle Lovett through the start of May. For tickets and info visit tour.lylelovett.comLeland chose to give a shout out to three outstanding dog organizations. Leading off is Canine Companions for Independence who provide service dogs to adults, children and veterans with disabilities and facility dogs to professionals working in healthcare, criminal justice and educational settings. Since their founding in 1975, dogs and all follow-up services are provided at no cost to their clients.  To get involved go to canine.orgDaphneyland Basset Hound Rescue is the only basset rescue specific rehabilitation center in the world. And thanks to the ongoing generosity of thousands of donors, volunteers and adopters, thousands of Basset Hounds lives have been saved. To adopt, foster, volunteer or donate visit daphneyland.comAnd lastly there's DaisyLu Ranch who are dedicated to providing a loving and safe home for senior dogs who have been abandoned, abused, or neglected. They believe that every dog deserves to be treated with compassion and dignity, no matter their age or health condition. To adopt, foster, volunteer or donate visit daisyluranch.orgFor more pics and clips of Leland and his pack follow the show on Instagram at rockerdogpodcast/

What if the secret to staying irreplaceable in the age of AI isn't working harder — it's getting more creative? That's the central argument of SuperCreativity: Augmenting Human Creativity in the Age of Artificial Intelligence, the new book by global keynote speaker James Taylor. In this episode of the Business of Story, Park Howell sits down with James to explore how the world's top communicators are using AI not to replace their stories — but to tell them with far greater precision, resonance, and impact. From managing Rolling Stones members at the Royal Albert Hall to speaking for Apple, Cisco, L'Oreal, and PwC across 25+ countries, James brings a rare combination of creative instinct and strategic intelligence to the AI conversation. In this episode you'll discover: • Why AI is fueling a New Roaring Twenties — and what that means for entrepreneurs and business leaders • How James uses psychometric AI analysis to profile audiences before he ever steps on a call or stage • The 250-story story bank system that powers his hyper-personalized keynotes • Why your emotional promise matters even to the most analytical, data-driven audiences • What a live StoryCycle Genie® brand analysis revealed about James's Visionary Magician archetype and emotional promise of "possibility" • The standing ovation story from a billionaires' bank in the UAE that proves emotional storytelling transcends every culture and industry • How to build a speaker brand with the same discipline James learned managing rock stars About James Taylor James Taylor M.B.A., F.R.S.A. is an internationally recognized keynote speaker on creativity, innovation, and AI. He has spoken for Fortune Global 500 companies including Apple, Cisco, Deloitte, Accenture, L'Oreal, EY, Visa, and Dell, and was recently the subject of a 30-minute BBC documentary. He has personally interviewed over 750 of the world's leading creative minds and reached hundreds of thousands of people in 120+ countries. He is a Fellow of the Royal Society of Arts — alongside Benjamin Franklin, Bob Dylan, and Nelson Mandela. His new book is SuperCreativity: Augmenting Human Creativity in the Age of Artificial Intelligence. Connect with James Taylor:

On this episode of The Bandwich Tapes, I sit down with legendary percussionist Luis Conte for a conversation that goes far beyond music, into life, freedom, faith, and the deep roots of rhythm.  Luis has played with just about everyone, from James Taylor to Pat Metheny, and has been a defining voice in modern percussion for decades. But what struck me most in this conversation is not just what he's played, it's how he thinks about music and where it comes from.We begin with where he is today, working out of his home studio and navigating the modern recording world. Luis strikes a balance between convenience and connection, the trade-off between recording alone and the magic that happens when musicians are in the same room together.  From there, we get into one of my favorite parts of the conversation: the relationship between drummer and percussionist. Luis has such a simple and powerful philosophy: don't overthink it. Listen. Let the music tell you what to play. It's a reminder that great musicianship is often about awareness, not complexity.Luis then shares his incredible personal story, growing up in Cuba, being immersed in music from an early age, and eventually leaving the country as a teenager. What follows is a story of sacrifice, resilience, and ultimately freedom. His reflections on that experience are deeply moving and provide valuable context for the way he approaches music and life.We also talk about his journey into the Los Angeles music scene, the importance of relationships, and what it really takes to build a career: not just playing well, but being someone people want to be around. Along the way, he shares stories about working with some of the greats, including the late Carlos Vega, whose impact on musicians runs deep.  Toward the end, we get into his work with Pat Metheny and the idea of trusting great musicians to bring their own voice to the music. It's a theme that runs throughout the entire conversation. Music isn't something you force; it's something you respond to.This is a conversation about feel, about listening, and about the life experiences that shape the way we play.Key TakeawaysLuis Conte explains why listening, not thinking, is the foundation of great percussion playing.He shares the nuanced role of a percussionist alongside a drummer and how to complement the music.Luis reflects on his journey leaving Cuba and the profound meaning of freedom in his life and career.We discuss how early musical exposure shaped his instincts long before formal training.Luis emphasizes that relationships, attitude, and reliability are just as important as musicianship.He shares stories about Carlos Vega and what made him such a special musician.Luis talks about working with Pat Metheny and the importance of trusting artists to bring their own voice.Music from the EpisodeSantiaguero - Ropa Vieja ft. Luis Conte & San MiguelLa Aguita - Ropa Vieja ft. Luis Conte & San MiguelAmerica Undefined - Pat MethenyAbout the PodcastThe Bandwich Tapes is my chance to sit down with musicians, composers, songwriters, and creative artists I admire for honest conversations about craft, collaboration, career, and the deeper musical ideas that shape their work. It's a show about process, perspective, and the stories behind a life in music.Connect with the ShowEmail: contact@thebandwichtapes.com

What's the worst decision in Beatles history? Some might say it's John's “bigger than Jesus” remark, or letting “Magical Mystery Tour” air in black & white on the BBC. And yet, as decided by the good folks at Disney+/Apple/Calderstone/Zaappderstone, it would appear that the single most egregious moment in Fab history is the original “Beatles Anthology 8” runtime: 81 minutes. 81 minutes? IN THIS ECONOMY?  Fortunately (sfx: buzzer) much like labor laws, voting rights, and pride in this once great nation, Disney's "Beatles Anthology 8" has been drastically reduced. What's survived is typically stunning both visually and musically, plus a few new (in some cases, literally) interviews are a bonus. But what else can this episode teach us about life? 

In this week's bumper JTET, Jon Steele and James Taylor reviewed the games from the 1st round of the J2/J3 100 Year Vision League playoffs. In part 1, James talks about the West, with a focus on Toyama v Miyazaki, Nara v Oita, and Kanazawa v Tottori (to 30:25). Then in Part 2, Jon reviews the East games, with a particular look at Tochigi City v Iwata, Yokohama FC v Omiya, and Sgamihara v Fujieda (to end). There's also the usual Most Bravo Player and games to watch.   Thank you for your support of the J-Talk Podcast and J-Talk: Extra Time. *Join the J-Talk Podcast Patreon here: https://patreon.com/jtalkpod *Find our JLeague Chat Discord server here: https://discord.gg/UwN2ambAwg *Follow JTET on Bluesky here: @jtalket.bsky.social

Renowned Black Politics expert Dr. James Taylor returns to our classroom, bringing invaluable insights and firsthand stories. Dr. Taylor will illuminate the remarkable legacy of the late attorney Clarence Jones—a key confidant to Dr. Martin Luther King Jr., contributor to the iconic ‘I Have a Dream’ speech, and courageous publisher and advocate for civil rights. Hear about Attorney Jones’s pivotal role in history, including his daring efforts to share Dr. King’s ‘Letter from a Birmingham Jail.’ Before Dr. Taylor’s engaging talk, you’ll meet His Excellency, High Commissioner David Commissiong, who will provide an exclusive update on the urgent Caribbean Reparations movement and reveal key developments within CARICOM, the Caribbean’s leading economic alliance. The session opens with former NY lawmaker Charles Barron, who will break down how recent Supreme Court decisions are reshaping Voting Rights, and share essential updates on the challenges facing the Sahel Nations. Seize this chance to learn from leaders at the forefront of justice, history, and global change—your presence will make a differenceSee omnystudio.com/listener for privacy information.

Jackson Browne, Linda Ronstadt, Taylor Swift, Matthew Perry, Seth Macfarlane, James Taylor, Ashley Judd,  Ted Danson, Richard Gere, Chevy Chase, Henry Wadsworth Longfellow. William Brewster, Stephen Hopkins MLB salary cap Maura Healey` Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Lee and Daniel are joined by Robby and Wick to talk about another existential road film from the 1970s, with Monte Hellman's "Two-Lane Blacktop" (1971), starring James Taylor, Dennis Wilson, Laurie Bird, and the great Warren Oates. What's this stripped-down minimalist gearhead/road movie all about anyway? The hosts have ideas! Lee also talks about some recent watches. So just slip into the backseat of our chevy uninvited and take a ride with us! "Two-Lane Blacktop' IMDB  Check out Wick on Instagram.  Lee on Bluesky, Instagram, and Letterboxd.    Listen to Daniel punch Nazis on the I Don't Speak German podcast. Catch Daniel on Bluesky and support his Patreon.    Featured Music: "Stealin'" by Arlo Guthrie & "Moonlight Drive" by The Doors.

Jon Steele and James Taylor are back on the regular JTET beat this week, as they check in on the action from the penultimate round of J2/J3 group stage fixtures. In part 1, James reviews the West groups, with a focus on Tosu v Yamaguchi and Osaka v Kanazawa (to 25:30). In part 2, Jon talks about the East groups, including Kofu v Gifu (to end). Plus all the usual Most Bravo Players and Games to Watch.   Thank you for your support of the J-Talk Podcast and J-Talk: Extra Time. *Join the J-Talk Podcast Patreon here: https://patreon.com/jtalkpod *Find our JLeague Chat Discord server here: https://discord.gg/UwN2ambAwg *Follow JTET on Bluesky here: @jtalket.bsky.social

The new Trump Mobile phone has arrived, rotisserie chickens now fly for free, and Stephen presents World Central Kitchen's Chef José Andrés with a check for $2,497,404.15 representing generous donations from fans of The Late Show. With the end of The Late Show quickly approaching, it's finally time to get to know our Emmy-winning late night star on a deeper level with help from special guest questioners John Dickerson, Billy Crystal, “Weird Al” Yankovic, Josh Brolin , Martha Stewart, Mark Hamill, Jim Gaffigan, Jeff Daniels, Tiffany Haddish, Evie McGee Colbert, Amy Sedaris, Ben Stiller, Aubrey Plaza, James Taylor, and Robert De Niro.

How can we thrive creatively in an era dominated by artificial intelligence? In this episode, James Taylor, author of SuperCreativity: Accelerating Innovation in the Age of Artificial Intelligence, shares why the future belongs to those who can combine human ingenuity with AI-powered tools. As host of the SuperCreativity podcast and global innovation summits, James has interviewed over 750 thought leaders and technologists, helping organizations—from Fortune Global 500 companies to government agencies—harness creativity and innovation in complex, AI-augmented environments. In this conversation, we explore: ·       Why approaching AI with curiosity is essential for creative growth. ·       How AI is reshaping human creativity, problem-solving, and collaboration. ·       Practical strategies to work alongside AI and amplify innovation. ·       How teams and leaders can generate better ideas and remain future-ready. SuperCreativity is a hands-on guide for professionals, executives, and creative teams looking to navigate the AI-driven world while enhancing their creative potential. Follow James Taylor and his work on innovation, AI, and creativity here. Episode also available on Apple Podcasts: https://apple.co/38oMlMr 

Welcome back to another chaotic and hilarious episode of SHENK! This week, Sarah Wine-Shank sits down with the brilliantly funny comedian, Dylan Carlino (host of the 'Feeling Girly' podcast). In this episode, Dylan shares his unforgettable out-of-body experience meeting Demi Lovato in first class and why he feels spiritually connected to the Olsen twins.  Sarah and Dylan dig deep into the stark differences between the comedy scenes in Austin and LA, the toxic green room dynamics at Joe Rogan's Comedy Mothership, and the brutal reality of gay dating apps. From childhood weight struggles and body dysmorphia to deep-cut pop culture takes on Sydney Sweeney, Euphoria Season 3, and Amber Heard—nothing is off-limits.

James Taylor enlisted in the Army in 1956. Several years later, he successfully completed Officer Candidate School (OCS) and was commissioned as an Army officer. By 1967, he served as executive officer inside a squadron in the 1st Armored Cavalry that was headed to Vietnam. Later that year, his love and concern for his men under heavy enemy fire led to actions that would lead to him receiving the Medal of Honor.In this edition of Veterans Chronicles, Taylor shares the life-changing lesson on leadership he learned from his high school football coach, why he joined the Army, and how he made it a priority to turn his unit into a close-knit team.Taylor also takes us to November 1967 and his actions that are credited with saving many lives during a vicious enemy attack, how he kept going despite being injured, and the selfless prayer he prayed while tending to the wounded.You'll also hear Taylor's memories about receiving the Medal of Honor in 1968 and how his time with that team in Vietnam still deeply impacts him today.

How can you supercharge your creativity in an age when AI is reshaping everything — including how we write, edit, and market our books? What does it look like to use AI as a genuine creative partner rather than a shortcut? And could professional speaking become an income stream that complements your writing career? With James Taylor. In the intro, Audible's new royalty model; New royalty model details [ACX; Kindlepreneur]; Public Speaking for Authors, Creatives and other Introverts; Why Indie Authors Should Ignore the Market's Mood and Focus on their Mission [Self-Publishing with ALLi]; Lichfield Cathedral; This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn James Taylor is a nonfiction author, professional speaker, podcaster, and entrepreneur who helps people unlock their creative potential. He hosts the SuperCreativity Podcast and his latest book is SuperCreativity: Augmenting Human Creativity in the Age of Artificial Intelligence. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How to define creativity and why it's becoming the most valuable skill in the age of AI The five stages of the creative process — and the stage most people skip Three types of creative purpose: play, self-expression, and legacy How James used multiple AI tools alongside human collaborators to write, edit, and market SuperCreativity Bulk book sales, industry-specific editions, and revenue models for nonfiction author-speakers Practical tips for authors who want to break into professional keynote speaking You can find James at JamesTaylor.me. Transcript of the interview with James Taylor Jo: James Taylor is a nonfiction author, professional speaker, podcaster, and entrepreneur who helps people unlock their creative potential. He hosts the SuperCreativity Podcast and his latest book is SuperCreativity: Augmenting Human Creativity in the Age of Artificial Intelligence. Welcome to the show, James. James: Well, thank you for having me as a guest. I'm looking forward to this conversation today. Jo: It's going to be really good. First up— Tell us a bit more about you and how you got into writing and publishing. James: Well, today I'm a professional keynote speaker, so I deliver about fifty to a hundred keynotes per year in twenty-five-plus countries. Primarily I speak on creativity, innovation, and artificial intelligence. Go back into my deepest, darkest history—I actually used to manage rock stars. That was my old job. I used to be in the music industry for many, many years. I worked with members of The Rolling Stones, and for our listeners in the UK, I managed bands like Deacon Blue. Then I went to the dark side. In 2010, I moved to California to work in Silicon Valley, to work in the world of tech. That got me involved in artificial intelligence. Right about 2017, I was speaking at an event in San Francisco and someone came up to me and said, “You realise you could probably speak for a living, you could do this for a living.” So I thought, well, how does that work? And he told me. Then I embarked on the career that I have today, which is primarily as a speaker, with writing now coming a bit more to the fore. Jo: Wow, I remember Deacon Blue. James: Yes. Jo: “Dignity.” That's crazy. Very, very cool backstory there, but we'll come back to the career side of things. Let's get into super creativity, because my listeners are certainly creatives. Most of the listeners will have a book either on the way or they might even have lots of books. So we all do want to be super creative. How do you define creativity, and why is it important to keep focusing on this even if we do identify that way? James: For me, creativity is about bringing new ideas to the mind. Innovation is about bringing new ideas to the world, but without creativity, there is no innovation. So creativity is really the engine of innovation. Whether that is designing new products, new services, or creating new works of art and new books. The reason that creativity is becoming more important is because of what we're seeing right now in terms of artificial intelligence. AI is going to replace a lot of the non-creative tasks that we currently do in our jobs. If you look at things like the World Economic Forum, there was recently a study with a thousand global business leaders, and work from companies like LinkedIn—they all highlight that creativity is going to be one of the foremost important soft skills for this new future. So creativity, strangely, will actually become more important, not less important, as we go ahead. That's the creativity side. Probably for many of the listeners here, they'll consider themselves to be creative. That is not the norm. As I mentioned, I speak in about twenty-five countries a year, and if I ask the audiences—primarily corporate audiences—to put their hands up if they consider themselves to be creative, only between ten to forty per cent of the audience will raise their hands. So part of my job is to show them why they are more creative than they think they are and why we're all born with this creative potential. Then moving into the super creativity side, it's really to show them how they can augment that creativity by collaborating more deeply with other people or machines—things like artificial intelligence. So SuperCreativity, the book that I've written and the speeches I give on it, is really about how we can augment our individual creativity by collaborating more deeply with other people or artificial intelligence. For me, that's been the thing I've been fascinated by for the past few years, and probably for many of our listeners who are now using AI in their writing, their researching, and their marketing of their books, they're probably getting into this space as well. I really wanted to dive into that—both the collaboration with other people and with machines and AI. Jo: In terms of the super creativity then, do you have any practices or ideas? Before we get into collaboration, many of us authors work alone—and of course we can come back to the AI stuff in a minute—but in terms of super creativity, are there ways that we can even supercharge what we do already? Then, of course there are people listening who might not feel creative. So give us a few tips on how we can potentially change our mindset or become even more creative. James: In the book I talk about what I call the eight Ps of super creativity, which are purpose, personality, practice, people, process, place, product, and persuasion. Persuasion is really the marketing piece at the end. Probably the one that could be most useful to many listeners today is the practice piece—the practice or the process side of things. For many of us, what that usually consists of is just having some type of daily creative practice. Different people do it in different ways. Many of your listeners will know the works of people like Julia Cameron—the morning pages style of having some type of daily practice. Other people do it in slightly different ways. The process bit is really interesting. I talk about this creative process that we all have, and I talk about these five stages of the creative process. The first stage, let's say if we're writing a book, is really that preparation stage. That is usually the stage where we are trying to absorb as much information as possible about the thing that we're going to be writing about. The topic, if it's nonfiction, or going to the places, visiting the scenes that we're going to set certain things within for the book. So that preparation stage is really about absorbing as much information as possible from the outside. It's not going to look very creative. We're just absorbing at that stage. Now the mistake that a lot of people tend to make is they immediately try to jump from that preparation stage to looking to generate ideas. But what all the studies show us is we should spend a little bit of time in what we call the incubation stage. This is where it's often very useful if we've done some research, that we put things to one side for a little while, maybe a few weeks, move on to another project, think about something completely different. Your brain will continue to work in the background. Your unconscious brain will work on that content you've been absorbing. Then what often happens as a result of that is we come to this third stage, which is that insight stage—that aha moment. That happens for various different reasons and you can seed that in slightly different ways so you're more likely to get inspiration in your day-to-day work. Then as we know—as you are a writer of many, many books—many people think, “Well, that's it. I've done it. The idea for that book or that chapter has come to me.” That is really just the first five per cent of the process. The next stage is where we look at all the different ideas we have and decide which ones we want to pursue, which ones are going to make the grade. This is what we call the evaluation stage. Once we've done that, we move to that final stage, which is the elaboration stage. If it's a startup, this is when you're building your minimum viable product. As a writer, this is where you're actually doing the work, putting those words out onto the page. It's a very iterative process, so it's not necessarily linear. You'll go back and forth. Even as you're getting input from readers and audiences in that last stage, that is then giving you the material to move back to the preparation stage and think, “Oh, I wonder if this next book in this series, maybe I go in a slightly different direction with this character.” So each of those different stages, you can do different things to increase your levels of creativity. Jo: I love all of that, but can we go back to purpose? Because you mentioned that as one of the Ps and I think this is something that a lot of us need. As we are recording this in April 2026, the world is an interesting place. There are lots of things going on that have people worried. Well, we are not talking about politics, but I think one of the things that people struggle with is, what's the point in writing this story, for example, or what's the point in trying to get my words out there when things are difficult? I feel like coming back to purpose is perhaps the thing that helps people even take it into the process as you were talking about. And then of course, just from a practical angle— Is purpose about making money or reaching people? So maybe you could talk about the purpose side of things. James: Yes. So I talk about three different purposes, and it's not that there's just one that predominates, but usually there's one that maybe predominates on different projects. The first one is creativity as play. It's what we're basically, as humans, hardwired to do—this instinctive joy that we get just for creating for its own sake. There's nothing that really sits beyond that. We just have fun. We find pleasure in creating something. That could be a musician creating a piece of music, a sculptor creating a sculpture, an entrepreneur creating a new business or product or service. There's just this sense of play. One of the things I talk about in the book is this idea of being childlike, not childish. If you look at children, you see this very instinctively. If you see a three-year-old or a five-year-old, you give them some crayons and they will just naturally create. That's part of who they are and it's pretty abstract. Then what happens is they go to school and they're taught useful conventions—”this is how you should do it.” You even see their work start to change. You start to see them move from abstract paintings to more formal structures. Then you get your peer group, then you go to college or university and the world of work, and you're taught all these useful conventions. That's fine, but as adults, it is our responsibility to become what we call post-conventional, where we see these conventions as a useful signpost but we're willing to challenge them. We're willing to have a playfulness in what we do. So the first one is just this hardwired thing—creativity as play. The second one, and this is maybe for a lot of your listeners the reason that they are writers, is self-expression. It's a way of placing something out into the world. I was actually just in France recently, and I was talking to a young visual artist, a painter from Hungary, and she had to go up and give a speech. She really hated doing it. She was having to talk about her work and she was really uncomfortable. I could see the discomfort and my heart went out for her, because that is not the way she primarily expresses herself. She expresses herself through her art form, which is painting. For many of us, we might struggle to get on a stage, but we can express ourselves in the written word. We have something we want to say, a position we want to have, and we want to express that and get that out into the world. The final one is just this idea of legacy. That is not going to be for everyone. I can tell you, for me personally, legacy is not the reason that I write and do a lot of the stuff that I do. Maybe that changes—maybe as we get a bit older, we want to leave a body of work. So those are the three main purposes that we tend to see. Then you mentioned the financial side of what we do as well. This starts to come into that self-expression, because we need to be able to get people to buy our books or download our books and read our books in order to give us the ability to write new works and create new things. The financial side is an important component of it, but it is not the only one. I think there's a great question any writer should ask themselves. One of the first questions that I asked myself as a relatively new nonfiction writer is: why am I writing this book? What is the purpose of this book? For me, primarily it is a form of self-expression, and then you have to go, “Well, that's fine, but I also need it to have some type of financial basis for it.” It doesn't need to be the main driver of my income, but I need to have some type of revenue model. I'm happy to talk about revenue models, because probably the type of revenue model that I have as a writer is going to be different from other listeners. I tend to focus more on bulk selling of books rather than individual selling of books. Jo: Yes, I definitely want to come back to revenue models and business, but a few other things first. I want to circle back to collaboration, because I've certainly co-written with some humans, and I know a lot of listeners either have co-written or collaborated with other humans—and some of it works and some of it doesn't. You have some great information on human-plus-human creativity and collaboration. So maybe you could give us some tips on how we can be more effective collaborators with other humans. James: So there's a whole section about this idea of creative pairs. Often if you look at great creative work or innovative companies, very often when you strip it all back, you'll find at the core lots and lots of creative pairings. That is usually two different but complementary personalities who are willing to develop and challenge and improve each other's ideas. We think of Jobs and Wozniak in the world of business, or Warren Buffett and Charlie Munger. For authors, often that relationship is the work with their editor. There was a documentary I saw—I think it was a New Yorker documentary that came out a while ago—talking with a writer of history books about his relationship with his editor. It was a really beautiful relationship. These were two very different personalities, but what worked was the fact that they were different. A core component of having these creative pairings is a sense of trust—or what some people today would call psychological safety—that you are willing to challenge someone's ideas, but in a space of trust. The Germans have a great phrase for it. In English it translates as “someone to steal horses with,” which I love. Hopefully our listeners have that person where you can go to them and say, “I had this idea for a book or a chapter or a character,” and that person is a “yes, and.” Like, “Yes, and have you thought about doing it this way?” or “What would happen if you did this?” They stress test your ideas. They make your ideas better. For many of us, maybe it's our husbands or wives, our partners. Some of us are lucky enough to have editors. When I started rewriting this latest book, I actually had someone like that—a human, not an AI—that I worked with, especially on taking all these random thoughts and ideas I've been expressing in keynotes and putting them into more of a book form. The format and the structures that we use for telling stories in a speech are quite different from the structure that we would use for a nonfiction book. I didn't have as much experience there, so I wanted someone who could say, “Have you thought about structuring it this way?” or “This is a great story arc you might want to think about.” So I don't know, for you, who is your creative pairing? Who is your “someone to steal horses with”? Jo: Well, it's funny. I really think since the arrival of Claude Opus 4.6, it is absolutely Claude. James: Yes, yes. Jo: All the way. I mean, so we could come onto that next in terms of how AI has changed, because I do still work with a professional editor for both fiction and nonfiction, but it is very much in the “make my finished work better” stage. It is not in the exploratory phase. I find particularly the latest reasoning models to just be fantastic at this. And my Claude is not sycophantic. The Opus 4.6—I'm sure you've been using it too—it just doesn't behave in the way that a lot of people think these AIs did. They did behave like that, and now it's changed. So let's talk about that. What are your thoughts on collaborating more effectively with AI tools, especially as they become more and more powerful? As we record this, Claude Mythos has not come out, but it's certainly rumoured to arrive. I'm pretty excited. James: So because I've been doing this AI thing for a little while, it's given me the ability to experiment with things—the early versions of what many people are using today. I'll give you an example. Even before I started writing the book, I decided to write a book proposal. Even though I could pretty much sense I wanted to independently publish this book through my own publishing company, I thought it's a good practice to put it down into a proposal form, even though I don't go to a traditional publisher or a hybrid publisher. One of the things I did within that was get a sense of who my ideal readers are. I used a very early version—this was a few years ago—of an IBM AI tool, creating what we call a psychometric map of my ideal reader. This basically tells me, over about seventy-two different factors, how this person thinks, how they feel, what their value system is, very broadly for my ideal reader. I pulled in different sources. I knew the kind of magazines and books they were reading and what their general worldview was. So I created this—going one step beyond just creating your ideal reader to really understanding their psychometrics. I do this in my keynotes too. Before I ever give a keynote or an important pitch or a presentation, I use AI to analyse the psychometrics of the audience I'm going to be speaking to. This might tell me, for example, this audience values humour a little bit more, or this audience values a bit more practicality so they want actionable next steps, or this audience is going to be a little bit authority-challenging so they're going to push back. So even in those very early stages, just starting to think about the book—who was I writing this book for, what was the purpose of the book—I was using AI to understand the psychometrics of my absolutely perfect, ideal reader. I gave her a name. It was a female reader. There was someone similar to her that I already knew. Probably for some of your listeners, they do this instinctively anyway. They maybe have a person or a few different people they think of in their head. Then from that stage, because I've been delivering lots and lots of keynotes—and this may be an important distinction in the way that I have decided to write books as opposed to how other people write books—my family were all jazz musicians. The difference between a rock musician or a pop musician and a jazz musician is this: a rock or pop musician will go into the studio, create this opus, this work, and then tour that for the next two years. A jazz musician, on the other hand, goes out and performs the songs and the things from the album that they're eventually going to create hundreds of times, thousands of times, to find out what works with audiences, and then they go into the studio and record the stuff that works best. So I created a book more like a jazz musician. I'd delivered keynote versions of the book hundreds of times before I ever decided to actually write the book. So it had been stress-tested with real people to a certain extent. Then, getting into it, I thought—well, what works as a keynote is not necessarily going to work as a structure for a book. So what I did was start using ChatGPT models at that point to think about the structural edit of the book. What was the structure going to be? What was great is you can basically feed it every single keynote you've given over the years, all the notes, everything you've done, and it could start to give me something to riff with and really get into thinking about how I was going to create this. I was using it a little like that creative pairing we spoke about earlier. Then once I'd done that—so I've now got an idea of a structural edit essentially—I then go back and speak to some humans about it. “What do you think about this?” “What do you think about that?” And try some things out over dinner conversations. “I'm thinking about doing this—what do you think?” Then once I did that, I just did the thing that I really didn't want to do, but I guess you absolutely have to do: sit in a seat for multiple weeks and just get that crappy first draft done. That was just me writing, from my voice, in my way of doing things. Every so often I would use an AI to research a particular thing, but I didn't want to slow down the pace too much. I was focused on getting that word count done. Once I had the first draft, I then brought the AI back in. In this case, I was still using OpenAI at this stage, to act more like an editor. To tell me what was weak about the book. At this point I was starting to give it the overall framing. What was weak, what chapters needed to be improved. I then went back, started reworking each of the chapters, and worked chapter by chapter using that AI as a sparring partner. But once again, the AI is not really writing my words for me. It's maybe saying, “This part could be said better. You might want to think about doing it this way,” or “You are missing a really powerful case study or example here,” or at the very end of each chapter, I have actionable next steps, and “You're missing some things here.” So I've gone through that entire process of writing, and now I'm essentially at the second draft. At this point, what I'm doing is using another AI tool—Claude, in this case—to have a different perspective on it. I gave it the work. I mentioned a couple of editors that I really respect and different writers I respect and said, “I'm going to create a virtual beta readers group. Give me feedback on this now.” For someone that's listening to this, and we're recording this in April 2026, here's some good news for you. There are now a bunch of tools out there that use AI swarms, as we call them. You can basically feed it your book and it will create synthetic readers—thousands and thousands of synthetic readers that read your kind of style of book—and it will then give you feedback from these synthetic readers. Essentially, I was just doing an early version of that. So I got the feedback from the synthetic readers, the AI readers, and then reworked a little bit. Some of the stuff I just decided not to do because it didn't align with what I was trying to say in the book. Then the next stage was I had a beta reader group of about thirty human beta readers—my ideal readers. I sent the book to them, they gave me feedback. I then used AI to give me an overview report of all their feedback, and then I was able to go back into reworking the book. That's still really just draft three of the book, not the final book at this stage. But just to give everyone a sense of opening up the process: you could see how the human and machine were working together. Jo: Yes, I love that. I also often say to people who are speakers first that you can, if you have recordings of your talks or if you use your slide decks to record them as MP3s and then just use that transcript as the basis of a draft. Obviously it's not the book or a chapter, but it can actually preserve your voice—your speaking voice—which I think can be really effective for speakers. I like your multi-step process there. And then of course, if you have audience avatars in AI, that can help you design your book marketing. So take this into book marketing and how you're doing that. James: So I still decided to go old school with a human editor—a book editor that someone had recommended to me. I used that human book editor just to go through the book. At that point we're talking about style, some stylistic things that we wanted to do, and they can pick up other things as well. So I've got that book, and then I'm obviously starting to use AI to understand what tags, what kind of copy do I want to have in terms of putting it onto Amazon, putting it onto IngramSpark, and all these other platforms I want to put it out into. I'm using Claude here in particular—and with Claude, you have something called Cowork. It wasn't quite fully happening at that point, but there were early versions of it and Claude Code—to almost start working with and creating a virtual marketing team. I give it the book and then they could start thinking about: what is the marketing strategy for this book? What does the campaign look like? What are the things that we need to do? That was then starting to break it down. We're now three months out or so before the book is due to get released, and I'm starting to deploy that particular campaign. So for example, I'm on a podcast right now, and we try different versions. We have a human going out and reaching out to potential shows for me to be a guest on, but I also have an agent. There's also one going out and finding and researching podcasts and reaching out to those podcast hosts to have me as a potential guest. So they're doing some of the tactical work there at the same time. One mistake I made—and I don't know if you've experienced this as well—if I was to go back, one thing I would do differently is this: I decided to record the audiobook version after the physical book was already committed and ready to go out. Jo: Mm-hmm. James: And I noticed so many small errors or things I would change after having spent two days in a studio recording the voice for the entire book—changes I would have made. This is something other people did ask me: why are you not using ElevenLabs or an AI clone of your voice to read the script? There are some things I feel quite personal about, and my voice is one of those things. As a professional keynote speaker, I decided I wanted to keep that and have it in there. So it's going to be different for everyone which things they decide to offload to AI, which things they decide to give to a human member of their team, and what they decide to keep to themselves. Jo: Yes, I mean, I human-record my nonfiction, but I have an AI voice clone with ElevenLabs for my fiction now. But obviously, for people listening, you can't put an ElevenLabs voice-cloned audiobook on Audible, and a lot of your sales will be on Audible, especially for a book like this. So I think that's also important. I agree with you on doing the audio edit. There's always things you want to change. But as you mentioned, you're self-publishing this, so you can just go in and change your files. James: Yes, and that was the other reason, and this was part of the marketing—now we're moving into the marketing and the business model behind the book. For me, the book doesn't have to be a financial driver in its own sense. The way that I sell books, and usually people like myself—professional speakers—is we bulk sell books to our clients. Let's say I'm speaking at four different events this month. Each has about a thousand people at them. Those organisers will buy, say, a thousand copies of the book. So at the end of that month, you might have sold four thousand copies—not individual copies. Anything that sells on Amazon or in other places is almost like a positioning piece. Obviously you want people to buy the book and learn things from the book, but in terms of the distribution model, it's slightly different because I'm primarily selling through bulk sales. Now, here's a little twist you can do on this, and this is a decision I made even before we released this version of the book. I speak to lots of different industries. There was a speaker and author—I've forgotten his name now, I think he was from Florida—and what he decided to do was to write a slightly different version of his main book every year, but for a different industry. So what this allows him to do is, let's say in my case, I'm doing a version of the SuperCreativity book just for legal professionals because I speak to a lot of law firms and legal groups. I've already started working on a version of the book which is a little bit more attuned to that audience. As a speaker, it allows me to go to all these law firms and legal associations and bar associations and say, “Hey, I've just written the book on creativity and artificial intelligence for the legal industry.” That makes you a very bookable proposition for a client. And then obviously you can sell books from that as well. And that's before we get into the foreign language versions. That's just a model that happens to work pretty well for my part of the industry, but obviously it's going to be very different for other types of authors. Jo: No, I think that's great. For nonfiction authors, as you say, there are different revenue models. Your income, I guess, would be what, eighty, ninety per cent speaking revenue? Or do you have other things as well? James: Yes, primarily it's the keynote speaking, and anything that comes from the back of that. Sometimes it's boardroom advisory work that I do as well. But primarily it's the speaking side. So really the book is just the simplest form to get my ideas out and the most affordable form. Jo: Mm-hmm. James: Because the other thing is, you want as many people getting your ideas as possible, and there is no better, more affordable way of getting someone's ideas out there than in the form of a book. I think it's just the most unbelievable transmitter of knowledge—a book. That's why I love to write the book as well. A lot of my friends say, “Listen, books are old hat. You don't need to do a book any more. You can do these other things, other forms, online courses.” I've done lots of online courses in the past and membership sites and all those things, but there's just something that is great about a book—to be able to summarise your ideas at a particular point in time. It's also a great transmitter of value to other people. And it is affordable. Any book, someone can download a book on Audible or wherever they want—that's just an affordable way of absorbing that content. Jo: Yes. Well, of course we are all fans of books here. I do speak—I don't tend to do keynote speaking. I do more content speaking at conferences. For people listening, keynote speaking is where you tend to get the higher revenue. So if people listening have books already—let's say they have nonfiction books or even fiction books that could be turned somehow into different topics—if people want to get booked for speaking gigs, preferably ones that pay— How would you recommend authors think about moving into speaking if that's something they want to do? James: So obviously it's much easier for nonfiction authors to do that. I mean, I'll give you an example. I was speaking at an event last week in New York for L'Oréal, the hair care and cosmetics company. They had six different speakers. One of them was a speaker on macroeconomics and geopolitics. Another was an expert on communications. Another was an expert on AI. Another was an expert on storytelling. So you have to think: does my topic have value for that type of audience—that corporate audience? An easy way of finding that is if you just go onto any of the speaker bureau websites, type in “speaker bureaus,” look for the speaker bureaus, and then type in your topic area—emotional intelligence or whatever the topic area is—and look at the other speakers. See if there is obviously a number of speakers talking on this area. Importantly, look at how busy they are and look at their fee levels as well. I did an online summit a few years ago called the International Speakers Summit, where I interviewed a hundred and fifty of the world's best professional keynote speakers. I interviewed Sally Hogshead, who's an author and a speaker, and she said to me, “James, you're going out speaking about creativity, but if you just twisted it a little bit and spoke more in terms of innovation rather than creativity, you would earn an extra five thousand dollars per keynote.” So creativity and innovation—an extra five thousand dollars. That's just a simple thing that, as you get to understand the industry, you learn. Then once you do that, it's like any business—you have to treat it like a business, obviously. What makes someone a great storyteller on stages is not the same as what makes a great storyteller on the written word. So depending on where you're at, you might need certain training and skills development. If you are listening to this from America, there are things like the National Speakers Association, the NSA. If you're living in the UK, the Professional Speakers Association. These are great ways just to develop your skill set and learn from other professional speakers. Here's the good news, I didn't know anything about professional speaking until 2017–18, and it was only from having a conversation with someone who said, “Listen, you have some original thoughts. You can get paid to speak about this on stage.” Then I spent the next year really researching and understanding and looking at how to do it and creating a minimum viable product—a speech—that was a very short period of time, a year. Most of the listeners here have gone through that process of writing a book, which takes many, many months. So you have the stamina to do this type of work. You just need to find out where you fit. I thought I was going to be a speaker in marketing. I thought that was going to be my thing. And it turns out that's not what the market wanted from me. They wanted me to talk about creativity and artificial intelligence. So you have to listen to the market, like you have to listen to your readers. Jo: Yes, I think that's really interesting. I was also a member of the PSA here, and I learned in Australia with the NSAA as it was. James: Yes. Jo: And that thing about who you speak to—I mainly speak to author conferences, who, I just want to be frank, don't pay very well, if at all. So exactly what you said there— If you want to be a highly paid speaker, you have to pick the audience who's going to pay, as well as a topic that works with them. It is a very different thing to writing a book, I think. James: It is a different model. This is what was interesting when I interviewed those hundred and fifty professional speakers—the thing that came back loud and clear is there is a model to suit everyone. Jo: Mm. James: So the model that works for me—getting paid high fees to go and travel around the world, speaking on stages to primarily corporate audiences—that is not the only model. There is another model, which is called the “sell from the stage” model, where you maybe don't get paid anything to go and speak on the stage, or very little, but what you're doing is you're selling your consulting, your online course, your books, your other products from the back of the stage. That's another model as well. I have friends who have young families and they are writers and they don't want to schlep on planes like I do. I know one speaker in particular who never leaves his own city. He is a very successful professional speaker. He happens to live in Orlando, Florida, which is one of the busiest cities for conferences. So literally, he's home with his kids every night. He gets to do all this cool stuff he wants. He never has to step on a plane if he doesn't want to. That just shows you the range. I remember I once interviewed a person whose title was a Buddhist monk, French speaker, and author. He figured out he could live very affordably by living in Thailand. So he lives in Thailand for part of the year and he's very into meditation, mindfulness, yoga, and writing. He figured out he only had to give two keynotes per year to pay for his entire lifestyle. That was it. So that gives him a lot of freedom. He does those two corporate keynotes a year and for the rest of the year he's doing his yoga, his meditation, his writing, and surfboarding, whatever he's into as well. So you can see there's a whole range of different ways you can design that life. Jo: Yes, we talk a lot about definition of success and it's great to hear those different examples. So before we finish up, I just want to come back to your journey into the writing side, into books and self-publishing. We all understand, me and the listeners, how hard it is to write a book and also to market a book, but we've got the bug. So we wonder: how much have you got the bug? Do you plan on doing more writing, more books, or do you still want to lean more heavily into speaking? James: Primarily the income for me will still come from speaking. I remember listening to Elizabeth Gilbert once when she talked about her writing. She said she always wanted to have other things, so she never had to push onto her writing that it had to be the income stream for her. If it was successful, great, that's fantastic. So I have a little bit of a similar view to that. In terms of my own writing, I've got about five different nonfiction book ideas I'm now looking at. Some of them relate to speeches that I already do. Some don't. I'm looking at different versions of the SuperCreativity book, so there'll be other versions coming out—different industries, different languages. That gives you a few years of work. The other side that I want to develop is the fiction writing side. I'm already starting to work on a fiction book at the moment—a little bit like this idea of one for them, one for me. Jo: Mm-hmm. James: So one for them is for the corporate audience, that world that I live in, and the other one is for me, for my own creativity. My hope—and I don't know, maybe we need to speak in a year's time when I've written and published it—is that by doing the fiction side, it will make me a better storyteller on stages as well for my corporate audience. It will help me understand story arcs, slightly different ways of expressing stories, building emotion, building the anti-hero characters within a book, for example. So I'm hoping that they both feed off each other. But we will see. Jo: Yes, we will. All the best with that. So where can people find you and your books and everything you do online? James: The easiest place to go is JamesTaylor.me, and you can find the book, which is called SuperCreativity, there. Or just go to wherever you buy your books—your local independent bookstore—and get a copy of SuperCreativity. The audiobook may already be out by the time you're listening to this as well. If you want to learn a little bit more, we also have a podcast called the SuperCreativity Podcast, where I interview lots of wonderful guests talking about this area of super creativity. Jo: Well, thanks so much for your time, James. That was brilliant. James: Thank you, Joanna. Thanks for having me as a guest on the show.The post SuperCreativity And KeyNote Speaking With A Non-Fiction Book With James Taylor first appeared on The Creative Penn.

La fe siempre está a un paso, una generación de perderse, un padre o un matrimonio que no transmita a sus hijos o familia su fé en Jesucristo propicia que se pierda el vivir una relación con Dios. Por eso, los hermanos Francis y James Taylor nos comparten el tema: "Construyendo familias que honran a Dios". Vida Abundante Coronado www.vida.cr

Don’t miss this powerful opportunity to be part of the movement shaping the future of Black America! Black Politics expert Dr. James Taylor returns to our classroom today to break down the immediate impact of the recent US Supreme Court ruling restricting the Voting Rights Act. As a respected Political Scientist, Dr. Taylor will reveal what’s truly at stake for Black representation in both local and national politics—and what we can do about it. Before Dr. Taylor, hear from legendary Baltimore Civil Rights activist Carl Snowden, whose foresight predicted this moment. He’ll lay out bold options and strategies for the Black community to fight back and protect our rights. We’ll kick off the show with Reparations Advocate Dr. Robert Richard Allen Turner of Baltimore’s Empowerment Temple AME Church, who will connect the dots between the court’s decision and the future of the Reparations Movement. This is more than just a show—it’s your call to action!See omnystudio.com/listener for privacy information.