Podcast appearances and mentions of James Taylor

Our latest episode of Soundtracking involves a lovely conversation between Kate Winslet, her son Joe Anders, composer Ben Harlan and music supervisor James Taylor, who join us to discuss Kate's directorial debut Goodbye June, which Joe wrote. Goodbye June tells the story of a family who gather around their dying mother at Christmas, confronting themes of grief, reconciliation and love. The ensemble cast is magnificent, with Kate, Toni Collette, Timothy Spall, Andrea Risborough, Jonny Flynn and Helen Mirren all delivering stellar performances (as usual).

The regular season ended in dramatic fashion in both J2 and J3, so James Taylor and Jon Steele tried to get their heads around just what exactly happened. They start by going through the first half of the J2 matches (to 07:00), then the second half (to 11:25), and reflect on automatic promotion, the playoffs, and relegation in turn (to 33:05). Then they elect their Most Bravo Player (to 36:05), catch up on some managerial news (to 40:45), and preview the playoff semi finals (to 46:05). After a quick break, it's onto J3, for a discussion of automatic promotion and the playoffs (to end).   Thank you for your support of the J-Talk Podcast and J-Talk: Extra Time. *Join the J-Talk Podcast Patreon here: https://patreon.com/jtalkpod *Find our JLeague Chat Discord server here: https://discord.gg/UwN2ambAwg *Follow JTET on Bluesky here: @jtalket.bsky.social

MUSICThe trailer for Taylor Swift's "The Eras Tour: The Final Show" is out. https://www.youtube.com/watch?v=S1MO3bRG9qw Aerosmith have joined The Rolling Stones as the only groups to have scored new Top 10 albums in the 70s, 80s, 90s, 00s, 10s and 20s.Their EP with Yungblud, One More Time, bows at number-nine on the new Billboard 200 chart dated December 5th. It's the 10th Top 10 album overall.Their previous Top 10 albums are 1976's Rocks, 1989's Pump, 1993's Get a Grip, 1994's Big Ones, 1997's Nine Lives, 2001's Just Push Play, 2002's O, Yeah! Ultimate Aerosmith Hits, 2004's Honkin' On Bobo and 2012's Music From Another Dimension!Other acts besides Aerosmith and the Stones to do it are Paul McCartney, Bruce Springsteen and James Taylor. Also, in Aerosmith news: the Rock ‘n' Roller Coaster Starring Aerosmith at Disney World's Hollywood Studios is going to be rethemed as Rock ‘n' Roller Coaster Starring The Muppets, opening in 2026. https://www.disneyfoodblog.com/2025/12/01/something-big-is-missing-at-rock-n-roller-coaster-in-disneys-hollywood-studios/ The war of words between the Osbournes and Roger Waters has extended into the realm of merch. Ozzy Osbourne's online store is selling a limited-edition T-shirt through Wednesday morning that features "Ozzy Rules" spray painted over Waters' name and a bunch of bricks that look similar to Waters' 1990 album The Wall - Live in Berlin. Johnny Cash's estate is taking Coca Cola to court, and the reason is pretty wild. https://theboot.com/ixp/204/p/johnny-cash-coca-cola-lawsuit/ TVIf you think Amy Schumer's husband is enjoying her new glow-up, you might be wrong. Because it sounds like she's not taking him along on her new journey. https://www.instagram.com/p/DRqeXqIjiIY/?img_index=1 · TOP TALK SHOWS GUESTS:Jimmy Fallon has singer Reba McEntire, musical guests Of Monsters and MenStephen Colbert has musical guets Drive-By Truckers & Jason IsbellDON'T MISS TV:CMA Country Christmas (ABC)TMZ Presents: TMZ's Most Outrageous Moments of 2025 (FOX)Kimora: Back in the Fab Lane (E! - series premiere)WHAT TO STREAM: Sean Combs: The Reckoning (Netflix - limited series)5-Star (Paramount+ - series premiere)All listings are subject to change. MOVING ON INTO MOVIE NEWS:Wicked hard to get these dolls … If you're hoping to get someone one of American Girl's limited-edition Wicked dolls — Elphaba with her green skin and Glinda in full sparkle — expect to pay top dollar. AND FINALLYHome Alone has been named the UK's favorite Christmas film in a new poll by the British Board of Film Classification (BBFC), with 20% of the vote. https://www.the-independent.com/arts-entertainment/films/news/home-alone-favourite-christmas-film-b2875691.html The USA's Ranking of Christmas Movies as of 2025 https://ultimateclassicrock.com/christmas-movies-theaters-december-2025/ https://www.imdb.com/list/ls086443428/ AND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The English singer/songwriter, who is arguably the most successful male pop star in the world and has been described by Taylor Swift as "the James Taylor to my Carole King," reflects on his path from busking on the streets of London to superstardom; the origin stories of hits like 'The A Team' 'Sing' and 'Thinking Out Loud'; and why he agreed to co-write and perform "Drive" and "Zoo," original songs for two of 2025's biggest blockbusters. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello everybody this week is such a special treat because we get to have a visit with the great renowned bass player Leland Sklar.  Leland has played bass for Phil Collins, Linda Ronstadt, James Taylor and too many others to mention.  You've seen him everywhere ...the Bearded Wonder. It's a long episode but there was a lot to cover and it's all fascinating and grade A material ...just a fantastic story hope you enjoy it.

The picture at the top and bottom of J2 isn't getting any clearer, but James Taylor and Jon Steele combined their brain power to try and make sense of it in this week's JTET. First, James reviews 9 games from the penultimate matchday of the season (to 06:55). Then, he and Jon discuss Nagasaki's win over Mito (to 25:35), Most Bravo Player (to 30:30), and look ahead to a blockbuster final day (to 41:00). There's also a bonus preview of the final round of fixtures in J3, as there's still plenty to play for in the top half (to end).   Thank you for your support of the J-Talk Podcast and J-Talk: Extra Time. *Join the J-Talk Podcast Patreon here: https://patreon.com/jtalkpod *Find our JLeague Chat Discord server here: https://discord.gg/UwN2ambAwg *Follow JTET on Bluesky here: @jtalket.bsky.social

In this episode of the SpeakersU Podcast, James Taylor and Maria Franzoni reveal exactly what makes an outstanding speaker showreel — and what mistakes stop speakers from getting booked. Maria, drawing on her years running one of Europe's leading speaker bureaus, explains why a showreel is your movie trailer — and how to hook bookers in the first 30 seconds. She shares her recipe for a perfect reel, complete with examples of her three favourite videos from top professional speakers. James adds insider tips from producing his own showreels, including scripting, storyboarding, and using AI for engagement testing. Together, they cover how to create a showreel when you have little or no footage, how often to update your video, what length performs best, and how to balance style, substance, and storytelling. If you're a professional speaker or aspiring keynoter who wants to stand out in a crowded market, this episode will show you how to create a showreel that truly sells.     Key Takeaways Think "movie trailer," not "documentary" – Hook the viewer emotionally and visually in the first 30 seconds. Speak fast, show yourself early – Bookers want to see and hear you immediately, not a montage of others talking about you. Sell the outcomes – Lead with the value and results your keynote delivers. No talking-head testimonials – Keep the focus on you, your ideas, and the audience reaction. Show what you want to sell – If you want big stages, include big-stage shots; if workshops, show intimacy and interaction. No footage? Fake it smartly – Film a staged talk, record to camera, or hire a local venue and bring friends as your audience. Keep it short – Two to five minutes is ideal; if it's longer, it must be exceptional. Refresh every three years – Styles, tech, and your personal brand evolve quickly. Differentiate through tone – Match your video style to your target market — C-suite vs. consumer audiences. Always test and iterate – Storyboards, feedback loops, and even AI tools help refine your reel before launch.     Memorable Quotes "A showreel is your movie trailer — make me excited to see the full movie." – Maria Franzoni "Focus on the outcomes first — what the client gets, not what you say." – Maria Franzoni "Your showreel sells the sizzle, not the steak." – James Taylor "You don't need a huge audience — you need great energy and clear messaging." – Maria Franzoni "Style your reel for the buyer: TikTok for agencies, Economist-style for the C-suite." – James Taylor     Episode Timestamps 00:00 – 03:30 Catch-up and last-minute client bookings 03:36 Today's topic — Speaker Showreels 04:10 Maria's philosophy: why a reel is like a movie trailer 05:25 Do you need audience shots? When and why they matter 06:56 What to do if you don't yet have speaking footage 08:08 Creative solutions for new speakers — DIY and staged filming 10:38 Examples of speakers who built strong first reels 11:14 Showreel vs full speech vs "How I Work" video 13:01 Using bureau studios and "how I work" clips 13:40 Maria's top 3 showreels (Andrew Davis, James Kerr, Kay Korsh) 15:01 – 17:11 Breakdown of each and what makes them effective 18:09 – 18:35 DIY filming, 4K phones & editing on a budget 20:23 How long should your showreel be? 22:26 Why decision-makers rely on reels — and how fast they judge 23:12 How often to update and refresh your footage 24:43 The power of location-specific photos and clips 25:43 – 27:25 Invitation to submit your showreel for feedback 27:25 – 28:12 Maria's downloadable Showreel Checklist and wrap-up     Resources & Links

Send us a textOn this episode of the podcast, we discuss Joni Mitchell's 1971's LP Blue, regarded by most critics as a masterpiece and consistently is listed on best of lists of the greatest albums ever made. A bit of a sea change for Mitchell, incorporating jazz stylings in both her phrasing and the music, it's sparse on instrumentation, yet the songs feel full largely due to Mitchell's own vocals.  Created just after her breakup with Graham Nash and during her relationship with James Taylor, Blue explores the various facets of relationships from love, to insecurity, to disappointment, and contains some of the most poignant and personal lyrics ever composed. Visit us at www.tappingvinyl.com.

Story by: Gail NoblesJames Taylor Photo: Wikipedia Public DomainKeyboardist: Gail NoblesHello, I'm Gail Nobles! Let's take a little trip back to the breezy days of the '70s and talk about a catchy tune that still sticks in your head: James Taylor's "Handy Man." If you were cruising down the road or hanging out at home, you likely caught this song blaring on AM radio, and boy, did it make an impression!Now, here's a fun fact: James Taylor's version of "Handy Man" came out in 1977 on his album "JT." This song wasn't just a one-hit wonder; it had a bit of history! Originally, it was a hit for Del Shannon back in 1964, but Taylor really took it to another level when he released it. In fact, his version zoomed all the way to the top and became the most popular rendition ever! It reached No. 1 on the RPM Top Singles chart in Canada, No. 2 on the Cash Box Top 100, and even made it to No. 4 on the Billboard Hot 100 in the U.S. Not to mention, it topped the Adult Contemporary chart. It created a success story!And let's not forget the magic of that backup singer, Leah Kunkel. Her harmonies brought an extra special touch to the track, especially with those "comma comma" parts that just make you want to sing along.James Taylor's version not only won the hearts of many but also snagged him his second Grammy Award for Best Male Pop Vocal Performance. It's been almost 50 years since "Handy Man" first hit the airwaves, but it still feels fresh to listen to today.So, next time you hear that classic on the radio, take a moment to appreciate the catchy hooks and smooth vibes that James Taylor brought to this timeless tune!Music commentary news.

For more incredible rock 'n' roll interviews, hit the subscribe button! Also check out Lipps Service with Scott Lipps podcasts on Spotify, Apple, or your favorite podcast player. #train #producing #podcast #music #top5 #interview #rocknroll CREDITS (Instagram handles) Host @scottlipps Podcast Manager @picklesmother_ Edited by @toastycakes Music by @robbyhoff Intern @kaylah._b Recorded by Fringe Podcasts NYC at Silver Lining Lounge 00:00 - Start 01:30 - 25 years of drops of Jupiter 02:37 - Growing up 05:00 - Finding his voice 08:05 - Zeppelin 09:11 - The move to San Fran 10:25 - Forming train 15:03 - The first big break 17:25 - “Drops of Jupiter” 22:00 - On the lyrical shift 23:53 - Jonathan Daniel 0:25:00 - “Hey Soul Sister” 28:38 - Butch Walker 33:10 - The new record 36:00 - Billy Joel 37:00 - The new tour 38:00 - Comedy and golf 40:41 - Uniting fans with music 42:00 - The perfect album 43:00 - Supergroup 44:09 - Top 5 Train songs 45:11 - Top 5 Zeppelin songs ------------------------------------------------------------------------------- Remember painful online rehearsal? Lutefish fixed it. Backed by Wenger and built for serious musicians, the Lutefish Stream delivers real-time online collaboration with crystal-clear 48K audio and low latency. Just plug into your router and play like you're in the same room. The Lutefish Stream https://lutefish.com/products/lutefish cuts down audio delay for remote music sessions by directly connecting audio sources, networks, and outputs, making sound travel incredibly fast, up to 30ms or less—like you're just 30 feet apart on a big stage or rehearsing in your garage! No more sitting in traffic on your way to practice. Rehearse more, meet new musicians in our free online community and create music together... all remotely. Real feel. Real time. Real music.

Insights In Sound 192 - David Morgan, Live Sound Pro - Live at AES Convention S20 E2 Our live sound panel with legendary FOH mixer David Morgan, recorded at the recent AES Convention in Long Beach, CA. Over the course of nearly half a century, David has mixed FOH for artists as varied as Paul Simon, James Taylor, Steely Dan, Cher, Carole King, Whitney Houston, the Doobie Brothers, and dozens more.  

As the end of the season approaches, Jon Steele and James Taylor take a look at the state of play in J3 with just two games left. They begin with the mess at Matsumoto (to 12:00), then turn their attention to automatic promotion (to 15:45), the playoffs – including the scrap for 6th place (to 23:30), the bottom of the league and the top of the JFL (to end).   Thanks again to Mike Innes for suggesting talking points.   Thanks for your support of the J-Talk Podcast, J-Talk: Extra Time, and J-Talk: Short Corner. *Join the J-Talk Podcast Patreon here: https://patreon.com/jtalkpod *Find our JLeague Chat Discord server here: https://discord.gg/UwN2ambAwg *Follow JTET on Bluesky here: @jtalket.bsky.social

This week, it's just "boys talking" (or lads conversing, if you will), as we welcome the sublime singer-songwriter Will Dailey as our Third Lad. Will has spent the past two decades perfecting a style that is not beholden to any one particular genre or set of influences, incorporating rock, folk, psych, funk, blues, and melodic pop into a catalogue where the songs always speak for themselves. Over the years, he's performed extensively with Eddie Vedder, played alongside Peter Buck, opened for the Wallflowers, performed multiple times at Farm Aid, and has had many songs placed in TV shows from 90210 to CSI and movies like the animated hit Barnyard. Now, Will has released his killer seventh record, and arguably his best yet, Boys Talking. But you won't find this gem on Spotify or Apple Music...this is not an album to simply stream and forget. Savor it on vinyl, CD, cassette, or digital through ⁠https://willdailey.bandcamp.com⁠. We ask Will about the new record, from the single "Send Some Energy" to the infectious romp should-be-smash "Alright Already." You won't hear the latter on streaming services...but you will hear it here on O3L! Of course, we also delve into our focus topic this week, our Top 5 Singer-Songwriter Albums of the '80s. While "singer-songwriter" may instantly conjure up visions of troubadours with acoustic guitars like James Taylor, Jackson Browne, or Cat Stevens, we redefine the term for the high-tech '80s. Special thanks to Karen Allison from Propeller Sound Recordings for the introduction. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Rob Shumaker and Kristi Lee return with Part 2 of their conversation with Dr. Lee James Taylor White and Dr. Catherine “Kate” Abernathy, continuing the story of two conservationists whose work has shaped the future of Africa's forest elephants. Kate recounts her near-fatal encounter with a charging forest elephant during a family walk in Gabon, explaining how field instincts and a split-second decision to crawl under the animal allowed her to survive. Lee describes watching the attack unfold and the terrifying moment he prepared to distract the elephant to save her. The episode moves from that harrowing story into Lee's years leading Gabon's national parks, confronting ivory poaching networks tied to Boko Haram, and uncovering large-scale illegal logging operations. He explains how Gabon became the only country in central Africa to grow its forest elephant population during a decade when two thirds of the species were wiped out elsewhere. Kate shares how her thirty-year data set on fruiting trees and elephant body condition revealed dramatic impacts of climate change on rainforest ecosystems, and how her research network continues even after the 2023 military coup forced the family to leave Gabon. Together, they reflect on the coup, their family's evacuation, the struggle to protect conservation progress, and the future of their work. This episode highlights two voices whose science, leadership, and courage have helped protect the world's remaining forest elephants.

Things are getting tighter at both ends of J2, so James Taylor and Jon Steele got together to try and make sense of it all. First, James reviews 9 games (to 09:45) from J2 matchday 36. Then he and Jon talk about Mito's loss to Omiya and the implications for promotion and the playoffs (to 37:25). Next, there are Most Bravo Players to be elected (to 43:20), and the episode finishes with a look ahead to matchday 37 (to end).   Thank you for your support of the J-Talk Podcast and J-Talk: Extra Time. *Join the J-Talk Podcast Patreon here: https://patreon.com/jtalkpod *Find our JLeague Chat Discord server here: https://discord.gg/UwN2ambAwg *Follow JTET on Bluesky here: @jtalket.bsky.social

In this episode of the SpeakersU Podcast, James Taylor and Maria Franzoni pull back the curtain on the world of top speaker bureaus — how they work, what they look for in speakers, and how to build mutually beneficial relationships that generate bookings. Maria draws on decades of experience running one of Europe's most respected bureaus to explain how agents think, what differentiates a bookable speaker, and the dos and don'ts that every professional should know. James adds his perspective as a speaker represented by leading bureaus around the world, revealing how he collaborates with agents, builds trust, and stays top-of-mind. Whether you're just starting out or already on the international circuit, this episode will help you understand the economics, etiquette, and psychology of working successfully with speaker bureaus.     Key Takeaways Bureaus are partners, not promoters – Their job is to serve their clients, not to manage your calendar. Be easy to sell – Have clear positioning, strong video, up-to-date assets, and a defined fee range. Stay top of mind – Regular updates, newsletters, and personal touches help agents remember you. Trust takes time – A bureau relationship is earned through reliability and professionalism. Never bypass a bureau client – Always respect existing relationships and contracts. Understand their economics – Bureaus work on commission; help them justify recommending you. Differentiate your topic – Relevance, clarity, and credibility make you stand out in their database. Be bureau-ready – Fast response times, accurate details, and flexibility build confidence. Support their success – Make them look good in front of their clients, and they'll champion you again.     Memorable Quotes "A bureau's client is the end client — not you. Understand that, and you'll have better relationships." – Maria Franzoni "Don't expect bureaus to build your business; help them sell you by giving them reasons to." – James Taylor "The easiest speakers to book are the ones who make agents look brilliant." – Maria Franzoni "Relevance and reliability will get you booked again and again." – James Taylor "Treat bureaus as partners — not miracles." – Maria Franzoni     Episode Timestamps 00:00 – Welcome and catching up on travel and client projects 01:52 – What exactly is a speaker bureau? 03:28 – How bureaus differ from speaker agents or managers 05:16 – What bureaus really look for when recommending a speaker 07:32 – The economics of bureau commissions and client service 09:18 – How to make yourself "easy to sell" 11:40 – The power of positioning and clarity in your topic 13:05 – Dos and don'ts when approaching a new bureau 15:33 – Why trust is the currency of the bureau–speaker relationship 17:26 – Handling multiple bureaus without conflict 19:47 – Updating bureaus and keeping them engaged 22:09 – Common mistakes speakers make when working with bureaus 24:34 – Case studies: speakers who get rebooked again and again 26:42 – How to support your bureau before, during, and after events 29:15 – Tech & tools of the week for bureau collaboration 31:20 – Final thoughts and listener questions    

Love, lust, and heartbreak are the secret soundtrack of the LA canyons. In this episode of My Rock Moment we welcome Emmeline Summerton of Instagram's Lost Canyons LA, a historian of the LA Canyons and former writer of the New Topanga Times. Together we trace that soundtrack through eight songs — uncovering the romance, the messiness and the broken hearts behind the lyrics. We start with “Guinnevere,” David Crosby's mysterious song inspired by 3 women — Christine Hinton, Joni Mitchell, and the surprising third muse, “Delta Lady” — Leon Russell's ode to Rita Coolidge and the wild, studio-to-road romance that sent them straight into Joe Cocker's Mad Dogs tour. Then we move to the Mamas & the Papas' “Go Where You Wanna Go,” a sunny single born from the band's very messy affairs.    From there:  “Our House,” Graham Nash's tiny, perfect snapshot of life with Joni Mitchell in Laurel Canyon — ordinary moments made into a classic. Then Joni's own “All I Want' about her relationship with James Taylor. We'll also unpack “Leather and Lace,” the duet that reunited Stevie Nicks and Don Henley after a broken romance and leer jet flirtations; “Faithless Love,” J.D. Souther's devastating ballad given wings by Linda Ronstadt during their fraught romance and end with Neil Young's "A Man Needs a Maid" off of Harvest. This is a tour of romance and ruin, tenderness and betrayal — the songs that turned private heartbreak into something the rest of us could sing along to. We'll share the stories behind each track and the music that made the canyons heartbreak famous. Find out more about Emmeline Summerton of Lost Canyons LA: https://topanganewtimes.com/author/emmeline-summerton https://www.instagram.com/lostcanyonsla For more information on My Rock Moment and the Host, Amanda Morck: www.myrockmoment.com For more information on upcoming episodes and your regular dose of rock history follow us on Instagram: https://www.instagram.com/la_woman_rocks Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to Behind the Win. Today we're going deep into the world of supply chain and logistics with someone who has seen it from every angle. Defense, firefighting, classrooms, and command. James Taylor is the Senior Vice President of supply chain management and logistics at LSI, an adjunct professor at Weber State and honorary commander at Hill Air Force Base. We'll talk about what really works in the field when things get messy, why some logistics professionals succeed or fail, and the lessons James has learned from leading teams on critical programs like CALFire and Department of Defense missions.

The United States may have an official day of gratitude every November with Thanksgiving, but for many of us, most every day could be a day of appreciation. A sincere "thank you" is rewarding for everyone: It feels good to say it and it feels good to hear it. However, appreciation can be complicated and "thank you" may come with a twist. Sometimes we're grateful (in hindsight, at least) for the lessons we've learned from difficult people. Sometimes we feel generalized happiness for family and/or friends. Sometimes we're just thankful to no one in particular that we're happy for no reason in particular. And of course sometimes expressions of gratitude are just a cover for dark feelings. In this episode of "How We Heard It" your hosts sift through an array of old and new songs that directly or indirectly express gratitude. Artists include Ariana Grande, Harry Styles, The Kinks, Sly and the Family Stone, The Beatles, Big Star, Natalie Merchant, Taylor Swift, Bob Hope, Elton John, Louis Armstrong, Rihanna, Gwen Stefani, The Beach Boys, Backstreet Boys, Alanis Morissette, James Taylor, Small Faces, Kool & the Gang, U2, Spice Girls, Boyz II Men and many more. Thanks for listening!

James Taylor and Jon Steele are back with a review of the latest round of J2 fixtures. In the first part of the episode, James rounds up 8 games (to 07:45). Then, in the second part, James is joined by Jon to discuss Iwata's win over Nagasaki (to 21:30) and Yamaguchi's triumph away at Kumamoto (to 35:50). After that, the co-hosts nominate their Most Bravo Player (to 42:40) and take a look at the matchday 36 games, including permutations regarding relegation, promotion and the title (to end).   Thank you for your support of the J-Talk Podcast and J-Talk: Extra Time. *Join the J-Talk Podcast Patreon here: https://patreon.com/jtalkpod *Find our JLeague Chat Discord server here: https://discord.gg/UwN2ambAwg *Follow JTET on Bluesky here: @jtalket.bsky.social

In this episode of the SpeakersU Podcast, James Taylor and Maria Franzoni tackle one of the biggest questions every professional speaker faces: how much should I charge? Drawing on decades of experience as a bureau owner, Maria explains how to set your keynote fee, when to raise it, and why you should never discount. James shares insights from his own speaking business — including how he tests price levels, manages international vs. virtual fees, and negotiates without losing value. Together they explore the psychology, strategy, and market realities of pricing yourself in the global speaking industry. Whether you're just starting out or ready to move into a higher fee bracket, this episode is packed with real-world advice on finding your sweet spot, building fee integrity, and communicating your value with confidence.     Key Takeaways Value, not time – Your fee reflects outcomes and expertise, not minutes on stage. Know your market – Corporate, education, and government sectors have very different budgets. Location matters – Fees vary across regions; the U.S. and Middle East typically pay more than the U.K. Profile sets price – Seniority, credibility, and positioning determine perceived value. Don't publish your fees – Keep flexibility to tailor pricing per client and market. Raise fees when there's no pushback – If you're closing 75% of inquiries, your fee is too low. Virtual vs. in-person – Treat virtual strategically; it can be equal or higher depending on effort and impact. Never discount — negotiate – Exchange value (video footage, PR, introductions) instead of lowering price. Fee integrity matters – Keep consistency across bureaus and direct clients to avoid confusion. Strategic pricing evolves – Adjust fees as your demand, reputation, and market position grow.     Memorable Quotes "Your fee isn't for 45 minutes on stage — it's for everything that got you there." – Maria Franzoni "If 75% of people are saying yes, your fee's too low." – James Taylor "Never discount. Negotiate." – Maria Franzoni "Make your website look like a $10,000 speaker even if you charge $5,000." – Maria Franzoni "Relevance, reliability, and results — that's what earns higher fees." – James Taylor     Episode Timestamps 00:00 – Welcome and catching up (dogs, weather, and winter settings) 02:41 – Why fee setting is like finding your temperature sweet spot 03:30 – What determines your starting keynote fee 05:08 – Industry and market differences in speaker pricing 06:59 – Global markets: U.S., U.K., Europe, Middle East, and Australia 07:49 – Profile, credibility, and client type as key price drivers 08:45 – Which industries pay best (and which don't) 10:10 – Using event clues (like hotel choice) to gauge budget 11:25 – Should you publish your fees online? 13:12 – Pricing psychology: how travel, time, and opportunity cost affect value 14:05 – Website positioning and showreel strategy 16:07 – When and how to raise your fees confidently 17:23 – The "75% rule" and psychological pricing mindset 18:31 – Fee communication and working with bureaus 20:23 – Virtual vs. in-person fees: strategy, value, and structure 23:45 – Hybrid models: longer, interactive virtual formats 25:49 – International pricing strategies and personal preferences 27:24 – The post-pandemic fee landscape 28:22 – Net vs. gross fees and bureau commissions 31:01 – Why the "D-word" (discount) is banned forever 31:45 – How to negotiate extra value instead of discounting 33:24 – Creative negotiations: travel perks, intros, and even gambling chips 33:57 – Final tips: researching competitors and bureau listings 34:35 – James' Blue Ocean strategy for finding pricing gaps 35:48 – Wrap-up and next episode preview     Have a question or topic suggestion for James and Maria? Email hello@speakersu.com

We revisit episode 53, with one of the most important songs in the history of rock and roll, an incredible original, a hugely successful but also problematic cover, and … well, a great artist who stepped outside of his comfort zone. Hound Dog, originally by Big Momma Thornton, covered by Elvis Presley, and by James Taylor. Newly added outro music is Ball 'n Chain, also by Big Momma Thornton.

In this episode of The Bandwich Tapes, I sit down with legendary session drummer Paul Leim, whose six-decade career quietly powers a staggering piece of the soundtrack to our lives. Paul has played on more than 12,000 songs across over 2,000 releases, with 1,400+ silver/gold/platinum certifications, and global sales topping 540 million units. His discography encompasses over 150 combined GRAMMY nominations and wins, as well as 40+ major film/TV awards, and credits on more than 150 films and 100 television specials and series. If you've heard Lionel Richie, Shania Twain, Lyle Lovett, Kenny Chesney, Whitney Houston—or cues from Dirty Dancing, Smokey and the Bandit II, The River, or even Return of the Jedi, you've likely heard Paul.We trace the arc from East Texas clubs and Dallas jingle mills to late-'70s Los Angeles, where a “typical” week meant two complete drum rigs leapfrogging between Lionel Richie sessions, network TV soundstages, film dates, and award shows. Paul talks mentors and “angels” (band director Neil Grant, Robin Hood Brians, Doc Severinsen), lifelong friendships with the TCB family (Ron Tutt, Jerry Scheff), and lessons that still anchor his playing—especially dynamic control and “letting the mics work.” We get inside the high-wire reality of studio life. Paul calls it “95% boredom and 5% sheer terror”, including how to read conductors, when to lead the time, and when to ride it, and what it's like to move from live kit to orchestral percussion with John Williams.There are great shop-floor stories: cutting Lionel's “Truly” and counseling Lionel at the fork-in-the-road moment of leaving the Commodores; discovering that Lyle Lovett's “The Blues Walk” was gloriously vocal-free; and a deep dive into the precision world of Mutt Lange and Shania, ending bass notes just before the snare for mix “air,” the chrome-over-brass “important” snare, and the on-the-fly invention of tom “Mutt flaps” for short, open fills. Paul also shares a personal fork he chose differently: turning down a James Taylor tour to be home with his young family, only to hand JT the final serial-numbered Leim signature snare decades later at the White House.Today, Paul is still very much in motion: bandleading the TCB Band in Europe, steering The Tennessee Four with Thomas Gabriel to carry the Cash legacy, and jumping into Million Dollar Quartet shows—proof that the hang, the humility, and the groove endure. It's a conversation about craft, friendship, stewardship of a gift, and the choices that shape both a career and a life.Music from the Episode:Pick it Apart (Mark O'Connor)Truly (Lionel Richie)The Blues Walk (Lyle Lovett)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.Theme music: "Playcation" by Mark Mundy

Dr. Rob Shumaker and Kristi Lee sit down with 2025 Indianapolis Prize DeHaan Finalist Dr. Lee James Taylor White, Ph.D., and his wife and fellow conservationist Dr. Catherine “Kate” Abernathy. Together they share stories from decades of working in the rainforests of Gabon and the Congo Basin—protecting the critically endangered African forest elephant and studying gorillas, chimpanzees, and mandrills. Dr. White discusses his role in creating 13 national parks in Gabon and leading efforts to safeguard half of the world's forest elephants, while Dr. Abernathy offers vivid insight into primate behavior and the realities of life in the field.

Welcome to “When Words Fail, Music Speaks” – the podcast that harnesses the healing power of song to combat depression, anxiety, and everyday heartbreak.In today's episode we sit down with the multitalented Mark Firehammer—author of the genre‑blending novel The Echo and The Voice, creator of the wellness system Feelness, and a seasoned songwriter whose career spans from Florida coffee‑houses in the ‘90s to AI‑driven studios today.Mark shares the wild road‑trip story of his early touring days, the unexpected love affair he's had with the legendary Cronut, and the pivotal moment when he realized his next album would have to be built without a band. We dive deep into his groundbreaking Artist‑Imagined series, a quartet of AI‑crafted albums—Heartlands (country), Heartthrob (dance), Heartstrings (alternative) and Heartbeats (rock)—and explore how he trains machines to sing in the voices of imagined artists while preserving his own lived experiences.Along the way, we touch on:The rise and challenges of independent musicians in the streaming eraThe moral and creative debates surrounding AI‑generated music and Spotify's new disclosure rulesHow Mark's nonprofit aims to turn music, theater, film, and visual art into a collaborative network centered on human connectionFavorite childhood influences—from Cat Stevens and James Taylor to the awe‑inspiring voice of Freddie Mercury—and the songs that still move him to tearsWhether you're a songwriter stuck in a creative rut, a fan of cutting‑edge tech, or simply someone looking for a musical pick‑me‑up, this conversation offers a blend of nostalgia, practical insight, and forward‑looking optimism. Grab your headphones, cue up a fresh track, and let Mark's story remind you that when words fall short, music always finds a way to speak.

James Taylor and Jon Steele got together again to review all the action from J2 matchday 34. First, James rounds up 9 games (to 07:50) and then talks to Jon about Sendai's dramatic comeback against Tosu (to 34:20). That's followed by Most Bravo Player and a quick preview of the most interesting games coming up this weekend, as the promotion picture isn't getting any clearer and teams at the bottom are just about clinging on (to end).   Thank you for your support of the J-Talk Podcast and J-Talk: Extra Time. *Join the J-Talk Podcast Patreon here: https://patreon.com/jtalkpod *Find our JLeague Chat Discord server here: https://discord.gg/UwN2ambAwg *Follow JTET on Bluesky here: @jtalket.bsky.social  

In this episode of the SpeakersU Podcast, James Taylor and Maria Franzoni dive into one of the biggest decisions every professional speaker faces — whether or not to write a book. With reading habits changing and attention spans shrinking, is publishing still worth it? Maria shares what she learned from writing The Bookability Formula, including how a book clarifies your thinking, protects your IP, and raises your authority. James discusses his upcoming SuperCreativity book, why he waited five years before writing it, and how books can elevate your speaking brand. Together they explore the pros and cons of traditional vs. self-publishing, how to use your book as a marketing tool, and creative ways to launch and promote it. Whether you're a new or established speaker, you'll discover why books still matter — and how to make yours work for your business, your brand, and your audience.     Key Takeaways Books clarify thinking – Writing forces structure and helps you refine your core message. Authority comes from authorship – The word "authority" literally begins with "author." Timing matters – Don't write too early; live your content first. Books as business cards – A book opens doors and elevates positioning, even if it doesn't make big money. Hybrid publishing is a smart middle path – Keeps quality control without losing autonomy. Tie your launch to an event – Use an existing audience for maximum visibility. Give books freely – Strategic giveaways amplify goodwill and social proof. You must market it – Promotion, interviews, and podcasts are on you, not your publisher. AI audiobooks are here – Tools like Eleven Labs can narrate your book in multiple languages.     Memorable Quotes "Writing a book unravels your thinking — it turns spaghetti into structure." – Maria Franzoni "A book is the summation of years of ideas, handed to you for £20. That's incredible value." – James Taylor "Authority comes from author. A book changes how clients perceive you." – Maria Franzoni "You don't need a book to be a successful speaker — but it can unlock a higher level of opportunity." – James Taylor "Attach your book launch to an event that already has your perfect audience." – Chris Gardner (via Maria Franzoni)     Episode Timestamps 00:00 – Welcome & why reading is declining 01:16 – Why Maria wrote The Bookability Formula 02:15 – Books as clarity tools and IP protection 04:01 – James on the value of books for idea transfer and legacy 05:47 – Speaking first, writing later – when to start your book 07:09 – Avoid writing too early; live your material first 08:23 – How writing affects your speaking income short-term 09:38 – Books as brochures and positioning tools 10:59 – How bureaus view speakers with books 13:44 – Branding your book and keynote under one concept 15:01 – Why bureaus love books but don't profit from them 16:54 – Micro-books and multi-series publishing 17:46 – Traditional vs hybrid vs self-publishing 18:12 – Finding a publisher who respects your voice 19:36 – Owning foreign rights and global expansion 21:27 – The marketing reality: sales depend on you 22:08 – David Allen's 25-year book promotion discipline 23:08 – Maria's tip: attach your book launch to an event 25:02 – Free books as social-media gold 25:50 – James' tool: Eleven Labs for AI audiobooks and voiceovers 26:58 – Closing thoughts and listener questions    

Interview with Rebecca Pidgeon. Rebecca returns to talk about her new album Unillusion.   Rebecca Pidgeon was born in Cambridge, MA and raised primarily in Edinburgh, Scotland, gravitating towards music as a child. Mom and Dad introduced her to the likes of James Taylor, while she eventually discovered both Kate Bush and The Sex Pistols on her own. She fronted the band Ruby Blue for three records before relocating to the United States where she launched her solo career. Fan favorite albums followed including The Raven (1994), The New York Girls' Club (1996), The Four Marys (1998), Tough On Crime (2000), and Behind the Velvet Curtain (2008), four songs appearing in the critically acclaimed film Red Belt. The ensuing decade saw her release Slingshot (2011), Blue Dress On (2013), Bad Poetry (2014), and Sudden Exposure to Light (2019). Praising the latter, American Songwriter affirmed, “She's the real deal,” and Glide Magazine noted, “Pidgeon's prolific work as a songwriter and vocalist is akin to the self- immersion she undertakes for her mesmerizing performances on camera.” In addition, she has captivated audiences on-screen as a much sought-after film and television actress. Among dozens of credits, she has appeared in celebrated classics such as The Spanish Prisoner (1997), State and Main (2000), and Heist (2001) opposite the likes of Gene Hackman, William H. Macy, Sarah Jessica Parker, and Philip Seymour Hoffman. Additionally, she has appeared in blockbusters a la Red (2010) and NETFLIX's Bird Box (2018), to name a few. Unillusion offers eloquent testimony to Rebecca Pidgeon's continuing power as a storyteller on stage, screen or the recording studio with an uncanny ability to blend narrative depth and musical intimacy in a way that feels both timeless and current. Rebecca's Info :  http://rebeccapidgeonmusic.com/ https://open.spotify.com/artist/7da523apYjG6oJePP5MZwG https://www.instagram.com/rebeccapidgeon/?hl=en https://www.youtube.com/channel/UCuLq5dzPwlVw4FzeUdysVMg https://www.facebook.com/rebeccapidgeonmusic https://twitter.com/rebeccapidgeon?lang=en  

What if your songwriting school was a sold-out room and your tuition was a bar shift? We sit down with Luke Stevens to trace a path from Oklahoma fields to Nashville stages, where classic 70s storytellers like James Taylor and Jackson Browne shaped a pen built for honest lines and clean hooks. Luke shares the spark behind Second Thoughts First, a title he caught in the wild and turned into a chorus about overthinking until the right person makes life simple. Then the script flips with Since You Ain't Mine, a tune he almost shrugged off that suddenly lit up phones, tour buses, and inboxes once the demo landed in the right hands.We talk shop on co-writing that actually works—why the best days feel like speed dating with heart, and how framing an idea can turn a room from polite into electric. Luke explains why the most valuable networking tip in Nashville is humility: show up, listen, be a good human first. Working at The Listening Room became his masterclass, a place where staff culture respects the stage, guests plan trips around the shows, and writers feel safe to bring their best. That ecosystem opened doors, taught structure and setups by osmosis, and proved that consistency outlasts luck.Luke also opens up about sobriety. Choosing not to drink while tending bar sounds impossible, but it became his armor—showing up on time, staying present in rooms, and writing with a quieter mind. Faith and gratitude anchor his choices and remind him to celebrate the small wins: a tight verse, a clean demo, a nod from a hero, a room that goes silent on a new line. If you care about songwriting craft, Nashville co-writing etiquette, and how real growth happens—one honest decision at a time—this conversation will meet you where you are and push you forward.If this story moved you, follow the show, leave a rating or review, and share it with a friend who loves great songs and the people who write them. Your support helps us bring more writers, more stories, and more truth to the mic.

Paul Young was the bassist in a pub band playing Led Zeppelin and Patto covers ‘til his solo soul and blues slot launched him as a singer. He's still touring nearly 50 years later, just back from filling Mexican stadiums with Rod Stewart. And next May launching his acoustic ‘Songs & Stories Tour' in theatres, intercut with film clips and hoary old tales from the battlefield. He looks back here at … … Smash Hits cover shoots and Rewind package tours: “what a glorious time the ‘80s was” … the soul phrases he stole from Free and his impression of “the Paul Rodgers moan” … discovering James Taylor, the Doors, Gregg Allman, Vinegar Joe and Van Morrison … supporting Bob Marley when the crowd threw a dead duck at Joe Jackson – “and hit him!” … Mike & Bernie Winters in panto - “I was rolling in the aisles” … playing Led Zeppelin, Cream and Patto and the Bill Withers and Albert King covers that launched him as a singer … memories of Live Aid – “I wish I'd thought about it more” … “What am I, a performing monkey?” … when Midge Ure told him the opening line of Band Aid had actually been a secret audition – “Simon, Tony Hadley or me” … the “deafening” Slade at Luton Tech, the night the DJ played Black JuJu by Alice Cooper … the over-cranked news story that he'd lost his voice … and the night the Mafia came to Rhode Island. Tickets for ‘Paul Young – Songs & Stories' here: https://www.awaywithmedia.com/tours/paul-young-2026Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Paul Young was the bassist in a pub band playing Led Zeppelin and Patto covers ‘til his solo soul and blues slot launched him as a singer. He's still touring nearly 50 years later, just back from filling Mexican stadiums with Rod Stewart. And next May launching his acoustic ‘Songs & Stories Tour' in theatres, intercut with film clips and hoary old tales from the battlefield. He looks back here at … … Smash Hits cover shoots and Rewind package tours: “what a glorious time the ‘80s was” … the soul phrases he stole from Free and his impression of “the Paul Rodgers moan” … discovering James Taylor, the Doors, Gregg Allman, Vinegar Joe and Van Morrison … supporting Bob Marley when the crowd threw a dead duck at Joe Jackson – “and hit him!” … Mike & Bernie Winters in panto - “I was rolling in the aisles” … playing Led Zeppelin, Cream and Patto and the Bill Withers and Albert King covers that launched him as a singer … memories of Live Aid – “I wish I'd thought about it more” … “What am I, a performing monkey?” … when Midge Ure told him the opening line of Band Aid had actually been a secret audition – “Simon, Tony Hadley or me” … the “deafening” Slade at Luton Tech, the night the DJ played Black JuJu by Alice Cooper … the over-cranked news story that he'd lost his voice … and the night the Mafia came to Rhode Island. Tickets for ‘Paul Young – Songs & Stories' here: https://www.awaywithmedia.com/tours/paul-young-2026Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Paul Young was the bassist in a pub band playing Led Zeppelin and Patto covers ‘til his solo soul and blues slot launched him as a singer. He's still touring nearly 50 years later, just back from filling Mexican stadiums with Rod Stewart. And next May launching his acoustic ‘Songs & Stories Tour' in theatres, intercut with film clips and hoary old tales from the battlefield. He looks back here at … … Smash Hits cover shoots and Rewind package tours: “what a glorious time the ‘80s was” … the soul phrases he stole from Free and his impression of “the Paul Rodgers moan” … discovering James Taylor, the Doors, Gregg Allman, Vinegar Joe and Van Morrison … supporting Bob Marley when the crowd threw a dead duck at Joe Jackson – “and hit him!” … Mike & Bernie Winters in panto - “I was rolling in the aisles” … playing Led Zeppelin, Cream and Patto and the Bill Withers and Albert King covers that launched him as a singer … memories of Live Aid – “I wish I'd thought about it more” … “What am I, a performing monkey?” … when Midge Ure told him the opening line of Band Aid had actually been a secret audition – “Simon, Tony Hadley or me” … the “deafening” Slade at Luton Tech, the night the DJ played Black JuJu by Alice Cooper … the over-cranked news story that he'd lost his voice … and the night the Mafia came to Rhode Island. Tickets for ‘Paul Young – Songs & Stories' here: https://www.awaywithmedia.com/tours/paul-young-2026Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In this week's Autocar Meets podcast, Deputy Editor Felix Page meets Nissan GB's managing director James Taylor.Appointed in May of this year, Taylor brought to Nissan a raft of experience within the automotive industry, including most recently being managing director of Vauxhall UK, as well as senior roles within Stellantis.He joined Nissan at an important time, too, just ahead of launching the all-new Micra and an all-new Leaf. Felix Page caught up with him to find out how the brand will get back to the front of the EV race, having spearheaded the electric movement, and how its positioning and customer base are changing. Hosted on Acast. See acast.com/privacy for more information.

In this candid episode of the SpeakersU Podcast, James Taylor and Maria Franzoni tackle one of the most dangerous traps for professional speakers — ego. While confidence is essential to step on stage, unchecked ego can sabotage client relationships, damage reputations, and even end careers. Maria shares shocking true stories of “speakers behaving badly,” from diva demands and drunken disasters to midnight tantrums over hotel rooms. James reveals how cultural differences, gender perceptions, and even microphone preferences can blur the line between professionalism and arrogance. Together they explore how to stay grounded, easy to work with, and respected — even when success and attention start to inflate your self-image. If you've ever wondered where confidence ends and ego begins, this episode offers hard-won lessons, cautionary tales, and practical ways to keep your feet firmly on the ground.     Key Takeaways Confidence ≠ arrogance – A healthy ego gets you on stage; an inflated one gets you blacklisted. Be easy to work with – Kindness to AV teams, organisers, and staff is remembered (and shared). Do your own briefing calls – Never outsource relationships that build trust with clients. Ego destroys reputations fast – Word travels quickly among bureaus and event planners. Cultural context matters – What reads as confidence in the US may look like arrogance in the UK. Boundaries vs. bad behaviour – Riders and technical requests are professionalism, not ego. Stay grounded – Family check-ins, gratitude, and humility keep you level when success rises.     Memorable Quotes “Speakers need ego to get on stage — but when it tips into arrogance, it can destroy your career.” – Maria Franzoni “Our job is to be champions for our craft, not divas of the greenroom.” – James Taylor “Do your own briefing calls — if Neil Armstrong could, so can you.” – Maria Franzoni “Confidence is caring about the craft; ego is caring only about yourself.” – James Taylor “You can't control how others treat you, but you can control how you treat everyone around you.” – Maria Franzoni     Episode Timestamps 00:00 – Welcome and playful banter about podcast “coolness” 01:20 – Why ego deserves its own chapter in The Bookability Formula 03:07 – When ego makes speakers inflexible on stage timings 04:18 – The ripple effect of bad behaviour on AV and event teams 06:29 – How negative energy travels fast between events and bureaus 07:15 – “Speakers behaving badly” – examples from Maria's agency days 09:07 – Do your own briefing calls (and why Neil Armstrong did his) 10:45 – Cultural and gender differences in how ego is perceived 12:13 – When high standards aren't arrogance but professionalism 13:20 – Midnight hotel tantrums and balcony meltdowns 14:08 – Respect the client's exhaustion – empathy over entitlement 16:42 – Drunken speeches and recycled stories: reputations ruined 18:04 – Tracking your material to avoid repetition and mistakes 19:44 – Cultural nuances: big intros that work in the US flop in Europe 20:24 – Crossing ethical lines: relationships and reputation at events 21:56 – Zig Ziglar's “five calls a day” rule to stay grounded 23:20 – Tips & tools of the week: elected-office speaking practice and portable AI recorders 27:25 – Future of AI speaker assistants — “Digital Maria Franzoni?” 27:52 – Wrap-up, humour, and listener invitation     Have a question or story for James and Maria? Email: hello@speakersu.com

Don’t miss an incredible opportunity this Monday morning to engage with our esteemed guest, Black politics expert Dr. James Taylor, as he dives into the crucial subject of white backlash in politics. Dr. Taylor will provide a thought-provoking analysis of what might unfold if the Supreme Court takes action against parts of the Voting Rights Act, as well as the implications of California's Proposition 50 and the rising tides of white nationalism and the role of the white church. Before Dr. Taylor takes the stage, we’ll also hear insights from AI advisor and educator Dr. Denise Turley, along with the impactful voice of gang interventionist Malik Spellman.See omnystudio.com/listener for privacy information.

Looking to start or rebrand your podcast? We can help! Go to www.itsyourshow.coJoin Rich Redmond as he sits down with legendary studio drummer Paul Leim, who shares incredible stories from his 50-year music career. Highlights include:[0:02:51] - How a Tyler, Texas DJ discovered Paul's talent at age 15[0:10:00] - Driving to Los Angeles in a woody station wagon to pursue his dream[0:11:04] - Performing at the 2017 Trump Inaugural Ball[0:18:54] - Turning down a tour with James Taylor to stay with his young family[0:22:35] - Working with Linda Carter for 13 years after her Wonder Woman days[0:26:25] - His philosophy of continuing to play drums as long as he loves itFrom recording Star Wars soundtracks to working with Neil Diamond and Tom Jones, Paul Leim offers a fascinating glimpse into the life of a top-tier session musician. A must-listen for music lovers and aspiring drummers!The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits!We have MERCH! www.therichredmondshow.comFollow Rich:@richredmondwww.richredmond.comJim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.Follow Jim:  @jimmccarthywww.jmvos.com The Rich Redmond Show is produced by It's Your Show dot Cowww.itsyourshow.co Looking to start or rebrand your podcast? We can help! Go to www.itsyourshow.co

In 1966, Blanche's Kiser's father, Parker Davis Kiser Sr., passed away. His death was attributed to heart disease at the age of 62. Tragedy struck again in 1973, seven years following her father's death, Blanche discovered her husband, James Taylor, lifeless in their bed. At just 45 years old, he was pronounced dead, with a heart attack cited as the cause. The specter of heart disease seemed to loom over the men in Blanche's life. As our Kinda Murdery story unfolds, the circumstances surrounding these deaths beckon for a closer look, hinting at a deeper, perhaps darker, narrative playing out beneath the surface of Blanche Taylor's seemingly ordinary existence...CALL 888-MURDERY, that's, 888-687-3379, to share YOUR Kinda Murdery story or your story of living with a disability or other challenges, and you could inspire an episode of the show!Sources:https://www.oxygen.com/snapped/crime-news/blanche-taylor-moore-poisoning-deaths-death-row https://www.latimes.com/archives/la-xpm-1989-08-22-vw-1071-story.htmlhttps://medium.com/lessons-from-history/the-oldest-women-on-death-row-is-90-4c67c8c1c874 https://www.wbtw.com/news/state-regional-news/turning-90-north-carolinas-blanche-moore-is-oldest-woman-on-death-row-in-us/Become a supporter of this podcast: https://www.spreaker.com/podcast/kinda-murdery--5496890/support.

Jon Steele and James Taylor catch up on the situation in J3 with 7 games left. They start with the automatic promotion places (to 05:00), then discuss the playoffs (to 12:35), before a look at the battle to avoid relegation (to 32:10). They have a brief look ahead to this weekend's big fixtures to end the episode.   Special thanks to Mike Innes for the detailed taking points.   Thanks for your support of the J-Talk Podcast, J-Talk: Extra Time, and J-Talk: Short Corner. *Join the J-Talk Podcast Patreon here: https://patreon.com/jtalkpod *Find our JLeague Chat Discord server here: https://discord.gg/UwN2ambAwg *Follow JTET on Bluesky here: @jtalket.bsky.social

In this episode of JTET, James Taylor rounds up 9 games from J2 matchday 32 (to 07:45), then chats to Jon Steele about the Shikoku Derby between Tokushima and Imabari (to 25:00). Then it's time for Most Bravo Player and a quick preview of the most interesting games coming up this weekend (to end).   Thank you for your support of the J-Talk Podcast and J-Talk: Extra Time. *Join the J-Talk Podcast Patreon here: https://patreon.com/jtalkpod *Find our JLeague Chat Discord server here: https://discord.gg/UwN2ambAwg *Follow JTET on Bluesky here: @jtalket.bsky.social

When The New York Times starts to wonder if the world has given up on fighting climate change, maybe it's time to believe them? The paper's “Climate Forward” event the other day featured a New York Times staffer sounding forlorn that we've missed “the one chance we have to save the one planet we've got.”On Episode #176 of The Climate Realism Show, we will also cover more of the Crazy Climate News of the Week, including the downfall of Chief Climate Scold Michael Mann, and Pope Leo blessing a chunk of ice at a “climate justice” summit. Join The Heartland Institute's Anthony Watts, Sterling Burnett, Linnea Lueken, Jim Lakely, and James Taylor live at 1 p.m. ET on YouTube, Rumble, and X.Visit our sponsor, Advisor Metals: https://climaterealismshow.com/metals/ In The Tank broadcasts LIVE every Thursday at 12pm CT on on The Heartland Institute YouTube channel. Tune in to have your comments addressed live by the In The Tank Crew. Be sure to subscribe and never miss an episode. See you there!Climate Change Roundtable is LIVE every Friday at 12pm CT on The Heartland Institute YouTube channel. Have a topic you want addressed? Join the live show and leave a comment for our panelists and we'll cover it during the live show!

When The New York Times starts to wonder if the world has given up on fighting climate change, maybe it's time to believe them? The paper's “Climate Forward” event the other day featured a New York Times staffer sounding forlorn that we've missed “the one chance we have to save the one planet we've got.”On Episode #176 of The Climate Realism Show, we will also cover more of the Crazy Climate News of the Week, including the downfall of Chief Climate Scold Michael Mann, and Pope Leo blessing a chunk of ice at a “climate justice” summit. Join The Heartland Institute's Anthony Watts, Sterling Burnett, Linnea Lueken, Jim Lakely, and James Taylor live at 1 p.m. ET on YouTube, Rumble, and X.Visit our sponsor, Advisor Metals: https://climaterealismshow.com/metals/ In The Tank broadcasts LIVE every Thursday at 12pm CT on on The Heartland Institute YouTube channel. Tune in to have your comments addressed live by the In The Tank Crew. Be sure to subscribe and never miss an episode. See you there!Climate Change Roundtable is LIVE every Friday at 12pm CT on The Heartland Institute YouTube channel. Have a topic you want addressed? Join the live show and leave a comment for our panelists and we'll cover it during the live show!

Jon Steele and James Taylor are back with all the latest from J2. James kicks things off with a review of 9 games from matchday 31 (to 08:45). Jon takes over for a chat with James about Oita v Ehime (to 31:35), before moving on to general J2 news and Most Bravo Player (to 50:55). To finish, the co-hosts preview the biggest games coming up this weekend (to end).   Thank you for your support of the J-Talk Podcast and J-Talk: Extra Time. *Join the J-Talk Podcast Patreon here: https://patreon.com/jtalkpod *Find our JLeague Chat Discord server here: https://discord.gg/UwN2ambAwg *Follow JTET on Bluesky here: @jtalket.bsky.social

‘Dog Day Afternoon’ announces Broadway home and dates, Letts updates James Taylor musical progress, Grace interviews cast of ‘Liberation’ Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | read more

The UN is gearing up for COP30 in Brazil, where global elites will once again lecture the world about “climate catastrophe.” But behind the rhetoric lies hypocrisy: bulldozing the Amazon to host the event, while new science shows the rainforest is actually thriving thanks to carbon dioxide.In this interview, Heartland Institute President James Taylor explains why the U.S. should refuse to participate, how the global climate agenda is really about power and redistribution, and why so-called “green” energy sources like wind and solar are neither clean, affordable, nor reliable.Heartland will be in Brazil as the unofficial American delegation—bringing facts the UN won't share.

The UN is gearing up for COP30 in Brazil, where global elites will once again lecture the world about “climate catastrophe.” But behind the rhetoric lies hypocrisy: bulldozing the Amazon to host the event, while new science shows the rainforest is actually thriving thanks to carbon dioxide.In this interview, Heartland Institute President James Taylor explains why the U.S. should refuse to participate, how the global climate agenda is really about power and redistribution, and why so-called “green” energy sources like wind and solar are neither clean, affordable, nor reliable.Heartland will be in Brazil as the unofficial American delegation—bringing facts the UN won't share.

Ellis Hall is an American singer-songwriter, multi-instrumentalist, actor and composer. He was described as "The Ambassador of Soul" by conductor, Jeff Tyzik. Hall has been blind since the age of 18. Citing Ray Charles as his inspiration, Hall has written over 4000 soul, gospel, blues and pop songs, and has performed with Stevie Wonder, James Taylor, Natalie Cole, Patti LaBelle, Toby Keith, Herbie Hancock, George Benson, Bobby Womack, Sheila E, Maurice White of Earth, Wind and Fire, Tower of Power and Ray Charles. Ellis eventually mastered the drums, piano, keyboards, guitar, upright and electric bass. He was able to develop and define himself as a vocalist as well, possessing a five-octave range. Starting with the Ellis Hall Band opening for Earth Wind and Fire through the years as the lead singer for Tower of Power, Ellis has been making impactful music.  Ellis both wrote and performed on the soundtracks of multiple television movies and films including The Lion King 2, Shrek 2, Chicken Run, Invincible, and Bruce Almighty, sang gospel tunes in the comedy film, Big Momma's House with Martin Lawrence, and sang a Louis Armstrong tune in the crime drama film Catch Me If You Can with Leonardo DiCaprio. Ellis Hall's latest single, a remake of the England Dan and John Ford Coley 1976 hit, “I'd Really Love To See You Tonight”.  A deeply soulful ballad that marks his return to the heart of R&B blending classic smoothness with modern vibrancy, Hall channels the passionate artistry of Luther Vandross and the magnetic energy of Bruno Mars in a track that promises to captivate listeners across generations.   Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

In this episode of The Bandwich Tapes, I sit down with the legendary vocalist Arnold McCuller, whose voice has graced stages and recordings alongside artists such as James Taylor and Phil Collins, among others. While we reflect on some of his most iconic musical moments, our conversation centers on his current mission as a recovery coach and interventionist, as well as his involvement with Harmonium. This powerful organization supports creatives in recovery.We talk about the unique pressures musicians face, how addiction weaves into the culture of performance, and the courage it takes to rebuild a life and career on new terms. I also share some of my own journey of sobriety — nearing one year — and Arnold offers wisdom on moving past shame, reclaiming creativity, and finding freedom through community.This is a conversation about music, resilience, and hope — one that every artist (and human) will find something in.Music from the Episode:Witness (Arnold McCuller)Chances Are (Arnold McCuller)Hard Times (Arnold McCuller)You'll Never Leave Harlan Alive (Arnold McCuller)Above the Rain (Arnold McCuller)To learn more about Arnold and his incredible work, please visit his website. Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 

Join us for an impactful discussion that you won’t want to miss! Renowned Black politics expert Dr. James Taylor will be back in our classroom, ready to share his insights on how the Black community should respond to the pressing issue of Eric Kirk’s shooting. In addition, he will give us an exclusive preview of his latest book, which explores Jim Jones and the Peoples Temple —a topic that deserves our attention. Before Dr. Taylor takes the mic, we’ll hear from Baltimore activist Pastor Dr. Robert Richard Allen Turner, who will be connecting with us during his inspiring monthly walk from Baltimore to Washington, D.C, to draw attention to the Reparations issue.See omnystudio.com/listener for privacy information.

James Taylor sang,'Winter, spring, summer, or fall, all you've gotr to do is call, and I'll be there, 'cause you've got a friend.' Well, in Israel, there happen to be a lot of people singing about friendship as well...'cause what are we without our friends? This week on Israel Hour Radio, we'll explore friendship in Israeli music - from childhood playmates to brothers in the IDF. Tell us: What Israeli song is like a best friend to you, always there when you need it? (Original Air Date: September 14, 2025) Full YouTube playlist at https://tinyurl.com/3huxmzvt Love the show? Please help us grow by becoming a member of MyIsraeliMusic.com: https://myisraelimusic.com/membership Join the Israeli Music Community on Facebook! https://www.facebook.com/groups/IsraelHourRadioFans/

LL Cool J Is Hosting the MTV VMAs 2025Pete Davidson says all the attention from the media about him having "big (d-word) energy" was embarrassing. Here he is on a recent podcast explaining.Sinéad O'Connor Biopic in Works James Gunn Addresses Margot Robbie's Future as Harley Quinn in New DC UniverseBilly Bob Thornton's 'Landman' Series Gets Season 2 Premiere Date on Paramount+Kevin Cronin Makes 'Heartbreaking' Decision on Touring FutureHere's something that may come as a surprise: Dora the Explorer turned 25 yesterday. Not 25 years old. The show originally debuted on Nickelodeon on back on August 14th, of 2000. What woman's name is featured most in song titles? That would be Mary. Here are four examples. (CCR, Tom Petty & the Heartbreakers, Kings of Leon, and Jimi Hendrix.)Vans brought on SZA as their new artistic director. She'll reimagine their upcoming marketing campaigns and help create new collections. The Most Ridiculous Things Fans Have Left Behind at FestivalsThe vibe at a concert depends on who you're seeing. You'll encounter very different crowds at a James Taylor show and a Gathering of the Juggalos . . . Someone on Reddit asked people who work at concert venues and festivals to name the weirdest things fans have left behind. Here are the highlights. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.