Podcast appearances and mentions of Peter Martin

What happens when you let a musical genius make the album of his dreams? You get Stevie Wonder's Music of My Mind (1972), the start of the greatest run in music history. Music of My Mind would be the first of a five-album run that formed Stevie Wonder's Classic Period, including Talking Book (1972), Innervisions (1973), Fulfillingness' First Finale (1974) and Songs in the Key of Life (1976).In this episode of You'll Hear It, jazz pianists Adam Maness and Peter Martin dive into every track on Music of My Mind, listening to isolated stems and breaking down the theory behind the songs. Plus - we talk about TONTO, the one-ton synthesizer Stevie used to create this record. And we dig into the innovative ways Stevie and collaborators Malcolm Cecil and Robert Margouleff mixed the album.-------------------------------Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://openstudiojazz.com/yhi-------------------------------Related You'll Hear It episodes:Talking Book: https://youtu.be/ymcy3ot116w  Innervisions: https://youtu.be/mUYwIijL7s0Songs in the Key of Life: https://youtu.be/uk5x4-uTzj8 -------------------------------About You'll Hear It:In this popular music series, You'll Hear It, Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.-------------------------------Like the jam at the end of the show? Head to youtube.com/@OpenStudioMusic for more.00:00 - Stevie Wonder's Music of My Mind03:40 - Breaking Free: The Motown Contract Story05:35 - Finding TONTO: Malcolm Cecil & Robert Margouleff08:45 - What Was TONTO? The Technology Explained09:20 - How Stevie Wonder Met Cecil & Margouleff12:00 - "If You Really Love Me" - Stevie's Motown Sound16:40 - What Albums Belong in the Run?19:10 - "Love Having You Around"22:20 - Isolated Breakdown: Vocals, Talk Box, Rhythm Section27:35 - Stevie Made Albums Different32:10 - "Superwoman (Where Were You When I Needed You)"36:25 - The Greatest Transition EVER41:45 - Innovation Behind the Mix44:10 - Ad Break: Learn to play like Stevie Wonder45:18 - "I Love Every Little Thing About You"52:55 - "Sweet Little Girl"56:14 - "Happier Than the Morning Sun"1:00:53 - Find more performances from Adam and Peter at Open Studio Music1:01:58 - "Girl Blue"1:09:28 - "Seems So Long"1:11:49 - "Keep on Running"1:15:52 - "Evil" - The biggest moment on the album1:21:10 - This One is for the Math Nerds About Music 1:23:05 - Categories1:29:05 - Better Than Innervisions? / Up Next1:32:05 - More from You'll Hear It: You'll Read It1:32:40 - Open Studio plays "Superwoman"

We're looking at the best jazz releases of February 2026! Listen with pianist Adam Maness as he breaks down and reacts to these great tracks.Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi

Charlie Parker was punk rock before there was punk rock. His bebop was underground music: subversive, intellectual, and a major departure from popular music of the day (think: Nat King Cole, The Andrews Sisters, Perry Como). He was an intellectual heavyweight, nearly untouchable in his technical ability and pushing music to places no one else was daring to go. So where did Charlie Parker with Strings, his most accessible album, come from?It's not Bird going commercial, like some have claimed. Charlie Parker with Strings is an album he fought to make. He loved Bach and Stravinsky (even quoting the opening of Stravinsky's 'Firebird Suite' mid-solo in one legendary performance), and had longed to make a record where his jazz saxophone was accompanied by strings.The resulting record is music's greatest improviser at his best. Jazz pianists Peter Martin and Adam Maness listen to select tracks (like "Just Friends" and "Summertime"), breaking down the theory behind the music to understand what makes this album great. Jazz is the foundation of the most GENIUS music in recent history: Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo. In this popular music series, You'll Hear It, Adam and Peter break down the greatest albums of all time. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.Like the jam at the end of the show? Head to @openstudiomusic on YouTube for more.Visit openstudiojazz.com for ALLLLL your jazz lesson needs.00:00 - Intro: Charlie Parker with Strings01:10 - "Just Friends"04:40 - Want to Be a Great Musician? Study This Track10:20 - Early Recording: "Swingmatism" (1941)12:45 - The Secret to Charlie Parker's Genius: Practice15:20 - The Savoy Sessions: "Now's the Time" & Young Miles Davis18:20 - The Contrafact Built in Real Time21:45 - "Koko": Miles Davis Couldn't Play It?!24:30 - Musicians NEED to Listen to This27:15 - Think Parker Sold Out? Think AGAIN28:55 - "April in Paris": Parker's Chosen Tune33:55 - About Mitch Miller's Oboe ... 38:25 - "Summertime"44:10 - "Out of Nowhere"46:35 - We Have An Album! 47:20 - "East of the Sun"53:00 - "I'll Remember April"55:50 - Categories: Desert Island Tracks56:35 - The BEST Moments on Strings1:11:10 - Open Studio Plays "Just Friends"

Owen Coyle pays tribute to Oscar winning movie star Robert Duvall and shares hilarious memories of starring alongside the American actor in the Scottish movie 'A shot at Glory'. The Airdrie and Bolton legend talks about managing in India to Peter Martin and gives his thoughts on the race for the title in the Scottish Premiership this season.

Is Steely Dan's Gaucho more perfect than Aja? Maybe even ... too perfect? Two years in the studio. The greatest session musicians alive asked to play take after take after take until it was exactly right. And sometimes that STILL wasn't enough for Donald Fagen and Walter Becker.On today's episode of You'll Hear It, jazz pianists Peter Martin and Adam Maness are breaking down the 1980 album track by track: the jazz harmony hiding inside those smooth grooves, the abstract poetry of the lyrics, and the insane stories behind how this thing got made. Including the $150,000 drum machine invented specifically for this record, the interview quote that cost them a third of a song, and the drum track that took 85 takes and 35 tape edits to piece together.And after all that, we didn't get another Steely Dan record for 20 years.Was it worth it?Read about the simple mistake that would haunt Steely Dan for 44 years in this week's edition of the You'll Read It newsletter: https://youllhearit.com/newsletterWatch our FULL breakdown of Steely Dan's Aja: https://youtu.be/G10mYohR6T400:00 - Steely Dan's Gaucho: A Monument to Perfect01:15 - "Babylon Sisters"11:00 - What Makes Steely Dan Genius13:35 - The Precision of Purdie's Drums on Babylon Sisters16:10 - Abstract Lyrics19:35 - "Hey Nineteen"22:25 - Pristine Rhodes25:25 - Isolated Vocal Stems on "Hey Nineteen"33:00 - "Glamour Profession"38:55 - The Mingus Influence40:10 - "Gaucho"43:20 - The Keith Jarrett Lawsuit48:50 - Gaucho Chorus Deep Dive54:10 - "Time Out Of Mind"57:50 - Monument to Perfectionism (Lead Boots)1:01:35 - Perfectionism and Jazz1:05:05 - Is Gaucho More Perfect Than Aja?1:06:25 - "My Rival"1:10:40 - Bowie / Steely Dan Side-By-Side1:14:00 - Too Fussy?1:19:05 - Open Studio Plays "Glamour Profession"

Peter Martin reckons the Hibs fans are the most annoyed with Derek McInnes and his Hearts side at the top of the league. Can Hearts win again at Ibrox? Will Neil McCann do his old side Rangers a favour by beating Celtic. Will St Mirren fight their way out of a relegation dog fight at the bottom of the Scottish Premiership?

Tam McManus and Peter Martin believe Motherwell's matches against hearts, Rangers and Celtic could determine where the title ends up this season. The drama of Wednesday night's matches and managers getting sacked are all discussed on today's show.

The Impossible follow-up: Michael Jackson's 1987 album Bad. Five years after Thriller changed everything, Michael returned with a record that would become one of the best-selling of all time, win two Grammys, feature some of the greatest musicians in the world (hey, Stevie Wonder!) ... and somehow still gets called a letdown. We've covered two of Michael's albums produced by Quincy Jones: Off the Wall and Thriller. What about Bad? Could it actually be better than its predecessor? Jazz pianists Peter Martin and Adam Maness deliver their final verdict on this 80s pop sensation.Along the way, you'll hear behind-the-scenes stories about the making of the album. Plus - we break down the tracks (with keyboards) to highlight the music theory behind this album's most compelling moments. “Annie, are you OK?” Sometimes the best hooks come from the strangest places - find out where in the YHI newsletter: https://youllhearit.com/newsletter00:00 - Intro: "Smooth Criminal" - Michael Jackson01:30 - Michael Jackson's Bad (1987)6:40 - Quincy's Smaller Role on Bad7:50 - The Quincey Jones Brain Trust11:00 - "Bad" - Tough Guy Michael15:00 - Too Much Programming?18:40 - That Organ Solo? Jimmy Smith!22:40 - The Tragedy Behind Bad23:45 - "The Way You Make Me Feel" - Sweet Michael29:15 - How WE Really Feel (About Bad vs Thriller)30:30 - "Speed Demon" - A Nostalgic Track31:55 - Can We Be Honest?32:50 - "Liberian Girl" - The Mid-Album Dip35:30 - "Just Good Friends" - Stevie Can't Save It41:00 - "Another Part of Me" - Pure Joy45:00 - How "Man in the Mirror" Got Its Name45:55 - "Man in the Mirror" - The Apex53:00 - Why We Don't See Songs Like This Today57:30 - "I Just Can't Stop Loving You" - Rejected By Babs1:01:00 - "Dirty Diana" - Phil Collins Vibes1:02:50 - "Smooth Criminal" - That's MJ's Heartbeat!1:06:25 - "Leave Me Alone" - The Shuffle1:09:15 - Apex Moments: Phillinganes and That "Woo!" 1:10:55 - Final Verdict: Bad vs Thriller1:14:05 - Open Studio Plays "Smooth Criminal" 

Was, wenn Erfolg nicht erfüllt? Peter Martin spricht über Sinn statt Status, über echte Veränderung in Unternehmen und im eigenen Leben. Eine Folge über Resonanz, Haltung und den Mut, seinen eigenen Weg zu beschreiten, jenseits von klassischen Karrierepfaden.

Peter Martin and Alan Rough believe the experience within the Celtic dressing room will now drive them on to the title with new signings to help. The PLZ team also discuss the transfer window for all the clubs in the Scottish Premiership.

Front Row Classics is taking a look at one of the most singular films of the 1940s. Brandon and Peter Martin are discussing Dance, Girl, Dance from 1940. The film, directed by Dorothy Arzner, features oustanding performances from Maureen O'Hara and a scene-stealing Lucille Ball. Brandon and Peter discuss the production and themes which remain relevant in 2026

Dance, Girl, Dance Front Row Classics is taking a look at one of the most singular films of the 1940s. Brandon and Peter Martin are discussing Dance, Girl, Dance from 1940. The film, directed by Dorothy Arzner, features oustanding performances from Maureen O’Hara and a scene-stealing Lucille Ball. Brandon and Peter discuss the production and … Continue reading Ep. 421- Dance, Girl, Dance →

Carole King's Tapestry is so cozy, you'll want to hug it; sit with it. It sounds simple, warm, and totally unassuming. But it's way more impressive than it seems at first.Adam and Peter break down what's actually going on beneath the surface of Tapestry ... and what most people miss. Carole King was already an elite songwriter long before this album. You know Aretha Franklin's “(You Make Me Feel Like) A Natural Woman”? Carole wrote that. “Will You Love Me Tomorrow” by The Shirelles? She wrote that, too. When she was just 17! Listen closely and you hear it everywhere: in the chord choices, in the way the she actually PLAYS the piano instead of just accompanying her vocals, and in the way her melodies and lyrics lock together so naturally you barely notice how intentional it all is. Add in that soulful, sweet voice, and you start to understand how this unassuming record became a chart-topping, Grammy-dominating classic when it came out in 1971.Tapestry sounds easy, but it's not. Check out this episode, and you'll never hear this album the same way again. Get our newsletter for bonus stories that didn't make the pod:https://youllhearit.com/newsletter00:00 - Opening Tune: It's Too Late01:25 - Introducing Carole King's Tapestry05:00 - That Time Young Paul Simon and Carole Played Together07:10 - Carole's Early Doo-wop Sound10:20 - "(You Make Me Feel Like) A Natural Woman" - Aretha Franklin13:30 - When Songwriter Became Performer16:30 - B.B. and Carole 18:00 - "I Feel the Earth Move"22:00 - "So Far Away"30:45 - "It's Too Late"40:50 - "Home Again"44:00 - "Beautiful"45:35 - "Way Over Yonder" 50:00 - "You've Got a Friend"58:20 - "Where You Lead"1:02:30 - "Will You Love Me Tomorrow"1:04:40 - "Tapestry"1:08:45 - "(You Make Me Feel Like) A Natural Woman"1:13:10 - Apex Moments of Tapestry1:21:20 - Coming Up On on You'll Hear It1:22:00 - Outro: "It's Too Late"

Peter Martin and Tam McManus believe the Celtic fans would not let this board get away with selling Arne Engels in this transfer window without a replacement. The PLZ team assess a poor Rangers performance against Hibs. and discuss Livingston's change of manager, as well as looking ahead to the midweek games.

Monday Headlines: Leadership spills and poor polling for the Coalition as parliament resumes, Clive Palmer responds to mention in Epstein files, Gaza’s Rafah crossing has reopened, Carlos Alcaraz becomes the youngest man to complete a career Grand Slam, and The Grammys are on today. Deep Dive: The Reserve Bank will hand down its first decision of 2026 on the official cash rate tomorrow. While some economists had been predicting the RBA wouldn’t change the cash rate at all this year, a recent rise in inflation has poured cold water on that notion. In this episode of The Briefing, Sacha Barbour Gatt speaks with economist and journalist Peter Martin about what we should expect in 2026, and why we should we care about interest rates. Follow The Briefing: TikTok: @thebriefingpodInstagram: @thebriefingpodcast YouTube: @TheBriefingPodcastSee omnystudio.com/listener for privacy information.

We're looking at the best jazz releases of January 2026! Listen with pianist Adam Maness as he breaks down and reacts to these great tracks.Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi   00:00 - Intro00:50 - Why Don't You - Sam Fribush, Corey Fonville, Charlie Hunter03:09 - Talking Drum - Julian Lage04:58 - Flim - Winderman, Colman, Kimock06:53 - Nacho Supreme - Motion II08:51 - Wisdom Is Eternal (For Barry Harris)10:49 - Unpersuadable Extern - N∆BOU12:11 - Free Walk - Vladko14:17 - Fireball - John Ellis & Double Wide15:52 - Giant Steps - Billy Hart18:50 - Parks Lope - Aaron Parks

Peter Martin believes questions over refereeing decisions and VAR intervention will come under increasing scrutiny from conspiracy theorists as the race for the title reaches its climax. Alan Rough talks about his old teammate Gordon McQueen and his battle with vascular dementia. Roughie also looks back at a classic match against Brazil in 1982.  

Peter Martin and Alan Rough discuss the body blow to Hearts' title hopes with Lawrence Shankland out of Sunday's big match against Celtic. We also discuss the diminishing coefficient of Scottish clubs in Europe and the implications for qualification over the next few seasons.

Peter Martin cannot work out Celtic's game plan and why they haven't made an immediate move for Motherwell striker Tawanda Maswanhise. The team look back over the Scottish Cup 4th round ties and the last 16 Scottish cup draw as well as discussing the mayhem at the Africa Cup of nations final.

Peter Martin pulling Roughie's leg or not? Derek McInnes will have a statue outside Tynecastle if Hearts win the league and cup! Still no signings at Celtic, but Rangers want more new faces. Could there be an upset at East End Park as Dunfermline take on Hibs in the 4th Round of the Scottish Cup? Peter Martin, Alan Rough and Tam McManus look at all the cup matches over the weekend.

Hugh MacDonald believes Rangers' transfer business is geared to winning the league and Champions League qualification this season. The Journos, Peter Martin, Gordon Parks and Graeme McGarry also discuss the Jens factor at Motherwell, transfer window signings, the passing of Scottish legend Eddie McCreadie, Ronaldo's quest for 1000 goals and the best club players ever in the Scottish Premiership.

Peter Martin and Alan Rough reckon Celtic are taking a huge gamble in failing to land any transfer targets early in the transfer window. As well as midweek football to discuss, Motherwell midfielder Elliot Watt winning player of the month is also on the agenda.

Tam McManus reckons Kieron Bowie needs to stay at Hibs until after the World cup and secure an even bigger move when the time is right. Alan Rough, Alex Rae and Peter Martin assess 43-year-old Craig Gordon and his world-class save for Hearts against Dundee, as well as discussing Danny Rohl and Martin O'Neill's quest for new players at Rangers and Celtic.

Tam McManus criticises Celtic's lack of leadership and strategy as they look to bring back Kyogo. Meanwhile, Peter Martin pays tribute to Terry Yorath and backs Kevin Keegan to win his battle with cancer.

You need to love yourself properly to love others in an ordered way. How can we understand St. Thomas Aquinas' insistence on us governing our passions from an IFS perspective in a way that loves our passionate parts?  How can we be detached from worldly goods?  Do saints get blended with their parts?  Are there benefits to some kinds of blending with parts?  How can we frame the Theology of the Body to resonate more with women's concerns?  How can we consider both errors of commission vs. errors of omission in parts work? What about the importance of mercy, the centrality of love, the requirement of interior integration in for human formation through an Internal Family Systems lens, grounded in a Catholic understanding of the human person?  Join Dr. Gerry Crete, Dr. Peter Martin, and Dr. Peter Malinoski take these questions and more in this episode with a live audience.  

Peter Martin, Alex Rae, Alan Rough and Tam McManus discuss the sacking of Wilfried Nancy at Celtic and the imminent return of Martin O'Neill, Jimmy Thelin's departure at Aberdeen and Rubin Amorim sacked by Manchester United.

Peter Martin, Alan Rough and Alex Rae assess whether Wilfried Nancy can survive as Celtic manager if he loses the derby against Rangers.

What does it really mean to live a musical life?As we look ahead to 2026, Adam and Peter talk about music as a way of being. Not a checklist, or a finish line, or something reserved for “professionals.” They share why they believe everyone is a musician, and why taste and curiosity matter more than optimization.Whether you're a musician, or a lover of music, anyone can lead a musical life.00:00 - How to Live a Musical Life in 202607:00 - There is No Finish Line08:45 - All Humans Are Musicians19:10 - Find Your Own Taste28:00 - How We Choose Topics for You'll Hear It Play better in 2026 and beyond at Open Studio. Join today with our last BIG savings of the year at openstudiojazz.com/yhi

Front Row Classics is taking a look at one of the most heart warming films of the 1940s. Brandon and Peter Martin are chatting about 1945's The Bells of St Mary's. Bing Crosby reprises his role as Father O'Malley from Going My Way. This time, he's joined by the incandescent Ingrid Bergman. The movie is a story of faIth and hope that rings true 80 years later. It's a perfect film to add to your holiday week viewing. 

Bells of St Mary’s Front Row Classics is taking a look at one of the most heart warming films of the 1940s. Brandon and Peter Martin are chatting about 1945’s The Bells of St Mary’s. Bing Crosby reprises his role as Father O’Malley from Going My Way. This time, he’s joined by the incandescent Ingrid … Continue reading Ep. 407- The Bells of St. Mary’s →

How do companies keep us paying more, and can we fight back?

Merry Christmas Eve from Front Row Classics! Brandon welcomes Front Row regulars, Emmett Stanton, Matt Duffy and Peter Martin to celebrate the holidays with plenty of film discussion and opinions. You'll hear tributes to Gene Hackman, Robert Redford & Diane Keaton as well as plenty of holiday film discussion. The hosts also reveal some personal top 5 lists. We, unfortunately, were unable to record all at the same time this year.. So, this is a jumbo holiday episode split in two sections.

Christmas Eve Special Merry Christmas Eve from Front Row Classics! Brandon welcomes Front Row regulars, Emmett Stanton, Matt Duffy and Peter Martin to celebrate the holidays with plenty of film discussion and opinions. You’ll hear tributes to Gene Hackman, Robert Redford & Diane Keaton as well as plenty of holiday film discussion. The hosts also … Continue reading Ep. 405- Christmas Eve Special with Emmett, Matt and Peter →

Peter Martin, Tam McManus and Alan Rough assess Hearts' title credentials, Rangers' lack of quality and Celtic with a morale-boosting win. 

Peter Martin, Tam McManus, Alan Rough and Gordon Parks discuss the game by game future of Celtic manager, Wilfried Nancy and who decides his fate. The plz team also look ahead to the game of the weekend at Tynecastle where Hearts could kill off Rangers title hopes.

Peter Martin, Joe Miller and Tam McManus discuss Celtic's decision to stick by their manager Wilfried Nancy, a move that Miller reckons will cost the club the League title.

Peter Martin, Hugh Macdonald and Gordon Parks assess all three teams in the title race and pinpoint the key to winning the Scottish Premiership.

Peter Martin and Alan Rough discuss Rangers back in the title race, Celtic in turmoil and Steve Clarke calling on FIFA not to fleece the Tartan army in the quest for World Cup tickets.

Economic bubbles inevitably burst, but often leave behind a better world. Can we hope the same for AI?

In diesem besonderen Interview nehme ich Dich mit auf eine Reise zu Deinem wahren Lebenssinn. Gemeinsam mit Peter Martin spreche ich darüber, wie Du Dich von äußeren Erwartungen befreien kannst, um Dein Leben authentisch und erfüllt zu leben. Peter, ein erfahrener Markenberater und Experte für Transformation, gibt tiefgehende Einblicke, wie Du Dein Potenzial erkennst und Deine eigene Wahrheit entdeckst.  In dieser Folge sprechen wir darüber, wie Du:  ✨ Deinen Lebenssinn erkennst und nicht länger in der Vergleichbarkeit mit anderen lebst 

How much do you know about Peter Martin? In this conversation with Kirk Hamilton of the Strong Songs podcast, Peter shares his musical influences and trajectory as a young jazz pianist. He brings us right back to the '70s, '80s, and '90s with stories of meeting Wynton Marsalis, and playing with jazz legends like Betty Carter, Roy Hargrove and Joshua Redman.Plus, he shares his take on jazz education, the marathon runner's mindset and why anyone and everyone can play music.Check out the Strong Songs podcast: https://strongsongspodcast.com/Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi 00:00 - Introducing Today's Episode02:50 - Peter's Strong Songs Interview06:00 - Peter's Musical Background08:00 - The Suzuki Method14:30 - Nurturing Talent 16:30 - How Peter Discovered Jazz20:30 - Meeting Wynton Marsalis27:00 - The Midwestern Jazz Scene33:20 - Juilliard, Roy Hargrove and the Young Lions35:40 - Moving to New Orleans38:30 - The Economics of Jazz in the 90s40:00 - Playing with the Legendary Betty Carter44:30 - Jazz Musicianship Then and Now47:15 - Roy Hargrove and the Summer of '9452:15 - Joining Joshua Redman57:45 - Rethinking Jazz Education1:02:15 - The Marathon Runner's Mindset1:07:20 - Kenny Kirkland: Awe & Inspiration1:15:00 - Roy Hargrove, The RH Factor and Hard Groove1:20:00 - My Funny Valentine - Miles Davis1:25:00 - How to Find the Recommendations in this Episode

It's Cyber Monday at Open Studio! Grab our biggest savings of the year and take your playing to the next level: https://www.openstudiojazz.com/yhi/The Miseducation of Lauryn Hill was one of the BIGGEST records of the 90s. When you sell 20 million records, like Lauryn Hill did, you're into mass market territory; you're selling records all over the world and reaching across genres. With Miseducation, Lauryn Hill struck a nerve with humanity.  How did she do it?As you'll hear in this episode, the album sounded unlike other chart-topping hits at the time. It features tons of acoustic instruments, beautiful chord progressions, Stevie Wonder vibes, palatable melodies, a D'Angelo cameo and deeply personal storytelling. And Lauryn Hill herself has the presence of an actor with the soul of an underground musician.Listen with us as we parse through Lauryn Hill's only album track-by-track to answer the question: What makes this album great? It's Cyber Monday at Open Studio! Grab our biggest savings of the year and take your playing to the next level: https://www.openstudiojazz.com/yhi/00:00 - Intro Jam: "Doo Wop (That Thing)"02:05 - A Concept Album About Love04:55 – The Fugees, Sister Act II & Stardom07:40 - "Intro" + "Lost Ones"10:50 - “Ex-Factor”13:15 - "To Zion (Feat. Carlos Santana)"20:05 - "Doo Wop (That Thing)"21:45 - "Superstar"23:30 - “When It Hurts So Bad”25:50 - "I Used to Love Him (feat. Mary J. Blige)"33:00 - Hitting a Nerve with Humanity37:20 - "Every Ghetto, Every City"40:20 - "Nothing Even Matters"42:50 - "Everything Is Everything"45:10 - "The Miseducation of Lauryn Hill"47:30 - "Can't Take My Eyes Off of You - (I Love You Baby)"52:35 - Desert Island Tracks + Apex Moments1:01:50 - Up Next

In this episode, I get to sit down with Peter Martin of Third Coast Percussion, an ensemble I have admired for years. Peter and I dive into the inner world of a percussion quartet that tours the globe, creates new music, commissions major composers, collaborates with artists across genres, and somehow still manages to pack an unbelievable amount of gear into checked luggage.Peter had just returned from Paris, where the ensemble performed Philip Glass's August Amazonia Suite alongside a live painter, something they had never done before. From there, we talk about what it truly takes to tour as a percussion group, how they travel with twelve checked bags of instruments, how backlining works, what happens when a vibraphone arrives broken, and why they think about portability and footprint even before a new piece is written.Peter shares his personal journey from military-kid piano lessons to discovering the drum set, jazz vibraphone, and eventually falling in love with the marimba. We talk about his time studying with Michael Burritt at Northwestern, crossing paths with Brett Dietz and William James, and the surreal experience of watching his classmates become lifelong colleagues in orchestras, universities, and ensembles across the world.We also talk about the remarkable story of Third Coast Percussion itself, from its beginnings in the Civic Orchestra of Chicago to becoming a full-time, artist-run organization. Peter explains what it really means to run a chamber group from the ground up, how he unexpectedly became the ensemble's finance director, and why having control of the administrative side gives them total artistic freedom.Then we dig into the ensemble's Grammy win for their Steve Reich album, including the thrill of performing on the telecast and the artistic decisions behind putting their own interpretive stamp on such iconic repertoire. Peter describes what it was like working with producer Jesse Lewis and why that collaboration changed how they approached recording forever.Peter also talks about the emotional experience of recording Murmurs in Time with the legendary Zakir Hussain, who passed away shortly after the sessions. Hearing Peter reflect on Zakir's musicianship, generosity, and spirit is profoundly moving.We wrap with a look at what lies ahead for Third Coast Percussion, from new commissions to international touring to upcoming collaborations, including the premiere of a new work with Jlin. As Peter says, there is never a month when the ensemble is not creating something new, and their passion for pushing percussion forward is unmistakable.It was an honor to talk with Peter and get an inside look at the ensemble's artistry, work ethic, creativity, and humanity. Third Coast Percussion continues to redefine what chamber music can be, and I am grateful to share their story with you.To learn more about Third Coast Percussion, visit their website. Music from the Episode:Philip GlassAguas da Amazonia- Japurá River (Third Coast Percussion feat. Constance Volk)Steve Reich: Sextet- V: Fast (Third Coast Percussion)Zakir Hussain: Murmurs in Time: II: - (Third Coast Percussion with Zakir Hussain)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Kirk sits down with jazz piano legend Peter Martin to talk about Peter's musical background, his momentous early encounters with Wynton Marsalis and Kenny Kirkland, the jazz scene of the 1990s, how the Suzuki method works, and why jazz students today should be less shy about talking to their heroes. Check out Peter's online jazz education program Open Studio, as well as You'll Hear It, the music podcast he co-hosts with Adam Maness. DISCUSSED/REFERENCED:“Variations Sur ‘Le Carnaval de Venise” feat. Wynton Marsalis and the Eastman Wind Ensemble from Carnival, 1987“Path Adjacent” Peter Martin w/ Gregory Hutchinson, Sarah Hanahan & Reuben Rogers from Generation S, 2023“Bag's Groove” by Milt Jackson from Miles Davis, Bag's Groove, 1967“Tea For Two” by Youmans/Ceasar, played by Art Tatum from Piano Starts Here, 1968“Broad Way Blues” by Ornette Coleman from New York Is Now, 1968“Swingin' at the Haven” by Branford Marsalis from Royal Garden Blues, 1986“Now's The Time/Billie's Bounce” by Charlie Parker from Jamey Aebersold Vol. 6: All Bird“Naima's Love Song” by Betty Carter from I_t's Not About The Melody_, 1992“Mental Phrasing” by Roy Hargrove live w/ Joshua Redman, Ron Blake, Peter Martin, Rodney Whitaker, Greg Hutchinson“Turnaround” by Joshua Redman w/ Pat Metheny from Wish, 1993“Jig-A-Jug” by Joshua Redman and “St. Thomas” by Sonny Rollins” from Spirit of the Moment: Live at the Village Vanguard, 1995“Cat Battles” and “One Shining Soul” by Joshua Redman from Freedom in the Groove, 1996“The Loneliness of a Long Distance Runner” intro and “Mind and Body” from Solo, Live in New York, 2015“Why Approach Chords Matter” - Adam Maness for Open Studio on YouTube, 2025“2 Down & 2 Across,” “Sing a Song of Song,” “Before It's Time to Say Goodbye” by Kenny Garrett feat. Kenny Kirkland from Songbook, 1997“Phyrzzinian Man” by Wynton Marsalis from Black Codes from the Underground, 1985“Necessary Evil” by Elvin Jones and “Whatever Possessed Me” by Chet Baker feat. Pat LaBarbera (Tenor) and Kenny Kirkland from Brother John, 1982“Stella by Starlight” by Hoagy Carmichael, performed by the Miles Davis Quintet on My Funny Valentine: In Concert, 1965----LINKS-----

It's Cyber Monday at Open Studio! Grab our biggest savings of the year and take your playing to the next level: https://www.openstudiojazz.com/yhi/Keith Jarrett's "The Köln Concert" is the best selling solo piano album of all time. But why this album? Possibly because it sounded like nothing else in popular music at the time of its release in 1975. It is cinematic, genre-fluid and masterful – in many ways ahead of its time.Jazz musicians Adam Maness and Peter Martin listen to one of the most popular albums in the history of jazz, pulling apart all the elements that make it great: the melodies, the vamps, even the "soul" of Jarrett's notoriously flawed piano. If you know "The Köln Concert" well, watch for the analysis and hot takes. If you haven't heard this album before, it may just become the soundtrack to your life!00:00 - Is it Köln or Cologne?06:30 - Part I09:20 - How Jarrett Made Music for the Moment17:00 - Jumping Back Into Part I23:00 - Joyful and Fearless 29:00 - All the Genres33:20 - Legit Amazing AND Popular36:05 - The Harp42:00 - Part II a48:25 - 80s Cinema Vibes54:20 - Part II b1:00:55 - Part II c1:04:00 - Apex Moments & Categories1:11:45 - GALA + Black Friday at Open Studio!

It's Black Friday at Open Studio! Grab our biggest savings of the year and take your playing to the next level: https://www.openstudiojazz.com/yhi/Songs in the Key of Life stands apart, even next to the other four albums in Stevie Wonder's classic period. It resulted in the most hit singles: "I Wish", "Sir Duke", "As" and "Another Star". Chris Molanphy of the Hit Parade podcast leads us through this album's incredible charts story. Not only did it produce FOUR singles, but it inspired two other chart-topping hits: Coolio's "Gangsta's Paradise" and Will Smith's "Wild Wild West".Plus — Peter and Adam nerd out on the keys, dissecting every track to highlight the musical complexity that makes Songs in the Key of Life a favorite among jazz musicians. You may have heard Songs in the Key of Life ... possibly many times. But you've never heard it quite like this!00:00 - Intro Jam: "As"02:13 - The Chart Story Behind SITKOL05:40 - The Long Wait for Songs in the Key of Life12:45 - "Love's In Need of Love Today"19:40 - Comparing Stevie to Prince20:30 - "I Wish"24:00 - The Ultimate Crossover Hitmaker27:25 - "Sir Duke"32:30 - Making Jazz Fun37:25 - "Passtime Paradise"40:00 - Stevie the Synth Innovator43:50 - How Stevie Commanded the Charts46:40 - How Was This Track Not a Hit Single?52:00 - This Hit Was NOT On an Album56:00 - The SITKOL Jazz Standard1:00:30 - "Another Star"1:04:05 - "As"1:15:00 - How SITKOL Singles Broke Ground1:22:20 - Our Favorite SITKOL Tracks1:25:35 - The Best Moments on SITKOL1:29:50 - Bespoke Spotify Playlists1:32:45 - What to Listen to Next1:35:20 - Quibble Bits1:37:50 - How "Snobby" is This Record?1:40:50 - Is it Better than Kind of Blue?1:42:40 - Packaging Gets a 10/101:45:00 - Outro: "As"

Front Row Classics is taking a look at the first in James Dean's trilogy of starring roles. Brandon and Peter Martin are discussing 1955's East of Eden. We discuss Dean's relationship with director Elia Kazan and how it affected his unique performance. The wonderful supporting cast includes Julie Harris, Raymond Massey and Jo Van Fleet (in an Oscar winning performance). The conversation also turns to the differences between the movie and John Steinbeck's novel. 

1959 gave us Kind of Blue, Time Out ... and Mingus Ah Um. Adam and Peter dig into Charles Mingus's most adventurous, soulful record: gospel, bebop, and pure Mingus genius. You've never heard it quite like this.Charles Mingus was one of jazz's greatest bass players AND composers. Listen with us as we break down the genius in every track of his best-selling record, and share stories of the brilliant, chaotic, occasionally volatile man behind Mingus Ah Um. Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi    00:00 — Opening Jam: "Better Git It In Your Soul"01:40 — What's happening at Open Studio3:15 — 1959: What a Great Year!5:40 — Early Mingus10:40 — "All the Things You Can C#" from Mingus at the Bohemia11:40 — "A Foggy Day" from Pithecanthropus Erectus16:15 — "Better Get Hit In Your Soul"23:35 — This One is For the Nerds27:50 — "Goodbye Pork Pie Hat" 34:36 — "Boogie Stop Shuffle"38:30 — "Self-Portrait in Three Colors"40:30 — The Duke Ellington Influence45:10 — "Open Letter to Duke" 48:05 — "Bird Calls"49:00 — "Fables of Faubus"56:40 - "Pussy Cat Dues"58:15 — "Jelly Roll"1:00:15 — Categories1:10:50 — GALA

In 1981, Michael Jackson and Quincy Jones set out on one of the most ambitious projects in pop music history: an album where every song was a hit. The result was Thriller. The record-breaking, chart-topping masterpiece produced six top-ten hits, became the best-selling album of all time, and propelled Black American music into global pop dominance.Watch as jazz musicians Peter Martin and Adam Maness react to this iconic '80s pop album. They break it down track-by-track: MJ's timeless ad-libbed melodies, Ndugu Chancler's drum intros (the greatest in pop history?!), Greg Phillinganes's synths, and Rod Temperton's songwriting.Thriller is so much more than "Thriller". Listen with us, and you'll never hear this record the same way again.Michael Jackson unveils the moonwalk at NBC's Motown 25 special: https://www.youtube.com/watch?v=dB7TqzPVt_M&t=538sGreg Phillinganes breaks down the bass line on "Thriller": https://www.youtube.com/watch?v=4UqxOg3M-OM Adam and Peter analyze Off the Wall: https://youtu.be/jR9zxGueeq4 Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi