American singer, songwriter, and pianist
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Jimmy Jam is on Celebrity Jobber with Jeff Zito this week. What type of work would Jam be doing if not for being an R&B/pop songwriter and record producer since the 1980s with various artists like Lionel Richie, Herb Alpert, TLC, Michael Jackson, Aretha Franklin, Boyz II Men, Usher, Chaka Khan, and more? Many celebrities will tell you that if not for that one lucky break or meeting, they would have been working at McDonald's, like Rachel McAdams, or teaching middle school drama, like Jon Hamm. In other words, they may have been just a jobber.
John Maggio, director of the HBO documentary Paul Anka: His Way, about the life and legacy of one of popular music's most enduring figures. Paul Anka, born in 1941 in Ottawa, Canada, rose to fame at sixteen with the hit single “Diana.” Unlike many artists of his era, Anka maintained early control over his songwriting and publishing, a decision that enabled a career spanning more than six decades. In addition to his own recordings, he wrote songs for artists including Frank Sinatra, Elvis Presley, Aretha Franklin, Michael Jackson, and Tom Jones, most notably “My Way.” Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: https://www.tiktok.com/@itskatecasey?lang=en Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
durée : 01:00:45 - Méridiens - par : Nathalie Piolé -
This week, Alicia shines the spotlight on The Queen of Soul, Aretha Franklin. From her turbulent childhood to her career trajectory, with a few divorces and spiderwebs thrown in too, Aretha's story really does contain multitudes. Want early, ad-free episodes, regular Dumpster Dives, bonus divorces, limited series, Zoom hangouts, and more? Join us at patreon.com/trashydivorces!Want a personalized message for someone in your life? Check us out on Cameo!To advertise on our podcast, please reach out to info@amplitudemediapartners.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
What do Aretha Franklin, the Rolling Stones, and Wilson Pickett have in common? They all owe a piece of their musical legacy to the iconic sounds of Muscle Shoals, Alabama! Join us on this episode of Takin’ A Walk Nashville as host Sarah Harralson takes you on an enlightening journey through the newly opened exhibit, "Muscle Shoals: Low Rhythm Rising," at the Country Music Hall of Fame and Museum. This captivating exhibit showcases the profound impact that Muscle Shoals has had on various music genres, including country, rock, and R&B, and how it continues to influence the vibrant Nashville music scene today. Sarah sits down with Paul Kingsbury, the Senior Director of Editorial and Interpretation at the Country Music Hall of Fame, who reveals the extensive research and collaboration behind curating this remarkable exhibit. With artifacts from legendary artists like Aretha Franklin's piano and Wilson Pickett's iconic costumes, the conversation dives deep into the cultural significance of the music produced in Muscle Shoals during a pivotal time in American history. Paul shares fascinating insights into the connections between Nashville music history and the rich musical tapestry of Muscle Shoals, highlighting how these two musical hubs have shaped the sound of America. As they walk through the exhibit, listeners will discover the stories behind key artifacts and learn how the music from this region served as a bridge across racial divides, celebrating the unity that music can bring. Paul emphasizes the importance of exploring not only the "Muscle Shoals: Low Rhythm Rising" exhibit but also other ongoing exhibitions at the museum, making it a must-visit destination for anyone interested in Nashville music history and the broader music industry insights nashville has to offer. This episode is not just a celebration of the past; it’s a look into the future of music city storytelling and the ongoing evolution of the Nashville music scene. Whether you’re a fan of nashville songwriters, a curious listener eager to learn about music genres from nashville, or simply someone who enjoys engaging music city interviews, this episode is packed with invaluable insights and inspiring stories. When you visit Nashville stop by and visit The Country Music Hall of Fame.Tune in to Takin’ A Walk Nashville and immerse yourself in the rich narrative of American music that continues to resonate today! Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.
What do Aretha Franklin, the Rolling Stones, and Wilson Pickett have in common? They all owe a piece of their musical legacy to the iconic sounds of Muscle Shoals, Alabama! Join us on this episode of Takin’ A Walk Nashville as host Sarah Harralson takes you on an enlightening journey through the newly opened exhibit, "Muscle Shoals: Low Rhythm Rising," at the Country Music Hall of Fame and Museum. This captivating exhibit showcases the profound impact that Muscle Shoals has had on various music genres, including country, rock, and R&B, and how it continues to influence the vibrant Nashville music scene today. Sarah sits down with Paul Kingsbury, the Senior Director of Editorial and Interpretation at the Country Music Hall of Fame, who reveals the extensive research and collaboration behind curating this remarkable exhibit. With artifacts from legendary artists like Aretha Franklin's piano and Wilson Pickett's iconic costumes, the conversation dives deep into the cultural significance of the music produced in Muscle Shoals during a pivotal time in American history. Paul shares fascinating insights into the connections between Nashville music history and the rich musical tapestry of Muscle Shoals, highlighting how these two musical hubs have shaped the sound of America. As they walk through the exhibit, listeners will discover the stories behind key artifacts and learn how the music from this region served as a bridge across racial divides, celebrating the unity that music can bring. Paul emphasizes the importance of exploring not only the "Muscle Shoals: Low Rhythm Rising" exhibit but also other ongoing exhibitions at the museum, making it a must-visit destination for anyone interested in Nashville music history and the broader music industry insights nashville has to offer. This episode is not just a celebration of the past; it’s a look into the future of music city storytelling and the ongoing evolution of the Nashville music scene. Whether you’re a fan of nashville songwriters, a curious listener eager to learn about music genres from nashville, or simply someone who enjoys engaging music city interviews, this episode is packed with invaluable insights and inspiring stories. When you visit Nashville stop by and visit The Country Music Hall of Fame.Tune in to Takin’ A Walk Nashville and immerse yourself in the rich narrative of American music that continues to resonate today! Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.
Discover the unexpected connections behind the greatest wedding anthems. In this episode, we trace the musical lineage of Whitney Houston's iconic wedding hits, moving through a chain of collaborations and relationships that links her directly to Aretha Franklin, Bobby Brown, New Edition, Johnny Gill, and Bell Biv DeVoe - all in just six degrees of separation! Get ready for a deep dive into the tracks that define wedding dance floors.
On the December 11 edition of the Music History Today podcast, it's first gigs for Aretha Franklin, Genesis, the Velvet Underground, & happy birthday to Jermaine JacksonFor more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday Chapters: 00:00 Intro 00:16 What happened on this date in music history 04:53 Albums released on this date in music history 05:53 Singles released on this date in music history 06:35 Podcast advertisement 06:54 Birthdays of music artists on this date in music history 08:08 Passings of music artists on this date in music history 09:01 What's on tomorrow's episode
Sorry if the beginning of this episode doesn't make much sense. We sort of just started talking and we didn't really explain ourselves. If it's not clear we're talking about V fka Eve Ensler's pronouns. Kanye has been out and about being normal, while Tara Reid was completely obliterated in a hotel lobby on a random morning in Chicago. She later claimed her drink had been drugged. Plus, Rosie O'Donnell sings with Celine Dion, Patti LaBelle makes mac and cheese, and we unearth a clip of Cissy Houston catching strays from Aretha Franklin.To access video episodes, bonus episodes and our premium series WAWU check out our Patreon.There's a HUGE SALE at Pipe Dreams in which ALL smoking accessories are $10 or $20.Check out potential drama and our Diamond Girls on our Instagram. ★ Support this podcast on Patreon ★
durée : 01:00:00 - You Know Baby - par : Nathalie Piolé - ❣️ Ce soir, Leon Thomas attend l'amour. Et il est prêt à être patient. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Welcome to an extraordinary edition of the Takin’ A Walk podcast from Buzz Knight music and the “Master of Music Mayhem,” Harry Jacobs. This comprehensive look at weekly music history explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. For listeners of this weekly music history episode note the Buzz Knight music podcast replay of "Takin A Walk" with the incredible Julian Lennon. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.
Welcome to an extraordinary edition of the Takin’ A Walk podcast with host Buzz Knight and the self-proclaimed “Master of Music Mayhem,” Harry Jacobs. This comprehensive music history podcast episode explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.
Barbara Minton is a psychologist and musician who creates neuroscience-informed music designed to support and heal the brain. In this episode, we explore the relationship between music and the brain, and how we can use it to guide or change our mental and emotional states.We talk about how music affects the brain, the difference between making it and listening to it, and why different genres influence us in different ways. We get into transcendent and altered states, how music can support grief, loss, pain, insomnia, and emotional processing, and how individual differences like ADHD or PTSD shape the nervous system's response. We also look at music as a tool for social connection and the unique experience of creating and playing music with others.We discuss how different instruments feel to play, what makes the guitar and pipe organ special, and how music ties into memory. We explore how to use it deliberately to enhance learning and recall, why our emotional reactions to songs change over time, and how lyrics shape the way we see the world. We also explore why certain genres explode at particular moments in history, why pop music remains so consistently popular, which musical elements most strongly affect the brain, what it feels like to make and play music, how live music differs from recorded music, and the overall healing power of music.Connect and Learn MoreWebsite: musicandhealing.netAlbum: Calm the Storm LinkedIn: linkedin.com/in/barbara-minton-057957164RESOURCES People: Ana Lapwood, Aretha Franklin, Calum Graham, Freddie Mercury, Hans Berger, Peppino D'Agostino, Sergei Rachmaninoff, Wolfgang Amadeus MozartSongs: Amazing Grace, Pavane for a Dead PrincessStudies: Contrasting effects of music on reading comprehension in preadolescents with and without ADHD (Madjar et al., 2020), Human song: Separate neural pathways for melody and speech ( Hamilton, 2022)
Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dr. Isaiah Tatum. A 24-year-old entrepreneur, touring artist, and hotel owner:
Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dr. Isaiah Tatum. A 24-year-old entrepreneur, touring artist, and hotel owner:
Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dr. Isaiah Tatum. A 24-year-old entrepreneur, touring artist, and hotel owner:
L'émission démarre avec un programme chargé : The Rolling Stones, PJ Harvey, The Doors, mais aussi les nouveautés signées Bandit Bandit et Tame Impala. Les Foo Fighters ouvrent la soirée avec "Asking for a Friend"; suivent Guns N' Roses et Led Zeppelin. La première partie de soirée se poursuit avec David Bowie période 1972 et un passage par Eiffel avant la découverte du nouveau titre de l'album de la semaine de Midlake, "The Ghouls". RTL2 Pop-Rock Station enchaîne avec Rise Of The North Star, fraîchement passés en interview dans l'émission, puis la reprise du soir : "You Keep Me Hanging On", tube des Supremes revisité en 1986 par Kim Wilde. Arrivent ensuite Starcrawler, Interpol, Tame Impala, Archive ou encore The Doors. Francis Zégut recommande le country-rock canadien de The Bros. Landreth, avant un détour par Aretha Franklin et Eugene McGuinness. La nouveauté "Fresh Fresh Fresh" du jour est signée Bandit Bandit avec "Pas Le Temps", un single aux guitares abrasives et aux accents 80s. La fin de soirée se prolonge jusqu'à minuit avec Lee Fields, Editors, Archive et Band of Skulls. Foo Fighters - Asking For A Friend Guns N' Roses - It's So Easy Led Zeppelin - Whole Lotta Love PJ Harvey - Down By The Water David Bowie - Life On Mars Eiffel - J'ai Pousse Trop Vite The Bangles - Walk Like An Egyptian Midlake - The Ghouls The Rolling Stones - (I Can't Get No) Satisfaction Arctic Monkeys - Fluorescent Adolescent Beastie Boys - Sabotage Rise Of The Northstar - Neo Paris Kim Wilde - You Keep Me Hanging On Starcrawler - Road Kill Interpol - Rest My Chemistry The Bros. Landreth - Wide Awake And Dreaming Aretha Franklin - Think Eugene Mcguinness - Shotgun Kasabian - Hippie Sunshine AC/DC - Rock N Roll Aint Noise Pollution Rob Zombie - Helter Skelter (Feat. Marilyn Manson) Bandit Bandit - Pas Le Temps The Doors - Alabama Song (Whisky Bar) Lee Fields - Sentimental Fool Editors - Papillon Tame Impala - Dracula Archive - Remains Of Nothing (Feat. Band Of Skullz)Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Episode 760 of On Screen & Beyond gets us into the Christmas spirit with Tamar Springer, the creator of a new documentary called "More Than Santa Baby" about Philip Springer, the man who gave us the Holiday song "Santa Baby" and all the other wonderful songs he gave us. Songs that were sung by Frank SInatra, Aretha Franklin, Elvis, Madonna, Taylor Swift and so many others!
Hallo, liebe Gewinner und Verlierer. Willkommen zu frischen Tierfakten mit Iris Gavric, aka Die Coole von der Schule in ihren Sonnenblumen-Leggings, und mit Matthias Renger aka der schüchterne Helmut Kohl in seiner Latexmaske. Wenn ihr wissen möchtet, was in uns vorgeht, müsst ihr es nicht wie die Hirsche machen. Wir können einfach zusammen glauben, was wir glauben wollen. Also auf in den Handshake War, die Krähen räumen hinterher das Schlachtfeld auf. Wir brechen eine Lanze für Berlin und spoilern ein bisschen Pluribus. Dann elektrisieren wir ganze Sportstadien mit unserer Energie, aber hinterfragen dabei, ob das schon eine Qualität ist. Überhaupt hinterfragt Matthias ja alles. Sogar das. Während Iris so viel Vertrauen hat, dass sie sogar Fünfjährigen einen Job gibt und von Vierzehnjährigen ihr erstes Startup erwartet. Schaut mit uns und Pierre Bourdieu auf die feinen Unterschiede, denn Zugänglichkeit ist keine Schwäche. Wir schleudern großzügig unser kulturelles Kapital durch die Gegend und lauschen dabei Aretha Franklin und Baby Shark in einer 50er Jahre Soul Version. Also klatscht in eure faltigen Hände und werdet Teil der Glasbaustein-Gang. Wenn eure Bubble den Hirntod verlangt, beschmiert sie mit Sose und Sempf. Am Ende ist die Frage: Wer von euch ist Team Meryl Streep, und wer ist Team Anne Hathaway? Du möchtest uns eine Sprachnachricht für den Podcast schicken? Folge uns auf Instagram und nutze dort den Chat: https://www.instagram.com/coupleof_podcast/ Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos und Rabatte: https://linktr.ee/CoupleOf Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio
Blues From The Ouse #303 – Jorvik Radio (26 Nov 2025)This week's show blends brand‑new releases, bird‑blues themes, and listener requests with our trademark wit.
Pat and Pilar play Soul songs as submitted by the Patreon Supporters!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Disclaimer: We were wrong! Aretha Franklin sang "America The Beautiful" at Wrestlemania 3, not Wrestlemania 1. Hope month goes into episode 4 with this number 1 hit by Aretha & George. Faith and Hope abide, as the apostle Paul says. But the greatest of these is love, and you can feel it throughout this entire song. We dive into the hilarious stories behind the recording of the song and give you a deep, deep analysis of the intricacies of "I Knew You Were Waiting (For Me)." Grab a rack of ribs and enjoy! Helpful links: George Michael on recording with Aretha Franklin Live Version Official Video Thank you for being part of our journey! Connect with us on Instagram, Facebook, etc., or send us an email at BandFGuiltFree@gmail.com! We'd love your feedback—please rate and review, and don't forget to share our podcast with your friends! Our theme music is by the incredibly talented Ian McGlynn.
This episode includes selections in memory of the late Sara Jordan Powell (pictured) and the Reverend Dr. Delores Cain (Florida Mass Choir), as well as from the Trumpeteers, Nightingales, Aretha Franklin, Prof. Harold Boggs, and others.
The Michael Jackson biopic MICHAEL has officially dropped its first trailer and we finally have a release date: April 24th, 2026! Kelly and Sharon break down everything we know so far, including Jaafar Jackson's powerful transformation into his Uncle Michael, the star-studded cast, why the film was delayed and what fans can expect. Plus, we want to know: What's YOUR all-time favorite Michael Jackson song? There's also breaking news in the world of 90s R&B, it seems En Vogue is facing a major shake-up. Reports suggest Rhona Bennett has left the group under murky circumstances surrounding the Salt-N-Pepa Rock & Roll Hall of Fame performance. Kelly and Sharon dive into what happened and what this could mean for the future of En Vogue. Test your 90s knowledge with Kelly's Trivia featuring fun questions about Michael Jackson and En Vogue and enjoy a trip back to 1997 in Sharon's 90's Rewind. Kelly also shares a great story about seeing Aretha Franklin at a Janet Jackson concert in Detroit plus why Janelle Monáe is next-level in concert. Thank you for watching 90's NOW - your home for everything 90s pop culture, nostalgia, music, and entertainment!
Rock and roll is not rock and roll without a beat. John Lingan's new book, BACKBEATS: A History of Rock and Roll in 15 Drummers (Scribner; Publication date: November 11, 2025) is an electrifying journey through the history of rock and roll, told through the lives of fifteen iconic drummers and their percussion rivals-from John Bonham and Charlie Watts to Ringo Starr and Questlove.Rock and roll thrives on rhythm, but the drummers who drive that pulse often stay in the shadows. In BACKBEATS, acclaimed music historian John Lingan brings these unsung heroes into the spotlight, delivering a fascinating journey through six decades of rock history.Lingan's deep research and vivid storytelling explores the lives of fifteen pathbreaking drummers and their fellow timekeepers-men and women who together laid down the beat of an era. From Bernard Purdie's legendary work with Aretha Franklin to Dave Grohl's funk- and punk-indebted swing for Nirvana, these drummers redefined what was possible in pop music. Iconic figures like Ringo Starr, whose inventive style transformed the Beatles, and Charlie Watts, the steady backbone of the Rolling Stones, take center stage. But Lingan doesn't stop there-he also shines a light on Hal Blaine, the backbone of the LA studio scene's "Wrecking Crew," groundbreaking, underappreciated talents like Maureen Tucker of The Velvet Underground, whose minimalist beats rewrote the rulebook, and Sam Lay, a pivotal figure in rock's evolution from the blues.Packed with insider stories and exclusive interviews-from Robert Plant's reflections on Led Zeppelin's legendary sessions to revered recording engineer Steve Albini's behind-the-scenes accounts-BACKBEATS offers an eye-opening glimpse into some of rock's most unforgettable moments, including the seismic shift of Bob Dylan going electric at Newport, James Brown's explosive creation of funk in the late sixties, and Slayer's role in the birth of LA thrash metal in the early eighties.More than just a tribute to an unrecognized group of virtuosos, this book is a love letter to the art of drumming itself. BACKBEATS shows how these remarkable artists not only kept the beat but drove rock and roll forward. It's a must-read for any music lover, offering a fresh and thrilling perspective on a story we only thought we knew.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.
Als 2007 die Verfilmung des Aussteiger-Dramas «Into The Wild» ganze Horden von Hipstern dazu inspirierte, das Niemandsland von Alaska aufzusuchen, starteten zwei Jungs aus Wasilla, AK, in die Gegenrichtung - und der Rest ist Pop-Geschichte. Jetzt wird zurückgespult. John Gourley und Zach Carothers zogen ihrerseits aus - aber raus aus der Wildnis und rein in die Zivilisation - und fassten Mitte Nullerjahre in der Hardcore-Szene von Portland, Oregon, Fuss. Quasi als Nebenprodukt gründeten sie das Indie-Pop-Projekt Portugal. The Man. Grob zehn Jahre später knackten sie mit dem Album «Woodstock» und dem Mega-Hit «Feel It Still» den Jackpot, gewannen einen Grammy und etablierten sich in den Radio-Playlists, auf Festivalbühnen und wohl auch in deinen Gehörgängen. Nun ist es Zeit für die Rückkehr. Das mittlerweile 10. Album «SHISH» ist nun ein Alleingang von John Gourley und eine berührende und abenteuerliche Auseinandersetzung mit dessen Kindheit in Alaska. Die Tracklist referenziert entlegene Siedlungen, das Naturmonument Denali und Alaska-eigene Alltagsaktivitäten wie Hundeschlittenfahren oder Jagen. Als roter Faden zieht sich das Nomadenleben der Gourleys, die als sogenannte «Musher» mit ihren Huskies in rustikalen Holzhütten lebten und nach ein paar Jahren weiterzogen, durch die Songs. Dass sie dabei stets einen Plattenspieler samt Aretha Franklin- und Motown-Vinyl mitpackten, lässt mehr als staunen, erklärt aber die musikalischen Grundsteine von Portugal. The Man perfekt. Die Kernelemente dieser Zurück-zum-Ursprung-Platte widerspiegeln den improvisierten und rohen Alltag von damals: Do-It-Yourself-Spirit und grenzenloses Experimentieren, unendlich freaky aber geerdet.
2025's added dictionary word of the year is... "6 7"? This social media term spreading its lingo online, in classrooms, and cultural language. Derived from a Tiktok song and NBA player's height, the definition 6 7 is a slang for maybe or so-so. Test your usage by listening to this episode's inspired playlist: popular music from 1967. Share on our social media below what you like, dislike, or feel six-seven!Theme Song: "Dance Track", composed by Jessica Ann CatenaMentioned: The Monkees, The Beatles, Jimi Hendrix, The Doors, Johnny & June Cash, The Jungle Book, Dr. Doolittle, You Only Live Twice, To Sir With Love, The Four Seasons,Linda Ronstadt, Bob Dylan, CSNY formation, Jefferson Airplane/Jefferson Starship/Starship, The Moody Blues, The Rolling Stones, The Foundations, The Supremes, Vanilla Fudge, Aretha Franklin, California folk scene. Pisces, Acquarius, Capricorn, & Jones, Ltd. - vinyl; unveiling The Beatles Anthology - Disney+"Foxey Lady" - Wayne's World clip"Nights in White Satin" - 2018's Rock & Roll Hall of Fame Fuller House finale part 11967 - Austin Powers club clipRelated Episodes: Ep. 104 - "No Time to Die" Movie ThemeEp. 141 - Class of 2007 PlaylistEp. 183 - The Monkees' Top 10 HitsEp. 184 - Earth Day PlaylistEp. 190 - Tina Turner Top 10Ep. 198 - Tony Bennett Top 10 FavsEp. 221 - Top 40 Songs of 2023 (Part 2)Ep. 226 - Beatles Covers PlaylistEp. 235 - Eclipse PlaylistEp. 268 - The Beatles on Disney+Ep. 281 - Wicked & A Complete Unknown (Reviews)Ep. 297 - Sly Stone's Music ImpactEp. 299 - The Beach Boys Top 10Ep. 307 - Summer 1995 PlaylistFollow us on Facebook, Twitter, Instagram, and Spotify playlists.
Welcome to Tembo Sounds – The Culture! Tonight, we turn back the clock and move the body—grooving from the soulful sounds of Stevie Wonder and Aretha Franklin, to the funk of Kool & The Gang, and the house heat of Daft Punk and CeCe Peniston. Whether it's Motown magic or dancefloor energy, every beat celebrates timeless rhythm and soul. This is Tembo Sounds – The Culture, where good music never fades—it evolves!
Website: https://tamarawhitecoaching.com/Burned out or overwhelmed? You need a Divine Disrupter and that's exactly who your host, Deb Drummond, is talking to today. Dr. Tamara White, Counsellor and Author of “Living a Courageous Life”, gives you actionable tips to help you recover from burnout and, better yet, avoid it altogether. Dr. White reached her breaking point and learned what it takes to disrupt the cycle of burnout and overwhelm. Listen in to learn the keys to managing stress so you can unleash the high performer you know you are.Music mentioned in this episode: Aretha Franklin
We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2020 conversation with Stax legend David Porter.ABOUT DAVID PORTER Named one of Rolling Stone magazine's “100 Greatest Songwriters of All Time,” Porter is best known for his songwriting partnership with Isaac Hayes that helped define the sound of Memphis's legendary Stax Records. As the first African American staff songwriter at Stax, Porter, along with his partner, wrote and produced songs such as “B-A-B-Y” for Carla Thomas, “Your Good Thing (Is About to End)”—an R&B hit for Mable John that later became a pop and R&B smash for Lou Rawls, and his own recording of “Can't See You When I Want To.” Hayes and Porter are best known, however, for their work with Sam & Dave, including such classic hits as “You Don't Know Like I Know,” “You Got Me Hummin',” “Hold On! I'm Comin'” (which later became a country hit for Waylon Jennings and Jerry Reed), “Soul Man” (which became a hit a second time thanks to the Blues Brothers), “I Thank You” (which was later covered by ZZ Top), and “When Something is Wrong with My Baby” (which was reimagined as a memorable duet between Otis Redding and Carla Thomas, a country hit for Sonny James, and an adult contemporary hit for Linda Ronstadt and Aaron Neville). The list of artists who've covered Porter's songs includes Aretha Franklin, Bruce Springsteen, William Bell, Melissa Ethridge, Bonnie Raitt, Garth Brooks, Etta James, Celine Dion, Wilson Pickett, George Benson, Dusty Springfield, Jerry Lee Lewis, The Staple Singers, Solomon Burke, James Brown, Eric Clapton, B. B. King, Tina Turner, Jackie Wilson, and more. His songs have been used as samples in countless recordings by artists such as Jay-Z, Eminem, Wu-Tang Clan, The Notorious B.I.G., Justin Bieber, Mariah Carey, and others. A highly celebrated giant among celebrated songwriters, Porter was inducted into the Songwriters Hall of Fame in 2005. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
This episode features Professor of Theater, current Chair of the Music Department, and the 45th LaFollette Lecturer, Prof. Michael Abbott '85, discussing cuts from The Last Mixtape (the title of his lecture), the stylistic and tonal range of Aretha Franklin, and on coming full circle as an artist (Episode 391).
Aretha Franklin sang about it. Rodney Dangerfield joked about it. And Jackie Robinson famously said, like him or not, he'd earned it. R.E.S.P.E.C.T. We are living in a period where respect is a neglected virtue — too often sacrificed in public discourse, online exchanges, and everyday interactions. Robert L. “Bob” Dilenschneider aims to change that, even if only one interaction at a time. Bob is the founder of The Dilenschneider Group, which, since October 1991, has provided strategic advice and counsel to Fortune 500 companies, professional organizations, trade associations, educational institutions, and leading families and individuals around the world. Bob's newest book, his 20th, is Respect: How to Change the World One Interaction at a Time. The book is a timely reflection on the urgent need for civility in an era of deep division. Drawing on both his life and professional experience and the wisdom of 13 admired leaders, Respect outlines five practical strategies for restoring civility and rebuilding mutual understanding. “It can feel like the world is broken,” Bob acknowledges in his book. The solution, he believes, does not rest with political leaders or other highly influential individuals but with individuals, regular citizens, who can take steps to restore a culture of respectfulness. Monday Morning Radio is hosted by the father-son duo of Dean and Maxwell Rotbart. Photo: Robert L. “Bob” Dilenschneider, The Dilenschneider GroupPosted: October 27, 2025 Monday Morning Run Time: 39:28 Episode: 14.21 Popular Books By Robert L. Dilenschneider: The Ultimate Guide to Power and Influence: Everything You Need to Know Character: Life Lessons in Courage, Integrity, and Leadership Decisions: Practical Advice from 23 Men and Women Who Shaped the World Prior Monday Morning Radio Episodes Featuring Robert L. Dilenschneider: March 2025: Lou Gehrig, Winston Churchill, and Julia Child as Professional and Personal Role Models September 2023: A Proven Formula Anyone Can Use to Obtain Power and Wield Influence December 2021: The One Defining Trait Shared Early in Adulthood By 25 of History's Heroes January 2020: PR Strategist Robert L. Dilenschneider Looks to History for Decision-Maker Role Models
Follow Your Yellow Brick Road to Success….Desmond Richardson: (Ballet) Pointe of View What is your INTENTION?WHY ARE YOU DOING WHAT YOU DO?He says to his dancers be “Inside of the Moment.”He's worked with Aretha Franklin, Michael Jackson, Prince and MadonnaHe's trained and /or danced alongside the greats: Alvin Ailey, William Forsythe, Sylvie Guillem, Sarita Allen, Carmen de Lavallade, Maurice Béjart, Mikhail Baryshnikov, Diana VishnevaKeywordsdance, ballet, artistry, mentorship, performance, intention, Complexions, dance education, global dance, cultural impactSummaryIn this conversation, Michelle Zeitlin and Desmond Richardson explore the intricate world of dance, focusing on the importance of intention, artistry, and mentorship. They discuss the daily life of a ballet company, the significance of authenticity in performance, and the evolution of dance education. The dialogue also highlights the creation of Complexions, a dance company that fuses various styles, and the impact of iconic artists on their journeys. Ultimately, they emphasize the need for dancers to connect with their audience and the cultural relevance of dance in today's society.TakeawaysThe journey of a dancer is about intention and authenticity.Daily life in a ballet company involves nurturing young artists.Artistry in dance requires more than just technical skill.Complexions represents a fusion of diverse dance styles.Mentorship plays a crucial role in shaping a dancer's career.The importance of being present in the moment during performance.Dancers must understand their unique voice and perspective.Dance education is evolving to include a broader range of styles.The global landscape of dance is rich and diverse.Cultural impact of dance is significant and should be celebrated.TitlesPassion and Purpose in DanceThe Daily Life of a Ballet CompanyChaptersUnderstanding Intent in DanceThe Essence of an ArtistComplexions: A Fusion of Dance StylesWorking with Icons: Michael Jackson and PrinceThe Journey of ComplexionsTraining and Technique in DanceThe Influence of European DanceThe Importance of Authenticity in ArtThe Growth of Dance IntensivesDiversity in Dance TrainingThe Role of Mentorship in DanceThe Journey of a DancerCultural Experiences in DanceThe Importance of Audience ConnectionPassion to Power in DanceMichelle Zeitlin is a former ballet dancer with the Joffrey Ballet Concert Group; She worked with the Creator of A Chorus Line and Show Creator of DREAMGIRLS, on the original Broadway Workshop, SCANDAL--Michael Bennett. She has danced on TV, in feature films, commercials, music videos and choreographed and directed hundreds of projects. Her company, More Zap Productions produced turnkey Experiential Events (Industrials) for major brands including NIKE, APPLE, INTEL, and many many others.She has also danced ballets, contemporary choreography and musicals around the globe. So it is with this like minded understanding that she interviews Desmond Richardson, co-founder of COMPLEXIONS, a contemporary ballet company, with Dwight Rhoden.They talk about their mutual work experiences with "folks" like Michael Peters. Michelle met with Bob Fosse at the very young age of seventeen in NY to read for the movie, STAR 80.Desmond danced with Bob Fosse in his world wide hit which was all DANCE. Shirley MacLaine and Cyd Charrise were in that audience, along with MJ, who sent Desmond a fan note backstage!For more on Complexions, see their website https://www.complexionscontemporaryballet.org/For More on Michelle Zeitlin, Host/Producer of More Zap Productions & Management https://www.morezap.com/You can pitch guests to Michelle and her Team at Passion-Power.com on the Contact FormWe are also booking speaking engagements, workshops and coaching clinics for CREATIVES at every stage of their development/career.MoreZAP@gmail.com Thanks for listening! We'd appreciate a 5 star Rating!
Miss Heard celebrates Season 7, Episode 321 and dive into one of the most iconic misheard lyrics ever, revisit a hilarious karaoke moment, and unpack the legacy, controversy, and cultural impact of Destiny's Child's “Bootylicious.” Plus, fun facts you definitely didn't know — including a near-cover by Aretha Franklin and Stevie Nicks' unexpected cameo! Listen now for laughs, nostalgia, and a deep dive into early 2000s pop magic. You can listen to all our episodes at our website at: https://pod.co/miss-heard-song-lyrics Or iTunes, Stitcher, Spotify and many more platforms under Podcast name “Miss Heard Song Lyrics” Please consider supporting our little podcast via Patreon at https://www.patreon.com/MissHeardSongLyrics or via PayPal at https://www.paypal.com/paypalme/MissHeardSongLyrics #missheardsonglyrics #missheardsongs #missheardlyrics #misheardsonglyrics #podcastinavan #vanpodcast #SongLyricsFails #MusicPodcast #PodcastLovers #MustListen #DestinysChild #Bootylicious #FishJelly #PopCulturePodcast #Beyonce #StevieNicks #EdgeofSeventeen #90sKids #Early2000sVibes #MusicTrivia #ThrowbackHits https://www.youtube.com/watch?v=IyYnnUcgeMc https://en.wikipedia.org/wiki/Bootylicious https://www.etonline.com/gallery/147584_13_things_you_didn_t_know_about_bootylicious
Jay Towers goes one-on-one with Detroit's own Loni Love! Comedian, actress, and former host of The Real. She opens up about her Hollywood journey, her Detroit roots, and what fans can expect from her big comedy shows this weekend at the Detroit House of Comedy. The two also tell their favorite Aretha Franklin stories.
Cette semaine, Alexis remplace Marjorie Hache à la tête de RTL2 Pop-Rock Station. De 22h à minuit, l'émission a proposé ce lundi une programmation dense et éclectique mêlant nouveautés, classiques et découvertes. La soirée a démarré avec Kasabian et leur titre "Hippie Sunshine", premier extrait d'un nouvel album attendu au printemps 2026. Ont suivi Kid Kapichi et "Get Down", Pantera et "Walk", Cage the Elephant, The Undertones, et Aretha Franklin avec "Think", tiré de la B.O. du film "The Blues Brothers". En seconde heure, le choix de Francis Zégut s'est porté sur Stoned Jesus et "Shadowland", extrait de leur album "Songs to Sun". L'émission s'est conclu avec "The Happy Dictator" de Gorillaz enregistré avec les Sparks et "Strength of Strings" le long format du jour, signé Gene Clark extrait de l'album "No Other". Kasabian - Hippie Sunshine Queen - Bicycle Race Eiffel - Te Revoir Marilyn Manson - Tainted Love Kid Kapichi - Get Down Aretha Franklin - Think Travis - Side Cage The Elephant - In One Ear The Undertones - Jimmy Jimmy Pantera - Walk Derek & The Dominos - Layla (Edit) Alabama Shakes - Another Life The Black Keys - Sister Nathan Evans - Cotton Eye Joe Sum 41 - Landmines Biffy Clyro - Hunting Season Aerosmith - Love In An Elevator Janis Joplin ; Big Brother & The Holding Company - Summertime Stoned Jesus - Shadowland Al Green - Let's Stay Together Prophets Of Rage - Legalize Me Die Spitz - Riding With My Girls Judas Priest - Breaking The Law Tropical Fuck Storm - You Let My Tyres Down Oasis - Little By Little Gorillaz - The Happy Dictator Feat. Sparks Gene Clark - Strengh Of StringsHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Cover songs often aren't what they should be. Many are pale and pointless facsimiles of the original songs, and others even take off into some new direction for no reason whatsoever. Rude. So this week the "How We Heard It" guys let their imaginations run wild, freewheeling through music history (from 60-odd years ago to today), mixing and matching some of the most popular songs of all time to an expansive variety of distinctive artists, old and new. They make inspired choices as they spitball ideas, conjuring some songs you just know would be great, some you'd at least want to check out and some that would doubtless be terrible. There are no rules to the game - artists who are long dead could be called upon to cover new songs just as easily as new artists could be called upon to cover old songs (with AI, anything is possible). As a result, Aretha Franklin, David Bowie, Karen Carpenter and Prince can be called upon just as easily as Lady Gaga, John Legend, Billie Eilish and Benson Boone. Who would cover the Beatles? Who would the Beatles cover? You'll likely be surprised who the guys pick to cover Taylor Swift's "Shake It Off," John Lennon's "Imagine," Bette Midler's 'Wind Beneath My Wings," Blondie's "Call Me" and R.E.M.'s "It's the End of the World as We Know It (and I Feel Fine)" - just to name a few. Find out what very different songs they have in mind for Lana Del Rey to cover and the unthinkably bizarre (albeit tantalizing) pair they'd pick to remake "Old Town Road" by Lil Nas X and Billy Ray Cyrus. Free your mind and play along.
Narada Michael Walden is an EMMY and multi-GRAMMY winner who has produced hits for artists as diverse as Aretha Franklin, Steve Winwood, Ray Charles, Wynonna Judd, Whitney Houston, George Michael, Mariah Carey, Barbara Streisand, Lionel Ritchie, Lisa Fischer, Stevie Wonder, Tom Jones, Jeff Beck, The Temptations, and many others. His music flows freely from pop, rock and soul, to the rarified realms of jazz, fusion and world music. With Jeff Beck, Narada wrote and played drums on the seminal album “Wired” that earned them both their first Gold Album. His drumming credits also include his work with Mahavishnu Orchestra (1974-76), Journey, Allan Holdsworth and many others. In this episode, Narada talks about: Joining Mahavishnu Orchestra Performing without judgment Drumming on Allan Holdsworth's album Velvet Darkness Embracing new technology Working with Sir George Martin His producing style and being prepared Here's our Patreon Here's our Youtube Here's our Homepage
Narada Michael Walden is an EMMY and multi-GRAMMY winner who has produced hits for artists as diverse as Aretha Franklin, Steve Winwood, Ray Charles, Wynonna Judd, Whitney Houston, George Michael, Mariah Carey, Barbara Streisand, Lionel Ritchie, Lisa Fischer, Stevie Wonder, Tom Jones, Jeff Beck, The Temptations, and many others. His music flows freely from pop, rock and soul, to the rarified realms of jazz, fusion and world music. With Jeff Beck, Narada wrote and played drums on the seminal album “Wired” that earned them both their first Gold Album. His drumming credits also include his work with Mahavishnu Orchestra (1974-76), Journey, Allan Holdsworth and many others. In this episode, Narada talks about: Joining Mahavishnu Orchestra Performing without judgment Drumming on Allan Holdsworth's album Velvet Darkness Embracing new technology Working with Sir George Martin His producing style and being prepared Here's our Patreon Here's our Youtube Here's our Homepage
Taking a Walk with Narada Michael Walden Episode Description: Join us for an inspiring chatl with the legendary Narada Michael Walden, one of music’s most decorated producers, drummers, and songwriters. From his early days as a powerhouse drummer with the Mahavishnu Orchestra to becoming a hitmaking producer who helped define the sound of the 1980s and beyond, Narada shares stories from an extraordinary career that spans jazz fusion, R&B, pop, and dance music. During our interview, Narada opens up about working with icons like Whitney Houston, Aretha Franklin, and Mariah Carey, revealing the creative magic behind some of the biggest hits in music history. He discusses his philosophy of music as a spiritual practice and how meditation and his spiritual journey have influenced his approach to creating timeless songs. Narada also talks about his current projects and new music, including his continued work at his renowned Tarpan Studios in California, where he’s producing and mentoring the next generation of artists. He shares his excitement about recent recordings that blend his signature infectious grooves with contemporary sounds, and reflects on how his approach to music-making has evolved while staying true to the joy and positivity that have always defined his work. This conversation is a masterclass in creativity, perseverance, and the transformative power of music, as Narada discusses his Grammy Award-winning career, his induction into the Rhythm and Blues Music Hall of Fame, and his unwavering commitment to spreading love and light through his art. Thanks to Claude for supporting this show. Try Claude for free at Claude.ai/buzz Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.
Taking a Walk with Narada Michael Walden Episode Description: Join us for an inspiring chatl with the legendary Narada Michael Walden, one of music’s most decorated producers, drummers, and songwriters. From his early days as a powerhouse drummer with the Mahavishnu Orchestra to becoming a hitmaking producer who helped define the sound of the 1980s and beyond, Narada shares stories from an extraordinary career that spans jazz fusion, R&B, pop, and dance music. During our interview, Narada opens up about working with icons like Whitney Houston, Aretha Franklin, and Mariah Carey, revealing the creative magic behind some of the biggest hits in music history. He discusses his philosophy of music as a spiritual practice and how meditation and his spiritual journey have influenced his approach to creating timeless songs. Narada also talks about his current projects and new music, including his continued work at his renowned Tarpan Studios in California, where he’s producing and mentoring the next generation of artists. He shares his excitement about recent recordings that blend his signature infectious grooves with contemporary sounds, and reflects on how his approach to music-making has evolved while staying true to the joy and positivity that have always defined his work. This conversation is a masterclass in creativity, perseverance, and the transformative power of music, as Narada discusses his Grammy Award-winning career, his induction into the Rhythm and Blues Music Hall of Fame, and his unwavering commitment to spreading love and light through his art. Thanks to Claude for supporting this show. Try Claude for free at Claude.ai/buzz Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.
In the first interview of Conversations with Jacquari, Jacquari sits down with Sheléa — an international recording artist, songwriter, producer, pianist, and actress — for an inspiring and soulful conversation. Mentored by Quincy Jones and recently a special guest on tour with Stevie Wonder, Sheléa has captivated audiences worldwide with her powerful vocals and timeless artistry. She's currently starring in the PBS special Aretha! With Sheléa and The Pacific Symphony, and just released her latest EP, Spirit. In this episode, Sheléa opens up about her journey, creativity, faith, and how she continues to evolve as an artist while staying true to her purpose. Follow Conversations with Jacquari on Facebook and Instagram, subscribe on YouTube at YouTube.com/@conversationswithjacquari, and visit jacquariharris.com for merch and more information.
Send us a textJupiter slides into Cancer, his place of exaltation, and the cosmic professor swaps chalkboards for casseroles—nurturing, expansive, and fierce all at once. In this episode, Justine and Scarlett trace Jupiter's 12-year return cycles, from Obama-era optimism to Greta Thunberg's chart, from Montessori's child-led wisdom to AI ethics think tanks.They break down Jupiter's nakshatras—Punarvasu (endless arrows), Vishakha (fire and thresholds), and Purvabhadrapada (Kundalini lightning)—all feline fierce, all Durga-coded. Fashion goes saffron bathrobes and octopus-alien costumes, music runs from Aretha Franklin's gospel to Quincy Jones' orchestral genius, and film picks span Dead Poets Society to Free Willy.Myth-wise, Indra learns the hard way what happens when you snub your teacher, as Bṛhaspati walks out and the devas lose their divine shield. It's a story of humility, wisdom, and the radiant power of exalted Jupiter—our collective reminder to bow to what truly nourishes.Support the show
The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark. Join hosts Noah and John as they interview Tom "Bones" Malone. About Tom : Tom “Bones” Malone, trombonist, multi-instrumentalist, arranger & producer is best known for his work with The Blues Brothers, David Letterman Show and Saturday Night Live. Tom has played on 4,400+ television shows, 3,500+ radio & television commercials, over 1,500 recordings and thousands of live performances throughout the world. Tom has done 3,000 arrangements for television. Tom plays trombone, tuba, bass trombone, contrabass trombone, euphonium, bass trumpet, trumpet, flugelhorn, piccolo trumpet, alto sax, tenor sax, baritone sax, flute, piccolo, alto flute and bass flute. “Tom Bones Malone, a multi-instrumentalist, is perhaps the most successful musician in the history of film, live television and sound recording production.” - Ray Hair, president, American Federation of Musicians Tom has performed, recorded and/or arranged for Ray Charles, James Brown, Stevie Wonder, Paul McCartney, Gil Evans, Yes, Miles Davis, Beck, Aretha Franklin, Spyro Gyra, Jimmy Cliff, Frank Zappa, Stuff, The Temptations, The Supremes, Sting, Elton John, James Taylor, J Giels Band, Blood Sweat & Tears, The Band, Levon Helm, Phil Collins, Wilson Pickett, Sam & Dave, Ben E. King, The BeeGees, Meco, The Coasters, Bon Jovie, Carly Simon, Dr. John, Olivia Newton-John, Joe Cocker, The Meters, The Neville Brothers, Leo Sayer, Boz Skaggs, Chuck Berry, Robert Plant, Jeff Beck, Jimmy Page, Gypsy Kings, Willie Nelson, Clint Black, Dolly Parton, George Benson, B B King, Vince Gill, John Mayer, Steve Winwood, The Killers, Blues Traveler, The Stylistics, Busta Rhymes, Bonnie Raitt, Bruce Springsteen, Al Green, Gloria Estefan, Garth Brooks, Faith Hill, Eddie Harris, Cyndi Lauper, David Bowie, ‘N Sync, Coolio, Snoop Dog, 50 Cent, Solomon Burke, Steely Dan, Aerosmith, Tony Bennett, Mary J. Blige, Peter Frampton, Lyle Lovett, Etta James, Jon Secada, Joe Cocker, Sinead O'Conner, Toni Braxton, Harry Connick, Jr., Randy Newman, Little Richard, Pointer Sisters, Eric Clapton, Billy Preston, Marvin Gaye, Whitney Houston, Chaka Kahn, Four Tops, Elephant's Memory, Eddie Floyd, Count Basie, The Spinners, The Stylistics, Barry Manilow, Jose Feliciano, Woody Herman, Tom Petty, Macy Grey, Van Morrison, Frankie Valli, Hanson, Peggy Lee, Brenda Lee, Liza Minelli, Cab Calloway, The O'Jay's, Nancy Wilson, Shirley Bassey, Billy Joel, Bonnie Tyler, Lou Reed, Baja Men, Dr. Buzzard's Savannah Band, Joss Stone, Dionne Warwick, Meatloaf, Ashford & Simpson, Pat Metheny, David Sanborn, Luther Vandross, Teddy Pendergrass, Glen Campbell, Malo, Vicki Sue Robinson, Mandrill, Gladys Knight & The Pips, Diana Ross, Average White Band, Dreamgirls, Van McCoy, Mongo Santamaria, Instant Funk, Stephanie Mills, Herbie Mann, Paul Simon, Gloria Gayner, Plácido Domingo, Village People, Bobby Blue Bland, Pink Floyd, Hubert Laws, Tina Turner, Joe Jackson, Chuck Mangione, Lou Rawls, David Byrne, Phil Woods, James Ingram, Hank Crawford, Carmen McRae, Bette Midler, Phoebe Snow, Rupert Holmes, BJ Thomas, Samantha Sang, Al Jarreau, Sheena Easton, Johnny Taylor, Little Milton, Stanley Clark, Little Anthony & The Imperials, Joe Pesche, Ron Carter, Buddy Rich, Les Elgart, Larry Elgart, Billy Cobham, Louis Bellson, Stanley Turrentine, Gato Barbieri, Ringo Starr, Lady Gaga, Bob Geldoff, Debbie Harry, Run DMC, Ricky Martin, John Mellencamp, Eurythmics, Rufus Thomas, Debby Harry, Run DMC, Ricky Martin, Shaggy, John Mellencamp, Chris Montez, Joey Dee, Dusty Springfield, The Blues Brothers, Hanson and many others.
Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dr. Isaiah Tatum. A 24-year-old entrepreneur, touring artist, and hotel owner:
Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dr. Isaiah Tatum. A 24-year-old entrepreneur, touring artist, and hotel owner:
Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dr. Isaiah Tatum. A 24-year-old entrepreneur, touring artist, and hotel owner:
On this week's episode of Friends Talking Nerdy, Professor Aubrey and Tim the Nerd turn their ears toward one of the most expressive instruments in music history: the saxophone. From Bob Seger's hauntingly beautiful “Turn The Page” to the iconic smoothness of Wham's “Careless Whisper,” the duo digs into the way the saxophone can transform a song into something timeless. They groove through the Rolling Stones' laid-back “Waiting On A Friend,” dance with Bowie's “Modern Love,” feel the epic storytelling in Springsteen's “Jungleland,” and toast with the classic party anthem “Tequila” by The Champs. The journey continues with Aretha Franklin's powerhouse hit “Respect,” the soulful yearning of INXS' “Never Tear Us Apart,” the rock ‘n' roll roots of Bill Haley's “Shake, Rattle, and Roll,” and another Bowie gem, “Young Americans.”Check out the playlist on YouTube Music.In the second half of the show, Tim the Nerd reflects on the passing of professional wrestling icon Hulk Hogan. While acknowledging Hogan as the spark that first drew him into the world of wrestling, Tim candidly explores the complicated legacy Hogan leaves behind—both as a larger-than-life performer and as a deeply flawed man. He emphasizes the importance of being honest about public figures' lives, for better and worse, while also calling out the extremes of online criticism that turned into harassment of Hogan's loved ones.It's a thoughtful, music-filled episode blending appreciation for the power of the saxophone with a nuanced conversation about legacy, fandom, and the messy ways we talk about the people who shaped pop culture.As always, we wish to thank Christopher Lazarek for his wonderful theme song. Head to his website for information on how to purchase his EP, Here's To You, which is available on all digital platforms.Head to Friends Talking Nerdy's website for more information on where to find us online.
Chuck Leavell is absolutely legendary in rock and roll. He joined the Allman Brothers band in 1972 and helped record their most famous album Brothers and Sisters. Then in 1982 he became the keyboardist and piano player for the Rolling Stones. He has recorded music with David Gilmore, George Harrison, Aretha Franklin, Eric Clapton, Train, Miranda Lambert, Blues Traveler, The Black Crowes and many other world-famous artists! His career has spanned over 6 decades and he's coming to Ponte Vedra for a concert. He was nice enough to stop by the Doc G Show before his concert on 9/17. During the interview Doc and him talk about Alabama football, growing up in Tuscaloosa, seeing Ray Charles as a kid, joining the Allman Brothers, Dickey Betts, joining the Rolling Stones, recording with the Black Crowes, playing with Eric Clapton, recording with Train, getting into forestry, the American chestnut and so much more! Meanwhile on the rest of the show Doc and Mike get lost in the splendors of Doylestown PA such as Pumpkin chocolate chip cheesecake muffins! Listen now! Introduction: 0:00:21 Birthday Suit 1: 16:27 Shoutouts: 23:14 Chuck Leavell Interview: 32:26 Mike C Top 3: 1:22:24 Birthday Suit 2: 1:38:23 Birthday Suit 3: 1:41:46
This episode of The Other Side of the Bell, featuring our own podcast host and trumpeter John Snell, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Getting to know John Snell" Who is the man behind the microphone? You've been asking for a long time, 12.5 years and 138 episodes in fact, and today's the day: it's time to put John Snell himself on the other side of the bell! John is the steadfast presence at Bob Reeves Brass, from the shop to the studio to the numerous conferences and events he attends every year. Many of you have met him in person over the years, and with our increasing number of video episodes, you have a better sense for what he's like. Yet his story has only emerged in bits and pieces over all that time and all those episodes, and warrants the spotlight just as much as any of the wonderful guests who have stopped by the podcast since 2013. And who better to interview John than the gregariously awesome Vinnie Ciesielski, who was himself a guest on The Other Side of the Bell, Episode #93 back in September of 2021. Vinnie and John chat about how John grew up to follow in the footsteps of his professional trumpet-playing father, Keith Snell, yet forged his own path through his education, musical styles and interests, before a sudden complete career U-turn that proved to give him another solid professional foundation, alongside his continued passion for music. And behind it all, for the past 20+ years, there's been Bob Reeves Brass. John talks about first meeting Bob and being taken under his wing, before returning with a law degree in hand to rescue the business, provide stability for Bob and his wife into retirement, and maintaining Bob's principled approach to business and customer service. Thank you to Vinnie for encouraging the idea and bringing this episode to life, and thank you to all of our wonderful listeners and viewers for your continued support. Don't forget to share this and other episodes with your friends in the trumpet world and beyond, and send us your thoughts and feedback! Email John at info@bobreeves.com Episode Links: Bob Reeves Brass website (bobreeves.com) Bob Reeves Brass store (trumpetmouthpiece.com) Bob Reeves Brass on Instagram LA Lawyers Philharmonic (lalawyersphil.org) Vinnie Ciesielski website (trumpetvinnie.com) Vinnie on Facebook About John Snell: John Snell is co-owner of Bob Reeves Brass, where he has been a vital team member since 2001. After an extensive apprenticeship, he became the company's lead valve alignment technician, personally working on thousands of instruments. Since 2010, John has also managed the business, guiding its growth while maintaining its reputation for uncompromising craftsmanship. An accomplished trumpet player, John has performed with ensembles including The California Brass Ensemble, The California Brass Quintet, The Northridge Brass Quintet, the San Bernardino Symphony, and as lead trumpet in the Big Band of Barristers - a busy big band made up of lawyers, judges, and law students. He hosts three popular podcasts - The Other Side of the Bell, The Trombone Corner, and The Horn Signal - interviewing top brass musicians worldwide. John regularly presents clinics on trumpet, equipment, and mindset across the U.S., Europe, Japan, and Australia. About Vinnie Ciesielski: Attending Towson University in Maryland, Vinnie Ciesielski majored in music performance on trumpet. Vinnie has years of experience playing and touring all over the world and has a wealth of studio knowledge and creativity! Since coming to Nashville in 1992, Vinnie has played on thousands of recordings with artists such as Taylor Swift, Josh Groban, Demi Lovato, Grace Potter, Jimmy Buffet, Kirk Franklin, Queen Latifah, Jill Scott, Yolanda Adams, Donnie McClurkin, Israel Houghton, Toby Keith, Thomas Rhett, Blake Shelton, Jon Pardi, Alison Krauss, Steven Tyler, Vince Gill, Michael McDonald, Keb Mo, Zach Brown Band, Lyle Lovett, Travis Tritt, Tracy Byrd, Smokey Norful, Shirley Ceasar, Rance Allen, Donald Lawrence, The Clark Sisters, Tanya Tucker, Glenn Frey, T.D. Jakes, Lynyrd Skynyrd, Bad Company, Gregg Allman, Delbert McClinton, Nuno Betencort, Marcus Scott (Tower of Power) Johnny Taylor, Bobby Blue Bland, Via Con Dios, Martina McBride, Don Was and many more. He has performed live with artists such as Brian May, Bruce Springsteen, Jason Scheff, Gladys Knight, Randy Newman, Kid Rock, Keith Richards, Jimmy Buffett, Paul Simon, Sting, Tony Bennett, Glenn Frey, Don Henley, Kenny Rogers, Shelby Lynne, The Temptations, The Four Tops, The O'Jays, Aretha Franklin, Percy Sledge, Shawn Colvin, Eddie Floyd, Booker T. and the MGs, Vince Gill, Amy Grant, Bob Hope, Frankie Valli, Sheryl Crow, Adrian Belew, Bruce Hornsby, Michael McDonald, Carrie Underwood, Jennifer Nettles and The Beach Boys. He has also appeared on The Tonight Show with Jay Leno and Jimmy Fallon, Late Night with David Letterman, Conan O'Brien, Jimmy Kimmel, Good Morning America, The Today Show, The CBS New Years Eve Bash, The Road, SoundStage, Disney and Universal TV specials, Nashville Now, Music City Tonight, Austin City Limits, Grand Old Opry, Rosie O'Donnell, Ellen's Really Big Show, Crossroads, The Huckabee Show, The Dove Awards and The Stellar Awards. Vinnie has performed on numerous Radio, Internet, TV and Movie soundtracks and Trailers, and has also performed with the Nashville Symphony, Chattanooga Symphony, Orchestra Kentucky, Nashville and Knoxville Jazz Orchestras. Well known in the performance and recording community, Vinnie's resume includes work on right at 7000 recording sessions and counting. Vinnie has also appeared on and contributed to 50 plus Grammy-nominated and 25 plus Grammy-winning recordings in every decade since the 1990's, and dozens of Stellar and Dove Award nominated and winning recordings.