Podcasts about gods

Welcome to Day 2912 of Wisdom-Trek. Thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom. Day 2912 – Wisdom Nuggets – Psalm 145:8-13 Daily Wisdom Wisdom-Trek Podcast Script - Day 2912 Welcome to Wisdom-Trek with Gramps! I am Guthrie Chamberlain, and we are on Day 2912 of our Trek. The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. The tiel for today's Wisdom-Trek is: The Everlasting Realm of Compassion – Unveiling the Majesty of Yahweh's Kingdom On our previous expedition—on Day Two Thousand Nine Hundred Ten—we stood in awe at the royal threshold of Psalm One Hundred Forty-Five, exploring verses one through seven. We listened as King David laid down his military sword, picked up his harp, and declared that Yahweh's unsearchable greatness must be proclaimed from one generation to the next! We witnessed how the remembrance of God's overflowing, gushing goodness naturally erupts into exuberant, generational praise. Today, we step directly onto the next elevation of this magnificent acrostic summit, advancing into Psalm One Hundred Forty-Five, verses eight through thirteen. As we continue along this pristine trail, David shifts our focus from the unsearchable, transcendent splendor of the Creator to the profound, heart-level warmth of His character. In these six verses, we are invited to gaze into the very heart of the Sovereign King of heaven—a King whose authority is not marked by cold, tyrannical control, but by boundless mercy, universal compassion, and an unshakeable, everlasting dominion that spans every physical and spiritual realm across all generations. The first segment is: The Heart of the King: Abundant Mercy and Universal Compassion Let us open our ears to the deeply comforting words recorded in the New Living Translation, grouping together the logical, contiguous thoughts found in verse eight and verse nine. The Lord is merciful and compassionate, slow to get angry and filled with unfailing love. The Lord is good to everyone. He showers compassion on all his creation. In these two breathtaking lines, David delivers what can only be described as the supreme theological confession of the Hebrew Scriptures, declaring, “The Lord is merciful and compassionate, slow to get angry and filled with unfailing love. The Lord is good to everyone. He showers compassion on all his creation.” If these words sound familiar to your ears, it is because David is directly quoting the sacred, self-revealed character statement that Yahweh declared to Moses on Mount Sinai in Exodus chapter thirty-four! To fully appreciate the revolutionary impact of this revelation, we must view it through the ancient Israelite divine-council worldview. In the ancient Near East, the pagan nations surrounding Israel lived in perpetual, paralyzing fear of their localized deities. Gods like Baal, Chemosh, or Marduk were viewed as erratic, moody, quick-tempered, and selfish entities who demanded bloody sacrifices and cared nothing for the well-being of ordinary mortals. Furthermore, in the cosmic geography of the ancient world, those foreign nations were assigned to rebellious, territorial spiritual principalities who ruled through fear, oppression, and enslavement. Standing in stark, brilliant contrast to those dark, fickle powers, Yahweh reveals His true nature as the absolute Sovereign of the cosmos! He is not quick to wrath; rather, He is patient, long-suffering, and profoundly merciful. The Hebrew term used here for "unfailing love" is chesed—that deep, unwavering, covenant-keeping affection that never gives up on its people. But notice how far David expands this divine love in verse nine! Yahweh's goodness is not restricted to a single tribe or a select elite; He is good to everyone! He showers His tender, fatherly compassion over all His creation—from the highest angelic seraphim in the heavenly assembly, down to the smallest bird resting in the forest canopy. In a world often battered by chaos and cruelty, David reminds us that the supreme ruler of the universe is defined, at His core, by overwhelming, relentless grace. The second segment is: The Chorus of Creation and the Realm of Glory The narrative now moves from the internal character of the King to the explosive, cosmic response of His subjects, linking together the contiguous thoughts found in verse ten, verse eleven, and verse twelve. All of your creatures will thank you, Lord, and your godly people will praise you. They will speak of the glory of your kingdom; they will give examples of your power. They will tell about your mighty deeds and about the majesty and glory of your reign. David paints a panoramic, glorious vision of universal adoration, declaring, “All of your creatures will thank you, Lord, and your godly people will praise you. They will speak of the glory of your kingdom; they will give examples of your power. They will tell about your mighty deeds and about the majesty and glory of your reign.” Look at the dual choir David brings together in this passage! First, he points to “all of your creatures”—the entirety of the natural order and the unseen heavenly hosts—offering a continuous, harmonious echo of thanksgiving to their Creator. But then, he highlights a special group: “your godly people”—the chasidim, those who are bound to Yahweh in a loving, loyal covenant relationship. While creation offers silent, instinctual praise, God's redeemed people are given an articulate, vocal mission! They do not remain quiet; they step into the cosmic courtroom to publicly testify about the true nature of Yahweh's reign. Notice the three specific themes these covenant heralds proclaim: they speak of the glory of His kingdom, they give tangible examples of His power, and they tell about His mighty deeds. In the ancient divine-council framework, earthly kingdoms were constantly boasting about their military conquests, erecting arrogant monuments to their mortal kings. But David's godly people look past earthly empires and fallen principalities to exalt the true, overarching kingdom of God! They share concrete stories of how Yahweh broke the chains of slavery, how He defeated spiritual powers of darkness, how He provided manna in the barren wilderness, and how He heals broken hearts. Their testimony serves as a vibrant, undeniable public witness to the entire world—and to the watching spiritual realms—demonstrating that Yahweh's rule is unmatched in majesty, splendor, and liberating power. The third segment is: The Unshakeable Dominion: An Everlasting Kingdom The psalmist now reaches the ultimate, unshakeable bedrock of his royal hymn, anchoring his narrative in the eternal stability of God's rule, as recorded in verse thirteen. For your kingdom is an everlasting kingdom. You rule through all generations. The Lord is always faithful to his promises; he is gracious in all he does. With triumphant, absolute confidence, David seals this section of his psalm, exclaiming, “For your kingdom is an everlasting kingdom. You rule through all generations. The Lord is always faithful to his promises; he is gracious in all he does.” This verse contains a colossal, mind-boggling truth that provides ultimate comfort for our daily trek through life. Throughout human history, massive empires have risen with terrifying power, only to crumble into forgotten dust. The ancient Egyptian pharaohs, the ruthless Assyrian conquerors, the mighty Babylonian kings, and the vast Roman legions all believed their rule would last forever. Yet, every single one of those human regimes—along with the fallen, territorial spiritual principalities that animated them—faded away into the pages of history. But David declares that the kingdom of Yahweh belongs to a completely different category! His rule is an everlasting kingdom—a reign that knows no geographical boundaries, no political decline, no military defeat, and no expiration date! Furthermore, look at the second half of verse thirteen, which highlights the moral foundation of this eternal throne. Unlike human rulers who break treaties, abandon alliances, and act out of selfish ambition, Yahweh is "always faithful to his promises; he is gracious in all he does." In the ancient Near Eastern world, a king's word was often treacherous. But the Supreme King of the divine council binds Himself to His word! Every promise He makes to His children—promises of presence, protection, forgiveness, and ultimate restoration—is locked in an unshakeable, eternal vault. His authority is executed through pure grace, ensuring that those who take refuge under His reign will never be disappointed, forgotten, or cast aside....

What if the future of industry isn't giant factories, but molecular machines too small to see? DNA factories could repair bodies, grow habitats, and transform civilization.Get Nebula using my link for 50% off an annual subscription: https://go.nebula.tv/isaacarthurWatch my exclusive video Colonizing Ocean Worlds: https://nebula.tv/videos/isaacarthur-colonizing-ocean-worlds-subaquatic-settlementsCheck out Gods & Monsters: https://nebula.tv/curiousarchive/gods-and-monsters?ref=isaacarthur

What if the future of industry isn't giant factories, but molecular machines too small to see? DNA factories could repair bodies, grow habitats, and transform civilization.Get Nebula using my link for 50% off an annual subscription: https://go.nebula.tv/isaacarthurWatch my exclusive video Colonizing Ocean Worlds: https://nebula.tv/videos/isaacarthur-colonizing-ocean-worlds-subaquatic-settlementsCheck out Gods & Monsters: https://nebula.tv/curiousarchive/gods-and-monsters?ref=isaacarthur

Why was there almost no emphasis on "church growth" before the 1970s, and how does the fixation on it for the last 40 years correspond with the American economy? Skye talks with Andrew Root about his new book, "Baal and the Gods of More," about the link between the modern church growth movement and ancient pagan fertility gods. A new report by Ryan Burge says that for decades those who left the church were turned off by partisan politics and the religious right, but that trend might be changing. Also this week, Brazil blames its poor performance in the World Cup on evangelicals, European evangelicals issue a statement, and an old theory about early Christianity and psychedelic mushrooms is back.   Holy Post Plus: Ad-Free Version of this Episode: https://holypost.substack.com/p/730-the-idolatry-of-church-growth?r=35kf51&utm_campaign=post&utm_medium=web&triedRedirect=true   Bonus Interview with Andrew Root: https://holypost.substack.com/p/why-churches-cant-stop-chasing-growth?r=35kf51&utm_campaign=post&utm_medium=web&triedRedirect=true   0:00 - Show Starts   4:07 - Theme Song   4:30 - Sponsor - AG1 - Heavily researched, thoroughly purity-tested, and filled with stuff you need. Get the AG1 $76 Welcome Pack for free when you order from https://www.drinkag1.com/HOLYPOST   6:01 - Sponsor - BetterHelp - This episode is sponsored by BetterHelp. Give online therapy a try at https://www.betterhelp.com/HOLYPOST and get 10% off your first month!   7:03 - Was Jesus a Mushroom?   12:52 - Brazil Blames Evangelicals for Soccer Failure?   21:40 - Sponsor - Tyndale -  To celebrate the NLT's 30th anniversary, Use code CURIOUS30 to receive 30% off any NLT Bible! https://tyndale.com   22:44 - Sponsor - Access Forge - Go to https://www.accessible.faith/ to unlock the first two Belonging by Design lessons and use promo code HOLYPOST to get $200 off the full program   23:47 - Sponsor - Feeding America - Feeding America, led by neighbors! Give now to end hunger at https://www.feedingamerica.org   24:20 - European Evangelicals   49:38 - Interview   54:32- Fertility Gods   1:02:09 - Capitalism and False Gods   1:18:26 - The Rise and Fall of American Growth   1:31:52 - End Credits   Links Mentioned in News Segment: Popular Science Posits Jesus was a Psychedelic Mushroom: https://www.popularmechanics.com/culture/a69061008/god-sacred-mushroom-christianity-debate/   Did Evangelicals Ruin Brazil's Soccer Performance? https://religionnews.com/2026/07/17/some-world-cup-fans-are-blaming-brazils-loss-on-evangelicals/?utm_medium=social   European Evangelicals Differentiate from American Evangelicals: https://religionunplugged.com/news/european-evangelicals-draw-a-clear-distinction-from-their-american-counterparts?utm_source=flipboard&utm_content=topic/christianity   Other Resources: Baal and the Gods of More: Rescuing Church Growth from Idolatry (A Theological Critique of Modern Ministry Metrics and Success-Driven Strategies) by Andrew Root: https://a.co/d/0c0ijKLw   Holy Post website: https://www.holypost.com/   Holy Post Plus: www.holypost.com/plus   Holy Post Patreon: https://www.patreon.com/holypost   Holy Post Merch Store: https://www.holypost.com/shop   The Holy Post is supported by our listeners. We may earn affiliate commissions through links listed here. As an Amazon Associate, we earn from qualifying purchases.  

It's important to maintain that Final Girl Energy, gang. That's what all of these urban legends have been preparing you for! We learn why it's important to train kids young to spot ghosts, and why bringing your spooky partner home may lead to finding out you've got ghosts watching you at night!Content Warning: This episode contains conversations about or mentions of defecation, auditory hallucination, abusive relationships, death, physical harm, menstruation, and home invasion.Housekeeping- Books: Check out our previous book recommendations, guests' books, and more at spiritspodcast.com/books- Call to Action: Send in those urban legend emails!- Submit Your Urban Legends Audio: Call us! 617-420-2344Find Us Online- Website & Transcripts: spiritspodcast.com- Patreon: patreon.com/spiritspodcast- Merch: spiritspodcast.com/merch- Instagram: instagram.com/spiritspodcast- Bluesky: bsky.app/profile/spiritspodcast.com- Twitter: twitter.com/spiritspodcast- Tumblr: spiritspodcast.tumblr.comCast & Crew- Co-Hosts: Julia Schifini and Amanda McLoughlin- Editor: Bren Frederick- Music: Brandon Grugle, based on "Danger Storm" by Kevin MacLeod- Artwork: Allyson Wakeman- Multitude: multitude.productionsAbout UsSpirits is a boozy podcast about mythology, legends, and folklore. Every episode, co-hosts Julia and Amanda mix a drink and discuss a new story or character from a wide range of places, eras, and cultures. Learn brand-new stories and enjoy retellings of your favorite myths, served over ice every week, on Spirits.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Even though The Valley's Janet is often right, she drives lots of us nuts - BUT WHY? This week Jolenta introduces us to the Investigator Archetype,  part of the Rival family of characters.  Find out how messy this archetype really is and why we usually can't stand characters with Investigator traits HMT Insta Jolenta on Threads SOURCES  Mythology: Timeless Tales of Gods and Heroes, by Edith Hamilton 45 Master Characters, by Victoria Lynn Schmidt Bravo Shows - Peacock Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sarah Isgur and David French discuss Messi flags and The Odyssey in 4D (not IMAX!) before diving into legal topics such as the politics at the Supreme Court, 3rd Circuit defamation and cancellation, and why the Hawaii Supreme Court is wrong.  The Agenda: –Sarah's kid gave her a bloody lip –The politics of the court –Samuel Alito, a MAGA-Friendly Justice? –Stephen Miller is totally ignorant –The passing of U.S. Senior District Judge John E. Steele –FIRE's campus-deplatforming database –Wang v. University of Pittsburgh (3rd Circuit) –Arrogant opinions –Why The Odyssey is small “c” conservative Order Sarah's book here. Advisory Opinions is a production of The Dispatch, a digital media company covering politics, policy, and culture from a non-partisan, conservative perspective. To access all of The Dispatch's offerings—including access to all of our articles, members-only newsletters, and bonus podcast episodes—click here. If you'd like to remove all ads from your podcast experience, consider becoming a premium Dispatch member by clicking here. Learn more about your ad choices. Visit megaphone.fm/adchoices

The film critic Richard Brody talks with David Remnick about three notable films this summer: Christopher Nolan's “The Odyssey,” an epic adaptation of Homer's poem, arriving amid buzz and huge advance ticket sales; the shoplifting comedy “I Love Boosters,” the second film from the sci-fi-inflected director Boots Riley; and “Remake,” the latest from the documentary legend Ross McElwee, in which he pays tribute to his late son, Adrian, an aspiring filmmaker.    Further reading: “Christopher Nolan's ‘The Odyssey' Leaves the Gods in the Outtakes,” by Richard Brody “ ‘Remake' Confronts a Father's Grief and a Filmmaker's Responsibility,” by Richard Brody “Why the Odyssey Keeps Defeating Filmmakers,” by David Denby “ ‘I Love Boosters,' Reviewed: A Socialist-Surrealist Shoplifting Fantasy,” by Richard Brody   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get ad-free episodes, early release, and bonus shows⁠ What haunts the land of the Gods? Turns out it's a lot of shadow people and they're real jerks about the whole thing. On this episode, Greece reveals some of its high strangeness, both ancient and modern Also: Paul expresses his love of Kefalonia, there is some debate as to which installment of Valerius Maximus' 1st century series "Factorum ac dictorum memorabilium libri" was too commercial, and we make a shameless attempt to draft off the SEO for Christopher Nolan's massive hit film "The Odyssey" Full shownotes at GhostStoryGuys.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Discuss parental perspective of a parent not being in one's life. I sing love to you invade you didn't get it in life. I must say I'm impressed in how we flow and come to be, I wouldn't trade this podcast for anything I truly love you Gods and Goddess. Thanks for the support Merch: https://mr-bush-shop.fourthwall.comSave 15%: https://buy.linqapp.com/discount/By+The+Way+By+The+Way?redirect=%2F%3Fafmc%3DBy%2BThe%2BWay%2BBy%2BThe%2BWayDonate: https://www.paypal.me/wickush #haritaki

Hour of destiny daily devotional is a daily spiritual food for inspiration, impartation, guidance, and nourishment for God children. This message from Rev. Mike Eniola offers Christian motivation and serves as a morning prayer to start your day. It is one of Gods ways of speaking to His children daily about their lives, family, and job, providing Christian inspiration through the bible.Find peace with this daily devotional featuring calming nature scenes. Let these visuals and messages center your heart for the day ahead. This devotional provides daily devotional message from Rev. Mike Eniola. It is designed for anyone seeking a moment of stillness, spiritual meditation, or a peaceful start to their morning routine. By focusing on the beauty of the natural world, viewers can find a sense of clarity and grounding amidst a busy schedule.Each daily prayer session guides you through a thoughtful reflection suitable for personal quiet time. Whether you are looking for Christian inspiration or simply a visual escape, this meditation offers a steady rhythm for your spiritual growth. The combination of nature scenery and focused teaching helps create a consistent habit of mindfulness and faith.Subscribe for daily devotional updates and spiritual reflections. Connect with us on our official channels.Instagram - https://www.instagram.com/hourofdestinyTikTok- tiktok.com/@hourhourofdestinyFacebook - www.facebook.com/hourofdestinyYouTube - https://youtube.com/‎⁨@hourofdestiny⁩

Was Jesus a Christian—or a Jew? I weigh in on the major online debate kicked off by Jordan Peterson. Also my guest Jonathan Cahn reveals how ancient gods and demons, worshipped and feared in ancient cultures, are now back to possess us, because modern society has opened a “portal” to the demonic. (1:11) – Jordan Peterson's Controversy(3:59) – Four Ways to Read Scripture(7:24) – Was Abraham a Christian?(9:51) – The Historical Jesus(16:58) – Jonathan Cahn Joins(19:56) – Rising Anti-Semitism Explained(24:17) – Return of the Gods(29:08) – Nietzsche, Hitler, and Paganism(32:11) – Demonic Portals Explained(37:27) – Baal: God of Materialism(46:59) – Molech and Child Sacrifice(53:47) – Abortion as Sacrament(55:47) – Ishtar: Goddess of Sexuality(1:03:32) – Stonewall and Ishtar's Return(1:08:10) – Where Our Hope Lies If you’re tired of broken healthcare you need to choose the right pharmacy. Check them out at allfamilypharmacy.com/dinesh and use code DINESH10 to save 10% off your next order. Leave the old “buy and hold” crypto strategy behind at https://DineshCrypto.com ! Purchase crypto with military grade encryption and American customer service. Hundreds of crypto holders have saved MILLIONS thanks to BlockTrustIRA’s Animus AI. Visit https://DineshCrypto.com and receive up to $2,500 in FREE bonus crypto! America has nearly 39 trillion dollars in debt! Are you protected from this pending disaster? Go to http://DineshGold.com and get up to 10% in bonus gold or silver. I’m on substack! Check out what I have to say here: https://dineshdsouza.substack.com/ For free and unbiased Medicare help, dial (706) 262-4774 to speak with my trusted partner, Chapter, or go to https://askchapter.org/dinesh" Chapter and its affiliates are not connected with or endorsed by any government entity or the federal Medicare program. Chapter Advisory, LLC represents Medicare Advantage HMO, PPO, and PFFS organizations and stand alone prescription drug plans that have a Medicare contract. Enrollment depends on the plan’s contract renewal. While we have a database of every Medicare plan nationwide and can help you to search among all plans, we have contracts with many but not all plans. As a result, we do not offer every plan available in your area. Currently we represent 50 organizations which offer 18,160 products nationwide. We search and recommend all plans, even those we don’t directly offer. You can contact a licensed Chapter agent to find out the number of products available in your specific area. Please contact Medicare.gov, 1-800-Medicare, or your local State Health Insurance Program (SHIP) to get information on all of your options. Dinesh D'Souza is an author and filmmaker. A graduate of Dartmouth College, he was a senior domestic policy analyst in the Reagan administration. He also served as a research fellow at the American Enterprise Institute and the Hoover Institution at Stanford University. He is the author of many bestselling books, including "Illiberal Education," "What's So Great About Christianity," "America: Imagine a World Without Her," "The Roots of Obama's Rage," "Death of a Nation," and "United States of Socialism." His documentary films "2016: Obama's America," "America," "Hillary's America," "Death of a Nation," and "Trump Card" are among the highest-grossing political documentaries of all time. He and his wife Debbie are also executive producers of the acclaimed feature film "Infidel." — Want to connect with Dinesh D'Souza online for more hard-hitting analysis of current events in America? Here’s how: Get Dinesh unfiltered, uncensored and unchained on Locals: https://dinesh.locals.com/ Facebook: https://www.facebook.com/dsouzadinesh Twitter: https://twitter.com/dineshdsouza Rumble: https://rumble.com/dineshdsouza Instagram: https://www.instagram.com/dineshjdsouzaSee omnystudio.com/listener for privacy information.

The Bible clearly teaches that God is good, and there is nothing evil in Him at all (Jas 1:17), so when we come across a passage that seems to suggest He is responsible for hardening a person's heart, we naturally find the idea troubling. It reopens the question of God's character. Is He pure goodness, or does He have a dark side? Could He be responsible for causing a person's stubborn disobedience, or is it our own choices that cause this? We need an answer because these two views of Him actually represent two different Gods. Can I trust that everything He does is good? Can I run to Him with any problem and assume His will is to save and restore? The statement that "He hardens whom He desires" raises this troubling issue. To receive a free copy of Dr. Steve Schell's book Understanding Romans, email us at info@lifelessonspublishing.com and ask for your copy at no charge. The book has all the notes from each sermon in this series. Also check out our website at lifelessonspublishing.com for additional resources for pastors and leaders. We have recorded classes and other materials offered at no charge. And if you would like to receive a copy of Pastor Steve's newest book Study Verse by Verse: Revelation at no charge, we are still giving this book out as well!

What makes a good comic book character? What makes them stand out? What comes first; the character or the story? Those are just some of the questions we answer this week as we delve into one of the most enjoyable sides of comic creation. Also there's some birthday chat, some spider-man chat and plenty of great comics and books to check out, including one by one of comics greats! Great stuff to check out: Spider-Man, Batman, The Punisher, The Fantastic Art of Ron Turner, Comics Assemble, Sha, Pat Mills, Men of the Cloth, Hellbound Media, The Gods and Monsters of Headgrave, Frank Miller: Push the Wall, Retail Park, Underg Planet Atmos: Exordium, Mad Cave Comics, Blood Force

Do tanque e do porta-aviões do século XX aos drones baratos que destroem tanques de milhões, da IA que escolhe alvos em segundos (Lavender, Maven, Claude Mythos) aos robôs que já caminham no campo de batalha: neste episódio mergulhamos na maior revolução da tecnologia de guerra dos últimos 100 anos. Do “laboratório” da Ucrânia de drones FPV e fibra óptica, a IA transformou a decisão de matar em algoritmo, passando pela guerra de narrativas com deepfakes que ninguém mais sabe o que é real e o que está acontecendo. Guerra mais eficiente significa guerra melhor… ou só mais frequente e impessoal? Patronato do SciCast: 1. Patreon SciCast 2. Apoia.se/Scicast 3. Nos ajude via Pix também, chave: contato@scicast.com.br ou acesse o QRcode: Sua pequena contribuição ajuda o Portal Deviante a continuar divulgando Ciência! Contatos: contato@scicast.com.br https://twitter.com/scicastpodcast https://www.facebook.com/scicastpodcast https://www.instagram.com/PortalDeviante/ Fale conosco! E não esqueça de deixar o seu comentário na postagem desse episódio! Expediente: Produção Geral: Tarik Fernandes e André Trapani Equipe de Gravação: Luis Filipe Herdy, Gustavo Rebello, Gabriela Reciputti, Roberto Spinelli, Willian Spengler Citação ABNT: Scicast #692: Guerra sem humanos. Locução: Luis Filipe Herdy, Gustavo Rebello, Gabriela Reciputti, Roberto Spinelli, Willian Spengler. [S.l.] Portal Deviante, 20/07/2026. Podcast. Disponível em: https://www.deviante.com.br/podcasts/scicast-692 Imagem de capa: O drone russo KNV, com munição (verde) à frente e unidade de desenrolar de fibra óptica (em preto) atrás – Divulgação/Uchkuinik Referências e Indicações Sugestões de literatura: REBELLO, Gustavo. O uso militar de IAs: a ficção científica parou de ser inofensiva. Portal Deviante, 17 mar. 2026. Disponível em: https://www.deviante.com.br/noticias/o-uso-militar-de-ias-a-ficcao-cientifica-parou-de-ser-inofensiva/. Acesso em: 29 abr. 2026. HOROWITZ, Michael. Entrevista concedida a Tyler Rogoway et al. How America's Shahed-136 Kamikaze Drone Clone Became an Indispensable Weapon of War. The War Zone, 9 abr. 2026. Disponível em: https://www.twz.com/news-features/how-americas-shahed-136-clone-became-an-indispensable-weapon-of-war. Acesso em: 29 abr. 2026. BERNSTEIN, Yuval et al. ‘Lavender': The AI machine directing Israel's bombing spree in Gaza. +972 Magazine, Tel Aviv, 3 abr. 2024. Disponível em: https://www.972mag.com/lavender-ai-israeli-army-gaza/. Acesso em: 29 abr. 2026. CUKOR, Drew et al. Project Maven: A Marine Colonel, His Team, and the Dawn of AI Warfare. Nova York: HarperCollins, 2026. (Trechos disponíveis em: https://www.wired.com/story/project-maven-katrina-manson-book-excerpt/). DEPARTMENT OF DEFENSE (EUA). Project Maven (Algorithmic Warfare Cross Functional Team). Washington, DC: DoD, 2017. Disponível em: https://en.wikipedia.org/wiki/Project_Maven. Acesso em: 29 abr. 2026. FEDOROV, Mykhailo. Ukraine overcomes critical obstacle to using fiber-optic drones. Defense Ministry of Ukraine, Kiev, 21 abr. 2026. Disponível em: https://www.msn.com/en-us/news/world/ukraine-overcomes-critical-obstacle-to-using-fiber-optic-drones/vi-AA21o96u. Acesso em: 29 abr. 2026. FOUNDATION ROBOTICS. Phantom MK-1 humanoid robot deployed to Ukraine for testing. Business Insider, 25 mar. 2026. Disponível em: https://www.businessinsider.com/foundation-humanoid-robot-soldier-ukraine-testing-2026-4. Acesso em: 29 abr. 2026. LEE, Lloyd. Foundation Wants to Build an Army of Humanoid Robot Soldiers. Business Insider, 25 mar. 2026. Disponível em: https://www.businessinsider.com/foundation-humanoid-robot-soldier-ukraine-testing-2026-4. Acesso em: 29 abr. 2026. SCHANAHAN, Jack. Inside the Pentagon's Project Maven. YouTube, 2026. Disponível em: https://www.youtube.com/watch?v=Il-DWtgfqTk. Acesso em: 29 abr. 2026.WIRED. Meet the Gods of AI Warfare. Wired, 23 mar. 2026. Disponível em: https://www.wired.com/story/project-maven-katrina-manson-book-excerpt/. Acesso em: 29 abr. 2026. Sugestões de filmes: Decisão de Risco (2015, dir. Gavin Hood) – Eye in the Sky: Drone warfare, “human in the loop” Slaughterbots (2017, curta-metragem da Future of Life Institute) – 8 minutos que mostram enxames de drones autônomos Resistência (2023, dir. Gareth Edwards) – The Creator: Guerra futurista com IA e robôs humanoides Jogos de Guerra (1983) – WarGames: Clássico sobre IA e guerra nuclear automatizada (liga direto com o “Dead Hand”).   Sugestões de vídeos: https://www.youtube.com/watch?v=fa8k8IQ1_X0 Sugestões de links: https://www.bloomberg.com/news/articles/2024-07-22/ubi-study-backed-by-openai-s-sam-altman-bolsters-support-for-basic-income https://www.anthropic.com/research/exploring-model-welfare https://www.anthropic.com/research/impact-software-development https://arxiv.org/pdf/2411.00986 Sugestões de games: Call of Duty: Modern Warfare II / III (2022-2023) – Uso realista de drones FPV, enxames e guerra eletrônica. DEFCON (2006, ou remakes modernos) – Simulação de guerra nuclear com sistemas automatizados de retaliação. Arma 3 com mods de drones ucranianos (comunidade) – Simulação tática de guerra assimétrica com FPV e fibra óptica. Six Days in Fallujah (2021) – Combate urbano moderno com IA e robótica

Join Ty from Total Disclosure and author Peter Mews for a rapid-fire New England folklore discussion. Get direct answers on regional legends and historical mysteries. This session features an intense exchange between Ty and Peter Mews, focusing on the specific anomalies found within New England folklore. Whether you are a dedicated researcher or just curious about regional history, this conversation strips away the fluff to focus on the core details of these mysterious accounts.By engaging with this folklore discussion, you gain perspective on the research methods Peter Mews uses to document his findings. We break down the realities of the field, offering a grounded approach to understanding what exists beyond the mainstream narrative. This is essential viewing for anyone tracking the latest developments in paranormal research. TDP Website: www.TotalDisclosure.CoFOLLOW PETER MUISE' BLOG: https://newenglandfolklore.blogspot.com/

Hour of destiny daily devotional is a daily spiritual food for inspiration, impartation, guidance, and nourishment for God children. This message from Rev. Mike Eniola offers Christian motivation and serves as a morning prayer to start your day. It is one of Gods ways of speaking to His children daily about their lives, family, and job, providing Christian inspiration through the bible.Find peace with this daily devotional featuring calming nature scenes. Let these visuals and messages center your heart for the day ahead. This devotional provides daily devotional message from Rev. Mike Eniola. It is designed for anyone seeking a moment of stillness, spiritual meditation, or a peaceful start to their morning routine. By focusing on the beauty of the natural world, viewers can find a sense of clarity and grounding amidst a busy schedule.Each daily prayer session guides you through a thoughtful reflection suitable for personal quiet time. Whether you are looking for Christian inspiration or simply a visual escape, this meditation offers a steady rhythm for your spiritual growth. The combination of nature scenery and focused teaching helps create a consistent habit of mindfulness and faith.Subscribe for daily devotional updates and spiritual reflections. Connect with us on our official channels.Instagram - https://www.instagram.com/hourofdestinyTikTok- tiktok.com/@hourhourofdestinyFacebook - www.facebook.com/hourofdestinyYouTube - https://youtube.com/‎⁨@hourofdestiny⁩

Holy Communion is God's covenant provision for releasing His abundant life and blessing into every believer who partakes in faith.

A pair of reading glasses stopped a military coup in 1783. New England quietly talked about leaving the union in 1814, forty seven years before the South did. These are true stories, and almost nobody remembers them. Is it a coincidence, or is God's hand really in it? In this episode, Lance Wallnau walks through the moments American history books skip over: the Newburgh conspiracy, the Hartford Convention, Andrew Jackson's showdown with South Carolina, Lincoln's calls for national repentance, and FDR's wartime turnaround. Each one came down to a single leader making a single choice, and each one still shapes the country you live in today. In this episode: * The 1783 Newburgh conspiracy Washington stopped without raising his voice * The Hartford Convention of 1814, the secession talk your history class left out * Andrew Jackson's toast that faced down South Carolina's threat to leave the union * Lincoln's 1863 line, "we have forgotten God," and why he called for national days of prayer in the middle of the war * How FDR set aside his own economic playbook to win World War Two * Why every one of these moments hinged on one person's decision, and what that means for the moment we're in right now If God has shown up this many times before, He hasn't stopped now. Podcast Episode 2185: Amazing Stories You Never Heard About Our History- Gods Hidden Hand At Work | don't miss this! Listen to more episodes of the Lance Wallnau Show at lancewallnau.com/podcast

Can humanity ever know everything? Explore the hard limits of knowledge: cosmic horizons, quantum measurement, chaos, computation, lost meaning, AI, wisdom, and the shoreline of the unknown.Get Nebula using my link for 50% off an annual subscription: https://go.nebula.tv/isaacarthurWatch my exclusive video Colonizing Ocean Worlds: https://nebula.tv/videos/isaacarthur-colonizing-ocean-worlds-subaquatic-settlementsCheck out Gods & Monsters: https://nebula.tv/curiousarchive/gods-and-monsters?ref=isaacarthur

Can humanity ever know everything? Explore the hard limits of knowledge: cosmic horizons, quantum measurement, chaos, computation, lost meaning, AI, wisdom, and the shoreline of the unknown.Get Nebula using my link for 50% off an annual subscription: https://go.nebula.tv/isaacarthurWatch my exclusive video Colonizing Ocean Worlds: https://nebula.tv/videos/isaacarthur-colonizing-ocean-worlds-subaquatic-settlementsCheck out Gods & Monsters: https://nebula.tv/curiousarchive/gods-and-monsters?ref=isaacarthur

When Men Become Gods: Mormon Polygamist Warren Jeffs, His Cult of Fear, and the Women Who Fought BackIn When Men Become Gods, New York Times bestselling author Stephen Singular casts a light on a dark corner of religious extremism. He reveals a group of fundamentalists operating in the present-day United States, where teenage girls are kept in virtual bondage in the name of upholding the "sacred principle" of polygamy.As the leader and self-proclaimed prophet of the Fundamentalist Latter Day Saints, a sect of Mormonism based in isolated southern Utah, Warren Jeffs held sway over thousands of followers for nearly a decade. His rule was utterly tyrannical. In addition to coercing young girls into polygamous marriages with older men, Jeffs reputedly took scores of wives, many of whom were his father's widows. Television, radio, and newspapers were shunned, creating a hidden community where polygamy was prized above all else.But in 2007, after a two-year manhunt that landed him on the FBI's Ten Most Wanted List, Jeffs's reign was forcefully ended. He was convicted of rape as an accomplice for his role in arranging a marriage between a fourteen-year-old girl and her nineteen-year-old first cousin.In When Men Become Gods, Edgar Award nominee Stephen Singular traces Jeffs's rise to power and the concerted effort that led to his downfall. It was a movement championed by law enforcement, private investigators, the Feds, and perhaps most vocal of all, a group of former polygamous wives seeking to liberate young women from the arranged marriages they'd once endured. The book offers new revelations into a nearly impenetrable enclave---a place of nineteenth-century attire, inbreeding, and eerie seclusion---providing readers with a rare glimpse into a tradition that's almost a century old, but that has only now been exposed.https://amzn.to/4wbSxkhBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Every writer has that one project that refuses to come together.This week on Tell The Damn Story, Alex Simmons and Chris Ryan welcome back Tom Sniegoski and Jeannine Acheson to celebrate the release of their new graphic novel, Nothing Can Stop the Ape—a story more than 30 years in the making.Along the way, they discuss pitching publishers, collaborating with a writing partner, working with editors, surviving the publishing process, and why sometimes the story isn't the problem... It's the approach.If you've ever struggled with a creative project that just wouldn't click, this episode is packed with encouragement, practical advice, and a few laughs along the way.Have any questions, comments, or suggestions?Then, please leave them in the Comments Section.Write: TTDSOnAir@gmail.comAnd follow us on ...⁠⁠⁠⁠⁠⁠@Tell The Damn Story⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠www.TellTheDamnStory.comwww.Facebook.com/Tell The Damn Story⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.com/ Tell The Damn Story⁠⁠⁠⁠⁠⁠⁠⁠ If you find these episodes helpful, please take a moment to help wet our whistle by clicking on the link to ... ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Me A Coffee⁠⁠⁠⁠!⁠⁠⁠⁠

Part 2 in a teaching series called "gods Of This Age" You can watch this service on YouTube: https://youtu.be/onZ5_j8L0do If you had questions during the message, text them to 567-246-0807 and we will contact you to discuss your thoughts. *Closing Song is: "Raise A Hallelujah" - Bethel Music - Lyrics: Jake Stevens, Jonathan Helser, Melissa Helser, Molly Skaggs - © 2018 Quiltmaker MusicBethel Music Publishing *Song used in this service was performed by the WCC band with permission under CCS License #4935

Prescott Summer Conference 2026 Ps.Aulson has years of experience, nuggets of wisdom! Sermon is GOLD

Hour of destiny daily devotional is a daily spiritual food for inspiration, impartation, guidance, and nourishment for God children. This message from Rev. Mike Eniola offers christian motivation and serves as a morning prayer to start your day. It is one of Gods ways of speaking to His children daily about their lives, family, and job, providing christian inspiration through the bible.Connect with us on our official channels.https://www.instagram.com/hourofdestinyTiktok- tiktok.com/@hourhourofdestinyFacebook - www.facebook.com/hourofdestinyYouTube - https://youtube.com/‎⁨@hourofdestiny⁩

LES 200Er is geen vrede dan de vrede van God.Zoek niet verder. Je zult geen andere vrede vinden dan de vrede van God. Aanvaard dit feit en bespaar jezelf de kwelling van verdere bittere teleurstellingen, sombere wanhoop en een gevoel van ijzige hopeloosheid en twijfel. Zoek niet verder. Er valt voor jou niets anders te vinden dan de vrede van God, tenzij je zoekt naar ellende en pijn.Dit is het eindpunt waar iedereen tenslotte op uit moet komen, om alle hoop opzij te leggen geluk te vinden waar het niet is, verlost te worden door wat slechts kwetsen kan, vrede te maken uit chaos, vreugde uit pijn en de Hemel uit de hel. Probeer niet langer te winnen door te verliezen, of te sterven om te leven. Je kunt daarbij niet anders dan vragen om een nederlaag.Toch kun je even makkelijk vragen om liefde, om geluk en om eeuwig leven in een vrede die geen einde kent. Vraag hierom, en je kunt alleen maar winnen. Vragen om wat jij al hebt moet wel succesvol zijn. Vragen dat waar wordt wat onwaar is kan alleen mislukken. Vergeef jezelf je nutteloze inbeeldingen, en zoek niet langer wat je niet vinden kunt. Want wat kan er nu dwazer zijn dan te zoeken en te zoeken en te blijven zoeken naar de hel, wanneer je slechts met open ogen hoeft te kijken om te ontdekken dat de Hemel voor je ligt, achter een deur die makkelijk openzwaait om jou te verwelkomen?Kom thuis. Je hebt je geluk niet gevonden in uitheemse oorden en wezensvreemde vormen die geen betekenis voor je hebben, hoewel je geprobeerd hebt ze betekenis te verlenen. Deze wereld is niet waar jij thuishoort. Jij bent een vreemde hier. Maar het is jou gegeven het middel te vinden waardoor de wereld niet langer voor wie ook een gevangenis of kerker schijnt.Vrijheid is je gegeven waar jij alleen maar ketens en ijzeren deuren zag. Maar je dient je denken te veranderen over het doel van de wereld, wil jij een uitweg vinden. Je zult gebonden zijn tot heel de wereld door jou als gezegend wordt gezien, en iedereen van jouw vergissingen wordt bevrijd en geëerd wordt zoals hij is. Jij hebt hem niet gemaakt, en evenmin jezelf. En wanneer je de een bevrijdt, wordt de ander aanvaard zoals hij is.Wat doet vergeving? In waarheid heeft ze geen functie en doet ze niets. Want in de Hemel is ze onbekend. Ze is alleen nodig in de hel, waar ze een machtige functie te vervullen heeft. Is het ontsnappen van Gods geliefde Zoon aan kwade dromen, die hij zich inbeeldt en toch voor waar houdt, niet een waardig doel? Wie kan op meer hopen, zolang er een keuze mogelijk lijkt tussen succes en mislukking, tussen liefde en angst?Er is geen vrede dan de vrede van God, omdat Hij één Zoon heeft die geen wereld kan maken tegengesteld aan Gods Wil en aan die van hemzelf, die dezelfde is als de Zijne. Wat kan hij hopen te vinden in zo'n wereld? Ze kan geen werkelijkheid hebben, omdat ze nooit geschapen werd. Zou hij hier vrede willen zoeken? Of moet hij wel zien dat de wereld, zoals hij die bekijkt, alleen maar misleiden kan? Toch kan hij er op een andere manier naar leren kijken, en de vrede van God vinden.Vrede is de brug waarover ieder gaan zal die deze wereld achter zich wil laten. Maar vrede begint in de wereld die als anders waargenomen wordt, en leidt vanuit deze nieuwe waarneming naar de Hemelpoort en de weg daarachter. Vrede is het antwoord op tegenstrijdige doelen, op zinloze reizen, verwoede, vergeefse pogingen, en zinledige ondernemingen. Nu is de weg licht en glooit hij soepel naar de brug waar vrijheid in Gods vrede ligt.Laten we vandaag onze weg niet opnieuw kwijtraken. We gaan naar de Hemel en het pad is geëffend. Alleen als we proberen af te dwalen kan er oponthoud zijn en nodeloze tijdverspilling op doornige zijwegen. Alleen God is betrouwbaar en Hij zal onze voetstappen leiden. Hij zal Zijn Zoon in nood niet in de steek laten, noch hem voor eeuwig laten ronddolen ver van zijn thuis. De Vader roept, de Zoon zal gehoor geven. En dat is al wat er te zeggen valt over een wereld die gescheiden lijkt van God, en waar lichamen werkelijkheid hebben.Nu is er stilte. Zoek niet verder. Je bent gekomen tot waar de weg bedekt is met een bladertapijt van valse verlangens, gevallen van de bomen van hopeloosheid die jij vroeger zocht. Nu zijn ze vertrapt. En je kijkt op naar de Hemel, waarbij de ogen van het lichaam nog maar een ogenblik dienstdoen. Vrede is al herkend, ten leste, en je kunt voelen hoe haar zachte omhelzing jouw hart en denkgeest met vertroosting en liefde omringt.Vandaag zoeken we geen afgoden. Daarin kan geen vrede worden gevonden. De vrede van God komt ons toe, en alleen dit zullen we aanvaarden en wensen. Vrede zij met ons vandaag. Want we hebben een eenvoudige, blije manier gevonden om de wereld van dubbelzinnigheid achter ons te laten en onze wisselende doelen en eenzame dromen te vervangen door een enkelvoudig doel en samenzijn. Want vrede is eenheid, als ze komt van God. We zoeken niet verder. We zijn dicht bij huis en komen nog dichterbij telkens wanneer we zeggen:Er is geen vrede dan de vrede van God,en ik ben blij en dankbaar dat dit zo is.Alle tekst- werk en handboek klassen van Een Cursus in Wonderen met Elbert nu te beluisteren en te bekijken op https://decursusmetelbert.nl

What if one of history's oldest and most mysterious secrets has been hiding in plain sight?Footprints of the Gods explores the fascinating and controversial phenomenon of polydactylism—the presence of extra fingers or toes—and its mysterious connection to ancient civilizations, myths, and human origins. Across cultures and centuries, references to extra digits appear in Sumerian texts, biblical accounts, folklore, and indigenous traditions, often linked to giants, gods, and the earliest humans.Authors Jim Vieira and Greg Maestro take readers on a compelling investigative journey, uncovering evidence from ancient artifacts, rock art, and historical narratives that challenge conventional views of our past. With meticulous research and a fresh perspective, they reveal patterns that suggest this unusual genetic trait may hold deeper significance than previously believed.Blending archaeology, history, and alternative research, this thought-provoking book invites readers to question long-held assumptions and reconsider humanity's origins. Whether you're fascinated by ancient mysteries, hidden history, or unexplained phenomena, Footprints of the Gods offers a captivating and eye-opening exploration that will leave you thinking long after the final page.JIM VIEIRA is a stonemason, researcher and writer. As well as exploring and writing about the stone sites of New England, he has written for Ancient American magazine, The Heretic (UK) and local newspapers. In 2012 he created the online blog The Daily Giant that showcased a giant report every day for nearly two years. He controversially had his TEDx talk removed from the internet (much like Graham Hancock and Rupert Sheldrake). He is star of the History Channel TV shows Search for the Lost Giants (2014) and Roanoke: Search for the Lost Colony (2015) with his brother Bill. He lives in Ashfield, Massachusetts. www.jimvieira.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.

The milk of Gods word is good for a season, however we must all mature in solid food as disciples of Jesus Christ!

JUL. 8, 2026Pursue God's purpose for your life!'''For I know the plans I have for you,' declares the Lord, 'plans to prosper you... plans to give you hope and a future.'"' Jer 29:11 NIVNothing is more gratifying than knowing one's purpose-even when opposition seems unbearable and other distractions threaten to overshadow it. Often when people say they don't have a passion for anything, they mean they don't have faith to believe they could actually do what they really desire in their hearts. Jesus refused to let anyone pull Him away from His purpose. "Someone in the crowd said to him, 'Teacher, tell my brother to divide the inheritance with me! Jesus replied, 'Man, who appointed me a judge or an arbiter between you?'" (Lk 12:13-14 NIV). In essence, Jesus was saying, "I'm not about to get distracted by conducting an arbitration hearing between you two. That's not part of My purpose for being here on earth." Even up to the day that Jesus gave His life on the cross, there were many sick people needing healing and a myriad of other impossible situations that needed His attention. He knew that through the power of His death and resurrection, all could be addressed. So, despite unresolved problems, He confidently gave His heavenly Father this report on His ministry: "I brought glory to you here on earth by completing the work you gave me to do" (Jn 17:4 NLT). Jesus refused to let His disciples, Satan, well-meaning family members, needy people, or anyone else distract Him from His purpose. And you must learn to do that too. This raises the question: Can you state your God-given purpose in a single sentence? Are you pursuing it?Pursue God's purpose for your life "Completing the work you gave me to do"Share This DevotionalSend us Fan MailSupport the showChanging Lives | Building Strong Family | Impacting Our Community For Jesus Christ!

Bible study with Pastor Mat - July 17, 2026 Apologetics, Debate, Bible Discussions, Evangelism, and much more "Christianity is a Person, not a system" (pt1) - https://youtu.be/1-02nnh5Das?si=MqbM6V9u0sjC9lnk Discerning the fruits of the Spirit vs the fruits of self - Mark 7:5-23 "The mystic fruit bowl" - https://youtu.be/kw7QiLQMQ_M?si=356Fx_r9ohUeTLwjThe Deity of Jesus Christ and the Gospel of Salvation - https://www.youtube.com/live/gquqBQIL_0U?si=7zmPLi1X0CcW-v7f(Discussing discipleship) Bible study on Luke 9:60-62 "Let the dead bury the dead" - https://www.youtube.com/live/BkWtkOrEs-Q?si=y-zyqNGfWi3kzVu2To know more on how to be saved, what are the requirements and such, please see our playlist on the Gospel and Eternal Security (assurance of salvation) - https://youtube.com/playlist?list=PL3pJdCnnwrEeCQOCTTmDW1GjUYxpd44DG&si=_rT-lThl0klHt5Cd Our Ministries Website - https://christiancoffeetime.ca/ 1John 5:20) "And we know that the Son of God is come, and hath given us an understanding, that we may know him that is true, and we are in him that is true, even in his Son Jesus Christ. This is the true God, and eternal life." - Intro Music: A Flourish by Niya is licensed under a Creative Commons License.https://creativecommons.org/licenses/...Support by RFM - NCM: https://bit.ly/2xGHypM -

The time of Christopher Nolan's The Odyssey is upon us. And to cap off our look at three inspirations of his 2026 epic we're going back ten years to 2016's Gods of Egypt. Directed by Alex Proyas the mind behind both The Crow and Dark City adapts, in the loosest of terms, ancient Egyptian mythology with some of the whitest people in entertainment. Thanks for watching our Caravan Of Garbage reviewSUBSCRIBE HERE ►► http://goo.gl/pQ39jNHelp support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies The Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4 The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

Kristian Harloff breaks down the biggest movie news stories of the day, led by the incredible momentum behind **Christopher Nolan's The Odyssey**. With spectacular early reviews pouring in and box office projections pointing toward a **$200 million+ global opening**, is **The Odyssey** on its way to becoming Nolan's next all-time classic? Kristian dives into the rave reactions, the massive opening weekend forecasts, and what this could mean for the film's awards season prospects. Plus, new reports suggest **DC Studios** may have quietly shelved another project from James Gunn's original **Chapter 1: Gods and Monsters** slate, **Bradley Cooper** officially joins Paramount's new **G.I. Joe** movie as **Danny McBride** signs on to direct, and fresh **X-Men** rumors claim **Cooper Hoffman** is Marvel Studios' top choice to play **Cyclops** in the MCU reboot. Stories For Today: * The Odyssey Heads For $200M+ Global Debut * The Odyssey Reviews Are Spectacular * DC Studios May Have Quietly Scrapped Another "Chapter 1: Gods And Monsters" DCU Project * Bradley Cooper Joins New G.I. Joe * Danny McBride to Direct G.I. Joe Movie for Paramount * X-Men Rumor: Cooper Hoffman Said To Be Marvel's Top Choice To Play Cyclops Today's show is headlined by the continued success story surrounding **The Odyssey** as Christopher Nolan's epic receives glowing reviews and looks poised for one of the biggest openings of the year. Kristian discusses why critics are praising the film, what audiences can expect, and whether this could become Nolan's next Oscar contender. The episode also explores the latest rumors surrounding the DCU, exciting developments for Paramount's **G.I. Joe** reboot, and the newest casting speculation for Marvel Studios' highly anticipated **X-Men** reboot. If you're a fan of Christopher Nolan, **The Odyssey**, Marvel, X-Men, Cyclops, DC Studios, G.I. Joe, Bradley Cooper, or the latest movie news, this episode is for you. #TheOdyssey #ChristopherNolan #Marvel #XMen #Cyclops #CooperHoffman #DCStudios #DCU #JamesGunn #GIJoe #BradleyCooper #DannyMcBride #MovieNews #KristianHarloffShow #EntertainmentNews #BoxOffice COME JOIN HARLOFF, ELLIS AND STERGER FOR A NIGHT OF COMEDY - THURSDAY, 10/8 @ 7:30PM SHOW HOSTED BY:  KYLE LEWIS  https://brokerage.govs.com/shows/376674  SPONSORS: Ka'Chava: Go to https://kachava.com and use code KRISTIAN for 15% off your first order.

Welcome to Day 2906 of Wisdom-Trek, and thank you for joining me. Day 2906 – Theology Thursday – Prayer as Communion, Petition, and Covenant: From Ancient Near East to Modern Faith Wisdom-Trek Podcast Script - Day 2906 Welcome to Wisdom-Trek with Gramps!   I am Guthrie Chamberlain, and we are on Day 2906 of our Trek.   The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. Our current series of Theology Thursday lessons is written by theologian and teacher John Daniels. I have found that his lessons are short, easy to understand, doctrinally sound, and applicable to all who desire to learn more of God's Word. John's lessons can be found on his website   theologyinfive.com.   Today's lesson is titled PRAYER AS COMMUNION, PETITION, AND COVENANT: FROM THE ANCIENT NEAR EAST TO MODERN FAITH. In the religious systems of the ancient Near East, prayer was a vital function, though its framework was drastically different from what later developed in Israelite and Christian thought. Prayer was primarily a method of maintaining the cosmic order through appeasement and transaction. Gods in Mesopotamia, Canaan, and Egypt were seen as powerful but unpredictable, often requiring elaborate rituals, sacrifices, and formulas to grant favor or avert wrath. These cultures did not operate under a theology of relational covenant but rather through a pattern of reciprocity: offerings and words were meant to provoke a specific divine response. Babylonian prayer texts like the “Shurpu” and “Maqlu” series reflect a deep concern with curses, omens, and unseen transgressions. The supplicant might not even know which god was offended or what sin was committed. In such cases, prayers became generalized pleas for forgiveness from all deities. Egyptian prayers often took the form of hymns to the gods, extolling their attributes and requesting protection or intervention, especially concerning the afterlife. Canaanite prayer and sacrifice, while less preserved in textual form, mirrored these transactional patterns. Ultimately, prayer in the ANE was primarily about control, using proper language and rites to maintain divine favor and personal or national survival. The first segment is: The Distinctive Voice of Ancient Israel: Relational and Covenant-Based. The emergence of Israel as a people devoted to Yahweh introduced a significant break from the ANE paradigm. While early Israelite religion still bore some cultural similarities to its surroundings, the theology of Yahweh as a covenantal, relational deity revolutionized the nature of prayer. No longer was prayer simply a means of magical manipulation or guesswork. It became a medium through which a person engaged with a God who had revealed His name, His character, and His promises. The earliest biblical prayers, such as those found in Genesis, reflect this relational nature. Abraham argues with God over the fate of Sodom, appealing not to ritual but to God's justice. Moses intercedes for Israel after the golden calf incident, reminding Yahweh of His promises to Abraham, Isaac, and Jacob. These prayers do not treat Yahweh as distant or unknowable but rather as a God who can be reasoned with, challenged, and persuaded because of His own covenant loyalty. The Book of Psalms shows the breadth of human emotion brought before God: joy, fear, doubt, anger, and praise. Lament becomes a central form of worship, as seen in the cries of David or the national laments after Jerusalem's destruction. These are not sterile performances but passionate expressions of faith. Prayer becomes an act of courage, a wrestling with God, a protest against silence, and a clinging to hope when the world falls apart. The second segment is: From Temple to Synagogue: Formalization in Second Temple and Rabbinic Judaism. As the Hebrew Bible gave way to the practices of Second Temple Judaism, especially after the exile, prayer began to evolve in response to historical necessity. With the destruction of the First Temple and the loss of the sacrificial system, the Jewish people turned increasingly to prayer and study as their central forms of worship. What was once spontaneous became structured. What was once private became communal. During this period, daily prayer rhythms began to emerge. Fixed times of prayer, morning, afternoon, and evening, mirrored the times of temple sacrifice and were eventually institutionalized. The Amidah, or “Standing Prayer,” developed into a core liturgical centerpiece. It offered a framework of blessings praising God, requesting needs, and praying for national restoration. The Shema, a declaration of God's unity and Israel's devotion, became part of daily prayer and identity. After the destruction of the Second Temple in 70 CE, Rabbinic Judaism restructured prayer life around the synagogue. Prayer was no longer centered on the priesthood and sacrificial rites but on the Torah, communal liturgy, and ethical action. This shift preserved Jewish identity during centuries of diaspora. Though formalized, prayer retained its relational element. It became the heartbeat of Jewish life, binding communities together and anchoring them to God's enduring promises. The Third Segment is: Prayer Reimagined in Early Christianity: Access through Christ. The earliest Christians, being Jews themselves, inherited this rich tradition of covenantal and liturgical prayer. Yet their belief in Jesus as the risen Messiah transformed their approach to prayer in significant ways. Central to this transformation was the idea of direct access to God through Christ. Jesus's own prayers, such as the Lord's Prayer, serve as both instruction and theological statement. The address “Our Father” reflects unprecedented intimacy. It reaffirms the covenantal relationship while highlighting the nearness and care of God. The prayer also orients the believer toward God's will, God's kingdom, and daily dependence, not merely petition. The Apostle Paul builds on this foundation by portraying prayer as a Spirit-driven communion. Believers are said to cry out “Abba, Father” by the Spirit. Paul claims that even when words fail, the Spirit intercedes with groanings too deep for speech. This understanding of prayer shifts it away from set ritual toward a continual, personal interaction with the divine. In Christian theology, Jesus becomes the eternal High Priest, interceding on behalf of believers. This transforms the act of prayer from an attempt to reach an uncertain deity into an assurance of access to a loving Father through a faithful Son. Whether corporate or private, spontaneous or formal, prayer is understood as the believer's participation in the divine relationship secured by Christ. The Fourth Segment is: Boundaries and Prohibitions: When Prayer Becomes Misuse. While prayer is central to both testaments, not all prayer is accepted. The Bible gives several warnings about misguided or forbidden types of prayer. Chief among these is prayer to other gods. The First Commandment is clear: Israel was not to call on or serve any deity but Yahweh. This was not a cultural preference but a matter of covenant loyalty. Invoking Baal, Molech, or Asherah was not neutral. It was spiritual adultery. Another prohibited form was manipulative or theatrical prayer, often seen in paganism. The prophets of Baal on Mount Carmel danced and cut themselves, trying to compel their god to act. Elijah mocks this as futile. Jesus echoes this in the New Testament when He warns against “vain repetitions” and showy public displays. The goal of biblical prayer is not to impress people or mechanically control God. It is relational. Also forbidden were necromancy and communication with the dead, practices common in surrounding cultures. Deuteronomy 18 lists these among the detestable practices of the nations that Israel was not to imitate. Prayer was not to be blended with conjuring or attempts to access hidden knowledge through forbidden means. Later rabbinic tradition added safeguards to ensure prayer was done with the right heart. One was not to pray while intoxicated, or in moments of ritual impurity, or without focus. Christian writers like James and Peter also warn against praying from selfish motives or while harboring unresolved sin. The Fifth segment is: Rhythm and Repetition: Between Discipline and Pagan Imitation Repetitious or rhythmic prayer is sometimes misunderstood. Scripture does not forbid repetition outright, but it sharply distinguishes between reverent repetition and pagan-style incantations. Psalm 136 repeats the phrase “His steadfast love endures forever” 26 times as an act of worship, not manipulation. Many psalms and prayers use repetition as a poetic or liturgical feature, meant to reinforce covenant truths and lead the heart toward trust. The Shema and priestly blessing were repeated regularly in Jewish worship. Jesus's warning in Matthew 6 verse seven, “Do not heap up empty phrases as the Gentiles do,” targets the kind of mechanical babbling seen in magical or pagan rituals. It does not prohibit...

Does God love all humans and want to save them, or does He love certain ones and hate others? This portion of chapter nine which we are reading today is a central passage to which people will turn to "prove" that God chooses who will or will not be saved. According to that doctrine, the most important truth to emphasize about God is His sovereignty, meaning His control of everything. It is assumed that if humans have any choice in the matter of their eternal destiny, then God isn't totally sovereign. So repentance is renounced as a basis for salvation because it involves the human will making a choice. Even faith in Christ is discounted. This doctrine says faith is something God gives to a person only after He regenerates them, meaning after He places His Holy Spirit inside them. Those who teach this say it is wrong to think a person can choose to believe the gospel. We don't choose God; He chooses us, they say. This makes grace all the sweeter, they say. And on what basis, you might ask, does God choose one person but not another? The answer, they say, is found in this passage of Romans. After all, God loved Jacob but hated Esau before the twins were born or had "done anything good or bad" (v11). So there you have it, they say, the decision of who will or will not be saved is determined by God before we are born. And if you take this passage out of its context, you can indeed make it say that. But the God you end up with is very different from the loving Father Jesus reveals to us. And the conclusion you draw is very different from Paul's own conclusion at the end of the chapter (vs30-33). Though all of this may sound like a pointless theological debate, what's at stake is nothing less than the character of God. These two views of Him are so different they really present two different Gods. To receive a free copy of Dr. Steve Schell's book Understanding Romans, email us at info@lifelessonspublishing.com and ask for your copy at no charge. The book has all the notes from each sermon in this series. Also check out our website at lifelessonspublishing.com for additional resources for pastors and leaders. We have recorded classes and other materials offered at no charge. And if you would like to receive a copy of Pastor Steve's newest book Study Verse by Verse: Revelation at no charge, we are still giving this book out as well!

On June 10, the Metropolitan Museum of Art in New York returned two pieces of artwork to Cambodia: an Angkor statue and a sandstone lintel. It's the latest repatriation effort by the U.S.'s premier art museum, and the third time the Met has had to give up Cambodian artifacts specifically. Matthew Campbell's The Man Who Stole The Gods: A True Story of War, Obsession, and a Global Art Conspiracy (Penguin, 2026) dives into the story of the Cambodian antiquities trade, from looted temples in the Cambodian forests, through dealers in Bangkok like Douglas Latchford, and then into museums and billionaire homes in the West. And he also digs into how this trade fell apart: How the U.S. Department of Justice and activists in Cambodia pressured dealers and museums like the Met to give this art back. Matthew is an award-winning reporter for Bloomberg Businessweek. His previous book, Dead in the Water—co-authored with Kit Chellel—was selected as a Book of the Year by The Economist, the Financial Times, and The Times. Matt has reported from more than twenty-five countries on crime, corruption, terrorism, economics, and the environment. His work has earned some of journalism's highest honors, including awards from the Gerald Loeb Foundation, the Overseas Press Club, the National Press Club, SOPA, and SABEW for both feature and investigative reporting You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Man Who Stole the Gods. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This episode we are taking a quick break from our overall story of Uno no Sarara (aka Jito Tenno) and we are focusing on Ise Shrine and Amaterasu, the Sun Goddess. There is a lot, for a bit more, check out our podcast blogpost at:  https://sengokudaimyo.com/podcast/episode-153   Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is Episode 153:  Ise and the Sun Goddess.   In the newly built hall of the Fujiwara Palace, the nobles of the court were gathered for a grand banquet.  Snow-white walls were off-set by bright crimson pillars and trim, highlighted by bright green windows.   The nobles themselves were a rainbow of colors, arranged as they were by rank.   At the head of it all, on a dais, sat the Queen herself, Uno no Sarara.  However, the attention was no longer on her.  Instead, it was on another figure, standing in front of the assembled audience.  A quiet spread throughout the hall, the court listening as Hieda no Are began to tell the story of the Sun Goddess in the Plain of High Heaven.  They listened to the story of her and Susano'o, and of the backward flayed horse.  They heard the tale of the Heavenly Rock Cave, and of all that came after, including the sending of the August Grandchild, Ninigi.  They listened to the story—the story of Yamato.   Last episode, we talked in more detail about Uno No Sarara—starting from her early years as the daughter of Naka no Ohoe, granddaughter of Soga no Kurayamada, and child-bride to her uncle, Ohoama.  I'll admit we didn't look too hard at that last bit, and I don't have enough information to confirm what exactly "marriage" entailed in that context, but it is still something that I find tremendously creepy and, unfortunately, anything but unique.  So I'm not going to dive too much further into it right now but… ew. We talked about how she gave birth to her son, Kusakabe, in Kyushu, during the war on the continent, and how she eventually left for Yoshino with her husband when he retired from court, presumably to outsmart his court rivals, who were positioning him to be taken out.  She also is said to have played a part in the planning and execution of the resulting Jinshin no Ran, later helping her husband govern the realm.  And now, she was on the throne, overseeing the completion of many of the projects started in the reign of her husband.  This included the completion of the Kiyomihara code, the Fujiwara palace, and the support given to the institution of Ise Grand Shrine. This episode, I want to dive into that last topic: the emphasis in Uno no Sarara's reign on  Ise Shrine and its focus, the Great God, Amaterasu no Ohokami.  Although the Chronicles talk about Amaterasu as one of the founding deities of the Yamato royal line, there is plenty of evidence that this story was grafted into the tales at a later date, and that worship of Amaterasu, at least as anything more than a minor deity, likely also started relatively late.  Some have even suggested that Ise Shrine itself wasn't even built until the late 7th century.  So, all of this focus on Ise and Amaterasu appears to be part of the larger effort to structure the physical, cultural, and spiritual landscape of the new Yamato state. Last episode we mentioned how, according to the Nihon Shoki,   Ohoama turned to worship towards Ise.  Well, specifically, he worshipped Amaterasu Ohokami.  So let's take a moment and talk about what we know of the history of this Great God of Heavenly Brightness. Unfortunately, most of that history is based on what we know of the kami from works like the Nihon Shoki, the Kojiki, and the Sendai Kuji Hongi, all of which came out in the 8th century or so.  As such, it can be hard to know what things were actually like, earlier on, as opposed to what was added or removed later. Much of what I'm going to be talking about, today, I'm going to be pulling from a book written in 2017 by Mark Teeuvwen [Tayvin?] and John Breen titled "A Social History of the Ise Shrines", as well as Michael Como's work "Weaving and Binding: Immigrant Gods and Female Immortals in Ancient Japan", published in 2009, along with other sources.  In their book, Breen and Teeuwen point out that for those who do not take the events of the Nihon Shoki and Kojiki at face value, there are two primary theories for the origin of the worship of Amaterasu: an early theory and  a late theory.  The early theory places the development of the worship of Amaterasu in the 5th and 6th centuries, during the reigns of such figures as Wakatakeru no Ohokimi, aka Yuuryaku Tennou.  The Late Theory places the development in the 7th century, largely at the feet of such figures as Ohoama and Uno no Sarara herself.  We'll take a look at the evidence and see what it says. I would note that compared to the official history, both of these would be very late theories.  According to Ise Grand Shrine even today, Amaterasu arrived in Ise in the 26th year of Ikume Iribiko, aka Suinin Tennou, as stated in the Nihon Shoki, which corresponds to 4 BCE if you take the dating of the Nihon Shoki to be accurate. Of course, we've already spent plenty of time talking about the problems with the Nihon Shoki prior to the 6th century CE, as well as how the political nature of the text affected what it contained. So to kick things off, let's address the biggest question of all: why don't we believe that Amaterasu no Ohokami was always the primary deity of the pantheon of Yamato, at the very least, if not all of the Wa people of the archipelago?  After all, isn't she a sun goddess, and isn't sun worship fairly well documented among the ancient Japanese?  Just take a look at words like "Hiko" and "Hime", referring to rulers as sun man and sun woman.  Also note that early on, worship seems to have centered around places such as mountaintops, which focused worship towards the sky and the highest point.  In fact, as wet rice paddy agriculture became the dominant economic factor driving the engine of the archipelago in the Yayoi and early kofun period, early shrines were very likely about bringing the spirit of the mountain from the mountaintop and giving them a home amongst the rice fields.. And then we have the stories.  Don't the ancient stories all tell about Amaterasu as the ruler of Takama no Hara, the Heavenly Plain?  And isn't it her grandchild that then descends to the earth to pacify the Land of the Reed Plains—aka the Japanese archipelago? Well let's take a look at those same stories, which we've covered in earlier episodes of the podcast.  The first deities mentioned in the Chronicles are deities like Ama no Minaka Nushi, Lord of the August Middle of Heaven; Takami Musubi, High August Growth; and Kami Musubi, Divine August Growth.  There are other deities, like Kuni Toko Tachi, but they are barely mentioned again. Later we get Izanagi and Izanami, the masculine and feminine, who create the world and give birth to numerous deities from that point on.  Among the children of Izanagi are said to be Amaterasu, Tsukiyomi, and Susano'o.  Amaterasu, Heaven's Brightness, represents the sun while Tsukiyomi represents the dark of the moon.  Susano'o is then the god of the storms and seas, and was sent to the Nether Land, the Ne no Kuni. Right away we see that there are numerous different stories listed in the Nihon Shoki for just about everything.  Only the Kojiki gives everything as a single, coherent narrative, but surely the readers in the 8th century would have known some of these other stories, and thus the Nihon Shoki gives the alternates as well. Now the main narrative of the Kojiki and the Nihon Shoki tells us that Ama-terasu no Oho-kami was born to rule over everything.  In the Nihon Shoki, Izanagi and Izanami specifically mention that divine destiny in Amaterasu's creation—although actually, in that part of the text, the deity they are creating is named Oho-hiru-me no Muchi; the Great Sun Female Holder.  And in the next entry they call Amaterasu: Ama-terasu Oho-hiru-me.  Tsukiyomi, the deity of the moon, is made to be her consort, and they are supposedly sent to rule the plain of Heaven, Takama no Hara. The problem is that there are other entries that suggest that Takama no Hara already had a ruler:  Taka-mi-Musubi.  Reading the sections on Taka-mi-Musubi, we see a deity who is said to have produced 1500 children, himself—no mention of Izanagi and Izanami.  Some of his children are mentioned as Omohi-kane:  the Thought-Combining deity, and Sukuna-bikona: the Little-Prince-Named deity. Amatsu Hiko Hiko Ho Ninigi no Mikoto, the August Heavenly Prince, Prince Ho-ninigi, is not just a grandson of Amaterasu no Ohokami, but also a grandchild of Taka-mi Musubi.  In at least one story, Takami Musubi is the one who wants Ninigi no Mikoto to become the ruler of the Central Land of the Reed Plains.  Towards that end, he gathers the various kami and chooses someone to go down and prepare the way—Ama-ho-hi no Mikoto—who was to quote-unquote "expel and subdue" the evil gods of that land.  We covered this story in episode 21 and 22.  When that doesn't work, he gathers them again, sending others to try and do the same.  Eventually he sends Takemikazuchi and Futsunushi down.  All of this sounds like Taka-mi Musubi, whose name appears to refer to being the "high" deity, was the one in charge. In addition, we have the court ritual from sources like the Engi Shiki, which illustrates the deities that were invoked for the protection of the palace and the royal family.  These were:  Kami-musubi, Takami-musubi, Iku-musubi, Taru-musubi, Tamatsume-musubi, Oomiya-no-me, Oomiketsu-no-kami and Kotoshironushi.  One might notice a lot of the "musubi" names among the deities, and a distinct lack of appeal to Amaterasu.  If Amaterasu were the central deity and ancestral deity of the royal family, why is she not invoked in the rituals of the court itself? The thought, here, is that these rituals are likely much older than the worship of Amaterasu, and while Amaterasu would come to prominence in the stories that the court would tell, it was much more difficult for them to rearrange the traditional rituals to put her front and center.  Those rituals were maintained by ritualist families like the Nakatomi, and they weren't likely to change the rituals willy-nilly, even for a sovereign.  That was playing with supernatural fire, after all—if you changed the rituals, would they still even be effective?  Granted, rituals do change, so it isn't a perfect argument; perhaps it was just not considered to be important enough to make the change since it was not something that anyone except the court ritualists needed to worry themselves over.  Either way, it appears that we do have a list of deities that may have been the deities of the ruling elite prior to the rise of Amaterasu and Ise shrine more generally. We have a few other clues of what was going on in the narrative.  For instance, we see the story from the reign of Mimaki Iribiko, aka Sujin Tennou, also called the First Sovereign of Yamato, despite the legendary figures inserted prior to his reign.  It is in this chapter that we see a note that Ama-terasu no Oho-kami and Yamato no Oho-kuni-dama, which is to say the Spirit of the Country of Yamato, were both worshipped together in the hall—that is in the royal palace itself.  And yet apparently Mimaki Iribiko feared these deities residing with him in the palace, and he had their worship moved to locations outside of the palace.  Amaterasu's worship was given to Toyosuki-iri-bime, one of Mimaki Iribiko's daughters, and established in the district of Shiki, in Yamato.  Yamato no Ohokunidama, on the other hand, was given over to Nunaki-iri-bime no Mikoto, another daughter through a different wife. but we are told that she was lean, and her hair was falling out, and so she couldn't perform the rites.  Turning our attention back to Ama-terasu—in the reign of Ikume-Iribiko, aka Suinin Tennou, son and heir of Mimaki Iribiko, the worship of Ama-terasu would pass from Mimaki Iribiko's daughter, Nunaki Iri Bime to Ikume Iribiko's daughter, Yamato Hime.  She would move the worship site from Shiki to Uda, in the shadow of Mt. Miwa, and then proceed over to the upper banks, or Kawakami, of Isuzu, in the district of Watarai.  Here, in one of the alternate stories about this episode, we get the Great God of Yamato—Ohoyamato no Ohokami—speaking through a medium to warn the sovereign that he had better be careful.  Mimaki Iribiko had not been quite thorough enough in his worship, so he had not had a long life, and if Ikume Iribiko didn't do the same, he would suffer a similar fate. And so, in a record eerily similar to what we see in the previous reign, the worship of the "Great God of Yamato", the Oho-Yamato no Oho-kami, is given to Nunaki-waka-hime—as opposed to Nunaki-Iri-bime—who also fails in the task because of her emaciated body.  This also introduces Fukayu nushi, an ancestor of the Nakatomi, who was the one who divined what should be done. There is so much to unpack in these stories.  For one, the kami bring power, but also danger.  One can try to placate the kami, but it isn't like a ritual will always work, and the story is of the sovereign being actively afraid of what they might do, so they were removed from the palace.  Then there is the fact that we see two seemingly similar names—Ohoyamato no Ohokami and Yamato no Kunidama both seem like we are talking about the same spirit of Yamato, though some would point out that one is the spirit of the country and one is the great kami of the country, so, clearly different. Both are also being given to someone named "Nunaki—something-something—Hime", and in both cases Nunaki seems to fail in her task because she is apparently not hot enough for the kami.  She's described as too thin and emaciated or balding.  We aren't given the lineage of Nunaki Waka Hime, but Nunaki Iri Bime is connected with the land of Owari.  Nunaki Iri-bime is said to be the daughter of Mimaki Iribiko and Ohoama Hime, ancestor of the Owari no Muraji.  Owari was the land that supported Ohoama during the Jinshin no Ran. Finally, in both cases, we see the worship of the spirit of Yamato being given over to someone name "Nagochi", later identified as Nagochi no Sukune, ancestor of the Yamato no Atahe. One more note—closely on the heels of moving these two kami out of the palace, we see that the court brings in the worship of Oho-mono-nushi, the god of Mt. Miwa, under Ohotataneko, the ancestor of the Miwa clan. So the stories here account for Ama-terasu being moved to Watarai and why she isn't worshipped in the palace.  It also places Oho-mono-nushi at the center of worship in Yamato.  Oho-mono-nushi and Miwa continue to dominate the narrative from here on out, with a few notable exceptions, such as with Okinaga Tarashi Hime, aka Jingu Tennou and her mythical conquest of the Korean peninsula.  I'm sure that had no political implications at all given everything that had happened with Baekje, Silla, and the Tang dynasty in the latter half of the 7th century.  Other than scenes like that, however, the Miwa clan and worship of the Miwa deity appear frequently in the narrative.  It is clear that Mt. Miwa, and its deity, were important, and when Breen and Teeuwen hypothesize that when Naka no Ohoe, which is to say Tenji Tennou, took the drastic step of moving the capital up to Ohotsu, in the land of Afumi, he also brought the Miwa deity with him.  Those Afumi court rituals were conducted under the auspices of the Nakatomi, and particularly the auspices of Nakatomi no Kane, who would become one of the chief opponents of Ohoama during the Jinshin no Ran in 672.  After that conflict, Ohoama and his wife, Uno no Sarara, were building new traditions using Ise and constructing new legends.  Legends that would be under their control and influence and which would further bolster their rule from the city that they had designed to fit inside of this newly constructed cosmological framework. And yet this also brings up what seems like an obvious question.  If Ise Shrine and the worship of Amaterasu were so central to Ohoama and Uno's plans, then why would they put it so far away?  Proponents of the "early" theory of the development of Amaterasu and Ise Shrine suggest that the answer lies in the text of the Chronicles.  That there is some truth to the idea that there was worship in Yamato and that, for various reasons, it moved out to Watarai district early on and developed into Ise Shrine.  Those who hold to the "late" theory of development see all of those stories as later inserts meant to explain away why Ise Shrine was so far away—and perhaps why Amaterasu was not included in the cool-kami club of court ritual.   Teeuwen and Breen mention a few of the theories, from Naoki Koujiro stressing Ise as a strategic gateway between Yamato and Eastern Japan to Tanaka Takashi proposing that the movement of Amaterasu to Ise is actually a stand-in for one or more military campaigns to that area to bring it under Yamato control. And before we move too much further in the narrative, let's talk about how Ise is physically and geographically situated.  Ise is part of modern Mie prefecture, on the eastern edge of the Ki peninsula.  It is at the southern end of a series of adjoining alluvial plains that follow the coastline north to the modern prefectures of Aichi and Gifu—the ancient provinces of Owari and Mino.  The capital of Ise Province used to be in Suzuka, near the the two Tsubaki shrines which both lay claim to the title of Ise no Ichinomiya, the First shrine of the land of Ise, and the pass that served as one of three major routes from eastern Japan into the Home Provinces and beyond.  This puts Ise about as far away as you can get from the capital of the province without going over the mountains, themselves.  It also puts it a good deal south of most major travel routes.  If you are going to Ise shrine then it is pretty clear you were going to Ise shrine, as there isn't a lot of evidence for anything else in the area. The Shrine itself is actually made up of two primary shrine complexes.  There is the Naiku, the inner shrine, and the Geku, or outer shrine.  The Naiku, or inner shrine, is probably the area most people think about.  It is at the foot of the mountains where the Shimamichi River joins the Isuzu River and both flow out of the mountains.  The Naiku contains the shrine to Amaterasu no Ohokami, and is famous for its layout, where there are actually two shrine enclosures, one next to the other.  The main shrine is then rebuilt in the empty enclosure every 20 years, at which point the worship is moved to the new shrine, the old shrine is torn down, and the cycle is started once again. The Outer Shrine, or Geku, is further north, and probably not as well known to foreigners.  The Geku is said to enshrine the spirit of Toyouke-bime, a kami dedicated to food.  According to the traditions of the Geku itself, Toyouke-bime was enshrined in the Geku at the command of Wakatakiru no Ohokimi, aka Yuuryaku Tennou, based on a dream. Regarding the history of why the Shrines—both Inner and Outer—are located here, archaeological evidence doesn't give us a lot to suggest that these might be the case.  Despite the presence of the Miya River near Ise Shrine, we haven't found evidence of a large harbor or port, like we might expect if it was the jumping off point for crossing Ise Bay—or even the center of another large polity.  Instead, the areas to the north—around Fujikata and Matokata inlets, for instance—show much more evidence of occupation and, presumably, use.  Heck, the modern district of Fujikata is in the town of "Tsu", which literally means "port".  And the capital area of Suzuaka and the Ichinomiya of Tsubaki Grand Shrine is even farther north, still.  So who, if anybody, was living down in the area of Ise Shrine?  If we look at the progression of tomb mounds in the area in previous centuries, we see that they start in the Matokata region in the 5th century and work their way down towards the south, with late 5th century tombs found in the district of Taki, the district bordering on Watarai and modern Ise City to the northwest.  It is also where you can find the Saikuu, the site of the old purification palace for the Shrine Princesses.  Grave goods seem to show close ties with Yamato, in the Nara basin.  While the tombs expanded to the south through the 5th century, they appear to have stopped altogether in the 6th century—or at least we haven't found any.  This may indicate that the political situation had changed and there was no group in the area that could organize the labor for such an undertaking.  Whether that was because Yamato was taking it as corvee labor or just that population had dwindled due to war, famine, or something else, I don't know that we could say. Around the year 600, at the opening of the 7th century, we do see a large grave mound erected in the core area of what would later become Ise Shrine, on the east side of the Miya River, overlooking what would become the Geku, the Outer Shrine of the Ise complex.  For those who aren't aware, Ise Grand Shrine is a large complex of shrines, and it is divided into two main areas.  The "inner shrine", or Naiku, is where most people go, and it is the site of the famous shrine building that is supposed to be rebuilt every 20 years.  The Geku is the "outer shrine" complex, technically dedicated to Toyouke hime, a kami of agriculture.  The kofun overlooking the outer shrine is known as the Takakurayama kofun.  This is a round kofun, about 35 to 40 meters in diameter, with a horizontal stone chamber.  It is the largest in the Ise region.  It has been mentioned in records going back to at least the Kamakura era, and even though most of the grave goods are gone, there is evidence that it was richly appointed.  Given its shape and location, there were even those in later centuries who connected it with the Heavenly Rock Cave in which Amaterasu hid according to the ancient stories. The fact that there was nothing around this area and suddenly we see a giant tomb mound is pretty puzzling.  Why was it built here?  Is it connected to the founding of the Outer Shrine in some way, or is that just coincidental?  Teeuwen and Breen point out that it is pretty rare for a large tomb mound to be build in the precincts of an active shrine, which suggests that whatever was happening there, that area was not part of the shrine grounds.  That said, I have to wonder if the ritual worship at the kofun might not have later been transformed or coopted into something else.  There also is no other indication that the Outer Shrine area was used for ritual purposes any earlier than the kofun would have been built.  In contrast, around the Inner Shrine area, several kilometers away, there are caches of beads dated to the 5th, 6th, and 7th centuries in a small valley where a brook runs down from Mt. Asama, not too far from the current shrine complex.  Teeuwen and Breen suggest that this may relate to the "upper reaches of the Isuzu River", mentioned in the Chronicles, and that it may have had to do with rituals related to water supply—hence being found at the point where the water was coming down from the mountains.  And yet, despite these finds, there really aren't any large scale archaeological remains that have been discovered east of the Miya river, though there are modest signs of dwelling and habitation, and some minor burials mounds. Compare this to Tsubaki shrine, the home of Saruta Hiko no Kami, and the main shrine of Ise, situated in the ancient capital of Ise no Kuni.  Downstream from there are numerous tomb mounds and indications of habitation.  So this was probably the center for early sun worship in the region. Teeuwen and Breen conclude that all of this indicates that the region of Taki and areas east of the Miya river were probably more of an outpost—no major powerful chieftains or large polity had set up in the region.  In the late 6th century, some power had to move in to build Takakurayama kofun, but that was an outlier.  Maybe this area just largely fell under Yamato hegemony.  And perhaps that was the key.  Perhaps initially this wasn't a place to center power and authority, but rather it was more like a prison.  It was a place far away from the court, where a deity that was more of a threat could be kept away from the palace and the sovereign.  Perhaps Amaterasu, or whoever the kami was at the time, was placed out here because of the threat they posed, much as the Chronicle seems to suggest—just not necessarily at the time that is suggested. One of the aspects of the mythmaking that we see in the Chronicles appears to be the stress on the Amatsu kami and Kunitsu Kami—the Heavenly deities and the Earthly deities.  The Heavenly deities are those in Takama no Hara, and they are the progenitors of the royal line.  On the other hand are the earthly kami, the Kunitsu Kami, those dwelling on the earthly plane.  In the stories that were recorded in the Nihon Shoki, before the August Grandchild of Takami Musubi and Ama Terasu descended to take control of the Central Land of the Reed Plain, they sent down heavenly kami as warriors to subdue the earthly kami.  On the one hand, this may have been driven by some kind of deep memory of early conquests of the archipelago by various forces.  However, these legends also served another purpose, in that they set up the royal family's right to rule, and appear to establish a de facto hierarchy between those families descended from the Heavenly Kami and those descended from the earthly Kami. Another thing that Teeuwen and Breen point out and that is that Amaterasu is not necessarily a female deity, to start with.  In fact, Amaterasu was probably easily overlain atop the worship of Oho-mono-nushi of Mt. Miwa, at least early on.  To that point, they note stories where Oho-mono-nushi and other deities were commonly depicted as arrows, snakes, or similarly phallic imagery finding or even penetrating women who were thought to have a connection with them.   This suggests a context of these priestesses being married to the kami, and even fits in with early descriptions of individuals like the famous Queen Himiko being a spiritual leader as well as a political one.  If the original Amaterasu was conceived of as a male deity, then this could also explain the tradition of the Saigu, the consecrated shrine princess.  We only see a few royal princesses designated to the position up to this point in the narrative, and, beyond Tokosuki Iri bime and Yamato hime, we don't necessarily learn much more.  One wonders if there weren't other royal princesses likewise sent elsewhere to serve other deities.  We know about Nunaki Iri Hime, and presumably Nunaki Waka Hime.  There was also Yamato Totohi Momoso Hime, who was married to Oho-mono-nushi.  Presumably there were others who just never ended up in the stories that were passed down. The idea of a kami taking a "wife" and connecting that to the idea of women holding these priestly positions seems to fall in line with much of what we see, though, as I said, we only hear occasionally about the appointment of royal princesses to the position until the reign of Ohoama.  That's when we see specifics about appointments, the purification palace in Hase, and other arrangements.  It makes you wonder more than a little bit if Royal Princess Ohoku was, perhaps, the first royal princess to actually be appointed.  It would have been easy enough to add in previous "shrine princesses" into the lineage, especially far enough back that nobody could really fact check it.  We also see Royal Princess Taki journey to Ise with her companions, Princess Yamashiro no Hime and Lady Ishikawa. It is intriguing that this practice was temporarily interrupted during the reign of Uno no Sarara, as I mentioned last episode.  Could this have something to do with a female ruler on the throne and a corresponding lack of urgency about having a female representative at Ise? And in stories about Amaterasu, she is frequently shown with certain masculine qualities.  When she confronts her younger brother, Susano'wo, she is concerned that he might try to take her authority from her, so she meets him decked out in armor, her hair tied up in a typical male fashion, with a bow, ready for a fight.  It would be just as easy to imagine that Amaterasu and Susano'wo were brothers, contending over rulership.  Add to all of that the idea that kami were often personifications of various natural phenomena or ideas, and Japanese is not a naturally gendered language, and there are those that believe that the stories of Amaterasu were not necessarily about a female deity in the beginning, but a male deity, similar to Ohomono Nushi and others, who then took on a feminine persona.  On the other hand there are passages in the old stories recounted in the Chronicles that clearly make Amaterasu out to be a woman. To start with the activities she is associated with, such as weaving, are often associated with women as something they do in the home.  This is a tradition carried over from the continent, along with silk and the techniques to weave it.  In the lands where silk production started, there are silkworm goddesses and the gendered nature of silk production and weaving appears to have come over to Japan as well.  There is also the fact that Amaterasu is said to have another name:  Oho-hiru-me no muchi.  In this case, it would seem to mean something like Great Noontime Female Possessor.  And in the weaving hall it is sometimes Amaterasu that is weaving and sometimes Waka Hirume.  "Hirume" certainly feels like a feminine name. There is the distinct possibility that the stories of Amaterasu as recorded were actually about two or more different kami, so Amaterasu and Ohohirume could have been separate deities having to do with the sun that were rolled into a single kami.  As mentioned before, it is also possible that Amaterasu ended up with some stolen valor taken from the other Ise deity worshiped at Tsubaki, Saruta-hiko no Kami.   Teeuwen and Breen also note that the name "Amaterasu" is hardly unique, noting at least ten other shrines with a kami called "Amateru" or "Amaterasu", mostly in Yamato, but some as far away as Kyushu and Tsushima.  Nine of those shrines were dedicated to Ame no Hoakari, an ancestor deity of the Owari lineage who was also closely tied to metalworking.  It is worth remembering that it was Owari who helped support Ohoama during the Jinshin no Ran, and who may have even fostered Ohoama for a while when he was just a young prince.  All that to say there may have been several different traditions that were all contributing different elements to the story. And then there is the connection between Amaterasu and Uno no Sarara. Herman Ooms, in his book: "Imperial Politics and Sybmolics in Ancient Japan", notes the similarities between Amaterasu and Uno no Sarara, talking about the differences between the Kojiki and the Nihon Shoki, both of which had events that mirrored Uno no Sarara's own life.  According to Ooms, "The Kojiki's Amaterasu is a transparent double of the female tennou Jitou".  He points out that Uno no Sarara, besides her posthumous title of Jitou Tennou, also had a title making reference to Takamanohara:  Takama no Hara Hirono no Hime—the Princess High-Heaven-Plain.  But beyond that, we also see other linkages between the stories.  For instance, it isn't Amaterasu's son, Ame no Oshihomimi who is given the realm, but rather her grandchild, Ninigi.  This parallels the way that Uno no Sarara's son, Kusakabe, didn't ascend to the throne, but instead Uno no Sarara was holding the seat for his son, her grandson.  So one sees how Uno no Sarara could be seen as Amaterasu, and her grandson, Prince Karu, could be seen as Ninigi, the August grandchild.  Teeuwen and Breen also note that during this same time, we see the rise of a new institution: the Jingikan.  Again, we touched on this last episode, so just a quick recap:  The Jingikan was a government organization set up specifically to oversee the shrines, rituals, ceremonies, and other such things pertaining to the kami matters.  It does not appear in the initial stand-up of the new, bureaucratic government, wherein is created the bureaus, ministries, or departments, depending on your chosen vernacular, which make up the Dajokan, the Great Council of State.  Instead, the Jingikan is a separate organization, specifically organized around kami matters. The term "Jingi" is also a shorthand for "Ama-tsu-kami, Kuni-tsu-kami", or the kami of Heaven and the Kami of the earth.  "Ama-tsu-kami", meaning Kami of Heaven, was written with two characters meaning "Heaven" and "Kami", pronounced "Tenjin".  "Kuni-tsu-kami", or the Kami of the Earth, was written as "Earth" and "Earth Spirit", which was then pronounced "Chigi".  By taking the last character of each compound Tenjin-Chigi becomes just Jingi, for short.  Throughout the Chronicles, this term, "Jingi" is thrown around when they want to quickly note all the kami, together, though sometimes it is fully written out as "Tenjin Chigi", as well.  Interestingly, "Tenjin" or "Ama tsu Kami", sometimes appears alone, especially in the chapters on the Age of the Gods.  However, "Chigi" seems to only be used in the whole phrase.  There are a few instances, however, of "Chijin" being used, but they are few. That said, the term "Jingikan", also read as "Kami Tsukasa" or even "Kan Zukasa",  doesn't appear until 690, in the reign of Uno no Sarara.  This probably means that it was part of the reforms encompassed by the Kiyomihara codes.  The head of the Jingikan is known as the Jingihaku or "Kan-zukasa no Kami".  This term actually shows up well in advance of the Jingikan itself, initially referring to an unnamed official or officials in charge of kami worship at the court.  Nakatomi no Kamatari is said to have been offered the position in the first reign of Takara, aka Kougyoku Tennou, though the first confirmed individual appears to be Nakatomi no Ohoshima, during the reign of Uno no Sarara. This appears to be a distinctly Yamato invention in the bureaucratic system.  It leverages the language and structure of the Tang dynasty, but in its own way.  There was a Tang department of shrines, but it was described differently, as befits a different spiritual environment focused on ancestor worship and Confucian and Taoist ideas.  The Jingikan system  seems to have been a deliberate re-organization of the indigenous kami worship, incorporating what was probably traditional roles into the new bureaucratic system.  In so doing, however, it also gave the court greater control, and given that this was happening at the same time as the establishment of various stories and myths around Ise and the foundation more generally, it appears to be part of a concerted and deliberate effort to construct a new narrative. All of this points to them architecting much of what was going on, from the stories to the landscape.  Ohoama likely built the inner shrine as we know it.  If it really was an obscure, out-of-the-way shrine, perhaps that also meant that there weren't any other powerful court factions that were enhanced by it.  And then, over time, the Ise shrine and the deity there could be better incorporated into the overall myths and stories that surrounded the formation of Yamato.  A new Yamato, one that would soon enough be referring to itself as the origin of the Sun:  Nippon, a name often attributed to Ohoama and Uno no Sarara, though not found in the record of their reigns in the Chronicles. Another aspect to all of this, however, is what happened immediately after Uno no Sarara's reign, and into the 8th and early 9th centuries.  In the 8th century—the Nara period—Buddhism started to merge with a lot of the local practices.  This was not uncommon.  Buddhism had been born in a land with myriad deities and styles of worship, and it had the means to incorporate local deities into its cosmological worldview.  Kami were just other beings, stuck in the cycle of rebirth, who, as sentient beings, could equally benefit from the Buddha's teachings.  They became guardians of Buddhist institutions, and the lines between shrines and temples were often blurred.  At the same time, kami worship was also taking on various concepts from continental worship, such that even today we find a lot of what we might consider Taoist practices influencing Shinto worship. Had this continued, worship of the kami may have been completely subsumed into the Buddhist ritual practices, but there were areas where kami worship remained distinct.  One of these was at Ise. Early on, there was an attempt to build a temple at Ise, but it didn't last long.  The temple was eventually moved out of the shrine complex, and then eventually it was removed altogether.  Later writings from the Shrine would include certain Buddhist terms among the things that were taboo within the shrine grounds, considering Buddhism as something of a corrupting or polluting influence.  Shrine Princeses, during their tenure, had to devote themselves to the kami, and though they might retire as nuns, later in life, during their appointment they were to be free of any Buddhist influences.  In many ways this would make Ise a prime example of what would eventually be termed "Shinto", which gave it, and the worship of Amaterasu, a certain pride of place.  Of course, it didn't hurt that it was also intertwined with the State and the founding myths of the nation.  As such, Ise Shrine and its worship would become a template for many others to follow, helping to shape what we know as "Shinto" today. There are still a lot of questions.  We don't exactly know what Uno no Sarara did on her trip to Ise Shrine, and we don't know how things surrounding the worship at Ise and of Amaterasu herself changed in the intervening years between when these events happened and when, about two to three decades later, the Chronicles were finalized and published.  Certainly some of this seems tied to the Fujiwara capital, which was no longer populated at that point, the move to Heijo-kyo, in Nara, occurring between 708 and 710, two years before the Kojiki and a decade before the Nihon Shoki would come out.  And yet, the three sacred mountains that were incorporated into the plan of the Fujiwara Capital, Mt. Kagu, Mt. Miminashi, and Mt. Unebi, seem to continue to be important.  This is especially true of  Mt. Kagu, whose heavenly counterpart, Ame no Kaguyama—literally Heavenly Mt. Kagu— continues to play a major role in the stories surrounding Amaterasu and the Heavenly Rock Cave.  In addition,Mt. Unebi is closely tied to the story of Iware-biko, aka Jimmu, conquering and settling the land—perhaps to draw attention away from the stories about Mimaki and Ikume iribiko, aka Sujin and Suinin, who were both associated more with Mt. Mimoro, aka Mt. Miwa.  So even though the physical presence was moved, by that point we know that foundation of many of these stories were likely laid down around the time that the Fujiwara capital was in operation.  What does seem clear is that, just as there were clear efforts to set up the new State government, including the new capital, the court were also taking control of other levers of power and influence.  We previously talked about how they had created National Temples and included government positions to oversee Buddhist affairs more generally.  With Ise and the creation of the Jingikan, it appears as though that trend continued with the traditional kami worship. Many of the elite families still had connections to their own shrines, with their own kami.  Through the stories collected and written down—with a few editorial additions to help place them in an approved context—they were able to construct a narrative from separate or divergent traditions.  These traditions had already accreted to themselves various stories and culture-ways, some of them with clear links to the continent and others with overlapping portfolios.  The kami, and the ability to intercede with them for their blessings or to avert their wrath, were a form of power that was being structured for the purpose of supporting the new State.  A state now under the control of one Uno no Sarara. And we don't exactly have to wonder about this… the preface of the Kojiki all but says it.  They put the words in the mouth of Ohoama, or, as they call him, the Sovereign of the Kiyomihara Palace.  But the words are pretty clear: "I hear that the Imperial Records and Ancient Writing handed down by the various houses have come to differ from the truth and that many false hoods have been added to them. If these errors are not remedied at this time, their meaning will be lost before many years have passed. This is the framework of the state, the great foundation of the imperial influence. Therefore, recording the Imperial Records and examining the Old Writings, discarding the mistaken and establishing the true, I desire to hand them on to later generations." With that, 28 year old Hieda no Are was given the command to learn all the stories and presumably to recite them for the court.  And several decades later, Oho no Yasumaro was given the task to take Are's stories and write them down.  I imagine that Hieda no Are, or perhaps someone else who had learned the stories well enough, would be called into court or banquets to present some of the stories, or would be asked questions if there was any need for precedence.  Thus creating a single source for truth, according to the administration.  At the same time, the court had a problem.  They couldn't control all of the sources of written material, with all of the various contradictions, so we also would eventually get the more comprehensive—but also less narratively direct—Nihon Shoki as well.  After all, the game of propaganda was being played at many levels, and while the royal household had their motivations—primarily to support the legitimacy of their claim to power and the system within which that claim was validated— other families wanted to ensure that they were properly recorded as having connections to traditional nexuses of power—be that the ancient kami of Heaven or Earth, or their relationship to the royal family.  This is because precedence was important, even as new traditions were being created.  Like the way that the Mononobe and the Nakatomi played important roles in Uno no Sarara's ascension ceremony despite the actual individuals using new or different names, like Isonokami or Fujiwara.  See Episode 151 for the explanation, there.  And new traditions were much easier to justify if you could connect them with older traditions—whether those older traditions were truly ancient or newly made inventions. And all of this suggests that this was not an accident and it wasn't simply being imposed from the top down.  One could be charitable and suggest that those involved felt that this got them closest to what the truth actually was, given that they had now been inculcated in a new worldview and they were trying to view the ancient stories through the interpretive lens of that worldview.  On the other hand, they were ultimately doing it to structure power and authority that favored them and the government they had created.  A government that they hoped would outlast them, and be passed on to their descendants. Next episode, we will continue our discussion of Uno no Sarara's life and reign and the incredible steps she took to ensure that her line would continue to rule Yamato for decades. Until then if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

On June 10, the Metropolitan Museum of Art in New York returned two pieces of artwork to Cambodia: an Angkor statue and a sandstone lintel. It's the latest repatriation effort by the U.S.'s premier art museum, and the third time the Met has had to give up Cambodian artifacts specifically. Matthew Campbell's The Man Who Stole The Gods: A True Story of War, Obsession, and a Global Art Conspiracy (Penguin, 2026) dives into the story of the Cambodian antiquities trade, from looted temples in the Cambodian forests, through dealers in Bangkok like Douglas Latchford, and then into museums and billionaire homes in the West. And he also digs into how this trade fell apart: How the U.S. Department of Justice and activists in Cambodia pressured dealers and museums like the Met to give this art back. Matthew is an award-winning reporter for Bloomberg Businessweek. His previous book, Dead in the Water—co-authored with Kit Chellel—was selected as a Book of the Year by The Economist, the Financial Times, and The Times. Matt has reported from more than twenty-five countries on crime, corruption, terrorism, economics, and the environment. His work has earned some of journalism's highest honors, including awards from the Gerald Loeb Foundation, the Overseas Press Club, the National Press Club, SOPA, and SABEW for both feature and investigative reporting You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Man Who Stole the Gods. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

We are joined by storyteller, author, and researcher, Chinenye Egbuna Ikwuemesi to talk about African intellectual history, colonial historiography, and the Yoruba creation story. Learn how Obatala broke the world, and then brought it back together again and became the patron of disability. Content Warning: This episode contains conversations about or mentions of racism, enslavement, surgery, death in childbirth, colonialism, and ableism. GuestChinenye Egbuna Ikwuemesi is a Nigerian-British author, researcher, and strategy advisor with twenty years of enterprise technology transformation experience across financial services and insurance. She is the founder of the Afrodeities Institute CIC and Afrodeities Press.Housekeeping- Books: Check out our previous book recommendations, guests' books, and more at spiritspodcast.com/books- Call to Action: Send in those urban legend emails!- Submit Your Urban Legends Audio: Call us! 617-420-2344Find Us Online- Website & Transcripts: spiritspodcast.com- Patreon: patreon.com/spiritspodcast- Merch: spiritspodcast.com/merch- Instagram: instagram.com/spiritspodcast- Bluesky: bsky.app/profile/spiritspodcast.com- Twitter: twitter.com/spiritspodcast- Tumblr: spiritspodcast.tumblr.comCast & Crew- Co-Hosts: Julia Schifini and Amanda McLoughlin- Editor: Bren Frederick- Music: Brandon Grugle, based on "Danger Storm" by Kevin MacLeod- Artwork: Allyson Wakeman- Multitude: multitude.productionsAbout UsSpirits is a boozy podcast about mythology, legends, and folklore. Every episode, co-hosts Julia and Amanda mix a drink and discuss a new story or character from a wide range of places, eras, and cultures. Learn brand-new stories and enjoy retellings of your favorite myths, served over ice every week, on Spirits.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're in a battle for our culture. It's a battle for our families and our faith. Join Pastor Jack Graham for today's PowerPoint as he brings a message encouraging us all, old and young alike, to take a stand for Christ in every area of our lives. To support this ministry financially, visit: https://www.oneplace.com/donate/395/29?v=20251111

2621 - The Bearded Bible Brothers are joined by Evangelist Israel Hanna and Sergeant Major Chaim Malespin to ascend Mount Hermon and detail the sins of the Bene Elohim. The team reveals Satan's game plan for the ages with the Genesis 6 perversion of mankind's seed.

In this episode of Fiction Fans your hosts can't stop talking about “The Prey of Gods” by Nicky Drayden, with both a spoiler-free overview and an in-depth discussion. The episode also includes a brief chat about how some Words are Weird (and hard to spell).Find us on Discord / Support us on PatreonThanks to the following musicians for the use of their songs:- Amarià for the use of “Sérénade à Notre Dame de Paris”- Josh Woodward for the use of “Electric Sunrise”Licensed under Creative Commons: By Attribution 4.0 License

The following was recoded live at San Fransisco Sketchfest at the Palace of Fine Arts on January 25th 2026. We've got the whole fam band on this one (Scott Passarella on Keys, Brett Morris on Guitar, and Dana Wickens on Drums!) This one is about brothers, cheese making, calculus, and the difference between dreams and careers. It also contains one tiny audio glitch during a sexy library song, but such is the will of the audio Gods. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the message Pastor Taylor preachers on the Bible character UZZAH and the undeniable weight and obedience we ought to have when it comes to Gods calling! Passion shouldn't be override the calling that God has for your life!follow us on instagram @reallifechurchwa 26201 180th Ave. SE Covington, WA 98042 Sundays @ 8:30 | 10 | 11:30

The most exhaustive survey that you will find of the “Bog Bodies” – the highly preserved human remains, often of ancient Iron-Age people whose lives were ended violently, that have been discovered in wetlands all across northern Europe, from Estonia to Ireland, over the past 250 years. We consider how, when, and why these often shockingly intact bodies have been found, what facts can be gleaned about who they were, and finally, when and where the practice of killing people and placing them into bogs originated (hint: it's in the title). In the next installment, we will discuss the competing theories as to why these Iron Age people died violently, incuding murder, execution, and sacrifice. Please support this podcast at any level to hear the patron-only lectures, including the previous episode of “Doorways in Time,” examining Catalhoyuk, the oldest town site on Earth -- www.patreon.com/c/u5530632 Image: The right hand of Old Croghan Man, 300s-200s B.C., discovered in Ireland, 2003 SOURCES: Books: Miranda Aldhouse-Green, “Bog Bodies Uncovered: Solving Europe's Ancient Mystery”; Ross & Dobins, “The Life and Death of a Druid Prince: The Story of Lindow Man, an Archaeological Sensation”; Karin Sanders, “Bodies in the Bog and the Archaeological Imagination”; Stead, Bourke, & Brothwell, eds., “Lindow Man: the Body in the Bog”; Melanie Giles, “Bog Bodies: Face to Face with the Past”; Peter Glob, “The Bog People: Iron-Age Man Preserved”; Dick Kirby, “Missing, Presumed Murdered: The McKay Case and Other Convictions without a Corpse” MA Thesis: Solen Ruffy, “The Violent Deaths of Kings and Priests in Ireland and Britain: Case Study of the Iron Age Bog Mummies,” etc., 2023, https://dumas.ccsd.cnrs.fr/dumas-04560083v1/file/Memoire-2023-LCCC-RUFFY_Solen.pdf Articles: Van Beek, et al, “Bogs, bones and bodies: the deposition of human remains in northern European mires,” Antiquity, Jan. 2023; R.C. Connolly, “Lindow Man: Britain's Prehistoric Bog Body,” Anthropology Today, Oct. 1985; Dalya Alberge, “Lindow Man ‘was a simple murder victim,” The Times, March 22, 2004; Ronald Hutton, “What Did Happen to Lindow Man?”, Worthing Archaeological Society Journal, spring 2004 Lecture: Ronald Hutton, “Gods of Prehistoric Britain,” 2022, https://www.youtube.com/watch?v=QjC0lGr4h04 Podcast Series: “The Discovery Series: The Bog Bodies,” https://podcasts.apple.com/us/podcast/the-discovery-series-the-bog-bodies/id1852306442

The guys kick things off with Scott's tale about attending the "wedding" of Travis Kelce and Taylor Swift before recapping his week-long trip to Paris. They also break down the final four teams remaining in the FIFA World Cup and discuss what to expect as the tournament heads toward the finish. Later, Gordo joins the show to preview the British Open at Royal Birkdale, sharing his favorite betting picks, sleepers, and players to watch for golf's final major of the year. The episode wraps up with a conversation about the WNBA Commissioner's canceled interview with Dan Patrick, plus thoughts on choosing the right program in College Football 27. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Flying Saucers, Unidentified Flying Objects, Unidentified Anomalous Objects, Foo Fighters, Ghost Rockets, Phantom Airships, Chariots of the Gods whatever you call them strange things have haunted our skies since the dawn of time. Are they invaders from outer space as imagined in Hollywood movies? Are they the product of psychological, sociological, and cultural factors? Are they nonterrestrial intelligences who are intimately linked to humanity? Instead of wrestling with theories and speculation, Nigel Watson speaks directly with ‘ordinary' people in the United Kingdom who have reported seeing UFOs and a wide range of startling associated phenomena, that in the past were considered by UFO investigators as too farfetched or ‘crazy.'You can find the book here:His page is here:Thank you to Nigel for joining me! Our Patreon is live, if you want to support the show and get Ad-Free episodes, bonus content, early release of the regular show and monthly prizes for everyone who signs up!Join now for $4 a month!You can also support the show by leaving a review to help spread the word.Don't forget, you can now show your support with our brand new Merchandise shop on Tee-Public!Click here for all the show merch!You can join us on Facebook and Instagram as well.You can also subscribe to our YouTube channel!Email us at mysteriesandmonsters@gmail.com with any feedback, guest suggestions or if you'd like to appear.           All artwork by Dean Bestall and the show was produced by Brennan Storr of the Ghost Story Guys. Our theme music is kindly provided by the amazing Weary Pines, you can find them here:  Intro - Zombies Ate My Shotgun     Outro - Into The Night #NigelWatson #UFOs #UAPs #AlienEncounters #Aliens #Abduction #Sighting #Experiencer #LiverpoolLeprachauns #Contact #Disclosure #ForteanTimes #HighStrangeness #PaulBennett #Nostalgia #Rendlesham #Warminster #Scunthorpe #BobLazar #DavidGrusch#ParanormalPerspectives #Ufology #AlienEncounters #JohnKeel #JacquesVallee

Share a commentPharaoh has evidence stacked to the ceiling and still refuses to bend. That's the tension we sit in as we keep walking through Exodus 7 to 10, where Moses and Aaron confront the most powerful ruler in the ancient world and Yahweh answers with signs that are anything but random. The plagues hit the Nile, homes, bodies, livestock, crops, and even the sun itself and we trace how each judgment exposes the emptiness of Egypt's gods and the fragility of Pharaoh's self-made divinity. We talk through the phrase about God hardening Pharaoh's heart, not as God inventing evil in a man, but as God bringing out what was already lodged there: stubborn pride that will not humble itself. From the staff becoming a crocodile to the magicians admitting “This is the finger of God,” the pattern is clear: counterfeit power can imitate for a moment, but it cannot stand. Along the way, we highlight the turning point where Goshen is protected, making the spiritual line unmistakable between God's people and Egypt's oppression. Then we bring it home with two personal lessons that land hard: obeying God may not bring the relief you expect, and serving God may not bring immediate results. If we build our faith on comfort or visible wins, we will quit when the pressure rises. If we build it on God's glory, we can stay steady even when the frogs are still croaking. Subscribe for more Bible teaching through Exodus, share this with a friend, and leave a review with your biggest takeaway or question from Pharaoh's story.Learn more about twenty-five years of global impact, and reserve tickets to our gala. https://www.wisdomonline.org/mp/25 Learn more: https://www.wisdomonline.org/Support the show

“Why only the Eucharist?” addresses the Church’s practice of offering the Eucharist without the precious blood, providing clarity for those exploring Catholicism. The discussion also touches on why God allows conception outside of marriage and the implications of mortal sin on salvation, offering a range of perspectives on these important topics. Join the Catholic Answers Live Club Newsletter Invite our apologists to speak at your parish! Visit Catholicanswersspeakers.com Questions Covered: 05:20 – I was raised southern baptist and looking into Catholicism. Why does the Church only give the people only the eucharist but not the precious blood? 20:10 – I'm a fallen-away-Catholic. Why does God allow people to be conceived outside of marriage? 28:40 – If a Catholic commits a mortal sin and dies instantly, can they go to heaven. What are your thoughts on why?