Podcast appearances and mentions of yasmin saikia

For more than four decades, Bruce Lawrence’s multivalent and fulsomely prolific scholarship has influenced and imprinted the Western study of Islam and Religious Studies more broadly in singularly profound ways. The Bruce B. Lawrence Reader: Islam Beyond Borders (Duke UP, 2021) edited and executed by Ali Altaf Mian brings together major texts and fragments from Lawrence’s intellectual oeuvre in a manner at once eminently accessible and pedagogically fertile. The Reader also includes a brilliant and extensive introduction by Ali Mian that presents a useful conceptual framing for approaching and benefiting from Bruce Lawrence’s intimidatingly diverse scholarship that ranges from medieval Muslim views on Hindu thought and practice, South Asian Sufism, modern fundamentalism, the Qur’an, and Islamicate art and aesthetics. A moving and intellectually enriching interview between Mian and Lawrence that explores the theoretical underpinnings and political manifesto of Lawrence’s illustrious career, and an equally moving and productive Afterword by historian Yasmin Saikia caps this treasure trove of a volume. The Bruce B. Lawrence Reader is sure to delight, captivate, and intellectually nourish scholars of Islam, religion, and indeed non-academics. It will also make a tremendous text to teach in various undergraduate and graduate courses. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices

For more than four decades, Bruce Lawrence’s multivalent and fulsomely prolific scholarship has influenced and imprinted the Western study of Islam and Religious Studies more broadly in singularly profound ways. The Bruce B. Lawrence Reader: Islam Beyond Borders (Duke UP, 2021) edited and executed by Ali Altaf Mian brings together major texts and fragments from Lawrence’s intellectual oeuvre in a manner at once eminently accessible and pedagogically fertile. The Reader also includes a brilliant and extensive introduction by Ali Mian that presents a useful conceptual framing for approaching and benefiting from Bruce Lawrence’s intimidatingly diverse scholarship that ranges from medieval Muslim views on Hindu thought and practice, South Asian Sufism, modern fundamentalism, the Qur’an, and Islamicate art and aesthetics. A moving and intellectually enriching interview between Mian and Lawrence that explores the theoretical underpinnings and political manifesto of Lawrence’s illustrious career, and an equally moving and productive Afterword by historian Yasmin Saikia caps this treasure trove of a volume. The Bruce B. Lawrence Reader is sure to delight, captivate, and intellectually nourish scholars of Islam, religion, and indeed non-academics. It will also make a tremendous text to teach in various undergraduate and graduate courses. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices

For more than four decades, Bruce Lawrence’s multivalent and fulsomely prolific scholarship has influenced and imprinted the Western study of Islam and Religious Studies more broadly in singularly profound ways. The Bruce B. Lawrence Reader: Islam Beyond Borders (Duke UP, 2021) edited and executed by Ali Altaf Mian brings together major texts and fragments from Lawrence’s intellectual oeuvre in a manner at once eminently accessible and pedagogically fertile. The Reader also includes a brilliant and extensive introduction by Ali Mian that presents a useful conceptual framing for approaching and benefiting from Bruce Lawrence’s intimidatingly diverse scholarship that ranges from medieval Muslim views on Hindu thought and practice, South Asian Sufism, modern fundamentalism, the Qur’an, and Islamicate art and aesthetics. A moving and intellectually enriching interview between Mian and Lawrence that explores the theoretical underpinnings and political manifesto of Lawrence’s illustrious career, and an equally moving and productive Afterword by historian Yasmin Saikia caps this treasure trove of a volume. The Bruce B. Lawrence Reader is sure to delight, captivate, and intellectually nourish scholars of Islam, religion, and indeed non-academics. It will also make a tremendous text to teach in various undergraduate and graduate courses. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices

For more than four decades, Bruce Lawrence’s multivalent and fulsomely prolific scholarship has influenced and imprinted the Western study of Islam and Religious Studies more broadly in singularly profound ways. The Bruce B. Lawrence Reader: Islam Beyond Borders (Duke UP, 2021) edited and executed by Ali Altaf Mian brings together major texts and fragments from Lawrence’s intellectual oeuvre in a manner at once eminently accessible and pedagogically fertile. The Reader also includes a brilliant and extensive introduction by Ali Mian that presents a useful conceptual framing for approaching and benefiting from Bruce Lawrence’s intimidatingly diverse scholarship that ranges from medieval Muslim views on Hindu thought and practice, South Asian Sufism, modern fundamentalism, the Qur’an, and Islamicate art and aesthetics. A moving and intellectually enriching interview between Mian and Lawrence that explores the theoretical underpinnings and political manifesto of Lawrence’s illustrious career, and an equally moving and productive Afterword by historian Yasmin Saikia caps this treasure trove of a volume. The Bruce B. Lawrence Reader is sure to delight, captivate, and intellectually nourish scholars of Islam, religion, and indeed non-academics. It will also make a tremendous text to teach in various undergraduate and graduate courses. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices

Members of Apple Hill's Playing for Peace ensemble will be on-hand to participate in a panel discussion at the Center on February 11, 2014. They will also be performing as part of the ASU Gammage BEYOND series on Saturday, February 15, 2014. The Playing for Peace program gets musicians from around the globe together and has them communicate in ways that would not ordinarily happen in their regions or native countries. The panel discussion—moderated by Yasmin Saikia, the Hardt-Nickachos Chair in Peace Studies—will reflect on these important questions: What is unique about music as a method of peace building? Since chamber music has a history and popularity in some cultures more than others, how does it create genuine cross-cultural exchanges all over the world? What peacebuilding skills are developed when pursing musical excellence and performing at events? How is music transformative for the performer? How has the experience of interacting with people through this program changed your concepts of peace and/or peacebuilding? What is the future of music as a tool for peacebuilding? Each of the panelists will be asked to respond briefly to a series of questions, leaving plenty of time for the audience to enter into the conversation. The panelists will include: > Leonard Matczynski - Apple Hill Director > Kinan Azmeh - clarinet > Sally Pinkas - pianist > Kareem Roustom - composer More on Playing for Peace™ Apple Hill believes that the pursuit of musical excellence leads to the development of confidence, creativity, and ambition, thus sparking positive social change in the individuals and the communities we serve. Central to the mission of Apple Hill is Playing for Peace™, an innovative program founded in 1988 where Apple Hill travels to the “hot spots” of the world—Turkey, Jordan, Israel, Egypt, and West Bank/Palestine in the Middle East, England, Northern Ireland, and the Republic of Ireland, Greek and Turkish areas of Cyprus, the Caucuses area of Russia, and inner city neighborhoods of the US—and places musicians from each community together, in small chamber ensembles. We coach them in the skills of chamber music—listening, watching, adjusting, and being flexible—that concludes with the students performing in a public concert. These particular musicians from areas of conflict or misunderstanding are given a task—to learn a piece of music together. The goal is to use the skills of chamber music to communicate with each other, which would not ordinarily happen in their regions or native countries. Over the years, Apple Hill has formed partnerships with music programs and institutions around the globe as part of the Playing for Peace™ program. In Spring 2014, ASU Gammage is bringing the Playing for Peace™ program to ASU. The centerpiece of the project is a new commission by Syrian composer Kareem Roustom that uses the unique sound of Apple Hill String Quartet and combines them with Syrian clarinetist Kinan Azmeh and Israeli pianist Sally Pinkas.

It's almost a cliche to say that war dehumanizes those who participate in it – the organizers of violence, those who commit violent acts, and the victims of violence. In her new book, Women, War, and the Making of Bangladesh: Remembering 1971 (Duke University Press, 2011), historian Yasmin Saikia seeks to explore humanity lost, and humanity reclaimed, by women and men who experienced the war that resulted in Bangladesh's independence. At the center of her story are women whose bodies became the battleground, as they were subjected to a wave of rapes perpetrated by enemy armies, local militias, and even civilians. Their stories were omitted from national histories of the conflict and they risked ostracism from their communities – unless they remained silent. And so they remained silent. But even thirty years later, the memories burned, and by finally telling their stories, they showed Saikia – and they show us – a different way to think about the war. Rather than competing Indian, Pakistani, and Bangladeshi versions of the 1971 war, we see an utterly human story of ordinary people living with war and its aftermath. Other experiences come to light too: Women who sought to participate in the war but were shoved aside by men. Women in the helping professions who tried to assist the victims. And men who committed acts of violence, and who now struggle to come to terms with their consciences. The Hardt-Nichachos Chair in Peace Studies at Arizona State University, Saikia lets ordinary people speak for themselves – and in so doing, she humanizes a story that's usually told as a struggle of nations. Together, she and her interview partners make us think anew about the possibilities for remorse, recovery, and forgiveness. Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s almost a cliche to say that war dehumanizes those who participate in it – the organizers of violence, those who commit violent acts, and the victims of violence. In her new book, Women, War, and the Making of Bangladesh: Remembering 1971 (Duke University Press, 2011), historian Yasmin Saikia seeks to explore humanity lost, and humanity reclaimed, by women and men who experienced the war that resulted in Bangladesh’s independence. At the center of her story are women whose bodies became the battleground, as they were subjected to a wave of rapes perpetrated by enemy armies, local militias, and even civilians. Their stories were omitted from national histories of the conflict and they risked ostracism from their communities – unless they remained silent. And so they remained silent. But even thirty years later, the memories burned, and by finally telling their stories, they showed Saikia – and they show us – a different way to think about the war. Rather than competing Indian, Pakistani, and Bangladeshi versions of the 1971 war, we see an utterly human story of ordinary people living with war and its aftermath. Other experiences come to light too: Women who sought to participate in the war but were shoved aside by men. Women in the helping professions who tried to assist the victims. And men who committed acts of violence, and who now struggle to come to terms with their consciences. The Hardt-Nichachos Chair in Peace Studies at Arizona State University, Saikia lets ordinary people speak for themselves – and in so doing, she humanizes a story that’s usually told as a struggle of nations. Together, she and her interview partners make us think anew about the possibilities for remorse, recovery, and forgiveness. Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s almost a cliche to say that war dehumanizes those who participate in it – the organizers of violence, those who commit violent acts, and the victims of violence. In her new book, Women, War, and the Making of Bangladesh: Remembering 1971 (Duke University Press, 2011), historian Yasmin Saikia seeks to explore humanity lost, and humanity reclaimed, by women and men who experienced the war that resulted in Bangladesh’s independence. At the center of her story are women whose bodies became the battleground, as they were subjected to a wave of rapes perpetrated by enemy armies, local militias, and even civilians. Their stories were omitted from national histories of the conflict and they risked ostracism from their communities – unless they remained silent. And so they remained silent. But even thirty years later, the memories burned, and by finally telling their stories, they showed Saikia – and they show us – a different way to think about the war. Rather than competing Indian, Pakistani, and Bangladeshi versions of the 1971 war, we see an utterly human story of ordinary people living with war and its aftermath. Other experiences come to light too: Women who sought to participate in the war but were shoved aside by men. Women in the helping professions who tried to assist the victims. And men who committed acts of violence, and who now struggle to come to terms with their consciences. The Hardt-Nichachos Chair in Peace Studies at Arizona State University, Saikia lets ordinary people speak for themselves – and in so doing, she humanizes a story that’s usually told as a struggle of nations. Together, she and her interview partners make us think anew about the possibilities for remorse, recovery, and forgiveness. Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s almost a cliche to say that war dehumanizes those who participate in it – the organizers of violence, those who commit violent acts, and the victims of violence. In her new book, Women, War, and the Making of Bangladesh: Remembering 1971 (Duke University Press, 2011), historian Yasmin Saikia seeks to explore humanity lost, and humanity reclaimed, by women and men who experienced the war that resulted in Bangladesh’s independence. At the center of her story are women whose bodies became the battleground, as they were subjected to a wave of rapes perpetrated by enemy armies, local militias, and even civilians. Their stories were omitted from national histories of the conflict and they risked ostracism from their communities – unless they remained silent. And so they remained silent. But even thirty years later, the memories burned, and by finally telling their stories, they showed Saikia – and they show us – a different way to think about the war. Rather than competing Indian, Pakistani, and Bangladeshi versions of the 1971 war, we see an utterly human story of ordinary people living with war and its aftermath. Other experiences come to light too: Women who sought to participate in the war but were shoved aside by men. Women in the helping professions who tried to assist the victims. And men who committed acts of violence, and who now struggle to come to terms with their consciences. The Hardt-Nichachos Chair in Peace Studies at Arizona State University, Saikia lets ordinary people speak for themselves – and in so doing, she humanizes a story that’s usually told as a struggle of nations. Together, she and her interview partners make us think anew about the possibilities for remorse, recovery, and forgiveness. Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s almost a cliche to say that war dehumanizes those who participate in it – the organizers of violence, those who commit violent acts, and the victims of violence. In her new book, Women, War, and the Making of Bangladesh: Remembering 1971 (Duke University Press, 2011), historian Yasmin Saikia seeks to explore humanity lost, and humanity reclaimed, by women and men who experienced the war that resulted in Bangladesh’s independence. At the center of her story are women whose bodies became the battleground, as they were subjected to a wave of rapes perpetrated by enemy armies, local militias, and even civilians. Their stories were omitted from national histories of the conflict and they risked ostracism from their communities – unless they remained silent. And so they remained silent. But even thirty years later, the memories burned, and by finally telling their stories, they showed Saikia – and they show us – a different way to think about the war. Rather than competing Indian, Pakistani, and Bangladeshi versions of the 1971 war, we see an utterly human story of ordinary people living with war and its aftermath. Other experiences come to light too: Women who sought to participate in the war but were shoved aside by men. Women in the helping professions who tried to assist the victims. And men who committed acts of violence, and who now struggle to come to terms with their consciences. The Hardt-Nichachos Chair in Peace Studies at Arizona State University, Saikia lets ordinary people speak for themselves – and in so doing, she humanizes a story that’s usually told as a struggle of nations. Together, she and her interview partners make us think anew about the possibilities for remorse, recovery, and forgiveness. Learn more about your ad choices. Visit megaphone.fm/adchoices