Infrequency is an ongoing podcast series of live performance recordings and artist commissions, in conjunction with Tate’s Intermedia Art programme. The podcasts will be infrequent and intriguing, building on and developing a legacy of avant-garde and con
The American composer Alvin Lucier was an early pioneer of sound works which use systems as a generative device. He has since produced innovations in many areas of musical composition and performance, including the notation of physical gestures, the use of brain waves in live performance, and the evocation of room acoustics for musical purposes. For this series of performances, Lucier presents work that has a strong connection to the artistic strategies represented in Open Systems: Rethinking Art c.1970.
The American composer Alvin Lucier was an early pioneer of sound works which use systems as a generative device. He has since produced innovations in many areas of musical composition and performance, including the notation of physical gestures, the use of brain waves in live performance, and the evocation of room acoustics for musical purposes. For this series of performances, Lucier presents work that has a strong connection to the artistic strategies represented in Open Systems: Rethinking Art c.1970.
The American composer Alvin Lucier was an early pioneer of sound works which use systems as a generative device. He has since produced innovations in many areas of musical composition and performance, including the notation of physical gestures, the use of brain waves in live performance, and the evocation of room acoustics for musical purposes. For this series of performances, Lucier presents work that has a strong connection to the artistic strategies represented in Open Systems: Rethinking Art c.1970.
The American composer Alvin Lucier was an early pioneer of sound works which use systems as a generative device. He has since produced innovations in many areas of musical composition and performance, including the notation of physical gestures, the use of brain waves in live performance, and the evocation of room acoustics for musical purposes. For this series of performances, Lucier presents work that has a strong connection to the artistic strategies represented in Open Systems: Rethinking Art c.1970.
A Radio Art composition exploring the roots of language and the tower of Babel
A Radio Art composition exploring the roots of language and the tower of Babel
A Radio Art composition exploring the roots of language and the tower of Babel
A Radio Art composition exploring the roots of language and the tower of Babel
A Radio Art composition exploring the roots of language and the tower of Babel
A Radio Art composition exploring the roots of language and the tower of Babel
A Radio Art composition translating Samual Beckett's wordless movement piece, Quad
A Radio Art composition translating Samual Beckett's wordless movement piece, Quad
Live improvisation at Tate Modern by Scanner and Stephen Vitiello, post-produced by the artists
Live performance by John White as part of Open Sound Systemsat Tate Modern
Exploring the use of system theory in sound as part of Open Sound systems at Tate Modern
Live Performance by Christian Marclay, Sounds of Christmas at Tate Modern
A real-time electro-acoustic improvisation performed live as part of The Sound of Heaven and Earth at Tate Modern
Live duel-site performance of Atlantic Waves by Robert Henke (aka Monolake) in collaboration with Torsten "T++" Pröfrock
Music by Sachiko M in collaboration with visuals by Ben Drew for The Long Weekend 2006 at Tate Modern
Live audio-visual performance as part of The Long Weekend 2007 at Tate Modern
Music by Nakamura in collaboration with visuals by Billy Roisz for The Long Weekend at Tate Modern
A Radio Art composition exploring the roots of language and the tower of Babel
A Radio Art composition translating Samual Beckett's wordless movement piece, Quad
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