Podcast appearances and mentions of ryoichi kurokawa

Proponemos un acercamiento a la primera edición de FOOLK, el festival de experimentación sonovisual de Málaga celebrado en La Térmica donde pudimos ver los conciertos que os invitamos a escuchar de : Electroverdiales, Amas y Ryoichi Kurokawa.Escuchar audio

With tracks from Johanna Knutsson, Booz, Diamond Version, Peter Van Hoesen & Donato Dozzy, Kangding Ray, Rhyw, DIN, Lakej, Notzing, Byetone, Perspectives, Vegim, Lars Huismann, Arbitrage, Oblivian, Oxygeno, Oscar Mulero, Deano and Ryoichi Kurokawa. For complete tracklist visit: https://individualactiviti.es Follow Sergio Vicaire here: https://soundcloud.com/vicairetattoo

这次节目邀请来自旧金山的华裔制作人 Le Fou (aka LIFEcell)，他也是柏林电视平台STRRR的创始人，推广欧洲最前沿的当代艺术，音乐，电影和时尚文化，他除了制作电子音乐以外还担任流行音乐和电影配乐的制作人和混音师，合作的艺人包括Snoop Dogg等欧美一线明星，他也将为我2月份即将发行的EP贡献制作一首remix，希望大家能支持我们。http://three-harmonic.comhttp://www.residentadvisor.net/dj/lefou-cnLe Fou (aka LIFEcell) is an electronic artist, content producer and entrepreneur from San Francisco with compositions that combine driving rhythms, angular noise, tonal harmonics and atmospheric textures. Straddling the space between ambient, techno and experimental composition, his voluminous catalog of work ranges from beat-less atmospheres to emotive club thumping "4-on-the-floor" harmonic techno arrangements. Classically trained in composition and piano at a young age by the eminent pianist and Shanghai Conservatory Professor Li Ruixing, his work has been featured in commercials, media platforms, documentaries, gallery exhibitions and events. With a recent vinyl release on the German/Beijing label Drum Rider, his current production work includes producing/remixing music for Tresor's Shao, Korea's underground rap sensation 6jidam (Yook Ji Dam), Snoop Dogg, a Tibetan documentary and remix work for Daniel Brandt (Brandt Brauer Frick, K7 records, Erased Tapes).He is also the cofounder and content director of STRRR, a Berlin based TV platform that showcases the best of the web through the lens of influential luminaries in the field of art, music, film, fashion and beyond. Presenters include Jean Michel Jarre, Gilles Peterson, Trevor Jackson, Hans Ulrich Obrist, Wolfgang Voight, Suzanne Ciani, Sven Marquardt, Ryoichi Kurokawa among others.

这次节目邀请来自旧金山的华裔制作人 Le Fou (aka LIFEcell)，他也是柏林电视平台STRRR的创始人，推广欧洲最前沿的当代艺术，音乐，电影和时尚文化，他除了制作电子音乐以外还担任流行音乐和电影配乐的制作人和混音师，合作的艺人包括Snoop Dogg等欧美一线明星，他也将为我2月份即将发行的EP贡献制作一首remix，希望大家能支持我们。http://three-harmonic.comhttp://www.residentadvisor.net/dj/lefou-cnLe Fou (aka LIFEcell) is an electronic artist, content producer and entrepreneur from San Francisco with compositions that combine driving rhythms, angular noise, tonal harmonics and atmospheric textures. Straddling the space between ambient, techno and experimental composition, his voluminous catalog of work ranges from beat-less atmospheres to emotive club thumping "4-on-the-floor" harmonic techno arrangements. Classically trained in composition and piano at a young age by the eminent pianist and Shanghai Conservatory Professor Li Ruixing, his work has been featured in commercials, media platforms, documentaries, gallery exhibitions and events. With a recent vinyl release on the German/Beijing label Drum Rider, his current production work includes producing/remixing music for Tresor's Shao, Korea's underground rap sensation 6jidam (Yook Ji Dam), Snoop Dogg, a Tibetan documentary and remix work for Daniel Brandt (Brandt Brauer Frick, K7 records, Erased Tapes).He is also the cofounder and content director of STRRR, a Berlin based TV platform that showcases the best of the web through the lens of influential luminaries in the field of art, music, film, fashion and beyond. Presenters include Jean Michel Jarre, Gilles Peterson, Trevor Jackson, Hans Ulrich Obrist, Wolfgang Voight, Suzanne Ciani, Sven Marquardt, Ryoichi Kurokawa among others.

Paul Roquet’s wonderful new book begins with an offering of jellyfish and proceeds to teach us how to read the air. Ambient Media: Japanese Atmospheres of Self (University of Minnesota Press, 2016) looks carefully at the phenomenon of ambient subjectivication or, the emergence of self with and through ambient media in modern Japan. Beginning in the 1970s, atmosphere was becoming ambient, according to Roquet, and the emergence and proliferation of new techniques of ambient subjectivication reflected a shift in how the person was understood, away from collective self-understanding and toward a model rooted in a liberal ideal of autonomy and self-determination. Each chapter of the book looks at some specific way that music, film, video, and literature from the 1970s onward have incorporated forms of ambient subjectivication, from the Erik Satie boom and the birth of environmental music of the late 1970s to the music of artists like Hatakeyama Chihei (whose 2006 Minima Moralia I highly recommend!), to films like Ichikawa Jun’s Tony Takitani, and much much more. The book is also a gateway into a world of arresting and inspiring electronic media, and I recommend reading with an internet connection at hand to explore experiences like Ryoichi Kurokawa’s rheo: 5 horizons, Tsuchiya Takafumis’ Apoptosis, and Ise Shoko’s Noema while you work through Roquet’s text. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul Roquet’s wonderful new book begins with an offering of jellyfish and proceeds to teach us how to read the air. Ambient Media: Japanese Atmospheres of Self (University of Minnesota Press, 2016) looks carefully at the phenomenon of ambient subjectivication or, the emergence of self with and through ambient media in modern Japan. Beginning in the 1970s, atmosphere was becoming ambient, according to Roquet, and the emergence and proliferation of new techniques of ambient subjectivication reflected a shift in how the person was understood, away from collective self-understanding and toward a model rooted in a liberal ideal of autonomy and self-determination. Each chapter of the book looks at some specific way that music, film, video, and literature from the 1970s onward have incorporated forms of ambient subjectivication, from the Erik Satie boom and the birth of environmental music of the late 1970s to the music of artists like Hatakeyama Chihei (whose 2006 Minima Moralia I highly recommend!), to films like Ichikawa Jun’s Tony Takitani, and much much more. The book is also a gateway into a world of arresting and inspiring electronic media, and I recommend reading with an internet connection at hand to explore experiences like Ryoichi Kurokawa’s rheo: 5 horizons, Tsuchiya Takafumis’ Apoptosis, and Ise Shoko’s Noema while you work through Roquet’s text. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul Roquet’s wonderful new book begins with an offering of jellyfish and proceeds to teach us how to read the air. Ambient Media: Japanese Atmospheres of Self (University of Minnesota Press, 2016) looks carefully at the phenomenon of ambient subjectivication or, the emergence of self with and through ambient media in modern Japan. Beginning in the 1970s, atmosphere was becoming ambient, according to Roquet, and the emergence and proliferation of new techniques of ambient subjectivication reflected a shift in how the person was understood, away from collective self-understanding and toward a model rooted in a liberal ideal of autonomy and self-determination. Each chapter of the book looks at some specific way that music, film, video, and literature from the 1970s onward have incorporated forms of ambient subjectivication, from the Erik Satie boom and the birth of environmental music of the late 1970s to the music of artists like Hatakeyama Chihei (whose 2006 Minima Moralia I highly recommend!), to films like Ichikawa Jun’s Tony Takitani, and much much more. The book is also a gateway into a world of arresting and inspiring electronic media, and I recommend reading with an internet connection at hand to explore experiences like Ryoichi Kurokawa’s rheo: 5 horizons, Tsuchiya Takafumis’ Apoptosis, and Ise Shoko’s Noema while you work through Roquet’s text. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul Roquet’s wonderful new book begins with an offering of jellyfish and proceeds to teach us how to read the air. Ambient Media: Japanese Atmospheres of Self (University of Minnesota Press, 2016) looks carefully at the phenomenon of ambient subjectivication or, the emergence of self with and through ambient media in modern Japan. Beginning in the 1970s, atmosphere was becoming ambient, according to Roquet, and the emergence and proliferation of new techniques of ambient subjectivication reflected a shift in how the person was understood, away from collective self-understanding and toward a model rooted in a liberal ideal of autonomy and self-determination. Each chapter of the book looks at some specific way that music, film, video, and literature from the 1970s onward have incorporated forms of ambient subjectivication, from the Erik Satie boom and the birth of environmental music of the late 1970s to the music of artists like Hatakeyama Chihei (whose 2006 Minima Moralia I highly recommend!), to films like Ichikawa Jun’s Tony Takitani, and much much more. The book is also a gateway into a world of arresting and inspiring electronic media, and I recommend reading with an internet connection at hand to explore experiences like Ryoichi Kurokawa’s rheo: 5 horizons, Tsuchiya Takafumis’ Apoptosis, and Ise Shoko’s Noema while you work through Roquet’s text. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul Roquet’s wonderful new book begins with an offering of jellyfish and proceeds to teach us how to read the air. Ambient Media: Japanese Atmospheres of Self (University of Minnesota Press, 2016) looks carefully at the phenomenon of ambient subjectivication or, the emergence of self with and through ambient media in modern Japan. Beginning in the 1970s, atmosphere was becoming ambient, according to Roquet, and the emergence and proliferation of new techniques of ambient subjectivication reflected a shift in how the person was understood, away from collective self-understanding and toward a model rooted in a liberal ideal of autonomy and self-determination. Each chapter of the book looks at some specific way that music, film, video, and literature from the 1970s onward have incorporated forms of ambient subjectivication, from the Erik Satie boom and the birth of environmental music of the late 1970s to the music of artists like Hatakeyama Chihei (whose 2006 Minima Moralia I highly recommend!), to films like Ichikawa Jun’s Tony Takitani, and much much more. The book is also a gateway into a world of arresting and inspiring electronic media, and I recommend reading with an internet connection at hand to explore experiences like Ryoichi Kurokawa’s rheo: 5 horizons, Tsuchiya Takafumis’ Apoptosis, and Ise Shoko’s Noema while you work through Roquet’s text. Learn more about your ad choices. Visit megaphone.fm/adchoices

Realidad elástica (15.03.2013-08.09.2013) forma parte del proyecto Más allá de la exposición: nuevas interfaces para el arte contemporáneo en Europa, que incluye, además de esta exposición, una residencia de producción, dos ciclos de proyecciones y un seminario. La exposición explora el establecimiento de nuevos hábitos culturales surgidos a partir de la revolución digital y cómo éstos modifican el acceso a las obras de arte. Como ejemplo de ello, la pantalla, el medio dominante, se ha convertido para las nuevas generaciones de “nativos digitales” en la herramienta favorita para su relación con la cultura. Del mismo modo, se analiza la evolución de las formas artísticas, normalmente asociadas al concepto de interactividad, prácticas que suelen ser formalmente inestables y de naturaleza efímera. Artistas: Théodora Barat, Veronique Beland, Pierre-Yves Boisramé, Vincent Ciciliato, Maya Da-Rin, Ryoichi Kurokawa, Joachim Olender, Zahra Poonawala, David Rokeby y Dorothée Smith.

El trabajo de Ryoichi Kurokawa (Osaka, Japón, 1978) es un flujo de imágenes y sonidos en movimiento eterno donde la noción de sinestesia es central, intentando establecer correspondencias sensoriales. Mol, 2012, toma su título del símbolo químico. Espejos y proyecciones holográficas exploran la cuestión de la representación y la percepción. Unas formas moleculares digitales que se multiplican eternamente en dos pantallas, formando una disposición espacial hacia la que el cuerpo del espectador se ve atraído.

Elastic Reality opens almost twenty years after the beginnings of Internet and about fifteen years since the advent of mass-market mobile telephony. These two technological innovations have profoundly changed our perception of the world we live in. Indeed, we now live permanently connected, in a time/space that is constantly redefined - a sort of uchronia in which this perception evolves with the increasingly fast flow of information transmitted from everywhere, and whose authors, whether known or not, are just as much professionals and experts as they can be our next-door neighbour, or a hacker ensconced in front of his screen: we participate in the making of a collective realm that has become global, and fragmented. Artists: Théodora Barat, Veronique Beland, Pierre-Yves Boisramé, Vincent Ciciliato, Maya Da-Rin, Ryoichi Kurokawa, Joachim Olender, Zahra Poonawala, David Rokeby and Dorothée Smith.

The work of Ryoichi Kurokawa (Osaka, Japan, 1978) is a stream of images and sounds in eternal motion where the notion of synesthesia is central, trying to relate sensory. Mol, 2012, takes its title from the chemical symbol. Mirrors and holographic projections exploring the question of representation and perception. A digital molecular forms which multiply endlessly on two screens, forming a spatial arrangement toward the body of the viewer is drawn.

Representaciones del sonido en la creación contemporánea. Esta muestra colectiva internacional comisariada por Fiumfoto se propone explorar la síntesis entre imagen y sonido, las diferentes representaciones gráficas y físicas del sonido y su evolución en el contexto del arte contemporáneo. El sonido no se puede alejar del hito que lo funda, que le da forma: espacio, vibración, onda, técnica para la representación, la percepción e incluso la visualización. 'Visualizar el sonido' (30.03.2012-25.06.2012) nace con la idea de generar un diálogo entre todas las piezas que lo componen, abarcando un siglo de creación en torno a la misma idea o concepto: dominar la onda, representarla y domesticarla, la necesidad de ir más allá de dónde nuestros sentidos nos hacen llegar y que, al fin y al cabo, es la esencia de todo arte. Artistas participantes: Pascal Broccolichi, Andreas Nicolas Fischer & Benjamin Maus, Andy Huntington/FABRICA, Ryoichi Kurokawa, David Letellier, Daniel Palacios, Lucía Rivero, Daniel Romero, Semiconductor y Zimoun.

Obra de la exposición Visualizar el sonido. Representaciones del sonido en la creación contemporánea. Las asombrosas composiciones audiovisuales de Ryoichi Kurokawa combinan materiales visuales y sonoros desde una perspectiva totalmente revolucionaria. 'rheo: 5 horizons', 2010, es una instalación audiovisual que se ha mostrado en LABoral en la exposición 'Visualizar el sonido' entre el 30 de marzo y el 25 de junio de 2012. Compuesta por cinco paneles de display planos y cinco altavoces multicanal, cada una de las series de imágenes verticales de la pieza se empareja con un sonido monocanal, y cada uno de los vídeos se sincroniza con un audio, yuxtaponiéndose en línea como si constituyeran un conjunto de cinco miembros aunque comportándose como cinco aparatos audiovisuales independientes. La síntesis con el movimiento de la imagen puede contribuir a reforzar la cognición espacial del sonido.

YAH Sonar 2009 Sonar 2009 is the latest show from You Are Hear Features live sets from: Colch-ón the solo project of Frank Rudow from the band Manta Ray. Lusine is the long-running ambient electronica of Seattle resident and Jeff McIlwaine (Ghostly International). Ryoichi Kurokawa - celebrated Japanese audio-visual composer. Michna with Raw Paw also from Ghostly International stable prolific electro-funk producer Adrian Michna performs with a live band. Alva Noto - sound artist Carsten Nicolai founder of Raster Noton. Michna / SV4 - Ghostly International (Adrian Michna and Sam Valenti IV (head honcho of cutting edge minimal label Spectral Sounds) SND - Matt Steel and Mark Fell from Sheffield (Raster Noton) Produced and presented by Magz Hall and Jim Backhouse check out our website www.youarehear.co.uk Sonar 2009 Recorded by Richard Guest Subscribe to the podcast you can get emails alerts sent to you direct everytime we update the feed. feedback www.myspace.com/youarehear YAH 2002-6 live radio sessions CD now available as download album via whippit.com YAH 2002-6 live radio sessions CD Hear us on www.totallyradio.com Podcast of the week in Time Out London!! " excellent alternative music show" "Critics Choice" The Independent Podcast of the week Time Out London!! " excellent alternative music show" "Critics Choice" The Independent

YAH Sonar 2009 Sonar 2009 is the latest show from You Are Hear Features live sets from: Colch-ón the solo project of Frank Rudow from the band Manta Ray. Lusine is the long-running ambient electronica of Seattle resident and Jeff McIlwaine (Ghostly International). Ryoichi Kurokawa - celebrated Japanese audio-visual composer. Michna with Raw Paw also from Ghostly International stable prolific electro-funk producer Adrian Michna performs with a live band. Alva Noto - sound artist Carsten Nicolai founder of Raster Noton. Michna / SV4 - Ghostly International (Adrian Michna and Sam Valenti IV (head honcho of cutting edge minimal label Spectral Sounds) SND - Matt Steel and Mark Fell from Sheffield (Raster Noton) Produced and presented by Magz Hall and Jim Backhouse check out our website www.youarehear.co.uk Sonar 2009 Recorded by Richard Guest Subscribe to the podcast you can get emails alerts sent to you direct everytime we update the feed. feedback www.myspace.com/youarehear YAH 2002-6 live radio sessions CD now available as download album via whippit.com YAH 2002-6 live radio sessions CD Hear us on www.totallyradio.com Podcast of the week in Time Out London!! " excellent alternative music show" "Critics Choice" The Independent Podcast of the week Time Out London!! " excellent alternative music show" "Critics Choice" The Independent

Live audio-visual performance as part of The Long Weekend 2007 at Tate Modern

demo clip.mp3 * title : port doc.1-5 artist : V.A. cat no. : PTCD001 track.06 "in visio / Ryoichi Kurokawa [daisyworld discs]" * 30sec.demo clip.mp3 more informations -> http://port-label.jp/catalog/001.htm