Podcasts about Tate Modern

Morse code transcription: vvv vvv King to attend first official LGBT event after veterans campaign Boy thrown from Tate Modern can now run, swim and jump family say The striking Swedish workers taking on carmaker Tesla Newspaper headlines Billions wasted on hotels for migrants and Trudeau, madly, deeply Pontyclun Road rage at funeral corteges happening weekly Home Office squandered billions on asylum accommodation, MPs say International troops wont want to enforce Gaza peace, says King of Jordan MoJ owes us 20m after contractor ISGs collapse, say suppliers Man dies in M6 crash after driving car wrong way Oil firm Petrofac files for administration

Morse code transcription: vvv vvv Boy thrown from Tate Modern can now run, swim and jump family say The striking Swedish workers taking on carmaker Tesla King to attend first official LGBT event after veterans campaign International troops wont want to enforce Gaza peace, says King of Jordan Home Office squandered billions on asylum accommodation, MPs say Oil firm Petrofac files for administration Man dies in M6 crash after driving car wrong way MoJ owes us 20m after contractor ISGs collapse, say suppliers Newspaper headlines Billions wasted on hotels for migrants and Trudeau, madly, deeply Pontyclun Road rage at funeral corteges happening weekly

Morse code transcription: vvv vvv Boy thrown from Tate Modern can now run, swim and jump family say Oil firm Petrofac files for administration Newspaper headlines Billions wasted on hotels for migrants and Trudeau, madly, deeply Pontyclun Road rage at funeral corteges happening weekly The striking Swedish workers taking on carmaker Tesla Man dies in M6 crash after driving car wrong way MoJ owes us 20m after contractor ISGs collapse, say suppliers Home Office squandered billions on asylum accommodation, MPs say International troops wont want to enforce Gaza peace, says King of Jordan King to attend first official LGBT event after veterans campaign

Morse code transcription: vvv vvv Man dies in M6 crash after driving car wrong way The striking Swedish workers taking on carmaker Tesla Newspaper headlines Billions wasted on hotels for migrants and Trudeau, madly, deeply King to attend first official LGBT event after veterans campaign Home Office squandered billions on asylum accommodation, MPs say Boy thrown from Tate Modern can now run, swim and jump family say Oil firm Petrofac files for administration MoJ owes us 20m after contractor ISGs collapse, say suppliers Pontyclun Road rage at funeral corteges happening weekly International troops wont want to enforce Gaza peace, says King of Jordan

Leigh Bowery was not a man you could overlook. Born in Sunshine, Melbourne, he left Suburbia for Soho, London, remaking himself into someone impossible to contain.At the club Taboo, he was ringmaster of chaos. For artist Lucian Freud, muse. For the queer underground, Leigh was revelation: proof that life itself could be spectacle, and spectacle survival.Tate Modern's recent exhibition Leigh Bowery! brought his world back into focus, and the curator Fiontan Moran talks about Leigh's legacy: how a Melbourne boy became a myth, and why he continues to matter today.

Morse code transcription: vvv vvv Epping migrant sex offender to be deported this week Lammy Reform MP Sarah Pochins comments about adverts were racist, Wes Streeting says Suspect video released after racially aggravated Walsall rape Food stamps US government says it will stop paying for food aid next week Football match abandoned after Dorchester FC player injured Two arrested over theft of jewels at Louvre, French media report Inside Syrias jail for IS suspects as officials say attacks by group are rising Boy thrown from Tate Modern can now run, swim and jump family say What went wrong with Pizza Hut Egypt and Red Cross join search for hostage bodies in Gaza

Morse code transcription: vvv vvv Reform MP Sarah Pochins comments about adverts were racist, Wes Streeting says Suspect video released after racially aggravated Walsall rape Epping migrant sex offender to be deported this week Lammy Two arrested over theft of jewels at Louvre, French media report What went wrong with Pizza Hut Inside Syrias jail for IS suspects as officials say attacks by group are rising Boy thrown from Tate Modern can now run, swim and jump family say Food stamps US government says it will stop paying for food aid next week Football match abandoned after Dorchester FC player injured Egypt and Red Cross join search for hostage bodies in Gaza

Morse code transcription: vvv vvv Reform MP Sarah Pochins comments about adverts were racist, Wes Streeting says Epping migrant sex offender to be deported this week Lammy What went wrong with Pizza Hut Football match abandoned after Dorchester FC player injured Suspect video released after racially aggravated Walsall rape Inside Syrias jail for IS suspects as officials say attacks by group are rising Egypt and Red Cross join search for hostage bodies in Gaza Boy thrown from Tate Modern can now run, swim and jump family say Food stamps US government says it will stop paying for food aid next week Two arrested over theft of jewels at Louvre, French media report

Morse code transcription: vvv vvv Boy thrown from Tate Modern can now run, swim and jump family say Food stamps US government says it will stop paying for food aid next week Suspect video released after racially aggravated Walsall rape Egypt and Red Cross join search for hostage bodies in Gaza Reform MP Sarah Pochins comments about adverts were racist, Wes Streeting says Two arrested over theft of jewels at Louvre, French media report Football match abandoned after Dorchester FC player injured Inside Syrias jail for IS suspects as officials say attacks by group are rising What went wrong with Pizza Hut Epping migrant sex offender to be deported this week Lammy

Episode 497 / Gretchen AndrewGretchen Andrew is an artist born in Los Angeles, United States, 1988 who lives and Works in London and Park City, Utah. She studied Information Systems and got a BS from Boston College, and worked for Intuit as a Software Engineer, Google as a People Technology Manager, and apprenticed with Billy Childish at his studio.She's had shows at Gray Area, San Francisco, Heft Gallery, NYC, Hope 93, London. FxHash, Berlin Art Week, Galloire, Dubai UAE,  Falko Alexander, Cologne, Germany, Annka Kultys Gallery, London, United Kingdom and many others.She's shown at fairs including 2025 Expo Chicago, 2024 Untitled Miami, Paris Photo (21C Award, solo presentation) and the 2022 Vienna Contemporary (solo presentation).She has lectured at the Tate Modern, the Luma Foundation in Zurich, the Mia Foundation in Dubai and the University of Chicago.

Send us a textA week off turned into a reset I didn't know I needed: a solo first-class dash to Paris for skincare and quiet, then a Black Tech Fest panel that cracked open my entire view of leadership. Four Black women drew a bright line between management and leadership, spoke candidly about mental health and neurodiversity, and made the case for sponsorship over mentorship names in rooms, budgets for growth, introductions that move careers. I walked in curious and walked out ready to lead.We go deep on intentional careers: how to “go where your joy is” even if you don't love your job, how motherhood routines can make ambition sustainable, and why vision board parties miss the point. Intention is private work; keep it sacred, operationalise it with a living plan, and hold yourself to it. From there, we challenge the culture of “keeping up” around luxury and counterfeits, and talk plainly about authenticity, access, and the quiet power of buying only what you can maintain.There's heat in the headlines, too. Drake's defamation suit over Kendrick's diss gets tossed because context matters; Diddy's sentencing lands with industry shockwaves; Nicki and Cardi's feud crosses lines children should never be pulled across. Then we widen the lens: Ghana's call for reparations at the UN, Burkina Faso's resource sovereignty, and what real liberation looks like when policy finally matches pride. We close at Tate Modern's Nigerian Modernism exhibition a stunning, seven‑month celebration of art that remembers, resists, and reimagines and a peek at Sister Scribble, my new stationery brand built for creative focus and cultural joy.Press play for leadership clarity, career intention, pop culture scrutiny, and a generous dose of Black excellence and art. If this moved you, follow, rate, and share with a friend then tell me: what intention are you setting next?Sponsorships - Email me: hello@toyatalks.com Cc: toyawashington10@gmail.comTikTok: toya_washington Twitter: @toya_w (#ToyaTalksPodcast) Snapchat: @toyawashington Instagram: @toya_washington & @toya_talks www.toyatalks.comhttps://toyatalks.com/ Music (Intro and Outro) Written and created by Nomadic Star Stationary Company: Sistah Scribble Instagram: @sistahscribble Website: www.sistahscribble.com

In a week where:Tim Westwood is charged with four counts of rape.A Gaza-Israeli ceasefire & hostage deal is approved.Drake's lawsuit against Universal Music Group is dismissed.Diane Keaton, Oscar-winning actor, dies aged 79.Afghanistan & Pakistan get into conflict.In Life: (9:34) As the ceasefire is already breached by Israel, we look to a story about stories and how they'll always live on even if they kill all the storytellers. (Excerpt By Huda Fakhreddine)In Environment: (27:24) If you wanted another atrocity that you know scarily little about, then let me tell you what British companies like BP & Unilever are doing in West Papua! (Article By Samira Homerang Saunders & David Whyte)In Music: (37:00) As I continue to hate on Chris Brown, it has come to my attention that - at this point - I might be in the minority, even if my stance is valid. (Article By Craig Jenkins)Lastly, in Culture: (55:12) Tate Modern is hosting a fresh look at Nigerian Modernism and the paths Nigerian artists have taken in response to life pre & post-colonialism (Article By Jason Okundaye)Thank you for listening! If you want to contribute to the show, whether it be sending me questions or voicing your opinion in any way, peep the contact links below and I'll respond accordingly. Let me know "What's Good?"Rate & ReviewE-Mail: the5thelelmentpub@gmail.comTwitter & IG: @The5thElementUKWebsite: https://the5thelement.co.ukPhotography: https://www.crt.photographyIntro Music - "Too Much" By VanillaInterlude - "Charismatic" By NappyHighChillHop MusicOther Podcasts Under The 5EPN:Diggin' In The Digits5EPN RadioBlack Women Watch...In Search of SauceThe Beauty Of Independence

Tate Modern continues to explore the histories of Modern art beyond the European and North American canons that were once its focus. This week it opened the exhibition Nigerian Modernism, and The Art Newspaper's digital editor, Alexander Morrison, speaks to the show's co-curator, Osei Bonsu, and to one of the 50 artists in the exhibition, Jimoh Buraimoh. Before the 12-day war between Israel and Iran in June of this year, the art scene in the Iranian capital, Tehran, was thriving. Sarvy Geranpayeh, one of our correspondents for the Middle East, travelled to Tehran for The Art Newspaper and tells Ben Luke how the art world has responded in the aftermath of the conflict. And this episode's Work of the Week is Cakes (1963) by Wayne Thiebaud, a painting in the National Gallery of Art in Washington that has travelled to the Courtauld Gallery in London for Wayne Thiebaud: American Still Life, the first UK museum exhibition of his art. We visit the show and speak to Barnaby Wright, its co-curator.Nigerian Modernism, Tate Modern, London, until 10 May 2026.Wayne Thiebaud. American Still Life, Courtauld Gallery, London, 10 October-18 January 2026.LAST CHANCE student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available.https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

25 Joer Innovatioun a spektakulär Installatiounen an engem Gebai, dat industriell Architektur gekonnt asetzt.: Den Tate Modern zu London feiert dëst Joer säi 25 Gebuertsdag. Dëse Musée ass duerch seng spektakulär Installatiounen an innovativ Kuratioun zu engem vun de beléiftsten zäitgenëssesche Muséeë vun der Welt ginn. Mee déi lescht Jore ware fir den Tate Modern net einfach. D‘Claire Barthelemy mat Detailer vu London

I am so excited to say that my guest on the GWA podcast is one of the most influential artists working in the world right now, TANIA BRUGUERA! Hailed for her installation and participatory performance works that blur the boundaries between art and reality, Bruguera has dedicated her life to making work that explores freedom of expression, immigration, totalitarianism, and human rights. She has brought attention to the strict control of Cuban authorities by confronting visitors at Tate Modern with performer police officers on horseback, to setting up an open debate on an official-looking stage at the Havana Biennale to give people license to say what they want for one minute… Her work – often set in the framework of the theatre – has continued to push art to its limits and grant space for important and difficult conversations to take place. As she has said: “In a way, when you talk about politics, there is a lot of theatre involved. And what I'm trying to do with my art is how can we break the classic theatre where everything has already been decided, into a place where people can add something to the discourse”. Born in Cuba in 1968, Bruguera was raised during the era of Fidel Castro by a diplomat and minister father in the Castro government. She moved three times – to Paris, Lebanon, and Panama – before returning to Havana, where she graduated from the Escuela de Arte San Alejandro, and would go onto complete MFAs in painting and performance in Havana and Chicago. Since then, Bruguera has researched both the promise and failings of the Cuban Revolution, in performance pieces that allow her audience to unite and gather together and see and experience what lies behind governmental propaganda. Not only do these works speak universally, transcending time and place, but they are a great comment on the promises and failings of institutions and governments today. The founder of the first performance studies programme in Latin America, known as the Behaviour Art School, Bruguera is also Senior Lecturer in Media & Performance, Theater, Dance & Media at Harvard University, where we are recording with her today, and, as an artist I have admired for a very young age, I really can't wait to find out more. --- My new book, How To Live An Artful Life: https://www.waterstones.com/book/how-to-live-an-artful-life/katy-hessel/9781529155204 --- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

Kerry James Marshall: The Histories at the Royal Academy of Arts in London is the largest ever European retrospective of the work of the US artist and has been greeted with universal critical acclaim. Ben Luke takes a tour of the exhibition with Mark Godfrey, its curator, and visits a related exhibition of Marshall's graphic novel project, Rythm Mastr, at The Tabernacle in Notting Hill, London, with the co-curator of that show with Godfrey, Nikita Sena Quarshie. Last week, the National Gallery in London announced that it will build a major new extension, at a cost around £400m, of which £375m has already been raised. Project Domani, as it is called, is billed by the National as the largest transformation since it was founded, 200 years ago. The National will also expand its collecting boundary beyond 1900 in a major shift in the division of UK national collections. The Art Newspaper's digital editor, Alexander Morrison, talks to the director of the National Gallery, Gabriele Finaldi. And this episode's Work of the Week is The Three Dancers by Pablo Picasso, one of the greatest of all the many thousands of works by the Spanish artist. The painting was made in 1925 and Tate Modern is celebrating its centenary with an exhibition, Theatre Picasso, in which The Three Dancers is the centrepiece. Ben talks to Natalia Sidlina, co-curator of the exhibition, and to Enrique Fuenteblanca who, with the artist Wu Tsang, has designed the radical staging of the exhibition.Kerry James Marshall: The Histories, Royal Academy of Arts, London, 20 September-18 January 2026; Kunsthaus Zürich, 27 February-16 August 2026; Musée d'Art Moderne de Paris, 18 September 2026-24 January 2027; Rythm Mastr: The Chronicles, The Tabernacle, London, until 14 December.Theatre Picasso, Tate Modern, London, until 12 April 2026.Student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available. https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

Tate Modern is inviting visitors to enter ‘Theatre Picasso', a major exhibition marking the centenary of Picasso's painting ‘The Three Dancers' 1925. The exhibition will bring together around 50 works by one of the most influential figures of the 20th century, exploring how he imbued his work with a sense of theatricality.  Coinciding with Tate Modern's 25th anniversary year, ‘Theatre Picasso' will continue the gallery's history of presenting foundational figures from art history in fresh light. At the Press view of ‘Theatre Picasso' on Monday 15 September 2025 RNIB Connect Radio's Toby Davey caught up with Andrew de Brún, Assistant Curator for International Art at Tate for an insight into the ‘Theatre Picasso' exhibition looking at Picasso's work, maybe going behind the mask of the Artist himself and looking at the influence of his work today too. The ‘Theatre Picasso' exhibition continues at Tate Modern until 12 April 2026.  Audio described tours of the exhibition with one of Tate's Visitor Engagement Assistants can be booked in advance by either emailing hello@tate.org.uk or calling 020 7887 8888.   More details about the ‘Theatre Picasso' exhibition can be found on the following pages of the Tate website - https://www.tate.org.uk/whats-on/tate-modern/theatre-picasso Image shows: 'Bottle of Vieux Marc, Glass, Guitar and Newspaper' (1913) Tate. © Succession Picasso DACS, London 2025. 

As news has broken of the death of Robert Redford aged 89, Front Row looks back over his astonishing career, from roles in iconic films such as All The President's Men and Butch Cassidy and the Sundance Kid, to his environmental activism and his support for independent films through the Sundance Film Festival.Mark Ronson talks about his new memoir, Night People, reflecting on his rise from DJ to superstar producer behind hits such as Uptown Funk and Amy Winehouse's Back to Black album. Caoilinn Hughes talks to Tom about being shortlisted for the BBC National Short Story Award for her story Two Hands.And we explore Picasso's fascination with theatre and performance via a new exhibition at Tate Modern called Theatre Picasso. Artist Wu Tsang and curator Natalia Sidlina are in the studio to discuss Picasso in a new light. Presenter: Tom Sutcliffe Producer: Tim Bano

Today Prime Minister Sir Keir Starmer has been warned that he will be ousted unless he changes course. Labour MPs are reeling over high-profile sackings and resignations in recent weeks, including Angela Rayner who quit as Deputy Prime Minister following a tax scandal and Peter Mandelson being fired a British Ambassador to the US over his relationship with paedophile Jeffrey Epstein. It comes as Labour is trailing behind Nigel Farage's Reform UK in opinion polls. The Standard's Chief Political Correspondent Rachael Burford is here with the latest. And in part two, The Standard's Head of Culture Martin Robinson joins us to review the Tate Modern's new exhibition, Theatre Picasso, which sheds new light on the artist's work and his fascination with performance. Hosted on Acast. See acast.com/privacy for more information.

In today's episode, I'm joined by Kate Stewart, founder of Factory Floor Jewels. Kate creates contemporary jewellery using mixed metals and reclaimed materials, with stories that trace back to her childhood and her father's engineering background.   We dive into: How storytelling shapes her collections and makes them stand out to buyers The role trade shows have played in building trust and long term stockist relationships Why persistence (without pushiness) is key to reorders How markets and events feed into product development and retail insights Kate's proudest wholesale moments, from landing major galleries to seeing her work in Tate Modern   This is a brilliant listen if you want insight into building a strong wholesale brand that retailers remember and reorder from.   Timestamps 00:00 Welcome and introduction 00:23 Upcoming free workshop: Cracking Christmas 01:29 Meet Kate from Factory Floor Jewels 02:50 Kate's journey and inspiration 04:02 Wholesale and retail strategies 07:16 Trade shows and branding 11:45 Storytelling in jewellery collections 16:08 Building relationships with retailers 18:55 Persistence and motivation 24:17 Proudest moments and conclusion   Free Workshop: Cracking Christmas Build Your Sales Plan for Your Best Q4 Yet

Today, Ceri is joined by the brilliant and boundary-breaking Pari Ehsan, artist, curator and founder of the platform Pari Dust. She weaves transcultural aesthetics, fashion, architecture and contemporary art into rich, immersive images and experiences. A former architect and polymathic image maker, she has collaborated with institutions like MoMA, Tate Modern and brands like Chanel and Loewe. KEY TAKEAWAYS Pari shows us how intuition can be a research method and how beauty, far from being frivolous, is a site of inquiry, emotion and connection. There's a generosity in Pari´s way of working, a desire not just to witness but to translate, to honour the artists she engages with, while also inviting new audiences in. Artists often undervalue their take on the world, their knowledge. The value is not just in the finished work; it's in the research and the curiosity adventures the artist goes on to create it. BEST MOMENTS “Let Pari's work be a provocation to get closer, to stay curious, to make your own strange and luminous mark on the world.” "The idea that beauty is that cookie cutter image or something that really can be replicated, I don't think that's true. Beauty can come in moments and disappear, it´s ephemeral." “It's possible to create work that is both emotionally resonant and intellectually sharp. Care can be your compass, even when you're breaking new ground.” EPISODE RESOURCES https://www.paridust.com https://www.instagram.com/paridust https://www.tiktok.com/@paridust HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** The Artist Mastermind Circle: Ready to stop second-guessing and start building momentum in your art career? Applications are now open for the next Artist Mastermind Circle—a six-month coaching programme for mid-career artists who are serious about growing their confidence, income, and opportunities. Apply by September 15th, 2025, at https://cerihand.com/artist-mastermind-circle and take the next bold step. Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk

What is the political potential of live, embodied interactions? Celebrated artist Tino Sehgal believes they matter deeply. In our highly polarized, mediatized, and capitalized society, Sehgal has the courage to create artworks that are immaterial and leave no trace at all.For over two decades, Sehgal's work has disrupted the art world's system—a system that values objects over labor and the individual over the collective. In the first episode of the art series In Our Time, curator Azu Nwagbogu and Tino Sehgal explore the art and politics of presence. What role can social interactions in public space play in a time when political leaders around the world are openly attacking museums and the art world?During the conversation the audience experienced and participated in the work of conceptual and performance artist Lisette Ros.About the speakersTino Sehgal (London), is an artist working and living in Berlin. Originally studying political economy and dance, he crossed over to the visual arts in 2000. He achieved international renown for his groundbreaking ‘constructed situations': live encounters between visitors and those enacting the work. He presented his work at the Venice Biennale, Documenta in Kassel, in the Guggenheim Museum in New York, Tate Modern in London and Stedelijk Museum in Amsterdam.Azu Nwagbogu (Nigeria) is internationally acclaimed curator. He is the founder and director of African Artists' Foundation, and serves as Founder and Director of LagosPhoto Festival. He is the creator of Art Base Africa, a virtual space to discover and learn about contemporary African Art. In 2024 he curated the first-ever Benin Pavilion at the 60th Venice Biennale, titled Everything Precious is Fragile.Lisette Ros (1991), a Dutch conceptual and performance artist, who identifies as queer, woman and fluid, with roots in Indonesia, explores the interplay betweensociety, identity, and the human experience through her work. Using her body as a medium, she challenges societal norms and exposes the consequences of sociocultural practices. Ros' work has been showcased globally, including performances at prestigious events like the Venice Architecture Biennale (2016) and South By Southwest (SXSW) in Austin (2018). Ros completed a residency with Marina Abramović in 2021 and has received grants for her ongoing ‘My Self' series researching the self and the identification process.This programme is a part of the Forum on European Culture 2025 en took place on June 29 2025.Programme editor: Merlijn GeurtsModerator: Yoeri AlbrechtZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Deux fois par jour, la marée dévoile les rives de la Tamise, permettant à des dizaines de Londoniens de venir ratisser les plages à la recherche de vestiges archéologiques. Ces trouvailles, fortement régulées par la ville, permettent de reconstruire, collaborativement, l'histoire de la capitale britannique.   Les cloches de la cathédrale Saint-Paul de Londres retentissent au loin. Les touristes font la queue devant la Tate Modern, musée situé sur la rive opposée. La marée atteindra son point le plus bas dans une demi-heure. Alors, Carolina se fraie un chemin sur la plage de galets de Cannon Street, dotée de gants en latex et de bottes imperméables. « Ici, c'est un endroit très spécial, s'enthousiasme-t-elle, on peut trouver des restes très anciens, jusqu'à l'époque romaine, mais on n'a pas le droit de creuser. »   Ce matin-là, ils sont une poignée armés, comme elle, d'un petit seau en plastique, à ratisser du regard la rive de Tamise. Leur passion : le « mudlarking », un mot intraduisible qui décrit les fouilles archéologiques entreprises par ces Londoniens amateurs sur les bords de leur fleuve. En quelques minutes, Carolina a déjà ramassé quelques trésors : « Voyez, un fragment de céramique bleue ici, sûrement un vase. Ça, c'est un bout d'os, du temps où les bouchers jetaient leurs carcasses dans la Tamise... Et là, un morceau de pipe, mais je ne vais pas le prendre. » Il faut dire que ces longs tubes d'argile, parfois accompagnés d'une chambre à tabac entière, sont trop communs pour représenter un quelconque intérêt pour les mudlarkers expérimentés.   Le frisson de la découverte  Londonienne d'adoption depuis 20 ans, Carolina s'intéresse particulièrement aux fossiles. Sur son téléphone, elle fait défiler les photos d'oursins fossilisés trouvés près de chez elle, au sud-est de la capitale. À deux pas, une autre chercheuse, Emma, s'émerveille d'un éclat de céramique romaine... Après tout, la « City » de Londres a été construite sur les frontières de Londinium, fondée au premier siècle. Emma s'empresse de prendre une photo pour la partager sur son compte Instagram : « Je viens ici parce qu'on trouve surtout des vestiges de l'époque Tudor. J'adore trouver des pièces qui datent du règne de Henri VIII ou d'Elizabeth Ire... Je frissonne quand je pense que je suis la première personne à la toucher depuis des siècles. »   Carolina connaît bien cette excitation : « On trouve de tout, c'est vraiment une manière de reconstruire l'histoire de Londres. » Et justement, parce qu'on trouve de tout et de toutes les époques, il a fallu réguler la pratique. « Il faut un permis pour mudlarker », explique Carolina, pour qui l'attente a duré plusieurs mois. Seuls 4 000 Londoniens sont accrédités en même temps, et la liste d'attente dépasse les 10 000 noms... Les agents de la Port of London Authority (PLA) contrôlent de temps en temps. « Il n'y a pas de formation, mais on doit s'engager à respecter les différentes zones, et à déclarer ce qu'on trouve si l'objet date d'il y a plus de 300 ans », poursuit Carolina. Si la trouvaille présente un intérêt archéologique, elle se retrouve sur le bureau de Stuart Wyatt, officier des trouvailles auprès du Programme d'antiquités mobile (PAS). Le chercheur l'examine, tente de reconstituer l'histoire de l'artéfact puis le restitue au mudlarker ou recommande la transmission aux institutions culturelles... Le processus prend environ cinq mois.   Une exposition pour mettre en valeur ces trésors du fleuve... et leur face sombre  Cette année, pour la première fois, un musée londonien a prêté ses étagères aux plus belles trouvailles. En quelques mois, plusieurs milliers de curieux ont franchi les portes de Secrets of the Thames, l'exposition du Museum of London Docklands.   « Nous avons des objets qui reflètent l'histoire portuaire de Londres, comme ce cadran solaire dont les deux parties ont été trouvées à huit ans d'intervalle, détaille James Stewart, guide intarissable sur l'exposition. Beaucoup de bijoux, quelques couteaux de l'époque Tudor... La vase a permis de conserver le bois et le cuir du manche. » Dans une armoire, un œil de verre des années 1920, frappant de réalisme ; dans une autre, les médailles remportées par le tennisman Peter Fleming à Wimbledon et jetées dans la Tamise par un cambrioleur...   Le guide s'arrête devant une vitrine consacrée à l'histoire coloniale de la capitale britannique, et pointe du doigt le visage d'un homme africain sculpté dans une pipe : « Dans l'Empire, on commercialisait du tabac, du sucre, dont la production dépendait de l'esclavage. Des objets comme cette pipe sont typiques des représentations du XVIIIe siècle, déshumanisantes, comme pour justifier l'esclavage. » La pipe, qui reprend les stéréotypes de l'époque, a été trouvée aux côtés de cauris, un coquillage utilisé comme monnaie en Afrique de l'Ouest, ramené en larges quantités par les marchands coloniaux.   Les premiers mudlarkers, à l'aube du XIXe siècle, peignaient les rives de la Tamise à la recherche de morceaux de charbon, de cordes, de métaux : « Des choses qu'ils pouvaient revendre pour survivre dans le Londres de l'époque victorienne », bien loin de ces nouveaux mudlarkers en quête d'un frisson de découvertes... Mais la survie de la pratique a permis de compléter le tableau déjà très riche de l'histoire de la capitale, selon James Stewart : « Tellement de gens mudlarkent aujourd'hui. Les objets qu'ils trouvent et l'endroit où ils les trouvent permettent de comprendre à quoi ressemblait la vie de nos ancêtres, plus encore qu'un livre ou qu'un tableau puisqu'il s'agit d'objets du quotidien. »   Même s'il ne représente qu'une goutte d'eau (3%) des découvertes archéologiques nationales, le mudlarking fournit chaque année 2 000 trésors potentiels aux institutions culturelles.   À lire aussiRoyaume-Uni: la préservation du mur d'Hadrien

In July 2023, internationally praised Tate Modern display of Maria Bartuszova artworks moved to The Museum der Moderne Salzburg. On this occasion, RSI gets back to the interviews with gallerist Alison Jaques and the curator of the show in Tate Modern, Juliet Bingham. Zuzana is the name that can be found in Slovak calendars on 11 August. On this occasion, we once again present to you some of the mostly recognised women named Zuzana.

Ep.252 Howardena Pindell was born in 1943 in Philadelphia, Pennsylvania and lives and works in New York. She has exhibited extensively, including selected solo exhibitions at Fruitmarket, Edinburgh, UK, touring to Kettle's Yard, Cambridge, UK, Spike Island, Bristol, UK, and Irish Museum of Modern Art, Dublin (2022–23); Baltimore Museum of Art, Maryland (2022); The Museum of Fine Arts Houston, Texas (2022); The Shed, New York, touring to Oklahoma Contemporary, Oklahoma City (2021–22); Museum of Contemporary Art, Chicago, Illinois (2018); Spelman College Museum of Fine Art, Atlanta, Georgia (2015); Cleveland Institute of Arts, Ohio (1994); Wadsworth Atheneum, Hartford, Connecticut (1989); The Studio Museum in Harlem, New York (1986); Birmingham Museum of Art, Alabama (1985); A.I.R Gallery, New York (1983); and Rockefeller Memorial Galleries, Spelman College, Atlanta, Georgia (1971). Selected group exhibitions include The Kitchen, New York (2024); Louisiana Museum of Modern Art, Humlebæk, Denmark (2024); Museum of Modern Art, New York (2023); National Gallery of Art, Washington, DC (2022); Guggenheim Bilbao, Spain, touring to Centre Pompidou, Paris (2021); Tate Modern, London, touring to Brooklyn Museum, New York and Broad Museum, Los Angeles, California (2017–19); Brooklyn Museum, New York (2017); Museum Moderner Kunst Stiftung Ludwig Wien, Austria, touring to Museum Brandhorst, Munich, Germany (2016); Contemporary Arts Museum, Houston, Texas (2013); Seattle Art Museum, Washington (2009); Museum of Contemporary Art, Los Angeles, California (2007); and The Studio Museum in Harlem, New York (2006). Credit: Howardena Pindell, 2018, Photo © Nathan Keay White Cube https://www.whitecube.com/gallery-exhibitions/howardena-pindell-hong-kong-2024 Garth Greenan https://www.garthgreenan.com/artists/howardena-pindell MoMA https://www.moma.org/artists/4625-howardena-pindell NYTimes https://www.nytimes.com/interactive/2025/06/09/t-magazine/howardena-pindell.html | https://www.nytimes.com/2020/10/16/arts/design/howardena-pindell-shed-video.html Fruitmarket https://www.fruitmarket.co.uk/howardena-pindell/ Stony Brook University https://www.stonybrook.edu/commcms/art/people/faculty-staff/howardena-pindell

Sara Raza is the Artistic Director and Chief Curator of the Centre for Contemporary Art (CCA) in Tashkent, Uzbekistan. Of Iranian and Central Asian origin and a member of the international diaspora, Raza focuses on global art and visual cultures from a postcolonial and post-Soviet perspective with a specialism in Orientalism. She is the author of Punk Orientalism: The Art of Rebellion(Black Dog Press, London, 2022). At the helm of the CCA, Raza leads its creative mission to foster cultural and educational partnerships, while championing regional and international artists in their engagement with Uzbekistan's rich cultural heritage and dynamic contemporary art scene. Raza is the recipient of the 11th ArtTable New Leadership Award for Women in the Arts and was honoured by Deutsche Bank and Apollo as one of 40 under 40 global art specialists (thinkers' category). Formerly, she was the Guggenheim UBS MAP Curator for the Middle East and North Africa at the Guggenheim Museum in New York and Curator of Public Programs at Tate Modern in London. She currently teaches in NYU's Media, Cultures, and Communication Department, and is a 2025 Yale School of Art Guest Critic and Visiting Faculty member.She and Zuckerman discuss looking beyond the borders of Europe and the EU, being a global citizen, translation, constellations, mathematics and abstraction, moments of crisis, understanding the present through the past, looking back to look forward, cultures of interruption, finding similarities, punk as a way to combine desperate ideas, reciprocal cultural labor, accessibility, retelling moral tales, art as a re-orientation, and shifting both the imagination and the heart!

Today, Ceri is joined by Dr Livia Alexander a Brooklyn based curator, writer and professor of Visual Studies at Montclair State University whose curatorial work bridges continents, disciplines and philosophies. Her work lives at the intersection of contemporary art, film and expanded media with a focus on artists and practices from Southwest Asia and North Africa. She is co-founder of Arte East and has contributed to and supported curatorial programmes for the Museum of Modern Art, Tate Modern, the Brooklyn Museum and the digital screen programme at Moynihan train station in New York. Livia reminds us that visionary work often happens out of sight, slow, durational and deeply relational.  This episode is a master class in curating as care infrastructure and expansive thinking. KEY TAKEAWAYS Livia´s use of diverse mediums and explorative, nuanced approach uncovers the quietly radical and overlooked perspectives. By prioritizing  thoughtful exploration over spectacle, Livia enables us to engage more meaningfully with the world and its challenges. Be true to your values but know when to let go. Have humility, recognise that your perspective is just one of many, and be open to other possibilities. Explore interactive media and gaming, they have great potential and allow audiences to interact with stories in new ways. BEST MOMENTS “We need to create those spaces to have conversations between unusual suspects - between the banker and the artist.” “Creativity isn't just about output. It's about asking better questions, slower ones, ones that resist spectacle and lean into complexity.” “Livia´s work makes space for friction, for paradox, for multiplicity. She invites us to listen across disciplines, across cultures, across power structures, without rushing to resolution.” RESOURCES https://www.livalex.net @liviajalexander PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** The Artist Mastermind Circle: Ready to stop second-guessing and start building momentum in your art career? Applications are now open for the next Artist Mastermind Circle—a six-month coaching programme for mid-career artists who are serious about growing their confidence, income, and opportunities. Apply by September 15th 2025 at https://cerihand.com/artist-mastermind-circle/ and take the next bold step. Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Artist Danny Leyland talks about strategies for re-organizing paintings, working towards an archival approach to image-making, how drawing is informing his way forward, and more.Danny Leyland (b.1994) is an artist and educator from Oxford, UK, currently based in London. His practice is led by painting, but also encompasses drawing, printmaking and writing.A graduate of Edinburgh College of Art (2016), and the Royal College of Art (2024), Leyland has exhibited internationally, with highlights including RSA New Contemporaries (2017), Edinburgh Art Festival (2021), Contemporary Art Now, Ibiza (2024), and a solo presentation at Mare Karina, Venice (2025). His work is included in private and public collections, including the Royal College of Art's special collections, and the Park Seo-Bo Foundation (Korea). Leyland was the winner of the Chadwell Award (2024), runner-up for the Jackson's Art Prize (2024), a shortlisted artist for the Waverton Art Prize (2024), and has been a two-time awardee of the Elizabeth Greenshields Grant (2021, 2023). Leyland is the 2025-2026 Abbey Scholar at the British School in Rome. Since 2016, Leyland also works in a collaborative practice with the artist and curator Connie Hurley.Danny's work: dannyleyland.comDanny's Instagram: @danny_leylandReference links:Paul Nash, Landscape of the Megaliths (1937)Daumier reviewed by Merlin James (2014)Wings of a Butterfly exhibition at Ingleby (2025)Piero della Francesca, The Baptism of Christ (1437-1445)Pierre Bonnard, Le Boxeur (portrait de l'artiste) (1931)Timothy Hyman, The New World Made (2022)Edvard Munch, Self Portrait between the Clock and the Bed (1940-43)Pierre Bonnard, The C C Land Exhibition at Tate Modern (2019)Kim Ki-duk, Spring, Summer, Fall, Winter...and Spring (2004)

Swerving a teenage job at his uncle's timber yard, Laurie Vincent only ever wanted to be in a band. Soft Play shouldn't work on paper (guitar, stand-up drums, Adidas tracksuits), but it definitely does work blasted loud in massive venues. Laurie has loved, lost and reconnected as he's grown up in public. Heavy Jelly is Soft Play's return to enjoyable disruption and destruction. Now with bumper edition Heavier Jelly - ft. Kate Nash. Recorded with an audience at Tate Modern, July 2025. Get yourself some top class Shure microphone gear: https://shu.re/3YhV7p2 DistroKid makes music distribution fun and easy with unlimited uploads and artists keeping the ENTIRETY of their revenue. Get 30% off the first year of their service by signing up at https://distrokid.com/vip/101pod Learn more about your ad choices. Visit megaphone.fm/adchoices

The uncanny is an unsettling experience, bringing to light that which has been hidden underneath the surface. Artist Lorraine O'Grady is an agent of this unsettling effect. Throughout her prolific career, Lorraine O'Grady has used her art to challenge boundaries imposed upon Black Artists and to problematize binary thinking. In this week's episode of Tomorrow is the Problem, Host Dr. Donna Honarpisheh sits down with Dr. Stephanie Sparling Williams, the Andrew W. Mellon Curator of American Art at the Brooklyn Museum, and Harry Burke, an art critic and PhD candidate at Yale University, to discuss Lorraine O'Grady's work.Audio excerpts of Lorraine O'Grady from the 2018 Soul of A Nation symposium, an event hosted by the Tate Modern and Crystal Bridges MuseumTomorrow is the Problem is brought to you by the Knight Foundation Art + Research Center and is produced in partnership with FRQNCY Media.

“A friend said my superpower is to make serious things seem lighhearted.” Danielle Radojcin meets artist Nicole Wermers at Herald St's Museum Street space in Bloomsbury, London, where she was showing her new exhibition Tails & Fainters. Best known for her sculptural assemblages that slyly explore class, gender and the unseen labour that shapes urban life, Wermers talks through the thinking behind this latest body of work.Born in 1971 in West Germany, Wermers moved to London in the 1990s and has lived and worked here ever since. She studied at Central Saint Martins and was nominated for the Turner Prize in 2015 for her exhibition Infrastruktur.  Her installation, The Violet Revs, representing a fictional female biker gang, is currently on display at Tate Modern. She's also a professor at the Academy of Fine Arts in Munich, and her work continues to offer a sharp, humorous commentary on the shifting landscapes of cities and the invisible forces shaping how we live. Portrait of Nicole Wermers. Courtesy of the artist and Herald St, London. Photo by Peter Guenzel.

L'ouverture de l'exposition Kngwarray à la Tate Modern Gallery de Londres marque la première grande exposition de l'artiste Emily Kam Kngwarray des Premières Nations en Europe.

Tuần trước, phòng triển lãm Tate Modern tại London đã chính thức khai mạc cuộc triển lãm cá nhân lớn đầu tiên tại châu Âu, dành cho họa sĩ thổ dân danh tiếng của Úc là bà Emily Kam Kngwarray. Sự kiện mang tính lịch sử này được chuẩn bị trong suốt 5 năm, là kết quả hợp tác giữa Tate và Phòng triển lãm Quốc gia Úc hay National Gallery of Australia, nhằm vinh danh một trong những danh họa nổi tiếng nhất của xứ sở Miệt Dưới.

In this episode Ceri is joined by the incomparable John Smith—artist-filmmaker, mischievous narrator, cinematic magician. Over the past five decades, John has created more than 60 award-winning films, videos and installations that have screened in cinemas and museums around the world, from MoMA in New York to Tate Modern, and earned him honours including the Jarman Award and a Paul Hamlyn Foundation Award for Artists. Often funny, always astute, his work reshapes how we see and hear the world. In this conversation, John shares how growing up in East London in the 50s and 60s fuelled his anti-authoritarian streak, how he stumbled into art school via psychedelic paintings and audacity, and how humour became his Trojan horse for smuggling serious ideas into unsuspecting minds. KEY TAKEAWAYS Being rebellious is fuel for creativity. Humour is a great way to break down barriers, including artistic ones. When you connect with your audience your confidence and creativity grows. Art is about communication. Your old work can resonate with new audiences, so use it. Working through illness, if you can physically do it, is hard but rewarding. Be true to yourself in your work. Integrity beats commercialism. At times you will work within limitations, embrace those situations. You will learn a lot. BEST MOMENTS “The power of language and storytelling is so strong that when we are told something we can't help but half believe it.” “That film was made in the context of people making work, which was anti illusionistic, was which had its intention to undermine the illusion of cinema and make us realise that that that cinema is manipulating us.” “Humour absolutely is a survival mechanism.” “The market is a fickle beast…so, you have to make work you love, regardless.” EPISODE RESOURCES https://johnsmithfilms.com https://www.instagram.com/theotherjohnsmith PODCAST HOST BIO With over 30 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** The Artist Mastermind Circle: Ready to stop second-guessing and start building momentum in your art career? Applications are now open for the next Artist Mastermind Circle—a six-month coaching programme for mid-career artists who are serious about growing their confidence, income, and opportunities. Apply by 21 July at https://cerihand.com/artist-mastermind-circle/ and take the next bold step. Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Build Relationships The Easy Way Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

The opening of Emily Kam Kngwarray at the Tate Modern marks the first major solo exhibition of the First Nations artist in Europe. Five years in the making, the show is a collaboration with the National Gallery of Australia and showcases the works of one of Australia's most renowned artists.

Pembukaan Emily Kam Kngwarray di Tate Modern menandai pameran tunggal besar pertama seniman First Nations di Eropa.

Emily Kam Kngwarray exhibits in London's TATE Modern.

It's been 20 years since the 7/7 attacks in London, which claimed the lives of 52 civilians and injured almost 800. Krupa Padhy talked to Gill Hicks, who was on the Piccadilly line Tube that morning and lost her legs in the blast, and nurse Kate Price, who was working in intensive care at St Thomas' Hospital. They discuss their memories of that day and the aftermath, as well as the lasting bond they have formed.An exhibition celebrating the life and work of renowned Australian artist Emily Kam Kngwarray has opened at the Tate Modern in London. Respectfully known as ‘the old lady' by her community, Emily didn't start painting on canvas until her 70s. Anita Rani talked to art curator Kelli Cole about Emily's paintings, which were inspired by her life as a senior Anmatyerr woman from the Sandover region of the Northern Territory of Australia.The TV presenter and autism advocacy campaigner, Christine McGuinness, is mother of three autistic children, and she received an autism diagnosis herself as an adult. She is highlighting new research that found that half of parents of children with disabilities surveyed said their child is excluded from play due to playgrounds being inaccessible to them. From Frank Sinatra to the Beatles, many of the biggest male stars built their early careers on the romantic appeal to young women. Bea Martinez-Gatell is author of Swoon, Fangirls, Their Idols And The Counterculture of Female Lust – From Byron To The Beatles. She joined Anita to explain that far from passive consumers, fangirls were actually tastemakers, visionaries and cultural disruptors.Fatima Timbo, known as Fats Timbo, is a content creator and comedian who has amassed an incredible 3 million followers on TikTok. Since appearing on TV show The Undateables in 2018, she's also been part of the team bringing us the Paralympics coverage from Paris last year. Born with achondroplasia, a form of dwarfism, she shares her tips for succeeding in a world where it's difficult to be different in her book Main Character Energy: Ten Commandments for Living Life Fearlessly. Katie Brayben is a two-time Olivier award winner for Best Actress in A Musical for Tammy Faye and Beautiful: The Carole King Musical. Now she is reprising the role of Elizabeth Laine in Girl From the North Country currently on stage at the Old Vic in London. Katie sang live in the studio. Presenter: Anita Rani Producer: Annette Wells Editor: Andrea Kidd

The Southport inquiry - the first phase of which took place in Liverpool this week - heard statements from the families of four girls who survived despite being seriously injured during the attacks on 29 July last year. The public inquiry heard testimony from one of the girls' mothers, who said her daughter 'fought like hell' to save herself and others. Anita Rani speaks to Judith Moritz, BBC Special Correspondent, about some of the eyewitness accounts.An exhibition celebrating the life and work of renowned Australian artist Emily Kam Kngwarray opens today at the Tate Modern in London. Respectfully known as ‘the old lady' by her community, Emily didn't start painting on canvas until her 70s. She went on to produce over 2,000 paintings and achieve huge critical acclaim before her death in 1996. Anita talks to art curator Kelli Cole about Emily's often monumental paintings, which were inspired by her life as a senior Anmatyerr woman from the Sandover region of the Northern Territory of Australia.Chief Inspector Helen Tebbit of Cambridgeshire Police joins Anita to talk about her role as senior investigating officer in a rape investigation which resulted in a sexual predator, Craig France, being jailed for more than 10 years - as featured this week in the Channel 4 TV series, 24 Hours in Police Custody.Camaron Marvel Ochs, known professionally as Cam, is an American country music singer songwriter. Her most successful single, Burning House, received widespread acclaim and went triple platinum. She has written for a range of artists including Sam Smith and Miley Cyrus, and last year she received a Grammy award for songwriting, production and backing vocals for Beyoncé's Cowboy Carter album. Anita speaks to her about her career so far and her forthcoming album – All Things Light Up.Presenter: Anita Rani Producer: Rebecca Myatt

Anselm Kiefer is one of the world's greatest living artists. Born in Germany at the end of the Second World War, much of his work in paintings, sculptures and vast installation pieces, has addressed his country's history and culture, asking difficult questions about the legacy of fascism and conflict. His paintings, thickly layered and sometimes embellished with straw or molten lead, often depict dark rutted fields or dense forests. Kiefer is renowned for the size of his work, and for his industrial-scale studio complexes in France, where he has lived for over thirty years. Kiefer's works are included in numerous public collections including the Museum of Modern Art and the Solomon R. Guggenheim Museum, New York, Tate Modern, the San Francisco Museum of Modern Art and the National Gallery of Australia. His most recent show at the Royal Academy in London has paired his works with those of one his artistic heroes for an exhibition called Kiefer/Van Gogh. Producer: Edwina Pitman

I am so excited to say that my guest on the GWA Podcast is the esteemed curator Kelli Cole to discuss the trailblazing Australian artist, Emily Kam Kngwarray! This is a very special BONUS episode and [as a one-off format] an exhibition walkthrough of Kngwarray's show at TATE MODERN. This is the first large-scale presentation of Kngwarray's work ever held in Europe and a celebration of her extraordinary career as one of Australia's greatest artists. Born in 1914, from the Alhalker Country in the Northern Territory, Kngwarray made thousands of works, reflecting her life as an Anmatyerr woman, but was – extraordinarily – only in her late 70s when she began painting in earnest, creating for ceremonial purposes and designs on the bodies of women. Listen to us explore the exhibition: witnessing first hand some of the most dazzling paintings I've ever seen. So whether you'll listen to this ahead of your visit, or be virtually transported here (for those who can't be here in person), I hope we can bring the magic of her paintings alive for you. About our guest: A Warumungu and Luritja woman from Central Australia, Kelli Cole is the Director of Curatorial & Engagement for the National Aboriginal and Torres Strait Islander Art Gallery of Australia project in Alice Springs. Previously, she held the position of Curator of Special Projects in the First Nations portfolio at the National Gallery of Australia, and has contributed to numerous publications, both nationally and internationally, on various aspects of First Nations art. In 2022, she worked closely with another esteemed curator, Hetti Perkins, as part of the team for the 4th National Indigenous Art Triennial: Ceremony. But the reason why we are speaking with Cole today is because she is the lead curator of a very exciting new exhibition here at London's Tate Modern: Emily Kam Kngwarray! Link to show – to see the works: https://www.tate.org.uk/whats-on/tate-modern/emily-kam-kngwarray --- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

Philip visits Tate Modern to view the AIDS Memorial Quilt and interviews some well known activists and celebrities, an instagram video of his interviews is on the front page of www.HIVHour.org.uk. On a theme of quilts, we also replay the call to submit selfies to the U=U quilt project from Positive East, https://www.positiveeast.org.uk/uequalsu/  Stephen joins us on Zoom from New York and tells us about his Shadowed Dreamer return to off broadway for the first time in 16 years. Sue celebrates the success of  the Terrence Higgins Trust “Can't pass it on” campaign that piloted in Brighton. Music is from Frankie Goes to Hollywood, Neneh Cherry and Faithless Community news about Dragsy Malone, and Rose Garden's Swap Shop, fundraisers for the Sussex Beacon at Queens Arms. Also a reminder of Lunch Positives Eastbourne group, Tuesday drop ins and Friday Lunch Club

This week on Crime Wave: Katherine Reay's THE ENGLISH MASTERPIECE opens with an exhibit at the Tate Modern honoring the recently deceased Picasso. Lily, a young gallery assistant, impulsively blurts, “That's a forgery” about a painting on display. That one comment puts not only her own career at risk but also that of her beloved mentor who curated the show. Unless . . . was Lily right? Reay transports us back to London in the 1970s in a thrilling game of cat and mouse that explores what it means to live and create authentically. Lily is an underdog heroine to root for as she navigates London's prestigious art scene and learns the cost of speaking up for what is true. Connect with Katherine: https://katherinereay.com/ #podcast #author #interview #authors #CrimeWavePodcast #authorsontheair #podcast #podcaster #authors #authorsofig #authorsofinstagram #authorinterview #writingcommunity #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers#writersinspiration #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #BonnarSpring #BonnarSpringBooks #bookouture #thrillers #KatherineReay #TheEnglishMasterpiece

TL;DR Better out than in. Be bold. Tell people you love them while you still can. No regrets.

The Dulwich Picture Gallery, the UK's first purpose-built public art gallery, is hosting an exhibition of one of Britain's brightest young painting talents, Rachel Jones. Ben Luke visits the gallery to talk to her about the paintings—giant and tiny—in the show. The latest Liverpool Biennial has just opened in that great British city; Louisa Buck, The Art Newspaper's contemporary art correspondent, joins Ben to review the show. And this episode's Work of the Week, is the UK Aids Memorial Quilt, which was instigated in 1989 and commemorates the lives of 384 individuals affected by HIV and Aids. It is made up of 42 quilts made from multiple panels and a further 23 individual panels. The quilt is being shown at Tate Modern this weekend, and we speak to the writer Charlie Porter, who included the quilt in his recent novel Nova Scotia House and instigated the project to show it at Tate.Rachel Jones: Gated Canyons, Dulwich Picture Gallery, London, until 19 October.Liverpool Biennial: BEDROCK, until 14 September.The UK Aids Memorial Quilt, Tate Modern, until 16 June; Charlie Porter, Nova Scotia House, Penguin, £18.99; US: Nightboat Books, 21 October, $17.95. Hosted on Acast. See acast.com/privacy for more information.

Reform UK gets a lot of coverage but not enough scrutiny. Say Nigel Farage did become Prime Minister (God forbid), what would a Reform UK-led UK look like? Is their manifesto (… sorry, ‘contract') full to the brim of wishful thinking? Plus, with changes inbound on the two-child benefit cap and winter fuel payments is Labour sorting its act out? Or does this make Starmer look weak? Paul Nowak is the General Secretary of the Trades Union Congress and joins the podcast to give his thoughts. And in the Extra Bit for subscribers following the death of BBC arts titan Alan Yentob, we ask: Is the dream of culture for the masses still alive?  • Read Sam Freedman's Substack here: https://samf.substack.com/p/what-would-a-reform-government-be • Listen to The Bunker including Duncan Weldon on the economics of war. • Don't miss the latest edition of Crime Scene on the Liverpool parade car collision and what it means for policing. ESCAPE ROUTES • Paul recommends Bruce Springsteen live and Race Across The World on BBC iPlayer.  • Matt saw Mary Poppins at the Bradford Alhambra. • Rachel recommends listening to Magic At The Musicals on RadioPlayer.  • Dorian recommends Gang Of Three (keep an eye out in case in gets a transfer) and Electric Dreams at Tate Modern. www.patreon.com/ohgodwhatnow Presented by Dorian Lynskey with Rachel Cunliffe and Matt Green. Producer: Chris Jones. Audio Production by: Robin Leeburn. Music by Cornershop. Group Editor: Andrew Harrison. Managing Editor: Jacob Jarvis. OH GOD, WHAT NOW? is a Podmasters production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this week's two-part episode, we explore the work of the "phantasmagoric couturier" Leigh Bowery, who has been described as "artist and art object, a thing to see, to experience." Primarily using dress and his own body as his medium of expression, Bowery's work was equally at home in contemporary art institutions and in the London club scene during the 1980s and 1990s. Tate Modern curator Fiontán Moran joins us this week to speak about the exhibition ⁠Leigh Bowery!⁠ which is on view now at the Tate through August 31, 2025. Want more Dressed: The History of Fashion?  Our ⁠⁠⁠website⁠⁠⁠ and ⁠⁠⁠classes⁠⁠⁠ Our ⁠⁠⁠Instagram⁠⁠⁠ Our ⁠⁠⁠bookshelf⁠⁠⁠ with over 150 of our favorite fashion history titles Dressed is a part of the ⁠⁠⁠AirWave Media⁠⁠⁠ network Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's two-part episode, we explore the work of the "phantasmagoric couturier" Leigh Bowery, who has been described as "artist and art object, a thing to see, to experience." Primarily using dress and his own body as his medium of expression, Bowery's work was equally at home in contemporary art institutions and in the London club scene during the 1980s and 1990s. Tate Modern curator Fiontán Moran joins us this week to speak about the exhibition Leigh Bowery! which is on view now at the Tate through August 31, 2025. Want more Dressed: The History of Fashion?  Our ⁠⁠website⁠⁠ and ⁠⁠classes⁠⁠ Our ⁠⁠Instagram⁠⁠ Our ⁠⁠bookshelf⁠⁠ with over 150 of our favorite fashion history titles Dressed is a part of the ⁠⁠AirWave Media⁠⁠ network Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: after a two-year closure, the National Gallery's Sainsbury Wing reopens this week, revealing a major overhaul by the architect Annabelle Selldorf. The gallery has also rehung its entire collection and Ben Luke takes a tour of both the revamped building and the new displays with the National Gallery director, Gabriele Finaldi. Tate Modern celebrates its 25th anniversary this weekend, and Luke talks to The Art Newspaper's contemporary art correspondent Louisa Buck and another of our regular contributors, Dale Berning Sawa, about its seismic impact in London and beyond over the past quarter of a century, its complex present circumstances and its future. And this episode's Work of the Week is the late German artist Inge Mahn's sculpture Balancing Towers (1989). It is a key work in an exhibition called “Are we still up to it?” – Art & Democracy at the Herrenchiemsee, the castle on an island in the Chiemsee lake, in southern Bavaria, Germany. Oliver Kase, the director of collections at the Pinakothek der Moderne, in Munich, and co-curator of the exhibition, joins Luke to discuss the sculpture.The Sainsbury Wing and CC Land: The Wonder of Art, National Gallery, London, from 10 May. You can hear a conversation with Annabelle Selldorf about the Frick Collection on the episode of this podcast from 28 March 2025. And our interview with the architectural critic Rowan Moore reflecting on the debate about Selldorf's alterations to the original Sainsbury Wing project is in the episode from 4 November 2022.Tate Modern's 25th Birthday Weekender, Tate Modern, London, 9-12 May.“Are we still up to it?” – Art & Democracy, Herrenchiemsee Palace, Chiemsee, Germany, 10 May-12 October Hosted on Acast. See acast.com/privacy for more information.