Podcasts about songs

Nicole Curtis tells The Breakfast Club she has friends, Kanye loses in court, Corey Feldman joins Stephen Baldwin, GMA kisses J Lo's big butt & is mad at Timothee Chalamet, Maz on reneging, 60 Minutes wants Joe Rogan, Bobbi Althoff makes Bert Kreischer likable, and Jim's Picks: Sun Songs. Rock N Brews is almost open in Royal Oak. Rick Beato might be more of a plug machine than Steve-O. Go check him out anyway. Kanye West lost his case that the contractor had against him. Will he pay? North West put out a new song today. It sounds like a 12-year-old produced it. 60 Minutes outs the CIA about the Havana syndrome. Kai Trump is bankrupt. Nicole Curtis went on The Breakfast Club with Charlemagne Tha God as just a regular ole stop on her apology tour. Rosanna Arquette came out of nowhere to give Quentin Tarantino crap out the n-word in Pulp Fiction and his other movies. Timothee Chalamet is still in deep crap. GMA dug in and proved that ballet and opera are alive and well and growing like wildfire. Kanye's SOFI show is selling pretty quickly. Guess he's bulletproof. Schoenherr Roofing brings you a brand new Bonerline. We go way out of our way to call Tom Mazawey. This Baltimore Ravens reneging on the Maxx Crosby trade is crazy. Tom thinks the Detroit Lions offensive line is better now than last year. Matt Snell passed away. Michigan is in more hot water. See ya, Tom! Corey Feldman and Stephen Baldwin join forces on Baldwin's Podcast, One Bad Movie. What a disaster. Bert Kreischer went on Bobbi Althoff's new podcast. Which one do you hate more? Drew is losing his mind over GMA being such a platform for a bunch of loser celebs. J Lo is the newest loser to show up on GMA. Word on the street is 60 Minutes wants Joe Rogan. Jim's Picks: Top 10 Songs with Sun (Or a derivation of Sun) in the Title Merch is still available. Buy it before it's gone. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon)

"Zaslow looks like that mean girl from 'Hey Arnold!'." While he might be releasing new music himself, JuJu can still be our definitive voice on what is and what isn't an oldies song. Learn more about your ad choices. Visit podcastchoices.com/adchoices

0:00-1:00 – Show Open1:00-7:00 – Dave's family woke him up several times last night7:00-19:00 – Emailer's friend met girl from overseas online and she's very jealous19:00-22:00 – Comfy Friday trend in Sweden22:00-31:00 – Signs that you made it as a Millennial31:00-35:00 – Tornados and severe storms rip through parts of the country35:00-39:00 – SWAT team board plane with guns drawn because of suspicious activity on board39:00-42:00 – Worker fell through a hotel's old coal chute42:00-45:00 – ‘cool parents' in trouble after 60 teens found drinking in their home45:00-48:00 – Woman busted performing dental work without license48:00-51:00 – Town making guy take giant skeleton down from top of his business51:00-55:00 – Newly adopted dog went missing and was found 5 weeks later55:00-1:02:00 – DST affected the show and Dave's windshield got cracked1:02:00-1:04:00 – Sherrone Moore in court1:04:00-1:07:00 – Guy fell as he finished marathon and lost1:07:00-1:13:00 – 3-year-old is good at baseball1:13:00-1:18:00 – Woman arrested after shooting at Rihanna's house1:18:00-1:22:00 – Update on arrest of Britney Spears1:22:00-1:30:00 – actress says she was filmed nude without her knowing1:30:00-1:36:00 – Songs, TV shows, and movies that make Americans horny1:36:00-1:42:00 – Guy uses Google Translate while robbing store1:42:00-1:55:00 – Inmate has sex in porta-potty1:55:00-2:01:00 – Cop accused of sending woman's nudes to his own phone during arrest2:01:00-2:07:00 – Mayor who was caught pantsless at City Hall fired more people2:07:00-2:15:00 – Drive-thru worker pepper sprayed2:15:00-2:17:00 – KFC worker pepper sprayed2:17:00-2:23:00 – Fake story about guy kidnapped by dolphins2:23:00-2:28:00 – Teen pilot able to make emergency landing on Florida highway2:28:00-2:32:00 – A couple of people help driver who went unconscious while behind the wheel2:32:00-2:40:00 – 2 women found dead in motel from carbon monoxide poisoning2:40:00-2:42:00 – Couple sets trap for porch pirates with poop in a box2:42:00-2:47:00 – Science created an onion that won't make you cry2:47:00-2:52:00 – Students TP teacher's house and accidentally run him over2:52:00-2:57:00 – Substitute teacher gave students weed gummies2:57:00-End – Guy breaks Guinness World Record for having the most teethSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Link Up w/The Morning Sickness Digitally All Over:Instagram: @hms_98_official, @bosskupd, @bretvesely, @dickToledoX/Twitter: @HMSon98, @DickToledo, @bretveselyFacebook: @HMSKUPDYouTube: @hmspodcast9320, @98kupdRequest/Call in/Wakeup Song line:(IN AZ) 585.9800More HMS: holmbergpodcast.com, 98kupd.comEmail: dtoledo@98kupd.com, bvesely@98kupd.com, bbogen@98kupd.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A new survey found the songs, TV shows, and movies that turn Americans on. See omnystudio.com/listener for privacy information.

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win Smiley Prom tickets from the show all this week!See omnystudio.com/listener for privacy information.

FULLY & COMPLETELY: REDUX"In Violet Light" - The Tragically HipEpisode Show Notes——————————————————————————————————Fully & Completely: Redux | "In Violet Light" - The Tragically Hip (2002)——————————————————————————————————Hey, it's jD here.Some albums don't just meet you where you are - they find you exactly when you need them. **"In Violet Light" is that record.** Released in June 2002, it's the one that pulled jD hard back into The Tragically Hip after a stretch of distance. And if you listen closely, it makes total sense why. This isn't a band trying to hold on - it's a band that has let go of every obligation and is just making music for themselves. **The result is one of the most quietly assured records of The Hip's entire career.**This week on Fully & Completely: redux, jD and Greg LeGros go track by track through "In Violet Light" - the eighth studio album from The Tragically Hip, recorded in the Bahamas with legendary producer Hugh Padham - and make the case that this record has no business being this good, this far into a career.——————————————————————————————————EPISODE OVERVIEW"In Violet Light" landed in a 2002 music landscape that included Coldplay's "A Rush of Blood to the Head," Queens of the Stone Age's "Songs for the Deaf," Beck's "Sea Change," and Broken Social Scene's "You Forgot It in People." The indie pop explosion was just beginning to blow the roof off Canadian music. The Hip were eight albums deep, the mainstream had largely written them off, and **they responded by making one of their best records.** No fat. No filler. Eleven tracks of lean, confident, beautiful rock and roll.The album was recorded at Compass Point Studios in the Bahamas - the same studio where AC/DC recorded "Back in Black" and Bob Marley cut some of his most enduring work - with Hugh Padham, the producer behind the gated drum sound that defined the 1980s (Phil Collins' "In the Air Tonight," Sting's solo catalogue, The Police's "Synchronicity"). **jD and Greg break down why that combination - this band, this producer, this place - produced something genuinely special.**——————————————————————————————————TRACK BY TRACK HIGHLIGHTS**'Are You Ready to Love'** - The opener sets the whole album's thesis. jD hears the first verse as a direct response to the critics and mainstream fans who had written The Hip off. **"They're pulling the plug. They've got our whole dug." And then - the chorus arrives like a shrug and a fist at the same time: are you ready for love?** A great rock and roll song that doubles as a mission statement.**'Use It Up'** - Built on a lyric attributed to the booklet of a Raymond Carver collection, this is a track about seizing everything, wasting nothing, and making music for the love of it. Greg hears Radiohead's "OK Computer" in the verses and the Georgia Satellites in the chorus - **and somehow The Tragically Hip pull both of those things off in the same song.** A slow burn that rewards headphones.**'The Darkest One'** - jD turns up whatever he's listening to every single time this song starts. **"The wild are strong and the strong are the darkest ones - and you're the darkest one."** Greg calls it a safe place. A song about freedom of expression, comfort, and the strange intimacy of being fully understood. Don't let the Trailer Park Boys video fool you - this song could have broken them wide open.**'It's a Good Life If You Don't Weaken'** - The centrepiece. The lead single. **Both jD and Greg pick this as their track of the record - the first time in the history of Fully & Completely that hosts have landed on the same song.** Named for a Canadian graphic novel by Seth and a phrase used by band staffer Molly Lorimer to describe life on the road, it's a song about mortality, aging, and the strange grace that comes when you stop fighting. Death is swirling all around it - and it's still one of the most uplifting things The Tragically Hip ever made.**'Silver Jet'** - The one that changes gears just right. Greg connects this song personally to the empty skies over the Danforth in the days after 9/11, and the feeling of the first plane cutting back through the silence. **A song about hope, fear, and the things that pull your gaze forward.** The wolves of Northumberland. An archipelago. A green star. Only Gord.**'Throwing Off Glass'** - Companion piece to 'Trick Rider' from "Phantom Power" - if that song is about his son, this one is about his daughter. A slow builder that rewards patience. **A soundscape that would fit comfortably on "Coke Machine Glow."****'All Tore Up'** - A great drinking rock and roll song. Dottie the bluegrass singer. Open concept. Getting a little happening with old friends. **No one else writes a lyric like this and makes it fit inside a song this well.** Turn it up.**'Leave'** - A waltz in 3/4 time. Beautiful backup vocals. A late-night phone call at three in the morning. **"You better be dying." And they were.** An emotional gut-punch that doubles as a permission slip - to leave a job, a relationship, a place that no longer fits.**'The Dire Wolf'** - A pseudo-history lesson disguised as a rock song. Tallulah Bankhead and Canada Lee, stars of Hitchcock's "The Lifeboat." Ann Harvey of Isle of Morts, Newfoundland, who rescued 163 shipwrecked souls in 1828. A poem called "Sea Surface Full of Clouds" by Wallace Stevens. **Greg pulls all of this from memory. It's an entire university lecture wrapped in six minutes of music that absolutely slaps.****'The Dark Canuck'** - The closer. Possibly the longest Tragically Hip song ever recorded at six and a half minutes. A time signature change halfway through. **Canadian soldiers as peacekeepers. Apple, Zippo, and Metronome as record labels. Jaws at the drive-in. The Dark Canuck playing second on the double bill.** Nobody at the drive-in is staying for it. And that's sort of the whole point.——————————————————————————————————WHY THIS EPISODE MATTERSThis is the album that brought jD back to The Hip in earnest - **the record that cracked open the second half of his relationship with this band.** It's also the episode where he and Greg pick the same song for the first time. And it's the one where jD, partway through discussing 'Leave,' pauses to talk about his mother. **Listen for that moment. It's what this podcast is for.**"In Violet Light" is a masterpiece with no business being this good eight albums in. And this episode earns every minute of its runtime.So there's that.——————————————————————————————————SOURCES & CREDITS• HipMuseum.com• This Is Our Life: The Tragically Hip in the 1990s (Michael Barclay)• "It's a Good Life If You Don't Weaken" - graphic novel by Seth• "Sea Surface Full of Clouds" - poem by Wallace Stevens• Ann Harvey of Isle of Morts, Newfoundland - historical record• Compass Point Studios, Nassau, Bahamas - production history• Raymond Carver - attributed quote in "Use It Up"——————————————————————————————————CONNECT WITH THE SHOW• Facebook: facebook.com/groups/tthpods• Instagram: @tthpods• YouTube: youtube.com/@tthpods• Email: tthpodcastseries@gmail.comThe Tragically Hip Podcast Series - Est. 2018#TheTragicallyHip #TheHip #InVioletLight #FullyCompletely #GordDownie #TragicallyHip #CanadianRock——————————————————————————————————Support this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Some songs don't just play; They mark seasons of your life.And you don't realize it until years later.These are the Americana songs that shaped who we (Ben and Zach) have become.As you'll hear it's not because they were chart-toppers or because everyone else loved them......it's because they found us at a very specific moment.A long drive after a hard loss.A tiny club when you felt invisible.A lyric that said what you couldn't say out loud.That's the part we don't talk about enough!We analyze strategy. We debate business models. We optimize everything.But songs?They bypass ALL logic.They attach themselves to your identity. When you look back, you realize certain bands didn't just soundtrack your life, they helped AUTHOR IT.We can trace chapters of our own growth to specific records.Certain risks we took. Certain conversations we had. Certain seasons we survived.It's wild how an honest lyric can do what no book ever could.The real question becomes isn't whether music changes us.It's this...Are we CHOOSING the songs and bands that shape us…Or are we passively letting whatever's loudest do the shaping?What if the music you surround yourself with is determining the leader, parent, and partner you become?

New week! New songs!

Link Up w/The Morning Sickness Digitally All Over:Instagram: @hms_98_official, @bosskupd, @bretvesely, @dickToledoX/Twitter: @HMSon98, @DickToledo, @bretveselyFacebook: @HMSKUPDYouTube: @hmspodcast9320, @98kupdRequest/Call in/Wakeup Song line:(IN AZ) 585.9800More HMS: holmbergpodcast.com, 98kupd.comEmail: dtoledo@98kupd.com, bvesely@98kupd.com, bbogen@98kupd.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, the League takes a trip back in time to revisit the songs that turned 20 this year. From chart-topping hits to unforgettable anthems, we're looking back at the tracks that defined an era and still live rent-free in our heads. Welcome to the League   Facebook Group: https://www.facebook.com/groups/1628612284256101/   Instagram: https://www.instagram.com/lmgpodnetwork?igsh=YTBtMm1kd3k3a3N3   YouTube: https://www.youtube.com/@TheLMGPodcast   Hosts: Brandon Willis, Jordan Mitchell, Spenser Jones

Today, Tom interviewed Dr. Ian Vaillancourt from Heritage Theological Seminary. Find out more about the school here.  Access Dr. Vaillancourt's books here: Treasuring the Psalms: How to Read the Songs that Shape the Soul of the Church, The Dawning of Redemption: The Story of the Pentateuch and the Hope of the Gospel, Unfolding Redemption: The Heart of the Gospel in the Story of Old Testament History. Sign up for the GearTalk Bible Reading Plan. Access Jason DeRouchie's resources on the Law, the Prophets, and the Writings. Access Hands to the Plow's resources on the Law, the Prophets, the Writings, and the Gospels. Support the work of Hands to the Plow.

The Music of America Podcast begins our Season 3 Ohio visit with a great cover band called Radio City. Songs include Heartbreaker, Working For The Weekend, Sweet Child O'Mine and Separate Ways

Vrijdag 13 maart presenteren Maarten Hogenhuis (sax), Phil Donkin (bas) en Mark Schilders (drums) hun nieuwe album COLE. in Jazzpodium de Tor. Een album waarin ze teruggrijpen op de muziek van een van de belangrijkste componisten/songschrijvers van de vorige eeuw: Cole Porter. Aanleiding voor Willem Habers om in deze TORcast een dik uur lang te duiken in de rijke muzikale erfenis van Cole Porter onder de titel “Cole’s Cool”. Playlist: Maarten Hogenhuis trio: Begin the Beguine; Frank Sinatra: Night and Day Dubbelaar: Ella Fitzgerald: I Get A Kick Out Of You; Patricia Barber: I Get A Kick Out Of You; Clifford Brown, Max Roach Quintet feat. Sonny Rollins: What is This Thing Called Love?; Sarah Vaughan: Ev’ry Time We Say Goodbye; Chet Baker: You’d Be So Nice To Come Home To; Dubbelaar: Cannonball Adderly: Love For Sale; Eartha Kitt: Love For Sale; Mel Torme: It’s De-Lovely; Miles Davis Quintet: All Of You; Maarten Hogenhuis trio: It’s Allright With Me. Cole Porter Cole Porter (1891–1964) behoort tot de meest verfijnde en invloedrijke componisten uit het American Songbook. Zijn oeuvre—rijk aan melodische elegantie, harmonische verfijning en een ongeëvenaarde lyrische spitsvondigheid—heeft een blijvende stempel gedrukt op zowel de populaire muziek als de jazz. Waar veel tijdgenoten zich specialiseerden in óf tekst óf muziek, beheerste Porter beide disciplines op uitzonderlijk niveau. Zijn liederen zijn niet alleen cultureel iconisch, maar vormen ook een onuitputtelijke bron voor jazzmusici die op zoek zijn naar harmonische rijkdom en melodische flexibiliteit. Porters bijdrage aan de populaire muziek Een unieke combinatie van verfijning en toegankelijkheid Porters liederen waren tegelijk elegant en catchy. Hij schreef voor Broadway en Hollywood, maar zijn muziek overstijgt het theater: de songs zijn op zichzelf kleine kunstwerken. Zijn melodieën zijn vloeiend en herkenbaar, maar nooit simplistisch. Daardoor bleven ze decennialang populair bij zowel het grote publiek als professionele zangers.  Teksten die grenzen verlegden Porter was een meester van dubbelzinnigheid, ironie en subtiele erotiek. Hij speelde met taal op een manier die in de populaire muziek van zijn tijd ongekend was. Zijn teksten bevatten culturele verwijzingen, woordspelingen en ritmische verrassingen die de standaard voor songwriting blijvend verhoogden. Een kosmopolitische stijl Porters muziek ademt wereldsheid: Europese invloeden, Latijns-Amerikaanse ritmes, jazzharmonieën en Broadway-theatraliteit vloeien samen. Die mengvorm maakte hem tot een van de eerste echt internationale popcomponisten. Porters invloed op de jazz Harmonische rijkdom als speelveld voor improvisatie Jazzmusici omarmen Porters werk omdat zijn harmonieën uitdagend en inventief zijn. Songs als “Night and Day” of “What Is This Thing Called Love?” bevatten modulaties, chromatiek en akkoordprogressies die uitnodigen tot improvisatie. Veel van zijn composities zijn uitgegroeid tot jazzstandards. Flexibele melodieën Porters melodieën zijn sterk genoeg om herkenbaar te blijven, maar open genoeg om te variëren. Dat maakt ze ideaal voor jazzinterpretaties: van swing tot bebop, van cool jazz tot moderne vocale jazz. Een brug tussen Broadway en jazzclubs Porter hielp de kloof te overbruggen tussen de populaire muziek van het theater en de improvisatiecultuur van de jazz. Zijn liederen werden door zowel crooners als instrumentalisten omarmd, wat bijdroeg aan de canonisering van het Great American Songbook als fundament van de jazztraditie. Cole Porter was een componist die de grenzen van populaire muziek verlegde en tegelijkertijd een fundament legde voor de jazztraditie. Zijn liederen zijn melodisch sterk, harmonisch uitdagend en tekstueel briljant. Daardoor blijven ze aantrekkelijk voor zowel luisteraars als uitvoerders, en vormen ze een essentieel onderdeel van het muzikale erfgoed van de 20e eeuw. Zijn invloed is nog altijd hoorbaar in hedendaagse pop, musicaltheater en jazz—een bewijs van de tijdloze kracht van zijn werk.

We can't believe some people get turned on by Game of Thrones....Support the show and follow us here Twitter, Insta, Apple, Amazon, Spotify and the Edge! See omnystudio.com/listener for privacy information.

Psalm 36

Join the gang for another week of Eurovision hot takes as they review this year's entries from Estonia, Latvia, Croatia, and Greece! And yes, we're a little drunk, it's fine! Songs featured: Vanilla Ninja – Too Epic to be True Atvara – Ēnā Lelek – Andromeda Akylas – Ferto

Hold on tight for the Stuckie Duckie song! Join this sing-along and see if you can quack as loud as Bing and Sula.

Featuring wholehearted singing to The Lord and an encouraging word, we hope this video blesses all who want to do the same; at home and beyond.

Im Februar 2001 hat das französische House-Band Daft Punk ihr zweites Album "Discovery" veröffentlicht. Auf dem Album ist mit "One More Time" auch einer der erfolgreichsten Songs der Gruppe. Daft Punk sind eine der größten House-Bands aller Zeiten. Den internationalen Durchbruch haben sie mit ihrer Single "Around The World" und dem dazugehörigen Album "Homework" geschafft. Mit ihrem zweiten Album "Discovery" hat die Gruppe ihren Stand gefestigt und gezeigt, dass sie keine musikalischen Eintagsfliegen sind. Ab da ist die Erfolgskurve von Daft Punk, die man auch dadurch kennt, dass sie selbst immer mit Roboterhelmen verkleidet in der Öffentlichkeit aufgetreten sind, weiter steil nach oben gegangen. Daft Punk machen auf "Discovery" – und auch in der Zeit danach – eine besondere Form der House-Musik, nämlich: "French House". Diese spezielle Spielform hat ihre Ursprünge auch im französischen Hip-Hop, der vor allem in den äußeren Bezirken von Paris, den sogenannten "Banlieues" entsteht und stark vom Jazz geprägt ist, erklärt Musikredakteur Stephan Fahrig im Podcast. Wie genau das Erfolgsrezept von French House und Daft Punk zusammengesetzt ist, erklärt Meilensteine Gast Sascha Simnovec. Dabei beginnt alles mit einem sehr genauen 4/4-Drumbeat, einer funky Bassline und einer Portion Nile Rodgers und Chic. Was sonst noch reingehört in das fein abgeschmeckte Rezept, das hört ihr im Meilensteine Podcast. Darüber hinaus lassen Daft Punk auf ihrem Album auch die Klänge verschiedener Instrumente verschwimmen. Es gibt Synthesizer, die wie Gitarren klingen, und Gitarren, die wie Synthesizer klingen – House-, Elektro-, Hip Hop- und Rockelemente bekommen hier vollkommen neue Klanggewänder übergezogen. Das hört man zum Beispiel auch beim Song "Digital Love". Auf ihrem Album "Discovery" bedienen sich Daft Punk auch ganz häufig bei mehr oder weniger bekannten, aber bereits veröffentlichten Songs – oft aus den 70ern. Hier werden einzelne Schnipsel von Songs genommen, stark bearbeitet und damit wird dann etwas Neues geschaffen. Auf die Spitze treiben Daft Punk es damit bei dem Song "Face To Face" wie Stephan Fahrig findet. Mit ihrem Album "Discovery" und ihrem French-House-Stil, haben Daft Punk die Popmusiklandschaft und Dancemusik der nachfolgenden Jahrzehnte stark beeinflusst, beweist Podcast Gast Sascha Simnovec mit Musikbeispielen von Lady Gaga, Madonna, Coldplay, The Weeknd und anderen Popmegastars. __________ Über diese Songs vom Album "Discovery" sprechen wir im Podcast (28:09) – "One More Time"(45:03) – "Digital Love"(50:17) – "Harder, Better, Faster, Stronger"(01:01:54) – "Face To Face"__________ Alle Shownotes und weiterführenden Links zur Folge "Discovery" findet ihr https://x.swr.de/s/daftpunkdiscovery __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Our coverage continues of the Marvel Star Wars comics published between The Empire Strikes Back and Return of the Jedi! In this episode, Henry Bernstein joins The Irredeemable Shag to discuss Marvel STAR WARS #48 (June 1981), by Larry Hama, Carmine Infantino & Carlos Garzon! In this issue, entitled "The Third Law", Princess Leia applies for a space loan, and Darth Vader tries to ruin her credit score. It's a story of predatory lending! Finally, we wrap up with YOUR listener feedback from the previous episode! 00:00:30 - Introductions 00:11:05 - Guest's origin with Star Wars comics 00:14:25 - Guest's favorite Star Wars expanded universe character 00:17:15 - Star Wars #48 cover discussion 00:22:30 - Star Wars #48 interior discussion 01:08:35 - The Golden Plif Award 01:13:30 - Your listener feedback from the last episode 01:35:25 - Sign off Have a question or comment? Looking for more great content? Leave comments on our website: http://fireandwaterpodcast.com/podcast/swe2j-05/ Email the show at: EmpireToJedi@gmail.com Follow Henry Bernstein: Website: https://www.henryjbernstein.com/ Funny, They Don't Look Jewish Podcast: https://jewishcomicspod.simplecast.com/ Songs of Experience: A Bob Dylan Podcast: https://songsofbob.simplecast.com/ Bluesky: https://bsky.app/profile/henrybernstein.bsky.social Subscribe to the MARVEL STAR WARS: FROM EMPIRE TO JEDI Podcast: Subscribe on Apple Podcasts: https://podcasts.apple.com/us/podcast/marvel-star-wars-from-empire-to-jedi/id1812325155 Don't use Apple Podcasts? Use this link for your podcast catcher: http://feeds.feedburner.com/empiretojedi Also available on Spotify, Audible, and Amazon Music Follow MARVEL STAR WARS: FROM EMPIRE TO JEDI on social media: Facebook: https://www.facebook.com/EmpireToJedi/ Bluesky: https://bsky.app/profile/empiretojedi.bsky.social Twitter/X: https://x.com/EmpireToJedi Instagram: https://www.instagram.com/empiretojedi/ Threads: https://www.threads.com/@empiretojedi This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water website: http://fireandwaterpodcast.com Like our Fire & Water Facebook page: https://www.facebook.com/FWPodcastNetwork Follow Fire & Water on Bluesky: https://bsky.app/profile/fwpodcasts.bsky.social Follow Fire & Water on Instagram: https://www.instagram.com/fireandwaterpodcast/ Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Thanks for listening! May the Force be with You, Always!

Musical numbers aren't always violets and silverbells: here are moments from the musical stage where the truth is spoken to power. Songs from Les Misérables, Suffs, Kiss of the Spider Woman, The Cradle Will Rock (of course), and more.

What are the Ten Commandments God gave us and why? Learn how God's love is seen in his rules and how mountains can bring us closer to Him in part B. Mem. vs. Ex. 20:6 Check out this week's coloring pages at https://startingwithjesus.com/spb-cp/. Child helpers: Audrey, Heidi, Benjamin, and Dylan Recorded and produced by: Ashley B. Larson Don't forget to check out the coloring pages that go along with each lesson! https://startingwithjesus.com/spb-cp/ If you have enjoyed this program and would like to know more, go to our website: www.startingwithjesus.com The Bible and nature story material used in today's devotional podcast has been used with permission from My Bible First. If you would like your own copy, please visit their website-or call 1-877-242-5317. If you would like to purchase your own Memory Verse CD or Songbook, go to Ouachita Hills Store (https://www.ouachitahillsacademy.org/store?page=1&store_category_id=0&sort_by=title&is_ascending=1&search=). Songs from: Little Voices Praise Him, SDA Hymnal, Sabbath Songs For Tiny Tots, New Sabbath Songs For Tiny Tots, Memory Verse Verse Songs for Cradle Roll, Children's Songs For Jesus, and Scripture Songs and Little Lessons All Bible verses are from the NKJV. Singers for this Quarter: Tory, Caleb, and Enoch Hall, Hudson Reeves, Michael and Amy Nelson Editing assist: Dillon Austin and Josh Larson Music Recording and Editing: Rachel Nelson and Kristy Hall Coloring Pages: Rachel Lamming, Lily Canada, and Evie Rodriguez Theme Music: Lindsey Mills- www.lindseymillsmusic.com  God: who gives talents for us to use for Him

Send a textSome songs transcend mere singing; they engage in conversation as well. From dramatic monologues to playful spoken intros, artists have long employed spoken word to enhance storytelling, inject humor, or deliver emotional impact to their music. In this episode, we embark on a journey to explore tracks where the dialogue is as captivating as the chorus.Prepare to be captivated by classics that kick off with unforgettable spoken lines, songs where the artist seamlessly transitions into narration, and a few unexpected hits where talking becomes an integral part of the groove.Let's delve into the unforgettable spoken verses of Barry White, the undisputed master of the seductive monologue.Spoken moments in songs span various genres, from rock and soul to funk, disco, and pop. They create vivid mental images and evoke emotions.So, brace yourself for a playlist brimming with personality, storytelling, and a touch of conversation along the way.

Some weeks you need strength. Some weeks you need peace. And some weeks… you need reminder after reminder that God is still moving. Week 3 of A Gospel Groove is built for exactly that. From Sunday reflection to Monday pressure through midweek responsibility into Friday release and back to Sunday again. These records carry joy, confidence, testimony, and truth. The kind that meets you in traffic, at your desk, in your headphones, and in quiet moments when you need perspective most. Play this when: • You need momentum on Monday • You need encouragement midweek • You need a praise break on Friday • You need grounding on Saturday • You're preparing your heart for Sunday again Because worship isn't seasonal. It's consistent. If this mix blesses you, drop a

Music from the Third Sunday of Lent Permission to podcast / stream the music in this service obtained from One License #706462-A, and CCLI licenses #11534746 and #CSPL176036.

The Song of Songs | Song of Songs 6:4-8:4 | Chipper Flaniken

Hello Beautiful, I'm so grateful you're here with me.

This week on Happy Hour, Keith and Jenny are back at Club 41, trying to guess some of the songs Cade hates the most and taking a trip down memory lane to when Colin was a boxer. Presented by Iowa Distilling Company. Learn more about your ad choices. Visit megaphone.fm/adchoices

His songs have been covered by HUNDREDS of bands over the years, and he's rightly been nicknamed the "Father of Rock and Roll". John Lennon may have said it best, "If you tried to give rock and roll another name, you might call it 'Chuck Berry'." This week's guest, New Orleans musician Smitti Supab (Captain Buckles), brings us 'The Great Twenty-Eight' by the late, great Chuck Berry. "Hail, hail rock and roll!" Songs discussed in this episode: School Days - The Beach Boys (Live, Knebworth 1980), Iron City House Rockers, Bobby Vee, Jan and Dean, AC/DC; Cringe, Hurry Up, Bus Station Blues - Captain Buckles; Johnny Be Goode, Roll Over Beethoven - Chuck Berry; Roll Over Beethoven - The Beatles; Too Much Monkey Business - Chuck Berry; Too Much Monkey Business - The Kinks; Subterranean Homesick Blues - Bob Dylan; Havana Moon, School Days, Rock and Roll Music - Chuck Berry; Rock and Roll Music - The Beatles; Reelin' and Rockin', Sweet Little Sixteen - Chuck Berry; Surfin' U.S.A. - The Beach Boys; Beautiful Delilah - Chuck Berry; Beautiful Delilah - The Kinks; Memphis Tennessee - Chuck Berry; Memphis Tennessee - John Lennon and Chuck Berry with Yoko Ono; Nadine, Maybellene, No Particular Place To Go - Chuck Berry; Raindrops on Mardi Gras - Captain Buckles

Episode 0949 - 2001/Space Odyssey, Wm. Blake & Triadism (Click on the above link, or here, for audio.) Introductory comments on the metaphysical principle of trinity & triadism as shown in the film 2001: A Space Odyssey & William Blake's Songs of Experience. Kubrick's 3-part narrative, Blake's 3-phase sequence of soul evolution, Logoic 3 Laws (Free Will, Love, Light) & 3-fold

What are the Ten Commandments God gave us and why? Learn how God's love is seen in his rules and how mountains can bring us closer to Him in part B. Mem. vs. Ex. 20:6 Check out this week's coloring pages at https://startingwithjesus.com/spb-cp/. Child helpers: Audrey, Heidi, Benjamin, and Dylan Recorded and produced by: Ashley B. Larson Don't forget to check out the coloring pages that go along with each lesson! https://startingwithjesus.com/spb-cp/ If you have enjoyed this program and would like to know more, go to our website: www.startingwithjesus.com The Bible and nature story material used in today's devotional podcast has been used with permission from My Bible First. If you would like your own copy, please visit their website-or call 1-877-242-5317. If you would like to purchase your own Memory Verse CD or Songbook, go to Ouachita Hills Store (https://www.ouachitahillsacademy.org/store?page=1&store_category_id=0&sort_by=title&is_ascending=1&search=). Songs from: Little Voices Praise Him, SDA Hymnal, Sabbath Songs For Tiny Tots, New Sabbath Songs For Tiny Tots, Memory Verse Verse Songs for Cradle Roll, Children's Songs For Jesus, and Scripture Songs and Little Lessons All Bible verses are from the NKJV. Singers for this Quarter: Tory, Caleb, and Enoch Hall, Hudson Reeves, Michael and Amy Nelson Editing assist: Dillon Austin and Josh Larson Music Recording and Editing: Rachel Nelson and Kristy Hall Coloring Pages: Rachel Lamming, Lily Canada, and Evie Rodriguez Theme Music: Lindsey Mills- www.lindseymillsmusic.com  God: who gives talents for us to use for Him

Microsoft's anti-"Microslop" censorship backfired spectacularly; Australia is cracking down on AI age verification while Meta is busy targeting toddlers; prediction markets are basically just insider trading with extra steps; AI chatbots are getting people killed and exposing spy operations; the Moon landing got pushed again; Opera got nostalgic at 30; Sony bought Charlie Brown; and Netflix is making documentaries with robot people now.Show notes at https://gog.show/736Watch on YouTube at https://youtu.be/6lw2Hy_U8QASponsors:DeleteMe - Get 20% off your DeleteMe plan when you go to JoinDeleteMe.com/GOG and use promo code GOG at checkout.Private Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.SetApp - With a single monthly subscription you get 240+ apps for your Mac. Go to SetApp and get started today!!!1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordFOLLOW UPMicrosoft Bans the Word “Microslop” on Copilot Discord, Gets So Humiliated That It Locks Down the Whole ServerAustralia will consider requiring app stores to block AI services without age verificationA Day in the Life of an EnshittificatorIN THE NEWSMeta's what-if for tweensHow Meta Executives Talked About Child Safety Behind the ScenesThe Great Insider Trading Reckoning Reportedly Hits OpenAIKhamenei market meltdown on Kalshi shows how prediction markets still can't decide what ‘counts'Some Alleged Polymarket Insiders Made a Fortune on U.S. Strikes on IranPolymarket Decides Incentivizing a Nuclear Detonation Might Be a Bad IdeaA Chinese official's use of ChatGPT accidentally revealed a global intimidation operation‘Our Bond Is the Only Thing That's Real:' A New Lawsuit Alleges Google Gemini Drove a Man to SuicideThe Data Centers Have Arrived at the Edge of the Arctic CircleBig tech companies agree to not ruin your electric bill with AI data centersTerraPower gets OK to start construction of its first nuclear plantThe Supreme Court doesn't care if you want to copyright your AI-generated artAnthropic CEO Dario Amodei calls OpenAI's messaging around military deal 'straight up lies,' report saysThe $100 Billion OpenAI-Nvidia Deal Is Not HappeningNASA Announces Major Change to Plans For Putting Humans on The MoonThe US Senate empowers NASA to fully engage in lunar space raceAstronomers Estimated the Lifespan of Alien Civilizations, and It's Not Looking Good for UsMEDIA CANDYCharlie Brown now works for SonyThese AI Avatars in a Netflix True Crime Doc Are Disturbing ViewersNetflix buys Ben Affleck's AI film tech company, InterPositiveAPPS & DOODADSOpera Has Turned 30 and Is Celebrating With a Compelling Tribute to Web NostalgiaWeb Design MuseumMeta hit with a class action lawsuit over smart glasses' privacy claimsApple Macbook NeoAT THE LIBRARYUncommon People: Britpop and Beyond in 20 Songs by Miranda SawyerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome back to The Rizzuto Show, the comedy podcast that turns everyday news, pop culture nonsense, and the weirdest stories on the internet into a full-blown morning show meltdown.Today's episode kicks off with a story that feels like it was written by the world's laziest screenwriter: a DARE officer — literally the guy teaching kids to say no to drugs — got busted selling drugs while on duty in uniform. Not only that, but he was allegedly making deals out of a marked patrol car. Because when you're committing crimes, subtlety is overrated apparently. The gang breaks down the story, the wild investigation details, and the absolutely baffling punishment that has everyone wondering if justice accidentally took the weekend off.From there, the conversation shifts into something that instantly fires up every music fan in the room: the greatest concert opening songs ever. What song makes you want to run through a brick wall the second the band hits the stage? The crew debates legendary openers from Korn, Foo Fighters, Limp Bizkit, Rage Against the Machine, and more — plus the kind of songs that instantly turn a crowd of thousands into one giant mosh pit. If you've ever been to a show where the first riff gave you goosebumps, you'll feel this discussion.Then it's time for Crap on Celebrities, where the gang digs into the latest pop culture chaos. Britney Spears headlines the conversation with another headline-making moment that sparks debate about fame, mental health, and the internet's favorite hobby: pretending it knows everything about celebrities. The show also dives into music news, massive concert ticket prices that could destroy a mortgage, and some classic rock album debates that may cause arguments in record stores everywhere.Along the way you'll also hear:The surprisingly light punishment for a cop dealing drugs while in uniformThe songs that instantly turn a crowd feral at concertsWhy some concert intros are basically adrenaline injectionsCelebrity headlines that sound fake but somehow aren'tThe ongoing debate about which albums belong in every vinyl collectionBasically: it's another completely normal day on The Rizzuto Show — which means nothing makes sense, everyone gets roasted, and somehow we still learn something weird.If you're looking for a comedy podcast that mixes weird news, music talk, celebrity chaos, and pure sarcastic nonsense, congratulations — you found it.And remember: if your anti-drug instructor starts selling Adderall out of a squad car… maybe the program needs a refresher.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Have you ever watched, in awe, as a skilled gymnast or skater lifts off and completes a dizzying number of revolutions in less than a second before landing safely back down? That's how you may feel upon reading the great Leonard Cohen's urgent, dreamlike poem “I, 8” from Book of Mercy. In his telling of a man's fall “from his high place” into “disgrace”, Cohen sends us on a short, 206-word journey that seamlessly weaves together narration, fiction, meditation, devotion, and prayer.   We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.   Leonard Cohen had an artistic career that began in 1956 with the publication of his first book of poetry, Let Us Compare Mythologies. He published two novels, The Favourite Game and Beautiful Losers, and 10 books of poetry, most recently Stranger Music: Selected Poems and Songs and Book of Longing. During a recording career that spanned almost 50 years, he released 14 studio albums, the last of which, You Want It Darker, was released in 2016. Cohen was inducted into the Rock and Roll Hall of Fame in 2008, received a Grammy Lifetime Achievement Award in 2010, and was awarded the Glenn Gould Prize in 2011. He died on November 7, 2016. Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome to Day 2812 of Wisdom-Trek. Thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom. Day 2812 – Wisdom Nuggets – Psalm 118:10-18 – Daily Wisdom Wisdom-Trek Podcast Script - Day 2812 Welcome to Wisdom-Trek with Gramps! I am Guthrie Chamberlain, and we are on Day 2812 of our Trek. The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. The Title for Today's Wisdom-Trek is: Surrounded but Secure – The Strong Right Arm of the Lord. In our previous episode, we took our first steps into the magnificent landscape of Psalm One Hundred Eighteen, focusing on verses one through nine. We heard the massive, joyful choir of Israel, the priests, and all who fear the Lord, declaring that His faithful love endures forever. We also listened to the deeply personal testimony of a leader who was trapped in a narrow, suffocating place, but who was miraculously rescued, and brought into the wide-open spaces of God's grace. That powerful realization led us to conclude that it is infinitely better to take refuge in the Lord, than to put our trust in earthly princes. Today, we are moving forward on our trail, trekking through the second movement of this grand, festive song. We will be exploring Psalm One Hundred Eighteen, verses ten through eighteen, in the New Living Translation. As we open our Bibles, we must keep the historical and theological setting firmly in our minds. This is the very climax of the Egyptian Hallel, the collection of psalms sung during the Passover. These are the very words that echoed in the mind of Jesus Christ, as He left the Upper Room, and walked into the dark, terrifying olive grove of Gethsemane. He knew that He was about to be surrounded by hostile forces, both human and spiritual. Yet, He sang this psalm of absolute, unshakable victory. In these verses, the psalmist paints a vivid, almost overwhelming picture of being entirely encircled by enemies. But instead of despair, we hear a drumbeat of triumph. We witness the cosmic authority of Yahweh, the mighty power of His right arm, and the profound paradox of facing severe discipline, yet being spared from death. Let us lean in, and listen to the battle cry of the redeemed. Psalm One Hundred Eighteen: verses ten through twelve. Though hostile nations surrounded me, I destroyed them all with the authority of the Lord. Yes, they surrounded and attacked me, but I destroyed them all with the authority of the Lord. They swarmed around me like bees; they blazed against me like a crackling fire. But I destroyed them all with the authority of the Lord. The imagery here is intense, claustrophobic, and highly kinetic. The psalmist says, three separate times, that he was "surrounded." He was completely encircled, with no natural means of escape. But notice who is surrounding him: "hostile nations." To truly understand the weight of this, we must put on our Ancient Israelite, Divine Council worldview lenses, as taught by Dr. Michael S. Heiser. In the ancient world, a conflict between nations was never merely a political dispute; it was a cosmic battle. According to Deuteronomy Chapter Thirty-Two, verses eight and nine, the nations of the world had been disinherited by Yahweh at the Tower of Babel, and placed under the authority of lesser, rebel spiritual beings. Israel, however, remained Yahweh's personal portion. Therefore, when the "hostile nations" surround the Israelite king, this is a coordinated attack by the dark, spiritual principalities of the unseen world. They are attempting to snuff out the light of God's kingdom on earth. The psalmist uses two vivid, terrifying metaphors to describe this onslaught. First, he says, "They swarmed around me like bees." If you have ever accidentally disturbed a beehive, you know the absolute, blinding panic of that moment. Bees attack from every possible angle; they are relentless, chaotic, and their stings produce compounding agony. Second, he says, "They blazed against me like a crackling fire." In the original Hebrew, this is specifically described as a fire of thornbushes. Dry thorns burn with incredible, explosive heat, and a blinding, intimidating flash. But what happens to a fire of thorns? It flashes hot, it makes a lot of terrifying noise, but it burns out almost instantly. It has no lasting fuel. This is exactly how the psalmist views the hostile, demonic forces of the world. They swarm, they sting, and they blaze with intimidating fury. But they have no staying power against the Creator. Three times, the psalmist responds to the threat with a rhythmic, defiant battle cry: "I destroyed them all with the authority of the Lord." Literally, the Hebrew text says, "In the Name of Yahweh, I cut them off." He does not rely on his own military strategy, his own armor, or his own physical prowess. He wields the Name of the Most High God. When Jesus faced the cross, He was swarmed by the hostility of Rome, the religious leaders, and the rebel spirits of the unseen realm. Yet, through His willing sacrifice, He wielded the authority of the Lord, cutting off the power of sin and death forever. Psalm One Hundred Eighteen: verses thirteen through fourteen. My enemies did their best to kill me, but the Lord rescued me. The Lord is my strength and my song; he has given me victory. The psalmist moves from the broad, chaotic swarm of the nations, to a deeply personal, targeted attack. "My enemies did their best to kill me." The literal translation is incredibly violent: "You pushed me violently, so that I was falling." He is speaking directly to the adversary, acknowledging the sheer, brute force of the assault. He was pushed to the very brink; he was teetering on the edge of the precipice. "But the Lord rescued me." Yahweh reached out His hand, caught His servant mid-fall, and pulled him back from the edge of the abyss. Verse fourteen is a direct, deliberate quotation of an older, highly famous song. "The Lord is my strength and my song; he has given me victory." These are the exact words sung by Moses and the Israelites on the shores of the Red Sea, in Exodus Chapter Fifteen, verse two, right after God drowned the Egyptian army. By quoting the Song of the Sea, the psalmist connects his present, personal deliverance to the great, historical deliverance of the Exodus. Because this is the Passover festival, the connection is absolutely brilliant. The God who split the sea, and crushed the Egyptian gods, is the exact same God who catches you when the enemy pushes you over the edge. He is our strength when we are weak; He is our song when we have lost our voice; and He is our ultimate, eternal salvation. Psalm One Hundred Eighteen: verses fifteen through sixteen. Songs of joy and victory are sung in the camp of the godly. The strong right arm of the Lord has done glorious things! The strong right arm of the Lord is raised in triumph. The strong right arm of the Lord has done glorious things! The scene shifts from the lonely, personal battlefield, to the vibrant, joyful encampment of the righteous. Imagine walking through the tents of the Israelites. You do not hear the moans of the defeated, or the fearful whispers of the oppressed. You hear the deafening, celebratory roar of victory. And what is the lyric of their song? They are singing about the "strong right arm of the Lord." In biblical poetry, the "right arm" or "right hand" is a powerful anthropomorphism—a way of describing God's invisible attributes using human physical terms. The right arm represents kinetic energy, military might, and decisive, executing authority. It is the hand that holds the sword; it is the arm that shatters the enemy. Three times, the congregation sings about this mighty arm. It has "done glorious things." It is "raised in triumph." This is a picture of the Divine Warrior, standing victorious on the cosmic battlefield, His arm lifted high, signaling to the entire universe that the forces of chaos have been decisively crushed. When the early church looked back at the resurrection of Jesus Christ, they realized they were witnessing the ultimate manifestation of the strong right arm of the Lord. God reached down into the grave, shattered the gates of death, and raised His Son in triumph, securing eternal victory for the camp of the godly. Psalm One Hundred Eighteen: verses seventeen through eighteen. I will not die; instead, I will live to tell what the Lord has done. The Lord has punished me severely, but he did not let me die. We conclude today's trek with a profoundly moving, and incredibly honest, declaration. The psalmist has survived the swarm. He has been caught from the fall. He has heard the victory song in the camp. And now, he makes a solemn vow regarding his future. "I will not die; instead, I will live." This is not just a biological...

What do you get when you blend traditional Mi'kmaq songs with Celtic fiddle music? Mi'kmaltic!Morgan Toney draws inspiration from his Elders, family and community and brings the fusion genre across the country. Now he's on the road to the Junos. This week Rosanna speaks with three musicians on the way to the Junos about how their music led them to community, connection and ceremony.

Today on Karl and Crew, we continued our weekly “Ask the Experts” theme with Dr. Erwin Lutzer, who answered questions on all things prayer. Dr. Lutzer is Pastor Emeritus of Moody Church. He is also the featured speaker on two radio programs: Running to Win and Songs in the Night. He also wrote several books, including his latest book, “Why Doesn’t God Answer My Prayers?”Donate to Moody Radio: http://moodyradio.org/donateto/morningshowSee omnystudio.com/listener for privacy information.

Ethnomusicologist Ben Lapidus joins Rebecca again to discuss the life and legacy of Cuban pianist Lilí Martínez Griñan, a Guantanamero who joined Arsenio Rodriguez's band in the 1940s and quickly became his right-hand man in terms of composition and arranging. Lapidus is the editor of a new anthology in Spanish, El hombre y su música: Lilí Martínez Griñán.Songs played:Tumba Palo Cucuyé, Arsenio Rodriguez y Su ConjuntoMira...Cuidadito, Arsenio Rodriguez y Su ConjuntoCero Guapos en Yateras, Arsenio Rodriguez y Su ConjuntoAlto Songo, Chappotín y Sus EstrellasMi Changüí Son, Estrellas de ChocolateEl Divorcio, Arsenio RodriguezLa Candela, Los Van VanMusica Suave, El Niño y La VerdadSend a textSupport the showYou can support this independently produced podcast by becoming a monthly subscriber - even $3/month helps!If you like this podcast, please hit "Follow" and give us a 5-star rating on Apple PodcastsFind The Clave Chronicles on Instagram, Facebook, & Threads @clavechronicleshttps://theclavechronicles.buzzsprout.comIntro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

Buddy Holly – Love Is Strange(slow) Heron – Car Crash Ted Lucas – Now That I Know West – Dolphins Mike Steiphenson – Dreams Fleetwood Mac – Storms(demo) Jude – Morning Morgantown Serge Gainsbourg – Scène de bal 1 Albert Hammond – The Air That I Breathe

This week, we promote awareness of “Shoe The World Day – March 15” by visiting a long-forgotten genre that emerged in the late 80s – early 90s. A genre that exploited obscured vocals, guitar distortion, effects, feedback, and overwhelming volume: SHOEGAZE. In part 1, we focused mostly on bands from the UK, but in part 2, we are exploring bands from other parts of the world. These bands use the artistry of guitar innovation to paint some wonderfully layered sonic canvases! If you have a preconceived notion that you don't like this stuff, we ask that you give this episode a shot, as you might be surprised how much it rocks… What is it we do here at InObscuria? Every show, Kevin opens the crypt to exhume and dissect from his personal collection: an artist, album, or grouping of tunes from the broad spectrum of rock, punk, and metal. If you were into this music when it came out back in the early 90s, chances are that you haven't revisited it in a while. Come along on this ride with us and spend the next 90 minutes staring at your feet! We hope we turn you on to something new! Songs this week include: Big Jesus – “Felt In Reverse” from Oneiric (2016) Band Of Susans – “Pearls Of Wisdom” from Veil (1993) Blackwater Holylight – “Bodies” from Not Here Not Gone (2026) Kent – “Lifesavers” from Isola (1998) Softcult – “16/25” from When A Flower Doesn't Grow (2026) Swirlies – “San Cristobal De Las Casas” from They Spent Their Wild Youthful Days In The Glittering World Of The Salons (1996) HUM – “Starts” from You'd Prefer An Astronaut (1995)   Buy cool stuff with our logo on it!:InObscuria Store Visit us: https://inobscuria.com/ https://www.facebook.com/InObscuria https://twitter.com/inobscuria https://www.instagram.com/inobscuria/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/ Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/ If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/

This week, Stub reviews new music by Mumford & Sons and Iron & Wine. And of course, there's a beverage pairing for each record. If you find yourself liking, singing along to, or playing along with One Bourbon, One Chard, or One Beer, please Please PLEASE rate and review us on iTunes, Spotify, Stitcher, Soundcloud, or wherever you found our podcast. It helps other lushes like you find our podcast and to build our community. Songs featured in this week's episode: Our intro and theme: "Bad Guy In My Story" by Wild Talk. "Here" by Mumford & Sons with Christ Stapleton "Rubber Band Man" by Mumford & Sons with Hozier "Roses" by Iron & Wine "Robin's Egg" by Iron & Wine with I'm With Her All music featured in this podcast is used in compliance with the US Copyright Act Fair Use Exemption for Commentary and Criticism. If you rate and review us and we ever meet you, we'll buy you one bourbon, one chard, or one beer (our choice). Cheers, mates!

Hollywood's Biggest Night is almost upon us, and 1-Week Rental is gonna help you get ready by discussing the movies nominated for the biggest awards. In this, the first of our two-part series previewing the awards, Matt talks to his friends about six films: Frankenstein, If I Had Legs I'd Kick You, KPop: Demon Hunters, One Battle After Another, Train Dreams, and Weapons. Next week (March 13, 2026): Part 2 of our Oscars special continues reviewing huge Oscar movies! The week after that (March 20, 2026): Nothing But Trouble, where Dan Ackroyd plays a judge with a penis for a nose, and also a big diaper baby.    Time stamps: 00:01:40 — KPop: Demon Hunters (with Neophyte Reviews) 00:16:00 — Train Dreams (with Drewbie Doobie's Movies) 00:32:40 — If I Had Legs I'd Kick You (with Austin Proctor) 01:00:35 — Weapons (with Smash Trivia John) 01:27:27 — Frankenstein (with Spooky T & HFK) 01:45:45 — One Battle After Another (with Wade Hymel)   Follow Neophyte Reviews! TikTok: @neophyte_reviews Instagram: @neophyte_reviews YouTube: @neophyte_reviews   Follow Drewbie Doobie's Movies! Boiling Cactus Productions TikTok: @drewbiedoobiemovies Instagram: @drewbiedoobiemovies   Follow Austin Proctor! Listen to Frightmares on Apple Podcast (https://bit.ly/4nvmSGe) or Spotify (https://bit.ly/4nVvx4D) TikTok: @frightmarespodcast Instagram: @frightmarespodcast   Follow Smash Trivia John! Listen to Smash Trivia Presents: The Gamma Analysis on Apple Podcast (https://apple.co/4le1kgT) or Spotify (https://bit.ly/4lFpXmh)  TikTok: @SmashTrivia  Instagram: @smashtriviajohn YouTube: @smashtrivia3273   Follow Spooky T & HFK! Elevated Cryptid Productions Spooky T on TikTok: @tieracolette HFK on TikTok: @HFK48   Follow Wade Hymel! Listen to PodJob: A James Bond Podcast on Apple Podcast (https://bit.ly/4jRL2K1) or Spotify (https://bit.ly/4a8jM6E) Dash Rip Rock's new album, A Song In Everyone (https://bit.ly/4q3gdDO) A Song In Everyone on vinyl (https://bit.ly/4r5ds5F) Wade's solo album, Who Said That? (https://bit.ly/3LPUNf3) Lilli Lewis (https://bit.ly/3NylTIj) Incubators (https://bit.ly/3LOeuUv) Rural Route Nine (https://bit.ly/45ny1Ss)     Artwork by Laci Roth.   Check out Laci's coloring videos on YouTube! https://www.youtube.com/channel/UC-kKLhWb2g0bKA-RrvvLh0Q/  Matt has a monthly spin-off podcast covering the James Bond films! Check out PodJob: A James Bond Podcast on Apple Podcast (https://bit.ly/4jRL2K1), Spotify (https://bit.ly/4a8jM6E), and YouTube (https://youtube.com/@podjob007).   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: "Winston-Salem" - https://youtu.be/-acMutUf8IM "Snake Drama" - https://youtu.be/xrzz8_2Mqkg "The Bible Towers of Bluebonnet" - https://youtu.be/k7wlxTGGEIQ    Follow the show!  Twitter: @1weekrental | @MattStokes9 | @LRothConcepts Facebook: @1weekrental Instagram: @1weekrental TikTok: @1weekrental | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @1weekrental.bsky.social   1-Week Rental used to be Load Bearing Beams.

We continue our discussion after Heather told us she's going to a karaoke bar this weekend

Heather is going to a karaoke bar this weekend, but she doesn't know what song to sing!

Welcome to another jam-packed episode of the WOAFM99 Show! This week, your host—MTV EMA Nominated and multiple Billboard Top 10 artist, Producer, and Grammy U Mentor—Oliver Sean, sits down for an in-depth "In Conversation" session with the incredibly talented Jazz Crooner and multiple chart-topper, Crooner Ed. The two musicians explore the evolving landscape of the music business, tackling the hot topic of AI in music—discussing whether it's a tool for creativity or a challenge for artists. They also celebrate the massive #1 chart success of the 15th Anniversary Edition of the Goa Chillout Zone album and dive into details regarding Crooner Ed's latest album. We also bring you the highly anticipated WOA Certified Indie Songs of the Week. Tune in for the "Oliver Sean Take," where Oliver provides his unique professional insight and commentary on every track—a segment that has become a favorite for both fans and indie artists alike. This Week's WOA Certified Indie Songs: Nate Walker and the Outlaws – Free Running Paul Louis Villani – Makes Me Happy Tony Amantini – I'm Going Back Spring Rooster – Sheila Dick Cole – Tail of the Dragon Bella Masone & Joe La Porta – Everywhere I Go Crooner Ed – Fatter Friends Solvik – Between Tides Yigal – My Beautiful Love Juice Tha Black Beethoven – Me Myself and Cry Watch & Subscribe Take your experience beyond the audio. Head over to Oliver Sean's Official YouTube Channel to catch the exclusive WOAFM99 "Get To Know Your Artist" video series—the essential preview that drops before each show to introduce you to the week's featured talent. You can also watch the In Conversation Condensed Video Show, a high-impact edit featuring the best moments from today's interview with Crooner Ed, available exclusively for our visual audience. By subscribing to the WOAFM99 Video Playlist, you get access to: The Full Podcast & Radio Show: The complete, unabridged broadcast experience. Get To Know Your Artist Series: Dedicated pre-show video segments released ahead of every episode. In Conversation Condensed Video Show: Curated video highlights from our headline interviews. Submit Your Music: Artists, Season 31 is now open for submissions! Visit www.woafm99.com to submit your tracks and join the WOA family.  

  THE SHOW NOTES   The refreshing eloquence of Pete B. Intro Elemental Rehearsal Ask George      - Funerals? from David Damian Handzy's Facts That'll Fuck Y'up      - Distances, Deadly Animals, Passwords, Presley, more… Elements Demos      - Zirconium, Tellurium, Barium, Seaborgium Religious Moron of the Week      - José Dolores Aguayo González:         “Father Lolo” Tell Me Something Good      - Instant Car Show OSftPT this Saturday! Show Close .........................   MENTIONED IN THE SHOW  Elements tickets Something Good .........................   UPCOMING SCHEDULE   George Hrab's Occasional Songs for the Periodic Table 118 Elements • 118 Songs • 90 Minutes Saturday, March 7th, 2026 The Icehouse Bethlehem, PA TICKETS 118Elements.eventbrite.com Geo & SGU: Extravaganza & Private Show Madison, Wisconsin Saturday, May 16, 2026 TICKETS CSICON Center for Inquiry 50th Anniversary Conference Geo & SGU: Extravaganza & Live PodcastAwards Dinner & Variety Show Buffalo, New York June 11-14th 2026 csiconference.org  Geo & SGU: Not-A-Con Sydney / NZ Skeptics Conference July 2026 Australian & New Zealand Episode 1000 of The Geologic Podcast Saturday, January 9, 2027 The Icehouse Bethlehem, PA .........................   SUBSCRIPTION INTERFACE   You can now find our subscription page at GeorgeHrab.com at this link. Many thanks to the sage Evo Terra for his assistance. .........................   Get George's Music Here  https://georgehrab.hearnow.com https://georgehrab.bandcamp.com ................................... SUBSCRIBE! You can sign up at GeorgeHrab.com and become a Geologist or a Geographer. As always, thank you so much for your support! You make the ship go. ................................... Sign up for the mailing list: Write to Geo! Check out Geo's wiki page, thanks to Tim Farley. Have a comment on the show, a Religious Moron tip, or a question for Ask George? Drop George a line and write to Geo's Mom, too!

From beatboxing, to blues, to a song of praise once heard in the Met Museum, musicians in San Quentin have created some indelible songs. And we have featured a number of them on Ear Hustle. In this episode, Earlonne and Nigel listen back to some of their favorites. You can hear more of the music we've featured on Ear Hustle here.Thank you to Matthew “Redbone” Brown III, Jason “Jukebox” Griffin, Tam Nguyen, the Mexican Nationals Band, David Jassy, Lemar “Maverick” Harrison, Charlie Spencer, and Richie Morris, for playing music for us. This episode was scored with music by David Jassy and Antwan Williams.Big thanks to Warden Andes and Lt. Berry at San Quentin Rehabilitation Center; Acting Warden Parker, Associate Warden Lewis, and Lt. Avina at the California Institution for Women; and Warden De La Cruz and Lt. Williams at the Central California Women's Facility for their support of the show.Support our team and get even more Ear Hustle by subscribing to Ear Hustle Plus today. Sign up at earhustlesq.com/plus or directly in Apple Podcasts. Ear Hustle is a proud member of Radiotopia, from PRX.  Learn about your ad choices: dovetail.prx.org/ad-choices