Podcasts about toshimaru nakamura

Episode 143 Chapter 05, The Physics of Musical Sound. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings.   Playlist   Time Track Time* Start Introduction –Thom Holmes 01:28 00:00 John Cage, “Cartridge Music” (1960). Uses phono cartridges to amplify small sounds. 19:57 01:30 Robert Ashley, “The Wolfman” (1964). Uses a mike inside of the vocal cavity as a feedback and distortion chamber for audio that is highly amplified. 15:27 21:26 Beaver and Krause, “Nonesuch Guide to Electronic Music” (1968). Two complete albums of examples from this landmark album. Includes examples of synthesis and principles using the Moog Modular synthesizer. The first track is a composition called “Peace Three” that is repeated as the final track of the album; in this case I only play it once at the end of the album. See the image below for a scan of the album's title sequence. 45:16 37:00 Steve Reich, “Pendulum Music” (1968). Manipulates the feedback properties of a microphone swinging over a loudspeaker. 05:54 01:22:16 David Tudor, “Toneburst” (1975). Incorporates an internal feedback loop where Tudor fed the output of his handbuilt instruments into other. Partly analog, partly digital. 29:19 01:28:06 Jason Kahn, Toshimaru Nakamura, “Track 1” from Repeat (1999). No-input feedback, which is basically a feedback loop produced without external (acoustic) input. All digital. 08:02 01:57:26 Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Los extremos sonoros protagonizan esta semana nuestro programa. El piano, el bajo, la mesa de mezclas como instrumento. Conoceremos los trabajos de Ingfrid Breie Nyhus, Catherine Graindorge, Brendan Faegre, Robert Takahashi Crouch, Toshimaru Nakamura, Dark Star Safari, Distant Fires Burning o Kkot  Como muestra de solidaridad y apoyo al pueblo ucraniano, recuperamos el trabajo del compositor experimental ucraniano Dmytro Fedorenko bajo su alias de Variàt que sirve como adelanto del especial Ucrania que estamos preparando y que podréis escuchar muy pronto en Atmósfera. Escuchar audio

Baba Vanga: Predictions. Space Odyssey A poem by Dmitri Miticov (English, Czech, Romanian, French) Author: Ivan Palacký Baba Vanga: Predictions. Space Odyssey (Dmitri Miticov) 2020 — China becomes a world power. 2023 — The Earth’s orbit will slightly change 2025 — Europe will be ravaged. 2028 — A new source of energy is created. Hunger is eradicated. 2043 — Muslims take power in Europe. 2088 — A new disease will break out. People will grow old in seconds. 2097 — The disease will be cured 2100 — The man-made sun will shine on the dark side of the Planet. 2111 — People will become robots 2125 — Hungary will receive signals from outer space. 2154 — Animals become half people 2167 — A new religion 2187 — The eruption of two volcanoes is successfully stopped. 2221 — In the search for alien life, humanity encounters something terrible. 2273 — A new race is born. 2288 — Time travel will be achieved. New contacts with aliens will be made. 2291 — The sun goes cold 2304 — The Moon’s mystery is discovered 2480 — The Earth will be in darkness 3005 — There will be a war on Mars 3010 — A comet hits the Moon. A ring of stones and dust appears around the Earth. 3797 — There’s no more life on Terra. People will manage to live on other planets in the solar system. 3803 — A new planet is slowly populated. Less contact between people. The new planet’s climate affects the human body and mutations appear. 4308 — Due to some mutations, people began using more than 34% of their brains. They lost any notion of good and evil. 4509 — They meet God. 4599 — They achieve immortality. 4674 — Civilization reached its zenith. 340 billion people live on various planets. They begin to assimilate with aliens. 5076 — A new, bordering universe is discovered. 5078 — The decision is made to go beyond the end of the universe. About 40 percent of the population is opposed. 5079 — The end of the World. Translated from Romanian to English by Andrew Davidson-Novosivschei, and to Czech by Jiřina Vyorálková. The piece is composed by Ivan Palacký with a poem by Dmitri Miticov in the frame of POLYPHONIC ECHOES, a project organized by Jumătatea plină for SEMI SILENT. Partners: Czech Center and the National Museum of Romanian Literature. With the support of the Administration of the National Cultural Fund. * Ivan Palacký plays amplified knitting machine Dopleta 180. He is a musician, an architect and a sound collector. Ivan Palacký has (in the 80s and the beginning of the 90s) played with various groups and taken part in several music projects. He – … was a member of the guitar/doublebass/bassoon group "Slede, zive slede" (Herring, live herring) – and currently performs in a audiovisual duo „Koberce, zaclony/Carpets, Curtains“ (w. filip Cenek). … is an enthusiastic member of Prague Improvisation Orchestra. … is a singer and guitar player of the „Pátí na světě/Fifth in the World“ band. … is a member of „Messier Objects“ quartet (with Klaus Filip, Andrea Neumann, and Toshimaru Nakamura). The quartet released a concert CD on label Ftarri (JP). … "writes" a sound diary from all his journeys - collects excerpts of stories, weird sounds and various "acoustic mistakes". … likes to take part in one-shot improvisational groups or duos (with Cremaster (ES), Ruth Barberán (ES) and Margarida Garcia (PT), Will Guthrie (AU), Andrea Neumann (DE), Klaus Filip (AT), Toshimaru Nakamura (JP)... ) as well as playing solo performances. Since 2005 his main interest has been to „dig out“ sounds from an amplified Dopleta 160 knitting machine from the 70s. Dmitri Miticov (1980), born in Târgoviște. Studied mathematics at the Transylvania University in Brașov. Poetry published books: Efectul de peliculă (Vinea, 2006), Numele meu e Dmitri (Paralela 45, 2010), Dmitri: uite viața (Casa de editură Max Blecher, 2012), Dmitri: genul cinic (Cartea Românească, 2015). In 2015, participated in the translation workshop organized by the Romanian Cultural ...

Les Tympans de Magellan, c'est un podcast mensuel qui fait voyager vos oreilles. Chaque mois, un nouveau pays mis à l'honneur à travers une liste de morceaux soigneusement choisis. Le pays du mois : Pour ce quatorzième épisode, on aborde un de ces "gros" pays, qui font un peu peur tant on y aime de choses, le Japon. Et pour l'occasion, on a même un petit invité labellisé "licence de japonais" que vous connaîtrez peut-être de nom car il nous a presque toujours envoyé un morceau pour les épisodes du public, BlackCondorGuy. Tracklist : 高橋洋子 (Yoko Takahashi) - "残酷な天使のテーゼ (Zankoku na Tenshi no Teze) / Cruel Angel’s Thesis (Evangelion opening)" Romanes - "ゆっくりしたいぜ" 芸能山城組 (Geinoh Yamashirogumi) - "第三章 瞑想 (Dark Slumber)" Koto Ensemble of the Ikuta School - "Otone No Nagare Ni Sote (Along the Grand Otone River)" 犬神サーカス団 (Inugami Circus Dan) - "逆行による改善の試み" 荒井由実 (Yumi Arai) - "魔法の鏡 (Mahô no Kagami)" Inoran - "I Wish I Had Never Met You" 中村としまる (Toshimaru Nakamura) - "NIMB 56" Luna Sea - "True Blue" Ensemble Nipponia - "Edo Lullaby" 青葉市子 (Ichiko Aoba) - "神様のたくらみ" Animetal - "UFO Robo Grendizer" 柏大輔 (Daisuke Kashiwa)- "April" The Gerogerigegege - "Anal Beethoven #2" Judy And Mary - "Mottö" Ground Zero - "Crossing Frankfurt Four Times" 大森靖子 (Seiko Oomori) - "きゅるきゅる" Guitar Wolf - "Jet Generation" Envy - "Left Hand" ユウ (Yuu)- "葉月" Thee Michelle Gun Elephant - "Free Devil Jam" テンテンコ (Tentenko) - "次郎" 菅野よう子 (Yoko Kanno) - "Paradise" The Stalin - "ソーセージの目玉" 植松伸夫 (Nobuo Uematsu) - "ファンファーレ (Fanfare)" Envoyez vos morceaux Vous avez jusqu'au 10 mars 2019 23:59 pour envoyer un titre japonais accompagné de votre commentaire à wazoo@xsilence.net Nous sélectionnerons certains des morceaux reçus pour les diffuser et lirons le commentaire associé. • Générique de début : Depeche Mode - "World in My Eyes"• Générique de fin : Wyatt / Atzmon / Stephen - "What a Wonderful World" Retrouver le podcast : XSilence | Facebook | Twitter | iTunes | Podcloud

Associate Artist Jennifer Walshe presents her project Aisteach, the fictional Avant-Garde Archive of Ireland. Recorded during the 2018 edition of Sonic Acts Academy, Amsterdam where Walche was performing and screening the film An Gléacht alongside Mario de Vega. Historical Documents of the Irish Avant-Garde is a fictional history of the musical avant-garde in Ireland which spans 187 years, and is housed at aisteach.org, the website of the Aisteach Foundation, a fictional organisation which purports to be ”The Avant-Garde Archive of Ireland.” For the project, Walshe engaged a huge team of collaborators and created compositions, recordings, scores, articles and ephemera. An Gléacht Outsider artist Caoimhín Breathnach (1934–2009) lived as a recluse in the Irish village of Knockvicar for all of his life. Breathnach’s artistic practice focussed on the creation of ‘subliminal’ tapes and films, which he believed possessed the capacity to shift consciousness. In these works, Ogham magickal scales, crystallography, astronomy, folklore, and natural phenomena are combined with found audio and visual material to produce an idiosyncratic and esoteric system of correspondences. Breathnach spent the last years of his life planning a film called An Gléacht. The work was to combine subliminal tapes and films with filmed footage showing a sequence of occult rituals at sites in Ireland ranging from the Hellmouth door in the Caves of Kesh to the Tobernalt holy well. In 2015, the Cork Film Festival commissioned Jennifer Walshe – Breathnach’s great-niece – to complete An Gléacht. The film has been shown worldwide with live musical accompaniment from musicians, including Okkyung Lee, David Grubbs, Toshimaru Nakamura, Martin Taxt, George Lewis, Roscoe Mitchell, Chris Heenan, Tomomi Adachi and more.

Programme de C Spencer YEH pour webSYNradio : UbuWeb Organized Sound 9-13-11. Avec des sons de New Humans, Anton Bruhin, Demetrio Stratos, Mike Kelley/Paul McCarthy/Violent Onsen Geisha, Rafael Toral, Gerogerigegege, François Dufrêne, Walter DeMaria, Mick Jagger, Marie Osmond, John Wiese, Delia Derbyshire, Laurie Anderson, Ghedelia Tazartes, Jaap Blonk, Arnold Dreyblatt, Jack Goldstein, Greg Kelley, Yoshi Wada, Phil Minton & Dylan Nyoukis, Toshimaru Nakamura, Ellen Fullman, Tod Dockstader

  Rare Frequency Podcast 46: The Overlooked One 1 Sam Prekop, "Knitting Needles (excerpt)" Old Punch Card (Thrill Jockey) CD 2010 Time: 00:00-1:48 2 Franck Vigroux, "Judas" Camera Police (D’Autres Cordes) CD 2010 Time: 1:49-5:14 3 Can’t, "My Apologies Can Only Be Insincere" Puerto Rican Boom Car (IRFP) CD 2000 Time: 5:15-10:08 4 Akira Rabelais, "As Fingers Trace Around the Rim of a Colorless Sky" Caduceus (Samadhi Sound) CD 2010 Time: 10:09-17:23 5 Mike Shiflet, "Llanos" Llanos (Self-released) CD 2010 Time: 17:55-23:17 6 Toshimaru Nakamura, "Nimb Number 44" EGrets (Samadhi Sound) CD 2010 Time: 23:17-32:03 7 Alvin Lucier, "Spherics" Sferics / Music For Solo Performer (Lovely) CD 2010 Time: 32:04-40:10 8 Joji Yuasa, "Nadja, Twinkling In Stars, Part 11" Obscure Tape Music Of Japan Vol.12: Miniatures Of Concrete Works (Edition Omega Point) CD 2010 Time: 40:56-42:13 7 Philip Jeck, "Ark" An Ark for the Listener (Touch) CD 2010 Time: 42:13-46:10 7 Senking, "V8" Pong (Raster-Noton) CD 2010 Time: 46:10-51:02 7 Sigurd Berge, "Eg Beisla Min Støvel" Early Electronic Works (Prisma) CD 2010 Time: 52:08-57:45

  Rare Frequency Podcast 45: The Enigmatic One 1 Camille Sauvage, "Knockin’ Bells" 7 Drums Concerto (Crea Sound) LP 197? Time: 00:00-3:16 2 Max Goldt, "Die Beatles in New York" Nirgendwo Fichtenkreuzschnäbel (Funfundviersig) CD 1993 Time: 3:16-6:33 3 Linda Aubry Bullock, "Line’s Dead" Ray of Dark (Sedimental) CD 2010 Time: 6:34-16:04 4 K11, "70 KHz - 10 p.m." Metaphonic Portrait 1230 A.D. (Actual Noise) CD 2010 Time: 16:43-23:42 5 Pan Sonic, "Corona" Gravitoni (Blast First Petite) CD 2010 Time: 23:41-28:10 6 Toshimaru Nakamura, "Nimb Number 43 " eGrets (Samadhi Sound) CD 2010 Time: 28:11-35:09 7 Astral Social Club, "Free Wheels" Happy Horse (Happy Prince) CD 2010 Time: 35:50-41:13 8 George “Tautu” Archer , "Ama Ama" Unheard Ofs and Forgotten Abouts (Tompkins Square) CD 2010 Time: 41:14-43:57 9 Poratz, "Turntable" Beat (Electroton) miniCD 2010 Time: 43:57-47:20 10 O’lyn Callahan, "2001 - A Space Odyssey" O’Lyn at the Yamaha E5AR (Yamaha) LP 1973 Time: 47:19-53:33 11 Grant Moros, "The Eye of Providence" Mysteries (Fonetap) CD 2010 Time: 54:39

Music by Nakamura in collaboration with visuals by Billy Roisz for The Long Weekend at Tate Modern