Podcasts about Christmas

Formula 1 is in a moment of pause. The 2025 racing cars have been wheeled into storage, and the racetracks have fallen silent. But inside the top-secret F1 factories, each team is facing a winter like never before. Revised rules for 2026 are reshaping the cars and redefining what powers them, and that means the pressure is on for the hundreds working back at base.Before diving into the future, the team at Brixworth, the home of Mercedes High Performance Powertrains, are marking the end of an era. It's here that the engine - which drove Mercedes to eight straight Constructors' Championships between 2014 and 2021 - first came to life. Brixworth boss Hywel Thomas has planned a very special celebration to mark the end of this engine cycle and our expert guides Sarah Holt and Holly Samos were there to join in the festivities. This is an important time of transition for Formula 1's engine suppliers. Thomas and his Brixworth team have been developing the new engine that will power Mercedes and three other teams, on the grid in 2026.There is parallel work going on at Brackley, where Mercedes Technical Director James Allison is overseeing all other aspects of the new season's car design. The British engineer has more than three decades' experience in F1 but even he is a little daunted by what he calls the “biggest ever” rule change in the sport's history.While the work intensifies inside the F1 factories, it is, in contrast, time for the drivers to unwind. Italian Mercedes star Kimi Antonelli is heading home to spend some time with his family and friends, while Haas driver Ollie Bearman is holidaying in the Maldives before spending Christmas with his family in Monaco. Back at base, the Haas team are hard at work preparing for F1's new era in 2026 and that means both sides of the garage are collaborating too. Laura Muller - who works alongside Esteban Ocon and is an F1 trailblazer as the sport's first female race engineer - has just wrapped up her first season on the pitwall. Like Bearman, she knows the experiences of 2025 will help her navigate what lies ahead.F1 race-winner Valtteri Bottas is preparing for his return to the grid with the Cadillac Formula 1 team in South Australia. But even in an idyllic spot for winter training, the Finnish favourite is already counting down to pre-season testing and getting to the first race in Melbourne, Australia as he starts the next chapter of his F1 career.F1: Back at Base is an IMG Production for the BBC, hosted by Rosamund Pike.Co-hosts & Executive Producers are Sarah Holt and Holly Samos.

Prosecutors wanted her released. The judge refused.Juliana Peres Magalhães, the Brazilian au pair who confessed to helping Brendan Banfield execute a double murder, was sentenced Friday to ten years in prison — the maximum available under her plea agreement. Judge Penney Azcarate rejected the Commonwealth's recommendation of time served, delivering a ruling that sends a clear message about the limits of cooperation."Your actions were deliberate, self-serving, and demonstrated a profound disregard for human life," Azcarate said. "You do not deserve anything other than incarceration and a life of reflection on what you have done."Juliana's testimony was essential to convicting Brendan Banfield on two counts of aggravated murder. Her attorney argued that without her cooperation, prosecutors had only circumstantial evidence. But the judge made clear that being the star witness doesn't mean avoiding accountability — not when you helped plan the murder, lured the victim to his death, and fired the kill shot into a man already lying wounded on the floor."The plan did not work without your full involvement," Azcarate said. "This could have been a very different ending where Juliana saved two lives."The courtroom heard from Joe Ryan's mother, Deirdre Fisher, who described losing her son — the man Juliana helped lure to his death through a fake fetish profile. Fisher still hasn't taken down her Christmas tree since the murder. It stands behind the urn holding her son's ashes."My son's life was used and thrown away, seen as worthless and utterly disposable by those who plotted and executed his brutal murder."Despite the ten-year sentence, Juliana's attorney says she'll serve approximately four years with credit for time served and good behavior. Brendan Banfield faces mandatory life without parole at his May 8 sentencing.#JulianaMagalhaes #AuPairMurder #BrendanBanfield #TrueCrimeToday #FairfaxCounty #DoubleMurder #Sentencing #JosephRyan #ChristineBanfield #CourtTVJoin Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspodInstagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodListen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872This publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.

The prosecution recommended time served. The judge said no.Juliana Peres Magalhães — the au pair who admitted firing the shot that killed Joseph Ryan while Brendan Banfield stabbed his wife Christine to death — was sentenced Friday to ten years in prison. Judge Penney Azcarate rejected the Commonwealth's recommendation that Magalhães walk free after roughly two years behind bars, delivering instead the maximum sentence available under the plea agreement."You do not deserve anything other than incarceration and a life of reflection on what you have done," Azcarate told Magalhães. "May it weigh heavily on your soul."The judge called this "the most serious manslaughter scenario this court has ever seen" and systematically dismantled any notion that Juliana was merely a passive participant in Brendan Banfield's scheme. She detailed how Juliana spent weeks messaging Joe Ryan, knowing she was luring him to his death. How she waited nearby and alerted Banfield when Ryan arrived. How she hung up when Christine Banfield begged her to call 911. And how she walked up to Joe Ryan as he lay moaning on the floor and shot him point blank in the heart."At any point for at least the month prior — or that day — you could have stopped this. The plan did not work without your full involvement."Joe Ryan's mother delivered a devastating victim impact statement, revealing she still hasn't taken down her Christmas tree since her son's murder — it stands behind the urn holding his ashes. "My son's life was used and thrown away, seen as worthless and utterly disposable."This episode features full analysis of the sentencing hearing, the judge's ruling, and what this means for cooperating witnesses in future cases.#JulianaMagalhaes #BrendanBanfield #AuPairAffair #ChristineBanfield #JosephRyan #FairfaxCounty #TrueCrime #Sentencing #JudgeAzcarate #HiddenKillersJoin Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspodInstagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodListen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872This publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.

I've welcomed many actors I admire to Collider Ladies Night, but Thora Birch feels different. I grew up watching her. All I Want for Christmas, Hocus Pocus, Monkey Trouble, Now and Then — they all played on repeat in my home. From there, I followed her to the roles that earned her significant industry acclaim, a BAFTA nomination for American Beauty and a Golden Globe nomination for Ghost World.Since then, Birch has appeared on The Walking Dead and Mayfair Witches, made her directorial debut with The Gabby Petito Story, and now continues to make bold career choices, joining Kristen Stewart's feature directorial debut, The Chronology of Water.Based on Lidia Yuknavitch's acclaimed memoir, the film follows Imogen Poots as Lidia, a young woman who finds escape from her abusive home thanks to competitive swimming. However, that safe haven is rocked when she runs head first into a dizzying string of loss, addiction, and self-destructive choices before finding healing via her sister (played by Birch) and also through writing.With The Chronology of Water gearing up for its nationwide release, Birch visited the Collider Ladies Night studio to discuss her journey in film and television, beginning with early formative experiences on sets like Hocus Pocus and Patriot Games. Hosted on Acast. See acast.com/privacy for more information.

"If you really loved me, you wouldn't give up on me."Rob and Michele Reiner heard some version of that for seventeen years. And they stayed. Eighteen rehab programs. Tens of thousands a month in treatment. A guesthouse so Nick could live close. A film about recovery made together. Every door stayed open. Every line in the sand got erased.They never walked away. And now they're gone.This isn't about assigning blame for what happened — that responsibility belongs to one person. This is about the trap that keeps people standing in fires that are consuming them. The belief that presence equals protection. That love equals proximity. That walking away makes you the villain.It doesn't.Nick reportedly told his parents that refusing their suggested programs meant homelessness. That was the consequence. It never materialized. Every ultimatum softened. And some people will never hit bottom because someone's always there to prevent the fall. Your love becomes the cushion that keeps them from the crash that might actually wake them up.Three things keep you trapped. Guilt weaponization: "If you leave, I'll spiral" — making your departure the cause of their destruction. Sunk cost: you've given too much to quit now. And the fantasy of the final save: what if this was finally the moment they were ready, and you missed it?Rob brought Nick to a Christmas party because leaving him home alone felt too dangerous. A seventy-seven-year-old man couldn't go to a gathering without his adult son. That's not caregiving. That's captivity dressed as love.You're allowed to stop. You're allowed to set limits. You're allowed to survive.The Reiners stayed until there was nowhere left to stand. You don't have to make the same choice.#RobReiner #NickReiner #MicheleSingerReiner #ReinerCase #TrueCrimeToday #TrueCrime #Enabling #WalkingAway #AddictionFamily #FamilyTragedyJoin Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspodInstagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodListen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872This publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.

Eighteen rehab stints. Millions of dollars. A guesthouse on the property. A movie made together about healing. Rob and Michele Reiner gave Nick everything for seventeen years.They never walked away. And they're dead.This episode isn't about blame — what happened is the responsibility of one person alone. But it's about a question that haunts everyone who's ever loved someone dangerous: when does staying become its own form of destruction?We're taught that love means presence. That walking away is abandonment. That good people don't give up. But "unconditional love" got twisted somewhere into "unconditional proximity." They're not the same thing. You can love someone from a distance. You can love someone you'll never see again. You can love someone and still refuse to let them take you down with them.Nick reportedly told his parents that refusing their treatment plans meant homelessness. That was the line. But it never held. Every consequence dissolved. Every ultimatum evaporated. Some people never hit bottom because someone's always there to catch them — and your outstretched hands become the floor preventing the fall that might actually save them.The trap has three parts. Guilt weaponization: your departure becomes the cause of their destruction. Sunk cost: you've invested too much to walk away now. The final save fantasy: what if you leave right when they were finally ready?Rob Reiner brought Nick to a Christmas party because he was reportedly afraid to leave him home alone. A seventy-seven-year-old man couldn't attend a holiday event without his thirty-two-year-old son in tow. That's not supervision. That's hostage behavior.You're allowed to stop. Walking away isn't betrayal — it's the recognition that your presence isn't saving anyone. The Reiners stayed until there was nowhere left to stand.You don't have to.#RobReiner #NickReiner #MicheleSingerReiner #ReinerMurders #TrueCrime #Enabling #WalkingAway #AddictionFamily #Codependency #HiddenKillersJoin Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspodInstagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodListen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872This publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.

Hi mama, If you feel like you make good money… but somehow still feel stressed about it — this episode is for you. In part two of our mini money mindset series, I'm sitting down with Shana and Vanessa… the Budget Besties… to talk about how working moms can: Stop relying on credit cards • Dig out of holiday debt • Avoid the “Amazon black hole” • Create separate spending buckets that actually work • Set up a simple budget system that runs on autopilot • Teach kids healthy money habits early We're talking about real life budgeting…. not restriction, not shame, not tracking every penny — but building a system that supports your goals, your family, and your future. If you've ever said: “I'll figure it out later.” “I make good money… why does it feel tight?” “I don't even know where it's all going…” This conversation will change how you think about money. Plus, we dive into: ✔️ The Christmas debt hangover ✔️ Why credit cards feel like a black hole ✔️ How to automate your budget so it works even when life gets crazy ✔️ Giving your kids their own accounts and financial responsibility ✔️ How to divide holiday spending by 12 so next year feels calm Because becoming intentional with your time also means becoming intentional with your money. Future you is cheering you on!

Thanks to our Partners, NAPA Auto Care and NAPA TRACS Watch Full Video Episode "The reality of a client advocates daily work is translating fear into clarity." Shop owner and coach Clint White explores a powerful shift at the auto repair front counter, from “Service Advisor” to “Repairathist.” He explains that because vehicles represent freedom and control, many customers arrive feeling anxious and financially defensive. As a result, the Repairathist's role becomes part technician, part therapist, focused on translating fear into clarity and helping people feel understood. Customers aren't buying parts, he says; they're buying relief. The conversation dives into how to put this mindset into practice, starting with a “language shift” that replaces industry jargon like “diag” and “DVI” with clear, value-based explanations. This approach invites customers into the process instead of making them feel excluded. White also stresses the importance of transparency, showing clients the “MRI and X-ray” of their vehicle before prioritizing repairs, and ensuring that front counter promises align with what happens in the shop. Ultimately, the episode defines the Repairathist as a professional with an “others first” mindset who builds trust through empathy, honesty, and consistency—delivering an experience so positive that customers remember how they felt more than what they spent. Timestamps 00:00:00 – Introduction 00:01:45 – Introducing the "Repairist" 00:03:15 – Therapy at the Counter: Clint explains that a Client Advocate's role is akin to a therapist, tasked with "translating fear into clarity" for anxious customers. 00:06:45 – The Psychology of the Car: Discussion on how vehicles represent freedom and control, making repairs an emotional issue rather than just a mechanical one. 00:10:15 – Selling Relief, Not Parts: Clint delivers the key insight that customers are not buying repairs; they are buying "relief from their current situation". 00:11:30 – The Experience Economy: The "Steak Dinner" analogy—customers don't remember the price as much as they remember how the experience made them feel. 00:14:00 – The Language Shift: Clint warns against using jargon like "diag" or "DVI," which makes customers feel excluded or stupid. He suggests using "testing and procedures" instead. 00:19:15 – Transparency & The MRI: Clint advocates for showing the customer "everything that is knowable" (the MRI/X-ray) before asking them to make a decision. 00:20:45 – Hiring for Heart: Clint explains that he hires for a "servant's heart" first; technical knowledge is secondary to empathy. 00:22:00 – The ROI of Empathy: Discussion on the business benefits of this mindset, including "sticky" clients, reduced staff turnover, and better reputation. 00:26:45 – Relationship vs. Transaction: Clint defines success not by money, but by building relationships strong enough that clients send Christmas cards years later Clint White, Coaching with Integrity, clint@coachingwithintegrity.llc Thanks to our Partners, NAPA Auto Care and NAPA TRACS Learn more about NAPA Auto Care and the benefits of being part of the NAPA family by visiting https://www.napaonline.com/en/auto-care NAPA TRACS will move your shop into the SMS fast lane with onsite training and...

Today Rachel joins with a bunch of great Hallmark podcasters to talk with actor Viv Leacock about his character Joseph and season 13 of When Calls the Heart Follow Viv on instagram https://www.instagram.com/vivleacock/?hl=en Suspenders Unbuttoned https://unbuttonedmedia.us/ Everything About Hallmark https://www.youtube.com/c/EverythingAboutHallmark For our 2025 Christmas content https://www.youtube.com/playlist?list=PLXv4sBF3mPUAQKXmF4t3bW_QozFbDp-aD Our Christmas podcasts are at https://www.youtube.com/watch?v=X4f2KtBPzUE&list=PLXv4sBF3mPUDo41tHqhkjHCvedmZwLzHx Send us your feedback at feedback@hallmarkiespodcast.com or the twitter call +1 (801) 855-6407 Check out the merch store and get our #hashtag shirts! https://www.teepublic.com/stores/hallmarkies?utm_campaign=Hallmarkies&utm_medium=8581&utm_source=affiliate Please support the podcast on patreon at https://www.patreon.com/hallmarkies Follow us on ITunes https://itunes.apple.com/us/podcast/hallmarkies-podcast/id1296728288?mt=2 https://twitter.com/HallmarkiesPod on twitter @HallmarkiesPodcast on Instagram Check out our website HallmarkiesPodcast.com Follow Rachel's blog at http://rachelsreviews.net Follow Rachel on twitter twitter.com/rachel_reviews Follow Rachel's Reviews on youtube https://www.youtube.com/c/rachelsreviews Follow Rachel on facebook www.facebook.com/smilingldsgirlreviews Learn more about your ad choices. Visit megaphone.fm/adchoices

Fi's still off, so Jane is holding down the fort, with some help from Eve ('fresh' from Berlin). There's more discussion about revision, fear of failure, the eccentricities of Berlin, and Jane's love of work (and Smash Hits). Plus, Jane speaks to Stéphane Babonneau, the lawyer to Gisèle Pelicot. Gisèle's book is called 'A Hymn to Life: Shame Has to Change Sides'. Our next book club pick is 'A Town Like Alice' by Nevil Shute.Our most asked about book is called 'The Later Years' by Peter Thornton.You can listen to our 'I'm in the cupboard on Christmas' playlist here: https://open.spotify.com/playlist/1awQioX5y4fxhTAK8ZPhwQIf you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producers: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Welcome to the Christmas series! As the weary couple arrives in Bethlehem, there is no family or friends willing to help them. Everywhere they turn, they are turned away. They must find shelter quick… Mary is feeling the pangs of labor… Sign up for special devotionals at StoriesoftheMessiah.com. As we dive deeply into iconic Bible heroes' enthralling narratives, we find more than just stories of faith and miracles. We discover a recurrent theme, a spiritual undertone that connects each tale to the grandeur of the Gospel. They're not just standalone legends; they're threads in a divine tapestry, weaving a story that foreshadows Jesus Christ, the ultimate hero, the promised Messiah who brings light to the darkest corners of history. For more Bible stories download the Pray.com app. To learn more about Rabbi Schneider visit https://discoveringthejewishjesus.com/ See omnystudio.com/listener for privacy information.

Let's go back to 22nd of December 2008 now. Andy and John, get into the Christmas spirit with the news of the viral internet moment of President Bush having a pair of shoes thrown at him…it's Bugle issue 57! What a show it was. If you enjoyed that why not help us stay alive by donating at thebuglepodcast.com Hosted on Acast. See acast.com/privacy for more information.

Trades grow when leaders grow. In this solo episode, Chad breaks down the real work of leadership in HVAC, plumbing, and electrical: sacrifice, habits, unseen effort, and passion. He shows how a leader's day-to-day routine quietly shapes technicians' income, families, and even Christmas mornings. Hear how to trade busy work for high-impact work, build simple daily habits that move revenue and culture, and embrace the "unrequited work" no one sees, but everyone feels. Chad also shares why working hard is only the starting line, and how passion and belief separate an average shop from a market leader. Perfect for owners, GMs, and service leaders who feel stuck in the grind and want a clear reset on what actually scales a team: https://cantstopthegrowth.com/the-arena Additional Resources: Subscribe to CSTG on YouTube! Connect with Chad on LinkedIn Chad Peterman | CEO | Author Learn more about the Peterman Brothers Follow PeopleForward Network on LinkedIn Learn more about PeopleForward Network Key Takeaways: Growth requires giving up comfort, control, and credit so the team can win. How a leader spends time tells the team what actually matters. Consistent coaching and follow-up beat annual goals and crossed fingers. The extra training, scripts, and process fixes quietly change families' lives. Deep belief in the mission helps teams push through broken systems and hard seasons.

Somehow, we have managed to squeeze another Christmas movie into this season, and we have managed to squeeze every ounce of knowledge and laugher from our newest guest... Daron Asleson. A local Letterboxd legend, Daron joins us to tackle the tough decisions regarding thoughts on Ryan Reynolds and fat suits. How many politically incorrect slurs are said in this movie? Is Titanic a rom-com? And what is the guest flash of the week? Tune in this week to find out all this and more, but only on "The Good, The Bad, & The Movies"!P.S. Check out these links to stay connected with TGTBTMDiscord: https://discord.gg/rKuMYcKvYoutube: https://youtu.be/kz4beczxniQ

What happens when a thriving performing arts career collides with a rare autoimmune disease? In this episode, I talk with Theresa Hill-Putnam about resilience, myasthenia gravis, positive thinking, and building an unstoppable mindset. Theresa owned a large performing arts school for 35 years before COVID and health risks forced her to pivot to virtual teaching. She shares how she was diagnosed after respiratory failure, how she learned to take life one day at a time, and why she believes in flipping the script when challenges hit. We also discuss empowerment coaching, motivational speaking, raising confident children, and her nonprofit, Performers with Purpose Foundation. Theresa's story proves that setbacks can become stepping stones when you choose growth, purpose, and persistence. I believe you will find this conversation both practical and inspiring. Highlights: 00:56 Learn how early dance training helped her overcome childhood shyness and build confidence. 05:03 Hear how a sudden health collapse led to a myasthenia gravis diagnosis. 12:33 Discover why taking one day at a time became her key to resilience. 20:05 Understand why she refused to quit despite being told to go on disability. 22:58 See how COVID forced a rapid shift to virtual teaching and musicals. 56:50 Learn how her nonprofit now provides thousands of Christmas gifts to children in need. Top of Form Bottom of Form About the Guest: After Owning and Directing a large performing Arts School for over 35 years, Teresa Hill-Putnam is now a Performance Coach & Empowerment CoachinLos Angeles, California. Teresa is also a published author, Motivational Speaker, and Special Events Coordinator. Teresa has been teaching since 1985. She now coaches singers, actors, dancers, and performers from all around the world. She helps artists master their skills, materials, and mindset. Teresa has helped hundreds of artists develop their talents, follow their dreams, and successfully pursue their career goal. In 1999, Teresa got very sick. In less than a week, she went from being able to dance and hold her leg above her head, to not being able to sit up, roll over, or even feed herself. She was in and out of the hospital for 18 months before she was finally diagnosed with a chronic neuro-muscular disease called Myasthenia Gravis. Teresa has learned to take one day at a time and make the most out of every day. Today, Teresa is happy and healthy. Most people do not even know that she has Myasthenia Gravis. Teresa believes that everyone has a story. She hopes to inspire others by sharing hers. Teresa has published eight books and has a podcast called "Overcoming Obstacles Through Positive Thinking." She has even been featured in in several documentaries. In 2018, Teresa helped to create non-profit called the Performers With Purpose Foundation. She directs performances year-round to help raise money for important community causes. Teresa's favorite project is the PWP annual “Sub for Santa” project. Each year, the Performers With Purpose Foundation provides gifts, toys, and clothing to underprivileged children during the holiday season. After years of being a single, working mom living with a chronic illness, Teresa understands how difficult the holiday season can be for struggling families. Being able to “adopt” families that need help brings Teresa an immense amount of joy! Teresa's most important accomplishment is being a Mom and a "Grammy." Teresa raised her own three children to become happy, healthy, and successful adults. Her oldest daughter owns a Performing Arts School in Denver and has two adorable little boys. Her son is in the United States Air Force and has two darling little boys and a beautiful baby girl. Teresa's youngest daughter, Amber Mackenzie, is a professional actor, singer, dancer and screenwriter. Teresa currently works as Amber's Performance Coach and Booking Manager. Teresa uses her experiences as a mother, "Grammy," teacher, patient, coach, and entrepreneur to help inspire, guide, challenge, motivate, support, and encourage others toward success. Ways to connect with Teresa**:** Teresa's website:  www.spotlightperformers.com Performers With Purpose Foundation website: www.performerswithpurposefoundation.com. Teresa's podcast,, can be found on Spotify, Apple Podcasts, You Tube, or your favorite streaming platform. https://youtube.com/playlist?list=PLAIx8SkZwXXPdNOkzPNHJZFwYne7yo3oG&si=d1yL7Sp4FNRLXdmS Facebook: https://www.facebook.com/teresa.hillputnam?mibextid=wwXIfr&mibextid=wwXIfr Instagram: https://www.instagram.com/teresahillputnam?igsh=eTJwazg1enRkb3N2&utm_source=qr LinkedIn: https://www.linkedin.com/in/teresa-hill-putnam-4bb92941?utm_source=share&utm_campaign=share_via&utm_content=profile&utm_medium=ios_app About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes:

Charlie Puth (Whatever's Clever, Voicenotes, Nine Track Mind) is a Grammy and Golden Globe Award-winning songwriter, recording artist, and producer. Charlie joins the Armchair Expert to discuss his opinion that standup is the scariest job, how everyone in New Jersey is their own local celebrity, and that what's most important about recording is capturing the air in the room. Charlie and Dax talk about the photographic memory-like way he approaches sound, learning he wanted to write his own music after discovering 70s pop and R&B, and making a Christmas album that he sold door-to-door at age 11. Charlie explains why his history with his wife is like a country song, the realization that he had to remove fraudulence from his life, and embracing the beauty of imperfection in being human.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

How do you stay audacious in a world that's noisier and more saturated than ever? How might the idea of creative rhythm change the way you write? Lara Bianca Pilcher gives her tips from a multi-passionate creative career. In the intro, becoming a better writer by being a better reader [The Indy Author]; How indie authors can market literary fiction [Self-Publishing with ALLi]; Viktor Wynd's Museum of Curiosities; Seneca's On the Shortness of Life; All Men are Mortal – Simone de Beauvoir; Surface Detail — Iain M. Banks; Bones of the Deep – J.F. Penn. This episode is sponsored by Publisher Rocket, which will help you get your book in front of more Amazon readers so you can spend less time marketing and more time writing. I use Publisher Rocket for researching book titles, categories, and keywords — for new books and for updating my backlist. Check it out at www.PublisherRocket.com This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Lara Bianca Pilcher is the author of Audacious Artistry: Reclaim Your Creative Identity and Thrive in a Saturated World. She's also a performing artist and actor, life and creativity coach, and the host of the Healthy Wealthy Wise Artist podcast. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why self-doubt is a normal biological response — and how audacity means showing up anyway The difference between creative rhythm and rigid discipline, and why it matters for writers How to navigate a saturated world with intentional presence on social media Practical strategies for building a platform as a nonfiction author, including batch content creation The concept of a “parallel career” and why designing your life around your art beats waiting for a big break Getting your creative rhythm back after crisis or burnout through small, gentle steps You can find Lara at LaraBiancaPilcher.com. Transcript of the interview with Lara Bianca Pilcher Lara Bianca Pilcher is the author of Audacious Artistry: Reclaim Your Creative Identity and Thrive in a Saturated World. She's also a performing artist and actor, life and creativity coach, and the host of the Healthy Wealthy Wise Artist podcast. Welcome, Lara. Lara: Thank you for having me, Jo. Jo: It's exciting to talk to you today. First up— Tell us a bit more about you and how you got into writing. Lara: I'm going to call myself a greedy creative, because I started as a dancer, singer, and actress in musical theatre, which ultimately led me to London, the West End, and I was pursuing that in highly competitive performance circles. A lot of my future works come from that kind of place. But when I moved to America—which I did after my season in London and a little stint back in Australia, then to Atlanta, Georgia—I had a visa problem where I couldn't work legally, and it went on for about six months. Because I feel this urge to create, as so many of your listeners probably relate to, I was not okay with that. So that's actually where I started writing, in the quietness, with the limits and the restrictions. I've got two children and a husband, and they would go off to school and work and I'd be home thinking, ha. In that quietness, I just began to write. I love thinking of creativity as a mansion with many rooms, and you get to pick your rooms. I decided, okay, well the dance, acting, singing door is shut right now—I'm going to go into the writing room. So I did. Jo: I have had a few physical creatives on the show. Obviously one of your big rooms in your mansion is a physical room where you are actually performing and moving your body. I feel like this is something that those of us whose biggest area of creativity is writing really struggle with—the physical side. How do you think that physical practice of creativity has helped you in writing, which can be quite constrictive in that way? Lara: It's so good that you asked this because I feel what it trained me to do is ignore noise and show up. I don't like the word discipline—most of us get a bit uncomfortable with it, it's not a nice word. What being a dancer did was teach me the practice of what I like to call a rhythm, a creative rhythm, rather than a discipline, because rhythm ebbs and flows and works more with who we are as creatives, with the way creativity works in our body. That taught me: go to the barre over and over again—at the ballet barre, I'm talking about, not the pub. Go there over and over again. Warm up, do the work, show up when you don't feel like it. thaT naturally pivoted over to writing, so they're incredibly linked in the way that creativity works in our body. Jo: Do you find that you need to do physical practice still in order to get your creativity moving? I'm not a dancer. I do like to shake it around a bit, I guess. But I mainly walk. If I need to get my creativity going, I will walk. If people are stuck, do you think doing something physical is a good idea? Lara: It is, because the way that our body and our nervous system works—without going into too much boring science, although some people probably find it fascinating—is that when we shake off that lethargic feeling and we get blood flowing in our body, we naturally feel more awake. Often when you're walking or you're doing something like dance, your brain is not thinking about all of the big problems. You might be listening to music, taking in inspiration, taking in sunshine, taking in nature, getting those endorphins going, and that naturally leads to the brain being able to psychologically show up more as a creative. However, there are days, if I'm honest, where I wake up and the last thing I want to do is move. I want to be in a little blanket in the corner of the room with a hot cocoa or a coffee and just keep to myself. Those aren't always the most creative days, but sometimes I need that in my creative rhythm, and that's okay too. Jo: I agree. I don't like the word discipline, but as a dancer you certainly would've had to do that. I can't imagine how competitive it must be. I guess this is another thing about a career in dance or the physical arts. Does it age out? Is it really an ageist industry? Whereas I feel like with writing, it isn't so much about what your body can do anymore. Lara: That is true. There is a very real marketplace, a very real industry, and I'm careful because there's two sides to this coin. There is the fact that as we get older, our body has trouble keeping up at that level. There's more injuries, that sort of thing. There are some fit women performing in their sixties and seventies on Broadway that have been doing it for years, and they are fine. They'll probably say it's harder for some of them. Also, absolutely, I think there does feel in the professional sense like there can be a cap. A lot of casting in acting and in that world feels like there's fewer and fewer roles, particularly for women as we get older, but people are in that space all the time. There's a Broadway dancer I know who is 57, who's still trying to make it on Broadway and really open about that, and I think that's beautiful. So I'm careful with putting limits, because I think there are always outliers that step outside and go, “Hey, I'm not listening to that.” I think there's an audience for every age if you want there to be and you make the effort. But at the same time, yes, there is a reality in the industry. Totally. Jo: Obviously this show is not for dancers. I think it was more framing it as we are lucky in the writing industry, especially in the independent author community, because you can be any age. You can be writing on your deathbed. Most people don't have a clue what authors look like. Lara: I love that, actually. It's probably one of the reasons I maybe subconsciously went into writing, because I'm like, I want to still create and I'm getting older. It's fun. Jo: That's freeing. Lara: So freeing. It's a wonderful room in the mansion to stay in until the day I die, if I must put it that way. Jo: I also loved you mentioning that Broadway dancer. A lot of listeners write fiction—I write fiction as well as nonfiction—and it immediately makes me want to write her story. The story of a 57-year-old still trying to make it on Broadway. There's just so much in that story, and I feel like that's the other thing we can do: writing about the communities we come from, especially at different ages. Let's get into your book, Audacious Artistry. I want to start on this word audacity. You say audacity is the courage to take bold, intentional risks, even in the face of uncertainty. I read it and I was like, I love the sentiment, but I also know most authors are just full of self-doubt. Bold and audacious. These are difficult words. So what can you say to authors around those big words? Lara: Well, first of all, that self-doubt—a lot of us don't even know what it is in our body. We just feel it and go, ugh, and we read it as a lack of confidence. It's not that. It's actually natural. We all get it. What it is, is our body's natural ability to perceive threat and keep us safe. So we're like, oh, I don't know the outcome. Oh, I don't know if I'm going to get signed. Oh, I don't know if my work's going to matter. And we read that as self-doubt—”I don't have what it takes” and those sorts of things. That's where I say no. The reframe, as a coach, I would say, is that it's normal. Self-doubt is normal. Everyone has it. But audacity is saying, I have it, but I'm going to show up in the world anyway. There is this thing of believing, even in the doubt, that I have something to say. I like to think of it as a metaphor of a massive feasting table at Christmas, and there's heaps of different dishes. We get to bring a dish to the table rather than think we're going to bring the whole table. The audacity to say, “Hey, I have something to say and I'm going to put my dish on the table.” Jo: I feel like the “I have something to say” can also be really difficult for people, because, for example, you mentioned you have kids. Many people are like, I want to share this thing that happened to me with my kids, or a secret I learned, or a tip I think will help people. But there's so many people who've already done that before. When we feel like we have something to say but other people have said it before, how do you address that? Lara: I think everything I say, someone has already said, and I'm okay with that. But they haven't said it like me. They haven't said it in my exact way. They haven't written the sentence exactly the way—that's probably too narrow a point of view in terms of the sentence—maybe the story or the chapter. They haven't written it exactly like me, with my perspective, my point of view, my life experience, my lived experience. It matters. People have very short memories. You think of the last thing you watched on Netflix and most of us can't remember what happened. We'll watch the season again. So I think it's okay to be saying the same things as others, but recognise that the way you say it, your point of view, your stories, your metaphors, your incredible way of putting a sentence togethes, it still matters in that noise. Jo: I think you also talk in the book about rediscovering the joy of creation, as in you are doing it for you. One of the themes that I emphasise is the transformation that happens within you when you write a book. Forget all the people who might read it or not read it. Even just what transforms in you when you write is important enough to make it worthwhile. Lara: It really, really is. For me, talking about rediscovering the joy of creation is important because I've lost it at times in my career, both as a performing artist and as an author, in a different kind of way. When we get so caught up in the industry and the noise and the trends, it's easy to just feel overwhelmed. Overwhelm is made up of a lot of emotions like fear and sadness and grief and all sorts of things. A lot of us don't realise that that's what overwhelm is. When we start to go, “Hey, I'm losing my voice in all this noise because comparison is taking over and I'm feeling all that self-doubt,” it can feel just crazy. So for me, rediscovering the joy of creation is vital to survival as an author, as an artist. A classic example, if you don't mind me sharing my author story really quickly, is that when I first wrote the first version of my book, I was writing very much for me, not realising it. This is hindsight. My first version was a little more self-indulgent. I like to think of it like an arrowhead. I was trying to say too much. The concept was good enough that I got picked up by a literary agent and worked with an editor through that for an entire year. At the end of that time, they dropped me. I felt like, through that time, I learned a lot. It was wonderful. Their reason for dropping me was saying, “I don't think we have enough of a unique point of view to really sell this.” That was hard. I lay on my bed, stared at the ceiling, felt grief. The reality is it's so competitive. What happened for me in that year is that I was trying to please. If you're a new author, this is really important. You are so desperately trying to please the editor, trying to do all the right things, that you can easily lose your joy and your unique point of view because you are trying to show up for what you think they all need and want. What cut through the noise for me is I got off that bed after my three hours of grief—it was probably longer, to be fair—but I booked myself a writing coach. I went back to the drawing board. I threw a lot of the book away. I took some good concepts out that I already knew were good from the editor, then I rewrote the entire thing. It's completely different to the first version. That's the book that got a traditional publishing deal. That book was my unique point of view. That book was my belief, from that grief, that I still have something to say. Instead of trusting what the literary agent and the editor were giving me in those red marks all over that first version, I was like, this is what I want to say. That became the arrowhead that's cut into the industry, rather than the semi-trailer truck that I was trying to bulldoze in with no clear point of view. So rediscovering the joy of creation is very much about coming back to you. Why do I write? What do I want to say? That unique point of view will cut through the noise a lot of the time. I don't want to speak in absolutes, but a lot of the time it will cut through the noise better than you trying to please the industry. Jo: I can't remember who said it, but somebody talked about how you've got your stone, and your stone is rough and it has random colours and all this. Then you start polishing the stone, which you have to do to a point. But if you keep polishing the stone, it looks like every other stone. What's the point? That fits with what you were saying about trying to please everyone, you end up pleasing no one. I also think the reality of what you just said about the book is a lot of people's experience with writing in general. Certainly for me, I don't write in order. I chuck out a lot. I'm a discovery writer. People think you sit down and start A and finish Z, and that's it. It's kind of messy, isn't it? Was that the same in your physical creative life? Lara: Yes. Everything's a mess. In the book I actually talk about learning to embrace the cringe, because we all want to show up perfect. Just as you shared, we think, because we read perfect and look at perfect or near-perfect work—that's debatable all the time—we want to arrive there, and I guess that's natural. But what we don't often see on social media or other places is the mess. I love the behind the scenes of films. I want to see the messy creative process. The reality is we have to learn to embrace the messy cringe because that's completely normal. My first version was so messy, and it's about being able to refine it and recognise that that is normal. So yes, embrace it. That's my quote for the day. Embrace the cringe, show up messy. It's all right. Jo: You mentioned the social media, and the subtitle of the book mentions a “saturated world.” The other problem is there are millions of books out there now. AI is generating more content than humans do, and it is extremely hard to break through. How are we to deal with this saturated world? When do we join in and when do we step away? Lara: I think it's really important not to have black and white thinking about it, because trust me, every day I meet an artist that will say, “I hate that I have to show up online.” To be honest with you, there's a big part of me that does also. But the saturation of the world is something that I recognise, and for me, it's like I'm in the world but not of it. That saturation can cause so much overwhelm and nervous system threat and comparison. What I've personally decided to do is have intentional showing up. That looks like checking in intentionally with a design, not a randomness, and then checking out. When push comes to shove, at the end of the day, I really believe that what sells books is people's trust in us as a person. They might go through an airport and not know us at all and pick up the book because it's a bestseller and they just trust the reputation, but so much of what I'm finding as an artist is that personal relationship, that personal trust. Whether that's through people knowing you via your podcast or people meeting you in a room. Especially in nonfiction, I think that's really big. Intentional presence from a place where we've regulated ourselves, being aware that it's saturated, but my job's not to be focused on the saturation. My job is to find my unique voice and say I have something to bring. Be intentional with that. Shoot your arrow, and then step out of the noise, because it's just overwhelming if you choose to live there and scroll without any intentionality at all. Jo: So how do people do that intentionality in a practical way around, first of all, choosing a platform, and then secondly, how they create content and share content and engage? What are some actual practical tips for intentionality? Lara: I can only speak from my experience, but I'm going to be honest, every single application I sent asked for my platform stats. Every single one. Platform stats as in how many followers, how many people listening to your podcast, how many people are reading your blog. That came up in every single literary agent application. So I would be a fool today to say you've got to ignore that, because that's just the brass tacks, unless you're already like a famous footballer or something. Raising and building a platform of my own audience has been a part of why I was able to get a publishing deal. In doing that, I've learned a lot of hard lessons. Embrace the cringe with marketing and social media as well, because it's its own beast. Algorithms are not what I worry about. They're not going to do the creativity for you. What social media's great at is saying, “Hey, I'm here”—it's awareness. It's not where I sell stuff. It's where I say, I'm here, this is what I'm doing, and people become aware of me and I can build that relationship. People do sell through social media, but it's more about awareness statistically. I am on a lot of platforms, but not all of them work for every author or every style of book. I've done a lot of training. I've really had to upskill in this space and get good at it. I've put myself through courses because I feel like, yes, we can ignore it if we want to, but for me it's an intentional opting in because the data shows that it's been a big part of being able to get published. That's overwhelming to hear for some people. They don't want to hear that. But that's kind of the world that we are in, isn't it? Jo: I think the main point is that you can't do everything and you shouldn't even try to do everything. The best thing to do is pick a couple of things, or pick one thing, and focus on that. For example, I barely ever do video, so I definitely don't do TikTok. I don't do any kind of video stuff. But I have this podcast. Audio is my happy place, and as you said, long-form audio builds trust. That is one way you can sell, but it's also very slow—very, very slow to build an audio platform. Then I guess my main social media would be Instagram, but I don't engage a lot there. So do you have one or two main things that you do, and any thoughts on using those for book marketing? Lara: I do a lot of cross-posting. I am on Instagram and I do a lot of creation there, and I'm super intentional about this. I actually do 30 days at a time, and then it's like my intentional opt-in. I'll create over about two days, edit and plan. It's really, really planned—shoot everything, edit everything, put it all together, and then upload everything. That will be 30 days' worth. Then I back myself right out of there, because I don't want to stay in that space. I want to be in the creative space, but I do put those two days a month aside to do that on Instagram. Then I tweak things for YouTube and what works on LinkedIn, which is completely different to Instagram. As I'm designing my content, I have in mind that this one will go over here and this one can go on here, because different platforms push different things. I am on Threads, but Threads is not statistically where you sell books, it's just awareness. Pinterest I don't think has been very good for my type of work, to be honest. For others it might. It's a search engine, it's where people go to get a recipe. I don't necessarily feel like that's the best place, this is just my point of view. For someone else it might be brilliant if you're doing a cookbook or something like that. I am on a lot of platforms. My podcast, however, I feel is where I'm having the most success, and also my blog. Those things as a writer are very fulfilling. I've pushed growing a platform really hard, and I am on probably almost every platform except for TikTok, but I'm very intentional with each one. Jo: I guess the other thing is the business model. The fiction business model is very, very different to nonfiction. You've got a book, but your higher-cost and higher-value offerings are things that a certain number of people come through to you and pay you more money than the price of a book. Could talk about how the book leads into different parts of your business? Because some people are like, “Am I going to make a living wage from book sales of a nonfiction book?” And usually people have multiple streams of income. Lara: I think it's smart to have multiple streams of income. A lot of people, as you would know, would say that a book is a funnel. For those who haven't heard of it, a way that people come into your bigger offerings. They don't have to be, but very much I do see it that way. It's also credibility. When you have a published book, there's a sense of credibility. I do have other things. I have courses, I have coaching, I have a lot of things that I call my parallel career that chug alongside my artist work and actually help stabilise that freelance income. Having a book is brilliant for that. I think it's a wonderful way to get out there in the world. No matter what's happening in all the online stuff, when you're on an aeroplane, so often someone still wants to read a book. When you're on the beach, they don't want to be there with a laptop. If you're on the sand, you want to be reading a beautiful paper book. The smell of it, the visceral experience of it. Books aren't going anywhere, to me. I still feel like there are always going to be people that want to pick it up and dig in and learn so much of your entire life experience quickly. Jo: We all love books here. I think it's important, as you do talk about career design and you mentioned there the parallel career—I get a lot of questions from people. They may just be writing their first book and they want to get to the point of making money so they could leave their day job or whatever. But it takes time, doesn't it? So how can we be more strategic about this sort of career design? Lara: For me, this has been a big one because lived experience here is that I know artists in many different areas, whether they're Broadway performers or music artists. Some of them are on almost everything I watch on TV. I'm like, oh, they're that guy again. I know that actor is on almost everything. I'll apply this over to writers. The reality is that these high-end performers that I see all the time showing up, even on Broadway in lead roles, all have another thing that they do, because they can still have, even at the highest level, six months between a contract. Applying that over to writing is the same thing, in that books and the money from them will ebb and flow. What so often artists are taught—and authors fit into this—is that we ultimately want art to make us money. So often that becomes “may my art rescue me from this horrible life that I'm living,” and we don't design the life around the art. We hope, hope, hope that our art will provide. I think it's a beautiful hope and a valid one. Some people do get that. I'm all for hoping our art will be our main source of income. But the reality is for the majority of people, they have something else. What I see over and over again is these audacious dreams, which are wonderful, and everything pointing towards them in terms of work. But then I'll see the actor in Hollywood that has a café job and I'm like, how long are you going to just work at that café job? They're like, “Well, I'm goint to get a big break and then everything's going to change.” I think we can think the same way. My big break will come, I'll get the publishing deal, and then everything will change. The reframe in our thinking is: what if we looked at this differently? Instead of side hustle, fallback career, instead of “my day job,” we say parallel career. How do I design a life that supports my art? And if I get to live off my art, wonderful. For me, that's looked like teaching and directing musical theatre. It's looked like being able to coach other artists. It's looked like writing and being able to pivot my creativity in the seasons where I've needed to. All of that is still creativity and energising, and all of it feeds the great big passion I have to show up in the world as an artist. None of it is actually pulling me away or draining me. I mean, you have bad days, of course, but it's not draining my art. When we are in this way of thinking—one day, one day, one day—we are not designing intentionally. What does it look like to maybe upskill and train in something that would be more energising for my parallel career that will chug alongside us as an artist? We all hope our art can totally 100% provide for us, which is the dream and a wonderful dream, and one that I still have. Jo: It's hard, isn't it? Because I also think that, personally, I need a lot of input in order to create. I call myself more of a binge writer. I just finished the edits on my next novel and I worked really hard on that. Now I won't be writing fiction for, I don't know, maybe six months or something, because now I need to input for the next one. I have friends who will write 10,000 words a day because they don't need that. They have something internal, or they're just writing a different kind of book that doesn't need that. Your book is a result of years of experience, and you can't write another book like that every year. You just can't, because you don't have enough new stuff to put in a book like that every single year. I feel like that's the other thing. People don't anticipate the input time and the time it takes for the ideas to come together. It is not just the production of the book. Lara: That's completely true. It goes back to this metaphor that creativity in the body is not a machine, it's a rhythm. I like to say rhythm over consistency, which allows us to say, “Hey, I'm going to be all in.” I was all in on writing. I went into a vortex for days on end, weeks on end, months and probably years on end. But even within that, there were ebbs and flows of input versus “I can't go near it today.” Recognising that that's actually normal is fine. There are those people that are outliers, and they will be out of that box. A lot of people will push that as the only way. “I am going to write every morning at 10am regardless.” That can work for some people, and that's wonderful. For those of us who don't like that—and I'm one of those people, that's not me as an artist—I accept the rhythm of creativity and that sometimes I need to do something completely different to feed my soul. I'm a big believer that a lot of creative block is because we need an adventure. We need to go out and see some art. To do good art, you've got to see good art, read good art, get outside, do something else for the input so that we have the inspiration to get out of the block. I know a screenwriter who was writing a really hard scene of a daughter's death—her mum's death. It's not easy to just write that in your living room when you've never gone through it. So she took herself out—I mean, it sounds morbid, but as a writer you'll understand the visceral nature of this—and sat at somebody's tombstone that day and just let that inform her mind and her heart. She was able to write a really powerful scene because she got out of the house and allowed herself to do something different. All that to say that creativity, the natural process, is an in-and-out thing. It ebbs and flows as a rhythm. People are different, and that's fine. But it is a rhythm in the way it works scientifically in the body. Jo: On graveyards—we love graveyards around here. Lara: I was like, sorry everyone, this isn't very nice. Jo: Oh, no. People are well used to it on this show. Let's come back to rhythm. When you are in a good rhythm, or when your body's warmed up and you are in the flow and everything's great, that feels good. But what if some people listening have found their rhythm is broken in some way, or it's come to a stop? That can be a real problem, getting moving again if you stop for too long. What are some ways we can get that rhythm back into something that feels right again? Lara: First of all, for people going through that, it's because our body actually will prioritise survival when we're going through crisis or too much stress. Creativity in the brain will go, well, that's not in that survival nature. When we are going through change—like me moving countries—it would disconnect us a lot from not only ourselves and our sense of identity, but creativity ultimately reconnects you back into life. I feel like to be at our optimum creative self, once we get through the crisis and the stress, is to gently nudge ourselves back in by little micro things. Whether it's “I'm just going to have the rhythm of writing one sentence a day.” As we do that, those little baby steps build momentum and allow us to come back in. Creativity is a life force. It's not about production, it's actually how we get to any unique contribution we're going to bring to the world. As we start to nudge ourselves back in, there's healing in that and there's joy in that. Then momentum comes. I know momentum comes from those little steps, rather than the overwhelming “I've got to write a novel this week” mindset. It's not going to happen, most of the time, when we are nudging our way back in. Little baby steps, kindness with ourselves. Staying connected to yourself through change or through crisis is one of the kindest things we can offer ourselves, and allowing ourselves to come into that rhythm—like that musical song of coming back in with maybe one line of the song instead of the entire masterpiece, which hopefully it will be one day. Jo: I was also thinking of the dancing world again, and one thing that is very different with writers is that so much of what we do is alone. In a lot of the performance art space, there's a lot more collaboration and groups of people creating things together. Is that something you've kept hold of, this kind of collaborative energy? How do you think we can bring that collaborative energy more into writing? Lara: Writing is very much alone. Obviously some people, depending on the project, will write in groups, but generally speaking, it's alone. For me, what that looks like is going out. I do this, and I know for some writers this is like, I don't want to go and talk to people. There are a lot of introverts in writing, as you are aware. I do go to creative mixers. I do get out there. I'm planning right now my book launch with a local bookstore, one in Australia and one here in America. Those things are scary, but I know that it matters to say I'm not in this alone. I want to bring my friends in. I want to have others part of this journey. I want to say, hey, I did this. And of course, I want to sell books. That's important too. It's so easy to hide, because it's scary to get out there and be with others. Yet I know that after a creative mixer or a meetup with all different artists, no matter their discipline, I feel very energised by that. Writers will come, dancers will come, filmmakers will come. It's that creative force that really energises my work. Of course, you can always meet with other writers. There's one person I know that runs this thing where all they do is they all get on Zoom together and they all write. Their audio's off, but they're just writing. It's just the feeling of, we're all writing but we're doing it together. It's a discipline for them, but because there's a room of creatives all on Zoom, they're like, I'm here, I've showed up, there's others. There's a sense of accountability. I think that's beautiful. I personally don't want to work that way, but some people do, and I think that's gorgeous too. Jo: Whatever sustains you. I think one of the important things is to realise you are not alone. I get really confused when people say this now. They're like, “Writing's such a lonely life, how do you manage?” I'm like, it is so not lonely. Lara: Yes. Jo: I'm sure you do too. Especially as a podcaster, a lot of people want to have conversations. We are having a conversation today, so that fulfils my conversation quota for the day. Lara: Exactly. Real human connection. It matters. Jo: Exactly. So maybe there's a tip for people. I'm an introvert, so this actually does fulfil it. It's still one-on-one, it's still you and me one-on-one, which is good for introverts. But it's going out to a lot more people at some point who will listen in to our conversation. There are some ways to do this. It's really interesting hearing your thoughts. Tell people where they can find you and your books and your podcast online. Lara: The book is called Audacious Artistry: Reclaim Your Creative Identity and Thrive in a Saturated World, and it's everywhere. The easiest thing to do would be to visit my website, LaraBiancaPilcher.com/book, and you'll find all the links there. My podcast is called Healthy Wealthy Wise Artist, and it's on all the podcast platforms. I do short coaching for artists on a lot of the things we've been talking about today. Jo: Brilliant. Well, thanks so much for your time, Lara. That was great. Lara: Thank you.The post Audacious Artistry: Reclaiming Your Creative Identity And Thriving In A Saturated World With Lara Bianca Pilcher first appeared on The Creative Penn.

The church is not ready for the rapid changes brought on by artificial intelligence, but that's where we come in. In this episode, Dr. Jeffery D. Skinner dives into how AI is reshaping trust, learning, and authority, flipping the script on how people seek guidance—often turning to devices before they even think of asking pastors. It's not about becoming tech whizzes; it's about fostering discernment and forming genuine relationships in this brave new world. We've got to confront the reality that authority is shifting away from titles and degrees, leaning instead on trust and proximity. So, are we gearing up to guide our communities through this evolving landscape, or are we just clinging to the past? Let's figure it out together.In the transcript I say “the head of Anthropic resigned.” That was a misspeak on my part. Safety researchers are leaving, not the CEO stepping. “senior safety researchers and staff have resigned from major AI labs, citing ethical concerns.”Artificial intelligence is already reshaping how people learn, trust, and seek guidance. The gospel has not changed. The mission has not changed. But the environment where we disciple people has shifted fast.In this episode Dr. Jeffery D. Skinner lays out why the church must prepare without panic, form discernment, rebuild trust through presence, and lead with steady, embodied authority in an age of intelligent machines.Takeaways:The church is facing a rapid shift, and we need to prepare without freaking out about it.People are asking machines for answers before they look to their pastors, which is a wild shift in trust dynamics.Authority in the church is moving from just a title to being about real relationships and proximity to people.In this crazy digital age, discernment will be the name of the game, not just having access to information.Links referenced in this episode:amazon.comCompanies mentioned in this episode:Missional Church PlantingLeadership Development in Dynamic Church Planning InternationalMatt SchumerAnthropicElon MuskMentioned in this episode:Peace in that Finds You in the Middle of ChaosCozyearth.com. Use Code Echo for a 40% Discount Dr. Jeffery D. Skinner shares his experience with Cozy Earth's products, highlighting their impact on his family's comfort since moving to Nashville. He discusses the benefits of their bamboo-based bedding and blankets, emphasizing their softness, temperature regulation, and luxurious feel. The episode also includes a special discount offer for listeners. Keywords Cozy Earth, bamboo bedding, temperature regulation, luxury comfort, Nashville, family warmth, discount offer, Christmas gift, home sanctuary, podcast partnershipPeace in that Finds You in the Middle of ChaosCozyearth.com. Use Code Echo for a 40% Discount Dr. Jeffery D. Skinner shares his experience with Cozy Earth's products, highlighting their impact on his family's comfort since moving to Nashville. He discusses the benefits of their bamboo-based...

December 13th. A Christmas party. Rob Reiner tells a room full of people he's petrified of his own son. That he believes Nick could hurt him.One guest leaves the room in tears. And then — nothing. No intervention. No call to police. By Sunday afternoon, Rob and Michele Reiner are dead.This isn't another episode breaking down the crime or the upcoming trial. This is about something that millions of people living with someone dangerous understand in their bones: the specific torture of seeing an ending coming and being powerless to stop it.Rob Reiner knew. He said it out loud, with witnesses, hours before his death. Danny Spilar knew — he told reporters he identified Nick as the killer the second he heard the news. Multiple people close to the family said the same thing. The warning signs were everywhere. Discussed openly. Documented for years.None of it changed the outcome.We treat awareness like it's protection. Like vigilance is a force field. But knowing something terrible is coming doesn't give you the power to stop it. It just means you suffer twice — once in anticipation, once when it finally arrives.This episode is for the people who saw the red flags and stayed anyway. Who warned everyone and watched no one act. Who carry the crushing weight of "I knew" like it makes them complicit in what someone else chose to do.It doesn't. Your foresight was not consent. Your presence was not permission. Seeing the train doesn't make you responsible for the train.Your knowing was not a crime. You loved someone past the point where love made sense. And that doesn't make you guilty.It makes you human.#RobReiner #NickReiner #MicheleSingerReiner #ReinerCase #TrueCrimeToday #TrueCrime #SurvivorGuilt #FamilyTragedy #AddictionFamily #LovingSomeoneDangerousJoin Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspodInstagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodListen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872This publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.

On this week's episode, Rush gets into a fistfight at the White House Christmas party, Randy the Chipmunk is offended by a certain Christmas song (or two), our old pal Washabaugh drops by for a visit, and much more!

On this week's episode, Chevy Chase calls in for a visit--plus, Keith Richards is "on the wagon," Scrappy the Christmas Elf wants to be reassigned, GMTV is planning this year's Christmas party, and much more!

On this week's episode, Rush is headed to Cali for some R&R, PreKay's got a new Christmas tune out, Randy the Chipmunk gives a lecture on "Nut Security," and much more!

(00:00) Zo and Joe discuss whether or not you should be concerned with Roman Anthony playing in the WBC?(9:30) The guys rank the Boston sports presidents. (21:18) Is Jayson Tatum nearing a return in the coming weeks? Zo and Joe talk about how Tatum and NBC appear to be hyping up his return. They also touch on Jaylen Brown's weekend at the All-Star Game, and his pop-up event that was shut down. (32:51) Zo and Joe dive into some summer Cape talk. Zo has to take down his Christmas tree today. Please note: Timecodes may shift by a few minutes due to inserted ads. Because of copyright restrictions, portions—or entire segments—may not be included in the podcast.For the latest updates, visit the show page on 985thesportshub.com. Follow 98.5 The Sports Hub on Twitter, Facebook and Instagram. Watch the show every morning on YouTube, and subscribe to stay up-to-date with all the best moments from Boston's home for sports!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For part 9 of 12 on “What is the Nicene Creed?” we unpack these lines:"We believe in the Holy Spirit,The Lord, the Giver of Life,Who proceeds from the Father and the Son,With the Father and the Son S/He is worshipped and glorified;S/He has spoken through the Prophets."The Holy Spirit is probably God's most misunderstood person of the Trinity ... and yet, the one who is our Advocate, guide, Wisdom, and companion. So we spend a little time understanding where She fits in the big picture of Christianity, how we might discern between what is anxiety and the voice of God within us, and what exactly is the "Filioque" and the Great Schism debate about. +++Like what you hear? We are an entirely crowd-sourced, you-funded project. SUPPORT US ON PATREON: https://www.patreon.com/AndAlsoWithYouPodcastThere's all kinds of perks including un-aired live episodes, Zoom retreats, and mailbag episodes for our Patreons!+++Our Website: https://andalsowithyoupod.comOur Instagram: https://www.instagram.com/andalsowithyoupodcast/++++MERCH: https://www.bonfire.com/store/and-also-with-you-the-podcast/++++More about Father Lizzie:BOOK: https://www.penguinrandomhouse.com/books/762683/god-didnt-make-us-to-hate-us-by-rev-lizzie-mcmanus-dail/RevLizzie.comhttps://www.instagram.com/rev.lizzie/https://www.tiktok.com/@rev.lizzieJubilee Episcopal Church in Austin, TX - JubileeATX.org ++++More about Mother Laura:https://www.instagram.com/laura.peaches/https://www.tiktok.com/@mother_peachesSt. Paul's Episcopal Church in Pittsburgh, PA++++Theme music:"On Our Own Again" by Blue Dot Sessions (www.sessions.blue).New episodes drop Mondays at 7am EST/6am CST! 

Fi is on half term this week but fear not... school is still in session for Jane, who is joined by Robbie Millen, literary editor of The Times and The Sunday Times. Robbie graces us with his withering verdict on the new Wuthering Heights adaptation, baths in bedrooms and eavesdropping Alexas. Our next book club pick is 'A Town Like Alice' by Nevil Shute. Our most asked about book is called 'The Later Years' by Peter Thornton. You can listen to our 'I'm in the cupboard on Christmas' playlist here: https://open.spotify.com/playlist/1awQioX5y4fxhTAK8ZPhwQ If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfi Podcast Producers: Hannah Quinn and Eve Salusbury Executive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Welcome to the Christmas series! Joseph and Mary are almost to Bethlehem, but a storm has come to knock them off course. They endure a near-death experience to finally arrive where they are meant to be. Sign up for special devotionals at StoriesoftheMessiah.com. As we dive deeply into iconic Bible heroes' enthralling narratives, we find more than just stories of faith and miracles. We discover a recurrent theme, a spiritual undertone that connects each tale to the grandeur of the Gospel. They're not just standalone legends; they're threads in a divine tapestry, weaving a story that foreshadows Jesus Christ, the ultimate hero, the promised Messiah who brings light to the darkest corners of history. For more Bible stories download the Pray.com app. To learn more about Rabbi Schneider visit https://discoveringthejewishjesus.com/ See omnystudio.com/listener for privacy information.

Episode 100 In Part 2 of Domestic Detonation, we move deeper into the investigation and unravel how a domestic violence case escalated into a coordinated bombing plot that nearly claimed multiple lives. As investigators began connecting the devices, forensic evidence and witness testimony painted a chilling picture of planning, coercion, and control — revealing just how far one person was willing to go to keep a partner from leaving. We explore the forensic evidence that helped build the case, including tool mark comparisons, and discuss the strengths and limitations of these techniques in the broader context of modern forensic science. We also walk through the critical moments that prevented additional bombs from being delivered, highlighting how coordination between investigators and rapid communication helped stop further attacks before they could occur. This case is a stark reminder of how domestic violence can escalate and how manipulation and coercive control can lead to extreme violence. Buy Burn Boston Burn by Wayne M. Miller: https://a.co/d/ipCuGL2 Buy Bang Boom Burn by Wayne M. Miller: https://a.co/d/a2EACYf The Crime to Burn Patreon - The Cult of Steve - is LIVE NOW! Go join and get all the unhinged you can handle. Click here to be sanctified.  Inner Sanctum Acknowledgments: Eternal gratitude to our Inner Sanctum patrons, Melanie Curtis, Jenny Mercer and Laura Pisciotta, for helping us bring light to the stories others would rather leave in the ashes. Listener discretion is advised. Background music by Not Notoriously Coordinated  Get your Crime to Burn Merch! https://crimetoburn.myspreadshop.com Please follow us on Instagram, X, Facebook, TikTok and Youtube for the latest news on this case. You can email us at crimetoburn@gmail.com We welcome any constructive feedback and would greatly appreciate a 5 star rating and review.  If you need a way to keep your canine contained, you can also support the show by purchasing a Pawious wireless dog fence using our affiliate link and use the code "crimetoburn" at checkout to receive 10% off. Pawious, because our dog Winston needed a radius, not a rap sheet.  Miller, Wayne M. Bang Boom Burn: Explosive True Crime Gun, Bombing, and Arson Cases from a Federal Agent's Career. AuthorHouse, 2021. ISBN 978-1-7333403-5-9. Craig, Gary. “Christmas package bomber who killed 5 in New York dies in prison.” Rochester Democrat and Chronicle. Updated Nov. 14, 2024. “His mouth got him in trouble.” Associated Press, published in The Roanoke Times, Dec. 31, 1993 (Virginia Tech newspaper archive). United States of America v. Michael T. Stevens, 83 F.3d 60 (2d Cir. 1996). Justia. Van Biema, David. “Death on Delivery.” TIME. Jan. 10, 1994. “A Conviction in Case of 5 Deaths by Bombs.” The New York Times. Apr. 1, 1995. (Accessed via Murderpedia; direct link not captured.) “Jury Is Seated in Upstate Mail Bombing.” The New York Times. Mar. 7, 1995. (Accessed via Murderpedia; direct link not captured.) Van Gelder, Lawrence. “Plea Bargain in Mail Bombings That Killed 5 Upstate.” The New York Times. Feb. 9, 1995. (Accessed via Murderpedia; direct link not captured.) “How Detectives Caught the New York Serial Bomber.” Real Responders (YouTube). Posted Feb. 24, 2020. “N.Y. bombing plot may have taken shape as long as year ago.” Tampa Bay Times. Published Jan. 2, 1994; updated Oct. 6, 2005.

https://wels2.blob.core.windows.net/daily-devotions/20260216dev.mp3 Listen to Devotion There he was transfigured before them. His face shone like the sun, and his clothes became as white as the light. Matthew 17:2 Who Is Jesus? People have lots of opinions about Jesus. Some say he was just a good teacher. Some say he was just a prophet. Some say he was just a symbol of love and justice. Some say he was just a legend. But what Jesus reveals and tells us about himself doesn’t leave any room for “just.” The apostle Matthew tells us that Jesus was “transfigured.” That means he changed right in front of his disciples. For a moment, his glory showed through. He shone like the sun. His clothes became dazzling white. And God the Father spoke from a cloud: “This is my Son.” That means Jesus isn’t simply an inspirational leader. He is God’s Son. And that changes everything. Maybe you need that reminder today. It’s easy for doubts to creep in. Life gets messy. Suffering makes you wonder if God is really there. And sometimes Jesus can feel far away. That’s why this moment matters. God didn’t just want the disciples to hope Jesus was the Savior. He wanted to show them so they would know with certainty. Since Jesus is God’s Son, his words carry authority. His promises carry weight. His death is not a tragedy; it’s a rescue. His resurrection isn’t a myth; it's the doorway to eternal life. And that is why Jesus matters for you right now. Because Jesus is God’s Son, your life is not an accident. Your sins are not too big for forgiveness. Your pain is not ignored. And your future is not hopeless. You don’t have to wonder if God loves you. God sent his Son for you. The Transfiguration shines a spotlight on who Jesus really is. And when you see him clearly, you can finally see your life clearly too. Prayer: Lord Jesus, help me see you for who you truly are, God’s Son and my Savior. Give me confidence in your promises today. Amen. Daily Devotions is brought to you by WELS. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. All Scripture quotations, unless otherwise indicated, are taken from the Holy Bible, New International Version®, NIV®. Copyright ©1973, 1978, 1984, 2011 by Biblica, Inc. ™ Used by permission of Zondervan. All rights reserved worldwide.

HAPPY CHRISTMAS FROM ALL OF US AT THE SONIC SOCIETY AND THE MUTUAL AUDIO NETWORK! This week we're thrilled to provide a little Christmas spirit with The Holiday Spirit from Will Anderson and Stacey Pattison, and a retelling of the classic A Gift of the Magi from Odyssey Audioworks™ and Richard Summers, Tanja Milojevich, Josh Price, and Amy Price. All the very best to you! Learn more about your ad choices. Visit megaphone.fm/adchoices

Send a textThis episode is the first in our series on the book of Colossians. IN this episode, Pastor Dom teaches us about Pauls conversion and entrance into the faith.Colossians 4:33“…for which I am in prison.”Colossians 4:18“Remember my chains.”Colossians 1:1-121 Paul, an apostle of Jesus Christ by the will of God, and Timothy our brother, 2 To the saints and faithful brethren in Christ who are in Colosse:  Grace to you and peace from God our Father and the Lord Jesus Christ. 3 We give thanks to the God and Father of our Lord Jesus Christ, praying always for you, 4 since we heard of your faith in Christ Jesus and of your love for all the saints; 5 because of the hope which is laid up for you in heaven, of which you heard before in the word of the truth of the gospel, 6 which has come to you, as it has also in all the world, and is bringing forth fruit, as it is also among you since the day you heard and knew the grace of God in truth; 7 as you also learned from Epaphras, our dear fellow servant, who is a faithful minister of Christ on your behalf, 8 who also declared to us your love in the Spirit. 9 For this reason we also, since the day we heard it, do not cease to pray for you, and to ask that you may be filled with the knowledge of His will in all wisdom and spiritual understanding; 10 that you may walk worthy of the Lord, fully pleasing Him, being fruitful in every good work and increasing in the knowledge of God; 11 strengthened with all might, according to His glorious power, for all patience and longsuffering with joy; 12 giving thanks to the Father who has qualified us to be partakers of the inheritance of the saints in the light.Acts 9:1-61 Then Saul, still breathing threats and murder against the disciples of the Lord, went to the high priest 2 and asked letters from him to the synagogues of Damascus, so that if he found any who were of the Way, whether men or women, he might bring them bound to Jerusalem. 3 As he journeyed he came near Damascus, and suddenly a light shone around him from heaven. 4 Then he fell to the ground, and heard a voice saying to him, “Saul, Saul, why are you persecuting Me?” 5 And he said, “Who are You, Lord?” Then the Lord said, “I am Jesus, whom you are persecuting. It is hard for you to kick against the goads.” 6 So he, trembling and astonished, said, “Lord, what do You want me to do?” Then the Lord said to him, “Arise and go into the city, and you will be told what you must do.”Ephesians 2:8-98 For by grace you have been saved through faith, and that not of yourselves; it is the gift of God, 9 not of works, lest anyone should boast.Psalm 119:105105 Your word is a lamp to my feetAnd a light to my path.Colossians 3:1515 And let the peace of God rule in your hearts, to which also you were called in one body; and be thankful.Philippians 4:6-76 Be anxious for nothing, but in everything by prayer and supplication, with thanksgiving, let your requests be made known to God; 7 and the peace of God, which surpasses all understanding, will guard your hearts and minds through Christ Jesus.

Welcome to the Memoirs of an LDS Servant Teacher Podcast, hosted by Maurice Harker—a faith-based resource for those working to strengthen marriage, build self-mastery, and apply gospel-centered principles in real life.Important note: This podcast and its programs are not officially affiliated with The Church of Jesus Christ of Latter-day Saints. They are created by people who strive to live its teachings and apply them in practical, life-changing ways.In this episode (Eternal Warriors 4.0), Maurice teaches the Divine Art of Discovering with a focus on team-based passion projects—and why the adversary targets teamwork with predictable “attacks” like shame, comparison, fear of being exposed, and the belief that “nobody wants to be on my team.”You'll learn:How to use reflective questions (score yourself 1–5) to identify what's blocking teamworkWhy delegation and team structure improve follow-throughHow to stop comparison spirals when teammates are better than you at certain thingsHow to spot and reject the “flooding” tactic (overwhelm, self-criticism, giving up)Why building teams is a spiritual strategy—and how to keep trying even after failuresA practical outreach idea: Eternal Warriors classes as a Christmas gift for premarried young adults and newly returned missionaries to strengthen identity, purpose, and missionIf you're trying to build healthy relationships, serve more effectively, and stop doing everything alone—this episode is a toolkit.For deeper training and resources, visit lazaruslectures.com and life-changingservices.org.

Welcome to episode 127 of The Journey Is the Reward!On this episode, Brian and Micah are joined by Carlos, the founder of Plane Talking UK, for a deep dive into the world of aviation podcasting from a UK perspective. Before the guys get to the main event, they start with some essential ground handling from listener Marc. He checks in to discuss the legendary durability of Kirkland Signature luggage and gives us the lowdown on the new location for Geno's Steaks in Hampton, Virginia—a destination definitely worth the detour.The conversation then moves to the airport lounge, as listener Tonya writes in about the perks of buying an annual Priority Pass membership. It's a savvy move for anyone who wants the VIP treatment without being forced to carry a credit card with a "heavy-lift" annual fee. We also tackle a question from listener Lu regarding the ever-expanding world of Basic Economy. Lu wants to know if Micah and Brian would ever actually book one of those "no-frills" seats, and Carlos chimes in with his two pounds of thought, noting how the fare wars look a bit different across the pond.In the spirit of the season, Brian celebrates a successful delivery of Dubai chocolate for Christmas, while another listener proposes a massive trip to India for 2027. We want to know if you're ready to join the crew, so please write in and let us know if you'd be interested in a listener trip to the subcontinent!  Brian@TheJourneyIsTheReward.ORG.Finally, the boys sit down with Carlos to celebrate a milestone that's definitely cleared for departure: the 600th episode of PTUK. Micah and Brian reminisce about attending the 200th and 400th shows, but sadly, Brian has a "maintenance day" for this particular milestone. Because of Momma Coleman's 91st birthday party, Brian will be staying local—after all, family always gets priority boarding.And as always, our ears are blessed by the utterly soul-stirring, goosebump-inducing sounds of the Madalitso Youth Choir! Their Welcome and Goodbye songs, recorded straight from the Royal Livingston Hotel in Zambia, are pure magic.

Women accused of violent murders have often faced assumptions about their motives and disbelief that the ‘gentle sex' could commit such bloody crimes. This Long Read written by Rosalind Crone investigates four such cases from the 19th century. HistoryExtra Long Reads brings you the best articles from HistoryExtra Magazine, the new name for BBC History Magazine. Today's feature originally appeared in the Christmas 2025 issue, and has been voiced in partnership with the RNIB. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ministry Monday is back with new episodes, new topics, and a new video intro and outro! If you haven't seen our podcast in its video form, check it out. The links are in the show notes of this episode at ministrymonday.org and at our YouTube page, youtube.com/npmlivestream. It's been a true joy to take a few weeks off of the podcast to gather these new conversations for upcoming episodes. I think you're going to like it. I'd also like to thank those who reached out asking why we hadn't returned yet from our Christmas break! It shows that you listen and enjoy the podcast, which is great news to us. We hope you keep listening this spring.Today we begin season 9 of the podcast. Our season begins with a conversation with Fr. Roc O'Connor, a Jesuit priest and founding member of the St. Louis Jesuits. Since October 2021, he has served as a staff member at the Bellarmine Jesuit Retreat House in Barrington, Illinois. Our conversation today centers around the Word of God. Fr. Roc's initial reflections to start our interview best reflect where we begin: "The Word is spoken. It can elicit feelings from attraction to aversion. These locate adults in relation to God, to Christ in the moment. It's how we become present to the Word." Fr. Roc joins us today from Barrington, Illinois.

Jason joins us to talk about the TTS Leagues he's running. Then we do a deep dive on Quasar and we all agreed! It's a Christmas miracle!Link for the next league: https://mcp.longshanks.org/event/32457/Discord link for the Appalachian Cup group: https://discord.gg/93JSuns6 join if you are interested in coming to our qualifiers or joining Jason's TTS League.You can find a list builder and reference webapp at https://cerebromcp.comWatch us on YouTube at https://www.youtube.com/c/crithitwildComic art by Aleksi BriclotDice rolling sound from https://soundbible.com/Music from https://www.bensound.com/You can email us at crithitwild@gmail.com

Two Turtle Doves, or Dildos?Based on a post by SandyMarl, in 4 parts. Listen to the ► Podcast at Steamy Stories.Dana returned to the kitchen as Orlando was finishing drying the stemware. She leaned back against the counter, crossing her arms in front of her tits as she tried to give a confident look, though a drunken squirrel was racing around inside her chest.Orlando folded the dish towel, set it down as he stepped to her side. He reached around her waist and pulled her close, brushing her hair back, he whispered into her ear, “Strange as it is, there are some people who have a difficult time accepting good things that are given to them. You have been given a set of good and close girlfriends Dana.” Orlando placed his fingertips at the base of her jaw, “Your pulse is beating hard, I sense that you are understandably nervous to find yourself in a position to accept or reject a special, intimate gift that has been tenderly offered to you.” Continuing to whisper into her ear in a mesmerizing, deep masculine voice. “It is my hope that you will be accepting of all the pleasures and dreams which are before you.”Dana gulped, wanting some words to come out of her throat, but nothing happened. She wasn’t sure if those stuck words ever made it onto her tongue what they would say to Orlando’s proposition. She liked the idea that they could be a ‘yes’, but something held her back from giving an answer. She let her emotions bubble hot inside of her, waiting until they were ready to come out in their own time; she wished and hoped they’d be an accepting 'yes’, but she wasn’t sure.The roaming fingers of her cooing partridge traced down the side of her neck, parting her collar from her prickly, heated skin. His fingers found her bra strap and followed it lower along the pathway that brought his touch to the slope of her tit. With one hand, the tips of his fingers ran along the upper rim of her black lacy cup while the other hand undid the top button of her blouse. Orlando breathed his warm, moist breath into her ear. “You’ve changed into something lacy since I’ve arrived,” was Orlando’s observation. “You have not given me a spoken answer as to whether you’ll accept an intimate gift, but I have gotten your subtle answer by my discovery of your hidden charms. You are a charming woman,” Orlando breathed into her ear in a husky voice, and then gave her a small kiss on the cheek.Dana let out a small moan as she unconsciously tipped her head back, exposing her throat and lifting her tits as Orlando teased her flesh as he continued with his light touch running along the contours of her bra. Her gift lover recognized the moan, the short breaths, the exposed throat and the visible flush of her chest as the tell-tale signs of a woman drifting into seduction. Dana didn’t have to speak; she had already extended an invitation in the wordless language of lovers for Orlando to take her wherever he wanted to go.Orlando worked deliberately, unfastening each button as he pressed his warm lips to her throat followed by tiny, wet touches with the tip of his tongue. Dana let his attention wash over her skin, floating on warm waves that rippled through her insides. With the bottom button undone, he rolled his fingers around her cups, petting her ribs before setting his fingers between her fingers, lifting their entwined hands and guiding Dana out of the kitchen, floating toward the back of the house.Lifting her unfastened shirt off her shoulders, Orlando tossed it over a chair in the corner and then pressed her with his palm, forcing Dana to fall back onto the bed. Dana landed on her back with a giggle, loving the feeling of being desired and taken. She placed her hands behind her head, accentuating her tits covered in the gossamer black fabric of her cups. She relished watching Orlando, waiting to see his next move.Orlando reached into the side pocket of his jacket, tossing a small bottle onto the bed. “What’s that?” asked Dana from her reclining pin-up girl pose.“Consider it 'partridge oil,’ my little chickpea. Some of us more experienced partridges find that a dab or two on a partridge’s pecker makes for smoother night’s nesting in our chosen pear tree.”Dana broke into a broad grin, “I never knew partridges were such considerate birds,” she said.“Not all partridges are, some will leave droppings on your car. But when a partridge finds an attractive limb or two, we partridges are known to be considerate nesters.” Orlando tossed his jacket over the back of the corner chair and then stripped off his shirt, shoes and socks.“Now, I believe this old, experienced partridge has found a pair of attractive limbs that interest me a great deal.” Orlando crawled onto the bed, unsnapped Dana’s pants and pulled them off as she lifted her lower limbs skyward. Orlando admired her matching lacy black panties for a moment before he swooped in and removed the pair just as he’d done with her pants. “Ah, there is a pretty little partridge nest at the top of a pair of attractive limbs,” announced Orlando, more to himself than to Dana.Dana felt shy, but at the same time pleased to be the object of a man’s intimate attention for the first time in a long time. She lay on the bed, her cunny and pubic hair exposed to Orlando’s admiring eyes while still trussed up in her bra. She squirmed over to retrieve the bottle of lubricant that Orlando had tossed onto the quilt. She shook it in front of the shirtless man lying next to her, teasing him she asked, “Don’t you have to molt or something before this 'partridge oil’ can be applied to your pecker?” She was pleased to see the fabric at his crotch stretched over a nice, rigid form.“I’m getting the urge to roost, but I’d enjoy a little more playtime.” Orlando tucked his targeted pear tree under the heavy quilt, slipping under to join her. He pulled her over to cuddle next to him. He slipped her straps off her shoulders, massaging and nibbling at her back as he unhooked the last of her garments, discarding it over the side of the bed. He rolled her onto her back, cupping and squeezing her tits as he kissed her arms, working his lips to the top of her tit, bunching her tit in his firm grip as he pushed her erect nipple into his mouth. He inhaled her exquisitely sensitive titty tip with a vigorous suction that filled his hot, wet mouth. His tongue darted and circled around her puffed up bits, sending sparks shooting into her clit. He worked her fleshy mounds over with his mouth, drooling over her melons and adding to the juicy wet sensation she was getting between her thighs.As he lapped at her nipples, caressing, licking, squeezing and mashing her mammaries with his right hand, his left hand traveled across her belly, inching its way lower on her body. Dana opened herself, thrilled to once again feel the pleasure of a man intimately handling all of her excited girl parts. Her cunny was more than moist, her breathing shallow and her brain swimming in a warm fog. Dana arched her hips as Orlando’s hand petted her bush; her little princess ached to once again be embraced by a dancing partner. It has been so long. Her warm, buttery inner parts were feeling more wonderful than she ever remembered.Orlando’s fingers passed over her dewy vulva with a firm pressure. His hand made a tight circular grinding motion before he spread her puffy lips open, probing along her slick walls, climbing up her canyon. Dana held her breath, she wanted to squeal before he got to her clit, but she held her silence with closed eyes, letting the anticipation of first contact build in her lungs and in her loins.Orlando’s fingertip crept up the underside of her rigid clit, painting her in her own sex juices. He circled her aroused bud, triggering a flash of blue electricity that shot under her skin to her toes. Dana’s hips bucked; her ass arched as she pushed her sex trigger into her lover’s fingers. He ran a couple of his fingers into her slippery cunny, drawing them up to her clit, bathing her in her own nectar. Dana burst into a series of brusque chirps, half-screaming, half-moaning as she was seized by convulsing and shaking legs. She choked out in shallow breaths, “Whoa, whoa, whoa. Oh god, oh fuck. Oh, fucking fuck.”Orlando let her convulsions subside. Dana covered her eyes with her hands, gasping for breath as his fingers rested, half filling her pulsing cunny. “I could be wrong – but I’m not; you have a lot more in the tank my little chickpea.” Orlando stuffed his fingers further up inside her cunt as if he was taking the measure of her tank. He pulled out slowly, making sure he tickled her g-spot as he withdrew from her throbbing void.“I might have forgotten about the next element in your Secret Santa swap tonight, except it is so fucking uncomfortable right now. I’m afraid you’ll have to perform the final plucking of your evening’s gift partridge. I will need the skilled digits of my beautiful assistant; would you please remove my remaining apparel. I have been instructed by the one who sent me, to inform you that there is a special package waiting for you underneath.”With the glee of a young girl selecting her wrapped package from under the Christmas tree, Dana rolled on her side, unzipping Orlando’s white trousers and pulling them off. His erection was obvious under his holiday themed underwear, yet it looked as if his underwear was packing more than expected. Curious about his cock and whatever extras accompanied his package, she tugged his last bit of wrapping away to reveal the full package. Dana whooped in surprise, and laughed a hearty laugh, admiring the red bow adding a festive cheer to his stiff prick. “Oh my! Is this all for me?” she giggled.Orlando shrugged, “I suggest you read the label. If it’s not addressed to you, I’ve made a terrible mistake.”Dana picked up the card hanging from the red bow, dangling below Orlando’s Christmas balls: “On the First Day of Christmas, My True Friend gave to me, A Partridge in a Pear Tree. Dear Dana, I hope you enjoy the Christmas package I’ve selected for you. I’ve decided to exchange more than cookies after our usual Christmas Cookie Exchange. Dana, Merry Fucking Christmas! – McNally.”Dana let a little squeak escape, “This is all so very naughty.”Orlando thrust his hips toward Dana, “Yes it is. Would you do me a favor and unknot me?” he said, shaking his boner in front of her to get her to remove the bow and gift card from his masculine package.Dana’s eyes flashed with a mischievous grin, she wiggled her fingers in excitement before blushing as she reached to the base of the proud cock, lifting the elastic band at the base to un-decorate Orlando’s extended organ.“Thank you,” was his response as his partridge cock was now as free as a bird. He searched the folds of the bed cover, looking to find the bottle of partridge pecker oil he’d tossed onto the bed earlier. Dana found it under her bottom, showing her find to Orlando.“May I?” was her question as she managed a sheepish look up into Orlando’s eyes.“The pleasure would be all mine,” he replied.Dana reached out to grab his manhandle, coaxing him into bed. She crawled over him, letting her tits hang down, dangling in his face. She dropped her shoulders, let one nipple land on his lips, he gave her a lick, and then she plopped her other nipple to his lips, receiving a second exhilarating lick. She scooted down, grasping the base of his cock, about to apply a dab of lube, when she thought better of her idea.She wrapped her fingers around his shaft, marveling at the inflexible piece of anatomy, trying to recall the fun of having a man’s stiff cock penetrating her. It had been a while since she had even imagined enjoying the pleasure of a good fucking. She admired his towering erection, abandoned her last bit of hesitation holding her back and opened her lips and took him in deep. She moved her hands to his nuts, caressed them as she swabbed the hot pink shaft with her tongue. She sucked and stroked him, bringing him to maximum stiffness without a hint of gagging, feeling proud of her accomplishment.Orlando held her head tight between his hands as she bobbed up and down in slow, long strokes with her lips. Orlando’s hands reached under her, grabbing a handful of titties in each hand, massaging her boobs and making sure she had her plush nips squeezed between his fingers just the right amount of rough, stimulating pleasure.Dana was getting lathered up again, her lady parts were plump and wet with the thrill of sucking a thick cock and the powerful handling of her tits, making her want that cock to leave her lips and tongue and find its way down to her labia and clit. Dana let Orlando’s erection pull out of her mouth with a satisfying plop. She closed her eyes and made the deep humming sound of an aroused woman wanting and waiting to be taken.Orlando positioned his hand under her hanging udders, holding them in his solid grasp; he tilted her onto her back. Picking up the bottle of lube, he poured a small stream over her steaming cunt, rubbing his shaft with a second slathering. Dana’s humming picked up in pitch as the cold lube oil fell on her labia, but Orlando’s warm hands worked it into her soft girly flesh and made her feel happy and aroused to be pampered with floral scented oil on her feminine folds.Orlando had a well-oiled tool after a couple of strokes. He was eager to climb into his pear tree after great stimulating oral sex and the delight of handling Dana’s attractive and suitably large and pendulous tits. He spread Dana’s legs, pushing her knees wide after oiling her inner thighs. With a little bounce he crow-hopped between Dana’s outstretched legs, landing on the gaping fruit of his pear tree. His partridge flew into her, surprising her with his sudden furious first fuck. He was thick and forced her apart, she felt stuffed; startled at the filling sensation, surprised at the penetration and swoopy with the undulating, gripping response of her unpracticed sex muscles to Orlando’s perching inside her cunt.Orlando gripped her hips, Dana’s legs pointed up as he pounded her with scooping, hungry thrusts of his hips, poking, prodding, pushing his pecker deeper into her ravenous nether regions. Her screams began with his first humping thrust; each blow between her legs brought a corresponding scream, he was the hammer, she was the anvil. The hammer hit her with shuddering force, the anvil of her sex rang out with each blow in an echoing scream of unbridled pleasure. She was being pounded into a form of malleable feminine flesh as her lover worked her over.Dana had been fucked many times before, she and Sander had made love, mad love, lazy love, hungry love and yet this was new for her. She let each throbbing thrust push her higher. She let Orlando’s prick hammer her hard, pushing her to that orgasmic edge, an edge that was always a mystery. Dana never knew what was over the edge, at least not until she had been pushed over it and was falling into its abyss, filled with swirling clouds and tumbling waves of passion. She gave herself away, letting Orlando push her to the edge.She was hanging at the edge of her orgasm, she felt her lover’s muscles tighten along his lean body, his breathing was labored, her desire was to feel him cum inside her. She wanted to give herself to him. In giving herself up to his explosive ejaculation, she would be blasted into deep space. The lovers would be swept away together in a perfect climax.Dana tensed in response to the man fucking her as he strained to gather his energy like a coiled spring planted deep inside her sex chamber. With a throaty groan, Orlando let his seed burst from his loins, flooding Dana with white hot fluid. She felt his release. His energy tripped her delicately balanced desire. Orlando’s hot splash burst against the back of her vibrating inner hollow, exploding out through her lungs, rattling her pelvis as she shook and collapsed at its seductive power. The heat of her explosion radiated through all her muscles, warping the dimensions of her bedroom.Orlando rolled off her, pulling the heavy quilt over the two of them. He pulled Dana close to him, spooning with her as he buried his nose in her hair, letting his hand rest on her tit as dreams of sugar plums danced in their heads as they snuggled into a relaxed sleep like a contented partridge in a sweet pear tree.December’s late sunrise was filtering through the blinds when Dana opened her eyes at Orlando’s touch on her bare back. He ran his hand over her skin, rubbing the small of her back as she rolled over on her stomach. Waking up to a man’s roaming hands was a forgotten pleasure for Dana. Her night’s partner massaged her rump as she purred. Orlando gave her a light smack across her ass, whispering, “You have a beautiful pear-shaped ass, fresh and firm.” He bent over and took a tiny nip at her flank, Dana flinched, then he kissed it all better.“I regret that I have an appointment for later this morning. Please excuse me, but I will take my leave after a wonderful experience.” Dana watched him dress from under a wad of sheets and blankets.“Mr. Partridge?” she called as he moved toward the bedroom door, Orlando smiled and turned toward the nude woman lying in bed.“Yes?” he asked in a jaunty tone.“Tell McNally, 'Have yourself a Merry Fucking Christmas to one and to all’, would you?”Orlando chuckled, “That sounds like an inside joke among The Chix. I’ll leave that one up to you to deliver that message, my little chickpea.” Orlando let himself out of the house. Two Turtle DovesDana was reluctant to rise out of bed; she wished she could linger under the covers with a lover all day. But she was resigned to the fact that the day had to move forward. She locked the door, put on a pot of coffee and made her bed. Her phone pinged. She went to find it and red the incoming text.It was from Annie, 'Clear your calendar this afternoon girl. I’ll be delivering a holiday surprise package to your house. You will need to be at home to receive it!’ Dana’s first thought was, how sweet of Annie.She was expecting a visit from Annie when the doorbell rang mid-afternoon. Dana was surprised to see Nelson on her doorstep. “Is Annie with you?” Dana asked with a quizzical look and a realization that she was experiencing a flash of deja vu all over again.Nelson stepped into the house carrying a small gift bag and handed Dana a scroll tied with a white ribbon. “What’s this?” Dana asked as she cocked her head, taking the scroll from Nelson. “This is all so mysterious - again,” she said with her eyes and smile flashing in obvious enjoyment of the unfolding mystery in her entry hall. Dana ran her eyes up and down the broad, well-toned frame of the dark-haired man whom she had known as a friend for many years.Dana unfurled the scroll, feeling a hot flush ignite her face as she red Annie’s words while her complexion blushed to contrast with the scroll&rsquo

The North-Armagh crime outfit ‘The Firm' will take matters into its own hands after convicted double killer Stephen Smith died in January. Smith passed away after a seizure at home but that followed him being injured in an attack in Armagh before Christmas. That incident is being linked to a rival crime gang based in Armagh City – and the Firm are not happy. Why not? The Belfast Telegraph's crime correspondent Allison Morris joins Ciarán Dunbar. Hosted on Acast. See acast.com/privacy for more information.

A weekly podcast covering women’s sports news. This week: Jakara Anthony and Josie Baff have won Gold Medals for Australia at the Winter Games, the Indigenous All-Stars have claimed victory over the Māori All-stars in Rugby League, and Willa Pearson has become the youngest goal scorer in Women’s A-League history! For the key story, we discuss a four-year study by FC Barcelona’s Innovation Hub, which suggests that injuries sustained by footballers while menstruating may take significantly longer to heal than those suffered when not on their period. Want to know when all the women athletes are competing at the 2026 Winter Olympics? Download our 2026 Milano-Cortina Women's Sports Calendar here. Get the wrap delivered to your inbox as a weekly newsletter! Subscribe here for the newsletter. https://bit.ly/tfapsubscribe Come join the women's sports fan club. Shop our TFAP merch: https://www.thefemaleathleteproject.com/shop Buy our kids book The A to Z of Who I Could Be, or book for adults GIRLS DON’T PLAY SPORT. this Christmas!See omnystudio.com/listener for privacy information.

Send a textOk. So. ADHD is a thing and this episode got delayed, but it is before the New Year. The Lunar New Year but anyway. Gong xi fa cai and enjoy this episode from late 2025.Please check out Georgia's "Age of Diagnosis" video, it is very good.You can find us all on Bluesky: Simon, Alexander, Georgia & FilipAs ever we thank you, our loyal listeners for sticking with us. We would love to hear from you so look for our contact details in your podcast app or via our website.

Today Michelle and Rachel do a deep dive into the Hallmark Christmas classic Mrs Miracle in honor of the late James Van Der Beek Follow Michelle on twitter https://x.com/michelleRbenson To donate to James Van Der Beek's family go fund me https://www.gofundme.com/f/support-for-james-van-der-beeks-family To donate to the American Cancer Society https://www.cancer.org/donate/ Our Christmas podcasts are at https://www.youtube.com/watch?v=X4f2KtBPzUE&list=PLXv4sBF3mPUDo41tHqhkjHCvedmZwLzHx Please support the podcast on patreon and be part of these ranking episodes at https://www.patreon.com/hallmarkies Follow Terry on twitter https://twitter.com/flurryheaven Follow us on ITunes https://itunes.apple.com/us/podcast/hallmarkies-podcast/id1296728288?mt=2 https://twitter.com/HallmarkiesPod on twitter @HallmarkiesPodcast on Instagram HallmarkiesPodcast.com Get some of our great podcast merch https://www.teepublic.com/stores/hallmarkies?ref_id=8581 Please support the podcast on patreon and be part of these ranking episodes at https://www.patreon.com/hallmarkies Follow Rachel's blog at http://rachelsreviews.net Follow Rachel on twitter twitter.com/rachel_reviews Follow Rachel's Reviews on youtube https://www.youtube.com/c/rachelsreviews Follow Rachel on facebook www.facebook.com/smilingldsgirl Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello you beautiful people!Last episode I talked about a stage version of A Christmas Carol and listener Christy Easter sent in a link to her favourite stage version, you can check it out here:  https://www.nsmt.org/achristmascarol.htmlThis episode's version of A Christmas Carol isn't really a version at all, but it's worth a look. It's a Christmas episode of a sitcom called Dear Phoebe starring Peter Lawford.  You can watch it here:  https://www.youtube.com/watch?v=snYEc2LhXOsThen Bob Baker, our resident barman, is here with Do You Hear What I Hear? and he looks at why us Brits are called Limeys.In this weeks Christmas Quiz I managed to score 7, make sure to send me your score.Next up Bob is back with Where Are You Christmas? and he looks at a town in Brazil called Blumenau. They have a lot of German heritage and so they know how to keep Christmas all year round.Check out Bob's podcast here:  https://4fpodcast.buzzsprout.comThen I share a story of shame that happened to me this Christmas. It was a sad day for everyone involved.This episode's recommendation is The Unbelievable Truth, a radio show from the BBC. It's lots of fun so have a listen.Get in touch:Email: totalchristmas@gmail.comWeb: totalchristmaspodcast.comMerry Christmas!

Welcome to the Christmas series! Joseph reels in hurt, anger, and confusion. Joseph and Mary have been robbed of everything. They continue their journey, losing hope and patience with each other. What will bring them back to each other? Sign up for special devotionals at StoriesoftheMessiah.com. As we dive deeply into iconic Bible heroes' enthralling narratives, we find more than just stories of faith and miracles. We discover a recurrent theme, a spiritual undertone that connects each tale to the grandeur of the Gospel. They're not just standalone legends; they're threads in a divine tapestry, weaving a story that foreshadows Jesus Christ, the ultimate hero, the promised Messiah who brings light to the darkest corners of history. For more Bible stories download the Pray.com app. To learn more about Rabbi Schneider visit https://discoveringthejewishjesus.com/ See omnystudio.com/listener for privacy information.

https://wels2.blob.core.windows.net/daily-devotions/20260215dev.mp3 Listen to Devotion After six days Jesus took with him Peter, James and John the brother of James, and led them up a high mountain by themselves. There he was transfigured before them. His face shone like the sun, and his clothes became as white as the light. Matthew 17:1-2 Jesus Alone is Your Savior It was late summer, a little more than half a year until Jesus’ crucifixion. We don’t know exactly what mountain this was, but since Jesus and his disciples had just been near Caesarea Philippi on the slopes of Mount Hermon, it is likely that this was the Mountain of the Transfiguration. Jesus took three of his disciples up the mountain with him. These three were his inner circle of friends who were privileged to witness an amazing scene—Jesus was transfigured before them. The appearance of his face and clothing changed. For a brief time, those three disciples saw the unveiled divine glory of Jesus, the bright glory that is his from eternity as the Son of God. In a few short months, these same disciples would witness the deepest point of Jesus’ humiliation on earth—his bitter suffering and death on a cross. The vision of Jesus’ divine glory on that mountain helped prepare the disciples for what they would see their friend go through at the hands of his enemies. The transfiguration of Jesus assured them that he is the Son of God whom God the Father appointed and sent to earth to be the world’s Savior from sin. With that firm conviction, Peter later preached, “Salvation is found in no one else, for there is no other name under heaven given to men by which we must be saved” (Acts 4:12). Jesus is the Son of God. Jesus alone is the world’s Savior—your Savior! Prayer: Jesus, glorified on the Mount of Transfiguration as the eternal Son of God, you went on to deeply humble yourself as my Savior on Calvary's mountain and die to take away the punishment for my sins. Lead me to always honor you as my Lord God and love you as my only Savior. Amen. Daily Devotions is brought to you by WELS. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. All Scripture quotations, unless otherwise indicated, are taken from the Holy Bible, New International Version®, NIV®. Copyright ©1973, 1978, 1984, 2011 by Biblica, Inc. ™ Used by permission of Zondervan. All rights reserved worldwide.

 December 25, 1996: Six-year-old beauty queen JonBenét Ramsey was killed in her Boulder, Colorado home while her family slept. December 26: Patsy Ramsey found a bizarre three-page ransom note demanding exactly $118,000 - her husband's Christmas bonus. Police arrived at 5:55 AM but didn't search the basement. Seven hours later, John Ramsey found his daughter's body in the wine cellar - strangled with a garrote, skull fractured. The crime scene was destroyed. The investigation botched from minute one. Twenty-nine years later, no arrest.Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!Subscribe now for exclusive shows like 'Palace Intrigue,' and get bonus content from Deep Crown (our exclusive Palace Insider!) Or get 'Daily Comedy News,' and '5 Good News Stories' with no commercials! Plans start at $4.99 per month, or save 20% with a yearly plan at $49.99. Join today and help support the show!We now have Merch!  FREE SHIPPING! Check out all the products like T-shirts, mugs, bags, jackets and more with logos and slogans from your favorite shows! Did we mention there's free shipping? Get 10% off with code NewMerch10 Go to Caloroga.comGet more info from Caloroga Shark Media and if you have any comments, suggestions, or just want to get in touch our email is info@caloroga.com

An airhacks.fm conversation with Francesco Nigro (@forked_franz) about: break dancing and basketball including meeting Kobe Bryant in Italy during a dunk competition, using AI coding assistants like Claude Opus 4.5 and GitHub bots for infrastructure setup and CI/CD pipeline configuration, limitations of LLMs for novel performance-sensitive algorithmic work where training data is scarce, branchless IPv4 parsing optimization as a Christmas coding challenge, CPU branch misprediction costs when parsing variable-length IP address octets, converting branching logic into mathematical operations using bit tricks for better CPU pipeline utilization, LLMs excelling at generating enterprise code based on well-documented standards and conventions, providing minimal but precise documentation and annotations to improve LLM code generation quality, the Boundary Control Entity BCE architecture pattern and standards-based development, the core problem of thread handoff between event loops and ForkJoinPool worker threads in frameworks like quarkus Vert.x and Micronaut, mechanical sympathy implications of cross-core memory access when serialized data is allocated on one core and read by another, CPU cache coherency costs and last-level cache penalties when event loop and worker pool run on different cores, the custom virtual thread scheduler project (netty-virtual-thread-scheduler) enabling a single platform thread to handle both networking I/O and virtual thread execution, approximately 50% CPU savings demonstrated by Micronaut when using unified Netty-based scheduling, collaboration with Oracle Loom team including Victor Klang and Alan Bateman on minimal scheduler API design, the scheduler API consisting of just two methods onStart and onContinue plus virtual thread task attachments, work stealing algorithms and their complexity including heuristics similar to Linux CFS scheduler, the importance of being declarative about thread affinity rather than automatic magical binding to avoid issues with lazy class loading and background reaper threads, thread factory based approach for creating virtual threads bound to specific platform threads, stream-based run queues with graceful shutdown semantics that fall back to ForkJoinPool for progress guarantees, thread-local Scoped Values as a hybrid between thread locals and scoped values for efficient context propagation, performance problems with ThreadLocal including lazy ThreadLocalMap allocation overhead on virtual threads and scalability issues with ThreadLocal.remove() and soft reference queues, the impact on reactive programming where back pressure and stream composition still require higher-level abstractions beyond Basic Java concurrency primitives, structured concurrency limitations for back pressure scenarios compared to reactive libraries, deterministic testing possibilities enabled by custom schedulers where execution order can be controlled, the poller mechanism for handling blocking I/O in virtual threads in a non-blocking way, observability improvements possible through virtual thread task attachments for monitoring state changes, cloud cost implications of inefficient thread scheduling and unnecessary CPU wake-up cycles, the distinction between framework developers and application developers as different user personas with different abstraction needs Francesco Nigro on twitter: @forked_franz

Husbands and cookies are exchanged, to add holiday cheer.Based on a post by SandyMarl, in 4 parts. Listen to the ► Podcast at Steamy Stories.The Chix Annual Christmas Cookie ExchangeMcNally topped off each of the four glasses, then tipped the bottle to her lips to make sure she’d drained the last sweet drop of Gewürztraminer. McNally smacked her lips before inserting her tongue into the brown wine bottle’s narrow orifice. “Umm, a sweet little rim job before I recycle this dead soldier,” she announced to a kitchen packed with a few of her long-time friends. “This dark guy is so sweet, I just love him,” she said as she continued her fellatio pantomime by wrapping her lips around the narrow neck as she encircled her fingers and made a couple of strokes up and down the bottle like she was finishing a masterful blow job.Her friends watched her risqué display and giggled, except for Patricia. Patricia picked through the array of Christmas cookie cutter shapes laid out at the edge of the counter, dropping her eyes as she scolded, “McNally, you should be more thoughtful of Dana. Your tipsy little joke is in poor taste in front of our hostess, especially at this time of year.” Patricia meant it as a sobering rebuke, as if any of the girls present needed to be reminded of Dana’s recently widowed status, especially around Christmas.McNally pulled the wine bottle’s phallic dimensions from her lips, setting it down and turning to Dana, “Oh crap, I’m sorry. You know I had no intention of opening painful memories; I was only trying to lift the holiday spirits with a little bawdy humor… I was just thinking…”Dana turned to McNally, “I know. I know you McNally – boy do I know you. You’re always thinking we Chix should loosen up our inhibitions and take a walk on the steamier side of life; and boy are you always ready with a risqué joke, a steamy story or a naughty pun.”Dana broke into a smile, and then spoke to her closest friends, “Hey Chix, you guys are so great! You’re the only reason I’m able to get through this time of year. Without y'all, I’d be nothing but a blubbering mess this Christmas. Facing the painful first anniversary of Sander’s passing is really hard. It’d be unbearable if I had to go through it alone. The support of my Chix means everything to me right now.”Dana forced a cheery voice and continued speaking after dusting the flour off her hands. “I insisted y'all come into my kitchen this year and fill it with holiday cheer, so it’d be like the good times we had before. I want everyone to make a big sugary mess for me to clean up and keep me busy. Our annual Chix Christmas cookie exchange is our tradition; it’s now more meaningful to me than ever. I’m dreading the holidays…” Dana paused to collect her emotions before continuing, “… as the holiday season approaches, I fear being all alone, left to deal with the memory of Sander’s skiing accident by myself. I need my Chix more than ever right now. I need something to keep my mind from dwelling on the anniversary of the accident.”Dana gave a congenial but forced looking smile to the women in her kitchen. “McNally, you go right on giving your Gewurztraminer boyfriend’s long, brown glass cock a good sucking, it’s fine with me and the rest of these kitchen voyeurs. Keep it up, all of you, be merry and I’ll find a way to get by.”Annie wiped a tear off her cheek as she stepped to Dana, wrapping her arms and her baggy, ugly Christmas sweater around Dana, managing to get cookie dough crumbs in Dana’s hair in the process. Annie hugged Dana tight, embracing her in a prolonged hold to convey her sympathy and shared grief at the loss of Dana’s husband last year. Annie teared up again as she remembered gathering with McNally and Patricia to take down the tree and put away all the festive Christmas decorations in Dana’s house as Dana planned Sander’s funeral.It was all so sad, so hard to deal with. Annie admired McNally’s flair to disregard the implicit sadness hanging over their annual Chix Christmas cookie exchange; but didn’t want to get between McNally and Patricia as they scuffled over the proper decorum in Dana’s kitchen under the circumstances.Annie let go and pulled away from her embrace, and as she did, she gasped, “Oh Dana, I’m sorry. Look what I’ve done, my dirty apron made a mess on your top. I’m sorry.”Dana laughed, “I should’ve expected this would happen, wearing black when I’m in the middle of a hen party with flour flying all over my kitchen. I thought I’d feel and look slimmer wearing black, a self-deluding effect to counteract my debauched cookie sampling today. I might as well just drop these little Santa cookies down my pants and let ‘em stick right there on my hips,” smacking her hands on her ass for emphasis.Annie, trying to make up for the accidental flour dusting, began to brush her fingers across Dana’s boobs, fussing and worrying she’d ruined Dana’s pullover. Dana laughed it off, “Annie, stop fretting, it’ll wash out, no problem. Relax. Let’s all have a good time making a mess as we bake and decorate our cookies. There’s something festive about a busy and messy kitchen. I just love it.”McNally watched from the other side of the counter as Annie dabbed and wiped the front of Dana’s chest, “I know what you’re getting for Christmas - one of those cordless hand vacuums; they market it as a bust duster.” Everyone cracked up at McNally’s pun, even Patricia.The timer went off; Patricia stepped to the oven to check on the first batch of cookies. She pulled out the cookie sheet and put it on the cooling rack.“Those look perfect,” Annie announced.“They’re not perfect until they’re decorated,” responded Dana. “They’re just plain-Jane naked right now. It’s our job to get them all dressed up in their Christmas fancy-pants.”“Oh, Patricia, can you grab the box of sprinkles and glittery decorating doo-dahs from the cupboard next to the oven?” asked Dana. Patricia set the full box of decorating doo-dahs on the kitchen table.McNally burst into song, “Doo-dah, doo-dah, Camptown ladies sing this song, all the doo-dah day!” McNally’s three friends joined in a final chorus, “Doo-dah, doo-dah, all the doo-dah day!”“Now things are starting to sound festive,” declared Dana as she mixed bowls of red and green frosting. “McNally, there’s a bottle of Riesling in the garage fridge – I know I don’t have to ask twice to get you to bring that one in and pour another round.”Annie said, “This is sounding and feeling like old times; like back in the beginning when we worked at Dix Chix. Who remembers which of us four started waitressing first at Dix?”“Wasn’t me,” was McNally’s contribution from the hallway, “I’m the youngest of the Chix.”“It could’ve been you; you’ve always had a reputation for starting early McNally,” was Patricia’s retort.McNally laughed at the ribbing. “I seem to recall that Annie got hired a few days ahead of me.”“So, when did we become collectively known as 'The Chix?’” was Dana’s follow up question.Annie answered, “It was Patricia. She advertised to all the boys that there were some interesting Chix to be found in the backroom of Dix Chix Family Restaurant after closing. If a boy had the right stuff, he could find his way into the place and get a few drinks, no ID required.”“That may be true, but I got the idea from that new girl,” said Patricia in a defensive tone. “The new girl suggested it was a crying shame that us four Chix had to close up on Friday and Saturday nights without having any cocks around to make it fun,” was Patricia’s recollection. “Being the studious college girl, Mrs. Dix trusted me with the keys and the liquor inventory.”“And who might have been the corrupting 'new girl’ who put that idea of letting some cocks into the back room with those chicks?” asked Dana with a smirk.“I hear she’s still tending bar somewhere, perhaps more corrupting than ever,” Patricia offered in an offhand guess.McNally, a seasoned barmaid, filled the wine glasses scattered around the kitchen, “I just thought it was false advertising to have a big neon sign that flashed Dix Chix, yet only the Chix half of the attraction was available. I merely suggested to the old timer running the show that if we were working to close the place on Friday and Saturday nights, we owed it to ourselves to have a crew of Dix to go with the Chix. Like the sign said.”Annie asked, “Patricia, I’ve always wondered, how did you choose which boys got an after-hours invitation to the backroom?”“I delegate,” was Patricia’s reply. “That’s why I’m management material. I consulted a trusted source.”McNally gave a curtsey acknowledging her role, and then filled in the story line, “Guys are pretty simple. I’d give the cute ones a line; 'Winner, winner, chicken dinner - Would you prefer a breast or a thigh?’ I then slipped 'em an offer, 'Come on by Dix Chix late some night this weekend for a chicken tender special – tell 'em McNally sent you.’” The three ladies exploded into hearty whoops at McNally’s explanation.Dana took a sip out of her glass, thinking for a moment, “McNally are you responsible then for introducing each of us to our future husbands? I’d never thought of it like that.”“Ultimately the Chix chooses the Dix. At least, that’s how I’d look at it. In collusion with Patricia, I merely helped sow some wild oats in that Dix Chix backroom. But I only sowed the seeds. It was the others who reaped the harvest. I must admit, I did have to run a lot of lame-cock also-rans through that backroom before some of them ended up sticking around for a while.”“Well, however you did it, Sander and I hit it off - after Patricia passed on him and I scooped him up, as I seem to recall. I guess I never thanked you for your fine work.” Dana raised her glass in a salute to McNally.“I’m happy it worked for you Dana,” said Patricia, “I had my eye out for one of those solid, basic models, a kind of nerdy, engineering type. My philosophy was that those low-key kinds of guys wear well. I seem to recall McNally telling me that she didn’t usually fish in those kinds of nerdy-fish ponds, but she promised she’d expand her repertoire to see if she could toss such a specimen my way.”“I remember when Will showed up at the backroom, he looked a little dazed and confused. McNally had to act fast to ease Will into the situation and then gently hand him off to Patricia,” recalled Annie. “So, how’d McNally’s low-key, nerdish fish land in your lap then Patricia?”Patricia made a wistful smile as she rolled out a sheet of dough, “I guess I got what I wanted. Though, I’ve wondered some days if I should have dropped my line into a different pond. There’ve been some days when I wonder what life would’ve been like with a spicier, adventurous man… but that’s normal, right? Don’t we all have some days where we wish things were different?”Annie, Dana and McNally were quick to assure Patricia that they all had their moments when they had a twinge of doubt about their choices in husbands. “Yeah, that’s pretty normal I think,” added Annie.Annie went back to the mixing bowl where she was making rounded, nut-filled Mexican Wedding Cake cookies and dusting them with flour. “Nelson has always been supportive of me, I have to think that our marriage is better than some that I know of, but over the years some of the spark has dimmed. Maybe it’s me, but honestly, if he wanted more sex, I’d consider letting the ol’ boy find a fling with another woman, as long as she agreed to clean my house in exchange for Nelson’s services.”Dana gave up a small squeak, “Serious?”“Oh, just a quirky idea. It’s not like we’d be on the brink of a divorce, we’re perfectly compatible. It would merely be a convenient arrangement, Nelson the ol’ goat, would get more action and stop pestering me and I’d get a clean house and more time. I think it’d be a fair exchange.” Annie shrugged as she spooned out a lump of dough and patted it into a little ball.Dana sighed, “Oh Annie. Annie, you should enjoy the little things from Nelson. You know what I miss most from Sander? It’s little things like tangling our feet together in bed, I really miss the feeling of when Sander would reach across the bed and pull me over close to him. It didn’t have to be sex, sometimes it was so good just to have him spoon into my backside and reach over to caress my breasts.” Dana took a deep breath, “I’m just here to remind The Chix, like they say, 'You don’t know what you got 'til it’s gone.’”Annie’s eyes moistened again, “I’m sorry Dana, I didn’t mean to make you feel bad. I’m so sorry.”“They’re good memories Annie, I don’t feel bad. Just sad at Christmas now. Get back to making cookies and a mess; it’s the only thing that’ll save me, girl.”Patricia began pressing the cookie cutter into her sheet of dough while pressing this girl-talk topic a little further, “McNally, I’m kind of surprised you and Orlando have made it work so well all of these years. It has always seemed to me that you two traveled in different orbits.”McNally laughed as she put down her half-empty wine glass, concentrating on mixing up some chocolate frosting. “It’s a beautiful cosmic dance between me and Orlando. We’re a pair of heavenly bodies sharing our orbits when the gravitational attraction pulls us close. Otherwise, we each have our own interests as y'all know perfectly well. Orlando has his poetry, music and writing projects. I love lending my graphic and artistic vision to Orlando’s projects when it fits. When we collaborate, we make beautiful art. When we’re not collaborating on something, that’s when I fill my orbit with my animals and other pets.”Patricia raised an eyebrow, “Do you care for your 'pets’ as much as you do your animals?”“Me and my pets share a sensual bond and an understanding. I will never abandon one of my animals. But my pets come and then my pets go, every pet in his own season. I enjoy a wide orbit in this life Patricia.”McNally took another sip, becoming introspective, “Hey you know what? I’d have to say that The Chix is my longest held orbit. It’s so good to have you gals around for me for all of these years.” McNally raised her glass in a toast, “To The Chix. To the long and strong bond of three great gals who have kept me in their orbit as the rest of this crazy world spins out of control. Merry fucking Christmas, to one and to all!” McNally gave a swift motion with her hand, directing her three friends to join her in her toast.Everyone stepped to McNally’s end of the counter, touching their glasses, creating a resounding chime as the glassware clinked. “Here! Here!” said Dana, “Let’s make this a Merry fucking Christmas for one and for all!”“I’ll drink to that,” offered McNally.“Of course, you will,” noted Patricia.Annie gave her signature tipsy laugh, “I’ll drink to that Patricia!” and took a gulp.“May I join you?” asked McNally.Dana laughed, “Wait for me! I’ll drink to that too!”McNally turned and walked away from the circled Chix. “Where are you off to McNally?”“Time for the Pinot Noir - any arguments?”“Yeah. What about the Pinot Grigio?” asked Dana in a mock argumentative voice.“No blow back from me. I’ll get both.” With that McNally disappeared into the garage.The cookie production line clicked into gear as The Chix rolled out a pile of baked cookie shapes and an assortment of buttery spritz cookies, chocolate drops, nut bars to go with the gooey lemon bars and shortbread. “My favorite thing in this whole kitchen, other than maybe the wine, is doing the detailed decorations with colored frosting and sprinkles,” announced Dana.“Here you go then Dana,” said Patricia as she set two hot cookie sheets on the cooling racks, “you’ve got your work cut out for you with all of these shapes.” Patricia brandished a pair of cookie cutters, “You have me to thank for 'cutting your work out for you’; you’ve got Mr. and Mrs. Claus, Christmas trees, wreathes, ornaments, stockings, snowmen, reindeer and candy canes galore.”“'Work cut out for you’, I see what you did there,” observed Annie. “You’ve been hanging around McNally too much.”McNally grabbed a couple of the round Mexican Wedding Cakes from Annie’s station and then a candy cane shaped cookie off the pile of undecorated cookies.“What are you working on McNally?” was Dana’s question.“I’ve been inspired by Annie’s earlier comments and her idea of exchanging Nelson’s candy cane for housework.”Annie chortled, “What? Something creative for me? My, my, what could it be McNally?”“Avert your eyes; I’m making you a little surprise.” Annie laughed and pretended to look away, but she and the others watched to see what culinary form McNally’s inspiration took. McNally coated both sides of the candy cane in pink frosting and then covered the straight end of the candy cane with a thin white glaze. She grabbed two pecan halves from the bowl, placing them on top of the round Mexican Wedding Cakes and then wedged the decorated pink candy cane between the two, projecting upward. McNally handed the 3D cookie sculpture to Annie on a small paper plate. “Here you go girl, a little something sweet to enjoy stuffing into your stocking while Nelson is out with your domestic help.”The Chix all laughed, applauding McNally’s skill at coming up with a naughty little cookie. “See, he comes with a pair of real nuts, and I’ve given his sweet candy cane a condom coating of sugar glaze. And if you’ve been feeling pressure to put out Annie, be assured that he only wants to cum in your chimney once a year.”Annie was laughing pretty hard, “You’re so thoughtful McNally. But I’ve been a good girl all year; I think I deserve to get a bigger candy cane.”“Ho, ho, ho,” chuckled McNally, “What you’re asking for is reserved for the naughty girls on m

Husbands and cookies are exchanged, to add holiday cheer.Based on a post by SandyMarl, in 4 parts. Listen to the ► Podcast at Steamy Stories.The Chix Annual Christmas Cookie ExchangeMcNally topped off each of the four glasses, then tipped the bottle to her lips to make sure she’d drained the last sweet drop of Gewürztraminer. McNally smacked her lips before inserting her tongue into the brown wine bottle’s narrow orifice. “Umm, a sweet little rim job before I recycle this dead soldier,” she announced to a kitchen packed with a few of her long-time friends. “This dark guy is so sweet, I just love him,” she said as she continued her fellatio pantomime by wrapping her lips around the narrow neck as she encircled her fingers and made a couple of strokes up and down the bottle like she was finishing a masterful blow job.Her friends watched her risqué display and giggled, except for Patricia. Patricia picked through the array of Christmas cookie cutter shapes laid out at the edge of the counter, dropping her eyes as she scolded, “McNally, you should be more thoughtful of Dana. Your tipsy little joke is in poor taste in front of our hostess, especially at this time of year.” Patricia meant it as a sobering rebuke, as if any of the girls present needed to be reminded of Dana’s recently widowed status, especially around Christmas.McNally pulled the wine bottle’s phallic dimensions from her lips, setting it down and turning to Dana, “Oh crap, I’m sorry. You know I had no intention of opening painful memories; I was only trying to lift the holiday spirits with a little bawdy humor… I was just thinking…”Dana turned to McNally, “I know. I know you McNally – boy do I know you. You’re always thinking we Chix should loosen up our inhibitions and take a walk on the steamier side of life; and boy are you always ready with a risqué joke, a steamy story or a naughty pun.”Dana broke into a smile, and then spoke to her closest friends, “Hey Chix, you guys are so great! You’re the only reason I’m able to get through this time of year. Without y'all, I’d be nothing but a blubbering mess this Christmas. Facing the painful first anniversary of Sander’s passing is really hard. It’d be unbearable if I had to go through it alone. The support of my Chix means everything to me right now.”Dana forced a cheery voice and continued speaking after dusting the flour off her hands. “I insisted y'all come into my kitchen this year and fill it with holiday cheer, so it’d be like the good times we had before. I want everyone to make a big sugary mess for me to clean up and keep me busy. Our annual Chix Christmas cookie exchange is our tradition; it’s now more meaningful to me than ever. I’m dreading the holidays…” Dana paused to collect her emotions before continuing, “… as the holiday season approaches, I fear being all alone, left to deal with the memory of Sander’s skiing accident by myself. I need my Chix more than ever right now. I need something to keep my mind from dwelling on the anniversary of the accident.”Dana gave a congenial but forced looking smile to the women in her kitchen. “McNally, you go right on giving your Gewurztraminer boyfriend’s long, brown glass cock a good sucking, it’s fine with me and the rest of these kitchen voyeurs. Keep it up, all of you, be merry and I’ll find a way to get by.”Annie wiped a tear off her cheek as she stepped to Dana, wrapping her arms and her baggy, ugly Christmas sweater around Dana, managing to get cookie dough crumbs in Dana’s hair in the process. Annie hugged Dana tight, embracing her in a prolonged hold to convey her sympathy and shared grief at the loss of Dana’s husband last year. Annie teared up again as she remembered gathering with McNally and Patricia to take down the tree and put away all the festive Christmas decorations in Dana’s house as Dana planned Sander’s funeral.It was all so sad, so hard to deal with. Annie admired McNally’s flair to disregard the implicit sadness hanging over their annual Chix Christmas cookie exchange; but didn’t want to get between McNally and Patricia as they scuffled over the proper decorum in Dana’s kitchen under the circumstances.Annie let go and pulled away from her embrace, and as she did, she gasped, “Oh Dana, I’m sorry. Look what I’ve done, my dirty apron made a mess on your top. I’m sorry.”Dana laughed, “I should’ve expected this would happen, wearing black when I’m in the middle of a hen party with flour flying all over my kitchen. I thought I’d feel and look slimmer wearing black, a self-deluding effect to counteract my debauched cookie sampling today. I might as well just drop these little Santa cookies down my pants and let ‘em stick right there on my hips,” smacking her hands on her ass for emphasis.Annie, trying to make up for the accidental flour dusting, began to brush her fingers across Dana’s boobs, fussing and worrying she’d ruined Dana’s pullover. Dana laughed it off, “Annie, stop fretting, it’ll wash out, no problem. Relax. Let’s all have a good time making a mess as we bake and decorate our cookies. There’s something festive about a busy and messy kitchen. I just love it.”McNally watched from the other side of the counter as Annie dabbed and wiped the front of Dana’s chest, “I know what you’re getting for Christmas - one of those cordless hand vacuums; they market it as a bust duster.” Everyone cracked up at McNally’s pun, even Patricia.The timer went off; Patricia stepped to the oven to check on the first batch of cookies. She pulled out the cookie sheet and put it on the cooling rack.“Those look perfect,” Annie announced.“They’re not perfect until they’re decorated,” responded Dana. “They’re just plain-Jane naked right now. It’s our job to get them all dressed up in their Christmas fancy-pants.”“Oh, Patricia, can you grab the box of sprinkles and glittery decorating doo-dahs from the cupboard next to the oven?” asked Dana. Patricia set the full box of decorating doo-dahs on the kitchen table.McNally burst into song, “Doo-dah, doo-dah, Camptown ladies sing this song, all the doo-dah day!” McNally’s three friends joined in a final chorus, “Doo-dah, doo-dah, all the doo-dah day!”“Now things are starting to sound festive,” declared Dana as she mixed bowls of red and green frosting. “McNally, there’s a bottle of Riesling in the garage fridge – I know I don’t have to ask twice to get you to bring that one in and pour another round.”Annie said, “This is sounding and feeling like old times; like back in the beginning when we worked at Dix Chix. Who remembers which of us four started waitressing first at Dix?”“Wasn’t me,” was McNally’s contribution from the hallway, “I’m the youngest of the Chix.”“It could’ve been you; you’ve always had a reputation for starting early McNally,” was Patricia’s retort.McNally laughed at the ribbing. “I seem to recall that Annie got hired a few days ahead of me.”“So, when did we become collectively known as 'The Chix?’” was Dana’s follow up question.Annie answered, “It was Patricia. She advertised to all the boys that there were some interesting Chix to be found in the backroom of Dix Chix Family Restaurant after closing. If a boy had the right stuff, he could find his way into the place and get a few drinks, no ID required.”“That may be true, but I got the idea from that new girl,” said Patricia in a defensive tone. “The new girl suggested it was a crying shame that us four Chix had to close up on Friday and Saturday nights without having any cocks around to make it fun,” was Patricia’s recollection. “Being the studious college girl, Mrs. Dix trusted me with the keys and the liquor inventory.”“And who might have been the corrupting 'new girl’ who put that idea of letting some cocks into the back room with those chicks?” asked Dana with a smirk.“I hear she’s still tending bar somewhere, perhaps more corrupting than ever,” Patricia offered in an offhand guess.McNally, a seasoned barmaid, filled the wine glasses scattered around the kitchen, “I just thought it was false advertising to have a big neon sign that flashed Dix Chix, yet only the Chix half of the attraction was available. I merely suggested to the old timer running the show that if we were working to close the place on Friday and Saturday nights, we owed it to ourselves to have a crew of Dix to go with the Chix. Like the sign said.”Annie asked, “Patricia, I’ve always wondered, how did you choose which boys got an after-hours invitation to the backroom?”“I delegate,” was Patricia’s reply. “That’s why I’m management material. I consulted a trusted source.”McNally gave a curtsey acknowledging her role, and then filled in the story line, “Guys are pretty simple. I’d give the cute ones a line; 'Winner, winner, chicken dinner - Would you prefer a breast or a thigh?’ I then slipped 'em an offer, 'Come on by Dix Chix late some night this weekend for a chicken tender special – tell 'em McNally sent you.’” The three ladies exploded into hearty whoops at McNally’s explanation.Dana took a sip out of her glass, thinking for a moment, “McNally are you responsible then for introducing each of us to our future husbands? I’d never thought of it like that.”“Ultimately the Chix chooses the Dix. At least, that’s how I’d look at it. In collusion with Patricia, I merely helped sow some wild oats in that Dix Chix backroom. But I only sowed the seeds. It was the others who reaped the harvest. I must admit, I did have to run a lot of lame-cock also-rans through that backroom before some of them ended up sticking around for a while.”“Well, however you did it, Sander and I hit it off - after Patricia passed on him and I scooped him up, as I seem to recall. I guess I never thanked you for your fine work.” Dana raised her glass in a salute to McNally.“I’m happy it worked for you Dana,” said Patricia, “I had my eye out for one of those solid, basic models, a kind of nerdy, engineering type. My philosophy was that those low-key kinds of guys wear well. I seem to recall McNally telling me that she didn’t usually fish in those kinds of nerdy-fish ponds, but she promised she’d expand her repertoire to see if she could toss such a specimen my way.”“I remember when Will showed up at the backroom, he looked a little dazed and confused. McNally had to act fast to ease Will into the situation and then gently hand him off to Patricia,” recalled Annie. “So, how’d McNally’s low-key, nerdish fish land in your lap then Patricia?”Patricia made a wistful smile as she rolled out a sheet of dough, “I guess I got what I wanted. Though, I’ve wondered some days if I should have dropped my line into a different pond. There’ve been some days when I wonder what life would’ve been like with a spicier, adventurous man… but that’s normal, right? Don’t we all have some days where we wish things were different?”Annie, Dana and McNally were quick to assure Patricia that they all had their moments when they had a twinge of doubt about their choices in husbands. “Yeah, that’s pretty normal I think,” added Annie.Annie went back to the mixing bowl where she was making rounded, nut-filled Mexican Wedding Cake cookies and dusting them with flour. “Nelson has always been supportive of me, I have to think that our marriage is better than some that I know of, but over the years some of the spark has dimmed. Maybe it’s me, but honestly, if he wanted more sex, I’d consider letting the ol’ boy find a fling with another woman, as long as she agreed to clean my house in exchange for Nelson’s services.”Dana gave up a small squeak, “Serious?”“Oh, just a quirky idea. It’s not like we’d be on the brink of a divorce, we’re perfectly compatible. It would merely be a convenient arrangement, Nelson the ol’ goat, would get more action and stop pestering me and I’d get a clean house and more time. I think it’d be a fair exchange.” Annie shrugged as she spooned out a lump of dough and patted it into a little ball.Dana sighed, “Oh Annie. Annie, you should enjoy the little things from Nelson. You know what I miss most from Sander? It’s little things like tangling our feet together in bed, I really miss the feeling of when Sander would reach across the bed and pull me over close to him. It didn’t have to be sex, sometimes it was so good just to have him spoon into my backside and reach over to caress my breasts.” Dana took a deep breath, “I’m just here to remind The Chix, like they say, 'You don’t know what you got 'til it’s gone.’”Annie’s eyes moistened again, “I’m sorry Dana, I didn’t mean to make you feel bad. I’m so sorry.”“They’re good memories Annie, I don’t feel bad. Just sad at Christmas now. Get back to making cookies and a mess; it’s the only thing that’ll save me, girl.”Patricia began pressing the cookie cutter into her sheet of dough while pressing this girl-talk topic a little further, “McNally, I’m kind of surprised you and Orlando have made it work so well all of these years. It has always seemed to me that you two traveled in different orbits.”McNally laughed as she put down her half-empty wine glass, concentrating on mixing up some chocolate frosting. “It’s a beautiful cosmic dance between me and Orlando. We’re a pair of heavenly bodies sharing our orbits when the gravitational attraction pulls us close. Otherwise, we each have our own interests as y'all know perfectly well. Orlando has his poetry, music and writing projects. I love lending my graphic and artistic vision to Orlando’s projects when it fits. When we collaborate, we make beautiful art. When we’re not collaborating on something, that’s when I fill my orbit with my animals and other pets.”Patricia raised an eyebrow, “Do you care for your 'pets’ as much as you do your animals?”“Me and my pets share a sensual bond and an understanding. I will never abandon one of my animals. But my pets come and then my pets go, every pet in his own season. I enjoy a wide orbit in this life Patricia.”McNally took another sip, becoming introspective, “Hey you know what? I’d have to say that The Chix is my longest held orbit. It’s so good to have you gals around for me for all of these years.” McNally raised her glass in a toast, “To The Chix. To the long and strong bond of three great gals who have kept me in their orbit as the rest of this crazy world spins out of control. Merry fucking Christmas, to one and to all!” McNally gave a swift motion with her hand, directing her three friends to join her in her toast.Everyone stepped to McNally’s end of the counter, touching their glasses, creating a resounding chime as the glassware clinked. “Here! Here!” said Dana, “Let’s make this a Merry fucking Christmas for one and for all!”“I’ll drink to that,” offered McNally.“Of course, you will,” noted Patricia.Annie gave her signature tipsy laugh, “I’ll drink to that Patricia!” and took a gulp.“May I join you?” asked McNally.Dana laughed, “Wait for me! I’ll drink to that too!”McNally turned and walked away from the circled Chix. “Where are you off to McNally?”“Time for the Pinot Noir - any arguments?”“Yeah. What about the Pinot Grigio?” asked Dana in a mock argumentative voice.“No blow back from me. I’ll get both.” With that McNally disappeared into the garage.The cookie production line clicked into gear as The Chix rolled out a pile of baked cookie shapes and an assortment of buttery spritz cookies, chocolate drops, nut bars to go with the gooey lemon bars and shortbread. “My favorite thing in this whole kitchen, other than maybe the wine, is doing the detailed decorations with colored frosting and sprinkles,” announced Dana.“Here you go then Dana,” said Patricia as she set two hot cookie sheets on the cooling racks, “you’ve got your work cut out for you with all of these shapes.” Patricia brandished a pair of cookie cutters, “You have me to thank for 'cutting your work out for you’; you’ve got Mr. and Mrs. Claus, Christmas trees, wreathes, ornaments, stockings, snowmen, reindeer and candy canes galore.”“'Work cut out for you’, I see what you did there,” observed Annie. “You’ve been hanging around McNally too much.”McNally grabbed a couple of the round Mexican Wedding Cakes from Annie’s station and then a candy cane shaped cookie off the pile of undecorated cookies.“What are you working on McNally?” was Dana’s question.“I’ve been inspired by Annie’s earlier comments and her idea of exchanging Nelson’s candy cane for housework.”Annie chortled, “What? Something creative for me? My, my, what could it be McNally?”“Avert your eyes; I’m making you a little surprise.” Annie laughed and pretended to look away, but she and the others watched to see what culinary form McNally’s inspiration took. McNally coated both sides of the candy cane in pink frosting and then covered the straight end of the candy cane with a thin white glaze. She grabbed two pecan halves from the bowl, placing them on top of the round Mexican Wedding Cakes and then wedged the decorated pink candy cane between the two, projecting upward. McNally handed the 3D cookie sculpture to Annie on a small paper plate. “Here you go girl, a little something sweet to enjoy stuffing into your stocking while Nelson is out with your domestic help.”The Chix all laughed, applauding McNally’s skill at coming up with a naughty little cookie. “See, he comes with a pair of real nuts, and I’ve given his sweet candy cane a condom coating of sugar glaze. And if you’ve been feeling pressure to put out Annie, be assured that he only wants to cum in your chimney once a year.”Annie was laughing pretty hard, “You’re so thoughtful McNally. But I’ve been a good girl all year; I think I deserve to get a bigger candy cane.”“Ho, ho, ho,” chuckled McNally, “What you’re asking for is reserved for the naughty girls on m

At Conan O'Brien's Christmas party, Rob Reiner reportedly told friends he was afraid his son could hurt him. He and Michele drove home anyway. By morning, both were dead, and Nick Reiner was in custody. This case isn't about whether the signs were visible. It's about why they weren't enough.The Reiners spent fifteen years and millions trying to save Nick from addiction. Eighteen rehab stays. Sixty thousand dollars monthly. Professional interventionists. Addiction counselors who explicitly warned them: your son is manipulating you. For years, Rob and Michele followed protocol. Then they reversed everything. By 2015, both publicly apologized for trusting professionals over Nick. They adopted his framework — that the treatment system, not their son, was the problem.What followed was a systematic dismantling of every protective boundary. A schizophrenia diagnosis. Seventy thousand monthly in psychiatric costs. Nick living in the guesthouse mere feet from their bedroom. A family orbiting one person's chaos while their own identities evaporated.This episode breaks down the mechanics of enabling that becomes fatal. The daily nervous system hijacking where you assess threat levels before breakfast. The isolation that happens so slowly you blame yourself for having no friends. The psychological reversal where your concerns become your betrayal of someone you love. Michele spoke about this openly — the moment she and Rob decided the experts were wrong about their son.This is required listening for anyone watching a family disappear into addiction management. The patterns are recognizable. The ending doesn't have to be the same.#RobReiner #NickReiner #MicheleReiner #TrueCrimeToday #AddictionCrisis #ConanOBrien #CelebrityCrime #FamilyTragedy #NarcissisticAbuse #BeingCharlieJoin Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspodInstagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodListen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872This publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.

Rob Reiner stood at Conan O'Brien's Christmas party reportedly telling friends his son could hurt him. He went home anyway. Hours later, he and Michele were dead. This episode doesn't ask why Nick Reiner allegedly killed his parents. It asks why they stayed.Eighteen rehab facilities. Sixty thousand dollars a month. Fifteen years of trying. Rob and Michele Reiner did everything addiction experts told them to do — until they stopped. When counselors warned that Nick was manipulating them, they initially complied. Then came a reversal that cost them everything. By 2015, both parents publicly apologized for trusting professionals over their son. They rebuilt reality around Nick being the victim.This is a clinical examination of how narcissistic manipulation and addiction hijack family systems. The morning threat assessments before coffee. The social isolation that happens so gradually you don't notice until everyone's gone. The psychological inversion where you raise legitimate safety concerns and end up apologizing for being unsupportive. Michele Reiner described exactly this pattern publicly. She and Rob came to believe the experts analyzing their son were the problem.We walk through the decision architecture that kept them in danger. The schizophrenia diagnosis that added another layer of complexity. Seventy thousand monthly for psychiatric care. Nick in the guesthouse a hundred feet away. A party full of people who reportedly saw what was coming while his parents saw a bad night, not a breaking point.This episode is essential for understanding how good people with unlimited resources and genuine love can be systematically disabled from protecting themselves. The manipulation mechanics are predictable. The outcomes don't have to be.#NickReiner #RobReiner #MicheleReiner #HiddenKillers #NarcissisticControl #AddictionManipulation #TrueCrimePodcast #ReinerCase #PsychologicalAbuse #FamilyAnnihilationJoin Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspodInstagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodListen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872This publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.