Soundrolling.com

In the last 365 days my youtube made more daily than the bottom 10.9% of the world population.

Making yourself accountable for your wins and losses is a key part in owning and controlling your destiny

Instagram @soundrolling and email matt@soundrolling.com

I dont have a routine for any of ky work unoess its features where ots 30 days of the same thing 6 days a week. So these are tips to get up and feel awake too!

This is all about the relationship of when and what I talk about with dorectora and forst ADs to keep getting what I need

This strategy also works for other social sites with search functions :) like twitter.

If you want to be successful quicker than speed is more important than almost anything else.

This is from my chat with Mark Weingarten about his work on House of Cards. They Used a slateless system and lots of metadata :)

This is an extract from a chat i did with Mark Weingarten who has worked on epics like Insterstellar and if he always mics actors just to be safe?

Jeff wexler and his dad had a big impacton our industry and especially Jeffs dad with championing safer hours and turnaround times in an industry that wants you to never sleep.

This is a question I got nearly a year ago from one of my live youtube hangouts on why I was feeding both audio and timecode for sync to a Camera

Directors often want to cue actors while a scene is going on and encouraging them to click and clap is much easier to edit.

This is abkut keeping my audio rushes orgnaised in a way that the editors can find relevant extras as needed and what mic is what, even if its just to triple check.

This is from a lengthy sound chat with Simon Hayes and covers a part about special large scale hollywood FX like Rain Machines and Wind when it comes to getting clean dialogue

This is from my experience doing Carnet for doing part of a feature film in Morocco and Spain last year

This is an extract about an intangible art of developing a style with your post production projects when they are so different. Like Wayne with movies like The Great Gatsby and Mad Max

This is from a few years ago with Wayne Pashley and he gives me a glimpse into the raw performance of dialogue to change and bring characters to life

This is from my sound chat with Wayne Pashley a few years ago now about his post work on the Great Gatsby with Leoardo De Caprio

Here is a little trick you can do if you need to triple check the audio level on a camera where the meters arent accurate

This showcases the various ways i treat back ups for projects and when i decide to delete them

Find more at my free course at http://learn.soundrolling.com and i cover my knowledge so far of genlock, timecode and wordclock and exploring the real meaning of SYNC

This os from a question from my live youtube hangouts and i go into deeper detail on my thoughts around having such a solid mixer as your first one

Answering in more detail the question from my recent youtube live Q+A session on what ambience do i record and is it in mono or stereo and if so which configuration

This is my thoughts on low budget narrative work vs commercial work to get into that line of work.

Hey everyone matt from soundrolling.com, today answering a question on using carpets and blankets as acoustic treatment for rooms when im on location

This is the love hate of doing both location and post prosuction sound for a project

This is usually around a dinner table and when the mic is bang on point it goes straight through me haha can you tell what it is yet? Get in touch with your worse sound and ill make a blog post about it. Instagram @soundrolling

Thisbis where I give you an overview as to where to get started in promoting yourself so yoy get more work and can help bring more value to other people

This is a question i get alot over the years and so i give my 2 cents on why it shouldn't stress you out

I answer and clarify loads of common questions about slating for different scenarios like end board to series

This is about how the different wireless companies have different codes for blocks of frequencies and also how you can translate them.

This is all about me using either pre fade or post fade and when I use them.

This is why I use both peak and VU metering when I am sound recording to give me the best representation of the level of the sound overall.

This is an overview of how Instagram TV plays into the whole Instagram ecosystem of content production and how you should get on board now before it becomes massive!

This is all about why me putting out content and helping others doesn't hurt me. Your wins are not my losses.

Latest episode of Soundrolling.com

This is from my Sound Chat with Rob Nokes about the role of car mechanics in recording sessions.

This is how Rob Nokes started SoundDogs.com back in the late 90s as the first online sound effects library of its scale.

This is how Rob Nokes goes about recording plane sound FX.

This is from my Sound Chat with Rob Nokes and about general advice for a great SFX recording session.

This is some of the mic that Rob Nokes from Sounddogs.com uses for his recording sessions from cars to animals.

This is Rob Nokes from Sounddogs.com SFX Libraries and one of his most memorable sound effects recording sessions.

This is about the right levels for recording ambiences to then be able to mix better when mastering.

This is from my Sound chat with Rob Nokes about recording cars to the extreme and sweeteners to make the cars sound even better.

This is from Rob Nokes Sound Chat about recording at racetracks when Rob was younger and other aimal sounds

This is from my with rob nokes who is a sound effects recordist and mixer. This one is about preparation for a car SFX recording session.

I asked Rob if he has ever needed to use an impulse response when he is recording in a unique location.

I chat to Rob about what he gets asked to record the most.

I speak to Rob Nokes about The Importance Of Location Scouting For SFX Recording. This is something often over looked.

This is from my sound chat with Rob Nokes about recording SFX with the Hydrophone

This is from my chat with Rob Nokes, sound effects recordist and mixer and we chat about if there is any general successful approach to recording sound effects.