1925 novel by F. Scott Fitzgerald
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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 113 of the Director Watch Podcast, the boys are joined by AwardsWatch Associate Editor Sophia Ciminello discuss the last film in their Paul Verhoeven series, Benedetta (2021). For Verhoeven's latest film, the director reteamed with his Elle collaborator David Birke, to make a religious film, as he's an expert scholar of the Jesus Seminar, even writing a book in 2007 entitled Jesus of Nazareth. Though his adaptation of his book, along with several other projects, didn't come to head, he was able to make Benedetta, a loose adaptation of Judith C. Brown's Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy, following the life of a nun (Virginie Efira) who joins the Italian convent while she was a young child and later has a forbidden love affair with another nun, while also seeing religious visions that make her seem like she has direct contact with Jesus. Wickedly hilarious, sensual, and fascinating, Benedetta is a thorny tale of the complexities of faith, as well as Verhoeven's critique of the church, an institution that he's examined for all of his life. Ryan, Jay, and Sophia break down their thoughts on the film, just how funny the film is, if it has more to say than what Verhoeven is bringing up on the surface, the dream sequences, Benedetta's struggles with temptation, Jay's love of The Great Gatsby, Sophia's story about seeing the film at the world premiere at the Cannes Film Festival, and splinters. And seeing that it is the end of the series, the boys give out their Paul Verhoeven rankings as well as preview their new director series starting new week. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 2h44m. The guys will be back next week to begin their new series on the films of Yasujirō Ozu with a review of his film, Late Spring. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).
She's had a love-hate relationship with F. Scott Fitzgerald since she was a teenager. And she's now written a wonderful new take on The Great Gatsby, reimagining the story with a cast of the Black elite in post-war Los Angeles.
This week, we're sharing an episode of a show we think you'll enjoy: “Worth It” from the Minnesota Star Tribune and Lemonada Media.We've got the inside scoop on why the Guthrie's “Cabaret” is getting rave reviews. Also, as “The Great Gatsby” turns 100, why is this novel with Minnesota roots worth another read? Plus, we'll tell you about the Culinary North Stars that are pushing the boundaries of the Twin Cities' dining scene.Read more about the Culinary North Stars, Gatsby's centennial, Gatsby remixes and the Guthrie's production of “Cabaret”.This week our guests are taste editor Nicole Hvidsten, general assignment reporter Zoë Jackson, interim books editor Chris Hewitt, theater critic Rohan Preston and digital food and culture producer Abby Sliva.To support “Worth It” and the important work of the Minnesota Star Tribune, subscribe today by visiting Startribune.com/WorthItToSubscribe.Stay up to date with the Minnesota Star Tribune at @startribune on TikTok, Bluesky, X, Facebook, and Instagram. Lemonada Media is on X, Facebook and Instagram at @LemonadaMedia.
This year marks the 100th anniversary of The Great Gatsby by F. Scott Fitzgerald, widely considered by many to be one of the greatest American novels ever written. A.O. Scott, critic at large for the New York Times book review, discusses how and why The Great Gatsby became a staple of the American literary canon. Listeners also share their thoughts on The Great Gatsby.
We both just happened to go to the movies so we're bringing you one straight from the theaterWelcome to the Movies to Watch Before You Die Podcast with Gab and Dylan!Movies To Watch Before You Die merch here - https://moviestowatchbeforeyoudie-shop.fourthwall.com/Look up the movie here - https://www.imdb.com/title/tt5950044/Find us everywhere here - https://linktr.ee/moviestowatchbeforeyoudie00:00 Welcome01:13 What's it about?07:23 Opinion Time52:57 Let's get to the facts01:05:31 Mail Time01:09:06 VerdictsWe're a member of the Hall of Pods, find links for our podcasting friends here - https://linktr.ee/hallofpodsWho are we: A former actress and video editor but more than anything we're movie fans like you.Why listen? Why not! We're gonna talk about movies you love, movies you hate, and movies you've never heard of. We can't wait to hear what you think of them too. If you want to tell us your opinion on whether or not a movie is one we should watch before we die, tell us we're wrong, or tell us you like the show send us an email or voice message at moviestowatchbeforeyoudie@gmail.com . We can't wait to hear from you and we can't wait to talk movies!Thanks to Scott Interrante for the music in our intro!Thanks to Brian Maneely for our artwork!Movies Dylan and Gab agree you should watch before you die: Vampire's Kiss, Die Hard, Tropic Thunder, Wag the Dog, The Legend of Billie Jean, You've Got Mail, True Lies, The Room, Game Night, The Truman Show, The Great Gatsby, Whiplash, The Lost Boys, The Fugitive, Spider-Man: Into the Spider-Verse, My Cousin Vinny, Shutter Island, Starship Troopers, Big, Joy Ride, The Jerk, Alien/Aliens, Best in Show, Freaky Friday, Over the Garden Wall, North, Catch Me If You Can, Clue, Jerry Maguire, Groundhog Day, The Great Mouse Detective, Chicago, Wall-E, Teenage Mutant Ninja Turtles, Breakdown, Cool Runnings, Ruthless People, Mean Girls, Borat, A League of Their Own, City Slickers, Jingle All the Way, Saw, The Lion King, Little Big League, The Naked Gun, Young Frankenstein, Tootsie, and The Changeling
Broadway, television, and film star of The Great Gatsby on Broadway, Ryan McCartan, joins host Joel Crump for another edition of "Broadway Time at Carmine's". About Ryan: Broadway credits include Fiyero in Wicked and Hans in Disney's Frozen. Off-Broadway, he originated JD in Heathers. Regionally he starred as Tony in West Side Story at Lyric Opera of Chicago. On-screen credits include Fox's “The Rocky Horror Picture Show” remake, “Liv & Maddie,” “Freakish,” “Royal Pains,” “Midnight, Texas,” “Monday Mornings,” “Last Man Standing” and “The Middle.” "Broadway Time at Carmine's" features Broadway stars over lunch in engaging conversations at the iconic Carmine's Times Square eatery. For more, visit www.BWayTime.com, and follow:
Ethan turned 30 and partied for an entire month! What a narcissist. In the latest pod, the boys talk about how they dressed for the various celebrations that Ethan celebrated this milestone birthday: dinner at a Polynesian-themed restaurant, going to Disneyland in riding boots, going black tie for an escape room (and drinks at 4100), and finally, a big Great Gatsby-themed house party. Because what could be more "Ethan" than giving yourself prompts to dress for? Ethan's Essay: https://alittlebitofrest.com/2025/08/07/my-30th-birthday-month-long-celebration/ Support us on Patreon and join the Discord: https://www.patreon.com/styleanddirection/ Follow us on Instagram! www.instagram.com/styleanddirection/ www.instagram.com/ethanmwong/ www.instagram.com/spencerdso/ www.instagram.com/awyeahmj Podcast is produced by MJ Kintanar
In F. Scott Fitzgerald's "The Great Gatsby," what color light shines from Daisy Buchanan's dock? Play. Share. Listen with FOX Weather Meteorologist Nick "The Dancing Weatherman" Kosir. Learn more about your ad choices. Visit podcastchoices.com/adchoices
"Freedom felt like summer then on the coast." What happens when we explore Taylor Swift's music through the lens of summer? In this episode, we explore how summer functions both as a setting and a symbol in Taylor's songwriting. From the cruel intensity of forbidden love to nostalgic August romances and the catastrophic blues of heartbreak, we explore how Taylor uses summer to capture everything from youthful freedom to emotional devastation. Join us as we discuss "Cruel Summer," "august," and "Hits Different" to uncover why summer hits different in Taylor's discography. Subscribe to get new episode updates: aptaylorswift.substack.com/subscribe Stay up to date at aptaylorswift.com Mentioned in this episode: The Great Gatsby, F. Scott Fitzgerald A Room with a View, E.M. Forster Harry Potter A Midsummer Night's Dream, William Shakespeare My Antonia, Willa Cather EXX: Fall Songs E31: Shakespeare Grease The Summer I Turned Pretty White Houses, Vanessa Carlton What Happened to Goodbye, Sarah Dessen A Wrinkle in Time, Madeleine L'Engle Episode Highlights: [01:12] Introduction to Summer in Literature [08:11] "Cruel Summer" Lover [17:03] "august" folklore [30:11] "Hits Different" Midnights Follow AP Taylor Swift podcast on social! TikTok → tiktok.com/@APTaylorSwift Instagram → instagram.com/APTaylorSwift YouTube → youtube.com/@APTaylorSwift Link Tree →linktr.ee/aptaylorswift Bookshop.org → bookshop.org/shop/apts Libro.fm → tinyurl.com/aptslibro Contact us at aptaylorswift@gmail.com Affiliate Codes: Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off! Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.
Your hosts are joined by Krystle Matar to disucss The Great Gatsby by F. Scott Fitzgerald. They wonder why no one talks about Gatsby being a crime lord, throw around wild F. Scott conspiracy theories, and rank the characters from least shitty to most shitty. (It's all of them. They're all the most shitty)Find more from Krystle: https://bsky.app/profile/krystlematar.bsky.socialhttps://bsky.app/profile/drippingbucket.bsky.socialhttps://www.instagram.com/krystlematar/Find us on Discord / Support us on PatreonThanks to the following musicians for the use of their songs:- Amarià for the use of “Sérénade à Notre Dame de Paris”- Josh Woodward for the use of “Electric Sunrise”Licensed under Creative Commons: By Attribution 4.0 License
Send us a textWhat if we told you that there was an ingenious retelling of Emily Bronte's Wuthering Heights set in post-war Japan that also has shades of Middlemarch and The Great Gatsby? Minae Mizumura's A True Novel, first published in 2002, checks all those boxes and more. Joining us to discuss A True Novel is Lavanya Krishnan, co-founder of the literary book subscription Boxwalla. (This episode originally aired in 2023).Discussed in this episode: A True Novel by Minae Mizumura Lavanya Krishnan, BoxwallaAlexander CheeWuthering Heights by Emily BronteThe Great Gatsby by F. Scott FitzgeraldMiddlemarch by George Eliot “Why I Write What I Write” by Minae MizumuraWriting Routines with Minae MizumuraThe Brothers Karamazov by Fyodor DostoyevskyLight and Darkness, Continued by Minae MizumuraAn I Novel from Left to Right by Minae MizumuraA Heart So White by Javier Marías Autobiography of Red by Anne CarsonThe Diary of an Invasion by Andrey KurkovTime Shelter by Georgi GospodinovSupport the showFor episodes and show notes, visit: LostLadiesofLit.comSubscribe to our substack newsletter. Follow us on instagram @lostladiesoflit. Email us: Contact — Lost Ladies of Lit Podcast
Episode 253 - The Thinklings Podcast Welcome to Episode 253 of The Thinklings Podcast! This week's episode continues the summer style series—filled with books, reflections, and a bit of campfire humor. Thinkling Stearns and Carter each share about a book they're reading, and Thinkling Little wraps things up with a devotional from Deuteronomy. Thanks for listening to this week's episode!
This year, “The Great Gatsby” turns 100.A.O. Scott, a critic at large for The New York Times Book Review, tells the story of how an overlooked book by a 28-year-old author eventually became the great American novel, and explores why all of these decades later, we still see ourselves in its pages.Guest: A.O. Scott, a critic at large for The New York Times Book Review, writing about literature and ideas.Background reading: What the hero in “The Great Gatsby” tell us about how we see ourselves.For more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. Photo: Abigail Cole/University of South Carolina Libraries Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
No, not the Angelina Jolie one, the one with the guy who played Patton.Welcome to the Movies to Watch Before You Die Podcast with Gab and Dylan!Movies To Watch Before You Die merch here - https://moviestowatchbeforeyoudie-shop.fourthwall.com/Look up the movie here - https://www.imdb.com/title/tt0095705/Find us everywhere here - https://linktr.ee/moviestowatchbeforeyoudie00:00 Welcome02:10 What's it about?13:18 Opinion Time40:33 Let's get to the facts53:53 Mail Time55:35 VerdictsWe're a member of the Hall of Pods, find links for our podcasting friends here - https://linktr.ee/hallofpodsWho are we: A former actress and video editor but more than anything we're movie fans like you.Why listen? Why not! We're gonna talk about movies you love, movies you hate, and movies you've never heard of. We can't wait to hear what you think of them too. If you want to tell us your opinion on whether or not a movie is one we should watch before we die, tell us we're wrong, or tell us you like the show send us an email or voice message at moviestowatchbeforeyoudie@gmail.com . We can't wait to hear from you and we can't wait to talk movies!Thanks to Scott Interrante for the music in our intro!Thanks to Brian Maneely for our artwork!Movies Dylan and Gab agree you should watch before you die: Vampire's Kiss, Die Hard, Tropic Thunder, Wag the Dog, The Legend of Billie Jean, You've Got Mail, True Lies, The Room, Game Night, The Truman Show, The Great Gatsby, Whiplash, The Lost Boys, The Fugitive, Spider-Man: Into the Spider-Verse, My Cousin Vinny, Shutter Island, Starship Troopers, Big, Joy Ride, The Jerk, Alien/Aliens, Best in Show, Freaky Friday, Over the Garden Wall, North, Catch Me If You Can, Clue, Jerry Maguire, Groundhog Day, The Great Mouse Detective, Chicago, Wall-E, Teenage Mutant Ninja Turtles, Breakdown, Cool Runnings, Ruthless People, Mean Girls, Borat, A League of Their Own, City Slickers, Jingle All the Way, Saw, The Lion King, Little Big League, The Naked Gun, Young Frankenstein, and Tootsie
Mickey-Jo recently sat down to chat with Jamie Muscato, the West End leading man currently starring as Jay Gatsby in THE GREAT GATSBY at the London Coliseum.The actor has previously wowed audiences in Natasha, Pierre & The Great Comet of 1812 (for which he was nominated for an Olivier Award), Moulin Rouge, and the original West End cast of Heathers.They talked about wearing three piece suits in a heatwave, the roles he'd love to revisit as well as the one he isn't ready to play yet...About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
In June of 1922, the twenty-five-year-old wunderkind F. Scott Fitzgerald published "The Diamond as Big as the Ritz," an incredible story of fabulously wealthy people living a secret life in remote Montana. Later that month, he began composing his most famous work, The Great Gatsby. In this episode, Jacke and Mike read and discuss this early Fitzgerald story. PLUS Jacke kicks off a new series, 25 for 25, which looks at the 25 Greatest Books of All Time, with a discussion of #25, The Grapes of Wrath by John Steinbeck. Special Announcement: The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with John Shors Travel. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website historyofliterature.com. Or visit the History of Literature Podcast Tour itinerary at John Shors Travel. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate . The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hello, old sports! Join us and our young and beautiful guests, Janet Dale and Allison Renner, as we revisit Baz Luhrmann's The Great Gatsby (2013). Then we chat with Janet and Allison about their new collaborative chapbook, Green Light: A Gatsby Cycle. Read along for our next Bookpisode about Vanishing World by Sayaka Murata on August 5th. Then watch The Thing for our next Othersode with Paul Tremblay, author of the new novel Another, on August 19th.TOC:30 – Hello everyone! Welcome, Janet and Allison! 17:00 – How does this movie hold up?32:00 – Casting44:15 – The music48:45 – Why do people still love Gatsby?57:12– Interview with Janet and Allison!1:38:39 – What's up next?
Mariah Reives is a dancer, choreographer, and entrepreneur who is currently performing in The Great Gatsby on Broadway. Her previous credits include Funny Girl on Broadway, Cassandra on the 1st National Tour of ‘Cats' The Musical, Macy's Thanksgiving Day Parade, and The Tonight Show starring Jimmy Fallon. In today's episode, Mariah discusses her time performing on Broadway, why she stepped down as Dance Captain, and how she prioritizes her mental health. She gives advice including when NOT to get an agent, why we should focus on our weaknesses, and why she wishes she did more regional productions before Broadway. She also shares the story of her Broadway Debut, what it was like bringing her dog along on a National Tour, and why she created The Performer's Circle to give accessible information to performers.Enjoy our episode with Mariah Reives!Chapters:(01:13) Broadway's The Great Gatsby(01:46) Stepping Down As Dance Captain(05:23) What is An Onstage Dance Captain?(08:24) To Dance Captain or Not To Dance Captain(13:51) Advocating for Your Needs in a Professional Setting(19:29) Enjoying the Ensemble Track(21:45) Giving Dancers Accessible Information(28:20) When NOT To Get An Agent(31:42) Don't Rush to Broadway(33:55) Broadway Debut in Funny Girl(40:52) Mariah's Human Bio (feat. Leo the Pup)(43:14) Dog Momming on a National Tour(46:08) Loving Words and GoodbyesAbout Mariah:Mariah Reives is a dancer, choreographer, and entrepreneur who began dancing in Sanford, North Carolina at the age of three. She then went on to train at the University of North Carolina School of the Arts for high school and then graduated from Marymount Manhattan College with a B.A. in Teaching Dance. She is currently the dance captain and in the ensemble of The Great Gatsby on Broadway. Her credits include Funny Girl Broadway, Cassandra in the First National Tour of ‘Cats' The Musical, Carmen, Me and My Girl , The New Yorkers, Jerome Robbins Broadway, and The Wiz. She has been seen on television for The Tony Awards, Macy's Thanksgiving Day Parade, and The Tonight Show starring Jimmy Fallon. Reives created a professional workshop for aspiring artists called ‘The Performers Circle' and is excited to guide the next generation of Broadway stars!
Duck Soup hunts down the funniest, strangest, and most obscure stories from around the internet—and then makes them even more ridiculous. Enjoy!Conor McGregor peepeeAi Music Band - TikTok videoTimbaland signed an Ai Artist - TikTok VideoVirtual YouTubers sing the National Anthem at Dodger's StadiumCelebrites who made the most money in 2024Michael Jackson $600MTaylor Swift $300MCrisitano Ronaldo $260MDwayne Johnson $88MRyan Reynolds $85MMJ money goes toKids: Prince, Paris, and BlanketMom: KatherineDad - intentionally left out the will because he's a living breathing piece of garbageJeff Bezos got married in VeniceIt was Great Gatsby themed partyAround 100 private jets flew in - which is good for the Earth$56M$50K per guest - 200 AttendeesDid have a charity for “Conservation” and “Venetian Instituitons” -raised $3MGuests Included:Kim & Khloé Kardashian, Kris Jenner, Ivanka Trump & Jared Kushner,Oprah Winfrey, Bill Gates, Leonardo DiCaprio, Tom Brady, Orlando Bloom,Juicy Gossip:Lady Gaga wanted $6M to perform and Bezos said FUCK THATLocals protested the event by dumping a ton of inflatable crocodiles into the canalsIn case your wondering, yes, they got a prenup . . . Bezos first wife took $165B from him in their divorce
A hair metal band recruited by the CIA, fake newlyweds and retellings of "The Great Gatsby" are among the stories selected by Up To Date's panel of readers as the best books to pick up this summer.
Wildfires rage near the Grand Canyon forcing evacuations at the iconic landmark, while Canadian fires impact air quality in the Northern U.S. Also, major fast-casual restaurants – including Panera, Chipotle and Cava – leverage loyalty programs and summer discounts to draw in new customers. Plus, the green light blazes on: TODAY celebrates the 100th anniversary of F. Scott Fitzgerald's novel ‘The Great Gatsby' with a tour of the extravagant 1974 movie set with Sam Waterson. And, beauty expert Zanna Roberts Rassi shares the best waterproof makeup brands perfect for a summer beach day.
Join us as Matt and Mandy battle it out to determine which book is better -- The Great Gatsby, or To Kill a Mockingbird. It's a doozy, folks. Come cast your vote!
Is this movie great or is it just bad in disguise?Welcome to the Movies to Watch Before You Die Podcast with Gab and Dylan!Movies To Watch Before You Die merch here - https://moviestowatchbeforeyoudie-shop.fourthwall.com/Look up the movie here - https://www.imdb.com/title/tt0095705/Find us everywhere here - https://linktr.ee/moviestowatchbeforeyoudie00:00 Welcome02:41 What's it about?13:08 Opinion Time42:20 Let's get to the facts53:02 VerdictsWe're a member of the Hall of Pods, find links for our podcasting friends here - https://linktr.ee/hallofpodsWho are we: A former actress and video editor but more than anything we're movie fans like you.Why listen? Why not! We're gonna talk about movies you love, movies you hate, and movies you've never heard of. We can't wait to hear what you think of them too. If you want to tell us your opinion on whether or not a movie is one we should watch before we die, tell us we're wrong, or tell us you like the show send us an email or voice message at moviestowatchbeforeyoudie@gmail.com . We can't wait to hear from you and we can't wait to talk movies!Thanks to Scott Interrante for the music in our intro!Thanks to Brian Maneely for our artwork!Movies Dylan and Gab agree you should watch before you die: Vampire's Kiss, Die Hard, Tropic Thunder, Wag the Dog, The Legend of Billie Jean, You've Got Mail, True Lies, The Room, Game Night, The Truman Show, The Great Gatsby, Whiplash, The Lost Boys, The Fugitive, Spider-Man: Into the Spider-Verse, My Cousin Vinny, Shutter Island, Starship Troopers, Big, Joy Ride, The Jerk, Alien/Aliens, Best in Show, Freaky Friday, Over the Garden Wall, North, Catch Me If You Can, Clue, Jerry Maguire, Groundhog Day, The Great Mouse Detective, Chicago, Wall-E, Teenage Mutant Ninja Turtles, Breakdown, Cool Runnings, Ruthless People, Mean Girls, Borat, A League of Their Own, City Slickers, Jingle All the Way, Saw, The Lion King, Little Big League, The Naked Gun, and Young Frankenstein
I'm giving 1-800 SLOOTS the serious attention it deserves and taking your calls from a VERY special dial up phone (vintage from Argentina IF you even care…) These are my favorite videos to record right now because you sloots are that good. Mind in the gutter with your boss? Faking a British accent? Love the beach but stuck in cow-town? This episode is for you. Also, don't worry I fill you in on the Great Gatsby party (hint: it's similar to my Lana Del Rey at Coachella story, if you know you know.) Enjoy sloots! Keep calling ; ) To be featured on the next 1-800 SLOOTS, leave a voicemail at +19295654836
This week, Michael LaPointe celebrates a century of The Great Gatsby; and Miranda France on an epistolary novel by Natalia Ginzburg.'The Cambridge Centennial Edition of The Great Gatsby', by F Scott Fitzgerald, edited by James LW West III, with an introduction by Sarah Churchwell'The Annotated Great Gatsby', by F Scott Fitzgerald, edited by James LW West III, with an introduction by Amor Towles'The Great Gatsby and Stories from All the Sad Young Men', by F Scott Fitzgerald, edited by Philip McGowan, with an introduction by Min Jin Lee'The Bloomsbury Handbook to F Scott Fitzgerald', edited by Laura Rattray and Linda Wagner-Martin'The City and the House', by Natalia Ginzburg, translated by Dick DaviesProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.
All the neurochemicals in the brain have to do with life in the present. Except for one: dopamine. Dopamine is the one neurochemical that looks to the future. It anticipates what may be to come and drives you towards it.That can be a good thing — dopamine is one powerful motivator — but it also has its downsides. Here to help us understand how the most important chemical in the brain works and how to deal with its pitfalls is Michael Long. Michael is a trained physicist turned writer whose latest book is Taming the Molecule of More. Mike and I discuss how dopamine, for better and worse, makes you want what you don't have. He shares what causes low dopamine activity, how to know if you're experiencing it, and what increases dopamine. We then talk about how to deal with the consequences of dopamine in some of the scenarios in which it plays a role — like losing the spark in a relationship and getting stuck in a smartphone scroll habit — and why so much of taming dopamine comes down to living in the here and now. We end our conversation with why The Great Gatsby is really a novel about dopamine and the fundamental answer to not letting the dopamine chase lead you around.Resources Related to the PodcastMike's previous appearance on the AoM podcastAoM Article: How to Do a Dopamine ResetAoM Podcast #745: Do You Need to Take a Dopamine Fast?AoM Article: Your Life Explained Through DopamineConnect With Michael Long Taming the Molecule website
Hey, hun! It's your old friends, the Book Squad, with an exciting opportunity for you! We'd love to invite you to join us for our discussion about El Dorado Drive by Megan Abbott. We talk about the sisters' relationships, money troubles, good ol' fashioned pyramid schemes, and all things shocking and revolting. Drop in for our next Othersode on 7/22 featuring guests Janet Dale and Allison Renner, co-authors of Green Light: A Gatsby Cycle. We'll be revisiting Baz Luhrmann's The Great Gatsby with them!. Then read along with us for our second Sayaka Murata Bookpisode pick, Vanishing World, on 8/5! Don't forget to check out our Patreon and leave us a 5-star rating on Apple Podcasts!TOC:30– Welcome! And icebreaker9:00–Book intro11:20–The Bishop sisters and their relationship23:33–What's their problem?29:45–MLM business46:00– The murder part56:56–TWISTS that are SHOCKING AND REVOLTING1:01:00–Ratings1:04:40–Feedback1:08:00– What's up next?Links:The chefs at sororities: https://www.instagram.com/oldscoolkevmo/?hl=en
For this "Summer Best-Of" we've put together some of our favorite conversations our centennial series, 100 Years of 100 Things:Ashley Stimpson, Maryland-based freelance journalist who writes about science and conservation, takes us through the past 100 years of kids going to the woods for summer camp.Victoria Rosner, dean of the Gallatin School at NYU and the author of Machines for Living: Modernism and Domestic Life (Oxford University Press, 2020), talks about the post-World War I development of modernism (and post-modernism) across the arts and beyond.Maureen Corrigan, the book critic for Fresh Air, Georgetown professor and the author of So We Read On: How The Great Gatsby Came to Be and Why It Endures (Hachette, 2014), looks at the 1925 publication of the novel, The Great Gatsby, and why it continues to resonate with readers one hundred years later.Polo shirts, khaki shorts, and boat shoes: the classic uniform of elites on their days off. Avery Trufelman, host of the podcast Articles of Interest, delves into the last 100 years of preppies and their clothes. These interviews were polished up and edited for time, the original versions are available here:100 Years of 100 Things: Summer Camps (Aug 26, 2025)100 Years of 100 Things: Modernism (Jan 8, 2025)100 Years of 100 Things: The Great Gatsby (Jan 13, 2025)100 Years of 100 Things: Preppies and Their Clothes (Mar 26, 2025)
As always, you had plenty of great questions about our current book and on this episode we did our best to answer a bunch of them. Thanks for tuning in to and participating in this series. Happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe
It's a bit late, but better late than never, right? Apologies for the delay! The upload speeds weren't great in the English countryside. All the same, we've come to the end of The Great Gatsby, which means it's time to talk about some of the most memorable passages in American literature. Join us as we dig in. Happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe
A deliciously queer romcommy episode is here! Author Susie Dumond returns to chat with us about the 2025 remake of the film The Wedding Banquet in all of its low-key chaotic glory. Then we interview Susie about her brand new novel, Bed and Breakup (available TODAY, June 24th, wherever you get books!). Drop back in on July 8th for our next Bookpisode on El Dorado Drive by Megan Abbott. Then we've got another returning guest, Janet Dale, and a brand new guest, Allison Renner, joining us on July 22nd to talk about Baz Luhrmann's The Great Gatsby and their new co-authored book of flash fiction and found poetry, Green Light: A Gatsby Cycle! Want more BSG? Well you can at least get a monthly email of BSG pet pics by supporting us on Patreon for just $3 a month! TOC::30– Welcome to Susie! And icebreaker8:52–Movie intro16:00– Let's talk about the decisions these characters make27:00–Is this movie successful in recontextualizing this type of story?33:37–Mommy corner46:44– Interview with the wonderful Susie Dumond! About Bed and Breakup, her new book!1:17:00– What's up next? Links:Go find Susie!: https://susiedumond.com/ https://www.instagram.com/susiedoom/?hl=en
“Better than Gatsby.” Chatter rolls with Claude, Torie, and Jamie as David recovers from NBA finals. They break down DOD events, and Rocco's shot contest beats all. Best selling author and screenwriter Kyra Davis Lurie zooms in the share “The Great Mann.” Describing it as a reimagining of “The Great Gatsby,” as many do, doesn't do justice to this deeply researched look at class and wealth and Black identity in postwar Los Angeles. It's Lurie's first turn at historical fiction; hopefully not her last.
"EDITH HEAD: OLD HOLLYWOOD'S QUEEN OF FASHION" (093) EPISODE 93 - 6/23/25 With eight Academy Awards to her name — more than any other woman in history — EDITH HEAD wasn't just a costume designer; she was a storyteller in fabric, silhouette, and sparkle. From BETTE DAVIS to GRACE KELLY to AUDREY HEPBURN, she dressed the biggest stars of the silver screen, leaving an indelible mark on both fashion and film. In this episode, we explore how a shy schoolteacher became the most powerful woman in Hollywood wardrobes, her collaborations with iconic directors like Alfred Hitchcock, and how her designs helped shape characters, define eras, and influence fashion far beyond the studio lot. So, slip into something fabulous, and let's step behind the curtain into the life and legacy of the great Edith Head. SHOW NOTES: Sources: Dressing Up The Stars: The Story of Movie Costume Designer Edith Head (12022), by Jeanne Walker Harvey; Edith Head: The 50 Year Career of Hollywood's Greatest Costume Designer (2010), by Jay Jorgensen; Edith Head: The Life and Times of Hollywood's Celebrated Costume Designer (2003), by David Chierichetti; Edith Head's Hollywood (1983), by Edith Head; The Dress Doctor (1959), by Edith Head; “How To Dress For the Oscars,” February 11, 2015, www.oscars.com; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Wings (1927); The Saturday Night Kid (1929); Love Me Tonight (1932); She Done Him Wrong (1933); Little Miss Marker (1934); Rhythm on the Range (1936); College Holiday (1936); The Jungle Princess (1936); Internes Can't Take Money (1937); The Big Broadcast of 1938 (1938); Thanks for the Memories (1938); Mad about Music (1938); Dangerous To Know (1938); Beau Geste (1939); Remember the Night (1939); The Cat and the Canary (1939); The Lady Eve (1941); Sullivan's Travels (1941); The Glass Key (1942); I Married a Witch (1942); Star Spangled Rhythm (1942); Hold That Blonde (1945); The Blue Dahlia (1946); Holiday Inn (1942); The Uninvited (1944); Double Indemnity (1944); Incendiary Blonde (1945); To Each His Own (1946); The Strange Love of Martha Ivers (1946); A Connecticut Yankee in King Arthur's Court (1949); The Great Gatsby (1949); Notorious (1946); The Emperor's Waltz (1948); The Heiress (1949); All About Eve (1950); Sunset Boulevard (1950); Samson & Delilah (1949); A Place in the Sun (1951); Roman Holiday (1953); Sabrina (1954); Funny Face (1957); Rear Window (1954); To Catch a Thief (1955); The Trouble With Harry (1955); The Man Who Knew Too Much (1956); Vertigo (1958); Ace In the Hole (1951); The Greatest Show on Earth (1952); Shane (1953); White Christmas (1954); The Rose Tattoo (1955); The Rainmaker (1956); The Ten Commandments (1957); Loving You (1958); The Pink Panther (1963); A Shot In the Dark (1964); The Man Who Shot Liberty Valance (1963); Love With the Proper Stranger (1963); Sex and the Single Girl (1964); Inside Daisy Clover (1965); The Great Race (1965); Penelope (1966); This Property is Condemned (1966); G.I. Blues (1960); Blue Hawaii (1961); Girls! Girls! Girls! (1962); Fun In Acapulco (1963); Roustabout (1964); Paradise Hawaiian Style (1966); What a Way to Go! (1964); Sweet Charity (1969); Summer and Smoke (1961); Hud (1963); The Birds (1963); Harlow (1965); Barefoot in the Park (1967); Butch Cassidy & the Sundance Kid (1969); Topaz (1969); Airport (1970); Airport ‘75 (1974); Airport ‘77 (1977); Myra Breckenridge (1970); Lady Sings The Blues (1972); The Sting (1974); The Great Waldo Pepper (1975);, The Man Who Would Be King (1976); Family Plot (1976); Gable and Lombard (1976); W.C. Fields and Me (1976); Rooster Cogburn (1975); Sextette (1978); Dead Men Don't Wear Plaid (1982); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In today's episode, Stephen and Mark talk about two short stories from author Alix E. Harrow. They have reviewed her work before when they discussed her novels "The Ten Thousand Doors of January" and "Starling House". Tonight's bourbon is Old Orleans from The Beautiful & The Damned Distillery. Some of you might notice that the name of the distillery also happens to be the title of an F. Scott Fitzgerald novel. Don't know who good old F. Scott is? Well, first, crawl out of the caves, you loveable morlock! Second, he wrote The Great Gatsby and Tender Is The Night. The label on the bottle is a depiction of Moby Dick, and the name Old Orleans is a reference to the influence New Orleans had on the evolution of bourbon in America. See that? Culture with just a glance! Home :: The Beautiful and the Damned Whiskey Author | Alix E. Harrow
The Writer Files: Writing, Productivity, Creativity, and Neuroscience
Bestselling, award-winning author, and founder of the LA Review of Books, Tom Lutz, returned to talk with me about life in the French countryside, his writer's residency, and the greatest year in literary history, 1925. He's a Professor Emeritus of Creative Writing at UC Riverside, and the author of multiple bestselling and award-winning titles – translated into dozens of languages – including Doing Nothing (American Book Award winner), Crying, American Nervousness, 1903 (both New York Times Notables), and Born Slippy, his first novel. His latest, 1925: A Literary Encyclopedia, is described as an “… exploration of one of the richest moments in our literary and cultural history .… an explosion of literary innovation, from the rise of modernist masterpieces like Mrs. Dalloway and The Great Gatsby to a boom in pulp fiction.” Besides founding the Los Angeles Review of Books, "... a nonprofit organization dedicated to promoting and disseminating ... engaging writing on every aspect of literature, culture, and the arts," Tom also founded The LARB Radio Hour, The LARB Quarterly Journal, The LARB/USC Publishing Workshop, and LARB Books. He and his wife now run a residency for writers and artists in St. Chamassy, in France's Dordogne region. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In Part Two of this file Tom Lutz and I discussed: Adjusting to the life of a country gentleman and all the great wines Why he cares less than ever about what people think of his work The legion of classic texts that came out of one of the most prolific years in history How 1925 birthed so much progress for American culture Why literature is the R&D wing of human enterprise, especially in 2025 And a lot more! Show Notes: 1925: A Literary Encyclopedia by Tom Lutz TomLutzWriter.com All things LARB French Presse - St.-Chamassy Writers' Residency: A quiet place to live and work in the French countryside. Tom Lutz's Amazon Author Page Tom Lutz on Facebook Tom Lutz on Instagram Tom Lutz on Twitter Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices
In this Artist Exploration Curtis Holland (Broadway's The Great Gatsby) and Director of MTCA, Charlie Murphy discuss;
Mike sits with Sigrid Nunez, recipient of a 2025 Windham Campbell Prize for Fiction, to discuss F. Scott Fitzgerald's The Great Gatsby and whether or not it really is "the Great American Novel." Sigrid Nunez is the author of ten books, including the National Book Award-winning novel The Friend (2018), which has been celebrated by the New York Times as one of the 100 best books of the 21st Century. The recipient of many awards, including a Guggenheim Fellowship (2020), a Berlin Prize Fellowship (2005), the Rome Prize in Literature (2001), and a Whiting Award (1993), Nunez has taught at Boston University, Columbia, the New School, and Princeton, among other institutions with esteemed literary programs, and now devotes herself to writing. Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome back to our series on F. Scott Fitzgerald's novel, in which we discuss his best novelistic skills, including his ability to deal in subtext while also creating mood. Plus: the way the book explores the dissonance between desire and reality, whether any of these characters have any interest in (or capacity to see) higher things, and much more. Happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe
Elisabeth Ovesen, formerly known as Karrine Steffans and author of Confessions of a Video Vixen, recently opened up about her experiences with Sean "Diddy" Combs during the early 2000s. She recounted meeting Diddy in 2001 after being "gifted" to him by a music executive following a night of partying. Ovesen described the encounter as something she entered with awareness, choosing to document her experiences within the entertainment industry. She depicted the atmosphere at Diddy's parties as extravagant and chaotic, likening them to The Great Gatsby—featuring tuxedo-clad men, topless women, and trays of drugs and champagne circulating among guests.While Ovesen clarified that she was not a victim of Diddy's actions, she described witnessing environments rife with power imbalances and instances of men exerting control over women. She empathized with those who have come forward with allegations against Diddy, acknowledging the complex and often exploitative dynamics in such settings. Ovesen's account paints a vivid picture of the entertainment world at the time, shedding light on the toxic culture that enabled abuses of power behind closed doors.to contact me:bobbycapucci@protonmail.comsource:Sean 'Diddy' Combs allegations: Former hip-hop dancer speaks out about the industry - 'They share women. They share secrets' | Ents & Arts News | Sky Newsshow lessBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
In this episode, we dive into Don't Sleep with the Dead by Nghi Vo—a haunting, magical companion to The Chosen and the Beautiful. Set in the late 1930s, Nick Carraway is still pretending—about his past, his identity, and his humanity—until a familiar figure from 1922 returns. Dead or not, Gatsby isn't finished with him. A reimagining of The Great Gatsby like you've never heard before.Author ReadsLooking for Hamlet by Marvin W. HuntThe Lies of Ajungo by Moses Ose Utomi
The Great Mann by Kyra Davis Lurie transports readers into a narrative of wealth, race, class and fame. Kyra joins us to chat about writing Los Angeles, respectability politics, reimagining The Great Gatsby, complicated characters and more with host Miwa Messer. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang. New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): The Great Mann by Kyra Davis Lurie The Great Gatsby by F. Scott Fitzgerald The Wrong End of the Telescope by Rabih Alameddine Matrix by Lauren Groff The Emperor of Gladness by Ocean Vuong The Perishing by Natasha Deón Ask the Dust by John Fante Sharp Teeth by Toby Barlow
A full U.S. Marine battalion, comprised of more than 700 Marines, is now mobilized to respond to the deportation protests in Los Angeles. Though Governor Gavin Newsom and Los Angeles Mayor Karen Bass have both called for Trump not to use the California National Guard, some of 4000 guardsmen have also been activated. In order for members of the military to make arrests, Trump would need to invoke the Insurrection Act. So far, the military members may be an intimidating show of force against protesters, but they cannot take on law-enforcement duties. Why is Trump crossing this line? We will ask Pulitzer Prize winning investigative journalist and the author David Cay Johnston.Author Kyra Davis Lurie will stop by. She is a New York Times best selling author and screenwriter. Her new book, The Great Man, released today, is her first historical fiction novel. In this retelling of The Great Gatsby, the story is set among L.A.'s black elite. It's Tech Tuesday and our Jefferson Graham has some thoughts about newly released features coming to the next iPhones.The Mark Thompson Show 6/10/25Patreon subscribers are the backbone of the show! If you'd like to help, here's our Patreon Link:https://www.patreon.com/themarkthompsonshowMaybe you're more into PayPal. https://www.paypal.com/donate/?hosted_button_id=PVBS3R7KJXV24And you'll find everything on our website: https://www.themarkthompsonshow.com
Welcome to a new series of episodes on another wonderful book. It's our first re-read here on Close Reads and it's timely, too, since The Great Gatsby just turned 100 years old! So join in as we discuss what's made F. Scott Fitzgerald's novel last a century, what makes Nick Carraway a compelling narrator, the tragic longing at the nostalgic core of the story, and much more. Happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe
Episode 245 - The Thinklings Podcast Welcome to Episode 245 of The Thinklings Podcast! We're kicking off the summer episodes with a goofy intro, some literary reflection, and a final meditation! It's a shorter book, a longer book, and a Scripture-rich close to the show. Thanks for listening to this week's episode!
We're in between books so we answered as many of your questions as we could—which is to say, this is one of those wide-ranging episodes on a variety of topics. Snack foods, book organization, novels we wish we wrote, protecting the canon, Lewis or Tolkien, and much more. Hope you enjoy! Until next time, happy reading. Up next: Chapters 1-3 of The Great Gatsby. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe
Meg Mitchell Moore is the author of Mansion Beach, a page-turner-y multi POV summer saga with everything you could ask for: a beach, a body, rich people behaving badly but also sometimes not behaving badly, parties, drama and just enough gender-swapped Gatsby to think hard about the meaning of the American Dream. I loved it (KJ here) and I also loved this conversation with Meg, who apparently thinks in multiple POVS and is always just as impatient as I am to feel like the book is done and wonderful when sadly it is… not. #AmReadingMeg: Audio: Great Big Beautiful Life, Emily Henry—Julia WhelanAlso mentioned: Julia Whelan's Thank You for ListeningPrint: The Road to Dalton, Shannon Bowringfrom The Book Shop of Beverly FarmsKJ: Mansion BeachWelcome to Glorious Tuga, Francesca SegalFind Meg at @megmitchellmoore on IG, or visit her website at www.megmitchellmoore.comHEY. Did you know Sarina's latest thriller is out NOW? Rowan Gallagher is a devoted single mother and a talented architect with a high-profile commission restoring an historic mansion for the most powerful family in Maine. But inside, she's a mess. She knows that stalking her ex's avatar all over Portland on her phone isn't the healthiest way to heal from their breakup. But she's out of ice cream and she's sick of romcoms. Watching his every move is both fascinating and infuriating. He's dining out while she's wallowing on the couch. The last straw comes when he parks in their favorite spot on the waterfront. In a weak moment, she leashes the dog and sets off to see who else is in his car. Instead of catching her ex in a kiss, Rowan becomes the first witness to his murder—and the primary suspect.Digital books at: Amazon | Nook | Apple Books | Kobo | Google Play | Audible Physical books at: Bookshop.org | Amazon | Barnes & Noble | Indigo | More paperback links here!New! Transcripts below!EPISODE 450 - TRANSCRIPTKJ Dell'AntoniaKJ here announcing a new series and a definite plus for paid supporters of Hashtag AmWriting. It's Writing the Book, a conversation between Jenny, who's just finished a blueprint for her next nonfiction book, and me because I've just finished the blueprint for what I hope will be my next novel. Jenny and I are both trying to quote-unquote "play big" with these next go-rounds, which is a meta effort for Jenny as that's exactly what her book is about, and we're basically coaching each other through, trading pages, thoughts and encouragement, as well as some sometimes hard-to-hear honesty about whether we're really going in the right direction. So come all in on team Hashtag AmWriting, and you'll get those Writing the Book episodes right in your pod player along with access to monthly AMAs, the book labs, first pages episodes, and come summer, we shall blueprint once again. So sign yourself up at amwritingpodcast.com.All SpeakingIs it recording? Now it's recording. Yay. Go ahead. This is the part where I stare blankly at the microphone. Try to remember what I'm supposed to be doing. Alright. Let's start over. Awkward pause. I'm gonna rustle some papers. Okay. Now one, two, three.KJ Dell'AntoniaHey, I'm KJ Dell'Antonia, and this is Hashtag AmWriting, the weekly podcast about writing all the things. Short things, long things, pitches, proposals, fiction, nonfiction, memoir, other things I'm probably not thinking of. We are the podcast about sitting down and getting your work done. And I am KJ Dell'Antonia, the author of three novels, The Chicken Sisters, In Her Boots and Playing the Witch Card, as well as a nonfiction book, How to Be a Happier Parent, former editor of The New York Times Motherlode. You've heard all this. With me today, more importantly, is Meg Mitchell Moore, who has written a book that I think you're gonna find is your summer go to. It is called Mansion Beach, and I loved it. And we'll talk about it in a second. She is also the author of Summer Stage, Vacationland, can attest to both of those great reads. The Islanders, Two Truths and a Lie, The Admissions, loved that one too. They're all great. So, anyway, lots of lots of novels in the family saga, sometimes touch of romance, beach, summer, deep, but also page turnery read genre, which is not a genre because that was too long. But, anyway, Meg, thanks for coming to chat.Meg Mitchell MooreThank you for having me. I'm so happy to be here. This is gonna be really fun.KJ Dell'AntoniaSo I've read some of your other books, obviously, and I felt like this one Mansion Beach was you sort of moving to a different this. It's a little how to describe it. You've got a lot of points of view, which you always, you often do, and a little bit of of a mystery, which actually, I've seen you do before, and then you've got a podcast going on so that you can have different people show show off what's happening. I guess I was hoping you would talk about the evolution of style, um, actually, over your whole career, sort of from, like, I'm writing a kind of a basic book with a couple of points of view and third person close, or maybe first person to these bigger, bigger stories with so much more to so much more to offer the reader. That's a really big question. Start wherever you want.Meg Mitchell MooreThat's a great question. I I don't know if it has been such an evolution. I have always written multiple points of view to the point where it makes me crazy. And I wish I could. I wish I could do one or two. I really wish I could. I've tried it. I can't do it. I just can't. My brain doesn't work that way. It's I can't do it. So even my very first novel, which I published in 2011 it was called The Arrivals, that was a much smaller story. So yes, I for sure, I've evolved plot wise, but I remember, and this was when I was brand new and did not know what I was doing, and I was just trying to figure out how to write a novel. I had so many points of view. And I remember my now agent. Maybe she was not my agent then and was becoming my agent, or maybe she was already my agent, but I remember her saying, we have to take out at least like five of these points of view. And it's still, it still has a lot. I just that's how I think those are the kind of books I like to read, usually, not always, for one thing, but it just. Must be how I think I'm always in everybody's head, and it's really hard for me to restrain that. So this book, I don't think, has any more points of view than any other. Might have fewer than some. It does have a mystery.KJ Dell'AntoniaYeah it might, then some that I've read, I guess I I, I saw it as different, maybe in part because of the the use of the podcast to frame things.Meg Mitchell MooreYeah that's new. And then it's a bigger, you know, it's a bigger idea. It's a, it's not a retelling of The Great Gatsby, because I don't like to use that word, but it is inspired by The Great Gatsby. So it has definitely some bigger I was looking at bigger themes, maybe from the start. A lot of times I back my way into the themes based on what my characters are doing. I don't always start with the themes, but this time i i was looking at some of those big whether, what's the American dream and what does success mean, and how does money equate with happiness, and some of those bigger questions. And I don't always do that. I might do it in reverse, but I don't always do that first. So I do think it has bigger theme wise, it's bigger maybe plot wise, yeah. And some of the elements, some of the elements that move it along, are a little different. I was working with a new editor for the first time for this. This is my first full book with my new editor. So I think that had something to do with it too, because I think she was probably pushing me for some of those elements that don't come naturally to me, which I think ended up being good for the book.KJ Dell'AntoniaYeah, it's a little more thriller. Isn't exactly the right word, but there's definitely a page turning mystery in there. I know here's, this is like a so there's a page turning mystery in Mansion Beach, and the question all along for the reader, like, you know somebody is going to die. But I at least did not know who, but I had an advance, and it came as a as a digital book, so I didn't have the cover and I didn't have the blurb on the back, if a reader has those things, are they gonna know?Meg Mitchell MooreInteresting.KJ Dell'AntoniaAre they gonna know? Who it is that that dies?Meg Mitchell MooreI don't think so. I don't think so. The people I know who have read it both ways, I think have not known.KJ Dell'AntoniaThat's good.Meg Mitchell MooreIt's sort of that white lotus effect, you know, for White Lotus fans out there, where there is a mystery, and you care about the mystery, but you also it matters, but it doesn't matter as much as what's going on with everybody else. So I really like that as a framing device. I like watching it and reading it. And I tried it myself this time. I did it a little bit in two truths and a lie as well. I guess that's my only other one that has a dead body, and a lot of people are mad at me for who the person was who died, which I want. And two truths...KJ Dell'AntoniaDon't give it up.Meg Mitchell MooreNo, I won't. So that was interesting, so I hadn't tried it again, and this time I went in a little nervous, because people had been upset with me, particularly my husband. But I I still, I mean, I had the chance not to do what I did in two truths and a lie, and I still chose to. So I still, for me, it was the right thing, but it was an interesting experience. And I didn't try it again for a couple books. And this time I did also because I was playing with some of the Gatsby themes. I mean, Gatsby has three bodies, so I thought, I mean, I should have at least one, so I won't, yeah, I won't give anything away about…KJ Dell'AntoniaNo, don't.Meg Mitchell MooreWho or what or how, but I did enjoy having that as a device to propel it now that also, I don't think that was in the first draft. I don't think there was a body in the first draft. I mean, there were huge changes in this book, and I think that was one of them. I think we decided we needed the body after one draft.KJ Dell'AntoniaWow. Okay, now I'm deeply fascinated, and of course, I'm trying. So I'm trying to make this interesting and useful for those of you who haven't read the book, although you could also stop, go get the book, and read it, and then listen to this, and then it would be even better.Meg Mitchell MooreThat is true.KJ Dell'AntoniaYeah. Okay, so let me just start by saying I am actually not a person who typically likes a book where your whole like, like, the question is, you know, either who died or who did it. So Lucy Foley, I've enjoyed some of those, but it's not necessarily my favorite go to genre, but the thing that made this book work great for me was exactly what you just said, that there's so much more to it. You I could see that this story would exist before you added that and that. I mean, that's so cool. And then I also, I'm not a Gatsby person, so neither of those would like, neither of those hooks is going to grab me. But what grabbed me, I think, was the different women, different versions of the American dream.Meg Mitchell MooreMm-hmm.KJ Dell'AntoniaIs that where you started?Meg Mitchell MooreI started… Yeah, I think so I would. Really, yes, I wanted to really look at notions of success, particularly for women today. You know, it's contemporary. It takes place that, you know, in the summer that is coming out, or that, if you actually match up the dates, and I think I messed up the tides and the moon in some places, but it's the summer. So yes, I was very interested in those questions. I was I wanted to have a love triangle, because I think that's interesting, and that's part of Gatsby too. So it's funny that you say you're not a Gatsby person. I think my first, another change from my first draft, was very Gatsby heavy. I think I tried to, I think it just was, I was trying too hard to to do the same thing. And…KJ Dell'AntoniaIt's kind of a reverse-gendered Gatsby.Meg Mitchell MooreIt is, yes, it's reverse gendered. But what I was doing was just, I was just trying to, I don't know what I was doing, but it was a mess. I mean, I always knew I wanted to play with Gatsby, but I tried to do it too closely. And I tried a little first person with the narrator, which that's how Gatsby is told, but I can't write him. Can't write successfully in first person. So that was a mess. And I remember that my editor probably looked at this thing and said, This is what are we doing? But what she said to me nicely was, you need to, like, don't worry so much about Gatsby at all, like you need to free yourself from those constraints, and you need to write the story. And that was the best advice, because that's when it started to come together. So it's more that Gatsby was a jumping off point, and some of those themes, I was so interested in how those themes are so relevant 100 years later, and they are, so I think I needed that as a jumping off point, but I didn't need to, you know, retell it scene by scene, or try to have the narrator feel the same, or do anything like that. And I had some missteps along the way before I figured that out.KJ Dell'AntoniaIt interests me that this doesn't seem to have taken any longer than your other books, did it?Meg Mitchell MooreUh, I felt like it took forever. My books have come out either with note with, you know, a year and then the next summer, or with two summers in between. This one has, this one has an empty summer in between. So I did need that extra writing time for this. And I remember, I always start out thinking I could do this in a year. I'll absolutely and I always hit. I'm a deadline hitter. You know, I always hit the deadlineKJ Dell'AntoniaYeah, you give them something.Meg Mitchell MooreYeah, I was a journalist for a long time. I just, I'm not late on things. I just always, I'm just, I always hit my deadlines, but it might be awful. And so this was nobody actually. I mean, it was pretty awful when I think back to that first draft, and I think that my editor and Agent thought, okay, we can do this. And I looked at it, and I looked at my schedule and my life and my brain, and I thought, I don't think I can do it very well. So we put it off for a year, which gave me not a year's writing time, but maybe six months that I hadn't had. And that made a big difference. So this one took a little longer. Same thing with vacation land. I had the exact same thing happen where I thought it was going to come out one summer, it came out the next summer, but Summer Stage and then the book coming out, if I finish it next summer, will have no extra time in between. So it kind of, I've gone both ways with it.KJ Dell'AntoniaDo you see any like consistency in why? Or it just sort of either happens that way or it doesn't?Meg Mitchell MooreI think I when I try bigger, when I try bigger books, I need more time, as it should be, but I always think I can do it. You know, I'm patience is not, is not my best quality. Impatience is my worst quality. So I find that I'm usually impatient to get something done or to hit the deadline or to put the book out, and I have to slow myself down when necessary, and vacation land. It was a different editor, same publisher, but different editor. I remember her saying, having that talk with me and saying, it will be a much better book. If we put it out the following year, it will be so much better. And she was right. So we needed that time.KJ Dell'AntoniaI so totally relate to this.Meg Mitchell MooreDo you?KJ Dell'AntoniaYeah, absolutely. I mean, I'm in the middle of it. Now, if anybody who's listening is also listening to our what the books are writing the books, what the books also like? It's a little mini series where one of my co-hosts is writing nonfiction and I'm writing fiction, and we're trading pages, and we're doing a weekly series of conversations. And this week's realization was, I have always known that I'm writing a story with multiple points of view, but I couldn't start it that way. I had. I had to start it with just this one protagonist. And then I thought, Oh, well, then it'll just be that, and it'll probably be really easy. Look, I've got this all planned out. I'm just gonna write. I'm just gonna, oh, I'll bet I can get, what if I got my agent a draft this summer? Hahaha, it's, you know, it's not good, but I'm so impatient. I want ...Meg Mitchell MooreRight, right. Well, I was listening to one of your to your podcast the other yesterday, and it was the one where you were talking about your story idea starting. How do you, how do you ideate the book?KJ Dell'AntoniaOh, gosh.Meg Mitchell MooreAnd you so you write a book, and then you present it to your agent, and then you sell it, right? So…KJ Dell'AntoniaYeah.Meg Mitchell MooreThat's your process. So I'm the opposite, where I write, I get the contract first, and then I have to write the book. And I don't know which is harder, because you don't have a built in deadline. You have your own deadlines that you said, but you're writing something that you said. Maybe this will sell, maybe it won't, I don't know, whereas I know it will eventually be published, but I also have that pressure of I have to get things in on time. So what do you think is, what's better? What's worse?KJ Dell'AntoniaI don't know. I envy your... I envy that way. I feel like that would make me feel more secure, more professional. My, my agent, doesn't… she's very against selling a book of mine, at least before I've written it, because she says, I'll, she says I might change it, and then, and then, it won't be what we sold or I won't be happy. So so I don't know if she's I think she's just against it as a general rule, but I know lots of agents that that do it, and I know a lot of of writers that do it. Sometimes I look at this and I'm like, you know, I could do a proposal. Maybe we could sell it. I could get some money. That would be lovely, right? Yeah. But...Meg Mitchell MooreI see, I see your point, and I know a lot of people think that way. I remember a long time ago when I'd either published, I think I'd published no novels. Maybe my book was about to be published, my first novel, and I heard Ann Patchett speak at a conference, and she said, she said that she would never take money for a book she hadn't written.KJ Dell'AntoniaWow.Meg Mitchell MooreAnd I remember thinking, Oh, well, if that's what Ann Patchett says, I guess that's what like, that's how the world is. But I disagree, like I disagree, because for me, first of all, she has a different life situation, but for me to keep income coming in steadily, because this is my only job, I feel like that's the way to do it. And I also feel like other industries, like my husband doesn't only get paid when he goes to the board meeting. He's getting paid every other week for his job that he does for the company that he works for. And so to try to approximate a little bit of a normal salary, I feel like that's the way to do it. But then I also see the other side, and I see why Ann Patchett wouldn't do it, because she's Ann Patchett, you know, so she can take whatever time she needs...KJ Dell'AntoniaSee that's so funny. Because I think, well, you can do this because you're Meg Mitchell Moore, and Meg Mitchell Moore is going to sell and a KJ Dell'Antonia, one of them will, and the others somewhat less, so at least that's my my record at the moment. So I guess we just all see each other differently. My co-host Sarina sells on proposal.Meg Mitchell MooreOkay, so fiction, that's fiction?KJ Dell'AntoniaYeah, yeah. She sold thrillers and romances that way. Okay, so she has a bigger track record. But also, I've known people, you know, I guess there's just different ways of of of doing it. And I would not say that I chose this. It chose me.Meg Mitchell MooreInteresting, but there was always that chance. I mean, my agent... If I said to my agent, I don't want to sell till I write, she would say, Great, that might be better for both of us. We'll probably sell it for more, because you might write something really good, but I just don't want to take that. I'm too impatient, you know, I'm just Yes, maybe, if, you know, maybe if I had, you know, had some big blockbuster, and then I thought, Okay, now for two years, it doesn't matter what's coming in, because I'm getting money from that book, that would be different. But, um, that's not how it works for most people.KJ Dell'AntoniaYeah, and maybe I would feel less impatient with getting this done if I weren't like, I want to get to the point where I know if we're going to sell like, I wrote a whole thing last summer, and it never got to the point that we felt like we could sell it, and I I'm sick of it. I can't write it anymore. I'm done with it. I mean, maybe I'll come back to it, but, yeah, right. And like, I've had, you know, a freelance editor at it who's really good. My agent's been at it. I finished it like three times, and apparently it still sucks. So I'm done.Meg Mitchell MooreSo that's interesting, because I always think that I would not be writing good books if I didn't know if my editor gets a very messy draft, and all of my editors have gotten bad dress and really helped me. And without that step, I don't think I would ever write a book that could even be sold. So I feel like I need to know, okay, somebody else who is better at this is going to be helping me really soon. I just need to get through it.KJ Dell'AntoniaThat's that would be amazing. I don't think my editor cares enough about me to do that. So...Meg Mitchell MooreOh, my editor would absolutely prefer a cleaner draft. Like, no question. I mean, she would be delighted if I showed it to five people and got feedback, but I'm always in a rush. So I'm like, here you're the first reader. Here you go. She's like, thank you.KJ Dell'AntoniaYeah, that's my agent. I'll be like, Look, I'm done it's great! and She's no... it is great, but you know what would be really great? Poor agent. Yeah, okay. So, so we're we're both impatient, but we're doing this in in very different ways. Well, now I want to hear more about that. How do you go from a first draft with no body, to a final draft where the body, it's definitely one of the things that's pushing people to turn the page. It's not the only thing. So maybe that's the good news of not having started with a body. Also, did you know whose body it was?Meg Mitchell MooreUm, we discussed because, yeah, I mean, we discussed a little bit about it. I remember thinking, Could it be this person? And here's why we wouldn't want that person. Could it be this person? So we had some discussion. I didn't write it. I once I knew who it was. I didn't write multiple versions of it. I always had that person. But, and I guess I just think of it as more of a framing device than anything, and a framing device, you can add the frame later.KJ Dell'AntoniaYeah.Meg Mitchell MooreSo the middle was mostly what was happening, was happening, and then there was this framing device and and then there are certain things at the end that kind of came together. And I was like, Oh my gosh, this makes it all come together. But I didn't know that in the beginning. And that was so you may be late.KJ Dell'AntoniaDid you not know how the body became a body?Meg Mitchell MooreAh, that changed. There was...KJ Dell'AntoniaYeah, I could see that.Meg Mitchell MooreAnd then I thought, oh my gosh, this is kind of what I needed to pull together all those themes. It was those exciting moments that really don't happen very often.KJ Dell'AntoniaOh, I bet and I mean, I can see it from the outside as a reader. It really did. It made it like your ending is one of those endings that changes the whole, your whole reading experience for the better, right? Not that it wasn't a great reading experience the whole time. You know, sometimes somebody doesn't stick the landing, and then you're like, yeah, no, I don't really want to recommend this. I mean, it was fine, right? But, and sometimes it's just great. It's like, solid. You're happy, yay. Okay, that's a good, it's a good. Yours colors the entire like, if I were somebody who would go back and reread it, would color the entire experience differently.Meg Mitchell MooreOh, Thank you!KJ Dell'AntoniaYeah, which is cool, yeah, very cool.Meg Mitchell MooreNow, when I wrote Vacationland, I started with a body, and the body came out. So I had the opposite experience, where I thought I was writing a thriller. The whole time. I was like, this is going to be my thriller. There's a body. And I had it all. And to me, it made sense. It all tied up, and my different editor, but my then editor said, I like everything but the body.KJ Dell'AntoniaWow.Meg Mitchell MooreWe had to keep it was first it was a an important body, and then it was a less important body, and then it became the body of a seal, because I had to have just a scene of children looking at something they found in the water in the very beginning. And so it was a body, and then it was a seals body. This time. I got to keep my body at least.KJ Dell'AntoniaSo I love this also, because you haven't been, um, pigeonholed into a genre that involves bodies or doesn't involve bodies. Has that been a thing as you've as you've gone from book to book where people are like, well, I don't know… Meg, people don't really want you to kill people or the, you know, the opposite. Well, I don't know, people are kind of looking for some more thrills from you.Meg Mitchell MooreWell, Vacationland. I remember that editor said they don't, we don't want this from you. We want, we don't want. We want a summer book. We don't want. We're not looking for a thriller. You know, they had other thrillers. You know what? They're doing their own end of the business, too. So they definitely said that this time. I mean, I feel like I'm not pigeonholed, but categorized as beach as a beach book. But I think within beach books you can do all of those things. Yeah. So if I were to write a giant thriller that I said, I think this should come out in the fall, and it's a big book, I that's when they would probably say, I don't know if your audience, if you have the audience, right, pull that off unless the book is amazing, you know? I do feel like I need to come out in the summer to keep my readers.KJ Dell'AntoniaYeah, I actually love that. That beach book is a You're right. It's a pretty big genre. It encompasses a lot. It encompasses a lot of of things, the only requirement being that it's, you know, entertaining, which, as far as I'm concerned, is a book requirement anyway. But...Meg Mitchell MooreRight, right. It is interesting because my books also happen to usually take place on beaches, but not all beach books do. So it is, it has become a very big category and competitive like you also want to stand out in that category, because there are so many books with the word summer in the title or the word beach in the title, or this. Actually, this cover is a departure for me, which I love, because I feel like I have done the just the oceanscape or the main or the woman looking at the water. I've had those kinds of covers.KJ Dell'AntoniaIt's your first... It's, it's, it's a cartoony cover. I don't, I don't mean that it, you know that sounds Yeah, it's almost a romancy cover. But there's only one person. First. I'm just so you guys should, it'll, it'll be in the show notes. You should, you should take a look, because you're right. It is a departure. I see, yeah, I see what you're saying there. But this one's, it's a hardback, right?Meg Mitchell MooreYes.KJ Dell'AntoniaYeah. Have all your books come out first in hardback?Meg Mitchell MooreThey have, yep.KJ Dell'AntoniaNice, cool.Meg Mitchell MooreHave yours?KJ Dell'AntoniaNo, none.Meg Mitchell MooreNone? Okay, now, what do you now…? Do you think that… that, I sometimes I feel like that's a great thing too.KJ Dell'AntoniaI go back and forth on that. My agent is bummed about it. But for me, it's frankly, much easier to, like, go out to everyone and be like, spend $18 versus be like spend $38.Meg Mitchell MooreI agree.KJ Dell'AntoniaSo I haven't minded. Oh, and I was at the Newburyport Book Festival a few years ago, and they accidentally got my second book only in hard book, because it was, it came out in hardback and paperback at the same time, which there was a moment of about six months when publishers were doing that, and then they stopped and they only had the hardback. And I was like, Oh, I don't even want anyone to buy that. Like that, isn't I would be mad if I bought a hardback...Meg Mitchell MooreRight, right.KJ Dell'AntoniaAnd then the next day, I was at the store and was like, hey!?Meg Mitchell MooreRight, yeah, it's interesting, because I do actually love… because I bought your book The Chicken Sisters this weekend, in paperback, and I love, I love paperback, yeah, I love it.KJ Dell'AntoniaFor travel…?Meg Mitchell MooreLighter, yeah, and I think it is appealing. It's so interesting. I mean, I remember Emily Henry's first couple, at least, came out paperback, and then now that she can sell so well, they now they come in hardcover, but I still feel like...KJ Dell'AntoniaI look at them and I'm like, I don't want that that way. Now, I'll just buy a digital version, because I don't that's not…Meg Mitchell MooreRight? Right. It's really interesting. And I know I don't understand the sales end of it, the way that the people who are doing the job do, and the profits and the margin and all that. But I kind of feel like, why isn't everything in paperback right away? You know?KJ Dell'AntoniaYeah, no, I feel the same way. And and also people's, especially now we're thinking, we're talking about beach books. Some people's beach I mean, if my beach vacation is an airplane beach vacation, I might bring one hardback, maybe...Meg Mitchell MooreRight.KJ Dell'AntoniaAnd maybe, probably not, because I'm a fast reader, I could easily eat that on the plane, and then there I would be. So...Meg Mitchell MooreRight.KJ Dell'AntoniaI don't know.Meg Mitchell MooreRight, yeah.KJ Dell'AntoniaI guess that's what e-readers are for.Meg Mitchell MooreThat's true.KJ Dell'AntoniaWell, I mean, gosh, I could probably talk to you about in depth, about the writing of this for about 12 hours. Because, okay, one one last thought. So listeners, Meg writes like we said, in multiple points of view. Talk to me about how you know when to change the point. You know what point of view a scene should be told from?Meg Mitchell MooreYeah, I don't. I'm it's so much. I do so much rewriting, a lot of that. I mean, I'm just thinking, I just turned in a draft yesterday of, hopefully next summer's novel, and I that is also multiple points of view. It's, I think it's mostly three, it's three adult sisters and they each have a point of view. There might be a couple little scattered things, but when I look back, I think I need to probably adjust, even in the draft I just turned in, I think I'm a little heavily weighted toward one over the other, so I don't always know. I just go on gut and instinct, and then I fix it later, which is how I do almost everything. I just go by instinct, and it's usually wrong And I change it later.KJ Dell'AntoniaSo, you'll, you'll be like, you've written a scene, and the point of view of one person, you realize, oh, either it's the other person's turn to have some more time, or I need their inner thoughts, not this person's inner thought...Meg Mitchell MooreRight. Yeah, its not very organized.KJ Dell'AntoniaAnd sometimes you drop in like, you know, a kid on a beach or something, is that when you need something to happen that you that your protagonists don't know? Or just, you just feel like?Meg Mitchell MooreI think, I think it's fun. I just think it's fun sometimes to have this person you haven't heard from and you won't hear from again. But a lot I probably did. I probably do that. It probably gets taken out 80% of the time when I do that, because usually it doesn't make sense. But I just wanted to do it. I did it in my book. I just turned in and the first this scene between the a realtor and her husband, the realtor who's selling this house that these people are in. She doesn't matter to the book, but I just really wanted to write the scene of her and her husband, and I even wrote in the draft. I know this doesn't make sense, and my editor said, Yeah, this doesn't make sense. Like, you either need more of them, or they need to go. I don't know what they're...KJ Dell'AntoniaDo you ever give them away for? Like, you know, here's your pre order bonus. Read this extra scene…Meg Mitchell MooreI should do that. Maybe I'll do that. They'll do that. I have never done that, but maybe I will. But I feel like, I think it might be Anne Tyler. I remember reading an interview. Is she the one who does the strings like she has strings with different?KJ Dell'AntoniaMaybe, i don't know.Meg Mitchell MooreEvery character has a different colored string, and then she pulls down the red one because it's the red, you know, that's how she knows who she's writing. And I thought that was really cool, but I've never done it.KJ Dell'AntoniaThat sounds like a lot of work.Meg Mitchell MooreI guess.KJ Dell'AntoniaAnd, like, I would need a different…I need a bulletin board. Okay.Meg Mitchell MooreYeah, I don't know where you, where I would hang it from, but it's just seems kind of nice to think, then maybe...KJ Dell'AntoniaYeah it does.Meg Mitchell MooreShe knows if she's done the right amount for everybody.KJ Dell'AntoniaYeah, The Chicken Sisters is alternating points of view. And I just, I just alternated. And then sometimes that was a problem, and I had to figure out, like, how to get somebody's feelings? Yeah? So....Meg Mitchell MooreYeah, it's confusing. I don't know why I do it to myself, because sometimes I'll just read a perfectly, a book that's just perfectly written in first person. I'm trying to think of an example right now, because I don't even always read that much in first person, but like, Yellowface? … Yellowface. Okay, that book was so, like, simple in a way, but I love I loved it. I thought it was brilliant, and it was all just this point of view, and...KJ Dell'AntoniaAnd didn't you occasionally get, like a newspaper article? I think...Meg Mitchell MooreMaybe, maybe.KJ Dell'AntoniaThat must have been what she did when she had something her person couldn't know.Meg Mitchell MooreYeah. I guess, yeah. I guess, technically, it would be harder to do it all from one because you how do they know everything? But I feel like I get lost, like I have trouble. I literally lose the plot, because I'm just this person's off doing something in their day that might have nothing to do with what's going on. I get really caught up in that kind of stuff, and that's what I have to edit out.KJ Dell'AntoniaYeah, I'm always trying not to do that. I'll sit there while I'm writing, like, No, do not let them move their coffee cup. They can move the coffee cup in a later draft, if the coffee cup is still here, if they're even still in this coffee shop, if this coffee shop even exists. But I can't seem to stop it. My my like, default mode is, you know, he said while taking a sip and burning his lip or whatever, right? Just, I can't seem to not do it.Meg Mitchell MooreYeah, but sometimes that's where you get the gold too, because you wrote all that, and maybe that one sentence is the thing that you needed. So it's just the process.KJ Dell'AntoniaYeah, it is. It's just the process, and it's longer than we hope and slower than we hope...Meg Mitchell MooreAlways...Always. Yes.KJ Dell'AntoniaAnd more, and more revising. Well, do you have any, like, genius words about revision for people? Because it sounds like you do a lot of it.Meg Mitchell MooreI do a lot of it. I think just is so important. It's just so for me, it's so important. I just think nobody gets it right. I hope nobody gets it right the first time. Because if they do, I'm really jealous, but I think for the most part, nobody gets it right the first time. So revision is, I mean, I'd say I spent almost as much time on the revision I probably do as I do on the first draft.KJ Dell'AntoniaDo you still lie to yourself in the first draft and let yourself pretend it's going to be right?Meg Mitchell MooreOh yeah. I always think, Oh, this is the time I did it, I nailed it, and then I get my editorial letter, and it's like, great start. Here's the 700 things that you need to do now.KJ Dell'AntoniaWell, thank you. I feel better. I hope everyone else does too.Meg Mitchell MooreYeah, it's a long process.KJ Dell'AntoniaIt really is, all right. Well, this was fantastic. I really enjoyed it.Meg Mitchell MooreYeah, me too.KJ Dell'AntoniaAs we hit the end of any episode, we always like to ask people what they've been reading. So I hope I'm not springing that on you.Meg Mitchell MooreNo, I just I always have an audio book going and a regular book going on audio I just started the Emily Henry, the new Emily Henry, which I've never listened to her books. I've always read them, and I know that Julia, the famous Julia Whelan, is always her narrator, so and she's phenomenal. So I'm loving the audio version, which is just funny that I've never done it with Emily Henry before.KJ Dell'AntoniaDid you listen to Julia Whelan's book that she wrote herself?Meg Mitchell MooreMhmm.KJ Dell'AntoniaThat was so fascinating, because it really was different, like I actually read it, but I could feel the… yeah. Anyway, okay.Meg Mitchell MooreOh, you should go back and also listen. It's so it's such a good audio book.KJ Dell'AntoniaI bet.Meg Mitchell MooreYeah, it was fantastic. And then I'm reading a novel called The Road to Dalton that my friend Hannah, who owns the Book Shop of Beverly Farms in Beverly Farms, Massachusetts, phenomenal store recommended to me. So I bought it last time I was there, and it is about a bunch of people in a small town in Maine, which is my vibe immediately I was in. But it's very good. So I'm reading that. I can't, I can't remember the author, which is unusual for me, but Shannon something I think [Shannon Bowring].. But it's The Road to DaltonKJ Dell'AntoniaThat's okay. I will find it well. As everyone is gathered, I just finished Mansion Beach. I I really loved it. It was a rare book that I loved even more when I got to the end of it. And, yeah, it was amazing. And also in that, that vibe, that sort of small town Maine and yet, but this is like small island, middle of the Atlantic. Welcome to Glorious Tuga. Have you heard of this one?Meg Mitchell MooreNo. I've never heard of it.KJ Dell'AntoniaOkay, so it's a tiny island settled 300 years ago by a miscellanea of Dutch and British and and African people didn't have any locals. So that's kind of and they have formed the society. It's only open for half the year, because you can't, like, get a boat into it, because storms and currents and whatnot. So this woman has gone thinking that she's going to study the native tortoise population all Darwin, but she gets there and they're like, great. You're a vet. That's what we need. So it's kind of like all creatures great and small meets...I don't even know what it meets yet, I got to come up with that. But it's really a lot of fun. And it's very multi it's multi POV in a really interesting way, because you're with her, and then sort of whenever you kind of get a little interested in someone else, you're like, Oh, why are they doing that? Then maybe you'll switch to their POV. it's really, I really enjoyed it so, so that was fun. So those are my ranks, all right. Well, thank you so much, listeners for joining us, and thank you, Meg for joining me today. Where can people follow you? Where's the best?Meg Mitchell MooreMostly on Instagram @Meg Mitchell Moore, I'm on Facebook, but I don't use it very often and I kinda want to leave it. So…I also just read the Facebook, the Facebook memoir.KJ Dell'AntoniaOh yeah?Meg Mitchell MooreNo, I really want to leave Facebook, but also I know that they own Instagram. So anyway, Instagram is the best place to find me, and I was so happy to be here. Thank you. It was really fun.KJ Dell'AntoniaThis was super. Okay. Thanks everyone for listening, and until next week, keep your butt in the chair and your head in the game.Sarina BowenThe hashtag am writing podcast is produced by Andrew Perella. Our intro music, aptly titled unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe
You had questions; we did our best to answer them. It's the Piranesi Q&A episode. Happy listening! Up next: An ask-us-anything mailbag episode, then we'll be kicking off a new series on The Great Gatsby. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe
Author Chris Whipple says Biden's family and closest advisors operated in denial regarding his ability to serve another term: "There's no doubt that they were protecting the president." Whipple spoke with campaign insiders to get a behind-the-scenes look at what happened in 2024. His book is Uncharted: How Trump Beat Biden, Harris, and the Odds in the Wildest Campaign in History. Our book critic Maureen Corrigan shares an appreciation of The Great Gatsby for its 100th anniversary.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
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