Podcasts about The Great Gatsby

A hair metal band recruited by the CIA, fake newlyweds and retellings of "The Great Gatsby" are among the stories selected by Up To Date's panel of readers as the best books to pick up this summer.

Wildfires rage near the Grand Canyon forcing evacuations at the iconic landmark, while Canadian fires impact air quality in the Northern U.S. Also, major fast-casual restaurants – including Panera, Chipotle and Cava – leverage loyalty programs and summer discounts to draw in new customers. Plus, the green light blazes on: TODAY celebrates the 100th anniversary of F. Scott Fitzgerald's novel ‘The Great Gatsby' with a tour of the extravagant 1974 movie set with Sam Waterson. And, beauty expert Zanna Roberts Rassi shares the best waterproof makeup brands perfect for a summer beach day. 

Join us as Matt and Mandy battle it out to determine which book is better -- The Great Gatsby, or To Kill a Mockingbird. It's a doozy, folks. Come cast your vote!

Is this movie great or is it just bad in disguise?Welcome to the Movies to Watch Before You Die Podcast with Gab and Dylan!Movies To Watch Before You Die merch here - https://moviestowatchbeforeyoudie-shop.fourthwall.com/Look up the movie here - https://www.imdb.com/title/tt0095705/Find us everywhere here - https://linktr.ee/moviestowatchbeforeyoudie00:00 Welcome02:41 What's it about?13:08 Opinion Time42:20 Let's get to the facts53:02 VerdictsWe're a member of the Hall of Pods, find links for our podcasting friends here - https://linktr.ee/hallofpodsWho are we: A former actress and video editor but more than anything we're movie fans like you.Why listen? Why not! We're gonna talk about movies you love, movies you hate, and movies you've never heard of. We can't wait to hear what you think of them too. If you want to tell us your opinion on whether or not a movie is one we should watch before we die, tell us we're wrong, or tell us you like the show send us an email or voice message at moviestowatchbeforeyoudie@gmail.com . We can't wait to hear from you and we can't wait to talk movies!Thanks to Scott Interrante for the music in our intro!Thanks to Brian Maneely for our artwork!Movies Dylan and Gab agree you should watch before you die: Vampire's Kiss, Die Hard, Tropic Thunder, Wag the Dog, The Legend of Billie Jean, You've Got Mail, True Lies, The Room, Game Night, The Truman Show, The Great Gatsby, Whiplash, The Lost Boys, The Fugitive, Spider-Man: Into the Spider-Verse, My Cousin Vinny, Shutter Island, Starship Troopers, Big, Joy Ride, The Jerk, Alien/Aliens, Best in Show, Freaky Friday, Over the Garden Wall, North, Catch Me If You Can, Clue, Jerry Maguire, Groundhog Day, The Great Mouse Detective, Chicago, Wall-E, Teenage Mutant Ninja Turtles, Breakdown, Cool Runnings, Ruthless People, Mean Girls, Borat, A League of Their Own, City Slickers, Jingle All the Way, Saw, The Lion King, Little Big League, The Naked Gun, and Young Frankenstein

I'm giving 1-800 SLOOTS the serious attention it deserves and taking your calls from a VERY special dial up phone (vintage from Argentina IF you even care…) These are my favorite videos to record right now because you sloots are that good. Mind in the gutter with your boss? Faking a British accent? Love the beach but stuck in cow-town? This episode is for you. Also, don't worry I fill you in on the Great Gatsby party (hint: it's similar to my Lana Del Rey at Coachella story, if you know you know.) Enjoy sloots! Keep calling ; ) To be featured on the next 1-800 SLOOTS, leave a voicemail at +19295654836

This week, Michael LaPointe celebrates a century of The Great Gatsby; and Miranda France on an epistolary novel by Natalia Ginzburg.'The Cambridge Centennial Edition of The Great Gatsby', by F Scott Fitzgerald, edited by James LW West III, with an introduction by Sarah Churchwell'The Annotated Great Gatsby', by F Scott Fitzgerald, edited by James LW West III, with an introduction by Amor Towles'The Great Gatsby and Stories from All the Sad Young Men', by F Scott Fitzgerald, edited by Philip McGowan, with an introduction by Min Jin Lee'The Bloomsbury Handbook to F Scott Fitzgerald', edited by Laura Rattray and Linda Wagner-Martin'The City and the House', by Natalia Ginzburg, translated by Dick DaviesProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

All the neurochemicals in the brain have to do with life in the present. Except for one: dopamine. Dopamine is the one neurochemical that looks to the future. It anticipates what may be to come and drives you towards it.That can be a good thing — dopamine is one powerful motivator — but it also has its downsides. Here to help us understand how the most important chemical in the brain works and how to deal with its pitfalls is Michael Long. Michael is a trained physicist turned writer whose latest book is Taming the Molecule of More. Mike and I discuss how dopamine, for better and worse, makes you want what you don't have. He shares what causes low dopamine activity, how to know if you're experiencing it, and what increases dopamine. We then talk about how to deal with the consequences of dopamine in some of the scenarios in which it plays a role — like losing the spark in a relationship and getting stuck in a smartphone scroll habit — and why so much of taming dopamine comes down to living in the here and now. We end our conversation with why The Great Gatsby is really a novel about dopamine and the fundamental answer to not letting the dopamine chase lead you around.Resources Related to the PodcastMike's previous appearance on the AoM podcastAoM Article: How to Do a Dopamine ResetAoM Podcast #745: Do You Need to Take a Dopamine Fast?AoM Article: Your Life Explained Through DopamineConnect With Michael Long  Taming the Molecule website

Hey, hun! It's your old friends, the Book Squad, with an exciting opportunity for you! We'd love to invite you to join us for our discussion about El Dorado Drive by Megan Abbott. We talk about the sisters' relationships, money troubles, good ol' fashioned pyramid schemes, and all things shocking and revolting. Drop in for our next Othersode on 7/22 featuring guests Janet Dale and Allison Renner, co-authors of Green Light: A Gatsby Cycle. We'll be revisiting Baz Luhrmann's The Great Gatsby with them!. Then read along with us for our second Sayaka Murata Bookpisode pick, Vanishing World, on 8/5! Don't forget to check out our Patreon and leave us a 5-star rating on Apple Podcasts!TOC:30– Welcome! And icebreaker9:00–Book intro11:20–The Bishop sisters and their relationship23:33–What's their problem?29:45–MLM business46:00– The murder part56:56–TWISTS that are SHOCKING AND REVOLTING1:01:00–Ratings1:04:40–Feedback1:08:00– What's up next?Links:The chefs at sororities: https://www.instagram.com/oldscoolkevmo/?hl=en

Die SRF-Kritikerrunde bespricht ein aktuelles und ein immer noch aktuelles Buch: «Drei Wochen im August», das aktuelle Buch der deutschen Schriftstellerin Nina Bussmann, und «The Great Gatsby», das immer noch aktuelle Jahrhundertwerk des US-Amerikaners F. Scott Fitzgerald. Warme Ferientage an der Atlantikküste. Was idyllisch klingt entpuppt sich in Nina Bussmanns Roman «Drei Wochen im August» als unheilvolles Kammerspiel. Zwei Frauen, drei Kinder und ungebetene Gäste sind im französischen Ferienhaus mit Konflikten konfrontiert, die sie nicht austragen. Und während die Situation zu eskalieren droht, brennen rundherum schon die Wälder. Dieser Roman überzeugt Tim Felchlin durch seine bedrohliche Spannung und feinsinnige Psychologie. Der Roman «The Great Gatsby» des US-Amerikaners F. Scott Fitzgerald zählt zu den bekanntesten Romanen der amerikanischen Literatur. Das Buch über einen Multimillionär, der getrieben ist von der Sehnsucht nach einer ehemaligen Geliebten, ist eines der weltweit meistgelesenen Bücher. Vor genau hundert Jahren ist es erschienen. Es sei bis heute packend zu lesen, findet Felix Münger, auch deshalb, weil es trotz seines Alters Einblicke in das Wesen und Funktionieren der USA vermittelt - gerade auch in Zeiten Donald Trumps. Buchhinweise: Nina Bussmann. Drei Wochen im August. 317 Seiten. Suhrkamp, 2025. F. Scott Fitzgerald. Der grosse Gatsby. Aus dem Amerikanischen von Bettina Abarbanell. 249 Seiten. Diogenes, 2025. Wiederholung der BuchZeichen-Sendung vom 08.04.2025

For this "Summer Best-Of" we've put together some of our favorite conversations our centennial series, 100 Years of 100 Things:Ashley Stimpson, Maryland-based freelance journalist who writes about science and conservation, takes us through the past 100 years of kids going to the woods for summer camp.Victoria Rosner, dean of the Gallatin School at NYU and the author of Machines for Living: Modernism and Domestic Life (Oxford University Press, 2020), talks about the post-World War I development of modernism (and post-modernism) across the arts and beyond.Maureen Corrigan, the book critic for Fresh Air, Georgetown professor and the author of So We Read On: How The Great Gatsby Came to Be and Why It Endures (Hachette, 2014), looks at the 1925 publication of the novel, The Great Gatsby, and why it continues to resonate with readers one hundred years later.Polo shirts, khaki shorts, and boat shoes: the classic uniform of elites on their days off.  Avery Trufelman, host of the podcast Articles of Interest, delves into the last 100 years of preppies and their clothes. These interviews were polished up and edited for time, the original versions are available here:100 Years of 100 Things: Summer Camps (Aug 26, 2025)100 Years of 100 Things: Modernism (Jan 8, 2025)100 Years of 100 Things: The Great Gatsby (Jan 13, 2025)100 Years of 100 Things: Preppies and Their Clothes (Mar 26, 2025)

As always, you had plenty of great questions about our current book and on this episode we did our best to answer a bunch of them. Thanks for tuning in to and participating in this series. Happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe

Depart with us as we go into the terminal to discuss the first Final Destination.Welcome to the Movies to Watch Before You Die Podcast with Gab and Dylan!Movies To Watch Before You Die merch here - https://moviestowatchbeforeyoudie-shop.fourthwall.com/Look up the movie here - https://www.imdb.com/title/tt0095705/Find us everywhere here - https://linktr.ee/moviestowatchbeforeyoudie00:00 Welcome01:02 What's it about?05:14 Opinion Time35:20 Let's get to the facts47:02 VerdictsWe're a member of the Hall of Pods, find links for our podcasting friends here - https://linktr.ee/hallofpodsWho are we: A former actress and video editor but more than anything we're movie fans like you.Why listen? Why not! We're gonna talk about movies you love, movies you hate, and movies you've never heard of. We can't wait to hear what you think of them too. If you want to tell us your opinion on whether or not a movie is one we should watch before we die, tell us we're wrong, or tell us you like the show send us an email or voice message at moviestowatchbeforeyoudie@gmail.com . We can't wait to hear from you and we can't wait to talk movies!Thanks to Scott Interrante for the music in our intro!Thanks to Brian Maneely for our artwork!Movies Dylan and Gab agree you should watch before you die: Vampire's Kiss, Die Hard, Tropic Thunder, Wag the Dog, The Legend of Billie Jean, You've Got Mail, True Lies, The Room, Game Night, The Truman Show, The Great Gatsby, Whiplash, The Lost Boys, The Fugitive, Spider-Man: Into the Spider-Verse, My Cousin Vinny, Shutter Island, Starship Troopers, Big, Joy Ride, The Jerk, Alien/Aliens, Best in Show, Freaky Friday, Over the Garden Wall, North, Catch Me If You Can, Clue, Jerry Maguire, Groundhog Day, The Great Mouse Detective, Chicago, Wall-E, Teenage Mutant Ninja Turtles, Breakdown, Cool Runnings, Ruthless People, Mean Girls, Borat, A League of Their Own, City Slickers, Jingle All the Way, Saw, The Lion King, Little Big League, The Naked Gun, and Young Frankenstein

It's a bit late, but better late than never, right? Apologies for the delay! The upload speeds weren't great in the English countryside. All the same, we've come to the end of The Great Gatsby, which means it's time to talk about some of the most memorable passages in American literature. Join us as we dig in. Happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe

A deliciously queer romcommy episode is here! Author Susie Dumond returns to chat with us about the 2025 remake of the film The Wedding Banquet in all of its low-key chaotic glory. Then we interview Susie about her brand new novel, Bed and Breakup (available TODAY, June 24th, wherever you get books!). Drop back in on July 8th for our next Bookpisode on El Dorado Drive by Megan Abbott. Then we've got another returning guest, Janet Dale, and a brand new guest, Allison Renner, joining us on July 22nd to talk about Baz Luhrmann's The Great Gatsby and their new co-authored book of flash fiction and found poetry, Green Light: A Gatsby Cycle! Want more BSG? Well you can at least get a monthly email of BSG pet pics by supporting us on Patreon for just $3 a month!  TOC::30– Welcome to Susie! And icebreaker8:52–Movie intro16:00– Let's talk about the decisions these characters make27:00–Is this movie successful in recontextualizing this type of story?33:37–Mommy corner46:44– Interview with the wonderful Susie Dumond! About Bed and Breakup, her new book!1:17:00– What's up next? Links:Go find Susie!: https://susiedumond.com/ https://www.instagram.com/susiedoom/?hl=en 

“Better than Gatsby.”   Chatter rolls with Claude, Torie, and Jamie as David recovers from NBA finals.  They break down DOD events, and Rocco's shot contest beats all. Best selling author and screenwriter Kyra Davis Lurie zooms in the share “The Great Mann.” Describing it as a reimagining of “The Great Gatsby,” as many do, doesn't do justice to this deeply researched look at class and wealth and Black identity in postwar Los Angeles. It's Lurie's first turn at historical fiction; hopefully not her last.

"EDITH HEAD: OLD HOLLYWOOD'S QUEEN OF FASHION" (093) EPISODE 93 -  6/23/25 With eight Academy Awards to her name — more than any other woman in history — EDITH HEAD wasn't just a costume designer; she was a storyteller in fabric, silhouette, and sparkle. From BETTE DAVIS to GRACE KELLY to AUDREY HEPBURN, she dressed the biggest stars of the silver screen, leaving an indelible mark on both fashion and film. In this episode, we explore how a shy schoolteacher became the most powerful woman in Hollywood wardrobes, her collaborations with iconic directors like Alfred Hitchcock, and how her designs helped shape characters, define eras, and influence fashion far beyond the studio lot. So, slip into something fabulous, and let's step behind the curtain into the life and legacy of the great Edith Head. SHOW NOTES:  Sources: Dressing Up The Stars: The Story of Movie Costume Designer Edith Head (12022), by Jeanne Walker Harvey;  Edith Head: The 50 Year Career of Hollywood's Greatest Costume Designer (2010), by Jay Jorgensen; Edith Head: The Life and Times of Hollywood's Celebrated Costume Designer (2003), by David Chierichetti; Edith Head's Hollywood (1983), by Edith Head; The Dress Doctor (1959), by Edith Head; “How To Dress For the Oscars,” February 11, 2015, ⁠www.oscars.com⁠; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned:  Wings (1927); The Saturday Night Kid (1929); Love Me Tonight (1932); She Done Him Wrong (1933); Little Miss Marker (1934); Rhythm on the Range (1936); College Holiday (1936); The Jungle Princess (1936); Internes Can't Take Money (1937); The Big Broadcast of 1938 (1938); Thanks for the Memories (1938); Mad about Music (1938); Dangerous To Know (1938);  Beau Geste (1939); Remember the Night (1939); The Cat and the Canary (1939);  The Lady Eve (1941); Sullivan's Travels (1941); The Glass Key (1942); I Married a Witch (1942); Star Spangled Rhythm (1942); Hold That Blonde (1945); The Blue Dahlia (1946); Holiday Inn (1942); The Uninvited (1944); Double Indemnity (1944); Incendiary Blonde (1945); To Each His Own (1946); The Strange Love of Martha Ivers (1946); A Connecticut Yankee in King Arthur's Court (1949); The Great Gatsby (1949);  Notorious (1946); The Emperor's Waltz (1948); The Heiress (1949); All About Eve (1950); Sunset Boulevard (1950); Samson & Delilah (1949); A Place in the Sun (1951); Roman Holiday (1953); Sabrina (1954);  Funny Face (1957); Rear Window (1954); To Catch a Thief (1955); The Trouble With Harry (1955); The Man Who Knew Too Much (1956); Vertigo (1958); Ace In the Hole (1951); The Greatest Show on Earth (1952); Shane (1953); White Christmas (1954);  The Rose Tattoo (1955); The Rainmaker (1956); The Ten Commandments (1957); Loving You (1958); The Pink Panther (1963); A Shot In the Dark (1964); The Man Who Shot Liberty Valance (1963); Love With the Proper Stranger (1963); Sex and the Single Girl (1964); Inside Daisy Clover (1965); The Great Race (1965);  Penelope (1966); This Property is Condemned (1966); G.I. Blues (1960);  Blue Hawaii (1961);  Girls! Girls! Girls! (1962);  Fun In Acapulco (1963);  Roustabout (1964); Paradise Hawaiian Style (1966); What a Way to Go! (1964); Sweet Charity (1969); Summer and Smoke (1961);  Hud (1963); The Birds (1963); Harlow (1965); Barefoot in the Park (1967); Butch Cassidy & the Sundance Kid (1969); Topaz (1969); Airport (1970); Airport ‘75 (1974); Airport ‘77 (1977); Myra Breckenridge (1970); Lady Sings The Blues (1972); The Sting (1974); The Great Waldo Pepper (1975);,  The Man Who Would Be King (1976);  Family Plot (1976); Gable and Lombard (1976); W.C. Fields and Me (1976); Rooster Cogburn (1975); Sextette (1978); Dead Men Don't Wear Plaid (1982); --------------------------------- ⁠http://www.airwavemedia.com⁠ Please contact ⁠sales@advertisecast.com⁠ if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In today's episode, Stephen and Mark talk about two short stories from author Alix E. Harrow. They have reviewed her work before when they discussed her novels "The Ten Thousand Doors of January" and "Starling House".  Tonight's bourbon is Old Orleans from The Beautiful & The Damned Distillery. Some of you might notice that the name of the distillery also happens to be the title of an F. Scott Fitzgerald novel. Don't know who good old F. Scott is?  Well, first, crawl out of the caves, you loveable morlock!  Second, he wrote The Great Gatsby and Tender Is The Night. The label on the bottle is a depiction of Moby Dick, and the name Old Orleans is a reference to the influence New Orleans had on the evolution of bourbon in America.  See that?  Culture with just a glance!   Home :: The Beautiful and the Damned Whiskey Author | Alix E. Harrow

Bestselling, award-winning author, and founder of the LA Review of Books, Tom Lutz, returned to talk with me about life in the French countryside, his writer's residency, and the greatest year in literary history, 1925. He's a Professor Emeritus of Creative Writing at UC Riverside, and the author of multiple bestselling and award-winning titles – translated into dozens of languages – including Doing Nothing (American Book Award winner), Crying, American Nervousness, 1903 (both New York Times Notables), and Born Slippy, his first novel. His latest, 1925: A Literary Encyclopedia, is described as an “… exploration of one of the richest moments in our literary and cultural history .… an explosion of literary innovation, from the rise of modernist masterpieces like Mrs. Dalloway and The Great Gatsby to a boom in pulp fiction.” Besides founding the Los Angeles Review of Books, "... a nonprofit organization dedicated to promoting and disseminating ... engaging writing on every aspect of literature, culture, and the arts," Tom also founded The LARB Radio Hour, The LARB Quarterly Journal, The LARB/USC Publishing Workshop, and LARB Books. He and his wife now run a residency for writers and artists in St. Chamassy, in France's Dordogne region. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In Part Two of this file Tom Lutz and I discussed: Adjusting to the life of a country gentleman and all the great wines Why he cares less than ever about what people think of his work The legion of classic texts that came out of one of the most prolific years in history How 1925 birthed so much progress for American culture Why literature is the R&D wing of human enterprise, especially in 2025 And a lot more! Show Notes: 1925: A Literary Encyclopedia by Tom Lutz TomLutzWriter.com⁠ All things ⁠LARB⁠ French Presse - St.-Chamassy Writers' Residency: A quiet place to live and work in the French countryside. ⁠Tom Lutz's Amazon Author Page⁠ ⁠Tom Lutz on Facebook⁠ ⁠Tom Lutz on Instagram⁠ ⁠Tom Lutz on Twitter⁠ Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Artist Exploration Curtis Holland (Broadway's The Great Gatsby) and Director of MTCA, Charlie Murphy discuss;

Mike sits with Sigrid Nunez, recipient of a 2025 Windham Campbell Prize for Fiction, to discuss F. Scott Fitzgerald's The Great Gatsby and whether or not it really is "the Great American Novel." Sigrid Nunez is the author of ten books, including the National Book Award-winning novel The Friend (2018), which has been celebrated by the New York Times as one of the 100 best books of the 21st Century. The recipient of many awards, including a Guggenheim Fellowship (2020), a Berlin Prize Fellowship (2005), the Rome Prize in Literature (2001), and a Whiting Award (1993), Nunez has taught at Boston University, Columbia, the New School, and Princeton, among other institutions with esteemed literary programs, and now devotes herself to writing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to our series on F. Scott Fitzgerald's novel, in which we discuss his best novelistic skills, including his ability to deal in subtext while also creating mood. Plus: the way the book explores the dissonance between desire and reality, whether any of these characters have any interest in (or capacity to see) higher things, and much more. Happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe

Elisabeth Ovesen, formerly known as Karrine Steffans and author of Confessions of a Video Vixen, recently opened up about her experiences with Sean "Diddy" Combs during the early 2000s. She recounted meeting Diddy in 2001 after being "gifted" to him by a music executive following a night of partying. Ovesen described the encounter as something she entered with awareness, choosing to document her experiences within the entertainment industry. She depicted the atmosphere at Diddy's parties as extravagant and chaotic, likening them to The Great Gatsby—featuring tuxedo-clad men, topless women, and trays of drugs and champagne circulating among guests.While Ovesen clarified that she was not a victim of Diddy's actions, she described witnessing environments rife with power imbalances and instances of men exerting control over women. She empathized with those who have come forward with allegations against Diddy, acknowledging the complex and often exploitative dynamics in such settings. Ovesen's account paints a vivid picture of the entertainment world at the time, shedding light on the toxic culture that enabled abuses of power behind closed doors.to contact me:bobbycapucci@protonmail.comsource:Sean 'Diddy' Combs allegations: Former hip-hop dancer speaks out about the industry - 'They share women. They share secrets' | Ents & Arts News | Sky Newsshow lessBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

In this episode, we dive into Don't Sleep with the Dead by Nghi Vo—a haunting, magical companion to The Chosen and the Beautiful. Set in the late 1930s, Nick Carraway is still pretending—about his past, his identity, and his humanity—until a familiar figure from 1922 returns. Dead or not, Gatsby isn't finished with him. A reimagining of The Great Gatsby like you've never heard before.Author ReadsLooking for Hamlet by Marvin W. HuntThe Lies of Ajungo by Moses Ose Utomi

Dr. Jeffrey Johnson from the Kewanee Schools Foundation joined Wake Up Tri-Counties to talk about 2025 scholarships, the Great Gatsby fundraiser in April, the outdoor fitness court, new band instruments, Wall of Honor updates, the alumni newsletter, and tennis courts. The Kewanee Schools Foundation recently awarded $155,000 in scholarships to 52 students from the 127 graduates of the Class of 2025, acknowledging nearly 4,000 collective service hours. Five new scholarships, including those honoring local families and first responders, were introduced. “An Evening with the Great Gatsby” fundraiser brought in $25,000 toward an outdoor fitness court, which, despite delays, remains slated for completion this year.  Five new scholarships were awarded this year, including the John Headlund, John Spets Family Memorial, Kyle and May Kay DeJaeger, James Mock Memorial (Kewanee First Responders), and Margo Eastman Barry Memorial Scholarships.  The Wall of Honor outside the Peterson Auditorium will have updated plaques soon. Over 7,000 newsletters will be mailed to registered alumni at the end of the month. The future tennis courts may include a Marjabelle Stewart Memorial Butterfly Garden in honor of Marjabelle Stewart and match the mural on the outdoor fitness court. If you would like to register for the newsletter or read back newsletters, visit the Kewanee Schools Foundation website.  For more details or to contribute, visit their website or Facebook page, call the foundation at 309-856-8702, or their office at 1001 N. Main Street, Kewanee, IL 61443.

We'll need to watch our Phraseology as we deal with flimflam from this weeks guest, KeenMachine, and 1962's The Music ManWelcome to the Movies to Watch Before You Die Podcast with Gab and Dylan!Find more KeenMachine and the Gone Phishing podcast here - https://open.spotify.com/show/6pmYS8YX8TJ2x7MTUWLC5TMovies To Watch Before You Die merch here - https://moviestowatchbeforeyoudie-shop.fourthwall.com/Look up the movie here - https://www.imdb.com/title/tt0095705/Find us everywhere here - https://linktr.ee/moviestowatchbeforeyoudie00:00 Welcome01:24 What's it about?05:30 Opinion Time50:50 Let's get to the facts01:07:01 Mail Time01:17:31 VerdictsWe're a member of the Hall of Pods, find links for our podcasting friends here - https://linktr.ee/hallofpodsWho are we: A former actress and video editor but more than anything we're movie fans like you.Why listen? Why not! We're gonna talk about movies you love, movies you hate, and movies you've never heard of. We can't wait to hear what you think of them too. If you want to tell us your opinion on whether or not a movie is one we should watch before we die, tell us we're wrong, or tell us you like the show send us an email or voice message at moviestowatchbeforeyoudie@gmail.com . We can't wait to hear from you and we can't wait to talk movies!Thanks to Scott Interrante for the music in our intro!Thanks to Brian Maneely for our artwork!Movies Dylan and Gab agree you should watch before you die: Vampire's Kiss, Die Hard, Tropic Thunder, Wag the Dog, The Legend of Billie Jean, You've Got Mail, True Lies, The Room, Game Night, The Truman Show, The Great Gatsby, Whiplash, The Lost Boys, The Fugitive, Spider-Man: Into the Spider-Verse, My Cousin Vinny, Shutter Island, Starship Troopers, Big, Joy Ride, The Jerk, Alien/Aliens, Best in Show, Freaky Friday, Over the Garden Wall, North, Catch Me If You Can, Clue, Jerry Maguire, Groundhog Day, The Great Mouse Detective, Chicago, Wall-E, Teenage Mutant Ninja Turtles, Breakdown, Cool Runnings, Ruthless People, Mean Girls, Borat, A League of Their Own, City Slickers, Jingle All the Way, Saw, The Lion King, Little Big League, The Naked Gun, and Young Frankenstein

The Great Mann by Kyra Davis Lurie transports readers into a narrative of wealth, race, class and fame. Kyra joins us to chat about writing Los Angeles, respectability politics, reimagining The Great Gatsby, complicated characters and more with host Miwa Messer. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): The Great Mann by Kyra Davis Lurie The Great Gatsby by F. Scott Fitzgerald The Wrong End of the Telescope by Rabih Alameddine Matrix by Lauren Groff The Emperor of Gladness by Ocean Vuong The Perishing by Natasha Deón Ask the Dust by John Fante Sharp Teeth by Toby Barlow

A full U.S. Marine battalion, comprised of more than 700 Marines, is now mobilized to respond to the deportation protests in Los Angeles. Though Governor Gavin Newsom and Los Angeles Mayor Karen Bass have both called for Trump not to use the California National Guard, some of 4000 guardsmen have also been activated. In order for members of the military to make arrests, Trump would need to invoke the Insurrection Act. So far, the military members may be an intimidating show of force against protesters, but they cannot take on law-enforcement duties. Why is Trump crossing this line? We will ask Pulitzer Prize winning investigative journalist and the author David Cay Johnston.Author Kyra Davis Lurie will stop by. She is a New York Times best selling author and screenwriter. Her new book, The Great Man, released today, is her first historical fiction novel. In this retelling of The Great Gatsby, the story is set among L.A.'s black elite. It's Tech Tuesday and our Jefferson Graham has some thoughts about newly released features coming to the next iPhones.The Mark Thompson Show 6/10/25Patreon subscribers are the backbone of the show! If you'd like to help, here's our Patreon Link:https://www.patreon.com/themarkthompsonshowMaybe you're more into PayPal.  https://www.paypal.com/donate/?hosted_button_id=PVBS3R7KJXV24And you'll find everything on our website: https://www.themarkthompsonshow.com 

Welcome to a new series of episodes on another wonderful book. It's our first re-read here on Close Reads and it's timely, too, since The Great Gatsby just turned 100 years old! So join in as we discuss what's made F. Scott Fitzgerald's novel last a century, what makes Nick Carraway a compelling narrator, the tragic longing at the nostalgic core of the story, and much more. Happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe

This week Tillich Today welcomes Kristy Whaley from Theology on the Rocks to talk about our shared love for The Great Gatsby, why the mountains of North America are haunted, and all things Ted Lasso. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fascinating conversation about THE GREAT MANN, Lurie's new retelling of The Great Gatsby set in the affluent Black community of Sugar Hill. We delve into the history of wealth, class and civil rights, including the complexities of Black identity and education in both post-war America and current times. Kyra Davis Lurie is a New York Times bestselling author and screenwriter. Her novels have been published in nine languages across six continents. Kyra was born and raised in California and lives in Los Angeles with her husband and their utterly perfect dog, Potus. Visit her website at: https://kyradavislurie.com/ Spies, Lies, and Private Eyes is copyrighted by Authors on the Air Global Radio Network #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers#writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #terrencemccauley #terrencemccauleybooks #bookouture #thrillers #TheTwilightTown #KyraDavisLurie #TheGreatMann

Episode 245 - The Thinklings Podcast Welcome to Episode 245 of The Thinklings Podcast! We're kicking off the summer episodes with a goofy intro, some literary reflection, and a final meditation! It's a shorter book, a longer book, and a Scripture-rich close to the show. Thanks for listening to this week's episode!

We're in between books so we answered as many of your questions as we could—which is to say, this is one of those wide-ranging episodes on a variety of topics. Snack foods, book organization, novels we wish we wrote, protecting the canon, Lewis or Tolkien, and much more. Hope you enjoy! Until next time, happy reading. Up next: Chapters 1-3 of The Great Gatsby. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe

Join Host Bree Carlile as she reads The Great Gatsby.Come with us as we release one bite a day of one of your favorite classic novels, plays & short stories. Bree reads these classics like she reads to her daughter, one chapter (or part) a day. If you love books or audiobooks and want something to listen to as you're getting ready, driving to work, or as you're getting ready for bed, check out Bite at a Time Books!Follow, rate, and review Bite at a Time Books where we read you your favorite classics, one bite at a time. Available wherever you listen to podcasts.Check out our website, or join our Facebook Group!Get exclusive Behind the Scenes content on our YouTube!We are now part of the Bite at a Time Books Productions network! If you ever wondered what inspired your favorite classic novelist to write their stories, what was happening in their lives or the world at the time, check out Bite at a Time Books Behind the Story wherever you listen to podcasts.Follow us on all the socials: Instagram - Twitter - Facebook - TikTokFollow Bree at: Instagram - Twitter - Facebook

Join Host Bree Carlile as she reads The Great Gatsby.Come with us as we release one bite a day of one of your favorite classic novels, plays & short stories. Bree reads these classics like she reads to her daughter, one chapter (or part) a day. If you love books or audiobooks and want something to listen to as you're getting ready, driving to work, or as you're getting ready for bed, check out Bite at a Time Books!Follow, rate, and review Bite at a Time Books where we read you your favorite classics, one bite at a time. Available wherever you listen to podcasts.Check out our website, or join our Facebook Group!Get exclusive Behind the Scenes content on our YouTube!We are now part of the Bite at a Time Books Productions network! If you ever wondered what inspired your favorite classic novelist to write their stories, what was happening in their lives or the world at the time, check out Bite at a Time Books Behind the Story wherever you listen to podcasts.Follow us on all the socials: Instagram - Twitter - Facebook - TikTokFollow Bree at: Instagram - Twitter - Facebook

Author Kyra Davis Lurie joins Mark Thompson to discuss her new historical novel, The Great Mann, set in the glamorous West Adams Heights neighborhood of 1940s Los Angeles. They explore the rich culture of the Black business elite, the controversies around Black performers of the time, and the larger-than-life figures who brought the community to life. Kyra also shares upcoming events to promote her book and why The Great Mann is being compared to The Great Gatsby—don't miss it!

Join Host Bree Carlile as she reads The Great Gatsby.Come with us as we release one bite a day of one of your favorite classic novels, plays & short stories. Bree reads these classics like she reads to her daughter, one chapter (or part) a day. If you love books or audiobooks and want something to listen to as you're getting ready, driving to work, or as you're getting ready for bed, check out Bite at a Time Books!Follow, rate, and review Bite at a Time Books where we read you your favorite classics, one bite at a time. Available wherever you listen to podcasts.Check out our website, or join our Facebook Group!Get exclusive Behind the Scenes content on our YouTube!We are now part of the Bite at a Time Books Productions network! If you ever wondered what inspired your favorite classic novelist to write their stories, what was happening in their lives or the world at the time, check out Bite at a Time Books Behind the Story wherever you listen to podcasts.Follow us on all the socials: Instagram - Twitter - Facebook - TikTokFollow Bree at: Instagram - Twitter - Facebook

Meg Mitchell Moore is the author of Mansion Beach, a page-turner-y multi POV summer saga with everything you could ask for: a beach, a body, rich people behaving badly but also sometimes not behaving badly, parties, drama and just enough gender-swapped Gatsby to think hard about the meaning of the American Dream. I loved it (KJ here) and I also loved this conversation with Meg, who apparently thinks in multiple POVS and is always just as impatient as I am to feel like the book is done and wonderful when sadly it is… not. #AmReadingMeg: Audio: Great Big Beautiful Life, Emily Henry—Julia WhelanAlso mentioned: Julia Whelan's Thank You for ListeningPrint: The Road to Dalton, Shannon Bowringfrom The Book Shop of Beverly FarmsKJ: Mansion BeachWelcome to Glorious Tuga, Francesca SegalFind Meg at @megmitchellmoore on IG, or visit her website at www.megmitchellmoore.comHEY. Did you know Sarina's latest thriller is out NOW? Rowan Gallagher is a devoted single mother and a talented architect with a high-profile commission restoring an historic mansion for the most powerful family in Maine. But inside, she's a mess. She knows that stalking her ex's avatar all over Portland on her phone isn't the healthiest way to heal from their breakup. But she's out of ice cream and she's sick of romcoms. Watching his every move is both fascinating and infuriating. He's dining out while she's wallowing on the couch. The last straw comes when he parks in their favorite spot on the waterfront. In a weak moment, she leashes the dog and sets off to see who else is in his car. Instead of catching her ex in a kiss, Rowan becomes the first witness to his murder—and the primary suspect.Digital books at: Amazon | Nook | Apple Books | Kobo | Google Play | Audible Physical books at: Bookshop.org | Amazon | Barnes & Noble | Indigo | More paperback links here!New! Transcripts below!EPISODE 450 - TRANSCRIPTKJ Dell'AntoniaKJ here announcing a new series and a definite plus for paid supporters of Hashtag AmWriting. It's Writing the Book, a conversation between Jenny, who's just finished a blueprint for her next nonfiction book, and me because I've just finished the blueprint for what I hope will be my next novel. Jenny and I are both trying to quote-unquote "play big" with these next go-rounds, which is a meta effort for Jenny as that's exactly what her book is about, and we're basically coaching each other through, trading pages, thoughts and encouragement, as well as some sometimes hard-to-hear honesty about whether we're really going in the right direction. So come all in on team Hashtag AmWriting, and you'll get those Writing the Book episodes right in your pod player along with access to monthly AMAs, the book labs, first pages episodes, and come summer, we shall blueprint once again. So sign yourself up at amwritingpodcast.com.All SpeakingIs it recording? Now it's recording. Yay. Go ahead. This is the part where I stare blankly at the microphone. Try to remember what I'm supposed to be doing. Alright. Let's start over. Awkward pause. I'm gonna rustle some papers. Okay. Now one, two, three.KJ Dell'AntoniaHey, I'm KJ Dell'Antonia, and this is Hashtag AmWriting, the weekly podcast about writing all the things. Short things, long things, pitches, proposals, fiction, nonfiction, memoir, other things I'm probably not thinking of. We are the podcast about sitting down and getting your work done. And I am KJ Dell'Antonia, the author of three novels, The Chicken Sisters, In Her Boots and Playing the Witch Card, as well as a nonfiction book, How to Be a Happier Parent, former editor of The New York Times Motherlode. You've heard all this. With me today, more importantly, is Meg Mitchell Moore, who has written a book that I think you're gonna find is your summer go to. It is called Mansion Beach, and I loved it. And we'll talk about it in a second. She is also the author of Summer Stage, Vacationland, can attest to both of those great reads. The Islanders, Two Truths and a Lie, The Admissions, loved that one too. They're all great. So, anyway, lots of lots of novels in the family saga, sometimes touch of romance, beach, summer, deep, but also page turnery read genre, which is not a genre because that was too long. But, anyway, Meg, thanks for coming to chat.Meg Mitchell MooreThank you for having me. I'm so happy to be here. This is gonna be really fun.KJ Dell'AntoniaSo I've read some of your other books, obviously, and I felt like this one Mansion Beach was you sort of moving to a different this. It's a little how to describe it. You've got a lot of points of view, which you always, you often do, and a little bit of of a mystery, which actually, I've seen you do before, and then you've got a podcast going on so that you can have different people show show off what's happening. I guess I was hoping you would talk about the evolution of style, um, actually, over your whole career, sort of from, like, I'm writing a kind of a basic book with a couple of points of view and third person close, or maybe first person to these bigger, bigger stories with so much more to so much more to offer the reader. That's a really big question. Start wherever you want.Meg Mitchell MooreThat's a great question. I I don't know if it has been such an evolution. I have always written multiple points of view to the point where it makes me crazy. And I wish I could. I wish I could do one or two. I really wish I could. I've tried it. I can't do it. I just can't. My brain doesn't work that way. It's I can't do it. So even my very first novel, which I published in 2011 it was called The Arrivals, that was a much smaller story. So yes, I for sure, I've evolved plot wise, but I remember, and this was when I was brand new and did not know what I was doing, and I was just trying to figure out how to write a novel. I had so many points of view. And I remember my now agent. Maybe she was not my agent then and was becoming my agent, or maybe she was already my agent, but I remember her saying, we have to take out at least like five of these points of view. And it's still, it still has a lot. I just that's how I think those are the kind of books I like to read, usually, not always, for one thing, but it just. Must be how I think I'm always in everybody's head, and it's really hard for me to restrain that. So this book, I don't think, has any more points of view than any other. Might have fewer than some. It does have a mystery.KJ Dell'AntoniaYeah it might, then some that I've read, I guess I I, I saw it as different, maybe in part because of the the use of the podcast to frame things.Meg Mitchell MooreYeah that's new. And then it's a bigger, you know, it's a bigger idea. It's a, it's not a retelling of The Great Gatsby, because I don't like to use that word, but it is inspired by The Great Gatsby. So it has definitely some bigger I was looking at bigger themes, maybe from the start. A lot of times I back my way into the themes based on what my characters are doing. I don't always start with the themes, but this time i i was looking at some of those big whether, what's the American dream and what does success mean, and how does money equate with happiness, and some of those bigger questions. And I don't always do that. I might do it in reverse, but I don't always do that first. So I do think it has bigger theme wise, it's bigger maybe plot wise, yeah. And some of the elements, some of the elements that move it along, are a little different. I was working with a new editor for the first time for this. This is my first full book with my new editor. So I think that had something to do with it too, because I think she was probably pushing me for some of those elements that don't come naturally to me, which I think ended up being good for the book.KJ Dell'AntoniaYeah, it's a little more thriller. Isn't exactly the right word, but there's definitely a page turning mystery in there. I know here's, this is like a so there's a page turning mystery in Mansion Beach, and the question all along for the reader, like, you know somebody is going to die. But I at least did not know who, but I had an advance, and it came as a as a digital book, so I didn't have the cover and I didn't have the blurb on the back, if a reader has those things, are they gonna know?Meg Mitchell MooreInteresting.KJ Dell'AntoniaAre they gonna know? Who it is that that dies?Meg Mitchell MooreI don't think so. I don't think so. The people I know who have read it both ways, I think have not known.KJ Dell'AntoniaThat's good.Meg Mitchell MooreIt's sort of that white lotus effect, you know, for White Lotus fans out there, where there is a mystery, and you care about the mystery, but you also it matters, but it doesn't matter as much as what's going on with everybody else. So I really like that as a framing device. I like watching it and reading it. And I tried it myself this time. I did it a little bit in two truths and a lie as well. I guess that's my only other one that has a dead body, and a lot of people are mad at me for who the person was who died, which I want. And two truths...KJ Dell'AntoniaDon't give it up.Meg Mitchell MooreNo, I won't. So that was interesting, so I hadn't tried it again, and this time I went in a little nervous, because people had been upset with me, particularly my husband. But I I still, I mean, I had the chance not to do what I did in two truths and a lie, and I still chose to. So I still, for me, it was the right thing, but it was an interesting experience. And I didn't try it again for a couple books. And this time I did also because I was playing with some of the Gatsby themes. I mean, Gatsby has three bodies, so I thought, I mean, I should have at least one, so I won't, yeah, I won't give anything away about…KJ Dell'AntoniaNo, don't.Meg Mitchell MooreWho or what or how, but I did enjoy having that as a device to propel it now that also, I don't think that was in the first draft. I don't think there was a body in the first draft. I mean, there were huge changes in this book, and I think that was one of them. I think we decided we needed the body after one draft.KJ Dell'AntoniaWow. Okay, now I'm deeply fascinated, and of course, I'm trying. So I'm trying to make this interesting and useful for those of you who haven't read the book, although you could also stop, go get the book, and read it, and then listen to this, and then it would be even better.Meg Mitchell MooreThat is true.KJ Dell'AntoniaYeah. Okay, so let me just start by saying I am actually not a person who typically likes a book where your whole like, like, the question is, you know, either who died or who did it. So Lucy Foley, I've enjoyed some of those, but it's not necessarily my favorite go to genre, but the thing that made this book work great for me was exactly what you just said, that there's so much more to it. You I could see that this story would exist before you added that and that. I mean, that's so cool. And then I also, I'm not a Gatsby person, so neither of those would like, neither of those hooks is going to grab me. But what grabbed me, I think, was the different women, different versions of the American dream.Meg Mitchell MooreMm-hmm.KJ Dell'AntoniaIs that where you started?Meg Mitchell MooreI started… Yeah, I think so I would. Really, yes, I wanted to really look at notions of success, particularly for women today. You know, it's contemporary. It takes place that, you know, in the summer that is coming out, or that, if you actually match up the dates, and I think I messed up the tides and the moon in some places, but it's the summer. So yes, I was very interested in those questions. I was I wanted to have a love triangle, because I think that's interesting, and that's part of Gatsby too. So it's funny that you say you're not a Gatsby person. I think my first, another change from my first draft, was very Gatsby heavy. I think I tried to, I think it just was, I was trying too hard to to do the same thing. And…KJ Dell'AntoniaIt's kind of a reverse-gendered Gatsby.Meg Mitchell MooreIt is, yes, it's reverse gendered. But what I was doing was just, I was just trying to, I don't know what I was doing, but it was a mess. I mean, I always knew I wanted to play with Gatsby, but I tried to do it too closely. And I tried a little first person with the narrator, which that's how Gatsby is told, but I can't write him. Can't write successfully in first person. So that was a mess. And I remember that my editor probably looked at this thing and said, This is what are we doing? But what she said to me nicely was, you need to, like, don't worry so much about Gatsby at all, like you need to free yourself from those constraints, and you need to write the story. And that was the best advice, because that's when it started to come together. So it's more that Gatsby was a jumping off point, and some of those themes, I was so interested in how those themes are so relevant 100 years later, and they are, so I think I needed that as a jumping off point, but I didn't need to, you know, retell it scene by scene, or try to have the narrator feel the same, or do anything like that. And I had some missteps along the way before I figured that out.KJ Dell'AntoniaIt interests me that this doesn't seem to have taken any longer than your other books, did it?Meg Mitchell MooreUh, I felt like it took forever. My books have come out either with note with, you know, a year and then the next summer, or with two summers in between. This one has, this one has an empty summer in between. So I did need that extra writing time for this. And I remember, I always start out thinking I could do this in a year. I'll absolutely and I always hit. I'm a deadline hitter. You know, I always hit the deadlineKJ Dell'AntoniaYeah, you give them something.Meg Mitchell MooreYeah, I was a journalist for a long time. I just, I'm not late on things. I just always, I'm just, I always hit my deadlines, but it might be awful. And so this was nobody actually. I mean, it was pretty awful when I think back to that first draft, and I think that my editor and Agent thought, okay, we can do this. And I looked at it, and I looked at my schedule and my life and my brain, and I thought, I don't think I can do it very well. So we put it off for a year, which gave me not a year's writing time, but maybe six months that I hadn't had. And that made a big difference. So this one took a little longer. Same thing with vacation land. I had the exact same thing happen where I thought it was going to come out one summer, it came out the next summer, but Summer Stage and then the book coming out, if I finish it next summer, will have no extra time in between. So it kind of, I've gone both ways with it.KJ Dell'AntoniaDo you see any like consistency in why? Or it just sort of either happens that way or it doesn't?Meg Mitchell MooreI think I when I try bigger, when I try bigger books, I need more time, as it should be, but I always think I can do it. You know, I'm patience is not, is not my best quality. Impatience is my worst quality. So I find that I'm usually impatient to get something done or to hit the deadline or to put the book out, and I have to slow myself down when necessary, and vacation land. It was a different editor, same publisher, but different editor. I remember her saying, having that talk with me and saying, it will be a much better book. If we put it out the following year, it will be so much better. And she was right. So we needed that time.KJ Dell'AntoniaI so totally relate to this.Meg Mitchell MooreDo you?KJ Dell'AntoniaYeah, absolutely. I mean, I'm in the middle of it. Now, if anybody who's listening is also listening to our what the books are writing the books, what the books also like? It's a little mini series where one of my co-hosts is writing nonfiction and I'm writing fiction, and we're trading pages, and we're doing a weekly series of conversations. And this week's realization was, I have always known that I'm writing a story with multiple points of view, but I couldn't start it that way. I had. I had to start it with just this one protagonist. And then I thought, Oh, well, then it'll just be that, and it'll probably be really easy. Look, I've got this all planned out. I'm just gonna write. I'm just gonna, oh, I'll bet I can get, what if I got my agent a draft this summer? Hahaha, it's, you know, it's not good, but I'm so impatient. I want ...Meg Mitchell MooreRight, right. Well, I was listening to one of your to your podcast the other yesterday, and it was the one where you were talking about your story idea starting. How do you, how do you ideate the book?KJ Dell'AntoniaOh, gosh.Meg Mitchell MooreAnd you so you write a book, and then you present it to your agent, and then you sell it, right? So…KJ Dell'AntoniaYeah.Meg Mitchell MooreThat's your process. So I'm the opposite, where I write, I get the contract first, and then I have to write the book. And I don't know which is harder, because you don't have a built in deadline. You have your own deadlines that you said, but you're writing something that you said. Maybe this will sell, maybe it won't, I don't know, whereas I know it will eventually be published, but I also have that pressure of I have to get things in on time. So what do you think is, what's better? What's worse?KJ Dell'AntoniaI don't know. I envy your... I envy that way. I feel like that would make me feel more secure, more professional. My, my agent, doesn't… she's very against selling a book of mine, at least before I've written it, because she says, I'll, she says I might change it, and then, and then, it won't be what we sold or I won't be happy. So so I don't know if she's I think she's just against it as a general rule, but I know lots of agents that that do it, and I know a lot of of writers that do it. Sometimes I look at this and I'm like, you know, I could do a proposal. Maybe we could sell it. I could get some money. That would be lovely, right? Yeah. But...Meg Mitchell MooreI see, I see your point, and I know a lot of people think that way. I remember a long time ago when I'd either published, I think I'd published no novels. Maybe my book was about to be published, my first novel, and I heard Ann Patchett speak at a conference, and she said, she said that she would never take money for a book she hadn't written.KJ Dell'AntoniaWow.Meg Mitchell MooreAnd I remember thinking, Oh, well, if that's what Ann Patchett says, I guess that's what like, that's how the world is. But I disagree, like I disagree, because for me, first of all, she has a different life situation, but for me to keep income coming in steadily, because this is my only job, I feel like that's the way to do it. And I also feel like other industries, like my husband doesn't only get paid when he goes to the board meeting. He's getting paid every other week for his job that he does for the company that he works for. And so to try to approximate a little bit of a normal salary, I feel like that's the way to do it. But then I also see the other side, and I see why Ann Patchett wouldn't do it, because she's Ann Patchett, you know, so she can take whatever time she needs...KJ Dell'AntoniaSee that's so funny. Because I think, well, you can do this because you're Meg Mitchell Moore, and Meg Mitchell Moore is going to sell and a KJ Dell'Antonia, one of them will, and the others somewhat less, so at least that's my my record at the moment. So I guess we just all see each other differently. My co-host Sarina sells on proposal.Meg Mitchell MooreOkay, so fiction, that's fiction?KJ Dell'AntoniaYeah, yeah. She sold thrillers and romances that way. Okay, so she has a bigger track record. But also, I've known people, you know, I guess there's just different ways of of of doing it. And I would not say that I chose this. It chose me.Meg Mitchell MooreInteresting, but there was always that chance. I mean, my agent... If I said to my agent, I don't want to sell till I write, she would say, Great, that might be better for both of us. We'll probably sell it for more, because you might write something really good, but I just don't want to take that. I'm too impatient, you know, I'm just Yes, maybe, if, you know, maybe if I had, you know, had some big blockbuster, and then I thought, Okay, now for two years, it doesn't matter what's coming in, because I'm getting money from that book, that would be different. But, um, that's not how it works for most people.KJ Dell'AntoniaYeah, and maybe I would feel less impatient with getting this done if I weren't like, I want to get to the point where I know if we're going to sell like, I wrote a whole thing last summer, and it never got to the point that we felt like we could sell it, and I I'm sick of it. I can't write it anymore. I'm done with it. I mean, maybe I'll come back to it, but, yeah, right. And like, I've had, you know, a freelance editor at it who's really good. My agent's been at it. I finished it like three times, and apparently it still sucks. So I'm done.Meg Mitchell MooreSo that's interesting, because I always think that I would not be writing good books if I didn't know if my editor gets a very messy draft, and all of my editors have gotten bad dress and really helped me. And without that step, I don't think I would ever write a book that could even be sold. So I feel like I need to know, okay, somebody else who is better at this is going to be helping me really soon. I just need to get through it.KJ Dell'AntoniaThat's that would be amazing. I don't think my editor cares enough about me to do that. So...Meg Mitchell MooreOh, my editor would absolutely prefer a cleaner draft. Like, no question. I mean, she would be delighted if I showed it to five people and got feedback, but I'm always in a rush. So I'm like, here you're the first reader. Here you go. She's like, thank you.KJ Dell'AntoniaYeah, that's my agent. I'll be like, Look, I'm done it's great! and She's no... it is great, but you know what would be really great? Poor agent. Yeah, okay. So, so we're we're both impatient, but we're doing this in in very different ways. Well, now I want to hear more about that. How do you go from a first draft with no body, to a final draft where the body, it's definitely one of the things that's pushing people to turn the page. It's not the only thing. So maybe that's the good news of not having started with a body. Also, did you know whose body it was?Meg Mitchell MooreUm, we discussed because, yeah, I mean, we discussed a little bit about it. I remember thinking, Could it be this person? And here's why we wouldn't want that person. Could it be this person? So we had some discussion. I didn't write it. I once I knew who it was. I didn't write multiple versions of it. I always had that person. But, and I guess I just think of it as more of a framing device than anything, and a framing device, you can add the frame later.KJ Dell'AntoniaYeah.Meg Mitchell MooreSo the middle was mostly what was happening, was happening, and then there was this framing device and and then there are certain things at the end that kind of came together. And I was like, Oh my gosh, this makes it all come together. But I didn't know that in the beginning. And that was so you may be late.KJ Dell'AntoniaDid you not know how the body became a body?Meg Mitchell MooreAh, that changed. There was...KJ Dell'AntoniaYeah, I could see that.Meg Mitchell MooreAnd then I thought, oh my gosh, this is kind of what I needed to pull together all those themes. It was those exciting moments that really don't happen very often.KJ Dell'AntoniaOh, I bet and I mean, I can see it from the outside as a reader. It really did. It made it like your ending is one of those endings that changes the whole, your whole reading experience for the better, right? Not that it wasn't a great reading experience the whole time. You know, sometimes somebody doesn't stick the landing, and then you're like, yeah, no, I don't really want to recommend this. I mean, it was fine, right? But, and sometimes it's just great. It's like, solid. You're happy, yay. Okay, that's a good, it's a good. Yours colors the entire like, if I were somebody who would go back and reread it, would color the entire experience differently.Meg Mitchell MooreOh, Thank you!KJ Dell'AntoniaYeah, which is cool, yeah, very cool.Meg Mitchell MooreNow, when I wrote Vacationland, I started with a body, and the body came out. So I had the opposite experience, where I thought I was writing a thriller. The whole time. I was like, this is going to be my thriller. There's a body. And I had it all. And to me, it made sense. It all tied up, and my different editor, but my then editor said, I like everything but the body.KJ Dell'AntoniaWow.Meg Mitchell MooreWe had to keep it was first it was a an important body, and then it was a less important body, and then it became the body of a seal, because I had to have just a scene of children looking at something they found in the water in the very beginning. And so it was a body, and then it was a seals body. This time. I got to keep my body at least.KJ Dell'AntoniaSo I love this also, because you haven't been, um, pigeonholed into a genre that involves bodies or doesn't involve bodies. Has that been a thing as you've as you've gone from book to book where people are like, well, I don't know… Meg, people don't really want you to kill people or the, you know, the opposite. Well, I don't know, people are kind of looking for some more thrills from you.Meg Mitchell MooreWell, Vacationland. I remember that editor said they don't, we don't want this from you. We want, we don't want. We want a summer book. We don't want. We're not looking for a thriller. You know, they had other thrillers. You know what? They're doing their own end of the business, too. So they definitely said that this time. I mean, I feel like I'm not pigeonholed, but categorized as beach as a beach book. But I think within beach books you can do all of those things. Yeah. So if I were to write a giant thriller that I said, I think this should come out in the fall, and it's a big book, I that's when they would probably say, I don't know if your audience, if you have the audience, right, pull that off unless the book is amazing, you know? I do feel like I need to come out in the summer to keep my readers.KJ Dell'AntoniaYeah, I actually love that. That beach book is a You're right. It's a pretty big genre. It encompasses a lot. It encompasses a lot of of things, the only requirement being that it's, you know, entertaining, which, as far as I'm concerned, is a book requirement anyway. But...Meg Mitchell MooreRight, right. It is interesting because my books also happen to usually take place on beaches, but not all beach books do. So it is, it has become a very big category and competitive like you also want to stand out in that category, because there are so many books with the word summer in the title or the word beach in the title, or this. Actually, this cover is a departure for me, which I love, because I feel like I have done the just the oceanscape or the main or the woman looking at the water. I've had those kinds of covers.KJ Dell'AntoniaIt's your first... It's, it's, it's a cartoony cover. I don't, I don't mean that it, you know that sounds Yeah, it's almost a romancy cover. But there's only one person. First. I'm just so you guys should, it'll, it'll be in the show notes. You should, you should take a look, because you're right. It is a departure. I see, yeah, I see what you're saying there. But this one's, it's a hardback, right?Meg Mitchell MooreYes.KJ Dell'AntoniaYeah. Have all your books come out first in hardback?Meg Mitchell MooreThey have, yep.KJ Dell'AntoniaNice, cool.Meg Mitchell MooreHave yours?KJ Dell'AntoniaNo, none.Meg Mitchell MooreNone? Okay, now, what do you now…? Do you think that… that, I sometimes I feel like that's a great thing too.KJ Dell'AntoniaI go back and forth on that. My agent is bummed about it. But for me, it's frankly, much easier to, like, go out to everyone and be like, spend $18 versus be like spend $38.Meg Mitchell MooreI agree.KJ Dell'AntoniaSo I haven't minded. Oh, and I was at the Newburyport Book Festival a few years ago, and they accidentally got my second book only in hard book, because it was, it came out in hardback and paperback at the same time, which there was a moment of about six months when publishers were doing that, and then they stopped and they only had the hardback. And I was like, Oh, I don't even want anyone to buy that. Like that, isn't I would be mad if I bought a hardback...Meg Mitchell MooreRight, right.KJ Dell'AntoniaAnd then the next day, I was at the store and was like, hey!?Meg Mitchell MooreRight, yeah, it's interesting, because I do actually love… because I bought your book The Chicken Sisters this weekend, in paperback, and I love, I love paperback, yeah, I love it.KJ Dell'AntoniaFor travel…?Meg Mitchell MooreLighter, yeah, and I think it is appealing. It's so interesting. I mean, I remember Emily Henry's first couple, at least, came out paperback, and then now that she can sell so well, they now they come in hardcover, but I still feel like...KJ Dell'AntoniaI look at them and I'm like, I don't want that that way. Now, I'll just buy a digital version, because I don't that's not…Meg Mitchell MooreRight? Right. It's really interesting. And I know I don't understand the sales end of it, the way that the people who are doing the job do, and the profits and the margin and all that. But I kind of feel like, why isn't everything in paperback right away? You know?KJ Dell'AntoniaYeah, no, I feel the same way. And and also people's, especially now we're thinking, we're talking about beach books. Some people's beach I mean, if my beach vacation is an airplane beach vacation, I might bring one hardback, maybe...Meg Mitchell MooreRight.KJ Dell'AntoniaAnd maybe, probably not, because I'm a fast reader, I could easily eat that on the plane, and then there I would be. So...Meg Mitchell MooreRight.KJ Dell'AntoniaI don't know.Meg Mitchell MooreRight, yeah.KJ Dell'AntoniaI guess that's what e-readers are for.Meg Mitchell MooreThat's true.KJ Dell'AntoniaWell, I mean, gosh, I could probably talk to you about in depth, about the writing of this for about 12 hours. Because, okay, one one last thought. So listeners, Meg writes like we said, in multiple points of view. Talk to me about how you know when to change the point. You know what point of view a scene should be told from?Meg Mitchell MooreYeah, I don't. I'm it's so much. I do so much rewriting, a lot of that. I mean, I'm just thinking, I just turned in a draft yesterday of, hopefully next summer's novel, and I that is also multiple points of view. It's, I think it's mostly three, it's three adult sisters and they each have a point of view. There might be a couple little scattered things, but when I look back, I think I need to probably adjust, even in the draft I just turned in, I think I'm a little heavily weighted toward one over the other, so I don't always know. I just go on gut and instinct, and then I fix it later, which is how I do almost everything. I just go by instinct, and it's usually wrong And I change it later.KJ Dell'AntoniaSo, you'll, you'll be like, you've written a scene, and the point of view of one person, you realize, oh, either it's the other person's turn to have some more time, or I need their inner thoughts, not this person's inner thought...Meg Mitchell MooreRight. Yeah, its not very organized.KJ Dell'AntoniaAnd sometimes you drop in like, you know, a kid on a beach or something, is that when you need something to happen that you that your protagonists don't know? Or just, you just feel like?Meg Mitchell MooreI think, I think it's fun. I just think it's fun sometimes to have this person you haven't heard from and you won't hear from again. But a lot I probably did. I probably do that. It probably gets taken out 80% of the time when I do that, because usually it doesn't make sense. But I just wanted to do it. I did it in my book. I just turned in and the first this scene between the a realtor and her husband, the realtor who's selling this house that these people are in. She doesn't matter to the book, but I just really wanted to write the scene of her and her husband, and I even wrote in the draft. I know this doesn't make sense, and my editor said, Yeah, this doesn't make sense. Like, you either need more of them, or they need to go. I don't know what they're...KJ Dell'AntoniaDo you ever give them away for? Like, you know, here's your pre order bonus. Read this extra scene…Meg Mitchell MooreI should do that. Maybe I'll do that. They'll do that. I have never done that, but maybe I will. But I feel like, I think it might be Anne Tyler. I remember reading an interview. Is she the one who does the strings like she has strings with different?KJ Dell'AntoniaMaybe, i don't know.Meg Mitchell MooreEvery character has a different colored string, and then she pulls down the red one because it's the red, you know, that's how she knows who she's writing. And I thought that was really cool, but I've never done it.KJ Dell'AntoniaThat sounds like a lot of work.Meg Mitchell MooreI guess.KJ Dell'AntoniaAnd, like, I would need a different…I need a bulletin board. Okay.Meg Mitchell MooreYeah, I don't know where you, where I would hang it from, but it's just seems kind of nice to think, then maybe...KJ Dell'AntoniaYeah it does.Meg Mitchell MooreShe knows if she's done the right amount for everybody.KJ Dell'AntoniaYeah, The Chicken Sisters is alternating points of view. And I just, I just alternated. And then sometimes that was a problem, and I had to figure out, like, how to get somebody's feelings? Yeah? So....Meg Mitchell MooreYeah, it's confusing. I don't know why I do it to myself, because sometimes I'll just read a perfectly, a book that's just perfectly written in first person. I'm trying to think of an example right now, because I don't even always read that much in first person, but like, Yellowface? … Yellowface. Okay, that book was so, like, simple in a way, but I love I loved it. I thought it was brilliant, and it was all just this point of view, and...KJ Dell'AntoniaAnd didn't you occasionally get, like a newspaper article? I think...Meg Mitchell MooreMaybe, maybe.KJ Dell'AntoniaThat must have been what she did when she had something her person couldn't know.Meg Mitchell MooreYeah. I guess, yeah. I guess, technically, it would be harder to do it all from one because you how do they know everything? But I feel like I get lost, like I have trouble. I literally lose the plot, because I'm just this person's off doing something in their day that might have nothing to do with what's going on. I get really caught up in that kind of stuff, and that's what I have to edit out.KJ Dell'AntoniaYeah, I'm always trying not to do that. I'll sit there while I'm writing, like, No, do not let them move their coffee cup. They can move the coffee cup in a later draft, if the coffee cup is still here, if they're even still in this coffee shop, if this coffee shop even exists. But I can't seem to stop it. My my like, default mode is, you know, he said while taking a sip and burning his lip or whatever, right? Just, I can't seem to not do it.Meg Mitchell MooreYeah, but sometimes that's where you get the gold too, because you wrote all that, and maybe that one sentence is the thing that you needed. So it's just the process.KJ Dell'AntoniaYeah, it is. It's just the process, and it's longer than we hope and slower than we hope...Meg Mitchell MooreAlways...Always. Yes.KJ Dell'AntoniaAnd more, and more revising. Well, do you have any, like, genius words about revision for people? Because it sounds like you do a lot of it.Meg Mitchell MooreI do a lot of it. I think just is so important. It's just so for me, it's so important. I just think nobody gets it right. I hope nobody gets it right the first time. Because if they do, I'm really jealous, but I think for the most part, nobody gets it right the first time. So revision is, I mean, I'd say I spent almost as much time on the revision I probably do as I do on the first draft.KJ Dell'AntoniaDo you still lie to yourself in the first draft and let yourself pretend it's going to be right?Meg Mitchell MooreOh yeah. I always think, Oh, this is the time I did it, I nailed it, and then I get my editorial letter, and it's like, great start. Here's the 700 things that you need to do now.KJ Dell'AntoniaWell, thank you. I feel better. I hope everyone else does too.Meg Mitchell MooreYeah, it's a long process.KJ Dell'AntoniaIt really is, all right. Well, this was fantastic. I really enjoyed it.Meg Mitchell MooreYeah, me too.KJ Dell'AntoniaAs we hit the end of any episode, we always like to ask people what they've been reading. So I hope I'm not springing that on you.Meg Mitchell MooreNo, I just I always have an audio book going and a regular book going on audio I just started the Emily Henry, the new Emily Henry, which I've never listened to her books. I've always read them, and I know that Julia, the famous Julia Whelan, is always her narrator, so and she's phenomenal. So I'm loving the audio version, which is just funny that I've never done it with Emily Henry before.KJ Dell'AntoniaDid you listen to Julia Whelan's book that she wrote herself?Meg Mitchell MooreMhmm.KJ Dell'AntoniaThat was so fascinating, because it really was different, like I actually read it, but I could feel the… yeah. Anyway, okay.Meg Mitchell MooreOh, you should go back and also listen. It's so it's such a good audio book.KJ Dell'AntoniaI bet.Meg Mitchell MooreYeah, it was fantastic. And then I'm reading a novel called The Road to Dalton that my friend Hannah, who owns the Book Shop of Beverly Farms in Beverly Farms, Massachusetts, phenomenal store recommended to me. So I bought it last time I was there, and it is about a bunch of people in a small town in Maine, which is my vibe immediately I was in. But it's very good. So I'm reading that. I can't, I can't remember the author, which is unusual for me, but Shannon something I think [Shannon Bowring].. But it's The Road to DaltonKJ Dell'AntoniaThat's okay. I will find it well. As everyone is gathered, I just finished Mansion Beach. I I really loved it. It was a rare book that I loved even more when I got to the end of it. And, yeah, it was amazing. And also in that, that vibe, that sort of small town Maine and yet, but this is like small island, middle of the Atlantic. Welcome to Glorious Tuga. Have you heard of this one?Meg Mitchell MooreNo. I've never heard of it.KJ Dell'AntoniaOkay, so it's a tiny island settled 300 years ago by a miscellanea of Dutch and British and and African people didn't have any locals. So that's kind of and they have formed the society. It's only open for half the year, because you can't, like, get a boat into it, because storms and currents and whatnot. So this woman has gone thinking that she's going to study the native tortoise population all Darwin, but she gets there and they're like, great. You're a vet. That's what we need. So it's kind of like all creatures great and small meets...I don't even know what it meets yet, I got to come up with that. But it's really a lot of fun. And it's very multi it's multi POV in a really interesting way, because you're with her, and then sort of whenever you kind of get a little interested in someone else, you're like, Oh, why are they doing that? Then maybe you'll switch to their POV. it's really, I really enjoyed it so, so that was fun. So those are my ranks, all right. Well, thank you so much, listeners for joining us, and thank you, Meg for joining me today. Where can people follow you? Where's the best?Meg Mitchell MooreMostly on Instagram @Meg Mitchell Moore, I'm on Facebook, but I don't use it very often and I kinda want to leave it. So…I also just read the Facebook, the Facebook memoir.KJ Dell'AntoniaOh yeah?Meg Mitchell MooreNo, I really want to leave Facebook, but also I know that they own Instagram. So anyway, Instagram is the best place to find me, and I was so happy to be here. Thank you. It was really fun.KJ Dell'AntoniaThis was super. Okay. Thanks everyone for listening, and until next week, keep your butt in the chair and your head in the game.Sarina BowenThe hashtag am writing podcast is produced by Andrew Perella. Our intro music, aptly titled unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Join Host Bree Carlile as she reads The Great Gatsby.Come with us as we release one bite a day of one of your favorite classic novels, plays & short stories. Bree reads these classics like she reads to her daughter, one chapter (or part) a day. If you love books or audiobooks and want something to listen to as you're getting ready, driving to work, or as you're getting ready for bed, check out Bite at a Time Books!Follow, rate, and review Bite at a Time Books where we read you your favorite classics, one bite at a time. Available wherever you listen to podcasts.Check out our website, or join our Facebook Group!Get exclusive Behind the Scenes content on our YouTube!We are now part of the Bite at a Time Books Productions network! If you ever wondered what inspired your favorite classic novelist to write their stories, what was happening in their lives or the world at the time, check out Bite at a Time Books Behind the Story wherever you listen to podcasts.Follow us on all the socials: Instagram - Twitter - Facebook - TikTokFollow Bree at: Instagram - Twitter - Facebook

Join Host Bree Carlile as she reads The Great Gatsby.Come with us as we release one bite a day of one of your favorite classic novels, plays & short stories. Bree reads these classics like she reads to her daughter, one chapter (or part) a day. If you love books or audiobooks and want something to listen to as you're getting ready, driving to work, or as you're getting ready for bed, check out Bite at a Time Books!Follow, rate, and review Bite at a Time Books where we read you your favorite classics, one bite at a time. Available wherever you listen to podcasts.Check out our website, or join our Facebook Group!Get exclusive Behind the Scenes content on our YouTube!We are now part of the Bite at a Time Books Productions network! If you ever wondered what inspired your favorite classic novelist to write their stories, what was happening in their lives or the world at the time, check out Bite at a Time Books Behind the Story wherever you listen to podcasts.Follow us on all the socials: Instagram - Twitter - Facebook - TikTokFollow Bree at: Instagram - Twitter - Facebook

A century ago, America was the literary and intellectual powerhouse of the world. Black writers defined the black experience in the Harlem Renaissance, F. Scott Fitzgerald captured the glamour and hypocrisy of the jazz age in The Great Gatsby and thousands of detective, western and sci fi pulp novels were published, creating the foundations of modern genre fiction. Today we hear from Tom Lutz, founding editor of the LA Review of Books and author of 1925: A Literary Encyclopaedia and explore this extraordinary explosion of thought and literature. *****STOP PRESS*****I only ever talk about history on this podcast but I also have another life, yes, that of aspirant fantasy author and if that's your thing you can get a copy of my debut novel The Blood of Tharta, right here:Help the podcast to continue bringing you history each weekIf you enjoy the Explaining History podcast and its many years of content and would like to help the show continue, please consider supporting it in the following ways:If you want to go ad-free, you can take out a membership hereOrYou can support the podcast via Patreon hereOr you can just say some nice things about it here Become a member at https://plus.acast.com/s/explaininghistory. Hosted on Acast. See acast.com/privacy for more information.

Join Host Bree Carlile as she reads The Great Gatsby.Come with us as we release one bite a day of one of your favorite classic novels, plays & short stories. Bree reads these classics like she reads to her daughter, one chapter (or part) a day. If you love books or audiobooks and want something to listen to as you're getting ready, driving to work, or as you're getting ready for bed, check out Bite at a Time Books!Follow, rate, and review Bite at a Time Books where we read you your favorite classics, one bite at a time. Available wherever you listen to podcasts.Check out our website, or join our Facebook Group!Get exclusive Behind the Scenes content on our YouTube!We are now part of the Bite at a Time Books Productions network! If you ever wondered what inspired your favorite classic novelist to write their stories, what was happening in their lives or the world at the time, check out Bite at a Time Books Behind the Story wherever you listen to podcasts.Follow us on all the socials: Instagram - Twitter - Facebook - TikTokFollow Bree at: Instagram - Twitter - Facebook

You had questions; we did our best to answer them. It's the Piranesi Q&A episode. Happy listening! Up next: An ask-us-anything mailbag episode, then we'll be kicking off a new series on The Great Gatsby. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe

Join Host Bree Carlile as she reads The Great Gatsby.Come with us as we release one bite a day of one of your favorite classic novels, plays & short stories. Bree reads these classics like she reads to her daughter, one chapter (or part) a day. If you love books or audiobooks and want something to listen to as you're getting ready, driving to work, or as you're getting ready for bed, check out Bite at a Time Books!Follow, rate, and review Bite at a Time Books where we read you your favorite classics, one bite at a time. Available wherever you listen to podcasts.Check out our website, or join our Facebook Group!Get exclusive Behind the Scenes content on our YouTube!We are now part of the Bite at a Time Books Productions network! If you ever wondered what inspired your favorite classic novelist to write their stories, what was happening in their lives or the world at the time, check out Bite at a Time Books Behind the Story wherever you listen to podcasts.Follow us on all the socials: Instagram - Twitter - Facebook - TikTokFollow Bree at: Instagram - Twitter - Facebook

Join Host Bree Carlile as she reads The Great Gatsby.Come with us as we release one bite a day of one of your favorite classic novels, plays & short stories. Bree reads these classics like she reads to her daughter, one chapter (or part) a day. If you love books or audiobooks and want something to listen to as you're getting ready, driving to work, or as you're getting ready for bed, check out Bite at a Time Books!Follow, rate, and review Bite at a Time Books where we read you your favorite classics, one bite at a time. Available wherever you listen to podcasts.Check out our website, or join our Facebook Group!Get exclusive Behind the Scenes content on our YouTube!We are now part of the Bite at a Time Books Productions network! If you ever wondered what inspired your favorite classic novelist to write their stories, what was happening in their lives or the world at the time, check out Bite at a Time Books Behind the Story wherever you listen to podcasts.Follow us on all the socials: Instagram - Twitter - Facebook - TikTokFollow Bree at: Instagram - Twitter - Facebook

Join Host Bree Carlile as she reads The Great Gatsby.Come with us as we release one bite a day of one of your favorite classic novels, plays & short stories. Bree reads these classics like she reads to her daughter, one chapter (or part) a day. If you love books or audiobooks and want something to listen to as you're getting ready, driving to work, or as you're getting ready for bed, check out Bite at a Time Books!Follow, rate, and review Bite at a Time Books where we read you your favorite classics, one bite at a time. Available wherever you listen to podcasts.Check out our website, or join our Facebook Group!Get exclusive Behind the Scenes content on our YouTube!We are now part of the Bite at a Time Books Productions network! If you ever wondered what inspired your favorite classic novelist to write their stories, what was happening in their lives or the world at the time, check out Bite at a Time Books Behind the Story wherever you listen to podcasts.Follow us on all the socials: Instagram - Twitter - Facebook - TikTokFollow Bree at: Instagram - Twitter - Facebook

Join Host Bree Carlile as she reads The Great Gatsby.Come with us as we release one bite a day of one of your favorite classic novels, plays & short stories. Bree reads these classics like she reads to her daughter, one chapter (or part) a day. If you love books or audiobooks and want something to listen to as you're getting ready, driving to work, or as you're getting ready for bed, check out Bite at a Time Books!Follow, rate, and review Bite at a Time Books where we read you your favorite classics, one bite at a time. Available wherever you listen to podcasts.Check out our website, or join our Facebook Group!Get exclusive Behind the Scenes content on our YouTube!We are now part of the Bite at a Time Books Productions network! If you ever wondered what inspired your favorite classic novelist to write their stories, what was happening in their lives or the world at the time, check out Bite at a Time Books Behind the Story wherever you listen to podcasts.Follow us on all the socials: Instagram - Twitter - Facebook - TikTokFollow Bree at: Instagram - Twitter - Facebook

Join Host Bree Carlile as she reads The Great Gatsby.Come with us as we release one bite a day of one of your favorite classic novels, plays & short stories. Bree reads these classics like she reads to her daughter, one chapter (or part) a day. If you love books or audiobooks and want something to listen to as you're getting ready, driving to work, or as you're getting ready for bed, check out Bite at a Time Books!Follow, rate, and review Bite at a Time Books where we read you your favorite classics, one bite at a time. Available wherever you listen to podcasts.Check out our website, or join our Facebook Group!Get exclusive Behind the Scenes content on our YouTube!We are now part of the Bite at a Time Books Productions network! If you ever wondered what inspired your favorite classic novelist to write their stories, what was happening in their lives or the world at the time, check out Bite at a Time Books Behind the Story wherever you listen to podcasts.Follow us on all the socials: Instagram - Twitter - Facebook - TikTokFollow Bree at: Instagram - Twitter - Facebook

“A rally a day keeps the fascists away” – that's what Jamie Raskin says. He's the ranking Democrat on the House Judiciary Committee, and he talks about Trump's “world historical grift,” and why we shouldn't be pessimistic about defeating his efforts.Also: 20 minutes without Trump: 1925 is being celebrated this year as the centenary of The Great Gatsby by F. Scott Fitzerald -- but we're interested in some of the other books published that year. So we turn to Tom Lutz – his new book is titled “1925: A Literary Encyclopedia.” It's 800 pages long, and only 7 are on “Gatsby."Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

You might think of The Great Gatsby as a classic New York City novel –  but the events that set off the action of the story actually take place somewhere else. In Louisville, Kentucky. It's where Daisy and Gatsby first meet, and where Daisy marries Gatsby's rival, Tom Buchanan (boo, hiss!) In today's episode, we track down the footsteps of author F. Scott Fitzgerald, who spent two tumultuous months of his life near Louisville while stationed at an Army camp during WWI. And we'll try to find the places that might have inspired his most famous work… Plus: Track down Fitzgerald's footsteps in Louisville and find events related to the 100th birthday of the Great Gatsby.This episode was produced in partnership with Louisville Tourism.