Podcasts about Camera

Today, we travel to the Czech Republic, to a quiet town that once seemed ordinary. Behind closed doors, however, a nightmare was unfolding—one so disturbing it shocked not only the local community but the entire world. It began with the discovery of a hidden camera feed, a glimpse into a household where innocence was shattered and cruelty thrived. The story that emerged would reveal a twisted network of abuse, secrecy, and manipulation, leaving investigators horrified by the lengths some will go to in the name of power and control. This is the Kurim Case.SOURCES:1) Woman Arrested in Norway for Impersonating Teen2) DNA tests prove 32-year-old woman posed as teenager in child abuse case3) Morbidology Podcast: The Mauerova Family4) Grail Movement5) Child abuse case exposes Czech sect6) The Disturbing Tale of The Mauerova Cult Family7) Child abuse case continues in Brno8) Court hands jail sentences in bizarre child abuse case9) Woman who posed as girl set free but rearrested outside court10) Mother, aunt, mysterious woman-girl-boy sentenced in Brno child abuse case11) Six jailed for caging and abusing two young brothers13) Casefiles Podcast: Case 223 "The Kurim Case"

Steve Hayes is joined by C-SPAN CEO Sam Feist to discuss the state of news media and how C-SPAN's new show might offer a way forward. The Agenda:—News consumption in 2025—Being a “clinician”—C-SPAN's “Ceasefire”—Challenging the consumer—Camera's in Washington—C-SPAN's funding—How C-SPAN is different The Dispatch Podcast is a production of ⁠The Dispatch⁠, a digital media company covering politics, policy, and culture from a non-partisan, conservative perspective. To access all of The Dispatch's offerings—including access to all of our articles, members-only newsletters, and bonus podcast episodes—⁠click here⁠. If you'd like to remove all ads from your podcast experience, consider becoming a premium Dispatch member ⁠by clicking here⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Austin Mann shares his iPhone 17 Pro camera review in the Dolomites, in-depth explanation of Photographic Styles, benefits of 4x 48MP Telephoto, and how you can take better photos with iPhone.------------------------------Links from the showiPhone 17 Pro Camera Review: Dolomites — Travel Photographer - Austin ManniPhone 17 Pro Camera Review - Austin Mann (4K) - YouTube10 Years of iPhone — Travel Photographer - Austin Mann — Travel Photographer - Austin Mann------------------------------Send Us a Voice MemoWe want to hear from you! Send us a voice memo that may get played on the show! Click here to submit.------------------------------Show Notes via EmailSign up to get exactly one email per week from the Primary Tech guys with the full episode show notes for your perusal. Click here to subscribe.------------------------------Watch on YouTube!Subscribe and watch our weekly episodes plus bonus clips at: youtube.com/@primarytechshow------------------------------Join the CommunityDiscuss new episodes, start your own conversation, and join the Primary Tech community here: social.primarytech.fm------------------------------Support the showGet ad-free versions of the show plus exclusive bonus episodes every week! Subscribe directly in Apple Podcasts or here if you want chapters: primarytech.memberful.com/join------------------------------Reach out:Stephen's YouTube Channel@stephenrobles on ThreadsStephen on BlueskyStephen on Mastodon@stephenrobles on XJason's Inc.com Articles@jasonaten on Threads@JasonAten on XJason on BlueskyJason on Mastodon------------------------------We would also appreciate a 5-star rating and review in Apple Podcasts and SpotifyPodcast artwork with help from Basic Apple Guy.Those interested in sponsoring the show can reach out to us at: podcast@primarytech.fm (00:29) - Evolution of iPhone Cameras (04:36) - Photographic Styles (15:03) - iPhone 17 Pro 4x Lens (25:02) - iPhone Air vs Pro Camera (27:28) - Camera Control (30:05) - iOS 26 Photos App (38:03) - Choosing Pro vs iPhone Camera (40:35) - Apple Vision Pro (41:56) - Battery Percentage ★ Support this podcast ★

Send me a message here with feedback or topics you'd like to see covered on upcoming episodes! Or just say hello!If you've been wondering about astro-modified cameras and how you can take better photos of the night sky, this is the episode for you! This week, I spoke with Clarence Spencer, owner of Spencer's Camera. Spencer's Camera is one of the most highly acclaimed places in the country to get your camera astro-modified, so Clarence was the perfect person to talk about the benefits of having your camera astro-modified. In this episode, you'll learn the benefits of modifying your camera in addition to getting some tips and tricks for capturing amazing astro images.Links from this episode:Spencer's CameraUV/IR Blocking FilterIf you're serious about becoming better at photography, the fastest way to do so is by joining me for an in-person workshop. Check my current workshop listings here.Find FREE photography tutorials on my YouTube channel.10 Landscape Photography Tips in 10 Minutes - FREE Video

Join Trish and Rob for a conversation with... Vickie Burnett began her paranormal career in 2007 when she joined Florida Ghost Team, a T.A.P.S. affiliated team located in South Florida. By August of 2007 Vickie had established her own team, P.O.I.N.T. Paranormal (Paranormal Organization Investigating New Truths). Their primary focus has always been residential property. They give their clients clarification and education in order to regain control over what's happening in their homes. From 2007 to 2009 Vickie was the host of a paranormal talk radio show on WBZT A.M. She has been featured in Boca Magazine, New Times Broward-Palm Beach and Lovetoknow.com. In 2017 she was asked to join a new podcast called The Weird and Whatever. Her contribution to the show is her expertise in the paranormal field. Video footage captured in the home of the host, was featured on Paranormal Caught on Camera and The Osbournes Want to Believe. The Weird and Whatever Podcast: https://youtube.com/playlist?list=PLvSBE2PssPvFjifitVz1ovgoxcs98D4bL&si=hD2rDxO6tGDeBUE0 The Mystical Underground Blog: https://themysticalunderground.com YouTube: / @themysticalunderground Insta: https://tinyurl.com/TMUIG

The Cinematography Podcast Episode 328: Kira Kelly, ASC Cinematographer Kira Kelly, ASC, had a rare opportunity in the movie HIM: exploring the genres of horror and sports, which are not usually combined. She and director Justin Tipping focused their discussions on Chronic Traumatic Encephalopathy (CTE), specifically how football-related brain injuries often cause hallucinations. This condition was central to building the feeling of surrealism for the main character, Cam. Before beginning the 8 weeks of prep on HIM, director Justin Tipping created an extensive lookbook with ideas for the atmosphere, lighting and costumes. To establish the film's unique, suspenseful, and surrealistic look, he suggested Kira watch The Holy Mountain and Black Swan. “Justin was open to lots of collaboration,” says Kira. “I feel like this film does have such a strong visual look because we were all working together to make the movie.” Camera movement, color, and lighting are all integral to the movie's storytelling. As Cam descends deeper into the underground compound, Kira used specific colors and lighting. She created a document to track the emotional influence of color for each scene, integrating the lighting into the set and programming the colors to change per sequence. Red with orange highlights was used for the Saviors party, reflecting the oxblood red of the team colors. Fuchsia and magenta were used to show rage. For the scenes on the training field, Kira used top lighting, so that the skin tones of the players would have some reflectivity. Kira's camera work parallels Cam's psychological journey. “At the beginning, it should be fun,” Kira explains. “He's playing football. It's much more loose.” The crew used handheld and body cameras, plus a boomerang rig that sent the camera flying down the field. Once Cam feels trapped in the compound, Kira shifted the style dramatically. “That's where we get into more of these center- punched static frames. He's trapped figuratively, and all the ways.” One of HIM's most unique visual elements was the use of a Flir thermal imaging camera. Kelly and Tipping wanted to use the thermal camera to visually represent the internal trauma of what was happening inside the players' bodies and brains during tackles. Kira and her crew created a rig to mount the Flir camera right above the ALEXA 35 and found that the images could converge and focus enough to allow the two images to overlay. The shots could flick back and forth between the regular camera and the thermal camera. In post, VFX added the brains and accentuated the muscles. The thermal camera effectively showed blood flow and hot and cold areas, adding a chilling layer to the physical impact of the sport. Kira feels gratified that her vision for the visual style of HIM tells an effective story. “As a DP, every challenge I have is if an audience is able to understand the story,” she says. “If they don't have the wonderful dialogue, if they don't have the music, if they don't have all of those other things helping the story along, could they tell what's happening just with the imagery? And I feel like with HIM, I say, yeah, I think so. You can see it happening. And that's what's super exciting to me.” See HIM in theaters and on VOD. Find Kira Kelly: Instagram @kirakellydp Hear our previous interviews with Kira Kelly: https://www.camnoir.com/ep67/ https://www.camnoir.com/ep273/ The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Am I the Jerk? is the show where you can confess your deepest darkest secrets and be part of the conversation.

This week on the Ante Up Poker Podcast, Joe and Elle are bringing the action to a whole new level — literally — with the addition of video to the show! While they are around the table, they recap the latest Patreon Home Game, share some laughs, and look ahead to a few exciting events, including the upcoming WPF Ladies Weekend and their road trip to Maker's Mark Star Hill Farms. In this week's Call the Floor, Elliott makes a ruling on a tricky situation involving a random chip found under the table during a tournament — you won't want to miss his take. Then, things heat up in Hand of the Week as Joe spins the Wheel of Punishment and breaks down a tough spot along with Patrick holding AK from UTG+1. Finally, Joe closes the show with his One Outer, diving into a question straight from the Patreon game: How do you handle a big stack bully heads-up? Tune in, Ante Up, and join the A-Team for another episode packed with strategy, stories, and laughs both on and off the felt! Hello Fresh - Click this link to get 10 free meals and a special free item. Our Discord Channel - Join us here for Ante Up Talk and more. Click this link for the magazine. This is a quick link to the our Magazine Click here to check out Octopi Poker Click here for our Linktree. It is a quick resource to get you to our magazine, podcast, YouTube, and more. comfrt.com/ELLE73474. Your link for the most comfortable hoodie on the planet. Click here for our Patreon page, where you can support the show and gain access to our monthly Private game. Advanced Poker Training: Improve your poker game while playing up to 500 hands an hour against the smartest artificially intelligent poker players ever designed. Draft Kings Sportsbook: Use code ANTEUP20 to get $300 in bonus bets instantly.

EP166 Interview With Mark & Simon From Elinchrom UK I sit down with Mark Cheatham and Simon Burfoot from Elinchrom UK to talk about the two words that matter most when you work with light: accuracy and consistency. We dig into flash vs. continuous, shaping light (not just adding it), why reliable gear shortens your workflow, and Elinchrom's new LED 100 C—including evenly filling big softboxes and that handy internal battery. We also wander into AI: threats, tools, and why authenticity still carries the highest value.   Links: Elinchrom UK store/info: https://elinchrom.co.uk/ LED 100 C product page: https://elinchrom.co.uk/elinchrom-led-100-c Rotalux Deep Octa / strips: https://elinchrom.co.uk/elinchrom-rotalux-deep-octabox-100cm-softbox/ My workshop dates: https://masteringportraitphotography.com/workshops-and-mentoring/ Transcript: Paul: as quite a lot of, you know, I've had a love affair with Elinchrom Lighting for the past 20 something years. In fact, I'm sitting with one of the original secondhand lights I bought from the Flash Center 21 years ago in London. And on top of that, you couldn't ask for a nicer set of guys in the UK to deal with. So I'm sitting here about to talk to Simon and Mark from Elinchrom uk. I'm Paul and this is the Mastering Portrait Photography podcast. Paul: So before we get any further, tell me a little bit about who you are, each of you and the team from Elinchrom UK Mark: After you, Simon. Simon: Thank you very much, mark. Mark: That's fine. Simon: I'm, Simon Burfoot. I have, been in the industry now for longer than I care to think. 35 years almost to the, to the day. Always been in the industry even before I left school because my father was a photographer and a lighting tutor, working for various manufacturers I was always into photography, and when he started the whole lighting journey. I got on it with him, and was learning from a very young age. Did my first wedding at 16 years old. Had a Saturday job which turned into a full-time job in a retail camera shop. By the time I was 18, I was managing my own camera shop, in a little town in the Cotswolds called Cirencester. My dad always told me that to be a photographic rep in the industry, you needed to see it from all angles, to get the experience. So I ended up, working in retail, moving over to a framing company. Finishing off in a prolab, hand printing, wedding photographers pictures, processing E6 and C41, hand correcting big prints for framing for, for customers, which was really interesting and I really enjoyed it. And then ended up working for a company called Leeds Photo Visual, I was a Southwest sales guy for them. Then I moved to KJP before it became, what we know now as Wex, and got all of the customers back that I'd stolen for them for Leeds. And then really sort of started my career progressing through, and then started to work with Elinchrom, on the lighting side. Used Elinchrom way before I started working with them. I like you a bit of a love affair. I'd used lots of different lights and, just loved the quality of the light that the Elinchrom system produced. And that's down to a number of factors that I could bore you with, but it's the quality of the gear, the consistency in terms of color, and exposure. Shooting film was very important to have that consistency because we didn't have Photoshop to help us out afterwards. It was a learning journey, but I, I hit my goal after being a wedding photographer and a portrait photographer in my spare time, working towards getting out on the road, meeting people and being involved in the industry, which I love. And I think it's something that I'm scared of leaving 'cause I dunno anything else. It's a wonderful industry. It has its quirks, its, downfalls at points, but actually it's a really good group of people and everyone kind of, gets on and we all love working with each other. So we're friends rather than colleagues. Paul: I hesitate to ask, given the length of that answer, to cut Simon: You did ask. Mark: I know. Paul: a short story Mark: was wondering if I was gonna get a go. Paul: I was waiting to get to end into the podcast and I was about to sign off. Mark: So, hi Mark Cheatham, sales director for Elinchrom uk this is where it gets a little bit scary because me and Simon have probably known each other for 10 years, yet our journeys in the industry are remarkably similar. I went to college, did photography, left college, went to work at commercial photographers and hand printers. I was a hand printer, mainly black and white, anything from six by four to eight foot by four foot panels, which are horrible when you're deving in a dish. But we did it. Paul: To the generation now, deving in a dish doesn't mean anything. Simon: No, it doesn't. Mark: And, and when you're doing a eight foot by four foot print and you've got it, you're wearing most of the chemistry. You went home stinking every night. I was working in retail. As a Saturday lad and then got promoted from the Saturday lad to the manager and went to run a camera shop in a little town in the Lake District called Kendall. I stayed there for nine years. I left there, went on the road working for a brand called Olympus, where I did 10 years, I moved to Pentax, which became Rico Pentax. I did 10 years there. I've been in the industry all my life. Like Simon, I love the industry. I did go out the industry for 18 months where I went into the wonderful world of high end commercial vr, selling to blue light military, that sort of thing. And then came back. One of the, original members of Elinchrom uk. I don't do as much photography as Simon I take photos every day, probably too many looking at my Apple storage. I do shoot and I like shooting now and again, but I'm not a constant shooter like you guys i'm not a professional shooter, but when you spent 30 odd years in the industry, and part of that, I basically run the, the medium format business for Pentax. So 645D, 645Z. Yeah, it was a great time. I love the industry and, everything about it. So, yeah, that's it Paul: Obviously both of you at some point put your heads together and decided Elinchrom UK was the future. What triggered that and why do you think gimme your sales pitch for Elinchrom for a moment and then we can discuss the various merits. Simon: The sales pitch for Elinchrom is fairly straightforward. It's a nice, affordable system that does exactly what most photographers would like. We sell a lot of our modifiers, so soft boxes and things like that to other users, of Prophoto, Broncolor. Anybody else? Because actually the quality of the light that comes out the front of our diffusion material and our specular surfaces on the soft boxes is, is a lot, lot more superior than, than most. A lot more superior. A lot more Mark: A lot more superior. Paul: more superior. Simon: I'm trying to Paul: Superior. Simon: It's superior. And I think Paul, you'll agree, Paul: it's a lot more, Simon: You've used different manufacturers over the years and, I think the quality of light speaks for itself. As a photographer I want consistency. Beautiful light and the effects that the Elinchrom system gives me, I've tried other soft boxes. If you want a big contrasty, not so kind light, then use a cheaper soft box. If I've got a big tattoo guy full of piercings you're gonna put some contrasty light to create some ambience. Maybe the system for that isn't good enough, but for your standard portrait photographer in a studio, I don't think you can beat the light. Mark: I think the two key words for Elinchrom products are accuracy and consistency. And that's what, as a portrait photographer, you should be striving for, you don't want your equipment to lengthen your workflow or make your job harder in post-production. If you're using Elinchrom lights with Elinchrom soft boxes or Elinchrom modifiers, you know that you're gonna get accuracy and consistency. Which generally makes your job easier. Paul: I think there's a bit that neither of you, I don't think you've quite covered, and it's the bit of the puzzle that makes you want to use whatever is the tool of your trade. I mean, I worked with musicians, I grew up around orchestras. Watching people who utterly adore the instrument that's in their hand. It makes 'em wanna play it. If you own the instrument that you love to play, whether it's a drum kit a trumpet a violin or a piano, you will play it and get the very best out of your talent with it. It's just a joy to pick it up and use it for all the little tiny things I think it's the bit you've missed in your descriptions of it is the utter passion that people that use it have for it. Mark: I think one of the things I learned from my time in retail, which was obviously going back, a long way, even before digital cameras One of the things I learned from retail, I was in retail long before digital cameras, retail was a busier time. People would come and genuinely ask for advice. So yes, someone would come in and what's the best camera for this? Or what's the best camera for that? Honestly there is still no answer to that. All the kit was good then all the kit is good now. You might get four or five different SLRs out. And the one they'd pick at the end was the one that they felt most comfortable with and had the best connection with. When you are using something every day, every other day, however it might be, it becomes part of you. I'm a F1 fan, if you love the world of F1, you know that an F1 car, the driver doesn't sit in an F1 car, they become part of the F1 car. When you are using the same equipment day in, day out, you don't have to think about what button to press, what dial to to turn. You do it. And that, I think that's the difference between using something you genuinely love and get on with and using something because that's what you've got. And maybe that's a difference you genuinely love and get on with Elinchrom lights. So yes, they're given amazing output and I know there's, little things that you'd love to see improved on them, but that's not the light output. Paul: But the thing is, I mean, I've never, I've never heard the F1 analogy, but it's not a bad one. When you talk about these drivers and their cars and you are right, they're sort of symbiotic, so let's talk a little bit about why we use flash. So from the photographers listening who are just setting out, and that's an awful lot of our audience. I think broadly speaking, there are two roads or three roads, if you include available light if you're a portrait photographer. So there's available light. There's continuous light, and then there's strobes flash or whatever you wanna call it. Of course, there's, hybrid modeling and all sorts of things, but those are broadly the three ways that you're gonna light your scene or your subject. Why flash? What is it about that instantaneous pulse of light from a xenon tube that so appealing to photographers? Simon: I think there's a few reasons. The available light is lovely if you can control it, and by that I mean knowing how to use your camera, and control the ambient light. My experience of using available light, if you do it wrong, it can be quite flat and uninteresting. If you've got a bright, hot, sunny day, it can be harder to control than if it's a nice overcast day. But then the overcast day will provide you with some nice soft, flat lighting. Continuous light is obviously got its uses and there's a lot of people out there using it because what they see is what they get. The way I look at continuous light is you are adding to the ambient light, adding more daylight to the daylight you've already got, which isn't a problem, but you need to control that light onto the subject to make the subject look more interesting. So a no shadow, a chin shadow to show that that subject is three dimensional. There are very big limitations with LED because generally it's very unshapable. By that I mean the light is a very linear light. Light travels in straight lines anyway, but with a flash, we can shape the light, and that's why there's different shapes and sizes of modifiers, but it's very difficult to shape correctly -an LED array, the flash for me, gives me creativity. So with my flash, I get a sharper image to start with. I can put the shadows and the light exactly where I want and use the edge of a massive soft box, rather than the center if I'm using a flash gun or a constant light. It allows me to choose how much or how little contrast I put through that light, to create different dynamics in the image. It allows me to be more creative. I can kill the ambient light with flash rather than adding to it. I can change how much ambient I bring into my flash exposure. I've got a lot more control, and I'm not talking about TTL, I'm talking about full manual control of using the modifier, the flash, and me telling the camera what I want it to do, rather than the camera telling me what it thinks is right. Which generally 99% of the time is wrong. It's given me a beautiful, average exposure, but if I wanted to kill the sun behind the subject, well it's not gonna do that. It's gonna give me an average of everything. Whereas Flash will just give me that extra opportunity to be a lot more creative and have a lot more control over my picture. I've got quite a big saying in my workshops. I think a decent flash image is an image where it looks like flash wasn't used. As a flash photographer, Paul, I expect you probably agree with me, anyone can take a flash image. The control of light is important because anybody can light an image, but to light the subject within the image and control the environmental constraints, is the key to it and the most technical part of it. Mark: You've got to take your camera off P for professional to do that. You've got to turn it off p for professional and get it in manual mode. And that gives you the control Paul: Well, you say that, We have to at some point. Address the fact that AI is not just coming, it's sitting here in our studios all the time, and we are only a heartbeat away from P for professional, meaning AI analyzed and creating magic. I don't doubt for a minute. I mean, right now you're right, but not Mark: Well, at some point it will be integrated into the camera Paul: Of course it will. Mark: If you use an iPhone or any other phone, you know, we are using AI as phone photographers, your snapshots. You take your kids, your dogs, whatever they are highly modified images. Paul: Yeah. But in a lot of the modern cameras, there's AI behind the scenes, for instance, on the focusing Mark: Yeah. Paul: While we've, we are on that, we were on that thread. Let's put us back on that thread for a second. What's coming down the line with, all lighting and camera craft with ai. What are you guys seeing that maybe we're not Simon: in terms of flash technology or light technology? Paul: Alright. I mean, so I mean there's, I guess there's two angles, isn't there? What are the lights gonna do that use ai? What are the controllers gonna do, that uses ai, but more importantly, how will it hold its own in a world where I can hit a button and say, I want rebrand lighting on that face. I can do that today. Mark: Yeah. Simon: I'm not sure the lighting industry is anywhere near producing anything that is gonna give what a piece of software can give, because there's a lot more factors involved. There's what size light it is, what position that light is in, how high that light is, how low that light is. And I think the software we've all heard and played with Evoto we were talking about earlier, I was very skeptical and dubious about it to start with as everybody would be. I'm a Photoshop Lightroom user, have been for, many years. And I did some editing, in EEvoto with my five free credits to start with, three edits in, I bought some credits because I thought, actually this is very, very good. I'll never use it for lighting i'd like to think I can get that right myself. However, if somebody gives you a, a very flat image of a family outside and say, well, could you make this better for me? Well, guess what? I can do whatever you like to it. Is it gonna attack the photographer that's trying to earn a living? I think there's always a need for people to take real photographs and family photographs. I think as photographers, we need to embrace it as an aid to speed up our workflow. I don't think it will fully take over the art of photography because it's a different thing. It's not your work. It's a computer generated AI piece of work in my head. Therefore, who's responsible for that image? Who owns the copyright to that image? We deal with photographers all the time who literally point a camera, take a picture and spend three hours editing it and tell everyone that, look at this. The software's really good and it's made you look good. I think AI is capable of doing that to an extent. In five years time, we'll look back at Evoto today and what it's producing and we'll think cracky. That was awful. It's like when you watch a high definition movie from the late 1990s, you look at it and it was amazing at the time, but you look at it now and you think, crikey, look at the quality of it. I dunno if we're that far ahead where we won't get to that point. The quality is there. I mean, how much better can you go than 4K, eight K minus, all that kind of stuff. I'm unsure, but I don't think the AI side of it. Is applicable to flash at this moment in time? I don't know. Mark: I think you're right. To look at the whole, photography in general. If you are a social photographer, family photographer, whatever it might be, you are genuinely capturing that moment in time that can't be replaced. If you are a product photographer, that's a different matter. I think there's more of a threat. I think I might be right in saying. I was looking, I think I saw it on, LinkedIn. There is a fashion brand in the UK at the moment that their entire catalog of clothing has been shot without models. When you look at it on the website, there's models in it. They shoot the clothing on mannequins and then everything else is AI generated they've been developing their own AI platform now for a number of years. Does the person care Who's buying a dress for 30 quid? Probably not, but if you are photographing somebody's wedding, graduation, some, you know, a genuine moment in someone's life, I think it'd be really wrong to use any sort of AI other than a little bit of post-production, which we know is now quite standard for many people in the industry. Paul: Yeah, the curiosity for me is I suspect as an industry, Guess just released a full AI model advert in, Vogue. Declared as AI generated an ai agency created it. Everything about it is ai. There's no real photography involved except in the learning side of it. And that's a logical extension of the fact we've been Photoshopping to such a degree that the end product no longer related to the input. And we've been doing that 25 years. I started on Photoshop version one, whatever that was, 30 years More than 33. So we've kind of worked our way into a corner where the only way out of it is to continue. There's no backtracking now. Mark: Yeah. Paul: I think the damage to the industry though, or the worry for the industry, I think you're both right. I think if you can feel it, touch it, be there, there will always be that importance. In fact, the provenance of authenticity. Is the high value ticket item now, Simon: Mm-hmm. Paul: because you, everything else is synthetic, you can trust nothing. We are literally probably months away from 90% of social media being generated by ai. AI is both the consumer and the generator of almost everything online Mark: Absolutely. Paul: Goodness knows where we go. You certainly can't trust anything you read. You can't trust anything you see, so authenticity, face-to-face will become, I think a high value item. Yeah. Mark: Yeah. Paul: I think one problem for us as an industry in terms of what the damage might be is that all those people that photograph nameless products or create books, you know, use photography and then compositing for, let's say a novel that's gone, stock libraries that's gone because they're faceless. Simon: Mm-hmm. Paul: there doesn't have to be authentic. A designer can type in half a dozen keywords. Into an AI engine and get what he needs. If he doesn't get what he needs, he does it again. All of those photographers who currently own Kit are gonna look around with what do we do now? And so for those of us who specialize in weddings and portraits and family events, our market stands every chance of being diluted, which has the knock on effect of all of us having to keep an eye on AI to stay ahead of all competitors, which has the next knock on effect, that we're all gonna lean into ai, which begs the question, what happens after Because that's what happened in the Photoshop world. You know, I'm kind of, I mean, genuinely cur, and this will be a running theme on the podcast forever, is kind of prodding it and taking barometer readings as to where are we going? Mark: Yeah. I mean, who's more at threat at the moment from this technology? Is it the photographer or is it the retouch? You know, we do forget that there are retouchers That is their, they're not photographers. Paul: I don't forget. They email me 3, 4, 5 times a day. Mark: a Simon: day, Mark: You know, a highly skilled retouch isn't cheap. They've honed their craft for many years using whatever software product they prefer to use. I think they're the ones at risk now more so than the photographer. And I think we sort of lose sight of that. Looking at it from a photographer's point of view, there is a whole industry behind photography that actually is being affected more so than you guys at the moment. Simon: Mm-hmm. Paul: Yeah, I think there's truth in that, but. It's not really important. Of course, it's really important to all of those people, but this is the digital revolution that we went through as film photographers, and probably what the Daguerreotype generators went through when Fox Tolbert invented the first transfer. Negative. You know, they are, there are always these epochs in our industry and it wipes out entire skillset. You know, I mean, when we went to digital before then, like you, I could dev in a tank. Yeah. You know, and really liked it. I like I see, I suspect I just like the solitude, Mark: the dark, Paul: red light in the dark Mark: yeah. Paul: Nobody will come in. Not now. Go away. Yeah. All that kind of stuff. But of course those skills have gone, has as, have access to the equipment. I think we're there again, this feels like to me a huge transition in the industry and for those who want to keep up, AI is the keeping up whether you like it or not. Mark: Yeah. And if you don't like it, we've seen it, we're in the middle of a massive resurgence in film photography, which is great for the industry, great for the retail industry, great for the film manufacturers, chemical manufacturers, everything. You know, simon, myself, you, you, we, we, our earliest photography, whether we were shooting with flash, natural light, we were film shooters and that planes back. And what digital did, from a camera point of view, is make it easier and more accessible for less skilled people. But it's true. You know, if you shot with a digital camera now that's got a dynamic range of 15 stops, you actually don't even need to have your exposure, that accurate Go and shoot with a slide film that's got dynamic range of less than one stop and see how good you are. It has made it easier. The technology, it will always make it. Easier, but it opens up new doors, it opens up new avenues to skilled people as well as unskilled people. If you want, I'm using the word unskilled again, I'm not being, a blanket phrase, but it's true. You can pick up a digital camera now and get results that same person shooting with a slide film 20 years ago would not get add software to that post-production, everything else. It's an industry that we've seen so many changes in over the 30 odd years that we've been in it, Simon: been Mark: continue Simon: at times. It exciting Mark: The dawn of digital photography to the masses. was amazing. I was working for Olympus at the time when digital really took off and for Olympus it was amazing. They made some amazing products. We did quite well out of it and people started enjoying photography that maybe hadn't enjoyed photography before. You know, people might laugh at, you know, you, you, you're at a wedding, you're shooting a really nice wedding pool and there's always a couple of guests there which have got equipment as good as yours. Better, better than yours. Yeah. Got Simon: jobs and they can afford it. Mark: They've got proper jobs. Their pitches aren't going to be as good as yours. They're the ones laughing at everyone shooting on their phone because they've spent six grand on their new. Camera. But if shooting on a phone gets people into photography and then next year they buy a camera and two years later they upgrade their camera and it gets them into the hobby of photography? That's great for everyone. Hobbyists are as essential, as professional photographers to the industry. In fact, to keep the manufacturers going, probably more so Simon: the hobbyists are a massive part. Even if they go out and spend six or seven or 8,000 pounds on a camera because they think it's gonna make them a better photographer. Who knows in two years time with the AI side, maybe it will. That old saying, Hey Mr, that's a nice camera. I bet it takes great pictures, may become true. We have people on the lighting courses, the workshops we run, the people I train and they're asking me, okay, what sessions are we gonna use? And I'm saying, okay, well we're gonna be a hundred ISO at 125th, F 5.6. Okay, well if I point my camera at the subject, it's telling me, yeah, but you need to put it onto manual. And you see the color drain out their faces. You've got a 6,000 pound camera and you've never taken it off 'P'. Mark: True story. Simon: And we see this all the time. It's like the whole TTL strobe manual flash system. The camera's telling you what it wants to show you, but that maybe is not what you want. There are people out there that will spend a fortune on equipment but actually you could take just as good a picture with a much smaller, cheaper device with an nice bit of glass on the front if you know what you're doing. And that goes back to what Mark was saying about shooting film and slide film and digital today. Paul: I, mean, you know, I don't want this to be an echo chamber, and so what I am really interested in though, is the way that AI will change what flash photography does. I'm curious as to where we are headed in that, specific vertical. How is AI going to help and influence our ability to create great lip photography using flash? Mark: I think, Paul: I love the fact the two guys side and looked at each other. Mark: I, Simon: it's a difficult question to answer. Mark: physical light, Simon: is a difficult question to answer because if you're Mark: talking about the physical delivery of light. Simon: Not gonna change. Mark: Now, The only thing I can even compare it to, if you think about how the light is delivered, is what's the nearest thing? What's gotta change? Modern headlamps on cars, going back to cars again, you know, a modern car are using these LED arrays and they will switch on and switch off different LEDs depending on the conditions in front of them. Anti dazzle, all this sort of stuff. You know, the modern expensive headlamp is an amazing technical piece of kit. It's not just one ball, but it's hundreds in some cases of little arrays. Will that come into flash? I don't know. Will you just be able to put a soft box in front of someone and it will shape the light in the future using a massive array. Right? I dunno it, Simon: there's been many companies tested these arrays, in terms of LED Flash, And I think to be honest, that's probably the nearest it's gonna get to an AI point of view is this LED Flash. Now there's an argument to say, what is flash if I walk into a living room and flick the light on, on off really quickly, is that a flash? Mark: No, that's a folock in Paul: me Mark: turn, big lights off. Paul: Yeah. Mark: So Simon: it, you, you might be able to get these arrays to flush on and off. But LED technology, in terms of how it works, it's quite slow. It's a diode, it takes a while for it to get to its correct brightness and it takes a while for it to turn off. To try and get an LED. To work as a flash. It, it's not an explosion in a gas field tube. It's a a, a lighter emitting diode that is, is coming on and turning off again. Will AI help that? Due to the nature of its design, I don't think it can. Mark: Me and s aren't invented an AI flash anytime soon by the looks of, we're Simon: it's very secret. Mark: We're just putting everyone off Paul, Simon: It's alright. Mark: just so they don't think Simon: Yeah, Mark: Oh, it's gonna be too much hard work and we'll sort it. Paul: It's definitely coming. I don't doubt for a minute that this is all coming because there's no one not looking at anything Simon: that makes perfect sense. Paul: Right now there's an explosion of invention because everybody's trying to find an angle on everything. Simon: Mm-hmm. Paul: The guys I feel the most for are the guys who spent millions, , on these big LED film backdrop walls. Simon: Yep. Mark: So you can Paul: a car onto a flight sim, rack, and then film the whole lot in front of an LED wall. Well, it was great. And there was a market for people filming those backdrops, and now of course that's all AI generated in the LED, but that's only today's technology. Tomorrow's is, you don't need the LED wall. That's here today. VEO3 and Flow already, I mean, I had to play with one the other day for one of our lighting diagrams and it animated the whole thing. Absolute genius. Simon: Mm-hmm. Paul: I still generated the original diagram. Mark: Yeah, Paul: Yeah, that's useful. There's some skill in there still for now, but, you gotta face the music that anything that isn't, I can touch it and prod it. AI's gonna do it. Mark: Absolutely. If you've ever seen the series Mandalorian go and watch the making of the Mandalorian and they are using those big LED walls, that is their backdrop. Yeah. And it's amazing how fast they shift from, you know, they can, they don't need to build a set. Yeah. They shift from scene to scene. Paul: Well, aI is now building the scenes. But tomorrow they won't need the LED wall. 'cause AI will put it in behind the actors. Mark: Yeah. Say after Paul: that you won't need the actors because they're being forced to sign away the rights so that AI can be used. And even those that are standing their ground and saying no, well, the actors saying Yes. Are the ones being hired. You know, in the end, AI is gonna touch all of it. And so I mean, it's things like, imagine walking into a studio. Let's ignore the LED thing for a minute, by the way, that's a temporary argument, Simon: I know you're talking about. Paul: about today's, Simon: You're about the. Mark: days Paul: LEDs, Simon: we're in, We're in very, very interesting times and. I'm excited for the future. I'm excited for the new generation of photographers that are coming in to see how they work with what happens. We've gone from fully analog to me selling IMACON drum scanners that were digitizing negatives and all the five four sheet almost a shoot of properties for an estate agent were all digitized on an hassle blood scanner. And then the digital camera comes out and you start using it. It was a Kodak camera, I think the first SLRI used, Paul: Yeah. Simon: and you get the results back and you think, oh my God, it looks like it's come out of a practica MTL five B. Mark: But Simon: then suddenly the technology just changes and changes and changes and suddenly it's running away with itself and where we are today. I mean, I, I didn't like digital to start with. It was too. It was too digital. It was too sharp. It didn't have the feel of film, but do you know what? We get used to it and the files that my digital mirrorless camera provide now and my Fuji GFX medium format are absolutely stunning. But the first thing I do is turn the sharpness down because they are generally over sharp. For a lovely, beautifully lit portrait or whatever that anybody takes, it just needs knocking back a bit. We were speaking about this earlier, I did some comparison edits from what I'd done manually in Photoshop to the Evoto. Do you know what the pre-selected edits are? Great. If you not the slider back from 10 to about six, you're there or thereabouts? More is not always good. Mark: I think when it comes to imagery in our daily lives, the one thing that drives what we expect to see is TV and most people's TVs, everything's turned up to a hundred. The color, the contrast, that was a bit of a shock originally from the film to digital, crossover. Everything went from being relatively natural to way over the top Just getting back to AI and how it's gonna affect people like you and people that we work with day to day. I don't think we should be worried about that. We should be worried about the images we see on the news, not what we're seeing, hanging on people's walls and how they're gonna be affected by ai. That generally does affect everyone's daily life. Paul: Yeah, Mark: Yeah. But what Paul: people now ask me, for instance, I've photographed a couple head shots yesterday, and the one person had not ironed her blouse. And her first question was, can we sort that out in post? So this is the knock on effect people are becoming aware of what's possible. What's that? Nothing. Know, and the, the smooth clothing button in Evoto will get me quite a long way down that road and saves somebody picking up an eye and randomly, it's not me, it's now actually more work for me 'cause I shouldn't have to do it. But, you know, this is my point about the knock on effect. Our worlds are different. So I didn't really intend this to be just a great sort of circular conversation about AI cars and, future technology. It was more, I dunno, we ended up down there anyway. Simon: We went down a rabbit hole. Mark: A Paul: rabbit hole. Yeah Mark: was quite an interesting one. Simon: And I'm sorry if you've wasted your entire journey to work and we Paul: Yeah. Simon: Alright. It wasn't intended to be like that. Paul: I think it's a debate that we need to be having and there needs to be more discussion about it. Certainly for anybody that has a voice in the industry and people are listening to it because right now it might be a toddler of a technology, but it's growing faster than people realize. There is now a point in the written word online where AI is generating more than real people are generating, and AI is learning that. So AI is reading its own output. That's now beginning to happen in imagery and film and music. Simon: Well, even in Google results, you type in anything to a Google search bar. When it comes back to the results, the first section at the top is the AI generated version. And you know what, it's generally Paul: Yep. Simon: good and Paul: turn off all the rest of it now. So it's only ai. Simon: Not quite brave enough for that yet. No, not me. Mark: In terms Paul: of SEO for instance, you now need to tune it for large language models. You need to be giving. Google the LLM information you want it to learn so that you become part of that section on a website. And it, you know, this is where we are and it's happening at such a speed, every day I am learning something new about something else that's arriving. And I think TV and film is probably slightly ahead of the photography industry Mark: Yeah. Paul: The pressures on the costs are so big, Simon: Yes. Paul: Whereas the cost differential, I'm predicting our costs will actually go up, not down. Whereas in TV and film, the cost will come down dramatically. Mark: Absolutely. Simon: They are a horrifically high level anyway. That's Paul: I'm not disputing that, but I watched a demo of some new stuff online recently and they had a talking head and they literally typed in relight that with a kiss light here, hairlight there, Rembrandt variation on the front. And they did it off a flat picture and they can move the lights around as if you are moving lights. Yes. And that's there today. So that's coming our way too. And I still think the people who understand how to see light will have an advantage because you'll know when you've typed these words in that you've got it about right. It doesn't change the fact that it's going to be increasingly synthetic. The moment in the middle of it is real. We may well be asked to relight things, re clothe things that's already happening. Simon: Yeah. Paul: We get, can you just fill in my hairline? That's a fairly common one. Just removing a mole. Or removing two inches round a waist. This, we've been doing that forever. Simon: Mm-hmm. Paul: And so now it'll be done with keyword generation rather than, photoshop necessarily. Simon: I think you'll always have the people that embrace this, we can't ignore it as you rightly say. It's not going away. It's gonna get bigger, it's gonna feature more in our lives. I think there's gonna be three sets of people. It's gonna be the people like us generally on a daily basis. We're photographers or we're artists. We enjoy what we do. I enjoy correctly lighting somebody with the correct modifier properties to match light quality to get the best look and feel and the ambience of that image. And I enjoy the process of putting that together and then seeing the end result afterwards. I suppose that makes me an artist in, in, in loose terms. I think, you know, as, as, as a photographer, we are artists. You've then got another generation that are finding shortcuts. They're doing some of the job with their camera. They're making their image from an AI point of view. Does that make up an artist? I suppose it still does because they're creating their own art, but they have no interest 'cause they have no enjoyment in making that picture as good as it can be before you even hit the shutter. And then I think you've got other people, and us to an extent where you do what you need to do, you enjoy the process, you look at the images, and then you just finely tune it with a bit of AI or Photoshop retouching so I think there are different sets of people that will use AI to their advantage or completely ignore it. Mark: Yeah. I think you're right. And I think it comes down, I'm going to use another analogy here, you, you know, let's say you enjoy cooking. If you enjoy cooking, you're creating something. What's the alternative? You get a microwave meal. Well, Paul Simon: and Sarah do. Mark: No. Paul: Sarah does. Simon: We can't afford waitress. Mark: You might spend months creating your perfect risotto. You've got it right. You love it. Everyone else loves it. You share it around all your friends. Brilliant. Or you go to Waitrose, you buy one, put it three minutes in the microwave and it's done. That's yer AI I Imagery, isn't it? It's a microwave meal. Paul: There's a lot of microwave meals out there. And not that many people cook their own stuff and certainly not as many as used to. And there's a lesson. Simon: Is, Mark: but also, Simon: things have become easier Mark: there Simon: you go. Mark: I think what we also forget in the photographic industry and take the industry as a whole, and this is something I've experienced in the, in the working for manufacturers in that photography itself is, is a, is a huge hobby. There's lots of hobbyist photographers, but there's actually more people that do photography as part of another hobby, birdwatching, aviation, all that sort of thing. Anything, you know, the photography isn't the hobby, it's the birds that are the hobby, but they take photographs of, it's the planes that are the hobby, but they take photographs. They're the ones that actually keep the industry going and then they expand into other industries. They come on one of our workshops. You know, that's something that we're still and Simon still Absolutely. And yourself, educating photographers to do it right, to practice using the gear the right way, but the theory of it and getting it right. If anything that brings more people into wanting to learn to cook better, Paul: you Mark: have more chefs rather than people using microwave meals. Education's just so important. And when it comes to lighting, I wasn't competent in using flash. I'm still not, but having sat through Simon's course and other people's courses now for hundreds of times, I can light a scene sometimes, people are still gonna be hungry for education. I think some wills, some won't. If you wanna go and get that microwave risotto go and microwave u risotto. But there's always gonna be people that wanna learn how to do it properly, wanna learn from scratch, wanna learn the art of it. Creators and in a creative industry, we've got to embrace those people and bring more people into it and ensure there's more people on that journey of learning and upskilling and trying to do it properly. Um, and yes, if they use whatever technology at whatever stage in their journey, if they're getting enjoyment from it, what's it matter? Paul: Excellent. Mark: What a fine Paul: concluding statement. If they got enjoyment outta it. Yeah. Whatever. Excellent. Thank you, Mark, for your summing up. Simon: In conclusion, Paul: did that just come out your nose? What on earth. Mark: What Paul: what you can't see, dear Listener is the fact that Mark just spat his water everywhere, laughing at Si. It's been an interesting podcast. Anyway, I'm gonna drag this back onto topic for fear of it dissolving into three blokes having a pint. Mark: I think we should go for one. Simon: I think, Paul: I think we should know as well. Having said that with this conversation, maybe not. I was gonna ask you a little bit about, 'cause we've talked about strobes and the beauty of strobes, but of course Elinchrom still is more than that, and you've just launched a new LED light, so I know you like Strobe Simon. Now talk about the continuous light that also Elinchrom is producing. Simon: We have launched the Elinchrom LED 100 C. Those familiar with our Elinchrom One and Three OCF camera Flash system. It's basically a smaller unit, but still uses the OCF adapter. Elinchrom have put a lot of time into this. They've been looking at LED technology for many years, and I've been to the factory in Switzerland and seen different LED arrays being tested. The problem we had with LEDs is every single LED was different and put out a different color temperature. We're now manufacturing LEDs in batches, where they can all be matched. They all come from the same serial number batch. And the different colors of LED as well, 15 years ago, blue LEDs weren't even possible. You couldn't make a blue LED every other color, but not blue for some unknown reason. They've got the colors right now, they've got full RGB spectrum, which is perfectly accurate a 95 or 97 CRI index light. It's a true hundred watts, of light as well. From tosin through to past daylight and fully controllable like the CRO flash system in very accurate nth degrees. The LED array in the front of the, the LEDA hundred is one of the first shapeable, fully shapeable, LED arrays that I've come across and I've looked at lots. By shapeable, I mean you put it into a soft box, of any size and it's not gonna give you a hotspot in the middle, or it's not gonna light the first 12 inches of the middle of the soft box and leave the rest dark. I remember when we got the first LD and Mark got it before me And he said, I've put it onto a 70 centimeter soft box. And he said, I've taken a picture to the front. Look at this. And it was perfectly even from edge to edge. When I got it, I stuck it onto a 1 3 5 centimeter soft box and did the same and was absolutely blown away by how even it was from edge to edge. When I got my light meter out, if you remember what one of those is, uh, it, uh, it gave me a third of a stop different from the center to the outside edge. Now for an LED, that's brilliant. I mean, that's decent for a flash, but for an LED it's generally unheard of. So you can make the LED as big as you like. It's got all the special effects that some of the cheaper Chinese ones have got because people use that kind of thing. Apparently I have no idea what for. But it sits on its own in a market where there are very cheap and cheerful LEDs, that kind of do a job. And very expensive high-end LEDs that do a completely different job for the photographer that's gone hybrid and does a bit of shooting, but does a bit of video work. So, going into a solicitor's or an accountant's office where they want head shots, but also want a bit of talking head video for the MD or the CEO explaining about his company on the website. It's perfect. You can up the ISO and use the modeling lamp in generally the threes, the fives, the ones that we've got, the LEDs are brilliant. But actually the LED 100 will give you all your modifier that you've taken with you, you can use those. It's very small and light, with its own built-in battery and it will give you a very nice low iso. Talking head interview with a lovely big light source. And I've proved the point of how well it works and how nice it is at the price point it sits in. But it is our first journey into it. There will be others come in and there'll be an app control for it. And I think from an LED point of view, you're gonna say, I would say this, but actually it's one of the nicer ones I've used. And when you get yours, you can tell people exactly the same. Paul: Trust me, I will. Simon: Yes. Mark: I think Paul: very excited about it. Mark: I think the beauty of it as well is it's got an inbuilt battery. It'll give you up to 45 minutes on a full charge. You can plug it in and run it off the mains directly through the USB socket as well. But it means it's a truly portable light source. 45 minutes at a hundred watt and it's rated at a hundred watt actual light output. It's seems far in excess of that. When you actually, Simon: we had a photographer the other day who used it and he's used to using sort of 3, 2 50, 300 watt LEDs and he said put them side by side at full power. They were virtually comparable. Paul: That is certainly true, or in my case by lots. Simon: I seem to be surrounded Paul: by Elinchrom kit, Which is all good. So for anybody who's interested in buying one of these things, where'd you get them? How much are they? Simon: The LED itself, the singlehead unit is 499 inc VAT. If you want one with a charger, which sounds ridiculous, but there's always people who say, well, I don't want the charger. You can have one with a charger for 50 quid extra. So 549. The twin kit is just less than a thousand quid with chargers. And it comes in a very nice portable carry bag to, to carry them around in. Um, and, uh, yeah, available from all good photographic retailers, and, Ellen crom.co uk. Paul: Very good. So just to remind you beautiful people listening to this podcast, we only ever feature people and products, at least like this one where I've said, put a sales pitch in because I use it. It's only ever been about what we use here at the studio. I hate the idea of just being a renta-voice. You it. Mark: bought it. Paul: Yeah. That's true. You guys sold it to me. Mark: Yeah, Simon: if I gave you anything you'd tell everyone it was great. So if you buy it, no, I've bought Paul: Yeah. And then became an ambassador for you. As with everything here, I put my money where my mouth is, we will use it. We do use it. I'm really interested in the little LED light because I could have done with that the other night. It would've been perfect for a very particular need. So yes, I can highly recommend Elinchrom Fives and Threes if you're on a different system. The Rotalux, system of modifier is the best on the planet. Quick to set up, quick to take down. More importantly, the light that comes off them is just beautiful, whether it's a Godox, whether it's on a ProPhoto, which it was for me, or whether if you've really got your common sense about you on the front of an Elinchrom. And on that happy note and back to where we started, which is about lighting, I'm gonna say thanks to the guys. They came to the studio to fix a problem but it's always lovely to have them as guests here. Thank you, mark. Thank you Simon. Most importantly, you Elinchrom for creating Kit is just an absolute joy to use. If you've enjoyed the podcast, please head over to all your other episodes. Please subscribe and whatever is your podcast, play of choice, whether it's iTunes, Spotify, YouTube, or a other. After you head, if you head across to masteringportraitphotography.com the spiritual home of this, particular, podcast, I will put in the show notes all the little bits of detail and where to get these things. I'll get some links off the guys as to where to look for the kit. Thank you both. I dunno when I'll be seeing you again. I suspect it will be the Convention in January if I know the way these things go. Simon: We're not gonna get invited back, are we? Mark: Probably not. Enough. Paul: And I'm gonna get a mop and clean up that water. You've just sprayed all over the floor. What is going on? Simon: wish we'd video. That was a funny sun Mark: I just didn't expect it and never usually that sort of funny and quick, Simon: It's the funniest thing I've ever seen. Paul: On that happy note, whatever else is going on in your lives, be kind to yourself. Take care.

On this podcast, we sat down. Two dynamic individuals, Chase Hardage and Jason Ray from the Wise Eye technology company, talk about WiseEye's beginnings. What they're doing and how they're doing things differently and better. Learn more about your ad choices. Visit megaphone.fm/adchoices

Governor Candidate Tries to Storm Out of Interview After Raging at Trump Question Please Subscribe + Rate & Review Philip Teresi on KMJ wherever you listen! --- KMJ’s Philip Teresi is available on the KMJNOW app, Apple Podcasts, Spotify, Amazon Music or wherever else you listen. --- Philip Teresi, Weekdays 2-6 PM Pacific News/Talk 580 & 105.9 KMJ DriveKMJ.com | Podcast | Facebook | X | Instagram --- Everything KMJ: kmjnow.com | Streaming | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

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Adam and Greg hit the road over to Maine for the first fall scouting trip. Camera checks, blunders, road reports, birds, shooting coyotes, and more!

Chris, Ade and Jeremiah explore the ways new technology can help you make fantastic photos.

California gubernatorial candidate Katie Porter nearly stormed out of a CBS interview after clashing with reporter Julie Watts over Trump voters. Porter grew visibly frustrated, attempted to remove her mic, and said, “I don’t want this all on camera,” sparking viral backlash and political commentary. Please Like, Comment and Follow 'Broeske & Musson' on all platforms: --- The ‘Broeske & Musson Podcast’ is available on the KMJNOW app, Apple Podcasts, Spotify or wherever else you listen to podcasts. --- ‘Broeske & Musson' Weekdays 9-11 AM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Facebook | Podcast| X | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

In this episode of The Entrepreneurial You, host Heneka Watkis-Porter sits down with multi-hyphenate filmmaker Ryann Liebl, whose journey from Wisconsin to Los Angeles showcases the power of bold storytelling and creative leadership. As Founder of REL Films and Deputy CEO of Light Touch Media Group, Ryann wears many hats—actor, director, writer, producer—and uses each one to amplify authentic voices, especially women in film. What You'll Learn in This Episode: Ryann's journey from teen actor to filmmaker and creative leader The power of authentic storytelling in film and branding Why more female voices are needed in the film industry How to start filmmaking on a small budget Tips on building your own path without Hollywood gatekeepers COMMUNITY CONNECTION: Take a quick moment to connect — this one's for you and your tribe. This October, Leadercast Kingston returns, bringing you world-class speakers, meaningful conversations, and powerful networking opportunities — all right here in Jamaica. Then in November, get ready to set sail on the LeadHerShip Cruise — a unique blend of learning and leisure aboard Royal Caribbean's Liberty of the Seas.Picture this: you're practising your pitch on a ship that has a cupcake shop and a surf simulator — because growth should feel this good. Want to get involved or share your public speaking win (or flop)? Email heneka@henekawatkisporter.com or WhatsApp 876-849-2571. CONTACT RYANN LIEBL: LinkedIn: http://expertcreativehelp.com/  TRENDING NOW: Here's a stat that shines: According to the Center for the Study of Women in Television & Film, women accounted for only 18% of directors working on the top 250 grossing films last year, but films with female directors earned 23% higher audience scores for authenticity and impact.  Meanwhile, the global demand for diverse stories is surging, with 64% of viewers saying they want to see more films that reflect real, underrepresented experiences. Ryann's commitment to authentic, female-driven storytelling is right on the pulse of what audiences crave. If you enjoyed this episode of The Entrepreneurial You, subscribe on Spotify and Apple Podcasts, leave a rating, and share it with your friends. Visit henekawatkisporter.com to download a free eBook on how to conduct podcast interviews like a pro! RELATED EPISODES YOU MIGHT ENJOY: Discover more episodes that offer valuable insights, inspiration, and practical tips to help you on your entrepreneurial journey. Empowering Daddy-Less Daughters and Building Resilient Entrepreneurs With Dr. Doris Wesley  Mastering Digital Advertising and Customer Care With John Horn AFFIRM WITH ME: I am a creative leader, and my authentic voice makes a difference in the world. LISTEN & SUBSCRIBE: Spotify: https://bit.ly/TEYSpotify Apple Podcasts: http://apple.co/2nDEbsZ  POWERED BY OUR SPONSORS: Thanks to our sponsors henekawatkisporter.com & the Jamaica Stock Exchange Learn more about your ad choices. Visit megaphone.fm/adchoices

It's October, which means it's the start of Spooky Season. If you've been listening to Dinky for the past three years, you know we always do a Halloween episode – two of which have included our favorite, recurring guest star, Sapphire Sandalo. You might recognize her as a co-host on the Travel Channel TV shows ‘Ghost Town Terror' or from her appearances on ‘Paranormal Caught on Camera.' She also has her own award-winning podcast, Stories With Sapphire. Today, Sapphire rejoins the Dinky crew to chat about her new short film, as well as chat about witches. And this year we're trying something new – we're doing a whole month of spooky childfree tales across our Patreon bonus & regular episodes, including more stories spotlighting childfree witches and more spooky childfree/childless women. Learn more about Sapphire's new short film, BREEDER, and support the film HERE.Soft re-launching MERCH! (Shh.) Get your merch HERE. New Dinky trip alert!! Erika is taking a group of childfree travelers to VIETNAM — and it's an artsy adventurer's dream itinerary! Buy your tickets while they last. The Dinky Patreon is officially live! Join now to support the show + gain access to weekly, ad-free episodes, chat with us & other childfree pals in the Dinky Discord, join our virtual book club, and more! Wanna get your finances in order? Use our link to sign up for a FREE 34 day trial of YNAB (You Need A Budget) and support the show. Wanna connect with us on social media? You can find us on Substack, Instagram, TikTok, and Threads at @dinkypod. Follow us on YouTube.If you have a question or comment, email us at dinky@dinkypod.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/dinky--5953015/support.

Its spooky season, and what's scarier than bad video game movie tie ins. This week on ShameCube, the horror is real: we're tackling the abysmal Catwoman for the GameCube (Metascore 47).Discover the absurd origin where a murdered corporate employee is resurrected by the breath of an Egyptian cat. Then, brace yourself for truly broken gameplay as we struggle with a chaotic camera and the "sophisticated" combat mechanic of kicking bad guys into dumpsters.This movie-game tie-in is pure nightmare fuel. Don't say we didn't warn you!Find all of our socials as well as our discord server here!:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/PlayAlongPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Episodes of this podcast go up every Tuesday at 9 am PSTIntro and outro music is done by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://boqeh.bandcamp.com⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this engaging conversation, The Popcorn Priest (Chris Compton) speaks with Steven Bernstein, a multifaceted filmmaker, about his journey from philosophy to cinematography and directing. They explore the importance of vulnerability in storytelling, the evolution of visual language in film, and the unique narrative style of Bernstein's recent novella, GRQ. The discussion also touches on the impact of music videos on filmmaking, the role of comedy in cinema, and the creative process behind writing and directing. Bernstein shares insights into the adaptation of his book into a film and the exciting rollout plans for the movie, as well as his thoughts on the future of storytelling in the age of AI.

Wondering how to build camera confidence that feels grounded, not performative,  so you can lead with conviction and connect with your audience on a deeper level?If you've ever hesitated to press record because you didn't feel “ready,” this episode will show you how to show up as the confident leader you already are.Book a call here https://tidycal.com/crissy/connectioncallJoin this FREE Telegram space, Broadcast... https://thevisibleceo.com/broadcastBROADCAST is for the human-first leader who refuses to be muted by algorithms, AI, or outdated strategies. You've got something to say, and it's time to say it like you mean it. If you are ready for me to shift your thinking on how you can create a business WITHOUT living on your phone - this is the space to be!OMNI is my full visibility system built for CEOs who want to grow online without living on their phone. If you're ready to be truly seen, more strategic, and unmistakably in demand, head to check out OMNI at www.omniqueens.com Take the FREE Quiz to find out how visible you really are at www.thevisibleceo.com/quiz https://www.instagram.com/itscrissyconner/https://www.tiktok.com/@crissyconnerhttps://www.facebook.com/crissyconnerhttps://www.youtube.com/c/crissyconnerhttps://www.linkedin.com/in/crissyconner/

In this powerful episode, Will Friedner shares how authenticity and courage transformed his life and career, proving that true success comes from honest storytelling, consistency, and the freedom to live life on your own terms.See full article: https://www.unitedstatesrealestateinvestor.com/the-power-of-authenticity-building-a-life-of-freedom-and-connection-with-will-friedner/(00:00) - Introduction to The REI Agent Podcast(00:03) - Welcome Back with Mattias and Erica(00:28) - Introducing Guest: Will Friedner from Montana(01:08) - Will's Beginnings in Real Estate During the 2008 Crash(02:01) - Entering the Market Through Foreclosures(03:26) - Becoming One of Montana's Top Foreclosure Agents(04:57) - Navigating the Emotional Side of Foreclosures(06:19) - From Cold Calls to Content: Will's Shift to YouTube(08:07) - The Pandemic Spark and the Start of His Channel(08:24) - The Viral Video That Changed Everything(11:44) - Yellowstone, Politics, and Timing: The Perfect Storm(13:28) - The Montana Reality Check for Newcomers(14:45) - Winters in Montana: The Harsh Truth(16:23) - Life Off the Grid: Solitude and Neighbor Collaboration(17:43) - Knowing Yourself Before Moving to Montana(18:37) - The Two-Year Cycle of Montana Transplants(19:25) - Honest Marketing: Why Will's YouTube Works(19:39) - Advice for Agents Starting a YouTube Channel(20:36) - Consistency and Commitment in Content Creation(20:43) - Handling Negative Comments and Internet Trolls(22:11) - DIY Production: Tools, Tech, and Editing Workflow(23:33) - Upgrading Equipment After Monetization(24:17) - Authentic Simplicity: Why Montana Doesn't Need Filters(24:52) - Short Form or Not: Will's Contrarian YouTube Approach(26:16) - Standing Out by Avoiding the “Guru” Trends(26:34) - Audience Growth and Loyal Viewers(27:23) - Daylight Extremes: Long Nights and Endless Summers(27:52) - Mental Health in the Montana Winters(28:50) - Surviving the Seasonal Depression and Darkness(29:02) - When the Light Returns: April and the Emotional Lift(29:49) - Golden Advice for Aspiring YouTubers(31:09) - Getting Comfortable on Camera and Overcoming Fear(32:18) - Practice, Repetition, and Confidence Over Time(32:54) - Favorite Books on Persuasion and Negotiation(33:42) - Where to Find Will Friedner Online(34:14) - Closing Thoughts and Appreciation(34:22) - Outro: Subscribe and Stay InspiredContact Will Friednerhttps://www.montanaliferealty.com/https://www.instagram.com/willfriedner/Remember, your truth is your greatest tool for success. Stay consistent, stay real, and never stop creating the life you want—visit https://reiagent.com

Wondering how to build camera confidence that feels grounded, not performative,  so you can lead with conviction and connect with your audience on a deeper level?If you've ever hesitated to press record because you didn't feel “ready,” this episode will show you how to show up as the confident leader you already are.Book a call here https://tidycal.com/crissy/connectioncallJoin this FREE Telegram space, Broadcast... https://thevisibleceo.com/broadcastBROADCAST is for the human-first leader who refuses to be muted by algorithms, AI, or outdated strategies. You've got something to say, and it's time to say it like you mean it. If you are ready for me to shift your thinking on how you can create a business WITHOUT living on your phone - this is the space to be!OMNI is my full visibility system built for CEOs who want to grow online without living on their phone. If you're ready to be truly seen, more strategic, and unmistakably in demand, head to check out OMNI at www.omniqueens.com Take the FREE Quiz to find out how visible you really are at www.thevisibleceo.com/quiz https://www.instagram.com/itscrissyconner/https://www.tiktok.com/@crissyconnerhttps://www.facebook.com/crissyconnerhttps://www.youtube.com/c/crissyconnerhttps://www.linkedin.com/in/crissyconner/

LW1474 - Choosing Your Camera I've been a presenter at two different events in the last 10 days, and in both events I was asked about my camera. I'm not a gear-centric guy and this isn't a gear-centric podcast, but the truth is that we do need to use gear. The right gear makes the task easier and the wrong gear can easily become a barrier to what we want to accomplish. With this in mind, let's consider gear for just a few minutes. First, when you look at a famous image, so you need to know what camera was used? All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

Lights, Camera, action! Have you ever thought of your life as a movie? Do you compare your life to that of others? Are you disappointed in your script? Join Jordan as we explore this topic together through scripture! #chrstian #bible #Jesus

Join the gang this week as we discuss listener voicemails, Ghost of Yotei, Bad Bunny at the superbowl, Fantastic Four, Cardi VS Nicki, and much more, this week on #TheHangoverPodcast 

Interview by Spitty   / spittywill   We recently sat down with Mr.Cheeks of the Lost Boyz for an exclusive “Off The Porch” interview! During our conversation he talked about the originality in his era, recalls getting his start freestyling in the park, explains how he got his name, his upbringing in Queens, reveals his musical influences when he started, the difference between rap industry and hip-hop, explains how the Lost Boyz formed, recalls the first song they recorded together, Heavy D getting them their first record deal, storytelling on their debut album, jumping off the porch, “Jeeps, Lex Coups, Bimaz” blowing up, obstacles they had to overcome, getting their own day in Queens, “Music Makes Me High”, their album ‘Love, Peace & Happiness', his relationship with Stephen Marley, his solo single “Lights, Camera, Action”, being on Wild 'n Out, being featured on Lil Kim's “The Jump Off”, working with Mary J. Blige, the inspiration for “Me And My Crazy World”, his new EP ‘Still In Da Game', music video for “Realize”, keeping Freaky Tah's legacy alive, life lessons, and much more! Learn more about your ad choices. Visit megaphone.fm/adchoices

It's time to examine the Apple Watch Ultra 3 in real-world usage, plus there's much more about the iPhone 17 Pro Max, and Apple is keeping Snoopy while adding Bad Bunny to the Super Bowl.Contact your hosts:@williamgallagher_ on Threads@WGallagher on TwitterWilliam's 58keys on YouTubeWilliam Gallagher on email@hillithreads on Threads@Hillitech on TwitterWes on BlueskyWes Hilliard on emailSponsored by:MasterClass: Get 15% off annual memberships at MasterClass.comSquare: To learn more, go support your favorite neighborhood spot and see what Square has been up toin your neck of the woods. And then if you have extra time, check out square.com/go/appleinsider.Claude by Anthropic: Get 50% off your first three months of Claude Pro at Claude.ai/appleinsiderLinks from the Show:All Affinity apps are now free for the iPad - for nowNew in iOS 26 beta 5: Camera and Mail toggles, Apple Watch display leak, moreYou had mail: AOL finally discontinues dial-up Internet serviceiPhone 17 Pro Max review: redefining 'Pro' with a new coat of paintApple Watch Ultra 3 review: Iterative update, but still excellent hardwareApple Watch SE 3 review: Boring, but the one to buyM5 iPad Pro may have been completely leaked before Apple launchFCC mistakenly leaks confidential iPhone 16e schematicsSamsung's president has all but confirmed a 2026 iPhone Fold releaseM5 MacBook Pro & iPad Pro model numbers leaked by FCCFCC references non-existent Apple Vision Pro in testing documentsApple shifts priorities from lighter Apple Vision Pro to smart glassesAmazon throws Alexa at everything in sight, from Kindles to doorbellsLG's UltraFine 6K Thunderbolt 5 monitor will set you back $1,999Bad Bunny to headline Apple's 2025 Super Bowl half-time showSnoopy to stay with Apple TV+ until 2030Mei SemonesLaufeyDar WilliamsMary Chapin CarpenterFrancisca ValenzuelaSupport the show:Support the show on Patreon or Apple Podcasts to get ad-free episodes every week, access to our private Discord channel, and early release of the show! We would also appreciate a 5-star rating and review in Apple PodcastsMore AppleInsider podcastsTune in to our HomeKit Insider podcast covering the latest news, products, apps and everything HomeKit related. Subscribe in Apple Podcasts, Overcast, or just search for HomeKit Insider wherever you get your podcasts.Subscribe and listen to our AppleInsider Daily podcast for the latest Apple news Monday through Friday. You can find it on Apple Podcasts, Overcast, or anywhere you listen to podcasts.Those interested in sponsoring the show can reach out to us at: advertising@appleinsider.com (00:00) - Intro and Affinity (05:09) - You Had Mail (07:55) - iPhone 17 Pro Max (14:30) - Apple Watch UIltra 3 (23:55) - Leaks are back (52:56) - Amazon (59:02) - LG UltraFine 6K (01:02:01) - Bad Bunny (01:08:21) - Peanuts ★ Support this podcast on Patreon ★

We're diving into the world of faith-based filmmaking with two incredible guests, David Halford and Joseph Stamm! They're here to spill the beans on their latest project, *Searching for the Elephants*, a Neo Western drama that tackles heavy themes like addiction, family, and the power of forgiveness. David, a seasoned filmmaker with a heart for storytelling, and Joseph, a young talent who's already making waves in the industry, share their insights into the creative process behind this impactful film. We chat about the importance of authenticity in storytelling, especially for younger audiences craving real connections, and how their unique generational perspectives shaped the narrative. So, buckle up for a fun ride filled with laughter, inspiration, and some seriously heartfelt conversation!Takeaways: In this episode, we dive deep into storytelling with David Halford and Joseph Stamm, who share their journey in faith-based filmmaking and the importance of authentic narratives. David and Joseph discuss their film 'Searching for the Elephants', which tackles heavy themes like addiction, family trauma, and the quest for redemption, showcasing the complexity of real-life struggles. The duo emphasizes the significance of mentorship in filmmaking, highlighting how their generational differences enhance the storytelling process and create relatable characters. Both filmmakers stress the necessity of authenticity in their work, arguing that audiences today can easily spot manufactured narratives and yearn for genuine emotional connections. Joseph shares how embodying his character required extensive research and a commitment to portraying the realities of addiction with empathy and realism. David reflects on the challenges of balancing faith-based themes with broader audience appeal, noting the need for honest storytelling that resonates with diverse viewers. Companies mentioned in this episode: Cross Purpose Promotion Productions https://crosspurposes.productions/

Just past the 25th anniversary of the acclaimed Cedar Crest Lodge and with the fall leaves turning, a perfect time to revisit the fabulous conversation with Matt Cunningham from a bit back diving into his long and accomplished career as a sports videographer, and the always evolving lodge in Pleasanton, KS. Great sports stories and a family passion project rolled into one. Enjoy!

If you've ever said, “I'm just not confident on camera,” this episode is for you.Confidence isn't something you're born with. It's not reserved for extroverts or naturally outgoing women... it's a skill you can learn, practice, and master. And when it comes to being on camera, that skill can completely change the way you're seen, heard, and remembered in your business.In this episode, I break down:Why even accomplished women freeze when the camera turns onThe biggest myths about confidence (and what it really is)Three trainable skills that create confidence on cameraBy the end, you won't see camera confidence as a big scary mystery, but as a muscle you can build, one rep at a time.✨ Download the FREE Camera-Ready Confidence Guide for extra support here: https://christinebraneli.kit.com/guideI love hearing from you! Send me a msg here.Support the show

The MacVoices Live! panel talks brand genericization (“AirPods” for all earbuds), a quirky AirPods Max fix, and first-week impressions of new Apple gear. Chuck Joiner, Dave Ginsburg, Brian Flanigan-Arthurs, Ben Roethig, Jeff Gamet, Eric Bolden, Marty Jencius Jim Rea, and Web Bixby relate stories of iPhone 17 setup, camera zoom and landscape selfie tricks, store launch crowds, cases and scratch concerns, Liquid Glass readability, Apple Watch Ultra 3, AirPods Pro 3 translation limits, and an M3 iPad Air upgrade with education-store trade-in twists. http://traffic.libsyn.com/maclevelten/MV25252.mp3 This edition of MacVoices is brought to you by the MacVoices Dispatch, our weekly newsletter that keeps you up-to-date on any and all MacVoices-related information. Subscribe today and don't miss a thing. Show Notes: Chapters: [0:03] Newsletter plug [0:21] “AirPods” as a generic term [3:55] AirPods Max freezer fix success [6:36] New iPhone launch week check-in [11:42] Device migrations and methods [13:43] Apple Store pickup experiences [19:19] Hands-on with iPhone Air [20:04] Watch Ultra 3 and accessories [24:22] Purchase patterns and upgrades [25:50] M3 iPad Air trade-in journey [28:48] Liquid Glass readability; scratch worries| [33:25] Concert testing: 40× zoom results Links: iPhone 17 buyers pack Apple Stores worldwide https://appleinsider.com/articles/25/09/19/iphone-17-buyers-pack-apple-stores-worldwide Guests: Web Bixby has been in the insurance business for 40 years and has been an Apple user for longer than that.You can catch up with him on Facebook, Twitter, and LinkedIn, but prefers Bluesky. Eric Bolden is into macOS, plants, sci-fi, food, and is a rural internet supporter. You can connect with him on Twitter, by email at embolden@mac.com, on Mastodon at @eabolden@techhub.social, on his blog, Trending At Work, and as co-host on The Vision ProFiles podcast. Brian Flanigan-Arthurs is an educator with a passion for providing results-driven, innovative learning strategies for all students, but particularly those who are at-risk. He is also a tech enthusiast who has a particular affinity for Apple since he first used the Apple IIGS as a student. You can contact Brian on twitter as @brian8944. He also recently opened a Mastodon account at @brian8944@mastodon.cloud. Jeff Gamet is a technology blogger, podcaster, author, and public speaker. Previously, he was The Mac Observer's Managing Editor, and the TextExpander Evangelist for Smile. He has presented at Macworld Expo, RSA Conference, several WordCamp events, along with many other conferences. You can find him on several podcasts such as The Mac Show, The Big Show, MacVoices, Mac OS Ken, This Week in iOS, and more. Jeff is easy to find on social media as @jgamet on Twitter and Instagram, jeffgamet on LinkedIn., @jgamet@mastodon.social on Mastodon, and on his YouTube Channel at YouTube.com/jgamet. David Ginsburg is the host of the weekly podcast In Touch With iOS where he discusses all things iOS, iPhone, iPad, Apple TV, Apple Watch, and related technologies. He is an IT professional supporting Mac, iOS and Windows users. Visit his YouTube channel at https://youtube.com/daveg65 and find and follow him on Twitter @daveg65 and on Mastodon at @daveg65@mastodon.cloud. Dr. Marty Jencius has been an Associate Professor of Counseling at Kent State University since 2000. He has over 120 publications in books, chapters, journal articles, and others, along with 200 podcasts related to counseling, counselor education, and faculty life. His technology interest led him to develop the counseling profession ‘firsts,' including listservs, a web-based peer-reviewed journal, The Journal of Technology in Counseling, teaching and conferencing in virtual worlds as the founder of Counselor Education in Second Life, and podcast founder/producer of CounselorAudioSource.net and ThePodTalk.net. Currently, he produces a podcast about counseling and life questions, the Circular Firing Squad, and digital video interviews with legacies capturing the history of the counseling field. This is also co-host of The Vision ProFiles podcast. Generally, Marty is chasing the newest tech trends, which explains his interest in A.I. for teaching, research, and productivity. Marty is an active presenter and past president of the NorthEast Ohio Apple Corp (NEOAC). Jim Rea built his own computer from scratch in 1975, started programming in 1977, and has been an independent Mac developer continuously since 1984. He is the founder of ProVUE Development, and the author of Panorama X, ProVUE's ultra fast RAM based database software for the macOS platform. He's been a speaker at MacTech, MacWorld Expo and other industry conferences. Follow Jim at provue.com and via @provuejim@techhub.social on Mastodon. Ben Roethig has been in the Apple Ecosystem since the System 7 Days. He is the a former Associate Editor with Geek Beat, Co-Founder of The Tech Hangout and Deconstruct and currently shares his thoughts on RoethigTech. Contact him on  Twitter and Mastodon. Support:      Become a MacVoices Patron on Patreon      http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:      http://macvoices.com      Twitter:      http://www.twitter.com/chuckjoiner      http://www.twitter.com/macvoices      Mastodon:      https://mastodon.cloud/@chuckjoiner      Facebook:      http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:      http://www.facebook.com/macvoices/      MacVoices Group on Facebook:      http://www.facebook.com/groups/macvoice      LinkedIn:      https://www.linkedin.com/in/chuckjoiner/      Instagram:      https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes      Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

This episode of The PR Breakdown examines a viral crime case out of Albany, New York, that drew national attention when a suspect confessed on camera to killing and burying his parents. Guest Greg Floyd, veteran journalist and anchor, recounts how the investigation evolved from a financial-crimes lead into a homicide revelation, and reflects on the ethics, accountability, and human weight behind the interview.In this episode:How the case surfaced and escalated from a backyard dig to a double homicideThe email that led to an on-camera interview and an unexpected confessionTechniques for guiding high-stakes interviews without sensationalismWatch/Read:Interviews and coverage on CBS 6 Albany's YouTube and websiteFull video: Man confesses to killing his parents during news interview, arrested in front of stationFull video: Lorenz Kraus speaks from jail after confession to parents' murderLive & Archive:Substack Live: Friday, Oct 3 at 12:45pm ET — Greg Floyd joins for an extended Q&A.Substack members will have access to the archived live conversation after the event.Content note: This episode discusses homicide and may be distressing for some listeners.The media tool I use to track stories, monitor coverage, and help clients get their message in the right hands. Click here to learn more. Want More Behind the Breakdown? Follow The PR Breakdown with Molly McPherson on Substack for early access to podcast episodes, exclusive member chats, weekly lives, and monthly workshops that go deeper than the mic. It's the insider's hub for communicators who want strategy with spine—and a little side-eye where it counts.Follow Molly on Substack Subscribe to Molly's Weekly Newsletter Subscribe to Molly's Live Events Calendar. Need a Keynote Speaker? Drawing from real-world PR battles, Molly delivers the same engaging stories and hard-won crisis insights from the podcast to your live audience. Click here to book Molly for your next meeting. This podcast is supported by Muck Rack, the PR management platform I use to monitor media coverage, track journalist activity, and inform high-stakes strategy with real-time data. Click here to try Muck Rack for yourself. Follow & Connect with Molly: https://www.youtube.com/mollymcpherson https://mollymc...

Send us a textIn this episode, I chat with Noël Stark about her debut romantic comedy novel, LOVE, CAMERA, ACTION.Noël Stark has worked in almost every position in the Film and Television industry, both in front of and behind the camera. Although she's Canadian, she lives in L.A. with her young son, desperately missing winter. She likes chocolate milk in her coffee and gets most of her real-world intel from her three stepkids. Here's the synopsis of Love, Camera, Action:A scrappy TV director lands her big break only to go head-to-head with the surly yet sexy director of photography, in this page-turning romance perfect for fans of Ava Wilder and Tessa Bailey. Up-and-coming TV director Cali Daniels knows sex. Well, okay, she knows how to shoot sex scenes, and she's been hired to direct a highly anticipated steamy episode of the popular series The Demon. This job is her chance at a big-time career in the film and television industry—all she has to do is deliver an unparalleled show using her hard-knock know-how and ample creativity.  If only the director of photography—effortlessly sexy Jory Blair—would stop shutting her ideas down at every turn. Jory has spent years cultivating his career as an A-list director of photography, but a recent health scare has him rethinking his life and craving the director spot. Now this creative newbie, who he can't get out of his mind, wants to change the look of his show. Even worse, the friction between them is sparking into blistering chemistry.  As collaborating takes on a whole new meaning, and the show's producer not-so-subtly suggests that Jory sabotage Cali in order to achieve his own goals, they'll have to decide if chasing their dream jobs is worth losing the dream of a future together. Noël StarkLOVE, CAMERA, ACTION, Noël StarkProject Hail Mary, Andy Weir Support the showThe Bookshop PodcastMandy Jackson-BeverlySocial Media Links

0:00 - Think about the KC Chiefs last season...they seemed mortal and beatable...and yet they kept winning somehow! That's how Brett feels about the Eagles this season. Is that a fair comparison? 20:22 - A Guardians player hit a foul ball DIRECTLY into a camera lens yesterday and it gave us possibly the cleanest glass-breaking sound effect of all time. 33:17 - Bill Schmidt stepped down as Rockies GM. What's next for the Rockies? Will they finally hire someone from outside the organization who knows how to make smart personnel decisions?

Chris, Ade and Jeremiah explore the ways new technology can help you make fantastic photos.

Matthew Rolston discusses his creative process and the evolution of his career from editorial and advertising photography to music videos and personal fine art projects. He shares his philosophy on working with on-camera talent, emphasizing that performance and magic in front of the camera are paramount, regardless of the individual's personality. Rolston also delves into his conceptual art projects, such as *Talking Heads: The Vent Haven Portraits*, which explores the idea of projecting human life into images and objects, and *Vanitas: The Palermo Portraits*, a meditation on mortality. He also touches upon the changing media landscape, the rise of social media, and the future of visual culture with AI.Show Clip from The Paris Chong Show with Matthew Rolstonhttps://youtu.be/SGbg4x9LIG8https://www.theparischongshow.com

Hey there, hero!Sometimes, a little thing can be a puzzler, and can be annoying, and when you figure out how to solve it, can be a bit embarrassing.For years, I didn't enjoy the notion of shooting a vertical full body shot for my on-camera self-tape auditions……until I did. I stopped being so precious about it, and made it easy. And gave casting directors exactly what they want: a look at me, head to toe.In this episode, I show you how I do it. (And if you usually listen to the audio version of the podcast, you might want to watch this particular one.)How do you do your full body shots? Is it even easier than how I do it? Willing to share? Let me know how you do it in the comments below.REQUEST: Please join this video's conversation and see the full episode on VOHeroes, where the comments are moderated and civil, at https://voheroes.com/how-i-easily-add-a-full-body-shot-to-my-on-camera-audition-slates/#Acting #Voice #VoiceOver #Performance #Productivity #Tips #Art #Commerce #Science #Mindset #Success #Process #Options #BestPractices #MarketingWant to be a better VO talent, actor or author? Here's how I can help you......become a VO talent (or a more successful one): https://voheroes.com/start ...become an audiobook narrator on ACX (if you're an actor or VO talent): https://acxmasterclass.com/ ...narrate your own book (if you're an author): https://narrateyourownbook.com/ ...have the most effective pop filter (especially for VO talent): https://mikesock.com/ ...be off-book faster for on-camera auditions and work (memorize your lines): https://rehearsal.pro/...master beautiful audiobook and podcast audio in one drag and drop move on your Mac: https://audiocupcake.com/ The VOHeroes Podcast is heroically built with: BuddyBoss | LearnDash | DreamHost | SamCart | TextExpander | BuzzSprout ...

In this heartfelt episode of the Heart Conviction Podcast, Nina Palmer welcomes her "60-day bestie," Corey C, for an engaging conversation about their unique experiences on the reality show "60 Days In." They reminisce about their time in jail, the challenges they faced, and the unexpected friendships they formed. Corey shares his journey of self-reflection and personal growth, while Nina discusses the importance of self-awareness and the impact of generational traits. Together, they explore themes of resilience, friendship, and the power of self-discovery. Tune in for an inspiring and candid discussion that delves into the depths of human connection and transformation.Follow Nina Here: https://www.instagram.com/ninapalmertexas/Checkout the new Hopecast website:https://thehopecastnetwork.com/Buy Merch here:https://www.bonfire.com/store/the-hopecast-network-swag/This show is brought to you by The Hopecast Networkhttps://www.instagram.com/hopecastnetwork/

Did Camilla tell Kate to move during the state visit? We unpack the clip, Ingrid Seward on Kate's star turn, and Deep Crown on why Catherine steadies the whole Firm—alongside Richard Eden's warning about a Harry-and-Meghan “return.” Then: ITV's Jane Andrews drama sparks a statement from Natalie Dormer, reports that Fergie's TV hopes have stalled, and her Belgravia sale.

The boys discuss the new trailer for “Wicked: For Good” and share some new music and TikTok/Insta rec's --- Gift the gift of gay! ⁠https://www.patreon.com/RealityGays/gift⁠ September is FULLY LOADED with exclusive content y'all!  JOIN RealityGays+  + Patreon ⁠ ⁠⁠https://www.patreon.com/RealityGays⁠ or  + Supercast ⁠ ⁠⁠https://realitygaysmulti.supercast.com/⁠  + Apple Subscriptions https://podcasts.apple.com/us/podcast/reality-gays-with-mattie-and-poodle/id1477555097  +Watch us on video ⁠www.youtube.com/@RealityGays⁠ Click here for all things RG!  ⁠⁠https://linktr.ee/RealityGays⁠ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Now that we've got the new Apple devices in our hands, we're learning some great things about them, including the surprisingly good battery life on the slim iPhone Air -- and the ease of scratching the iPhone 17 Pro Max -- all on the AppleInsider Podcast.Contact your hosts:@williamgallagher_ on Threads@WGallagher on TwitterWilliam's 58keys on YouTubeWilliam Gallagher on email@hillithreads on Threads@Hillitech on TwitterWes on BlueskyWes Hilliard on emailSponsored by:Insta360: go to store.insta360.com and use the promo code "appleinsider" -- the first 30 buyers get a free Sticky Tab tooSquare: To learn more, go support your favorite neighborhood spot and see what Square has been up toin your neck of the woods. And then if you have extra time, check out square.com/go/appleinsider.Links from the Show:New in iOS 26 beta 5: Camera and Mail toggles, Apple Watch display leak, moreiPhone 17 review: More pro features added than ever beforeiPhone 17 vs. iPhone 16 compared: Base model battleiPhone 17 may be an unexpected early hit for AppleiPhone Air review: An aspirational iPhone that the Pro won't buy            iPhone Air avoids 'bendgate' in YouTube destruction 'test'iPhone 17 Pro, iPhone Air excel in bend tests, still fragile for drop testsCustomers report day one scratches and scuffs on iPhone 17 ProApple's weak 'scratchgate' defense insists iPhone 17 isn't easily damagediOS 26 could get a major AI boost with the Model Context ProtocolSupport the show:Support the show on Patreon or Apple Podcasts to get ad-free episodes every week, access to our private Discord channel, and early release of the show! We would also appreciate a 5-star rating and review in Apple PodcastsMore AppleInsider podcastsTune in to our HomeKit Insider podcast covering the latest news, products, apps and everything HomeKit related. Subscribe in Apple Podcasts, Overcast, or just search for HomeKit Insider wherever you get your podcasts.Subscribe and listen to our AppleInsider Daily podcast for the latest Apple news Monday through Friday. You can find it on Apple Podcasts, Overcast, or anywhere you listen to podcasts.Those interested in sponsoring the show can reach out to us at: advertising@appleinsider.com (00:00) - Intro (01:13) - New iPhones (27:37) - Sscratch that (39:08) - Ceramic Shield (49:22) - iPhone photography ★ Support this podcast on Patreon ★

Ben Stein and cohost Judah Friedman discuss, the Comey Indictment and the fall of Europe.

Scarlett Johansson is known the world over for major roles in close to 40 films over the past three decades and is the highest-grossing lead actor in Hollywood. Johansson is now taking on a new role as director. Her debut film, “Eleanor the Great,” is now in theaters. Amna Nawaz sat down with the filmmaker to discuss this latest chapter in her career. It's for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

In this episode, we are joined by TereZa Hakobyan-Lolli and Anthony Lolli, documentary filmmakers and real estate developers with a passion for informative entertainment. Often delving into complex and poignant subject matters like women's empowerment and weight loss, they engage viewers through participatory, performative interviews and dynamic conversations — presented in a format that's both engaging and easy to digest… Hit play to find out: What “experiential documentaries” are, and how the Lollis have represented them in the wellness space. The benefits of understanding the nature of the human body and how to properly take care of it. Why each generation of human beings keeps getting sicker. TereZa Hakobyan-Lolli is an award-winning film producer, accomplished actress, recording artist, and visionary documentarian who has redefined the future of health, wellness, and longevity. TereZa is an immigrant from Armenia and the brains behind Biohack Yourself +, the first-of-its-kind longevity news platform. She has also produced award-winning documentaries including, The Guru, Skin Deep, and much more. Anthony Lolli is a real estate developer and the founder of Rapid Realty, a rental-focused real estate brokerage he launched in New York City in 1998. In 2018, he partnered with TereZa to co-found Lolli Brands Entertainment, channeling his decades of experience into the entertainment industry. He first gained global recognition for documenting his dramatic weight loss journey in the film From Fat Lolli to 6 Pack Lolli. Since then, he has gone on to produce, direct, and star in several other documentaries. Be sure to follow their Instagram accounts to stay up-to-date with their latest work! Lolli Brands Entertainment: @lollibrandsentertainment TereZa Hakobyan-Lolli: @terezalolli Anthony Lolli: @anthonylolli Episode also available on Apple Podcasts: http://apple.co/30PvU9

On this episode of Becoming Next On Scene, we welcome back Emmy Award–winning director and nationally recognized sake expert Marina Giordano for her third appearance on the show. By day, Marina is a powerhouse behind the camera at Channel 7, and by night she's one of the country's leading voices on the art and culture of sake. Five years ago, Marina noticed a gap in New England's cultural scene: sake was largely unknown and underrepresented. Determined to change that, she launched Sake Day East, which has now grown into one of Boston's most unique and celebrated cultural festivals. In this conversation, we cover:     •    How Marina first fell into the world of sake and cultural events.     •    The evolution of Sake Day East from small beginnings to a 5-year tradition.     •    Behind-the-scenes challenges and leadership lessons in running a festival.     •    What attendees can expect at this year's 5th anniversary celebration.     •    Marina's personal legacy in shaping Boston's cultural and culinary landscape. Whether you're a sake enthusiast, a lover of cultural festivals, or curious about what it really takes to grow an idea into a lasting tradition, this episode will leave you inspired and ready to raise a glass

Mikah and Rosemary share candid reactions to Apple's latest iPhone, revealing why features like the vapor cooling, revamped cameras, and an unexpectedly handy crossbody strap might change how you use your phone day to day. Hands-on experiences with iPhone 17 Pro & Pro Max and launch day delivery Setup process: phone-to-phone transfer vs iCloud and USB-C cable speeds Cooler operation, aluminum unibody, and vapor cooling 48MP sensors, 8x optical zoom, and new selfie features Camera and action button: usability, custom settings, and accessibility tricks Crossbody strap and tech woven case: practicality, design, and user reactions Accessory talk: screen protectors, AirPods Pro 3, and lanyard compatibility Performance bumps: chip responsiveness, battery life, wifi 7 first impressions Color and model picks: regrets, capacity choices, and Air vs. Pro Max debate News: Apple Restore Fund is investing in California redwoods for carbon removal Feedback segment: integrating task management with calendar apps App Caps: Apple TechWoven case and Spigen glass screen protectors Hosts: Mikah Sargent and Rosemary Orchard Contact iOS Today at iOSToday@twit.tv. Download or subscribe to iOS Today at https://twit.tv/shows/ios-today Want access to the ad-free video and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.

What starts out as a lighthearted night of Halloween banter quickly turns into one of the strangest “haunted tech” moments we've ever had on Real Ghost Stories Online Live. Tony, Carol, and Todd are laughing about skeleton Santas, hoarding Amazon boxes, and even Ron Popeil infomercial costumes when suddenly… Carol's brand-new camera vanishes. Not misplaced. Not forgotten. Simply gone. That's when “Satan” himself checks in. Yes, really. What follows is a wild mix of horror-comedy: the devil claiming he took Carol's camera because he didn't want more light in the room, riffs about hell binge-watching Dr. Quinn Medicine Woman, and surreal jokes about haunted electronics being used in Satan's sitcoms. This segment is everything that makes the show addictive: the creep factor of technology disappearing without explanation, the hilarity of the banter, and the unsettling thought that maybe, just maybe, something really did take that camera. If you love your paranormal with a side of absurd comedy, this one's for you. #GhostStories #HauntedTech #HalloweenChaos #ParanormalComedy #RealGhostStories #HauntedElectronics #ParanormalPodcast #SpookySeason #HauntedObjects #ParanormalHumor #HalloweenVibes Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

What starts out as a lighthearted night of Halloween banter quickly turns into one of the strangest “haunted tech” moments we've ever had on Real Ghost Stories Online Live. Tony, Carol, and Todd are laughing about skeleton Santas, hoarding Amazon boxes, and even Ron Popeil infomercial costumes when suddenly… Carol's brand-new camera vanishes. Not misplaced. Not forgotten. Simply gone. That's when “Satan” himself checks in. Yes, really. What follows is a wild mix of horror-comedy: the devil claiming he took Carol's camera because he didn't want more light in the room, riffs about hell binge-watching Dr. Quinn Medicine Woman, and surreal jokes about haunted electronics being used in Satan's sitcoms. This segment is everything that makes the show addictive: the creep factor of technology disappearing without explanation, the hilarity of the banter, and the unsettling thought that maybe, just maybe, something really did take that camera. If you love your paranormal with a side of absurd comedy, this one's for you. #GhostStories #HauntedTech #HalloweenChaos #ParanormalComedy #RealGhostStories #HauntedElectronics #ParanormalPodcast #SpookySeason #HauntedObjects #ParanormalHumor #HalloweenVibes Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

What happens when the ones we love most pass away—but don't really leave? Joey from Greensboro, North Carolina, shares his chilling yet heartfelt encounters with his late father. After his dad's passing from melanoma in 2015, strange activity began filling their home. First, it was the unmistakable sound of his father's whistle—a sound his dogs always recognized. Joey heard it, and soon after, so did his girlfriend from across the house. Then came the voice. Joey's father called his name. His mother also heard it that very same day. Even the family's dog seemed to sense his presence, often sitting and staring silently at the urn that held his ashes. But the most shocking proof came years later. A friend brought over an SLS camera during a casual paranormal experiment. What they captured stopped Joey cold: a figure sitting in the exact spot where his dad's favorite recliner once sat. When Joey reached out, the figure reached back. For Joey, it wasn't about fear—it was confirmation. His father was still there, watching, protecting, reminding them that love doesn't die. #RealGhostStories #Afterlife #ParanormalEvidence #GhostCaughtOnCamera #FamilySpirit #GuardianSpirit #GhostStoriesOnline #HauntedHouse #ParanormalActivity #FathersSpirit Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story: