Podcast appearances and mentions of simon hayes

SMFM2016500期节目的时候，有听友许愿想听五个人聚齐聊奥斯卡，你看，这不就来了么（央视主持范儿）。这期我们聊了聊10部提名奥斯卡最佳影片的作品，也顺便给大家推荐了几部，我们认为更值得的作品。我们吵了个痛快，也希望大家听个开心~04:05 今年的奥斯卡提名综述10:30 《艾米莉亚·佩雷斯》36:24 《魔法坏女巫》42:33 《粗野派》1:29:18 《无名小辈》1:37:23 《秘密会议》1:56:55 《阿诺拉》2:36:57 《沙丘2》2:39:52 《某种物质》2:45:39 《我仍在此 》2:49:33 《五分钱男孩》2:54:25 虽然没入围最佳影片，但是我们更推荐它们3:03:08 大家的一些预测「什么电苔」出了全新付费专辑《有什么好笑的？》，大家可以直接选择点击如下链接购买完整专辑，收听所有后续更新，https://www.xiaoyuzhoufm.com/podcast-topic/673ac195f373fe5d4d1f7d2f开头bgm：Dreaming by Blondie《阿诺拉》插曲结尾bgm：El Mal by Zoe Saldana/Karla Sofia Gascon/Camille 《艾米莉亚·佩雷斯》想做嘉宾，联系我们：whatfmmovie@163.com孔老师微博@做着学生的孔老师王老师微博@浩浩很含蓄什么电台官方微博@什么电苔某老师B站：什么电苔孔老师 本期阵容：什么电苔 全体主播第97届奥斯卡完整入围名单最佳男主角● 阿德里安·布洛迪 – 《粗野派》● 提莫西·夏勒梅 – 《无名小辈》● 科尔曼·多明戈 – 《监狱剧院》● 拉尔夫·费因斯 – 《秘密会议》● 塞巴斯蒂安·斯坦 – 《飞黄腾达》最佳男配角● 尤里·鲍里索夫 – 《阿诺拉》● 基兰·库利金 – 《真正的痛苦》● 爱德华·诺顿 – 《无名小辈》● 盖伊·皮尔斯 – 《粗野派》● 杰里米·斯特朗 – 《飞黄腾达》最佳女主角● 辛西娅·艾莉沃 – 《魔法坏女巫》● 卡拉·索菲亚·加斯孔 – 《埃米莉亚·佩雷斯》● 米基·麦迪逊 – 《阿诺拉》● 黛米·摩尔 – 《某种物质》● 费尔南达·托雷斯 – 《我仍在此》最佳女配角● 莫妮卡·巴巴罗 – 《无名小辈》● 阿丽安娜·格兰德 – 《魔法坏女巫》● 费莉西蒂·琼斯 – 《粗野派》● 伊莎贝拉·罗西里尼 – 《秘密会议》● 佐伊·索尔达娜 – 《埃米莉亚·佩雷斯》最佳动画长片 ● 《猫的奇幻漂流》 – Gints Zilbalodis, Matīss Kaža, Ron Dyens 和 Gregory Zalcman● 《头脑特工队2》 – Kelsey Mann 和 Mark Nielsen● 《蜗牛的回忆》 – Adam Elliot 和 Liz Kearney●《超级无敌掌门狗：企鹅的复仇》 – Nick Park, Merlin Crossingham 和 Richard Beek● 《荒野机器人》 – Chris Sanders 和 Jeff Hermann最佳动画短片● 《毛发再生的男人》 – Nicolas Keppens 和 Brecht Van Elslande● 《柏树树荫下》 – Shirin Sohani 和 Hossein Molayemi● 《魔糖》 – Daisuke Nishio 和 Takashi Washio● 《漫步至仙境》 – Nina Gantz 和 Stienette Bosklopper● 《噫！》 – Loïc Espuche 和 Juliette Marquet最佳摄影● 《粗野派》 – Lol Crawley● 《沙丘2》 – Greig Fraser● 《埃米莉亚·佩雷斯》 – Paul Guilhaume● 《玛丽亚·》 – Ed Lachman● 《诺斯费拉图》 – Jarin Blaschke最佳服装设计● 《无名小辈》 – Arianne Phillips● 《秘密会议》 – Lisy Christl● 《角斗士2》 – Janty Yates 和 Dave Crossman● 《诺斯费拉图》 – Linda Muir● 《魔法坏女巫》 – Paul Tazewell最佳导演● 《阿诺拉》 – Sean Baker● 《粗野派》 – Brady Corbet● 《无名小辈》 – James Mangold● 《埃米莉亚·佩雷斯》 – Jacques Audiard● 《某种物质》 – Coralie Fargeat最佳纪录片长片● 《黑箱日记》 – Shiori Ito, Eric Nyari 和 Hanna Aqvilin● 《唯一的家园》 – Basel Adra, Rachel Szor, Hamdan Ballal 和 Yuval Abraham● 《瓷器战争》 – Brendan Bellomo, Slava Leontyev, Aniela Sidorska 和 Paula DuPre’ Pesmen● 《政变的配乐》 – Johan Grimonprez, Daan Milius 和 Rémi Grellety● 《甘蔗》 – Julian Brave NoiseCat, Emily Kassie 和 Kellen Quinn最佳纪录片短片● 《死亡数字》 – Kim A. Snyder 和 Janique L. Robillard● 《我准备好了，典狱长》 – Smriti Mundhra 和 Maya Gnyp● 《事件》 – Bill Morrison 和 Jamie Kalven● 《心跳的仪器》 – Ema Ryan Yamazaki 和 Eric Nyari● 《 爱乐唯她：纽约爱乐首位女团员》 – Molly O'Brien 和 Lisa Remington最佳剪辑● 《阿诺拉》 – Sean Baker● 《粗野派》 – David Jancso● 《秘密会议》 – Nick Emerson● 《埃米莉亚·佩雷斯》 – Juliette Welfling● 《魔法坏女巫》 – Myron Kerstein最佳国际影片● 巴西 – 《我仍在此》● 丹麦 – 《拿针的女孩》● 法国 – 《埃米莉亚·佩雷斯》● 德国 – 《神圣无花果之种》● 拉脱维亚 – 《猫的奇幻漂流》最佳化妆与发型设计● 《不同的男人》 – Mike Marino, David Presto 和 Crystal Jurado● 《埃米莉亚·佩雷斯》 – Julia Floch Carbonel, Emmanuel Janvier 和 Jean-Christophe Spadaccini● 《诺斯费拉图》 – David White, Traci Loader 和 Suzanne Stokes-Munton● 《某种物质》 – Pierre-Olivier Persin, Stéphanie Guillon 和 Marilyne Scarselli● 《魔法坏女巫》 – Frances Hannon, Laura Blount 和 Sarah Nuth最佳原创音乐● 《粗野派》 – Daniel Blumberg● 《秘密会议》 – Volker Bertelmann● 《埃米莉亚·佩雷斯》 – Clément Ducol 和 Camille● 《魔法坏女巫》 – John Powell 和 Stephen Schwartz● 《荒野机器人》 – Kris Bowers最佳原创歌曲● 《El Mal》 – 选自《埃米莉亚·佩雷斯》；音乐：Clément Ducol 和 Camille；歌词：Clément Ducol, Camille 和 Jacques Audiard● 《The Journey》 – 选自《六三八》；音乐和歌词：Diane Warren● 《Like A Bird》 – 选自《监狱剧院》；音乐和歌词：Abraham Alexander 和 Adrian Quesada● 《Mi Camino》 – 选自《埃米莉亚·佩雷斯》；音乐和歌词：Camille 和 Clément Ducol● 《Never Too Late》 – 选自《埃尔顿·约翰：永不嫌晚》；音乐和歌词：埃尔顿·约翰, Brandi Carlile, Andrew Watt 和 Bernie Taupin最佳影片● 《阿诺拉》 – Alex Coco, Samantha Quan 和 Sean Baker, 制片人● 《粗野派》 – 提名待定● 《无名小辈》 – Fred Berger, James Mangold 和 Alex Heineman, 制片人● 《秘密会议》 – Tessa Ross, Juliette Howell 和 Michael A. Jackman, 制片人● 《沙丘2》 – Mary Parent, Cale Boyter, Tanya Lapointe 和 Denis Villeneuve, 制片人● 《埃米莉亚·佩雷斯》 – 提名待定● 《我仍在此》 – 提名待定● 《五分钱男孩》 – 提名待定● 《某种物质》 – 提名待定● 《魔法坏女巫》 – Marc Platt, 制片人最佳美术指导● 《粗野派》 – 美术指导：Judy Becker；布景装饰：Patricia Cuccia● 《秘密会议》 – 美术指导：Suzie Davies；布景装饰：Cynthia Sleiter● 《沙丘2》 – 美术指导：Patrice Vermette；布景装饰：Shane Vieau● 《诺斯费拉图》 – 美术指导：Craig L；布景装饰： Beatrice Brentnerová● 《魔法坏女巫》- 美术指导：Nathan Crowley; 布景装饰: Lee Sandales最佳真人短片●一个外星人 – Sam Cutler-Kreutz 和 David Cutler-Kreutz●阿努贾 – Adam J. Graves 和 Suchitra Mattai●我不是机器人 – Victoria Warmerdam 和 Trent● 最后的游骑兵 – Cindy Lee 和 Darwin Shaw● 无法沉默的人 – Nebojša Slijepčević 和 Danijel Pek最佳音效● 无名小辈 – Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey 和 David Giammarco● 沙丘2 – Gareth John, Richard King, Ron Bartlett 和 Doug Hemphill● 埃米利亚·佩雷斯 – Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz 和 Niels Barletta● 魔法坏女巫 – Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson 和 John Marquis● 野生机器人 – Randy Thom, Brian Chumney, Gary A. Rizzo 和 Leff Lefferts最佳视觉效果● 异形：罗慕路斯 – Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin 和 Shane Mahan● 更好的人 – Luke Millar, David Clayton, Keith Herft 和 Peter Stubbs● 沙丘2 – Paul Lambert, Stephen James, Rhys Salcombe 和 Gerd Nefzer● 猩球王国 – Erik Winquist, Stephen Unterfranz, Paul Story 和 Rodney Burke● 魔法坏女巫 – Pablo Helman, Jonathan Fawkner, David Shirk 和 Paul Corbould最佳改编剧本（Writing – Adapted Screenplay）● 无名小辈 – 编剧：James Mangold 和 Jay Cocks● 秘密会议 – 编剧：Peter Straughan● 埃米利亚·佩雷斯 – 编剧：Jacques Audiard；与 Thomas Bidegain, Léa Mysius 和 Nicolas Livecchi 合作● 五分钱男孩 – 编剧：RaMell Ross & Joslyn Barnes● 监狱剧院 – 编剧：Clint Bentley, Greg Kwedar；故事：Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield最佳原创剧本● 阿诺拉 – 编剧：Sean Baker● 粗野派 – 编剧：Brady Corbet, Mona Fastvold● 真正的痛苦 – 编剧：Jesse Eisenberg● 九月五日 – 编剧：Moritz Binder, Tim Fehlbaum；联合编剧：Alex David● 某种物质 – 编剧：Coralie Fargeat

Academy Award®-winning production sound mixer Simon Hayes joins us to discuss his groundbreaking work on “Wicked.” Nominated for his third Oscar®, Hayes shares how he captured live vocals on set, blending the technical innovation with the emotional. He reflects on lessons learned from “Les Misérables,” how he worked seamlessly with the music department, and the intricate process of ensuring performers like Cynthia Erivo and Ariana Grande had the freedom to deliver their most powerful performances while always staying in sync with the film's score."We had no idea that when Cynthia and Ari sung together, their voices would mesh the way that they did. And something very, very special happens when those two sing together… That first time when I had my cans on, and they were dueting, and the hairs on the back of my neck started standing up, and you get that tingle… You just know, as a sound mixer, 'My God, we've struck gold.' This is something very unique and special."—Simon Hayes, Production Sound Mixer, “Wicked”Be sure to check out “Wicked,” now available to stream at home in Dolby Vision® and Dolby Atmos®.And don't miss our previous episode featuring Stephen Schwartz and the music team behind “Wicked, as well as our episode with Director Jon M. Chu and the film's post-production team.You can also check out the video for this episode.Please subscribe to Dolby Creator Talks wherever you get your podcasts.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Oscar winning production sound mixer Simon Hayes sits down with Tim, for an in-person, one on one talk. He describes his goal of a world where there is no distinction between the production sound team and the audio post team. Everyone is working as one big crew to get the best possible sound for each project, through collaboration and open communication. Simon spins wonderful stories, going all the way back to Lock, Stock & Two Smoking Barrels, about his innovative ways of recording performances so that is ready for a dialog editor to use with ease. He also discusses he techniques to keep everyone on set, working towards the goal of clean dialog. I could listen to Simon all day. This episode is sponsored by Sound Ideas, check out their 50% off sale happening now until Jan 31st: www.sound-ideas.com Notes: https://tonebenderspodcast.com/297-production-sound-mixer-simon-hayes/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

In this episode (Part 2 of 2) Neil and Jason talk in-depth and ‘totally technical' about the musical Wicked with the Oscar-winning Production Sound Mixer Simon Hayes and on set music editor Josh Winslade. We discuss the creative decisions behind Simon's sound recording strategy, his timing and justification for switching to digital radio mics and the low-down on how a great relationship with the Visual Effects supervisor is so important in the quest for capturing the best possible performance from artists on set. About the presenters: You can find more about Simon and his work here Josh Winslade on IMDb Details about Neil and Jason's work as dialogue editors and mixers and how to contact them is here Details of our 1-to-1, training and coaching programmes for ambitious media professionals are available at: https://www.drneilhillman.com and https://soundproducer.com.au/coaching and www.soundformovingpictures.com Technical notes: Written, produced and presented by Jason Nicholas and Dr Neil Hillman – IMDb Recorded using the CleanFeed remote recording system Programme edited by Jason Nicholas YouTube fair use disclaimer: Where copyrighted material appears in episodes of The Apple and Biscuit Show, it is used under the ‘fair use' guidelines of the Copyright Act: i.e. “Use of these clips follows Fair Use laws regarding commenting and criticizing”, where Fair Use allows for the unlicensed use of copyrighted material for purposes such as Commentary, Criticism, Parody, News reporting, Teaching, Scholarship, and Research. In instances where copyright or credit is questioned, please contact us directly to discuss receiving credit, or removing the featured content.

Wicked has music that swings from massive orchestral pieces, to delicate underscore. There is sound design adding comedy, tension and fear. On top of all that, there is the singing, recorded live on set, that really brings out the emotions of the story. Production sound mixer Simon Hayes tells us how they captured the vocals on a busy set and supervising sound editors Nancy Nugent Title & John Marquis discuss building up the sounds to create the sonic world of Oz. Supervising music editor Jack Dolman, discusses how the music all came together from pre-records to the final edit. All that work, so re-recording mixers Andy Nelson and John Marquis could sculpt the mix to make this crowd pleasing epic operate at its peak. This episode is sponsored by Sound Ideas, check out their 50% off sale happening now until Jan 31st: https://www.sound-ideas.com Notes: https://tonebenderspodcast.com/293-wicked/ Podcast Homepage: tonebenderspodcast.com This episode is hosted by Timothy Muirhead

In this episode, (Part 1 of 2), Neil and Jason talk in-depth and ‘totally technical' to the Oscar-winning Production Sound Mixer Simon Hayes, and on set music editor Josh Winslade, about their complex and unique playback and recording arrangements for capturing live vocals and authentic performances from lead actors Cynthia Erivo and Ariane Grande; as well as providing an insight into how to keep Jeff Goldblum happy in-between takes (and it partially involves jazz…).   This is the most comprehensive account of the Wicked gig and rig yet recorded, and best of all, it's in the words of Wicked's own sound wizards.   About the presenters: You can find more about Simon and his work here: https://www.simonhayes.com Josh Winslade is here on IMDb: https://www.imdb.com/name/nm7016150/ Details about Neil and Jason's work as dialogue editors and mixers and how to contact them is here: https://www.theaudiosuite.com Details of our 1-to-1, training and coaching programmes for ambitious media professionals are available at: https://www.drneilhillman.com and https://soundproducer.com.au/coaching and https://www.soundformovingpictures.com   Technical notes: Written, produced and presented by Jason Nicholas and Dr Neil Hillman –  IMDb: www.imdb.me/neilhillman   Recorded using the CleanFeed remote recording system   Programme edited by Jason Nicholas   YouTube fair use disclaimer: Where copyrighted material appears in episodes of The Apple and Biscuit Show, it is used under the ‘fair use' guidelines of the Copyright Act: i.e. “Use of these clips follows Fair Use laws regarding commenting and criticizing”, where Fair Use allows for the unlicensed use of copyrighted material for purposes such as Commentary, Criticism, Parody, News reporting, Teaching, Scholarship, and Research. In instances where copyright or credit is questioned, please contact us directly to discuss receiving credit, or removing the featured content.

On this episode, I spoke to Re-recording Mixer Andy Nelson, Re-recording Mixer and Supervising Sound Editor John Marquis, and Supervising Sound Editor Nancy Nugent Title and Production Sound Mixer Simon Hayes about their work on Wicked.  Andy Nelson is a… 24x Oscar nominee (2x winner for Les Misérables and Saving Private Ryan)  22x BAFTA nominee (5x winner for Les Misérables, Moulin Rogue!, Saving Private Ryan, L.A. Confidential and Braveheart) 8x AMPS Award nominee 25x CAS Award nominee (3x winner for La La Land, Les Misérables and Saving Private Ryan) Simon Hayes is a…  2x Oscar nominee (Winner for Les Misérables) 3x BAFTA nominee (Winner for Les Misérables)  3x CAS Award nominee (Winner for Les Misérables)  2x AMPS Award nominee Nancy Nugent Title is a…  3x Emmy Award nominee (2x winner for Dinosaur Planet and When Dinosaurs Roamed America) 13x MPSE Award nominee (3x winner for Inglourious Basterds, Grand Canyon Adventure: River at Risk, and Top Speed)  John Marquis is a… 8x MPSE Award nominee (Winner for Megamind: The Button of Doom) 

Wicked movie director Jon M. Chu joins The Art of Kindness podcast with Robert Peterpaul to discuss being a kind leader on set, acts of kindness from Ariana Grande and Cynthia Erivo, his spellbinding memoir Viewfinder and more. Rejoicify - this is a thought-provoking chat filled with STAR-studded surprise guests! Jon M. Chu is known for his visually stunning blockbuster films, as well as his kinetic work across various genres from groundbreaking series to commercials and films. Additionally, his unique storytelling ability has earned him the honor of inclusion on the Hollywood Reporter's Power 100 list as well as Variety's New Hollywood Leaders. Most recently, Chu directed Universal Pictures' critically acclaimed WICKED, starring Oscar-nominated actress Cynthia Erivo and Ariana Grande. Part 1 of the feature-film adaptation of the record-breaking musical phenomenon released in theaters on November 22 and quickly became a box-office hit, becoming the highest-grossing Broadway adaption in domestic box office history in its second week earning over $350 million globally. His memoir, Viewfinder, is his journey from growing up in the Silicon Valley to transitioning to Hollywood and helming major studio projects, released Summer 2024. The book is an uplifting tale of belonging, creativity and learning to see who you truly are. His recent projects include the critically acclaimed adaptation of Lin-Manuel Miranda's Tony Award-winning musical IN THE HEIGHTS for Warner Bros. Studios as well as the worldwide phenomenon CRAZY RICH ASIANS, which was nominated for numerous awards, including a SAG Award, a Golden Globe and PGA Award. It is one of the top 10 highest grossing romantic comedies of all time and the highest in a decade. It was also the first contemporary studio picture in more than 25 years to feature an all-Asian cast and opened a new chapter in Asian-American representation in Hollywood. Chu is in post-production on WICKED: PART TWO, which is set to release on November 21, 2025, and is attached to develop to direct the highly anticipated biopic for Britney Spears based on her memoir, The Woman in Me, with Universal. He is also in development on Dr. Seuss' OH, THE PLACES YOU'LL GO! with Warner Bros and JJ Abrams' Bad Robot, which will be his first animated film. His previous films include GI. JOE: RETALIATION, NOW YOU SEE ME 2, JUSTIN BIEBER'S NEVER SAY NEVER and many more representing over 1.3 billion dollars in the worldwide box office. Thank you to Ariana Grande, Cynthia Erivo, Ethan Slater, Michelle Yeoh and Simon Hayes for the special surprise, and to Welcome to Times Square for supporting our Big Apple dreams. Follow Jon: @jonmchu Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Let us be glad. Let us be grateful. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Wicked" is undoubtedly one of 2024's biggest films. The film adaptation of the Tony Award-winning smash hit Broadway musical fans have been waiting for over twenty years for is finally here, and we have a slew of interviews taking you behind the scenes on what went into making this dream become a reality. First up, we have my interview with original show creator Stephen Schwartz and screenwriter Winnie Holzman, followed by my joint interview with cinematographer Alice Brooks, editor Myron Kerstein, and visual effects supervisor Pablo Helman. Then we have Dan Bayer's interviews with costume designer Paul Tazewell, production designer Nathan Crowley and sound mixer Simon Hayes. Please be sure to check out the film, which is now playing in theaters from Universal Pictures and is up for your consideration at this year's Academy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode (part 2 of 2), Neil and Jason talk to the Oscar-winning Production Sound Mixer Simon Hayes about the work-ethic he learned from filming with his father, Production Sound Mixer John Hayes; other Production Sound Mixers that have inspired him; the importance of a life lived outside of the film business (to both your health and your finances); and his close and long-standing friendship with the film director, Guy Ritchie. And stay tuned to hear how Neil throws caution to the wind and offers to grapple with Simon in the dojo to decide who between them should mix the next James Bond Film… About the presenters: You can find more about Simon and his work here: https://www.simonhayes.com Details about Neil and Jason's work as dialogue editors and mixers and how to contact them is here: https://www.theaudiosuite.com Details of Neil's 1-to-1 and Coaching Programmes for ambitious media professionals are available at: https://www.drneilhillman.com and https://soundproducer.com.au/coaching and www.soundformovingpictures.com Technical notes: Written, produced and presented by Jason Nicholas and Dr Neil Hillman – IMDb Recorded using the Squadcast remote recording system Programme edited by Jason Nicholas All original motion picture soundtrack clips are licensed through SceneClipper Inc.

In this episode (part 1 of 2), Neil and Jason talk to Oscar-winning Production Sound Mixer Simon Hayes about his demanding work on location film sets and deep-dive into Simon's philosophy and approach to modern location recording techniques. We discuss the importance of a fully-digital signal chain, the understanding with directors he establishes at the beginning of each project and the very different considerations he applies to recording and mixing musicals such as Les Misérables, Cats and Wicked or action films such as James Bond's No Time To Die, X-Men: First Class and Guardians of the Galaxy. Simon talks about the refreshing nature of shooting low-budget, single camera productions epitomised by the spirit of his early work on Lock, Stock and Two Smoking Barrels. This is a compelling and unique insight into film sound for experts, novices and movie aficionados alike.   About the presenters:   You can find more about Simon and his work here: https://www.simonhayes.com Details about Neil and Jason's work as dialogue editors and mixers and how to contact them is here: https://www.theaudiosuite.com Details of Neil's 1-to-1 and Coaching Programmes for ambitious media professionals are available at:  https://www.drneilhillman.com and  https://soundproducer.com.au/coaching and www.soundformovingpictures.com Technical notes: Written, produced and presented by Jason Nicholas and Dr Neil Hillman – IMDb Recorded using the Squadcast remote recording system Programme edited by Jason Nicholas All original motion picture soundtrack clips are licensed through SceneClipper Inc.

Send us a textThis week, my guest on the Extremely Successful Sales Club podcast is the fabulous Simon Hares, who is recognised by LinkedIn as a top voice in all things sales and sales management. You're going to love this episode, where - amongst (many) other things - Simon tackles the common misconceptions about pricing and trust in sales - sharing his wisdom on maintaining firm pricing to convey true value, while highlighting the timeless importance of trust and personal connections. We discuss how to steer clear of fleeting sales fads and embrace the enduring principles that keep human connections at the heart of successful sales, even as AI continues to rise.He also challenges the status quo about the role of sales leadership post training – and how they need to pick up the baton beyond the training sessions - ensuring that concepts are put into practice through continuous coaching and team support.And wait until you get to his opinions regarding innovation – just brilliant - as he explains the role of video messaging in modern sales strategies.And you'll learn how a simple shift to video communication can enhance client engagement and create personal connections that traditional methods might miss. From effective follow-up techniques to creating a respected company culture, this episode is packed with insights and actionable advice to elevate your sales game. Join us as we celebrate the art of prospecting and the joy of nurturing sales team talent – all while maintaining a consistent content strategy that keeps you ahead in the sales game.To Your success,Chris Murray

Welcome back! We finally manage to make a short episode because Alex is off on his holidays! Dean checks out another Latin American book, Alex explores Nietzsche, and Simon Hayes calls in to talk about his upcoming book Zero Risk (zero-risk.com)Books reviewed include:- Zero Risk (Simon Hayes, 2024). - Cien Años De Soledad / 100 Years Of Solitude (Gabriel García Márquez (1967)- The Captain's Daughter & Other Stories (Alexander Puskin, 1836)- The Longitude Of Grief (Matthew Daddona, 2024)- The Birth Of Tragedy (Friedrich Nietzsche, 1872)Visit booksboys.com for links and merch, check out our music on spotify, or head to patreon.com/booksboys for all our other bonus shows plus back catalogue. Hosted on Acast. See acast.com/privacy for more information.

Listener Lara wrote into the Naked Scientists to ask "Is there a biological benefit for cats and dogs to bury their faeces? Can it help plants grow similar to horse manure?" Otis Kingsman spoke to the primary medical care director of the veterinary medicine company Linnaeus, Dr Simon Hayes, about this question on the fascinating function of faeces... Like this podcast? Please help us by supporting the Naked Scientists

The recent weather events have highlighted the importance of building roofs. Roofs are often forgotten because they are hard to maintain and potentially dangerous to access but water damage can cost a business operation time and money and impact on the health and safety of workers. However proptech is solving some of these roofing issues such as safely and rapidly identifying problems and implementing maintenance regimes. In addition, roofs also provide a great opportunity for owners and businesses to create money through capturing and using solar energy. To learn more join the Proptech Association's Secretary, Simon Hayes at 12pm (AEDT) on Tuesday 22 March 2022 as he conducts this month's “learn at lunch” webinar series speaking with roof experts: - Derek Feebrey, CEO and Co-founder of Trendspek - Georgie Fenwicke, CEO and Co-founder of Tellfrankie.com - Richard Romanowski, Executive Director and Co-Founder of eleXsys Energy --- Send in a voice message: https://anchor.fm/theproptechpodcast/message

Simon Hayes is a Bafta and Oscar winning sound mixer from the UK - not to mention European BMX Champ, and third dan black belt in Brazilian Jiu Jitsu. Simon has worked on movies such as Snatch, Prometheus, 28 Weeks Later, Kingsman, and more recently, No Time To Die, for which he has also been nominated for another Bafta and an Oscar. Simon and I talk about BJJ, Motorcycles, working with Guy Ritchie, and, of course, Denim. We hope you enjoy episode 5 of Iron Cast. Talking points on the Iron Heart Forum:https://www.ironheart.co.uk/forum/index.php?topic=17291.msg729157#msg729157

Let's see how optimising communication in home care makes things easier all around! Simon Hayes is the co-founder of Hayylo. He is focused on building a world where customers can seamlessly connect and communicate with their providers, friends and families. Simon is a generalist entrepreneur. Hayylo is a purpose-built communications platform. It is helping providers to engage effectively and efficiently with clients, families and their support teams. Hayylo bolts onto the provider's current record systems, CMS and other infrastructure they already have in place, enabling them to share information out into the community.  In this episode, Pete and Simon have a conversation about the Hayylo platform, the importance of person-led care, and the opportunities for innovation at scale within the health and aged care sectors.  This episode is packed with innovation guides for aged care and home care. From this episode, you will understand just how implementing and improving communication channels give rise to person-led care and reduce the cost and other pressures for the providers, the client, their families and support teams.  Check out the episode and full show notes here. To see the latest information, news, events and jobs on offer at Hayylo, visit their Talking HealthTech Directory here.  Loving the show?  Leave us a review, and share it with some friends, become a THT+ Member for early release, ad-free and bonus episodes of the podcast, access to our online community forum, and free tickets to our quarterly summits.  For more information visit here.

Simon Hayes a personal trainer who's worked at all levels of motorsports, starting out with Williams in F1 and now focused on Indycars, with drivers such as Ryan Hunter-Ray and Kathrine Legge. We discuss the impact of fitness on your driving. How to find time for exercise in your busy schedule. Nutrition and how to make sure you're getting what you need. Specific types of exercises you can try and even a unique piece of kit he uses that Simon would rather his competitors didn't know about ... The show is packed full of actionable advice and takeaways for you to try. Many are much easier than you might think. So grab a notepad, grab a coffee, sit back and enjoy. [6:44] Where To Start (And How To Stick With) With Fitness And Training [12:11] How To Prepare For And Manage Your Day At The Track For Best Performance [21:58] What Makes A Good Quality Exercise (Even Without Equipment) [25:07] Simons Secret Piece Of Exercise Equipment [29:32] Specific Exercises You Can Do At The Track To Warm Up -- Links mentioned in the show: - Simon Hayes personal training website https://www.performancephysixx.com/ - Simon Hayes articles giving specific motorsports exercise tips - https://flowracers.com/blog/author/shkinad/ - How high does your heart rate go during a test day - https://www.yourdatadriven.com/how-high-does-a-race-drivers-heart-rate-go/ - Fitness exercises for when you're short in time - https://www.yourdatadriven.com/driver-fitness-a-home-workout-when-you-have-limited-time/ -- Perfectly setup your racecar. Master data analysis. Drive faster @ www.yourdatadriven.com

This episode is another one that looks at better ways of transacting commercial real estate. My guest in this episode is Simon Hayes from LeaseSearch. Now one of the big issues with commercial real estate, especially in the industrial and big office leases, is that it's hard to compare apples with apples. Unlike residential, where a three bedroom home is going to be pretty easy to compare to other three bedroom homes in the suburb, the variations in commercial can be extensive, and the value of the different features or compromises are hard to compare and put a value on. Lease negotiation therefore can be complicated, including large spreadsheets of features and lease terms. Now LeaseSearch makes all of that easy. It helps tenants identify the features they really need a property to have, and it connects tenants with landlords of suitable properties. It then speeds up the leasing process, ensuring all property and financial issues are covered, and saves time for everyone involved. --- Send in a voice message: https://anchor.fm/theproptechpodcast/message

Production Sound Mixer Simon Hayes explores the work of the production sound team on the film LES MISERABLES.

Peter Devlin as Moderator with CAS members and Production Mixers Simon Hayes and Chris Munro. (Part 2)

Peter Devlin as Moderator with CAS members and Production Mixers Simon Hayes and Chris Munro. (Part 1)

Tense atmospherics, uncompromising levels of distortion and stark, astute beats constitute a distinctive sound that Simon Hayes has been honing for more than a decade under his Swarm Intelligence guise. A restless sonic explorer, his numerous releases span a range of styles – from ambient and noise, through techno and electro, right through to drum and bass and breakcore. https://www.residentadvisor.net/dj/swarmintelligence https://soundcloud.com/swarmintelligence http://questagency.net/artist/detail/swarm-intelligence/ facebook.com/Slam.soma instagram.com/slam_djs twitter.com/slamdjs slam-djs.com Subscribe on Spotify: bit.ly/SlamRadioOnSpotify Subscribe on iTunes: itunes.apple.com/gb/podcast/slam-radio/id584845850 Slam Radio is produced at http://www.glowcast.co.uk For syndication or radio queries, email conor@somarecords.com and contact@syndicast.co.uk

In this episode, the Product Owner of Ableton Live - Simon Hayes discusses new updates in Ableton Live 10.1, as well as stories behind the scenes working with Ableton’s team of developers. Simon is the Product owner for Ableton Live, with the task of overseeing the development team to release new updates. He also produces under the artist name Swarm Intelligence, and is a master of all things Ableton Live. Stay connected with Simon at the links below: Facebook (Swarm Intelligence) Website Instagram Join the Live Producers membership and access Ableton Live webinars, feedback on your projects by Dan Giffin, online courses, and more... CLICK HERE TO JOIN

The big first date between Miles and Cara goes down, but did you really think the God account would sit that out? Rakesh is given unfettered access to Simon Hayes' servers and seems to be closing in on a suspect. Ali is worried Pastor Andrew is moving against the Rev. Finer. Matt and Pete serve up episode 116, “Scenes From an Italian Restaurant.”Thanks as always to everyone who supports the podcast by visiting Patreon.com/PhantasticGeek.Share your feedback for God Friended Me by emailing PhantasticGeek@gmail.com, commenting at PhantasticGeek.com, or tweeting @PhantasticGeek.MP3iTunes

This week's friend suggestion is… in a coma?! Simon Hayes is in the house and he has big plans for Rakesh, but could those plans take him far from the recently-returned Jaya. And what's up on the Miles and Cara front? Matt and Pete deliver episode 115, “Two Guys, a Girl and a Thai Food Place.”MP3iTunes

In todays episode, Jaimi, Rochelle, Mina, and Franceli talk courage, confidence, authenticity, and soulmates. Rakesh finds himself offered a new job directly from Simon Hayes, Jaya finds out she’ll be working in New York, Author gives Carver a shot at Pasotring, and Miles finally asks Cara on a date. Tune in! What would you do if YOU got a friend request from God on social media? Would you believe it? Would you take it seriously?? What would happen if it became more and more real? That's what Miles Finer's dealing with on God Friended Me, and on the GOD FRIENDED ME AFTERBUZZ TV AFTER SHOW, we'll be talking about every single episodes each week! Tune in for plot discussion, character breakdowns, predictions and more! Be sure to subscribe, comment, and rate to stay up to date on all things God Friended Me, and who knows? We might even have a few special guest interviews from time to time! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Hosts Jaimi Alexander, Rochelle Pollard, and Mina Wahab break down “The Trouble With The Curve.” They talk about Miles resolving conflict with his former best friend, Arthur Finer’s internal struggle feeling replaced by a new Junior Priest, and Rakesh’s seeming lack of leadership in his new position. Plus, we go over predictions regarding Simon Hayes, the alleged man behind the God account. What would you do if YOU got a friend request from God on social media? Would you believe it? Would you take it seriously?? What would happen if it became more and more real? That's what Miles Finer's dealing with on God Friended Me, and on the GOD FRIENDED ME AFTERBUZZ TV AFTER SHOW, we'll be talking about every single episodes each week! Tune in for plot discussion, character breakdowns, predictions and more! Be sure to subscribe, comment, and rate to stay up to date on all things God Friended Me, and who knows? We might even have a few special guest interviews from time to time! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This is from a lengthy sound chat with Simon Hayes and covers a part about special large scale hollywood FX like Rain Machines and Wind when it comes to getting clean dialogue

This is from a chat with Jeff Wexler on how the boom can still be used even in complex multi-camera situations by being painted out by the VFX department. He also mentions Simon Hayes and his work painting out radio mics also.

How do you determine if you are a genius among geniuses?Simon Hayes, Probable humanoidWritten Jan 4, 2015I'm no genius and my IQ is nothing to write home about. However I can see one thing that seems to have eluded you. It is this:Undue concern regarding your ranking amongst geniuses is an unworthy preoccupation. It's an inward-looking, utterly theoretical concern that's extremely unlikely to lead to any tangible value for yourself or anyone else. True or false,  it simply does not merit the attention you're giving it. Also,  has it not occurred to you that anyone actually qualified to provide the affirmation you seem to be seeking would need to be beyond your own level of genius to an extent that would compromise the value of that affirmation ?Suppose you get it : what next ?Suppose you don't get it: what next ?In short,  I humbly urge you to seek out a more worthy preoccupation - one that has some hope of bringing real benefits - both to yourself and the rest of us. Good hunting,  comrade !

How do you determine if you are a genius among geniuses? Simon Hayes, Probable humanoid Written Jan 4, 2015 I'm no genius and my IQ is nothing to write home about. However I can see one thing that seems to have eluded you. It is this: Undue concern regarding your ranking amongst geniuses is an unworthy preoccupation. It's an inward-looking, utterly theoretical concern that's extremely unlikely to lead to any tangible value for yourself or anyone else. True or false, it simply does not merit the attention you're giving it. Also, has it not occurred to you that anyone actually qualified to provide the affirmation you seem to be seeking would need to be beyond your own level of genius to an extent that would compromise the value of that affirmation ? Suppose you get it : what next ? Suppose you don't get it: what next ? In short, I humbly urge you to ...

This episode I sit down with BMX champion, life long martial artist, judo black belt, jiu jitsu black belt, Carlson Gracie London instructor, bulldog owner and Oscar award winning sound engineer Simon Hayes. In an epic 3 and a half hour conversation we talk about his history in sport and martial arts, how he found BJJ, the birth of jiu jitsu in the UK, training on set with the likes of Guy Ritchie and Jason Statham, the creation of his famous smash pass and even the history of bulldogs. If you have any questions or comments for the podcast email me at: theraspberryapepodcast@gmail.com

Patrick Jenkins is joined by Martin Arnold, banking editor and Sam Fleming, financial policy correspondent, as well as Tobias Buck, Madrid bureau chief and Simon Hayes, partner at Odgers Berntson, to discuss the appointment of John McFarlane as Barclays chairman, the Scottish independence debate and the change of leadership at Spanish bank Santander. See acast.com/privacy for privacy and opt-out information.