Podcasts about vfx

https://www.imdb.com/title/tt1235529/Ever wonder how the scrappy, sarcastic world of Murderbot was brought to life? Veteran Visual Effects Supervisor Sean Faden pulls back the curtain on the hit Apple TV+ series, revealing the innovative and often hilarious journey of its creation. He shares the origin story of his involvement, detailing a highly collaborative process that began nearly a year before filming. Discover how the team stretched a modest budget to create an epic feel, using real-world locations from the deserts of Moab to the volcanic landscapes of Iceland. Sean gives a masterclass in creative problem-solving, from embracing the glorious cheese of the show-within-a-show "Sanctuary Moon" to designing a spaceship based on Jiffy Pop popcorn and filming creature attacks with a kiddie tunnel. They also discuss the future of the entire industry. Looking ahead from his current work on the anticipated Highlander reboot, Sean provides a firsthand account of the massive technological shifts underway. He and Chris dive deep into how AI tools are revolutionizing the filmmaking process, accelerating everything from initial concept art to on-set communication. This is a must-listen for anyone interested in the creative and technical magic behind modern visual effects and what's coming next. Sean Faden's Previous CG Garage Episode > Sean Faden's IMDb > Murderbot on Apple TV+ > Highlander (Upcoming Reboot) >

This week, Patrick shows Lolo TRON!Just listening? You COULD be WATCHING: Video versions of the podcast are available exclusively to our Patrons, for just $1 a month! Become a Patron today to join us in our living room with our cats as we record! www.patreon.com/ixfilmproductions Want a quick laugh, and see what we do when we're not podcasting? Check out our comedy sketches! www.youtube.com/ixfp Mentioned in this episode:Catch at show at one of our two hosts of the upcoming Bird Watching International!The Bird Comedy Theater: https://thebirdkc.com/The Stray Cat Film Center: https://www.straycatfilmcenter.com/Show your love for movie deep dives with First Timers Movie Club merch! It's a great conversation starter to help you work obscure movie trivia into your day to day life.  https://ixfilmproductions.printful.me/ WE HAVE DEDICATED SOCIALS FOR FIRST TIMERS MOVIE CLUB! Follow us on Facebook and Instagram for regular updates, trivia, recipes, and to be the first to know what our upcoming episodes are - and on TikTok and YouTube for video clips from the pod!Facebook: https://www.facebook.com/profile.php?id=61558990926951 Insta: https://www.instagram.com/firsttimersmovieclub/TikTok: https://www.tiktok.com/@firsttimersmovieclubHave a favorite (or least favorite) famous movie that you think we should've seen? Reach out to us on socials and we'll add it to our list!   Follow IX Film Productions for original web shorts, behind the scenes sneak peeks and comedy feature films at:Facebook: www.facebook.com/ixfilmproductionsInstagram: @IXProductionsYouTube: www.youtube.com/ixfp  Subscribe to our newsletter for monthly updates on our website:www.ixfilmproductions.com  "First Timers Movie Club" is brought to you by IX Film Productions. "Making the World a Funnier Place one Film at a Time"  Music The Curtain Rises by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5007-the-curtain-rises License: http://creativecommons.org/licenses/by/4.0/  

Part 11 and the finale of Boogie Mikes, our Paul Thomas Anderson rewatch series leading up to and reviewing One Battle After Another is here. And like we do with all our series, we wanted to celebrate it with one of our Homemade Awards shows, where we enjoy a slew of fun categories. NON-SPOILER SECTION: Though to be fair, we do allude to some often memed about scenes that are fully in the zeitgeist these days. So… it's light spoilers and we do suggest watching ALL of these films regardless. Wildest Anecdote from a PTA Production - 3:05 Match the unofficial premise to the PTA film - 6:52 Most / Least Californian Stories - 9:08 Characters You'd Most Like To Hangout With - 11:30 Performance by a Non-Actor - 14:05 Cameo Sized Actress Performance - 15:22 Cameo Sized Actor Performance - 17:00 The Overacting Oscar - 18:16 Mr. Congeniality - 18:55 Miss. Congeniality - 20:29 Supporting Actor - 21:50 Supporting Actress - 25:03 Best Duo - 26:44 Lead Actor Categories - 28:08 Lead Actress - 29:50 Best Costumes, Editing, VFX, Sound Design & Best Cinemagraphy- 31:19 - Production Design + Best Makeup and Hairstyling - 33:36 Best Soundtrack & Original Score - 35:05 Our Top 10 Rankings of PTA Films - 38:42 SPOILER WARNING - 46:42 SPOILER SECTION: all 10 movies including One Battle After Another are fair game. Some Informal Processing - 47:27 Best & Worst Parent Character Awards - 51:26 Theme Declarations Sections - 53:58 PTA Characters You'd Least Like To Party With - 55:25 Best / Worst PTA Movie Scene At A Restaurant - 59:26 Most Evil AND Funny Scene - 1:03:15 Hardest We've Laughed At a PTA Movie - 1:06:15 Most Badass Scene - 1:09:24 Most Thrilling Sequence - 1:12:11 Craziest and 2nd Craziest Final Acts - 1:15:22 Wildest Final Shots and Weirdest Epilogues - 1:17:31 What are PTA's Trademark Scenes? And what is our PTA Movie cinematic bliss?? - 1:19:10 OUTRO: If you've enjoyed this episode, make sure to click on our entire playlist for Boogie Mikes, our PTA Rewatch Series. And maybe check out one of our other Rewatch Series. We've done Halloween/Michael Myers, MMO Screams, Mike Mike and Alien, the Conjuring Universe, 2 Mike 2 Furious, the Mission Impossible Films, the MCU, Quentin Tarantino, David Fincher, the Joker Character Study, the James Bond Character Study and more. You can find all of these playlists under that tab in our Soundcloud RSS Home feed. Otherwise, if you've enjoyed our work, please rate & review us positively, like & subscribe and most of all, please tell your friends and relatives about our show. We truly appreciate everybody who have been tuning in and we hope to bring you more rewatch series in the future. If you have an idea for our next series, also let us know! https://linktr.ee/mikemikeandoscar

Hannah Groff is a Brooklyn based illustrator and ceramicist, originally from The Gold Coast, Australia. After years working in Design, VFX, and Architecture Hannah now makes ceramics full time as the mind and hands behind G'Day Thrillseekers. All of Hannah's pieces are handmade and hand painted without stencils or transfers. https://ThePottersCast.com/1165

Production Designer Brandon Tonner-Connolly and Set Decorator Tafv Sampson take us inside FX's The Lowdown—a grounded Tulsa world built with real locations, a rebuilt diner, and a bookstore layered with 5,000 hand-picked titles and an apartment above it. We unpack color choices, hero props for investigative storytelling, and the small, invisible decisions that make the sets feel lived-in. Perfect for set decorators, production designers, art directors, and anyone who loves craft-driven TV design.Topics: bookstore layout, apartment-over-shop, diner counter/booths, Tulsa ephemera, practical vs. VFX, color language, continuity, prop strategy, Easter eggs.The Lowdown FX, Ethan Hawke, production design podcast, set decoration podcast, art department, TV set design, behind the scenes.

Addy and Joey analyze three stories at the intersection of AI and filmmaking: the potential talent agency signing of AI actress Tilly Norwood, the technical challenges in the Runway-Lionsgate partnership, and how VFX professionals are combining AI with traditional compositing tools.--The views and opinions expressed in this podcast are the personal views of the hosts and do not necessarily reflect the views or positions of their respective employers or organizations. This show is independently produced by VP Land without the use of any outside company resources, confidential information, or affiliations.

In this episode of AWS Executive Insights, Tanuja Randery, VP and Managing Director of EMEA for AWS interviews Darren O'Kelly, CEO of Untold Studios, a next-generation creative powerhouse that has earned BAFTA and Grammy nominations for its groundbreaking work across advertising, music, and film. The conversation explores O'Kelly's journey from traditional VFX production to co-founding an entirely cloud-based creative studio that launched in just six weeks, challenging industry conventions with projects ranging from Super Bowl commercials to Netflix's "The Crown." O'Kelly shares his leadership philosophy of combining "two-thirds experience and one-third naivety," discussing how this approach has enabled Untold Studios to build a culture of excellence that attracts global talent, including major artists like Adele, Billie Eilish, and Oasis. The discussion also delves into the impact of AI and emerging technologies on the creative industry, O'Kelly's commitment to mentorship and diversity, and his vision for the future of storytelling.

A few months back, on episode 510, we debated whether James Cameron is an all-powerful maverick who answers to no one. VFX legend and Digital Domain co-founder Scott Ross heard the discussion and had a clear message for us: "You got it wrong." According to Scott, the idea that Cameron operates completely free from studio influence is a fantasy, especially when a quarter-billion dollars is on the line. He holds nothing back, sharing an explosive insider story from the set of Titanic that shows exactly how fraught that relationship can become. However, Scott is quick to admit that while he critiques the process, he never bets against the results, acknowledging that Cameron's success is both undeniable and admirable. The conversation then ignites over the future of the industry, as Scott labels Cameron's public stance on AI "totally disingenuous." In his unfiltered opinion, AI isn't a tool for faster creativity; it's a weapon the studios will use to decimate the visual effects workforce. Strap in as Scott Ross unloads on the "corporate socialism" of tax subsidies and whether the current chaos in Hollywood is the opportunity needed for a true creative revolution. This is an unfiltered, pull-no-punches look at the real state of filmmaking.  Scott Ross's Wikipedia page > UPSTART: THE DIGITAL FILM REVOLUTION MANAGING THE UNMANAGEABLE > James Cameron's thoughts on AI > Savannah and Georgia Reel as Film Production Drops >

Ian Failes from befores & afters chats to Mark Spatny, now VFX supervisor and VAD supervisor at OTOY, about his work at The Roddenberry Archive. This is an archive dedicated to preserving the legacy of Gene Roddenberry, who created Star Trek.

Episode 102-Athens Scream Park 2025 Preview Released 27 September 2025 Hosts:  Keoni Hutton & Leslie Reed Hosts Leslie Reed and Keoni Hutton sit down with Breck Avenmarch and Eli Weiss, co-owners of Athens Scream Park, to discuss the final preparations for their new  haunted trail in Gloucester, Ohio.  They cover theme and backstory, construction and sound challenges on an outdoor paintball field, marketing strategies (including guerrilla tactics and community outreach), actor recruitment and management, budgeting and sponsorships. The episode offers practical insights for haunters on building sustainable sets, creative sound design, simplified makeup approaches, and community-focused promotions. Tune in for an enthusiastic look at grassroots haunt production and the realities of opening a new attraction.  Resources mentioned during this episode: Athens Scream Park: Website: https://www.athensscreampark.com/ Instagram: https://www.instagram.com/athensscreampark Facebook: https://www.facebook.com/p/Athens-Scream-Park-61575626467563/ SCP Foundation: https://scp-wiki.wikidot.com/ Jax Silvertree: https://www.instagram.com/thenomadiccuriosity/ DJ Barticus: https://djbarticus.com/ Haunting U can be found at www.hauntingu.com. Sanguine Creek Estates: www.scehaunt.com Chamber of Haunters Website: https://chamberofhaunters.com/ Sound Effects: Music: Dance of Death http://www.purple-planet.com/ Thunder: Recorded by Mark DiAngelo Uploaded: 07.29.11 http://soundbible.com/1913-Thunder-... License: Creative Commons Attribution 3.0 Modifications: Inserted over Dance of Death Music Evil Laughter: Recorded by Himan Uploaded: 03.13.13 License: Public Domain  http://soundbible.com/2054-Evil-Lau... AI Text to Speech Generator: https://www.hume.ai/ We couldn't continue to bring you awesome content without the support of our sponsors, particularly our Premium sponsors, the Chamber of Haunters, and VFX.  Learn more here: www.chamberofhaunters.com https://vfxcreates.com/ Haunting U is a production of Sanguine Creek Entertainment LLC published under the Creative Commons Attribution 3.0 license. All rights reserved.  

The boss made crude remarks, leaving you torn between outrage and flattery after years of marital boredom. Can good come from this? It's Feedback Friday!And in case you didn't already know it, Jordan Harbinger (@JordanHarbinger) and Gabriel Mizrahi (@GabeMizrahi) banter and take your comments and questions for Feedback Friday right here every week! If you want us to answer your question, register your feedback, or tell your story on one of our upcoming weekly Feedback Friday episodes, drop us a line at friday@jordanharbinger.com. Now let's dive in!Full show notes and resources can be found here: jordanharbinger.com/1214On This Week's Feedback Friday:Your boss made inappropriate sexual comments at a work event in front of colleagues. You're wrestling with complex emotions — you didn't want his attention, but you liked feeling desired again after years of routine marriage. How do you handle the workplace situation while rekindling intimacy at home?A 10-year-old made death threats against your daughter in the class group chat and on social media. The other child's parents told you to "play in traffic." The school principal suggested prayer and "good vibes" instead of action. How do you protect your child when those ostensibly in charge have apparently outsourced responsibility to the universe?You built a VFX career, moving from 2D to 3D work on blockbusters. Then strikes hit, the industry shrank, and AI started taking over. With a baby coming, you need stability but fear obsolescence. How do you transition when your passion industry is collapsing around you?Recommendation of the Week: Withings BPM Connect Digital Blood Pressure Cuff & Heart Rate MonitorYou've been a longtime listener wondering about Jordan and Gabe's relationship with alcohol. You're contemplating your own break from the bottle and wondering about their stance on the sauce, the giggle juice, the liquid social lubricant that flows through so many adult conversations.Have any questions, comments, or stories you'd like to share with us? Drop us a line at friday@jordanharbinger.com!Connect with Jordan on Twitter at @JordanHarbinger and Instagram at @jordanharbinger.Connect with Gabriel on Twitter at @GabeMizrahi and Instagram @gabrielmizrahi.And if you're still game to support us, please leave a review here — even one sentence helps! Sign up for Six-Minute Networking — our free networking and relationship development mini course — at jordanharbinger.com/course!Subscribe to our once-a-week Wee Bit Wiser newsletter today and start filling your Wednesdays with wisdom!Do you even Reddit, bro? Join us at r/JordanHarbinger!This Episode Is Brought To You By Our Fine Sponsors: DeleteMe: 20% off: joindeleteme.com/jordan, code JORDANBetterHelp: 10% off first month: betterhelp.com/jordanMint Mobile: Shop plans: mintmobile.com/jhsLand Rover Defender: landroverusa.comHomes.com: Find your home: homes.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, No Film School's GG Hawkins, and guests Erin Sullivan and Johnny Han take listeners behind the curtain of The Penguin, exploring how a VFX team builds a gritty, immersive Gotham — from early concept to final composite. The conversation covers creative philosophy, technical workflow, tool choices, collaboration across departments, and the emotional stakes of creating visuals that feel both bold and invisible. In this episode, No Film School's GG Hawkins and guests Erin Sullivan and Johnny Han discuss… What their roles were on The Penguin, how they broke into VFX, and how their backgrounds shaped their approach The bridge role of a visual effects editor, and how VFX editors work with directors, editors, and artists How they developed the visual “language” of Gotham: referencing The Batman, leaning into New York elements, and creating a distinct but consistent style Their Adobe‑based workflow: using Premiere Pro, After Effects, Dynamic Link, project collection, mockups, and how small elements evolved into full assets On‑set and script‑stage involvement: how they break down scenes with all departments (stunts, production design, camera) Maintaining creative vitality: absorbing inspiration, staying curious, and making small work even when not on paid projects Practical advice for aspiring VFX practitioners: making work regularly, being patient with timelines, embracing iteration Memorable Quotes: “I was the visual effects editor on the Penguin. … The visual effects editor is the link between editorial and VFX.” “We would amass this huge library of just New York stuff … trash in a sidewalk, a mailbox, a bus stop … weird.” “There's only one rule in photography to take good pictures … you might … get one good picture. So what do you do? You just shoot lots of rolls of pictures, right?” Guests: Erin Sullivan Johnny Han Find No Film School everywhere: On the Web: No Film School (https://nofilmschool.com/) Facebook: No Film School on Facebook (https://www.facebook.com/nofilmschool) Twitter: No Film School on Twitter (https://twitter.com/nofilmschool) YouTube: No Film School on YouTube (https://www.youtube.com/user/nofilmschool) Instagram: No Film School on Instagram (https://www.instagram.com/nofilmschool)

From Madison Ave to Hollywood: The Birth of a Trailer Empire

This week, Da7e and Neil gain access to the entire network, which includes the season one finale of Alien: Earth. They also announce what's coming next for A Storm of Spoilers. In The Calm [07:30], they discuss the nature of consciousness and whether it can be transferred. They also discuss the subtle VFX needed to make a character freeze in place and continue to be worried about the safety of New Siam. Then in The Storm [01:13:00], they make predictions for a season two that is yet to be green-lit and offer up some theories about the potential connections to Predator: Badlands and beyond. Next week, Da7e and Neil return for an Alien: Earth season one wrap-up episode. This week's episode is sponsored by Alien: Rogue Incursion - Evolved Edition, coming September 30th to consoles and PC. To interact with the show, send your comments and questions to stormofspoilers@gmail.com, and follow us on Twitter/X and Bluesky @Da7eandNeil. You can also support Da7e and Neil and get all kinds of bonus content (from the Game of Thrones era to the LOST rewatch to our Twin Peaks rewatch project to our current Adventure Pod and Hannibal watch project) by subscribing to our Patreon here: patreon.com/Da7eandNeil And finally, join Neil this Thursday evening (9/25) on Twitch as he plays the terrifying game Alien: Isolation live alongside the airing of season one. Subscribe to his Twitch channel for more info: twitch.tv/Neilstradomus

Philip is a VFX artist at RiseFX creating visual effects for Films and TV Shows. He is growing an incredible a youtube channel called Pixel Artistry covering the latest tools and workflows in the rapidly evolving world of 3D GenAI to share his learning with a growing community of over 8000 subscribers. His content is some of the best I have found when it comes to 3D GenAI. His videos are both clear and actionable and today I sit down with him to learn:How he deals with the current limitations of 3D models generated by AIWhat are his favourite 3DGenAI models and why What is the next thing you should do if you are serious about 3D GenAI.Subscribe to XR AI Spotlight weekly newsletter

All Things TechIE Podcast - Episode 127 at IBC2025This a booth tour of Storj, one of the sponsors to All Things TechIE Podcast while at IBC2025.ATLANTA, September 10, 2025 – Storj today announced Production Cloud, a purpose-built platform for modern media workflows. It combines Storj's new Global Collaboration tier of high-performance distributed object storage and Object Mount cloud media access into a unified media solution. Designed for editorial, media production teams in post, news, and sports, Production Cloud empowers creative teams to collaborate globally, move faster, and scale with confidence. By combining distributed object storage and seamless file access into a single offering, Production Cloud enables collaboration, low-latency editing, and cost-effective archiving across distributed environments.  Storj also announced that cloud compute for media is in beta and will soon be added to the platform. "Storj is focused on solving the challenges in the world's most demanding workflows,” said Colby Winegar, CEO of Storj. “We now have the storage, compute, and access solutions to give creative teams the speed, scale, and flexibility to work without limits." “Storj's storage tiers and file-based access already address key bottlenecks in media production,” said Alex Holtz, Research Director, Worldwide Media & Entertainment Digital Strategies at IDC. “And now, the Production Cloud puts everything M&E teams need to move faster, scale on demand, and simplify workflows into one integrated platform.”  Global production: Where traditional cloud providers fall short.Media production – from broadcast and creative agencies to film and TV – has evolved rapidly in recent years, with more remote collaboration, massive file sizes, global delivery timelines, unpredictable cloud bills, and non-stop deadlines.  Since 2022, the number of films and TV shows made in the U.S. has dropped by about 40%. Meanwhile, over 70% of M&E leaders in the U.S. and U.K. agree or strongly agree media production work is becoming more remote and collaborative, with nearly 80% stating that migrating from on-premise to cloud-based workflows is important or very important. Traditional cloud providers were not optimized for the realities of media and entertainment decades ago, and the needs of production teams today expose the limits of legacy cloud providers daily. Transferring hundreds of gigabytes across regions leads to delays, while surprise egress fees strain budgets, and replication-heavy architectures slow down productions. Modern production teams now need:Instant access to huge files in the cloudPredictable pricing with no egress surprisesConsistent global performance without replicating across regionsSecure, private storage built for compliance and resilienceWorkflows that just work across tools and teams Production Cloud: Modern infrastructure for modern production teams.Production Cloud from Storj is designed to solve these specific needs, reflecting a strategic shift in how creative teams interact with cloud infrastructure. It bundles Storj's high-performance Global Collaboration tier of Distributed Storage with Object Mount, Storj's proprietary interface for accessing media in the cloud, and has no egress fees and zero API fees. This integration allows users to ingest camera-to-cloud, perform frame-accurate editing, proxy workflows, conform, and content distribution directly from the cloud. Production Cloud eliminates egress and API charges, simplifying production and enabling predictable costs for high-throughput workflows. Customers can also add an Active Archive storage tier that supports long-term retention and active retrieval for repurposing content. When done, archived assets remain accessible without the cost or complexity of traditional cold storage. The Production Cloud accelerates real-world production workflows.Ingest - Fast ingest, less wrangling with direct S3 access for camera-to-cloud workflows.Dailies - Frame-accurate playback for reviewing LUTS, enable instant remote review and faster creative decisions.Assistant Editing - Proxy generation, metadata tagging, and global clip access for editorial prep.Selects & Assembly - Instant bin and timeline access lets editors start rough cuts without delay.Editing - Multi-track support, VFX pulls, and remote preview deliver full editorial control from anywhere.Conform & Delivery - Ultra-fast final conform and master, export directly from cloud storage in real time. Additional features of Production Cloud include:Features and pricing for media - Transparent, bundled model that reflects how media teams actually work. By combining infrastructure into a single offering, Storj eliminates the inconsistency of egress fees and eliminates the need for regional replication, resulting in predictable and reasonable costs.Consistent performance globally - Storj's distributed architecture stores data across tens of thousands of nodes worldwide, where only a small portion of the data from the fastest nodes are needed to deliver file access. This design provides consistent low-latency performance. See recent performance benchmarking performed by Integrated Digital Solutions. Global access without replication - The unique design of Storj enables remote teams to access content anywhere in the world without copying data to additional storage regions. This approach delivers 11 nines of durability and multi-region availability without the cost or complexity of traditional cloud replication. Storj helps global media, AI and creative organizations simplify workflows with the distributed cloud, including object storage, file storage, and flexible on-demand compute. In recent performance benchmarking from Integrated Digital Solutions, Storj maintained consistent performance across geographic locations throughout the 24 hour period tested with less volatility than other providers. The only other provider tested who came close to Storj global performance was AWS S3, but with much higher costs, requiring regional replication.  These results cement Storj's position as a distributed storage platform for organizations struggling with the performance, complexity, and cost limitations of centralized cloud hyperscalers. This is particularly relevant for the media and entertainment industry, which operates at a global scale and with large-file-intensive workflows.

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Dive into the latest Segment on Notorious Mass Effect, where host Analytic Dreamz delivers an unfiltered reaction to the official Anaconda trailer. As a cinematic powerhouse, the rebooted Anaconda promises pulse-pounding horror-thriller vibes with stunning visuals and a star-studded cast, echoing the 1997 cult classic's snake-infested terror. Analytic Dreamz breaks down the trailer's high-stakes plot twists, groundbreaking VFX, and why this slithery revival could dominate 2025's box office. From eerie Amazon depths to survival suspense, explore how director Tom Gormican amps up the dread. Perfect for horror fans and movie buffs—subscribe for more Analytic Dreamz insights on trailers, reboots, and pop culture breakdowns. Tune in now for the ultimate first-look analysis!Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Relebogile Mabotja speaks to Nono Mofokeng a VFX specialist (one of South Africa’s First Black Female VFX Specialists) about her journey, from a curious little girl in Mafikeng who loved cartoons, to working on Hollywood blockbusters in London, major international productions including Snow White (Disney, 2025) and Aquaman 2 (Warner Bros, 2023) as a VFX Coordinator. 702 Afternoons with Relebogile Mabotja is broadcast live on Johannesburg based talk radio station 702 every weekday afternoon. Relebogile brings a lighter touch to some of the issues of the day as well as a mix of lifestyle topics and a peak into the worlds of entertainment and leisure. Thank you for listening to a 702 Afternoons with Relebogile Mabotja podcast. Listen live on Primedia+ weekdays from 13:00 to 15:00 (SA Time) to Afternoons with Relebogile Mabotja broadcast on 702 https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/2qKsEfu or find all the catch-up podcasts here https://buff.ly/DTykncj Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.

"You are dead center of the greatest scientific event in the history of man." For Episode 375, Brandon and David are joined by Paige Klaniecki to discuss Alex Garland's Ex Machina for CineNation's Hard Sci-Fi series. Paige is a screenwriter, podcaster, and voice actress based in Los Angeles, and she serves as a co-writer and associate producer on the Mission: Rejected spy comedy podcast, while also serving as a voice actress on the show. Listen as Brandon, David, and Paige discuss Garland's inspirations behind the film, the movie's casting process, how the crew created the environment of the film, how A24 became a major player in getting the film released, and much more.  Also, don't forget to join our Patreon for more exclusive content: Opening - Talking about Coherence -  (00:00:10) Introducing Paige Klaniecki - (00:03:45) Recap of Hard Sci-Fi Movies (00:05:44) Intro to Ex Machina (00:08:03) How Ex Machina Got to Production (00:13:40) Favorite Scenes (00:25:16) On Set Life - (00:51:22) Aftermath: Release and Legacy (01:00:19) What Worked and What Didn't (01:07:24) Film Facts (01:15:13) Awards (01:15:56) Final Questions on the Movie (01:21:01) Wrapping Up the Episode (01:27:47) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast Visit to find out more about Mission: Rejected!

The popular YouTube channel Corridor Crew, a group of VFX artists who produce content aimed at debunking UFO and alien images and videos, recently did a segment on the June 2025 Compton alien incident and declared they “absolutely debunked” it. However, the Corridor Crew's debunk gets thoroughly dismantled in this episode.Links/Sources:VFX Artists Debunk NEW ALIEN SightingsSupport Extraterrestrial Reality/Quirk Zone on Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/Extraterrestrial_Reality⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out my YouTube channel:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Quirk Zone - YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Extraterrestrial Reality Book Recommendations:Link to ROSWELL: THE ULTIMATE COLD CASE: CLOSED: https://amzn.to/3O2loSILink to COMMUNION by Whitley Strieber: https://amzn.to/3xuPGqiLink to THE THREAT by David M. Jacobs: https://amzn.to/3Lk52njLink to TOP SECRET/MAJIC by Stanton Friedman: https://amzn.to/3xvidfvLink to NEED TO KNOW by Timothy Good:  https://amzn.to/3BNftfTLink to UFOS AND THE NATIONAL SECURITY STATE, VOLUME 1:  https://amzn.to/3xxJvlvLink to UFOS AND THE NATIONAL SECURITY STATE, VOLUME 2: https://amzn.to/3UhdQ1lLink to THE ALLAGASH ABDUCTIONS: https://amzn.to/3qNkLSgUFO CRASH RETRIEVALS by Leonard Stringfield: https://amzn.to/3RGEZKsFLYING SAUCERS FROM OUTER SPACE by Major Donald Keyhoe: https://amzn.to/3S7WkxvCAPTURED: THE BETTY AND BARNEY HILL UFO EXPERIENCE by Stanton Friedman and Kathleen Marden: https://amzn.to/3tKNVXn#ufos #aliens #vegas aliens #ufo podcast

The popular YouTube channel Corridor Crew, a group of VFX artists who produce content aimed at debunking UFO and alien images and videos, recently did a segment on the June 2025 Compton alien incident and declared they “absolutely debunked” it. However, the Corridor Crew's debunk gets thoroughly dismantled in this episode.Links/Sources:VFX Artists Debunk NEW ALIEN SightingsSupport Extraterrestrial Reality/Quirk Zone on Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/Extraterrestrial_Reality⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out my YouTube channel:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Quirk Zone - YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Extraterrestrial Reality Book Recommendations:Link to ROSWELL: THE ULTIMATE COLD CASE: CLOSED: https://amzn.to/3O2loSILink to COMMUNION by Whitley Strieber: https://amzn.to/3xuPGqiLink to THE THREAT by David M. Jacobs: https://amzn.to/3Lk52njLink to TOP SECRET/MAJIC by Stanton Friedman: https://amzn.to/3xvidfvLink to NEED TO KNOW by Timothy Good:  https://amzn.to/3BNftfTLink to UFOS AND THE NATIONAL SECURITY STATE, VOLUME 1:  https://amzn.to/3xxJvlvLink to UFOS AND THE NATIONAL SECURITY STATE, VOLUME 2: https://amzn.to/3UhdQ1lLink to THE ALLAGASH ABDUCTIONS: https://amzn.to/3qNkLSgUFO CRASH RETRIEVALS by Leonard Stringfield: https://amzn.to/3RGEZKsFLYING SAUCERS FROM OUTER SPACE by Major Donald Keyhoe: https://amzn.to/3S7WkxvCAPTURED: THE BETTY AND BARNEY HILL UFO EXPERIENCE by Stanton Friedman and Kathleen Marden: https://amzn.to/3tKNVXn#ufos #aliens #vegas aliens #ufo podcast

This week, we sit down with acclaimed cinematographer Autumn Durald Arkapaw, the first woman ever to shoot on IMAX for the film Sinner. She discusses her unique journey into filmmaking, including her work in 16mm on The Last Showgirl and her credits on major studio projects like Black Panther: Wakanda Forever and Marvel's Loki. Autumn highlights the vital importance of finding a creative community and emphasizes how her career has been built on trust and collaboration with fellow artists. Autumn also dives deep into the dynamic (and sometimes frustrating) relationship between cinematographers and visual effects artists. Using her experience on Sinner as a prime example, she advocates for a more collaborative approach, stressing the need for on-set decisions and in-camera solutions to create more authentic and emotionally resonant images. The conversation is a masterclass in filmmaking, exploring everything from the subtle power of light and shadow to her experience as the first woman to shoot on IMAX for a narrative feature film. Autumn Durald Arkapaw's website > Autumn Durald Arkapaw's wikipedia > Autumn Durald Arkapaw's IMDB > Autumn Durald Arkapaw's Instagram >

Skwigly are proud to present the second panel from the second series of Visible In Visuals, an initiative pushing to make the animation and VFX industries more diverse and inclusive through honest, open conversation. In this episode, Tanya speaks with Chitra Soundar and Nandita Jain about their work creating the Colourful Connections, a network designed to empower PoC to make a difference in UK Children's Media. They'll chat about their groundbreaking CBEEBIES show Nikhil and Jay (Created by Chitra and Directed by Nandita) and how the Colourful Connections network offers much needed representation and support for people both on and off the screen in kids tv. Colourful Connections website: https://www.c3muk.com/ Colourful Connections Linkedin page: https://www.linkedin.com/groups/12898204/

High-stakes space combat, a shaky pact with Michael, and Weir vs. the IOA—should turning Wraith human be a victory or a moral failure? Lisa Jones chats with Jeff Haecker & Victor Lams on VFX, strategy, and fallout. The post No Man’s Land (SGA) appeared first on StarQuest Media.

On this episode Chris, Ben and Dominic discuss Andor's big wins at the Emmys! The series not only took home four awards for costumes, production design, editing and VFX, but it's also still in the running for more! What are its chances, and how much do these awards actually matter? Plus, do we ever get bored with Star Wars? What are our favorite pieces of unused concept art? Which other letters could be turned into starfighters? We'll answer all of these questions and a whole lot more! Join the Star Wars Underworld Network DiscordSubscribe on YouTube Subscribe on Spotify Subscribe and Review on Apple Podcasts Facebook: www.facebook.com/swunderworld Twitter: @TheSWU Email: swunderworld@gmail.com

On this episode Chris, Ben and Dominic discuss Andor's big wins at the Emmys! The series not only took home four awards for costumes, production design, editing and VFX, but it's also still in the running for more! What are its chances, and how much do these awards actually matter? Plus, do we ever get bored with Star Wars? What are our favorite pieces of unused concept art? Which other letters could be turned into starfighters? We'll answer all of these questions and a whole lot more! Join the Star Wars Underworld Network DiscordSubscribe on YouTubeSubscribe on SpotifySubscribe and Review on Apple PodcastsFacebook: www.facebook.com/swunderworldTwitter: @TheSWUEmail: swunderworld@gmail.com

High-stakes space combat, a shaky pact with Michael, and Weir vs. the IOA—should turning Wraith human be a victory or a moral failure? Lisa Jones chats with Jeff Haecker & Victor Lams on VFX, strategy, and fallout. The post No Man’s Land (SGA) appeared first on StarQuest Media.

We'd love to hear from you. Send us a text! The Naked Texture Artist is a podcast where VFX/animation veterans have deep and honest conversations about their challenges and growth as working artists.Marking our 2 year anniversary, here is a public service announcement about where The Naked Texture Artist podcast is going:Going forward, we are moving to video. Regarding The Naked Pixels, I am scaling back the release schedule. Find my reasoning and the background information in this episode.The Naked Texture Artist is produced by Marque Pierre Sondergaard. Support us on https://ko-fi.com/thenakedtextureartist Contact us on thenakedtextureartist@gmail.com Follow us on https://www.instagram.com/thenakedtextureartist/ Music copyright belongs to Tycho for the song Awake - https://tychomusic.com/ Additional sound effects from https://www.zapsplat.com

Fabricio Baessa, DNEG VFX supervisor, discusses the VFX of the Air Force One attack sequence in Heads of State.

Leadership Lessons from Show Business In this episode, Tom and Adrienne chat with Steven Puri and trace his unexpected path from a “code monkey” in Northern Virginia to an Academy Award–winning visual-effects producer and later a tech entrepreneur. Steven shares how he bridged left-brain engineering and right-brain creativity on films like Independence Day, Braveheart, and several David Fincher projects. He reflects on lessons learned in Hollywood—managing creatives, nurturing “lightbulb” moments, and building culture—that carry over into hybrid and remote leadership. Long before remote work became a buzzword, Steven was orchestrating VFX teams across studios in Los Angeles, London, and Sydney, balancing creative, financial, and logistical mindsets over distance—an early test of distributed leadership that today's managers face. Throughout the conversation, candid anecdotes like the famed “Bart” trailer story illustrate why inviting every voice can spark game-changing ideas. As our work (and often our brains) has scattered in today's culture, Steven is dedicated to bringing us the tools for intentional focus. Here are a few of the gems gleaned from this fun and flowing conversation: Embrace Diverse Talents: Success in both film and tech comes from uniting creatives, technical experts, and business minds around a shared goal, much like assembling a movie crew. Manage Creativity with Intention: Great leaders know how to create the right environment for creativity—sometimes by giving people more than one project, or by encouraging "rubber ducking" (talking through problems out loud). Best Idea Wins Culture: The most effective teams foster a safe space where anyone, regardless of role, can contribute ideas—echoing Steven Spielberg's approach of valuing input from everyone, even the “coffee boy.” Hire for Passion and Culture Fit: Skills can be developed, but passion and alignment with the team's mission are essential. Hiring the right people is more important than micromanaging. Purposeful Markers and Storytelling: Leaders should set clear markers and use storytelling to help teams understand where they are and where they're going, just as a film uses acts and foreshadowing. Active Listening is Key: The best leaders practice active listening, seeking feedback from users, team members, and even critics, and using it to improve. Leadership is a Practice: Leadership isn't just a set of concepts—it's something you do and refine every day, much like honing a craft in show business. Steven is the Founder and CEO of The Sukha Company with the mission to help millions of people find their focus, achieve more and have a healthy work life. Steven's career started as a newscaster/interviewer for the #1 youth news show in the DC/Baltimore market (on WTTG-TV) and then as a junior software engineer & Thomas J. Watson Scholar at IBM.  After attending USC in Los Angeles, he began working in film production and produced computer-generated visual effects for 14 movies including Independence Day which won the Academy Award for Visual Effects.   Steven's first tech company was Centropolis Effects that produced those CGI effects, and he eventually sold it to the German media conglomerate Das Werk when he was 28. Steven then produced some indie films and eventually went studio-side to develop and produce live-action features as a VP of Development & Production at 20th Century Fox (running the Die Hard and Wolverine franchises) and an EVP at DreamWorks Pictures for Kurtzman-Orci Productions where he worked on Star Trek, Transformers and more. After Fox, Steven returned to building tech companies and founded The Sukha Company - ‘sukha' means ‘happiness from self-fulfillment' in Sanskrit.  The Sukha is a focus app that bundles all the tools necessary to have a focused experience and a healthy, productive workday. Steven lives in Austin, TX now. Connect with Steven: https://www.linkedin.com/in/steven-puri/. The Suhkha Company:  https://www.thesukha.co A Leadership Beyond exists to support the alignment between the business strategy and people strategy - to drive results with people not at the expense of people (Talent Optimization). Subscribe to our podcast to join the Leadership Beyond Community of Conversation and hear insights from thought leaders and human development experts leading the way in the field of Talent Optimization.  We are grateful to you and always eager to hear from you! To learn more visit https://aleadershipbeyond.com Adrienne & Tom

Episode 101-HAH The Event Recap & Halloween Preps Released 07 September 2025 Hosts: John Schelt, Keoni Hutton & Leslie Reed Sorry we're late! We've been super busy getting the haunt ready for opening. Hear all about it in this episode while we sprinkle in some of the best moments from HAH the Event III.  Resources mentioned during this episode: Haunters Against Hate The Event: https://www.hahtheevent.com/ Haunting U can be found at www.hauntingu.com. Sanguine Creek Estates: www.scehaunt.com Chamber of Haunters Website: https://chamberofhaunters.com/ Sound Effects: Music: Dance of Death http://www.purple-planet.com/ Thunder: Recorded by Mark DiAngelo Uploaded: 07.29.11 http://soundbible.com/1913-Thunder-... License: Creative Commons Attribution 3.0 Modifications: Inserted over Dance of Death Music Evil Laughter: Recorded by Himan Uploaded: 03.13.13 License: Public Domain  http://soundbible.com/2054-Evil-Lau... AI Text to Speech Generator: https://www.hume.ai/ We couldn't continue to bring you awesome content without the support of our sponsors, particularly our Premium sponsors, the Chamber of Haunters, and VFX.  Learn more here: www.chamberofhaunters.com https://vfxcreates.com/ Haunting U is a production of Sanguine Creek Entertainment LLC published under the Creative Commons Attribution 3.0 license. All rights reserved.  

Budgeting an animation, game, or VFX project isn't easy — but it doesn't have to be a mystery. In this video, I break down how to approach budgeting step by step: from defining the project type, to bottom-up and top-down methods, contingency planning, rolling wave budgeting, and even how to present numbers to clients. Whether you're a beginner or a seasoned producer, these tips will help you avoid common pitfalls and manage your budget with confidence.

Steve Brown spent 25 years in film and VFX before becoming a full-time ceramicist this year. Steve makes reduction fired tableware which he sells via his website as well as supplying a Michelin-starred restaurant and recently exhibiting in his first gallery this summer. Steve now hopes to explore more sculptural forms, constantly pushing his work into new, expressive directions. https://ThePottersCast.com/1162

Nano Banana (Google's Gemini Flash 2.5) is transforming image generation with capabilities that put it ahead of the competition. In this episode, Joey and Addy explore impressive use cases, best practices, and technical tips for this powerful tool. Plus, we analyze Mickmumpitz's innovative Comfy UI workflow for VFX that seamlessly blends live action with AI generation without green screens. Finally, we examine how AI is reshaping the music industry with synthetic bands, AI K-pop idols, and even record deals for creators with zero musical background.--The views and opinions expressed in this podcast are the personal views of the hosts and do not necessarily reflect the views or positions of their respective employers or organizations. This show is independently produced by VP Land without the use of any outside company resources, confidential information, or affiliations.

Writer, director, and VFX aficionado extraordinaire Seth Worley discusses ten movies that were always on TV when he was growing up. Learn more about your ad choices. Visit megaphone.fm/adchoices

BEFORE INTERSTELLAR & ARRIVAL There Was Contact!! Contact Full Movie Reaction Watch Along:   / thereelrejects   Visit https://huel.com/rejects to get 15% off your order Tara Erickson & Andrew Gordon (Cinepals) react, break down, and explore the awe-inspiring 1997 sci-fi drama Contact, directed by Robert Zemeckis (Forrest Gump, Back to the Future) and based on Carl Sagan's celebrated novel. Jodie Foster (The Silence of the Lambs, Panic Room) stars as Dr. Ellie Arroway, a brilliant SETI scientist whose lifelong search for extraterrestrial intelligence is vindicated when she detects a mysterious signal from the star Vega. Matthew McConaughey (Interstellar, Dallas Buyers Club) plays Palmer Joss, a charismatic theologian whose views on faith challenge Ellie's scientific convictions. James Woods (Videodrome, Casino) brings steely intensity as National Security Advisor Michael Kitz, while John Hurt (Alien, The Elephant Man) delivers a scene-stealing turn as eccentric billionaire S.R. Hadden. Tom Skerritt (Alien, Top Gun) plays political adversary Dr. David Drumlin, and Angela Bassett (Black Panther, What's Love Got to Do with It) adds gravitas as White House Chief of Staff Rachel Constantine. Famous & Highly Searched Scenes include: The Mirror Shot, First Contact Signal, Wormhole Journey, Congressional Hearing, Packed with philosophical debates, stunning VFX, and emotional storytelling, Contact remains one of the most thought-provoking sci-fi films ever made—blending faith, science, and the eternal question: Are we alone? Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textNetflix has officially dropped its first comprehensive guidelines for using generative AI in content production—and the timing couldn't be more loaded. In this iCritic LIVE episode, we unpack the streaming giant's attempt to balance innovation with ethics, union pressure, and audience trust.From The Eternaut's AI-generated VFX to the controversy surrounding What Jennifer Did, Netflix is no stranger to backlash. Now, with rules that prohibit replicating copyrighted material, replacing union-covered performances, or storing production data without consent, the company is trying to draw a line between “creative aid” and “creative replacement.”Topics we tackle:The 5 guiding principles Netflix wants all partners to followWhat counts as “low-risk” vs. “high-risk” AI useWhy these rules might be more PR armor than actual safeguardsHow creators, unions, and audiences are reactingWhether Netflix's AI policy sets a precedent—or just muddies the watersIf you care about the future of filmmaking, creator rights, and the blurry ethics of machine-made media, this episode is your front-row seat to the debate.

In this episode of The Filmumentaries Podcast, I sit down with Tommy Williamson, a visual effects artist, prop maker, and lifelong creator whose career spans more than three decades. Tommy has worked on films including Spider-Man 2, Sin City, The Mist, Dune: Prophecy, and the modern masterpiece Pan's Labyrinth. Tommy shares his journey from building paper-craft UFOs as a kid to working alongside Guillermo del Toro and becoming one of the artists helping to bridge the worlds of practical effects and cutting-edge digital VFX. We also dive into his passion for prop replicas and his work as the creator behind Nerds and Makers, where he builds incredible recreations of iconic movie props. If you love behind-the-scenes filmmaking stories, prop-making secrets, and hearing from the artists who bring movie magic to life, this episode is for you. In this episode, we discuss:Tommy's early love of model making and practical effectsHis first big break on the 1988 remake of The BlobAdapting to the digital VFX revolution after Jurassic ParkWorking closely with Guillermo del Toro on Pan's LabyrinthThe creative process behind his Nerds and Makers prop replicasWhy keeping one foot in both practical and digital worlds makes him a better artistThe importance of experimentation, curiosity, and lifelong creativity“I've always had to make things. It's absolutely in my DNA. Even now, I'll work on a show all day and then spend my evenings printing a lightsaber or a blaster. I can't not do it.” — Tommy WilliamsonYou can follow Tommy and see his incredible prop builds on Instagram: @nerdsandmakersThis podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links

No Film School delves into the high-pressure, fast-paced world of sketch comedy editing on Saturday Night Live's historic 50th Anniversary special. The episode features returning guest Ryan Spears—four-time Emmy nominee and Film Unit editor at SNL—joined by longtime collaborators Daniel Garcia and Paul Del Gesso. Together, they share insider stories on crafting memorable montages, rediscovering archival gems, navigating the evolution from analog to digital workflows, and ultimately earning their first-ever team nomination for the anniversary special. In this episode, No Film School's GG Hawkins, and guests discuss… How the SNL editorial team collaborated on the 50th Anniversary special, blending archival material and creative reels into a unified piece. The rediscovery of forgotten gems—like Tom Hanks's softball clip—and deciding what made the final cut. Technical and generational shifts in editing: from film and DIY workflows to 4K raw editing, searchable transcripts, advanced VFX, and speedy turnaround. Adapting to new creative tools, such as APM's sound‑alike search and 3D animation techniques like the Cheeto character. Balancing fast cuts with breathing room—tailoring pacing to fit the tone, whether it's surreal whimsy or a more paced parody like White Lotus. Managing chaos: keeping cool under pressure during live edits, system failures, and last-minute creative changes. Advice for aspiring SNL editors: start as assistant editors, build a strong reel (even outside comedy), check your ego at the door, and learn the collaborative workflow. Memorable Quotes “It really was just this kind of like hot, like this sort of like melting pot of ideas…” “Tom Hanks is playing softball with these kids… he's playing the real version of Tom Hanks… super competitive.” “We've jumped to 4K and we're editing raw… now you're transcribing your sequences too… What a game changer.” “Every joke to the frame pretty much.” “It's a learned craft… some people could do it and some people can.” Guests Ryan Spears is a Film Unit editor at SNL and four time Emmy nominee for work including “I'm Just Pete”, “Mario Kart”, and “Murder Show”. He's also cut for the shows “The Amber Ruffin Show”, “Teenage Euthanasia”, the film “Citizen Weiner” and the Hulu standup “Matteo Lane: The Al Dente Special”. He's currently a commercial editor based in New York at The Den Editorial. Daniel Garcia – Daniel Garcia has been a video editor at SNL for 10 years.  His work on the show includes editing weekly promos, pretapes such as PDD's “Hard Seltzer”, and the Emmy winning digital series Creating SNL. Paul Del Gesso is a Film Unit Editor at SNL, where he was previously Emmy nominated for "Bowen's Straight." Additionally, Paul is a writer and producer, and is Head of Production at Warrior Queen Inc. Resources I Really Love My Husband on Instagram: @iReallyLovemyhusbandmovie Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram Send us an email with questions or feedback: podcast@nofilmschool.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode marks the final CG Garage podcast under the Chaos umbrella. The next chapter of the show will launch under a new banner, continuing the conversations that explore the art, craft, and future of filmmaking. Armen Kevorkian joins Chris to reflect on his long career in visual effects, from his early start as an intern on Star Trek: Voyager and Deep Space Nine to becoming the president of Ingenuity Studios. He shares how mentorship in those formative years at Paramount shaped his career, his transition into supervising on shows like Invasion and The Flash, and the evolution of VFX in broadcast television, where tight deadlines and experimental techniques pushed his teams to innovate. Armen recalls being part of television milestones like scanning actors for digital doubles for the first time and watching the rise of superhero shows that paved the way for streaming-era ambitions. The conversation dives into how the industry has shifted in the past 20 years, from the challenges of working through COVID and adapting to remote workflows, to the rise of generalists and the growing role of AI tools in concepting, roto, and plate prep. Armen reflects on invisible effects, the hidden craft of making audiences believe something was always there, and how facilities must adapt as filmmakers experiment with leaner, bespoke VFX pipelines. He also shares his vision for Ingenuity Studios, their recent work on projects like Untamed and Weapons, and his excitement about building tighter partnerships with filmmakers from the earliest stages of production.

What do Casey Kasem, Paris Hilton's mom, VFX icon Ve Neill, and the director of 'Kingdom of the Spiders' all have in common? They all worked on 'The Dark', a bizarre little Star Wars-influenced proto-slasher from exploitation producer Edward L Montoro and American Bandstand host Dick Clark! And if that sounds like something you have to hear about, well, today is your lucky day!

This week on Another Pass, Case and Sam are joined by guest Sean Muir to dissect the late '90s sci-fi horror flick Virus—a movie where bad wiring meets worse decisions. Together, they explore the film's potential, its squandered setup, and how it almost became the Event Horizon of killer robot movies. #AnotherPass #Virus1999 #JamieLeeCurtis #DonaldSutherland #SeanMuir #SciFiHorror #FlawedButFascinating Another Pass Full Episode Originally aired: August 22, 2025 Music by Vin Macri and Matt Brogan Podcast Edited by Sophia Ricciardi Certain Point Of View is a podcast network brining you all sorts of nerdy goodness! From Star Wars role playing, to Disney day dreaming, to video game love, we've got the show for you! Learn more on our website: https://www.certainpov.com Join us on Discord: https://discord.gg/wcHHer4 PODCAST SHOWS: ▶ Another Pass - https://www.certainpov.com/another-pass-podcast FOLLOW US: ▶ Website: https://www.certainpov.com Overview Guests Case Aiken and Sam Alicea introduced Sean Muir from Movie Midness to discuss the 1999 film 'Virus', highlighting its unexpected obscurity despite notable cast members like Jamie Lee Curtis and Donald Sutherland. The film was released in January 1999, originally scheduled for late 1998, but was a commercial failure, earning only half of its budget back with critical reviews reflecting its shortcomings. Discussion revealed that the movie heavily referenced better films like The Thing and Alien, being described as merely an 'outline of a movie', lacking the depth expected from the genre. The technical achievements of Phil Tippett's animatronics were praised, although criticized for being too bright for the intended horror atmosphere, while CGI elements did not hold up well. Cultural shifts post-9/11 were noted as a change in audience appetite for sci-fi horror, marking an end to the late 90s creature feature trend seen in films like Independence Day. Character development was weak, with the consensus that Billy Baldwin's role could be eliminated without impacting the story; Sherman Augustus's character identified as the most promising but underutilized. Proposed a campier direction for the film, featuring humans viewed as 'uncouth' by aliens, which could yield more engaging content and interactions among the crew. Suggested removing the opening space scene to enhance suspense, providing a fresher take on alien threat revelation and deepening story engagement. Critique noted inconsistencies in character portrayals   Notes ️ Episode Introduction & Setup (00:00 - 10:25) Case Aiken and Sam Alicea welcome guest Sean Muir (Movie Midness) to discuss the 1999 sci-fi horror film 'Virus'. Both Case and Sam were unfamiliar with the film despite it featuring notable actors and being from 1999, highlighting how obscure it became. John Bruno left his VFX supervisor position on Titanic to direct this film, but his career trajectory after this movie remains unclear. The movie appears made for cyberpunk enthusiasts, sci-fi nerds, and specifically mentioned Billy Idol during his cyberpunk phase after missing the T-1000 role in Terminator 2. Movie Plot Summary & Analysis (07:40 - 20:48) Film opens with Russian space station receiving alien energy that transfers to communication ship; American tugboat crew discovers abandoned vessel during hurricane and faces killer machines. Features Jamie Lee Curtis, Donald Sutherland, Billy Baldwin, and Cliff Curtis; Sam expresses confusion about Billy Baldwin's casting choices. Film draws heavily from better movies including The Thing, Alien, Event Horizon, and Ghost Ship; described as feeling like an 'outline of a movie'. Movie was a commercial bomb, earning only half its budget back and receiving harsh critical reviews. ️ Technical & Production Discussion (20:49 - 40:48) Phil Tippett's animatronics work praised as excellent, though perhaps too well-lit for horror atmosphere; practical effects hold up better than CGI elements. Late 90s represented end of creature feature era; audiences moving toward CGI spectacle seen in films like Independence Day and Jurassic Park sequels. Discussion of how cultural tastes changed dramatically after 9/11, affecting appetite for this type of sci-fi horror content. Movie reused ship from The Abyss and other James Cameron productions; originally scheduled for 1998 release but moved to January 1999 'dump month'. Character & Story Analysis (40:48 - 01:02:22) Crew relationships underdeveloped compared to superior ensemble films like Aliens; characters lack memorable personality moments. Consensus that Billy Baldwin's character adds nothing to the film and could be completely removed without impact. Sherman Augustus's character Richie identified as film's best, showing intelligence and survival instincts that should have made him the protagonist. Central concept of humans being the 'virus' poorly executed compared to The Matrix (same year) or later films like Arrival. Pitch Session - Campy Direction (01:02:23 - 01:12:53) Proposes making film campier with Galactic Union of Planets deciding humans are 'uncouth' and sending computer virus to eliminate them efficiently. Suggests more scenes of Richie building weapons from robot parts and crew creating makeshift tools for survival. Proposes aliens are annoyed by human space transmissions like 'intergalactic Mormons' constantly trying to make contact. More creative use of ship's manufacturing equipment turned into weapons. Technical Improvement Suggestions (01:12:53 - 01:22:35) Sean criticizes inconsistent Scottish accent performance, suggests either full commitment or using natural voice. Marshall Bell (Woods) needs better pain expression training for nail gun injury scenes. Second wall of hurricane not properly represented with appropriate ship movement and chaos during climax. Movie lacks clear layout understanding, unlike Die Hard's excellent building geography that aids tension. Horror Direction Alternative (01:16:55 - 01:22:35) Remove opening space station scene, make it flashback told by Nadia; focus on mystery and unknown threat. Give Jamie Lee Curtis's Kit Foster more personal stakes and character arc beyond basic competence. Build more suspense through delayed revelation of alien threat; explore 'humans as virus' theme more thoroughly. Better utilize ship's impressive technical areas and create clearer navigation understanding. Wrap-up & Social Media (01:22:35 - 01:27:59) Sean Muir promotes Movie Midness Instagram, Letterboxd, and YouTube profiles featuring movie analysis and model train scene recreations. Thanks to executive producer level supporters including Micah McCaw, Carter Hallett, Sean Muir, and others. Highlander 2: The Quickening announced as next film for discussion. Shoutouts to Macaw Podcast, We Have Issues comic review show, and Books that Burn literature podcast.

Thomas and Frank set sail for a rewatch of Pirates of the Caribbean The Curse of the Black Pearl. They talk first impressions, why the story pacing feels different today, and why Jack Sparrow still dominates pop culture. The conversation hits character arcs for Will Turner and Elizabeth Swann, the film's blend of practical effects and early CGI, sly nods to the Disneyland ride, and what modern blockbusters can learn from a character first adventure. Fun facts and a quick Hall of Fame debate wrap the voyage, plus a look ahead to Hacks and weekly Peacemaker coverage. Timestamps and Topics 00:00 Welcome and why this pick still matters 00:49 First impressions today versus memory 01:09 Fast plot recap and shifting alliances 04:02 Pacing talk and a slow first act 05:08 Misdirection, the curse, and keeping motives straight 06:03 Cast praise for Depp, Bloom, and Knightley 06:21 Jack Sparrow as career defining performance 07:50 Cartoon energy inside a live action Disney world 09:17 Tone and the Disney magic without the gore 10:15 Family action adventure that still plays for all ages 10:59 Will Turner as the straight man with real growth 12:20 The peg and the dog dynamic between Will and Jack 14:04 Bootstrap Bill and a changing view of pirates 16:06 Set design, practical work, and ride callouts 17:48 Ship battles and why they still pop 23:06 CGI that aged well and where it shows seams 25:19 Budgets, timelines, and quality control for VFX 27:21 Jerry Bruckheimer's fingerprints and franchise future 28:16 Would a non IP pirate movie hit today 30:37 What modern blockbusters can learn from this film 35:42 Romance that supports rather than drives the story 36:39 The trilogy era and that cliffhanger problem 40:19 Fun facts lightning round 47:50 Hall of Fame vote split 49:22 What is next Hacks S1E1 and weekly Peacemaker 50:16 Quick shout on Game Changer and why to watch 51:09 Outro and how to reach the show Key Takeaways • Jack Sparrow works because the comedy never undercuts danger and the character always dances on the edge • Will Turner is the emotional core and the only character with clear growth in this film • Practical effects enhanced by targeted CGI keep the world tactile and hold up better over time • The movie balances action, comedy, and light romance without losing stakes • Nods to the Disneyland ride help the setting feel lived in rather than digital • Modern blockbusters could benefit from character first design and teamwork focused climaxes • The sequel era of the mid 2000s chased cliffhangers that did not always serve casual viewers Memorable Quotes “Jack is our Bugs Bunny in this world.” “The comedy never undercuts the danger.” “Movies should just be fun and character first.” “One person needs to be the peg and one person is the dog that runs around the peg.” “I remember this more fondly than it played for me this time.” “Practical effects with just enough CGI is the sweet spot.” Call to Action Enjoy the episode Subscribe and drop a five star review on Apple Podcasts or Spotify Share the show with a friend and tag us with #ChallengeAcceptedLive Links and Resources • News we discuss across our shows is sourced at GeekFreaksPodcast.com Follow Us • Instagram: @challengeacceptedlive • TikTok: @challengeacceptedlive • Twitter: @CAPodcastLive Listener Questions Send your questions, challenges, or takes on Black Pearl to challengeacceptedgfx@gmail.com or DM us on socials. Include your name and city if you want a shoutout on the show. Apple Podcast tags Pirates of the Caribbean, The Curse of the Black Pearl, Captain Jack Sparrow, Johnny Depp, Orlando Bloom, Keira Knightley, Geoffrey Rush, Jerry Bruckheimer, Disney, movie review podcast, family adventure, practical effects, CGI, Disneyland ride, Peacemaker, Hacks HBO, Game Changer, Geek Freaks, Challenge Accepted Podcast

This week on Explore Weekly, we dive deep into the genre multiverse with the biggest headlines from sci-fi, fantasy, horror, and comics. From Middle-earth to the Mojave Wasteland, Emmy buzz to alien invasions—here's what's lighting up the internet:

DROP follows Violet (Meghann Fahy), a widow/single mom going on her first date after the violent death of her abusive husband.All looks promising across the dinner table: Henry (Brendon Sklenar) is a charming, attractive, thoughtful guy. He's a photographer for the mayor. He bought a trinket for her 5-year-old. He's got a good wit. Perfect first outing, right?The problem lies in Violet's' phone. She's receiving these anonymous airdrops from someone in the restaurant. What starts as a couple of dumb memes quickly devolves as the dropper gets personal and eventually instructs her to kill Henry or the masked man in her house will kill her son and sister. One glance of her security cameras confirms the worst. The game is on.Who's doing this? Why her? Why Henry? How's Violet gonna save her family? This is the wind of the car that's gonna send us through DROP's Hitchcock-inspired story. I enjoy Fahy and Sklenar's chemistry & the production design dazzles my comfort-seeking soul. However, bringing Violet's panicked state to the screen results in some distracting lighting setups, framing and VFX work (You've likely never before seen cell phone text glare onto 70% of the screen across multiple instances.) The end of the movie goes for entertaining, if stupid, gonzo; The blend of serious subjects and pulpy execution leaves a bad taste in my mouth.It's not a worst offender by any means, so I'd mildly recommend DROP as a watch with the kind of people who love tossing themselves into wild scenarios, calling out their own escape plans, critiquing the movie's lapses in logic. Click play on a chill Friday night and I don't think you'll be so disappointed.DROP is currently available to purchase in 4K UHD, Blu-ray and DVD formats at your favorite home video retailer. Thanks to Universal and Mandy Kay Marketing for the review copy!---Please rate, review & subscribe to The Movies wherever you listen to podcasts!Follow The Movies on Instagram and Letterboxd

This week, Da7e and Neil investigate the crash site left by the two-episode premiere of Noah Hawley's FX series, Alien: Earth. In The Calm [05:34], they break down the show's closing music choices, deploy a polygon probe to assess the VFX, learn about animal hearing frequency ranges, and much more. Then, in The Storm [01:23:44], they unpack the "Coming Up This Season" trailer to get a sense of how the season will be paced and predict whether or not we'll meet a Yautja along the way. To interact with the show, send your comments and questions to stormofspoilers@gmail.com, and follow us on Twitter/X and Bluesky @Da7eandNeil. You can also support Da7e and Neil and get all kinds of bonus content (from the Game of Thrones era to the LOST rewatch to our Twin Peaks rewatch project to our current Adventure Pod and Hannibal watch project) by subscribing to our Patreon here: patreon.com/Da7eandNeil And finally, join Neil on Wednesday evenings on Twitch as he plays the terrifying game Alien: Isolation live alongside the airing of season one. Subscribe to his Twitch channel for more info: twitch.tv/Neilstradomus

At SIGGRAPH 2025, Chaos unveils major updates to Vantage and Arena that significantly expand real-time ray tracing workflows. Product managers Simeon Balabanov and Georgi Zhekov join Chris to break down the new capabilities, including native USD and MaterialX support, Gaussian splats with ray-traced lighting, volumetric caches, and a streamlined pipeline that keeps the same asset across previs, virtual production, and post. This episode arrives just in time for SIGGRAPH, where these features are being officially announced, giving listeners an early look at what will be showcased in Vancouver. The conversation dives into key production tools like mimic lights for realistic set illumination, in-volume color correction, real-time depth of field, and live lighting adjustments. Simeon and Georgi explain how these innovations reduce conversion work, improve on-set flexibility, and allow for advanced asset previews even from a home studio using Vantage with camera tracking. They also highlight new camera tracking protocols, a standalone material editor, and Arena's watermark trial mode, showing how Chaos is making high-end virtual production more accessible and adaptable for filmmakers.

In this episode, Scott Hanselman sits down with Benny Vasquez, Chair of the AlmaLinux OS Foundation, to explore the project's journey since the shift away from CentOS. Benny shares insights into how AlmaLinux stays community-driven, transparent, and enterprise-ready—all while navigating the evolving world of open-source licensing. It's a candid and thoughtful conversation about trust, sustainability, and what it takes to build an OS that listens to its users.https://www.almalinux.orgKey TopicsIntroduction to Benny Vasquez and AlmaLinux (00:07.87)The Evolution of CentOS and Birth of AlmaLinux (01:00.03)The Role of CentOS Stream and Enterprise Linux Ecosystem (03:27.08)Why AlmaLinux Stepped In and the Red Hat Source Code Shift (05:19.77)Differences Between AlmaLinux and Red Hat (08:33.74)Open Source Governance and Neutrality in AlmaLinux (14:05.99)Sustainability and Longevity of the AlmaLinux Project (24:07.31)Adopting AlmaLinux for VFX and Desktop Use (26:37.99)The Importance of Hardware Support and Adaptability (28:14.02)Upcoming Events: AlmaLinux Day Vancouver (33:48.05) Main TakeawaysCommunity-Driven Replacement for CentOS: AlmaLinux emerged as a community-driven distro to fill the gap left by CentOS after Red Hat's change in focus, ensuring enterprise-grade Linux remains accessible.Open and Neutral Governance: AlmaLinux prioritizes a meritocratic and community-focused governance structure to maintain independence and serve diverse user needs.Adaptability and Innovation: By addressing omitted features and bugs faster than traditional vendors, AlmaLinux thrives as a flexible solution for enterprises and personal use, offering extended hardware support.Commitment to Longevity and Sustainability: The AlmaLinux OS Foundation is focused on creating a project that outlasts its current contributors by setting up governance for long-term stability.Embracing Enterprise and Desktop Markets: Though AlmaLinux is enterprise-focused, it demonstrates significant adoption in both server and desktop environments, especially in industries like VFX. Notable Quotes"AlmaLinux emerged to fill a void, ensuring enterprise-grade Linux users didn't lose their stability and compatibility." – benny Vasquez"The key for us is not just building compatibility with Red Hat but allowing for innovation and hardware support that suits the community's needs." – benny Vasquez"We have to maintain neutrality in our governance so that no one organization can unduly influence AlmaLinux." – benny Vasquez"Making it independent in a way that it will outlast me and all of the current contributors is the ultimate success for me." – benny Vasquez"Linux is known for not leaving folks behind, and that's an ethos we adhere to with AlmaLinux." – benny VasquezResources MentionedAlmaLinux.org: https://almalinux.org (Download and contribute to the project)AlmaLinux Day Vancouver (August 9th): https://almalinux.org/blog/SIGGRAPH Conference: https://s2023.siggraph.org/Additional MentionsFedora ProjectWSL (Windows Subsystem for Linux)Azure and AWS sponsorshipsThinkPads and Linux Distros for older hardwareThese show notes were automatically generated from the podcast transcript.

Could GPT-5 only be weeks away?Why are Microsoft and Google going all in on vibe coding?What's the White House AI Action Plan actually mean?Don't spend hours a day trying to figure out what AI means for your company or career. That's our job. So join us on Mondays as we bring you the AI News That Matters. No fluff. Just what you need to ACTUALLY pay attention to in the business side of AI. Newsletter: Sign up for our free daily newsletterMore on this Episode: Episode PageJoin the discussion: Thoughts on this? Join the convo and connect with other AI leaders on LinkedIn.Upcoming Episodes: Check out the upcoming Everyday AI Livestream lineupWebsite: YourEverydayAI.comEmail The Show: info@youreverydayai.comConnect with Jordan on LinkedInTopics Covered in This Episode:GPT-5 Release Timeline and FeaturesGoogle Opal AI Vibe Coding ToolNvidia B200 AI Chip Black Market ChinaTrump White House AI Action Plan DetailsMicrosoft GitHub Spark AI Coding LaunchGoogle's AI News Licensing NegotiationsMicrosoft Copilot Visual Avatar (“Clippy” AI)Netflix Uses Generative AI for Visual EffectsOpenAI Warns of AI-Driven Fraud CrisisNew Google, Claude, and Runway AI Feature UpdatesTimestamps:00:00 "OpenAI's GPT-5 Release Announced"04:57 OpenAI Faces Pressure from Gemini07:13 EU AI Act vs. US AI Priorities12:12 Black Market Thrives for Nvidia Chips13:46 US AI Action Plan Unveiled19:34 Microsoft's GitHub Spark Unveiled21:17 Google vs. Microsoft: AI Showdown25:28 Google's New AI Partnership Strategy29:23 Microsoft's Animated AI Assistant Revival33:52 Generative AI in Film Industry38:55 AI Race & Imminent Fraud Crisis40:15 AI Threats and Future InnovationsKeywords:GPT 5 release date, OpenAI, GPT-4, GPT-4O, advanced reasoning abilities, artificial general intelligence, AGI, O3 reasoning, GPT-5 Mini, GPT-5 Nano, API access, Microsoft Copilot, model selector, LM arena, Gemini 2.5 Pro, Google Vibe Coding, Opal, no-code AI, low-code app maker, Google Labs, AI-powered web apps, app development, visual workflow editor, generative AI, AI app creation, Anthropic Claude Sonet 4, GitHub Copilot Spark, Microsoft GitHub, Copilot Pro Plus, AI coding tools, AI search, Perplexity, news licensing deals, Google AI Overview, AI summaries, click-through rate, organic search traffic, Associated Press, Condé Nast, The Atlantic, LA Times, AI in publishing, generative AI video, Netflix, El Eternauta, AI-generated visual effects, AI-powered VFX, Runway, AI for film and TV, job displacement from AI, AI-driven fraud, AI voice cloning, AI impersonation, financial scams, AI regulation, White House AI Action Plan, executive orders on AI, AI innovation, AI deregulaSend Everyday AI and Jordan a text message. (We can't reply back unless you leave contact info) Ready for ROI on GenAI? Go to youreverydayai.com/partner

Our U.S. Media & Entertainment Analyst Benjamin Swinburne discusses how GenAI is transforming content creation, distribution and also raising some serious ethical questions. Read more insights from Morgan Stanley.----- Transcript -----Welcome to Thoughts on the Market. I'm Ben Swinburne, Morgan Stanley's U.S. Media and Entertainment Analyst. Today – GenAI is poised to shake up the entertainment business. It's Wednesday, July 23, at 10am in New York.It's never been easier to create art for anyone – with a little help from GenerativeAI. You can transform photos of yourself or loved ones in the style of a popular Japanese movie studio or any era of visual art to your liking. You can create a short movie by simply typing in a few prompts. Even I can speak to youin several different languages. I can ask about the weather:Hvordan er været i dag?Wie ist das wetter heute?आज मौसम कैसा है? In the media and entertainment industry, GenAI is expected to bring about a seismic shift in how content is made and consumed. A recent production used AI to de-age actors and recreate the likeness of a deceased performer—cutting what used to take hundreds of VFX artists a year to just a few months with a small team. There are many other examples of how GenAI is revolutionizing how stories are told, from scriptwriting and editing to visual effects and dubbing. In music, GenAI is helping music labels identify emerging talent and generate new compositions. GenAI can even create songs using the voices of long-gone artists – potentially extending revenue far beyond an artist's lifetime. GenAI-driven tools have the potential to reduce TV and film production costs by 10–30 percent, with animation and post-production among the biggest savings opportunities. GenAI could also transform how content reaches audiences. Recommendation engines can become even more predictive, using behavioral data to serve up exactly what listeners want—sometimes before we know what we want. And there's more studios can achieve in post production. GenAI can already dub content in multiple languages, even syncing mouth movements to match the new dialogue. This makes global distribution faster, cheaper, and more culturally relevant. With better engagement comes better monetization. Platforms will use GenAI to introduce new pricing tiers, targeted advertising, and personalized superfan content that taps into niche audiences willing to pay more. But all this innovation brings up profound ethical concerns. First, there's the issue of consent and copyright. Can GenAI tools legally use an actor's name, likeness or voice? Then there's the question of authorship. If an AI writes a script or composes a song, who owns the rights? The creator or the GenAI model? Labor unions are understandably worried. In 2023, AI was a major sticking point in negotiations between Hollywood studios and writers' and actors' guilds. The fear? That AI could replace human jobs or devalue creative work. There are also legal battles. Multiple lawsuits are underway over whether AI models trained on copyrighted material without permission violate intellectual property laws. The outcomes of these cases could reshape the entire industry. But here's a big question no one can ignore: Will audiences care if content is AI-generated? Some consumers are fascinated by AI-created music or visuals, while others crave the emotional depth and authenticity that comes from human storytelling. Made-by-humans could become a premium label in itself. Now, despite GenAI's rapid rise, not every corner of entertainment is vulnerable. Live sports, concerts, and theater remain largely insulated from AI disruption. These experiences thrive on real-time emotion, unpredictability, and human connection—things AI can't replicate. In an AI-saturated world, the value of live events and sports rights will rise, favoring owners of sports rights and live platforms. So where do we go from here? By and large, we're entering an era where storytelling is no longer limited by budget or geography. GenAI is lowering the barriers to entry, expanding the creative class, and reshaping the economics of media. The winners in this new landscape will likely be companies that can scale—platforms with massive user bases, deep data pools, and the engineering talent to integrate GenAI seamlessly. But there's also room for agile newcomers who can innovate faster than the incumbents and disrupt the disrupters. No doubt, as the tools get better, the questions get harder. And that's where the real story begins. Thanks for listening. If you enjoy the show, please leave us a review wherever you listen and share Thoughts on the Market with a friend or colleague today.