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VFX veterans Chad Wanstreet and Allan McKay join Chris to talk about their new startup, Version Zero, a company aimed at automating the mundane tasks that bog down visual effects work. Born out of years of frustration with tedious jobs like roto, paint, plate cleanup, and matchmove, Version Zero helps artists and studios save time and focus on the creative parts of production. Chad and Allan share the origin story of the company, which started over Thanksgiving wine and coffee, and explain how their tools are already being used on shows like The Sympathizer and SWAT. The conversation dives into how Version Zero works, how it differs from other AI-driven tools, and why they have resisted VC funding to stay focused and practical. Chris, Chad, and Allan debate the future of entry-level VFX jobs, the rise of the empowered generalist, and how AI can enable artistry rather than replace it. They also reflect on the resistance to new technology in the industry, the “false economy” of outsourcing, and the importance of developing tools that fit real production needs. It's an honest and thoughtful look at the future of VFX in an AI-driven world and how to build a smarter starting point for artists: version zero.
On this week's podcast, Brett and Jesse return to the world of JURASSIC ... WORLD with returning guest A.A. Dowd of the A.V. Club fame! JURASSIC WORLD REBIRTH drops the Chris Pratt and adds in VFX maestro Gareth Edwards. Your results may vary. Before the main event, horror news of the week, including THE RUNNING MAN trailer, I KNOW WHAT YOU DID LAST SUMMER update, JAWS IMAX re-release, and more
The Loch Ness Monster is back! At least in fancy new VFX form in the just announced Season 13 Blu-Ray Collection which will have all manner of goodies which we will pore over in intimate detail both in this episode and when these discs grace North American shores later in the year! But that's just the icing on the cake as we also have beloved Doctor Jodie Whittaker and equally beloved companion Mandip Gill arrive in our ears in the form of Big Finish's Vampire Weekend, as well as in our futures with the Return of the Doctor, which features a Disco Armadillo! Plus comics, nonsense, and part the third of our Classic Series Commentary for “The Visitation”! Links: Support Radio Free Skaro on Patreon Amazing15 Design Season 13 announced as the next instalment in the Classic Blu-ray range Doctor Who Blu-Ray Special Features wiki Doctor Who Collection PDF inserts available c/o Brandon Wood Coming Soon: New adventures for the Fifteenth Doctor and Belinda from Titan Comics Big Finish Doctor Who: Vampire Weekend, the first Jodie Whittaker story, released Jodie Whittaker and Mandip Gill Big Finish interview Big Finish Doctor Who: The Thirteenth Doctor Adventures: The Return of the Doctor, coming in September Commentary: The Visitation Part Three
Send us a textKathy and Mark react to the trailer for Namit Malhortra's Ramayana: The Introduction, directed by Nitesh Tiwari, Produced by Namit Malhotra's Prime Focus Studios and 8-time Oscar winning VFX studio DNEG in association with Yash's Monster Mind Creations; Ramayana is being filmed for IMAX and will release worldwide: Part 1 on Diwali 2026 and Part 2 on Diwali 2027.Support the show
John and Craig plant the idea for setups that have the most satisfying payoffs. Different from exposition, setups introduce ideas and concepts to an audience, priming them for a later revelation. They look at the sleight of hand required to have your setups deftly planted, take root in your audience's mind, and grow into something delightful. But first, we look at the new California tax credits, the 2025 WGA annual report, follow up on AI and VFX, postmodernism, and verticals. We also answer listener questions on music videos and outing yourself to potential employers. In our bonus segment for premium members, John and Craig look at the New York Times' new list of the 100 best movies of the 21st century. We all know Craig loves pitting movies against each other, so there's definitely no umbrage here. Links: The Best Movies of the 21st Century by NY Times California lawmakers approve expanded $750-million film tax credit program by Samantha Masunaga for LA Times WGA Annual Report – employment and earnings, residuals Michael Graves How ReelShort CEO Joey Jia Used a Chinese Trend to Disrupt the U.S. Entertainment Industry by Chad De Guzman for Time Magazine Sundance Labs Sabrina Carpenter – Manchild DJ Snake, Lil Jon – Turn Down for What Madonna – Vogue a-ha – Take On Me Riz Ahmed – The Long Goodbye Phil Collins – Don't Lose My Number 30 minutes with a stranger by Alvin Chang for The Pudding Chris Perkins Mike Birbiglia's top ten movies of the 21st century Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Subscribe to Scriptnotes on YouTube Craig Mazin on Instagram John August on Bluesky and Instagram Outro by Spencer Lackey (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at ask@johnaugust.com You can download the episode here.
Episode 97-Entertaining Your Guests Released 01 July 2025 Hosts: John Schelt, Keoni Hutton & Leslie Reed Join the crew of the Haunting U Podcast as they discuss the exhilarating developments at Sanguine Creek Estates. Explore interactive features that promise to elevate the experience—ranging from the Hide and Shriek game using RFID technology to backlit Wendigo silhouettes inspired by creative storytelling all while breathlessly anticipating what this Halloween season will bring. Finally, they get to talk with the new President of the Chamber of Haunters about her vision for the future of the Chamber. Resources mentioned during this episode: Haunting U can be found at www.hauntingu.com. Sanguine Creek Estates: www.scehaunt.com Chamber of Haunters Website: https://chamberofhaunters.com/ Check out all of Kimberley Grant's Haunt and business sites below: www.phoenfx.org https://www.youtube.com/watch?v=5lh94cGUQfM&list=PLRj1cFRSbAAYNkx_krTgcl_qXTGXuJVpb https://www.facebook.com/phoenfx https://x.com/PhoenFXUSA https://www.instagram.com/phoenfxusa/ https://www.youtube.com/@PhoenFX Sound Effects: Music: Dance of Death http://www.purple-planet.com/ Thunder: Recorded by Mark DiAngelo Uploaded: 07.29.11 http://soundbible.com/1913-Thunder-... License: Creative Commons Attribution 3.0 Modifications: Inserted over Dance of Death Music Evil Laughter: Recorded by Himan Uploaded: 03.13.13 License: Public Domain http://soundbible.com/2054-Evil-Lau... AI Text to Speech Generator: https://www.hume.ai/ We couldn't continue to bring you awesome content without the support of our sponsors, particularly our Premium sponsors, the Chamber of Haunters, and VFX. Learn more here: www.chamberofhaunters.com https://vfxcreates.com/ Haunting U is a production of Sanguine Creek Entertainment LLC published under the Creative Commons Attribution 3.0 license. All rights reserved.
In this episode, we welcome Phil Arntz and Will Banks. Phil is an Aerial Director of Photography and Will a top Camera Pilot. This filmmaking team has worked on a range of projects including F1: The Movie, Mission: Impossible - The Final Reckoning, The Gorge, Mission: Impossible - Dead Reckoning Part One, “The Agency: Central Intelligence,” “The Day of the Jackal” and “The Diplomat”. In our chat, they share their back stories, how they learned their skill-sets, and about working on the latest Mission: Impossible. They also talk about their unique collaboration — and reveal some of the tools, technologies and techniques used to capture these iconic shots. “The Making Of” is presented by AJA:AJA DRM2-Plus 3RU Frame Unlocks Flexible Mini-Converter ConfigurationsIdeal for production and post environments where signal conversion needs vary, the AJADRM2-Plus is a high-capacity, 3RU Mini-Converter frame houses up to 12 full-size AJA Mini-Converters of any kind, and up to 24 of AJA's compact Mini-Converters. DRM2-Plus boasts flexible cooling and redundant power supply options and an intuitive faceplate design that lets users quickly access installed converters. Learn more about DRM2-Plus.Massive Speed. Big Capacity. DIY Ready.The OWC Express 4M2 delivers up to 32TB of high-performance NVMe storage with real-world speeds up to 3200MB/s over USB4. Built for demanding workflows like 4K/8K editing and VFX, it features thermally controlled fans for quiet, sustained performance. With massive capacity, a compact footprint, and easy drive installation, it's the ultimate DIY solution for creative pros who need speed and flexibility.Browse hereFeatured Book: The Horror Movie ReportBlumhouse calls The Horror Movie Report, “the ultimate guide to every horror movie ever made” and that it “helped us shape how we think about horror”. Get under the skin of over 27,000 horror movies with the most detailed data-led insights ever compiled at HorrorMovieReport.comRead more here The new ZEISS Otus ML:Now on sale, the Otus ML 1.4/50mm photography lens from ZEISS is the new generation of high-quality optics for your photographic art. Find it at your favorite photo retailer!Learn more hereNew Solutions from Videoguys:The SanDisk Professional G-RAID PROJECT 2 is a powerhouse 2-bay storage system built for serious creators. Pre-configured in RAID 0 and featuring Thunderbolt™ 3 connectivity, it delivers the speed and capacity you need for demanding 4K, 8K, and VR video workflows—up to a massive 52TB. With a PRO-BLADE™ SSD Mag slot for ultra-fast offloads and edits, it's the perfect solution for high-performance production environments. Call Videoguys at 800-323-2325 to for free tech advice and to learn more!Browse herePodcast Rewind:June 2025 - Ep. 88…“The Making Of” is created by Michael Valinsky.Advertise your products or services to 202,000 filmmakers, TV production pros, and content creators reading this newsletter — contact us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe
Assistant Editor - Jared Simon Assistant Editor Jared Simon's new book, Every Frame Counts - An Assistant Editor's Reference Book, covers everything an assistant editor needs to know, and then some. Topics covered in Jared's book include: Setting Up The Show - Everything you need to know to get up and running for the first day on the job—from setting up the printer to setting up the NEXIS. Media Composer and FileMaker - A deep technical dive into the tools assistants use in the context of a cutting room. Dailies Workflow - Soup to nuts coverage of the dailies process in excruciating detail, including a nifty downloadable checklist! You'll love it. Audio - ADR, full 5.1 workflow tips, how to address complex music sync notes, and an overview of the mix stage. VFX - Tips for creating temp VFX and managing the workload of a VFX editor. Yeah, we're gonna talk about FileMaker. Digital Intermediate - What to expect when you're expecting to spend time in the DI. Color pipelines, Titles, Review sessions… you name it. Screenings - How to prepare for screenings—internal, external, and preview screenings. Turnovers - Let's make sure our naming conventions are consistent, and our encoding is efficient. Best Practices - What do we do when the editor is, well, editing? Manage versions, communicate using markers, make sure the project is backed up… and more! JARED SIMON Jared Simon is an editor and assistant editor with selected credits including Ad Astra, The Piano Lesson, Chevalier, and Come From Away. He frequently works with editors John Axelrad, ACE and Leslie Jones, ACE. Jared earned a BFA in Film Editing from the School of Visual Arts. In addition to his professional pursuits, he's tried every flavor of La Croix and enjoys collecting physical media. The Credits Visit ExtremeMusic for all your production audio needs Get your copy of Jared's book in Kindle or Paperback! Hear Jared and editor John Axelrad ACE discuss their work together on ANTEBELLUM Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
Hold on to your seats! The newest Jurassic World: Rebirth footage has just dropped, and it features an absolutely intense Tyrannosaurus rex chase down a raging river. This scene delivers pure adrenaline with cinematic action, stunning VFX, and the raw power of the king of dinosaurs on full display.In this breakdown, we analyze everything—from the setup and suspense to the possible story implications. Is this a callback to The Lost World? A fresh take on survival horror in the wild? Or something even bigger in the Rebirth storyline?Watch now and join the discussion—this river sequence could be one of the most iconic dino scenes in the franchise yet.
The director of 'Top Gun: Maverick' returns to the big screen with his latest feat of cinematic speed. If you want to understand how they really shot F1, this is the interview to listen to. Kosinski breaks down why putting cameras on an F1 car was harder than an a fighter jet, and he reveals the key role VFX played in embedding this movie within an active F1 racing season. Watch more interviews with today's top directors - https://youtube.com/playlist?list=PL_oEavFHbDlFCGlOmGO71Tvzb1qEHofCg&si=9pUCNArDCxcyrX2b Learn more about your ad choices. Visit megaphone.fm/adchoices
Become an Official Member of the Dark Art Society! www.patreon.com/DarkArtSociety This week we I finally have dark artist/painter/musician/VFX artist/actor/producer/filmmaker etc Clint Carney on for a chat! Clint is a super creative dude and the prototypical dark artist- his art is very dark but his personality is sunshine and rainbows! We talk about his life and career in the arts. One of the best discussions we've had in a while on the pod! Also, a quick art life update. Clint's website: http://www.clintcarney.com All of Clint's links (Patreon, etc): https://linktr.ee/systemsyn The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar Our sponsors: https://beautifulbizarreartprize.art Entries are now open for the 2025 Beautiful Bizarre Art Prize! There is over $70,000 worth of cash and prizes, and you can enter from anywhere in the world. Better yet, you don't have to submit a physical artwork! All you need to do is submit an image of your favourite piece from your whole portfolio – it doesn't even matter if the work you enter has sold. The Beautiful Bizarre Art Prize has six award categories: the RAYMAR Painting award, Victoria Olt Gallery Drawing award, Yasha Young Projects Sculpture award, Photography award, Digital Art award, and the Catherine K Gyllerstrom Emerging Artist Award. There is a brand new jury panel this year so it's a brand new chance to win! As well as the whole host of cash and product prizes, winners will also be invited to exhibit in the Beautiful Bizarre Magazine exhibition at Haven Gallery in Northport, NY alongside 70 of the world's best contemporary representational artists in October 2025. Better yet - the Beautiful Bizarre Magazine team guarantee that they look at every single entry! This is a great way to get on their radar for future opportunities too. AND they also share many of the entries on their social media and in online blogs from now until entries close on 17th July. For more information and to enter, go to https://beautifulbizarreartprize.art That's https://beautifulbizarreartprize.art ----- The Skull Shoppe: https://www.SkullShoppe.com ----- Art n Glow: My affiliate link : https://www.artnglow.refr.cc/chetzar Get 10% off by using code ZAR The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar The Dark Art Society Instagram: https://www.instagram.com/darkartsociety Official Dark Art Society Website: https://www.darkartsociety.com The Dark Art Society Podcast is now available in a variety of places, including the following platforms: SoundCloud: @darkartsociety iTunes: https://apple.co/2gMNUfM Stitcher: https://www.stitcher.com/s?fid=134626&refid=stpr Podbay: https://podbay.fm/show/1215146981 YouTube: https://www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ https://DarkArtSociety.com Copyright Chet Zar LLC 2025
Aurora and Fanni from Bad Witches Productions join us to share the real-life hauntings and creative process behind their horror short, Vessel. Aurora's ghostly attachment sparked a deeper exploration into how feminism and the paranormal intertwine—both in life and on screen.We dive into the connection between women's experiences with the paranormal and the broader struggle to be believed, especially in the context of trauma. With help from an Emmy-winning VFX supervisor, the Vessel team plans to bring these themes to life through powerful visual storytelling. Aurora and Fanni also reflect on the thrills and challenges of femme-led indie filmmaking—from casting and fair pay, to navigating gender dynamics in the industry. Our conversation is filled with chills, creativity, and a shared excitement for what's to come in the world of indie filmmaking! PLEASE SUPPORT Vessel - A Psychological Horror Film!Visit our website! Find us on Facebook, Instagram, TikTok, Patreon, & more! If you have any true crime, paranormal, or witchy stories you'd like to share with us & possibly have them read (out loud) on an episode, email us at pnwhauntsandhomicides@gmail.com or use this link. There are so many ways that you can support the show: BuyMeACoffee, Spreaker, or by leaving a rating & review on Apple Podcasts.
In this episode, we welcome Alan Taylor. Alan is an Emmy-winning Director who has worked on shows including “The Sopranos,” “Six Feet Under,” “Sex in the City,” “The West Wing,” “Mad Men,” “Deadwood,” “Game of Thrones” and “House of the Dragon”. He's also directed films such as The Many Saints of Newark, Thor: The Dark World, and Terminator: Genisys. In our chat, he shares about his early days, cinematic inspirations, experiences on epic shows such as “The Sopranos,” working with James Gandolfini — plus many insights into his creative process and workflow.“The Making Of” is presented by AJA:Commercial shoots require speed and precision, which is why Dubai-based freelance editor Nikolay Ivanov depends on AJA's Io 4K Plus for fast, reliable I/O for on set editorial. Find out how he uses the technology alongside other creative tools to collaborate with stakeholders and deliver cuts while the camera is still rolling. Read the Story HereVimeo L.A. Event:Tuesday, June 24 | VidiotsA night of inspiring Vimeo Staff Picks + live filmmaker commentary!Join the Vimeo curation team as they screen recent Staff Picked films with live, unscripted commentary from some of the best creators on Vimeo.6:30pm Doors7:30-9pm Films + commentary 9-11pm Reception - complimentary drinks + bites!RSVP required. Screening and reception are free to attend!Register hereThunderbolt 5 Speed. Ultra Portable Storage.The OWC Envoy Pro Ultra the first portable SSD to harness the power of Thunderbolt 5, delivering real-world speeds over 6000MB/s in a rugged, pocket-sized design. With up to 4TB of capacity and next-gen bandwidth, it's built for high-res video, VFX, and demanding post-production workflows—anytime, anywhere. Lightweight, bus-powered, and blazing fast, it redefines what portable storage can do.Explore it hereNew Solutions from Videoguys:Now through June 30, 2025, get more value when you buy an Atomos monitor-recorder from Videoguys.com! Purchase a Ninja or Ninja Ultra and receive a FREE qualified 240GB SSD. Upgrade to a Shogun Classic, Shogun Ultra, or Sumo 19SE and get a FREE qualified 480GB SSD. To claim your free drive, simply buy from Videoguys.com and complete the mail-in rebate directly through Atomos.With five big reasons to go Atomos—record direct from the sensor, enable a direct-to-edit workflow, capture longer sessions, access pro monitoring tools, and share your shoot—this is the perfect time to upgrade. Act fast, this offer ends June 30, 2025! Call Videoguys at 800-323-2325 to find the right Atomos monitor-recorder for your workflow.Browse hereCheck out the ZEISS Otus ML:Now on sale, the Otus ML 1.4/50mm photography lens from ZEISS is the new generation of high-quality optics for your photographic art. Find it at your favorite photo retailer! Explore it herePodcast Rewind:June 2025 - Ep. 87…“The Making Of” is created by Michael Valinsky.Promote your products or services to over 200,000 filmmakers, TV production pros, and content creators reading this newsletter… contact us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe
We're trying something new this week and taking a break from the usual interview format. This episode kicks off a roundtable discussion format that we plan to revisit every few months. Chris is joined in person by Daniel Thron and James Blevins, both CG Garage podcast veterans, for a relaxed but sharp conversation about recent events in technology and the movie industry. The group starts with James Cameron's bold claim that he wants to use AI to cut costs without laying anyone off, and whether that's even realistic in today's production model. They also discuss MUBI, a platform well known for championing indie films, and why its $1 billion valuation signals a shift in what audiences and investors are willing to support. From the box office surprise of Sinners to the decline of risk-taking in studio films, it's a wide-ranging talk about where things are going and how we might all adapt.
Skwigly are proud to present the first panel from the second series of Visible In Visuals, an initiative pushing to make the animation and VFX industries more diverse and inclusive through honest, open conversation. Four animation professionals discuss the ups and downs of their careers and how 2025 is shaping up for them personally. Dani Abram, Chris Bowles and Steven Sole chat with Visible in Visuals host Tanya J Scott about the ebb and flow of the animation industry, how we got to this downturn and whether or not this will spark positive changes in our industry. This panel was recorded in May 2025. Chaired by Tanya J Scott Illustration by Steven Sole
Yetkili Biri'nin bu bölümünde konuğumuz, 20 yılı aşkın süredir prodüksiyon dünyasında yer alan, son 7-8 yıldır ise profesyonel olarak 3D ve VFX işleriyle ilgilenen Murathan Aksöz!
SO MUCH TO BREAK DOWN!! James Gunn finally speaks out on the Superman drama, addressing everything from box office projections and power scaling to that now-infamous VFX shot and why he intentionally made Superman vulnerable. In this week's Reel Rejects Podcast, Greg & the gang break down Gunn's candid remarks about Marvel's content struggles, Disney mandates, and his current Batman dilemma — including the future of the Matt Reeves / Robert Pattinson Batman, potential crossover, and why getting Batman right in the DCU is so difficult. We also cover 28 Years Later box office projections, fan reactions, and whether its darker tone and cliffhanger could hurt the sequel's future. Plus, F1's insane $200M–$300M budget, box office break-even targets, and the Tom Cruise hype engine. We talk Fantastic Four's confirmed lead-in to Avengers, concern over Marvel's Ironheart marketing (or lack of it), and the Saw rights returning to James Wan & Leigh Whannell — is a Blumhouse reboot on the way? Then the biggest news drops: Marvel Studios officially announces the director for the upcoming X-Men movie in the MCU! Upcoming DCU projects confirmed by DC Studios include: Superman (2025), Creature Commandos (animated), Waller (Viola Davis-led series), The Authority, Booster Gold, Lanterns (featuring Hal Jordan and John Stewart), Paradise Lost (Themyscira prequel series), The Brave and the Bold (new Batman & Damian Wayne movie), Supergirl: Woman of Tomorrow, Swamp Thing, and more unannounced Elseworlds films (The Batman Part II, Joker: Folie à Deux).Confirmed MCU projects include: Deadpool & Wolverine (2025), Captain America: Brave New World, Thunderbolts, Blade, Fantastic Four, Avengers: The Kang Dynasty (retitled Avengers: Doomsday), Avengers: Secret Wars, X-Men (TBA), Spider-Man 4, Ironheart, Daredevil: Born Again, Agatha All Along, Wonder Man, Armor Wars, Marvel Zombies, Spider-Man: Freshman Year, and Your Friendly Neighborhood Spider-Man. #Superman #JamesGunn #Xmen #Marvel #MCU #FantasticFour #Fantastic4 #BradPitt #28YearsLater #28DaysLater #Batman #TheBatman #Spiderman #Thunderbolts #Daredevil #BLumhouse #Jigsaw #Saw #Podcast #Review #Movie #moviereview Follow Coy Jandreau: Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter: https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to another 80s Dhamaka! episode of Khandaan: A Bollywood Podcast. This time we're diving face-first into the drama, glamour, and full camp spectacle that is Rakesh Roshan's KHOON BHARI MAANG (1988). Starring Rekha, Kabir Bedi, Sonu Walia, and an extremely underpaid crocodile, this revenge thriller has everything: makeover montages, fashion show trauma, and villains who just won't die. Join us as Amrita leads a passionate defense of Rekha's action-heroine era, Sujoy questions the plot logic (and the horse), and Asim tries to make peace with crocodile VFX and the film's very unique pacing. We also revisit the film's legacy, its place in the 80s VHS canon, and why it deserves to be seen as more than a meme. A big shoutout to our friend DJ Shai Guy for the 80s Dhamaka theme song! You can check out more of Shai's work here. Love Bollywood? Support Khandaan: A Bollywood Podcast on Patreon and unlock amazing benefits: Early Access & Ad-Free Episodes A Bollywood-Loving Community Bonus & Video Content Vote in Polls & Pick Movies ✨ Join now and be part of the ultimate Bollywood experience! patreon.com/KhandaanPodcast Enjoyed this episode? Please leave us a review and a 5-star rating on Apple Podcasts. Your support helps us reach more Bollywood fans and keeps us inspired to keep going! We are now on Blue Sky! Asim Sujoy Amrita Follow us on Socials: You can listen to Khandaan- A Bollywood Podcast episodes on the following apps:
How do you bring a game world to life for the screen — especially when that world already has millions of devoted fans? Cinematographer Catherine Goldschmidt knows firsthand — and her work on The Last of Us reveals just how complex that challenge can be. Catherine Goldschmidt joins Robert “Skid” Skidmore to discuss her work on the second season of HBO's The Last of Us, with co-host Gianni Damaia bringing the perspective of a longtime fan and gamer. Together, they dig into the complex visual language of an adaptation that blurs the line between game and cinema — from shot-for-shot recreations to bold deviations. We cover: Catherine's approach to adapting game cinematics into film language — including when to match and when to break away How The Last of Us uses space, light, and camera movement to draw viewers into Ellie's experience Constructing visual set pieces like the subway ambush and Jackson assault with a blend of practical stunts, VFX, and strategic camera placement The emotional and logistical challenges of staging Joel's death The visual shift from chaos to quiet in Episode 2's final montage — and how that deliberate pacing reshapes the episode's emotional impact Catherine also reflects on how her collaboration with multiple directors and departments shaped the season's look and feel, and how visual storytelling can remain grounded even in the most heightened, post-apocalyptic moments.
Director Joe Johnston, who worked in design and VFX for George Lucas and Steven Spielberg, is best known for effects-heavy family pics like Honey, I Shrunk the Kids, The Rocketeer, and Jumanji. But in 1999, he tried his hand at the “based on a true story” inspirational biopic genre, based on the early life of NASA engineer Homer Hickam, as told in Hickam's memoir Rocket Boys. Starring Jake Gyllenhaal, Chris Cooper, Chris Owen, and Laura Dern, the film tells the story of a coal miner's son who was inspired by the launch of Sputnik in 1957 to take up rocketry with a group of friends against his father's wishes. A critical and commercial success, the anagramically-titled October Sky sounds stellar. But over two decades later, does it still shoot for the moon, or is it a dud? For more geeky podcasts visit GonnaGeek.com You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com You can write to Rum Daddy directly: rumdaddylegends@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com Music: Title Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/
In this episode, we welcome Jessica Lee Gagné. Jessica is the cinematographer of the award-winning series, “Severance”. In our chat, she shares about her upbringing, early inspirations, and path to becoming a Director of Photography. She also sheds light on her longtime collaboration with Ben Stiller on both “Escape at Dannemora” and “Severance”. In addition, she talks about the tools and techniques used to capture this groundbreaking series — and offers invaluable advice for filmmakers today.“The Making Of” is presented by AJA:Commercial shoots require speed and precision, which is why Dubai-based freelance editor Nikolay Ivanov depends on AJA's Io 4K Plus for fast, reliable I/O for on set editorial. Find out how he uses the technology alongside other creative tools to collaborate with stakeholders and deliver cuts while the camera is still rolling. Read the Story HereVimeo L.A. Event:Tuesday, June 24 | Vidiots A night of inspiring Vimeo Staff Picks + live filmmaker commentary!Join the Vimeo curation team as they screen recent Staff Picked films with live, unscripted commentary from some of the best creators on Vimeo.6:30pm Doors7:30-9pm Films + commentary 9-11pm Reception - complimentary drinks + bites!RSVP required. Screening and reception are free to attend!Register hereThunderbolt 5 Speed. Ultra Portable Storage.The OWC Envoy Pro Ultra the first portable SSD to harness the power of Thunderbolt 5, delivering real-world speeds over 6000MB/s in a rugged, pocket-sized design. With up to 4TB of capacity and next-gen bandwidth, it's built for high-res video, VFX, and demanding post-production workflows—anytime, anywhere. Lightweight, bus-powered, and blazing fast, it redefines what portable storage can do.Explore it hereNew Solutions from Videoguys:Now through June 30, 2025, get more value when you buy an Atomos monitor-recorder from Videoguys.com! Purchase a Ninja or Ninja Ultra and receive a FREE qualified 240GB SSD. Upgrade to a Shogun Classic, Shogun Ultra, or Sumo 19SE and get a FREE qualified 480GB SSD. To claim your free drive, simply buy from Videoguys.com and complete the mail-in rebate directly through Atomos.With five big reasons to go Atomos—record direct from the sensor, enable a direct-to-edit workflow, capture longer sessions, access pro monitoring tools, and share your shoot—this is the perfect time to upgrade. Act fast, this offer ends June 30, 2025! Call Videoguys at 800-323-2325 to find the right Atomos monitor-recorder for your workflow. Browse hereOWC Announces Powerful New Updates to Jellyfish, Network-Attached Storage (NAS) SolutionsOther World Computing (OWC®), a trusted leader in high-performance storage, memory, connectivity, software, and accessories that empower creative and business professionals to maximize performance, enhance reliability, and streamline workflows, today announced the latest software release for its acclaimed OWC Jellyfish network-attached storage (NAS) solution. The new updates, designed specifically for video production teams, introduce a redesigned Jellyfish Manager and an all-new Jellyfish Media Manager, delivering smarter media workflows, deeper integrations, and unprecedented visibility into team activity and storage performance.Read more hereCheck out the ZEISS Otus ML:Now on sale, the Otus ML 1.4/50mm photography lens from ZEISS is the new generation of high-quality optics for your photographic art. Find it at your favorite photo retailer! Explore it herePodcast Rewind:June 2025 - Ep. 86…“The Making Of” is created by Michael Valinsky.Promote your products or services to 198K filmmakers, TV & broadcast production pros, and content creators reading this newsletter… email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe
On episode 98 of Creatives Grab Coffee, we chat with Toby Trueman, Managing Director of HeeHaw, a Scotland-based video production studio known for its blend of live action, animation, and motion design.TIMESTAMPS00:00 – Intro and Guest Welcome: Toby Trueman from HeeHaw03:01 – Toby's Path to Managing Director and HeeHaw's Evolution05:03 – Rebuilding HeeHaw: From 5 People to 47 During COVID07:42 – Mistakes from Rapid Growth: No KPIs, Forecasting, or Structure11:03 – Scaling Challenges: Broken Systems and Need for Strategy15:55 – HeeHaw's USP: Hybrid Live Action and Animation17:26 – Growing Pains: Management, Hiring, and Team Structure23:54 – Shifting from Generalists to In-House Specialists25:03 – Finding Their Niche: Playful Brands and Creative Focus29:25 – Future Growth Pillars: Hybrid, VFX, Experiential Content33:36 – Adapting to Economic Shifts and Boutique Studio Rise35:38 – No Retainers? Surviving in a Project-Based Model37:24 – Outbound Sales with a Lead Gen Partner43:06 – Inflation, Budget Cuts, and Losing NGO Work46:01 – Competing on Value: Scale, Quality, and Trust47:53 – Pricing Strategy and Balancing Internal Teams52:38 – U.S. Expansion, IP Projects, and Future Vision56:27 – Why It's Called “HeeHaw”SPONSORS:Canada Film Equipment: www.CanadaFilmEquipment.comAudio Process: www.Audioprocess.ca
In this episode, we welcome Stefani Robinson. Stefani is a 6x Emmy-nominated Writer/Producer, who has worked on shows including “Atlanta,” “Fargo,” “What We Do in the Shadows” and “Adults”. In our chat, she shares her upbringing, early inspirations, pathway into television, and experiences working on a variety of hit shows. She also provides a healthy dose of inspiration and advice for up-and-coming creators. “The Making Of” is presented by AJA:Commercial shoots require speed and precision, which is why Dubai-based freelance editor Nikolay Ivanov depends on AJA's Io 4K Plus for fast, reliable I/O for on set editorial. Find out how he uses the technology alongside other creative tools to collaborate with stakeholders and deliver cuts while the camera is still rolling. Read the Story HereVimeo L.A. Event:A night of inspiring Vimeo Staff Picks + live filmmaker commentary!Join the Vimeo curation team as they screen recent Staff Picked films with live, unscripted commentary from some of the best creators on Vimeo.6:30pm Doors7:30-9pm Films + commentary 9-11pm Reception - complimentary drinks + bites!RSVP required.Screening + reception are free to attend! Register hereThunderbolt 5 Speed. Ultra Portable Storage.The OWC Envoy Pro Ultra the first portable SSD to harness the power of Thunderbolt 5, delivering real-world speeds over 6000MB/s in a rugged, pocket-sized design. With up to 4TB of capacity and next-gen bandwidth, it's built for high-res video, VFX, and demanding post-production workflows—anytime, anywhere. Lightweight, bus-powered, and blazing fast, it redefines what portable storage can do.Explore it hereNew Solutions from Videoguys:Now through June 30, 2025, get more value when you buy an Atomos monitor-recorder from Videoguys.com! Purchase a Ninja or Ninja Ultra and receive a FREE qualified 240GB SSD. Upgrade to a Shogun Classic, Shogun Ultra, or Sumo 19SE and get a FREE qualified 480GB SSD. To claim your free drive, simply buy from Videoguys.com and complete the mail-in rebate directly through Atomos.With five big reasons to go Atomos—record direct from the sensor, enable a direct-to-edit workflow, capture longer sessions, access pro monitoring tools, and share your shoot—this is the perfect time to upgrade. Act fast, this offer ends June 30, 2025! Call Videoguys at 800-323-2325 to find the right Atomos monitor-recorder for your workflow. Browse hereCheck out the ZEISS Otus ML:Now on sale, the Otus ML 1.4/50mm photography lens from ZEISS is the new generation of high-quality optics for your photographic art. Find it at your favorite photo retailer! Explore it hereFeatured Film Festival: The 14th Evolution Mallorca International Film Festival (EMIFF) celebrates its eighth consecutive year on MovieMaker Magazine's prestigious “50 Film Festivals Worth the Entry Fee” list for 2025. Set in beautiful Palma de Mallorca, EMIFF stands out for its vibrant international community and commitment to bridging cultures through film. This year, the festival proudly presents its unique 4th annual Cinematography Focus, dedicated to honoring the art and craft of cinematography with special screenings, panels, and masterclasses. With its filmmaker-friendly atmosphere, stunning Mediterranean backdrop, and dedication to innovation and diversity, EMIFF is a must-enter festival for storytellers seeking inspiration, connection, and industry recognition. Learn more hereLast Submission Deadlines: July 6th and August 6th, 2025.Festival Dates: October 21st - 29th, 2025.Podcast Rewind:June 2025 - Ep. 85…“The Making Of” is created by Michael Valinsky.Promote your products or services to 190K filmmakers, broadcast production pros, and content creators reading this newsletter… email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe
NOTE: This interview contains spoilers from both Black Mirror: “USS Callister” episodes. Join us as we boldly go behind the scenes of Black Mirror: “USS Callister: Into Infinity,” with the creative team behind the episode. In this panel, the director, composer, supervising sound editor, and VFX supervisor share how they brought the nightmarish galaxy of Robert Daly back to life with bold visuals, cinematic music, and immersive sound, as well as the reasons why this became the very first Black Mirror sequel ever. “It's really tricky when you come back and do a sequel of something. None of us wanted to work on something that was going to be any lesser than the original. And the original is… speaking for myself… the closest thing to a perfect episode. It has such a great beginning, middle and end. And it has such a great conclusion, it feels so wrapped up. Yet it's still a great launching point into a whole new recognizable world. But it's its own IP. And so I always knew that it had the potential to be a series or a sequel. I knew that I wanted to explore these characters in that world even further.”—Toby Haynes, Director, Black Mirror: “USS Callister: Into Infinity”Joining today's conversation: - Toby Haynes - Director - Tom Jenkins - Supervising Sound Editor - James MacLachlan - VFX Supervisor - Daniel Pemberton - Composer Be sure to check out Black Mirror: “USS Callister: Into Infinity,” now streaming on Netflix, in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.
In this episode, we welcome Toby Oliver, ACS. Toby is an award-winning cinematographer of projects including Get Out, Insidious: The Last Key, M3GAN 2.0, “Apple Cider Vinegar” and “Dead to Me.” In our chat, he shares about his early days, education, and his collaboration with Jordan Peele on Get Out. He also dives deep into his latest TV series — and offers many insights for up-and-coming filmmakers today. “The Making Of” is presented by AJA:Commercial shoots require speed and precision, which is why Dubai-based freelance editor Nikolay Ivanov depends on AJA's Io 4K Plus for fast, reliable I/O for on set editorial. Find out how he uses the technology alongside other creative tools to collaborate with stakeholders and deliver cuts while the camera is still rolling. Read the Story HereThunderbolt 5 Speed. Ultra Portable Storage.The OWC Envoy Pro Ultra the first portable SSD to harness the power of Thunderbolt 5, delivering real-world speeds over 6000MB/s in a rugged, pocket-sized design. With up to 4TB of capacity and next-gen bandwidth, it's built for high-res video, VFX, and demanding post-production workflows—anytime, anywhere. Lightweight, bus-powered, and blazing fast, it redefines what portable storage can do.Explore it hereScreamfest Horror Film Festival: The 25th annual Screamfest Horror Film Festival call for entries deadlines are approaching! Screenplay submission deadline is June 15th. Winning screenplay receives $1,000 cash prize, software and more. Deadlines for new genre feature films and shorts are regular 7/15, final 8/1 and extended final 8/15. For more information visit screamfestla.com New Solutions from Videoguys:Now through June 30, 2025, get more value when you buy an Atomos monitor-recorder from Videoguys.com! Purchase a Ninja or Ninja Ultra and receive a FREE qualified 240GB SSD. Upgrade to a Shogun Classic, Shogun Ultra, or Sumo 19SE and get a FREE qualified 480GB SSD. To claim your free drive, simply buy from Videoguys.com and complete the mail-in rebate directly through Atomos.With five big reasons to go Atomos—record direct from the sensor, enable a direct-to-edit workflow, capture longer sessions, access pro monitoring tools, and share your shoot—this is the perfect time to upgrade. Act fast, this offer ends June 30, 2025! Call Videoguys at 800-323-2325 to find the right Atomos monitor-recorder for your workflow. Browse hereFeatured Book Release:The Director's Guide to Everything is the ultimate road map for mastering the craft. More than just a guide — it's a masterclass in how to turn your vision into reality. The Director's Guide delivers a comprehensive, no-nonsense education in the art and science of directing — with practical knowledge drawn from decades of experience in the trenches of motion picture production. www.adakinpress.comPre-orders only for now. Shipping July 1st.One-Lens 360 Plates. Seamless by Design.IgelkottPlates.com offers the only plug-and-play driving and environment plates made specifically for virtual production. No stitching, no setup fuss—just clean, calibrated material designed to drop into any pipeline with zero surprises. Built for real-time workflows and in-camera results.Learn more hereCheck out the ZEISS Otus ML:Now on sale, the Otus ML 1.4/50mm photography lens from ZEISS is the new generation of high-quality optics for your photographic art. Find it at your favorite photo retailer! Explore it herePodcast Rewind:June 2025 - Ep. 84…“The Making Of” is created by Michael Valinsky.Promote your products or services to 190K filmmakers, broadcast production pros, and content creators reading this newsletter… email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe
Marti Romances, co-founder and creative director of Territory Studio San Fransisco, joins the podcast to share his journey from designing DVD menus in Spain to creating iconic futuristic interfaces for blockbuster films like Prometheus, The Martian, Guardians of the Galaxy, and Captain America: The Winter Soldier. With roots in multimedia and motion graphics, Marti explains how his early passion for architectural drawings and spatial design naturally evolved into a unique approach to interface aesthetics. His breakthrough came when he moved to the UK and joined Activision, eventually landing at the nascent Territory Studio, where he helped define a new visual language for storytelling through motion design in narrative media. In this episode, we dive into how sci-fi interfaces not only serve narrative functions on screen but often inspire real-world technology—from heads-up displays to augmented reality systems. Marti discusses the balance between realism and imagination in interface design, the transition from on-set graphics to post-production VFX, and how new mediums like AR, AI, and automotive UX are redefining our relationship with digital interaction. As he puts it, the goal is to keep “augmenting the human experience,” whether it's in a movie theater, a car, or a future mixed-reality space.
Episode 254 of the EYE ON SCI-FI podcast introduces 'The Adept,' an indie sci-fi fantasy short film by Canadian visual effects artist and composer Adam Stern, also known for the hit short film 'FTL.' The film explores the story of a married scientist couple, Ben and Maddie, who uncover a powerful force that blends science and magic. #scifishort #scifi #fantasySubscribe to the podcast via RSS, Apple Podcasts, Pocket Casts or Amazon Music.To subscribe to the newsletter, explore the podcast archive, support the podcast, and more, visit EYE ON SCI-FI Link Tree.Episode Link:Watch sci-fi/fantasy short: THE ADEPTInterview with ‘The Adept' creator, VFX professional and composer, Adam Stern
We'd love to hear from you. Send us a text! The Naked Texture Artist is a podcast where VFX/animation veterans have deep and honest conversations about their challenges and growth as working artists. It is very exciting to find people who think deep and hard thoughts about the work we do and the industry we work in. We are not short on people, who can teach us how to carry out the work, but the bigger questions about the VFX industry and our role in it, are harder to answer. Daniel Harkness, in addition to his work as a compositor and motion designer, writes his excellent observations on LinkedIn. I think for all of us, this period, in the industries of VFX, animation and games, has been a grim reminder that we are living in a house of cards. Many, if not all, artists have had to have some serious reflection on their career, and what their future will look like. Daniel's excellent writing is very useful to help understand the market forces that underpin our work, as well as the value each of us have in terms of dollars and cents. I hope getting to know Daniel's writing can be as instructive and helpful for you too, as it has been for me. Daniel Harkness' website:https://www.danielharkness.com/ Daniel's excellent 8 part series on the value of a VFX artist:https://www.linkedin.com/pulse/what-my-value-vfx-artist-part-1-daniel-harkness/ Also mentioned in this episode is:The famous blog of VFX Soldier:https://vfxsoldier.wordpress.com/ Joseph Bell's insightful global overview of VFX:https://www.vfxatlas.com/ Why is VFX dying? Scott Galloway explains the market forces underneath the destruction:https://medium.com/@profgalloway/peak-hollywood-1f147623b714 The Naked Texture Artist is produced by Marque Pierre Sondergaard. Support us on https://ko-fi.com/thenakedtextureartist Contact us on thenakedtextureartist@gmail.com Follow us on https://www.instagram.com/thenakedtextureartist/ Music copyright belongs to Tycho for the song Awake - https://tychomusic.com/ Additional sound effects from https://www.zapsplat.com
Lunch & Learn Episode 1: Social Media Marketing Live Streamed: 07 June 2025 Recording Released: 07 June 2025 Hosts: Keoni Hutton & Leslie Reed Guests: Reid Lavalee, Tom Bergeron & Robert Nulton We're kicking off a new series with the Chamber of Haunters called Lunch and Learn sessions to highlight different aspects of operating your haunt. Bring your lunch and learn with us. Episode 1 features Reid Lavalee and Tom Bergeron from Corpseology, a social media marketing firm. Listen in to see how you can maximize your return on social media. To find the video of this session, check out our YouTube page at https://youtu.be/r6ouhH1n-YQ. Resources mentioned during this episode: Corpseology: https://www.corpseology.com/ Haunting U can be found at www.hauntingu.com. Sanguine Creek Estates: www.scehaunt.com Chamber of Haunters Website: https://chamberofhaunters.com/ We couldn't continue to bring you awesome content without the support of our sponsors, particularly our Premium sponsors, the Chamber of Haunters, and VFX. Learn more here: www.chamberofhaunters.com https://vfxcreates.com/ Haunting U is a production of Sanguine Creek Entertainment LLC published under the Creative Commons Attribution 3.0 license. All rights reserved.
Filmmakers Peter Hall and Paul Gandersman join No Film School's GG Hawkins to discuss their chilling feature debut Man Finds Tape, premiering in the “Escape from Tribeca” section at the 2025 Tribeca Festival. The Texas-based writer-director duo explores their found-footage horror hybrid, rooted in documentary realism and intimate character drama. They dive deep into the film's decade-long evolution, DIY production tactics, narrative experimentation, and the collaborative scrappiness that made their micro-budget creature feature resonate on a grand scale. In this episode, No Film School's GG Hawkins and guests discuss: How a shelved podcast idea evolved into a Tribeca-premiering feature film Using documentary experience to inform a found-footage horror aesthetic Why keeping a tight creative circle allowed for fast, agile production decisions Shooting scenes with GoPros and iPhones for final edits—and why it works Casting actors willing to dive into a highly iterative, experimental process Crafting practical and VFX-driven creature moments that elevate low-budget horror Editing techniques that treat the narrative as a real documentary-in-progress How found footage can stay emotionally grounded and narratively justified Memorable Quotes: "There cannot be a point at which the audience says, why are they still filming?" "We were willing to let it sound like shit in parts, and it ended up not having to." "We threw out a lot of the lavs and just used on-camera MiniDV audio. It felt 10 times more real." "What we make is not Peter's voice or my voice—it's a third voice." Guests: Peter S. Hall Paul Gandersman Resources: Man Finds Tape at Tribeca XYZ Films Boards Tribeca Horror Feature Man Finds Tape Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram
Episode 96-The Haunter's Toolbox-Part 2 Released 03 June 2025 Hosts: John Schelt, Keoni Hutton & Leslie Reed In this episode of Haunting You Podcast, we delve into the second part of our Haunter's Toolbox series. Building upon the foundational episode 95, we explore a range of specialized tools that are essential for creating a haunted house, from electrical equipment to makeup supplies. Tune in to learn safety tips for handling electrical work, effective tools for constructing and maintaining props, and the indispensable items needed for running a successful haunt. Whether you're a seasoned haunter or just starting, discover the gear that can elevate your scares to the next level. Resources mentioned during this episode: Haunting U can be found at www.hauntingu.com. Sanguine Creek Estates: www.scehaunt.com Chamber of Haunters Website: https://chamberofhaunters.com/ Where to find tools: Voltage Tester: https://www.homedepot.com/p/Klein-Tools-Non-Contact-Voltage-Tester-Pen-50-1000V-AC-NCVT1PR-NCVT1PR/317460355?MERCH=REC-_-rv_typeahead_rr-_-317460355-_-0-_-n/a-_-n/a-_-n/a-_-n/a-_-n/a Multimeter: https://www.amazon.com/Fluke-Applications-Measurements-Capacitance-Capabilities/dp/B01IH41CUW?source=ps-sl-shoppingads-lpcontext&ref_=fplfs&psc=1&smid=ATVPDKIKX0DER&gQT=1 Fish Tape: https://www.harborfreight.com/50-ft-fish-tape-38156.html Electrical Screwdriver: https://www.homedepot.com/p/Milwaukee-1000V-Insulated-Slim-Tip-Screwdriver-Set-2-Piece-48-22-2207/327565019 Wire Stripper: https://www.harborfreight.com/professional-wire-stripper-and-cutter-57781.html Circuit Breaker Finder: https://www.homedepot.com/p/Klein-Tools-Circuit-Breaker-Finder-Tool-Set-2-Piece-Set-with-Accessories-ET310-69411-80016/316406030 Electronics Screwdrivers: https://www.amazon.com/Screwdriver-Different-Flathead-Screwdrivers-Precision/dp/B08ZS76VDG/ref=sr_1_1_sspa?crid=3J2NACOAKSO11&dib=eyJ2IjoiMSJ9.FNlJUKZaVaE5RJN4qcTEae-s0DlFYmFaVBUqEGH_9aE-HN2Ifslxf01LnwI4qEgn_X6DcUgC93pUKflxwxsg6DVeOsh16nOwlmEA2CGKzH3jA2gtWuZ3xlIHzpvppOPkaDVAd-qdu8zNvoXPlIi5tc9JBdYvHe-uZFKltcw_SesUyjLsJMwyrwDGRplfViBZWyUZ3pDq61o0Vsmn3-eQni_mKJW40ykzm-WNWIwGRxXYp0xsa5EZEGPABUP-f0aLerx-pRdjadt-dyv0ChPg5wybhmxDJcTEfhfXMcDfI28.V4Ypg15hyUp7DQak0nlQi0SULfnjgHG5maxwVlU3jhM&dib_tag=se&keywords=small%2Bscrewdriver%2Bset&qid=1748986853&sprefix=small%2Bscrew%2Caps%2C106&sr=8-1-spons&sp_csd=d2lkZ2V0TmFtZT1zcF9hdGY&th=1 Hot Knife: https://www.harborfreight.com/130-watt-hot-knife-70931.html Bow Cutter: https://hotwirefoamfactory.com/2-foot-bow-cutter.html Dremel Rotary Tool: https://www.homedepot.com/p/Dremel-4300-Series-1-8-Amp-Variable-Speed-Corded-Rotary-Tool-Kit-with-Rotary-Tool-Accessory-Kit-130-Piece-71301-43005-40/311541231 Paint Sprayer: https://www.homedepot.com/p/Wagner-Flexio-2500-Electric-Handheld-HVLP-Paint-Sprayer-2409509/316606245 Nail Art Tools: https://www.amazon.com/FULINJOY-Dotting-Painting-Brushes-Design/dp/B08ZSN22HC/ref=sr_1_6?crid=Q7CD3HYYQK0T&dib=eyJ2IjoiMSJ9.9g4-uUov5BnWgyz9cX20YRi1HK2lTeZpB8HK9rk9Vos8bG56pySsQ2u_aWG4VyGeLTNCH8a5xyexQrnHIFfuMooyL-7LDIoG_W0y97Fht9huKNiUbqwFMfHlWgey63pp2UyR9Igkf-_t-du0kA_eQqHNO6ksH1k1VC6_OkNaEispXWbK9rlB-yJ7dFB2t_PPDZFMRbtPuwHb0k5G-WplyV2OAVWMdUyB-cQwOX4vHH7_CxZ82XxgEdZNGpGyMdRPdR9zmTBAR0Us_NdBTw7QrVbr2nO2YOuYN_RdAHJ0qzY.pMQjGpTZiLbF3T3fH1HxyO-9wPDT4oypBLhgJl3IPyA&dib_tag=se&keywords=nail+art+tools&qid=1748987715&sprefix=nail+art+tools%2Caps%2C153&sr=8-6 Heat Gun: https://www.walmart.com/ip/Wagner-Furno-300-Heat-Tool-1200W/154134135?classType=REGULAR&athbdg=L1600&from=/search ProAir Compressor: https://www.facepaint.com/products/proaiir-airbrush-compressor Sithon Actor Management Software: https://sithon.io/ Headband Flashlight: https://www.amazon.com/Headlamp-Camping-LED-Headlight-Hunting/dp/B07QGRWZNB/ref=sr_1_7?crid=1WUV6AQD0YLHH&dib=eyJ2IjoiMSJ9.Pq8GZax1_imXZZFeTmtPNrS753PaIe7W8m4qbypi2_3Lsc2nT0ZkZ-XXAm1TaL2xz6cmHKgIlAvyl3rzKKvxdjQeVpXc0S7aXGdz1jaFXaePAoKWAPc1_tHszNBIQyAzi2kAD3PYMtwtCpcZHAb0h66C20qdcnn5F8XJdULnFO0Oy38NNiQcP1RuuRtQuxRcHeamXUmF40hDOWkx9UvBE5XiP48vH5rMu0_UA5YbWI-Ez6KfHf1TD0dwqbMd1p-JVf6lzPT84m91lvyuHBC7QHi6ZcHncSZfhOnK0RI33E0.jk3wcSx9odz1pnPyR4Eq5kCasXgNJU-ARsW1T6kjy0E&dib_tag=se&keywords=headband%2Bflashlight&qid=1748989532&sprefix=headband%2Bflashligh%2Caps%2C149&sr=8-7&th=1 Sound Effects: Music: Dance of Death http://www.purple-planet.com/ Thunder: Recorded by Mark DiAngelo Uploaded: 07.29.11 http://soundbible.com/1913-Thunder-... License: Creative Commons Attribution 3.0 Modifications: Inserted over Dance of Death Music Evil Laughter: Recorded by Himan Uploaded: 03.13.13 License: Public Domain http://soundbible.com/2054-Evil-Lau... AI Text to Speech Generator: https://www.hume.ai/ Kryptonite 3 Doors Down Uploaded 07.28.18 https://www.youtube.com/watch?v=NtBwVWWa3Ss "Do-Re-Mi" - The Sound of Music (1965) Rodgers & Hammerstein Uploaded 08.03.18 https://www.youtube.com/watch?v=drnBMAEA3AM We couldn't continue to bring you awesome content without the support of our sponsors, particularly our Premium sponsors, the Chamber of Haunters, and VFX. Learn more here: www.chamberofhaunters.com https://vfxcreates.com/ Haunting U is a production of Sanguine Creek Entertainment LLC published under the Creative Commons Attribution 3.0 license. All rights reserved.
In this episode, we welcome Yan Miles, ACE. Yan is an Emmy-winning editor who has cut shows including “Andor,” “The Crown,” “Sherlock,” “Rome” and “Game of Thrones.” In our chat, he shares about his early days, pathway into editing, his career trajectory, and working on “Andor.” In addition, he talks about the tools and techniques used to cut this show — and other insights from a life shaping stories. “The Making Of” is presented by AJA:Commercial shoots require speed and precision, which is why Dubai-based freelance editor Nikolay Ivanov depends on AJA's Io 4K Plus for fast, reliable I/O for on set editorial. Find out how he uses the technology alongside other creative tools to collaborate with stakeholders and deliver cuts while the camera is still rolling. Read the Story HereThunderbolt 5 Speed. Ultra Portable Storage.The OWC Envoy Pro Ultra the first portable SSD to harness the power of Thunderbolt 5, delivering real-world speeds over 6000MB/s in a rugged, pocket-sized design. With up to 4TB of capacity and next-gen bandwidth, it's built for high-res video, VFX, and demanding post-production workflows—anytime, anywhere. Lightweight, bus-powered, and blazing fast, it redefines what portable storage can do.Explore it hereVisit ZEISS at Cine Gear LA Join ZEISS Cinematography at this year's Cine Gear Expo in LA! We'll be onsite with our Cincraft Scenario camera tracking and all of our great cinema lenses. Come to our booth # 938 - just off Courthouse Square – and say hi!New Solutions from Videoguys:Now through June 30, 2025, get more value when you buy an Atomos monitor-recorder from Videoguys.com! Purchase a Ninja or Ninja Ultra and receive a FREE qualified 240GB SSD. Upgrade to a Shogun Classic, Shogun Ultra, or Sumo 19SE and get a FREE qualified 480GB SSD. To claim your free drive, simply buy from Videoguys.com and complete the mail-in rebate directly through Atomos. With five big reasons to go Atomos—record direct from the sensor, enable a direct-to-edit workflow, capture longer sessions, access pro monitoring tools, and share your shoot—this is the perfect time to upgrade. Act fast, this offer ends June 30, 2025! Call Videoguys at 800-323-2325 to find the right Atomos monitor-recorder for your workflow.Browse hereOne-Lens 360 Plates. Seamless by Design.IgelkottPlates.com offers the only plug-and-play driving and environment plates made specifically for virtual production. No stitching, no setup fuss—just clean, calibrated material designed to drop into any pipeline with zero surprises. Built for real-time workflows and in-camera results. Learn more herePodcast Rewind:May 2025 - Ep. 83…“The Making Of” is created by Michael Valinsky.Promote your products or services to 180K filmmakers, broadcast production pros, and content creators reading this newsletter. Email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe
Like this? Get AIDAILY, delivered to your inbox, 3x a week. Subscribe to our newsletter at https://aidaily.usAI Chefs Are Changing the Menu—For Better or WeirderAI is now cooking up restaurant menus, inventing dishes humans wouldn't dream of. Some are fire, others… not so much. Chefs are torn: is AI helping elevate the craft or just serving up soulless food science? The kitchen's getting coded.Fixing AI Hallucinations Is Way Harder Than It Should BeAI still makes stuff up with way too much confidence, and fixing it isn't easy. Engineers are trying band-aid solutions, but the core issue's baked in. Until we solve this, trusting your chatbot is basically vibes-based.Your Brain on AI: Is Tech Making Us Mentally Softer?We're offloading brainpower to AI—outsourcing memory, decisions, even thinking. Handy? Yeah. Healthy? Debatable. Experts warn we might be trading mental sharpness for convenience, like letting your phone do all the remembering while your brain collects dust.AI in Hollywood: Quietly Replacing the Creative GrindWriters' rooms and VFX studios are getting an AI upgrade—and creatives are kinda sweating. Studios love the speed and cost cuts, but artists worry the soul of storytelling's getting automated. The future of film might be part human, part machine. The Internet's Filling Up with AI Junk—And You're Clicking ItAI is flooding the internet with meh content—fast, cheap, and everywhere. It's not great, but it works. Engagement over quality is the new norm, and if you've ever read a mid article and thought “this feels off,” yeah… it probably was. Dead Celebs Are Now Chatbots—and It's Getting WeirdImagine chatting with an AI Kurt Cobain. It's real, it's disturbing, and it's raising huge ethical red flags. These bots mimic dead celebs for clicks and clout, and honestly, it's blurring the line between tribute and exploitation.Outsourcing Our Brains: The AI Offload DilemmaWe're letting AI do our thinking—remembering stuff, making choices, solving problems. It's convenient, but at what cost? Cognitive offloading might be shrinking our mental muscles. If we don't stay engaged, we risk becoming passive users in a world where machines call the mental shots.
SEASON 2 - EPISODE 143 - Phil Alden Robinson - Writer / Director In this episode of the Team Deakins Podcast, we speak with writer and director Phil Alden Robinson (THE GOOD FIGHT, THE SUM OF ALL FEARS, FIELD OF DREAMS) about many of his films. Phil was initially interested in politics and journalism, but he eventually made his way to Los Angeles and found his way into a writer's room based on the strength of a spec script. Phil soon found two of his feature scripts in production, and he reflects on the impact of being treated as badly as possible and as well as possible simultaneously. Later, Phil breaks down how FIELD OF DREAMS came together as a project, and we learn how he overcame an overwhelming sense of stress through the support of his cast and key crew members, including cinematographer John Lindley (Season 1, Episode 34) and production designer Dennis Gassner (Season 1, Episode 131). In addition to his work in features, Phil also directed documentaries for Nightline in a number of war zones, and we discuss the value of living life and taking time off from making movies. We also discuss the ubiquitousness of VFX in cinema today, and Phil shares what he feels to be the real lesson to take away from a film like the original STAR WARS. - Recommended Viewing: FIELD OF DREAMS, THE SUM OF ALL FEARS - This episode is sponsored by Aputure & Profoto
We'd love to hear from you. Send us a text! On The Naked Texture Artist, I have deep and honest conversations with working artists.Here is a snippet, which is genuinely useful advice for any artist:Jami Gigot explains, "how she manages her side hustle as a children's book illustrator" combined with her hectic career in the film industry. Enjoy!https://www.jamigigot.com/If that was useful for you, feel free to share the podcast with your friends and colleagues. I would appreciate your help.You can catch the full conversation on The Naked Texture Artist, wherever you get your podcasts.Thanks for listening!The Naked Texture Artist is produced by Marque Pierre Sondergaard. Support us on https://ko-fi.com/thenakedtextureartist Contact us on thenakedtextureartist@gmail.com Follow us on https://www.instagram.com/thenakedtextureartist/ Music copyright belongs to Tycho for the song Awake - https://tychomusic.com/ Additional sound effects from https://www.zapsplat.com
Michael Ralla joins the podcast to share his journey through the world of visual effects, with a focus on his latest project as VFX Supervisor on the film Sinners. He discusses how he worked closely with cinematographer Autumn Durald Arkapaw, whose fearless approach to lighting and darkness pushed the creative envelope. The episode features a deep conversation about the differences between film and digital, the evolving language of color, and how these choices impact storytelling—insights that are especially relevant to the visual style of Sinners. Michael also opens up about his unconventional path into VFX, from his early ambitions as a heavy metal drummer to finding his footing in sound engineering, and ultimately discovering his passion for compositing. He reflects on his formative years at Scanline, learning the ropes through hands-on experience, and how that foundation led him to major studios like Digital Domain and ILM. Throughout the episode, Michael's candid perspective offers a rare look at the challenges and excitement of modern visual effects, as well as the importance of staying adaptable in an ever-changing industry.
Welcome to the place where we get to let our geek flags fly and talk about all things geek. Basically a fuzzy guide to life, the universe, and everything but mostly geek stuff. This level of the podcast is another poopshoot with Blue and includes:Dark Crystal books and Cloverfield loreThe Mandalorian & Grogu costJay & Silent Bob bundle for Call of Duty: Warzone & Black Ops 6The Princess Bride with lightsabersParamount+ trailer mashing Spongebob and Star TrekAnime news - One Piece / BeserkLegend of DragoonLunar Remastered CollectionStuart Fails to Save the Universe, a Big Bang Theory spin-offAmazon's God of War TV series lined up for two seasonsAlan Cumming re: 90 minute make-up for NightcrawlerSinners non-spoilerHBO confirms casting for Harry Potter show - 2026?Digimon Story: Time Stranger & Cyber SleuthNew details for Mando & Grogu mission at Millennium Falcon: Smuggler's RunFox renews The Simpsons, Family Guy, Bob's Burgers, and American Dad for 4 more seasonsEli Roth thinks Borderlands flopped because of Covid and Zoom MeetingsSpinal Tap II: The End ContinuesDisney announces new theme park in Abu Dhabi, UAEJames Cameron says Blockbusters need to cut VFX cost in half with AI to surviveTed Sarandos thinks Netflix is saving cinemaGame jamCongrats on completing Level 445 of the podcast! Think positive, test negative, stay safe, wash your hands, wear a mask, and good luck out there. Feel free to contact me on social media (@wookieeriot). You can also reach the show by e-mail, laughitupfuzzballpodcast@gmail.com. All other links are easily findable on linktr.ee/laughitupfuzzball for merch, the Facebook group, etc. I'd love to hear from you. Subscribe to the feed on Spotify, Apple podcasts, Google podcasts, or any of the apps which pull from those sources. Go do your thing so I can keep doing mine. If you feel so inclined, drop a positive rating or comment on those apps. Ratings help others find the madness. Tell your friends, geekery is always better with peers. Thank YOU for being a part of this hilarity! There's a plethora of ways to comment about the show and I look forward to seeing your thoughts, comments, and ideas. May the force be with us all, thanks for stopping by, you stay classy, be excellent to each other and party on dudes! TTFN… Wookiee out!
Episode 95-The Haunter's Toolbox-Part 1 Released 24 May 2025 Hosts: John Schelt, Keoni Hutton & Leslie Reed Join hosts Keoni, John, and Leslie in the first installment of the Haunters Toolbox. With a mix of humor and practical advice, this episode is packed with recommendations for everything from basic toolkits and safety gear to practical equipment for construction your haunt. Whether you're a novice just starting out or a seasoned pro looking to expand your toolkit, you'll find valuable insights and tips to help you create a safe and spooky haunted attraction. Make sure to subscribe so you'll be notified when we release Part 2 on JUNE 1 (ignore what Keoni says about June 15. He doesn't know what he's talking about). Resources mentioned during this episode: Haunting U can be found at www.hauntingu.com. Sanguine Creek Estates: www.scehaunt.com Chamber of Haunters Website: https://chamberofhaunters.com/ Where to find tools: Craftsman Mixed Mechanics Toolset: https://www.craftsman.com/products/cmmt99449?_pos=3&_psq=MECHANICS+TOOL+SET&_ss=e&_v=1.0 Keoni's laser level: https://www.homedepot.com/p/Bosch-BLAZE-165-ft-Laser-Distance-Tape-Measuring-Tool-with-Area-and-Volume-GLM165-40/305566975 Dewalt Drill/Impact Kit: https://www.homedepot.com/p/DEWALT-20V-MAX-Cordless-Drill-Impact-2-Tool-Combo-Kit-with-2-20V-1-3Ah-Batteries-Charger-and-Bag-DCK240C2/204373168 Eastwing Hammer: https://www.lowes.com/pd/Estwing-20-oz-Steel-Head-Steel/1000422083 Werner 5 in 1 Ladder: https://www.homedepot.com/p/Werner-5-in-1-Multi-Position-Pro-14-ft-Reach-Aluminum-Adjustable-Multi-Position-Ladder-375-lb-Load-Capacity-Type-IAA-Duty-MT-14IAA/309704163 Keoni's value jigsaw: https://www.walmart.com/ip/Hyper-Tough-3-5-Amp-Corded-Jig-Saw-Eelectric-120-Volt-44002/935653947?classType=REGULAR&athbdg=L1200&from=/search Chalk Line: https://www.harborfreight.com/chalk-line-reel-with-chalk-93818.html Bucket Shop Vac: https://www.homedepot.com/p/Bucket-Head-5-Gallon-1-75-Peak-HP-Shop-Vacuum-Wet-Dry-Vac-Powerhead-with-Filter-Bag-and-Hose-compatible-with-5-Gal-Homer-Bucket-BH0100/202017218 Sound Effects: Music: Dance of Death http://www.purple-planet.com/ Thunder: Recorded by Mark DiAngelo Uploaded: 07.29.11 http://soundbible.com/1913-Thunder-... License: Creative Commons Attribution 3.0 Modifications: Inserted over Dance of Death Music Evil Laughter: Recorded by Himan Uploaded: 03.13.13 License: Public Domain http://soundbible.com/2054-Evil-Lau... AI Text to Speech Generator: https://www.hume.ai/ Kryptonite 3 Doors Down Uploaded 07.28.18 https://www.youtube.com/watch?v=NtBwVWWa3Ss "Do-Re-Mi" - The Sound of Music (1965) Rodgers & Hammerstein Uploaded 08.03.18 https://www.youtube.com/watch?v=drnBMAEA3AM We couldn't continue to bring you awesome content without the support of our sponsors, particularly our Premium sponsors, the Chamber of Haunters, and VFX. Learn more here: www.chamberofhaunters.com https://vfxcreates.com/ Haunting U is a production of Sanguine Creek Entertainment LLC published under the Creative Commons Attribution 3.0 license. All rights reserved.
This week, the Bandwagon takes a limited, but massively important, trip to the Trailer Park as we got the first trailer for Ironheart and the first full trailer for James Gunn's Superman. What did the guys think of them, and how are they feeling about the way summer is shaping up as a possible resurgence in great superhero movies? Speaking of great, Andor Season 2 concluded this week. Patrick and Dave have made it known to all just how much they love the show, and they offer a mini-review of what made Season 2 so great... and how it makes watching Rogue One again a completely new experience. We also have casting news for the Buffy the Vampire Slayer reboot, as well as some surprise choices for the upcoming John Madden movie. All that plus, Max is going back to its roots, Christopher Nolan continues to innovate the movie industry, Jessica Jones is heading to the MCU, and VFX workers take a big step towards unionizing. @AttitudeAgg@WrestlngRealist@itsReyCash@PCTunney@itsmedpp@ViolentAesop@TheMindlessPod@therealcplatt@ChairshotMedia@BandwagonNerdsPROWRESTLINGTEES.COM/TheChairshot - Makes a GREAT GIFT!!!About Bandwagon NerdsJoin Patrick O'Dowd, David Ungar, PC Tunney, Rey Cash, and DPP as they keep everyone up on all things nerd and maybe add some new nerds along the way. It's the Bandwagon Nerds Podcast!About Chairshot Radio NetworkChairshot Radio NetworkLaunched in 2017, the Chairshot Radio Network presents you with the best in sports, entertainment, and sports entertainment. Wrestling and wrestling crossover podcasts + the most interesting content + the most engaging hosts = the most entertaining podcasts you'll find!MONDAY - Bandwagon Nerds (entertainment & popular culture)TUESDAY - 4 Corners Podcast (sports)WEDNESDAY - The Greg DeMarco Show (wrestling)THURSDAY - POD is WARFRIDAY - DWI Podcast (Drunk Wrestling Intellect)SATURDAY - The Mindless Wrestling PodcastSUNDAY - Keeping the news ridiculous... The Oddity / The Front and Center Sports PodcastCHAIRSHOT RADIO NETWORK PODCAST SPECIALSAttitude Of Aggression Podcast & The Big Five Project (chronologically exploring WWE's PPV/PLE history)http://TheChairshot.com PRESENTS...IMMEDIATE POST WWE PLE REACTIONS w/ DJ(Mindless), Tunney(DWI) & FriendsPatrick O'Dowd's 5X5Support this podcast at — https://redcircle.com/chairshot-radio-network/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Something passed between them: the faintest hint of a common destiny. Does this describe Paul and Arlo's first meeting, or the first time Farmer Hoggett sets eyes on the piglet known as Babe? What's the difference? For a new That Was Then, the boys are joined by perennial guest Eric Sipple to discuss Chris Noonan's 1995 film Babe. Celebrating its 30th anniversary this year, the unlikely Best Picture nominee set a new standard for animal VFX and influenced a generation of vegetarians and vegans. The gang discusses the film's surprising macabre side, its view of destiny, how it compares to Orwell's Animal Farm, the contentious relationship between Noonan and co-writer/producer/shadow director (?) George Miller, and much more. NEXT: drop some acid, find your spiritual center, and join us for a Four-Color Flashback exploring the first three volumes of Alejandro Jodorowsky & Mœbius' The Incal. BREAKDOWN 00:01:22 - Intro / Banter 00:03:38 - That Was Then: 1995 00:24:20 - Babe 01:47:28 - Outro / Next MUSIC “Pigs on the Wing” by Pink Floyd, Animals (1977) “Piggies” by the Beatles, The Beatles (1968) GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/ Abortion Funds in Every State: https://bit.ly/AbortionFundsTwitter Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate Support the AAPI Civic Engagement Fund: https://aapifund.org/ Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ The Trevor Project provides information and support to LGBTQ youth: thetrevorproject.org Trans Lifeline: https://translifeline.org/ National Center for Transgender Equality: transequality.org Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://www.unduemedicaldebt.org/ Register to vote: https://vote.gov/
In this episode, we welcome Harley Chamandy. Harley is an independent filmmaker who just released his debut feature, Allen Sunshine. His film was awarded the prestigious Werner Herzog Award, selected and presented by the legend himself. In our chat, Harley shares about his early days, his cinematic inspirations, the genesis of this award-winning project, and various tales on his filmmaking journey. “The Making Of” is presented by AJA:Introducing the all-new KUMO 6464-12GRedesigned for maximum reliability and performance, KUMO 6464-12G is a high-capacity 12G-SDI router featuring 64x 12G-SDI inputs and 64x 12G-SDI outputs that enables cost-effective signal routing for production and post. Ganged dual- and quad-port routing configurations let users combine multiple inputs and outputs for Dual Link video and key, 4K, UltraHD, and Quad Link 8K workflows. KUMO offers seamless routing of uncompressed, compressed, or camera raw signals. Learn more.Vimeo Toronto EventMay 20 | TIFF LightboxA night of inspiring Vimeo Staff Picks + live filmmaker commentary!7pm Doors7:30-9pm Films + commentary 9-11pm Reception - complimentary drinks + bites!Screening + reception are free to attend.RSVP hereHigh-Capacity Storage Meets Pro-Level DockingThe OWC Gemini delivers the best of both worlds—massive dual-drive storage and essential connectivity in one sleek Thunderbolt solution. Perfect for post-production pros, it offers RAID-ready backup, 2.5Gb Ethernet, an SD card reader, and ports for all your gear. Whether you're editing footage or offloading media, Gemini keeps your workflow fast, organized, and ready for anything. Explore it hereOne-Lens 360 Plates. Seamless by Design.IgelkottPlates.com offers the only plug-and-play driving and environment plates made specifically for virtual production. No stitching, no setup fuss—just clean, calibrated material designed to drop into any pipeline with zero surprises. Built for real-time workflows and in-camera results.Learn more hereAmberock Productions Re-Releases The Actor on New Distribution PlatformsAmberock Productions in association with Grateful Z today announced that The Actor, in celebration of the one-year anniversary of its initial release, has been picked up by distribution company Indie Rights and is now available on more streaming platforms. Now available in the U.S. on YouTube TV, Amazon, Fandango Home Movies, and Fawesome, The Actor has received extraordinary critical acclaim as an independent comedy/thriller/crime feature, including: “A fun ride filled with depth, nostalgia and rock n' roll” from Rolling Stone UK; “A gripping action-comedy” from USA Today; and a special nod to the film's soundtrack from Film Threat: “Collective Soul's rock sound is as comforting as a mac ‘n cheese jacuzzi, all warm, gooey, and familiar.”The Actor, Amberock's third feature film, was primarily shot in and around Fort Worth, TX, home of Amberock Productions during the Covid-19 pandemic when Hollywood was primarily closed for business. Read more hereZEISS Demos One-Click Virtual Lens Tech for VFX & CompositingExtension of CinCraft ecosystem aids clear DoP & Post Artist communicationZEISS announces that it is in development on a new virtual lens technology that will allow visual effects and compositing artists to apply an authentic lens look in one step. Demonstrated for the first time at FMX in Stuttgart, Germany on May 7, this new breakthrough replicates the visual characteristics and animated behavior of actual lenses on computer-generated content. The new ZEISS technology is part of the CinCraft ecosystem, dedicated to simplifying VFX workflows. Read more hereNew Solutions from Videoguys:The Move 4K is the latest PTZ camera from PTZOptics, featuring auto-tracking for a more intelligent video production workflow. The Move 4K is available in 12x, 20x, or 30x zooms, and is capable of 4K at 60fps (1080p at 60fps over SDI), future-proofing your technology investment while still accommodating HD and Full HD video resolutions equipment. The Move 4K offers high performance in low-light scenarios, PoE+ capabilities, and a built-in tally light. The PTZOptics Move 4K is starting at $1,999.00 and is available at Videoguys.comExplore it herePodcast Rewind:May 2025 - Ep. 80…“The Making Of” is created by Michael Valinsky.To promote your products or services to 168K filmmakers, broadcast & live event production pros, and content creators reading this newsletter, email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe
SEASON 2 - EPISODE 141 - DP & VFX Relationship - with Greig Fraser & Paul Lambert In this episode of the Team Deakins Podcast, cinematographer Greig Fraser (Season 1, Episodes 29, 57, 63, 69 & Season 2, Episodes 50, 51, 100) and VFX supervisor Paul Lambert (Season 1, Episode 107) return to talk about the modern relationship between the cinematography and visual effects departments. Throughout the episode, we frequently refer to Paul's and Greig's collaboration on both DUNE films, and they reveal how they realized several scenes and overcame the endless challenges of shooting the film with the support of one another. They share why they utilized painted backings to assist in set extension over blue screens or LED walls, and we later swap strategies for figuring out how to maintain the illusion of a flying helicopter. Greig also reveals what makes him proud about a particular all-CG shot in DUNE: PART II, and Paul breaks down what an audience really means when they see “bad CGI” in a film. Towards the end, we discuss the merging of animation and live-action filmmaking, and we look ahead to what the future may bring. - Recommended Viewing: DUNE (2021), DUNE: PART II (2024) - This episode is sponsored by Aputure & Profoto
Jess Loren, CEO and co-founder of Global Objects, joins us for a wide-ranging conversation about the future of immersive content and the creative tech reshaping the industry. A force to be reckoned with, Jess has a sharp pulse on where things are headed, and she doesn't hold back when discussing the current state of Hollywood. She talks candidly about the challenges studios and creators face today, and how technology like digital scanning, virtual production, and Gaussian splats can embolden independent filmmakers. Jess also shares insight into how she builds meaningful partnerships across art, tech, and media. Her business and life partner, Erick Geisler, appeared back in episode 483, and together they've helped position Global Objects at the intersection of innovation and storytelling. In this episode, Jess dives into her own journey as an entrepreneur and explains how she identifies trends before they break, working with brands, creators, and studios to help them stay ahead. Whether you're building pipelines, pitching ideas, or just trying to understand where things are going, this episode offers a grounded, unfiltered look at the creative future.
It's Part One of our Way Too Early 2025-26 Oscars Predictions Special, or Guarantees Special as we should have called it. Screenplays, VFX, Sound, Score, Song, the Shorts, yes - The Shorts, Make-up & Hairstyling, plus Lead Actor and Actress are all discussed. Original Screenplay reveals films where we're heavy + where Vegas leans - 3:07 Adapted Screenplay includes former winners, noms + a UFC champ - 11:37 VFX w/ Avatar & F1 + sentimental favorites & trailers that look good to us - 18:00 Sound Design w/ F1 as the favorite + other blockbusters - 23:00 Original Score has a murderers row of legendary contenders - 25:22 Original Song includes multiples by two films + the Diane Warren rule - 28:48 Documentary Short included the most research ever - 31:48 Animated Short included the least research ever - 35:09 Live Action Short is as clear a vision into the future as we've ever had - 36:44 Make-up & Hairstyling where we share 4 noms, but talk honorable mentions more - 39:26 Lead Actor has huge stars and irrational confidence levels from us in our picks - 41:05 Lead Actress - 47:07 OUTRO - 55:00 - Make sure to go back to the rest of our Oscars Year In Preview Series. We have specials to preview each section of the calendar, plus a Sundance review and a Cannes preview. Also stay locked on our feed for Part Two, where we'll predict the Supportings, Director, Casting, Best Picture and the rest of the 24 Oscar categories. And as always, let us know your thoughts, comments, questions, concerns, and your predictions via our socials. https://linktr.ee/mikemikeandoscar
In our latest fxpodcast, we speak with Joseph Bell on Trump's proposed film tariff, global VFX trends, and the business of uncertainty
SEASON 2 - EPISODE 140 - Jon Alexander - Compositing Supervisor In this episode of the Team Deakins Podcast, we speak with compositing supervisor and visual effects artist Jon Alexander (DEADPOOL & WOLVERINE, AVENGERS: AGE OF ULTRON, THE PHANTOM MENACE). Jon was witness to a number of milestones in the history of visual effects, and throughout the episode, Jon shares numerous stories from his long career at Industrial Light & Magic (ILM), granting us insight into a time he likens to as the Italian Renaissance. From optical printers to artificial intelligence, Jon shares his experiences working with the many pieces of technology responsible for manipulating images, and he reveals the level of focus he and his colleagues at ILM shared when it came to problem-solving (even during an earthquake!). In addition to his work in film, Jon has also worked on projects for The Sphere in Las Vegas, and he shares what he believes to be the distinctive traits of and the possible uses for the new technology. Jon also reveals what he saw as a groundbreaking advancement in visual effects while working on HOWARD THE DUCK, and we compare past and present VFX techniques. Plus, we break down how optical visual effects are actually made. - This episode is sponsored by Profoto & Aputure
Episode 94-East Coast Haunters Convention Recap Released 04 May 2025 Hosts: John Schelt, Keoni Hutton & Leslie Reed Happy Star Wars Day! Dive into the discussion of this year's East Coast Haunters Convention held at the Greater Philadelphia Expo Center. Discover a plethora of exciting new products, innovative ideas, and the camaraderie of fellow haunters. Expect fascinating insights into vendors' struggles and their creative responses amidst economic challenges. May the Fourth be with you. Resources mentioned during this episode: ECHC Vendor Spotlights: https://www.youtube.com/playlist?list=PL28wRG-UcyfgpHXRzc2du3G-bIz3SEZq9 Haunting U can be found at www.hauntingu.com. Sanguine Creek Estates: www.scehaunt.com Chamber of Haunters Website: https://chamberofhaunters.com/ Sound Effects: Music: Dance of Death http://www.purple-planet.com/ Thunder: Recorded by Mark DiAngelo Uploaded: 07.29.11 http://soundbible.com/1913-Thunder-... License: Creative Commons Attribution 3.0 Modifications: Inserted over Dance of Death Music Evil Laughter: Recorded by Himan Uploaded: 03.13.13 License: Public Domain http://soundbible.com/2054-Evil-Lau... We couldn't continue to bring you awesome content without the support of our sponsors, particularly our Premium sponsors, the Chamber of Haunters, and VFX. Learn more here: www.chamberofhaunters.com https://vfxcreates.com/ Haunting U is a production of Sanguine Creek Entertainment LLC published under the Creative Commons Attribution 3.0 license. All rights reserved.
Buy VFX Artist React Viewer Merch until May 4th;https://www.bunkerbranding.com/products/vfx-artist-t-shirthttps://www.bunkerbranding.com/products/vfx-artist-tankOur videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/We're shocked at how cool the VFX art in the Last of Us Season 2, Episode 2. We also dive into the process it takes for us to film our React show and how Ai is slowly creeping into our daily lives. This episode was recorded LIVE, exclusively for our website subscribers. Look out for updates on our website homepage, YT Community, and social media to find out about our next live recording session!SUPPORT ►Join Our Website: https://bit.ly/Crew_MembershipInstagram: http://bit.ly/_Corridor_InstagramBuy Merch: http://bit.ly/Corridor_StoreSub-Reddit: http://bit.ly/_Corridor_Sub-Reddit
A spark of madness is often the first step toward creation. On today's episode, we welcome Bojan Dulabic, a passionate Vancouver-based filmmaker who pulled off a small miracle—he made a full-length zombie movie for just $5,000. But this isn't just a story of budgeting brilliance; it's a tale of relentless passion, artistic vision, and the kind of self-taught wisdom you can't get in film school.Born in Bosnia, raised in Germany and Croatia, and finally settled in Canada, Bojan Dulabic's journey into filmmaking is stitched together by war, displacement, and a child's fascination with VHS tapes in his mother's shop. His early life sounds like something out of a global coming-of-age novel. And perhaps that nomadic upbringing seeded in him a gift for observation—a key trait in any great storyteller. When he finally turned his teenage creativity into a film project in high school, something clicked. Not just the shutter on a camera, but the internal compass of a man who knew he had to follow the path of cinema, even if it meant doing it on his own terms.This wasn't a journey paved in gold. His first feature, shot for $4,000, was a comedy that taught him the ropes. His follow-up? A feature-length zombie film titled Project Eugenics.What could have been a cliché genre dive instead becomes a thoughtful narrative on misinformation, the chaos of modern life, and yes—zombies as metaphors. “To me, a zombie flick... it's not about the zombies. It's always about something else,” Bojan reflects. In his hands, the walking dead become symbols of mass confusion, manipulation, and the blurred lines of truth in our hyper-connected world.There is a playful seriousness to Bojan's philosophy. He reveres Romero and admires Rodriguez, but he walks his own road. Like Alan Watts would muse about the dancer and the dance, Bojan seems less concerned with final outcomes and more with being in the creative flow—tripping over obstacles and finding meaning in the madness. He shares stories of juggling a wedding, a tight shooting schedule, and DIY visual effects like a magician with duct tape. His secret? A mindset that embraces “safe confusion”—a term borrowed from Tarantino—that invites the audience into mystery without losing them.What's more, Bojan brings a rare humility to the table. He speaks about his cast and crew with deep respect, understanding that low-budget filmmaking doesn't give you the license to burn out others for your dream. His actors often worked just a few days, each scene scheduled with precision. His respect for time, energy, and goodwill may be the real reason his film came together. For him, filmmaking is not just a creative act but a spiritual contract—with himself, with his collaborators, and with the audience.This podcast isn't just a technical breakdown of low-budget indie cinema. It's a spiritual blueprint for artists who feel the fire but lack the funds. Bojan's approach is radical because it's so simple: take stock of what you have, and build from there. Whether it's stock footage, free VFX plugins, or your friend's living room—use it. More importantly, finish it. Don't wait for permission. Make your movie now.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.
The Batman 2 Delayed Again?! | The Kristian Harloff Show Is The Batman Part II facing another delay? And if so, what's really going on behind the scenes with director Matt Reeves? On today's Kristian Harloff Show, we break down the growing speculation that Reeves may be dealing with something serious—serious enough that it's being compared to a “Chadwick Boseman situation.” Whether it's a personal health issue or something else entirely, fans are divided on whether DC or Reeves should make a statement or just be given space. Plus, actor Brandon Sklenar confirms DC Studios has contacted him about possibly stepping into the cape and cowl for The Brave and The Bold. Is he our next DCU Batman? We've also got a packed show full of industry updates: Cannes Film Festival 2025 reveals its official line-up James Cameron says A.I. may be the key to saving VFX-heavy blockbusters Cinemas are furious over the rowdy “Minecraft” meme movement and its impact on screenings HBO officially renews “The Last of Us” for Season 3 — but is it the final chapter? Set photos tease Castle Grayskull in the upcoming live-action He-Man movie Matt Johnson, director of BlackBerry, is reportedly being eyed to direct the first Magic: The Gathering live-action film for Hasbro and Legendary And of course, we discuss what this all means for the future of DC films, the “Bat-verse,” and the cinematic landscape as a whole. Make sure to subscribe and join the conversation. Let us know in the comments—should The Batman Part II be delayed to give Reeves more time? Or is it time for DC Studios to move fully into the new DCU with The Brave and The Bold? OUR Sponsors: If you're 21+, try VIIA during their annual SPRING 420 SALE for Black Friday-level savings up to 35% OFF site wide! Go to https://viia.co/KRISTIAN and use code KRISTIAN! FAST GROWING TREES: This Spring FGT has the best deals, for your yard, up to half off on select plants and other deals. And listeners to our show get FIFTEEN PERCENT OFF their first purchase when using the code BIGTHING at checkout. http://www.fastgrowingtress.com VIIA: Try VIIA! https://viia.co/KRISTIAN and use code KRISTIAN! FACTOR: Get started at http://www.factormeals.com/kristian50off and use code kristian50off to get 50 percent off plus FREE shipping on your first box.