Podcasts about vfx

If digital humans are evolving, Isaac Bratzel is the scientist altering their DNA. Beginning his career as a character artist (because it represented the biggest challenge), Isaac helped create Amelia, a conversational AI with a digital human face, and then went on to establish virtual social media phenomenon Lil Miquela. Today, Isaac is bringing his expertise in AI and digital humans together in AvatarOS, the company he founded to create digital humans with personalities. In this podcast, Isaac reveals how he overcame some of the technical challenges of creating digital humans that work across the platforms of tomorrow and reveals his ultimate goal for the company.  

The BTS team is joined by VFX Supervisor Alex Wang to discuss how The Last of Us blends practical and CG effects, the collaborative relationship between VFX and storytelling, and of course, why we love Bill and Frank.

Wonder Dynamics is utilizing Artificial Intelligence and Machine Learning to develop cutting-edge technologies, innovate production tools and create original content for Film and TV Industry. A startup founded in 2017 by Ready Player One star Tye Sheridan and VFX expert Nikola Todorovic aims to lower the cost and level the playing field for visual effects. In 2021, the company raised $9 million in a Series A funding round that included Epic Games and Samsung as investors, helping expand its team of machine learning engineers and CG artists to expedite Wonder AI Suite — a cloud-based content creation platform designed to bring blockbuster-level VFX to projects of all sizes.  The startup has a heavyweight advisory board that includes Sheridan's Ready Player One director Steven Spielberg, Avengers: Endgame co-director Joe Russo, Capital Factory CEO Joshua Baer, Rhea Films' Terry Dougas, Google research scientist and Berkeley professor Angjoo Kanazawa, private equity investor Robert Schwab, MIT Head of AI Antonio Torralba and Film Finances president Gregory Trattner. In this Podcast, Allan McKay interviews Co-Founder and CEO of Wonder Dynamics Nikola Todorovic about the launch of the company, its Advisory Board that includes Steven Spielberg, the AI tools that the startup is building – and how all of this machine learning tech is helping filmmakers with their storytelling. For more show notes, visit www.allanmckay.com/403.

Editor - Greg O'Bryant EXTRAPOLATIONS editor, Greg O'Bryant has once again teamed up with writer/director Scott Z. Burns, this time to take on the challenge of creating an entertaining, educational and hopefully motivational series about the future effects of climate change.  Delivered as an anthology series, one of the more daunting tasks for the team would be managing the often dramatic shifts in tone, as well as the delicate balance between drama and, on occasion, comedy. Taking place in the not-too-distant future, but over the span of thirty-three years, EXTRAPOLATIONS shows how the effects of climate change have become embedded into people's everyday lives; through eight interwoven stories that explore the intimate, life-changing choices that must be made when the planet is changing faster than the population. GREG O'BRYANT Greg first began his partnership with Scott Z. Burns on the latter's political drama, THE REPORT (2019).  Greg would also edit an episode of the series, THE LOUDEST VOICE (2019) that Burns helmed.  In addition to his work with Scott Z. Burns, Greg is also a frequent collaborator with show runner, Nick Antosca.  Their partnership first began on CHANNEL ZERO, a SyFy Channel anthology series based on the popular Internet "Creepypastas" Candle Cove, The No-End House and Butcher's Block.  Subsequent projects with Antosca would include Hulu's original series, THE ACT, as well as the Netflix series, BRAND NEW CHERRY FLAVOR.  Greg also edited the tv series, THE GIRLFRIEND EXPERIENCE, adapted from the film by Steven Soderbergh...who directed CONTAGION...written by Scott Z. Burns. Editing Extrapolations In our discussion with EXTRAPOLATIONS editor, Greg O'Bryant, we talk about: Not crossing the streams of comedy and drama The only geography that matters Why you need sixty mice Entertaining and educating for the sake of motivating Learning to love VFX, while still bemoaning blue screen The Credits Visit ExtremeMusic for all your production audio needs Check out the free trial of Media Composer | Ultimate Hear Greg discuss his work on the Netflix series, BRAND NEW CHERRY FLAVOR Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

For the past 30 years, Digital Domain has been ahead of the CG curve, delivering everything from True Lies' CG jet to The Last of Us' desolate landscapes. But what does the future hold for this innovative VFX studio? This week, Lala Gavgavian, the president and COO of DD, explains how it's charting a course through the waters of new technology. Lala talks about how Digital Domain has branched out beyond blockbuster VFX and is now taking on gaming projects and medical imaging. She also talks about how AI and machine learning have been changing things behind the scenes at Digital Domain and how the technology behind its Digi Doug and Digi Zoe projects is helping create the perfect digital double.  

Filmmaker Alon Isocianu and I discuss his many tools as a filmmaker, the importance of pre-viz and possibitly of soon sharing his treatments, among other topics. Alon's work is highly imaginative, visceral & visually poetic. I'm a sucker for how Alon blends together elements of live-action, motion design, 3D animation and VFX.  He is also the co-founder and […]

Mick is discussing the Writer's Strike and it's affects on Hollywood. Then he welcomes Artist, VFX Artist and Filmmaker John Mahoney to the show to discuss his projects and Contemporary Art's influence on Movies.Then another round of Ask Mick Anything and a new round of Did I Just Fix....This week is Predators 2! Chosen by our Patron Dan.Check out more of John's Artwork here - https://linktr.ee/JohnmahoneylinktreeWatch Live on our a Patreon - https://www.patreon.com/TheSceneSnobsThe Scene Snobs Podcast is LIVE every Tuesday @ 9PM EST on our YouTube and available on all our YouTube Channel & Podcast Platforms afterwards.Snobnation Morning Show is LIVE every Friday morning 7-10AM EST(On Hiatus Until June16th)Go to SnobsMerch.com and use Promo Code "Snobs" for 10% Off your order!Get More Snobs: linktr.ee/thescenesnobs Tickets for Carolina Fear Fest are on sale now with 2 great guest announcements! We are back again to officially represent this amazing Horror Con - get tix here - CarolinaFearFest.comHelp us keep the lights on:Entertainment Earth - https://ee.toys/scenesnob Use our link for 10% off any in-stock purchase. Also free domestic shipping on orders $59+TheSceneSnobs.com

We're talking about the newest volume, it's Guardians Of The Galaxy Vol. 3 this week on the podcast. We talk about how to write playfully mean friendships, VFX that can make raccoons look real, performances that only Gunn can get, and stories of second chances.

Editors - Fred Raskin ACE and Greg D'Auria GUARDIANS OF THE GALAXY: VOL. 3 editors Fred Raskin and Greg D'Auria find themselves in familiar territory; collaborating on a James Gunn project.  But their twenty-year plus relationship dates back much further than their work with Gunn.  The two first collaborated on Tarantino's KILL BILL: VOL. 1 (2003). In James Gunn's final installment of the "Guardians" trilogy, Peter Quill, still reeling from the loss of Gamora, must rally his team to defend the universe and protect one of their own. If the mission is not completely successful, it could possibly lead to the end of the Guardians as we know them. FRED RASKIN ACE Fred has worked with Gunn on all three Guardians of the Galaxy films, as well as the tv series PEACEMAKER and Peacemaker's origin film, THE SUICIDE SQUAD (2021).  In addition to his work with Gunn, another prominent director that Fred is known to cut for is Quentin Tarantino.  Fred handled the editorial duties for DJANGO UNCHAINED (2012), THE HATEFUL EIGHT (2015) and, most recently, ONCE UPON A TIME IN HOLLYWOOD (2019). GREG D'AURIA Editor Greg D'Auria has crossed paths with Fred Raskin on more than one occasion in their careers.  Also a veteran of the "Quentin Tarantino Extended Universe", Greg has worked as assistant and editor on films such as KILL BILL: VOL 1 (2003) and DJANGO UNCHAINED (2012).  D'Auria also lent his editorial talents to films like FAST & FURIOUS 6 (2013), F9: THE FAST SAGA (2021) and the GUARDIANS OF THE GALAXY HOLIDAY SPECIAL (2022). Editing GUARDIANS OF THE GALAXY: VOL. 3 In our discussion with Guardians of the Galaxy Vol 3 editors, Fred and Greg, we talk about: VFX being the tail that wags the...raccoon? Cutting a film without reading the script Bowling for sound effects The family business of temp tracks Final thoughts on the Guardians trilogy The Credits Visit Extreme Music for all your production audio needs Learn about Avid's new Media Composer for Students program Hear Fred and Greg talk about their work on Gunn's PEACEMAKER Listen to Fred and editor Chris Wagner discuss Gunn's THE SUICIDE SQUAD Editor Fred Raskin talks about cutting Quentin Tarantino's ONCE UPON A TIME IN HOLLYWOOD Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

The production visual effects supervisor for the latest Marvel movie, 'Guardians of the Galaxy Vol. 3,' joins Carolyn to talk about his experience working with James Gunn and how Rocket's emotional journey is brought to life using VFX and animation.

Use a mask in your video editing to create cool video effects (VFX). On Hands-On Photography, Ant Pruitt shows how to use Davinci Resolve to create a cool VFX for free with motion tracking. Host: Ant Pruitt Find Hands-On Photography on your favorite podcatcher. https://twit.tv/shows/hands-on-photography Follow Ant Pruitt on Instagram https://www.instagram.com/ant_pruitt/ Follow TWiT on Instagram https://www.instagram.com/twit.tv/ Join the TWiT forums https://www.twit.community/ Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit

Use a mask in your video editing to create cool video effects (VFX). On Hands-On Photography, Ant Pruitt shows how to use Davinci Resolve to create a cool VFX for free with motion tracking. Host: Ant Pruitt Find Hands-On Photography on your favorite podcatcher. https://twit.tv/shows/hands-on-photography Follow Ant Pruitt on Instagram https://www.instagram.com/ant_pruitt/ Follow TWiT on Instagram https://www.instagram.com/twit.tv/ Join the TWiT forums https://www.twit.community/ Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit

Use a mask in your video editing to create cool video effects (VFX). On Hands-On Photography, Ant Pruitt shows how to use Davinci Resolve to create a cool VFX for free with motion tracking. Host: Ant Pruitt Find Hands-On Photography on your favorite podcatcher. https://twit.tv/shows/hands-on-photography Follow Ant Pruitt on Instagram https://www.instagram.com/ant_pruitt/ Follow TWiT on Instagram https://www.instagram.com/twit.tv/ Join the TWiT forums https://www.twit.community/ Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit

Use a mask in your video editing to create cool video effects (VFX). On Hands-On Photography, Ant Pruitt shows how to use Davinci Resolve to create a cool VFX for free with motion tracking. Host: Ant Pruitt Find Hands-On Photography on your favorite podcatcher. https://twit.tv/shows/hands-on-photography Follow Ant Pruitt on Instagram https://www.instagram.com/ant_pruitt/ Follow TWiT on Instagram https://www.instagram.com/twit.tv/ Join the TWiT forums https://www.twit.community/ Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit

In this exciting episode of Product by Design, host Kyle Evans interviews the talented and accomplished product designer, VFX artist, and author, Hussain Almossawi. The conversation centers on Almossawi's recently released book, The Innovator's Handbook, which explores his personal stories and experiences in the industry, as well as his journey from a small island home in Bahrain to New York City. Kyle and Hussain also discuss the importance of curiosity, innovation, and failure, and how they can lead to success in product design. The duo shares insights on the necessity of experimentation, iteration, and brainstorming without constraints in the industry. With thoughtful discussions on biomimicry, diversity, and first principles, this podcast is a must-listen for anyone pursuing product design. Join Kyle Evans and Hussain Almossawi and be inspired to ignite your own creativity and change the world. Don't forget to follow the podcast and their social media accounts for more exciting product conversations.Hussain Almossawi:Hussain Almossawi is a Product Designer, VFX Artist, and bestselling author based in Brooklyn, New York. He has worked on a wide range of products across different industries worldwide, including footwear, automotive, and tech. A significant part of his work has been consulting with companies such as Apple, Nike, Adidas, Google, Ford Motors, and other world-known brands.Links from the Show:LinkedIn: https://mossawistudios.com/hussainalmossawiInstagram: https://www.instagram.com/mossawi_Site: https://mossawistudios.com/The Innovator's Handbook: https://www.theinnovatorshandbook.com/From Our Partners:Future London Academy's MBA for Design Leaders: bit.ly/chiefdesignerMore by Kyle:Follow Product by Design and Kyle on TwitterFollow Product by Design and Kyle on TikTokSign up for Kyle's Product Thinking Newsletter for more updates.Kyle's writing on MediumProduct by Design on MediumLike our podcast, consider Buying Us a Coffee or supporting us on Patreon[00:00:12] Interview with Product Designer Hussein Elmosawi[00:03:40] A Designer's Path to Success[00:06:51] Self-publishing and Creative Freedom[00:09:46] Enhancing Innovation and Creativity[00:13:03] Laser-focusing and curiosity in innovation[00:16:22] Curiosity & Cultural Understanding[00:19:15] Design Leadership & First Principles Innovation[00:22:43] Innovative Product Creation with First Principles[00:25:56] Importance of Supportive Team in Sportswear Design[00:28:59] Embracing Failure for Growth in Product Development[00:32:18] Overcoming Failure in Innovation[00:35:22] The Value of Failure in Learning[00:38:30] Iterative Product Development for Footwear[00:41:40] Unconstrained Innovation in Footwear Design[00:44:55] Importance of Diversity in Creativity and Design[00:48:40] Biomimicry in design practice[00:52:01] Importance of Personal Story in Professional Life[00:55:19] Book review and podcast promotion

Naquela frequência que você já conhece, estamos de volta com mais um episódio do Podcast Mais Limpinho da Internet, o V-Ray Master Talk! Neste episódio 62 a gente falou com a Pamella Pesareli, direto de Barcelona! A Pamella  começou na área como artista generalista 3D, quando criou seu projeto pessoal de animação Ovelina, e com o passar dos anos mudou para Gerente de Produção e Projetos de VFX e animação. Hoje ela mora e trabalha em Barcelona na ReDefine/Dneg como VFX Production Coordinator, em transição para VFX Production Manager (oficialmente em breve!). Ela também passou pela Tribbo Post e pela  ScanlineVFX, onde trabalhou em grandes projetos como Star Wars Andor, uma série da Disney +, e o filme Meg 2: The Trench, que será lançado ainda esse ano. Como sempre, não esqueça de dar aquela moral pra gente dando seu like e assinando o canal pra não perder nenhum vídeo do V-Ray Masters (afinal, a gente nunca sabe quando o próximo vai sair, né?).

The intense drama and riveting action in the newest primetime CBS hit series FIRE COUNTRY is accompanied by spectacular firestorms: The work of visual effects leaders CBS VFX which was selected by producers to create the namesake infernos and deliver other critical visual effects for the most watched new network series of the season. Led by VFX Supervisor Colin Strause, whose career includes such big-screen blockbusters as RAMPAGE, SAN ANDREAS and THE AVENGERS, CBS VFX brings together a visual effects crew of more than 100 people to deliver as many as 135 effects shots in every episode of the series from Jerry Bruckheimer Productions and CBS Studios. To make fire into a palpable antagonist in the series and to showcase the many different and terrifying forms that fire can take, the work from CBS VFX incorporates multiple elements, sometimes including actual pyrotechnics that were filmed on set in highly controlled circumstances. Although the series is set in Northern California, it is shot in British Columbia where extremely dry conditions mostly prevent the large-scale use of physical fire. FIRE COUNTRY is the largest in an impressive range of recent projects for CBS VFX, which have also included the acclaimed series ONE PERFECT SHOT for HBO Max and ARRAY Filmworks; and innovative virtual production solution to COVID-relateds challenges for THE DREW BARRYMORE SHOW; and special productions for the 2021 MTV Movie Awards and NCAA Final Four.  CBS VFX has developed groundbreaking technology and created visual effects for multiple series across many networks, including Apple TV's ROAR, THE OFFER for Paramount +, THIS IS US on NBC, Netflix's DEAD TO ME, and BIG SHOT on Disney +. Brothers Colin and Greg Strause have charted a meteoric rise from self-taught artists working on local cable commercials in the suburbs of Chicago, to renowned visual effects gurus. Their careers began on the original run of THE X-FILES television show before working their way onto early CG-driven features, THE NUTTY PROFESSOR, VOLCANO, and the iceberg sequence of James Cameron's TITANIC. Founding their own VFX house, Hydraulx in 2002, the brothers have worked on visionary sequences for over ninety feature films including AVATAR, THE AVENGERS, SKYFALL, 300, CAPTAIN AMERICA, 2012, IRON MAN 2, BATTLE: LOS ANGELES and THE DAY AFTER TOMORROW. Their work on the latter brought Greg a BAFTA for Best Achievement in Special Visual Effects. In this Podcast, Allan McKay interviews the VFX Supervisor, Director and Producer Colin Strause about his start in VFX – from launching his own company Hydraulx to directing feature films – his learning on the job and working on the challenging fire sequences on FIRE COUNTRY on CBS. For more show notes, visit www.allanmckay.com/401.

This week's episode feels fantastic to host Shay Huang, an experienced day trader who will share her story of achieving F.I.R.E. by utilizing day trading. Join us to understand its complexities, advantages, downsides, and to determine if it's a sustainable income-generating model. You'll learn something different today, so dive in!Key takeaways to listen for2 things to help you become a profitable day traderA way to recover from day trading lossesUltimate tips to thrive in day tradingDay trading strategies and how to use themWhat it takes to build a successful YouTube channelThe amount of time you should spend in day trading Resources mentioned in this episodeCathie WoodAbout Shay HuangPrior to day trading full-time for a living, Shay worked in the labor-intensive film and VFX industry. While the compensation wasn't bad, the hours were long and draining on both the mind and body.Just like most beginner traders, Shay encountered many failures and a lot of days where she felt like giving up. Once, Shay bashed her computer and cried in tears when she lost over $20,000 following chat room alerts from various “trading gurus”.It was only after Shay started prioritizing risk over reward, and paired regiment with a set of high-probability trading strategies, that she finally found real consistency in her day trading profits.After eight years of grinding in the markets, Shay now trades full-time from home, and spends her free time doing the things she loves. You can catch her snowboarding in the winter, and hiking and kayaking in the summer.Shay also makes entertaining and educational YouTube videos to share her journey, her lessons, and build up her comedy reel for her Saturday Night Live audition… maybe someday.Connect with ShayWebsite: Humbled TraderYoutube: Humbled TraderPodcast: Humbled Trader | Apple PodcastTo sign up for our monthly newsletter, visit our website at www.hiefire.com and connect with us through the social media accounts below!Facebook Page: High Income Earners FIREFacebook Group: High Income Earners F.I.R.E.Instagram: @hie_fireSponsorsBonavest CapitalTo learn more about building passive income through real estate syndications, visit www.bonavestcapital.com.Say YEH Stock OptionsLooking for ways to generate consistent cash flow and accelerate your journey to financial freedom? Visit www.codyyeh.com for more information!

This week, we dive into the revolutionary advances in artificial intelligence that are transforming the film industry from the ground up. From the looks of things, these innovative tools are designed to improve workflow and enhance creativity, rather than replace the talented people who bring stories to life on screen. But will that hold true for long?We discuss Joe Russo's bold predictions about AI-generated movies and the fascinating concept of personalized films, as well as the groundbreaking facial replacement technology being developed by companies like Deep Blue. Discover how AI is enabling filmmakers to achieve stunning visual effects with greater precision and efficiency.We also address the concerns surrounding the ethical use of AI in film, such as protecting actors from unauthorized use of their likeness, and explore the potential opportunities for actors and filmmakers that this technology could unlock.Support the showLet's get into it!Follow us!Email us: TheCatchupCast@Gmail.com

Today on #BTLRadioShow it's a day celebrating some talented and very happy and fun filmmakers and their latest films; ANDY FICKMAN talking ONE TRUE LOVES and GARO SETIAN & ANAHIT SETIAN talking SPACE WARS: QUEST FOR THE DEEPSTAR. Each of the filmmakers you'll hear from in my prerecorded exclusive interviews are brimming with joy and happiness as they talk about their respective films and their craft. And another commonality among them is their attention to detail in the making of their films. First up, take a listen to the oh-so-talented and oh-so-fun ANDY FICKMAN talking about his new film ONE TRUE LOVES. Starring Simu Liu, Luke Bracey, and Phillipa Soo, ONE TRUE LOVES is a tale filled with love, heartache, and happiness that is sweet, sentimental, and poignant as Emma (Soo) marries the love of her life Jesse (Bracey) only to lose him to a tragic accident a year later. But as time passes, she reconnects with her childhood best friend Sam (Liu) and falls deeply in love with him. But as Emma readies for a future with Sam, Jesse suddenly appears. How do you choose between the two loves of your life? And that's the journey that Andy takes us on and discusses in this interview with each aspect of the directorial process. Then get ready, as we blast off with director/co-writer/editor GARO SETIAN and producer/actor ANAHIT SETIAN and go deep into the making of SPACE WARS: QUEST FOR THE DEEPSTAR. A fun fun film that pays homage to the best parts of sci-fi fantasy films, SPACE WARS is the story of father-daughter space cowboys Kip and Taylor Corman as they travel the galaxies on an elusive search for something very precious. Along for the ride is a fellow space traveler named Jackie. As comes as no surprise there are bad guys in pursuit, an over-the-top very pissed-off female ship captain named Elnora, and plenty of creatures, aliens, space battles, and more! Starring Michael Pare, Sarah French, Olivier Gruner, Tyler Gallant, Jed Rowen, Sadie Katz, and ANAHIT SETIAN (who steals the film with heart and humor), Garo celebrates practical effects and buttresses that VFX and creature creations while always keeping his eye on character and story. http://eliasentertainmentnetwork.com

Season 2, episode 15 is here. Dominic, Connor, Erica, and Mark have a wonderful conversation with 5 time Emmy Award Winning visual effects maestro Ronald B Moore, VFX steward of Star Trek TNG, TNG films, VOY, and ENT (not to mention Ghostbusters and more).We discuss Ronald's entry into VFX, breaking into "the business" and long hours. How he helped to push the Television Academy to recognize VFX as its own awards category, just how hilarious his first Emmy loss was and making infamous Planet Dog Poo. Wash is looking great, has been outside enjoying the LA rain. Erica gets some fan questions in, a round of Star Trek Trivia, and we subject Ron to being Stuck on a Deserted Island with Connor Trinneer.”It's a special one for fans of the sausage factory, 'cause this guy made the ships look good and the transporter swirl... Get cozy with your favorite cocktail or coffee mug, this one's a riot!The full, complete version of this conversation is available to our amazing Patreon Members. If you enjoy this show, please like and subscribe! It's so important and appreciated!We have merch! Check out our website. www.shuttlepodshow.comIf you'd like to contribute more to the sustainability of the show, please consider becoming a Patreon member. You will have access to significant exciting membership perks including extended unabridged episodes, live events priorities, behind the scenes access and much more. We are committed to building an engaging immersive community experience for our Patreon Members while remaining dedicated to our vision of making our interviews freely available to the public on YouTube. Your help makes that happen. Patreon: https://patreon.com/shuttlepodshowFollow us: Insta: @shuttlepodshow Twitter: @shuttlepodshow Facebook: @shuttlepodshow https://www.shuttlepodshow.com

In this episode, our host Koura Linda speaks with a panel of film professionals at various stages of their filmmaking  careers: SCAD 2022 Valedictorian and full-time filmmaker Sarah M. Penn, UCF Screenwriting Bachelor's Program student and Film Production Intern, Joselyn Martinez, full-time VFX artist for major Hollywood motion pictures Alex Heffner, and 2022 Austin Film Festival Winner, Writer Nick Gambino about the pros and cons and pros and cons of film school. All of these filmmakers are on different paths when it comes to formal education's involvement in their careers, and because no two paths are the same, this panel discusses the many, many options available for those looking for a career in film. While the full conversation will be shared exclusively on our Patreon, and portions of the panel will be shared here, during the audience Q&A there were some questions about how to manage what it takes to make it in the film industry, especially when living with various disabilities, but the insights shared can be valuable for anyone. Join us as we explore this important and often overlooked aspect of filmmaking!  Do you have a question for Koura, or any of our other guests? Or just want to say hello? Send an email to filmmakingactually@gmail.com! We'd love to hear from you. And if you want to be part of an interactive community of filmmakers, be sure to check out patreon.com/spacedreamfilms. For as little as $1.99 a month, you can join and stay up-to-date with the latest projects from Koura and the Space Dream team. Plus, you'll be part of the behind-the-scenes action and have the opportunity to connect with other passionate filmmakers. Don't miss this insightful episode and all the exciting content we have in store for you on Filmmaking Actually, so be sure to subscribe and turn on notifications for future episodes!  --- Send in a voice message: https://podcasters.spotify.com/pod/show/filmmaking-actually/message Support this podcast: https://podcasters.spotify.com/pod/show/filmmaking-actually/support

In this week's episode of the AIPT Movies podcast, Alex, Tim, and Matt discuss Jason Eisener's science fiction-horror-adventure-comedy, Kids vs. Aliens! A fantastic cast of young actors! Curse words being wielded like beautiful weapons in a way that would make Shane Black proud! Jason Eisener and Director of Photography Mat Barkley showing the world how to make a visually beautiful movie with a modest budget (nominate it for best cinematography, you cowards)! A movie that's sure to feel nostalgic to anyone who spent their childhood making movies with their friends! All that and more in a fun, unafraid, and surprisingly sweet addition to the “kid adventure” movie genre alongside Goonies and Monster Squad - that often feels like it was directed by a younger, schlockier Steven Spielberg!In addition, Tim and Alex saw and enjoyed Dungeons & Dragons: Honor Among Thieves, and Alex tries to convince everyone to watch the Disney+ documentary series about the iconic FX company ILM, Light & Magic!You can find AIPT Movies on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends!The AIPT Movies podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris, Tim Gardiner, and Matt Paul, the show gives you a peek behind the scenes from three filmmakers with oddly nonexistent filmographies. You can find Alex on Instagram and Twitter @ActionHarris. Matt is a terrific artist that you can find on Instagram @no_wheres_ville. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the AIPT Movies crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter @AIPTmoviesPod.Theme song is “We Got it Goin On” by Cobra Man.

We want some of Chris Browne's energy. This multiskilled VFX supervisor, currently working at Sony Pictures Animation, has helped bring animated series to life, including The Fast and Furious Spy Racers, Kung Fu Panda, and Jurassic World: Camp Cretaceous. At the same time, he's devoted his spare time to his own award-winning short films, beginning with “Gibb” at university, alien sci-fi “Beating the Abductors,” and now “Pleroma,” which examines themes of AI versus humanity.  Chris breaks down what it was like to work on “Pleroma” during the pandemic, talks about shooting in a dangerous particle accelerator facility, and shares how he single-handedly created 200-plus visual effects shots and built robots for the short. He also reveals his big plans for the future of “Pleroma,” as well as discussing what's coming up in the world of animation.  

Os Angry Birds e o Sonic agora são irmãos! A compra da finlandesa Rovio pela japonesa Sega acaba revelando um grande problema das duas empresas: a gestão das suas propriedades intelectuais, também conhecidas como IPs. Paulo Martini e Celbi Pegoraro discutem os detalhes da compra, os desafios e os objetivos dessa nova empreitada a médio e longo prazo. Ouça também: O “Sonic Feio” e os problemas trabalhistas na indústria de VFX: https://bit.ly/3QX5JoV ---

For this episode of the podcast, number 74, I spoke with VFX artist, expert, VFX twitter ambassador and all round good guy Todd Vaziri.Todd began his career right out of college and worked on shows like Charmed and Xena Warrior Princess for Flat Earth productions before moving to among others, Banned from the Ranch before landing at ILM for Attack of the Clones.Since then he's worked on just about every ILM tentpole movie.So here is my conversation with ILM VFX artist Todd Vaziri. I hope you enjoy it.LinksReturn of the Jedi Timeline Book - Register your interest!Filmumentaries Merch!Support the Podcast on PatreonThe Man Who Shot Luke Skywalker

Ash Thorp is a graphic designer, illustrator, artist, and creative director for a multitude of media, including feature films, commercial enterprises, and print. Most recently, Ash worked on the concept for the Batmobile and the Batcycle, for the 2022 film The Batman directed by Matt Reeves.  Previously, Ash has worked on graphics for Ender's Game and Total Recall, as well as contributed to the design concepts for Spectre, Prometheus, X-Men First Class, Call of Duty and others. His first directorial debut started with the assembly of an international team for his Ghost in the Shell tribute, as well as the main title for OFFF Barcelona 2014. In 2015, he was requested to assemble an international team of designers and create the title sequence for FITC Tokyo. Later that year, Ash co-directed “Ares — Our Greatest Adventure”, a promotional trailer for the feature film The Martian. Allan McKay is an Emmy Award winning VFX Supervisor and Technical Director. He is responsible for many visual effects sequences including on hit titles like God of War: Ragnarok, Avengers: Endgame, Game of Thrones, Marvel's Runaways, Bloodshot, Transformers, Blade, The Last Airbender, Star Trek, Superman, Flight, The Equalizer, and dozens of others; as well as many of the top video games worldwide: Halo, Destiny, Call of Duty, Bioshock, Prototype, Half-Life, and Team Fortress 2.  Allan has over two decades of experience working in the visual effects industry for many leading studios such as ILM, Pixomondo, Blur Studio, Sony, Paramount Picture, Atomic Fiction, Prime Focus, Ubisoft, Activision and dozens of others. In addition to his VFX work, Allan runs many online courses, as well as a mentorship. Throughout the past two decades, he has appeared as a speaker at events in over 15 different cities including Paris, Sydney, Los Angeles, New York, Vancouver, Singapore, Helsinki. He has taught master classes at SIGGRAPH and IAMAG, and has spoken at events with Nvidia Google. His hit Podcast is rated in the top 200 podcasts on iTunes where he interviews many award winning VFX Artists, Supervisors and Film Directors, focusing on both creativity and drive, as well as on how to boost your career and achieve success as a creative. In this Podcast Ash Thorp interviews Allan McKay about his outlook on failure and how to move past it, AI and other technological disruptions, following one's calling, as well as the importance of gratitude and always moving forward. For more show notes, visit www.allanmckay.com/400.

THE MOVIE CRYPT's special roundtable series continues as hosts Adam Green and Joe Lynch sit down with filmmakers David Slade (HARD CANDY, 30 DAYS OF NIGHT, TWILIGHT: ECLIPSE) and SpookyDan Walker (SLAY BELLES, VFX artist on STAR TREK BEYOND, CELL, SLITHER) to discuss the controversy over artificial intelligence and why so many artists and tech leaders fear that the rapidly developing A.I. technology may pose an existential threat not only to the craft of storytelling… but to humanity itself! What are the pros and cons of this incredible new technology? What exactly is diffusion modeling and how does it work? Was A.I. developed and released into the hands of the general public too quickly? Should A.I. be more strictly regulated? What does A.I. mean for the future careers of filmmakers? How long until programs like ChatGBT allow studio executives and producers to stop having to rely on actual writers to generate screenplays that will be commercially appealing to an audience that's already numb from an abundance of “content?” If A.I. is creating new art from existing art then where does the original artist factor into the equation when it comes to credit and potential financial gains? What are the dangers of releasing such advanced technology into a world that is already torn apart by social media, “fake news,” and large factions of society that only believe their own eyes and ears if they like what they are seeing or hearing? Are we entering a new age of artistic enlightenment… or hurdling towards our own creative demise? As with all of our roundtable specials, we hope that you will continue this fascinating, frightening, and extremely complicated conversation with your own friends, family, and co-workers long after the episode is over.

With John Wick: Chapter 4, the sleeper franchise reaches a violent crescendo, peppering the rogue assassin's globe-trotting bone-crunching fights with jaw-dropping plot twists. This week, the film's Production VFX Supervisor Janelle Croshaw Ralla, and Prep and On-Set VFX Supervisor Johnathan Rothbart join Chris for a spoiler-free discussion of the movie. Janelle and Jonathan talk about working with director Chad Stahelski, who takes a meticulous, frame-by-frame approach to filmmaking and prefers to work in camera and on location over bluescreen or virtual production sets. They reveal the feats of stamina and endurance performed by star Keanu Reeves, share how to hit someone with a car or set them on fire without hurting him, and discuss the creative decisions behind the film's incredible 1,500 invisible VFX shots.  

This episode's f'ed up audio was fixed and therefore salvaged thanks an AI audio tool, so thank you AI for allowing me to publish this episode with my FPV and VFX friend James! Despite some small parts that are not completely fixed by AI, I think you will enjoy this episode about many topics including the birth of FPV communities in South Australia several years ago, ideas on how to integrate VFX into FPV footage, the application to EVTOL races and more diverse topics. Tune in today for an unarchived and very interesting talk between James and myself!

The Flash movie gets new footage that will lead to a new trailer in couple weeks, and fans are debating on how good the VFX are looking. Also be going over the Zack Snyder interview with the Russo Bros., where he talked about his Justice League movie. SHOW TIMELINE: 0:00 - Opening 3:08 - Intro 10:40 - Da Tweets! 48:56 - The lash Movie Footage and VFX Discourse 1:02:24 - Zack Snyder Interview with the Russo Brothers 1:17:50 - Jonathan Majors is Screwed 1:23:05 - The Writer's Strike 1:27:15 - Questions

William Faucher is a 3D Artist, Unreal Engine Educator, CG Spectrum Mentor and a successful YouTuber. He is a deaf 3D Generalist who's been working in the entertainment industry for the past 14 years. Some of his titles include VFX / CGI shots in Marvel's Black Panther and HBO's Watchmen.  He created his YouTube Channel over 2 years ago and it currently has over 165K subscribers.  In this Podcast, 3D Artist, YouTuber and Unreal Engine Educator William Faucher talks about his journey of in VFX and Unreal, as well as gives advice to artists about the importance of being a generalist, learning new skills, embracing one's soft skills, and knowing how to take criticism. For more show notes, visit www.allanmckay.com/399.

Over the course of his career, Sean Looper has gone from humble beginnings as an architectural draftsman to chief technology officer at VFX studio Crafty Apes. Along the way, the pipelines he's built have provided seamless effects for movies including Zathura: A Space Adventure, Guardians of the Galaxy, and Edge of Tomorrow. In this podcast, Sean talks about his career and reveals a natural inclination toward the technical nuts and bolts that help a VFX pipeline run smoothly. He shares some of the important lessons he's learned from being in the industry and gives his thoughts on how machine learning, cloud, and gaming technology will reshape the way movies are made.  

Our very Special Guest is Eric Durst, Award-Winning VFX Supervisor for Part III of “The Eric Durst VFX Series” We are talking about visual effects technology, Open AI, ChattGPT, Because Visual Effects Is about the creation of images that can't be photographed (or seen in real life with our eyes), the field has obviously started to incorporate the tools and technology from AI to build images, both still and moving. Eric met with Deep Voodoo Studios on Wednesday, the Deep Fake technology from Trey Parker and Matt Stone's South Park Studios, who are integrating amazing Deep Fakes in their work, which is expanding very quickly… well past the videos below… so hopefully I'll be able to incorporate some of their most recent developments in our conversation. Eric Durst and his exceptionally talented VFX team won the 2023 Visual Effects Society Awards for OUTSTANDING SUPPORTING VISUAL EFFECTS IN A PHOTOREAL EPISODE - FIVE DAYS AT MEMORIAL: DAY TWO Apple TV+ “5 Days at Memorial”, a limited series on Apple TV+ EricDurst.com Be sure to go back and listen to The Jeremiah Show podcast/watch on YouTube: SN10|Ep548 - Eric Durst PI | VFX Supervisor | Apple TV+ “5 Days at Memorial” SN1o|Ep549 - The Eric Durst VFX Series - Part II - Batman Forever - Gotham City

This week, Chris takes a trip to Pandora to delve into the design of Avatar: The Way of Water, James Cameron's latest jaw-dropping cinematic epic. His guide is Ben Procter, the super-talented production designer who specializes in creating vehicles and environments for Avatar antagonists the RDA — to the extent that he thinks of himself as the “bad guy” of the art department. Ben goes into a fascinating deep-dive into the design and construction of the S-76 SeaDragon, the formidable whaling ship that becomes the setting for the film's final act. Ben talks about how the design process works between the writers, other artists, VFX studios, and James Cameron himself. Ben also gives his thoughts on artificial intelligence and how it's going to change a generation.  

It's Friday, April 7th and Easter week has kicked off with a bang! Join us for the latest edition of The Radcast as we explore all the newest trends in business & marketing. Our hosts Ryan and Christina are ready to bring you insight from Social House--home to some Badass thinkers who are fun and know businesses like no other. With insider knowledge galore, there are plenty of tantalizing tidbits that can help your company reach its goals faster than ever before...so don't miss out on this radness - tune IN now and have a Good Friday!Key notes from the episode:Small talkEaster weekend and The Masters (01:38)Dunkin' staff mistake Affleck for Damon in second spot starring ‘Air' director (05:10)https://www.marketingdive.com/news/dunkin-Ben-Affleck-Matt-Damon-Air-film-super-bowl-ad/646770/RadnewsLast week: Dr. Amy Shah (07:11)Next week: Michael Hobby (08:10)Sponsor (09:36)Good Ranchers3 Reasons To Subscribe To Good RanchersGet $240 of Free Bacon in your first yearPound and a half of bacon in every box Lock in your price and avoid meat inflationEvery subscription gets our price-lock guarantee Enjoy the highest quality meat in America Bonus #4 -  Code RADCAST gives you a bonus $30 off first orderMake mealtime simple and flavorful with these 3 easy steps:First, choose from our top-notch selection of pasture-raised meat and fresh wild-caught seafood - pick your boxes!Then decide how often you want those goodies delivered right to your door with no extra charge for shipping.Lastly, lock in the price so you don't have any unexpected expenses on that next grocery list. Get ready to elevate every meal without breaking the bank.www.goodranchers.com Social Media NewsSnapchat adds new safeguards around its AI chatbot (12:24)https://techcrunch.com/2023/04/05/snapchat-adds-new-safeguards-around-its-ai-chatbot/?guccounter=1&guce_referrer=aHR0cHM6Ly90ZWNoY3J1bmNoLmNvbS8_Z3VjY291bnRlcj0x&guce_referrer_sig=AQAAAI06s8SD9eFQ_UDUhdIsxH_hE6g7m5fuvfHCTBHAaTzXq2kIh6BHnQuIpoBpSyFNjACkcG_4QlQ5KiZiDub2MhEImaQnQeha6ilCgrocc65nQF3I8n_pTKyDqUfUNsW08HrBttn4uJhVkX20Z8qpBdLtkN4tYRg8xJ0gghJ-8kEZYouTube will livestream all six Coachella stages across both weekends (16:25)https://techcrunch.com/2023/04/03/youtube-will-livestream-all-six-coachella-stages-across-both-weekends/ Marketing NewsCoca-Cola partners with Gigi Hadid on food-centric campaign (18:10)https://www.marketingdive.com/news/coca-cola-gigi-hadid-recipe-for-magic-cpg-marketing/646740/Clinique heads to music festival with immersive hub (20:14)https://www.marketingdive.com/news/clinique-coachella-gen-z-marketing/646580How Toyota used its GR Corolla to animate an ad without VFX (23:05)https://www.marketingdive.com/news/toyota-gr-corolla-animate-ad-without-vfx/646150/Learn more by visiting our website at www.theradcast.comSubscribe to our YouTube channel https://www.youtube.com/c/RadicalHomeofTheRadcastIf you enjoyed this episode of The Radcast, Like, Share, and leave us a review!

¡Por fin llega una de las películas más esperadas a SU Cine Millonario, Jurassic Park, y llega junto a un invitado de altura, el doble ganador del Oscar y productor de VFX, José María de la puente! ¿Eras fanático de los dinosaurios? ¿Cuál era tu favorito? ¿El hijoputa de Spielberg lo hizo? ¿Apenas 15 minutos de dinosaurios? ¿Infinidad de cagadas? ¿Cuál es tu personaje favorito?

Inspired by scary movies to pursue a career in the film industry, Molly Pabian has worked her way up to head of studio at VFX company Crafty Apes. Along the way, she's worked on over 100 movies and TV shows, including Avatar, Real Steel, Star Trek: Picard, The Last of Us, 1923, John Wick: Chapter 4, and Indiana Jones and the Dial of Destiny. Molly talks about her roles and responsibilities as she's risen up the ranks. She also discusses the differences between working at big and small companies on 2D and 3D shots, how the bidding and budgeting processes work, and the effects of the pandemic and AI on the VFX industry. If you're about to start in VFX, this podcast is an essential primer on its inner workings.  

All leaders need to learn how to lead in the metaverse. Granted - it's an opaque topic that's rapidly evolving. So, we tracked down a world-leading expert, educator, and Zed Run creator - Chris Ebeling. Chris has worked on Hollywood blockbusters such as The Lego Movie's, The Great Gatsby, Gods of Egypt, John Wick, and Happy feet 2. Supplementing his extensive film and VFX background, Chris has successfully creative directed projects in the real-time space, with experience across games as well as virtual and augmented reality projects. Chris's experience in feature film animation joined with his leadership in education and mentoring made him an ideal candidate to build Animal Logic Academy at the University of Technology, Sydney. Chris has since moved on to co-found his own digital creative studio, Virtually Human . Here, the core is to keep people emotionally engaged through immersive digital entertainment powered by web 3.0. Exploring emerging technologies in gaming, data and mixed reality. With a strong focus to constantly innovate by bridging the gap between the real world and the virtual world, where the two become inseparable. I'm joined today by a very special co-host and technology expert - John Weathers. www.imperfectleaders.com

W3 M4D3 4 N3W 8357 Fr13ND! It's time to dig into the 2022 sci-fi horror M3GAN, spearheaded by James Wan! There's a lot of talent behind this meme of a movie, including stand-out child actors, unbelievable stunts, and a special effects department that blew us away. Jaime did the research for this one while Eric did the recap, and we had a blast watching this tiny robot's reign of terror. Content Warnings: parental death, grief and trauma experienced by a kid (portrayed by a very talented child actor), brief body horror, gore, animal death, gaslighting, threat of sexual assault, and child death.  (Listen to the ad break for more details!) Show Notes: M3GAN Screenwriter Akela Cooper Did Not Set Out to Invent a Gay Icon ‘M3GAN' – The Most Interesting Things We Learned from the Blu-rayBuilding M3GAN: How Animatronics, Puppetry, VFX and a Child Actor Created a New Doll Icon That Slays

¡Y cerramos el mes de David y el exitoso experimento de los staff's pick de SU Cine Millonario con un clásico del cine de catástrofes, Twister! ¿Aguantan bien los VFX? ¿Eres del cine de catástrofes? ¿Aventureros suicidas? ¿Tornado de curiosidades? ¿Tóxica y robamaridos? ¿Has sufrido alguna catástrofe natural? ¡Nos acompaña el GRAN Diego Velasquez, experto en VFX's y amante de las vacas voladoras!

Important Looking Pirates (ILP) is a visual effects and digital animation studio located in central Stockholm founded in 2007 by Niklas Jacobson, Yafei Wu, Carl Hermelin and Eric Hermelin. The studio has more than 200 artists and have worked on big titles like Jurassic World: Fallen Kingdom, Star Wars: The Rise of Skywalker; and series like Westworld, The Mandalorian, Stranger Things, Lost in Space. ILP was nominated for a number of Emmys for their work on Stranger Things and Lost in Space. In this Episode, Co-Founder of Important Looking Pirates Niklas Jacobson talks about the origins of ILP (and its title), their work on Star Wars, Lost in Space and Stranger Things; as well as gives advice on how to stand out as an artist or a company, mindset of a studio owner, and the most important asset of a VFX studio. For more show notes, visit www.allanmckay.com/396.

Time Stamps News: 4:11 Shazam Review and Discussion: 31:20 Diablo 4 Review: 50:20 Resident Evil Review: 57:26 Hey all! Welcome to this episode of Geek Freaks! In this episode, we start off by discussing our favorite board games and tabletop RPGs. We asked our listeners on Twitter about their favorites, and now we share ours. In our Quickies segment, we cover a range of topics from new video game adaptations, upcoming episodes of The Skelton Crew, and the official announcement of the Ghostbusters sequel. We also talk about the penning of Netflix's "Gears of War" adaptation and Valve's confirmation of Counter-Strike 2 arriving in summer 2023. Plus, we share exciting news about The Mandalorian season 3 bringing back Ahmed Best as Kelleran Beq, and Apple investing $1 billion a year in releasing movies in theaters. We move on to our Reviews section, where Kyle shares his thoughts on RE Remake and Diablo 4. In our News section, we discuss the announcement of the Unreal Editor in Fortnite, which unlocks new potential for players. We also talk about the recent firing of Marvel President Victoria Alonso and how it might impact Marvel's VFX and animation, and the underperformance of Shazam! Fury of the Gods. Finally, we end the episode with our Recommendations and Network News. Tune in to find out what we've been enjoying lately! -------------------- *Check Out All Our Podcasts!* Geek Freaks Podcast: https://linktr.ee/GeekFreaks Disney Moms Gone Wrong: https://linktr.ee/disneymomsgonewrong Challenge Accepted: https://linktr.ee/challengeacceptedgf Headlines: https://tinyurl.com/2p8bvu6d Level Up!: https://linktr.ee/PushingButtonsPodcast TrekFreaks: https://linktr.ee/TrekFreaks Geek Freaks Interviews: https://linktr.ee/GeekFreaksInterviews Outlast Podcast: https://linktr.ee/OutlastPodcast Round Three: https://linktr.ee/RoundThree From The Pages: https://www.patreon.com/GeekFreakspodcast -------------------- *Hang Out With Us!* Discord: https://discord.gg/6Jrvyb2 Twitter: twitter.com/geekfreakspod Facebook: facebook.com/groups/227307812330853/ Instagram: instagram.com/geekfreakspodcast E-mail: thegeekfreakspodcast@gmail.com Twitch: twitch.tv/geekfreakspodcast Site: geekfreakspodcast.com --------------------- *Support Us!* Patreon: https://patreon.com/GeekFreakspodcast Store: redbubble.com/people/GeekFreaks Frank's Recommendation: https://amzn.to/40ijIdg

So for this episode I spoke with Van Ling. A name you may recognise. Perhaps for his work on laserdisc, DVD and blu ray, perhaps for his collaborations with James Cameron on The Abyss and Terminator 2 (you'll love the story of how he got started with Cameron), or maybe for his time working on VFX at Banned From The Ranch Entertainment on films like Dante's Peak or The Relic. Either way you'll find his eclectic career fascinating.I spoke with Van just before our trip to LA. We were hoping to meet up for lunch while we were out there but the schedule was too tight. Maybe next time Van.So here is my interview with Van Ling, disc creator, VFX supervisor, director…LinksFilmumentaries Merch!Support the Podcast on Patreon

On this issue of The Comic Section we give our condolences to actor Lance Reddick. Jurassic Park star Sam Neil reveals he has stage 3 cancer. Zack Snyder announces SnyderCon a three-day event screening of his DC films Man of Steel, Batman v Superman: Dawn of Justice, and Zack Snyder's Justice League. Zachary Levi is speaking out about some of the recent headlines regarding Shazam! Fury of the Gods. Victoria Alonso, the longtime Marvel president in charge of physical production, post-production, VFX, and animation, was fired from Marvel. There's a God of War-Inspired TMNT: The Last Ronin video game in the works. We preview Mighty Morphin Power Rangers: Once & Always. And Rigel and Jason give their reviews for Creed 3. And Rigel also gives his review of Static Shock the television show. Tune in!

Almost every major recent and upcoming film and TV series has had THE THIRD FLOOR involved in the visualization stage — and beyond. Recent productions include Avatar: The Way of Water, Ant-Man and the Wasp: Quantumania, and The Mandalorian season 3. This week, Co-founder and CEO of THE THIRD FLOOR, Chris Edwards, reflects on his 20-plus years of experience in the VFX industry. He also discusses how crucial visualization has become in the movie-making process and reveals how his colleagues Casey Schatz and Ryan Champney developed the Eyeline system, which enabled Avatar actors to convincingly interact with one another even if their performances were separated by time and space. This episode is an unprecedented insight into what goes on behind the scenes of movies — and you'll even learn how THE THIRD FLOOR got its name.

Victoria Alonso's shock departure as VFX head of Marvel Studios has left us with many questions! Get 20% off your custom lawn care plan at https://getsunday.com/Marvel Thank you Helix for sponsoring! Visit https://helixsleep.com/InsideMarvel to get 20% off your Helix mattress, plus two free pillows. Offers subject to change. #helixsleep Alonso was one of many higher ups leading the VFX's upsides and downsides over at Marvel Studios. So what does this mean for future Marvel projects? For the VFX at Marvel Studios? Will we get crazier VFX?! Is this part of Bob Iger's restructuring of Disney?! MT, Jess, and Erik Voss get into all the behind the scenes madness at Marvel and what this mean for VFX overall! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Matt and Eric let loose their electric knives on 2013's EVIL DEAD remake/reboot and its particularly awesome blend of gross-out elevated horror. Plus, Shazam! Fury of the Gods falls flat at the B.O., Marvel Studios loses its president of VFX, and more!

Little Farm is Erwin Fraterman‘s editorial boutique in Los Angeles, where he and his team can do everything under one barn roof. He and I, along with Thom Reimerink, just did a successful mad dash for RAM Trucks and Razorfish Pubicis to deliver a fully cut, mixed and colored film, with VFX no less, in a mere […]

Philipp Wolf has always had a passion for storytelling. He began his career in journalism, then helped shape stories for the reality TV show Big Brother before moving into visual effects production on movies and TV series, including Game of Thrones, Ghost in the Shell, and The Predator. Today, Philipp works at DNEG in Montreal, where his credits include Dune, Glass Onion: A Knives Out Mystery, Altered Carbon, and The Battle at Lake Changjin. As well as discussing his incredible career, Philipp details his role in the RealTime Society and how he's helping the industry tap into more diverse pools of talent. He also talks about the effects of the pandemic on the industry, and he offers some interesting thoughts on virtual production, AI, and what's needed to take the metaverse to the next level.