1979 Australian dystopian action film directed by George Miller
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We get to finally do some more exclusive interviews: the guest that night is event planner and celeb Belinda Gavin! TALKING POINTS: *She talks about many famous pals who helped her out with different careers including Hunter S. Thompson as well as encountering drunk celebs like Charlie Sheen! *She talks about her father who was part of the MAD MAX stunt team. *Listeners might recognize some of these now-defunct L.A. based bars and talent agencies. *And she reveals how she got to be a dancer in several hit '90s music videos!
As Hawkins gears up for Halloween, tensions rise in Stranger Things: Season 2, Episode 2. A mysterious new high score at the arcade rattles the kids, introducing a rival who may not be what he seems. Meanwhile, Hopper grows increasingly uneasy as he investigates a field of rotting pumpkins, uncovering signs that something is very wrong beneath the surface of town.In this episode, paranoia creeps in, the Upside Down's influence spreads, and the calm before the storm starts to crack. Let's break down the clues, character moments, and ominous hints that set the tone for the season ahead.#StrangerThings #StrangerThings2 #Netflix #Hawkins #UpsideDown #80sVibes #EpisodeReview #TVReview #SeriesBreakdown #TVAnalysis #PopCulture#NerdCulture #GeekCulture #BingeWatching #StreamingNow
Braga, King, and Ski talk The Rover, a movie about a guy trying to recover his stolen car in the dystopian Australian outback. Robert Pattinson shines in a movie called a grittier version of Mad Max. It's weird and it's dark. Is it any good? Listen!
The boys thought the San Francisco Super Bowl was so boring, we checked ourselves into Alcatraz! The random year generator spun 1979, a year we've visited in the past (Apocalypse Now Director's Cut, The Warriors, 1941, Mad Max), and “Escape From Alcatraz” was the perfect movie for this frigid February weekend. After John gave us a mini-review of “Send Help”, we grabbed some beers and discussed! linktr.ee/theloveofcinema - Check out our YouTube page! Our phone number is 646-484-9298. It accepts texts or voice messages. 0:00 Intro; 06:04 “Send Help” mini-review; 12:28 1979 Year in Review; 30:19 Films of 1979: “Escape From Alcatraz”; 1:04:24 What You Been Watching?; 1:08:15 Next Week's Episode Teaser Additional Cast/Crew: Clint Eastwood, Don Siegel, Patrick McGoohan, Roberts Blossom, J. Campbell Bruce, Richard Tuggle, Sam Raimi, Rachel McAdams, Dylan O'Brien, Fred Ward, Paul Benjamin, Larry Hankin. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Fallout, Star Trek: Starfleet Academy, They Live, John Carpenter, The Muppet Series, Bedknobs and Broomsticks, The Pitt. Additional Tags: Golden Gate Bridge, Old Man Marley, Home Alone, Shawshenk Redemption, Gordon Ramsay, Thelma Schoonmaker, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.
Writer/director Óliver Laxe (SIRAT) chops it up with hosts Josh Olson and Joe Dante to discuss the movies that made him! Show Notes: Movies Referenced In This Episode Sirat (2026) Wages of Fear (1953) Andrei Rublev (1966) Nostalghia (1983) The Mirror (1975) Ordet (1955) Au Hazard Balthazar (1966) Blue Velvet (1986) Sorcerer (1977) Mad Max (1979) Two-Lane Blacktop (1971) Apocalypse Now (1979) Easy Rider (1969) Zabriskie Point (1970) Vanishing Point (1971) Paris, Texas (1984) Freaks (1931) Dersu Uzala (1975) Pan's Labyrinth (2006) Dirty Pretty Things (2001) The Naked Island (1960) The Flavor of Green Tea Over Rice (1952) Late Spring (1949) The Card Counter (2021) The Four Seasons (1975) Close-Up (1990) Where is the Friend's House? (1987) Ten (2002) Five Dedicated to Ozu (2003) Through the Olive Trees (1994) Other Notable Items Our Patreon! The Hollywood Food Coalition Chuck Berry The Beatles Carl Theodor Dreyer Notes on the Cinematographer book by Robert Bresson (1975) Sculpting in Time book by Andrei Tarkovsky (1985) John Cassavettes Béla Tar David Lynch The Criterion Collection Dennis Hopper Monte Hellman Ry Cooder Akira Kurosawa Sergi López Kaneto Shindo Yasujirō Ozu Paul Schrader Oscar Isaac Transcendental Style in Cinema: Ozu, Bresson, Dryer book by Paul Schrader (2018) Artavazd Peleshyan Abbas Kiarostami Zohran Mamdani Mira Nair Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of The Costume House with Spencer Williams, the doors open wide for a true legend of costume design—Jenny Beavan.The conversation begins with The Choral, Jenny's latest collaboration with director Nicholas Hytner, where she discusses crafting costumes that balance character, history, and emotional precision. But when you sit down with an icon, the conversation doesn't stop there. Spencer and Jenny also reflect on her extraordinary career, revisiting some of her most beloved and influential work including the Mad Max films, Cruella, A Room with a View, Ever After: A Cinderella Story, and more.Thoughtful, funny, and deeply inspiring, this episode is both a masterclass in costume storytelling and a celebration of a designer whose work continues to shape how we see film, character, and style.
Hot or cold works, another bozo move by Bezos, beyond bad performance art, political stupidity, a true dickhead, some thoughts on that bastard Epstein, all hail Raimi, all hail Modine, the long, long trailers, and a truly powerful new movie. Stuff mentioned: Send Help (2026), Red Eye (2005), The Maze Runner (2014), Silent Night, Deadly Night (2025), Hallow Reed (2025), Gone Girl (2014), Perry Mason (2020-2023), Sirât (2025), Mad Max 2: The Road Warrior (1981), and Twentynine Palms (2003).
In this episode of The Costume House with Spencer Williams, the doors open wide for a true legend of costume design—Jenny Beavan.The conversation begins with The Choral, Jenny's latest collaboration with director Nicholas Hytner, where she discusses crafting costumes that balance character, history, and emotional precision. But when you sit down with an icon, the conversation doesn't stop there. Spencer and Jenny also reflect on her extraordinary career, revisiting some of her most beloved and influential work including the Mad Max films, Cruella, A Room with a View, Ever After: A Cinderella Story, and more.Thoughtful, funny, and deeply inspiring, this episode is both a masterclass in costume storytelling and a celebration of a designer whose work continues to shape how we see film, character, and style.
Ryan Sutter of Montpelier Speedway (by The Milkman) is on the preview his season, including chatting about the Great Lakes Super Sprints and Northern Allstars Late Model Dirt Series. Then, Max Stambaugh returns with the MadMax Moment Presented by Williams Sealcoating & Paving, chatting with World of Outlaws Rookie, Kasey Jedrzejek.
On today's episode, we discuss James's latest adventures with his Tesla, including how it handles blind pedestrians, misreads faded stop lines, learns to dodge potholes, and occasionally blasts through a Ruston speed trap at 47 in a 35 while he scrambles to correct it. The “fearsome threesome” compare Tesla's different driving modes (from chill to “Mad Max”), explain how Smart Summon and “ASS mode” (Actually Smart Summon) train the car in private lots, and argue that human drivers make far deadlier mistakes even if the car's errors are more noticeable. The conversation then jumps to AI agents, with Mark describing how a Claude-based agent framework accidentally spawned a million‑agent, AI‑only social network that began forming its own “culture,” raising questions about runaway compute costs and what happens when software mostly talks to itself. From there, they dig into data centers and energy: Meta's massive new facility and land buy near Holly Ridge, talk of moving AI compute to space using solar power, and concern over how much national‑debt‑scale capital big tech and Apple (via its QAI acquisition) are about to pour into advanced models and audio “earables.” On the medical front, they highlight emerging tech like MRI-guided cryo-freezing of tumors, speculative “earable” devices that can monitor vitals and deliver drugs, and overhyped claims about brain stimulation that could allegedly “upload” piano pieces or martial arts skills into your nervous system. The episode closes with Bitcoin: they note its slide from around 126,000 to under 70,000, debate four‑year halving cycles, deflationary pressure from AI, the risks of short selling versus prediction markets, and end with the idea that if listeners dabble in crypto at all, it should be for fun money only—not because of anything they hear on this show. Don't miss it!
Welcome to Collections Conversations, a new four-part podcast miniseries from Fintech Takes, sponsored by our friends at C&R Software. The series digs into how generative AI is reshaping debt collections; what it enables, what it complicates, and why it might finally force the industry to retire the word “collections” altogether. In Episode 2, I sit down with Ed Wallen, CEO of C&R Software. We kick things off with a hard truth about fintech companies that pride themselves on being customer-centric: that promise most often breaks at the exact moment customers need the most empathy and the most options. As Ed puts it, you get the Apple experience of onboarding, where everything is sunshine and rainbows, and then suddenly you get the Mad Max experience in debt collections. Our conversation unpacks why that shift happens. One day early and one day late feel the same to the customer, but on the inside, they trigger an entirely different playbook. If replacing a customer can cost hundreds of dollars, why treat hardship as a liability instead of protecting lifetime value? What if the real choice was between a churn machine and a loyalty engine? This episode is a blueprint for anyone reimagining collections, servicing, and customer trust. Subscribe to catch more about how generative AI might finally make collections more human. This episode is brought to you by C&R Software. More than just debt collection, C&R sets the global standard for AI-native, humanized credit management. They simplify the complex with end-to-end credit-risk lifecycle support, powered by automated workflows, AI-native intelligence, and real-time, data-driven decisioning. Learn more at https://hubs.ly/Q03Wl1DY0. Sign up for Alex's Fintech Takes newsletter for the latest insightful analysis on fintech trends, along with a heaping pile of pop culture references and copious footnotes. Every Monday and Thursday: https://workweek.com/brand/fintech-takes/ And for more exclusive insider content, don't forget to check out my YouTube page. Follow Alex: YouTube: https://www.youtube.com/channel/UCJgfH47QEwbQmkQlz1V9rQA/videos LinkedIn: https://www.linkedin.com/in/alexhjohnson Twitter: https://www.twitter.com/AlexH_Johnson Follow Ed: https://www.linkedin.com/in/edwallen/ Learn more about C&R Software here: https://hubs.ly/Q03Wl1DY0
Film and pop-culture journalist Germain Lussier joins Dave Weekley on Hotline for a wide-ranging conversation that blends sports, sci-fi, and Hollywood oddities. The discussion kicks off with a deep cut from 1989, The Blood of Heroes, a cult sci-fi sports film starring Rutger Hauer that imagines football in a Mad Max–style future — a strange but fascinating Super Bowl-week discovery. From there, Germain breaks down a viral Winter Olympics controversy involving a Spanish figure skater, Minions music, and last-second copyright drama. The segment wraps with a preview of Good Luck, Have Fun, Don't Die, an irreverent new film starring Sam Rockwell, plus fresh reporting on Disney leadership changes and what they could mean for the future of Pirates of the Caribbean.
Hope your lover season is hot and heavy—because if it's not, Johnny Spoiler is breaking down toxic love, lonely men, and Paul Schrader sadness after dark.In this movie reaction episode, we dive into Light Sleeper (1992), Paul Schrader's most personal entry in his unofficial trilogy of men who hate their jobs (Taxi Driver, American Gigolo). Willem Dafoe prowls a damp, neon-soaked New York as a drug dealer facing addiction, aging, and emotional extinction, while Susan Sarandon plays a quiet, hypnotic queenpin who feels more like a memory than a boss. Dana Delany surprises, Sam Rockwell and David Spade pop in, and Schrader turns midlife crisis into mood.Before the main event: Common Toxic Love Traits (2026 Edition)—weaponized therapy-speak, soft-launched relationships, digital surveillance romance, manifesting instead of communicating, and why millennials don't get divorced… they just divide Paramount+ and DVD collections after the free trial ends.Plus:Pluto TV quietly dominating horror month (Friday the 13th, Scream, Children of the Corn overload)Fan service hot takes on Mad Max and Back to the FutureA comedy cooldown with I Love You, ManAnd a closing reminder that the real party moved appsIf you're into movie reactions, toxic romance, '90s crime films, Paul Schrader deep cuts, or watching Willem Dafoe Dafoe around NYC at night—this episode's for you.More toxic love next time. Bye bye. Stream Vampire in Brooklyn on Paramount+ with my Johnny Spoiler affiliate linkhttps://tr.ee/ParamountJohnny
In what can only be described as a new low for the Beat Motel, Andrew and Dr. Sam dive headfirst into a theme so thin you can practically see through it: Water. What starts with Jackie Chan karate-chopping peanut packets somehow devolves into a harrowing discussion about men who refuse to wipe their backsides because it's "too gay," and the pungent aroma of a father's "beefy" morning ritual. Musically, we're forced to endure everything from Janet Jackson's "Moist" (a song that makes everyone's knees feel funny for the wrong reasons) to a Deep Purple video featuring a pilgrim on a Mad Max vehicle. We also touch on why Jimmy Carr is the Nigel Farage of comedy, the baffling rise of J-Pop sensation Ado, and why Weezer's Rivers Cuomo looks like he's constantly checking his watch for an exit strategy. It's damp, it's irreverent, and it's probably best listened to while weeping into a Victoria sponge. ### Riffs of the week #### Dr Sam's Riff - Ado - Kura Kura #### Andrew's Riff - Zatokrev, Bolzer, Schammasch - Red Storm ### Dr Sam's track choices 1. TLC - Waterfalls 2. Aerosmith - Cryin' 3. Janet Jackson - Moist 4. Joan Armatrading - Water with Wine ### Andrew's track choices 1. The Stone Roses - Waterfall 2. Nirvana - Territorial Pissings 3. Deep Purple - Smoke on the water 4. Weezer - Africa Email us - beatmotel@lawsie.com Here's that Deep Purple video: https://youtu.be/Q2FzZSBD5LE?si=7lmp39n-ZpcOQPnn
EP615Michael Decon and co‑host Myke Hideous broadcast a loose, old school Saturday night show riffing on brutal winter weather across the U.S., Mike's life in the frozen sticks, and listener chatroom chaos, while inviting live calls on a new studio number. They dive into media and politics with venom for Don Lemon, joke about “protected classes” and identity labels, and vent about how the culture and laws have been “normalized” under Biden on issues like gender, borders, and speech. The conversation veers into riots, Mad Max style collapse fantasies, gun and fortress prepper talk, and why Americans especially women are obsessed with true crime, serial killers, and violent content in TV and podcasts.
Chris Russell opens the show casually chatting with producers A-MAC and Mad Max before diving into the challenges Capitals fans face trying to watch games amid media rights deals and streaming exclusivity. He then reacts to the Wizards' win on John Wall Night, debating what victories like that mean for draft positioning and the team's rebuild. ESPN's John Buccigross joins to recap the Capitals' overtime win and highlight NHL news and storylines. The conversation shifts to the NFL as Russell analyzes the Vikings' awkward firing of GM Kwesi Adofo-Mensah, including how drafting J.J. McCarthy and moving on from Sam Darnold may have influenced the decision. NBA discussion continues with a reflection on LeBron James potentially playing his final game in Washington, while listeners share the iconic athletes they've yet to see live. The hour closes with league-wide updates, including the NFL's projected $300 million salary cap, the Packers' re-signing of Matt LaFleur and key front office executives, and ongoing fan reactions to the Bill Belichick Hall of Fame snub, blending local team coverage, league analysis, and fan-driven storytelling into a comprehensive sports roundup.
2026-01-28 | UPDATES #115 | Penguin Camo, Toilet Tents, Turtle Tanks — Russia's War of Improvisation. Is this resourcefulness, or a war that at time descends into absurdity reminiscent of Monty Pyton? There's a line from the Ukrainian front this week that sounds like dark comedy — until you remember it's a war zone, and Ukrainians are being injured, maimed, killed and terrorised. On the other hand, Russia cannot help but being absurd, in a dark and brutal way. “We've got penguins walking around here — no more penguin. Shyakaboom.” That's not just an invented meme. That's a Ukrainian brigade captioning drone footage of a Russian soldier in bizarre winter camouflage. (armyinform.com.ua)Today's news flash is about the aesthetics of desperation: the absurd costumes, the “Mad Max” mobility, and the welded-on metal nonsense Russia is throwing at Ukraine's drone-saturated battlefield — because the old rules of concealment and armoured manoeuvre are getting shredded in real time. Let's start with the viral image: a “penguin” waddling across open snow. The sober version is worse — and more revealing.----------SUPPORT THE CHANNEL:https://www.buymeacoffee.com/siliconcurtainhttps://www.patreon.com/siliconcurtain----------SOURCES: Euromaidan Press (Jan 27, 2026) — “A Russian soldier dressed as a penguin was doing a pretty good job avoiding thermal drones” https://euromaidanpress.com/2026/01/27/penguin-camo/ArmyInform (Jan 27, 2026) — “Penguins Walking Around Here” — An Unusual Camouflage Did Not Save an Occupier https://armyinform.com.ua/en/2026/01/27/penguins-walking-around-here-an-unusual-camouflage-did-not-save-an-occupier/Defense Express / Defence-UA (Jan 25, 2026) — Ukrainian drones hunt down Russia's “turtle tanks” (Video) https://en.defence-ua.com/news/ukrainian_drones_hunt_down_russias_turtle_tanks_on_the_front_line_video-17274.htmlUkrinform (Jan 26, 2026) — Unmanned systems forces demonstrate neutralization of Russian “turtle tank” https://www.ukrinform.net/rubric-ato/4084248-unmanned-systems-forces-demonstrate-neutralization-of-russian-turtle-tank.htmlUA.NEWS (Jan 26, 2026) — Air Assault Forces fighters deliver significant damage to Russian equipment - https://ua.news/en/war-vs-rf/biitsi-dshv-zavdali-vidchutnikh-udariv-po-rosiiskii-tekhnitsiMezha (Jan 26, 2026) — Ukrainian 46th Air Assault Brigade Destroys Russian Armor Using Droneshttps://mezha.net/eng/bukvy/ukrainian-46th-air-assault-brigade-destroys-russian-armor-using-drones/amp/Euromaidan Press (Jan 22, 2026) — Russia's tanks can finally shoot through their drone armor. Ukraine noticed. https://euromaidanpress.com/2026/01/22/rotating-anti-drone-armor/United24 Media (Jan 13, 2026) — Russia's Answer to Ukrainian Drones? Soldiers Shelter in Bizarre Vertical Pods - https://united24media.com/latest-news/russias-answer-to-ukrainian-drones-soldiers-shelter-in-bizarre-vertical-pods-14960Reuters Pictures (Jan 9, 2026) — Under the canopy: anti-drone nets covering Ukraine's frontlineshttps://www.reuters.com/pictures/under-canopy-drone-nets-covering-ukraines-frontlines-2026-01-06/JIMR2NBJWBMFDFIXO64EJTCRJY/Ukrainska Pravda (Mar 4, 2024) — Russian troops use Chinese-made golf carts for assaultshttps://www.pravda.com.ua/eng/news/2024/03/04/7444874/----------SILICON CURTAIN LIVE EVENTS - FUNDRAISER CAMPAIGN Events in 2025 - Advocacy for a Ukrainian victory with Silicon Curtainhttps://buymeacoffee.com/siliconcurtain/extrasOur events of the first half of the year in Lviv, Kyiv and Odesa were a huge success. Now we need to maintain this momentum, and change the tide towards a Ukrainian victory. The Silicon Curtain Roadshow is an ambitious campaign to run a minimum of 12 events in 2025, and potentially many more. Any support you can provide for the fundraising campaign would be gratefully appreciated. https://buymeacoffee.com/siliconcurtain/extras----------
Join Christina Warren and Brett Terpstra as they navigate the freezing Minnesotan cold without running water, delve into the intersection of tech and political turmoil, and explore the latest in AI agents and multi-agent workflows. Dive into a whirlwind of emotions, tech tips, and political ranting, all while contemplating the ethics of open source funding and AI coding. From brutal weather updates to philosophical debates on modern fascism, this episode pulls no punches. Sponsor Copilot Money can help you take control of your finances. Get a fresh start with your money for 2026 with 2 months free when you visit try.copilot.money/overtired. Show Links Crimethinc: Being “Peaceful” and “Law-Abiding” Will Not Stop Authoritarianism Gas Town Apex OpenCode Backdrop Cindori Sensei Moltbot Chapters 00:00 Introduction and Host Updates 00:21 Brett’s Water Crisis 02:27 Political Climate and Media Suppression 06:32 Police Violence and Public Response 18:31 Social Media and Surveillance 22:15 Sponsor Break: Copilot Money 26:20 Tech Talk: Gas Town and AI Agents 31:58 Crypto Controversies 37:09 Ethics in Journalism and Personal Dilemmas 39:45 The Future of Open Source and Cryptocurrency 45:03 Apex 1.0? 48:25 Challenges and Innovations in Markdown Processing 01:02:16 AI in Coding and Personal Assistants 01:06:36 GrAPPtitude 01:14:40 Conclusion and Upcoming Plans Join the Conversation Merch Come chat on Discord! Twitter/ovrtrd Instagram/ovrtrd Youtube Get the Newsletter Thanks! You’re downloading today’s show from CacheFly’s network BackBeat Media Podcast Network Check out more episodes at overtiredpod.com and subscribe on Apple Podcasts, Spotify, or your favorite podcast app. Find Brett as @ttscoff, Christina as @film_girl, Jeff as @jsguntzel, and follow Overtired at @ovrtrd on Twitter. Transcript AI Agents and Political Chaos Introduction and Host Updates Christina: [00:00:00] Welcome back. You’re listening to Overtired. I’m Christina Warren. Joined as always by Brett Terpstra. Jeff Severns. Guntzel could not be with us this week, um, but uh, but Brett and I are here. So Brett, how are you? How’s the cold? Brett: The cold. Brett’s Water Crisis Brett: So I’m going on day four without running water. Um, I drove to my parents last night to shower and we’re, we’re driving loads of dishes to friends’ house to wash them. We have big buckets of melted snow in our bathtub that we use to flush the Toyland. Um, and we have like big jugs with a spout on them for drinking water. So we’re surviving, but it is highly inconvenient. Um, and we don’t know yet if it’s a frozen pipe. Or if we have [00:01:00] a bad pump on our, well, uh, hopefully we’ll find that out today. But no guarantees because all the plumbers are very busy right now with negative 30 degree weather. They tend to get a lot of calls, lots of stuff happens. Um, so yeah, but I’m, I’m staying warm. I got a fireplace, I got my heat’s working Christina: I mean, that’s the important thing. Brett: and that went out, that went out twice, in, twice already. This winter, our heat has gone out, um, which I’m thankful. We, we finally, we added glycol to our, so our heat pumps water through, like, it’s not radiators, it’s like baseboard heat, but it, it uses water and. Um, and though we were getting like frozen spots, not burst pipes, just enough that the water wouldn’t go through fast enough to heat anything. So we added glycol to that [00:02:00] system to bring the freeze point down to like zero degrees. So it’s not perfect, but we also hardwired the pump so that it always circulates water, um, even when the heat’s not running. So hopefully it’ll never freeze again. That’s the goal. Um, and if we replace the well pump, that should be good for another 20 years. So hopefully after this things will be smoother. Political Climate and Media Suppression Brett: Um, yeah, but that, that’s all in addition to, you know, my state being occupied by federal agents and even in my small town, we’ve got people being like, abducted. Things are escalating quickly at this point, and a lot of it doesn’t get talked about on mainstream media. Um, but yeah, things, I don’t know, man. I think we’re making progress because, um, apparently Binos [00:03:00] getting retired Christina: I was going to say, I, I, I, I heard, I heard that, and I don’t know if that’s good or if that’s bad. Um, I can’t, I can’t tell. Brett: it’s, it’s like, it’s like if Trump died, we wouldn’t know if that was good or bad because JD Vance as president, like maybe things get way worse. Who knows? Uh, none of these, none of these actual figureheads are the solution. Removing them isn’t the solution to removing the kinda maga philosophy behind it. But yeah, and that’s also Jeff is, you know, highly involved and I, I won’t, I won’t talk about that for him. I hope we can get him monsoon to talk about that. Christina: No, me, me, me too. Because I’ve, I’ve been thinking about, about him and about you and about your whole area, your communities, you know, from several thousand miles away. Like all, all we, all we see is either what people post online, which of course now is being suppressed. [00:04:00] Uh, thanks a lot. You know, like, like the, oh, TikTok was gonna be so terrible. Chi the, the Chinese are gonna take over our, uh, our algorithms. Right? No, Larry Ellison is, is actually going to completely, you know, fuck up the algorithms, um, and, and suppress anything. I, yeah. Yeah. They’re, they’re Brett: is TikTok? Well, ’cause Victor was telling me that, they were seeing videos. Uh, you would see one frame of the video and then it would black out. And it all seemed to be videos that were negative towards the administration and we weren’t sure. Is this a glitch? Is this coincidence? Christina: well, they claim it’s a glitch, but I don’t believe it. Brett: Yeah, it seems, it seems Christina: I, I mean, I mean, I mean, the thing is like, maybe it is, maybe it is a glitch and we’re overreacting. I don’t know. Um, all I know is that they’ve given us absolutely zero reason to trust them, and so I don’t, and so, um, uh, apparently the, the state of California, this is, [00:05:00] so we are recording this on Tuesday morning. Apparently the state of California has said that they are going to look into whether things are being, you know, suppressed or not, and if that’s violating California law, um, because now that, that, that TikTok is, is controlled by an American entity, um, even if it is, you know, owned by like a, you know, uh, evil, uh, billionaire, you know, uh, crony sto fuck you, Larry Ellison. Um, uh, I guess that means we won’t be getting an Oracle sponsorship. Sorry. Um, uh, Brett: take it anyway. Christina: I, I know you wouldn’t, I know you wouldn’t. That’s why I felt safe saying that. Um, but, uh, but even if, if, if that were the case, like I, you know, but apparently like now that it is like a, you know, kind of, you know, state based like US thing, like California could step in and potentially make things difficult for them. I mean, I think that’s probably a lot of bluster on Newsom’s part. I don’t think that he could really, honestly achieve any sort of change if they are doing things to the algorithm. Brett: Yeah. Uh, [00:06:00] if, if laws even matter anymore, it would be something that got tied up in court for a long time Christina: Right. Which effectively wouldn’t matter. Right. And, and then that opens up a lot of other interesting, um, things about like, okay, well, you know, should we, like what, what is the role? Like even for algorithmically determined things of the government to even step in or whatever, right now, obviously does, I think, become like more of a speech issue if it’s government speech that’s being suppressed, but regardless, it, it is just, it’s bad. So I’ve been, I’ve been thinking about you, I’ve been thinking about Jeff. Police Violence and Public Response Christina: Um, you know, we all saw what happened over the weekend and, and, you know, people be, people are being murdered in the streets and I mean that, that, that’s what’s happening. And, Brett: white people no less, Christina: Right. Well, I mean, that’s the thing, right? Like, is that like, but, but, but they keep moving the bar. They, they keep moving the goalpost, right? So first it’s a white woman and, oh, she, she was, she was running over. The, the officer [00:07:00] or the ice guy, and it’s like, no, she wasn’t, but, but, but that, that’s immediately where they go and, and she’s, you know, radical whatever and, and, and a terrorist and this and that. Okay. Then you have a literal veterans affair nurse, right? Like somebody who literally, like, you know, has, has worked with, with, with combat veterans and has done those things. Who, um, is stepping in to help someone who’s being pepper sprayed, you know, is, is just observing. And because he happens to have, um, a, a, a, a gun on him legally, which he’s allowed to do, um, they immediately used that as cover to execute him. But if he hadn’t had the gun, they would’ve, they would’ve come up with something else. Oh, we thought he had a gun, and they, you know what I mean? So like, they, they got lucky with that one because they removed the method, the, the, the weapon and then shot him 10 times. You know, they literally executed him in the street. But if he hadn’t had a gun, they still would’ve executed. Brett: Yeah, no, for sure. Um, it’s really frustrating that [00:08:00] they took the gun away. So he was disarmed and, and immobilized and then they shot him. Um, like so that’s just a straight up execution. And then to bring, like, to say that it, he, because he had a gun, he was dangerous, is such a, an affront to America has spent so long fighting against gun control and saying that we had the right to carry fucking assault rifles in the Christina: Kyle Rittenhouse. Kyle Rittenhouse was literally acquitted. Right? Brett: Yeah. And he killed people. Christina: and, and he killed people. He was literally walking around little fucking stogey, you know, little blubbering little bitch, like, you know, crying, you know, he’s like carrying around like Rambo a gun and literally snipe shooting people. That’s okay. Brett: They defended Christina: if you have a. They defended him. Of course they did. Right? Of course they did. Oh, well he has the right to carry and this and that, and Oh, you should be able to be armed in [00:09:00] these places. Oh, no, but, but if you’re, um, somebody that we don’t like Brett: Yeah, Christina: and you have a concealed carry permit, and I don’t even know if he was really concealed. Right. Because I think that if you have it on your holster, I don’t even think that counts as concealed to Brett: was supposedly in Christina: I, I, I don’t, I don’t, I don’t. Brett: like it Christina: Which I don’t think counts as concealed. I think. Brett: No. Christina: Right, right. So, so, so, so, so that, that, that wouldn’t be concealed. Be because you have someone in, in that situation, then all of a sudden, oh, no. Now, now the, the key, the goalpost, okay, well, it’s fine if it’s, you know, uh, police we don’t like, or, or other people. And, and, and if you’re going after protesters, then you can shoot and kill whoever you want, um, because you’ve perceived a threat and you can take actions into your, to your own hands. Um, but now if you are even a white person, um, even, you know, someone who’s, who’s worked in Veterans Affairs, whatever, if, if you have, uh, even if you’re like a, a, a, you know, a, a gun owner and, and have permits, um, now [00:10:00] if we don’t like you and you are anywhere in the vicinity of anybody associated with law enforcement, now they have the right to shoot you dead. Like that’s, that’s, that’s the argument, which is insanity. Brett: so I’m, I’m just gonna point out that as the third right came to power, they disarmed the Jews and they disarmed the anarchists and the socialists and they armed the rest of the population and it became, um, gun control for people they didn’t like. Um, and this is, it’s just straight up the same playbook. There’s no, there’s no differentiation anymore. Christina: No, it, it, it actively makes me angry that, um, I, I could be, because, ’cause what can we do? And, and what they’re counting on is the fact that we’re all tired and we’re all kind of, you know, like just, [00:11:00] you know, from, from what happened, you know, six years ago and, and, and what happened, you know, five years ago. Um, and, and, and various things. I think a lot of people are, are just. It kind of like Brett: Sure. Christina: done with, with, with being able to, to, to, right. But now the actual fascism is here, right? Like, like we, we, we saw a, a, you know, a whiff of this on, on, on January 6th, but now it’s actual fascism and they control every branch of government. Brett: Yeah. Christina: And, um, and, and, and I, and I don’t know what we’re supposed to do, right? Like, I mean it, because I mean, you know, uh, Philadelphia is, is, is begging for, for, for them to come. And I think that would be an interesting kind of standoff. Seattle is this, this is what a friend of mine said was like, you know, you know Philadelphia, Filch Philadelphia is begging them to come. Seattle is like scared. Um, that, that they’re going to come, um, because honestly, like we’re a bunch of little bitch babies and, um, [00:12:00] people think they’re like, oh, you know the WTO. I’m like, yeah, that was, that was 27 years ago. Um, uh, I, I don’t think that Seattle has the juice to hold that sort of line again. Um, but I also don’t wanna find out, right? Like, but, but, but this is, this is the attack thing. It’s like, okay, why are they in Minnesota? Right? They’re what, like 130,000, um, Brett: exactly Christina: um, immigrants in, in Minnesota. There are, there are however many million in Texas, however many million in Florida. We know exactly why, right? This isn’t about. Anything more than Brett: in any way. Christina: and opt. Right, right. It has nothing, it has nothing to do with, with, with immigration anyway. I mean, even, even the Wall Street Journal. The Wall Street Journal who a, you know, ran an op-ed basically saying get out of Minnesota. They also, they also had like a, you know, a news story, which was not from the opinion board, which like broke down the, the, the footage showing, you know, that like the, the video footage doesn’t match the administration’s claims, but they also ran a story. Um, that [00:13:00] basically did the math, I guess, on like the number of, of criminals, um, or people with criminal records who have been deported. And at this point, like in, you know, and, and when things started out, like, I guess when the raid started out, the, the majority of the people that they were kind of going after were people who had criminal records. Now, whether they were really violent, the worst, the worst, I mean that’s, I’m, I’m not gonna get into that, but you could at least say like, they, they could at least say, oh, well these were people who had criminal records, whatever. Now some, some huge percentage, I think it’s close to 80% don’t have anything. And many of the people that do the, the criminal like thing that they would hold would be, you know, some sort of visa violation. Right. So it’s, it’s, it’s Brett: they deported a five-year-old kid after using him as bait to try to get the rest of his family. Christina: as bait. Brett: Yeah. And like it’s, it’s pretty deplorable. But I will say I am proud of Minnesota. Um, they have not backed [00:14:00] down. They have stood up in the face of increasing increasingly escalated attacks, and they have shown up in force thousands of people out in the streets. Like Conti, like last night they had a, um, well, yeah, I mean, it’s been ongoing, but, uh, what’s his name? Preddy Alex. Um, at the place where he was shot, they had a, like continuing kind of memorial protest, I guess, and there’s footage of like a thousand, a thousand mins surrounding about 50, um, ICE agents and. Like basically corralling them to the point where they were all backed into a corner and weren’t moving. And I don’t know what happened after that. Um, but thus far it hasn’t been violent on the part of protesters. It’s been very violent on the part of ice. I [00:15:00] personally, I don’t know where I stand on, like, I feel like the Democrats are urging pacifism because it affects their hold on power. And I don’t necessarily think that peace when they’re murdering us in the street. I don’t know if peace is the right response, but I don’t know. I’m not openly declaring that I support violence at this point, but. At the same time, do I not? I’m not sure. Like I keep going back and forth on is it time for a war or do we try to vote our way out of this? Christina: I mean, well, and the scary thing about voting our way out of this is will we even be able to have free elections, right? Be because they’re using any sort of anything, even the most benign sort of legal [00:16:00] protest, even if violence isn’t involved in all of a sudden, talks of the Insurrection Act come Brett: yeah. And Trump, Trump offered to pull out of Minnesota if Minnesota will turn over its voter database to the federal government. Like that’s just blatant, like that’s obviously the end goal is suppression. Christina: Right, right. And, and so to your point, I don’t know. Right. And I’m, I’m never somebody who would wanna advocate outwardly for violence, but I, I, I, I, I don’t know. I mean, they’re killing citizens in the streets. They’re assassinating people in cold blood. They’re executing people, right. That’s what they’re doing. They’re literally executing people in the streets and then covering it up in real time. Brett: if the argument is, if we are violent, it will cause them to kill us. They’re already killing Christina: already doing it. Right. So at, at this point, I mean, like, you know, I mean, like, w to your point, wars have been started for, for, for less, or for the exact same things. Brett: [00:17:00] Yeah. Christina: So, I don’t know. I don’t know. Um, I know that that’s a depressing way to probably do mental health corner and whatnot, but this is what’s happening in our world right now and in and in your community, and it’s, it’s terrifying. Brett: I’m going to link in the show notes an article from Crime Think that was written by, uh, people in Germany who have studied, um, both historical fascism and the current rise of the A FD, which will soon be the most powerful party in Germany, um, which is straight up a Nazi party. Um, and it, they offered, like their hope right now lies in America stopping fascism. Christina: Yeah. Brett: Like if we can, if we can stop fascism, then they believe the rest of Europe can stop fascism. Um, but like they, it, it’s a good article. It kind of, it kind of broaches the same questions I do about like, is it [00:18:00] time for violence? And they offer, like, we don’t, we’re not advocating for a civil war, but like Civil wars might. If you, if you, if you broach them as revolutions, it’s kind of, they’re kind of the same thing in cases like this. So anyway, I’ll, I’ll link that for anyone who wants to read kinda what’s going on in my head. I’m making a note to dig that up. I, uh, I love Crime Fake Oh and Blue Sky. Social Media and Surveillance Brett: Um, so I have not, up until very recently been an avid Blue Sky user. Um, I think I have like, I think I have maybe like 200 followers there and I follow like 50 people. But I’ve been expanding that and I am getting a ton of my news from Blue Sky and like to get stories from people on the ground, like news as it happens, unfiltered and Blue Sky has been [00:19:00] really good for that. Um, I, it’s. There’s not like an algorithm. I just get my stuff and like Macedon, I have a much larger following and I follow a lot more people, but it’s very tech, Christina: It’s very tech and, Brett: there for. Christina: well, and, and MAs on, um, understandably too is also European, um, in a lot of regards. And so it’s just, it’s not. Gonna have the same amount of, of people who are gonna be able to, at least for instances like this, like be on the ground and doing real-time stuff. It’s not, it doesn’t have like the more normy stuff. So, no, that makes sense. Um, no, that’s great. I think, yeah, blue Sky’s been been really good for, for these sorts of real-time events because again, they don’t have an algorithm. Like you can have one, like for a personalized kind of like for you feed or whatever, but in terms of what you see, you know, you see it naturally. You’re not seeing it being adjusted by anything, which can be good and bad. I, I think is good because nothing’s suppressing things and you see things in real time. It can be bad because sometimes you miss things, but I think on the whole, it’s better. [00:20:00] The only thing I will say, just to anyone listening and, and just to spread onto, you know, people in your communities too, from what I’ve observed from others, like, it does seem like the, the government and other sorts of, you know, uh, uh, the, you know, bodies like that are finally starting to pay more attention to blue sky in terms of monitoring things. And so that’s not to say don’t. You know, use it at all. But the same way, you don’t make threats on Twitter if you don’t want the Feds to show up at your house. Don’t make threats on Blue Sky, because it’s not just a little microcosm where, you know, no one will see it. People are, it, it’s still small, but it’s, it’s getting bigger to the point that like when people look at like where some of the, the, the fire hose, you know, things observable things are there, there seem to be more and more of them located in the Washington DC area, which could just be because data centers are there, who knows? But I’ve also just seen anecdotally, like people who have had, like other instances, it’s like, don’t, don’t think [00:21:00] that like, oh, okay, well, you know, no one’s monitoring this. Um, of course people are so just don’t be dumb, don’t, don’t say things that could potentially get you in trouble. Um. Brett: a political candidate in Florida. Um, had the cops show up at her house and read her one of her Facebook posts. I mean, this was local. This was local cops, but still, yeah, you Christina: right. Well, yeah, that’s the thing, right? No, totally. And, and my, my only point with that is we’ve known that they do that for Facebook and for, for, you know, Twitter and, and, uh, you know, Instagram and things like that, but they, but Blue Sky, like, I don’t know if it’s on background checks yet, but it, uh, like for, uh, for jobs and things like that, I, I, I don’t know if that’s happening, but it definitely is at that point where, um, I know that people are starting to monitor those things. So just, you know, uh, not even saying for you per se, but just for anybody out there, like, it’s awesome and I’m so glad that like, that’s where people can get information out, but don’t be like [00:22:00] lulled into this false sense of security. Like, oh, well they’re not gonna monitor this. They’re not Brett: Nobody’s watching me here. Christina: It is like, no, they are, they are. Um, so especially as it becomes, you know, more prominent. So I’m, I’m glad that that’s. That’s an option there too. Um, okay. Sponsor Break: Copilot Money Christina: This is like the worst possible segue ever, but should we go ahead and segue to our, our, our sponsor break? Brett: Let’s do it. Let’s, let’s talk about capitalism. Christina: All right. This episode is brought to you by copilot money. Copilot money is not just another finance app. It’s your personal finance partner designed to help you feel clear, calm, and in control of your money. Whether it’s tracking your spending, saving for specific goals, or simply getting the handle on your investments. Copilot money has you covered as we enter the new year. Clarity and control over our finances has never been more important with the recent shutdown of Mint and rising financial stress, for many consumers are looking for a modern, trustworthy tool to help navigate their financial journeys. That’s where copilot money comes in. 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Download copilot money on your devices or visit. Try copilot money slash [00:24:00] overti today to claim you’re two months free and embrace a more organized, stress-free approach to your finances. Try copilot.money/ Overtired. Brett: Awesome that I appreciate this segue. ’cause we, we, we could, we could be talking about other things. Um, like it’s, it feels so weird, like when I go on social media and I just want to post that like my water’s out. It feels out of place right now because there’s everything that’s going on feels so much more important than, Christina: Right. Brett: than anything else. Um, but there’s still a place for living our lives, um, Christina: there are a absolutely. I mean, and, and, and in a certain extent, like not to, I mean, maybe this is a little bit of a cope, but it’s like, if all we do is focus on the things that we can’t control at the expense of everything else, it’s like then they win. You know? Like, which, which isn’t, which, which isn’t even to [00:25:00] say, like, don’t talk about what’s happening. Don’t try to help, don’t try to speak out and, and, um, and do what we can do, but also. Like as individuals, there’s very little we can control about things. And being completely, you know, subsumed by that is, is not necessarily good either. Um, so yeah, there’s, there, there are other things going on and it’s important for us to get out of our heads. It’s important, especially for you, you know, being in the region, I think to be able to, to focus on other things and, and hopefully your water will be back soon. ’cause that sucks like that. I’ve been, I’ve been worried about you. I’m glad that you have heat. I’m glad you have internet. I’m glad you have power, but you know, the pipes being frozen and all that stuff is like, not Brett: it, the, the internet has also been down for up to six hours at a time. I don’t know why. There’s like an amplifier down on our street. Um, and that has sucked because I, out here, I live in a, I’m not gonna call it rural. Uh, we’re like five minutes from town, [00:26:00] but, um, we, we don’t. We have shitty internet. Like I pay for a gigabit and I get 500 megabits and it’s, and it’s up and down all the time and I hate it. But anyway. Tech Talk: Gas Town and AI Agents Brett: Let’s talk about, uh, let’s talk about Gas Town. What can you tell me about Gastown? Christina: Okay. So we’ve talked a lot about like AI agents and, um, kind of like, uh, coding, um, loops and, and things like that. And so Gastown, uh, which is available, um, at, I, it is not Gas Town. Let me find the URL, um, one second. It’s, it’s at a gas town. No, it’s not. Lemme find it. Um. Right. So this is a thing that, that Steve Yy, uh, has created, and [00:27:00] it is a multi-agent workspace manager. And so the idea is basically that you can be running like a lot of instances of, um, of, of Claude Code or, um, I guess you could use Codex. You could use, uh, uh, uh, co-pilot, um, SDK or CLI agent and whatnot. Um, and basically what it’s designed to do is to basically let you coordinate like multiple coding agents at one time so they can all be working on different tasks, but then instead of having, um, like the context get lost when agents restart, it creates like a, a persistent, um, like. Work state, which it uses with, with git on the backend, which is supposed to basically enable more multi-agent workflows. So, um, basically the idea would be like, you get, have multiple agents working at once, kind of talking to one another, handing things off, you know, each doing their own task and then coordinating the work with what the other ones are doing. But then you have like a persistent, um, uh, I guess kind of like, you know, layer in the backend so that if an agent has to restart or whatever, it’s not gonna lose the, [00:28:00] the context, um, that that’s happening. And you don’t have to manually, um, worry about things like, okay, you know, I’ve lost certain things in memory and, and I’ve, you know, don’t know how I’m, I’m managing all these things together. Um, there, there’s another project, uh, called Ralph, which is kind of based on this, this concept of like, what of Ralph Wickham was, you know, coding or, or was doing kind of a loop. And, and it’s, it’s, it’s a, it’s kind of a similar idea. Um, there’s also. Brett: my nose wouldn’t bleed so much if I just kept my finger out of there. Christina: Exactly, exactly. My cat’s breath smells like cat food. Um, and um, and so. Like there are ideas of like Ralph Loops and Gastown. And so these are a couple of like projects, um, that have really started to, uh, take over. So like, uh, Ralph is more of an autonomous AI agent loop that basically like it runs like over and over and over again until, uh, a task is done. Um, and, and a lot of people use, use Gastown and, [00:29:00] and, and Ralph together. Um, but yeah, no Ga gastown is is pretty cool. Um, we’ll we’re gonna talk about it more ’cause it’s my pick of the week. We’ll talk about Molt bot previously known as Claude Bot, which is, uses some, some similar ideas. But it’s really been interesting to see like how, like the, the multi-agent workflow, and by multi-agent, I mean like, people are running like 20 or 30 of them, you know, at a time. So it’s more than that, um, is really starting to become a thing that people can, uh, can do. Um, Brett: gets expensive though. Christina: I was, I was just about to say that’s the one thing, right? Most people who are using things like Gastown. Are using them with the Claude, um, code Max plans, which is $200 a month. And those plans do give you more value than like, what the, what it would be if you spent $200 in API credits, uh, but $200 a month. Like that’s not an expensive, that’s, you know, that, that’s, that, that, like, you know what I mean? Like, like that, that, that, that, that, that’s a lot of money to spend on these sorts of things. Um, but people [00:30:00] are getting good results out of it. It’s pretty cool. Um. There have been some open models, which of course, most people don’t have equipment that would be fast enough for them to, to run, uh, to be able to kind of do what they would want, um, reliably. But the, the AgTech stuff coming to some of the open models is better. And so if these things can continue, of course now we’re in a ram crisis and storage crisis and everything else, so who knows when the hardware will get good enough again, and we can, when we as consumers can even reasonably get things ourselves. But, but in, in theory, you know, if, if these sorts of things continue, I could see like a, a world where like, you know, some of the WAN models and some of the other things, uh, potentially, um, or Quinn models rather, um, could, uh. Be things that you could conceivably, like be running on your own equipment to run these sorts of nonstop ag agentic loops. But yeah, right now, like it’s really freaking cool and I’ve played around with it because I’m fortunate enough to have access to a lot of tokens. [00:31:00] Um, but yeah, I can get expensive real, real fast. Uh, but, but it’s still, it’s still pretty awesome. Brett: I do appreciate that. So, guest Town, the name is a reference to Mad Max and in the kind of, uh, vernacular that they built for things like background agents and I, uh, there’s a whole bunch, there are different levels of, of the interface that they kind of extrapolated on the gas town kind of metaphor for. Uh, I, it was, it, it, there were some interesting naming conventions and then they totally went in other directions with some of the names. It, they didn’t keep the theme very well, but, but still, uh, I appreciate Ralph Wig and Mad Max. That’s. It’s at the very least, it’s interesting. Christina: No, it definitely is. It definitely is. Crypto Controversies Christina: I will say that there’s been like a little bit [00:32:00] of a kerfuffle, uh, involved in both of those, uh, developers because, um, they’re both now promoting shit coins and, uh, and so that’s sort of an interesting thing. Um, basically there’s like this, this, this crypto company called bags that I guess apparently like if people want to, they will create crypto coins for popular open source projects, and then they will designate someone to, I guess get the, the gas fees, um, in, um, uh, a Solana parlance, uh, no pun intended, with the gas town, um, where basically like that’s, you know, like the, the, the fees that you spend to have the transaction work off of the blockchain, right? Like, especially if there’s. A lot of times that it would take, like, you pay a certain percentage of something and like those fees could be designated to an individual. And, um, in this case, like both of these guys were reached out to when basically they were like, Hey, this coin exists. You’ve got all this money just kind of sitting in a crypto wallet waiting for you. [00:33:00] Take the money, get, get the, the transaction fees, so to speak. And, uh, I mean, I think that, that, that’s, if you wanna take that money right, it’s, it’s there for you. I’m not gonna certainly judge anyone for that. What I will judge you for is if you then promote your shit coin to your community and basically kind of encourage everyone. To kind of buy into it. Maybe you put in the caveat, oh, this isn’t financial advice. Oh, this is all just for whatever. But, but you’re trying to do that and then you go one step beyond, which I think is actually pretty dumb, which is to be like, okay, well, ’cause like, here’s the thing, I’m not gonna judge anyone. If someone who’s like, Hey, here’s a wallet that we’re gonna give you, and it has real cash in it, and you can do whatever you want with it, and these are the transaction fees, so to speak, like, you know, the gas fees, whatever, you know what you do. You, even if you wanna let your audience know that you’ve done that, and maybe you’re promoting that, maybe some people will buy into it, like, people are adults. Fine. Where, where I do like side eye a little bit is if you are, then for whatever reason [00:34:00] going to be like, oh, I’m gonna take my fees and I’m gonna reinvest it in the coin. Like, okay, you are literally sitting on top of the pyramid, like you could not be in a better position and now you’re, but right. And now you’re literally like paying into the pyramid scheme. It’s like, this is not going to work well for you. These are rug bulls. Um, and so like the, the, the, the gas town coin like dropped like massively. The Ralph coin like dropped massively, like after the, the, the Ralph creator, I think he took out like 300 K or something and people, or, you know, sold like 300 K worth of coins. And people were like, oh, he’s pulling a rug pull. And I’m like, well, A, what did you expect? But B it’s like, this is why don’t, like, if someone’s gonna give you free money from something that’s, you know, kind of scammy, like, I’m not saying don’t take the money. I am saying maybe be smart enough to not to reinvest it into the scam. Brett: Yeah. Christina: Like, I don’t know. Anyway, that’s the only thing I will mention on that. ’cause I don’t think that that takes [00:35:00] anything away from either of those projects or it says that you shouldn’t use or play around with it either of those ideas at all. But that is just a thing that’s happened in the last couple of weeks too, where it’s like, oh, and now there’s like crypto, you know, the crypto people are trying to get kind of involved with these projects and, um, I, I think that that’s, uh, okay. You know, um, like I said, I’m, I’m not gonna judge anybody for taking free money that, that somebody is gonna offer them. I will judge you if you’re gonna try to then, you know, try to like, promote that to your audience and try to be like, oh, this is a great way where we, where you can help me and we can all get rich. It’s like, no, there are, if you really wanna support creators, like there are things like GitHub sponsors and there are like other methods that you can, you can do that, that don’t involve making financial risks on shit coins. Brett: I wish anything I made could be popular enough that I could do something that’s stupid. Yeah. Like [00:36:00] I, I, I, I’m not gonna pull a rug pull on anyone, but the chances that I’ll ever make $300,000 on anything I’m working on, it’s pretty slim. Christina: Yeah, but at the same time, like if you, if you did, if you were in that position, like, I don’t know, I mean, I guess that’d be a thing that you would have to kind of figure out, um, yourself would be like, okay, I have access to this amount of money. Am I going to try to, you know, go all in and, and maybe go full grift to get even more? Some, something tells me that like your own personal ethics would probably preclude you from that. Brett: I, um, I have spent, what, um, how old am I? 47. I, I’ve been, since I started blogging in like 1999, 2000, um, I have always adhered to a very strict code and like turning down sponsors. I didn’t agree with [00:37:00] not doing anything that would be shady. Not taking, not, not taking money from anyone I was writing about. Ethics in Journalism and Personal Dilemmas Brett: Like, it’s been, it’s a pain in the ass to try to be truly ethical, but I feel like I’ve done it for 30 some years and, and I don’t know, I wouldn’t change it. I’m not rich. I’ll never be rich. But yeah, I think ethics are important, especially if you’re in any kind of journalism. Christina: Yeah, if you’re in any sort of journalism. I think so, and I think like how people wanna define those things, I think it’s up to them. And, and like I said, like I’m not gonna even necessarily like, like judge people like for, because I, I don’t know personally like what my situation would be like. Like if somebody was like, Christina, here’s a wallet that has the equivalent of $300,000 in it and it’s just sitting here and we’re not even asking you to do anything with this. I would probably take the money. I’m not gonna lie, I don’t, I don’t, I don’t [00:38:00] know if I would promote it or anything and I maybe I would feel compelled to disclose, Hey, Brett: That is Christina: wallet belongs to me. Brett: money though. Christina: I, I, right. I, I, I might, I might be, I might feel compelled to com to, to disclose, Hey, someone created this coin in this thing. They created the foam grow coin and they are giving me, you know, the, the, the gas fees and I have accepted Brett: could be, I’d feel like you could do it if you were transparent enough about it. Christina: Yeah, I mean, I, I, I think where I draw the line is when you then go from like, because again, it’s fine if you wanna take it. It’s then when you are a. Reinvesting the free money into the coin, which I think is just idiotic. Like, I think that’s just actually dumb. Um, like I just, I just do like, that just seems like you are literally, like I said, you’re at the top of the pyramid and you’re literally like volunteering to get into the bottom again. Um, and, or, or b like if you do that and then you try to rationalize in some way, oh, well, you know, I think [00:39:00] that this could be a great thing for everybody to, you know, I get rich, you know, you could get rich, we could all get money out of this because this is the future of, you know, creator economy or whatever. It’s like, no, it’s not. This is gambling. Um, and, and, and, and you could make the argument to me, and I’d probably be persuaded to be like, this isn’t that different from poly market or any of the other sorts of things. But you know what? I don’t do those things either. And I wouldn’t promote those things to any audience that I had either. Um, but if somebody wanted to give me free money. I probably wouldn’t turn it down. I’m not gonna pretend that my ethics are, are that strong. Uh, I just don’t know if I would, if I would, uh, go on the other end and be like, okay, to the Moom, everyone let, let’s all go in on the crypto stuff. It’s like, okay, The Future of Open Source and Cryptocurrency Brett: So is this the future of open source is, ’cause I mean like open source has survived for decades as like a concept and it’s never been terribly profitable. But a [00:40:00] lot of large companies have invested in open source, and I guess at this point, like most of the big open source projects are either run by a corporation or by a foundation. Um, that are independently financed, but for a project like Gastown, like is it the future? Is this, is this something people are gonna start doing to like, kind of make open source profitable? Christina: I mean, maybe, I don’t know. I think the problem though is that it’s not necessarily predictable, right? And, and not to say that like normal donations or, or support methods are predictable, but at least that could be a thing where you’re like, they’re not, but, but, but it’s not volatile to the extent where you’re like, okay, I’m basing, you know, like my income based on how well this shit coin that someone else controls the supply of someone else, you know, uh, uh, created someone else, you know, burned, so to speak, somebody else’s is going to be, uh, [00:41:00] controlling and, and has other things and could be responsible for, you know, big seismic like market movements like that I think is very different, um, than anything else. And so, I don’t know. I mean, I, I think that they, what I do expect that we’ll see more of is more and more popular projects, things that go viral, especially around ai. Probably being approached or people like proactively creating coins around those things. And there have been some, um, developers who’ve already, you know, stood up oddly and been like, if you see anybody trying to create a coin around this, it is not associated with me. I won’t be associated with any of it. I won’t do it. Right. Uh, and I think that becomes a problem where you’re like, okay, if these things do become popular, then that becomes like another risk if you don’t wanna be involved in it. If you’re involved with a, with a popular project, right? Like the, like the, like the creator of MPM Isaac, like, I think there’s like an MPM coin now, and that, that he’s, you know, like involved in and it’s like, you know, again, he didn’t create it, but he is happy to promote it. He’s happy to take the money. I’m like, look, I’m happy for [00:42:00] Isaac to get money from NPMI am at the same time, you know, bun, which is basically like, you know, the, you know, replacement for, for Node and NPM in a lot of ways, they sold to Anthropic for. I guarantee you a fuck load more money than whatever Isaac is gonna make off of some MPM shitcoin. So, so like, it, it’s all a lottery and it’s not sustainable. But I also feel like for a lot of open source projects, and this isn’t like me saying that the people shouldn’t get paid for the work, quite the contrary. But I think if you go into it with the expectation of I’m going to be able to make a sustainable living off of something, like when you start a project, I think that that is not necessarily going to set you up for, I think that those expectations are misaligned with what reality might be, which again, isn’t to say that you shouldn’t get paid for your work, it’s just that the reason that we give back and the reason we contribute open source is to try to be part of like the, the greater good and to make things more available to everyone. Not to be [00:43:00] like, oh, I can, you know, quit my job. Like, that would be wonderful. I, I wish that more and more people could do that. And I give to a lot of, um, open source projects on, on a monthly basis or on an annual basis. Um, Brett: I, I give basically all the money that’s given to me for my open source projects I distribute among other open source projects. So it’s a, it’s a, it’s a wash for me, but yeah, I am, I, I pay, you know, five, 10 bucks a month to 20 different projects and yeah. Christina: Yeah. I mean, I think it’s important, but, but I, I don’t know. I, I, I hope that it’s not the future. I’m not mad, I think like if that’s a way where people can make, you know, a, a, an income. But I do, I guess worry the sense that like, if, if, if, I don’t want that to be, the reason why somebody would start an open source project is because they’re like, oh, I, I can get rich on a crypto thing. Right? Like, ’cause that that’s the exact wrong Brett: that’s not open source. That’s not the open source philosophy. Christina: no, [00:44:00] it’s not. And, and so, I mean, but I think, I think if it already exists, I mean, I don’t know. I, I also feel like no one should feel obligated. This should go without saying that. If you see a project that you like that is involved in one of those coins. Do you have a zero obligation to be, uh, supportive of that in any way? And in fact, it is probably in your financial best interest to not be involved. Um, it, it is your life, your money, your, you do whatever you want, gamble, however you want. But, uh, I, I, I, I do, I guess I, I bristle a little bit. Like if people try to portray it like, oh, well this is how you can support me by like buying into this thing. I’m like, okay, that’s alright. Like, I, I, if you wanna, again, like I said, if you wanna play poly market with this, fine, but don’t, don’t try to wrap that around like, oh, well this is how you can give back. It’s like, no, you can give back in other ways. Like you can do direct donations, you can do other stuff. Like I would, I would much rather encourage people to be like, rather than putting a hundred dollars in Ralph Coin, [00:45:00] give a hundred dollars to the Ralph Guy directly. Apex 1.0? Brett: So, speaking of unprofitable open source, I have Apex almost to 1.0. Um, it officially handles, I think, all of the syntax that I had hoped it would handle. Um, it does like crazy things, uh, that it’s all built on common mark, GFM, uh, like cmar, GFM, GitHub’s project. Um, so it, it does all of that. Plus it handles stuff from like M mark with like indices. Indices, and it incorporates, uh. Uh, oh, I forget the name of it. Like two different ways of creating indices. It handles all kinds of bibliography syntax, like every known bibliography syntax. Um, I just added, you can, you can create insert tags with plus, plus, uh, the same way you would create a deletion with, uh, til detail. Um, and [00:46:00] I’ve added a full plugin structure, and the plugins now can be project local. So you can have global plugins. And then if you have specific settings, so like I have a, I, my blogs are all based on cramdown and like the bunch documentation is based on cramdown, but then like the mark documentation. And most of my writing is based on multi markdown and they have different. Like the, for example, the IDs that go on headers in multi markdown. If it’s, if it has a space in multi markdown, it gets compressed to no space in common Mark or GFM, it gets a dash instead of a space, which means if I have cross links, cross references in my document, if I don’t have the right header syntax, the cross reference will break. So now I can put a, a config into like my bunch documentation that tells Apex to use, [00:47:00] um, the dash syntax. And in my Mark documentation, I can tell it to use the multi markdown syntax. And then I can just run Apex with no command line arguments and everything works. And I don’t know, I, I haven’t gotten adoption for it. Like the one place I thought it could be really useful was DEVONthink, Christina: Mm-hmm. Brett: which has always been based on multi markdown, which. Um, is I love multi markdown and I love Fletcher and, um, it’s just, it’s missing a lot of what I would consider modern syntax. Christina: Right. Brett: so I, I offered it to Devin think, and it turned out they were working on their own project along the same lines at the same time. Um, but I’m hoping to find some, some apps that will incorporate it and maybe get it some traction. It’s solid, it’s fast, it’s not as fast as common Mark, but it does twice as much. Um, like the [00:48:00] benchmarks, it a complex document renders in common mark in about. Uh, 27 milliseconds, and in Apex it’s more like 46 milliseconds. But in the grand scheme of things, I could render my whole blog 10 times faster than I can with cramm down or Panoc and yeah, and, and I can use all the syntax I want. Challenges and Innovations in Markdown Processing Brett: Did I tell you about, did I tell you about, uh, Panoc Divs? The div extension, um, like you can in with the panoc D extension, you can put colon, colon, colon instead of like back, take, back, take backtick. So normally, like back ticks would create a code block with colons, it creates a div, and you can apply, you can apply inline attribute lists after the colons to make, to give it a class and an ID and any other attributes you wanna apply to it. I extended that so that you can do colon, [00:49:00] colon, colon, and then type a tag name. So if you type colon, colon, colon aside and then applied an attribute list to it, it would create an aside tag with those attributes. Um, the, the only pan deck extension that I wish I could support that I don’t yet is grid tables. Have you ever seen grid tables? Christina: I have not. Brett: There, it’s, it’s kind of like multi markdown table syntax, except you use like plus signs for joints and uh, pipes and dashes, and you actually draw out the table like old ASCI diagrams Christina: Okay. Brett: and that would render that into a valid HTML table. But that supporting that has just been, uh, tables. Tables are the thing. I’ve pulled the most hair out over. Christina: Yeah, I was gonna say, I think I, they feel like tables are hard. I also feel like in a lot of circumstances, I mean obviously people use tables and whatnot, but like, [00:50:00] only thing I would say to you, like, you know, apex is, is so cool and I hope that other projects adopt it. Um, and, uh, potentially with the POC support as far as you’ve gotten with it, maybe, you know, projects that support some of POC stuff could, could, you know, uh, jump into it. But I will say it does feel like. Once you go into like the Panoc universe, like that almost feels like a separate thing from the markdown Flavors like that almost feels like its own like ecosystem. You know what I mean? Brett: Well, yeah, and I haven’t tried to adopt everything Panoc does because you can als, you can also use panoc. You can pipe from Apex into Panoc or vice versa. So I’m not gonna try to like one for one replicate panoc, Christina: No, no. Totally Brett: do all of panoc export options because Panoc can take HTML in and then output PDFs and Doc X and everything. So you can just pipe output from Apex into Panoc to create your PDF or whatever Christina: And like, and, and like to, [00:51:00] and like to me, like that seems ideal, right? But I feel like maybe like adopting some of the other things, especially like, like their grid, you know, table, things like that. Like that would be cool. But like, that feels like that’s a, potentially has the, has the potential, maybe slow down rendering and do other stuff which you don’t want. And then b it’s like, okay, now are we complicated to the point that like, this is, this is now not becoming like one markdown processor to rule them all, but you Brett: Yeah, the whole point, the whole point is to be able to just run Apex and not worry about what cex you’re using. Um, but grid tables are the kind of thing that are so intentional that you’re not gonna accidentally use them. Like the, the, the, the impetus for Apex was all these support requests I get from people that are like the tilde syntax for underline or delete doesn’t work in Mark. And it, it does if you choose the right processor. But then you have to know, yeah, you have to [00:52:00] know what processor supports what syntax and that takes research and time and bringing stuff in from, say, obsidian into mart. You would just kind of expect things to work. And that’s, that’s why I built Apex and Christina: right? Brett: you are correct that grid tables are the kind of thing, no one’s going to use grid tables if they haven’t specifically researched what Christina: I right. Brett: they’re gonna work with. Christina: And they’re going to have a way that has their file marked so that it is designated as poc and then whatever, you know, flags for whatever POC features it supports, um, does. Now I know that the whole point of APEX is you don’t have to worry about this, but, but I am assuming, based on kind of what you said, like if I pass like arguments like in like a, you know, in a config file or something like where I was like, these documents or, or, or this URL or these things are, you know, in this process or in this in another, then it can, it can just automatically apply those rules without having to infer based on the, on the syntax, right. Brett: right. It has [00:53:00] modes for cram down and common mark and GFM and discount, and you can like tell it what mode you’re writing in and it will limit the feature set to just what that processor would handle. Um, and then all of the flags, all of the features have neg negotiable flags on them. So if you wanted to say. Skip, uh, relax table rendering. You could turn that off on the command line or in a config file. Um, so yeah, everything, everything, you can make it behave like any particular processor. Uh, but I focus mostly on the unified mode, which again, like you don’t have to think about which processor you are using. Christina: Are you seeing, I guess like in, in circumstances like, ’cause I, in, in my, like, my experience, like, I would never think to, like, I would probably like, like to, I would probably do like what you do, which is like, I’m [00:54:00] going to use one syntax or, or one, you know, processor for one type of files and maybe another and another. Um, but I, I don’t think that like, I would ever have a, and maybe I’m misunderstanding this, but I don’t think I would ever have an instance where I would be like mixing the two together in the same file. Brett: See, that’s my, so that’s, that’s what’s changing for me is I’m switching my blog over to use Apex instead of Cramdown, which means I can now incorporate syntax that wasn’t available before. So moving forward, I am mixing, um, things from common mark, things from cram down, things from multi markdown. Um, and, and like, so once you know you have the option Christina: right. Then you might do that Brett: you have all the syntax available, you start doing it. And historically you won’t have, but like once you get used to it, then you can. Christina: Okay. So here’s the next existential question for you. At what point then does it go from being, you know, like [00:55:00] a, a, a rendering engine, kind of like an omni rendering engine to being a syntax and a flavor in and of itself? Brett: That is that, yeah, no, that’s a, that’s a very valid question and one that I have to keep asking myself, um, because I never, okay, so what to, to encapsulate what you’re saying, if you got used to writing for Apex and you were mixing your syntax, all of a sudden you have a document that can’t render in anything except Apex, which does eventually make it its own. Yeah, no, it is, it’s always, it’s a concern the whole time. Christina: well, and I, I wouldn’t even necessarily, I mean, like, and I think it could be two things, right? I mean, like, you could have it live in two worlds where, like on the one hand it could be like the rendering engine to end all rendering engines and it can render, you know, files and any of them, and you can specify like whatever, like in, in, in like a tunnel or something. Like, you know, these files are, [00:56:00] are this format, these are these, and you know, maybe have some sort of, you know, um, something, even like a header files or whatever to be like, this is what this rendering engine is. Um, you know, with, with your projects to have it, uh, do that. Um. Or have it infer, you know, based on, on, on, um, the, the logic that you’re importing. But it could also be one of those things where you’re like, okay, I just have created like, you know, the omni syntax. And that’s a thing that maybe, maybe you get people to try to encourage or try, try to adopt, right? Like, it’s like, okay, you can always just use common mark. You can always just use GFM, you can always just use multi markdown, but we support these other things too, from these other, um, systems and you can intermix and match them. Um, because, because I, I do feel like at a certain point, like at least the way you’re running it yourself, you have your own syntax. Like, like, you know. Brett: yeah. No, you have perfectly encapsulated the, the major [00:57:00] design concern. And I think you’re correct. It can exist, it can be both things at once. Um, but I have like, nobody needs another markdown syntax. Like there are so many flavors right now. Okay. There may be a dozen. It’s not like an infinite number, but, but there’s enough that the confusion is real. Um, and we don’t need yet another markdown flavor, but we do need a universal processor that. Makes the differentiations less, but yeah, no, it’s, I need, I need to nail down that philosophy, uh, and really like, put it into writing and say, this is the design goal of this project, uh, which I have like hinted at, but I’m a scattered thinker and like, part of, part of the design philosophy is if someone says, Hey, [00:58:00] could you make this work? I just wanted a project where I could say, yeah, I’m gonna make that work. I, I, I’m gonna add this somewhat esoteric syntax and it’s just gonna work and it’s not gonna affect anything else. And you don’t have to use it, but if you do, there it is. So it’s kind of, it was designed to bloat to a circuit certain extent. Um, but yeah, I need to, I need to actually write a page That’s just the philosophy and really, really, uh, put, put all my thoughts together on that. Christina: Yeah, no, ’cause I was just kind of thinking, I was like, ’cause it’s so cool. Um, but the way that I would’ve envisioned using it, like I, I still like, it’s cool that you can mix all those things in together. I still feel like I probably wouldn’t because I’m not you. And so then I would just have like this additional dependency that it’s like, okay, if something happens to Apex one day and that’s the only thing that can render my documents, then like, you know what I mean? And, and, and if it’s not getting updated [00:59:00] anymore or whatever, then I’m kind of like SOL, um, Brett: Maku. Do you remember Maku? Christina: vaguely. Brett: It’s, the project is kind of dead and a lot of its syntax has been incorporated into various other processors. But if you built your whole blog on Maku, you have to, you have to be able to run like a 7-year-old binary, um, and, and it’ll never be updated, and eventually you’re gonna run into trouble. The nice thing about Unix based stuff is it’s. Has a, you can stop developing it and it’ll work for a decade, um, until, like, there’s a major shift in processors, but like, just the shift to arm. Like if, if Maku was only ever compiled for, uh, for, uh, Intel and it wasn’t open source, you would, it would be gone. You wouldn’t be able to run it anymore. So yeah, these things can happen. Christina: [01:00:00] Well, and I just even think about like, you know, the fact that like, you know, like some of the early processors, like I remember like back, I mean this is a million years ago, but having to use like certain, like pearl, you know, based things, you know, but depending on like whatever your backend system was, then you moved to PHP, they maybe you move, moved to, you know, Ruby, if you’re using like Jekyll and maybe you move to something else. And I was like, okay, you know, what will the thing be in the future? Yeah. If, if I, if it’s open source and there’s a way that, you know, you can write a new, a new processor for that, but it does create like, dependencies on top of dependencies, which is why I, I kind of feel like I like having like the omni processor. I don’t know if, like, for me, I’m like, okay, I, I would probably be personally leery about intermingling all my different syntaxes together. Brett: to that end though, that is why I wanted it in C um, because C will probably never die. C can be compiled on just about any platform. And it can be used with, like, if you have, if you have a Jekyll blog and you wanna [01:01:00] incorporate a C program into a gem, it’s no problem. Uh, you can incorporate it into just about any. Langu
Excessive whistling, a reminder on phone etiquette, astronomic astigmatism, a glitch in the system, this goddamn Açaí shit, forward to the future, Alphabet City has shitty music, a joke not worth repeating gets repeated, Navin Johnson on wine, several stories from other episodes gets repeated (I think), a goofy horror film about killer dessert, a little Tessio, a misstep from Osgood, and a classic song from a goofy movie. Stuff mentioned: Prince "Kiss" (1986), Alphabet City (1984), Police Academy (1984), The Jerk (1979), Mad Max 2: The Warrior (1981), The Stuff (1984), The Godfather (1972), Wendy's "Where's the Beef?" (1984 https://www.youtube.com/watch?v=1FZNYXKHwNw), Bang the Drum Slowly (1973), Brian's Song (1971), Keeper (2025), Long Legs (2024), The Monkey (2025), Psycho (1960), Mahogany (1975), Diana Ross "Theme from Mahogany" [Do You Know Where You're Going To?] (1975), and Diana Ross Mahogany (1975).
A former NYPD officer turned powerhouse vocalist, IWAN isn't just another name in rock—she's a movement. Her journey has been one of solitude and resilience, of standing alone but never backing down. That relentless fire fuels her music, turning raw emotion into anthems that cut deep and refuse to be ignored. Drawing inspiration from icons like Scott Stapp and Creed, IWAN blends the grit of classic rock with the intensity of alternative, channeling struggle into strength. Her songs don't just play; they ignite. With searing riffs, haunting vocals, and lyrics that hit like a gut punch, she crafts a sound that's both defiant and deeply human. Her music is a battle cry for the fighters, the outsiders, and those who refuse to break. Somewhere between Joan Jett's rebellion and Mad Max's recklessness, IWAN is both force and fury—polished yet raw, powerful yet unfiltered. She isn't just stepping onto the scene—she's commanding it. With a fan base craving realness and a no-BS attitude, she's here to leave a mark. “I want to be remembered,” she says. “I want someone to say my music helped them through.” IWAN: Remember the name. You won't forget the music.
We're looking at Praetorian Jack, the Man In Brown, or, as we call him, "Mud Max".
We’re looking at Praetorian Jack, the Man In Brown, or, as we call him, “Mud Max”. The post Mad Max In Character – Praetorian Jack first appeared on NEOZAZ.
Is Mad Max: The Road Warrior a post-apocalyptic movie or a Western in disguise? Luke and guests Peter and Andres dig into the 1981 sequel that spawned an entire genre of leather-clad wasteland cinema.In this episode:The case for Road Warrior being the greatest quality jump from movie one to movie two in film historyWhy Max only has 12 lines of dialogue (and two of them are "I just came for the gasoline")The genius budget trick behind the Gyro Captain characterHow the costume design tells you everything about who's good and who's badLord Humongous's incredible line deliveryWhy the final chase scene should have had audiences losing their minds in the 80sPlus: Dog the Dog's rescue story, George Miller's unceremonious villain deaths, and Luke's promise to recap Shooter from memory if the channel hits 200 subscribers.Ratings: Luke 8.5 | Peter 9 | Andres 10Next week: Beyond Thunderdome
28 Years Later: The Bone Temple (2026) Episode Summary: In this episode, Michael and Dave dissect 28 Years Later: The Bone Temple, the most visually ambitious and thematically rich installment in the iconic 28 Days Later franchise. They explore the film's eerie cult narrative, psychological undercurrents, and the shifting horror dynamics that turn humans into the real monsters. With Nia DaCosta in the director's chair and Alex Garland returning as writer, the film blends horror, satire, and surprising moments of hope. A rich conversation for fans of speculative horror and social allegory.
THE FARR SIDE. D'Marco went Mad Max on the road with someone else. The guy in the other vehicle had some choice of words for D'Marco. D'Marco breaks down what happened. The Lakers are taking on the Denver Nuggets in Denver to start their 8 game road trip. The Nuggets are without superstar center Nikola Jokic. Warriors Forward Jimmy Butler tore his ACL last night against the Miami Heat. What does this mean going forward for Jimmy? TIP OR NO TIP. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Marty had Mad Max on to talk about cleaning up downtown
Bunkere, klimakrise og flugt fra ansvar Bogen foregår 10-20 år ude i fremtiden, men ligner vores verden skræmmende meget. Bare værre. Tre tech-oligarker – tydelige parodier på Bezos, Zuckerberg og Musk – har monopol på logistik, sociale medier og teknologi. Og de har travlt med at bygge private bunkere i stedet for at løse klimakrisen. Her møder vi Lai Zhen, survivalist-influencer og tidligere flygtning fra Hong Kongs kollaps. Hendes filosofi er klar: Individualisme er for tåber. Små grupper, samarbejde og planlægning er vejen til overlevelse. Ikke bunkere fyldt med våben og mistillid. Om forfatteren: Naomi Alderman Naomi Alderman (f. 1974) er en britisk forfatter med rødder i London og en akademisk baggrund fra Oxford, hvor hun læste filosofi, politik og økonomi. Hendes debutroman Disobedience (2006) blev hurtigt anerkendt for sit modige blik på religion og seksualitet, men det var The Power (2016), der for alvor sendte hende ind på science fiction-radaren. The Power forestiller sig en verden, hvor piger pludselig udvikler evnen til at slå med elektriske stød – og samfundets magtbalancer tipper dramatisk. Romanen blev både en prisvinder (bl.a. Women's Prize for Fiction) og senere tv-serie (Amazon Prime). The Future (2023) viser tydeligt hendes dobbeltblik: Kyndig satiriker overfor Silicon Valleys vildskaber, men også romanforfatter med blik for både filosofi, samfund og fremtidens etiske spørgsmål. Naomi Alderman på Wikipedia Digital enclosure – Vores fælles data bliver stjålet af de få Man mærker Aldermans skarpe samfundsblik, når Badger – non-binært barn af en tech-CEO – forklarer konceptet “digital enclosure”. Det er en reference til de historiske enclosure-bevægelser i England, hvor overklassen lukkede fællesarealer og gjorde dem til privat ejendom. Tech-giganterne har gjort det samme med vores data, vores opmærksomhed, vores fællesskab. De har taget noget der tidligere tilhørte os alle – adressebøger, købshistorik, vores bevægelser, vores billeder – og gjort det til private data-chunks som de tjener formuer på. AUGR – AI’en der forudsiger dommedag Central i plottet er AUGR, en prædiktiv AI der skal fortælle de rige, præcis hvornår de skal flygte til deres bunkere. Ti dage før katastrofen rammer. For hvis de venter for længe, vil folk ikke lade dem flygte. Så timing er alt. Men AUGR dukker også mystisk op på Lai Zhens telefon og begynder at guide hende. Hvem styrer egentlig AUGR? Og hvad er planen? Bogen folder sig ud som et urværk – med flashbacks, posts fra et prepper-forum kaldet “Name The Day”, og kapitler der hopper mellem perspektiver.. Der er et afgørende twist, der kom som en total overraskelse, men som vi ikke skal spoile her. Enochites og ræven og kaninen Martha Einkorn bærer sin barndom med sig. Hun voksede op i en kult, hvor teknologien var forbudt, og hvor faderen Enoch insisterede på, at den moderne civilisation tog fejl, allerede da vi begyndte at dyrke jorden og gøre krav på territorium. Hans “Sermon of the Rabbit and the Fox” vender det klassiske ræv/kanin-motiv på hovedet. Her symboliserer kaninen ikke uskyldig sårbarhed – men netop de første, der bosatte sig, hegnede af, og indførte ideen om meningsløst ejerskab af land. Ræven er jæger-samleren, den, som lever i nuet og tilpasser sig landskabet uden at forsøge at eje det. For Enoch er tanken om at eje jord lige så absurd som at eje luft: Jorden tilhører dig kun, så længe du tager vare på den. Luften kun, så længe den er i dine lunger. Tech-oligarkerne i The Future er overvældet af kanin-mentalitet, der er gået til yderligheder: De indhegner og griber alt, og forsøger at sikre sig mod fremtidens farer gennem privatisering og massive forråd, frem for at stole på fællesskab og samarbejde. Når de rige ikke kan samarbejde Bogens centrale pointe er brutalt enkel: De ultrarige kan ikke redde verden, fordi de fundamentalt ikke tror på samarbejde. Selv når de tre tech-bosserne sidder på en ø sammen i livsfare, vælger de sabotage, mistillid og vold. Lai Zhen anbefaler samarbejde i små grupper. Enoch prædikede fællesskab med naturen. Men milliardærerne? De tror kun på sig selv og deres våben. Så selvom de har ressourcerne til at løse klimakrisen, bruger de dem på bunker-byggeri. Alderman sparer ikke på kritikken. Bogen er både thriller, satire og politisk essay. Den stiller spørgsmålet: Hvorfor skal nogen have lov til at være så rige? Hvad godt gør det? Vurderingen Jens: ⭐⭐⭐⭐⭐ (fem stjerner). Det er et utroligt stykke urværk. Perfekt crafted underholdning med masser af yndlingsting – den kunne laves til en vild serie. Og så synes jeg digital enclosure-pointen var super godt set. En bog til tiden. Anders: ⭐⭐⭐⭐(⭐) (fire-og-en-halv stjerner). Virkelig underholdt. Velskrevet, cool, tankevækkende. Men karaktererne var ikke helt så stærke – de føles alle lidt som Aldermans egen stemme. Hvis jeg kunne give 4,5 ville jeg. Men den gør alt det rigtige på det rigtige tidspunkt. Jens og Anders har SCIFI SNAKKET The Future. Shownotes til episoden om The Future Siden sidst Anders Er færdig med Pluribus – virkelig speciel serie med fantastisk stemning. Ray Seehorn er crazy dygtig. Har set Oppenheimer igen – fantastisk film, ikke meget sci-fi, men vi læste jo en bog om ham. Har læst Ship of Fools af Richard Paul Russo – om et generationsrumskib der finder et mystisk alien-rumskib. Virkelig stemningsfuld, med mindelser om Alien 3 og Stanislav Lem. Er i gang med Clade af James Bradley – klimadystopi med fokus på familiedrama gennem flere årtier. Tak til Jens for Calibre-plugin info – har nu fået konverteret alle sine Kindle og Kobo-bøger til epub. Jens Er færdig med sæson 1 af Pluribus på Apple TV – om Carol alene i en verden hvor alle andre er blevet til en hive mind. Meget tilfredsstillende slutning. Ser sæson 2 af Fallout på Amazon Prime – baseret på computerspillet som skaber en fantastisk verden som nærmest er en blanding af Hugh Howey’s Wool og Mad Max. Mega fed. Er begyndt at købe bøger på ebook.de i stedet for Kobo, da de ofte er meget billigere. Ripper DRM’en af og håndterer dem i Calibre. Jeg anser det for en politisk handling og at vi har lov til at eje ebøger fuldt og helt. Lytternes input Maibritt takkede for Star Maker-episoden: “Det lyder som om podcasten tog en for holdet her – tak for det
On this episode of Million Dollaz Worth of Game, the guys sit down with NBA legend Vernon Maxwell, aka Mad Max. Vernon breaks down his journey to the NBA, how close he came to fumbling his career, and what it was really like going head-to-head with the GOAT Michael Jordan. Gillie Da King and Mad Max get into a heated debate about American-born players vs. Euro players, while Wallo267 tries his best to keep the peace as Gillie snaps out
20260116 - 03 Dorogi Mad Max by Bochkor
20260116 - 04 Dorogi Mad Max hallgatói reakciók by Bochkor
En este episodio de Transpodcast nos salimos del carril tradicional y aceleramos a fondo con Jorge el Coco Cerón, fundador de Transportes Camelia y transportista originario de Chignahuapan Puebla. Jorge no es el típico empresario del autotransporte. Es de los que creen que un camión también comunica, vende y provoca conversación. Además de operar una empresa de carga exitosa, organiza arrancones de tráileres dos veces al año y se ha vuelto referencia por pimpear camiones con conceptos que rompen esquemas: desde Rico McPato, Thundercats y Looney Tunes, hasta una versión brutal estilo Mad Max. Aquí hablamos sin filtro de negocio, identidad, marketing sobre ruedas y de por qué pensar diferente —aunque incomode— puede ser una ventaja competitiva en el transporte. Humor, visión empresarial y mucha lámina bien trabajada. Si crees que todos los transportistas piensan igual, este episodio te va a desmentir en los primeros cinco minutos.
Johnny Spoiler goes beyond the Thunderdome with a full breakdown of Mad Max Beyond Thunderdome (1985)—George Miller's most divisive Mad Max film and a cornerstone of post-apocalyptic pop culture.From Tina Turner's iconic performance and chart-topping theme song to the politics of Bartertown, Master Blaster lore, wasteland world-building, and why this movie feels like Mad Max meets Lord of the Flies, we explore how Beyond Thunderdome reshaped the franchise and influenced everything from Rick and Morty to modern apocalypse storytelling.We also cover behind-the-scenes trivia, Mel Gibson's stunts, timeline continuity across the Mad Max trilogy, and why “We Don't Need Another Hero” became one of the most unforgettable movie songs of the 1980s.If you love Mad Max, post-apocalyptic movies, 80s sci-fi, cult film deep dives, or movie podcasts that mix humor with film history, this episode is a Binge Now.Get MEATZY https://tr.ee/GetMeatzyJohnny
Craig Mintz joins Max Stambaugh on the MadMax Moment to talk about Sprint Car Racing and the addition of Graham Huffman to the Mintz Motorsports driver roster.
On today's episode, we discuss James's awe‑struck ride in a fully self‑driving Tesla Model Y on “Mad Max” mode, using it to launch into concerns about how regulators, trial lawyers, and “communists” might eventually clamp down on true automotive freedom. From there, they dive deep into the unfolding Somali‑linked welfare fraud scandal and the deadly New Orleans SUV attack, arguing that Democratic elites need immigrant “martyrs” and imported voters, while Republican and tech‑sector power brokers quietly profit from the same global money pipelines. By the end, they call for the whole corrupt system—bureaucrats, NGOs, and political fixers alike—to be exposed and “imploded” through real prosecutions at the top, while media figures like Dan Bongino keep public attention from drifting away after a few news cycles. Don't miss it!
We're starting 2026 by going back to the beginning with Mad Max.Before the wasteland. Before the mythology. Before Max became a symbol.This is a small, angry road movie about a world still pretending to function.We talk about the collapse of law before the collapse of society, the violence that feels more procedural than heroic, and a protagonist who understands exactly what the road will turn him into — and can't avoid it anyway.This is where the franchise starts, and it doesn't look like what people remember.Franchise Addicts — one franchise, one film at a time.
THAT EXPLOSIVE OPENING SEQUENCE!! Lethal Weapon 3 Full Movie Reaction Watch Along: / thereelrejects Gift Someone (Or Yourself) An RR Tee! https://shorturl.at/hekk2 Lethal Weapon (1987) Movie Reaction: • LETHAL WEAPON (1987) MOVIE REACTION!! Firs... Lethal Weapon 2 (1989) Movie Reaction: • LETHAL WEAPON 2 (1989) IS EVEN CRAZIER!! M... Aaron & Johnald are BACK ON THE BEAT giving their Lethal Weapon 3 Reaction, Recap, Analysis, Breakdown, & Spoiler Review!! Aaron Alexander & John Humphrey react to Lethal Weapon 3 (1992), the high-octane buddy-cop sequel directed by Richard Donner that dials up the action, comedy, and chaos as Riggs and Murtaugh take on a new kind of threat inside the LAPD. This entry pivots from international villains to an internal crisis, blending street-level danger with the franchise's signature humor and heart. Mel Gibson (Braveheart, Mad Max) returns as volatile detective Martin Riggs, whose reckless instincts are put to the test when the case hits close to home. Danny Glover (The Color Purple, Predator 2) reprises Roger Murtaugh, balancing family life and duty while famously edging closer to retirement—again. The film introduces a standout new partner in Rene Russo (The Thomas Crown Affair, Get Shorty) as Lorna Cole, a no-nonsense Internal Affairs officer whose chemistry with Riggs becomes a franchise highlight. The threat comes from within, with Stuart Wilson (The Mask of Zorro, Hot Fuzz) playing former cop Jack Travis, a ruthless arms dealer flooding the streets with stolen police weaponry. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
THAT EXPLOSIVE OPENING SEQUENCE!! Lethal Weapon 3 Full Movie Reaction Watch Along: / thereelrejects Gift Someone (Or Yourself) An RR Tee! https://shorturl.at/hekk2 Lethal Weapon (1987) Movie Reaction: • LETHAL WEAPON (1987) MOVIE REACTION!! Firs... Lethal Weapon 2 (1989) Movie Reaction: • LETHAL WEAPON 2 (1989) IS EVEN CRAZIER!! M... Aaron & Johnald are BACK ON THE BEAT giving their Lethal Weapon 3 Reaction, Recap, Analysis, Breakdown, & Spoiler Review!! Aaron Alexander & John Humphrey react to Lethal Weapon 3 (1992), the high-octane buddy-cop sequel directed by Richard Donner that dials up the action, comedy, and chaos as Riggs and Murtaugh take on a new kind of threat inside the LAPD. This entry pivots from international villains to an internal crisis, blending street-level danger with the franchise's signature humor and heart. Mel Gibson (Braveheart, Mad Max) returns as volatile detective Martin Riggs, whose reckless instincts are put to the test when the case hits close to home. Danny Glover (The Color Purple, Predator 2) reprises Roger Murtaugh, balancing family life and duty while famously edging closer to retirement—again. The film introduces a standout new partner in Rene Russo (The Thomas Crown Affair, Get Shorty) as Lorna Cole, a no-nonsense Internal Affairs officer whose chemistry with Riggs becomes a franchise highlight. The threat comes from within, with Stuart Wilson (The Mask of Zorro, Hot Fuzz) playing former cop Jack Travis, a ruthless arms dealer flooding the streets with stolen police weaponry. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
Chris Russell kicks off the first show of the new year by reacting to Ole Miss' big Sugar Bowl win over Georgia, sharing his thoughts on the Rebels' performance led by the outstanding Trinidad Chambliss and Georgia's nail-biting loss. The conversation then shifts to the NHL, as Chris and Mad Max preview the Winter Classic in Miami between the Panthers and the Rangers, mixing in hockey talk and putting A-MAC to the test with a quiz on his knowledge of the sport.
Today's episode is a total pinch-me moment as we sit down with our OG Dazey and ultimate Mother Daze superfan, the incredible Emmy-nominated Riley Keough! It's a full-circle love fest as we gush over Riley's phenomenal career and dive into shiz like the A-holes who hate kids on planes, Meisner-fueled Mad Max madness, character acting, singing and swinging at Chanel, and the raw duality of birth and death. Riley opens up about the isolation of grief and how co-authoring From Here to the Great Unknown with her mom, Lisa Marie Presley, became a deeply cathartic journey after her passing. We also fangirl over Riley's brilliant balancing act as a mom, producer, and globally celebrated actor—covering everything from Zola to Sarah's fav- Daisy Jones & the Six. Plus, Tez and Riley take a hilarious stroll down Mad Max audition memory lane! This episode is proudly sponsored by Hungryroot and Boll & Branch! Follow Sarah Wright Olsen: IG: @swrightolsen Follow Teresa Palmer: IG: @teresapalmer FB: https://www.facebook.com/teresamarypalmer/ DISCOUNT CODES: • Go to www.baeo.com and get 20% when using the code MOTHERDAZE20 • Go to www.lovewell.earth and get 20% when using the code MOTHERDAZE20 More about the show! • Watch this episode on YouTube here • Co-founders of @yourzenmama yourzenmama.com • Read and buy our book! "The Zen Mama Guide To Finding Your Rhythm In Pregnancy, Birth, and Beyond" Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices
Send us a textThe Get Out N Drive Podcast Is Fueled By AMDShould the guys build a war rig and get out n drive to Wasteland Weekend 2026? John thinks so, Jason isn't so sure. So, will you see the Get Out N Drive Podcast at Wasteland Weekend. Ride along as Jason OldeCarrGuy Carr and John CustomCarNerd Meyer talk hash this out and decide if they will be attending this desert festival based heavily on the Mad Max films, but incorporating other iconic pieces of post-apocalyptic pop culture. Buy the guys some guzzoline!The Get Out N Drive Podcast is Fuel By AMD ~ AMD: More Than MetalVisit the AMD Garage ~ Your one stop source for high quality body panelsFor all things Get Out N Drive, cruise on over to the Get Out N Drive website.Be sure to follow GOND on social media!GOND WebsiteIGXFBYouTubeRecording Engineer, Paul MeyerSubscribe to the Str8sixfan YouTube Channel#classiccars #automotive #amd #autometaldirect #c10 #restoration #autorestoration #autoparts #restorationparts #truckrestoration #Jasonchandler #podcast #sheetmetal #carbuild #truckbuild #carproject #watelandweekend #gaslands #madmax #WhatDrivesYOUth#GetOutNDriveFASTJoin our fb group to share pics of how you Get Out N DriveFollow Jason on IGIGFollow Jason on fbSubscribe To the OldeCarrGuy YouTube ChannelFollow John on IGRecording Engineer, Paul MeyerSign Up and Learn more about National Get Out N Drive Day.Music Credit:Licensor's Author Username:LoopsLabLicensee:Get Out N Drive PodcastItem Title:The RockabillyItem URL:https://audiojungle.ne...Item ID:25802696Purchase Date:2022-09-07 22:37:20 UTCSupport the show
Recorded before a live Facebook (and YouTube) audience, Will, Kat and Jon discuss the following topics:0:00 - Introduction3:30 - The searchable HBO guide database20:35 - James Cameron CPRed a rat to protect The Abyss29:25 - Cameron is rebooting The Terminator33:00 - Mad Max director supports AI filmaking43:20 - Fortnite's obscure obcenity slip57:05 - The fate of the new Muppet Show is in your hands1:07:55 - Wrap Up and Thank YouFollow us on Facebook: https://www.facebook.com/1980snow.Subscribe to our YouTube channel: https://www.youtube.com/@1980snowRead our new book Totally Bogus (But True) Tales from the 1980s!
It's time to end 2025 with a bang... a weird bang... this time we watch a John Hughes classic filled with so much nostalgia and laugh our rear ends off. It's time for Weird Science! Perhaps the most misunderstood of John Hughes' movies, this one has all sorts of hidden depth and character behind a lot of wacky stuff, and many miss it. We'll break it all down as this film has just as much to say about teens as any of his other works. Before we jump into the film we also discuss our Top 5 John Hughes movie moments of all time. So grab your Cuban missiles, watch out for Mad Max biker gangs, and always remember to hook up the doll... it's time for Weird Science on The Movie Defenders podcast! Click here to listen and connect anywhere: https://linktr.ee/moviedefenders 00:00:00 Intro and What We've Been Watching 00:24:25 Best John Hughes Movie Moments 00:52:38 Weird Science Discussion Starts 01:24:11 Movie Opens 01:34:15 A Crazy Idea 01:42:54 The Kandy Bar 01:56:04 "Like your panties... BURP!" 02:15:37 Forgot to Hook Up the Doll 02:17:36 Mad Max Time 02:23:44 Deb and Hilly 02:36:58 Saying Goodbye Special thanks to our amazing Patreon supporters! Alex Kirkby Alexis Helman Barrett Young Bart German Brett Bowen Daryl Ewry Doug Robertson Ena Haynes Eric Blattberg Jason Chastain Josh Evans Joshua Loy Katherine Boulware Kevin Athey Mark Nattress Mark Martin Megan Bush Michal Kaczmarek Michael Puckett Nick Nagher Randal Silver Sean Masters Stephanie Ewry Tim TJ Walker Attack of the Killer Podcast
We sit down with country singer-songwriter Kelsi Mayne to talk about her latest singles “Someone Who Knows” and “For The Record,” and the winding road that's shaped her career.Kelsi opens up about growing up in Windsor, Ontario, balancing music with life as a nationally ranked track athlete and registered nurse, and how playing bar gigs helped spark the realization that music was more than just a side passion. She reflects on releasing her debut album As I Go at the onset of the pandemic, the viral success of its Mad Max–inspired video, and why working closely with her brother has become such a big part of her creative process.We dive deep into the emotional core of “Someone Who Knows,” written in the aftermath of a cancelled wedding and recorded almost immediately, and how embracing vulnerability has led to her most honest music yet. Kelsi also talks about her high-energy live shows, her infamous “shots and squats” pre-show ritual, performing marathon sets at the Calgary Stampede, and what fans can expect as she looks ahead to 2026.Jonathan's Drinking: Penelope Rio
We're looking at a very irritating but, in one way, one of the most crucial of characters in Furiosa. Have a listen to why we think that, and what we make of the fella.
Luke and Leia Butthole. The Littlest Mermaid. Mrs. Mad Max. Scott and Brian are the new Statler And Waldorf. Out Of Mothers. Hot and Boring and Slow. I'll do 9 holes if it is the right group. Taking Another McCllunky. Ellen DeGeneres Ripley. Half Bloated Corpse of a Cow on the Street. Banana-rama-ding-dong. Sideways fishing. Scott loves to Bait. Planning for the Unplannable. There's always a bigger AI fish with Tom and more on this episode of The Morning Stream. Hosted on Acast. See acast.com/privacy for more information.
Luke and Leia Butthole. The Littlest Mermaid. Mrs. Mad Max. Scott and Brian are the new Statler And Waldorf. Out Of Mothers. Hot and Boring and Slow. I'll do 9 holes if it is the right group. Taking Another McCllunky. Ellen DeGeneres Ripley. Half Bloated Corpse of a Cow on the Street. Banana-rama-ding-dong. Sideways fishing. Scott loves to Bait. Planning for the Unplannable. There's always a bigger AI fish with Tom and more on this episode of The Morning Stream. Hosted on Acast. See acast.com/privacy for more information.
Meta, That's No Moon. Martian Dust Devils. Everyone Wing Chun Tonight. Lightning Zero. All I Can Afford is a Monday. Full Hasidic Hitman. You'll have no hot dogs, no potato chips and no Lt. Yar! A SNEAK FROM BEHIND WITH DUNAWAY. What's Up Drafts? Mad Max counter RESET. I Do Like Matthew Rheeeeeeeees. Everybody. Blame Some Body. The Whirlypigs of Time bring their revenges. Vertical Updrafts FTW. Discharging With Bobby and more on this episode of The Morning Stream. Hosted on Acast. See acast.com/privacy for more information.
Meta, That's No Moon. Martian Dust Devils. Everyone Wing Chun Tonight. Lightning Zero. All I Can Afford is a Monday. Full Hasidic Hitman. You'll have no hot dogs, no potato chips and no Lt. Yar! A SNEAK FROM BEHIND WITH DUNAWAY. What's Up Drafts? Mad Max counter RESET. I Do Like Matthew Rheeeeeeeees. Everybody. Blame Some Body. The Whirlypigs of Time bring their revenges. Vertical Updrafts FTW. Discharging With Bobby and more on this episode of The Morning Stream. Hosted on Acast. See acast.com/privacy for more information.
• Sponsor talk about Modern Plumbing and finding a swollen kitchen pipe • Friday Free Show kickoff with old-school Tom & Dan vibe • Out-of-town BDMs arriving for weekend events • Certified Best Roofing and Tom the Mime announced for Beer Fest • Florida site blocks leading Tom to Surfshark VPN and jokes about regional porn • Surfshark promo compared to other VPNs • Daniel preparing for a concert while battling baseline anxiety • Judson's Live described as intimate; past News Junkie roast mentioned • Stress over leaving Jimmy's show early and short radio segments • Caffeine warnings, energy-drink jokes, and night-before anxiety • Positive Jimmy-show feedback before rushing to Judson's • Daniel attending alone, front-row, ordering sliders, interacting with listeners • Jordan Foley performing with surprises, duet with his wife • Daniel's iPhone alarm blasting during her solo despite silent mode • Panic trying to stop the alarm; audience noticing; intense embarrassment • Debate on apologizing vs. moving on • Doctors profiling patients for pain meds; pill-prescribing inconsistencies • Andrea calling in about skin cancer diagnosis and surgeries • Mohs procedure details, emotional stress, reconstruction choice, stitch recovery • Joke about hiding OxyContin; reminder of addiction risks • Documentary discussion kickoff after break • Cadillac Pat's "treasure" mix-up with founder photo and legal threats • Viral Kevin Spacey "homeless" headline debunked • Eddie Murphy documentary talk: age, talent, career, eccentricities, fame • Comparison to Chappelle and modern fragmented stardom • Nate Bargatze's proposed "NateLand" and passion-project pitfalls • Eddie Murphy's multi-character roles, disciplined childhood, avoiding vices • SNL tensions, Bill Murray stories, past controversies • Bad national anthem performance found online; hosts try to contact singer • Discussion of stage fright and famous anthem flubs • New documentary on dangerous neighbors and intro to Hate Thy Neighbor segment • Listener Cara's story: elderly neighbors, alcoholic daughter, grifter takeover, drug den, SWAT raids, abandoned house, trapped dog, eventual cleanup • Reflection on neighbor feuds, escalation, and Dan's dad vs. Mike Frye • E-bike bans at schools and crackdown comparisons • Notes on regulation vs. freedom and local enforcement differences • Updates to the T&D app and website • Tesla driving modes including Mad Max; safety debate and feature removals • Waffle House "tactical breakfast" voicemail • Toilet-seat gasket debate and bathroom-hygiene jokes • Caller comparing Tom & Dan to Chevy Chase and Paul Simon; bass-solo gripe • Final push for Beer Fest and Sofas & Suds; thanks to travelers and long-running event clarification ### Social Media: https://tomanddan.com | https://twitter.com/tomanddanlive | https://facebook.com/amediocretime | https://instagram.com/tomanddanlive Where to Find the Show: https://podcasts.apple.com/us/podcast/a-mediocre-time/id334142682 | https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2FtZWRpb2NyZXRpbWUvcG9kY2FzdC54bWw | https://tunein.com/podcasts/Comedy/A-Mediocre-Time-p364156/ Tom & Dan on Real Radio 104.1: https://podcasts.apple.com/us/podcast/a-corporate-time/id975258990 | https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2Fjb3Jwb3JhdGV0aW1lL3BvZGNhc3QueG1s | https://tunein.com/podcasts/Comedy/A-Corporate-Time-p1038501/ Exclusive Content: https://tomanddan.com/registration Merch: https://tomanddan.myshopify.com/
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