Podcasts about aleatory music

Holy smokes, 350th episode. Can you believe it?Anyway...Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Just released on Bandcamp: Vol. 6: pages 131 to 160Vol. 5: pages 101 to 130Taking it all the way back:Vol. 4: pages 76-100Vol. 3: pages 51-75Vol. 2: pages 25-50Vol. 1: pages 1-24Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.I got some new music up on Bandcamp, an album of icy mellowness called Winter Sketchbook.

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Just released on Bandcamp: Vol. 6: pages 131 to 160Vol. 5: pages 101 to 130Taking it all the way back:Vol. 4: pages 76-100Vol. 3: pages 51-75Vol. 2: pages 25-50Vol. 1: pages 1-24Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.I got some new music up on Bandcamp, an album of icy mellowness called Winter Sketchbook.

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Just released on Bandcamp: Vol. 6: pages 131 to 160Vol. 5: pages 101 to 130Taking it all the way back:Vol. 4: pages 76-100Vol. 3: pages 51-75Vol. 2: pages 25-50Vol. 1: pages 1-24Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.I got some new music up on Bandcamp, an album of icy mellowness called Winter Sketchbook.

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Just released on Bandcamp: Vol. 6: pages 131 to 160Vol. 5: pages 101 to 130Taking it all the way back:Vol. 4: pages 76-100Vol. 3: pages 51-75Vol. 2: pages 25-50Vol. 1: pages 1-24Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.I got some new music up on Bandcamp, an album of icy mellowness called Winter Sketchbook.

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Just released on Bandcamp: Vol. 6: pages 131 to 160Vol. 5: pages 101 to 130Taking it all the way back:Vol. 4: pages 76-100Vol. 3: pages 51-75Vol. 2: pages 25-50Vol. 1: pages 1-24Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Just released on Bandcamp: Vol. 6: pages 131 to 160Vol. 5: pages 101 to 130Taking it all the way back:Vol. 4: pages 76-100Vol. 3: pages 51-75Vol. 2: pages 25-50Vol. 1: pages 1-24Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.

Aleatory means, basically, improvised. It is a type of music where you write some musical guidelines for the performers to follow but you don't write every note, every beat of the music. It gives us different possibilities for the same music, to a degree. All three pieces have elements that are not fully notated, but the first one is the one that is 97% aleatory. There is also an element of social justice in her music as the work Uprooted takes us to the interment of American citizens of Japanese descent in camps during World War II. And of sacred music, as the third piece we hear is based on the Mater Dei. --- Support this podcast: https://anchor.fm/sergio-barer/support

As noted by the title, this piece centers on the talents of virtuoso trumpeter Peter Evans in a performance that is largely (though not entirely) improvised in performance. Evans’ tones are manipulated at times by the composer through digital signal processing, in what amounts to another interdependent and improvised performance; indeed, the watchwords for the entire enterprise are exploration and collaboration. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33855]

As noted by the title, this piece centers on the talents of virtuoso trumpeter Peter Evans in a performance that is largely (though not entirely) improvised in performance. Evans’ tones are manipulated at times by the composer through digital signal processing, in what amounts to another interdependent and improvised performance; indeed, the watchwords for the entire enterprise are exploration and collaboration. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33855]

As noted by the title, this piece centers on the talents of virtuoso trumpeter Peter Evans in a performance that is largely (though not entirely) improvised in performance. Evans’ tones are manipulated at times by the composer through digital signal processing, in what amounts to another interdependent and improvised performance; indeed, the watchwords for the entire enterprise are exploration and collaboration. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33855]

As noted by the title, this piece centers on the talents of virtuoso trumpeter Peter Evans in a performance that is largely (though not entirely) improvised in performance. Evans’ tones are manipulated at times by the composer through digital signal processing, in what amounts to another interdependent and improvised performance; indeed, the watchwords for the entire enterprise are exploration and collaboration. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33855]

As noted by the title, this piece centers on the talents of virtuoso trumpeter Peter Evans in a performance that is largely (though not entirely) improvised in performance. Evans’ tones are manipulated at times by the composer through digital signal processing, in what amounts to another interdependent and improvised performance; indeed, the watchwords for the entire enterprise are exploration and collaboration. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33855]

As noted by the title, this piece centers on the talents of virtuoso trumpeter Peter Evans in a performance that is largely (though not entirely) improvised in performance. Evans’ tones are manipulated at times by the composer through digital signal processing, in what amounts to another interdependent and improvised performance; indeed, the watchwords for the entire enterprise are exploration and collaboration. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33855]

Renowned composer John Luther Adams discusses “The Wind Garden,” his soundscape installation for the Stuart Collection at UC San Diego, with the Collection’s Mathieu Gregoire. Series: "Stuart Collection" [Arts and Music] [Show ID: 30732]

Renowned composer John Luther Adams discusses “The Wind Garden,” his soundscape installation for the Stuart Collection at UC San Diego, with the Collection’s Mathieu Gregoire. Series: "Stuart Collection" [Arts and Music] [Show ID: 30732]

Renowned composer John Luther Adams discusses “The Wind Garden,” his soundscape installation for the Stuart Collection at UC San Diego, with the Collection’s Mathieu Gregoire. Series: "Stuart Collection" [Arts and Music] [Show ID: 30732]

Renowned composer John Luther Adams discusses “The Wind Garden,” his soundscape installation for the Stuart Collection at UC San Diego, with the Collection’s Mathieu Gregoire. Series: "Stuart Collection" [Arts and Music] [Show ID: 30732]