Podcasts about Collection

This week's Eye on Travel Podcast with Peter Greenberg covers how the tourism industry is coping among staff shortages and an increase in customer demands, a unique French airline, and how the Paris culinary scene has changed amid the pandemic with Chief Operating Officer of the Dorchester Collection and General Manager of the Plaza Athenee Francois Delahaye, CEO of French Bee Marc Rochet, and Author of My Place at the Table Alexander Lobrano.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What you'll learn in this episode: The history of Sculpture to Wear and how Lisa maintains its legacy Why editorial and media coverage is crucial for getting art jewelry recognized as a fine art What the role of a jewelry gallery is Why Lisa always advises artists to keep good records of their work How the bold brooches of the 80s paved the way for today's art jewelry About Lisa M. Berman Lisa M. Berman is an internationally recognized “Ambassador of Wearable Art.” Based in Southern California, her expertise extends to major manufacturing and retail markets, museums and corporations in the United States, Canada, Mexico, Asia and Europe. Lisa is the owner of the iconic gallery Sculpture to Wear, which was instrumental in launching the studio jewelry movement in the United States. The gallery offers an eclectic array of art, jewelry and unique objects to discerning collectors, media producers and institutions, which have been featured in film, television and publications. Her recently launched Berman Arts Agency offers artist representation, career management, corporate acquisition, sponsorship advisement, museum placement, exhibition curation and education services on the disciplines of fine art, jewelry, design and fashion. Lisa holds degrees in Plastics Manufacturing Technology from California State University Long Beach, Product & Jewelry Design from Otis College of Art & Design and Merchandising/Marketing from Fashion Institute of Design and Merchandising (FIDM). She has served on the Board of Governors for OTIS College of Art & Design; as Public Relations Chair for the Textile and Costume Council at the Los Angeles County Museum of Art (LACMA); and on the Museum Collection Board at FIDM. She volunteers for Free Arts for Abused Children, STEAM projects and Art & Fashion Councils. Additional Resources: Sculpture To Wear Website Sculpture To Wear Instagram Sculpture To Wear Facebook Lisa Berman Instagram Photos: Lisa M. Berman wearing Archival 18k gold plate PEBBLES Necklace by Robert Lee Morris, her own sterling silver pendant by K. Lamberti, Issey Miyake coat and holding a signed ARTWEAR Catalog (RLM). Photo by Daniel Oropeza NUE Magazine Holiday 2020  Model Neva Cole, Photo by Daniel Oropeza  ICE Collar by Greg Orloff, 2018, $15,000 Creative Director / styled by: Lisa M. Berman  NUE Magazine Holiday 2020  Feature article "Powerful Woman of Dissent" from the "Feel the Frill" Exhibition honoring RBG curated by L.M. Berman.  Sculpture: LUX MAXIMUS, Winner of ARTPRIZE 2017 by Daniel Oropeza $350,000.  Model Neva Cole wears Emancipation Collar by 2Roses, 2020, $1,500.  Photo by Daniel Oropeza  Creative Director / styled by: Lisa M. Berman  Cover of IONA Magazine  Model wears Beaded Galaxy by 3 Tribes, from our Timeless Measures Exhibition 2006, curated by Lisa M. Berman & Pamela McNeil  1 year collaboration with women from 3 tribes in Africa - elders teaching the younger generation how to bead.  Cuffs (sterling Silver & Copper) by Tana Action  IONA Magazine  Models wears pieces by Jan Mandel: “REVEALED” Collar $50,000 (worn to the EMMY Television Academy's Governors Ball) and “POIGNET” (French meaning Wrist) $25,000 - both with created from Stainless steel mesh, outlined with 18k gold wire, Citrine, 2001. IONA Magazine  Models wears pieces by Jan Mandel: Earrings - 18k gold & aqamarine (NFS), “TRANSITION” Collar, 18k gold, Onyx, Aquamarine $20,000  and “GOLDEN” Cuff, 18k gold, $10,000, made in 2001. Niche Magazine - TOP RETAILER SPIKED, red collar (Collection of Myra Gassman) & Cuffs on left side by Michelle Ritter  “POIGNET” (French meaning Wrist) $25,000 -  both with created from Stainless steel mesh, outlined with 18k gold wire, Citrine. Bouquet Ring, Stainless steel & garnet by Wendy Gwen Hacker $800 Collaboration with Sculpture To  Wear Designer Gina Pankowski & MOEN Facet manufacturer. Utlilitary into Wearable Art Cover of W Magazine  - January Jones wears LATTICE necklace (oxidized Sterling Silver) by Gina Pankowski, $4,000 And Bridge Bracelet sterling silver by Sergey Jivetin, SOLD in Private Collection    The images below are from a PHOTO shoot based in the music video Rico Mejia Photography Fashion Beauty Celebrity Lifestyle Mobile number: 323-370-0555 https://www.behance.net/ricomejia https://twitter.com/RicoMejiaFoto https://www.instagram.com/ricomejiaphoto/ Perpetual Light in Motion - editorial photography by Rico Meija for Costumes bResin and Diamond Bangle by Cara Croninger from 24K Show, 1979, $4,000 Citrus Collar of acrylic, stainless steel & magnetic closure $650, and Bracelet $300 by Adriana Del Duca of Genos Jewelry  Vintage Earrings- acrylic, one of a kind by Frank & Anne Vigneri, 1984, $350 Perpetual Light in Motion - editorial photography by Rico Meija for Costumes by Swinda Reichelt  Resin DROP earrings by Cara Croninger $200 REGINA Collar of acrylic, stainless steel & magnetic closure $800 by Adriana Del Duca of Genos Jewelry for "Feel the Frill" exhibition honoring RBG, curated by L.M. Berman. Bracelet by Genos, NFS in collection of Julie Laughton Perpetual Light in Motion - editorial photography by Rico Meija for Costumes by Swinda Reichelt  BLUE DROP earrings Teri Brudnak $98 HEDGEHOG Collar of acrylic, stainless steel & magnetic closure $850 by Adriana Del Duca of Genos Jewelry for "Feel the Frill" exhibition honoring RBG, curated by L.M. Berman. Clear CUFF by Cara Croninger, NFS collection of L.M. Berman        Cover of Vogue with Cherize Theron     Transcript: Lisa Berman, owner of art jewelry gallery Sculpture to Wear, has been a figure in the art jewelry world for over 20 years, and she has a wealth of insight to share with fellow jewelry lovers. For her second appearance on the Jewelry Journey Podcast, she talked about how she's maintained relationships with hundreds of designers and collectors over the years, what advice she offers the designers she works with, and why art jewelry is coming into its own as a fine art collected by museums. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. Today, my guest is Lisa Berman. Although we share the same last name, I'm not related to Lisa; however, over the years she has become a friend and a trusted dealer. Lisa has been a guest on the show before. Today, we'll have a wide-ranging discussion with less of a focus on a particular piece, more talking about her experience in the jewelry and fashion world. Per our practice, the podcast is audio only. We will be posting photos of many of the pieces Lisa mentions today on our website, which is JewelryJourney.com. This is also a two-part podcast, so please keep your eyes open for our second episode which will air later this week. Please make sure you're a member of our jewelry community by subscribing to the Jewelry Journey Podcast. That way you can listen to both episodes hot of the presses, so to speak. With that, I'd like to welcome Lisa to the program. Lisa: Thank you, Sharon. I'm so delighted to be back here again. Sharon: It's great to have you. For those who don't know your background, can you give us a brief overview of your background? Lisa: Of course. I grew up in the fashion industry and had a career in fashion design. I had an accessory business for many, many years, and then I acquired the name of Sculpture to Wear Gallery in 1998. Of course, that was originally launched in 1973 in New York City in the Park Plaza Hotel. I launched my first exhibition at Bergamot Station Art Center, which I'll tell you about in a second, on January 16, 1999. I'm proud to be the second owner of Sculpture to Wear Gallery. Now, location is important. Location, location, location, you've heard a million times in real estate. Bergamot Station Art Center is in Santa Monica, California, Southern California, and it was formerly the home to 25 thriving contemporary galleries and the Santa Monica Museum of Art. It was, I believe, a five-acre complex. Now the Red Line runs through it. Sharon: The Red Line being the Metro. Lisa: Yes, the metro. Anyway, that's where I started my journey. I actually met my former husband, Robert Berman, there as well. It was the heyday. It was like Soho. It was the happening place on the West Side; it was a lot of fun. Every Thursday, Friday and Saturday night for 10 years, there were gallery openings. There was constant influx of artists and jewelers and collectors and educators and writers, so it was definitely the place to be. Sharon: What was groundbreaking about—first, it was groundbreaking that Sculpture to Wear was on the West Coast, but what was groundbreaking about the original Sculpture to Wear? Lisa: The owner, Joan Sonnabend, was basically located in Boston, but she had a tiny, little, postage-stamp gallery. Robert Lee Morris told me it was only about 400 square feet. The delineation was that she only showed work by signed artists. For example, you had Alexander Calder making jewelry, and he actually made his jewelry. There were pieces by Picasso; those were in addition to the series and those were made by other craftsmen. Of course, you have people like Robert Lee Morris, whose entire career was launched at the original Sculpture to Wear. The idea was that she was selling one-of-a-kind, sculptural jewelry made by fine artists, not by jewelry artists. That was the idea. Sharon: From what I've heard, nobody else was doing that then. This was unusual. Lisa: It was extremely unusual. The only person that was doing something similar was in Philadelphia. That's our beloved Helen Drutt, who is about to turn 91. She was also very monumental and important in bringing studio jewelry and wearable art to the United States, but she worked with jewelers and makers, mostly in Europe. Sharon: How did you know the Sculpture to Wear license was available? How did you find out about that? Lisa: I was introduced to the idea through Cindy Forbes, who's now Cindy Brown. She ultimately ended up being my gallery manager. We had a conversation, one thing led to another, and that was kind of it. It was available, so I capitalized on that and the domain and the name. When I acquired the name, I felt it was very important that every decision I made was legacy-driven, because it was a very important part of history. This is not something I just launched; they had an important history and legacy on the East Coast. That's why for my business card, I purposely selected the title of “visionary proprietor,” because it kept me on point and on target. At first, I got a little flak from it, but as I explained, that kept me on point to do my best. That was it. Sharon: Flak because people said, “Oh my gosh—”  Lisa: A lot of gumption that I would profess to be this visionary proprietor. Now, everyone on social media is a visionary and all the museum collectors' groups are visionaries. I don't know; I guess I was ahead of the curve. Sharon: You are a visionary. Lisa: This was 23 years ago. There you go.  Sharon: So, you opened at Bergamot Station and then you moved the gallery to Montana Avenue in Santa Monica? Well, they're both in Santa Monica. Lisa: I was in Bergamot Station from 1999 until 2003. In Bergamot Station, I had two separate little locations. In 2003, I moved to a much larger location. That was on Montana Avenue at the cross street of 11th Street. I moved there knowing I was a destination, that I had built a brand with Sculpture to Wear and with the artists through a number of different ideologies and media and exposure. We'll get into that in a second, but I knew I was a destination. I was not going to rely on walk-in traffic on Montana Avenue, like so many of the other stores did. That was really important, that I had built up that mailing list, the collector base. People would be traveling, or friends would be coming in from out of town and our collectors would pick them up at the airport and say, “We have to take you to Sculpture to Wear first.” It was those kinds of relationships we had built there. Sharon: Did people stumble on your gallery in Bergamot Station? How did they find you? Lisa: Bergamot had 25 galleries, so at any given day at any given moment, you had tons of people walking around. It's completely different than it is today; of course during the pandemic, but completely different. There was no problem reaching collectors, and I was the complete anomaly. You have this sculptural jewelry, and it was an education to a new audience. A lot of these people weren't necessarily open to the idea of jewelry not having diamonds or gold. People that had an educated eye in regard to design, like architects, were some of our first clients because they understood the design. It literally was a small-scale sculpture.  I think my passion for that and some of the artists were also incorporated into that conversation. I made a request of any artists that were local to the gallery that they do three things: they had to work in the gallery, they had to come and help set up an exhibition that wasn't theirs, and they had to attend an opening that wasn't theirs. I wanted them to understand the role of a gallery and what we did. At first it was, “Well, why I would give you 50 percent of the retail price?” This was a demonstration for them to learn why. There wasn't any artist who partook in those three requests that came to me and said, “No, this isn't right.” They all were shocked at what we did on a daily basis. Robert Lee Morris, I told him about that, and he was shocked. He said, “You did that?”  Sharon: You mentioned Robert Lee Morris. A lot of people will know who he is, especially New Yorkers or fashionistas, but tell us who he is and why he's important. Lisa: Robert Lee Morris is an icon. He's been designing jewelry for over 50 years. He's the only designer to earn the Coty Award for his jewelry design an unprecedented three times. He was the designer who made the big, bold, gold jewelry in conjunction with Donna Karan's black cashmere new work uniform in the late 80s, early 90s. Digressing to understand why he's important in my world, our world of art jewelry, is that he was one of the most important and prolific designers at the original Sculpture to Wear in New York.  He was self-taught. He was literally found at a tiny, little show in an offbeat path. He was immersed in this incredible work from Alexander Calder, Salvador Dalí, Louise Nevelson—amazing artists who already had these incredible careers, and as it turns out, people loved Robert's work. He outsold all the other artists combined at Sculpture to Wear. Then he launched his own gallery. After Sculpture to Wear closed, he launched Artwear. That launched a number of careers from a lot of famous artists, jewelers, studio jewelers, some of whom are still with us and some are not. That's his legacy; first at Sculpture to Wear, then Artwear. He has these amazing archives, and we'll talk about how editorial and prior images play a role in the secondary market. That might be a good place to talk about that. Sharon: O.K., please. Lisa: What's a phenomenon for me is that when I started and someone would ask if I sold jewelry, I knew the context. They would immediately think of CZ or— Sharon: Engagement rings. Lisa: Engagement rings. I said, “No, that's not at all what I do,” and I would always be wearing a piece. I was always wearing largescale pieces of jewelry. At that time when I first opened my gallery, I had very short hair; I think it was two inches long. People may not have remembered my name, but they would point at me from across the room and say, “Oh, that's the jewelry lady. That's the Sculpture to Wear lady,” and that was just fine.  This type of work, like photography 80 or 60 years ago, was not accepted in the realm of a fine art museum. Now you see photography auctioned at over $1 million, and some of the most incredible collections in the world are simply photography. Art jewelry is now collected in some specific fine art institutions, and that is for a number of reasons. First of all, it's because of exposure from editorial and media, and also because of the stewardship of specific collectors and designers like Helen Drutt, who bequeathed her collection to the Houston Fine Art Museum. I think it was almost a decade ago, and there's an incredible book. It's on my bookshelf. I can see it from here; it's very orange and large. She wanted her collection to be viewed at a fine arts museum versus a craft museum, and that started that conversation.  Lois Boardman on the West Coast donated her collection to LACMA, LA County Museum of Art, I believe five years ago. Also, for example, the Renwick Gallery at the Smithsonian has been collecting this work for a lot longer. For example, Jen Mandel and I were there for her induction into the Smithsonian. That was incredible. We were standing right next to a piece made by Alexander Calder, and that's where her vitrine was placed. It's really about this conversation, and I think it's a conversation of education.  As for the secondary market, we were just attending the Bonhams preview for the Crawford Collection. That's an unprecedented phenomenon, to have a collection of that level, of that stature, being auctioned by Bonhams without diamonds, without gold. There are a few elements and pieces to that, but you're looking at Art Smith pieces, modernists, studio jewelers. This is a very exciting and fertile time to be involved in studio and art jewelry. This is what I've been doing for the last 22, 25 years. We're at a very exciting place and there are a number of forums, especially with Covid and Zoom, with Art Jewelry Forum having open conversations about this, introducing collectors to artists and, of course, your podcast. There are a lot of variations and factors for the secondary market. Sharon: Lisa, because your jewelry and art jewelry in general is still avant garde—although it's coming into its own—do you think collectors or people like you are going to say, “O.K., what's next? What's on the horizon now? That's become old hat.” It hasn't, but do you think people are going to move on? Lisa: Sharon, I hope not. Within the genre of studio jewelry and wearable art, it has progressed and become so sophisticated. There are so many different makers out there, especially with the internet connecting us. When I first started in 1999, we didn't really have the internet; we barely had email, and now that's how everyone communicates. I think that people's creativity, the way people wear pieces and where they wear them—the reality is that we're not going anyplace right now during the pandemic, and I'm looking at different generations and how to include that next generation in collecting. For example, some of my first clients were in their 60s and 70s when they started collecting, and some are no longer with us. So, how do we engage their family members? You're our most recent convert to art jewelry. My gallery was so close to your house, yet you would have had no interest in what we did. I think it's a journey. Can you say someone's going to have a different trend? No.  I also think technology has played an important role not only in studio jewelry and the exposure, but also the techniques. People are using laser cutting, 3D printing. Technology has also been accepted into fine arts institutions and it has blurred the lines of the conversation of craft and fine art. Even five years ago, there was a delineation that was very distinct. There are still institutions that are not interested in immersion, but I think technology has been a friend, not a foe, to studio jewelers and the paths they can cross. Sharon: I do have to tell a story. Lisa and I were laughing because I lived close to where her gallery used to be. I lived not so far in the Valley, 10 miles away. I was never in your gallery, but I remember seeing an ad one day and thinking, “Who is going to wear this stuff?”  Lisa: And now the Jewelry Journey Podcast. Sharon: It was way out. When you say that people who were older started collecting it, that's the sort of people who don't automatically say, “Wow, that's so new and so cool.” Lisa: My collectors—and I'm sure a number of the gallerists across the United States who have been around for decades would say the same—our clientele, they're not interested in trends. If they open a Vogue, they might see a dress they like, but they're not going to buy it because it's on trend or in fashion. All my clientele, they're well-traveled; they're well-heeled; they're generally educated. They're willing to be avant garde. They don't want to wear the same thing everyone else is wearing, so it's a little bit different. The whole conversation now is that there are younger generations. I just met an incredible student at USC at the Bonhams preview. She's running this entire magazine department in her off time while she's full-time at USC. That's to reach a new collector base and new makers, but that's exciting. That's what makes it viable. Sharon: Yes, it keeps on going. Lisa: Right. That was one of the things I wanted to talk about in regards to when I first started in 1999: it was not only the relationships we built with the artists and the collectors, but we also had our version of social media, which was just printed publications. We didn't have social media, so building relationships with well-known stylists, who were either Emmy award winners or high-profile people that worked with celebrities, that was really important. We got to the point where they would literally call me up with the theme, tell me what it was, and I would already pull the pieces and have a box ready for them. We had a shorthand. That was, again, a relationship that would have to be cultivated. It was very exciting, and that's part of building the legacy of why this work is important. For example, Robert Lee Morris is pulling out his archives. Part of the excitement of these presentations is showing some of the editorial, these great magazine covers and shows that these pieces were included in. I have two decades of binders of images. So, that's very exciting, to show the relevance 20 years ago to now.

Jerry Lange from the OSI Files Podcast joins me to discuss this legendary episode with guest stars, Johnny Cash and his wife, June Carter! We discuss so much in this episode and I hope you enjoy it nearly as much as we did while reviewing it! "After rescuing a seriously ill Reverend Alden from his runaway wagon, down on his luck Caleb Hodgekiss devises a plan to fleece the charitable townsfolk of Walnut Grove." The Collection Originally aired on September 27, 1976 The opening song "Albert" is written and performed by the amazing Norwegian band, Project Brundlefly and is used with permission. Check them out at: https://www.facebook.com/ProjectBrundlefly Become a Patron!

Chances are at some point during the next four weeks, you'll find yourself feeling extra frazzled, lonely, or distracted despite your best intentions. Here's the simplest way to quiet your mind during one of the busiest months of the year: the 2021 edition of The Quiet Collection is here and ready for you! I'll tell you all about it. Listen in.   Links + Resources From This Episode: The Quiet Collection for Christmas (all new for 2021!) The Lazy Genius aka Kendra Adachi The Greatest Gift by Ann Voskamp Watch for the Light: Readings for Advent and Christmas Shadow and Light by Tsh Oxenreider Come Lord Jesus Honest Advent by Scott Erickson Order The Next Right Thing Guided Journal Grab a copy of my book The Next Right Thing  Find me on Instagram @emilypfreeman Download a transcript of this, and every, episode at emilypfreeman.com.

Twitter: @podgaverockInsta: @podgaverockGotye feat. Kimbra 2011 “Somebody That I Used to Know” from the album "Making Mirrors" released on Eleven/Universal Music. Written by Wally De Backer and produced by De Backer.Personel:Gotye - songwriter, producer, assistant mixer, recording, lead and backing vocals, guitar, synthesizer, xylophone, flutes, percussion, samplesFrancois Tetaz mixer, engineerLucas Taranto – bass guitarKimbra– lead and backing vocalsCover:Performed by Josh Bond, Neal Marsh, and Michelle MarshIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Tina TurnerCarole KingThe Go-GosJay Z “99 Problems”Foo FightersTodd RundgrenEric ClaptonUtopiaAlicia Keys “Empire State of Mind”The Guess WhoIron MaidenRage Against the MachineThe Smashing PumpkinsKraftwerkCharley Patton “Some of These Days I'm Gonna Be Gone”Gil Scott HeronLL Cool JBilly PrestonRandy RhoadsClarence AvantRobert JohnsonAh Ha “Take On Me”The Simple Minds “Don't You Forget About Me”The Breakfast ClubIron Butterfly “In a Gada Da Vida”Blind Melon “No Rain”Blind Melon “Change”Ram Jam “Black Betty”Blow The Rolling Stones “Can't You Hear Me Knocking”Foster the People “Pumped Up Kicks”PSY “Gengnam Style”The Tokens “Lion Sleeps Tonight”The Champs “Tequila”Norman Greenbaum “Spirit in the Sky”Eddy Grant “Electric Avenue”Lena “99 Luftballons”Line Dances “Electric Slide”Mark Cohn ”Walking in Memphis”Pete DavidsonMike and the MechanicsThe Association “Whenever My Love”10cc “I'm Not In Love”The RacontuersEdward Sharpe and the Magnetic Zeros “Home”Civil WarsShovels n RopeElton JohnTchaikovsky “Nutcracker Suite”Baa Baa Black SheepBernie TaupinDavid ByrneThe Human League “Don't You Want Me”Basic InstinctSharon StoneAC/DCBee GeesMen at Work “Land Down Under”Steve WinwoodGotye “I Feel Better”StingColdplayRozxette “It Must Have Been Love”Midnight OilVitamin String QuartetPostmodern JukeboxPentatonixMyrna y Jewel

On our first Best Books episode, Lily King discusses Five Tuesdays in Winter (Grove, Nov. 9), one of Kirkus' Best Books in fiction for 2021. Kirkus: “The first collection of stories from an acclaimed novelist…. Full of insights and pleasures” (starred review). Then fiction editor Laurie Muchnick joins Megan to talk titles, trends, and the year in fiction.

The Playcast is back and Season 5 begins with a bang! Jeff and Barry talk about the Series 3 Pre-Order Launch with all the craziness of the past few months of conventions. They also cover and review... This is a weekly podcast all about the Nintendo Switch where we play a new Switch game each week and talk all about collecting for our favorite system as well as the latest news and Limited Editions available! Each week we will be playing a new game for the Switch as we all need an excuse to play our games.

In episode lucky number 7, the fellas chat about being a one watch person and worthy candidates for a one watch collection. 

Photo: No known restrictions on publication. @Batchelorshow "Mother Treason" #Unbound. A story from the collection, _Gordon Liddy Is My Muse,_ by John Calvin Batchelor. The complete 67 minutes. Read by John Batchelor. Gordon Liddy Is My Muse, Hardcover;  by John Calvin Batchelor   https://www.amazon.com/Gordon-Liddy-My-Muse-Tommy/dp/080503790X/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr= In nine darkly comic episodes that range from Moscow to Hollywood, the conservative spy novelist Tommy "Tip" Paine offers this postmodern, picaresque chase across our contemporary oral landscape

Johnny Cash!  Need we say more?  Ok.  Johnny and June play Caleb and Mattie, a couple down on their luck.  Caleb thinks their prayers have been answered when they take in Rev Alden after an accident.  Caleb passes himself off as a reverend friend of Alden's.  His plan is to collect money from the people of Walnut Grove to help a neighboring town that had just been wiped out by fire and keep it all for himself and Mattie.  Things don't go exactly according to plan, as this is Walnut Grove, and Caleb is so moved by the towns generosity that he gives up on his plan and leaves the town with considerable donations for the town in need.

This week on the Toy Power Podcast; it's time to cover all the exciting News topics that have hit our radar since last fortnight!!  Kicking off the ep is the amazing Super 7 TMNT Party Wagon!  With a great design & loads of accessories!!  It gets a big thumbs up - but what about that price though.....  Wave 5 Super 7 Thundercat's - Four very interesting Ultimate figures this round with TONS of extras!!  Did they get the scale right though?  Another Rancor HasLab update.  We unpack the updates & all the tiers.  We carefully look at why fans aren't signing up for this Iconic Monster; & naturally we give our two cents on what could be done better too!  Neca's Catwoman from Channel 6; looks extremely impressive; everything from packaging to all the little extras included!  5K Toys Samurai Turtles peaks our interest - but without a license; will these even see the light of day?  Teasers from Super 7 Wave 3 Transformers Ultimates - we assume Wreck-Garr is a given, but can we expect Optimus as a Crocodile too?  G.I. Joe Ultimates wave 2 - is very impressive; but the HasLab SkyStriker is arguably more impressive!  Rounding out the ep; a round table chat about some of the more obscure collectables we have found from Darren's vast collection; which just enriches his passion of his beloved properties by ten-fold.  But before we sign out we must shout-out the flurry of awesome Patrons whom have joined us recently!! Support the show: http://patreon.com/toypowerpodcast See omnystudio.com/listener for privacy information.

Mark Willard and Bucky Brooks react live to Michigan beating Ohio State and discuss how this can be a defining moment for Jim Harbaugh at Michigan. The guys compare the Rams to the Lakers and debate the significance of cultivating homegrown talent between accumulating star players from around the league. The guys discuss the shape of the College Football Playoff and break down Cincinnati's stake in the top-4. Has Russell Wilson lost his leverage with the Seahawks? Plus, Peter Bukowski of The Leap and Locked On Packers joins the guys to preview Packers vs. Rams! Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Join us for our discussion of the Final of The Great British Baking Show, which aired on US Netflix on Friday, November 26, 2021. 

stoneandsteelradioshow⚡️Friday, 11/26, 9pm PST- EPISODE 301 • FEATURING: band @conbleez @krysrenee2021@coastalfiredept @thisisauradavis ⚡️And an INTERVIEW with @imelineofficial ⚡️ Plus a COLLECTION from: @marssucks_.........#newyork #newmusic #newyorkcity #newmetal #newnormal#newepisode #london #lamusician #rocknyc #instagram#alternativeindie #indierecordlabel #independentrecordlabel#indieitaly #indiemusic #indie #indieindia #instadaily#instaproducer #instagood #instamood #instaart #instahorror#igdaily #inglewood #igguitar #igreads #igmusic #guitar#guitarist★ Support this podcast on Patreon ★

This week Cole, Will, and Alan finish covering Clan Collection, as well as talk about some new effect triggers, and the OverDress anime!Procyon GamingSpotify PlaylistOfficial overDress UpdatesEmailTwitter: @drive_checktiktok: drivecheckpodcastOur DiscordSpecial Thanks to our Patreon backers:Jared B.Greg L.Andy T.Bobbie M.Alex B.Jevon W.Andrew W.G. C. GrainEric G.Ed Jr.AliceBevPhilip B.MewwillAlex S.James B.Curtis M.Alan C.PKMNcastWesley W.Nicklol2Alec M.William A.Kay

Twitter: @podgaverockInsta: @podgaverockTalking Heads' 1985 “Road to Nowhere” from the album "Little Creatures" released on Sire. Written by David Byrne and produced by Talking Heads.Personel:Talking HeadsDavid Byrne – lead vocals and backing vocals, electric guitarJerry Harrison – organ and backing vocalsTina Weymouth – bass and backing vocalsChris Frantz – drumsAdditional MusiciansAndrew Cader – washboardErin Dickens – backing vocalsDiva Gray – backing vocalsGordon Grody – backing vocalsLani Groves – backing vocalsJimmy Macdonell – accordianLenny Pickett – saxophoneSteve Scales – tambourineKurt Yahijian – backing vocalsCover:Performed by Neal Marsh and Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.

Strip it down Friday Edition where in less than 5 minutes, I will help you strip down a seemingly overwhelming topic and give an action plan to implement it right into your life!   This Week: Holiday Evidence Collection For More Info Go To:  https://feelamazingnaked.com/podcast/

On this episode of the Welcome to the Metaverse podcast, I chat to Jordi aka Kwebbelkop - a youtuber with 15 million subscribers and over 6 and a half billion views on his channel. Kwebbelkop has built a content empire, owns a video game company and has now entered the NFT and metaverse space with his new project LaunchMyNFT - a platform to help you launch your NFT collection in minutes, on your own smart contract. Jordi was super nice, super smart and has some amazing insight into the future of the metaverse, it was brilliant to have him on. He's also built a career out of being completely internet native and so entering the new world of the metaverse is something that makes perfect sense. I think being able to adapt quickly to new technology when the mainstream still view it as strange or aren't yet educated on it, is a real skill and is also where the major opportunities lie. This was a fascinating chat and full of value so I hope you enjoy it! ======================= If you'd like to keep up with the NFT drops that I am watching closely, head over to metaverseluke.substack.com where you'll find the regular newsletter. Do reach out and say hello too! Twitter : https://twitter.com/metaverseluke Email : metaverseluke@gmail.com ======================= Kwebbelkop's Links Youtube Channel : https://www.youtube.com/user/kwebbelkop Twitter : https://twitter.com/Kwebbelkop LaunchMyNFT : https://twitter.com/LaunchMyNFT?s=20 ======================= In this episode we talk about : - The content empire that Kwebbelkop has created with 15 million subscribers and 6.5 billion views on his channel, putting together a team and expanding his business - Diving into the data to see what types of content people want to see and why his videos are so successful - The parallel's between the rise and disruption that Youtube caused to the rise and disruption that blockchain & NFTs are causing across every industry - What first brought Jordi / Kwebbelkop into the crypto and NFT space - Where we are in this movement and what audiences are responding to NFTs, how Gen-Z are beginning to join the wave - How early we are in phase 1 of the metaverse and what is still to come - The future of content and gaming in the metaverse - An introduction to Jordi's platform LaunchMyNFT - launching on 30th November - An explanation of what the platform does, including randomisation, smart contract creation, rarity rankings and website mint creation - The problems that LaunchMyNFT is aiming to solve in the space - What Jordi is most excited for in the future of this space

We continue our series of super duper cool interviews this week with executive producers Naia Cucukov and Lucy Kitada of the Baby-Sitters Club on Netflix! More behind the scenes content, great discussion of women and girls in film and confirmation that Dawn's blonde hair is not a personality trait, as well as BSC trivia and other fun! Join us and learn a thing or two about the movie/TV biz and how to handle yourself when you go woo Ann M. Martin (spoiler: bring someone slightly less obsessive than yourself).

On the mid-week supplemental episode of The Knife Junkie podcast (episode 269), Bob "The Knife Junkie" DeMarco looks at 10 slim and slender folders. Be sure to check out the show notes at https://www.theknifejunkie.com/269 for the list of knives talked about on this episode.Bob starts the show with his "pocket check" of knives -- the A2D Mk1 and a GEC #86 -- while in Knife Life News, Kombou's New Bestech Collab Knife Drops and it's a Small One, and Burnside Knives Returns with the Unique Rose.And in his "State of the Collection," Bob looks at the Finch Knives Harvester and the Finch Knives Drifter.Be sure to support The Knife Junkie and get in on the perks of being a Patron -- including early access to the podcast and exclusive bonus content. Visit https://www.theknifejunkie.com/patreon for details.Links to stories, podcast episodes mentioned and the knives covered in the podcast can be found on The Knife Junkie website. And if you're looking to buy a knife, check out our specials at www.theknifejunkie.com/knives.Let us know what you thought about this episode. Please leave a rating and/or a review in whatever podcast player app you're listening on. Your feedback is much appreciated.Please call the listener line at 724-466-4487 or email bob@theknifejunkie.com with any comments, feedback or suggestions on the show, and let us know what you'd like to hear covered next week on The Knife Junkie Podcast Supplemental edition.To listen to past episodes of the podcast, visit https://theknifejunkie.com/listen.

Paul, Grant, and Rob from Cloud 9 Comics and More talk about buying people's comic and toy collections. Visit their website at http://www.cloud9comicsandmore.com/ 0:00 SEGMENT 1 - Paul, Grant, and Rob from Cloud 9 Comics talk about what price collections are going for, what items are currently the most valuable, spotting key comic book issues, and the most popular toys. 20:00 SEGMENT 2 - First producer Joey_Vee reviews ‘Ghostbusters: Afterlife' and then Paul, Grant, and Rob from Cloud 9 Comics talk about how COVID affected sales of collections, spotting counterfeits, their specific areas of expertise, future movies and TV shows that will affect collectible prices, and the movies they are the most excited for. 52:32 SEGMENT 3 - Paul, Grant, and Rob from Cloud 9 Comics talk about memorable interactions they've had with comic book creators and the highest priced books in comics right now. Thanks to our sponsors Marcus Theatres (https://www.marcustheatres.com/) and Historic St. Charles, Missouri (https://www.discoverstcharles.com/) Amazon Affiliate Link - http://bit.ly/geektome Buy Me a Coffee - https://www.buymeacoffee.com/3Y0D2iaZl Patreon - https://www.patreon.com/GeekToMeRadio Website - http://geektomeradio.com/ Podcast - https://anchor.fm/jamesenstall Facebook - https://www.facebook.com/GeekToMeRadio/ Twitter - https://twitter.com/geektomeradio Instagram - https://www.instagram.com/geektomeradio/ Producer - Joseph Vosevich https://twitter.com/Joey_Vee --- Support this podcast: https://anchor.fm/jamesenstall/support

Ashley Longshore believes that a girl is her own best friend. The Louisiana based artist described as “the modern Andy Warhol” is known for her signature colors and bold aesthetic; with pop culture and Hollywood glamour centric iconic art pieces. As a self-taught, unapologetic painter and prolific creator originally from Montgomery, Alabama, Ashley is the true embodiment of originality -- using mixed mediums for each unique creation -- and quickly becoming a legend in the art and fashion community. Longshore has worked with a variety of celebrity art collectors from Blake Lively to Salma Hayek and became the first solo female artist to exhibit her work at Bergdorf Goodman. Longshore's entrepreneurial and go-getter spirit led her to launch her own business - encouraging artists to sell their work for what it's worth - outside the art galleries and traditional means of art curation.  In this week's conversation, Ashley Longshore and I discuss the courage and conviction necessary to follow through on your vision, how to tap into your natural gifts, and why being “ambitchous” is a good thing. Connect with Us! Spotify | Apple Shop + Support Instagram: @afashionmoment Twitter: @A_FashionMoment Email: AFashionMomentPodcast@gmail.com Website: A Fashion Moment Show Notes: Buy your copy of Roar! A Collection of Mighty Women by Ashley Longshore Immerse yourself in Ashley's world by visiting AshleyLongshore.com Follow Ashley on Instagram at @AshleyLongshoreArt

As the year is quickly drawing to the close, things in Lee & Chris's work lives are heating up…We thought we'd take a minute to step away from the Collection, have a small chat about some of the films we've seen recently and let you all know we're slowing things down a bit and taking a small break for a few weeks (but don't worry, we'll be back in mid-to-late December with our next episode!) Support us on Patreon where you'll find bonus episodes, monthly commentary tracks and all sorts of fun stuff: patreon.com/TheCriterionQuest We're on Instagram at instagram.com/thecriterionquest/ And Chris is on Twitter @CriteronQuest

Kimmer Show #364, Rising gas prices, Rittenhouse-Tucker observations, Kenosha Parade massacre, Rule of law -> rule of man,  Emptying federal prisons, Ahmaud Arbery courtroom drama, More statues coming down, Big news from NASA, Collection plate beating, baseball hall of fame candidates, Dr. Who cult status, Bad texting theatre and more on today's Kimmer-castSupport the show (http://Patreon.com/KimmerShow)

Twitter: @podgaverockInsta: @podgaverockTalking Heads' 1985 “Road to Nowhere” from the album "Little Creatures" released on Sire. Written by David Byrne and produced by Talking Heads.Personel:Talking HeadsDavid Byrne – lead vocals and backing vocals, electric guitarJerry Harrison – organ and backing vocalsTina Weymouth – bass and backing vocalsChris Frantz – drumsAdditional MusiciansAndrew Cader – washboardErin Dickens – backing vocalsDiva Gray – backing vocalsGordon Grody – backing vocalsLani Groves – backing vocalsJimmy Macdonell – accordianLenny Pickett – saxophoneSteve Scales – tambourineKurt Yahijian – backing vocalsCover:Performed by Neal Marsh and Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Taylor Swift “All Too Well”SNLScooter BraunJake GyllenhallGreta Van FleetSofia Valdez “Handful of Water”War on Drugs “I Don't Live Here Anymore”Houndmouth “Good for You”Houndmouth “Make It To Midnight”Houndmouth “Cool Jam”Jimmy Kimmell21 Pilots “Stressed Out”Jamestown RevivalNathaniel Rateliffe “SOB”Kevin Morby “Beautiful Strangers”Joy Oladokun “In Defense of My Own Happiness”Leeann Skoda “Lucky Penny”AuroraFirst Aid KitGreensky BluegrassSiaTalking Heads “This Must Be The Place”Talking Heads “And She Was”Talking Heads “Take Me To The River”Talking Heads “Psycho Killer”Talking Heads “Stop Making Sense”Jim JonesSt VincentRobert PlantFreddie MercuryDavid BowieKurt CobainPink FloydAdam DuritzPeter Gabriel “Sledgehammer”Jimmy PageBob Dylan Talking Heads “Heaven”QueenJames BrownEdward Sharpe and the Magnetic ZerosPolyphonic SpreeThe Velvet UndergroundPaul Simon “Graceland”Andy WarholKierkegaardVampire WeekendJars of ClaySystem of a DownGreensky BluegrassLindsey Buckingham “Hollyday Road”Neauvelle VagueSandra DeeRelease the Sunbird

It's the fourth annual Fully Booked Holiday Gift Guide! Adrian Miller, author of Black Smoke: African Americans and the United States of Barbecue (UNC Press) and Jacob Gallagher of The Men's Fashion Book (Phaidon) join editor-in-chief Tom Beer and host Megan Labrise for some good cheer and great stories. And Kirkus' editors present their top gift book picks.

SHOW NOTES:  You might know Steve, but Kimberlee Mulkay is new to the group. Although she's no stranger to Abella AR—she's been their Customer Success & Sales Manager since 2019.Abella AR enables practice owners to automate their collections and upgrade your billing experience for your team members and patients.Abella is tailored to each practice, enabling you to text and email patients directly (once integrated with your current setup).Abella will walk them through the process and prompt patients along the way to make everything “seamless.”Through Abella, you can count on a 100% chance of getting an ROI—saving more than $300 a month—and saving your team their valuable time and energy.If you're struggling to get new team members or make the job easier for your current team members, this is the software for you. To add to that, software is always an affordable alternative because it won't call in sick, leave after a few months, and so on.Abella AR works for any dental practice—small or large. Dr. Glenn Vo and Kimberlee discussed how the service can be best utilized in the solo office in a multi-practice group.Glenn Vo uses Abella in his practice. He's grateful that he doesn't have to depend on paper statements or phone callsAbella AR paves way for a 30-40% boost in efficiency; it pays for itself pretty quickly.No nickel-and-diming! You'll pay a monthly fee—but it's “friendly” software.Many team members and dentists alike might be hesitant to change—integrating any new software can be a hassle. But Dr. Glenn Vo uses Abella himself, and he knows it's as easy as a “click of the button.”Abella AR will set off “alarms” if there are patients who miss Here, the software does all the hard work; your team member just has to click on which patient they'd like the software to evaluate.Abella is an easier and faster way to pay. Everyone's on their phones these days—throw that filing cabinet out the door!The more statements you send out, the more cost-effective Abella is. But it's a good idea for a start-up—Abella helps you to ensure none of your team members get swamped as you build your practice up and put in elbow grease to get it on the right track.Learn about:What practice management software does Abella integrate with? (Hint: about 95% of them!)What sorts of practices might particularly benefit from Abella's services?What kind of payment plans does Abella offer? Which ones will work best for various practices (startup, DSO, DPO, etc.)?What approaches does Abella offer to make the process easier for the patient? And what can that do for your business?How much does Abella cost?How much $$ can Abella save you via AR? (Hint: a LOT)And more!   NIFTY DEAL: Waving the enrollment fee—$1,000 back in your pocket—and a 30-day free trial. Your team will be trained, the software will be integrated, and you'll start collecting money without obligation—the risk factor is gone; you'll have nothing else to lose. Get the Deal: Visit: https://info.abellaar.com/ntd

Rest in Paradise Steve Cortez AKA Weapon 1. This is a collection of videos/tracks you sent me via text over the last 4 years. You liked what you liked. Plain and simple. You will be missed my brotha. This is part 1. There is many more tracks to post. Pour one out for your homie WEAPON. Dank Daddies for LIFE!

James and John discuss eBay Finds: Picasso Mac book cover, Macintosh IIfx, and Mac SE balloons. They chat to Roberto Hoyos from ThrowBoy about Iconic Pillow Collection 2, and news includes  Apple's Self Service Repair, and Dave's Vintage Apple Tech install of Sorbet Leopard. Join our Facebook page, follow us on Twitter, watch us on YouTube, and visit us at RetroMacCast.

Copperplate Time 378                                                                                                            Presented by Alan O'Leary                              www.copperplatemailorder.com 1. Bothy Band:   Green Groves/Flowers of Red Hill. After Hours 2. Bothy Band: Pipe on the Hob/Hag at the Churn. After Hours 3. Angelina & Peter Carberry: Paddy Kelly's/ The Thatched Cabin/Harrison's Fedora. An Tradisiún Beo 4. Danu:  Co Down/Garech's Wedding/Gan Ainm/The Moving Bog/Cliffs of Glenn ColmCille.   The Road Less Travelled 5. Liam Kelly: Colonel Fraser/The Highland Skip.                 At Home With McKenna 6. Bobby Casey:   Poll Ha'penny/Scully Casey's HP.                 The Spirit of West Clare 7. Colm O'Donnell: Horses & Ploughs.                          Farewell to the Evening Dances 8. Caoimhin O'Fearghaill:   Mary McMahon/Reel of Mullinavat.                Uilleann Piping from Waterford 9. PJ Crotty & James Cullinane: Harvest Moon/Johnny McGoohan's/Dwyer's.   Happy to Meet 10. Niamh Ni Charra:  Curlew Hills/Tripping to the Well/Two Part Pour.  Donnelly's Arm 11. Sean O'Riada & Ceoltoiri Chulann:  O'Neill's March.   O'Riada sa Gaiety 12. Linda Moylan:   Brig Hannah.     The Merchant 13. Dezi Donnelly:  The Knocknagow Jig/Maids on the Green.        Familiar Footsteps14. Mick & Aoife O'Brien & Emer Mayock:          Split the Whisker/The Black Joke.            More Tunes from the Goodman Manuscripts      15. Ralph McTell:   The Girls from the Hiring Fair.            Silver Celebration                       16. John Regan:   Waltz from Coppelia.   Let Down the Blade 17. Luke Kelly & Dubliners:            The Night Visiting Song.      The Collection 18. Ushers Island: Johnny Doherty's Set.   Ushers Island 19. Bothy Band:   Green Groves/Flowers of Red Hill.  After Hours

This week on the Toy Power Podcast, it's time to talk about a film that tries to encompass seven centuries of Time into a single film / storyline.  The film is of course the Eternals.  This is a FULL Spoiler chat, so please be aware of our discussion.  With a few Acadamy Award Winnings up her sleeve, does Director Chloe Zhao, have what it takes to make a traditional Marvel Comic Book Film?  As the lads try to highlight the very diverse cast, they are often sent on tangents whilst they dissect the film itself.  What would it be like to be a being of the age of seven thousand years?  Those Post Credit scenes - we chat about the excitement of what this means, as well as what to expect moving forward for the MCU....  We give it a rating out of 19 DVG style to really establish what we thought of the film.Then our other major segment of this ep was put forward a few episodes ago: Two Toy lines Mashed-Up.   Ben has: Centurions X TMNT - Air Vehicle Frank has: He-Man X TMNT - Play Set Trent has: Star Wars X G.I. Joe - Sea Vehicle This is a bit of a wacky segment, you be the judge on who did it best....  Then in rounding out the episode, we do a quick round table of Reading Watching Playing. Support the show: http://patreon.com/toypowerpodcast See omnystudio.com/listener for privacy information.

Enter his gates with thanksgiving and his courts with praise; give thanks to him and praise his name. For the Lord is good and his love endures forever; his faithfulness continues through all generations. PSALM 100:4-5    “Rejoice always, pray without ceasing, in everything give thanks; for this is the will of God in Christ Jesus for you.” – First Thessalonians 5:15-18    The wonderful thing is that when we simply begin to give thanks, even when it seems difficult to remember one answered prayer, it isn't too long before our focus on the good in our lives creates an opening for the Lord's joy. And it's the joy of the Lord that is our strength!    SHOW NOTES:  Join the Horacio Printing Academy: www.thedreamerinyou.com  Put a Praise On It by Tasha Cobbs: https://www.youtube.com/watch?v=MwUoypd-SKE PDF of Praise Report: https://bit.ly/PraiseReportPDF Shop the 2022 Collection: https://www.horacioprinting.com/collections/2022-dream-planner-collection Ticket to the Dreamers Summit: Grab your ticket to the Dreamers Summit: https://www.horacioprinting.com/pages/dreamers-summit

Join us for our discussion of "Patisserie Week" of The Great British Baking Show, which aired on US Netflix on Friday, November 19, 2021.

Clan Collection volume 1 and 2 are out now, hopefully!  This week Cole, Will, and Alan continue our coverage be talking about our favorite clans from Volume 2!Procyon GamingSpotify PlaylistOfficial overDress UpdatesEmailTwitter: @drive_checktiktok: drivecheckpodcastOur DiscordSpecial Thanks to our Patreon backers:Jared B.Greg L.Andy T.Bobbie M.Alex B.Jevon W.Andrew W.G. C. GrainEric G.Ed Jr.AliceBevPhilip B.MewwillAlex S.James B.Curtis M.Alan C.PKMNcastWesley W.Nicklol2Alec M.William A.Kay

Twitter: @podgaverockInsta: @podgaverockRay Charles' 1956 “Hallelujah I Love Her So” from the album "Ray Charles (or Hallelujah I Love Her So)" released on Atlantic. Written by Ray Charles and produced by Jerry Wexler.Personel:Ray Charles - lead vocalDon Wilkerson - tenor saxophone soloThe Ray Charles Orchestra – instrumentationCover:Performed by Jonathan Horton, Josh Bond, and Neal MarshIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Neil DiamondGeorge GershwinMerle TravisDoc WatsonLed Zeppelin “Traveling Riverside Blues”Jimmy PageDeontay WilderTyson Fury

ONCE UPON A GENE - EPISODE 109 A Rare Collection - What I Know For Sure with Noah Siedman, Grayson Skibington and Nash Hawkins There's power in storytelling- for the listener and the storyteller. A Rare Collection is a monthly series featuring people from the rare disease community, sharing a story with a common theme. Big brothers Noah Siedman, Grayson Skibington and Nash Hawkins share their sibling stories.  EPISODE HIGHLIGHTS Noah Siedman I'm afraid of losing my memories with my brother as I grow older. I'm afraid of letting his importance to me diminish in light of all of the new experiences that I get to have in his absence. My brother was a brilliant soul. His life meant growth,  understanding and love for everyone. My name is Noah Seidman. My brother Ben had a rare genetic disorder called Sanfilippo syndrome and passed away seven years ago. I know for sure that I love my brother. And I know that I'm slowly figuring out how to be okay despite not knowing a lot else for sure.  Grayson Skibington My sister Darby is two years younger than me and her diagnosis of Pallister-Killian syndrome is all I've ever known. For the first few years of my life, I was in the hospital a lot as the brother of a medically complex sister. I don't remember those days of course, but I have a scrapbook of pictures of me licking popsicles at the hospital. What I knew for sure back then, was patience equals popsicles. At age 17, I adapted to our family life by helping the best way I could. I stayed out of trouble, I did as I was asked, and I was positive and cheerful when the house needed it. Being a rare disease sibling can be complicated and messy. It can also be easy and wonderful. I don't take much for granted. I appreciate a helping hand and I will always be grateful for popsicles. Nash Hawkins Other homes don't have revolving doors of therapists. Other families go to restaurants and movies. We don't. However, my friends don't have a sister like mine who finds wonder in the mundane and whose belly laughs fills the room with joy, or a nonverbal brother who speaks volumes with his hugs and soul piercing stairs. Life with my siblings can be complicated and chaotic. Life with my unique family has taught me great things. I'm adaptable and resilient. Change, challenge and chaos do not faze me. I'm patient and empathetic. Because of my siblings, I recognize that disability is a diversity that colors our world in beautiful ways. RESOURCES AND LINKS MENTIONED https://courageousparentsnetwork.org/ https://curesanfilippofoundation.org/what-is-sanfilippo/ https://www.fam177a1.com https://siblingsupport.org/sibshops/ https://pkskids.net/ TUNE INTO THE ONCE UPON A GENE PODCAST Spotify https://open.spotify.com/show/5Htr9lt5vXGG3ac6enxLQ7 Apple Podcasts https://podcasts.apple.com/us/podcast/once-upon-a-gene/id1485249347 Stitcher https://www.stitcher.com/podcast/once-upon-a-gene Overcast https://overcast.fm/itunes1485249347/once-upon-a-gene CONNECT WITH EFFIE PARKS Website https://effieparks.com/ Twitter https://twitter.com/OnceUponAGene Instagram https://www.instagram.com/onceuponagene.podcast/?hl=en Built Ford Tough Facebook Group https://www.facebook.com/groups/1877643259173346/

Roland and Catherine Berndt went to Gurindji country back in the 1940s. Now almost eighty years later, why are their research notebooks from their time with the Gurindji and the artefacts gathered during their time there not accessible to the Gurindji people? The thirty year embargo on the Berndt Collection put in place by Catherine Berndt on her death raises questions about whether such an embargo should have been permitted in the first place. The Gurindji urgently want access to the materials while elders who can speak to the materials still can.

First the history of medical transplants that goes way back further in history than you might imagine, and then we find out the history of the Berndt Collection of notebooks and artefacts gathered in the 1940s and why they are currently inaccessible to the Gurindji people who are the subject of the collection.

In this episode of the Catalyst Podcast, Brad Lomenick sits down with Dr. Tim Elmore for a conversation about the conflicting demands of today's workplace, what led to the great resignation, and how leaders can create workplaces where team members can thrive. Listen in as Tim shares the secrets that enable today's leader to differentiate themselves and better connect with their team and customers. Get involved in an Operation Christmas Child campaign! Collection week is November 15-22, 2021! Keep up with Dr. Elmore:  Instagram: @tim_elmore Facebook: Tim Elmore Twitter: @TimElmore Website: https://www.timelmore.com Growing Leaders: https://growingleaders.com

We haven't even heard the full story, and we're already judging our Producer Keity's friend. Why? Because he has a collection of every nude he's ever received from a woman.Is this normal or just straight-up creepy? We discuss.  See acast.com/privacy for privacy and opt-out information. Become a member at https://plus.acast.com/s/the-bert-show.

Steve hosts as Royce and Beka Neeley weigh-in on the 2021 Buffalo Trace Antique Collection. TBD music is by Kevin MacLeod (incompetech.com). Important Links: Steve Akley's New Book, Bourbon Assignments: https://amzn.to/2Y68Eoy ABV Network Shop: https://shop.abvnetwork.com/ YouTube: https://bit.ly/3kAJZQz Patreon: https://www.patreon.com/theabvnetwork Check us out at: abvnetwork.com. Join the revolution by adding #ABVNetworkCrew to your profile on social media.

Best dust collection for most people and then we go off into tangent land talking about random 1990's TV stuff.

Dan has a lot of board game news to share with you this week. Why are you still reading this? Take the jump and listen to the episode! Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure Munchkin Land continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) Contact us at podcast@majorspoilers.com NEWS New "Mystery Party" Games Coming Soon from Renegade Designer Diary  from Juliana Moreno Patel and Ariel Rubin -- From BGG Crimes and Capers-- High School HiJinks Crimes & Capers: Lady Leona's Last Wishes Crimes & Capers: And the Winner Is... Dead  In some interesting industry news. French Board game company Iello has parted ways with Iello USA. In a release they said they are terminating their distribution agreement, effective December 31, 2021 Z-Man revealed Ultimate Railroads out this year (Collection of Russian Railroads, American Railroads German Railroads, some promos and the NEW Asian Railroads games all in one box $120) GaleForce9 announced an expansion for Dune: A Game of Conquest and Diplomacy  with the houses CHOAM & Richese. Q1 ‘22 $25 Fullmetal Alchemist: Brotherhood – The Promised Day by Square Enix will release In April ‘22. Tenpenny Parks by Thunderworks Games Q1 ‘22 IOS Release! Evolution:Climate  Release about 11/19/21 Kickstarter Monsterpocalypse The Board Game The Realm of Shadows: A Trio of Solo Games Titania Ascending Age of Galaxy Heroes of the Shire Board Game Gartenbau Resurgence

Dan has a lot of board game news to share with you this week. Why are you still reading this? Take the jump and listen to the episode! Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure Munchkin Land continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) Contact us at podcast@majorspoilers.com NEWS New "Mystery Party" Games Coming Soon from Renegade Designer Diary  from Juliana Moreno Patel and Ariel Rubin -- From BGG Crimes and Capers-- High School HiJinks Crimes & Capers: Lady Leona's Last Wishes Crimes & Capers: And the Winner Is... Dead  In some interesting industry news. French Board game company Iello has parted ways with Iello USA. In a release they said they are terminating their distribution agreement, effective December 31, 2021 Z-Man revealed Ultimate Railroads out this year (Collection of Russian Railroads, American Railroads German Railroads, some promos and the NEW Asian Railroads games all in one box $120) GaleForce9 announced an expansion for Dune: A Game of Conquest and Diplomacy  with the houses CHOAM & Richese. Q1 ‘22 $25 Fullmetal Alchemist: Brotherhood – The Promised Day by Square Enix will release In April ‘22. Tenpenny Parks by Thunderworks Games Q1 ‘22 IOS Release! Evolution:Climate  Release about 11/19/21 Kickstarter Monsterpocalypse The Board Game The Realm of Shadows: A Trio of Solo Games Titania Ascending Age of Galaxy Heroes of the Shire Board Game Gartenbau Resurgence

On this Whiskey Quickie by Bourbon Pursuit, we review Rabbit Hole Raceking Founder's Collection. This non-age stated bourbon is 109.2 proof and $295 MSRP. Let us know what you think. Cheers! Whiskey Quickie is brought to you by Barrell Bourbon. Learn more at BarrellBourbon.com. DISCLAIMER: The whiskey in this review was provided to us at no cost courtesy of the spirit producer. We were not compensated by the spirit producer for this review. This is our honest opinion based on what we tasted. Please drink responsibly.

Twitter: @podgaverockInsta: @podgaverockRay Charles' 1956 “Hallelujah I Love Her So” from the album "Ray Charles (or Hallelujah I Love Her So)" released on Atlantic. Written by Ray Charles and produced by Jerry Wexler.Personel:Ray Charles - lead vocalDon Wilkerson - tenor saxophone soloThe Ray Charles Orchestra – instrumentationCover:Performed by Jonathan Horton, Josh Bond, and Neal MarshIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Elvis “Big Rock Candy Mountain”Jimi Hendrix “Electric Ladyland”The DoorsLive DeadMotownLeo TolstoyBillie Holiday “The Complete Verve Recordings”My Morning Jacket “Z” Edith PiafNorah JonesRod StewartRadiohead “OK Computer”Radiohead “Kid A”Radiohead “The Bends”Radiohead “High and Dry”Rage Against the MachineJohn WilliamsBeach Boys “Pet Sounds”OffspringThe Tokens “The  Lion Sleeps Tonight”CastawayRay Charles “Hard Times”Eric Clapton “24 Nights”Ray Charles “Seven Spanish Angels”Nirvana “Smells Like Teen Spirit”Ray Charles “The Atlantic Years”Ike Turner “Get It Over, Baby”Sam Cooke “You Send Me”Elvis “Blue Moon”Quincy JonesJohnny CarsonRay Charles “Georgia on My Mind”Little RichardDuke EllingtonSam Cooke “You Send Me”Aretha FranklinMahalia JacksonRay Charles “Come Back, Baby”Ray Charles “What'd I Say”Neil DiamondLouis Jordan “Caledonia”The Beatles “Eleanor Rigby”Tom Dowd and the Language of MusicDerek and the Dominos “Layla”Ray Charles “Music That Matters To Him”Art TatumNat King ColeHank Jones “We're All Together”Oscar Perry and Clark Stevenson “Brotherhood of Man”The Swan Silvertone Singers “Mary Don't You Weep”RadioheadGershwinWaylon JenningsChuck BerryJerry Lee LewisDarius RuckerOld Crow Medicine ShowHootie and the BlowfishRay Charles “A Fool For You”Ray Charles  “Funny I Still Love You”The AnimalsFrank SinatraHumble PieWillie NelsonWynton MarsalisHugh LaurieRingo StarrStevie WonderEddie CochranConway TwittyThe Righteous BrothersWilliam ShatnerThe Guitar Assembly PlayersThe SopranosLou GehrigRay Charles “Night Time”

The Aces of Wrestling are back!  We get right down to business with the major review and giveaways (3:16) and then discuss last week's follow up (5:55)!  We then have a stacked news segment to discuss the Ringside Fest reveals (17:35) and follow that up with the Ringside top ten (26:00).  We then get weekly purchases (27:04) including the Major mark purchases of the week (1:06:28).  Next we talk about the Incarnation of Domination for the The Ron "The Truth" Killings (1:18:58), and we answer some questions with our Q and A (1:29:02)!  We finish out the show with Good House Keeping and all our plugs and upcoming events (1:43:12)! This episode is brought to you by Ringside Collectibles ( https://www.ringsidecollectibles.com/ ). Wrestlingfigures.com is your one stop shop for all your wrestling figure needs! Use code major to save 10 percent! SCRATCH THAT FIGURE ITCH!When: Each Friday morningWhere: Wherever you get your podcasts Social Media:Twitter: @MajorWFPod , @TheMattCardona , @Myers_Wrestling, @majorpodnetwork @SilverintuitionInstagram: @MajorWFPod , @TheMattCardona , @Myers_Wrestling, @SmartMarkSterling , @majorpodnetwork

Bobby invites Dr. Lori onto the show to evaluate his newly acquired Beanie Babies collection. Are they worth money or will he lose money on the deal? Amy thinks she saw a sign for something going on in her life. We determine if the world was trying to tell her something…or it was just a coincidence. Bobby also talks about the tragic events at the Astroworld Festival over the weekend. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com