Podcasts about Contemporary art

Episode No. 711 is a summer clips episode featuring artist Patrick Martinez. Martinez is among the artists showing in the Boston Public Art Triennial, which was developed by Pedro Alonzo, Tess Lukey, and a(n unspecified) curatorial advisory group. Martinez's 2025 Cost of Living may be seen at Boston's Downtown Crossing. Martinez is a Los Angeles-based painter whose work investigates socio-economic position, immigration, police violence, and civic and cultural loss. He's had solo shows at museums and kunsthalles such as the ICA San Francisco, the Tucson (Ariz.) Museum of Art, the Madison Museum of Contemporary Art, and the Vincent Price Art Museums. He's been in recent group shows at the Riverside (Calif.) Art Museum, The Broad, Los Angeles, the Museum of Contemporary Art, Los Angeles, the Crystal Bridges Museum of American Art, Bentonville, Ark., and El Museo del Barrio, New York. Martinez also operates Mixed Media Editions. This program was taped in 2024 on the occasion of “Patrick Martinez: Histories” at the Dallas Contemporary. For images, see Episode No. 649. Instagram: Patrick Martinez, Tyler Green.

Dasha Zhukova Niarchos is the founder of Ray, a residential lifestyle brand and real estate development company that builds art-forward residences. Ray's inaugural building in Philly's Fishtown neighborhood comprises 110 residential units and several amenities geared towards creatives and art & design lovers, such as artist studios, co-working space, a gym, a community kitchen, a green roof deck, a lobby living room and an independent art bookstore. One of the best perks of living at Ray is the cultural programming for residents, which includes art classes, gallery openings, and other social activities. The launch of the Philly building was a success, completing lease up in 8 months and proving the thesis that renters want to live in beautifully designed spaces that enhance their everyday experience. Ray's next building in Harlem is designed by Frida Escobedo and includes a new home for the National Black Theatre. The building comprises 222 mixed-income units, a similar suite of amenities, and stunning views of New York from its rooftop terrace.Prior to founding Ray, Dasha founded the Garage Museum of Contemporary Art in Moscow in 2008. The Museum was designed by Rem Koolhaas and is Russia's first and only contemporary art archive. In 2011, she founded Garage Magazine, which she sold and bought back from Vice Magazine. Dasha is also a co-founder of Artsy, a digital art marketplace and discovery platform. She also serves on the board of several organizations and companies, such as the LA County Museum of Art, Soho House, The Met, and more.In this interview, we dove into the business of combining art, design, and real estate development into a cohesive lifestyle brand. I'm excited about Ray because I believe that branded real estate will be a big consumer trend, and I also like the way that Dasha is executing her vision with thoughtfulness and attention to detail.Thank you Peoplevine for sponsoring this episode. Peoplevine is trusted by the best brands in the members club business. Book a free demo to see why at ⁠⁠⁠⁠peoplevine.com.⁠ Thank you to the team at NeueHouse for supporting The Stanza. NeueHouse is the premier work space in NYC and LA for those in the creative industries. Use code ⁠⁠THESTANZA⁠ ⁠for a special offer when applying for your membership.Interview Highlights:How can good design foster community and address the loneliness epidemic?Ray's approach to structuring partnerships with real estate developersPlacemaking in emerging neighborhoodsParameters for choosing the right architectInsights from Dasha's experience in the art world that she brings to RayThe impact of art on mental healthThoughts on the future of the built environment in urban citiesConnect with Dasha ⁠here⁠.Follow Ray here.Follow The Stanza ⁠here⁠.Subscribe to the newsletter ⁠here⁠.

International Arrivals speaks with artist Lau Wai (Hong Kong/USA) (https://www.w-a-i-studio.com/) who discusses their video work, the growth of AI, and the relationship between virtual reality and our physical world. Their work explores identity formation through personal and historic archives, cinematic imagery, and emerging technologies.  The recent exhibition entitled "Facial Recognition" at Jane Lombard Gallery in New York, featured Lau Wai's "Decrypted Sentient 02," a video work with two digitally generated entities discussing their existence and questioning which one of them is the original. Through this work, and others, Wai blurs the boundaries of virtual and physical realities while addressing the impact of AI and digital representation.

Today's guest is Marina Paulenka, program director of Fotografiska Berlin and a fearless voice in contemporary photography. Born in Yugoslavia before the war, Marina's story is one of resilience. From growing up during conflict to building a global platform for artists, often without institutional support.We talked about using photography as a tool for empowerment, activism, and storytelling. Marina shared what it really takes to launch a festival from scratch, the importance of making space for underrepresented voices, and how art can drive real societal change.Let's dive in. And if you enjoy this conversation, don't forget to rate and review us on your favorite podcast platform.Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

For the final installment of the ongoing series 100 Pieces of Art, Sarah Cho, assistant curator at the Queens Museum, recommends 10 pieces of art you should go see in New York City. Listeners share their thoughts on their favorite pieces of art in the city. 

Alex spoke to Beth Giacummo, Executive Director for the Patchogue Arts Council Museum of Contemporary Art, and Basia Kurlender, Founder of Ballpark Figure Booking about the upcoming PAC-MoCA Skate Festival being held on Terry St in Patchogue on June 29th.

Elizabeth Ravn (b.1994, Brooklyn, NY) received a Bachelors in Fine Arts from the School of the Art Institute of Chicago, Chicago, IL in 2016. She lives and works in Berlin. Recent solo and group exhibitions include David Peter Francis, New York (2025); die raum, Berlin (2024); Deborah Schamoni, Munich (2023); SOX, Berlin (2023); KINDL Centre for Contemporary Art, Berlin (2022); ChertLüdde Bungalow, Berlin (2022); Kinderhook & Caracas, Berlin (2021); Kjøpmannsgata Ung Kunst, Trondheim, (2021); and Pina, Vienna (2019). Elizabeth Ravn, Bild, 2024, oil on canvas, 39 3/8 x 31 1/2 inches (100 x 80 cm). Courtesy of the artist and David Peter Francis, NY. Elizabeth Ravn, Cubbyhole, 2025, oil on canvas, 43 1/4 x 35 3/8 inches (110 x 90 cm). Courtesy of the artist and David Peter Francis, NY. Elizabeth Ravn, November, 2024, oil on canvas, 43 1/4 x 35 3/8 inches (110 x 90 cm). Courtesy of the artist and David Peter Francis, NY Elizabeth Ravn, Telephone, 2024, oil on canvas, 27 1/2 x 19 3/4 inches (70 x 50 cm). Courtesy of the artist and David Peter Francis, NY.

In this episode, we talk with video artist Kadir Kayserilioğlu about his recent work The Walls of Heaven, currently featured in the exhibition Pulsar as part of Projected Ecologies at MUCA Campus in Mexico City. We discuss the accidental origins of the piece, ideas of creation and control through terrariums and Sea Monkeys, god complexes in both art and gaming, reenactment as a narrative device, YouTube aesthetics in video essays, and how humor, chance, and contradiction shape Kadir's broader practice. Plus, we hear about his earlier work The Garden of Forgetting, and a glimpse into what might come next.   Kadir Kayserilioğlu is an artist mainly works on experimental film and video art. His works have been invovled in various exhibitions and screening programs in Turkey and abroad. His artistic practice is grounded in an idea of play that operates across a wide range of forms including video games and collaborative, performance-based videos, documentation and experimental processes. His works often rely on a combination of instructions and protocols on one hand, and collective improvisational processes and chance operations on the other. This often results in works that challenge conventional notions of authorship and authority with a dark humoristic style, and show irreverence towards traditional hierarchies between forms of high and popular culture, assembling high production value with home made and DIY esthetics. His areas of investigation include the nature of social reality, posthumanism, speculative fiction, finiteness, conspiracy theories and micro-stories. He often engages in strategies of the absurd, repurposing mythological narratives as well as science fiction and horror tropes towards a critical take on contemporary political dynamics. https://www.kadirkayserilioglu.com/ https://www.instagram.com/kadirkayserilioglu https://vimeo.com/kadirkayserilioglu https://muca.unam.mx/pulsar.html https://www.lydianstater.co/projected-ecologies https://www.elisagutierrezeriksen.com/  

Hobart’s beloved arts festival Dark Mofo is all grown up - so does it still have the power to shock? And why does everyone love taking their clothes off in Tasmania’s frigid midwinter? Find out more about The Front podcast here. You can read about this story and more on The Australian's website or on The Australian’s app. The weekend edition of The Front is co-produced by Claire Harvey and Jasper Leak. The host is Claire Harvey. Audio production and editing by Jasper Leak who also composed our theme.See omnystudio.com/listener for privacy information.

Episode No. 710 features curator Timothy Anglin Burgard and artist Tony Lewis. Burgard is the curator of "Wayne Thiebaud: Art Comes from Art" at the Legion of Honor in San Francisco. The exhibition details how Thiebaud drew ideas from and reimagined European and US artworks both old and new. It is on view through August 17. A superb catalogue was published by the Fine Arts Museums of San Francisco in association with University of California Press. Amazon and Bookshop offer it for $54-60. Lewis is featured in "What drawing can be: four responses" at the Menil Collection's Menil Drawing Institute, Houston. The exhibition, which also offers work by Jillian Conrad, Teresita Fernández, and Constantin Luser, presents ways in which the four artists stretch the boundaries of drawing and offer new ideas of what it can be. It's on view through August 10. The gallery guide is available here. Lewis' work examines the relationship between semiotics and language as a means to confront subjects such as race, power, communication, and labor. His solo exhibition credits include the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, and the Rose Art Museum, Brandeis University. His work is in the collection of museums such as the Art Institute of Chicago, the Museum of Contemporary Art, Chicago, the Studio Museum in Harlem, and the Museum of Modern Art, New York. Instagram: Tony Lewis, Tyler Green.

Curator, writer, and executive director Jessica Bell Brown returns to reflect on her evolving leadership at the Institute for Contemporary Art at Virginia Commonwealth University. In this conversation, we talk about openness as a strategy, the role of listening in shaping institutions, and what it means to make space for experimentation in times of uncertainty.Jessica shares how porosity, risk, and care shape her curatorial and executive approach—from expanding access beyond traditional art forms to launching chef residencies and community media programs at the ICA. We discuss the influence of her time at MoMA and the Baltimore Museum of Art, the power of contemporary art to respond to crisis, and why joy and curiosity remain central to her vision.Topics Covered:What leadership looks like through the lens of listeningExpanding access to arts beyond galleries and into kitchens and podcastsNavigating risk and limitation in an age of shrinking arts fundingThe evolving responsibility of cultural institutionsThe importance of reflection, care, and creative openness

Lubaina Himid talks to Ben Luke about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work. Himid was born 1954 in Zanzibar and lives today in Preston, UK. Her paintings, sculptures and installations are an invitation to consider marginalised figures, communities and diasporic cultures, to expand the histories that frame our worldview, and ultimately to effect change. From the 1980s, Lubaina has been both artist and organiser, a prolific collaborator, and a crucial voice in establishing a platform for Black artists and women artists in the UK and beyond. Engaging directly with historic and contemporary injustice and structural racism, while relating personal and intimate experiences and feelings, and reinterpreting and reimagining Western art history, her work is rigorously critical and yet poetic, sensuous, humorous and often joyous. She talks about the early impact of Stanley Spencer and Bridget Riley, the inexhaustible influence of William Hogarth, her curatorial work of the mid-1980s and her admiration for her peer in the Black British Arts movement Claudette Johnson. She also reflects on the influence of writers including Audre Lorde and Essex Hemphill. Plus, she gives insight into her life in the studio and answers our usual questions, including the ultimate: what is art for?Lubaina Himid with Magda Stawarska: Another Chance Encounter, Kettle's Yard, Cambridge, 12 July-2 November; Connecting Thin Black Lines, Institute of Contemporary Arts, London, 24 June-7 September. Lubaina Himid, British Pavilion, Venice Biennale, 9 May-22 November 2026 Hosted on Acast. See acast.com/privacy for more information.

We head to Sussex to celebrate the newly opened Goodwood Art Foundation. We speak to curator Ann Gallagher, artist Rachel Whiteread and Goodwood Estate proprietor Charles Henry Gordon-Lennox.See omnystudio.com/listener for privacy information.

Fluent Fiction - Norwegian: Bridging Eras: Modern Art Finds Harmony in Vigelandsparken Find the full episode transcript, vocabulary words, and more:fluentfiction.com/no/episode/2025-06-08-22-34-02-no Story Transcript:No: Solen skinner over Vigelandsparken i Oslo.En: The sun shines over Vigelandsparken in Oslo.No: Fuglene kvitrer, og det er en svak bris som rusler mellom trærne.En: Birds are chirping, and there is a gentle breeze that meanders through the trees.No: Parken er fylt med Gustav Vigelands skulpturer, vakre og tidløse.En: The park is filled with Gustav Vigeland's sculptures, beautiful and timeless.No: Midt i dette stille skjønnhetens paradis står Sigrid, tankefull.En: In the midst of this serene paradise of beauty stands Sigrid, thoughtful.No: Sigrid er en dyktig kunstkurator.En: Sigrid is a skilled art curator.No: Hun drømmer om å bringe samtidskunst til parken.En: She dreams of bringing contemporary art to the park.No: Hun mener kunsten kan inspirere mennesker, få dem til å tenke nytt.En: She believes that art can inspire people, make them think in new ways.No: Men først må hun overbevise Kasper.En: But first, she must convince Kasper.No: Kasper er parkens ansvarlige.En: Kasper is the park's administrator.No: Han er bekymret for at moderne kunst vil forstyrre parkens tradisjonelle atmosfære.En: He is concerned that modern art will disturb the park's traditional atmosphere.No: Sigrid møter Kasper en tidlig morgen.En: Sigrid meets Kasper early one morning.No: Hun har en plan.En: She has a plan.No: "Jeg forstår dine bekymringer," sier hun.En: "I understand your concerns," she says.No: "Men la meg vise deg hvordan moderne kunst kan komplementere Vigelands skulpturer.En: "But let me show you how modern art can complement Vigeland's sculptures."No: " Kasper lytter nøye, men han er fortsatt skeptisk.En: Kasper listens carefully, but he is still skeptical.No: Sigrid arrangerer en liten utstilling.En: Sigrid organizes a small exhibition.No: Hun plasserer nøye utvalgte kunstverk rundt parkens skulpturer.En: She carefully places selected artworks around the park's sculptures.No: Hver bit av samtidskunst er valgt for å fremheve, ikke overgå, Vigelands mesterverk.En: Each piece of contemporary art is chosen to highlight, not overshadow, Vigeland's masterpieces.No: Kasper går gjennom parken, ettertenksom.En: Kasper walks through the park, pensive.No: Kasper stopper foran en skulptur omgitt av Sigrids kunstverk.En: Kasper stops in front of a sculpture surrounded by Sigrid's artworks.No: Han ser hvordan de moderne stykkene spiller på linjene og skygger av Vigelands arbeider.En: He sees how the modern pieces play on the lines and shadows of Vigeland's works.No: Lyset danser mellom dem, en fusjon av gammelt og nytt.En: The light dances between them, a fusion of old and new.No: Kasper smiler, et lite smil.En: Kasper smiles, a small smile.No: Han begynner å se potensialet.En: He begins to see the potential.No: "Du har rett, Sigrid," sier han til slutt, "dette er virkelig noe spesielt.En: "You are right, Sigrid," he finally says, "this really is something special.No: Jeg kan se hvordan dette kan berike parkens opplevelse.En: I can see how this can enrich the park's experience."No: " Sigrid puster lettet ut.En: Sigrid exhales with relief.No: Hun klarte det.En: She did it.No: Med Kaspers godkjenning begynner Sigrid å planlegge den store utstillingen.En: With Kasper's approval, Sigrid begins to plan the grand exhibition.No: Hun har lært å tydelig dele sin visjon.En: She has learned to articulate her vision clearly.No: Kasper, på sin side, har fått en ny forståelse for verdien av innovasjon.En: Kasper, for his part, has gained a new appreciation for the value of innovation.No: Vigelandsparken vil nå skinne enda klarere, med kunst fra fortid og nåtid, side om side.En: Vigelandsparken will now shine even brighter, with art from the past and present, side by side.No: Solen går sakte ned, og en ny mulighet gryr i parken.En: The sun slowly sets, and a new opportunity dawns in the park.No: Sigrid og Kasper står side om side, i felles forventning om hva som skal komme.En: Sigrid and Kasper stand side by side, with shared anticipation for what is to come.No: Det er et nytt kapittel for Vigelandsparken.En: It is a new chapter for Vigelandsparken.No: En sommerbrise bærer deres håp og drømmer videre, gjennom trærne og ut i verden.En: A summer breeze carries their hopes and dreams onward, through the trees and out into the world. Vocabulary Words:shines: skinnerchirping: kvitrergentle: svakbreeze: brismeanders: ruslersculptures: skulpturertimeless: tidløseserene: stilleparadise: paradisthoughtful: tankefullcurator: kunstkuratorcontemporary: samtidskunstinspire: inspirereconvince: overbeviseadministrator: ansvarligeconcerned: bekymretdisturb: forstyrrecomplement: komplementereskeptical: skeptiskexhibition: utstillinghighlight: fremheveovershadow: overgåpensive: ettertenksomfusion: fusjonenrich: berikerelief: lettetarticulate: deleanticipation: forventningchapter: kapittelopportunity: mulighet

Live from Andrew Rafacz Gallery, Chicago In this intimate, laughter-filled episode recorded live at Andrew Rafacz Gallery, Duncan and Ryan sit down with artists Jaqueline Cedar and Josh Dihle on the occasion of their concurrent solo exhibitions. The conversation traverses everything from Duchampian bathroom jokes to model train nostalgia, parenthood, masculinity, and why drawing still matters. We dig deep into Cedar's intimate, narrative-rich figure paintings and Dihle's large, toy-like sculptural paintings, both brimming with color, play, and strange tenderness. Along the way, we explore the value of humor, discomfort, labor, scale, and why both artists moonlight as gallerists—Cedar with the roving Good Naked Gallery and Dihle with events at Color Club and The Sugar Hole ice cream shop. It's a heartfelt meditation on art, joy, burnout, and why we keep making. Name Drop List & Related Links Jaqueline Cedar Website | Instagram Good Naked Gallery – Instagram Josh Dihle Website | Instagram Color Club – Website | The Sugar Hole Andrew Rafacz Gallery Website | Instagram Artists & References: Roger Brown Suellen Rocca David Hockney Henry Moore Pieter Bruegel the Elder Duchamp's “Étant donnés” Julius Caesar Gallery (Chicago)  

In this heartfelt and grounding conversation, Kat reconnects with her former professor, artist and printmaker Cheryl Agulnick Hochberg, to explore what it truly means to live a creative life—on your own terms.   Cheryl shares how her work is shaped by place, walking, and deep observation—drawing inspiration from time spent in Wyoming, China, Finland, and her new home in Arizona. Together, they reflect on life after academia, the courage to start over, and the unexpected clarity that comes with experience, loss, and listening to the land.   This episode is a balm for any artist feeling overwhelmed, out of place, or unsure of what comes next. It's a reminder that your work doesn't have to be impressive—it just has to be yours.   In this episode, they discuss: Life after academia and what changed in higher education Making time for your art while raising a family or working full-time How Cheryl approaches residencies, place-based work, and listening Letting go of external pressure and creating from authenticity The real markers of a fulfilling creative life Advice for artists just beginning—or beginning again Cheryl Agulnick Hochberg Website: www.cherylagulnick.com Instagram: https://www.instagram.com/cherylhochberg     ✨ Resources to Support Your Creative Path: Submit to Create! Magazine's open call: createmagazine.co/call-for-art Explore free artist tools + micro-courses at Create U

Few artists aim to make sense of the subjectivity and complexity of time and space quite like the Polish-born, Berlin-based artist Alicja Kwade. In each of her works, ranging from sculptures and large-scale public installations to films, photographs, and works on paper, Kwade displays an astute sense of temporality and the ticking hands of the clock. Her practice, in a literal and figurative sense, is a quest to understand time as a ruler and shaper of our lives and of our world. For her latest exhibition, “Telos Tales,” on view at Pace Gallery in New York's Chelsea neighborhood through August 15, Kwade has created three monumental steel-frame sculptures with treelike limbs alongside new mixed-media works in an effort to engage the intangible nature of time. As with all her work, “Telos Tales” is philosophical, illusionistic, and inspires wonder: Long after a viewer has seen it, it will leave them questioning.On the episode, Kwade considers the unfathomability of all things, finds humor in being human, and explains what a relief it is to know that some questions have no clear answers—and never will. Special thanks to our Season 11 presenting sponsor, Van Cleef & Arpels.Show notes:Alicja Kwade[13:19] “Alicja Kwade: Telos Tales” at Pace Gallery[16:56] “Hiroshi Sugimoto on Photography as a Form of Timekeeping”[18:41] “Alicja Kwade: Pretopia” (2025)[24:42] On Kawara's Date Paintings[25:04] “Alicja Kwade & Agnes Martin: Rhythm, Equilibrium, and Time” (2024)[25:04] “Gegen den Lauf” (2012-2014)[29:48] “Stellar Day” (2013)[31:44] “Against the Run” (2015)[31:44] “Against the Run” (2019)[31:44] Pinacoteca Agnelli Art Center[35:04] “88 Seconds”  (2017)[35:04] Eadweard Muybridge[39:24] Hiroshi Sugimoto[49:00] Salvador Dalí[49:00] Harry Houdini[49:00] Kazimir Malevich[59:27] “iPhone” (2017)[59:27] “Computer (PowerMac)” (2017)[01:04:47] “LinienLand” (2018)[01:04:47] “Alicja Kwade: Parapivot” (2019)[01:04:47] “Alicja Kwade: Viva Arte Viva” (2017)[01:08:30] “L'ordre des Mondes (Totem)” (2024)[01:13:50] Jason Farago[01:13:50] “Celestial Visions on the Met Roof”

In this episode of Art & Cocktails, host Ekaterina Popova speaks with Tatum Dooley—writer, brand strategist, and founder of Art Forecast. Tatum shares how she built a trusted curatorial platform that bridges art, fashion, and design while spotlighting emerging artists and helping demystify the art world.   We discuss:   How Art Forecast evolved from an Instagram account to a Substack and PR studio Why storytelling and consistency matter more than chasing trends How to build your own creative platform with purpose and integrity Practical advice for writers, curators, and creatives entering the art world   Whether you're an artist, curator, or collector, this episode will inspire you to think differently about visibility, community, and the future of contemporary art. Learn more about Art Forecast: https://artforecast.substack.com

We continue our series "100 Pieces of Art" celebrating the must-see works of art in the city. Eileen Jeng Lynch, director of curatorial programs at The Bronx Museum of the Arts, discusses her list of 10 works of art to see, and listeners call in to recommend their favorite works of art in the city.Note: There were technical difficulties during this conversation that made it difficult to understand the guest. We apologize for the issues. 

Have you ever had a moment when everything you thought you knew about your path suddenly shifted? In today's episode, I sit down with textile artist Qualeasha Wood, whose innovative work bridges digital imagery with traditional craft techniques. She reveals the unexpected moments that led her from a completely different path into textile art. Qualeasha also shares the profound encounter that changed the trajectory of her art practice. Through stories about family, creativity, and finding her authentic voice, Qualeasha offers powerful insights for any artist navigating their creative journey. Chapters 00:00 Introduction to Qualeasha Wood and Her Art Journey 02:57 The Impact of Family and Community on Creativity 06:06 Early Influences and the Search for Representation in Art 08:53 Navigating the Art World: From Discouragement to Discovery 11:47 Finding a Medium: The Shift from Illustration to Printmaking 15:02 The Role of Textiles in Qualeasha's Artistic Expression 18:08 The Influence of Faith Ringgold and Career Shifts 21:09 Exploring Printmaking and the Intersection of Art and Identity 24:35 The Journey into Textile 27:50 Exploring Identity through Art 32:08 The Evolution of Artistic Mediums 37:12 Navigating Graduate School Decisions 41:00 Redefining Success in Art 47:35 Legacy and Impact through Textiles   Connect With Qualeasha: Website: Qualeasha's Website Instagram: Qualeasha Wood Support the Show Website: Martine SeverinFollow on Instagram: Martine | This Is How We CreateSubscribe to the Newsletter: Martine's Substack This is How We Create is produced by Martine Severin. This episode was edited by Santiago Cardona and Daniel Espinosa. Subscribe wherever you get your podcasts Leave a review Follow us on social media Share with fellow creatives  

Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP  /  FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music: marc@marcstewartmusic.com   © 2025 Tara Cheyenne Performance   Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.   Donate! To keep this podcast ad-free please go to:  https://www.canadahelps.org/en/dn/13386   Links: www.sarahkfinn.com Instagram: @sarah.k.finn About Sarah: Sarah Finn (she/they) is a performer, writer and multimedia artist making theater and film. Their work plays with found + original text and media, puppetry, clown and movement, to create landscapes of humor & freak-out. Her solo show Is this the right thing to be doing? was presented at Portland Institute of Contemporary Art in 2024, and its full-length version will premiere in Vancouver in September 2025. Their performances & films have been presented at festivals in North America, Czech Republic, Germany, and Japan, as well as venues in New York, including Anthology Film Archives and Mabou Mines, where they received a Brooklyn Arts Council Grant, MAP Fund Microgrant, and were a resident-artist at Mabou Mines and Object Movement. As a collaborator, they work as a designer, dramaturg, director and performer. She trained at Ecole Internationale de Théâtre Jacques Lecoq and is pursuing an MFA in Interdisciplinary Arts at SFU.www.sarahkfinn.com | @sarah.k.finn About Tara: Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).  With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally.  Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be,  which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.

A LINEAGE OF THE REAL AND THE AUTHENTIC. Luc Tuymans is a Belgian visual artist, many of whose paintings explore people's relationship with history and confront their ability to ignore it. World War II and the horrors of the Holocaust is a recurring theme in his many faceted work. Tuymans is a key figure of the generation of European figurative painters who gained renown at a time when many believed the medium had lost its relevance due to the new digital age. “I want the feeling of doing something special” “For young artists now, it is very strenuous and very difficult” “There's a big difference between a drawn line and a painted line”

Contemporary art is a feast for the senses. But have we reduced art to vision? And what does the hand do, now that we have machines and automated ways of making, editing and showing images? And what are images?You wouldn't leave the shop without paying for your latte, right?Buy us a latte ;-)This episode is the second audio/video essay of the season. It will take you on a trip to a sensory shift across times, blurring the boundaries between line, image, wall, surface, paper, and machines. Where the hand is, what it does and how it is re-articulated by automation is promising and exciting if we let it. If you enjoyed this episode, and if you enjoy reading, Joana's Substack might be for you.I was invited to participate in a conversation on the occasion of the launch of Trajectories, Variations on a Gesture a book which is almost a sculpture or an exhibition in itself, containing 10 drawings made at Massana school of crafts (Barcelona) by Edouard Cabay. The director of the school, Xavi Capmany invited Cabay, an experimental architect and artist to bring his algorithmic practice at the heart of a school teaching manual crafts in order to create a dialogue between the different uses of the hand, of patterns, of the eye, the brain, muscle and memory. I dediced to start by reading a short text, which you can enjoy, in a longuer version, here.⁠SIGN UP⁠ for the NEWSLETTER! Be the first to know our upcoming episode, get our UNTIMELY BOOK RECOMMENDATIONS, and juicy facts + useful links.For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcastBluesky: @exhibitionistas.bsky.socialexhibitionistaspod@gmail.com#contemporaryart #artexhibitions #artmovement #experimentalart #automation #touch, #representation #craft #technology #artisticexpression, #contact #traces #artistresidency #edouardcabay #massanaschoolAbout us: If you enjoy the podcast If Books Could Kill and You Are Good, you will enjoy Exhibitionistas, where artists are unveiled through current and pertinent angles, and through thoughts and feelings. These podcasts were a great inspiration for our format because they're nerdy and engaging, researched and approachable. The co-host and the guest co-host engage in a conversation informed by an accessible and lively presentation of the subject, through which you can reflect on a show you've seen or discover it if you can't go, learn or re-evaluate artistic topics crossing over into our everyday lives.

Episode No. 708 features artist Paul Pfeiffer. The Museum of Contemporary Art Chicago is showing the retrospective "Paul Pfeiffer: Prologue to the Story of the Birth of Freedom." For over 25 years, Pfeiffer has investigated spectacle and mass culture, especially sport, and has found within it the power to create and extend political narratives. Included within the exhibition is only the second US presentation of Pfeiffer's landmark 2007 The Saints, an immersive sound and video installation that considers the 1966 men's World Cup final between England and West Germany that is one of the most significant works of the 21st century. "Pfeiffer" was curated by Clara Kim and Paula Kroll. The MCA presentation, which is on view through August 31, was organized by Bana Kattan with Iris Colburn. The exhibition catalogue was published by the Museum of Contemporary Art, Los Angeles, and MACK. Amazon offers it for $65. Instagram: Paul Pfeiffer, Tyler Green.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this week's episode, Emily interviews painter and muralist Oscar Lopez. Oscar shares his journey from growing up in Mexico City, where graffiti first introduced him to art, to becoming an established artist in California. He talks about his murals honoring farm workers, his shift from computer science to art, and the challenges he faced as a minority artist. Oscar also discusses the importance of believing in oneself and the struggle with self-identity as an artist. His works are currently displayed at the Institute of Contemporary Art in San Jose and Fort Mason in San Francisco.About Artist Oscar Lopez in His Own Words:I am visual artist born and raised in Mexico City, where I first came into contact of the art world  in the Graffiti urban art scene. After immigrating to the USA to San Francisco, Bay area (Silicon Valley),  focusing on trying to understand our complex society through a Mexican immigrant's lens in the USA. As a Mexican native who has being affected by the influence and the interruption of my culture by international immigrants and trends of imperialistic organizations. I use a critical eye to engage with the globalization, imperialism, and capitalism that affect every corner of the two nations that share my soul. My concerns are reflected in a dialogue of the Stockholm syndrome symptoms created by the oppression and discrimination of imperialistic orders. In both sides of the border this is having a bigger impact in minorities, people of color and the workers that hold entire nations that also suffer of social and cultural amnesia. In order to survive in these societies built on the foundations of white supremacy and colonialism our ancestors have been forced for generations to either hide, directly confront, or sympathize with our oppressors, resulting in a mass forgetting of cultural and social practices. As our cultural identity and practices have been suppressed we have become hostages in our own homeland. Our collective social and culture amnesia continues to affect people of color on both sides of the border.The globalization of multicultural problems such as classism, racism, and inequality affect the social and psychological side of humanity. Since we so easily forget where we come from as individuals, as an artist I choose to remember, honor, and reclaim those roots and rights. Multicultural problems affect how we see ourselves in comparison to others, in a disengagement with our history, and in a loss of our customs. Even the color of our skin is a source of contention. These problems are intangible, invisible for many. As an artist, I want to create tangible images that reflect our psychological symptoms and demand us to confront our submission to the powers that hold us.Visit Oscar's Website:  ArtByOscarLopez.comFollow  on Instagram:  @OscarLopezArtFor more on his mural at Fort Mason, CLICK HERE. For more on his mural at the ICA San Jose, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Christina West's exhibition at the Madison Museum of Contemporary Art uses live nude male models to explore the gaze and what it reveals about how we understand our relationship to ourselves and others. The post Artist Christina A West Mixes Sculpture and the Nude Human Form at MMo... appeared first on WORT-FM 89.9.

Front Row Classics is proud to welcome Russ Tamblyn to the podcast! Brandon and Russ sit down to discuss several of the stories found in Russ' memoir "Dancing on the Edge: A Journey of Living, Loving, and Tumbling Through Hollywood." The two discuss his memories of films like Father of the Bride, Seven Brides for Seven Brothers, West Side Story and The Haunting.  RUSS TAMBLYN, is an Academy Award-nominated actor, dancer, choreographer, director, and artist best known as Riff in the iconic 1961 film West Side Story and Dr. Jacoby in David Lynch's cult-classic television show, Twin Peaks, as well as for his contribution to the art, music, and counterculture movements of the 1960s. His eight-millimeter films and collage-and-assemblage art have appeared in numerous exhibitions, including at the Los Angeles Institute of Contemporary Art, the Los Angeles County Museum of Art, and the Getty. He lives in Los Angeles.

Season 25 begins! We meet Juergen Teller, one of the world's most sought-after contemporary photographers, successfully straddling the interface of both art and commercial photography.We discuss childhood, touring with Nirvana, Agnès Varda, Tracey Emin, William Eggleston, Kate Moss, Pope Francis, Kristen McMenemy, Zoe Bedeaux, collaborating with @DovileDrizyte and breakthroughs with Marc Jacobs. Juergen Teller's new exhibition of his photographs taken at Auschwitz Birkenau is now open Kunsthaus Göttingen, Germany until 1 June 2025 @KunsthausGoettingen. An accompanying photobook is published by @SteidlVerlag. 7 ½, Teller's concurrent exhibition runs at Galleria Degli Antichi, Sabbioneta, Italy until 23 November 2025 @VisitSabbioneta.Teller (b.1964) grew up in Bubenreuth near Erlangen, Germany. Teller graduated in 1986 and moved to London, finding work in the music industry shooting record covers for musicians such as Simply Red, Sinéad O'Connor and Morrissey with the help of the photographer, Nick Knight. By the early 1990s, he was working for avant-garde fashion magazines such as i-D, The Face, Details and Arena. Teller has collaborated with many fashion designers over the years, including Helmut Lang, Marc Jacobs, Yves Saint Laurent, Vivienne Westwood, Celine and Louis Vuitton.Teller was the recipient of the Citibank Photography Prize in association with the Photographer's Gallery, London in 2003. In 2007, he represented the Ukraine as one of five artists in the 52nd Venice Biennale. Teller has exhibited internationally, including solo shows at the Photographer's Gallery, London (1998), Kunsthalle Wien, Vienna (2004), Foundation Cartier, Paris (2006), Kunsthalle Nürnberg, Germany (2009), Daelim Contemporary Art Museum, Seoul (2011), Dallas Contemporary, USA (2011), Institute of Contemporary Art, London (2013), Deste Foundation, Athens (2014), Contemporary Fine Arts, Berlin (2015) and Bundeskunstalle, Bonn (2016).Teller's work is featured in numerous collections around the world, including the Centre Pompidou, Paris; International Center for Photography, New York; Pinchuk Art Centre, Kiev; and the Victoria & Albert Museum, London. He has published forty-one artist books and exhibition catalogues since 1996. He currently holds a Professorship of Photography at the Akademie der Bildenden Künste Nürnberg, and lives and works in London. Follow @JuergenTellerStudio and https://www.juergenteller.co.uk/ Hosted on Acast. See acast.com/privacy for more information.

Episode 475 / Banks VioletteBanks Violette is an artist born in Ithaca, NY who lives and works in Ithaca, NY. He recieved his BFA from the School of Visual Arts  and an MFA from Columbia University. He's had numerous solo shows including ones at MoCa, Connecticut, Gladstone Gallery, Blum & Poe, Thaddeus Ropac, Maureen Paley, Team Gallery, Rodolphe Janssen, and the Whitney Museum to name just a few. He's had scores of group shows all over the globe from the Museum of Modern Art to the Warhol Museum and his work is in the collections of The Coppel Foundation, MexicoThe Ellipse Foundation, Portugal, The Centre Pompidou, Paris, France, Frank Cohen Collection, Manchester, England The Jumex Foundation, Mexico, Los Angeles County Museum of Art, Los Angeles, Migros Museum für Gegenwartskunst, Zurich, Switzerland Musée d'Art Moderne et Contemporain, Geneva, Switzerland Museum of Contemporary Art, Los Angeles, Museum of Modern Art, New York, The OverHolland Collection, Amsterdam, The Netherlands The Saatchi Collection, London, UK, The Solomon R. Guggenheim Museum, New York, Frederick R. Weisman Art Foundation, Los Angeles and the Whitney Museum of American Art, New York. 

Z.T. Nguyen (b. 1997, United States) is an artist currently based in New Haven, CT. He has exhibited at Klaus von Nichtssagend, New York; Asia Art Archive in America, Brooklyn; the RISD Museum, Providence; NARS Foundation, Brooklyn; and the Vincom Center for Contemporary Art, Hà Nội, among others. He has participated in residencies and fellowships at the Textile Arts Center, Brooklyn; The Alternative Art School & MAIIAM Contemporary Art Museum, online; and Asia Art Archive in America. Nguyen received his BFA in Painting from the Rhode Island School of Design (2019) and is currently on the cusp of receiving an MFA in Painting & Printmaking at the Yale School of Art (2025). Facts Are Bigger in the Dark Year: 2025 23.5 x 36 x 6 Squid ink, graphite, colored pencil, and acrylic on letter-sized sheet of paper; found chair Hold Me 2024 Acrylic and graphite on letter-sized sheets of paper 32.125 x 40 inches Infinity 2024 16 x 10.4 inches Acrylic and graphite on letter-sized sheets of paper Obey 2025 Acrylic and graphite on paper 10.9 x 8.5 inches

Helen Verhoeven is beeldend kunstenaar. Ze studeerde onder andere aan het San Francisco Art Institute, de New York Academy of Art en de Rijksakademie in Amsterdam. Haar werk werd wereldwijd tentoongesteld en ontving in 2008 de Koninklijke Prijs voor Vrije Schilderkunst en in 2010 de Wolvecampprijs. Verhoevens werk bevindt zich in collecties van het Stedelijk Museum Amsterdam, het Centraal Museum Utrecht en The Museum of Contemporary Art in Miami. In 2019 won ze de ABN AMRO kunstprijs. Verhoevens werk is nu te zien in de tentoonstelling ‘Good Mom/ Bad Mom' in het Centraal Museum in Utrecht. De tentoonstelling houdt zich bezig met de vraag hoe moeders en het moederschap worden gerepresenteerd. Ook presenteert Verhoeven haar nieuwste werk in een solotentoonstelling in Annet Gelink Gallery. De tentoonstelling opent tijdens de Amsterdam Art Week. Atze de Vrieze gaat met Helen Verhoeven in gesprek.

SIGN UP –Be the first to know next episodes, get BOOK RECOMMENDATIONS, juicy facts + useful links.Episode......................................................................Contemporary artist Ed Atkins's survey at Tate Britain is best described as an existential theatre with avatars, CGI, motion capture technology, traditional figural drawing, Unreal Engine, filmed performance, experimental writing and much more. You wouldn't leave the shop without paying for your latte, right?Buy us a latte ;-) ⁠⁠https://exhibitionistaspodcast.com/support-us⁠Architect and first-time guest on the podcast, Nick Taylor, and I, get lost, fall into the temporary exhibition through a faulty door, rush through the show to watch the timed film, return a second time because one of us went to Tate Modern first, discuss exhibition-visiting methods, critique wall texts, and reflect upon our own relation with time, narrative, devotion and death.If you enjoyed the episode, you may enjoy my essays on Substack: ⁠⁠https://joanaprneves.substack.com⁠⁠Across all technologies, we've asked the same questions: …are we spectators or actors? …contemplative or engaged? …are images and the people in them dead? …and if so, why are they moving (both as a verb and an adjective)?Hailed as a pioneer of digital technology, Ed Atkins' work found its groove in early experiments with video-editing. These quickly migrated into the world of gaming, with its motion capture and CGI animation, and their striking similarity with live performance through timed duration, but with a complicated relation with the physical world and real, fleshy bodies. For behind the scenes clips and visuals follow us on Instagram: @exhibitionistas_podcastWe discuss: #parenting, #audience #engagement, #theatre spaces, fear, #vulnerability, #narrative building, #virtual realities, #self-representation, #identity, spatial dynamics, #modernism, #existentialism, #mortality, #parenthood, #theatre, #experimental film, emotional detachment, #intergenerational connections, #illness, #family dynamics.Instagram:   @exhibitionistas_podcast  Bluesky: @exhibitionistas.bsky.socialWebsite: https://exhibitionistaspodcast.comChapters00:00 Introduction and Setup02:31 Memories of Tate Modern07:07 Pivotal Moments in Ed Atkins' Career14:03 A Few Points Of Reference For Ed Atkins' Work18:21 When The Artist Writes Their Own Wall Texts22:35 Narratives On And Off The Screen(s)27:17 The Exhibition as Experimental Writing32:07 Narrative Building in Art Experiences37:33 Theatre Without Actors41:03 Self-Representation and Identity in Art46:19 Spatial Dynamics and Human Scale in Art53:23 Modernism and Its Absence in the UK55:31 Life As Utter Devotion, Art As Its Awareness 01:02:36 The Disconnect Between Generations in Art01:07:18 Reading Emotion: Ed Atkin's New Film With Real Actors01:11:40 The Journey Through Illness and Art01:16:51 The Mysterious Case of the Disappearing Spectators01:22:16 OUTROAbout us: If you enjoy the podcast If Books Could Kill and You Are Good, you will enjoy Exhibitionistas, where artists are unveiled through current and pertinent angles, and through thoughts and feelings. These podcasts were a great inspiration for our format because they're nerdy and engaging, researched and approachable. The co-host and the guest co-host engage in a conversation informed by an accessible and lively presentation of the subject, through which you can reflect on a show you've seen or discover it if you can't go, learn or re-evaluate artistic topics crossing over into our everyday lives.

Today's episode marks an exciting milestone: it's the official launch of our year-long partnership with flaconi, Germany's leading online retailer for beauty and perfume. Flaconi stands for more than just beauty products, it's a brand that celebrates diversity, mental well-being, empowerment, and culture. Values that align deeply with what we do here at WAA. And to celebrate this moment, we've planned this special edition of the show.Alexandra Szarmach is flaconi's CHRO and Managing Director. With a background that spans sales and HR at global giants like Sephora, Alexandra brings both business savvy and a deep, human-centered leadership style. She opened up about what it means to lead through values, to support mental health in the workplace in tangible ways, and how she is creating inclusive space for women to rise across industries.This conversation goes beyond titles. It's about real leadership, the messy parts of growth, and the strength it takes to build inclusive, thriving cultures.Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

It's been a long time, I shouldn't have left you…without a dope beat to step to! (Word to Timbaland!) But I'm so glad to be back and to get things started, I'm kicking it solo. On this week's episode you'll hear a little bit about what you can expect from the show going forward. I also share my perspective on the recent defunding and dismantling of federal arts, cultural, and education agencies. To close, I leave listeners (and myself!) with a few questions around the art we create and how it reflects the world around us. Read below to visit the sources referenced throughout the episode, and other resources. Update: Senior leaders and other employees, including all ten directors who oversee grants across various disciplines of the arts, left the National Endowment for the Arts (NEA) the week of May 5th, 2025. Read more here:Protect My Public MediaInside Harvard's lawsuit against the Trump administration : NPRTrump signs executive actions on education, including efforts to rein in DEITrump sets sights on national African American history museumUrge Congress to Save IMLS and NEH (For museums, staff, and board members)Arts Directors Exit the National Endowment for the Arts  Follow the show on IG at @theartofitallshow and follow the host at @dariasimoneharper! Don't forget to rate, review, and subscribe. Sharing an episode with a friend never hurts either;)

In this honest chat, Kat shares an unfiltered look at what artists like you and me truly need in 2025 and beyond. From navigating overwhelm and distraction to embracing deeper purpose and aligned visibility, this conversation is a reminder that you're not alone—and that your art, your voice, and your vision still matter. This episode offers grounded encouragement to help you reconnect with your mission, regulate your nervous system, and create from a place of clarity. If you've been feeling stuck, burned out, or unsure about your next step, this episode is for you. You'll hear Kat's personal take on what's working right now (and what's not), including why being seen, building intentional income streams, and honoring your energy are some of the most important things you can do as an artist in this season. This isn't a marketing episode or a how-to—it's a permission slip to be human and to keep going. This episode is sponsored by Beautiful Bizarre Magazine Entries are now open for the 2025 Beautiful Bizarre Art Prize! Now in its 8th year, this annual non-acquisitive international art prize is administered by Beautiful Bizarre Magazine and celebrates diversity and excellence in the representational visual arts—including all static mediums: traditional, digital, and photographic. From realism and hyperrealism to pop surrealism and lowbrow, this prize honors it all. With over $77,000 in cash and prizes, including a $10,000 grand prize, this is an incredible opportunity to gain funding and global exposure for your work. Finalists will also have a chance to exhibit in the 2025 Beautiful Bizarre Magazine exhibition at Haven Gallery in New York, alongside 70 of the world's top contemporary artists. You don't need to submit a physical artwork—just upload an image of your favorite piece (even if it's already sold). This year's six award categories are: MPB Photography Award Digital Art Award The RAYMAR Painting Award Victoria Olt Gallery Drawing Award Yasha Young Projects Sculpture Award Catherine K. Gyllerstrom Emerging Artist Award There's also a People's Choice Award, offering a second chance to win with an additional $1,000 prize and a bespoke promotion package with Beautiful Bizarre Magazine. The team looks at every single entry—and many are shared online and on social media before the deadline—making this a powerful way to get noticed.

You know that moment when a painting feels so real you swear the subject might blink? Hyper-realist portraitist Monica Ikegwu returns to reveal the behind-the-scenes rigor—hours of glazing, precise lighting choices, and minimalist backgrounds—that turn a single photograph into a living, breathing canvas. Join Monica as she unpacks her journey from MFA student at the New York Academy of Art to international exhibitions, and how her “Just Say Yes” ethos keeps her pushing creative boundaries. Studio rigor and glazing: how disciplined layers of paint bring depth and life to every portraitFrom fabric backdrops to abstraction: evolving her style by pairing figures with minimalist geometric shapesPhoto-shoot alchemy: capturing a sitter's essence in brief sessions and translating mood into color and formMFA to independent practice: moving from New York Academy of Art to a Baltimore studio and global exhibitions“Just Say Yes” philosophy: saying yes to every opportunity—from museum shows to artist-led residenciesLooking ahead: a new body of unified-color work and an upcoming institutional exhibition featuring her signature abstract motifsCatch Monica Ikegwu's first appearance on the podcast here:  Whether you paint, draw, or simply love a great portrait, Monica's process will give you a fresh appreciation for the craft—and maybe inspire your next creative leap. Photograph by Lia Latty Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Anyone inspired by our previous episode with painter Christopher Still to go out and see some art can do so at the Museum of Contemporary Art in Jacksonville where a fantastic show reassembling the first Modern art exhibition ever presented in Florida can be seen through November 23, 2025.Our guest is Ken Meyer, executive director at the Avian Research and Conservation Institute. He's been studying Florida's swallow-tailed kites since the 1990s.Help swallow-tail kites and all Florida birds by incorporating native plants into your yard. Find support from the Florida Native Plant Society and Florida Association of Native Nurseries. Find swallow-tail kites at sites on the Great Florida Birding Trail and with the ebird app.

Coco Design & Build Co. stands as a distinguished name in the realm of high-end residential transformations, specializing in the meticulous design and flawless execution of kitchen and bathroom renovations. As the owner and driving force behind this esteemed company, Coco has cultivated a reputation for an unwavering commitment to quality, an astute understanding of sophisticated aesthetics, and a personalized approach that consistently exceeds client expectations. Her discerning eye for detail, coupled with a deep-seated passion for innovative design solutions, has positioned Coco Design & Build Co. as a sought-after partner for homeowners seeking to elevate their living spaces to new levels of luxury and functionality. Beyond her entrepreneurial success in the construction and design industry, Coco is also the visionary and creative heart behind Thee Old Fishbowl Gallery. This unique artistic endeavor reflects her profound appreciation for art in its myriad forms and her desire to cultivate a space where creativity can flourish and connect with the wider community. Thee Old Fishbowl Gallery serves as a testament to Coco's multifaceted nature, showcasing her ability to seamlessly blend the practical demands of construction and business ownership with the inspiring and expressive world of art. It is a platform where emerging and established artists can share their perspectives, and where visitors can engage with thought-provoking and visually captivating works. This dual role as a successful business owner and a dedicated patron of the arts underscores Coco's dynamic spirit and her significant contributions to both the design landscape and the local cultural scene. About: Coco Design & Build Co. began with a simple goal in mind – to craft beautiful new spaces based on a client's personality. Since our beginning, we have focused on how to best deliver on this promise. For over 25 years, we have worked in the industry and witnessed what does and does not work. This insight has informed our design, remodel, and renovation process by improving the necessary steps to run a successful project. We have the knowledge and experience you can rely upon that makes renovation as easy as possible. It is essential for our team to simplify the entire process because there are so many moving parts involved. Trying to pull together expert artisans for tile work, make sure deliveries of new materials are on time, and even sync your smart devices with new appliances can get overwhelming quickly. That is why our team is here to help. We have completed 100s of successful projects and know how to smooth out the typical road bumps homeowners do not have the time to manage. The vision behind Thee Old Fishbowl Gallery, at its heart, is to cultivate a vibrant and inclusive space where art transcends traditional boundaries and fosters genuine connection. It's more than just a place to view artwork; it's intended to be a dynamic hub for creativity, dialogue, and community engagement. Thee Old Fishbowl Gallery is to be a welcoming, dynamic, and thought-provoking space where art flourishes, connections are made, and the joy of creative expression is celebrated by all. It's about creating a cultural hub that enriches the community and fosters a deeper appreciation for the transformative power of art. Web: https://cocodesignbuild.com/ Events: https://evanstonmade.org Get to Know Ash: Imagine someone who just radiates good vibes and genuinely wants to see you shine – that's Ash Brown! This incredibly talented American wears many hats: she's a fantastic producer, a super engaging blogger, a captivating speaker, a natural media personality, and a fantastic host for events. Her energy is totally infectious, and you can tell she's truly passionate about helping everyone reach their full potential. What's Ash Up To? AshSaidit.com: Think of this as your VIP pass into Ash's world! Her blog is buzzing with exclusive invites to events, honest reviews of cool products, and all sorts of fun and informative stuff. It's the perfect place to stay in the loop and get a dose of Ash's personality. The Ash Said It Show: Get ready to feel inspired! Ash's podcast is a powerhouse of motivation, with over 2,000 episodes already out there and a whopping half a million listens worldwide! She has amazing conversations with inspiring people and dives into topics that really matter. Why We Love Ash: Ash isn't just talking the talk; she's walking the walk! What makes her truly special is how real she is. She connects with her audience on a genuine level, offering advice and encouragement that feels like a chat with a good friend. She doesn't shy away from the tough stuff but instead gives you the tools to tackle it head-on. Here's what makes Ash stand out: Sunshine Personified: Ash is a total optimist! Her positive energy is contagious, and you can't help but feel more empowered and ready for anything after connecting with her. Keeping It Real: Ash doesn't try to sugarcoat life. She gets that things can be tough and offers relatable advice that speaks to people from all walks of life. Turning Inspiration into Action: This isn't just about feeling good for a moment. Ash gives you practical tips and strategies to actually make things happen and turn your dreams into reality. So, if you're looking for a daily dose of inspiration, real-world advice, and someone who keeps it totally honest, Ash Brown is your go-to person! With her amazing positivity and genuine dedication to helping others, she's sure to become your favorite source for making the most out of life. ✨ ► Goli Gummy Discounts Link: https://go.goli.com/1loveash5 ► Luxury Women Handbag Discounts: https://www.theofficialathena.... ► Review Us: https://itunes.apple.com/us/po... ► Subscribe: http://www.youtube.com/c/AshSa... ► Instagram: https://www.instagram.com/1lov... ► Facebook: https://www.facebook.com/ashsa... ► Blog: http://www.ashsaidit.com/blog #atlanta #ashsaidit #theashsaiditshow #ashblogsit #ashsaidit®Become a supporter of this podcast: https://www.spreaker.com/podcast/the-ash-said-it-show--1213325/support.

Almost by definition, the frame of a picture is something that you are not supposed to notice. But if you go to the art galleries to look at paintings now, you might get a very different sense of what a frame can or even should do. Weird and wild frames that very much draw attention to themselves seem to be having a moment. Recently, Artnet writer and editor Katie White penned a piece titled Bordercore: Why Frames Became the New Frontier in Contemporary Art. In her essay, she looks both at the history of framing styles, and talks to a number of contemporary painters to figure out what is causing so many to treat something that was literally considered peripheral to what they do as very much part of the main attraction. This week she joins Art Critic Ben Davis on the podcast to discuss this new frontier in art.

Mara De Luca's (b. 1973, Washington D.C.) paintings evoke a sense of atmospheric abstractions that bring to mind dusk, sunsets, and planetary orbs. Throughout her work there is a sense of reflected ambient light. De Luca's work today extends the celebration of illusionism, romanticism, and the sublime with a deeply informed response to modernist painting. De Luca received an MFA from CalArts, Los Angeles, CA and a BA from Columbia University, NY. Her work has been displayed at the Museum of Contemporary Art, San Diego and is in prominent collections, including the Buck Collection at UC Irvine, JP Morgan Chase, New York; Fidelity, Boston; Alexander Plaza Berlin, Germany; New York Medical College, New York; and the University of Oslo, Norway. She has been reviewed in Artforum, Cultured Magazine, The Los Angeles Times, Artweek LA, and others. De Luca is a recipient of the 2019 California Community Foundation Fellowship for Visual Artists. She has taught Painting at UC San Diego, UC Irvine, UC Davis and UC Riverside. Based in Los Angeles for over two decades, De Luca now lives and works in New York. Mara De Luca, Western Gate 1, 2024 mixed media on canvas with copper plated element 54 × 96 inches (137 × 244 cm) Mara De Luca, Western Gate 2, 2024 acrylic on primed and unprimed canvas with brass plated element 59 x 132 inches (150 x 335.5 cm) Mara De Luca, Cut Western Clouds, 2024, mixed media on cut canvas with copper plated elements, 48 x 42 x 3 inches (122 x 106.5 x 7.5 cm).

Tomokazu Matsuyama. Born in 1976 in Gifu, Japan, Matsuyama is currently based in Brooklyn, New York. His work spans painting, sculpture, and installation, organically blending and reimagining diverse elements–such as ancient and modern, figurative and abstract, Eastern and Western. His art reflects both his cross-cultural experiences and the evolving nature of contemporary society in our information-driven world. Major public art projects include the Bowery Mural (New York, USA, 2019), Hanao (JR Shinjuku Station East Square, Tokyo, 2020), and Wheels of Fortune (Meiji Shrine, Tokyo, 2020, part of the Jingu Gaien Art Festival). Recent notable exhibitions include Mythologiques (Venice Biennale, 2024), MATSUYAMA Tomokazu: Fictional Landscape (Hirosaki Museum of Contemporary Art, 2023), and MATSUYAMA Tomokazu: Fictional Landscape (Shanghai Powerlong Museum, 2023). His work was also featured in Pop Forever. Tom Wesselmann &… at Fondation Louis Vuitton in Paris (2024–2025). Please visit cerebralwomen.com for his expanded bio. Photo credit: Fumihiko Sugino Artist https://matzu.net/ Pen Magazine Taiwan https://www.matzu.net/media/press/pen-4/ GQ https://www.matzu.net/media/press/gq/ FT https://www.matzu.net/media/press/financial-times/ Bazaar https://www.matzu.net/media/press/harpers-bazaar/ Legend https://www.matzu.net/media/press/legend/ Hypebeast https://www.matzu.net/media/press/hypebeast-4/ Hypeart https://www.matzu.net/media/press/hypeart/ Juxtapoz https://www.matzu.net/media/press/juxtapoz/ Galerie https://www.matzu.net/media/press/galerie-magazine/ Artforum https://www.matzu.net/media/press/artforum/ Kinari https://www.matzu.net/media/press/kinari/ Takashimaya-salon https://www.matzu.net/media/press/takashimaya-salon/ Mythologiques https://www.matzu.net/media/tomokazu-matsuyama-mythologiques/ Almine Rech https://www.alminerech.com/artists/7720-tomokazu-matsuyama Kavi Gupta https://kavigupta.com/artists/95-tomokazu-matsuyama/ First Last https://www.tomokazu-matsuyama-firstlast.jp/english/ Wynwood Walls https://thewynwoodwalls.com/artists/tomokazu-matsuyama/ Kotaro Nukaga https://kotaronukaga.com/en/artist/tomokazu_matsuyama/ Avante Arte https://avantarte.com/artists/tomokazu-matsuyama Hidden Champion https://www.matzu.net/media/press/hidden-champion/ BKMag https://www.bkmag.com/2024/08/06/the-art-of-tomokazu-matsuyama-from-the-streets-of-nyc-to-big-shows-in-paris-and-venice/

What makes a work of art resonate? Is it the colors, the subject, the symbolism—or something more elusive? In this episode, curator, author, and coach Gita Joshi returns to talk about her new book Framing the Invisible: How We See and Understand Art. We explore how perception, personal experience, and context shape the way we engage with artwork—whether you're an artist, collector, or simply a curious viewer. We also talk about why visual literacy matters, how to talk about your work with confidence, and why there's no wrong way to see art. Order Gita's book: https://amzn.to/4j6AJ2V Start learning with our educational micro learning hub: https://www.createu.co Read the blog, submit your work, or check out the latest issue of Create! Magazine: https://www.createmagazine.co Follow Gita on Instagram: https://www.instagram.com/thegitajoshi Follow Kat on Instagram: https://www.instagram.com/katerinaspopova Thanks for listening to Art & Cocktails! Love the show? We appreciate your support, plese leave us a quick review on iTunes and share this with a friend. 

A Chicago painter with an endless amount of surprises that unfold inside her landscapes of the Rococo and fantastical. Her work represents a continuation of the Chicago Imagists of the 60's with an interest in combining eccentric figuration with abstraction. “Bramson incorporates the passionate complexity of eastern mythology, the sexual innuendos of soap operas, and sometimes the happy endings of cartoons” said critic Miranda McClintic She has shown her work prolifically in prestigious galleries and Museums internationally and her work is included in over 100 major collections including the Museum of Contemporary Art in Chicago ,The national museum of American Art in Washington DC and many more. She also was a professor of art at the University of Illinois at Chicago and then a visiting artist at the School of the Art Institute of Chicago …. totaling over 40 years of being a teaching Artist.

Kylie Manning is a painter, surfer, and fisher based in Brooklyn, New York. Her parents were both art teachers, and, while she was growing up, the family moved between their home in Juneau, Alaska, to various regions in Mexico, which would inform her artwork—and her surfing. She is a graduate of Mount Holyoke College, Massachusetts with a double major in philosophy and visual arts. While she was getting her MFA at the New York Academy of Art, she had a captain's license to operate 500-ton commercial fishing boats on international waters, and spent her summers catching salmon on the Pacific coast. Manning has gained global respect for her abstract figurative paintings, which embody powerful yet delicate compositions with brushstrokes that seem to be in motion. Her work is held in numerous collections worldwide, including the Columbus Museum of Art, Ohio; Institute of Contemporary Art, Miami, Florida; and the X and Yuz Museums in China. In this episode of Soundings, Manning talks with Jamie Brisick about weather and wonderment, beauty and brawls aboard commercial fishing vessels, atmospheric fascination, style, her proudest artworks, the nuances between grit and growth, and her collaboration with the New York City Ballet.  

On this flashback episode we interview North Carolina Art Collectors, Brian Holland and Dianna Wynn. We talk about the responsibilities of being an art collector, the power of artists talking directly to their audience, leaning into your other passions in order to find momentum with your art, and the magic of the artist-collector relationship.Episode Blog Link: https://www.levelupartists.com/lua-podcast/206Sign up for our studio newsletters at: https://www.AmeighArt.com https://www.JaclynSanders.com https://www.levelupartists.com Connect with us on Instagram: https://www.instagram.com/AmeighArt/https://www.instagram.com/JSandersStudio/https://www.instagram.com/LevelUpArtists/Music by: https://www.coreyclaxton.com Watching or listening to one of our earlier episodes? In 2022, the Art Studio Insights podcast was renamed the Level Up Artists podcast!

Building an art career with intention doesn't always start with a plan. Sometimes it starts with a gut feeling that something isn't working. That was true for Noelle Phares, who left behind a structured science career to follow her creative instincts—eventually leading to a solo museum exhibition and a thriving, self-directed art business. In this episode (part 1 of 2), host Alyson Stanfield talks to Noelle about how she transitioned from environmental data science into full-time painting, and how her rigorous research background continues to shape her studio practice. The conversation centers around 2024 solo show Tracking Time at the Boulder Museum of Contemporary Art—how it came together, what she learned from the proposal process, and why she approaches every exhibition as a fully developed project. She also shares her mindset around selling art, connecting with collectors, and painting for impact. This conversation is rich with insight about: Leaving a traditional career to follow a creative calling. The research process behind Tracking Time and why Noelle selected 7 distinct locations along the Colorado River. Working with museums and curators while maintaining your artistic voice. Designing exhibitions that tell cohesive, layered stories. Balancing environmental messaging with visual beauty to draw people in. Creating work that connects with buyers and retains meaning. Noelle's blend of structure, vision, and heart makes this an inspiring listen for any artist seeking to step into a more intentional, expansive chapter. Stay tuned for part 2, where we'll dive into how she structures her business, manages a team, markets her work, and approaches gallery relationships.

"Beholding is a countercultural act—it requires us to stop, to receive, and to fully see.” — Makoto Fujimura"Slow art is an invitation to linger, to notice, and to let the world unfold before us." — Makoto FujimuraYou are a beautiful masterpiece. But the practice of living artfully comes slowly, often through brokenness, weakness, or failure. Contemporary artist Makoto Fujimura integrates traditional Japanese styles with abstract expressionism and Christian theology, to explore the beauty that can emerge from the ashes pain and suffering. Both his art and his writing call us to behold the gift of creation, participate in its redemption, accentuating the cracks and fractures in our lives, so that grace might abound.Makoto Fujimura—renowned artist, writer, and theologian—joins Dr. Pam King to explore the deep connections between art, faith, and flourishing. Fujimura shares how his Japanese heritage and study of traditional Nihonga painting have shaped his understanding of creativity as a sacred act. Through themes of brokenness, beauty, and slow art, he challenges us to rethink success, embrace imperfection, and create from a place of love and abundance. Whether you're an artist, a person of faith, or someone seeking meaning in a hurried world, this conversation will invite you to slow down, behold, and embrace the mystery and beauty of life.Mako Fujimura integrates his artmaking, theology, and culture care advocacy into a beautiful expression of thriving and spiritual health. Through his breathtaking expressionist style, distinctively Japanese methods, and his rooted Christian convictions, he's bringing beauty into being, and inviting us to do the same.In this conversation with Mako Fujimura, we discuss:What art is, what creativity means, and the human capacity for making beautyHow we can live artfully through imperfection, brokenness, trauma, and sufferingHow the practice of a gift economy can lead to mutual thrivingThe slow art of pausing, stopping, and beholding that contributes to our mental and spiritual healthAnd the connection between knowledge and love in a life of creativity and artmaking.Helpful Links and ResourcesFollow Makoto Fujimura on X @iamfujimuraView Mako's art at makotofujimura.comMakoto Fujimura's WritingsMakoto Fujimura's BooksNihonga Art and its TraditionsRefractions: A Journey of Art, Faith, & CultureCulture Care: Reconnecting with Beauty for Our Common LifeSilence and Beauty: Hidden Faith Born of SufferingArt and Faith: A Theology of MakingEpisode Highlights"Art is fundamentally what human beings create—it is our capacity to make, and in making, we come to know.""Beholding is a countercultural act—it requires us to stop, to receive, and to fully see.”"We worship a wounded, glorified human being—our brokenness is not something to escape but something to offer.""Creativity is not about self-expression alone—it is about giving yourself away in love.""Slow art is an invitation to linger, to notice, and to let the world unfold before us."Show NotesMakoto Fujimura discusses the intersection of art, faith, and flourishingThe importance of beholding in a fast-paced worldHow brokenness and imperfection reveal deeper beautyNihonga painting and the wisdom of traditional Japanese artCreativity as an act of love and gift-givingThe Art of BeholdingWhy slowing down is essential for creativity and spiritual growthThe practice of beholding as a way of seeing the world more deeplyHow art invites us to be present and pay attentionThe connection between contemplation, creativity, and flourishing"Beholding is a countercultural act—it requires us to stop, to receive, and to fully see."Creativity, Faith, and Human FlourishingHow art and faith are intertwined in human thrivingThe spiritual discipline of making and creatingWhy true knowledge is connected to love and experience"Art is fundamentally what human beings create—it is our capacity to make, and in making, we come to know."How community fosters creativity and growthBrokenness, Beauty, and the Theology of MakingThe Japanese tradition of Kintsugi and embracing imperfectionHow Jesus' wounds and resurrection shape our view of brokennessThe gift economy vs. the transactional economy in art"We worship a wounded, glorified human being—our brokenness is not something to escape but something to offer."Learning to see beauty in what is discarded or overlookedThe Practice of Slow ArtWhy slowing down is essential for deep engagement with artHow layers in Nihonga painting reveal new depths over time"Slow art is an invitation to linger, to notice, and to let the world unfold before us."How slowing down fosters healing and deeper connectionThe role of patience and attentiveness in both art and lifeLiving a Creative and Generous LifeHow to cultivate creativity in daily life, even outside traditional artsThe role of community in sustaining creative workWhy generosity and self-giving are essential to true creativity"Creativity is not about self-expression alone—it is about giving yourself away in love."Practical steps for integrating creativity into everyday livingPam King's Key TakeawaysWhether you think of yourself as artist, we're all creative. Mako's message is intentionally not just for artists, but is an invitation for all of us to live artfully—no matter what we do for a living.Because creativity comes in so many different ways, from leadership, to scientific research, to parenting, to cooking, we all have the daily creative capacity to add beauty to the world.And to that end, remember your first love, the playfulness and creativity of giving beauty to the worldA gift economy of beauty offers a radical resistance to consumerism, competition, and comparison.Art and the making of beauty is a part of thriving. And the invitation to live artfully starts with a daily practice of slowing down: pause, stop, and behold. Smell the roses. Consider the lilies.And finally, there's a path to beauty through brokenness. Grace comes to us through failure. And strength is made perfect in weakness.And finally, though the wind may be blowing through our lives, may we all learn to behold the moonlight leaking between the roof planks.About Makoto FujimuraContemporary artist Makoto Fujimura is a painter, an author, a speaker, and an imaginative maker with a gift for theological integration.Mako's message is intentionally not just for artists, because creativity comes in so many different ways, from leadership, to scientific research, to parenting, to cooking, we all have the daily creative capacity to add beauty to the world. Working out of his Princeton, New Jersey studio, his work has been described by David Brooks as “a small rebellion against the quickening of time.” Art critic Robert Kushner placed Mako's art at the forefront of a contemporary movement about “hope, healing, redemption, and refuge, while maintaining visual sophistication and intellectual integrity.”A blend of fine art and abstract expressionism, Mako describes his work as “slow art,” being influenced directly by the distinctively Japanese Nihonga style, which is patient and methodical, using slow drying pigments from ground minerals.Mako's art has been featured in galleries and museums around the world, as well as notable collections in The Museum of Contemporary Art in Tokyo, The Huntington Library in California, and the Tikotin Museum in Israel.From 2012 to 2017, he served as vision director of the Brehm Center here at Fuller Theological Seminary.Mako is the author of several books, including Refractions: A Journey of Art, Faith, & Culture, Culture Care: Reconnecting with Beauty for Our Common Life, and Silence and Beauty: Hidden Faith Born of Suffering. His most recent is entitled Art and Faith: A Theology of Making. And his next book will be available soon—titled, Art Is: A Journey into the Light. And with his wife Haejin, he's producing a new work on Beauty and Justice.Follow him on X @iamfujimura, and view his beautiful work at makotofujimura.com. About the Thrive CenterLearn more at thethrivecenter.org.Follow us on Instagram @thrivecenterFollow us on X @thrivecenterFollow us on LinkedIn @thethrivecenter About Dr. Pam KingDr. Pam King is Executive Director the Thrive Center and is Peter L. Benson Professor of Applied Developmental Science at Fuller School of Psychology & Marriage and Family Therapy. Follow her @drpamking. About With & ForHost: Pam KingSenior Director and Producer: Jill WestbrookOperations Manager: Lauren KimSocial Media Graphic Designer: Wren JuergensenConsulting Producer: Evan RosaSpecial thanks to the team at Fuller Studio and the Fuller School of Psychology & Marriage and Family Therapy.

What if joy, trust, and intention were the most powerful tools in your art practice? In this illuminating episode of Art & Cocktails, Kat is joined by Ingrid V. Wells—an artist known for her vibrant, playful still lifes that explore deep themes like resilience, consciousness, and energetic alignment. Her work invites viewers to reconnect with joy as a revolutionary creative force. Together, they explore how to cultivate a powerful internal state before creating, why joy is a radical act, and how to access your highest creative flow. Ingrid shares her approach to creating from consciousness, letting go of pressure, and trusting the energetic pull of your artistic vision. This is a beautiful reminder to return to your own creative truth and show up with more self-trust, presence, and purpose. About Ingrid: Ingrid V. Wells is a San Francisco–based painter whose work has been exhibited internationally and featured in Create! Magazine, W Magazine, Hyperallergic, and more. She is also the founder of TWIRL and serves as Fine Arts Assistant Director at California College of the Arts. Collect Ingrid's artwork at pxpcontemporary.com Follow her on Instagram: @ingrid.v.wells Explore more: www.ingridvwells.com   Work with Kat to Gain Momentum in The Studio: https://aqsociety.com/studio-momemtum Submit your work to Create! Magazine: www.createmagazine.co/call-for-art  

The Art Institute's Frida Kahlo's Month in Paris: A Friendship with Mary Reynolds explores a pivotal moment in Kahlo's career. Reset sits down with Caitlin Haskell, Gary C. and Frances Comer senior curator of Modern and Contemporary Art, one of the curators behind the exhibition to learn more about the two artists' friendship and their connection to the surrealist art movement. This exhibition will be open now until Sunday, July 13, 2025. Tickets are an additional $5 in addison to a general admission. For a full archive of Reset interviews, head over to wbez.org/reset.