Podcasts about Contemporary art

Javier Proenza speaks with Ioanna Sakellaraki, a Greek visual artist, photographer, and Fulbright Scholar currently conducting research with the Smithsonian, about the development of her interdisciplinary practice across photography, collage, embroidery, and archival work. The conversation examines Sakellaraki's transition from a career in communications strategy with EU institutions into contemporary art, the influence of personal grief and the discovery of her late father's archive on her work, and her engagement with Greek mourning traditions, Orthodox ritual, memory, and the unstable boundary between documentary and conceptual image-making.

Bad at Sports Episode 951 has Duncan MacKenzie and Ryan Peter Miller still in Miami for a conversation with Chicago artist Tali Halpern at NADA, representing 1210 Gallery. The conversation spans weaving, sobriety, punk music, queer identity, labor, spectacle, and the ecstatic possibilities of fiber art. Halpern discusses their transition from painting and addiction into weaving, their work with digital looms at Loom Room, and the way embellishment, rhinestones, embroidery, and collage become acts of healing and reconstruction. The episode touches on Chicago's art community, punk aesthetics, club culture, spiritual labor, and the tension between craft traditions and contemporary experimentation.   Name Drops & Links Tali Halpern — https://tali.rocks/ Twelve Ten Gallery — https://twelvetengallery.com/ NADA Miami — https://www.newartdealers.org/ School of the Art Institute of Chicago (SAIC) — https://www.saic.edu/ Loom Room Chicago — https://www.lmrmchicago.com/ Hope Lange — https://en.wikipedia.org/wiki/Hope_Lange Gregg Araki — https://en.wikipedia.org/wiki/Gregg_Araki Nowhere — https://www.imdb.com/title/tt0119809/ Mike Kelley — https://en.wikipedia.org/wiki/Mike_Kelley_(artist) Paul McCarthy — https://en.wikipedia.org/wiki/Paul_McCarthy Tracey Emin — https://en.wikipedia.org/wiki/Tracey_Emin Sylvia Plath — https://en.wikipedia.org/wiki/Sylvia_Plath Elliott Smith — https://en.wikipedia.org/wiki/Elliott_Smith Ken Burns — https://www.pbs.org/kenburns/ Nirvana — https://en.wikipedia.org/wiki/Nirvana_(band) The B-52's — https://en.wikipedia.org/wiki/The_B-52s Guns N' Roses — https://en.wikipedia.org/wiki/Guns_N%27_Roses Howardena Pindell — https://www.garthgreenan.com/artists/howardena-pindell Melissa Cody — https://www.garthgreenan.com/artists/melissa-cody Cranbrook Academy of Art — https://cranbrookart.edu/ Boulder Museum of Contemporary Art — https://bmoca.org/ The Weaving Mill — https://theweavingmill.com/ Mikey Mosher — https://www.mikeymosher.com/ Cindy Sherman — https://en.wikipedia.org/wiki/Cindy_Sherman Noelia Towers — https://www.noeliatowers.com/ The Killers — https://en.wikipedia.org/wiki/The_Killers  

Fluent Fiction - Spanish: The Art of Connection: A Museum Adventure Find the full episode transcript, vocabulary words, and more:fluentfiction.com/es/episode/2026-06-13-07-38-19-es Story Transcript:Es: El sol de la tarde brillaba sobre el Museo de Arte Contemporáneo, creando reflejos en sus paredes de cristal.En: The afternoon sun shone on the Museo de Arte Contemporáneo, creating reflections on its glass walls.Es: Mateo y Renata entraron al museo, listos para explorar y disfrutar del arte.En: Mateo and Renata entered the museum, ready to explore and enjoy the art.Es: Mateo, siempre fascinado por las historias detrás de cada obra, se veía pensativo.En: Mateo, always fascinated by the stories behind each piece, looked thoughtful.Es: Renata, en cambio, siempre buscaba experiencias nuevas que recordara más allá de un objeto.En: Renata, on the other hand, always sought new experiences that she would remember beyond just an object.Es: Dentro del museo, el ambiente era tranquilo y moderno.En: Inside the museum, the atmosphere was calm and modern.Es: Las paredes estaban llenas de colores y formas que parecían contar historias sin palabras.En: The walls were filled with colors and shapes that seemed to tell stories without words.Es: Mateo conocía el valor de un regalo especial y quería expresar su aprecio por Renata con algo significativo.En: Mateo understood the value of a special gift and wanted to express his appreciation for Renata with something meaningful.Es: Sin embargo, sabía que Renata no era de las que coleccionaban cosas; ella prefería momentos y aventuras.En: However, he knew that Renata was not one to collect things; she preferred moments and adventures.Es: Mateo decidió prestar atención a cada detalle.En: Mateo decided to pay attention to every detail.Es: Observó mientras Renata caminaba por las salas.En: He observed as Renata walked through the rooms.Es: Miraba sus gestos, buscaba sus sonrisas y oía sus comentarios.En: He watched her gestures, looked for her smiles, and listened to her comments.Es: Renata se detenía con fascinación frente a un cuadro vibrante lleno de colores brillantes.En: Renata paused with fascination in front of a vibrant painting full of bright colors.Es: Su mirada se iluminaba con cada pincelada.En: Her gaze lit up with each brushstroke.Es: Mateo captó la emoción genuina en los ojos de Renata.En: Mateo captured the genuine emotion in Renata's eyes.Es: El tiempo corría.En: Time was running out.Es: El museo pronto cerraría y la tienda de regalos sería su última oportunidad.En: The museum would soon close and the gift shop would be his last chance.Es: Mateo se sentía ansioso.En: Mateo felt anxious.Es: Al llegar a la tienda, recorrieron juntos las estanterías llenas de libros, pósters y esculturas pequeñas.En: Upon reaching the shop, they browsed together through shelves full of books, posters, and small sculptures.Es: Entonces, algo le llamó la atención: un impreso del mismo cuadro que había capturado el interés de Renata.En: Then, something caught his attention: a print of the same painting that had captured Renata's interest.Es: Mateo lo tomó en sus manos, decidido.En: Mateo took it in his hands, determined.Es: Era la elección perfecta.En: It was the perfect choice.Es: Renata, al verlo, sonrió sorprendida.En: Renata, upon seeing it, smiled in surprise.Es: "¡Ese es mi favorito!En: "That's my favorite!"Es: ", exclamó con alegría.En: she exclaimed with joy.Es: Salieron del museo con el regalo cuidadosamente envuelto.En: They left the museum with the gift carefully wrapped.Es: Pasearon por los jardines iluminados por los últimos rayos del sol.En: They strolled through the gardens illuminated by the last rays of the sun.Es: Mateo sintió una nueva comprensión del valor de las pequeñas cosas, de prestar atención, de ser consciente de lo que realmente importaba.En: Mateo felt a new understanding of the value of small things, of paying attention, of being aware of what truly mattered.Es: Renata agradeció el gesto con una sonrisa sincera.En: Renata thanked him for the gesture with a sincere smile.Es: Finalmente, el día terminó, pero la amistad entre Mateo y Renata se hizo más fuerte.En: Finally, the day ended, but the friendship between Mateo and Renata grew stronger.Es: Mateo había aprendido a ver más allá de lo material.En: Mateo had learned to see beyond the material.Es: A veces, la llave para entender a alguien está en los detalles más simples.En: Sometimes, the key to understanding someone is in the simplest details. Vocabulary Words:the sun: el solthe museum: el museothe reflection: el reflejothe glass: el cristalto explore: explorarfascinated: fascinadothoughtful: pensativothe atmosphere: el ambientethe wall: la paredsignificant: significativoto collect: coleccionarthe gesture: el gestothe smile: la sonrisabright: brillantethe painting: el cuadrothe brushstroke: la pinceladato capture: captarthe time: el tiempoto close: cerraranxious: ansiosoto browse: recorrerthe shelf: la estanteríathe sculpture: la esculturathe joy: la alegríato stroll: pasearto illuminate: iluminarto wrap: envolverto focus: prestar atenciónthe moment: el momentoto thank: agradecer

Ffilm 32 munud, 51 eiliad o hyd a wnaed gan José Alejandro Restrepo ym 1999 yw Paso del Quindío II. Mae'r ffilm yn ail-greu'r ‘carguero' olaf – pobl a oedd yn cario teithwyr Ewropeaidd drwy'r jyngl fynyddig anodd yn wreiddiol. Mae gwaith Restrepo yn ystyried y cysylltiadau pŵer cymhleth sy'n gysylltiedig â'r weithred hon o gario. Yn y ffilm, mae cymeriad gwrywaidd canolog yn dyfalbarhau'n dawel wrth iddo garo menyw ar ei gefn; mae hi'n eistedd ar gadair ‘guadua' (math o fambŵ) ac mae ei gefn ef ar ongl 60 gradd i'r ddaear. Mae'r gadair wedi'i chlymu wrtho â darn o ffabrig wedi'i lapio o dan y sedd ac am ei dalcen chwyslyd. Mae'r dyn canol oed yn berson o liw ac mae ganddo wallt byr du a llecyn moel. Mae'n droednoeth ac yn gwisgo trowsus byr gwyn a chrys T llwyd sy'n colli ei liw, gan ddal ffon bren denau hir er cydbwysedd. Mae'r fenyw sy'n eistedd hefyd yn berson o liw a chanddi wallt du byr ac mae'n gwisgo crys du â darnau patrymog amryliw, trowsus byr ac esgidiau glaw mwdlyd du. Meddai Restrepo, “Mae un o weithgareddau gorau hanes yn ymwneud â phwy sy'n llwyddo i osgoi deddfau cynrychioli a dehongli.” Yn 2007, cafodd arddangosfa Displaced, Contemporary Art from Colombia ei churadu gan María Clara Bernal a Karen MacKinnon a'i chyflwyno yn Oriel Gelf Glynn Vivian. Ochr yn ochr â darnau neilltuol eraill, roedd Paso del Quindío II yn ganolog, oherwydd pŵer ei ymagwedd ôl-drefedigaethol a'i ymgysylltiad â gwleidyddiaeth hunaniaeth ddiwylliannol. Cafodd y gwaith hwn ei brynu drwy gynllun caffael y Gymdeithas Celfyddyd Gyfoes ar ran Oriel Gelf Glynn Vivian yn 2010. Mae José Alejandro Restrepo yn artist o Golombia a aned ym 1959. Astudiodd y celfyddydau gweledol yn Universidad Nacional de Bogotá a'r École des Beaux-Arts ym Mharis ar ddechrau'r 1980au, gan gael ei ysbrydoli gan waith Bill Viola a Gary Hill. Dros y degawdau, mae wedi archwilio deinameg pŵer cynrychiolaeth weledol drwy gyfuno fideos, cerfluniau a'r archif. Mae ei waith yn archwilio hanesion gormes a gwrthsefyll sy'n llunio bywyd yn America Ladin, gan chwilio am ystyron newydd mewn naratifau gosod, a gofyn pa archifau gweledol a ddefnyddir i greu hanes – a pham. Roedd fersiwn gyntaf y gwaith hwn, Paso del Quindío I (Bwlch Quindío I) (1992), yn garreg filltir yn ei yrfa. Gan gynnwys 17 o sgriniau wedi'u trefnu ar lefelau amrywiol adeiledd pyramidaidd, dangosodd y gwaith ddeunydd o heic yr artist i fyny bwlch mynydd yn yr Andes ym 1991. Recordiodd y daith o uchderau gwahanol; mae rhai lluniau'n dangos cyflymder tawel, ond mae eraill yn cyfleu symudiad cynhyrfus rhywun ar y copa. Drwy'r esgyniad hwn, ail-greodd deithiau fforwyr Ewropeaidd y 19eg ganrif fel Alexander von Humboldt a Max von Thielman. Yn wahanol i'r fforwyr hynny, a gyflwynodd eu gwaith o safbwynt gwrthrychol, cydnabu Restrepo, er gwaethaf ei ymchwil hanesyddol a'i brofiad uniongyrchol, mai dim ond dehongliad arall mewn cadwyn hir, llawn “copïau o gopïau”, oedd ei brosiect.

Paso del Quindío II is a 1999 film by José Alejandro Restrepo, duration 32 minutes 51 seconds. The film is a reconstruction of the last ‘carguero' - human carriers who originally assisted European travellers cross the difficult mountainous jungle terrain. Restrepo's work considers the complex power relations this act of carrying signifies. In the film, a central male figure quietly persists as he carries a female on his back, seated on a chair made of guadua (a kind of bamboo), his back at a 60° angle to the ground. The chair is secured to him with a piece of fabric wrapped under the seat and around his visibly sweaty forehead. The middle-aged man is a person of colour with black short hair and a bald patch, barefoot, wearing white shorts and a discoloured grey t-shirt, holding a long thin wooden stick for balance. The seated woman is also a person of colour with short black hair, wearing a black shirt with multicoloured pattern patches, shorts and black muddy wellington boots. Restrepo said: “One of history's great games is about who manages to elude the laws of representation and interpretation.” In 2007, Displaced, Contemporary Art from Colombia, was curated by María Clara Bernal and Karen MacKinnon and presented at Glynn Vivian Art Gallery. Alongside other outstanding works, Paso del Quindío II was pivotal, both for the power of its post-colonial position and its engagement with the politics of cultural identity. This work was purchased through the Contemporary Art Society's Acquisitions Scheme for Glynn Vivian Art Gallery in 2010. José Alejandro Restrepo, is a Colombian artist born in 1959. He studied visual arts at the Universidad Nacional de Bogotá and the École des Beaux Arts in Paris in the early 1980s, drawing inspiration from the works of Bill Viola and Gary Hill. Over the decades, he has explored the power dynamics of visual representation through the interplay of video, sculpture, and the archive. His work examines histories of oppression and resistance that shape life in Latin America, seeking new meanings from prescribed narratives, asking which visual archives are used to create history—and why. The first iteration of this work Paso del Quindío I (Quindío Way I) (1992) marked a landmark moment in his career. Featuring 17 monitors arranged on various levels of a pyramidal structure, the work displayed footage of the artist's 1991 hike up a mountain pass in the Andes. He recorded the journey from different elevations; some images show a calm pace, while others capture the agitated movement of someone at the summit. His ascent reconstructed the journeys of 19th-century European explorers such as Alexander von Humboldt and Max von Thielman. Unlike those explorers, who presented their work as objective, Restrepo acknowledged that despite his historical research and first-hand experience, his project offered “just one more interpretation in a long chain…just copies of copies.”

Come As You Really Are is a film by Hetain Patel, made in 2024, duration 12 minutes and 2 seconds. The film explores the outstanding creativity and passion that people put into their hobbies. Depicting a range of hobbies from across the country from freestyle dance to wild swimming, cosplay, gardening, miniature railways, radio-controlled airplane model making, felting, car modifiers, collecting, miniature pottery, miniature origami and nail art. Patel wanted to bring together these seemingly disparate hobbies and connect them visually through a non-linear cinematic narrative, using colour, texture and shape to connect by way of visual storytelling, with hobbies reappearing throughout the film. The shot of car wheels spinning, for example, transitions into a shot from above of a mini pottery wheel spinning; girls dancing and leaping into the air becomes planes in flight, reflecting the feeling of freedom in the air. There is also the physical connection of hobbies appearing together through handmade objects that toured around the country to each shooting location; miniature origami, pots, a Warhammer figure and felt rabbit. These created a sense of the unexpected, such as the scene of the miniature origami horse positioned on the knuckles of the car modifier holding his steering wheel. In their juxtaposition they create moments that could be seen as humorous or strange but reflect the reality of unexpected connection. The film adopts the artist's trademark style of combining high-end cinematic production with scenes from the everyday, to showcase ephemeral pastimes and handcrafted objects in a visual language usually reserved for Hollywood films and luxury advertising. Hetain Patel devised the nationwide project Come As You Really Are with Artangel, which was made up of 13 regional presentations across England, Northern Ireland, Scotland, and Wales from Summer 2024 – 2027. Formerly known as ‘The Hobby Cave' the project began with a nationwide call-out inviting members of the public to share the activity to which they dedicate their spare time. Within the nationwide presentations, standing shoulder to shoulder with handmade submissions by hobbyists were new and existing works by Patel. Come As You Really Are, 2024, the new film made for this project was the central part of the nationwide exhibitions, reflecting ephemeral pastimes that might not otherwise have been possible to represent. Somerset Road, 2024, a Ford Escort tufted by the artist in the pattern of his grandmother's living room carpet, was also created for the exhibition. These time-consuming handmade objects directly echo the manual labour often carried out by migrant communities such as Patel's family, while their hybridity points towards the new possibilities that emerge when we challenge and defy convention. Come As You Really Are presented a variety of hobbies that showcase an individual's freedom of expression and ingenuity, and in doing so broadens our perception of who gets to be called creative and where the impulse to create stems from. At the heart of this project is a nationwide community of people whose labours of love are a lens through which the artist presents an alternative portrait of the UK. Alongside Glynn Vivian, other partner organisations involved in the project were: Factory International, Manchester; Grundy Art Gallery, Blackpool; Museum of Making, Derby Museums Trust; National Festival of Making with Blackburn Museum & Art Gallery; Wolverhampton Art Gallery; Barnsley Civic; Inverness Museum and Art Gallery; Northern Gallery for Contemporary Art, Sunderland; CCA Derry~Londonderry; Hospitalfield, Arbroath and Tate St Ives.

Episode No. 761 features artists Denzil Forrester and William Wylie. Forrester is featured in "Dancing the Revolution: From Dancehall to Reggaetón" at the Museum of Contemporary Art Chicago through September 20. The exhibition explores and expands the visual, political, and spiritual histories of dancehall and reggaetón through contemporary art produced in the Caribbean, New York, London, and beyond. It was curated by Carla Acevedo-Yates with Cecilia González Godino, Iris Colburn, Nolan Jimbo, and nibia pastrana santiago. A catalogue will be published by the museum and DelMonico Books in July. It is available from Bookshop and Amazon for $60-65. The Grenada-born Forrester is best known for paintings that mine London's dub reggae culture and music clubs of the 1980s for subject and verve. The drawings he made in urban dance halls then continue to inform his work. His paintings are full of references to diaspora, the policing of Black people and culture in the UK, and dub reggae music itself. White Columns, New York, the Institute of Contemporary Art, Miami and the Kemper Museum of Contemporary Art, Kansas City have presented solo exhibitions of his work in the US; in the UK, Nottingham Contemporary, the Jackson Foundation Gallery, Cornwall have too. His work is in the collection of museums such as the Tate, London, and the Metropolitan Museum of Art, New York. Wylie's new photobook is titled "The Eighty-Eight: Photographs from a Japanese Pilgrimage." It features pictures from Wylie's experience fo the Shikoku Pilgrimage, a trail that vists 88 temples associated with the Buddhist monk Kūkai (Kōbō Daishi) on the island of Shikoku. The book was published by George F. Thompson Publishing in association with the Center for the Study of Place, and features an essay by Pico Iyer. Amazon offers it for about $42. This is Wylie's seventh book. His pictures are in the collection of museums such as the Metropolitan Museum of Art, New York, the National Gallery of Art, Washington, and the Yale University Art Gallery. Air date: June 4, 2026.

Researcher, artist, and curator Pietro Consolandi traces the ‘wetland turn' in art, ecology, and environmental justice, via Giovanni Pellegrini's 2025 documentary film, The Venice Lagoon, a legal person.Nature Speaks: Listening for Rights of Nature in Venice and Europe is at Ocean Space in Venice until 11 October 2026. The Research Unit, curated by Pietro Consolandi and Amalia Rossi, is co-produced by TBA21–Academy and NICHE Centre for Environmental Humanities, Ca' Foscari University of Venice, in collaboration with IDRA (Initiative for the Rights of Water) and the Confluence of European Water Bodies. You can join the next Citizens' Assembly for the Rights of the Lagoon on 10 October 2026.The Venice Lagoon, a legal person (2025) is available to watch online.For more about water bodies in Europe, hear Klima Biennale Wien festival director Sithara Pathirana on climate justice, public space and the rights of the river Danube through Austria, Central, Eastern, and Southeastern Europe, in the episode about Superflux's sculptural installation, Nobody Told Me Rivers Dream (2025): pod.link/1533637675/episode/ZWQ4Mzg0Y2MtMWFkMy00ZmJkLWIyZjUtNGU3MmJmODM2ODExOn the flows between Wales and Venice, listen to artist ⁠Taloi Havini⁠, winner of Artes Mundi 10, on their film Habitat (2017) at Mostyn in Llandudno, and work with Ocean Space in Venice: pod.link/1533637675/episode/e30bd079e3b389a1d7e68f5e2937a797On archaeologist Marija Gimbutas, hear Emilija Škarnulytė on their film installation, Burial (2022), part of Folkestone Triennial 2025: pod.link/1533637675/episode/ZmJmZTIzMGItOTg0OC00YjhhLThkMjMtMWQ3Y2E5ZDU5MDAzAnd for more about Southampton's coastal connections to Europe, hear curators Ros Carter and Sofie Krogh Christensen on Pia Arke's Camera Obscura (1990) at John Hansard Gallery in Southampton and KW Institute for Contemporary Art in Berlin: pod.link/1533637675/episode/OWVhZjc3YWItNDRiYy00MTYyLTk0ZmItZmE5MmJlZDY1YmI1PRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Instagram: ⁠⁠instagram.com/empirelinespodcast⁠⁠Support EMPIRE LINES on Patreon: ⁠⁠patreon.com/empirelinesEMPIRE LINES is a project within the ecosystem of ⁠Radical Ecology⁠ (2025-2026).

In this episode of ‘My Identity' Professor Colin Graham (Maynooth) is in conversation with Joy Gerrard and Paul Seawright. This episode was recorded live, at Belfast Exposed as part of as part of the BIEN programme — an ongoing series of exhibitions and events under the title “British? Irish? Either? Neither?” sponsored by the Office of Identity and Cultural Expression (OICE). Joy Gerrard lives and works in Belfast. She is known for work that investigates different systems of relations between crowds, architecture and the built environment. Using Japanese ink on paper and canvas Gerrard makes detailed ink works which re-create recent political protests from around the world, including recent work on UK based Brexit demonstrations and political protest in the USA. Professor Paul Seawright OBE is the Deputy Vice-Chancellor at Ulster University. He was Executive Dean of the Faculty of Arts Humanities and Social Sciences for five years and previously Head of Belfast School of Art. Paul has an international profile as an artist and researcher. His work is held in many museum collections including the Irish Museum of Modern Art, the Tate, San Francisco Museum of Modern Art, International Centre of Photography New York, Arts Councils of Ireland, England and Northern Ireland, the UK Government Collection and the Museum of Contemporary Art in Rome. The My Identity series is hosted by Professor Colin Graham, Maynooth. In this series, Colin is in conversation with a range of people whose ideas, work and life experiences shed light on the topic of identity on the Island of Ireland. My Identity is part of the ARINS project. About ARINS Colin Graham is Professor English and formerly Dean of the Faculty of Arts at Maynooth University. His books include Northern Ireland: Thirty Years of Photography, Deconstructing Ireland and Ideologies of Epic. He was editor of The Irish Review from 2004 to 2020. During the Brexit negotiations he created the Twitter account @borderirish and wrote the book I am the Border, so I am, published by HarperCollins. ARINS: Analysing and Researching Ireland North and South brings together experts to provide evidence-based research and analysis on the most significant questions of policy and public debate facing the island of Ireland, north and south. The project publishes, facilitates and disseminates research on the challenges and opportunities presented to the island in a post-Brexit context, with the intention of contributing to an informed public discourse. More information can be found at www.arinsproject.com ARINS is a joint project of The Royal Irish Academy, an all-island body, and the Keough-Naughton Institute for Irish Studies at Notre Dame's Keough School of Global Affairs. My Identity is hosted by Professor Colin Graham. Podcast management and production by Dr Susie Deedigan (University of Notre Dame). With thanks to Conor Patterson and Morgan Blain-Crehan, The Spinner's Mill, Belfast.

photo by Karla Del Orbe. Adelisa Selimbašić (b. 1996) is an Italian-Bosnian artist living and working in New York. In 2021, she graduated from the Venice Academy of Fine Arts with a Master's in Painting. Her pictorial research aims to imagine a world in which the sense of inadequacy does not exist, opening to a nonconventional perception of the body. Through scenes drawn from everyday life and an essential figurative approach, the artist reinterprets the idea of femininity, focusing on the complexities of human experience, desire, tension, and the need for physical contact. Her practice is based on a dense and almost tactile painterly presence, achieved through careful manipulation of color: working with a contained palette, Selimbašić mixes pigments directly on the canvas, allowing the tones to meet and transform, pushing toward a plasticity that challenges traditional representations of the female body. In recent years, she has presented numerous solo exhibitions in institutional and international gallery contexts. Among her most recent solo exhibitions: When we become each other, curated by Rebis Rebis (Delfina Pattacini and Gaddo Amunni), Lubov Gallery, New York (2026); The Dancefloor, curated by Michele Spinelli, z2o Sara Zanin, Rome (2026); For My Eyes Only, Manifesto Gallery of Contemporary Art, Sarajevo (2025); The Space in Between, curated by Delfina Pattacini, Tommaso Calabro Gallery, Milan (2025); Dust Bunny, curated by Michele Spinelli, z2o Project, Rome (2024); Why Is It So Hard to Declare Yourself?, Galleria Ipercubo, Milan (2023); In parallel, Selimbašić has participated in numerous group exhibitions in Italy and abroad. installation view Where we become each other, Lubov gallery, curated by Rebis Rebis (Delfina Pattacini and Gaddo Amunni), New York Tanisha, 2026, oil in canvas, 14x 16 inches Bay,2026, oil in canvas, 14×16 inches  

In this episode, Dave Young Kim, a Los Angeles–based muralist and curator, discusses his recent exhibition at the USC Pacific Asia Museum in Pasadena. Developed around the theme of Asian mythical creatures, the project reframes historical material through the structure of the immigrant experience, pairing objects from the museum's collection with contemporary artworks and newly commissioned pieces. Kim reflects on the research process behind the exhibition, including the cultural specificity of pan-Asian mythologies and their evolution across regions. The conversation also addresses Korean American identity, family migration histories, and the challenges of curating within institutional frameworks, alongside the practical considerations of maintaining a sustainable art practice beyond traditional gallery systems.

 Gabriela Rangel, director of Tucson's Museum of Contemporary Art, was born and raised in Caracas, Venezuela. As a curator focusing on Latin American art, she's worked at the Museum of Fine Arts in Houston, the Americas Society in New York City, and the Museo de Arte Latinoamericano de Buenos Aires. In the fall of 2025 she became the director of Tucson's Museum of Contemporary Art.  In this podcast with Caroline Tracey, The Border Chronicle's arts & culture editor, Rangel discusses how the concept of Latin American art" didn't come from Latin America, the necessity for politics in art, and what it's like living and working in the Sonoran Desert “This is a borderland city,” she says of Tucson. Of how the border figures into contemporary art, she adds: “Urgent matters in the repertoire of contemporary art are also crucial for the borderlands: water, ecosystems and immigration—these are issues that contemporary art has adopted in their concerns....Contemporary art is about what's happening in the present.”

Forecasters are predicting a hotter-than-typical summer for Arizona, in the form of a “Super El Niño.” That comes as Arizonans are spending more to cool their homes. And, we'll meet the new head of Tucson's Museum of Contemporary Art.

This week on Paige's Pod, I sat down with Molly and Ray, the founders of Galaray House - a welcoming, contemporary art gallery + modern espresso bar redefining what the gallery experience can feel like. We talk about:how a casual conversation on a boat sparked the idea for Galaray Housecombining coffee culture with fine artwhy traditional galleries can feel intimidatingbuilding a space that feels approachable, warm, and community-drivenbalancing creativity, business, and motherhoodthe emotional side of selling artworksupporting artists beyond just hanging work on wallstrusting your instincts when starting something newthe behind-the-scenes realities of opening a creative businessMolly and Ray share honest stories about starting from scratch, learning the coffee world on the fly, curating their first collection, navigating self-doubt, and building meaningful relationships with both artists and collectors.This conversation felt like a reminder that art doesn't have to feel exclusive or intimidating - it can simply be human, connective, and deeply personal.If you've ever dreamed of starting something creative, building community, or making the art world feel more accessible, this episode is for you. Find Gallery House:

Chloe Greenberg, with the Orlando Weekly, shares some cool things to do in Central Florida this weekend, including Orlando Museum of Art's ‘Florida Prize in Contemporary Art' group exhibition opening this week, Horror con Spooky Empire conjures Halloween vibes this weekend, Science Night Live is back at the Orlando Science Center, and more. See omnystudio.com/listener for privacy information.

Guests: Christina and Courtney LongHost:  Christopher KardambikisRecorded on March 11, 2024 and May 8, 2026This episodes contains two conversations recorded two years apart. #Blkgrlswurld ZINE is an award-winning indie publishing house based in New York City. Led by Christina Long, MFA (Global Creative Director) and her younger sister Courtney Long (Senior Editor), since 2014. The press celebrates and documents Black Womxn & Womxn of Color who participate in heavy music genres like Metalcore, Hardcore, Punk and Black Metal. Interviewing bands, reviewing music and vending at zine fairs allow #Blkgrlswurld ZINE to introduce readers to new music and the diversity within music scenes.Zines and artists' books published by #Blkgrlswurld Press can be found in libraries at The Metropolitan Museum of Art, The Museum of Modern Art, The Schomburg Center for Research On Black Culture, The Barnard Zine Library, The NY Public Library and many more.In 2019 Christina Long was awarded a grant from the Sachs Program for Arts Innovation for her work in indie publishing. The grant led to #Blkgrlswurld launching their very first Punk Music Fest and Zine Fair at Philadelphia's Institute of Contemporary Art in September of 2019.The press accepts open submissions from anyone who supports womxn identifying fans & musicians in the heavy music scene. #heavygirlsloveheavymusicblkgrlswurld.com“Paper Cuts Theme” by The Early@theearly_band // http://theearly.net

Episode 528 / Beverly FishmanBeverly Fishman is an artist born in 1955 in Philadelphia, who lives and works in Detroit. She received her Master of Fine Arts in 1980 from Yale University and her Bachelor of Fine Arts from the Philadelphia College of Art in 1977.Her work has been the subject of recent solo exhibitions at CUE Art Foundation, New York, NY; Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI; Gavlak Gallery, Los Angeles, CA; Jessica Silverman Gallery, San Francisco, CA; Kavi Gupta Gallery, Chicago, IL; KOTARO NUKAGA, Tokyo, Japan; Kravets Wehby Gallery, New York, NY; Library Street Collective, Detroit, MI; Louis Buhl & Co., Detroit, MI; Miles McEnery Gallery, New York, NY; Ronchini Gallery, London, United Kingdom; SOCO Gallery, Charlotte, NC; The Contemporary Dayton, Dayton, OH; and Walter Storms Galerie, Munich, Germany.She has been included in group exhibitions at numerous international institutions including the American Academy of Arts and Letters, New York, NY; Borusan Contemporary, Istanbul, Turkey; Circulo de Bessa Artes, Madrid, Spain; Columbus Museum of Art, Columbus, OH; Cranbrook Art Museum, Bloomfield Hills, MI; Detroit Institute of Arts, Detroit, MI; Frederik Meijer Gardens & Sculpture Park, Grand Rapids, MI; Museum of Contemporary Art, Chicago, IL; National Academy of Design, New York, NY; Nerman Museum of Contemporary Art, Overland Park, KS; The Drawing Center, New York, NY; Weatherspoon Art Museum, Greensboro, NC; and White Columns, New York, NY, among others.Her work is in the collections of Borusan Contemporary, Istanbul, Turkey; Chrysler Museum of Art, Norfolk, VA; Columbus Museum of Art, Columbus, OH; Cranbrook Art Museum, Bloomfield Hills, MI; Detroit Institute of Arts, Detroit, MI; Eli and Edythe Broad Museum, Michigan State University, East Lansing, MI; MacArthur Foundation Collection, Chicago, IL; Moody Center for the Arts, Rice University, Houston, TX; Nerman Museum of Contemporary Art, Overland Park, KS; University of Michigan Museum of Art, Ann Arbor, MI; Weatherspoon Art Museum, Greensboro, NC, and elsewhere.Beverly was inducted as a National Academician of the National Academy of Design in 2020. She is the recipient of the Anonymous Was A Woman Award; the American Academy of Arts and Letters' Hassam, Speicher, Betts, & Symons Purchase Award; a Guggenheim Fellowship in the Fine Arts; and a Fellowship Grant from the National Endowment for the Arts.

Episode 528 / Beverly FishmanBeverly Fishman is an artist born in 1955 in Philadelphia, who lives and works in Detroit. She received her Master of Fine Arts in 1980 from Yale University and her Bachelor of Fine Arts from the Philadelphia College of Art in 1977.Her work has been the subject of recent solo exhibitions at CUE Art Foundation, New York, NY; Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI; Gavlak Gallery, Los Angeles, CA; Jessica Silverman Gallery, San Francisco, CA; Kavi Gupta Gallery, Chicago, IL; KOTARO NUKAGA, Tokyo, Japan; Kravets Wehby Gallery, New York, NY; Library Street Collective, Detroit, MI; Louis Buhl & Co., Detroit, MI; Miles McEnery Gallery, New York, NY; Ronchini Gallery, London, United Kingdom; SOCO Gallery, Charlotte, NC; The Contemporary Dayton, Dayton, OH; and Walter Storms Galerie, Munich, Germany.She has been included in group exhibitions at numerous international institutions including the American Academy of Arts and Letters, New York, NY; Borusan Contemporary, Istanbul, Turkey; Circulo de Bessa Artes, Madrid, Spain; Columbus Museum of Art, Columbus, OH; Cranbrook Art Museum, Bloomfield Hills, MI; Detroit Institute of Arts, Detroit, MI; Frederik Meijer Gardens & Sculpture Park, Grand Rapids, MI; Museum of Contemporary Art, Chicago, IL; National Academy of Design, New York, NY; Nerman Museum of Contemporary Art, Overland Park, KS; The Drawing Center, New York, NY; Weatherspoon Art Museum, Greensboro, NC; and White Columns, New York, NY, among others.Her work is in the collections of Borusan Contemporary, Istanbul, Turkey; Chrysler Museum of Art, Norfolk, VA; Columbus Museum of Art, Columbus, OH; Cranbrook Art Museum, Bloomfield Hills, MI; Detroit Institute of Arts, Detroit, MI; Eli and Edythe Broad Museum, Michigan State University, East Lansing, MI; MacArthur Foundation Collection, Chicago, IL; Moody Center for the Arts, Rice University, Houston, TX; Nerman Museum of Contemporary Art, Overland Park, KS; University of Michigan Museum of Art, Ann Arbor, MI; Weatherspoon Art Museum, Greensboro, NC, and elsewhere.Beverly was inducted as a National Academician of the National Academy of Design in 2020. She is the recipient of the Anonymous Was A Woman Award; the American Academy of Arts and Letters' Hassam, Speicher, Betts, & Symons Purchase Award; a Guggenheim Fellowship in the Fine Arts; and a Fellowship Grant from the National Endowment for the Arts.

Actor and Director Thomas Kramer is the guest on this episode of the Energy Stoners™ Cafe Podcast. Recorded on set at the Studio Theater in Exile at the Hudson Valley Museum of Contemporary Art, Thomas discusses the upcoming production of The Normal Heart, which he is directing. In conversation with host Toni Quest, he reflects on the play's powerful message, its historical significance, and its enduring relationship to the LGBTQ+ community, while also addressing the challenges still faced in today's society. Recorded at the Studio Theater in Exile, Hudson Valley MOCA.  A special thanks to Mara MIlls and Jeremy Gratt host: toniquesttv@gmail.com www.studiotheaterinexile.com www.hudsonvalleymoca.org    

Harlem-based artist Kim Dacres makes her sculptures with metal and rubber from recycled tires, often sourcing from bike shops around her neighborhood. A new exhibit at Charles Moffett presents her latest works, inspired by her experiences living in the United States over the last 18 months, as well as her favorite classic love songs, including Stevie Wonder's "As." Kim Dacres discusses what's on view in the solo show, ‘Lost on a Two Way Street,' on view at 394 Broadway through June 20. Image: Kim Dacres' Baby Liberty Bun, 2026 Found auto and bicycle rubber, wood, screws, metal turn table, and spray paint. 19 in x 10 in x 10.25 in Photo by Max Yawney. Courtesy of the artist and Charles Moffett Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Johanna Calle was born in 1965 in Bogotá, where she lives and works. Following her studies in the visual arts at the Talleres Artísticos of the Universidad de los Andes in Bogotá from 1984 to 1989, Calle received a British Council scholarship in 1992 to earn a master's degree at the Chelsea College of Art and Design in London. Her work draws on a range of archival and deciphering techniques, often associated with everyday life, to address the violence of recent Colombian history and evoke the victims of forced disappearances. Johanna Calle has been honored with numerous prestigious awards, including major prizes and honorary recognitions in Colombian art salons (1996–2003), a fellowship at the Cité Internationale des Arts in Paris (2001), and international grants and residencies in Europe and the United States (2008–2013). She has been included in international biennials such as the Sydney Biennale (2016), the São Paulo Biennial (2014), SITE Santa Fe (2014), and the Istanbul Biennial (2014). Selected exhibitions include Arquitecturas, Bienvenu Steinberg & C, New York (2026); Museum of Contemporary Art Denver (2024); Hayward Gallery (2020); Josée Bienvenu Gallery, New York (2019); La Maison de l'Amérique latine, Paris (2017); Museum of Modern Art (2017); Silentes 1985–2015, Museo de Arte del Banco de la República, Bogotá, traveled to Museum Amparo, Puebla, Mexico (2015); Fondation Cartier pour l'art contemporain (2013); the Drawing Room, London (2013); Wattis Institute for Contemporary Arts in San Francisco (2012); Museum of Latin American Art in Long Beach, California (2012); Sàn Art in Ho Chi Minh City, Vietnam (2012); and San Francisco Museum of Modern Art (2011). Her work is included in institutional collections such as the Museum of Modern Art; Tate Modern; San Francisco Museum of Modern Art; Museum of Modern Art, Buenos Aires; Fondation Cartier pour l'art contemporain; Museum of Fine Arts, Houston; Museum of Latin American Art, Long Beach; Museum of Bogotá; National Museum of Colombia, Bogotá; National Bank of the Republic of Colombia, Bogotá; Cisneros Fontanals Art Foundation, Miami; Sur Collection, San Francisco; Comfenalco Antioquia, Medellín; Enersis Collection, Santiago; and Teorética Museum, San José. Johanna Calle Arquitecturas, 2026 Signed and dated on the back Nail polish on chromogenic print (anonymous photograph) Framed in Optium Museum Acrylic 3.5 x 3.5 in (image) Johanna Calle Arquitecturas, 2026 Signed and dated on the back Nail polish on chromogenic print (anonymous photograph) Framed in Optium Museum Acrylic 3.5 x 3.5 in (image) Johanna Calle Abstractas, 2026 Signed and dated on the back Erased found chromogenic print (anonymous photograph) Framed in Optium Museum Acrylic 3.5 x 6 in (image)

The conversation around the Box Elder County data center is having ripple effects throughout Utah. Executive producer Emily Means and social media manager Molly Miloscia break down the latest headlines. Plus, crafting an ideal day in Salt Lake and local shoutouts. Resources and references: ‘They asked us to come,' Kevin O'Leary tells Tucker Carlson of massive Utah data center plan [Salt Lake Tribune] ‘I do not want this in my community': Southern Utahns confront proposed data center [Salt Lake Tribune] Utah House speaker says Box Elder hyperscale project is bad ‘personally, and for my ranch' [Salt Lake Tribune] Apply for Salt Lake City's Love Your Block program. Become a member of City Cast Salt Lake today! It's the best way to support our work and help make sure we are around for years to come. Get all the details and sign up at membership.citycast.fm. Subscribe to our daily morning newsletter. You can also find us on Instagram @CityCastSLC. Text or leave us a voicemail with your name and neighborhood, and you might hear it on the show: ‪(801) 203-0137‬ Looking to advertise on City Cast Salt Lake? Check out our options for podcast and newsletter ads. If you enjoyed our interview with Laura Allred Hurtado, executive director of the Utah Museum of Contemporary Arts, learn more here. Learn more about the sponsors of this episode: TaskRabbit The Shop Salt Lake Sewciety Cozy Earth - use code COZYSALTLAKE for up to 30% off

Lindy Lee is Chinese-Australian artist and zen practitioner.As a little girl growing up in Brisbane in the era of the White Australia policy, Lindy lived through the pain of always feeling different.It took her many years to find the power in what she calls the 'tearing' in her identity.When she began using it as fuel for her art, she began to make work based on her own family story, and her Zen practice.Lindy is now one of Australia's leading contemporary artists.This episode of Conversations was first broadcast in 2022 

This year is the 50th anniversary of MoMA PS1's opening. To celebrate the anniversary, the museum has organized a new exhibit, 'Greater New York 2026,' that features over 50 artists who live and work in the surrounding New York City area. MoMA PS1 director Connie Butler, and Ruba Katrib, Chief Curator and Director of Curatorial Affairs, reflect on 50 years of MoMA PS1 and discuss their vision for the exhibit, which runs until August 17. Photo by Kris Graves, courtesy MoMA PS1: Left: fields harrington. Unfree Free Time (Bike Rental). 2026. E-bike and bike rack. Right: Cevallos Brothers. Greater New York. 2026 Acrylic on wall. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, Wes and Todd talk with Colorado Springs Artist, Jes Moran. Jes discusses her engagement with art as a child, growing up in Wisconsin, altering clothes & studying apparel design, her compulsion to make, loving process, having an intentional art practice the past five years, creative ideas, some of the other creative pursuits that she explored before doing the work she does now, being self-taught, learning to trust herself, her process, being fearless, quilts, sewing, what art does for her, letting go, her older work, titles, negative space, abstract art, experimentation & exploration, finding her voice, writing, space, memories, family, vulnerability, self-doubt, routine, sacrifices, potato chips, color, her new work, her show at Auric in June, being seen & valued, the support of her family, the Colorado Springs art community, and her idea of perfect happiness.Join us for a wonderful conversation with Jes Moran!Check out Jes Moran's exquisite work at www.jesmoran.comFollow Jes Moran on social media:Instagram - www.instagram.com/jesdmoran/ - @jesdmoranJes' exhibition “Seam Shift: painting through construction” will be on display at Auric Gallery through the month of June. Opening reception June 5th.  For more information go to www.auricgallery.comSend us Fan MailFollow us on Instagram:@tenetpodcast - www.instagram.com/tenetpodcast/@wesbrn - www.instagram.com/wesbrn/@toddpiersonphotography - www.instagram.com/toddpiersonphotography/ Follow us on Facebook:www.facebook.com/TenetPodcast/Email us at todd@toddpierson.com If you enjoyed this episode or any of our previous episodes, please consider taking  a moment and leaving us a review on your favorite podcast platform.Thanks for listening! 

An exhibition of new work by Sanford Biggers transforms Boesky Gallery into a playhouse of sorts, transforming the space into a labyrinth of curtains and false walls. Biggers discusses his show, 'The Gift of Tongues,' which is on display through Saturday, June 13th. Photo by L. Malik Anderson; Sandford Biggers's 'Narcissus'  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Make Your Home In This Luminous Dark A conversation with James K. A. SmithIn this episode, I sit down with philosopher and author James K. A. Smith (Jamie) to explore the mystical tradition as a living pathway into deeper faith, creativity, and presence.Jamie shares how his journey into mysticism began not through abstract theology, but through personal crisis, an experience of depression that exposed the limits of intellect and certainty. From there, voices like St. John of the Cross and Thomas Merton opened up a new way of understanding faith, not as mastery, but as surrender; not as knowing, but as unknowing.Together, we explore what it means to “make your home in the luminous dark,” to embrace mystery as a space of transformation rather than failure. We also dive deeply into the surprising role of art, especially contemporary and “difficult” art, as a powerful and often overlooked gateway into contemplation. Rather than delivering clear messages, great art invites us into encounter, disorientation, and wonder, forming in us the very capacities needed for a mystical life.This conversation is an invitation to let go of control, to trust the deeper currents of love beneath reality, and to discover how both mysticism and art can open us to the presence of God in ways that certainty never could.JOIN US FOR BOOK CLUB! Every Tuesday at 8 pm EST in June 2026, we will be reading James's book online in our Patreon community! We'd love to have you with us. Visit patreon.com/makersandmystics to RSVP. Send us Fan MailSupport the showJOIN US FOR BOOK CLUB! Every Tuesday at 8 pm EST in June 2026, we will be reading James's book online in our Patreon community! We'd love to have you with us. Visit patreon.com/makersandmystics to RSVP. Sign Up for Our Newsletter! http://eepurl.com/g49Ks1Give a one-time donation https://buy.stripe.com/9AQeYj7431fD12waEOJoin the Makers & Mystics Creative Collective https://www.patreon.com/c/makersandmystics

Guest Dr. James E. Young is Distinguished University Professor of English and Judaic Studies Emeritus at the University of Massachusetts, Amherst, where he has taught since 1988, and Founding Director of the Institute forHolocaust, Genocide, and Memory Studies at UMass Amherst. Professor Young is the author of Writing and Rewriting the Holocaust (Indiana University Press, 1988), The Texture of Memory (Yale University Press, 1993), which won the National Jewish Book Award in 1994, At Memory's Edge: After-images of the Holocaust in Contemporary Art and Architecture (Yale University Press, 2000), and The Stages of Memory: Reflections on Memorial Art, Loss, and the Spaces Between (University of Massachusetts Press, 2016), which won the National Council for PublicHistory Book Award for 2017. Professor Young is a frequent consultant and judge on proposed memorials. Co-host Irene Stern Frielich was a guest on Episode 370: "Walking Where History Happened: A Daughter's Holocaust Journey." Irene is the daughter of a German Jewish Holocaust survivor—but for much of her life, the story remained unspoken. In 2017, after rediscovering her father's testimony, Irene set out to physically retrace his escape route from Nazi Germany through his survival in Holland. The result was a journey of reconciliation and healing. Her award-winning memoir, Shattered Stars, Healing Hearts, explores trauma, courage, and connection across generations. Summary Dr. James Young explores how memorials differ from monuments and how they shape collective memory. While monuments are often static and fixed, memorials are dynamic, experiential spaces that invite visitors to engage emotionally and physically—becoming part of what Dr. Young calls the "performance" of memory. Drawing on examples such as the Vietnam Veterans Memorial, Holocaust memorials, and the 9/11 Memorial, Dr. Young explains that the most effective memorials balance abstraction and history, allowing visitors to interpret meaning across generations. He emphasizes that powerful designs avoid prescribing a single emotional response; instead, they open space for reflection, discomfort, and personal connection. Dr. Young also highlights the importance of naming individuals, noting that listing victims humanizes loss and magnifies its scale. He discusses innovative approaches like "meaningful adjacencies" at the 9/11 Memorial and decentralized memorials such as Stolpersteine (stumbling stones), which embed remembrance into everyday life and create ongoing engagement. A recurring theme is "living memory"—memorials that evolve through participation, maintenance, and reinterpretation by future generations. Dr. Young acknowledges the tension in memorializing tragedies in which communities no longer exist, stressing the need to restore not just the absence but the lives once lived. Ultimately, he invites visitors to approach memorials with openness, allowing their own emotional responses to deepen understanding of history and self. The Essential Point The most powerful memorials don't dictate meaning—they create spaces where visitors actively experience, interpret, and carry forward memory in ways that remain meaningful across generations. Social MediaOccupied Words: What the Holocaust Did to Yiddish

[Don't let the length of this podcast be daunting. You won't want to miss any of it!]Kathy talks with Joana P.R. Neves, writer, visual arts curator, and host of Exhibitionistas podcast, about the art of sarcasm and how sarcasm is portrayed through art. They dive deep into their own sarcastic nature - why and when they are sarcastic, how others are affected by sarcasm, and the difference between irony and sarcasm. Joana shares how she unknowingly experienced British sarcasm and educates Kathy on what the word polymath means. Tune in and learn how sarcasm is social activism, people who are sarcastic don't emote much, and how sarcastic people are comfortable being in discomfort.The conversation goes from sarcasm as art to art being sarcastic. Kathy and Joana discuss whether art needs to be understood and what the saying "steal like an artist" means to them. Be sure to listen to the end of the episode to learn how Joana is going to become an influencer because of a word she created during the conversation!This is one conversation you don't want to miss (and you may want to take water breaks throughout to stay hydrated from laughing so much)!Listen to Exhibitionistas and follow Joana P.R. Neves on Instagram.Follow Women Who Sarcast podcast on IG @womenwhosarcast and Women Who Podcast magazine @womenwhopodcastmagazine. Get the current issue of Women Who Podcast magazine at womenwhopodcastmag.com.Show music provided by Drrrakhan.All content © 2026 Women Who Sarcast and WWS Productions.

Do you feel like an imposter? Most artists do, at least sometimes. But artist anxiety can take on a life of its own -- the voice that says your work doesn't matter, that you don't belong, that it's only a matter of time before everyone figures it out. This week's guest, Holly Wong, has thought hard about why the art world breeds this so reliably. When even objective markers of success can be questioned, the goalposts never stop moving. In this episode, we talk about how negative self-talk shapes outcomes, why grant writing can be a path to self-acceptance, and how to stay generous without losing yourself in the process. Resources:  https://hollywongart.com/ Biography Holly Wong creates fiber and drawing-based installations and collaged paintings that explore healing and resilience. She was educated at the San Francisco Art Institute where she graduated with a Master of Fine Arts. Holly has participated in over 100 exhibitions including group shows at the de Young Museum, the Marin Museum of Contemporary Art, and the Contemporary Jewish Museum. A Presidential Scholar in the Arts, she has received grants from the California Arts Council (Established Artist category), the Puffin Foundation, the George Sugarman Foundation, and the Barbara Deming Memorial Fund. She is represented by SLATE Contemporary Gallery in Oakland, CA, Bridgette Mayer Gallery, Philadelphia, PA, ELLIO Fine Art in Houston, TX, and Walker Fine Art in Denver, CO. Holly lives and works in San Francisco.

A new contemporary art exhibition in Ennistymon is inviting visitors to slow down and look a little closer at the world around them. Territories, the latest work by artist Niamh Clarke, explores memory, landscape and the subtle space between what's seen and what's felt. Now showing at the Courthouse Gallery & Studios, the exhibition brings together drawing, watercolour, prose and film to create a series of quiet, thought-provoking narratives. Niamh joined Alan Morrissey on Thursday's Morning Focus. Photo (c) The Courthouse Gallery & Studios Ennistymon

The King's English took heat over the weekend for promoting Gov. Spencer Cox's new book. Host Ali Vallarta, executive producer Emily Means, and newsletter editor Terina Ria discuss the backlash. Plus, finding our perfect park and local shoutouts. Resources and references: Utah bookstore cancels Gov. Cox promo after community backlash [Salt Lake Tribune] Find your perfect park using the City Cast Salt Lake parks map. Become a member of City Cast Salt Lake today! It's the best way to support our work and help make sure we are around for years to come. Get all the details and sign up at membership.citycast.fm. Subscribe to our daily morning newsletter. You can also find us on Instagram @CityCastSLC. Text or leave us a voicemail with your name and neighborhood, and you might hear it on the show: (801) 203-0137 Looking to advertise on City Cast Salt Lake? Check out our options for podcast and newsletter ads. If you enjoyed this interview with Laura Allred Hurtado, the executive director of the Utah Museum of Contemporary Arts, learn more here.  Learn more about the sponsors of this episode:  Utah Museum of Fine Arts Red Butte Garden Salt Lake City Arts Council Harmons Tracy Aviary Cozy Earth - use code COZYSALTLAKE for up to 20% off

Nicola Tyson was born in 1960 in London, England. She attended Chelsea School of Art, St. Martins School of Art and Central/St. Martins School of Art in London, and currently lives and works in New York. Primarily known as a painter, Tyson has also worked with photography, film, performance and the written word, in addition to running Trial BALLOON, an NYC project space in the early 90s. In 2023, Nicola Tyson: Selected Paintings 1993-2022, the most comprehensive overview of the artist's work to date, was published. In 2011, Tyson released the limited-edition book Dead Letter Men, which is a collection of satirical letters addressing famous male artists. Her unique archive of color photos documenting the London club scene of the late 1970's — Bowie Nights at Billy's Club — was the subject of shows, both in New York and London, in 2012 and 2013. In 2025, Tyson was commissioned for Hayward Gallery's public project banner. Tyson has mounted solo exhibitions at Petzel Gallery, New York (2026, 2025, 2024, 2020, 2016); Nino Mier Gallery, Los Angeles (2024); Nino Mier Gallery, Brussels (2022); Sadie Coles HQ, London (2021, 2017, 2013); The Contemporary Art Museum St. Louis, St. Louis (2017); The Drawing Room, London (2017); Nathalia Obadia, Paris (2015); Susanne Vielmetter Gallery, Los Angeles (2014); White Columns, New York (2012), among others. She has participated in group exhibitions at the Design Museum, London (2025); The Modern Art Museum of Forth Worth, Fort Worth (2022); Art Institute of Chicago, Chicago (2021); Drawing Room, London (2021, 2018); Drawing Center, New York (2020); Whitechapel Gallery, London (2018); Cleveland Institute of Art, Cleveland (2016); Wexner Center for the Arts (2013); and Museum of Modern Art, New York (2012); among others. Tyson's work is included in major collections such as Museum of Modern Art, New York; Whitney Museum of Art, New York; Solomon R. Guggenheim Museum, New York; Philadelphia Museum of Art, Philadelphia; Museum of Contemporary Art, Chicago; UCLA Hammer Museum, Los Angeles; San Francisco Museum of Modern Art, San Francisco; Walker Art Center, Minneapolis; Corcoran Gallery of Art, Washington, D.C.; and Tate Modern, London. Nicola Tyson, Random Attachments, 2026 Charcoal, conte, pastel on sanded paper 50 x 38 in 127 x 96.5 cm. Photo: Meg Symanow Courtesy of the artist and Petzel, New York. Nicola Tyson Nature Nurture, 2026 Charcoal, conte, pastel on sanded paper 50 x 38 in 127 x 96.5 cm. Photo: Meg Symanow Courtesy of the artist and Petzel, New York. Nicola Tyson Motherload, 2026 Charcoal, conte, pastel on sanded paper 50 x 38 in 127 x 96.5 cm. Photo: Meg Symanow Courtesy of the artist and Petzel, New York.

Host Josh Baer talks with Purat “Chang” Osathanugrah, a collector, business leader, educator, and founder of Dib Bangkok, Thailand's first major international art museum. Tune in to hear about Thailand's artistic landscape, the transformative role Dib plays within it, and what it takes to bring a multi-generational vision to life. First Dibs on Contemporary Art in Thailand is out now on all major podcast platforms and at www.thebaerfaxtpodcast.com.  This episode, recorded on April 23rd 2026, is brought to you by Ursula - A Magazine of Contemporary Culture by Hauser & Wirth.

The first American retrospective of the work of pioneering artist Marcel Duchamp in 50 years has landed at the MoMA. Curators Ann Temkin and Michelle Kuo discuss the show, running now through August 22. Image by Alfred Stieglitz; 'Fountain' (photograph of readymade by Marcel Duchamp). New York, 1917. Gelatin silver print. Box in a Valise Archive, private collection, USA. © Association Marcel Duchamp / ADAGP, Paris / Artists Rights Society (ARS), New York 2026

For the latest episode of the show, I have the honor of speaking with artist Kameelah Janan Rasheed on the occasion of her inclusion in Data Consciousness: Reframing Blackness in Contemporary Print, on view at Print Center New York through December 20, 2025. Kameelah Janan Rasheed is a learner and death doula in training. Her middle name, Janan, comes from the Arabic trilateral root (J-N-N / جنان), evoking that which is unmoored, veiled, and unsanctioned. Accordingly, Rasheed explores the relationship between language, mysticism, and disobedience. She examines the materiality of wayward language - acrobatic (Clarice Lispector) sentences with trap doors (Fred Moten), runaway syllables that scatter to the marooned edges of a page, words that escape the orbit of its mother sentence, footnotes that consume their reference, and utterances that dissipate before being recorded. She also explores the materiality of reading, centering spiritual practices where reading happens through touch and digestion, rather than solely looking. A "language person" (Paul Soulellis), she "gives language a body" (Chang Yuchen) through her large-scale installations, multichannel video works, publications, software, performance, public archives, and learning platforms. Read full bio here.   This episode was originally published exclusively on Patreon on December 11, 2025. Follow the show on IG at @theartofitallshow and follow the host at @dariasimoneharper! Don't forget to rate, review, and subscribe. Sharing an episode with a friend never hurts either;)

This time, the roles reverse as our very own host Daria Suvorova-Konstandin joins Cynthia Mensah-Neglokpe on the other side of the mic. Together with moderator Paloma Frau, Director of Cultural Programming at Fotografiska Berlin, the two authors and cultural curators discuss their new book, The Feeling of Berlin.Written as a love letter to Berlin, it tells the city's story through 33 portraits of women, each an icon in her own unique way. From club legend Britt Kanja and Love Parade co-founder Danielle de Picciotto to Michelin-starred chef Sophie Rudolph and next-gen creatives like Cloudy Zakrocki – the book reveals their insider tips and favorite spots.In this episode, Daria and Cynthia offer insights into the project: which stories touched them most, how they chose their protagonists, and how they managed to write an entire book alongside many other projects. They discuss challenges and successes, discipline and motivation – and how an idea evolved into 250 carefully curated pages.If you enjoy this conversation, don't forget to rate and review us on your favorite podcast platform.Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

This episode, Kalid and Joe are joined by director, actor, writer, producer, comedian, and visual artist, Andre Hyland, to chat about the 1990 cult classic Temors, from director Ron Underwood. Follow Andre on Instagram here!​​*Thank you to Jim Hall for the music! Check out more of his music⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and if you like what you hear, please consider donating to support his work⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!*Thank you to Jim Tandberg for the Frankenstein's Podcast artwork!*Shoutout to our Patreon Producer(s), Luke Johnson, Andy Groth, Jake Kohl & Joe Mischo!⁠⁠⁠Support us on Patreon!⁠Featured Guest:Andre Hyland is a multi hyphenate director, actor, writer, producer, comedian, and visual artist.Born and raised in Cincinnati, Ohio, and a graduate of The college of DAAP at the University of Cincinnati, Andre is a four-time Sundance Film Festival writer/director. His Sundance films include the Eric Andre produced 2022 Indie Episodic offering Culture Beat. Paste Magazine called their pilot “The Best Six Minutes of Sundance 2022”. His other Sundance films include his feature film debut, THE 4TH, which has streamed on Peacock, Showtime, and others. Hyland also wrote, directed and starred in the critically acclaimed, Bob Odenkirk produced, short film Funnel which Rolling Stone named one of the “12 Must-See Sundance Successes”. His TV work behind the camera includes directing season 2 of Tru TV's Jon Glaser Loves Gear, and co-head writing Adult Swim's Mostly For Millennials. He's directed and written for numerous projects at FOX, Comedy Central, FuelTV, Funny or Die, and MTV.As an actor Hyland can currently be seen on the new Ethan Hawke led FX/HULU series The Lowdown.  Can also see Andre on the recent Peacock comedy series LAID with Stephanie Hsu and Zosia Mamet.  In 2024 he was nominated for SAG's "Best Comedic Ensemble" for his work on HBO's Barry. Prior to that he was a series regular alongside Kate Beckinsale on the Paramount+ series Guilty Party. He also starred in the A24 Daniel Scheinert directed feature film, The Death of Dick Long.In the 00s, Hyland's fine artwork was mainly seen on the streets via graffiti and street art under the name Buddy Lembek which lead to his work being included in exhibitions at the London Institute of Contemporary Art, MASS MoCA, and Publico's Good World in association with Cincinnati CAC's Beautiful Losers. His work has also been featured in publications such as  Graffiti World and Scribble Magazine.References:Kate Hutton: 'That Earthquake Lady' - AdvocateSubterranean Terror — Tremors - Monster LegacyTask (HBO)Bad Man (Amazon Prime)Star Trek: Deviations - Threads of Destiny by Stephanie WilliamsDTF St. Louis (HBO)The Town (podcast) with Matthew BelloniNirvana the Band the Show the MoviePatriot (Amazon Prime)Mermaid

From April 29 to May 3, Powerhouse Arts will play host to 'CONDUCTOR: Art Fair of the Global Majority,' an art show spotlighting artists and galleries across Africa, Latin America, Asia, the Middle East, and Indigenous Nations. Eric Shiner, president of Powerhouse Arts, provides a preview of the art fair. Photo by Amanda Phingbodhipakkiya

What happens when you stop following the “expected path”… and start following your heart instead? In this episode of Changing the Rules, hosts Ray Loewe and Mary Ann Steinhauer sit down with Anna Brooke—better known to audiences as Rev. Legs Malone. With a Master's Degree in Contemporary Art, Anna seemed destined for the traditional art world. But something didn't fit. So she made a bold pivot—from galleries to the stage—and reinvented herself as a burlesque performer in London's underground scene. From her debut at the Bethnal Green Working Men's Club to touring across the U.S. and Western Europe, and becoming a staple of New York City's vibrant burlesque community, Legs Malone built a life fueled by creativity, courage, and authenticity. But this story isn't just about performance—it's about purpose. Today, as Rev. Legs Malone, Anna reflects on the deeper meaning behind her choices, the consequences of living boldly, and why—now more than ever—listening to your inner voice matters. This is a conversation about reinvention, identity, and the powerful (and sometimes risky) act of choosing your own path. Because sometimes, the most meaningful life isn't the one you planned… …it's the one you dared to create.

A new proposal  to make parking more affordable around Petco Park is going back to the drawing board. Plus, the unveiling of a new five acre native garden in Paradise Hills. And, the art collection from a pair of famous musicians is on loan at the Museum of Contemporary Art in La Jolla. NBC 7's Dana Williams has these stories and more including meteorologist Brooke Martell's forecast for April, 19, 2026.

Photographer Jess T. Dugan and writer Charlotte Cotton join PhotoWork with Sasha Wolf to discuss their 2 volume book, Love Pictures, published by Radius Books. Developed through their friendship and an ongoing dialogue between Dugan and Cotton, Love Pictures explores key themes shaping Dugan's photographic practice, including gender and identity, family and politics, writing and language, the photobook as object, and the dynamics of exhibition spaces. These conversations expand outward to include voices from their broader creative communities, featuring contributors such as Dawoud Bey, Kelli Connell, and Dorothy Moss. In this episode, Jess, Charlotte, and Sasha discuss how this project evolved from an intimate exchange into a comprehensive survey of Dugan's work. Jess T. Dugan Charlotte Cotton Jess T. Dugan (b. 1986, they/them, lives in St. Louis) is an artist whose work explores identity and the complexities of the human condition. While their practice is centered around photography, it also includes writing, video, audio, drawing, and installation. Their work is regularly exhibited internationally and is in the permanent collections of over seventy museums. Charlotte Cotton (b. 1970, lives in London) is a curator and writer who explores photographic culture. She has held positions at the Victoria and Albert Museum, Photographers' Gallery, Los Angeles County Museum of Art, Katonah Museum of Art, International Center of Photography, and California Museum of Photography. Her book, The Photograph as Contemporary Art, has been published in fourteen languages and has been a key text in charting the rise of photography as an undisputed art form in this century.

Episode No. 754 of The Modern Art Notes Podcast features author Andrew Graham-Dixon and artist Rachel Burgess. Graham-Dixon is the author of "Vermeer: A Life Lost and Found," which was just published by WW Norton. The book, a biography-ish of one of the most famous and elusive artists of the Dutch seventeenth century, offers exciting new ideas about Vermeer's life and presents new arguments about why and for whom Vermeer made most of his paintings. Amazon and Bookshop offer "Vermeer" for $35-42. The Eleanor D. Wilson Museum at Hollins University is showing "Rachel Burgess: Particles and Waves" through June 6. The exhibition presents Burgess' recent large-scale works on paper, typically monotypes, that depict landscapes and domestic scenes. Burgess has been included in group shows at the Lower East Side Printshop, New York, at the Virginia Museum of Contemporary Art, and more. Instagram: Andrew Graham-Dixon, Rachel Burgess, Tyler Green. Air date: April 16, 2026.

Episode No. 754 of The Modern Art Notes Podcast features author Andrew Graham-Dixon and artist Rachel Burgess. Graham-Dixon is the author of "Vermeer: A Life Lost and Found," which was just published by WW Norton. The book, a biography-ish of one of the most famous and elusive artists of the Dutch seventeenth century, offers exciting new ideas about Vermeer's life and presents new arguments about why and for whom Vermeer made most of his paintings. Amazon and Bookshop offer "Vermeer" for $35-42. The Eleanor D. Wilson Museum at Hollins University is showing "Rachel Burgess: Particles and Waves" through June 6. The exhibition presents Burgess' recent large-scale works on paper, typically monotypes, that depict landscapes and domestic scenes. Burgess has been included in group shows at the Lower East Side Printshop, New York, at the Virginia Museum of Contemporary Art, and more. Instagram: Andrew Graham-Dixon, Rachel Burgess, Tyler Green. Air date: April 16, 2026.

Episode No. 754 of The Modern Art Notes Podcast features author Andrew Graham-Dixon and artist Rachel Burgess. Graham-Dixon is the author of "Vermeer: A Life Lost and Found," which was just published by WW Norton. The book, a biography-ish of one of the most famous and elusive artists of the Dutch seventeenth century, offers exciting new ideas about Vermeer's life and presents new arguments about why and for whom Vermeer made most of his paintings. Amazon and Bookshop offer "Vermeer" for $35-42. The Eleanor D. Wilson Museum at Hollins University is showing "Rachel Burgess: Particles and Waves" through June 6. The exhibition presents Burgess' recent large-scale works on paper, typically monotypes, that depict landscapes and domestic scenes. Burgess has been included in group shows at the Lower East Side Printshop, New York, at the Virginia Museum of Contemporary Art, and more. Instagram: Andrew Graham-Dixon, Rachel Burgess, Tyler Green. Air date: April 16, 2026.

Episode No. 754 of The Modern Art Notes Podcast features author Andrew Graham-Dixon and artist Rachel Burgess. Graham-Dixon is the author of "Vermeer: A Life Lost and Found," which was just published by WW Norton. The book, a biography-ish of one of the most famous and elusive artists of the Dutch seventeenth century, offers exciting new ideas about Vermeer's life and presents new arguments about why and for whom Vermeer made most of his paintings. Amazon and Bookshop offer "Vermeer" for $35-42. The Eleanor D. Wilson Museum at Hollins University is showing "Rachel Burgess: Particles and Waves" through June 6. The exhibition presents Burgess' recent large-scale works on paper, typically monotypes, that depict landscapes and domestic scenes. Burgess has been included in group shows at the Lower East Side Printshop, New York, at the Virginia Museum of Contemporary Art, and more. Instagram: Andrew Graham-Dixon, Rachel Burgess, Tyler Green. Air date: April 16, 2026.

Artists Tommy Riefe and Lexa Walsh join me to discuss the New Museum expansion and show, New Humans: Memories of the Future curated by Massimiliano Gioni and Gary Carrion-Murayari. We discuss the success of the building itself and then move onto the show's major themes—the history of the human body as mediated by technology.    Additional Resources:  Tommy Riefe Lexa Walsh  The New Museum, New Humans: Memories of the Future Jeffrey Deitch, Post Human, 1992   Boris Groys, Art Power, 2008 Jason Farago, The New Museum Reopens Asking: “What is Human?”, 2026, The New York Times   Artist guests:  Tommy Riefe  Riefe earned his BFA in Art History and Sculpture from the University of Northern Iowa in 2014, and later received his MFA from the Sam Fox School of Design and Visual Arts at Washington University in St. Louis in 2017. He has been in numerous group exhibitions and has public sculptures in the collections of Howard Hughes Medical Institute in Ashburn, VA (2022) Fort Dodge, IA (2021) Lakewood, MN (2019), Iowa State University (2018), Minnesota State University (2018), Laneken, Belgium (2018), Cedar Falls, IA (2017) Rock Island, IL (2016), and Sioux City, IA (2016).   Lexa Walsh Lexa Walsh is an artist, cultural worker and experience maker.  With a background in both sculpture and social practice, Walsh makes site specific projects, exhibitions, publications and objects, using an array of materials including ceramics and textiles, employing social engagement, institutional critique, and radical hospitality to question hierarchies, power and value.   Walsh founded the experimental music and performance venue the Heinz Afterworld Lounge, and co-founded and conceived of the all women, all toy instrument ensemble Toychestra.  Walsh worked for many years as a curator and administrator at CESTA, an international art center in Czech republic, whose team created radical curatorial projects to foster cross-cultural understanding. She founded Oakland Stock & Soup for Social & Racial Justice, and the Bay Area Contemporary Art Archive. She is a graduate of Portland State Universitys Art & Social Practice MFA program and was Social Practice Artist in Residence in Portland Art Museums Education department. She was a recipient of Southern Exposures Alternative Exposure Award, the CEC Artslink Award, the Gunk Grant and was a de Young Artist Fellow. Walsh has participated in projects, exhibitions and performances at Apexart, di Rosa Center for Contemporary Art, FOR-SITE, Grand Central Art Center, Kala Art Institute, Marin Museum of Contemporary Art, NIAD, Oakland Museum of California, SFMOMA, Smack Mellon, Walker Art Center, Williams College Museum of Art, Yerba Buena Center for the Arts, and has done several international artist residencies, tours and projects in Europe and Asia.

TODAY on the GWA Podcast, is art historian, Alyce Mahon discussing the great Surrealist, Dorothea Tanning. Born in Illinois in 1910, where she said “nothing happened but the wallpaper”, Tanning immersed herself in gothic literature to escape to other worlds. Travelling to Paris to hunt down the Surrealists, Tanning “entered” or “birthed” herself into art in 1942 with her self-portrait “Birthday”, which sees her bare-breasted and standing in front of slightly ajar doors that seemingly lead to nowhere. Settling in NYC, where she exhibited with Peggy Guggenheim, it was then to the wide-open landscape of Sedona Arizona, where she painted Caspar David Friedrich-like paintings of herself standing before nature – ”asserting the centrality of woman” (as Mahon wrote in her new book). She then returned to postwar France and, switching up her style, moved into a cloud-like and splintered abstractions, before turning to bodily-like soft-sculptures. Although she famously said, "don't ask me to explain my paintings". Professor of Modern and Contemporary Art and a Fellow of Trinity College at the University of Cambridge, Mahon is one of the leading scholars on Surrealism in the world today. The author of numerous books including Surrealism and the Politics of Eros, 1938-1968 (2005), Eroticism & Art (2005), The Marquis de Sade and the Avant-Garde (2020), Mahon has also curated or advised on exhibitions on the likes of Leonor Fini, the great Argentine-born artist known for her meticulously rendered, proto-punk renaissance-like works, who she discussed with us on episode 48, as well as the Indian-born, once Cornish-based Ithell Colquhoun. Mahon was the curator of the monumental exhibition at Tate Modern in 2018, and now – has just published a brilliant, extensive book: Dorothea Tanning, a Surrealist world – our with Yale UP this month – that charts her life story across the places she lived in America and France and the place she imagined in her art, bringing alive her works, steeping them in history, and introducing us to Tanning's surreal world – and I can't wait to find out more. Alyce's book: https://yalebooks.co.uk/book/9780300244601/dorothea-tanning/ –– THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: www.famm.com/en/ www.instagram.com/famm_mougins // www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

We’re live from the UAE to discuss the US blockade of the Strait of Hormuz and the state of tourism in the Gulf. Plus: papers from London and Zürich, and a look inside Abu Dhabi’s Museum of Contemporary Art and Design.See omnystudio.com/listener for privacy information.

Julie Mehretu is a Macarthur Genius-winning artist, born in Ethiopia and based in New York. Her latest exhibit, 'Our Days, Like a Shadow (a non-abiding hauntology)', features new paintings made in the last few years. The show opens at Marian Goodman Gallery at 385 Broadway on April 14. Mehretu previews the exhibit, and discusses her installation at The Obama Presidential Center, which opens in June. Photo By Raymond Boyd/Getty Images