Podcasts about Contemporary art

In this episode, conceptual artist Ahmet Öğüt travels by train through Ottoman Turkey, the former Yugoslavia and Western Balkans, to the London Underground today, navigating histories and contemporary expressions of solidarity via the 2025 programme, Revolutionary Roads. Destination: Comradeship.Revolutionary Roads. Destination: Comradeship was organised by the Moderna galerija in Ljubljana, the Museum of African Art in Belgrade, and the Museum of Contemporary Art of Montenegro in Podgorica in August 2025.Ahmet Öğüt: Saved by the Whale's Tail, Saved by Art is at Stratford Station in London until December 2026, commissioned by Art on the Underground and New Contemporaries.Museum Yet to Be is at the Museum of Contemporary Art of Montenegro in Pogdorica until 15 March 2026.Translated into Socialism was at the Moderna galerija in Ljubljana until 8 February 2026.The East Remains Possible is at the Museum of Contemporary Art in Skopje (MoCA – Skopje) until March 29, 2026.For more from Art on the Underground, listen to contemporary artist Barby Asante on her collective choral performance, Declaration of Independence (2023), at Stratford Station in London: pod.link/1533637675/episode/aa2803b68933ab974ca584cf6a18479cAnd on migrations between Turkey and France, hear Nil Yalter, awardee of the Golden Lion for Lifetime Achievement at the Venice Biennale in 2024, at Ab-Anbar Galleryduring London Gallery Weekend 2023, with Exile is a Hard Job (1974-Now): pod.link/1533637675/episode/36b8c7d8d613b78262e54e38ac62e70fPRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Twitter: twitter.com/jelsofron/status/1306563558063271936And Instagram: instagram.com/empirelinespodcastSupport EMPIRE LINES on Patreon: patreon.com/empirelines

When is good enough actually good enough? AI is reshaping how I work and live. And a member with a portfolio that's beaten an all-in-one Vanguard LifeStrategy fund for ten years asks whether the complexity is worth it — or whether it's time to simplify.SponsorsMasterworks - Invest in multimillion-dollar artwork offeringsDelete Me – Use code David20 to get 20% offInsiders Guide Email NewsletterGet our free Investors' Checklist when you sign up for the free Money for the Rest of Us email newsletterOur Premium ProductsAsset CampMoney for the Rest of Us PlusShow NotesThe Upswing: How We Came Together a Century Ago and How We Can Do It Again by Robert Putnam—Simon &SchusterAn update on our model deprecation commitments for Claude Opus 3—AnthropicClaude's Corner—SubstackInvestments MentionedVanguard LifeStrategy Growth Fund Investor (VASGX)Masterworks DisclosuresListeners get priority access to Masterworks at https://www.Masterworks.com/davidArt correlation and appreciation data based on repeat-sales index of historical Post-War & Contemporary Art market prices and S&P 500 annualized return (includes dividends reinvested) from 1995 to 2025, developed by Masterworks. There are significant limitations to comparative asset class data. Indices are unmanaged and a Masterworks investor cannot invest directly in an index. Content creator (the “Endorser”) receives cash compensation from Masterworks, LLC (“Masterworks”). Endorser is a client of Masterworks. Masterworks can only make and accept sales after an offering statement has been filed, and “qualified”, by the SEC. Any offers may be revoked before notice of qualification. Indications of interest involve no obligation. Investing involves risk. Past performance not indicative of future returns. For further disclosure on Regulation A Offerings, Risks of Investing, Performance Metrics, Art Market Data, and more visit the offering documents filed with the SEC and Important Disclosures at masterworks.com/cd.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Austin City Council is considering spending money to hire an outside auditor — even though it has an audit office — to identify ways the city could save money. But what are their motivations? Is it to actually prove to the public that they are more fiscally responsible, and regain lost trust? Or, is it to take action before an outside group can gather signatures and force a vote on whether to include a regular audit in the city charter? Host Nikki DaVaughn is joined by Amy Stansbury, editor-in-chief of The Austin Common, to get the details.  Want some more Austin news? Then make sure to sign up for our City Cast Austin newsletter..  And don't forget– you can support this show and get great perks by becoming a City Cast Austin Neighbor at membership.citycast.fm  Follow us @citycastaustin You can also text us or leave a voicemail.  Interested in advertising with City Cast? Find more info HERE  If you enjoyed today's interview with the Blanton Museum of Art's Curator of Modern and Contemporary Art, Hannah Klemm, learn more here. Learn more about the sponsors of this March 9th episode: Duer - get 15% off your first order City of Austin Blanton Museum of Art TurboTenant Window Nation

Lily Colman speaks about her show, She, Archivist, at the JKC Gallery and her new periodical, Frame/Sequence.She, Archivist is a project about womanhood, inheritance, and specifically how certain items and feelings are passed down between generations of women. The focus is on matrilineal inheritance through perceived rituals in Judaism, and the questioning of certain beliefs passed down.Using traditional film-based and alternative photographic processes and utilizing collage with domestic materials, Colman attempts to reconstruct her identity through her family's matrimonial history as well as her own experience with an abusive marriage and subsequent divorce.https://www.lilycolman.comhttps://www.frame-sequence.comLily was featured in the 2021 International Juried Exhibition at The Center for Contemporary Art in Bedminster, NJ, where she was awarded First Prize and a Solo Exhibition. Her solo exhibition, The Knots on the Underside of the Carpet, ran from April 22 – June 4, 2022, at the CCA.Lily graduated from the Rhode Island School of Design with her MFA in 2020, as well as a Certificate in Collegiate Teaching in Art and Design. She has always loved photography, education, and photo books, and wanted to make them accessible to everyone.Frame/Sequence is a photobook periodical that blends personal storytelling with fine art photography. We currently publish bi-anually with the aim of becoming quarterly. We invite writers and photo-based artists—especially from Philadelphia and the surrounding region—to share authentic, lived experiences. Each edition, based around a theme, curates these narratives and striking visual work.This podcast is sponsored by the Charcoal Book ClubBegin Building your dream photobook library today athttps://charcoalbookclub.com

Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP  /  FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart marc@taracheyenne.com © 2026 Tara Cheyenne Performance   Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.   Donate! To keep this podcast ad-free please go to:  https://www.canadahelps.org/en/dn/13386   Links:   https://www.arthichandra.com/       About Arthi: Arthi Chandra is a very serious director, writer, and lesbian based out of Vancouver, BC. She has directed and produced with many companies in both BC and Ontario (The Arts Club, Bard on the Beach, The Shaw Festival, Theatre Replacement, The Chop Theatre, Studio 58, Pacific Theatre, UBC, and more). Arthi teaches devising and directing at the post-secondary level and enjoys it very much. She graduated from Simon Fraser University's School of Contemporary Arts; was recently part of WhyNot Theatre's ThisGen fellowship; and is an Associate Artist at Theatre Replacement. She also acts, and is the happiest while cooking or gardening. About Tara: Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).  With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally.  Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be,  which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child. 

Three artists. One exhibition. A decade of friendship that turned into fuel for making braver work. Ty sits down with Vy Ngo and Eric Breish to explore how creative community shapes everything—from the courage to apply, to the way we process rejection, to the rituals that help us recover after the lights go down.We start with origin stories and the rush of seeing our pieces hang together at Art Center Waco's Amplified show. Then we dig into the practical spine of a thriving art practice: how to pick the right opportunities, why research beats volume, and how strong documentation (clear, well-lit photos and short videos) becomes your first studio visit. We talk about building a cohesive submission that tells a story instead of tossing in disconnected “greatest hits,” and we unpack the difference between galleries that simply move product and those that invest in your evolution.The conversation gets honest around critique and growth. Safe feedback from trusted artist friends can be uncomfortable and necessary—pushing you to clarify intent, separate your voice from influence, and keep evolving. When no arrives, confidence returns to the work itself. One pivotal story turns a painful rejection into a better fit with a smaller gallery that encouraged risk and led to the most personal show of a career. The lesson: alignment and patience create momentum.We also name the quiet crash after big openings—what we call post‑artum depression—and offer tools to navigate it: nature days, spiritual or wellness practices, journaling, and time with people who truly understand. Finally, we celebrate DIY paths and authentic networking. Show up for spaces you love without treating every hello like an angle. Be interested before trying to be interesting; your people will find you.If this resonates, follow, share with an artist who needs it, and leave a review so more creatives can find the show. Your support helps us keep bringing real conversations—and practical tools—to the studio.Vy Ngo: @vjngo_artEric Breish: @eric_breish_artSend us a message - we would love to hear from you! Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg Watch the Video Episode on Youtube or Spotify, https://www.youtube.com/@JustMakeArtPodcast

The Whitney Biennial returns this year, surveying the contemporary American art landscape and featuring 56 artists, duos, and collectives. Whitney curators Marcela Guerrero and Drew Sawyer preview the exhibit, which opens to the public on March 8. Multimedia still image from 'Sanhattan, 2025,' courtesy of the artist, Ignacio Gatica

What happens when a photographer trades the vast clarity of Mediterranean ruins for the darkness of a prehistoric cave? In this episode of See See by Ceci, visionary Italian artist Domingo Milella takes us on a journey that spans forty thousand years and the full depth of the human spirit. Milella first made his name with luminous large-format photographs of ancient landscapes, the coast of Puglia, the ruins of Petra, the pyramids of Egypt, images of extraordinary stillness that invited the viewer to slow down and breathe. Yet beneath the surface of that early success, a quiet crisis was gathering. In the summer of 2014, at the age of thirty-three, his carefully constructed world collapsed. He retreated to a forgotten village on the Ionian Sea, carrying only two things: his large-format camera and a copy of Moby Dick. Both remained untouched, the camera locked in a cupboard, the book unopened on the nightstand. What followed was a passage through despair and into transformation. Through therapy and the slow archaeology of the self, Milella found his way to the prehistoric caves. There, in total darkness, surrounded by ochre symbols and handprints inscribed tens of thousands of years ago, something shifted. The camera obscura he carried into those narrow tunnels became a mirror of the cave itself: both dark chambers in which images are born from minerals, water and light. In this rich and deeply personal conversation, Milella reflects on darkness as a space of safety and revelation rather than fear; on the intimate connection between memory, the body and the imagination; on the silent pressure of the digital age and its relentless flood of images; and on the nameless, collective authorship that links a teenager's graffiti in a city alleyway to a Paleolithic painter working by torchlight four hours from the sun. What emerges is a meditation on time that refuses to move in one direction, where a feverish child navigating the folds of a bedsheet, an artist kneeling with a mammoth-format camera in a narrow tunnel, and an unknown hand pressing ochre against stone forty thousand years ago are all part of the same gesture. This is an episode about caves: geological, photographic and interior. About the courage it takes to descend into one's own depths. And about the treasure that waits there: not answers, but the oldest and most enduring questions of what it means to be human.

Wisconsin chef Elena Terry is known for sharing the importance of Indigenous foods. Her new restaurant, Tall Grass, is set to open at the Madison Museum of Contemporary Art.

En estos tiempos de radicalismos ideológicos, parece que se le exige al arte gritar o evidenciar posturas políticas, pero, ¿Ese es el papel del arte?. Por otro lado ¿Puede el arte existir fuera de lo político?. A partir de ideas de Hanna Arendt y Wim Wenders reflexionamos sobre lo político en el arte. ¿Quieres una asesoría para tu proyecto? https://www.pensarlaimagen.com/asesoria-para-artistas-visuales Únete a la COMUNIDAD de Pensar la imagen https://www.patreon.com/pensarlaimagen/membership Curso de PROFESIONALIZACIÓN PARA ARTISTAS PRO https://www.pensarlaimagen.com/curso-de-artista-profesional-integral También estamos en Instagram.com/podcastpensarlaimagen twitter.com/pensarlaimagen Tiktok.com/podcastpensarlaimagen #artecontemporáneo #arte #autor #Contemporaryart #podcastpensarlaimagen #artistas

Pokemon Day 2026 is here! Celebrate the 30th anniversary of Pokemon with the Krewe by reliving the 25th anniversary of Pokemon! lol Digging deep in the vault to pull out a special Pokemon Day throwback to Season 1, Episode 3 of the podcast... where we have the WHOLE OG Krewe freshly hatched out of our podcast Pokemon egg!  ++++++ In this episode, the Krewe gathers to discuss the iconic Japanese media franchise, Pokémon! Celebrating its 25th anniversary this February, Pokémon is the highest grossing media franchise in the world! From its anime and games, to trading cards and mobile apps, Pokémon truly unites people from across the world. Tune in to this episode to hear the krewe discuss the history, major moments, and each krewe member's favorite Pokémon! ------ About the Krewe ------ The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy! ------ Support the Krewe! Offer Links for Affiliates ------ Use the referral links below & our promo code from the episode! Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season! Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  ------ Past KOJ Pokemon/Nintendo Episodes ------ The History of Nintendo ft. Matt Alt (S4E18) The Evolution of PokéMania ft Daniel Dockery [Part 2] (S4E3) The Evolution of PokéMania ft Daniel Dockery [Part 1] (S4E2) We Love Pokemon: Celebrating 25 Years (S1E3) Why Japan? ft. Matt Alt (S1E1) ------ JSNO Upcoming Events ------ JSNO Event Calendar Join JSNO Today!

2.27 As Public as Possible Your State U w/ Max Page & Prof & Author David Backer “As Public as Possible: Radical Finance for America's Schools” Buz - The Massachusetts Government's Response To ICE Buz & Andy On Trump & USA Hockey Umass Asst Prof & Research Astronomer Jorge Zavala – Missing Link In Galaxy Evolution Art Beat: Amanda Herman Of The Umass Contemporary Arts Museum – 50 Year Anniv – w/Sally Curcio & Alana Casey

Episode No. 747 of The Modern Art Notes Podcast features artist Bethany Collins and curator Edouard Kopp. Collins is included in "Monuments," at the Museum of Contemporary Art, Los Angeles. The exhibition juxtaposes decommissioned Lost Cause monuments with commissioned artworks that address the histories the Lost Cause aimed to whitewash. Collins' contribution to the project is Love is dangerous (2024-25), a sculptural installation that remakes the base of the Stonewall Jackson monument that was installed in Charlottesville, Virginia. The exhibition, which is on view through May 3, was curated by Hamza Walker, Kara Walker, and Bennett Simpson with Hannah Burstein and Paula Kroll. The museum says that a catalogue is forthcoming. On March 5 the Museum of Contemporary Art Denver opens "Bethany Collins: The Deluge," a presentation of Collins works that each address -- and navigate -- an existential storm. Across several media, Collins addresses major literary works such as Herman Melville's Moby Dick, and Sophocles' Antigone -- and the US songbook too. The exhibition was curated by Leilani Lynch and is on view through July 5. Among the many museums presenting solo exhibitions of Collins' work are the Seattle Art Museum, the Peabody Essex Museum, Salem, Mass., the Contemporary Art Museum Saint Louis, the Van Every and Smith Galleries at Davidson College, the Birmingham Museum of Art, and the Jule Collins Smith Museum of Fine Art at Auburn University. Edouard Kopp is the curator of "Wall Drawing Series: Gladys Nilsson" at the Menil Drawing Institute, Houston. The site-specific exhibition features an enormous Nilsson drawing that features fantastical, hybrid beings surrounding one monumental figure engaged in the act of drawing. It's on view through August 9. Nilsson's work has been the subject of dozens of exhibitions, including a 1973 solo exhibition at the Whitney Museum of American Art. Her work is in the collection of museums such as the Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Art Institute of Chicago. Instagram: Bethany Collins, Tyler Green.

Summer in Madison is always sweet, but this year we have even more to look forward to as “Top Chef” star and Ho-Chunk chef Elena Terry's new restaurant, Tall Grass, will *hopefully* open at the Madison Museum of Contemporary Art just in time for the Art Fair in the Square. Host Bianca Martin spoke with Terry on the podcast to talk about what to expect from the menu, why she chose to open a restaurant in MMOCA, and how she plans on serving both her customers and her community. 

This is our first episode recorded live in Sweden, here at Fotografiska Stockholm. And I couldn't imagine a better guest to open this chapter.In this episode, I get to interview the brilliant Keika Lee, Director of Global Public Affairs at IKEA.Keika grew up in Sweden with Korean heritage, in a family where discipline and hard work were part of everyday life. She was on her way to becoming a classical pianist, with auditions at Juilliard and the Conservatoire in Paris, and then she made a decision that surprised many: she walked away.What followed wasn't a straight career path, but years of trial and error. Keika tried many different roles: from bartending and working airport security to studying political science, building a fashion brand with her sister and working in consultancy. From the outside, It might look scattered, but it became one of her biggest strengths: learning how people behave and how to read the room.This episode might make you pause and ask yourself whether what you're building is actually aligned with who you are, and remind you that nothing you try is ever wasted.Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

Send a textIn this episode, we explore the life and work of Tim Johnson, one of Australia's most distinctive contemporary artists. Known for blending Western art history, Indigenous knowledge systems, and spiritual iconography, Johnson's practice spans decades of experimentation, collaboration, and cultural exchange.We discuss Johnson's role in co-founding Inhibodress in the early 1970s, widely recognised as Australia's first artist-run initiative. Established in Sydney, Inhibodress became a catalyst for experimental contemporary art, giving artists control over how and where their work was shown. It marked a turning point in Australia's independent art scene and set the stage for Johnson's boundary-pushing career.Johnson's spiritual curiosity led him to engage deeply with Tibetan Buddhism, including meeting Dalai Lama. This encounter reinforced themes already present in his work, compassion, interconnectedness, cosmology, and sacred symbolism—which continue to appear in his layered, richly referential paintings.Johnson's international reach saw him exhibit alongside renowned German painter Gerhard Richter, positioning his work within a global contemporary art dialogue. These exhibitions highlighted the intellectual and aesthetic strength of Johnson's cross-cultural visual language.A pivotal moment in Johnson's life was his close friendship and collaboration with Clifford Possum Tjapaltjarri, a leading figure of the Western Desert art movement. Johnson was given a skin name, a profound cultural gesture reflecting kinship and responsibility, signifying trust, respect, and long-term collaboration between the two artists. This relationship deeply informed Johnson's engagement with Indigenous knowledge systems and Country.Thanks Tim. We hope you enjoy this episode. 

Had antiquair Paul De Grande echt een eigen privévliegtuig? En waarom herinnert hij zich niet meer alles van zijn bezoek aan het Kremlin? Liep Bie Baert werkelijk monokini rond op de chique catamaran van een rijke klant in Saint-Tropez? En waarom moet Sofie Van de Velde eigenlijk een examen afleggen als ze naar een kunstbeurs wil? In deze aflevering van ‘Achter De Schermen’ verklappen drie gewiekste dealers zo mogelijk elk geheim over het Play-programma ‘Stukken Van Mensen’. Zo ontdek je of het klopt dat verkopers soms valse werken komen aanbieden, waarom je Paul De Grande altijd aan dezelfde kant ziet staan en met welke Hollywood-ster Bie Baert al eens zaken deed.See omnystudio.com/listener for privacy information.

What if artists aren't here to fix the world, but to reveal what's really going on inside it. In this episode of Extraordinary Creatives, I'm joined by Filipa Ramos, a curator, writer, and educator whose work reframes art not as commentary on ecology, but as an ecological practice in itself. Filipa is Artistic Director of LOOP Festival Barcelona, Lecturer at the Academy of Art and Design in Basel, and the author of The Artist as Ecologist, Contemporary Art, and the Environment. In this conversation, Filipa shares vivid examples of inspiring artists and artworks that help us think differently about our relationship with animals and nature. We talk about why artists are often better at raising problems than offering fixes. Why responsibility can immobilise creativity. How beauty, affect, and emotion still matter. And how working relationally, slowly, and collaboratively can be a powerful alternative to extractive, spectacle-driven models of success. This conversation is for artists who feel the weight of responsibility and expectation. For anyone worried their work isn't doing enough - for those searching for ways to make art that is rigorous, ethical, and deeply alive. KEY TAKEAWAYS Art does not need to rush toward answers. Your work does not need to explain itself in a single sentence to be valid; it's allowed to be complex, relational, and full of questions that unfold over time. Ecology isn't a theme you illustrate; it's a way of relating – letting the places you move through, and the animals and people you share them with, reshape what you notice and how you see it. The promise of big institutions can be hollow. Often, real agency comes through the platforms you build with others, not the ones that “choose” you. BEST MOMENTS “Artists are not here to provide solutions, but to complicate the story. To expose fragility. To create space for shared sensing, shared listening, shared not knowing.” “That's why art is so important. It's not trying to remediate. It's not trying to provide a simple answer. It's attempting to find alternatives.” “The most meaningful, long-lasting work often happens outside the biggest institutions, through collaboration, care, and time.” EPISODE RESOURCES https://www.instagram.com/filipaaaaaaaaaaa https://loop-barcelona.com https://www.fhnw.ch/de/personen/filipa-ramos PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com ** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Editor Meqin Wang, with contributors Midori Yamamura, Vicki Kwon and Stephanie Benzaquen-Gautier, will present on Contemporary art and ecological Transformation in East and Southeast Asia (Manchester University Press, March 2026), an edited volume that examines how contemporary art in East and Southeast Asia confronts environmental destruction, ecological degradation, and social injustice in the backdrop of global ecological crises. The book explores how contemporary art in the region confronts environmental destruction and social injustice amid global ecological crises. It introduces the concept of artistic remediation, showcasing how artists intervene in and respond to ecological challenges through various creative practices. These methods range from creating thought-provoking artworks and fostering non-human agency to advocating for biodiversity, promoting eco-education, and protesting against capitalist extractivism.

Shortly before the opening on 28 November 2026, Cevdet Erek talks with curator Bettina Spörr about his exhibition and sound installation on Secession's façade. Cevdet Erek Secessions-Ornamentik  29.11.2025 – 22.2.2026 Some of Cevdet Erek's site-specific installations and sonic environments, placed at the intersection of sound, sculpture, and architecture, evolve around the idea of ‘sound ornamentation'. With this term, the artist refers to Adolf Loos's Ornament and Crime (1908) amongst others. This text celebrates lack of ornamentation as the mark of a ‘cultivated' society. Loos' polemic is key to a moralising discourse that once sought to purge architecture of decoration in the name of progress. In that context, ornament – associated with sensuality, femininity, and excess – was condemned as wasteful and irrational. Loos' text linked ornament to primitivism and degeneration, framing modern Western culture as superior to the supposedly ‘undeveloped'. Such rhetoric not only marginalised the close relationship between ornament and abstraction but also exposed the colonial and patriarchal logics underpinning modernist aesthetics. Erek re-enters this ideological terrain, transforming ornamentation from decorative surface into temporal, vibratory structure – one that organises space and perception. In his installations sound is not background but architecture itself – something built, inhabited, and experienced by bodies in motion. Here, ornamentation becomes a verb: it describes the act of tuning, of aligning oneself with surrounding frequencies. Through attention, the visitor becomes part of the composition. In this way, Erek's installations dissolve the boundaries between composer and listener, architecture and inhabitant. More Cevdet Erek was born in Istanbul in 1974, where he lives and works. He has developed site-specific installations and presented his work extensively in solo and group exhibitions, among others at Museumsquartier, Vienna; Hamburger Bahnhof – Museum für Gegenwart, Berlin; Art Institute of Chicago; M HKA – Museum of Contemporary Art, Antwerp; MUAC Museo Universitario de Arte Contemporáneo, Mexico City; Pavilion of Turkey, 57th Venice Biennale; Spike Island, Bristol; Kunsthalle Basel, Basel; Liverpool Biennial, Liverpool; 36th Bienal de São Paulo (both 2025); Manifesta 14, Pristina (2022); Gropius Bau, Berlin; SFMOMA, San Francisco; Schirn Kunsthalle, Frankfurt am Main; 5th Marrakech Biennale (2014); Palais de Tokyo, Paris; Sharjah Biennial 11 (2013); 9th Gwangju Biennale (2012); CCA Wattis Institute for Contemporary Arts, San Francisco; dOCUMENTA 13, Kassel (2012); 12th Istanbul Biennial (2011); Tate Modern, London. Since 2008, Bettina Spörr is a curator at the Secession, where she engages in close collaboration with artists to conceptualise and realise exhibitions that explore the profound impact of contemporary art on society. Throughout her career, she has worked with numerous artists on solo exhibitions and, in 2010, curated the group show where do we go from here? at the Secession. Secession Podcast: Artists features artists exhibiting at the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Executive Producer: Bettina Spörr

Episode 516 / Hilary HarnischfegerHilary Harnischfeger (b. 1972, Melbourne, Australia) earned her MFA from Columbia University, New York (2003) and her BFA from the University of Houston, Houston, TX (2001). The artist has had work included in institutional exhibitions at the Fairfield University Art Museum, Fairfield, CT (2023); Nerman Museum of Contemporary Art, Overland Park, KS (2016); State University of New York at Purchase, Purchase, NY (2016); the FLAG Art Foundation, New York, NY (2014); MOCA Cleveland, Cleveland, OH (2013); American University Museum at the Katzen Arts Center, Washington, DC (2013); the American Academy of Arts and Letters, New York, NY (2013); Dallas Contemporary, Dallas, TX (2010); Ballroom Marfa, Marfa, TX (2005); Artists Space, New York, NY (2005); and the Contemporary Arts Museum Houston, Houston, TX (2002); among others. Harnischfeger has had recent solo exhibitions at Clear Sky Gallery, Brooklyn, NY (2021); Rachel Uffner Gallery, new York, NY (2021, 2015); Halsey McKay Gallery, East Hampton, NY (2014); and Front Gallery, Houston, TX (2012). In 2007, Harnischfeger was the recipient of the Maria Walsh Sharpe Foundation Space Program Award. Her work is in the permanent collection of the Cleveland Museum of Art, Cleveland, OH; the Nerman Museum, Overland Park, KS; the Everson Museum of Art, Syracuse, NY; and the Fairfield University Art Museum, Fairfield, CT. Harnischfeger lives and works in Brooklyn, NY. 

Artspeak Radio, Wednesday, February 18, 2026, 9am -10am CST, 90.1fm KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd talks with artists Linda Lighton and Jeff Conners. LINDA LIGHTON is an artist and activist living and working in Kansas City, Missouri. She is a passionate advocate for the arts both regionally, nationally and internationally, and she is committed to being creatively prolific and politically engaged on a daily basis. Lighton has had more than 80 solo shows and has participated in more than 230 group exhibitions at museums and galleries in the United States, Europe, the Middle East and Asia. Linda Lighton's work is in national and international collections in China, France, Germany, Hungary, Israel, Japan, Korea, Latvia, Lithuania, Spain, Switzerland, Taiwan and Turkey as well as The Nelson Atkins Museum of Art, Kansas City, MO; Kemper Museum of Contemporary Art, Kansas City, MO; Spencer Museum of Art, Lawrence, KS; Ariana Museum, Geneva, Switzerland; Fule International Ceramic Museum, Fuping, China, the Yingee Museum in Taiwan, and Icheon International Ceramic Museum, Icheon, Korea. Linda Lighton is a member of the International Academy of Ceramics. She is the founder and director of the Lighton International Artists Exchange Program, which has sent over 207 artists to 59 countries and the Arctic Circle. In 2008, she was chosen for the Missouri Arts Award, and in 2011 she received the Award for Excellence in the Visual Arts and Education from the Kansas City Art Institute, where she graduated with honors in 1989. In 2016, Lighton received the Outstanding Achievement Award from the National Council for the Education of the Ceramic Arts. She is a member of the International Academy of Ceramics. Recently, Lighton completed two large commissions. The first, a 1% for the Arts program, involved producing a twenty-foot-long mural titled "Ode to the Tallgrass Prairie" for the new Kansas City International Airport. The second was a large chandelier titled "Luminous," installed in the Grand Salon at the Kansas City Museum. Lighton is a fervent arts advocate and activist. She has worked on many boards in her community; helping to instigate the One Percent for Arts Program in Kansas City, and serving on numerous boards over the years: Young Audiences of Kansas City, Friends of Art, Nelson Atkins Museum, Review Magazine, Kansas City Ballet, and National Council for the Education of the Ceramic Arts, Kansas City Jewish Museum Board. She currently serves on the National Committee at the Kemper Museum of Contemporary Art, and administers the Lighton International Artists Exchange Program. On view now, Linda Lighton: Love & War, A Fifty-Year Survey, 1975-2025 On view Dec. 13, 2025 through May 3, 2026 December 13, 2025 - May 3, 2026 Nerman Museum of Contemporary Art, 12345 College Blvd Overland Park, KS Oppenheimer Thompson and Anonymous Galleries, First Floor Linda Lighton: Love and War: A Fifty Year Survey, 1975–2025 (Hardcover) available now www.lindalighton.com JEFF CONNERS is a California / San Francisco Bay Area native who has spend his life immersed in the arts. His creative journey spans painting, piano, music composition, stand up comedy and theatre. As a member of the comedy group “Bartalk” in the 80's and 90's he had to opportunity to work with such people as Robin Williams, Whoopi Goldberg, Dana Carvey, Bobcat Goldthwaite, Kevin Pollak, Mark Pitta and many others. Bartalk performed in famous comedy clubs such as The Punchline, The Boarding House, The Holy City Zoo, Cobbs Comedy Pub and Tommy T's. In theatre, Jeff has acted in and directed well over a 100 plays and musicals and in the 90's was artistic director and founder of the New Earth Theatre, the San Leandro Community Theatre (now San Leandro Players) and the San Leandro Shakespeare Festival in the San Francisco Bay Area. These theatre groups were used as a vehicle to raise money for the San Leandro Public Library foundation and through the years raised well off 100K dollars. Jeff's original show “The Angel of the Gutter” was performed off-Broadway in New York in 2000 at the Creative Place Theatre. He recently directed “Bullshot Crummond” at The Roaring 20 Gallery and Event space in Westport. Jeff is also an avid pianist and composer and has written the score to George Bernard Shaw's “Androcles and the Lion”. Now based in Kansas City, painting remains his deepest passion and has been a constant in his life since his youth. He is the Artist in Residence at the newly opened “Elevator” in North Kansas City. He is currently showing at 80 Santa Fe Gallery in Overland Park as part of their “Color” exhibit. “Color” runs through March 15, 2026. He will be featured at Mod Gallery in Kansas City in September and has a solo exhibition at Elevator, currently in the works slated for a May/June showing (dates haven't been finalized as of this writing). He works in oil, acrylic and watercolor and features slices of city and urban life, cityscapes, landscapes and people. jeffconners.art (website currently under construction) https://artskcgo.com/artist/jeff-conners/ Instagram - @jeffconnersartstudio Facebook – Jeff Conners Art

Today, we're putting The Tonearm's needle on Stephen Vitiello.Stephen is an electronic musician and media artist. His sound installations are in the permanent collections of MoMA, the Whitney, and the Museum of Contemporary Art in Lyon. He's worked with Pauline Oliveros, Ryuichi Sakamoto, and Joan Jonas. By day, he teaches Kinetic Imaging at Virginia Commonwealth University.Stephen's latest project is Trinity, a collaborative album with Lawrence English, who you heard on last week's show. Each of Trinity's five tracks brings in a different third musician: Brendan Canty from Fugazi, Chris Abrahams from The Necks, Marina Rosenfeld, Aki Onda, and the late Steve Roden. The album came out last November.Stephen shares how this project came together, what it's like to work with each of these artists, and how he's built a career turning everyday sounds into sonic experiences.(The musical excerpts heard in the interview are from Lawrence English & Stephen Vitiello's album Trinity)–Dig DeeperArtist and AlbumVisit Stephen Vitiello at stephenvitiello.com and follow him on Soundcloud, Instagram, and BandcampPurchase Lawrence English & Stephen Vitiello's Trinity from American Dreams, Bandcamp, or Qobuz and listen on your streaming platform of choicePrevious collaborations: Acute Inbetweens (2011) and Fable (2014) with Lawrence EnglishStephen Vitiello & Brendan Canty: Second (with Hahn Rowe)Trinity CollaboratorsLawrence English and Room40 RecordsBrendan Canty - drummer (Fugazi, The Messthetics)Chris Abrahams - pianist (The Necks)Marina Rosenfeld - turntablist and composerAki Onda - electronic musician and sound artistSteve Roden - late sound artist and visual artistWorld Trade Center ProjectWorld Trade Center Artist Residency - Lower Manhattan Cultural CouncilWorld Trade Center Recordings: Winds After Hurricane Floyd (1999)Bright and Dusty Things - album featuring WTC recordingsStephen Vitiello: Listening With Intent - documentary by ABC-TV AustraliaEducational InstitutionVCU Kinetic Imaging - Virginia Commonwealth UniversityKinetic Imaging Graduate Program at VCUInfluences and Collaborators MentionedNam June Paik - video art pioneerPauline Oliveros - composer and accordionistRyuichi Sakamoto - composer and musicianFred Frith - guitarist and composerIkue Mori - drummer and electronic musician (DNA)Maryanne Amacher - sound artist and composerR. Murray Schafer - composer and writer on acoustic ecologyRobin Rimbaud (Scanner) - electronic musicianColin Newman - Wire guitarist and vocalistTaylor Deupree - 12k Records founderKey Venues and InstitutionsThe Kitchen - New York performance spaceElectronic Arts Intermix - video art distributorAnthology Film Archives - New York cinemaMASS MoCA - Massachusetts Museum of Contemporary ArtThe High Line - New York elevated parkWhitney Museum of American Art - 2002 BiennialMuseum of Modern Art - Soundings exhibition (2013)Punk and No Wave ReferencesFugazi - influential post-hardcore bandDNA - no wave bandThe ClashNo Wave movement - late 1970s NYCMusic Theory and PracticeFluxus movement - experimental art movementJohn Cage and prepared pianoAmbisonic audio - spatial sound formatDolby Atmos - immersive audio formatArticles and InterviewsSteve Roden and Stephen Vitiello conversation in Bomb magazineThe Collaborative Recent History of Stephen Vitiello - Fluid Radio interview-Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, we're putting The Tonearm's needle on Stephen Vitiello.Stephen is an electronic musician and media artist. His sound installations are in the permanent collections of MoMA, the Whitney, and the Museum of Contemporary Art in Lyon. He's worked with Pauline Oliveros, Ryuichi Sakamoto, and Joan Jonas. By day, he teaches Kinetic Imaging at Virginia Commonwealth University.Stephen's latest project is Trinity, a collaborative album with Lawrence English, who you heard on last week's show. Each of Trinity's five tracks brings in a different third musician: Brendan Canty from Fugazi, Chris Abrahams from The Necks, Marina Rosenfeld, Aki Onda, and the late Steve Roden. The album came out last November.Stephen shares how this project came together, what it's like to work with each of these artists, and how he's built a career turning everyday sounds into sonic experiences.(The musical excerpts heard in the interview are from Lawrence English & Stephen Vitiello's album Trinity)–Dig DeeperArtist and AlbumVisit Stephen Vitiello at stephenvitiello.com and follow him on Soundcloud, Instagram, and BandcampPurchase Lawrence English & Stephen Vitiello's Trinity from American Dreams, Bandcamp, or Qobuz and listen on your streaming platform of choicePrevious collaborations: Acute Inbetweens (2011) and Fable (2014) with Lawrence EnglishStephen Vitiello & Brendan Canty: Second (with Hahn Rowe)Trinity CollaboratorsLawrence English and Room40 RecordsBrendan Canty - drummer (Fugazi, The Messthetics)Chris Abrahams - pianist (The Necks)Marina Rosenfeld - turntablist and composerAki Onda - electronic musician and sound artistSteve Roden - late sound artist and visual artistWorld Trade Center ProjectWorld Trade Center Artist Residency - Lower Manhattan Cultural CouncilWorld Trade Center Recordings: Winds After Hurricane Floyd (1999)Bright and Dusty Things - album featuring WTC recordingsStephen Vitiello: Listening With Intent - documentary by ABC-TV AustraliaEducational InstitutionVCU Kinetic Imaging - Virginia Commonwealth UniversityKinetic Imaging Graduate Program at VCUInfluences and Collaborators MentionedNam June Paik - video art pioneerPauline Oliveros - composer and accordionistRyuichi Sakamoto - composer and musicianFred Frith - guitarist and composerIkue Mori - drummer and electronic musician (DNA)Maryanne Amacher - sound artist and composerR. Murray Schafer - composer and writer on acoustic ecologyRobin Rimbaud (Scanner) - electronic musicianColin Newman - Wire guitarist and vocalistTaylor Deupree - 12k Records founderKey Venues and InstitutionsThe Kitchen - New York performance spaceElectronic Arts Intermix - video art distributorAnthology Film Archives - New York cinemaMASS MoCA - Massachusetts Museum of Contemporary ArtThe High Line - New York elevated parkWhitney Museum of American Art - 2002 BiennialMuseum of Modern Art - Soundings exhibition (2013)Punk and No Wave ReferencesFugazi - influential post-hardcore bandDNA - no wave bandThe ClashNo Wave movement - late 1970s NYCMusic Theory and PracticeFluxus movement - experimental art movementJohn Cage and prepared pianoAmbisonic audio - spatial sound formatDolby Atmos - immersive audio formatArticles and InterviewsSteve Roden and Stephen Vitiello conversation in Bomb magazineThe Collaborative Recent History of Stephen Vitiello - Fluid Radio interview-Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

In the spirit of Carnival season, here's a special bonus rebroadcast of our Mardi Gras Super-Sized Special released in January 2025 about a unique connection between New Orleans, Japan & Mardi Gras that took place in 2024! ++++++2024 was a special year for Carnival and the Japan-New Orleans connection! Lafcadio Hearn's life & works inspired the theme for Rex Parade 2024: "The Two Worlds of Lafcadio Hearn - New Orleans & Japan". But why Hearn? What went into the float design? What other ways has Hearn left a lasting impact on both New Orleans & Japan? Find out today with a super-sized special Mardi Gras bonus episode, featuring insights from Rex historian/archivist Will French & historian/archivist emeritus Dr. Stephen Hales, Royal Artists float designer/artistic director Caroline Thomas, Lafcadio Hearn's great grandson Bon Koizumi,  legendary chef John Folse, Captain of the Krewe of Lafcadio John Kelly, JSNO's resident Lafcadio Hearn expert Matthew Smith, and even the Mayor of Matsue Akihito Uesada! Get ready for Mardi Gras 2025 by reflecting on this unique connection between New Orleans & Japan!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Music Credits ------Background music provided by: Royalty Free Music by Giorgio Di Campo for Free Sound Music http://freesoundmusic.eu FreeSoundMusic on Youtube  Link to Original Sound Clip------ Audio Clip Credits ------Thanks to Dominic Massa & everyone at WYES for allowing us to use some of the audio from the below Rex Clips:Segment about Royal Artist & Float DesignFull 2024 Rex Ball Coverage (Krewe of Lafcadio/Nicholls State segment)Thanks to Matsue City Hall & Mayor Akihito Uesada for their video message below:Message from Matsue Mayor Akihito Uesada------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Hearn/Matsue/History Episodes ------30 Years, 2 Cities: The 2024 New Orleans-Matsue Exchange ft. Katherine Heller & Wade Trosclair (S6E11)From Tokyo to Treme: A Jazz Trombone Tale ft. Haruka Kikuchi (S6E10)Foreign-Born Samurai: William Adams ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E17)Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)Explore Matsue ft. Nicholas McCullough (S4E19)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)The Life & Legacy of Lafcadio Hearn ft. Bon & Shoko Koizumi (S1E9)Matsue & New Orleans: Sister Cities ft. Dr. Samantha Perez (S1E2)------ Links about Rex ------2024 Rex Parade/Float PDF with Full DesignsCaroline Thomas's Website------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

In this episode, we look at asset location, how to decide which investments belong in taxable, tax-deferred, and tax-free accounts, how where we live shapes the opportunities available to us, and how capital ultimately expands our choices.SponsorsGelt - Taxes Done RightMasterworks - Invest in multimillion-dollar artwork offeringsDelete Me – Use code David20 to get 20% offInsiders Guide Email NewsletterGet our free Investors' Checklist when you sign up for the free Money for the Rest of Us email newsletterOur Premium ProductsAsset CampMoney for the Rest of Us PlusShow NotesThe Hidden Healthcare Infrastructure Americans Cross the Border to Find—Kogod School of BusinessFARMWORKER SERVICE CENTER PROPOSAL AND ACTION PLAN FOR THE CITY OF CALEXICO AND IMPERIAL VALLEY by JAVIER MORENO—CalexicoLocation as an Asset by Adrien Bilal and Esteban Rossi-Hansberg—PrincetonIt Is Not Climate Denial But Adaptation Denial That Holds Us Back by Mathis Wackernagel and Peter Raven—SSRNThe Overlooked Edge: The Case for Asset Location in Managed Portfolios—MorningstarRevisiting the conventional wisdom regarding asset location by Sachin Padmawar and Daniel Jacobs—VanguardAsset location for equity by Sachin Padmawar and Daniel Jacobs—VanguardThis powerful strategy can create more spendable wealth by Tom Lenkiewicz—J.P. MorganAsset location strategies for tax efficient investing—BlackRockWhat would Yale do? Implementing after-tax asset allocation by Frances Walsh and Patrick Geddes—BlackRockRelated Episodes540: Beyond Munis — New ETFs for Tax-Efficient Bond Investing506: Should You Retire Early and Live Outside Your Home Country? With Joshua Sheats425: How Profits Motivate ChangeMasterworks DisclosuresListeners get priority access to Masterworks at https://www.Masterworks.com/davidArt correlation and appreciation data based on repeat-sales index of historical Post-War & Contemporary Art market prices and S&P 500 annualized return (includes dividends reinvested) from 1995 to 2025, developed by Masterworks. There are significant limitations to comparative asset class data. Indices are unmanaged and a Masterworks investor cannot invest directly in an index. Content creator (the “Endorser”) receives cash compensation from Masterworks, LLC (“Masterworks”). Endorser is a client of Masterworks. Masterworks can only make and accept sales after an offering statement has been filed, and “qualified”, by the SEC. Any offers may be revoked before notice of qualification. Indications of interest involve no obligation. Investing involves risk. Past performance not indicative of future returns. For further disclosure on Regulation A Offerings, Risks of Investing, Performance Metrics, Art Market Data, and more visit the offering documents filed with the SEC and Important Disclosures at masterworks.com/cd.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A note: On the interview concerning the 3 channel video “Same as me” from 2002 shows an abbreviated day in the life of a total of 18 different versions of the artist. Only viewed three at a time, the possible variations are synchronized across time and space or arise in daydreams of elsewhere or other than. For Campbell, the process of making the video revealed the thesis of the work. “It was very challenging to learn how to reenact my self…. it was hard to keep up with myself.” Beth Campbell, (USA, born in Illinois), demonstrates the inextricable entanglements of past, present, and future through her thought-provoking sculptures, installations, ceramics and works on paper. Equal parts humorous, prescient and morbid, Campbell confronts an overwhelming multiple future, culled from research on the philosophies that fueled the early internet and AI. Campbell is best recognized for her drawings and mobiles that draw from a specific moment in her life, multiplied into a profusion of speculative possibilities. The drawings, each titled with the opening line, “My potential future based on my present circumstances…”, mimic the form of a tree diagram, a graphic structure used to visualize probability and hierarchy. This diagram becomes Campbell's means to channel anxieties about an overwhelmingly multiple future. She began to make these drawings about her life as an artist in New York City in the late 1990's. In them, she suggests taking a moment to look both forward and backwards, taking into account actions and positions and the circumstances that led to them. Beth Campbell earned her BFA from Truman State University in 1993 (Kirksville, MO) and her MFA from Ohio University in 1997 (Athens, OH). She has held over a dozen solo exhibitions at galleries and institutions, including The Aldrich Contemporary Art Museum, Ridgefield, CT (2017); Sculpture Center, Cleveland, OH (2010); “Following Room” at The Whitney Museum of American Art, New York, NY (2007); Kate Werble Gallery, New York, NY (2020, 2017, 2012); the Public Art Fund, New York, NY (2007); White Columns, New York, NY (2000); and Nicole Klagsbrun Gallery, New York, NY (2008, 2005, 2004). Her work has been shown at MoMA PS1, the New Museum of Contemporary Art, the Brooklyn Museum of Art, Artists Space, and the Bloomberg Financial Offices in Conjunction with Sculpture Center. Campbell has also been featured in exhibitions at the Carnegie Museum of Art, (Pittsburgh, PA); Manifesta 7 (Italy); The Andy Warhol Museum, (Pittsburgh, PA); Contemporary Arts Center, (Cincinnati, OH); OK Center, (Linz, AT); and EX3 Centre for Contemporary Art, (Florence, IT). She has a large commission permanently on view in the Landmarks program at the University of Texas at Austin (Austin, TX). Campbell received a Guggenheim Fellowship (2011), a residency at John Michael Kohler Arts Center, Arts/Industry Residency (2010), a Louis Comfort Tiffany Fellowship (2009) a Pollock- Krasner Foundation Grant (2006) and a Rema Hort Mann Foundation Art Grant (2000). She currently lives and works in Brooklyn, NY. Beth Campbell, My Potential Future Based on Present Circumstances (11/3/25), 2025 Pencil on paper 50 × 38 ½ inches (127.00 × 97.79 cm) Courtesy of the artist and Kate Werble Gallery, New York Photo credit by Adam Reich photography Beth Campbell, There's no such thing as a good decision (fawn), 2025 Powder coated steel rod and wire, enamel paint 40 × 40 × 33 inches (101.60 × 101.60 × 83.82 cm) Courtesy of the artist and Kate Werble Gallery, New York Photo credit by Adam Reich photography Beth Campbell, lost socks, 2024 Tinted porcelain 2 ¼ × 6 ½ × 6 ¾ inches (5.72 × 16.51 × 17.15 cm) Courtesy of the artist and Kate Werble Gallery, New York Photo credit by Adam Reich photography

Hey there -- if you subscribed to the Twofivesix podcast, we've made some changes to our focus. I'm working with museums, collections, galleries, and cultural orgs on the same big problems I used to help corporate clients with. Hope you enjoy! What does it actually take to exhibit game-based art in a museum? Beyond the romantic notion of "games as art" lies a complex reality of technical requirements, development timelines, and institutional infrastructure that most cultural organizations simply aren't prepared for.Today, I'm speaking with Theo Triantafyllidis, an artist who builds what he calls "performative systems where natural and synthetic intelligences rehearse their coexistence." Working with games, live simulations, performances, and installations, Theo creates darkly playful procedural worlds that turn phenomena like ecological collapse and networked desire into experiences that can be felt rather than verbally explained.Theo has exhibited at major institutions including the Whitney Museum, Centre Pompidou, and was part of the Venice Biennale's Hyper Pavilion. His work ranges from Pastoral, an intimate anti-game about a muscular orc running through an infinite hayfield, to Feral Metaverse, an ambitious eight-player multiplayer game with a custom medieval catapult rig that's been in development for over three years.In this conversation, we go deep on the practical realities of exhibiting interactive work: Why IT staff aren't the same as technical infrastructure. How institutions fund physical installations but not digital development, or vice versa. Why a game that takes two weeks to build might tour internationally while a three-year project struggles to find the right venue. And what it means when audiences bring their player psychology into the gallery space—that instinct to test boundaries and break systems that makes games fundamentally different from other art forms.If you're a cultural institution thinking about game-based programming, an artist navigating this landscape, or simply curious about what happens when the art world meets interactive media, this conversation offers a rare, unvarnished look at what it really takes to do this work well.(00:00) - The Infrastructure Gap: Why Museums Can't Show Interactive Work (00:43) - Theo Triantafyllidis on Building Performative Systems (01:30) - Beyond IT: What Game-Based Art Actually Requires (03:55) - The Funding Paradox: Digital vs. Physical Production (08:59) - Technical Realities: Maintenance, Testing, and Player Psychology (15:39) - Case Studies: From Two-Week Prototypes to Three-Year Developments (25:41) - Building Institutional Literacy for Game-Based Practice For more insights, signup for my newsletter.Jamin Warren founded Gameplayarts, an advisory that helps museums and cultural organizations engage with the world of gaming. He provides them with the research, strategy, and execution they need to reach gamers for the first–or millionth–time. Gameplayarts' past and present clients organizations like MoMA, the Getty Research Institute, Tribeca Enterprises, and PBS.

            In another joint episode, Things We Said Today and Talk More Talk -- Ken Michaels, Allan Kozinn, Darren DeVivo and Kit O'Toole -- join forces to rank Wings' seven studio albums. The discussion begins after Ken's news segment and a review, by Kit, of Yoko's Music of the Mind show at the Museum of Contemporary Art, Chicago (https://visit.mcachicago.org/exhibitions/yoko-ono-music-of-the-mind/ ). Kit's review is at 22'54” and the Wings discussion begins at 29'37”. As always, we welcome your thoughts about this episode of the show or any other episode. We invite you to send your comments about this or any of our other shows to our email address thingswesaidtodayradioshow@gmail.com, join our "Things We Said Today Video Podcast" Facebook page and comment there, on X at @thingswesaidfab or Bluesky at @thingswesaidtoday, or visit us on Facebook and give us your thoughts. You can watch the show on our YouTube page [https://www.youtube.com/channel/UC-zgHaPfL6BGmOX5NoyFE-A], or hear the audio version on Podbean [https://beatlesexaminer.podbean.com/], iHeart Radio, Apple podcasts and other sources of fine podcasts. Our shows appear every two weeks. Please be sure SUBSCRIBE, click LIKE and write a (positive, ideally!) review of our show here or on our iTunes page! Our download numbers have been continually rising, as more people discover us and it's all because of you. So we thank you very much for your support!             MANY MANY WAYS TO CONTACT US:             Our email address: thingswesaidtodayradioshow@gmail.com             BlueSky: @thingswesaidtoday             Twitter @thingswesaidfab             Facebook: Things We Said Today video podcast       ALLAN on Facebook: Allan Kozinn or Allan Kozinn Remixed. Allan's Twitter/X feed: @kozinn Bluesky: @allankozinn.bsky.social Threads: allan_kozinn The McCartney Legacy's website: mccartneylegacy.co.uk/ The McCartney Legacy on Facebook: McCartney Legacy, on Twitter/X: @McCARTNEYLEGACY and on Bluesky: @mccartneylegacy.bsky.social The McCartney Legacy YouTube channel: https://www.youtube.com/channel/UC8zaPoY45IxDZKRMf2Z6VyA             KEN's YouTube Channel, Ken Michaels Radio: https://www.youtube.com/channel/UCq_Dkp6fkIsYwGq_vCwltyg             Ken's Website Beatles Trivia Page: https://www.kenmichaelsradio.com/beatles-trivia--games.html Ken's other podcast, Talk  More Talk: A Solo-Beatles Videocast You Tube channel:  https://www.youtube.com/@talkmoretalksolobeatles             Ken's Weekly Beatles radio show "Every Little Thing" On Demand:  http://wfdu.fm/Listen/hd1%20recent%20archives/             Ken's e-mail:  everylittlething@att.net Ken's Facebook Page: https://www.facebook.com/ken.michaels.31/ DARREN on Facebook: Darren DeVivo Darren's radio show, “Noises From the Valley,” can be heard Friday nights from 7 p.m. to 11 p.m, on WKZE, 98.1 or  105.9, or at wkze.com.

Interdisciplinary artist Edra Soto created more than a dozen "BB (Bad Bunny Chairs)" that will be featured in an upcoming MCA exhibit about the visual, political and spiritual histories of dancehall and reggaetón.

Interdisciplinary artist Edra Soto created more than a dozen "BB (Bad Bunny Chairs)" that will be featured in an upcoming MCA exhibit about the visual, political and spiritual histories of dancehall and reggaetón.

Interdisciplinary artist Edra Soto created more than a dozen "BB (Bad Bunny Chairs)" that will be featured in an upcoming MCA exhibit about the visual, political and spiritual histories of dancehall and reggaetón.

This week, we have the (more or less) final update on the proposed harm reduction center on Madison's East Side. Turns out, the organization recommended to get $2.4 million to run it listed a bunch of partnerships and collaborations with organziations that never agreed to be partners or collaborate -- a fact we exclusively reported this week. The Board of Health ultimately rejected the contract. On the podcast today, we go through the details and dig into just how problematic it is for white leaders to claim more connection to Black and brown communities than nthey actually have. Then, well-known Ho-Chunk chef Elena Terry is finally opening a brick and mortar restaurant at the Madison Museum of Contemporary Art. Omar Waheed spoke with her and catches us up on her plans. Next up, Madison seventh-grader Iliyan Hoskins is just back from his first international judo competition, where he won a bronze medal for Team USA at the Pan American Judo Championships in Lima, Peru. He and his mom Ivanka join the show to educate Rob about the sport, recap the Pan Am championship, and talk about his Olympic Dreams. 365 Amplified is produced by Rob Chappell for the 365 Media Foundation, a nonprofit local media organization in Madison, Wisconsin. Follow Madison365 on BlueSky, Facebook, Instagram, LinkedIn, and Threads.

Vivimos rodeados de decisiones que parecen exigir una respuesta inmediata: correcto o incorrecto, éxito o fracaso, blanco o negro. En este episodio exploramos cómo el pensamiento binario, esa tendencia a reducir la complejidad a dos opciones opuestas, no solo empobrece el debate público, sino que limita profundamente la creatividad. Pensar en extremos nos da una falsa sensación de claridad, pero elimina los matices donde nacen las ideas más interesantes. Hablamos de cómo esta lógica atraviesa la educación, el trabajo creativo y nuestra vida cotidiana, y por qué aprender a tolerar la ambigüedad es una habilidad crítica para uqe estima nuestra práctica artística. La creatividad no surge de respuestas cerradas, sino de preguntas abiertas. ¿Quieres una asesoría para tu proyecto? https://www.pensarlaimagen.com/asesoria-para-artistas-visuales Únete a la COMUNIDAD de Pensar la imagen https://www.patreon.com/pensarlaimagen/membership Curso de PROFESIONALIZACIÓN PARA ARTISTAS PRO https://www.pensarlaimagen.com/curso-de-artista-profesional-integral También estamos en Instagram.com/podcastpensarlaimagen twitter.com/pensarlaimagen Tiktok.com/podcastpensarlaimagen #artecontemporáneo #arte #autor #Contemporaryart #podcastpensarlaimagen #artistas

I'm really happy to welcome Preeti Malkani, Chairwoman of the Supervisory Board and Co-founder of Women for Women International Germany. With Indian and German roots, and a career that spans global advertising, entrepreneurship and humanitarian leadership, Preeti has dedicated her work to empowering women in conflict zones and rethinking how we talk about power and inclusion.In this conversation, we speak about the moments that shaped her path, the stories she's witnessed in places like Rwanda, Iraq and Bosnia. And we'll also talk about what each of us can do, beyond donations, to support women across the globe.If you enjoy this conversation, don't forget to rate and review us on your favorite podcast platform.Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

In the 1970s, American curator Donna Stein served as an art advisor to Empress Farah Diba Pahlavi, the Shahbanu of Iran. Together, Stein and Pahlavi generated an art market in Iran, as Stein encouraged Pahlavi's patronage of the Tehran Museum of Contemporary Art. Today, the contemporary section of the Iranian National Collection―most of which continues to languish in storage―is considered one of the most significant collections of modern art outside of Europe and the United States. The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art (Skira, 2020) is a vivid account of Stein's experience working on this storied intercultural initiative. In crafting her highly readable narrative, Stein cites a number of previously confidential documents, including private correspondence with artists and dealers. This text explores the relationship between two women united by their shared passion for the arts and the continued legacy of their partnership in today's art world. Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the 1970s, American curator Donna Stein served as an art advisor to Empress Farah Diba Pahlavi, the Shahbanu of Iran. Together, Stein and Pahlavi generated an art market in Iran, as Stein encouraged Pahlavi's patronage of the Tehran Museum of Contemporary Art. Today, the contemporary section of the Iranian National Collection―most of which continues to languish in storage―is considered one of the most significant collections of modern art outside of Europe and the United States. The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art (Skira, 2020) is a vivid account of Stein's experience working on this storied intercultural initiative. In crafting her highly readable narrative, Stein cites a number of previously confidential documents, including private correspondence with artists and dealers. This text explores the relationship between two women united by their shared passion for the arts and the continued legacy of their partnership in today's art world. Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Artspeak Radio, Wednesday, January 28, 2026, 9am -10am CST, 90.1fm KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd welcomes Fringe Festival Director Audrey Crabtree with Bradley J. Thomas, and Charlotte St. Foundation Kimi Kitada, Tyler Galloway. AUDREY CRABTREE & BRADLEY J. THOMAS CHARLOTTE ST. FOUNDATION-The recently-opened exhibit, "stand up, fight back: designing an anti-racist movement for worker power" is on view at the charlotte street foundation. the exhibition tells the story of how thoughtful, sustained commitment to design for social change can become a force-multiplier that enriches the struggle for anti-racist, working class organizing. it features posters, banners, flyers, t-shirts, and other graphic ephemera, in addition to documentary videos and photos and oral histories from workers. the exhibition runs from now to feb 28. CSF is located at 3333 Genessee, KCMO. i will also be running a 2-hour workshop on saturday jan 31, titled "let's design protest posters!" other public programming includes "Archiving People's History: A Panel and Conversation" on thursday, february 12, 2026 from 6:30–8 PM tyler galloway is a graphic designer, professor, and Joyce C. Hall Chair of the Graphic Design department at Kansas City Art Institute. His primary research and practice interests focus on design for community-based social change through both client-initiated and designer-initiated work, which he pursues under his studio moniker, the new programme, alongside student collaborators. he brings 30 years of professional design experience and 20 years of teaching experience to his endeavors. tyler holds a BFA in graphic design from Missouri State University and an MGD from North Carolina State University. His work has appeared in several national and international political/social poster and art exhibitions and been published in the books “The Design of Dissent”, “Posters for the Planet”, “Graphis Poster Annual”, “Reproduce and Revolt”, in Communication Arts, and the Turkish socio-political design magazine “No Tasarim”. Coursework and student projects have been published in the book “Designing for Social Change” and the website “Design Ignites Change”, having won multiple grants through the latter. He has spoken locally and regionally on design for social change and was an invited participant in the LEAP symposium at Art Center College of Design. Design pedagogy papers have been presented at multiple AIGA national design education conferences, Typecon and the international MODE summit on motion graphics. But perhaps just as important, tyler loves riding bikes, punk rock, vegan cookies and being a husband and dad. thenewprogramme.net instagram @thenewprogramme Kimi Kitada is a curator based in Kansas City. She is the Gallery & Programs Manager at Charlotte Street, where she has worked since Fall 2020. Previously, she was Curatorial Assistant at The Museum of Contemporary Art, Los Angeles in 2019-2020. From 2014 to 2018, she served as Public Programs & Research Coordinator at Independent Curators International (ICI) in New York. She is currently working on a two-person exhibition of Cesar Lopez and Kiki Serna for the Albrecht-Kemper Museum of Art in St. Joseph, MO, which opens on February 27, 2026. Additionally, she is co-curating a traveling exhibition for Independent Curators International, titled How to Make a Scene: Artist Run Midwest, which will debut in Fall 2026. www.charlottestreet.org Instagram:@charlottestreetfoundation

Aglaé Bassens, Photo: Jenny Gorman Aglaé Bassens (b. 1986, Belgium) has a BA in Fine Art from the Ruskin School of Drawing and Fine Art, Oxford University (2007) and an MFA in Fine Art Painting from the Slade School of Fine Art, London (2011). Her work has been exhibited internationally, with solo presentations at the Institute of Contemporary Art, Miami; HESSE FLATOW, New York; 12.26, Dallas; Nars Foundation, Brooklyn; CRUSH Curatorial, New York; and Cabin Gallery, London; as well as group exhibitions at Gowen Contemporary, Geneva; STEMS Gallery, Paris; The Valley, Taos; and Workplace Gallery, London. Bassens's works can be found in the permanent collections of the Institute of Contemporary Art, Miami and Colección SOLO, Madrid, Spain. She lives and works in Brooklyn, NY. Aglaé Bassens (b. 1986) What was that, 2025 Oil on canvas 39 3/8 x 51 1/8 inches. Photo courtesy of the artist and HESSE FLATOW, New York. Photo: Jenny Gorman. Aglaé Bassens (b. 1986) Stone Tiles, 2025 Oil on canvas 51 1/8 x 39 3/8 inches. Photo courtesy of the artist and HESSE FLATOW, New York. Photo: Jenny Gorman. Aglaé Bassens (b. 1986), Deflated, 2025, Oil on canvas, 51 1/8 x 39 3/8 inches. Photo courtesy of the artist and HESSE FLATOW, New York. Photo: Jenny Gorman.

A new art exhibition from visual artist Gideon Appah reflects everyday life in Ghana. The show is called, “Beneath Night and Day,” on display now at Pace Gallery through Saturday, February 28th.

Terrance Cummings' 'Art for Change' at the Arts Council of Princeton explores race, class, and shared humanity through vibrant, layered artwork. The exhibition sparks dialogue, challenges perceptions, and runs through Feb. 7th.

It's about time we really talk about beauty tech, what it already looks like in parts of Asia, and what it could become in our homes in the next few years, in ways we probably can't even imagine yet.That's exactly what I explore in this episode with Wanfen Xia, CMO and Managing Director at Ulike Europe.Wanfen brings a clear and grounded perspective on where the beauty-tech sector is heading. We talk about how advanced Asian markets already are, what Europe can learn from them, and how new self-care routines might soon become a natural part of everyday life at home.What I especially appreciated in this conversation is Wanfen's gentle, thoughtful approach, shaped by literature, aesthetics, and a deep understanding to what beauty can mean beyond performance or perfection. It's a reminder that some things are meant to be felt intuitively.If you enjoy this conversation, don't forget to rate and review us on your favorite podcast platform.Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

A 20-year veteran of leading entertainment and sports agency Creative Artists Agency (CAA), Joel Lubin is a Managing Director and Co-Head of the Motion Picture Group. Lubin represents many of the world's most acclaimed talent, including Tom Cruise, Colin Farrell, Ralph Fiennes, Carey Mulligan, Chris Evans, Mahershala Ali, Vanessa Kirby, David Oyelowo, Jude Law, Andrew Garfield, Mark Rylance, Jon Bernthal, Charlize Theron, Sebastian Stan, Josh Brolin, Michelle Williams, Matthew Goode, James Corden, Hilary Swank, and Jeremy Renner, among others.  An avid art collector, Lubin currently serves on the Board of Overseers for the Hammer Museum and the Board of Directors of the Institute of Contemporary Art, Los Angeles.In this conversation, Lubin and Zuckerman discuss how careers are built over time; the role of trust, risk, and intuition in representation; and what it means to advocate for artists at the highest level while navigating an industry shaped by scale, power, and change. They reflect on creative partnership, long-term thinking, and the parallels between collecting art and stewarding talent—both rooted in conviction, patience, and belief. 

Erinnerungskämpfe: Neues deutsches Geschichtsbewusstsein (Ditzingen: Reclam, 2023) is a new, provocative volume on German memory cultures and politics edited by Jürgen Zimmerer. What can be loosely translated as Memory Wars: New German Historical Consciousness is a collection of chapters that lay bare a mosaic of a diverse German memory landscape as well as the major debates and turning points by which it is continuously shaped. It is subdivided in five sections together encompassing 23 chapters and covers German Empire and colonialism, National Socialism and the Second World War, the Holocaust and multidirectional memory, East/West Germany and reunification, and, finally, today's Berlin Republic. This volume gains in relevance by the day and shows how the German past(s) and the way they are debated, commemorated, and weaponized today and by whom has real-life, if not existential, consequences. It is far from an exclusively German matter. Memory Wars: New German Historical Consciousness is of interest for all those who critically engage with the instrumentalization of memory in ongoing cultural wars in other national contexts as well, such as the heated debates and rightwing attacks in the United States and elsewhere surrounding fields such as Critical Race Theory, Gender or Queer Studies that emerge out of the White Supremacist backlash and the concomitant increase in racism, trans- and homophobia. Jürgen Zimmerer is Professor of Global History and the head of the research center “Hamburg's (post-)colonial legacy” at the University of Hamburg. He served as the founding president of the International Network of Genocide Scholars for twelve years until 2017 and was the Senior Editor of the Journal of Genocide from 2005 to 2011. His research interests include German Colonialism, Comparative Genocide studies, Colonialism and the Holocaust, and Environmental Violence and Genocide and, for the specific German context, his work has been crucial in revealing the deep connections between the Holocaust and German colonialism – up until that point two German histories of violence hegemonically thought of as ontologically different, if thought together at all. His publications include German Rule, African Subjects: State Aspirations and the Reality of Power in Colonial Namibia (2021) and From Windhoek to Auschwitz? Reflections on the Relationship between Colonialism and National Socialism forthcoming in English in 2024. Miriam Chorley-Schulz is an Assistant Professor and Mokin Fellow of Holocaust Studies at the University of Oregon and the co-founder of the EU-funded project We Refugees. Digital Archive on Refugeedom, Past and Present. She holds a Ph.D. in Yiddish Studies from Columbia University and is the author of Der Beginn des Untergangs: Die Zerstörung der jüdischen Gemeinden in Polen und das Vermächtnis des Wilnaer Komitees (Berlin: Metropol, 2016) which was awarded the “Hosenfeld/Szpilman Memorial Award.” Henriette Sölter is a communications and PR consultant with expertise on the interface of contemporary art and culture, international perennial formats, and strategic institutional positioning. She has worked with institutions such as documenta, Berlin Biennale for Contemporary Art, and Haus der Kulturen der Welt (HKW), is a member of Bergen Assembly's executive board and is part of the New Patrons network for citizen-commissioned art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history