Podcasts about Contemporary art

Host Jeremy C. Park interviews Derek Patterson, affectionately known as "Patt," Executive Director of Contemporary Arts Memphis (CAM), who highlights the nonprofit organization focused on building community through arts education and developing young artists through direct engagement with visual art. Founded by visual artist Derek Fordjour, CAM offers no cost visual arts programming to high schoolers, including a Summer Fellowship, a Summer Intensive, Teen Art Lab, and Teacher Professional Development. The organization provides comprehensive art instruction across multiple disciplines while helping students develop portfolios for college scholarships and career opportunities. Through its community-focused initiatives and supportive environment, CAM has successfully transformed lives by providing artistic expression and mentorship, while also fostering a vibrant cultural scene in Memphis.SummaryOrigins of Contemporary Arts Memphis (CAM) - Derek Patterson (known as "Patt"), Executive Director of Contemporary Arts Memphis (CAM), discusses the nonprofit organization's origins. Patt explains that CAM was founded by Derek Fordjour, an internationally-renowned visual artist from Memphis, who attended Central High School and wanted to give back to his community. What began as a four-week summer experience for 25 high school students has now grown into an ongoing, year-round program with several with several components, including a Summer Fellowship Program, Teen Art Lab, and Artist Mentoring Programs.Summer Fellowship for High School Artists - CAM offers a four-week summer fellowship for rising juniors and seniors, focusing on portfolio development for high school artists. The organization provides a dedicated space at 652 Marshall Avenue in the Edge Medical District, where students can create portfolios equivalent to ACT scores for college scholarships. The facility offers a wide range of art classes and workshops, including oil painting, drawing, printmaking, sculpture, and ceramics, with additional opportunities for students through the Teen Art Lab and Open Studio sessions on weekends and weekdays.Art Program Success Stories - Patt shares some success stories of young artists participating in their program. He highlights how the program helps overcome societal fears about pursuing art as a career and provides mentorship and guidance. Derek shares specific examples, including a student who changed his career path from mechanics to painting and sold several large paintings at their inaugural art sale. They also mentioned that their college readiness program has helped students secure over $500,000 in scholarships.Art as Therapy for Youth - Patt emphasizes the power of art to build community and importance of art as a form of expression and therapy for young people, highlighting its role in providing a supportive environment for those who might not have one elsewhere. He notes that while not all students will pursue careers in art, there are numerous related jobs and the creative process itself can be therapeutic. Patt also stresses the need for parents and teachers to understand and support artistic expression.Flagship Summer Art Fellowship Program - Patt describes their flagship Summer Fellowship program, which selects 25 young artists through a competitive 4-round process including portfolio review and interviews with parents. The program includes a 3-week immersive experience at St. Columba, where participants focus on artwork without cell phone distractions, followed by visits to Memphis art locations and a trip to New York where they see exhibitions and learn about the art business from Derek Fordjour.Community Art Programs and Initiatives - Patt explains how CAM offers art programs including printmaking, sculpture, and art history, and provides 6 college credit hours at no cost to young people. He emphasizes the importance of community support, inviting people to visit the facility, talk to participants, and consider donations. Derek also highlights CAM's initiatives, such as trips to New York and college application assistance, and mentioned their annual "Deck the Walls" event where participants' artwork is showcased for purchase.Transforming Lives Through Arts - Patt discusses the positive impact of Contemporary Arts Memphis on the community, highlighting how the program transforms lives, provides scholarship opportunities, and fosters a vibrant city. He shares feedback from teachers, parents, and donors, emphasizing how the program changes classroom culture, shifts parental mindsets about art's importance, and enables young people to pursue higher education, including prestigious institutions like Yale. He also mentions removing barriers such as transportation by providing Ubers. The conversation concludes with information on how to learn more and get involved, including Instagram and the website contemporaryartsmemphis.org.So, visit https://contemporaryartsmemphis.org/ to get involved.

Artist and legendary street artist Robbie Conal talks about: His family history, including his two activist-and-politically inclined parents, his background in fighting the power; moving up to Los Osos (in San Luis Obispo County) as a permanent residence (back after the 2008 crash), but keeping a small place in L.A.; what he misses about not being in the city (he's lived in NYC and SF as well as L.A.); his first big moment with public art, through postering, which was born out of caricature paintings he was making of Ronald Reagan's cabinet, which he dubbed 'Men with No Lips,' and alighted through a large postering campaign just as Museum of Contemporary Art, Los Angeles, was opening to the public in 1986; how he's Shepard Fairey's OG, and how he was an influence on him as a future street artist (though Fairey said, "I can do that" quite confidently); his personal mantra:  "apply what you do best to what you care about most," which in his case his drawing and talking smack (does best) and American democracy (cares about most); how, to make his work quicker to keep his work temporal, he switched from oil painting to charcoal and then to acrylic with oil accents; how all his friends who have his art (mostly of terrible characters) have them in their toilets; and his most popular work, "Watching, Waiting and Dreaming," a triptych of Gandhi, the Dahli Lama and Martin Luther King. This podcast relies on listener support; please consider becoming a Patreon supporter of the podcast, for as little as $1/month, here: https://www.patreon.com/theconversationpod In the 2nd half of the conversation, available to Patreon supporters, we talk about: How he's sustained himself financially over the decades outside of sales of his work, from teaching to receiving donations to his postering campaigns to lots of (young) volunteers; what he thinks about street art, and mural art, today, and the distinction between graffiti, street art and poster art, and how his reputation saved him from competing street artists when he was postering; our different respective takes on street art, and how Leon Trotsky taught him that everything is political, and street art is inherently political; what he's learned from terrible jobs: mainly, you can't make good art, let alone great art, in your spare time, while holding down a full-time job (and doing the work on the side); the most commonly asked questions he's received about postering (how many times have you been arrested?); how part of your mission as a poster is muscling up for the consequences; and what the best thing is to say to the judge when you're asked why you did it. And for the final 15 minutes of our talk, he covers the breadth of logistics related to putting up posters in public/on the street, which he refers to as 'acts of civil disobedience.'  

We are delighted to announce the first ever Irish episode of Russell Tovey and Robert Diament's acclaimed Talk Art podcast, recorded live at the National Gallery of Ireland Lecture Theatre on Saturday November 8th for Dublin Gallery Weekend 2025.Isabel Nolan, Ireland's representative at the 2026 Venice Biennale, has an expansive practice that incorporates sculptures, paintings, textile works, photographs, writing and works on paper. Her subject matter is similarly comprehensive, taking in cosmological phenomena, religious reliquaries, Greco-Roman sculptures and literary/historical figures, examining the behaviour of humans and animals alike.These diverse artistic investigations are driven by intensive research, but the end result is always deeply personal and subjective. Exploring the “intimacy of materiality”, Nolan's work ranges from the architectural – steel sculptures that frame or obstruct our path – to small handmade objects in clay, hand-tufted wool rugs illuminated with striking cosmic imagery, to drawings and paintings using humble gouache or colouring pencils. In concert, they feel equally enchanted by and afraid of the world around us, expressing humanity's fear of mortality and deep need for connection as well as its startling achievements in art and thought.Driven by “the calamity, the weirdness, horror, brevity and wonder of existing alongside billions of other preoccupied humans”, her works give generous form to fundamental questions about the ways the chaos of the world is made beautiful or given meaning through human activity.In 2026, Nolan will represent Ireland at the 61st Venice Biennale, with Georgina Jackson and The Douglas Hyde Gallery of Contemporary Art as the curator and Cian O'Brien as producer. In 2025, Nolan participated in the 13th Liverpool Biennial, Bedrock, curated by Marie-Anne McQuay. Isabel Nolan lives and works in Dublin.Follow @NolanIsabel and @KerlinGallery.Thank you @DublinGalleryWeekend, we loved visiting! We can't wait to return to beautiful Ireland. Hosted on Acast. See acast.com/privacy for more information.

Help us keep the conversations going in 2026. Donate to Conversations with Tyler today. Gaurav Kapadia has deliberately avoided publicity throughout his career in investing, which makes this conversation a rare window into how he thinks. He now runs XN, a firm built around concentrated bets on a small number of companies with long holding periods. However, his education in judgment began much earlier, in a two-family house in Flushing that his parents converted into a four-family house. It was there where a young Gaurav served as de facto landlord, collecting rent and negotiating late payments at age 10. That grounding now expresses itself across an unusual range of domains: Tyler invited him on the show not just as an investor, but as someone with a rare ability to judge quality in cities, talent, art, and more with equal fluency.  Tyler and Gaurav discuss how Queens has thrived without new infrastructure, what he'd change as "dictator" of Flushing, whether Robert Moses should rise or fall in status, who's the most underrated NYC mayor, what's needed to attract better mayoral candidates, the weirdest place in NYC, why he initially turned down opportunities in investment banking for consulting, bonding with Rishi Sunak over railroads, XN's investment philosophy, maintaining founder energy in investment firms and how he hires to prevent complacency, AI's impact on investing, the differences between New York and London finance, the most common fundraising mistake art museums make, why he collects only American artists within 20 years of his own age, what makes Kara Walker and Rashid Johnson and Salman Toor special, whether buying art makes you a better investor, his new magazine Totei celebrating craft and craftsmanship, and much more. Read a full transcript enhanced with helpful links, or watch the full video on the new dedicated Conversations with Tyler channel. Recorded October 8th, 2025. Other ways to connect Follow us on X and Instagram Follow Tyler on X Follow Gaurav on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here. Timestamps 00:00:00 - Intro 00:01:32 - Queens and NYC's geography 00:08:36 - New York City mayors and electoral politics 00:13:22 - Building a career in investing 00:18:50 - XN's investment philosophy 00:24:35 - Maintaining founder energy in investment firms 00:30:45 - The sociology of finance in NYC, London, and UAE  00:32:21 - How AI is reshaping investing 00:36:53 - Museum operations 00:42:21 - Favorite artists 00:50:39 - Tastes in art and how the canon will evolve 00:57:22 - Totei, a new venture

On this edition, host Gary Zidek talks to the star of an R-rated holiday comedy that's back for a fifth consecutive year. The Dueling Critics, Kelly Kleiman and Jonathan Abarbanel, join Gary to a review a new production of MUCH ADO ABOUT NOTHING. Later in the show, Gary talks to artist/curator Pablo Helguera about his new exhibit at the Museum of Contemporary Art. And Gary takes a closer look at Christmas play that tells the story of one family over the course of 90 years.

Kenny and Sally talk to Myles Russell-Cook, Artistic Director and CEO, ACCA; Highlights of his First Year. Myles discusses his first year in the hot seat at the Australian Centre for Contemporary Arts and what’s coming up Myles commenced in the role of Artistic Director & CEO of ACCA in 2024 and was formerly Senior Curator of Australian and First Nations Art at the National Gallery of Victoria (NGV). Myles has a long-standing interest in cultural, gender and sexual diversity within both Australian and International contemporary practice and has worked across a broad range of exhibitions and projects. For over eight years Myles was one of a team of curators who oversaw major contemporary art exhibitions at the National Gallery of Victoria, including NGV Triennial, and Melbourne Now. Myles is the curator of the upcoming touring show, The Stars We Do Not See: Australian Indigenous Art, presented in partnership with the National Gallery of Art in Washington DC. This exhibition is the largest exhibition of Aboriginal and Torres Strait Islander art ever presented internationally. The post Saturday, 6th, Dec, 2025: Myles Russell-Cook, Artistic Director and CEO, ACCA; Highlights of his First Year appeared first on Saturday Magazine.

Sara Alberani"Material for an Exhibition"Storie, memorie e lotte dalla Palestina e dal MediterraneoMuseo di Santa Giulia, BresciaEdizioni Skirawww.skira.net“Material for an Exhibition. Storie, memorie e lotte dalla Palestina e dal Mediterraneo”, un importante volume edito da Skira che, attraverso una raccolta sistematica di opere provenienti da numerose zone di conflitto nel Mediterraneo – da Gaza, al Libano, alla Cisgiordania – evidenzia la capacità dell'arte di instaurare e difendere legami di solidarietà profondi fra le diverse realtà mediterranee, creando spazi di dialogo e confronto anche in contesti difficili come quello palestinese. A cura di Sara Alberani, il catalogo accompagna l'omonima mostra in corso fino al 22 febbraio 2026 presso il Museo di Santa Giulia di Brescia, che presenta le opere sopravvissute dell'Eltiqa Group for Contemporary Art di Gaza, dopo la distruzione causata da un bombardamento nel 2023. A partecipare all'ideale ricostruzione dello spazio artistico sono due dei fondatori del collettivo, gli artisti Mohammed Al-Hawajri e Dina Mattar, insieme all'artista libanese Haig Aivazian e alla palestinese Emily Jacir, Leone d'Oro a Venezia. Il titolo della mostra, Material for an Exhibition, rende omaggio all'opera Material for a Film di Emily Jacir, dedicata alla memoria del poeta palestinese Wael Zuaiter.Come accade nell'opera originale, anche in questo caso il termine material richiama le creazioni artistiche – installazioni, video, sculture, pittura, disegni e lavori su carta – e rimanda alle condizioni materiali in cui operano gli artisti provenienti da zone di conflitto. Elemento centrale è anche il rifiuto della cancellazione e della perdita delle opere, che spesso caratterizza tali contesti, in una riflessione sull'importanza dell'arte come archivio e memoria collettiva.In apertura del volume e della mostra spiccano le opere salvate degli artisti palestinesi Mohammed Al-Hawajri e Dina Mattar, co-fondatori di Eltiqa Group for Contemporary Art (“Eltiqa” in arabo “incontro”), una delle prime gallerie d'arte contemporanea nella Striscia di Gaza. Attraverso queste opere, che hanno viaggiato insieme agli artisti che le hanno prodotte, si mette in evidenza un altro volto di Gaza: quello della quotidianità, della cultura tramandata e dei luoghi della memoria, simbolo della volontà di un popolo che si rifiuta di scomparire. A seguire, una sezione dedicata alla ricerca dell'artista libanese Haig Aivazian riflette – attraverso sculture, installazioni, disegni e performance – sulle strutture di potere proprie della società contemporanea sullle dinamiche di controllo, sorveglianza e repressione dietro ai rapporti tra Medio Oriente e Occidente, indagando le dinamiche di controllo, sorveglianza e repressione.Il percorso si conclude con le creazioni dell'artista palestinese Emily Jacir, tra le voci più significative dell'arte contemporanea internazionale. La sua pratica attraversa un ampio repertorio di media – film, video, fotografia, scultura, installazione e performance – per indagare il modo in cu la memoria storica lascia il suo segno nel tempo, nelle geografie e nelle popolazioni della regione.             Le opere in mostra e raccolte nel volume provengono da importanti prestiti internazionali, da istituzioni newyorkesi, dal National Museum of Contemporary Art di Atene e della Sharjah Art Foundation di Sharjah. Si tratta di lavori realizzati nel corso di residenze artistiche e di alcune riproduzioni, di cui restano soltanto reperti digitali dopo la distruzione delle opere originali. Sara Alberani   Curatrice indipendente e attivista basata a Roma, esprime la sua ricerca curatoriale attraverso pratiche artistiche socialmente impegnate che coinvolgono comunità e spazi pubblici, concentrandosi sulle lotte di classe, la giustizia sociale e climatica attraverso progetti a lungo termine. Dal 2020 co-dirige LOCALES, una piattaforma curatoriale per la produzione di interventi site-specific e pratiche decoloniali nello spazio pubblico di Roma, nominata Miglior progetto curatoriale 2024 al Flash Art Italia Award. I suoi progetti sono stati presentati da numerose istituzioni. La sua ricerca curatoriale attuale indaga gli impatti dell'estrattivismo e del capitalismo sugli ecosistemi idrici nella sua regione d'origine, l'Emilia-Romagna, soprattutto alla luce delle alluvioni del 2023–2024, intendendo i corpi d'acqua come soggetti politici di insorgenza e resistenza.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

This week, Wes and Todd sit down with Hayley Schneider, owner of SeeSaw Art Gallery. Hayley discusses her background and early love of art, South Dakota, the catalyst for the opening or SeeSaw, the work that it takes to run a gallery, Englewood, the name SeeSaw for the gallery, SeeSaw's mission, Second Saturdays, exhibitions SeeSaw has presented, kind of work SeeSaw shows, how she finds Artists, her business model, current Artists she represents, what she looks for in new Artists, the challenges she's faced as a new gallery, SeeSaw Projects, pricing, art being for everyone, what art does for her, advice for collectors, studio visits, curation, selling art, elements of what she likes & dislikes about running a gallery, mentors, her vision for SeeSaw, SeeSaw's current exhibition “In Plain Sight: a celebration of Black cowboys, Artist talks, what people don't understand about running a gallery, lessons learned from running a gallery, advice to someone that wants to open a gallery, advice to Artists of how to approach galleries, networking, promotion, working with collectors, selling art online, Artist/Gallery relationships and upcoming exhibitions.Check out the SeeSaw Art Gallery website – www.seesawgallery.comFollow SeeSaw on social media:Instagram - www.instagram.com/seesaw.artgallery/  -  @seesaw.artgalleryFacebook - www.facebook.com/SeeSawArtGallerySend us a text Follow us on Instagram: @tenetpodcast - www.instagram.com/tenetpodcast/ @wesbrn - www.instagram.com/wesbrn/ @toddpiersonphotography - www.instagram.com/toddpiersonphotography/ Follow us on Facebook: www.facebook.com/TenetPodcast/ Email us at todd@toddpierson.com If you enjoyed this episode or any of our previous episodes, please consider taking a moment and leaving us a review on your favorite podcast platform. Thanks for listening!

As the CEO of Art Basel, Noah Horowitz has made it his mission to ensure that the international art platform is seen, valued, and experienced—far beyond its art-fair roots—as a cultural catalyst and “opportunity accelerator.” Over the past 55 years, beginning with its tight-knit origins in Basel, Switzerland, in 1970, Art Basel has evolved into an international juggernaut, with best-in-class fairs also in Miami Beach, Hong Kong, and Paris—and soon, under Horowitz's leadership, Qatar, with an edition debuting there in February 2026. With more than two decades of experience, and as a tireless advocate and enthusiast for all things art, from artists and galleries to collectors and institutions, Horowitz is exactly the right person for the job.On this episode of Time Sensitive, Horowitz details his ambitious agenda to stretch Art Basel's reach into realms far beyond what would traditionally be considered the art world; shares his long-view perspective on the economics of art; and considers the centuries-old history that, in a roundabout way, helped lead to—and continues to inform and shape—today's art market.Show notes: [05:13] Art Basel Paris[05:13] Art Basel Qatar[05:13] Art Basel Miami Beach[05:13] Art Basel Hong Kong[07:54] Frida Escobedo[10:41] The Art Basel and UBS 2025 Survey of Global Collecting[10:41] Art Basel Awards[21:27] Rei Naito[23:51] Art of the Deal: Contemporary Art in a Global Financial Market (2011)[27:42] Rirkrit Tiravanija[41:18] High Art Lite: The Rise and Fall of Young British Art (2020)[32:42] KAWS[39:04] Princeton Record Exchange[42:18] Frieze[42:52] Hans Ulrich Obrist[42:52] Okwui Enwezor[45:00] Rem Koolhaas[45:57] Kirk Varnedoe[45:57] Pictures of Nothing: Abstract Art Since Pollock (2006)[50:05] Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art (2005)[51:49] Clare McAndrew[54:42] The Experience Economy (2019)[58:43] Vincenzo de Bellis[1:03:04] Pérez Art Museum

Kami Gahiga is a curator and art professional based between Kigali and London. Her work primarily focuses on art from the Global South and she has curated several exhibitions across Asia, Africa, the Middle East, and Europe.  She is an acting contributor to NKA Journal of Contemporary African Art. Kami is the Art Basel VIP Representative for Africa. Previously, she served as the Head of VIP & Gallery Relations at 1-54 Contemporary African Art Fair (London, Marrakech, New York, Hong Kong). She is a patron of the Delfina Foundation (London, UK), a board member of the Tyburn Foundation Board (Harare, Zimbabwe & Umbria, Italy) and is a Nominator for the Norval Sovereign Art Prize (Cape Town, South Africa). Gahiga is the Co-Founder of the Ghana Institute of Contemporary Art opening soon in Kigali, Rwanda!She and Zuckerman discuss Contemporary Africa Art, creating a new art space in Khagili, Rwanda, multigenerational collecting, African patronage, art and culture as the last frontier in Rwanda, creating interest, the experience of exposure, the idea of beginning, how to inspire, finding answers within, artists opening and operating their own spaces on the continent, and writing manifestos!

Artspeak Radio, Wednesday, December 3, 2025, 9am -10am CST, 90.1fm KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd welcomes entrepreneur/musician William Saunders and artist Kwanza Humphrey. WILLIAM SAUNDERS – Inside the Creative MindA deep dive into the creative process to illuminate the hidden architecture of creativity — how artists see, feel, imagine, and realize their inner worlds. By bridging the rational and the intuitive, we aim to inspire fellow creators and curious audiences to appreciate the deeper forces behind visual and musical expression. Artist, musician, producer, record label executive and supporter of the Arts, William Saunders publishes original music content from label artists and hosts the original podcast and video series, "Inside the Creative Mind" which interviews visual and musical artists to learn about how they create their artform, from inception through fruition. #creativemind #creativity #newmusic #kansascity Official Websitetinymessengermedia.com Founderwilliamsaunders.online KWANZAA HUMPHREY – Kwanza Humphrey is a prolific artist who creates emotionally evocative portraiture in oil on canvas and mixed media on paper. His impulse to express himself through images extends back to early childhood drawings and the simple practice of releasing frustration and inspiration through pictures. Kwanza has been bringing his visions to life for over 40 years. Kwanza is an award-winning artist who has been included in exhibitions across the United States. Including being one of the small group of artists selected for inclusion in the new terminal at the Kansas City International Airport. Kwanza's masterful and disciplined work, often characterized as impressionist realism, resides in the permanent collection of the Nerman Museum of Contemporary Art, as well as extensive private collections. Artist Statement – I began drawing at a very early age. Drawing was a medium I could get lost in, with my imagination and thoughts. Painting for me is a natural extension of that process. While it is a completely different medium, the emotion I bring to it is the same. I start with a pencil or charcoal drawing on paper as a guide. Sometimes it's just one drawing. Other times it's several, but it's always in black and white. I reserve color for painting. I like the spontaneity it can bring to the canvas. I use color and deliberate brushstrokes to create character, conversation or a feeling. I rarely mix colors when I paint. I like to use the raw color and have them mix optically. When I paint, I capture an emotion and feeling that you wouldn't normally see. Painting is an emotional experience for me, where I often have a conversation with myself and shape a feeling. Other times I just let go and let my subconscious take over where color and brush are the medium I use to communicate. I gravitate to the human form and face. I enjoy people and scratching below the surface to show the essence of humanity. We all present a mask to the world to protect ourselves from the unknown. I'm looking to get past that façade and show the human connection we all share. I paint so that you look at something and see the emotion in it. We all bring something personal to the table. Your experience will allow you to see something no one else does, or you may have a similar connection with your fellow viewers. My goal is for my work to resonate with you in some way. I hope on some level it does. -Kwanza Kansas City's role as a host site for FIFA World Cup 26 inspired a new exhibition at The Nelson-Atkins Museum of Art. The fifth exhibition in the museum's KC Art Now initiative, Personal Best features six local artist-athletes at the top of their game. The exhibition focuses on commonalities found at the intersection of this dual identity such as physicality, dedication, and determination, revealed through work in a variety of media and a range of styles. Personal Best currently on view through August 9, 2026. As with the four previous iterations of the KC Art Now initiative, the Personal Best project team collaborated closely with the artists to ensure that their voices are foregrounded and authentically represented. Each artist authored labels for their work in the exhibition and are featured in a video compilation interview discussing their dual identities as artist-athletes and what “personal best” means to them in both areas. This video will be featured in the exhibition.   Painter Kwanza Humphrey's ancestral home is on the African continent, and through his work he reaches back in time to create a bridge with those who have inspired him and to whom he feels a deep connection. This includes the makers and wearers of the African masks he incorporates into his trio of paintings for Personal Best—including some from the Nelson-Atkins permanent collection, one of which will be on view in conjunction with his paintings.  A former football player for Missouri Western State University, Humphrey continues to play when he isn't painting in his studio at Interurban Art House. “Football is a physical release, and painting is more of an emotional release.,” said Humphrey. “It's an opportunity to observe everything around me, take it in, and come up with my own reflection on the world around me and deliver that onto my canvas.” Kansas City's role as a host site for FIFA World Cup 26 inspired a new exhibition at The Nelson-Atkins Museum of Art. The fifth exhibition in the museum's KC Art Now initiative, Personal Best features six local artist-athletes at the top of their game. The exhibition focuses on commonalities found at the intersection of this dual identity such as physicality, dedication, and determination, revealed through work in a variety of media and a range of styles. Personal Best on view now through August 9, 2026. The Nelson-Atkins is located at 45th and Oak Streets, Kansas City, MO. Hours are 10 a.m.–5 p.m. Friday through Monday; 10 a.m.–9 p.m. Thursday; closed Tuesday and Wednesday. Admission to the museum is free to everyone. For museum information, phone 816.751.1ART (1278) or visit nelson-atkins.org. Inextricably Connected Among lush greens and shifting light, they gather in a forest that feels both ancient and present. Two wear masks, forms shaped by memory, tradition, and something older than language. Worn not to conceal, but to reach toward what's been lost, or what might still be remembered. This is not a moment of ceremony, but of seeking. Each a thread in a larger weave: of earth, of time, of each other. The forest does not separate them from the world—it draws them closer to its rhythm. A quiet reminder that the roots beneath us are shared, and always have been. Check out these links for Kwanza Humphrey! Nelson Show Studio Mag article Blog entry 

Episode 503 / Ruby Sky StilerRuby Sky Stiler is an artist born in Maine and based in Brooklyn. She has been the subject multiple solo presentations, including New Patterns, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY (2022); Group Relief, Fairfield University Art Museum, CT (2020); Fresco, Saint-Gaudens Memorial Park, Cornish, NH (2019); Ghost Versions, The Aldrich Contemporary Art Museum, Ridgefield, CT (2015); and Inherited and Borrowed Types, Portland Institute for Contemporary Art, OR (2010), among others. Her work has been included in numerous group exhibitions including Friends & Lovers, FLAG Art Foundation, New York, NY (2023); No Forms, Hill Art Foundation, New York, NY (2022); Classic Beauty: 21st-Century Artists on Ancient [Greek] Form, Providence College Galleries, RI (2018); The Times, FLAG Art Foundation, NY (2017); We Are What We Hide, Institute of Contemporary Art, Maine College of Art & Design, Portland, ME (2013); and the Socrates Sculpture Park Emerging Artist Fellowship Exhibition, Socrates Sculpture Park, Queens, NY (2010), among others. Her work is in the collections of Fairfield University Art Museum, CT; Farnsworth Art Museum, Rockland, ME; The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY; The Museum of Modern Art, New York, NY; and Rhode Island School of Design Museum, Providence, RI.

Coincidimos en un café en San Luis Potosí con el curador mexicano Irving Domínguez. Conversamos sobre sus 20 años de trayectoria en la curaduría en México y reflexionamos sobre cómo la curaduría no es sólo una selección y un acomodo armonioso de obras o de acervos, sino, más bien, poner en juego significados que se producen en procesos de investigación que se cruzan con la historia, el contexto y el arte en sí mismo. ¿Quieres una asesoría para tu proyecto? https://www.pensarlaimagen.com/asesoria-para-artistas-visuales Únete a la COMUNIDAD de Pensar la imagen https://www.patreon.com/pensarlaimagen/membership Curso de PROFESIONALIZACIÓN PARA ARTISTAS PRO https://www.pensarlaimagen.com/curso-de-artista-profesional-integral También estamos en Instagram.com/podcastpensarlaimagen twitter.com/pensarlaimagen Tiktok.com/podcastpensarlaimagen #artecontemporáneo #arte #autor #Contemporaryart #podcastpensarlaimagen #artistas

Thirty years ago, a group of St. Louis teens walked into the Forum of Contemporary Art, sparking youth programs that have since reached more than 30,000 young people. Now the Contemporary Art Museum, a new exhibit, “We Find Ourselves: 30 Years of Teens Making Art,” looks back on that legacy and showcases new works by emerging artists in St. Louis. We talk with Roseann Weiss, founder of one of the early teen programs, Juan William Chavez, artist and former teen program participant, and CAM education manager Miriam Ruiz. The exhibit is on display until Feb. 8, 2026.

This episode is brought to you in partnership with flaconi, Germany's leading online destination for beauty and fragrance. But flaconi is more than a retailer, it's a platform that celebrates individuality and empowerment. Values that deeply align with today's guest and everything she stands for.Linda Hallberg is a name many in the beauty world already know. A visionary makeup artist, founder of LH cosmetics and one of Sweden's most creative forces. From pioneering multi-use products to building a radically inclusive beauty brand, she's been shaping the conversation long before it was mainstream.But behind the iconic looks and bold colors is a story of resilience. In this episode, Linda opens up about growing up queer in a small town, the early days of makeup school while living in a caravan and the journey of building her own brand, LH cosmetics.This conversation is a reminder that it's okay to take up space  and that sometimes, the most powerful thing you can do is return to artistry and play.Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

Curator of "Niyū Yūrk: Middle Eastern and North African Lives in the City", Hiba Abid, joins us to talk about the exhibition, housed at the New York Public Library's iconic 42nd Street building, which challenges dominant narratives by presenting New York as a city deeply intertwined with Middle Eastern and North African history and culture. Abid delves into the diverse stories of immigration, the often-overlooked North African presence, and the revolution in Arabic publishing in New York. Through fascinating primary documents and personal stories, the discussion explores everything from the surprising origins of the Statue of Liberty to early 20th-century American citizenship guides published in Arabic, revealing the long, complex, and vibrant history of Arab and Middle Eastern communities in New York. The exhibition remains until March 8, 2026. On December 5, is a Middle Eastern/North African take over of the flagship building of the NYPL that's not to be missed

Stephen Grootes speaks to African Bank Group CEO Kennedy Bungane about the Bank’s 2025 annual financial results, highlighting its transformation into a diversified, customer-centric institution and its strong performance despite a challenging environment. In other interviews, Stephen Grootes gets to know Marelize van Zyl’s inspiring career journey as the CEO of Aspire Art, where she leads the company’s strategic growth and creative vision, specializing in modern and contemporary African art and expanding into collectable cars. The Money Show is a podcast hosted by well-known journalist and radio presenter, Stephen Grootes. He explores the latest economic trends, business developments, investment opportunities, and personal finance strategies. Each episode features engaging conversations with top newsmakers, industry experts, financial advisors, entrepreneurs, and politicians, offering you thought-provoking insights to navigate the ever-changing financial landscape.    Thank you for listening to a podcast from The Money Show Listen live Primedia+ weekdays from 18:00 and 20:00 (SA Time) to The Money Show with Stephen Grootes broadcast on 702 https://buff.ly/gk3y0Kj and CapeTalk https://buff.ly/NnFM3Nk For more from the show, go to https://buff.ly/7QpH0jY or find all the catch-up podcasts here https://buff.ly/PlhvUVe Subscribe to The Money Show Daily Newsletter and the Weekly Business Wrap here https://buff.ly/v5mfetc The Money Show is brought to you by Absa     Follow us on social media   702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/CapeTalk 702 on YouTube: https://www.youtube.com/@radio702   CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/Radio702 CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Stephen Grootes gets to know Marelize van Zyl’s inspiring career journey as the CEO of Aspire Art, where she leads the company’s strategic growth and creative vision, specializing in modern and contemporary African art and expanding into collectable cars. The Money Show is a podcast hosted by well-known journalist and radio presenter, Stephen Grootes. He explores the latest economic trends, business developments, investment opportunities, and personal finance strategies. Each episode features engaging conversations with top newsmakers, industry experts, financial advisors, entrepreneurs, and politicians, offering you thought-provoking insights to navigate the ever-changing financial landscape. Thank you for listening to a podcast from The Money Show Listen live Primedia+ weekdays from 18:00 to 20:00 (SA Time) to The Money Show with Stephen Grootes broadcast on 702 https://buff.ly/gk3y0Kj and CapeTalk https://buff.ly/NnFM3Nk For more from the show, go to https://buff.ly/7QpH0jY or find all the catch-up podcasts here https://buff.ly/PlhvUVe Subscribe to The Money Show Daily Newsletter and the Weekly Business Wrap here https://buff.ly/v5mfetc The Money Show is brought to you by Absa Follow us on social media 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/CapeTalk 702 on YouTube: https://www.youtube.com/@radio702 CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/Radio702 CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

In this tender, honest, and inspiring conversation, Boston-based abstract artist and longtime educator Christina Chang returns to Paige's Pod to catch us up on everything that's changed since her last visit in 2021. Christina shares how her art practice is helping her move through a season of huge transition: getting married, becoming a soon-to-be empty nester, caring for her father who has Alzheimer's, and investing in the business side of her work as an Asian American creative entrepreneur. We talk about painting as a way to process grief, the joy of collaborating with her endurance-athlete husband on an “Art & Run” gallery event, and what it really looks like to prioritize creativity and self-care in midlife. If you've ever wondered how to keep making meaningful work while life keeps… life-ing, this episode will feel like a warm, honest hug from a fellow artist on the path.To Connect with Christina:-Website: christinachangart.com-Instagram: @christinachang_art

This week, the Krewe is joined by Loretta Scott (aka KemushiChan on YouTube Channel) for a personal, insightful, and often funny look at what it's like raising kids in Japan as an American parent. We dig into birth experiences, cultural differences from the U.S., unexpected parenting moments, and tips for families living in or visiting Japan. Curious about family life abroad or considering a trip to Japan with the munchkins? This episode is packed with helpful insight just for you!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Links for Tobias Harris ------Loretta on InstagramKemushiChan YouTube Channel------ Past Language Learning Episodes ------Inside Japanese Language Schools ft. Langston Hill (S6E3)Japanese Self-Study Strategies ft. Walden Perry (S5E4)Learn the Kansai Dialect ft. Tyson of Nihongo Hongo (S4E14)Heisig Method ft. Dr. James Heisig (S4E5)Prepping for the JLPT ft. Loretta of KemushiCan (S3E16)Language Through Video Games ft. Matt of Game Gengo (S3E4)Pitch Accent (Part 2) ft. Dogen (S2E15)Pitch Accent (Part 1) ft. Dogen (S2E14)Language through Literature ft. Daniel Morales (S2E8)Immersion Learning ft. MattvsJapan (S1E10)Japanese Language Journeys ft. Saeko-Sensei (S1E4)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

In this episode, host Peter Bauman (Le Random's editor in chief) speaks with one of the most impactful forces in contemporary art, gallerist and curator Dr. Mimi Nguyen.They discuss Nguyen's path from statistics and design engineering into art and NFTs, opening galleries in London and New York, and a whirlwind year across Paris Photo, Art Basel Miami Beach's new Zero 10 digital section, and the global fair circuit.They also cover the gap between crypto prices and on-the-ground energy, liquidity and taste, museums as signals, the technical realities of showing digital art, and what sustainable, future-ready gallery models might look like.Monday's Editorial with Karl Sims & Alexander Mordvintsev: https://www.lerandom.art/editorial/karl-sims-alexander-mordvintsev-on-merging-technology-and-biologyChapters

In this special episode, contemporary artists and filmmakers Miloš Trakilović and Jelena Visković join EMPIRE LINES live, exloring narratives of war, displacement, and visual cultures in the collapse of Yugoslavia in the 1990s, through the video essay, Colorless Green Freedoms Sleep Furiously (2023).This episode was recorded live as part of the public programme for soft enclosures, co-curated by Old Mountain Assembly, Rebecca Edwards, and Rina Meta at Forma in London, in October 2025. soft enclosures is an auxiliary programme to Dream States, Artists' Film International (AFI) 2025.For more information, visit: instagram.com/p/DMxKnjBtFf9/Colorless Green Freedoms Sleep Furiously (2023) is currently on view as part of At the End of the Small Hours, curated by What, How and for Whom (WHW) and Ana Kovačić, at the Ethnographic Museum in Zagreb until 30 November 2025.For more about Miloš Trakilović's 564 Tracks (Not a Love Song Is Usually a Love Song) (2024) at the KW Institute in Berlin, read my article in The New Internationalist: newint.org/art/2025/spotlight-milos-trakilovicMotonation (2024) is currently on view as part of Jelena Visković: HEAT: A Sci-Fi Spa Story at Tallinn Art Hall until 23 November 2025.Listen to artist and filmmaker Saodat Ismailova on Melted into the Sun (2024), on view as part of Nebula, produced by Fondazione In Between Art Film, at the Venice Biennale in April 2024: pod.link/1533637675/episode/Y2IxOWI2YTUtMTI4MS00NzdiLWEyZmUtYmMyYTQ0NmQxMTQ2Saodat Ismailova: As We Fade is at the Baltic Centre for Contemporary Art in Gateshead until 7 June 2026.Read about Marina Abramović: Gates and Portals at the Pitt Rivers Museum and Modern Art Oxford, in gowithYamo: gowithyamo.com/blog/marina-abramovic-gates-and-portals-reviewFor more about Ocean Vuong's On Earth We're Briefly Gorgeous (2019), hear contemporary artists Hoa Dung Clerget and Duong Thuy Nguyen, and gallerist Sarah Le Quang Sang, recorded live as part of the public programme for Only Your Name at SLQS Gallery in London, in July 2025: pod.link/1533637675/episode/NjZmOGE0MmQtZTk5Ni00NTQ1LWJjYjAtMmVjODYzNWMwYjdjFor more from Artists' Film International (AFI) 2025, read about Anca Benera and Arnold Estefán in this Letter from Timișoara, in Art Monthly: instagram.com/p/DFdBW0eoE55/⁠And view Anca and Arnold's Rehearsals for Peace (2023) in Seeds of Hate and Hope, curated by Jelena Sofronijevic and Tafadzwa Makwabarara as part of Can We Stop Killing Each Other? at the Sainsbury Centre in Norwich, from 28 November 2025.PRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcastSupport EMPIRE LINES on Patreon: patreon.com/empirelines

Lots to do this weekend in the Jax area. "CLUE" continues its run at the Moran Theatre. In Jacoby Hall, the Jacksonville Symphony's presents "Tim Burton's The Nightmare Before Christmas" - you watch the movie, and the Jax Symphony plays the soundtrack live! The Florida Theatre's weekend lineup includes "RAIN - A Beatles Christmas Tribute" tonight, and Floyd Nation performs their "Wish You Were Here" tribute to Pink Floyd on Friday. There is always a great art exhibit on display at the MOCA (Museum of Contemporary Art) downtown, including current display "Whitney Oldenberg: left behind." And the Jax Zoo's "Colors of the Wild" is on now -- and rumor has it Santa will be at the Zoo this weekend! All this and more in the Weekend Spotlight story! Tell us what you're up to!

Episode No. 732 features artist Igshaan Adams and curator and Jenkintown, Penn. school board-electee Laura Igoe. The Hill Art Foundation, New York is presenting "Igshaan Adams: I've been here all along, I've been waiting" through December 20, 2025. The exhibition features work from the last 15 years of Adams' practice, and emphasizes how his work engages and serves his community. Adams tapestries and sculptures build from weaving traditions to make the routine, even mundane the subject of rich, detailed artworks. On the occasion of the exhibition, the Hill Art Foundation has published this essay by Siddhartha Mitter. Adams grew up in a Muslim-Christian household in the segregated suburb of Bonteheuwel in apartheid-era South Africa, and employs Bonteheuwel residents and family members in his studio. His work has been the subject of solo shows at the Institute of Contemporary Art, Boston; the Art Institute of Chicago; Kunsthalle Zurich, the Aarhus Art Museum, Denmark; and the Hayward Gallery, London. His work is in the permanent collection of museums such as the Moderna Museet, Stockholm, the Tate Modern, London, and Inhotim, Brumadinho, Brazil. Igoe, the chief curator of the Michener Art Museum, Doylestown, Penn. was just elected to the Jenkintown, Penn. school board. Instagram: Igshaan Adams, Laura Igoe, Tyler Green.

Japan's political scene is changing—from new parties rising in visibility to historic moments in national leadership—so the Krewe is bringing you a timely crash course. Political analyst Tobias Harris (Founder & Principal of Japan Foresight) joins the pod to break down the foundations of Japan's government system, how it compares to the U.S., and why voters view politics the way they do. We explore the major and emerging parties shaping the landscape, the issues driving debate today, and how international pressures and global events influence domestic policy. Tobias also sheds light on the media's role in shaping public perception and political accountability.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Links for Tobias Harris ------Japan ForesightObserving Japan on SubstackThe Iconoclast on AmazonTobias Harris on BlueSky------ Past History/Society Episodes ------The Castles of Japan ft. William de Lange S5E19)Foreign-Born Samurai: William Adams ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E17)Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)Change in Urban & Rural Japanese Communities ft. Azby Brown (S5E15)Inside Japanese Homes & Architecture ft. Azby Brown (S5E6)Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 2] (S2E18)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 1] (S2E17)The Age of Lady Samurai ft. Tomoko Kitagawa (S1E12)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

The South Dakota Art Museum hosts "Nordic Echoes: Tradition in Contemporary Art." Lori Walsh talks with artist Tia Keobounpheng about her creative practice.

Sometimes life forces you to hit the pause button. Not because you wanted to, but because your body says, “sit down honey, we've got work to do.”After nearly two decades of podcasting, we thought we'd seen it all, until this summer, when I had emergency eye surgery to save my vision, and Marc had his heart shocked back into rhythm after a scary bout of atrial fibrillation.Between the two of us, we had enough hospital bracelets to start our own line of jewelry. But through all of it, we learned a few things: about getting older, facing fear, and finding humor when life gets dizzy or blurry.On today's show, we're sharing what really happened, what we learned about resilience and love, and how to keep your sense of humor when the road gets bumpy. It's our comeback episode: I Almost Went Blind, a story about healing, gratitude, and seeing life in a whole new light.

On today's episode, we sit down for Part II of our conversation with legendary Chef Christopher Gross and hospitality visionary Bill Nassikas as they explore the intersection of cuisine, creativity, and guest experience. From Michelin-level kitchens to world-class resorts, they share stories from decades at the top of the culinary and hospitality industries—along with candid conversations with chefs, winemakers, and entrepreneurs redefining what it means to serve. Insight, humor, and behind-the-scenes wisdom—straight from two masters of their craft. Website: https://wrigleymansion.com/christophers westroc.com  Instagram: christophersatwrigley   BACK STORY The president and COO of Westroc Hospitality since its founding, William J. Nassikas boasts decades of successful national and international experience in the hospitality industry. Like CEO Scott Lyon, William gained early exposure to his career path as the son of hotelier James A. Nassikas, founder of the Stanford Court Hotel in San Francisco. Prior to joining Westroc, William served as senior vice president of operations at Grand Bay Resorts, joining that organization as part of the merger-acquisition of Carefree Resorts. There, he was responsible for all accommodations, restaurant, spa, golf, and other guest service operations for properties including The Boulders Resort, The Buttes in Tempe, The Peaks at Telluride, Carmel Valley Ranch, The Lodge at Ventana Canyon, The Grand Bay Miami, and the famed Golden Door Spa. Among his many achievements, William was instrumental in the conception and development of Deer Valley Resort in Utah. He gained invaluable experience through executive management positions within Hyatt Hotels, as well as training throughout Europe, including the famed Restaurant Girardet in Switzerland. A graduate of Cornell University's Hotel School, William earned a Diplome Finale des Etudes from Ecole Hoteliere de la Societe Suisse des Hoteliers in Switzerland. His numerous honors include "Hotelier of the Year" by The Chaine des Rotisseurs, being inducted into The Arizona Republic's Arizona Culinary Hall of Fame, the Ivy Award from Restaurant & Institutions magazine, the CSX Award of Excellence, nomination for the Scottsdale Museum of Contemporary Art's Contemporary Catalyst Award, the 2006 Industry Leadership Award from Arizona Hospitality Industry Professionals, and AZLTA's 2019 Hotelier of the Year award. William fulfills a commitment to give back to the hospitality industry, helping train future professionals as a visiting lecturer to the Inaugural Master of Real Estate Development Class at Arizona State University, Cornell University's Hotel School, and University of New Hampshire's hospitality management program. He also serves on various boards, including the Royal St. Corporation, AZLTA and The Mission B1 Foundation.   Based in Phoenix, AZ, Christopher Gross is a James Beard Foundation Award-winning chef who has been recognized among the best in the United States. Famed for its modern twists on classic French fare, Christopher's at Wrigley Mansion earned a 2022 James Beard Outstanding Chef nomination. It was rated 18/20 by Gayot Guide which named it Best French Restaurant, Best 10 Restaurant Wine Lists, Best 10 Restaurants with a View, and Best Romantic Restaurants. In its five-star review, Arizona Republic called the restaurant "Phoenix's most innovative, enticing dining experience for its exclusive tasting-menu experience where the chefs also serve each dish." Named to the Scottsdale Culinary Hall of Fame, Chef Christopher has also been honored by Food & Wine magazine's "America's 10 Best New Chefs," was the first chef in Arizona to be honored with the Robert Mondavi Culinary Award of Excellence and also created the nationwide "Flavors" fundraiser for the American Liver Association.   SUBSCRIBE TO ICONIC HOUR If you enjoyed today's podcast, I'd be so appreciative if you'd take two minutes to subscribe, rate and review ICONIC HOUR. It makes a huge difference for our growth. Thanks so much!   ICONIC LIFE MAGAZINE  Stay in touch with ICONIC LIFE magazine. We invite you to join our digital VIP list and SUBSCRIBE!   JOIN OUR ICONIC COMMUNITY Website: iconiclife.com Instagram: @iconiclifemag Facebook: Iconic Life YouTube: ICONIC LIFE   FOLLOW RENEE DEE Instagram: @iconicreneedee LinkedIn: Renee Dee   Thanks for being a part of our community to Live Beautifully.  

Step into the world of tokusatsu with Ultraman Max director Takeshi Yagi! The Krewe chats with Yagi-san about the artistry, imagination, and behind-the-scenes magic that bring Ultraman and Japan's iconic heroes & monsters to life. Discover how tokusatsu continues to inspire fans around the world.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Links for Takeshi Yagi ------Takeshi Yagi on InstagramTakeshi Yagi on X/TwitterTakeshi Yagi's WebsiteTakeshi Yagi's Blog (JP)Takeshi Yagi's New Book (Releasing Nov 19, 2025)Wikizilla Page on AKARI------ Past Tokusatsu/Pop Culture Episodes ------Enjoying Shojo Anime & Manga ft. Taryn of Manga Lela (S5E18)Akira Toriyama: Legacy of a Legend ft. Matt Alt (S5E3)The History & Evolution of Godzilla ft. Dr. William (Bill) Tsutsui (S5E1)Thoughts on Godzilla Minus One ft. Dr. William (Bill) Tsutsui (S4Bonus)The History of Nintendo ft. Matt Alt (S4E18)Japanese Mascot Mania ft. Chris Carlier of Mondo Mascots (S4E8)Tokusatsu Talk with a Super Sentai ft. Sotaro Yasuda aka GekiChopper (S4E6)The Evolution of PokéMania ft Daniel Dockery [Part 2] (S4E3)The Evolution of PokéMania ft Daniel Dockery [Part 1] (S4E2)Japanese Independent Film Industry ft. Award Winning Director Eiji Uchida (S3E18)How Marvel Comics Changed Tokusatsu & Japan Forever ft Gene & Ted Pelc (Guest Host, Matt Alt) (S3E13)Talking Shonen Anime Series ft. Kyle Hebert (S3E10)Japanese Arcades (S2E16)How to Watch Anime: Subbed vs. Dubbed ft. Dan Woren (S2E9)Manga: Literature & An Art Form ft. Danica Davidson (S2E3)The Fantastical World of Studio Ghibli ft. Steve Alpert (S2E1)The Greatest Anime of All Time Pt. 3: Modern Day Anime  (2010's-Present) (S1E18)The Greatest Anime of All Time Pt. 2: The Golden Age  (1990's-2010's) (S1E16)The Greatest Anime of All Time Pt. 1: Nostalgia (60's-80's) (S1E5)We Love Pokemon: Celebrating 25 Years (S1E3)Why Japan ft. Matt Alt (S1E1)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

11/7/25: Live from Elmer's in Ashfield – Rep. Natalie Blais w/ Jillian Morgan (Food Bank of Western Mass) Kristen Tillona-Baker (the Mary Lyon Foundation) & Sheryl Stanton (Mohawk Trail School Super). Then, More Blais! w/ Lev Ben Ezra & Janna Tatreault (Community Action Pioneer Valley) and many others: combatting the SNAP cuts & providing food. Astronomer Salman Hameed on a visitor from another solar system. Art Beat w/ Amanda Herman (UMass Museum of Contemporary Art) w/ Liz Chalfin (Zea Mays Printmaking).

11/7/25: Live from Elmer's in Ashfield – Rep. Natalie Blais w/ Jillian Morgan (Food Bank of Western Mass) Kristen Tillona-Baker (the Mary Lyon Foundation) & Sheryl Stanton (Mohawk Trail School Super). Then, More Blais! w/ Lev Ben Ezra & Janna Tatreault (Community Action Pioneer Valley) and many others: combatting the SNAP cuts & providing food. Astronomer Salman Hameed on a visitor from another solar system. Art Beat w/ Amanda Herman (UMass Museum of Contemporary Art) w/ Liz Chalfin (Zea Mays Printmaking).

11/7/25: Live from Elmer's in Ashfield – Rep. Natalie Blais w/ Jillian Morgan (Food Bank of Western Mass) Kristen Tillona-Baker (the Mary Lyon Foundation) & Sheryl Stanton (Mohawk Trail School Super). Then, More Blais! w/ Lev Ben Ezra & Janna Tatreault (Community Action Pioneer Valley) and many others: combatting the SNAP cuts & providing food. Astronomer Salman Hameed on a visitor from another solar system. Art Beat w/ Amanda Herman (UMass Museum of Contemporary Art) w/ Liz Chalfin (Zea Mays Printmaking).

Composer and artist Raven Chacon amplifies the Catholic Church's complicity in the suppression of Indigenous people in the Americas, through their composition for organ, Voiceless Mass (2022).Raven Chacon's Voiceless Mass was performed at St. Giles' Cathedral in August 2025, as part of Edinburgh Art Festival (EAF) 2025.Deep Time 2025: I See Red, curated by Raven Chacon, is at Fruitmarket in Edinburgh from 27 November 2025 to 29 November 2025. This edition of the annual festival of new music accompanies the exhibition of Jaune Quick-to-See Smith's work, Wilding, which continues at Fruitmarket in Edinburghuntil 1 February 2026.Raven Chacon's Silent Choir (2017) is part of this edition of the Göteborg International Biennial for Contemporary Art (GIBCA), which continues until 30 November 2025.For more about GIBCA, you can read my article in Third Text.For more about the Sámi people and Sápmi region, hear curators Ros Carter and Sofie Krogh Christensen on Pia Arke's Camera Obscura (1990) at John Hansard Gallery in Southampton and KW Institute for Contemporary Art in Berlin: pod.link/1533637675/episode/OWVhZjc3YWItNDRiYy00MTYyLTk0ZmItZmE5MmJlZDY1YmI1PRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Instagram: ⁠⁠instagram.com/empirelinespodcast⁠⁠Support EMPIRE LINES on Patreon: ⁠⁠patreon.com/empirelines

On today's episode, we sit down with legendary Chef Christopher Gross and hospitality visionary Bill Nassikas as they explore the intersection of cuisine, creativity, and guest experience. From Michelin-level kitchens to world-class resorts, they share stories from decades at the top of the culinary and hospitality industries—along with candid conversations with chefs, winemakers, and entrepreneurs redefining what it means to serve. Insight, humor, and behind-the-scenes wisdom—straight from two masters of their craft. Website: https://wrigleymansion.com/christophers westroc.com  Instagram: christophersatwrigley   BACK STORY The president and COO of Westroc Hospitality since its founding, William J. Nassikas boasts decades of successful national and international experience in the hospitality industry. Like CEO Scott Lyon, William gained early exposure to his career path as the son of hotelier James A. Nassikas, founder of the Stanford Court Hotel in San Francisco. Prior to joining Westroc, William served as senior vice president of operations at Grand Bay Resorts, joining that organization as part of the merger-acquisition of Carefree Resorts. There, he was responsible for all accommodations, restaurant, spa, golf, and other guest service operations for properties including The Boulders Resort, The Buttes in Tempe, The Peaks at Telluride, Carmel Valley Ranch, The Lodge at Ventana Canyon, The Grand Bay Miami, and the famed Golden Door Spa. Among his many achievements, William was instrumental in the conception and development of Deer Valley Resort in Utah. He gained invaluable experience through executive management positions within Hyatt Hotels, as well as training throughout Europe, including the famed Restaurant Girardet in Switzerland. A graduate of Cornell University's Hotel School, William earned a Diplome Finale des Etudes from Ecole Hoteliere de la Societe Suisse des Hoteliers in Switzerland. His numerous honors include "Hotelier of the Year" by The Chaine des Rotisseurs, being inducted into The Arizona Republic's Arizona Culinary Hall of Fame, the Ivy Award from Restaurant & Institutions magazine, the CSX Award of Excellence, nomination for the Scottsdale Museum of Contemporary Art's Contemporary Catalyst Award, the 2006 Industry Leadership Award from Arizona Hospitality Industry Professionals, and AZLTA's 2019 Hotelier of the Year award. William fulfills a commitment to give back to the hospitality industry, helping train future professionals as a visiting lecturer to the Inaugural Master of Real Estate Development Class at Arizona State University, Cornell University's Hotel School, and University of New Hampshire's hospitality management program. He also serves on various boards, including the Royal St. Corporation, AZLTA and The Mission B1 Foundation.   Based in Phoenix, AZ, Christopher Gross is a James Beard Foundation Award-winning chef who has been recognized among the best in the United States. Famed for its modern twists on classic French fare, Christopher's at Wrigley Mansion earned a 2022 James Beard Outstanding Chef nomination. It was rated 18/20 by Gayot Guide which named it Best French Restaurant, Best 10 Restaurant Wine Lists, Best 10 Restaurants with a View, and Best Romantic Restaurants. In its five-star review, Arizona Republic called the restaurant "Phoenix's most innovative, enticing dining experience for its exclusive tasting-menu experience where the chefs also serve each dish." Named to the Scottsdale Culinary Hall of Fame, Chef Christopher has also been honored by Food & Wine magazine's "America's 10 Best New Chefs," was the first chef in Arizona to be honored with the Robert Mondavi Culinary Award of Excellence and also created the nationwide "Flavors" fundraiser for the American Liver Association.     SUBSCRIBE TO ICONIC HOUR If you enjoyed today's podcast, I'd be so appreciative if you'd take two minutes to subscribe, rate and review ICONIC HOUR. It makes a huge difference for our growth. Thanks so much!   ICONIC LIFE MAGAZINE  Stay in touch with ICONIC LIFE magazine. We invite you to join our digital VIP list and SUBSCRIBE!   JOIN OUR ICONIC COMMUNITY Website: iconiclife.com Instagram: @iconiclifemag Facebook: Iconic Life YouTube: ICONIC LIFE   FOLLOW RENEE DEE Instagram: @iconicreneedee LinkedIn: Renee Dee   Thanks for being a part of our community to Live Beautifully.  

Lamar Peterson (b. 1974, St. Petersburg, Florida) is a painter whose work explores the psychological and social space between refuge and exposure. For more than two decades, he has rendered the everyday experiences of Black life with a language that merges stylized figuration, domestic ritual, and surreal distortion. Across both painting and collage, Peterson creates scenes where tranquility and unease coexist: suburban gardens bloom into uncanny environments, rooms soften and dissolve into landscape, and figures pursue moments of rest and care even as the outside world presses near. Peterson's visual vocabulary ranges from cartoon inflections and bold color to pared-down forms that verge on the symbolic. In his hands, a gesture—cooking a meal, tending a plant, pausing in thought—becomes a quietly radical act of autonomy. His subjects often appear in transitional spaces: windows, thresholds, and gardens that double as emotional terrain, reflecting the fragile distance between sanctuary and scrutiny, vulnerability and strength. Peterson has held solo exhibitions at Deitch Projects, New York; Carl Kostyál, Stockholm; and Fredericks & Freiser, New York, where he is represented. He has also had institutional solo exhibitions at The Studio Museum in Harlem; the Orlando Museum of Art; the University Art Museum at SUNY Albany; and the Rochester Art Center, among others. His work has been featured in group exhibitions at SITE Santa Fe, The Drawing Center, the Kemper Museum of Contemporary Art, the Katonah Museum of Art, the International Print Center New York, and the Yale University Art Gallery. Peterson received his MFA from the Rhode Island School of Design in 2001. He lives and works in Minneapolis, where he is Associate Professor of Drawing & Painting at the University of Minnesota. Lamar Peterson, The Proud Gardener, 2021, Oil on canvas, 70 x 85 inches. Courtesy Fredericks & Freiser, New York, Photo Credit: Cary Whittier Lamar Peterson, The Worrier, 2024, Oil on canvas, 30 x 24 inches. Courtesy Fredericks & Freiser, New York, Photo Credit: Cary Whittier Lamar Peterson, Exhilarated, 2025, Mixed media and collage on paper, 17 x 12 inches. Courtesy Fredericks & Freiser, New York, Photo Credit: Cary Whittier

Marilyn Minter (b. 1948, USA) is an artist based in New York. Recent solo exhibitions include Marilyn Minter, Lehmann Maupin, Seoul, South Korea (2024). Marilyn Minter, LGDR, New York, NY (2023); Marilyn Minter, Lehmann Maupin, Hong Kong, China (2021); All Wet, Montpellier Contemporary (Mo.Co), Montpellier, France (2021); Smash, MoCA Westport, Westport, CT (2021); Fierce Women, The Cube, Moss Arts Center, Virginia Polytechnic Institute and State University, Blacksburg, VA (2020); Nasty Woman, SCAD Museum of Art, Savannah GA (2020); among others. From 2015 through 2017, her retrospective, Marilyn Minter: Pretty/Dirty, traveled to the Contemporary Arts Museum, Houston (TX); the Museum of Contemporary Art, Denver (CO); the Orange County Museum of Art, Newport Beach (CA); and the Brooklyn Museum, Brooklyn (NY). Her video Green Pink Caviar was on view at The Museum of Modern Art, New York from 2010-2011.Minter is the recipient of numerous prestigious awards, including the Louis Comfort Tiffany Grant (2006) and the Guggenheim Fellowship (1998). Minter's work is in the collections of many museums globally, including the the Museum of Contemporary Art, Los Angeles (CA); San Francisco Museum of Modern Art, San Francisco (CA); (MA); the Museum of Modern Art, New York (NY); the Perez Art Museum, Miami (FL); the Tate Modern, London (U.K); the Solomon R. Guggenheim Museum, New York (NY); and the Whitney Museum of American Art, New York (NY), among many others.She and Zuckerman discussed shaming young and beautiful women, trust, how we take care of ourselves, making things her own, progress, the ability to copy anything, getting rid of narrative, finding out who we are, identifying people's gifts, seeing joy and the love of making, making bad things, the reality of self-doubt, looking for things that bother you, piggy backing, and how hard it is to be alive!

What pedagogies arise from institutional betrayal? How can we do the work we love in contexts where harassment is endemic and administrative responses to it escalate the problem? What assumptions have normalized the expectation that our institutions cannot be spaces of love?In this episode, we welcome Dr. Jennifer Doyle to discuss all of these issues as they arise in her most recent book, Shadow of My Shadow (Duke University Press, 2024). This remarkable work develops from Doyle's own experience of being stalked by a student and unfurls into a bracing critique of the institutional administration of harassment cases--as well as the attachments that arise in their aftermath. This line of inquiry builds on Doyle's Campus Sex / Campus Security (Semiotexte, 2015), on how the bureaucratic management of sex on college campuses coincides with the militarization of campus police.Jennifer Doyle is a writer, arts and performance curator, sports analyst, and professor of English. She serves on the Board of Directors of Human Resources Los Angeles; her most recent co/curated exhibition is Sciencia Sexualis at the Institute for Contemporary Arts, LA (2024-2025). In addition to the books named above, Jennifer is the author of Hold It Against Me: Difficulty and Emotion in Contemporary Art (Duke University Press, 2013) and Sex Objects: Art and the Dialectics of Desire (University of Minnesota Press, 2006). She is also the voice behind the beloved soccer blog From a Left Wing (2007-2013) and, now, The Sport Spectacle.Links to recommended stuff!Esme Wang, The Collected Schizophrenias (Graywolf, 2019)Barbara Johnson, "Muteness Envy" in The Barbara Johnson Reader (Duke UP, 2014)Francois Tosquelles, Psychotherapy and Materialism, English translation (ICI Berlin Press, 2024)Camille Robcis, Disalienation (University of Chicago Press 2021)Colm Toibin, The Magician (Scribner, 2022)Alexandra Horowitz, On Looking (Scribner, 2014)

A single question can power a lifetime of work: Why do I make art? Ty and Nathan sit with Ursula Von Rydingsvard's stark and generous answers—woven from anxiety, labor, faith in process, and the stubborn hope that making can heal—and use it as a mirror for our own practices. From the first splinter to the last pass of the saw, we look at how big work invites big stakes, why the best days feel like discovery, and how the studio becomes a container strong enough to hold whatever we bring into it.We dig into the creative toggle between object and process: when materials feel right but the method frays, and when the method sings but the object won't land. That friction is feedback, not failure. Ursula's line about having confidence in the possibility of seeing the work through reframes ambition without guarantees—an artist's version of resilience. We also talk about self-doubt as a companion rather than an enemy, and how studying our heroes deeply—films, books, museum visits—feeds our own artistic DNA without imitation.There's a human infrastructure behind monumental art. Ursula's assistants form another kind of family, proof that leadership in the studio is its own craft. We reflect on daily rhythm, showing up without perfect conditions, and making pieces that may outlive us—which is how work reaches into the future. The conversation edges into generational pain and the unanswerable questions art dares to hold. Answers are rare; presence is everything. If you've ever needed permission to trust the process and keep going, consider this your sign.If this resonated, follow the show, share it with a friend who needs a creative nudge, and leave a quick review—tell us your “why” so we can feature it in a future Q&A.Make sure to check out "Art from the Outside" and the amazing interview they had with Ursula: Spotify    AppleSend us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg Watch the Video Episode on Youtube or Spotify, https://www.youtube.com/@JustMakeArtPodcast