Podcasts about Contemporary art

Who killed Ruth Bayla Pearson? A cold case from 1975. Guest: Emily Sweeney – Boston Globe Cold Case Files Reporter What kids can get out of humanities education with many parents looking for a return on investment. An English professor writes a book sharing his account of how he helps skeptical first-year students discover the transformative, real-world value of a humanities education.Guest: Carlo Rotella - Professor of English at Boston College. A regular contributor to the New York Times Magazine, he has written books about cities, boxing, music, and literature. Here comes the bridal panhandler! How Bachelorette parties are flooding small businesses with shameless requests for free merchandise! Guest: Jeff Jacoby – Boston Globe Columnist Red Bull Cliff Diving Returns to the ICA in Boston's Seaport- 9/19 and 9/20 as Only US Stop and Final Stop! World's best cliff divers to dive up to 90 feet off of Institute of Contemporary Art!Guest: James Lichtenstein – Red Bull Pro Cliff Diver

We have an absolutely brilliant new work to share with you today, on Whisper in the Wings from Stage Whisper. On this episode, we welcomed on the founder/creator Edisa Weeks to talk about her latest piece, Wastelandia. This fantastic piece, that's part of a trilogy, is so timely and relevant, and you will not want to miss this experience. So tune in and get your tickets now!DELIRIOUS Dances Presents WastelandiaSeptember 19th-28th@ Newhouse Center for Contemporary Art at Snug HarborTickets and more information are available at snug-harbor.orgAnd be sure to follow Edisa to stay up to date on all her upcoming projects and productions: deliriousdances.com

[Contemporary Art] This is the Third of three special episodes dedicated to the arts colony in Provincetown, Massachusetts. Our guest is Brian Galloway, owner and direct of the William Scott Gallery. This episode is sponsored by the Provincetown Office of Tourism. Learn more about the city and its arts history at ptowntourism.com.

In this episode of What's My Thesis?, host Javier Proenza sits down with Los Angeles–based artist Jackie Castillo, whose practice transforms the overlooked landscapes of Southern California into sculptural, spatial interventions that challenge how we see, inhabit, and remember place. Born and raised in working-class neighborhoods of Orange County, Castillo's perspective is deeply rooted in the lived realities of the region—its immigrant histories, economic divides, and the architectural patchwork that defines its suburbs. Trained as a film-based photographer, she has evolved her practice to merge photography, sculpture, and installation, creating works that slow the act of looking and demand sustained engagement. Her use of reclaimed materials and references to site-specific histories reframes the photographic image as an object in dialogue with its environment. Castillo traces her influences to classic cinema, the New Topographics photographers, and the conceptual rigor she developed in community college and at UCLA. Through these intersecting frameworks, she examines the formal language of geometry, light, and tonality while embedding questions of class, labor, and urban change. From photographing the quiet interventions of working-class residents in limited outdoor spaces, to producing large-scale installations that reference architecture, demolition, and construction, Castillo captures the poetics of transition—whether in a falling roof shingle or the shifting demographics of a neighborhood. The conversation traverses the sensory memory of California light, the politics of housing and displacement, and the role of critique in art education. Castillo speaks candidly about her commitment to making the work she wants without bending to external pressures, and the importance of artist-to-artist support networks in sustaining a creative practice. Her current exhibition, The Return, is on view at the Institute of Contemporary Art, Los Angeles through August 31, with additional work featured in the group show Back to the Earth at Roberts Projects. Discover how Jackie Castillo transforms the overlooked corners of Southern California into a visual language of place, memory, and resistance.   Listen now on: Apple Podcasts | Spotify | YouTube Follow the artist: Instagram: [@jackiecastillo] More at: ICA LA Keywords for SEO: Jackie Castillo artist, Jackie Castillo ICA LA, Southern California photography, working class art, Los Angeles artist interview, New Topographics influence, site-specific installation, contemporary sculpture, California light in art, art and gentrification, Institute of Contemporary Art Los Angeles, Roberts Projects.

This episode of Below the Radar B-Sides is guest hosted by Joe Clark, term assistant professor at SFU's School for the Contemporary Arts. He is joined by Benjamín Schultz-Figueroa, Assistant Professor in Film Studies at Seattle University, and author of The Celluloid Specimen: Moving Image Research into Animal Life. Together, they chat about their shared interest in non-theatrical film, and the histories and speculative futures of scientific filmmaking. Resources: Joseph Clark: https://www.josephclark.me/ Benjamín Schultz-Figueroa: https://www.benjaminschultzfigueroa.com/ The Celluloid Specimen: Moving Image Research into Animal Life: https://www.benjaminschultzfigueroa.com/the-celluloid-specimen-moving-image-research-into-animal-life Bio: Joseph Clark: Joseph Clark (PhD, Brown University) is an educator, filmmaker, researcher, and arts programmer. His research and teaching interests focus on archival and non-theatrical media, including newsreels, home movies, and sponsored film. He is the author of News Parade: The American Newsreel and the World as Spectacle (University of Minnesota Press, 2020) and the director of the short film Persistence & Loss (2021). He is a long-time member of the DOXA Documentary Film Festival Programming Committee and part of the organizing committee of the Vancouver Podcast Festival. Benjamín Schultz-Figueroa Dr. Benjamín Schultz-Figueroa is an Assistant Professor in Film Studies at Seattle University. His research focuses on the history of scientific filmmaking, nontheatrical film, and animal studies. Among other venues, his writing has been published in JCMS: Journal of Cinema and Media Studies, Film History, Journal of Environmental Media. His book The Celluloid Specimen: Moving Image Research into Animal Life is due to be published by UC Press in February, 2023. Cite this episode: Chicago Style Clark, Joseph. “The Celluloid Specimen — with Joe Clark and Benjamín Schultz-Figueroa.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, August 12, 2025. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/btr-bsides-celluloid-specimen.html.

Programme de Dean Rosenthal pour webSYNradio : Field Recordings & électroacoustique. Le travail présenté ici s'étend sur près d'un quart de siècle et comprend des pièces emblématiques de Dean Rosenthal entre field recordings et musique electroacoustique. http://synradio.fr/dean-rosenthal-field-recordings-et-electroacoustique/

A VISION OF TRANSFORMATION. Explore the impact of Maja Hoffmann on contemporary culture through her LUMA Foundation and innovative art projects. Maja Hoffmann is a Swiss art collector and patron. The Founder and President of LUMA Foundation, she has led the development of LUMA Arles in Provence, an important international cultural project. By addressing urgent issues in culture, nature, scientific experimentation and ecology, she has promoted new structures for innovation and positive change. Her efforts have earned LUMA widespread recognition for its diverse projects and artistic programs. Appointed President of Locarno Film Festival in 2023, Maja Hoffmann is the President of the Swiss Institute, New York (USA) and the Fondation Vincent van Gogh Arles (France), the Vice-President of the Emanuel Hoffmann Foundation, Basel (Switzerland), and serves on the boards of Serpentine Galleries, London (UK), Kunsthalle Zürich (Switzerland), the New Museum of Contemporary Art, and the Center for Curatorial Studies at Bard College, both in New York (USA). “I was called a utopist, but I was always seeing the reality of what I can do.” “I love to ride horses and to come to Arles on Saturdays, drink pastis with the men and genuinely try to say what I believe in and think. “I'd like to see a change in the mentalities that allows a real movement, because I think we are here and now in the capacity of changing things.”

This is an episode of The Specialist, produced by Intelligence Squared in partnership with Sotheby's. In The Specialist, explore the significance and journey of an extraordinary work through the eyes of those that know it best. On today's episode, Maurizio Cattelan's Comedian - an artwork that provoked scandal, sparked imagination, and upended the very definition of contemporary art. David Galperin, Sotheby's Vice Chairman, Head of Contemporary Art for The Americas, examines the complexities and challenges that come with bringing such an ineffable and metaphysical artwork to auction. An artwork that dares to ask: who sets the value of art? The Specialist is brought to you by Sotheby's Financial Services. SFS offers asset-based loans to unlock the value of your fine art, automobiles and other luxury collectibles. Visit ⁠⁠⁠sothebys.com/sfs⁠⁠⁠ to find out more.To step further into the World of Sotheby's, visit any one of our galleries, which are open to the public. Explore more at ⁠⁠⁠sothebys.com⁠⁠⁠. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week's episode was recorded and broadcasted live from the Axel Contemporary Truck onto Radio Tomada in Santa Fe. Thibault talks with Mathew and Jerry about woo, and talks with Zina about the sound bath she did at Electra Gallery, living in Arkansas, and the art world. About Radio TomadaRadio Tomada 87.9 is a mobile radio broadcast project organized by Autumn Chacon for SITE Santa Fe's International Biennial curated by Cecila Alemani. Zina Al ShukriZina Al-Shukri was born in Baghdad, Iraq in 1978. She moved with her parents to the United States when she was 5 years of age. Al-Shukri received her BA from the University of Arkansas at Little Rock, and attended the California College of the Arts, receiving her MFA in 2009.Zina Al-Shukri is an emerging artist whose exhibition history includes Jack Hanley Gallery, San Francisco, and Pulliam Deffenbach Gallery, Portland, Oregon.Zina's workMatthew Chase-DanielMatthew Chase-Daniel  was born in Cambridge, Massachusetts in 1965 and lived in New York City in the 1960s. In the mid and late 1980s, Chase-Daniel studied at the Ojai Foundation in Ojai, California, at Sarah Lawrence College in Bronxville, New York (B.A.), and in Paris, France, where he studied cultural anthropology, photography, and ethnographic film production (Ecole Pratique des Hautes Etudes & Sorbonne). Since 1989, he has lived in Santa Fe, New Mexico, making family, and roaming the landscape to make his art. His photography and sculpture have been exhibited across the U.S. and in Europe.He is the co-founder, co-owner, and co-curator of Axle Contemporary, a mobile gallery of art, founded in 2010, a radio/podcast host at Coffee and Culture, curator of The Lena Wall, and a member of the Railyard Art Committee, all in Santa Fe.Jerry WellmanJerry Wellman is a Santa Fe-based artist whose cultural work includes curatorial projects, performance, writing, video and studio production. Wellman earned an MFA from CalArts. Wellman's paintings and drawings have been exhibited at the Brooklyn Museum of Art, Holly Solomon Gallery in New York City, Pierogi Gallery in Brooklyn, The Downey Museum, and The Orange County Center of Contemporary Art in California, The El Paso Museum of Art, The Revolving Museum in Boston, and The Paseo Project in Taos, NM. His drawings were selected for a traveling show sponsored by the Smithsonian. His work with Axle Contemporary has been exhibited at SITE Santa Fe, 516 Arts in Albuquerque, The. Navajo Nation Museum in Window Rock AZ, The Western Heritage Museum in Hobbs NM and the Roswell Art Center in Roswell NM. Awards of note include: Art Matters Foundation Grant, LINE Grant, Puffin Grant, and an NEA grant. Wellman has taught at the Pasadena College of Art and Design, CalArts, and New Mexico State University. He was formerly the head curator at Los Angeles Institute of Contemporary Art. He is the co-founder, co-director and co-curator of Axle Contemporary artspaceAbout The Side WooThe Side Woo podcast was created to open a frank dialogue about the overlaps of mental health, queer stories, the metaphysical (woo), and creativity as a way to understand how one builds a sustainable creative life, and to shine a light on the ways artists overcome trauma and adversity. New episodes come out on Thursdays.About ThibaultThibault² is a trans, interdisciplinary artist based in New Mexico. To learn more you can follow them on their blog, artdate.substack.com

[Contemporary Art] This is the second of three special episodes dedicated to the arts colony in Provincetown, Massachusetts. Our guest is Lesley Marchessault, executive director at the Provincetown Commons. Lesley chats with us about the mission of the Provincetown Commons and how it unites creative people of all types within this beautiful community on the water. This episode is sponsored by the Provincetown Office of Tourism. Learn more about the city and its arts history at ptowntourism.com.

Eliza Swann, also known as Emerald, is a writer, artist, alchemist and scholar based in New York. Swann's formative years cultivated a deep interest in the intertwined studies of mysticism and fine art, which remain central to their work as both artist and educator. Swann received a BA in Painting from the San Francisco Art Institute (2004) and an MFA from Central St. Martins in London (2012). Additionally, Swann is an initiate in Gnostic and Hermetic orders, has studied Vedic cosmology with Dr. Vagsish Shastri, trained in mindfulness meditation at the Insight Meditation Society, and studied herbalism and gardening under the guidance of their witch aunt. These studies inform their expansive approach to esoteric and ecological practices.Swann teaches art and mysticism as a unified practice and, in 2014, founded Golden Dome, an artist-in-residence program rooted in queer intersectional mysticism. Since its inception, Golden Dome has expanded to offer nationwide exhibitions, residencies, publications, and educational programming. Swann is currently faculty at Pratt Institute, where they teach “The Alchemical Imagination”, a course they created to introduce alchemical concepts to contemporary creative practice. In 2025, Swann transitioned from directing Golden Dome to launch a new initiative: Emerald School, which explores alchemy as a living, transdisciplinary practice.As a visual artist, Swann has exhibited internationally, most recently at the University of California Santa Cruz and the Feminist Center for Creative Work in Los Angeles. They are the author of The Anatomy of the Aura, Green Mary, and The Alchemical Imagination, and have contributed to numerous publications. Their work has been supported by PEN America, the Foundation for Contemporary Art, the Author's League Fund, the Los Angeles Department of Cultural Affairs, the Pratt Faculty Development Fund, the Feminist Center for Creative Work, the Hemera Fellowship for Contemplative Practice, and the Wassaic Project.Today Eliza shares about their roots, literally, the gardens of their aunt and a return to them after living and traveling beyond. We talk about alchemy and how it folds many disciplines, prayer, devotion, poetry, intuition... into its being. Eliza recalls teachers both direct and indirect and what they're work surfaced. We discuss grief and how alchemy has supported them in navigating both the personal and the global. The Emerald School is the container for their work where they guide folks through the stages of alchemy including a freeing of self and specialty, to move into deeper collaboration with all. "The school becomes a crucible: a space where diverse elements converge, disciplinary boundaries blur, and new ways of knowing can take shape."We talk about their upcoming 9 week online course, "The Alchemical Imagination," Sept. 14-Nov. 16, and their upcoming offering as a part of the O+ Festival, "The Star Inside: Alchemy and the Power of Plants" and why mugwort became a part of the conversation.Today's show was engineered by Ian Seda from Radiokingston.org.Our show music is from Shana Falana!Feel free to email me, say hello: she@iwantwhatshehas.org** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IThttp://iwantwhatshehas.org/podcastITUNES | SPOTIFYITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCAFollow:INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast

Kristján og Lóa taka stöðuna á menningunni í dag. Í þættinum er meðal annars popptónlistargagnrýni, pólitíska samtímalist, Florentinu Holzinger og Taylor Swift. Efni sem rætt er um í þættinum er meðal annars: - How music critcism lost it's edge eftir Kelefah Sanneh https://www.newyorker.com/magazine/2025/09/01/how-music-criticism-lost-its-edge - The painted protest eftir Dean Kissick https://harpers.org/archive/2024/12/the-painted-protest-dean-kissick-contemporary-art/ - What is Contemporary Art for Today? eftir ýmsa höfunda https://open.spotify.com/episode/2yne5b8syWSDJwLcwS44aj?si=cZ1aP3YhSWCr4fmh8WcWQQ

Clement Manyathela speaks to FNB Art Joburg Managing Director, Mandla Sibeko, as Johannesburg gets ready to become the continent’s biggest art playground. Now in its 18th year, FNB Art Joburg takes over the Sandton Convention Centre from September 5th to 7th, bringing together bold artworks, fresh ideas, and some of Africa’s most exciting creative voices. More than just an art fair, the event celebrates innovation, culture, and the global power of African talent. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.

TOWARDS THE ULTIMATE GALLERY. Thaddaeus Ropac is an Austrian born gallerist specializing in international contemporary art. He founded the Galerie Thaddaeus Ropac in 1981, and today he represents more than 70 artists with galleries located in Salzburg, Le Marais and Pantin in Paris, London and Seoul. In September 2025 he will open his new 280 m2 space in Palazzo Belgioioso in Milan, with a show titled Georg Baselitz and Lucio Fontana, L'aurora viene (The Dawn is Coming). “Milan is the heartbeat of Italian art making.” “We represent around 70 artists and estates.” “I was able to help some incredible collectors to build their collections over the last decades.”

Episode 489 / Alexis RockmanBorn in 1962 in New York, Alexis Rockman has depicted a darkly surreal vision of the collision between civilization and nature – often apocalyptic scenarios on a monumental scale – for over three decades. Notable solo museum exhibitions include “Alexis Rockman: Manifest Destiny” at the Brooklyn Museum (2004), which traveled to several institutions including the Wexner Center for the Arts (2004) and the Rhode Island School of Design (2005). In 2010, the Smithsonian American Art Museum organized “Alexis Rockman: A Fable for Tomorrow,” a major touring survey of his paintings and works on paper. Concurrent with Rockman's 2013 exhibition at Sperone Westwater, the Drawing Center mounted “Drawings from Life of Pi,” featuring the artist's collaboration with Ang Lee on the award-winning film Life of Pi. His series of 76 New Mexico Field Drawings was included in “Future Shock” at SITE Santa Fe (2017-18). “Alexis Rockman and Mark Dion: A Journey to Nature's Underworld” was presented at the Bruce Museum, Greenwich, CT (2023) and traveled to the Virginia Museum of Contemporary Art (2024). It will be on view at the Tang Teaching Museum at Skidmore College, Saratoga Springs, NY until 5 January 2025, and at the Palmer Museum of Art at Penn State from August 30th through December 7th. His work is represented in many museum collections, including the Baltimore Museum of Art; Brooklyn Museum; Crystal Bridges Museum of American Art; Grand Rapids Art Museum; Los Angeles County Museum of Art; Museum of Fine Arts, Boston; New Orleans Museum of Art; San Francisco Museum of Modern Art; Smithsonian American Art Museum; Solomon R. Guggenheim Museum; and Whitney Museum of American Art. Rockman's first solo exhibition with Sperone Westwater, “Evolution,” was presented in 1992. He has had subsequent solo exhibitions at the gallery in 2013, 2018, 2020-21 and 2023. He lives and works in Warren, Connecticut.

This week Bad at Sports goes full meta, talking about talking about art. We sit down with Ben Davis, National Art Critic for Artnet News and author of 9.5 Theses on Art and Class, to unpack the state of art criticism in 2025. Davis has been one of the sharpest voices charting the relationship between culture, economics, and media—at once insider, outsider, and always keeping his mom in mind. From the collapse of traditional publishing to the weird vacuum left by social media, Davis doesn't just describe the cracks in the system—he names them, theorizes them, and points to where something new might emerge. We talk ZIRP (zero-interest-rate phenomena), the rise of click-driven media, what AI means for art, and why communities matter more than markets. Listen & Follow Ben Davis on Artnet News - https://news.artnet.com/search/Ben+Davis  @benstoppable https://www.benadavis.com/ Name-Drop Artnet News — news.artnet.com https://news.artnet.com/search/ Brooklyn Rail — brooklynrail.org AI / ChatGPT — openai.com/chatgpt Neil Young — neilyoungarchives.com Slayer — slayer.net   Image care of... https://c4aa.org/our-research/interviews/ben-davis/  

[Contemporary Art] Today we bring you the first of three special episodes dedicated to the arts colony in Provincetown, Massachusetts. Joining us on the show is Liz Carney, owner of FourEleven Gallery. Liz, who is also an artist herself, occupies a beautiful home and gallery first acquired by her artist mother. Today the venue is part of a beloved art community in an art-rich town on the tip of Cape Cod. This episode is sponsored by the Provincetown Office of Tourism. Learn more about the city and its arts history at ptowntourism.com.

Welcome back to ARTMATTERS: The Podcast for Artists.On this week's episode Michael Stamm is back to continue with our conversation about his artistic practice and career insights.Michael Stamm is a Brooklyn-based painter with an MFA from NYU and an MA in English Literature from Columbia University. He also attended Skowhegan School of Painting and Sculpture in 2016. Stamm has had solo and two-person exhibitions at Deli Gallery, DC Moore and Thierry Goldberg in New York, and Shul-amit Nazarian in Los Angeles. He is a NYFA Artist Fellowship recipient and has been featured in the New Yorker, Artforum, W Magazine, and Art in America. His work is in the permanent collection of the Institute of Contemporary Art, Miami.In today's conversation, Michael discusses his ongoing evolution from a controlled approach toward a more present, gestural practice while also sharing his current struggles with large-scale bodybuilder paintings that demand new technical skills in oil paint and expressive mark-making. This discussion with Michael moves from more practical studio tips and daily routines to deeper questions about artistic growth, the balance between spontaneity and planning, and how historical art continues to offer fresh ways of seeing. Michael concludes with hard-won career advice emphasizing professional positivity, strategic flexibility and giving up non-essential elements of your practice.You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!  If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mann www.isaacmann.com insta: @isaac.mann  guest: Michael Stamm www.michaelstamm.com insta: @michaelstammmmmThank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

Gavin Brown, Caroline Busta, Joshua Citarella, Ben Davis, Jason Farago, Tobias Spichtig and Lloyd Wise read their contributions to “What Is Contemporary Art For Today?" (Perić Collection, 2025) This is a preview — for the full episode (released 08/13/2025), including a conversation with the book's editors, Matt Moravec, Eleonore Hugendubel, and Dean Kissick, subscribe: patreon.com/newmodels newmodels.substack.com From January 2023 to January 2024, the Perić Collection funded a series of informal, highly attended talks about the state of Contemporary Art. Hosted by Dean Kissick and coordinated & commissioned by Eleonore Hugendubel and Matt Moravec, the monthly event, known as the Seaport Talks, took place in Downtown Manhattan. As a kind of coda to this series, Matt, Eleonore, and Dean created a correlating reader (likewise supported by Perić) featuring texts by 25 contributors who have spent some significant part of their life in the art world. Each writer was asked to briefly respond to the book's titular question: “What is contemporary art for Today? And what should it be for, if anything?” For this special episode, we bring you a selection of the answers. For more: https://www.mcnallyjackson.com/product/what-contemporary-art-today

SpaceX on Tuesday launched its Super Heavy-Starship, the most powerful rocket in the world, for a test flight after three other flights failed earlier this year. NASA hired SpaceX to build a lunar lander version of Starship to carry astronauts to the moon. Despite the successful launch, there is rising concern that China's space program will get there first. New research from LinkedIn shows that 46% of professionals say networking makes them anxious. LinkedIn career expert Catherine Fisher gives tips on how to engage with your network. CBS News MoneyWatch correspondent Kelly O'Grady joins "CBS Mornings" to break down Cracker Barrel's decision to return to its former logo. Kari Eckert, the founder and executive director of "Robbie's Hope," started the teen suicide prevention foundation after her 15-year-old son died by suicide in 2018. It hosts an annual art competition for teens and this year has their first curated exhibit at the Museum of Contemporary Art in Denver. Eckert and singer-songwriter Sloane Simon, who won the grand prize three years ago with a song in the music category, talk to "CBS Mornings" about the nonprofit. Taylor Swift and Travis announced in a social media post on Tuesday that they are engaged. The couple's high-profile relationship began in 2023. CBS News' Jo Ling Kent has more. Actors Austin Butler and Zoë Kravitz speak to "CBS Mornings" about starring in the new movie "Caught Stealing." In the movie, they play a couple named Hank and Yvonne. Hank is a former baseball player who unexpectedly finds himself in the middle of a dangerous situation with gangsters after agreeing to watch his neighbor's cat. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Recorded live from the Chicago Architectural Biennial's booth at EXPO Chicago, Bad at Sports tailgates with artist Edra Soto and designer Dan Sullivan—Chicago's unofficial art-world power couple. Soto unpacks her first solo art fair booth at Engage Projects, where monoblock plastic chairs, airbrushed T-shirts, and Puerto Rican vernacular architecture collide with memory, loss, and celebration. Sullivan, founder of Navillus Woodworks, riffs on craft, Ikea hacks, and the business of making high-end furniture while moonlighting as Soto's collaborator and fabricator. "Dan helps." What starts as a playful conversation about paparazzi, beer coolers, and chairs spirals into a meditation on grief, Puerto Rican cultural identity, and the design politics of everyday objects. Along the way, we hit Bad Bunny, the Bear restaurant, euphemisms around death, Catholic ritual, and the French (yes, the French). We close out with music talk—Sullivan on his bands Nadnavillus and Arriver—and a standing invitation for Bad at Sports to share the stage. Death, dying, lawn chairs, and punk rock. Welcome to EXPO. Artists & Designers Edra Soto Instagram: @edrasoto https://edrasoto.com/home.html Dan Sullivan / Navillus Woodworks Instagram: @navillus_woodworks https://navilluswoodworks.com/ Ryan Peter Miller Instagram: @ryanpetermiller http://ryanpetermiller.com/ Miguel Aguilar (Kane One) Instagram: @kane_one_   kane-1.com https://www.3arts.org/artist/miguel-aguilar/ Susan Gomes George Ortiz Instagram: @georgeortizphotography https://www.georgeortizphotography.com/ Bad Bunny Instagram: @badbunnypr  https://www.vox.com/today-explained-podcast/459095/bad-bunny-puerto-rico-residency-history Institutions / Venues / Events Engage Projects Instagram: @engageprojects https://www.engage-projects.com/   Chicago Architecture Biennial Instagram: @chicagoarchitecturebiennial https://chicagoarchitecturebiennial.org/   EXPO Chicago Instagram: @expochicago  expochicago.com WBEZ Instagram: @wbezchicago  wbez.org/about  105.5 FM Lumpen Radio (WLPN‑LP) Instagram: @lumpenradio   lumpenradio.com  The Franklin (project space) Instagram: @thefranklinoutdoor (site-run by Edra Soto & Dan Sullivan)  https://thefranklinoutdoor.tumblr.com/ABOUT The Bear restaurant (Sullivan furniture) This refers to the TV show The Bear on FX,  Art Basel Instagram: @artbasel artbasel.com The Armory Show Instagram: @thearmoryshow  thearmoryshow.com NADA (New Art Dealers Alliance) Instagram: @newartdealers  newartdealers.org  Color Factory Instagram: @colorfactoryco  colorfactory.co  Electrical Audio (recording studio) Instagram: @electricalaudio  Tenement Museum (NYC) Instagram: @thetenementmuseum  https://www.tenement.org/  Cultural Figures & References Yolanda, Lucetta, Anita (Puerto Rican celebs) Gilberto Santa Rosa Lil' Kim, Lil' Romeo, Neil Young, Slayer, Jeff Koons   Bands & Music Navilus (Dan Sullivan's project) https://navilluswoodworks.com/ Arriver (art-metal band) image courtesy of Engage Projects

Episode No. 720 is a summer clips episode featuring artist Tidawhitney Lek. Lek is among the 30+ artists featured in "Spirit House" at the Henry Art Gallery at the University of Washington. The exhibition considers how 33 contemporary artists of Asian descent challenge the boundary between life and death through art, including how the spiritual relates to diaspora, connections to ancestral homelands, and the experience of feeling present within multiple cultures and multiple geographies. The show's curatorial framework was inspired by spirit houses, small devotional structures found throughout Thailand that provide shelter for the supernatural. "Spirit House" originated at the Cantor Arts Center, Stanford University, and was curated by Aleesa Pitchamarn Alexander with Kathryn Cua. It is on view in Seattle through January 11, 2026. An excellent exhibition catalogue, titled “Spirit House: Hauntings in Contemporary Art of the Asian Diaspora,” was published by the Cantor and Gregory R. Miller & Co. Amazon and Bookshop offer it for $45-50. Lek is a southern California-based, Cambodian-American artist whose work examines narratives surrounding and the daily experiences of a first-generation American born to immigrant parents. Her work has been included in exhibitions at the Museum of Contemporary Art San Diego and the Institute of Contemporary Art Miami, and she's been featured in the Made in LA biennial at the Hammer Museum, University of California, Los Angeles. Her first museum solo show was at the Long Beach Museum of Art in 2023. Discussed on the program: Martha Rosler's “House Beautiful: Bringing the War Home” series may be viewed on the website of the Museum of Modern Art, New York. The work of Amir Fallah and Annie Lapin. Lek's website. Instagram: Tidawhitney Lek, Tyler Green. Air date: August 21, 2025.

What separates artists who give up from those who thrive despite rejection? In this fourth installment exploring Jerry Saltz's "How to Be an Artist," Ty and Nathan tackle the emotional armor required to navigate the art world's toughest challenges.When a Pulitzer Prize-winning critic featured Nathan's early work as an example of what not to do, he was devastated. "I was mourning the loss of an art career that didn't even exist," he confesses. This vulnerable moment becomes a masterclass in transforming criticism into creative fuel—a skill every artist must develop.The conversation weaves through the phases of artistic development: wanting it, doing it, and living it. They explore how Instagram has weaponized envy, why self-imposed deadlines create surprising breakthroughs, and the myth of overnight success that derails so many promising careers. "Art gives up its secrets very slowly," they remind us, encouraging patience and persistence.Perhaps most powerful is their discussion of "radical vulnerability"—following your work into uncomfortable psychological territory that reveals your truest voice. As Ty shares stories of gallery disasters and damaged artwork, a portrait emerges of the resilience required to survive the inevitable setbacks of creative life.The episode concludes with Jerry's most memorable advice: after the demons of doubt have spoken, simply tell yourself "I'm a fucking genius" and get back to work. It's strategic delusion as artistic superpower—and it just might be the difference between giving up and breaking through.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Claire de Mézerville López is joined by co-host, Professor Emanuela Biffi, for the “Powerful Intersection Between Restorative Justice and Art” podcast series, a special initiative by the IIRP together with the European Forum for Restorative Justice (EFRJ). Art has the unique ability to connect and facilitate dialogue, making it a powerful tool in restorative justice practices. Throughout the series, we examine how artists from different disciplines and cultural backgrounds use their creative expression to foster communication, build empathy, and potentially repair harm. Each episode highlights a different aspect of this intersection, featuring conversations with artists who have contributed to restorative justice  We are joined by Dr. Clair Aldington as she discusses her research on integrating visual and movement-based languages into the restorative justice process. She co-founded Space to Face, an award-winning charity in Scotland, emphasizing how creative expression can facilitate healing dialogues and trauma articulation. Discover how Dr. Aldington's work extends beyond verbal communication, using art as a catalyst for emotional connections and solidarity between individuals involved in conflict. She reflects on pivotal moments where art objects symbolized reconciliation and inspired lasting change in both victims and offenders. Her research challenges traditional Western practices by advocating for more inclusive, visually oriented approaches to restorative justice. Dr. Aldington has authored several academic articles and book chapters regarding her practice and research. She is the co-founder of the award-winning Space2face restorative practices and arts charity in Shetland, Scotland, and a co-facilitator of an international restorative circle group, the Encounter of the Encounters, in cases of political violence. Her work has pioneered the use of art and design approaches within restorative practices. Specifically, how creative approaches can aid dialogue and the articulation of trauma, particularly in cases of serious crime, thereby improving the accessibility of restorative processes. Dr. Aldington holds a doctorate in Design and Restorative Justice and a master's in Contemporary Art and Music. She is a freelance researcher and practitioner with over twenty years of experience in the field of restorative practices. Dr. Aldington is a keynote speaker at the upcoming 2025 IIRP World Conference, Artful Integration: Exploring the Art and Science of Restorative Practices. Emanuela is the program coordinator at the EFRJ, an international network organization that brings together about 300 members dedicated to research, policy, and practice of restorative justice in the criminal justice system and beyond.  She joined the EFRJ team in September 2013, working as a project officer in different EU-funded projects on access to restorative justice, justice and security in intercultural settings, restorative justice training, child victims, and arts. Among other responsibilities at the EFRJ, she organizes its main international events (conferences, seminars, webinars, and art festival), coordinates proposals for EU-funded and other projects, and guides the overall management of working groups and committees within the EFRJ membership. Originally from Italy, Emanuela studied Liberal Arts at the University College Maastricht (The Netherlands) and University of Gaborone (Botswana) with a focus on social psychology and criminal law and the Master program in Criminology at KU Leuven (Belgium). Tune in to explore the challenges and rewards of training artists and facilitators in restorative practices. By highlighting the potential of creative mediums to bridge cultural and linguistic divides, we uncover universal avenues for healing and understanding.

Dr. Chioke I'Anson is the visionary force behind the establishment of the VPM + ICA Community Media Center, an innovative collaboration between Virginia Public Media and the Institute for Contemporary Art at VCU. He's also the founder of RESONATE Podcast Festival Congress has voted to rescind public media's funding. Help preserve independent journalism and community programming across America by adopting a station. Learn more about your ad choices. Visit megaphone.fm/adchoices

During the Fall of last year, the Museum of Contemporary Art invited 20 activists, artists, writers and curators to meet and discuss the role art plays during times of uncertainty and possibility.

Today's guest is Jen Florin, co-founder of Cookies Events & Catering and someone who's been shaping Berlin's cultural and culinary scene from behind the curtain for almost two decades. But titles aside, Jen is a true master of atmosphere. She knows how to turn a room into an experience you'll never forget.We talked about the art of curation (yes, the lighting, the playlists, the menus), but also the mindset. Jen opened up about her early years growing up in West Germany, organizing parties in her parents' light studio, and how a teenage love for club culture led her all the way to building an international agency, hosting Netflix, and throwing over 100 events a year.We also speak about creative partnership and the beautiful chaos of making things happen!And if you love this episode, leave a review, send it to a friend, or just hit replay.Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

During the Fall of last year, the Museum of Contemporary Art invited 20 activists, artists, writers and curators to meet and discuss the role art plays during times of uncertainty and possibility.

During the Fall of last year, the Museum of Contemporary Art invited 20 activists, artists, writers and curators to meet and discuss the role art plays during times of uncertainty and possibility.

Eddie Jones shares his architectural journey, from his education to founding Jones Studio. He reflects on his early career and significant projects, including the St. Louis (now Arizona) Cardinals training facility and the Scottsdale Museum of Contemporary Art exhibit. Eddie discusses the Mariposa land port of entry project and the studio's growth. He provides insights into succession planning and transitioning roles within the studio, emphasizing his evolution from architect to business leader.

The role of a curator is not static! Meet Jessica Hong, the new chief curator at the Kemper Museum of Contemporary Art, and hear how her forward-minded ideas are expanding what it means to be a curator, going beyond the confines of the art institution.  Jessica highlights her deep love of working directly with artists, whom … Read More Read More

In this episode, we talk with French field recordist and artist Mélia Roger about her film Dear Phonocene, currently featured in the Projected Ecologies program within the exhibition Pulsar at MUCA in Mexico City. Mélia shares how the work emerged from over a decade of listening to the monoculture Douglas fir plantations near her parents' home, spaces she describes as “post-natural” and marked by biodiversity loss. Blending fiction, performance, and documentary, the project imagines “acoustic enrichment” as a form of care—playing back past soundscapes to acknowledge what has been lost. We discuss her collaboration with other women recordists, the role of human presence and “noisy non-self” in the film's soundscape, and the interplay between slow listening and the fast pace of image-making. Mélia reflects on grief, hope, and tenderness in altered landscapes, the technical and ethical dimensions of playback, and her evolving research on post-natural listening within her PhD work. Plus, we hear about her upcoming explorations of cetacean sound in the Canary Islands.Mélia Roger (*1996, she/her) is a field recordist and artist engaged to inspire ecological change with environmental and empathic listening. Her work explores the sonic poetics of the landscape, searching for the invisible layers between human and non-humans. Coming from a sound engineering background (ENS Louis-Lumière in Paris, ZHdK in Zurich), Mélia is developing a twofold activity between immersive 7.0.2 sound recordings within HAL, as well as a more experimental and naturalistic approach to listening. Now at Le Fresnoy, she is a practice-based PhD candidate at the University of Lille, focusing on the relations between sound arts and acoustic ecology.https://www.meliaroger.com/portfolio/project-two-llrgk-blz6chttps://www.instagram.com/meliarog/https://muca.unam.mx/pulsar.htmlhttps://www.lydianstater.co/projected-ecologies

Madeline Peckenpaugh (b. 1991, Milwaukee, Wisconsin) renders depth through iterations of adding and subtracting paint, creating a semblance of deep and flat space simultaneously. Probing the slips in perception between corporeal experience, memory, and imagination, she shifts the scale of everyday elements, interlaces components, and depicts forms in both single tones and fluctuating textures. The viewer's trained perception of the landscape can become questioned, as monumental structures begin to vaporize, and natural forms become paper thin. There is a reconciliation of opposites: deep space of the real world with the flat space of the canvas. Peckenpaugh received an MFA in Painting from Rhode Island School of Design, Providence, RI and a BFA from the Pennsylvania Academy of Fine Arts, Philadelphia, PA. Peckenpaugh's work has been exhibited at Alexander Berggruen, New York, NY; Bremond Capela, Paris, FR; 1969 Gallery, New York, NY; F2T Gallery, Milan, IT; Andrew Reed Gallery, Miami, FL; PM/AM Gallery, London, UK; COMA, Sydney Australia; and The Rhode Island School of Design Museum, Providence, RI; among others. Her work is included in the public collections of the Institute of Contemporary Art, Miami, FL; the Woodmere Art Museum, Philadelphia, PA; Brown University, Providence, RI; and the Pennsylvania Academy of Fine Arts, Philadelphia, PA. She was recently an artist in residence at Palazzo Monti in Brescia, Italy. Peckenpaugh lives and works in Queens, NY. Madeline Peckenpaugh, In Orbit, 2025 oil on canvas 77 1/2 x 100 in. (196.8 x 254 cm.) Copyright the artist. Courtesy of the artist and Alexander Berggruen, NY. Photo: Philipp Hoffmann Madeline Peckenpaugh, Aries Moon, 2025 oil on linen 54 x 52 in. (137.2 x 132.1 cm.) Copyright the artist. Courtesy of the artist and Alexander Berggruen, NY. Photo: Philipp Hoffmann Madeline Peckenpaugh, Spring, 2025 oil on canvas 70 x 65 3/4 in. (177.8 x 167 cm.) Copyright the artist. Courtesy of the artist and Alexander Berggruen, NY. Photo: Philipp Hoffmann

Luisa Ziaja spricht mit Oliver Ressler über seine künstlerische Praxis, insbesondere über seine Videos und Videoinstallationen der letzten Jahre. Diese setzen sich mit dem Klimakollaps und aktivistischer Organisierung dagegen aus, geben Einblicke in Klimaaktivismen und laden ein zu einem Nachdenken darüber, wie Gesellschaft demokratischer und inklusiver gestaltet werden könnte. Luisa Ziaja kuratierte 2024 die Einzelausstellung "Dog Days Bite Back" von Oliver Ressler im Belvedere 21. Oliver Ressler war von 2007–2013 Mitglied im Vorstand der Secession. Das Gespräch wurde am 16. Mai 2025 aufgenommen. Oliver Ressler lebt in Wien und arbeitet an Installationen, Projekten im Außenraum und Filmen zu Ökonomie, Demokratie, Klimakollaps, Formen des zivilen Ungehorsams und gesellschaftlichen Alternativen. Seine 44 Filme wurden in tausenden Veranstaltungen von sozialen Bewegungen, Kunstinstitutionen und Filmfestivals gezeigt. Ressler hatte Überblickseinzelausstellungen im MNAC – National Museum of Contemporary Art, Bukarest; SALT Galata, Istanbul; Centro Andaluz de Arte Contemporaneo, Sevilla; Museo Espacio, Aguascalientes, Mexiko and Belvedere 21, Wien. Er nahm an über 480 Gruppenausstellungen teil, wie im Museo Reina Sofía, Madrid; Centre Pompidou, Paris; Yerba Buena Center for the Arts, San Francisco und an den Biennalen in Prag, Sevilla, Moskau, Taipeh, Lyon, Gyumri, Venedig, Athen, Quebec, Helsinki, Jeju, Kiew, Göteborg, Istanbul, Stavanger, Istanbul and an der Documenta 14, Kassel, 2017. Von 2019-2023 arbeitete Ressler an einem Forschungsprojekt über die Klimagerechtigkeitsbewegungen, "Barricading the Ice Sheets", das vom Wissenschaftsfonds FWF finanziert wird und in sechs Einzelausstellungen mündete: Camera Austria, Graz (2021); Museum of Contemporary Art, Zagreb (2021); Neuer Berliner Kunstverein (n.b.k.), Berlin (2022); Tallinn Art Hall, Tallinn (2022); LABoral Centro de Arte y Creación Industrial, Gijón (2023); The Showroom, London (2023). www.ressler.at Luisa Ziaja ist Kunsthistorikerin, Kuratorin, Universitätslektorin und Autorin. Sie ist Chefkuratorin und Sammlungsleiterin der Österreichischen Galerie Belvedere, wo sie von 2013 bis 2022 als Kuratorin für zeitgenössische Kunst tätig war. Rezente Ausstellungen: Hans Haacke. Retrospektive (2025), Dara Birnbaum. Bruckner: Symphonie Nr. 5 B-Dur, Oliver Ressler. Dog Days Bite Back (2024), Renate Bertlmann. Fragile Obsessionen, Über das Neue. Wiener Szenen und darüber hinaus, Public Matters. Zeitgenössische Kunst im Belvedere-Garten (2023), Das Belvedere. 300 Jahre Ort der Kunst (2022), Avantgarde und Gegenwart. Die Sammlung Belvedere von Lassnig bis Knebl (2021). Von 2004 bis 2012 setzte sie als freie Kuratorin mehrjährige Forschungs- und Ausstellungsprojekte um; von 2000 bis 2004 war sie als Assistenzkuratorin in der Generali Foundation Wien tätig. Luisa Ziaja ist Co-Leiterin des postgradualen Studienprogramms für Ausstellungstheorie und -praxis /ecm – educating, curating, making an der Universität für angewandte Kunst Wien (seit 2006) und unterrichtete darüber hinaus u.a. an der Zürcher Hochschule der Künste, der Technischen Universität Wien und der Akademie der bildenden Künste Wien. Sie ist Mitglied des Universitätsrates der Akademie der bildenden Künste Wien (seit 2023) und war und ist Teil zahlreicher Fachjurys und Beiräte. In ihrer kuratorischen und diskursiven Arbeit beschäftigt sie sich u.a. mit dem Verhältnis von Gegenwartskunst, Gesellschaft und (Geschichts-)Politik sowie mit der Geschichte und Theorien des Ausstellens. Luisa Ziaja ist Mitherausgeberin des peer-reviewed Belvedere Research Journal, sowie Autorin und Mitherausgeberin zahlreicher Ausstellungskataloge und Sammelbände zu zeitgenössischer künstlerischer und kuratorischer Praxis, Kunst- und Ausstellungstheorie, darunter die Publikationsreihe curating. ausstellungstheorie & praxis in der Edition Angewandte, zuletzt Nicht einfach ausstellen. Kuratorische Formate und Strategien im Postnazismus, Berlin/Boston 2024. Secession Podcast: Members ist eine Gesprächsreihe mit Mitgliedern der Secession. Das Dorotheum ist exklusiver Sponsor des Secession Podcasts. Programmiert vom Vorstand der Secession. Jingle: Hui Ye mit einem Ausschnitt aus Combat of dreams für Streichquartett und Zuspielung (2016, Christine Lavant Quartett) von Alexander J. Eberhard. Schnitt: Paul Macheck Produktion: Jeanette Pacher & Bettina Spörr

Kristy returns to Art and Cocktails to share the inspiring story behind writing and publishing her book. We talk about the dream that began in childhood, the process of bringing it to life, and the milestones that followed. These include holding the finished copy in her hands, receiving an endorsement from Jerry Saltz, and seeing her work translated into Taiwanese. Kristy also addresses the myths that hold artists back from writing, why you do not have to identify as a “real writer” to publish a book, and how to navigate both traditional and self-publishing while keeping your vision intact. She shares details about her upcoming Essential Publishing Bootcamp with Frannie, a live two-day workshop that helps artists and creatives turn their book ideas into reality. Participants will learn about the different publishing paths, receive a step-by-step workflow for bringing a book to life, and review examples of real winning pitches that secured book deals. Whether you are interested in traditional publishing, indie presses, or self-publishing on Amazon, this workshop will provide the tools to make it happen. Kristy Gordon is a Canadian-born artist based in New York City whose paintings have been exhibited internationally, including at the Metropolitan Museum of Art's Uris Center, the European Museum of Modern Art in Barcelona, and the National Academy Museum in New York City. She is a three-time recipient of the Elizabeth Greenshields Foundation Grant and earned her MFA from the New York Academy of Art, where she now teaches. Her work appears in more than 600 collections worldwide and has been featured in Vogue, Hyperallergic, and Fine Art Connoisseur. She is represented by Garvey|Simon, Blumka Contemporary, and Grenning Gallery. Learn more about Kristy's Essential Publishing Bootcamp and sign up at https://www.down2art.com/Write-Your-book. Create! Magazine is now accepting submissions for our upcoming issue. Apply to the current call for art at https://www.createmagazine.co/call-for-art. Publish your own art catalog: https://www.createmagazine.co/art-catalog  

Welcome back to ARTMATTERS: The Podcast for Artists!My guest today is the Brooklyn-based painter Michael Stamm. Stamm explores themes of strength and weakness, vice and virtue, and self-actualization versus obliteration in his work. Stamm received an MFA from New York University and MA in English Literature from Columbia University, and attended Skowhegan School of Painting and Sculpture in 2016. Stamm has had solo and two-person exhibitions at Deli Gallery (NYC), DC Moore (NYC) and Thierry Goldberg Gallery (NYC) and Shulamit Nazarian in Los Angeles; He is a NYFA Artist Fellowship recipient and has been featured in the New Yorker, Artforum, W Magazine, and Art in America. His work is in the permanent collection of the Institute of Contemporary Art, Miami.In this first part of our conversation we explore Stamm's multimedia process using stone and texture, his reliance on digital tools, the psychological function of his painted frames, his current technical explorations in glazing and figure drawing, why he can't replicate past successes, and his philosophy on time-intensive painting processes. Enjoy this conversation with Michael Stamm. You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!  If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mann www.isaacmann.cominsta: @isaac.mann guest: Michael Stamm www.michaelstamm.cominsta: @michaelstammmmmThank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

In this episode of Chuck's Chat Hub, host Chuck Tuck sits down with Anna Barrington, author of The Spectacle—a thrilling dive into the glamorous yet shadowy world of high-end art. Drawing from her seven years working in prestigious auction houses, galleries, and museums in New York and London, Anna reveals the secrecy, intrigue, and morally gray dealings that inspired her debut novel.From contemporary art priced like stocks to the hidden fortunes sailing international waters, Anna shares insider stories that blur the line between fact and fiction. You'll hear about tax-free free ports, enigmatic collectors, Ponzi schemes disguised as galleries, and how the ultra-wealthy use art for clout and profit.Anna also opens up about her writing journey—balancing a demanding art career while waking up early to finish her manuscript—and offers inspiration for aspiring authors and creatives chasing big dreams.Visit: www.ChucksChatHub.comGet The Spectacle anywhere books are sold or visit AnnaBarrington.com.https://amzn.to/3UmqXj2Episode Highlights:The secretive and lucrative world of contemporary art.How Ponzi schemes and financial loopholes thrive in the art market.Why NFTs became part of The Spectacle.The discipline it takes to write your first novel.Encouraging words for aspiring writers and art world hopefuls.00:00 Introduction to the Art World and the Book 01:10 The Intricacies of the Art Market 03:10 The Plot of 'The Spectacle' 05:25 Behind the Scenes of Contemporary Art 08:01 The Reality of Stolen Art 10:25 The Role of NFTs in Art 12:12 Writing Journey and Challenges 14:05 Advice for Aspiring Writers and Artists 18:09 End

WBZ News Radio's Carl Stevens reports.

In this episode, we talk with New York–based visual artist Dakota Gearhart about her four-part animated video series Life Touching Life, currently featured in the Projected Ecologies program within the exhibition Pulsar at MUCA in Mexico City. We discuss the show's algae femme host Tiffany—part toxic bloom, part human—who travels through time to interview scientists, poets, and caretakers about reimagining relationships between human and non-human life. Dakota shares how humor, multiplicity, and collaboration shape the series, blending found footage, analog techniques, and diverse animation styles into speculative, eco-futurist narratives. We also dive into her sculptural practice, the challenges of large-scale installation, the translation of Life Touching Life into multiple languages, and her upcoming public art commission for Flushing Meadows Park. Plus, we hear about the zine that brings the series off-screen and into readers' hands.Dakota Gearhart is a New York-based visual artist born in Arizona, raised in Florida, and educated in the Pacific Northwest. Her work has been exhibited, screened, and presented at the New Museum, Bronx Museum, Queens Museum, St. Petersburg Museum of Fine Arts, Tacoma Art Museum, Oregon Contemporary Art Center, Northwest Film Forum, and International House of Japan, among others.https://www.dakotagearhart.com/https://newinc.metalabel.com/life-touching-lifehttps://www.instagram.com/_dakotagearhart/https://muca.unam.mx/pulsar.htmlhttps://www.lydianstater.co/projected-ecologieshttps://www.elisagutierrezeriksen.com/

My guest is Katharin Ahrend, co-managing director of the Clubcommission Berlin, a pivotal force in protecting and shaping the city's club scene. Born in East Germany just before the fall of the Wall, Katharin grew up navigating the grey zones of youth culture, rave spaces, and political shifts.We talk about everything from abandoned buildings turned dance floors to her journey into cultural policy. Katharin opens up about leadership in male-dominated spaces and her deep-rooted belief that club culture is culture. Beautiful, political, and essential, especially in times of division and crisis.If you've ever danced all night and felt something shift or wondered what it takes to protect that freedom, this episode is for you.And if you love this episode, leave a review, send it to a friend, or just hit replay.Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

Ep.252 Howardena Pindell was born in 1943 in Philadelphia, Pennsylvania and lives and works in New York. She has exhibited extensively, including selected solo exhibitions at Fruitmarket, Edinburgh, UK, touring to Kettle's Yard, Cambridge, UK, Spike Island, Bristol, UK, and Irish Museum of Modern Art, Dublin (2022–23); Baltimore Museum of Art, Maryland (2022); The Museum of Fine Arts Houston, Texas (2022); The Shed, New York, touring to Oklahoma Contemporary, Oklahoma City (2021–22); Museum of Contemporary Art, Chicago, Illinois (2018); Spelman College Museum of Fine Art, Atlanta, Georgia (2015); Cleveland Institute of Arts, Ohio (1994); Wadsworth Atheneum, Hartford, Connecticut (1989); The Studio Museum in Harlem, New York (1986); Birmingham Museum of Art, Alabama (1985); A.I.R Gallery, New York (1983); and Rockefeller Memorial Galleries, Spelman College, Atlanta, Georgia (1971). Selected group exhibitions include The Kitchen, New York (2024); Louisiana Museum of Modern Art, Humlebæk, Denmark (2024); Museum of Modern Art, New York (2023); National Gallery of Art, Washington, DC (2022); Guggenheim Bilbao, Spain, touring to Centre Pompidou, Paris (2021); Tate Modern, London, touring to Brooklyn Museum, New York and Broad Museum, Los Angeles, California (2017–19); Brooklyn Museum, New York (2017); Museum Moderner Kunst Stiftung Ludwig Wien, Austria, touring to Museum Brandhorst, Munich, Germany (2016); Contemporary Arts Museum, Houston, Texas (2013); Seattle Art Museum, Washington (2009); Museum of Contemporary Art, Los Angeles, California (2007); and The Studio Museum in Harlem, New York (2006). Credit: Howardena Pindell, 2018, Photo © Nathan Keay White Cube https://www.whitecube.com/gallery-exhibitions/howardena-pindell-hong-kong-2024 Garth Greenan https://www.garthgreenan.com/artists/howardena-pindell MoMA https://www.moma.org/artists/4625-howardena-pindell NYTimes https://www.nytimes.com/interactive/2025/06/09/t-magazine/howardena-pindell.html | https://www.nytimes.com/2020/10/16/arts/design/howardena-pindell-shed-video.html Fruitmarket https://www.fruitmarket.co.uk/howardena-pindell/ Stony Brook University https://www.stonybrook.edu/commcms/art/people/faculty-staff/howardena-pindell

In this special episode of Art & Cocktails, artist Danielle Clough joins host Ekaterina Popova (Kat) to share her journey to becoming an internationally recognized embroidery artist. Known for her bold, painterly thread work and playful approach to fiber, Danielle opens up about finding her voice, building a creative career on her own terms, and embracing the power of intuition and process. She reflects on the evolution of her practice, from sewing plush toys and experimenting with “thread sketching” to creating intricate embroidered portraits that feel like paintings. Danielle also discusses her breakout moment with Colossal, the inspiration behind her newest solo show Cruel Intentions at Paradigm Gallery, and how she reimagines vintage imagery through a contemporary lens. This episode explores the value of craft in the art world, the importance of protecting what you love when working with commercial brands, and the joy of slowing down through hands-on making. Danielle offers heartfelt encouragement for emerging fiber artists and shares the story behind her iconic Instagram handle, @fianceknowles. To explore more of Danielle's work, visit danielleclough.com or follow her on Instagram at @fianceknowles. If you are in Philadelphia, don't miss her solo exhibition Cruel Intentions, now on view at Paradigm Gallery. Submissions are now open for Create! Magazine's 9-year anniversary print issue. Apply today at createmagazine.co/call-for-art. https://www.paradigmarts.org/blogs/news/danielle-clough-crewel-intentions Stay Connected Follow Danielle Clough and explore her work: Website: danielleclough.com Instagram: @fianceknowles Visit her solo exhibition Cruel Intentions now on view at Paradigm Gallery: paradigmarts.org Apply to be featured in Create! Magazine's 9-Year Anniversary Print Issue: createmagazine.co/call-for-art Subscribe to Create! Dispatch on Substack for weekly artist interviews, open calls, and creative insights: createmagazine.substack.com Explore online courses, artist resources, and creative business content at Create U: createu.co Follow us on Instagram: @createmagazine

Episode No. 717 features artist Erin Shirreff, curator Davide Gasparotto, and conservator Ulrich Birkmaier. The Milwaukee Art Museum is presenting "Erin Shirreff: Permanent Drafts" through September 1. Across 40 recent collages, photographs, sculptures, and videos, the exhibition reveals Shirreff's interest in the space between images and the objects they picture. The exhibition was curated by Kristen Gaylord. Among the museums that have presented solo exhibitions of Shirreff's work are SITE Santa Fe, the Clark Art Institute, Williamstown, Mass., SFMOMA, and the Institute of Contemporary Art, Boston. "Artemisia's Strong Women: Rescuing a Masterpiece" is at the J. Paul Getty Museum, Los Angeles through September 14. The exhibition reveals conservation work done on Gentileschi's ~1635-37 Hercules and Omphale, a significant painting damaged in a massive explosion in Beirut in 2020. Birkmaier led the conservation of the work, which Gasparotto joined to four other Gentileschis in this exhibition, which particularly highlights Gentileschi's focus on strong women from the classical and Biblical traditions. Instagram: Davide Gasparotto, Tyler Green. Air date: July 31, 2025.

It's the dog days of summer, and we're bringing you our top picks for things to do, see, and eat in our beautiful city. Host Bianca Martin chats with executive producer Hayley Sperling and newsletter editor Rob Thomas about everything from Orton Park Fest and free rooftop movies at the Madison Museum of Contemporary Art, to Dane Dances and the Taste of Madison. Plus, are y'all ready for Badger game days? Tune in and make the most of August in Madison.

A new exhibition at The Shed called 'Open Call: Portals' spotlights the work of 12 New York City artists at the start of their careers. Curator Deja Belardo and Darren Biggart, director of civic programs at The Shed, discuss the exhibit, which runs until August 24.

What transforms raw materials into meaningful art? How do artists develop their unique voice while standing on the shoulders of those who came before them? In this thought-provoking second part exploration of Jerry Saltz's "How to Be an Artist," we unpack the practical realities of the creative journey and the mindsets that sustain artistic growth.The conversation begins with the critical practice of capturing ideas—through sketchbooks, journals, voice memos—creating an ever-expanding archive of inspiration that artists can mine for future work. We share personal systems for documenting fleeting thoughts and how this practice often reveals what's truly happening in our minds. These captured moments become the seeds from which our most authentic work grows.We tackle the intimidating challenge of finding one's artistic voice, challenging the myth that great artists spring forth with fully-formed originality. All masters begin as students—imitating, copying, and gradually infusing their personal perspective into established forms. The studio becomes the sacred space for this transformation—a sanctuary where imitation evolves into innovation without judgment or shame. Whether your workspace resembles the pristine order of Agnes Martin or the chaotic energy of Francis Bacon, it should serve as your laboratory for experimentation.Perhaps most profound is the discussion of embedding thought and emotion into physical materials—creating work that communicates even when you're not present to explain it. This alchemical process requires deep listening to both your materials and your inner voice. Great art puts out more energy than went into its making, resonating with viewers on levels beyond literal understanding.We close with an essential reminder: there are no wasted days in the studio. Even apparent failures move your practice forward. The struggle itself is valuable—often taking you further than easy successes ever could. Learn to finish work and move forward rather than getting trapped in perfectionism. Your next piece will benefit from everything you've discovered in creating this one.Whether you're a seasoned artist or just beginning your creative journey, this episode offers practical wisdom and permission to embrace both the struggle and joy of making meaningful work that's distinctly yours.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, Emily features an interview with Zeina Barakeh, an animation artist from Beirut now residing in Alameda, California. Zeina discusses her journey from studying interior design in Beirut to obtaining an MFA from the San Francisco Institute of Art and her current PhD in philosophy focused on global security. Her work often reflects her experiences with war, exemplified by her projects like 'CYBOTAGE,' which explores the neuro enhancement of soldiers using art. Zeina's art and educational journey highlight the intersection of creativity with themes of war, resistance, and personal experience. She emphasizes the importance of involving diverse voices in ethical discussions around technological advancements in warfare. About Artist Zeina Barakeh:Zeina Barakeh is a Palestinian-Lebanese artist based in the San Francisco Bay Area. Exhibitions and film festivals include: Poetry is Not a Luxury, The Center for Book Arts, New York City; Silent Narratives, Yinchuan MOCA, Yinchuan, China; Preoccupations: Palestinian Landscapes, Minnesota Street Project, San Francisco; Another Hole in the Head (15th), New People Cinema, San Francisco; The Shape of Birds: Contemporary Art of the Middle East and North Africa, Newport Art Museum, Rhode Island; Kerry Film Festival (19th), Killarney Co. Kerry, Ireland; Altered, Gallery106, Minnesota Street Project, San Francisco; PHOTOFAIRS SF, Connected: The Channel of Democracy: Womanhood, Power & Freedom in Video Art, Fort Mason Center for Arts & Culture, San Francisco; Blue Plum Animation Festival (13th), Johnson City, Tennessee; Detritus, San Jose Institute of Contemporary Art, San Jose; What Makes Us?, Focus Gallery, Zimmerli Art Museum, New Jersey; Harlem International Film Festival (11th), MIST Harlem, New York City; Creation Stories, Johnson & Johnson World Headquarters Gallery, New Jersey; Bring It Home: (Re)Locating Cultural Legacy Through the Body, San Francisco Arts Commission Galleries, San Francisco; PULSE New York, Art Fair, New York City; UNTITITLED, Art Fair, Miami Beach, Florida; Editions/Artists' Book Fair, New York City; International Film Awards Berlin, KINO im Kulturhaus Spandau, Berlin; The Chasm Arena, Yerba Buena Center for the Arts, San Francisco; Women Redrawing the World Stage, SOHO20 Chelsea Gallery, New York City; The Fertile Crescent: Gender, Art, and Society, Bernstein Gallery, Princeton University, New Jersey; The Third Half, The Public Theater, New York City; Facettes, Espace SD, Beirut. Residency awards include: Perspectives: Here and There, Brodsky Center for Innovative Editions, Rutgers University, New Jersey; and Vermont Studio Center.Zeina worked for numerous years at the San Francisco Art Institute, with her last position being Assistant Dean of Academic Affairs. She currently teaches art at Cal State East Bay university as a lecturer.Visit Zeina's Website: ZeinaBarakeh.comFollow Zeina on Instagram: @Zeina.BarakehFor more on Zeina's exhibit "CYBOTAGE" at the Catharine Clark Gallery, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Dreams in Migrations: AAPI Identity, Diaspora, and Resistance in Contemporary Art In this special live episode of What's My Thesis?, host Javier Proenza moderates a closing panel discussion at BG Gallery for Dreams in Migrations—the third annual AAPI (Asian American and Pacific Islander) exhibition curated by artist and organizer Sung-Hee Son. This timely conversation assembles a multigenerational roster of artists whose practices interrogate identity, memory, imperialism, and the myth of the model minority through distinct formal languages and lived experiences. Featuring artists Dave Young Kim, Mei Xian Qiu, and others, the episode moves fluidly between personal narrative and structural critique. Kim speaks candidly about growing up Korean American in Los Angeles, navigating ADHD through drawing, and finding community through both art and street culture. He reflects on his work's deep connection to place—evoking the layered histories of Koreatown through archival images, signage, and symbolic compositions. Mei Xian Qiu offers a moving account of displacement, spiritual ritual, and postcolonial trauma. Born into Indonesia's Chinese diaspora, she discusses her early artistic impulse to create “sacred objects” as a means of processing survival and systemic erasure. Her multimedia works—reminiscent of stained glass and batik—expose the mechanisms of propaganda and the cultural inheritance of violence. Her series Let a Thousand Flowers Bloom revisits China's Hundred Flowers Campaign with a provocative inversion: a mock invasion of the U.S. staged entirely by AAPI artists and academics. Together, the panelists explore diasporic kinship, cross-cultural solidarity, and the politics of visibility within the art world. Proenza draws compelling parallels between the AAPI and Latinx experiences, from forced assimilation and linguistic loss to state violence and Cold War geopolitics. The conversation challenges the flattening effects of labels like “model minority,” advocating instead for nuance, specificity, and coalition-building. The episode concludes with reflections on the power of artist collectives, including the Korean American Artists Collective co-founded by Kim, and a roll call of exhibiting artists whose works are transforming the gallery into a space of resistance, celebration, and shared memory. Featured Artists in the Exhibition: Dave Young Kim Mei Xian Qiu Bryan Ida Tia (Otis MFA ‘23) Miki Yokoyama Key Topics: AAPI identity in fine art Postcolonial trauma and Chinese-Indonesian history Korean American experience in L.A. Propaganda, memory, and resistance The myth of the model minority Artist collectives and community organizing Explore how contemporary AAPI artists are reshaping cultural narratives and reclaiming space through radical aesthetics and collaborative practice.

Episode No. 715 features artist Kandis Williams. The Walker Art Center, Minneapolis is presenting "Kandis Williams: A Surface," the first survey of Williams' career. The exhibition spotlights how Williams has used collage as a tool of Black feminist resistance, to dismantle entrenched histories and power structures, and to rebuild dominant narratives. The exhibition, which was curated by Taylor Jasper with Laurel Rand-Lewis, is on view through August 24. The exhibition catalogue was published by the Walker. Amazon and Bookshop offer it for around $45. Williams is also included in "Performance on Paper" at the Hammer Museum, University of California, Los Angeles. It features prints and drawings created at the intersection of music and dance by about twenty artists active from the 1960s to the present. It was curated by Naoko Takahatake with Jennie Waldow, and is on view through August 10. Williams' previous museum solo exhibition was at the Institute for Contemporary Art, Virginia Commonwealth University. They have been included in group exhibitions at the Museum of Modern Art, New York, the Frye Art Museum, Seattle, at the Studio Museum in Harlem, and in the Hammer Museum's Made in LA biennial. Instagram: Kandis Williams, Tyler Green.

Cheryl Pope is an interdisciplinary visual artist who questions and responds to issues of identity as it relates to the individual and the community, specifically regarding race, gender, class, history, power, and place. Her practice emerges from the act and politics of listening, and recently introduces a novel material to explore the artist's memories. Referencing the familiar repertoire of the French Post-Impressionist, Intimist, and Imagist paintings, Pope recreates deeply personal recollections that cinematically compose the silent complexities of beautiful and tragic oscillations between love and loss in our everyday lives. Images of couples are drawn from memory, referencing the artist's own relationships and moments of disconnect, anxiety, and desire, while beach scenes depicting a mother and child accentuate a tender stillness of caregiving. In these scenes, the figures exist in a nest of choreography–a rotating stage of mystery, tragedy, and poetry of day-to-day living with feelings of presence and absence woven throughout.     Pope (b.1980, Chicago, IL) received her MA in Design (2010) and BFA (2003) from the School of the Art Institute, Chicago, IL, where she is an Adjunct Professor.  Pope has had recent solo exhibitions at moniquemeloche, Chicago, IL (2022, 2019); The Ulrich Museum of Art, Wichita, KS (2022); Rockford Art Museum, Rockford, IL (2019); Galleria Bianconi, Milan, Italy (2019); Andres Guerrero Gallery, San Francisco, CA (2018); and Fort Gansevoort, New York, NY (2017). Notable group presentations include Eli and Edythe Broad Art Museum, East Lansing, MI (2023); The FLAG Art Foundation, New York, NY (2023 2021); Everson Museum, Syracuse, NY (2023); Kalamazoo Institute of Arts, Kalamazoo, MI (2022); Weinberg/Newton Gallery, Chicago, IL (2022); Skin in the Gamecurated by Zoe Lukov, Chicago, IL (2022); Fountainhead, Miami, FL (2021); Santa Barbara Museum of Art, Santa Barbara, CA (2021); Virginia MOCA, Virgina Beach, VA (2021); and the Museum of Contemporary Art, Chicago, IL (2020). Pope's work will be included in the upcoming group exhibition Get in the Game: Sport and Contemporary Culture at SFMoMA in 2024. Pope's work is in the collections of Museum of Contemporary Art Jacksonville, FL; the Museum of Contemporary Art, Chicago, IL; UBS Art Collection, New York, NY; Joan Flasche Artists Book Collection, Chicago, IL; Seattle Art Museum, WA; Honolulu Museum of Art, HI; Museum of Contemporary Art, San Diego, CA; Poetry Foundation, Chicago, IL; DePaul University Art Museum, Chicago, IL; Virginia Museum of Fine Arts, Richmond, VA; Baltimore Museum of Art, Baltimore, MD; United States Embassy, Santo Domingo, Dominican Republic; The Jackson West Memorial Hospital, Miami, FL; and The Ulrich Museum of Art, Wichita, KS. She has been the recipient of several awards and fellowships, including the Public Artist Award, Franklin Works, Minneapolis, MN (2017); Selected Artist, Year of Public Art, Chicago Cultural Center, IL (2017); Mellon Fellowship, Kenyon College, Gambier, OH (2016); and 3Arts Award, Chicago, IL (2015). Pope lives and works in Chicago, IL and Miami, FL. Artist https://www.cherylpope.net/ monique meloche https://www.moniquemeloche.com/artists/35-cheryl-pope/works/ Hyperallergic https://www.moniquemeloche.com/press/492-talking-a-big-game-the-art-of-sports/ | https://www.moniquemeloche.com/press/280-artists-on-basketball-and-its-discontents/ Art Daily https://www.moniquemeloche.com/press/451-the-baltimore-museum-of-art-announces-approximately-75/ Observer https://www.moniquemeloche.com/press/437-early-sales-and-excitement-at-art-basel-miami/ The Guardian https://www.moniquemeloche.com/press/430-strike-fast-dance-lightly-largest-ever-boxing-exhibition/ BOMB https://www.moniquemeloche.com/press/420-cheryl-pope-by-carolina-wheat/ Chicago https://www.moniquemeloche.com/press/406-fall-fashion-artists-in-their-natural-habitats/ Reader https://www.moniquemeloche.com/press/418-chicago-is-a-protest-town/