Podcasts about Contemporary art

What pedagogies arise from institutional betrayal? How can we do the work we love in contexts where harassment is endemic and administrative responses to it escalate the problem? What assumptions have normalized the expectation that our institutions cannot be spaces of love?In this episode, we welcome Dr. Jennifer Doyle to discuss all of these issues as they arise in her most recent book, Shadow of My Shadow (Duke University Press, 2024). This remarkable work develops from Doyle's own experience of being stalked by a student and unfurls into a bracing critique of the institutional administration of harassment cases--as well as the attachments that arise in their aftermath. This line of inquiry builds on Doyle's Campus Sex / Campus Security (Semiotexte, 2015), on how the bureaucratic management of sex on college campuses coincides with the militarization of campus police.Jennifer Doyle is a writer, arts and performance curator, sports analyst, and professor of English. She serves on the Board of Directors of Human Resources Los Angeles; her most recent co/curated exhibition is Sciencia Sexualis at the Institute for Contemporary Arts, LA (2024-2025). In addition to the books named above, Jennifer is the author of Hold It Against Me: Difficulty and Emotion in Contemporary Art (Duke University Press, 2013) and Sex Objects: Art and the Dialectics of Desire (University of Minnesota Press, 2006). She is also the voice behind the beloved soccer blog From a Left Wing (2007-2013) and, now, The Sport Spectacle.Links to recommended stuff!Esme Wang, The Collected Schizophrenias (Graywolf, 2019)Barbara Johnson, "Muteness Envy" in The Barbara Johnson Reader (Duke UP, 2014)Francois Tosquelles, Psychotherapy and Materialism, English translation (ICI Berlin Press, 2024)Camille Robcis, Disalienation (University of Chicago Press 2021)Colm Toibin, The Magician (Scribner, 2022)Alexandra Horowitz, On Looking (Scribner, 2014)

Today on The Front. Remember Piss Christ? Bill Henson. Blue Poles. Why do Australians get so angry about art? Find out more about The Front podcast here. You can read about this story and more on The Australian's website or on The Australian’s app. The weekend edition of The Front is co-produced by Claire Harvey and Jasper Leak. The host is Claire Harvey. Audio production and editing by Jasper Leak who also composed our theme.See omnystudio.com/listener for privacy information.

Sof had a kōrero with Director and Curator of Contemporary Art at Gus Fisher Gallery Lisa Beauchamp about their current group exhibition, What we choose to remember. And Maya caught up with artist Eva During about her current show on at The Arts House Trust at Pah Homestead, Under The Bridge. 

What we choose to remember is a group show bringing together artists Hiria Anderson-Mita, Köken Ergun, Tada Hengsapkul, and Kulimoe'anga Stone Maka, currently showing at Gus Fisher Gallery.  Together, through their respective practices and materiality, the artists question and inquire into ideas of nation building and national identities – each contemplating different histories of the respective geographical and political landscapes they connect to, questioning the way we remember these pivotal moments. With a plurality in voices, the space invites a reflection on the multiplicity of experience, but also the closeness of these respective accounts. As a whole, the exhibition asks us to reflect on these narratives and connect them back to our present – if this is how these moments in history have been remembered, how will we remember our present when it too becomes history?  Sof had a kōrero with Director and Curator of Contemporary Art at Gus Fisher Gallery, Lisa Beauchamp, about the show, the artists' works, and the thematic conceptions that bind them.

Genesis Rodriguez joins The Truth in This Art for her first public deep-dive into her work and process.A Philadelphia-area Latina mixed media artist known for blending bold color with striking realism, Genesis explores themes of femininity, natural beauty, and identity while bringing a thoughtful “emotional IQ” to both her visual art and emerging music practice.In this episode, Genesis discusses her current “building era” of laying a strong creative foundation, what it means to engage with art beyond surface-level reposting, and how honesty and integrity shape the work. She also reflects on sharing her story for the first time, navigating visibility as an emerging artist, and the value of choosing depth over aesthetics.This conversation explores the connection between art and community, focusing on authenticity, meaningful engagement, and the discipline it takes to build a sustainable creative practice.Topics Covered:Genesis's first public conversation about her work and processBlending bold color and realism to explore femininity, natural beauty, and identityThe “building era”: structure, foundation, and sustaining a practiceEngaging with art beyond the surface—thinking and sharing with intentionBalancing visual art with an emerging music practice and creative growthThank you for listening to this conversation with Genesis Rodriguez. Explore more episodes of The Truth in This Art for discussions that spotlight creativity, culture, and the voices shaping our communities. Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Voters can take a stand against Trump's candidates in next Tuesday's elections in Virginia, New Jersey, Pennsylvania, California, and New York City – and move toward redistricting that favors Democrats. Harold Meyerson explains.Also: a new art exhibit in Los Angeles, called ‘Monuments,' displays ten decommissioned Confederate monuments alongside the work of 19 artists responding or relating to them. It's at MOCA, the Museum of Contemporary Art, and at the Brick, an arts nonprofit. Christopher Knight comments -- he's art critic for the LA Times and winner of the Pulitzer Prize in Criticism.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Voters can take a stand against Trump's candidates in next Tuesday's elections in Virginia, New Jersey, Pennsylvania, California, and New York City – and move toward redistricting that favors Democrats. Harold Meyerson explains.Also: a new art exhibit in Los Angeles, called ‘Monuments,' displays ten decommissioned Confederate monuments alongside the work of 19 artists responding or relating to them. It's at MOCA, the Museum of Contemporary Art, and at the Brick, an arts nonprofit. Christopher Knight comments -- he's art critic for the LA Times and winner of the Pulitzer Prize in Criticism.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today's guest is Conny Zhang. She is a curious mind, a culture lover and the Head of Music at Spotify DACH. Her journey took her from writing newspaper columns as a teenager to shaping what millions of people listen to every day.Conny grew up with a deep love for stories. Reading constantly, playing music and always finishing her homework before letting herself unwind. That mix of discipline and imagination has stayed with her, whether she was studying in Shanghai and San Diego, interning at Universal Music, or building her career at Google and now Spotify.In this conversation, Conny opens up about launching her first scholarship, finding confidence through coaching and how she's still learning to rest in a world that rarely slows down.Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

Artist Sheng Lor reflects on her journey from a Thai refugee camp to a studio practice in Los Angeles. Born to Hmong parents displaced by the Secret War in Laos, Lor discusses culture shock, grief, and the intergenerational legacies that shape her art. Her loom-wrapping series transforms discarded weaving tools into sculptural memorials, addressing the histories of labor, invisibility of craft, and Hmong spiritual traditions. This conversation explores how weaving, diaspora, and ritual intersect in contemporary art and the Los Angeles art scene.

Dreaming up creations that resemble a garden of earthly delights, filled with beauty, decay and poetry: Precious Okoyomon is a Nigerian-American artist who embraces dark and light, matter and impermanence. Their new exhibition is called "It's important to have ur fangs out at the end of the world" and the artist tells us why this new work has a fairytale quality, encouraging the viewer to open up to the softness at its heart. We also discuss the wild and urban Brazilian landscapes that inspired a recent installation, and learn how the unique energy of Lagos and its people was distilled into a sound sculpture for the Nigerian pavilion at the Venice Biennale. 

Brendel, Gerd www.deutschlandfunk.de, Kultur heute

The Massachusetts Museum of Contemporary Art (Mass Moca) is starting a record label aimed at developing artists, focusing on creativity, and giving exposure to musicians who are creating under-appreciated art. The first record on this new label came out last Friday. The Kasawambwe Brothers of Malawi recorded this album with help from Mass Moca. I spoke to Harlan Steinberger who runs a studio in Los Angeles called Hen House Studio. He's worked with artists like Willie Nelson and Sunny War, and has been recording music for decades. I had the chance to speak with him about this exciting new project, and what's in store for the future of Mass Moca Records. I hope you dig it! 

Brendel, Gerd www.deutschlandfunkkultur.de, Fazit

Author and satirist Gary Shteyngart joined NPR's Mary Childs and Chioke I'Anson at Richmond's Institute for Contemporary Art. The New Yorker recently featured Shteyngart in mini-doc “The Guy Who Got Cut Wrong.”

The Museum of Contemporary Art and The Brick museum in Los Angeles have opened a new concurrent exhibit, "Monuments," that "considers the ways public monuments have shaped national identity, historical memory, and current events." Kevin Levin of Civil War Memory has been following the story and joins the Emerging Civil War Podcast to discuss the exhibit.

Trauma může fungovat jako spekulativní evoluční linka, ze které se rodí nové více-než-lidské bytosti a alter ega. V sedmém díle podcastu Raut diskutujeme s umělkyněmi Miriamou Kardošovou a Tinou Hrevušovou o autofikčních metodách v performanci a o vyobrazování citlivého obsahu v bezpečném prostoru galerie.—Epizodou vás provází Ester Grohová a Nela Pietrová. Dramaturgem podcastu je Max Dvořák. Zvukový obal vytvořila Ester Grohová. Zvukový mix a mastering dělal Ondřej Holý. Vizuální identitu pro celou sérii navrhlo studio Day Shift Office, food design pro doprovodné fotografie připravila Barbora Gábová ve spolupráci s Františkou Malaskovou, Annou Kameníkovou a Natálií Košťálovou (Bláznivé bruschetty). Fotografkou série je Viktorie Macánová. Podcast vzniká díky finanční podpoře Ministerstva kultury České republiky. Hlavním partnerem tranzit.cz je nadace ERSTE. IG @tranzit.cz@biennale.matterof.artFB @tranzit.cz@biennale.matterof.artWEB https://matterof.art/cz/podcast-raut-2025

In this week's episode, joined by 2024 New Orleans-Matsue Sister City Exchange Program participants Katherine Heller & Wade Trosclair, the Krewe looks back & celebrates 30 years of friendship between Matsue, Japan & New Orleans, Louisiana... a sister city relationship built on cultural exchange, mutual curiosity, &shared spirit. Together, they reflect on their time in Matsue during the exchange program, their experiences with host families, and the deep connections that form when two communities separated by an ocean come together.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  (00:53:00)------ Past Matsue/Sister City Episodes ------Lafcadio Hearn: 2024 King of Carnival (S5Bonus)Explore Matsue ft. Nicholas McCullough (S4E19)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)The Life & Legacy of Lafcadio Hearn ft. Bon & Shoko Koizumi (S1E9)Matsue & New Orleans: Sister Cities ft. Dr. Samantha Perez (S1E2)------ Links about the Exchange ------2024 Exchange Program Info/PicturesShogun Martial Arts Dojo (Katie's family's dojo)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

In this show dedicated to the 10th edition of Also Known As Africa (AKAA), Dheepthika Laurent talks to Zimbabwean mixed-media artist Victor Nyakauru, known for being a “found-object” sculptor. He tells us why he is passionate about breathing new life into old objects and what messages he hopes to convey about environmental sustainability. Also on set: South African photographer and visual artist Gavin Goodman. He talks about his “Vela series” at AKAA, in which he blends African heritage with a minimalist perspective. Finally, we look ahead to Asia Now — the Parisian contemporary-art fair celebrating Asian art and artists at La Monnaie de Paris.

En conversación con la curadora mexicana Brenda Fernández abordamos sus intereses e investigaciones al momento de desarrollar proyectos curatoriales y el acompañamiento de artistas, ¿A qué le presta atención? Sus temas de interés, así como las relaciones entre arte y contexto ¿Quieres una asesoría para tu proyecto? https://www.pensarlaimagen.com/asesoria-para-artistas-visuales Únete a la COMUNIDAD de Pensar la imagen https://www.patreon.com/pensarlaimagen/membership Curso de PROFESIONALIZACIÓN PARA ARTISTAS PRO https://www.pensarlaimagen.com/curso-de-artista-profesional-integral También estamos en Instagram.com/podcastpensarlaimagen twitter.com/pensarlaimagen Tiktok.com/podcastpensarlaimagen #artecontemporáneo #arte #autor #Contemporaryart #podcastpensarlaimagen #artistas

We continue "If You Can Keep It," our series to get historic context about this moment in presidential politics; political scientist Seth Masket from the University of Denver joins us. Then, a Denver man hopes to create a brand for unity in America to show people are less divided than it seems. Later, will Halloween be a trick or a treat this year? It's just one thing we ask Denver7 chief meteorologist Lisa Hidalgo in our monthly weather and climate chat. And the Museum of Contemporary Art's new director talks about elevating local artists and his vision for the Denver institution.

Raina Lampkins-Fielder is the Curator of Souls Grown Deep, a nonprofit that advocates for the artistic recognition and social and economic empowerment of Black artists from the American South. With a distinguished career as an art historian, museum educator, and curator of 20th century and contemporary American Art, focusing on African American creative expression, Lampkins-Fielder has worked for over 20 years in museums and cultural institutions including the Brooklyn Museum, the New Museum of Contemporary Art, the Andy Warhol Museum, and the Whitney Museum of American Art. She has curated and produced many exhibitions, served as a juror for artist residency programs, organized and participated in numerous academic conferences, and spoken widely on audience accessibility to the arts in the US and abroad. She holds a BA in English from Yale University and an MA in the History of Art from the University of Cambridge, England.She and Zuckerman discuss finding solace in museums, assumptions, play as fearlessness, stewardship of precious sharing, saying thank you, vulnerability, lines of life, how art saves lives—including hers, burdens of history, stories of abundance, using sound as a curatorial strategy, being a mom and how that influences her practice, how there is no sound bite for why art matters, how art speaks to the unspeakable, and overjoying in creation!

The Walker Art Center's new exhibit, “Dyani White Hawk: Love Language,” is now open and runs through Feb. 15. The show is White Hawk's largest to date, a milestone in an already distinguished career that includes MacArthur “Genius” and Guggenheim fellowships, and acquisitions by the Whitney Museum of Contemporary Art in New York and the Smithsonian National Museum of the American Indian in Washington D.C.White Hawk reflected on her exhibit's opening weekend in Minneapolis with MPR News host Nina Moini.

On this episode of Below the Radar, our host Am Johal is joined by Dave Biddle, artist, musician, theorist, and PhD Candidate at SFU's School for the Contemporary Arts. Together, they chat about Dave's research, artistic practice, and rugby. Enjoy the episode! Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/btr-bsides-dave-biddle.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/btr-bsides-dave-biddle.html Resources: Copyright Linda Fox: https://kopyrightlindafox.bandcamp.com/ Dave's Oasis: https://davesoasis.cargo.site/ Liquidation World: https://www.instagram.com/liquidationw0rld/?hl=en Bio: Dave Biddle (being me) is a musician (being Copyright Linda Fox), a theorist (being susceptible to gnosis), and a filmmaker (being quick to tell you about his new "script"). He (still being me) is interested in how the many different forms of life on earth (being metaphorically different) are all oriented toward the production of new expressions of meaning (being negentropic), and in this process some of those expressions emerge as something called an "artist bio" (being the ultimate expression). Dave Biddle (being the artist whose bio is in question) was born in Vancouver (being the traditional territories of the Musqueam, Squamish and Tsleil-Waututh First Nations) and he continues to live in that (being this) strange place where he studies the silverfish in his books (being being). Cite this episode: Chicago Style Johal, Am. “M.I.T.C.O.E. — with Dave Biddle.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, October 21, 2025. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/btr-bsides-dave-biddle.html.

“  I feel like Berlin is a city where anything is possible, while never quite achieving polished glamor. And that's its charm. There is no steep hierarchy to enter the art scene, or any scene to be honest. And that is what we wanted to reflect here in Château Royal Berlin, this kind of openness and uniqueness.”We're in great company with Kirsten Landwehr, co-founder and curator of Château Royal, an enchanting and eccentric boutique hotel in the heart of Berlin Mitte, where craftsmanship and reinterpretation have revived what was once en vogue during the city's former golden ages, now adorned with contemporary art and convivial hosts.Rooted in Berlin's creative pulse, Kirsten and her husband, restaurateur Stephan Landwehr of Grill Royal fame, have transformed two historic buildings into a living gallery—one that celebrates design, culture, and the art of gathering. With her background in art and photography curation, Kirsten's vision marries history and modernity with effortless elegance.In this episode, Kirsten shares how she's shaped Berlin's art and hospitality scenes—revealing her philosophy on collecting, creating soulful spaces, and honoring the ever-evolving spirit of her city.Top Takeaways[2:00] As a child, Kirsten always dreamed of a bigger and better world. After the fall of the Berlin Wall, she decided to set out and steward that world herself. [4:00] How Kirsten and her husband, Stephan, with their shared appreciation for Berlin's creative energy and culinary artistry, fed and fueled the birth of Berlin's contemporary art scene through their cult classic restaurant, Grill Royal. [7:00] Hear the turbulent history of two historic buildings in the heart of Berlin Mitte, steps away from the Brandenburg Gate—from being the center of the Golden Twenties to falling into disrepair after WWII, from being used for surveillance during the GDR to housing the studios of squatting artists after the Berlin Wall.  [9:00] As Kirsten and Stephan breathed new life into these buildings, curating what would become Château Royal Berlin, they set out to create a space that was “decidedly cosmopolitan, yet unimaginable in any other city.”[10:20] Today, Château Royal Berlin is full of life and conviviality—as locals and travelers, artists and guests, fill the space with their own perspectives and fresh ideas. [11:45] With 93 guest rooms to design and a deep personal determination that no two would be the same, Kirsten invited her artist community to fill their spaces. What then became #93Rooms93Artists, was a permanent home for these artists to proudly showcase their work, host their own guests and welcome in new friends.[14:30] At Restaurant Château Royal, a creative menu and curated atmosphere proves food can be fancy while still being familiar and fresh.Notable MentionsDirector Edward BergerArtist & Art Collector Damien HirstChâteau Royal's Guide to BerlinSaint Charles ApothecaryVenini Lamps & Chandeliers Visit For YourselfChâteau Royal Berlin Website | @chateauroyalberlin 

The Krewe sits down with Haruka Kikuchi, a Japanese jazz trombonist making waves in New Orleans. From discovering jazz in Japan to second-lining through the Crescent City, Haruka shares her story of finding home through music — and how jazz bridges cultures across oceans.  ------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  (00:53:00)------ Past Music Episodes ------S5E13 - The Thunderous Sounds of Taiko ft. Takumi Kato (加藤 拓三), World Champion Taiko DrummerS5E10 - The Japanese Pop Music Scene ft. Patrick St. MichelS4E1 - Shamisen: Musical Sounds of Traditional Japan ft. Norm Nakamura of Tokyo LensS3E14 - City Pop & Yu ft. Yu HayamiS3E1 - Exploring Enka ft. Jerome White Jr aka ジェロ / Jero------ Links about Haruka ------Haruka's Website Haruka on IGHaruka on FacebookHaruka on YouTubeGoFundMe to Help Support Haruka's Family------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

A special edition of Roqe featuring two of the most influential Iranian architects of the last century - Hossein Amanat and Kamran Diba - together for the first time in the Roqe Studio. In a rare and deeply personal interview, they sit down with Jian Ghomeshi to explore architecture, identity, exile, and legacy - from the creation of Tehran's Azadi Tower and Museum of Contemporary Art to life and creativity after 1979. Also in this episode: Jian's Roqe Roundup with Pegah Ganji on the “Little Iran” designation in Toronto — and the unexpected backlash that followed.

"Yoko Ono: Music of the Mind" makes its U.S. debut in Chicago this weekend at the Museum of Contemporary Art. It traces Yoko Ono's career since the 1950s and features more than 200 artworks.

"Yoko Ono: Music of the Mind" makes its U.S. debut in Chicago this weekend at the Museum of Contemporary Art. It traces Yoko Ono's career since the 1950s and features more than 200 artworks.

"Yoko Ono: Music of the Mind" makes its U.S. debut in Chicago this weekend at the Museum of Contemporary Art. It traces Yoko Ono's career since the 1950s and features more than 200 artworks.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode, Emily Wilson interviews artist Julio Cesar Morales. Julio discusses his journey from Tijuana to San Francisco, his influences from social movements, music, and literature, and his interdisciplinary approach to art. The conversation explores his exhibitions "My America" at Gallery Wendy Norris and "Ojo" at the Jan Shrem and Maria Manetti Shrem Museum of Art at UC Davis, both focusing on themes of migration, borders, and immigrant experiences.Julio shares stories behind his watercolor series inspired by real-life attempts to cross the US-Mexico border, and reflects on the symbolism of twins and portals in his work. He also talks about his collaborations in sound art, the importance of music in his creative process, and the impact of community and social justice on his art. Tune in for an inspiring conversation about art, migration, and the power of storytelling.About Artist Julio Cesar Morales:Julio César Morales employs a range of media and visual strategies to explore issues of migration, underground economies, and labor, on personal and global scales. He works by whatever means necessary: in a series of watercolor illustrations, Morales diagramed means of human trafficking in passenger vehicles, while in other projects he employed the DJ turntable, neon signs, the historical reenactment of a famous meal, or the conventions of an artist-run gallery to explore social interaction and political perspectives.Julio's artwork has been shown at venues internationally, including; the Lyon Biennale, France; Istanbul Biennale, Turkey; Los Angeles County Art Museum, Los Angeles; Singapore Biennale, Singapore; Frankfurter Kunstverein, Frankfurt, Germany; Prospect 3, New Orleans; SFMOMA, San Francisco; Perez Art Museum, Miami; Museo Tamayo, Mexico City; Museo del Barrio, New York City; The UCLA Hammer Museum, Los Angeles; Manetti Shrem Museum of Art, Davis; and Gallery Wendi Norris, San Francisco, amongst others. His work is in private and public collections including MoMA, New York; The Los Angeles County Art Museum, Los Angeles; The Kadist Foundation, San Francisco and Paris; The San Diego Museum of Contemporary Art, San Diego; Museum of Fine Arts, Houston; Deutsche Bank, Germany; and The Office of Art in Embassies. Morales has been written about in The New York Times, The Los Angeles Times, Artforum, Frieze, Flash Art, Art Nexus, and Art in America.Julio's Artist Profile, CLICK HERE. Follow Julio on Instagram:  @JCM_3000OJO Exhibit at the Shrem Museum of Art at UCDavis, CLICK HERE. MY AMERICA Exhibit at Gallery Wendi Norris--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this interview, co-hosts Melissa Chimera, Clay Trauernicht and University of Hawaiʻi at Mānoa art professor Dr. Jaimey Faris explore how their respective fields in art and science critically examine the social and political paradigms that separate humans from each other and the world around us. They trade perspectives on what a sustainable and a thriving future might look like for all living beings—as manifested in the present day struggles for indigenous sovereignty and liberation from Lahaina to Papua New Guinea and Palestine. Clay and Jaimey talk about their respective upbringings in California and New York amidst economic and social class disparities and how that led them to engage with the underrepresented from all over the world—from kanaka maoli in Hawaiʻi striving for access to water to Mexican women manufacturing goods—via their respective fields of fire science and art.

DIY Enthusiast & the man behind "Anton in Japan" YouTube Channel, Anton Wörmann joins the Krewe to talk about akiya, Japan's abandoned home phenomenon, and how he's transforming them into stunning spaces. We dig into what it's like to buy, clear out, & renovate an akiya and how Anton's journey from fashion to DIY restoration is reshaping what “home” means in Japan.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  (00:53:00)------ Past Home & Architecture Episodes ------S5E15 - Change in Urban & Rural Japanese Communities ft. Azby BrownS5E6 - Inside Japanese Homes & Architecture ft. Azby BrownS3E2 - Buying Real Estate in Japan ft. Ziv Nakajima-Magen------ Links about Anton ------Anton in Japan YouTube ChannelAnton on IGAnton in Japan Website & ResourcesAnton on TikTokAnton's Live Master Class on Oct 12 @ 10am JST (Sign Up!)Anton's Akiya Master Class Program------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

This week we sit down with Amanda Ross-Ho, whose large-scale sculptures, staged environments, and uncanny translations of domestic and studio life have made her a vital presence in contemporary art. Recorded in Chicago around her latest exhibition, the conversation spans everything from monumental t-shirts to the politics of labor, and from the intimacy of the studio to the spectacle of the art fair. Ross-Ho reflects on how she mines personal and collective archives, the humor and seriousness in her work, and the ways she uses scale to destabilize the familiar. We also talk about teaching, generational shifts in art-making, and what it means to sustain a practice over the long haul.   Listen & Follow   Amanda Ross-Ho - https://hammer.ucla.edu/made-la-2025/amanda-ross-ho @amandarossho   Name-Drop  Amanda Ross-Ho — https://www.miandn.com/artists/amanda-ross-ho | @amandarossho Mitchell-Innes & Nash (Gallery) — https://www.miandn.com | @miandn_gallery Cherry and Martin (Gallery) — https://www.artforum.com/news/los-angeless-cherry-and-martin-gallery-closes-237707/ MoCA Cleveland — https://www.mocacleveland.org/ | @mocacleveland Whitney Biennial — https://whitney.org/exhibitions/the-biennial | @whitneymuseum Art Basel — https://www.artbasel.com/?lang=en | @artbasel Frieze Art Fair — https://www.frieze.com/fairs/frieze-london | @friezeofficial Los Angeles art scene / UCLA — https://www.arts.ucla.edu | @uclarts EXPO CHICAGO - https://www.expochicago.com/ Chicago Architectural Biennial 6 - https://chicagoarchitecturebiennial.org/

Today's guest is Lisa Währer, powerhouse in German football, and the co-founder and managing director of FC Viktoria Berlin. From her early days as a footballer in Hamburg to building campaigns at Jung von Matt Sports and OneFootball, Lisa has always worked with strong purpose in mind. Now, alongside a team of five other women, she's leading one of Berlin's boldest football clubs, which was promoted to the 2nd Bundesliga. In this conversation, Lisa opens up about what it really means to be the only woman in the room, how gut instinct shaped her career more than any five-year plan, and why visibility for women in sports is still a fight worth showing up for.This live edition of the show has been powered by Ancient + Brave, a UK science-based wellness brand that brings a holistic approach to well-being. Treating our live audience to the signature True Collagen which helps with a glowing skin, offers connective tissues, joint and bone support. Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

  This week, we print big or go home. Bad at Sports cast their eyes to New York from the safe confines of the Chicago Architectural Biennial booth at EXPO 2025 to talk with the legendary Two Palms studio in the guise of Alex Slattery. If you've ever stood slack-jawed in front of a monoprint the size of a small car or a woodblock cut so large it needed its own logistics plan, chances are Two Palms was behind it. Since the 1990s, David Lasry and company have been redefining what printmaking can be—working with artists like Carroll Dunham, Elizabeth Peyton, Mel Bochner, Cecily Brown, Terry Winters, Chris Ofili, Dana Schutz, Richard Prince, Chuck Close, Jeff Koons, and yes, even channeling the ghost of Andy Warhol. From delicate gestures to total madness with ink and paper, the studio's collaborations are as unpredictable as they are radical. We talk risk, scale, failure, and discovery—the alchemy of artist–printer collaborations that make Two Palms a force in contemporary art. Along the way we wander through stories of impossible woodblocks, ink disasters turned into triumphs, and why printmaking might just be the most punk medium of them all. So pour a glass, sharpen your barens, and get ready to nerd out about the future of prints.   Two Palms https://www.twopalms.us/ @twopalmsnyc   Name-Drop  Carroll Dunham — https://www.presenhuber.com/artists/carroll-dunham#tab:slideshow Elizabeth Peyton — https://www.davidzwirner.com/artists/elizabeth-peyton Mel Bochner — http://www.melbochner.net/ Cecily Brown — https://gagosian.com/artists/cecily-brown/ Terry Winters —https://www.terrywinters.org/ Chris Ofili — https://www.davidzwirner.com/artists/chris-ofili/survey Dana Schutz — https://www.davidzwirner.com/artists/dana-schutz Richard Prince — http://www.richardprince.com/ Chuck Close — https://www.pacegallery.com/artists/chuck-close/ Jeff Koons — https://www.jeffkoons.com/ Two Palms — https://www.twopalms.us/ Marilyn Minter — https://www.twopalms.us/featured-works/marilyn-minter Stanley Whitney — https://www.twopalms.us/featured-works/stanley-whitney Ana Benaroya — https://www.twopalms.us/featured-works/ana-benaroya David Paul Lasry — https://www.nga.gov/artists/21067-david-paul-lasry Alex Slattery — https://www.instagram.com/alexslattery/ EXPO CHICAGO - https://www.expochicago.com/ Chicago Architectural Biennial 6 - https://chicagoarchitecturebiennial.org/ Institutions that love these prints: Whitney Museum of American Art — https://whitney.org/ MoMA — https://www.moma.org/ The Met — https://www.metmuseum.org/  

A conversation with Paul Pfeiffer, Stanley Wolukau-Wanambwa, and Anthony Elms recorded in May 2025. Stanley Wolukau-Wanambwa makes art, writes about it, and occasionally edits essay anthologies. His artist's book, INDEX 2025, is out now from ROMA Publications, and his recent essay “ECHO—LOCATION,” on installations at Dia Art Foundation by Cameron Rowland and Steve McQueen, featured in the April issue of e-flux journal.  Recent exhibitions include Scene at Eastman, at George Eastman Museum (2025), Greater New York at MoMA PS1 (2021), and But Still, It Turns at the International Center of Photography, New York (2021).  Read more essays in e-flux journal by Stanley Wolukau-Wanambwa here. Paul Pfeiffer recasts the visual language of pop spectacle to investigate how media images shape our perception of the world and ourselves. Working in video, photography, sculpture, and sound, he is drawn to moments intended for mass audiences (live sports events, stadium concert tours, televised game shows, celebrity glamour shots), which he meticulously samples and re-edits to expose an uncanny emptiness underneath. From the hyperreality of photo retouching and digital erasure to the endless repetition of video loops, his mastery of postproduction allows him to magnify the surreal aspects of contemporary existence, where bodies become sites of saturated observation, and violence-as-entertainment flirts with nationalism, religion, and ancient myth. While he also experiments with the format and scale of his works, immersive audiovisual installations often cohabit with portable fetish objects in his exhibitions. Throughout his practice, Pfeiffer seeks to reflect and heighten the existential condition of the viewer as consumer by perversely blurring the boundary between voyeurism and contemplation. The recent exhibition discussed in this episode, Paul Pfeiffer: Prologue to the Story of the Birth of Freedom was presented at the Museum of Contemporary Art, Los Angeles, and the MCA Chicago.  Read a review from e-flux Criticism of Prologue to the Story of the Birth of Freedom at The Geffen Contemporary at MOCA, Los Angeles by Juliana Halpert. Anthony Elms organizes exhibitions and writes. He recently organized Rodney McMillian: Neighbors for the Henry Art Gallery, Seattle, Wa. opening in October 2025. An essay on artist Oliver Ressler, "Ellipsesverse," posts online this fall for Ressler's exhibition Scenes from the Invention of Democracy at the Museum Tinguely. His essay "Begin to begin to begin to begin to begin" is forthcoming in Ecstatic Aperture: Perspectives on the Life and Work of Terry Riley. from Auryfa / Shelter Press.

Matt Magee is an American contemporary artist known for his minimal geometric paintings, sculptures, prints, assemblages, murals, and photographs. Over a four-decade career, Magee has experimented widely with abstract and conceptual art practices. His compositions draw inspiration from personal history, numerology, and language. In his paintings and prints, he explores language through abstraction, repetition, reiteration, and the occasional tip of the hat to art historical precedents. His visual language relates to early hard-edge abstraction and finds inspiration in contemporary scientific, ecological, and technological ideas. His work is in the permanent collections of the Albuquerque Art Museum, NM; the Beinecke Rare Book and Manuscript Library at Yale University, CT; Black Mountain College Art Museum, NC; the Josef and Anni Albers Foundation, CT; Museum of Fine Arts, Houston, TX; Phoenix Art Museum, AZ; Scottsdale Museum of Contemporary Art, AZ; Tucson Museum of Art, AZ; and the University of New Mexico Art Museum, NM. Matt Magee, Grapheme: 16 Squares, 2021, oil on primed paper. © Matt Magee; Courtesy of the artist and RYAN LEE Gallery, New York. Matt Magee, Black Grapheme, 2021, oil on panel. © Matt Magee; Courtesy of the artist and RYAN LEE Gallery, New York. Matt Magee, Ryan Lee Grapheme, 2025, acrylic and pencil on canvas. © Matt Magee; Courtesy of the artist and RYAN LEE Gallery, New York.

Episode No. 726 features artist Danielle Joy Mckinney. The Rose Art Museum at Brandeis University is presenting "Danille Mckinney: Tell Me More" through January 4, 2026. The exhibition, Mckinney's first solo presentation in a US museum, spotlights Mckinney's introspective explorations of Black womanhood. It was curated by Gannit Ankori. Concurrently, Galerie Max Hetzler is presenting Mckinney's work in "Second Wind" in London through November 1. Mckinney has been featured in exhibitions at the Philadelphia Museum of Art, the Kunstmuseum Basel, the Bemis Center for Contemporary Arts in Omaha, the Modern Art Museum of Fort Worth, and many more. Her work is in the collection of museums such as the Buffalo AKG Art Museum, the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, the Los Angeles County Museum of Art, the Moderna Museet, Stockholm, the Stedelijk Museum, Amsterdam, and The Studio Museum in Harlem, New York. Instagram: Danielle Joy Mckinney, Tyler Green.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode  Emily chats with renowned conceptual artist Paul Kos. Paul shares stories from his upbringing in Rock Springs, Wyoming, his journey from aspiring diplomat to celebrated artist, and his influential years at the San Francisco Art Institute. The conversation covers his early inspirations, unique conceptual works—including the famous "Richmond Glacier" and "Chartre Bleu" stained glass TV installation—and his collaborations with art collector Rene di Rosa. Paul reflects on the role of accidents in his creative process, memorable exhibitions, and the Bay Area places that inspire him. Tune in to hear aboutt the life and art of Paul Kos, with insights into the evolution of conceptual art in Northern California.About Artist Paul Kos :Paul Kos, born  in Rock Springs, Wyoming, is an influential American conceptual artist and educator. He is one of the founders of the Bay Area Conceptual Art movement in California and has been a leading artist and teacher in the San Francisco Bay Area for over three decades. Kos's work often incorporates video, sound, and interactivity into sculptural installations, challenging conventional art media and subject matter. His major retrospective "Everything Matters" was held at the Berkeley Art Museum and Pacific Film Archive in 2003, and a second major survey of his work, "Equilibrium: A Paul Kos Survey," was held at di Rosa Center for Contemporary Art in Napa in 2016. Kos's art is included in numerous public museum collections, including the Museum of Contemporary Art San Diego, Solomon R. Guggenheim Museum, and the Museum of Modern Art (MoMA). He has received numerous awards, including the Louis Comfort Tiffany Foundation Fellowship and the John Simon Guggenheim Memorial Foundation fellowship in video and audio.Visit Paul's Website: PaulKos.netMore Info on Far Out at Di Rosa San Francisco CLICK HERE.More Info on the People Make This Place exhibit at SFMOMA - CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Alexandra Beller is a choreographer, director, teacher, and writer who has worn many hats throughout her career, and was widely known as a member of the Bill T. Jones/Arnie Zane Dance Company between 1995-2001. Since then, she has become a mentor and coach, guiding creators and performers on their professional journeys. She is also the Artistic Director of Alexandra Beller/Dances, an arts organization that has evolved from a performance and education company into a hub that supports artistic growth and well-being through workshops, showings, and creative gatherings. Her choreography has been featured on renowned platforms across the U.S., as well as internationally in South Korea, Hong Kong, Norway, Cyprus, and Poland, with venues including the Institute for Contemporary Art in Boston, The Yard in Martha's Vineyard, Jacob's Pillow, and more. In this episode, we take a closer look at Alexandra's kaleidoscopic journey, exploring how she seamlessly navigates her various roles while maintaining a career of the highest standards as all of Choreographer, Educator and Entrepreneur. Welcome to Episode 2 of Season 3, Anatomy of Choice.Alexandra BellerAlexandra Beller/DancesSoundtracks:Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkMakaih Beats - FakeLove Support the showLike our offers? S2 Summer SALE! Check out our new Dance Masterclass YouTube review Sign up for Dance Masterclass Choreographing Your Dance Career by Janaea Rose Lyn Try Nord VPN Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

Stephen Grootes speaks to Professor Siphiwo Mahala, Chairperson of the National Arts Festival, about growing concern among South African arts festivals following public statements by Minister of Sport, Arts and Culture Gayton McKenzie over festival funding. In other interviews, Sizani Baloyi, chats about his powerful pieces that speak to both resilience and hope, with his art being showcased widely, including at the Art Eye Gallery and in his solo exhibition, Squatter Movements, Like Birds in the Cornfield. The Money Show is a podcast hosted by well-known journalist and radio presenter, Stephen Grootes. He explores the latest economic trends, business developments, investment opportunities, and personal finance strategies. Each episode features engaging conversations with top newsmakers, industry experts, financial advisors, entrepreneurs, and politicians, offering you thought-provoking insights to navigate the ever-changing financial landscape. Thank you for listening to a podcast from The Money Show Listen live Primedia+ weekdays from 18:00 and 20:00 (SA Time) to The Money Show with Stephen Grootes broadcast on 702 https://buff.ly/gk3y0Kj and CapeTalk https://buff.ly/NnFM3Nk For more from the show, go to https://buff.ly/7QpH0jY or find all the catch-up podcasts here https://buff.ly/PlhvUVe Subscribe to The Money Show Daily Newsletter and the Weekly Business Wrap here https://buff.ly/v5mfetc The Money Show is brought to you by Absa Follow us on social media 702 on Facebook: https://www.facebook.com/TalkRadio702702 on TikTok: https://www.tiktok.com/@talkradio702702 on Instagram: https://www.instagram.com/talkradio702/702 on X: https://x.com/CapeTalk702 on YouTube: https://www.youtube.com/@radio702 CapeTalk on Facebook: https://www.facebook.com/CapeTalkCapeTalk on TikTok: https://www.tiktok.com/@capetalkCapeTalk on Instagram: https://www.instagram.com/CapeTalk on X: https://x.com/Radio702CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.

“We don't need to find an end solution, but it's a space where we can speculate, imagine, and practice our foresight. We can be part of a bigger imagination together with an institutional framework, which is really what we try to motivate as well when we communicate these exhibitions to our audience and speak with our guests about these works. We can also sense that it's really a place where a lot of people like to enter these days. When you turn on a TV, look at a newspaper, listen to your radio, or speak with your friends, it seems like the world is falling apart on so many levels. It's such a challenging time. I think we can also offer this space for reflection and hopefully provide a reflection that gives some idea or feeling of agency.For me, it's this awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world.”In the ever-evolving world of contemporary art, some voices rise to shape the conversation in truly profound ways. Marie Nipper has spent her career at the nexus of institutional leadership, curatorial innovation, and artistic collaboration. As the director of the ARKEN Museum of Contemporary Art in Denmark, she is not just leading a museum; she's rethinking its very purpose—from an artistic lab to a public town square. Her journey has taken her from the hallowed halls of the TATE and ARoS to the forward-thinking spaces of Copenhagen Contemporary, all while championing the freedom of artists and the civic role of the museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“This awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world, myself, my feelings or emotions, and how I reflect on things. Getting another person's perspective and taking that in is extremely generous. What we can take with us from the artistic practices we encounter is significant. Again, I think one of the fundamental aspects of art is that it doesn't require agreement, consensus, or rules. It's a place where we can speculate, imagine, and, hopefully, re-courage ourselves in a way, if that's a word. I've always been motivated by working with artists; that personal meeting is always extremely fruitful.”In the ever-evolving world of contemporary art, some voices rise to shape the conversation in truly profound ways. Marie Nipper has spent her career at the nexus of institutional leadership, curatorial innovation, and artistic collaboration. As the director of the ARKEN Museum of Contemporary Art in Denmark, she is not just leading a museum; she's rethinking its very purpose—from an artistic lab to a public town square. Her journey has taken her from the hallowed halls of the TATE and ARoS to the forward-thinking spaces of Copenhagen Contemporary, all while championing the freedom of artists and the civic role of the museum.“I think that is one of the places where we are really challenged, especially when we speak to kids and young people, as they often feel they have little agency in creating a better future for themselves. So, I believe we can really give that space to our audiences by showcasing some of these groundbreaking practices that are out there right now in contemporary art.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We don't need to find an end solution, but it's a space where we can speculate, imagine, and practice our foresight. We can be part of a bigger imagination together with an institutional framework, which is really what we try to motivate as well when we communicate these exhibitions to our audience and speak with our guests about these works. We can also sense that it's really a place where a lot of people like to enter these days. When you turn on a TV, look at a newspaper, listen to your radio, or speak with your friends, it seems like the world is falling apart on so many levels. It's such a challenging time. I think we can also offer this space for reflection and hopefully provide a reflection that gives some idea or feeling of agency.For me, it's this awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world.”In the ever-evolving world of contemporary art, some voices rise to shape the conversation in truly profound ways. Marie Nipper has spent her career at the nexus of institutional leadership, curatorial innovation, and artistic collaboration. As the director of the ARKEN Museum of Contemporary Art in Denmark, she is not just leading a museum; she's rethinking its very purpose—from an artistic lab to a public town square. Her journey has taken her from the hallowed halls of the TATE and ARoS to the forward-thinking spaces of Copenhagen Contemporary, all while championing the freedom of artists and the civic role of the museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“This awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world, myself, my feelings or emotions, and how I reflect on things. Getting another person's perspective and taking that in is extremely generous. What we can take with us from the artistic practices we encounter is significant. Again, I think one of the fundamental aspects of art is that it doesn't require agreement, consensus, or rules. It's a place where we can speculate, imagine, and, hopefully, re-courage ourselves in a way, if that's a word. I've always been motivated by working with artists; that personal meeting is always extremely fruitful.”In the ever-evolving world of contemporary art, some voices rise to shape the conversation in truly profound ways. Marie Nipper has spent her career at the nexus of institutional leadership, curatorial innovation, and artistic collaboration. As the director of the ARKEN Museum of Contemporary Art in Denmark, she is not just leading a museum; she's rethinking its very purpose—from an artistic lab to a public town square. Her journey has taken her from the hallowed halls of the TATE and ARoS to the forward-thinking spaces of Copenhagen Contemporary, all while championing the freedom of artists and the civic role of the museum.“I think that is one of the places where we are really challenged, especially when we speak to kids and young people, as they often feel they have little agency in creating a better future for themselves. So, I believe we can really give that space to our audiences by showcasing some of these groundbreaking practices that are out there right now in contemporary art.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We don't need to find an end solution, but it's a space where we can speculate, imagine, and practice our foresight. We can be part of a bigger imagination together with an institutional framework, which is really what we try to motivate as well when we communicate these exhibitions to our audience and speak with our guests about these works. We can also sense that it's really a place where a lot of people like to enter these days. When you turn on a TV, look at a newspaper, listen to your radio, or speak with your friends, it seems like the world is falling apart on so many levels. It's such a challenging time. I think we can also offer this space for reflection and hopefully provide a reflection that gives some idea or feeling of agency.For me, it's this awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world.”In the ever-evolving world of contemporary art, some voices rise to shape the conversation in truly profound ways. Marie Nipper has spent her career at the nexus of institutional leadership, curatorial innovation, and artistic collaboration. As the director of the ARKEN Museum of Contemporary Art in Denmark, she is not just leading a museum; she's rethinking its very purpose—from an artistic lab to a public town square. Her journey has taken her from the hallowed halls of the TATE and ARoS to the forward-thinking spaces of Copenhagen Contemporary, all while championing the freedom of artists and the civic role of the museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“This awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world, myself, my feelings or emotions, and how I reflect on things. Getting another person's perspective and taking that in is extremely generous. What we can take with us from the artistic practices we encounter is significant. Again, I think one of the fundamental aspects of art is that it doesn't require agreement, consensus, or rules. It's a place where we can speculate, imagine, and, hopefully, re-courage ourselves in a way, if that's a word. I've always been motivated by working with artists; that personal meeting is always extremely fruitful.”In the ever-evolving world of contemporary art, some voices rise to shape the conversation in truly profound ways. Marie Nipper has spent her career at the nexus of institutional leadership, curatorial innovation, and artistic collaboration. As the director of the ARKEN Museum of Contemporary Art in Denmark, she is not just leading a museum; she's rethinking its very purpose—from an artistic lab to a public town square. Her journey has taken her from the hallowed halls of the TATE and ARoS to the forward-thinking spaces of Copenhagen Contemporary, all while championing the freedom of artists and the civic role of the museum.“I think that is one of the places where we are really challenged, especially when we speak to kids and young people, as they often feel they have little agency in creating a better future for themselves. So, I believe we can really give that space to our audiences by showcasing some of these groundbreaking practices that are out there right now in contemporary art.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“This awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world, myself, my feelings or emotions, and how I reflect on things. Getting another person's perspective and taking that in is extremely generous. What we can take with us from the artistic practices we encounter is significant. Again, I think one of the fundamental aspects of art is that it doesn't require agreement, consensus, or rules. It's a place where we can speculate, imagine, and, hopefully, re-courage ourselves in a way, if that's a word. I've always been motivated by working with artists; that personal meeting is always extremely fruitful.”In the ever-evolving world of contemporary art, some voices rise to shape the conversation in truly profound ways. Marie Nipper has spent her career at the nexus of institutional leadership, curatorial innovation, and artistic collaboration. As the director of the ARKEN Museum of Contemporary Art in Denmark, she is not just leading a museum; she's rethinking its very purpose—from an artistic lab to a public town square. Her journey has taken her from the hallowed halls of the TATE and ARoS to the forward-thinking spaces of Copenhagen Contemporary, all while championing the freedom of artists and the civic role of the museum.“I think that is one of the places where we are really challenged, especially when we speak to kids and young people, as they often feel they have little agency in creating a better future for themselves. So, I believe we can really give that space to our audiences by showcasing some of these groundbreaking practices that are out there right now in contemporary art.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Talk Art Live in Berlin. Season 26 of Talk Art begins!!!!This episode is a special Paid Partnership collaboration with Berlin Art Week, who flew Russell & Robert to Berlin. Recorded live, in front of an audience, outside the Neue Nationalgalerie in September 2025. Special guests Peaches @peachesnisker (musician, producer, director, performance artist) and Klaus Biesenbach @klausbiesenbach (Director, Neue Nationalgalerie) join the conversation about art, music, and the Berlin art scene.An iconic feminist musician, producer, director, and performance artist, Peaches has spent nearly two decades pushing boundaries and wielding immeasurable influence over mainstream pop culture from outside of its confines, carving a bold, sexually progressive path in her own image that's opened the door for countless others to follow. She's collaborated with everyone from Iggy Pop and Daft Punk to Kim Gordon and Major Lazer, had her music featured cultural watermarks like Lost In Translation, The Handmaid's Tale, and Broad City among others, and seen her work studied at universities around the world.Dubbed a “genuine heroine” by the New York Times, Peaches has released five critically acclaimed studio albums blending electronic music, hip-hop, and punk rock while tackling gender politics, sexual identity, ageism, and the patriarchy. Uncut has raved that her work brought together "high art, low humour and deluxe filth [in] a hugely seductive combination,” while Rolling Stone called her “surreally funny [and] nasty.”An equally prolific visual artist, Peaches has directed over twenty of her own videos, designed one of the most raw and creative stage shows in popular music, and has appeared at modern art's most prestigious gatherings, from Art Basel Miami to the Venice Biennale. On top of it all, she mounted a one-woman production of 'Jesus Christ Superstar'—redubbed ‘Peaches Christ Superstar'—which earned international raves, composed and performed the electro-rock opera 'Peaches Does Herself,' which premiered at the Toronto International Film Festival, and sang the title role in a production of Monteverdi's epic 17th-century opera 'L'Orfeo' in Berlin. Visit: https://www.teachesofpeaches.com/Klaus Biesenbach began his career in Berlin 30 years ago aged 25, when he was one of a group that set up the KW Institute for Contemporary Art in a former margarine factory. In 2004, he became a curator at the Museum of Modern Art in New York, where he rose to the position of chief curator and founded a new department for media and performance art. In 2010, he became director of MoMA PS1, the museum's outpost in Queen's. At MOCA in Los Angeles, he introduced free admission, expanded the collection and navigated the museum through the pandemic. Hosted on Acast. See acast.com/privacy for more information.

Are people still buying art? The answer is yes. But how you talk about your work, connect with collectors, and navigate uncertainty can make all the difference. In this episode of The Create! Podcast, host Ekaterina Popova sits down with gallerist, author, and art advocate Liz Lidgett to discuss her upcoming book Art for Everyone, how to make art conversations more accessible, and the principles that keep artists and entrepreneurs resilient through shifting times. Liz shares powerful insights on: Why collectors are still buying and how to build trust in today's market Simple, accessible ways to talk about your art without overcomplicating it The key role consistency, systems, and flexibility play in long-term success How to stay authentic and connected while showing up online and in person This conversation is packed with practical wisdom and encouragement for artists and entrepreneurs ready to thrive in today's art world.