Podcasts about orchestras

Chris Walden is a 7x Grammy nominated, German-born, composer, arranger and conductor. He's scored more than 40 feature and TV films. He's written more than 1,500 orchestral and big band arrangements for artists including Michael Buble, Aretha Franklin, Paul McCartney, SEAL, Stevie Wonder, Rihanna, Barbra Streisand and Josh Groban, and orchestras like the Chicago Symphony, the Los Angeles Philharmonic and the Boston Pops.He's worked with top producers David Foster, Tommy LiPuma and Phil Ramone. He's the founder and artistic director of the Pacific Jazz Orchestra. And he has served as lead arranger for the Academy Awards and as arranger for “American Idol” and “The Tonight Show with Jay Leno”. And he's worked as an arranger and bandleader for artists including Diana Krall, Herb Alpert, Michael Brecker, and the Count Basie Orchestra.My featured song is “Cakewalk For Debra” from the album Miles Behind. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH CHRIS:www.chriswalden.com____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Send us a textHaving recently released their latest EP, Curse, and embarking on a tour this September, frontman Ruban Neilson of Unknown Mortal Orchestra sat down with us to talk all things music and horror. Ruban's latest project had a heavy influence from his roots with horror, specifically of the Italian Giallo subgenre, which he infused with influences from bands like Black Sabbath while keeping the authentic UMO sounds present. Ruban discusses his love for horror and his forever goal of staying authentic and genuine in whatever he takes on. Follow us on Social Media: @pvdhorror Instagram, X, TikTok, FacebookWatch us on YouTube: www.youtube.com/@pvdhorrorSpecial thanks to John Brennan for the intro and outro music. Be sure to find his music on social media at @badtechno or the following:https://johnbrennan.bandcamp.com

00:00 Introduction and First Story: The 20-Foot Python01:02 Second Story: The Generous Seat Swap01:52 Third Story: Antelope Reintroduction in Kenya02:30 Fourth Story: The Vegetable Orchestra03:19 Fifth Story: Seinfeld Night at the Brooklyn Cyclones Game 

Welcome to The IconicEvents Series, a special segment of A Flair for VIP Events. In Episode 6, I sit down with Maria-Eliza Radu, Event Freelancer to talk about what it's like working at the Marvels of Saudi Orchestra Shows in London and Tokyo as an Artist Liaison, how she got involved, how big events have helped her early career path and more!Connect with Maria: LinkedIn: https://www.linkedin.com/in/maria-eliza-radu-23519319b/ Instagram: https://www.instagram.com/mariaeliza.events/Email: mariuca_r@yahoo.comIn The IconicEvents Series, I sit down with event professionals from rising talent to industry leaders who've worked behind the scenes at some of the world's most iconic events, from global sporting events to red carpet premieres. You'll hear firsthand what it takes to make these events happen, the career moves that got them there, and the insider lessons you won't find anywhere else. Whether you're just starting out or leveling up, this series will help you step into your iconic events era.Connect with LauraLinkedIn: https://www.linkedin.com/in/laurayarbroughlloydWebsite: https://www.lauralloydevents.comInstagram: https://www.instagram.com/lauralloydeventsPodcast: https://open.spotify.com/show/5NlMVdhKnrF5Gsto2vfEio?si=k_MVgyj5RdOvX0UsB2t8VASupport Laura: ⁠⁠⁠https://www.buymeacoffee.com/laurayarblloyd⁠Freebie: https://iconicevents.thrivecart.com/the-iconic-events-career-evolution-guide/

In this episode, host Kim Russo sits down with DeAnndra Glenn, Director of Youth Programs for the Summerville Orchestra. Discover the exciting educational programs offered, from their two youth orchestras to various school interactions. A generous grant from the South Carolina Arts Commission makes these programs tuition-free for participants! DeAnndra shares how you can apply for an audition by visiting SummervilleOrchestra.org/youth/ and filling out the registration form. Don't miss the next audition dates: August 28th and September 2nd. Listen to the full episode for fascinating insights into the Summerville Orchestra Youth & Junior Philharmonic, details on upcoming concerts, how to get involved through volunteering, and even how many young musicians transition to the main Summerville Orchestra.

In Episode 94 of Pass the Baton, Theresa and Kathryn sit down with high school orchestra director and ASTA President-Elect Corie Benton for an inspiring conversation about student-centered teaching and building a classroom culture rooted in care, agency, and joy. Corie shares how her teaching philosophy shifted in recent years—from chasing accolades to prioritizing holistic student experiences—emphasizing the importance of creating an environment where all students feel seen, valued, and empowered.Listeners will hear how Corie builds student leadership through orchestra councils, incorporates student voice in repertoire and performance decisions, and designs inclusive opportunities like senior solos and peer mentorship. She also shares practical examples of how she fosters ownership and connection in daily routines, from student-led warmups to meaningful classroom traditions. Whether you're a new or veteran educator, this episode is full of small, actionable ideas that can make a big impact in your own teaching.Learn more about Pass the Baton: Website: https://www.passthebatonbook.com/Join the Coffee ClubSupport Pass the BatonAmplify student voice with Exit Tickets for Self-Reflection⁠⁠⁠⁠

From Amy:The big ideas that get us all talking didn't come from nowhere. Someone started talking about them, and somewhere along the way, they got traction. Somebody or something amplified them and they resonated. And that's the big idea behind a TedX talk. It's also the idea behind the partnerships I've been nurturing ever since I decided that I was going to commit my life going forward to being an author. These are those people we encounter who contribute indelibly to our understanding of where we've been and where we want to be going forward. Keri Mangis is one of those people for me.I met Keri shortly after I had resigned my teaching job in early 2016, when I signed up for a book revision class in Minneapolis as a way to motivate myself to FINALLY get that first memoir draft finished. In theory we four participants would read through each other's manuscripts in turn and give helpful notes. In actuality, when I got the manuscript done, I gave it to my mother to read and (hint to all people writing memoirs: NEVER do that) not only did it ruin Mother's Day (yes, really, it was her Mother's Day present... seriously... do not do this... she hated my book) but the experience was so painful that I decided that I also did not trust the participants of the group to comment on my manuscript, nor the leader (who had just lost her mother... you see what a slippery slope this is) even after my mom and I started talking to each other again. Except... I really wanted Keri to be my first beta reader. And so, I quietly reached and asked her and felt comforted when she agreed.That's right. Keri read German Awakening when it still went by another name. Her comments were helpful and made me feel seen.Keri gave me names for a lot of things I didn't recognize fully back then, such as the word "Patriarchy." But I did know that in a society centered on men, certain essential truths about women get devalued at best, and often hidden. So. When Keri started talking about menopause as a liminal space, even though it's a topic we're FINALLY discussing, of course Keri had a fascinating take on menopause I'd never thought of.And as the anecdote with my mom reveals, we really should be talking about the experience of women elders in our male-normative world.It feels preordained that Keri would be selected to give a TedX Minneapolis talk. And of course we were going to podcast about it.This is the pre-talk episode, on the origins of Keri's talk and what this whole experience has meant to her so far. The show is THIS WEDNESDAY, 6:00 at Orchestra.You can buy tickets here. Keri will be back for Episode 111 to debrief with me. See you at Orchestra HallKeri Mangis is more than just an author and speaker—she's a guide for those seeking deeper meaning and transformation in a chaotic world. With over 20 years of experience as a wholeness advocate and spiritual teacher, Keri understands the frustration of feeling stuck and disconnected. Through her writing and teachings, Keri helps people break free from limiting beliefs to rediscover their true essence and align with their core values. Her spiritual and personal growth studies and certifications have run the gamut over the years from yoga, Ayurveda, energy work, and meditation. Most recently, she has taken on studying Alchemy, Jungian Psychology, archetypes, and rites of passage. She has completed several courses with Sharon Blackie, Michael Meade, and the Center of Applied Jungian Studies. Her writing has appeared in Spirituality and Health Magazine, Star Tribune, Elephant Journal, and others. Her first book, *Embodying Soul: A Return to Wholeness*, received multiple awards, including the 2020 IPA award for Mind, Body & Spirit and the 2020 Readers' Favorite Gold Medal in Non-Fiction Spiritual and Supernatural. She is currently working on her second book, an illuminating exploration of personal and collective transformation that will empower readers to evolve their consciousness for an uncertain future.Keri's Links:TedX Talk TicketsBookInstagramFacebookYouTube Amy Hallberg is the author of Tiny Altars: A Midlife Revival and German Awakening: Tales from an American Life. She is the host of Courageous Wordsmith Podcast and founder of Courageous Wordsmith Circle for Real-Life Writers. As an editor and writing mentor, Amy guides writers through their narrative journeys—from inklings to beautiful works, specifically podcasts and books. A lifelong Minnesotan and mother of grown twins, Amy lives in the Twin Cities with her husband and two cats. Get Amy's Books and AudiobooksLearn about Courageous Wordsmith Circle for Real-Life WritersWork with Amy 1:1

Janáček; J. Strauss, Jr. & Mussorgsky by CSO Association

This Saturday Matinee is brimming with classic British comedy and golden age orchestral charm. We begin with "The Goon Show" in "Emperor of the Universe", as Spike Milligan, Peter Sellers, and Harry Secombe take us on a delightfully absurd hunt for 25 million missing Englishmen. Then it's time for our first musical interlude, with Jack Hilton and his Orchestra playing the Cole Porter gem "You're the Top". Next, enjoy "Hancock's Half Hour" in "Hancock's Car", where Tony Hancock, Sid James, and Bill Kerr deliver a hilarious tale of motoring misadventures. The laughs keep rolling with "Beyond Our Ken" in "This Happy Breed", starring Kenneth Horne, Kenneth Williams, Hugh Paddick, Betty Marsden, and Bill Pertwee. We round off the afternoon with the romantic "Lovelight in the Starlight" from the Emery Deutsch Orchestra. Sit back and enjoy a perfect mix of laughter, music, and nostalgia from radio's golden years here on Vintage Classic Radio.

A cura di Paolo PellegriniGiuseppe Verdi: Rigoletto Gilda: Lina Pagliughi Maddalena: Anna Maria Canali Il Duca di Mantova: Mario Filippeschi Rigoletto: Tito Gobbi Sparafucile: Giulio Neri Monterone: Marcello Giorda Marullo: Virgilio Gottardi Borsa: Roberto Bruni Il Conte di Ceprano: Giuseppe Varni Direttore: Tullio Serafin Coro e Orchestra del Teatro dell'Opera di Roma 

This year we celebrate Larkin's birthday and the 70 year anniversary of the publication of The Less Deceived with a full reading of Larkin's second collection.We begin with an introduction to the collection with regular attendees of the podcast, our chair Graham Chesters and trustee Philip Pullen, and we reflect on some of the history of the publication of The Less Deceived.Thank you to all the people that have helped produce this podcast.A special thank you to our chair Rosie Millard, who was of enormous help with making the recording of Sir Tom Courtenay reading Church Going. Readers:Lines on a Young Lady's Photograph Album Philip PullenWedding-Wind Lynn HarrisonPlaces, Loved Ones Julia MunrowComing Brian BilstonReasons for Attendance Daniel WainDry Point Michael EganNext, Please Dr Andrew PalmerGoing Greg SesteroWants Joe MalagoMaiden Name Mary MccollumBorn Yesterday Cate BlanchettWhatever Happened? Melissa DennisonNo Road Hannah SullivanWires David Biespiel Church Going Sir Tom Courtenay Age Dr Jane BluettMyxomatosis Daniel VinceToads Justine GaubertPoetry of Departures Prof Douglas BellTriple Time Jacqueline BaronSpring Cate BlanchettDeceptions Hannah SullivanI Remember, I Remember Brian BilstonAbsences Sinead MorrisseyLatest Face Gerry SkeensIf, My Darling Alex Howard Skin Marco PirroniArrivals, Departures Jeremy WikeleyAt Grass Julian WildReferences:Early Larkin by James Underwood (Bloomsbury Publishing, 2021)Pretending to Be Me by Tom Courtenay (2003) https://www.amazon.co.uk/Pretending-Be-Me-Philip-Portrait/dp/1405500824Jean Hartley- Philip Larkin, The Marvell Press and Me (Faber, 2011)Philip Larkin, Life, Art and Love by James Booth (Bloomsbury Publishing, 2014)TS Eliot- The Four Quartets (Faber, 1941)On First Looking into Larkin's The Less Deceived A T Tolley 2 The paper first delivered at the 2003 Conference https://philiplarkin.com/wp-content/uploads/2022/08/About-Larkin-18.pdfThe background to the article in the Beverlonian that Graham refers to is referenced in Philip Pullen's  piece in About Larkin 45 about the Beverley walkhttps://philiplarkin.com/wp-content/uploads/2022/08/About-Larkin-45.pdfhttps://rosiemillard.substack.com/p/what-will-survive-of-usMusic: Home Cooking by Eddie Condon and his Orchestra from the Larkin's Jazz box set, 2010  https://www.theguardian.com/music/2010/jul/22/various-artists-larkins-jazz-reviewTheme music:The Horns of the Morning by Wes Finch and the Mechanicals Bandhttps://themechanicalsband.bandcamp.com/album/the-righteous-jazzProduced by Lyn Lockwood, Simon Galloway and Gavin HoggPlease email Lyn at ⁠plsdeputychair@gmail.com ⁠ with any questions or commentsPLS Membership, events, merchandise and information: philiplarkin.com 

A cura di Paolo PellegriniEttore Bastianini (Il Conte di Luna) Franco Corelli (Manrico) Mirella Parutto (Leonora)Fedora Barbieri (Azucena) Agostino Ferrin (Ferrando) Coro e Orchestra dell'Opéra de Rome - Direttore - Oliviero De Fabritiis  

Discover the power of standards-based management in this insightful episode of The Brand Called You! Host Ashutosh Garg welcomes Derrick Van Mell, Principal of the Center for Management Terms and Practices, for a deep dive into why organizations desperately need common language, ethical leadership, and clearly defined standards for competence.Derrick shares pivotal moments from his own 25-year advisory journey, revealing why less than 10% of businesses follow a real strategic plan—and how standards-based management can transform chaos into collaboration. Hear how a caring boss inspired Derrick's whole approach and learn why younger managers are embracing ethics, compassion, and a global mindset.We also explore Derrick's book “Atoms and Orchestras,” the impact of management standards across countries and industries, and actionable advice for both leaders and frontline employees. If you want to unlock long-term strategic execution and create fulfilling workplaces, don't miss this episode!

Weber, Blanka www.deutschlandfunkkultur.de, Aus der jüdischen Welt

Track Listing: Eye To Eye (Kenny Dope's Keyapella) – Amp FiddlerBe Still – Dav RisenYou Will Survive (feat. Johnnie Fiori) [Bobby & Steve's Philly Vibe Mix] – Bobby & SteveRight Here Right Now (Remix) [feat. Alicia Myers] – Acebeat MusicCaribbean Love – Trinidadian DeepThe Bottle (feat. OMAR) – Brian Jackson, Kenny Dope & Louie VegaVibration – Los Charly's Orchestra, Juan Laya & Jorge MontielLife On Mars (Paul Simpson Funkin' On Mars Remix) – Dexter WanselRunning Away – Diplomats Of SoulMusic – One WayDo Your Dance – RhyzeOh What a Lonely Feeling (feat. Merry Clayton) – Roy AyersReconcile (feat. Dames Brown) – Will Sessions & Amp Fiddler

Greg kicks things off with a Three for Thursday! Alex G is an indie artist that just released his tenth studio album Headlights. Greg thinks his unique voice and sound would be difficult to reproduce. We hear the great Lee Morgan solo on the title track of his 1979 album Sonic Boom. Finally, winner of this year's “How Have I Not Already Listened to This Album?” award, it's Evening Star by Robert Fripp & Brian Eno.Songs:Alex G - “Afterlife”Lee Morgan - “Sonic Boom”Robert Fripp, Brian Eno - “Evening Star”Jay & Nick provide a joint Tales from the Concert. King Gizzard and the Lizard Wizard is doing a 7-show tour with a live orchestra for their 27th studio album, Phantom Island. They performed alongside the National Symphony Orchestra on Monday, Aug 4 at Merriweather Post Pavilion. Jay & Nick were present, and quite impressed, to say the least.Songs:Animal Collective - “My Girls”King Gizzard & the Lizard Wizard - “The River (Live with The Orchestra at St. Luke's)”King Gizzard & the Lizard Wizard - “Crumbling Castle (Live with The Orchestra at St. Luke's)”King Gizzard & the Lizard Wizard - “Dragon (Live with The Orchestra at St. Luke's)”

Hiroshima Day August 6, 2025 Maestro Carneiro shares his mission to unite the world through music as a powerful tool to transform conflict and chaos into peace, growth and harmony.  As a visionary social entrepreneur, a Celebrity Master cellist, Orchestra conductor and Rotary Peace Fellow, he has integrated his skills and expertise to roll out several creative projects that are aimed at building global bridges between music and humanitarian action, spreading messages of peace, environmental & cultural preservation, prosperity through heart-centered mental well-being across the globe. His “Instruments For Hope Campaign -- Concert Without Borders” helped stateless musicians around the world, and was featured on the BBC.Discover how you can contribute to “Paths to Peace,” his new composition of unity and peace, from the Amazon to the Nile. "Paths to Peace" will blend nature's voice with folk, classical, and cinematic soundscapes that have enriched Diego's Path from his travel and performance in over 45+ countries, bringing the world closer through music. It is more than music — it's a call to action, a prayer for our planet, and a message of peace the world needs now. Scheduled to premiere at Rotary's Peace Centers in 2025, this work aims to become a lasting anthem for global harmony.​fomita.org/diego-carneiro​amazonarts.orgdiegocarneiro.com See the video and ask questions of future guests at:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠theworldismycountry.com/club⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music by: „World Citizen“ Jahcoustix feat. Shaggy, courtesy of Dominik Haas, Telefonica and EoM Check out the film on World Citizen #1 Garry Davis: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠theworldismycountry.com⁠⁠⁠⁠⁠ Endorse the ban on Nuclear Weapons: ⁠⁠⁠⁠⁠⁠theworldismycountry.com/endorse⁠

Kim Brandstrup is a Danish born choreographer whose latest project, Breaking Bach, unites him with the Orchestra of the Age of Enlightenment. Kim often works with leading classical companies, but in Breaking Bach he directs street dancers, some with no previous stage experience. What will they all find in Bach's exacting rhythms? Kim took an unusual route into choreography – he initially trained in film, before finding that dance was the perfect medium for his narrative impulse. His recent rich, elegant ballets draw on Hans Christian Andersen and timeless Greek myths.Kim Brandstrup studied film at the University of Copenhagen and choreography at London School of Contemporary Dance. He founded his dance company Arc in 1985, forging a narrative style that owes more to his early cinematic training than to classical story ballet or contemporary dance. His has been commissioned by international companies including the Royal Ballet, Les Grands Ballets Canadiens and the Royal Danish Ballet. Throughout his career he has sought a theatre of movement that is both powerful and subtle, creating poignant and suggestive narratives that are intensely human and emotionally revealing.Kim Brandstrup's website https://kimbrandstrup.org/Breaking Bach at the Edinburgh Festival https://www.eif.co.uk/events/breaking-bachWhy Dance Matters is a dance podcast featuring inspiring conversations with extraordinary people from the world of dance and beyond. Hosted by David Jays, editor of Dance Gazette, this podcast explores how dance shapes lives and why it matters to us all. Brought to you by the RAD, which inspires the world to dance, these insightful stories will surprise and delight. Tune in and discover more on our website. Hosted on Acast. See acast.com/privacy for more information.

On the next Tuesday Concert with Sarasota Orchestra, pianist Jon Kimura Parker performs Beethoven's bold and expressive Third Piano Concerto and conductor Earl Lee leads the orchestra in Brahms' timeless Symphony No. 4 – all on a concert from this past April.

Chicago Symphony Orchestra Daniel Barenboim, conductor

The celebrated multi-instrumentalist Dosh dreamed big a couple years ago when he put together the Larry Schaefer Memorial Orchestra. This fully improvised 12-piece unit has been performing for a handful of years and Dosh is ready to bring the show to Palmer's on the West Bank for a show this Saturday. The orchestra will be joined by LA Buckner, Little Lizard and more. Dosh was nice enough to stop by the Jazz88 studios and talk about the new project and the upcoming concert. He also took time to celebrate Palmer's, a venue with a 100+ year history that is closing its doors in Mid-September.

1 - Maxixe - Carioca - Ciro Rimac's Rhumbaland Muchachos – 19362 - La Rhumba Brasilienne (Brazilian Nuts) - Fernand Constantin et son Orchestre3 - Brazilian Nuts - Thore Ehrlings orkester4 - Ba-Tu-Ca-Da (Brazilian Rhythm) - Don Alfonso and his Orchestra - 19395 - A Saudade Mata a Gente - Dick Farney con Jose Maria y su orquesta – 19486 - Caboclo do Mato (Joao da Bahiana) - Janir Martins and Jararaca – 19427 - Magic Moon in Rio - Enric Madriguera and his Orchestra – 19498 - Upa Upa - Francisca Conde and his Latin-American Orchestra - 19459 - Foste Embora and Juro - Composer J. B. de Carvalho – 194210 - Ranchinho Desfeito - Mauro Cesar – 194211 - Macheta - Brazilian Orchestra – 194612 - Bregeiro (Ernesto Nazareth) - Conrad's Society Orchestra – 191413 - Dengozo - Victor Military Band – 191414 - O Que E Que A Bahiana Tem (What Does the Woman from Bahiana Have?) - Carmen Miranda y Dorival Caymmi – 193915 - Ola Seu Nicolau - Carlos Galhardo - 194216 - Bambo do Bambu - Jararaca e Ratinho – 1942

The celebrated multi-instrumentalist Dosh dreamed big a couple years ago when he put together the Larry Schaefer Memorial Orchestra. This fully improvised 12-piece unit has been performing for a handful of years and Dosh is ready to bring the show to Palmer's on the West Bank for a show this Saturday. The orchestra will be joined by LA Buckner, Little Lizard and more. Dosh was nice enough to stop by the Jazz88 studios and talk about the new project and the upcoming concert. He also took time to celebrate Palmer's, a venue with a 100+ year history that is closing its doors in Mid-September.

Jonathan Rosen — CEO of Orchestra, co-founder of BerlinRosen, and a top political advisor to Brad Lander and Bill de Blasio — joined the show to discuss the changing communications and media landscape, Lander's unsuccessful bid for mayor, lessons from de Blasio's 2013 win and tenure, Zohran Mamdani's ascension, and more. (Ep 521)

In this episode, Walter Mitty shares his journey as an artist, discussing the origins of his name, the evolution of his music & its transformative power to forge a journey of personal reinvention. A unique twist in this journey involves the symbolic act of burying an album in a cave, representing the mystery & depth of personal transformation. We also discuss the DIY spirit in music creation, relationships with nature & surfing. Tune in to discover how music not only shapes our identities but also empowers us to redefine our lives & pursue new beginnings.Support the podcast to get bonus episodes & goodspatreon.com/BackontheGrindHIGHLIGHTS:The origin of the alias "Walter Mitty"Early days of creating music with unconventional instrumentsEmbracing challenges for developmentPersonal stories of overcoming adversity through musicReflections on the intersection of life experiences and creativityThe act of burying the album was both a creative and ritualistic endeavorCaves as a metaphor for confronting the unknown within oneselfSurfing as a connection to natureConnect w/ Walter Mitty & His Makeshift Orchestrainstagram.com/walteretc/?hl=enwalteretcband.wixsite.com/mysitewalteretc.bandcamp.com/Back On The Grind Records - Find DIY, Folk Punk Music & Merch:backonthegrindrecords.bandcamp.com/musicGet Coffee for the Bandit in you (roasted by Pepe)StayFreeCoffee.comFollow the podcast on Instagraminstagram.com/backonthegrindpod/?hl=engramReach out...Send us questions, comments or topic suggestions toPodcast@BackOnTheGrindRecords.comLeave a comment/question on Spotify or Instagram (we read them all)***Word of mouth really matters for us. Here's two simple things you can do to help keep this podcast going strong: Share your favorite episode with a friend or two who might enjoy it.Leave a rating / review. This helps me get access to the guest you want to hear from & allows the show to reach & support more folks like you :)Stay Free,Pepe Bandit Hosted on Acast. See acast.com/privacy for more information.

Creating a musical score for interactive video games is like trying to hit a moving target. Luckily, Hans Zimmer's studio Bleeding Fingers has developed some clever strategies. I talk with their CEO Russell Emanuel and musicians Thom Lukas and Giovanni Rios about how they create innovative scores for games like Arknights, and why they thrive under creative limitations. Grammy-winning video game composer Winifred Phillips discusses how she builds adaptive scores that shift and respond to unpredictable gameplay. And video game historian and RPI professor William Gibbons explains why the technological limitations of ‘80s and ‘90s games actually fueled composers' creativity.   This week's episode is sponsored by The Perfect Jean. Our listeners get 15% off your first order plus Free Shipping, Free Returns and Free Exchanges when you use code IMAGINARY15 at checkout. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Join host Erin Helyard as he takes us on a sweeping exploration of the origins of Maid Made Boss, the tradition of the intermezzo, the political and philosophical tensions of mid-century Paris, and how one clever servant girl helped change the course of operatic history. Musical excerpt 1 - Taryn Fiebig as Erighetta and Richard Anderson as Don Chilone in Pinchgut Opera's "Erighetta e Don Chilone by Vinci (2017 Triple Bill). Conducted by Erin Helyard with Orchestra of the Antipodes Musical cxcerpt 2 - Taryn Fiebig as Erighetta in Pinchgut Opera's "Erighetta e Don Chilone by Vinci (2017 Triple Bill). Conducted by Erin Helyard with Orchestra of the Antipodes Musical excerpt 3 - Christian Immler as Uberto, "Aspettare e non venire" from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O'Dette and Stephen Stubbs Musical excerpt 4 - Amanda Forsythe as Serpina "A serpina penserete qualche" volta from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O'Dette and Stephen Stubbs Musical excerpt 5 - Christian Immler as Uberto "Son imbrogliato io già" from La Serva Padrona - permission for use granted by Boston Early Music Festival Chamber Ensemble - Paul O'Dette and Stephen Stubbs Musical excerpt 6 - from Pinchgut Opera's performance of Platée by Rameau, conducted by Erin Helyard with Orchestra of the Antipodes (2017) Musical excerpt 7 - from Pinchgut Opera's performance of Platée by Rameau, conducted by Erin Helyard with Orchestra of the Anitpodes. (2017) Closing excerpt from the Overture of Erighetta e Don Chilone by Vinci. Conducted by Erin Helyard with Orchestra of the Antipodes (Pinchgut Opera 2017) Music credits: Pergolesi: La serva padrona & Livietta e Tracollo ℗ 2023 CPO Released on: 2023-12-05 Orchestra: Boston Early Music Festival Chamber Ensemble Conductor: Paul O'Dette Conductor: Stephen Stubbs Lyricist: Genarro Antonio Federico Composer: Giovanni Battista Pergolesi

In this episode of I 501(c) You, Joe McKenna, President and CEO of the Sarasota Orchestra and self proclaimed “Governance Junkie,” delivers a masterclass on nonprofit governance, leadership, and board engagement. Joe shares how thoughtful governance structures empower creativity, how to build trust between board and staff, and why eliminating an executive committee created a more engaged and accountable board. He also opens up about personal routines that keep him grounded and shares his two essential book recommendations for nonprofit leaders. Whether you're a new executive director or a seasoned CEO, this episode is packed with wisdom on sustaining mission-driven leadership in a complex world. Joe's Book Recommendations: Governance as Leadership Conquering Crisis Timestamps: (00:00) Introducing Joseph McKenna, President and CEO of Sarasota Orchestra (02:00) Joe's leadership philosophy (03:30) Joe is a “Governance Junkie” (06:45) Define Governance (12:00) Who is responsible for governance? (14:50) Why do you not have an Executive Committee? (18:30) Committee Structure (24:30) Creation of the Music Hall (27:45) Keeping staff working towards the larger goal but still completing daily tasks (29:30) How Joe manages his schedule (32:45) Advice for Executive Directors (34:30) Recapping with Read Join us every week as we release a new podcast with information about how you can be the best board member and provide great service to your organization. Listen to the podcast on any of the following platforms: YouTube Apple Podcasts Spotify Podcasts Amazon iHeartRadio Visit us at: www.thecorleycompany.com/podcast

1 - Starvation Blues - Jesse Stone and his Blue Serenaders – 19292 - Hungry Man - Louis Jordan and His Tympany Five – 19493 - Hungry Women - Eddie Cantor - 19284 - Who's Got a Tent for Rent? - Tony Pastor and Virginia Maxey - 19465 - One Room Apartment - Jerry Glenn – 19536 - Baby I'm So Doggon Tired - Red Egner - 19467 - Ration Blues - Louis Jordan and his Tympany Five – 19438 - If Money Talks It Ain't on Speaking Terms with Me - Arthur Collins - 19029 - Money Blues - Joseph C Smith and his Orchestra – 191610 - Dat Friend of Mine - Clarice Vance - 190811 - I Need a Friend - Tommy Taylor with Mitchell Ayres and his Fashions in Music – 194012 - I Can Fix It - Big Bill Broonzy and his Rhythm Band - 194013 - I Can Dance with Everybody but My Wife - Joseph Cawthorn – 191614 - I Think I Can - Jack Buchanan – 193515 - If You Ever Need a Friend - Wesley Tuttle and his Texas Stars – 194716 - Help Yourself to Happiness - Glen Gray and the Casa Loma Orchestra – 1931

This week Dan and PJ talk about our time playing Shackleton Base with Jamie from the Secret Cabal Gaming Podcast, then Angie joins the conversation as we discuss Black Orchestra from Tycoon Games. This is a cooperative game around the events of Operation Valkyrie - a covert operation designed to assassinate Hitler! This week's review is just on the base game and we will be discussing the expansion soon! We want to send a huge thank you to Tycoon Games for supporting our podcast with a copy of the game and the expansion to purchase. Be sure to visit their website to purchase great games like Everdell Silverfrost or to pre-order Black Orchestra: Resistance. Also keep an eye out for Blood Rage: Valhalla, the sequel to Blood Rage which is coming soon.PJ's BGA Username: PukwuPJSend me a friend request and lets play some games!Special thanks to David Gledhill and Slo-Mo for allowing us to use their song "Boy From the City." If you would like to hear what David is up to these days, please follow the link below!https://open.spotify.com/artist/2mkSfdbk3EkKfh45pd2CWH?si=-nDfgFOCTKu5j46m3B1pQw Hosted on Acast. See acast.com/privacy for more information.

Episode 82: Narada Michael Walden. He went from being the drummer of Mahavishnu Orchestra and landing the cover of Modern Drummer Magazine, to producing Whitney Houston's biggest hits and winning the GRAMMY for Producer of the Year. This interview is the epic journey of Narada Michael Walden. I loved this conversation so much. Narada's positive, creative energy jumps out at you immediately. We go deep into his drumming career, how he got the gig with his favorite band, Mahavishnu Orchestra, following the great Billy Cobham. How he landed a record deal as a solo artist, almost got dropped, then shifted his focus to disco and scored a hit that saved his career. Then came the call from Clive Davis that launched his producing career and brought him Aretha Franklin, Whitney Houston, Mariah Carey, and so many more. His story is incredibly inspiring. From super drummer, to successful solo artist to hit producer. We went so deep on Mahavishnu in this convo that we had to do this interview in two parts! I'm happy now to bring you Part 1 with the brilliant and fun Narada Michael Walden. ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Big thanks to our friends at DistroKid! DistroKid is the easiest and fastest way to get your music on over 150 platforms worldwide! Go to https://distrokid.com/vip/elmo to get 20% off your first year! Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated!   Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Narada: https://www.instagram.com/officialnarada/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Learn more about your ad choices. Visit megaphone.fm/adchoices

Here's the final part of our retrospective focusing on the tracks from the first half of 2025 that have sparked our imagination and set the tone for the rest of the year. The playlist features Silke Eberhard; Nādt Orchestra [pictured], Pasquale Mirra, Alberto Brutti; Cosmic Ear; Jakob Bro; Hayéli. Detailed playlist at https://spinitron.com/RFB/pl/20909612/Mondo-Jazz [from "New Dance" onwards] Happy listening!

On the latest episode of ‘New Classical Tracks,' Canadian violinist James Ehnes joins his many friends at the National Arts Center Orchestra to record all of Bach's Violin Concertos. Listen now with host Julie Amacher!

2 hour and 6 minutes This episode was recorded at Champions Circle's third golf outing, on a golf course outdoors, so apologies for the background noise. Huge thank you to Alejandro Zúñiga for his production assistance and for sitting in on the first segment while Brian was stuck behind a funerial procession. The Sponsors Thank you to Underground Printing for making this all possible. Rishi and Ryan have been our biggest supporters from the beginning. Check out their wide selection of officially licensed Michigan fan gear at their 3 store locations in Ann Arbor or learn about their custom apparel business at undergroundshirts.com. Our associate sponsors are: Peak Wealth Management, Matt Demorest - Realtor and Lender, Ann Arbor Elder Law, Michigan Law Grad, Human Element, Sharon's Heating & Air Conditioning, The Sklars Brothers, the Autograph: Fandom Rewarded app, Champions Circle, Winewood Organics, Community Pest Solutions, Venue by 4M where usually record this, and new this week the Ann Arbor Summer Festival, and the Aretha Franklin Amphitheatre. 1. MAX BREDESON, DOMINIC ZVADA, & MARLIN KLEIN Starts at 1:00 Zvada explains why kickers are so much better today: access to technology originally developed for golf that shows their spin rate and trajectory and distance, plus training techniques. Bredeson discusses The Game last year and how they went hunting for gaps, says anyone who plays TE can do all the things they do. Klein turned it up in the bowl game. We get a crash course in kicker and TE lingo.  2. BRYCE UNDERWOOD, JADYN DAVIS, & JORDAN MARSHALL Starts at 21:36 Underwood and Davis set up challenges for each other, how they make each other better. Marshall and Haynes were full go in spring, happy splitting reps. Least favorite guy to get hit by: Brandyn Hillman; Marshall was happy that he and Jaishawn were on his team in spring. What role the fans played in Bryce's recruitment. How does money play a role in the locker room these days? How they see the Martindale defense. [The rest of the writeup and the player after THE JUMP]  3. MIKEY KEENE, DAVIS WARREN, & JUSTICE HAYNES Starts at 39:43 Keene on preparing to play Michigan: what they could teach each other. Haynes similar thing: what was it like playing against Michigan in the Rose Bowl. Thing they prepared for Michigan: wow, the blitzes! Haynes lists all the reasons he came to Michigan until we tell him "It's okay, the quarterbacks are aware we run the ball." On platooning: I want to be able to run around with my kids after football. Warren on playing Ohio State. New faces in the QB room: type of guys on the team. 4. DONAVEN MCCULLEY, SEMAJ MORGAN, PEYTON O'LEARY, & JOE TAYLOR Starts at 59:01 McCulley also shares what it's like to be a (true Fr) quarterback facing Michigan (not fun!). O'Leary and Taylor talk about the walk-on experience, what's going to happen with the 15 guys who used to be walk-ons. Other walk-ons who are impressing (Andrighetto at safety). Learning to play WR: you get a feel for where you need to be for the quarterback, playing in space. How much has the offense changed. Who's come along since last year: Tevis Metcalf for sure.   5. ERNEST HAUSMANN, TJ GUY, & DOMINIC NICHOLS Starts at 1:26:05 HONESTLY THIS WAS OUR BEST INTERVIEW. Ernest and TJ are starting a podcast. Guy on how many positions you need to know to play OLB. How he and Nichols feel about dropping into coverage. Hausmann shares he's got to be in better shape to be the dot because he can't be breathing hard between plays as he's giving the calls. What were they seeing versus Ohio State. "Ern was going crazy in that game." How do you grade LBs? It was quiet.     6. GREG CRIPPEN, GIO EL-HADI AND ANDREW BABALOLA Starts at 1:30:14 Crippen how it feels to be The Guy finally (not counting his eggs; he's got to win it). Why El-Hadi is just more comfortable on the left. Babalola on the difference between HS and college, and how he compares to the other guys as freshmen. What's it like being a five-star recruit. How they see the fronts and make the line calls. Why is OL hard: gotta learn the playbook first, including all the adjustments. How to make decisions on the fly: all about communication. Gio doesn't play with a mouthguard so he can communicate better. If Michigan football had to make a basketball team: PG: Semaj Morgan SG: Bryce Underwood SF: TJ Guy PF: Lugard Edokpayi C: Babalola/Sprague       8. ROD MOORE, ZEKE BERRY, TJ METCALF AND SHAMARI EARLS Starts at 1:43:41 Rod Moore recovery: 85%. Had to come back mentally before but he's staying as locked in as he can. TJ Metcalf on the portal experience. Zeke Berry on the transition to corner: switching up to #1 was a little iffy at first, but the look is the same, got used to it. Did he see the IU pick earlier in the game? No it was in practice the week before. Still a jack of all trades. Shamari on track, he's picking up all the calls. Receivers to watch? Marsh, Goodwin, Semaj. Who's the fastest guys out there. Who's the biggest hitter: B-Hill, then TJ then Rod. Transition to Wink last year: had to get comfortable with each other. 9. TRE WILLIAMSON, DERRICK MOORE, AND RAYSHAUN BENNY Starts at 1:55:39 Rayshaun going into this year: he's been out there, acted like a starter from previous years. Tre on difference with Michigan. He loves the depth, no other school had the type of talent he was playing around. D-Mo on playing Edge, started with two of the four positions (Rush, End, Buck and SAM). What would he say to his freshman self? Biff Poggi made this program the same program as at St. Frances. He was injured last year, the production was always there, leading the team in pressures early. Benny on coming back from his injury last year. MUSIC: "Intro (A Star in the Sky)"—Heavy Weighs the King "Stand Well Well"—Seun Kuti & Egypt 80 "It'll All Work Out"—Blake Mills “Across 110th Street”—JJ Johnson and his Orchestra    

This album with the Bavarian Radio Symphony Orchestra features music by Australian composer Liza Lim, with whom the orchestra has an ongoing relationship.  Over the past decade the orchestra has been involved in commissioning all three works on this album:  The Compass for orchestra with solo flute and digeridoo, A Sutured World for Cello and Orchestra, and Mary / Transcendence after Trauma.  

1 - Swing Out, Uncle Wilson - The Three Peppers – 19382 - Down T' Uncle Bill's - Chick Bullock with Todd Rollins and his Orchestra - 19343 - Uncle Eph's Dream - Skeets Tolbert and his Gentlemen of Swing – 19414 - I Got an Uncle in Harlem - Hot Lips Page - 19495 - We All Love Uncle Joe - Fred Harrison6 - How's Your Uncle - The High Steppers - 19317 - When Uncle Joe Plays a Rag on His Old Banjo - Arthur Collins – 19128 - Uncle Bud - Billy Jones with Tampa Blue Jazz Band - 19219 - Uncle Bud - Erskine Hawkins (The Twentieth Century Gabriel) and his Orchestra – 194110 - Uncle George - Herb Greggerson with Slim and his Country Cousins11 - Aunt Patsy - Prince's Band – 191612 - Uncle Harry - Noel Coward - 195513 - Shout 'Em Aunt Tillie - Duke Ellington and his Orchestra – 193014 - The Little Brown Suit My Uncle Bought Me - Sgt. "Ace" Goodrich - 194315 - He's My Uncle - Rose Blane with Abe Lyman and his Californians – 194016 - Bop's Your Uncle - George Shearing – 1948

The IMMP takes a break from movies and TV to dip back into music, as Matthew introduces Ian to the dark but poppy science fiction of ELO's 1976 album A NEW WORLD RECORD.

Synopsis“Time is a funny thing,” as one of the more philosophically-inclined Viennese characters so wisely observed in Richard Strauss' opera Der Rosenkavalier.Der Rosenkavalier had its premiere in 1911, and coincidentally, on today's date that year, Viennese composer Anton von Webern completed one of the shortest orchestral works ever written — the fourth of his Five Pieces for Orchestra, which lasts about 20 seconds time. It's so short, it takes longer to describe the music than to actually hear it!Webern was attempting to render down the extravagant style of late-Romantic composers like Strauss and Mahler into its quintessence — a haiku-like concentration of gesture and color, the musical equivalent of a Japanese painting of just a few deft brush strokes across a blank canvas, with more implied than actually shown.In the same spirit, but at the opposite end of the time spectrum, is the work of American composer Morton Feldman, who holds the record for composing some of the longest pieces ever written. Feldman was friends with, and inspired by, painters of the so-called New York School, including Mark Rothko and Philip Guston. A 1984 work by Feldman is titled For Philip Guston, and, in complete performance, it's a piece that runs about four hours.Music Played in Today's ProgramRichard Strauss (1864-1949): Der Rosenkavalier: Suite; New York Philharmonic; Lorin Maazel, conductor; DG 7890Anton Webern (1883-1945): No. 4, from Five Pieces for Orchestra; Ensemble InterContemporain; Pierre Boulez, conductor; DG 437786Morton Feldman (1926-1987): For Philip Guston; The California EAR Unit; Bridge 9078

In the latest episode, Gianni shares exclusive, unreleased tracks from his album ‘Reflections 2', featuring Frank Sinatra's full orchestra and saxophonist Jimmy Mulligan. Gianni highlights the unique opportunity for listeners to purchase and download these tracks exclusively from his website, giannirusso.com. Amid his excitement, Russo also announces upcoming events, including his presence at the Fanboy Expo in Orlando and a significant performance at Resorts World Catskills on Columbus Day weekend. Unfortunately, co-host Jeannie Raymond could not join due to flight cancellations, but the show continues with lively anecdotes and musical interludes.

For 25 years, the Serenata Orchestra has been bringing music to the Treasure Valley, providing free concerts to the community, so that everybody has the chance to experience the classics.

Healthy relationships have the capacity to assist us in changing, growing, evolving for the better. A young friend puts out a brief but insightful weekly newsletter (Sign up and read articles on WholeManMethod.com ), and in the last one he mused, “The cost of ignoring your authentic life will always outweigh the discomfort of answering your soul's call."

Send us a textUli Bella from Ozomatli stops by the show to discuss the 30 Revolutions Nationwide Tour, the LA raids, mental health, being a caregiver, Richard Simmons and more.  ****If the city of Los Angeles had a soundtrack, it would be Ozomatli. Since their formation in 1995, the six-piece, multi-genre band has been a cultural force, blending Latin, hip-hop, funk, reggae, and global influences into an unmistakable sound that embodies the energy and diversity of LA. In 2025, Ozomatli celebrates an incredible milestone: 30 years of bringing their dynamic, genre-defying music to audiences around the world.To mark the occasion, Summer 2025 kicks off their 30 Revolutions Nationwide Tour, a celebration of three decades of music, community, and culture.Emerging from the politically charged streets of Los Angeles, Ozomatli's origins are steeped in activism and a desire to unite communities through music. This ethos has carried the band across three decades, earning them a dedicated global following and accolades that include three GRAMMY® Awards, iconic performances at the Hollywood Bowl, a TED Talk, and countless shows worldwide. From high-profile TV appearances on The Today Show, Jimmy Kimmel Live, and Austin City Limits to groundbreaking tours in places like Burma and Mongolia, Ozomatli's music and message transcend borders, languages, and cultures.The ensemble's six founding members—Asdru Sierra (vocals, trumpet), Raul Pacheco (vocals, guitars), Uli Bella (saxophone, vocals), Wil-Dog Abers (bass), Jiro Yamaguchi (percussion), and Justin Poree (vocals, percussion)—have remained true to their mantra: "We take you around the world through the heartbeat of Los Angeles." Their music is a vibrant collision of styles, drawing from salsa, dancehall, cumbia, samba, funk, merengue, New Orleans second line, Jamaican ragga, and Indian raga. This eclecticism is at the heart of their sound, resonating with audiences of all ages and backgrounds.Ozomatli's legacy extends far beyond their music. Known for their tireless community involvement, the band has used their platform to amplify causes that matter, from immigrant rights to education and beyond. Their ability to combine socially conscious lyrics with infectious grooves has made them a beacon of unity and resilience, a band that celebrates life while addressing the struggles that connect us all.Their 30th anniversary is not just a celebration of longevity but also a testament to their enduring relevance and innovation. With a career that began with their groundbreaking 1998 self-titled debut, they continue to evolve and inspire. Whether performing new material or beloved classics, Ozomatli's live shows remain a jubilant experience, igniting dance floors and uniting communities.As they embark on their fourth decade, Ozomatli stands as a symbol of Los Angeles' past, present, and future—a band whose music is as multifaceted and vibrant as the city they call home. Here's to 30 years of Ozomatli, and the next chapter in their global musical journey.****If you would like to contact the show about being a guest, please email us at Dauna@bettertopodcast.comUpcoming guests can be found: https://dmneedom.com/upcoming-guest Follow us on Social MediaInstagram: https://www.instagram.com/author_d.m.needom/Facebook: https://www.facebook.com/bettertopodcastwithdmneedomIntro and Outro music compliments of Fast Suzi©2025 Better To...Podcast with D. M. NeedomSupport the show

Inbal Segev is a virtuoso Israeli-American cellist. She has been characterized as “a cellist with something to say”. She's performed with the Helsinki, Dallas and London orchestras among many others. She frequently commissions and champions new works. Her playing can be heard in the 2005 movie “Bee Season” starring Richard Gere and Juliette Binoche. One of her newest projects in “I'm Nobody! Who Are You?”, an Emily Dickinson setting for unaccompanied women's choir. And she's scoring a documentary film about a Holocaust survivor.My featured song is “Tree Of Life” from the album PGS 7 by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH INBAL:www.inbalsegev.com______________________ROBERT'S RECENT SINGLES:“THE CUT OF THE KNIFE” is Robert's latest single. An homage to jazz legend Dave Brubeck and his hit “Take Five”. It features Guest Artist Kerry Marx, Musical Director of The Grand Ole Opry band, on guitar solo. Called “Elegant”, “Beautiful” and “A Wonder”! CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

On this week's episode of Economic Update, Professor Wolff delivers updates on the political theater, of the U.S./Iran hostilities, the political shock of Zohran Mamdani's Democratic primary win in New York City, the withdrawal of union leaders from the Democratic National Committee, and the rising trade among BRICS crosses the $1 trillion milestone. In the second part of today's show, Prof. Wolff interviews two leaders of the musicians' union representing the orchestra of the Metropolitan Opera at Lincoln Center, New York City: Javier Gandara and Stephanie Mortimore.   The d@w Team Economic Update with Richard D. Wolff is a DemocracyatWork.info Inc. production. We make it a point to provide the show free of ads and rely on viewer support to continue doing so.  You can support our work by joining our Patreon community:  https://www.patreon.com/democracyatwork Or you can go to our website: https://www.democracyatwork.info/donate     Every donation counts and helps us provide a larger audience with the information they need to better understand the events around the world they can't get anywhere else.  We want to thank our devoted community of supporters who help make this show and others we produce possible each week.1:01  We kindly ask you to also support the work we do by encouraging others to subscribe to our YouTube channel and website: www.democracyatwork.info

This episode covers2/3's Adventure (Live) by Jazz at Lincoln Center Orchestra with Wynton MarsalisThree Little Pigs by Green JellÿThree Piece Band (Live) by DboyWebsite: https://redcircle.com/shows/two-tunes-podcastInstagram: https://instagram.com/twotunespodcast?igshid=13gpurxc3bf2qDiscord: https://discord.gg/eYMwBuJ6GeRSS Feed: https://feeds.redcircle.com/baeeceec-9527-475d-85b5-d9da2eea19d3E-mail: twotunespodcast@gmail.comSupport this podcast at — https://redcircle.com/two-tunes-podcast/exclusive-content

Damon has had series regular roles in The Big Door Prize, The Last Days of Ptolemy Grey starring Samuel L. Jackson (both for Apple TV), Black Lightning (CW), Criminal Minds (CBS), The Player (NBC), The Divide (AMC), Prime Suspect (NBC), Dick Wolf's Deadline (NBC), Strange Brew (FOX), and Finkleman (NBC), as well as guest star/recurring appearances on Happy Face (Paramount+), as well as Your Honor (Showtime), Super Pumped (Showtime), The Comey Rule (Showtime), Dirty, John (Bravo), Goliath (Amazon), Bates Motel (A&E),The Newsroom (HBO), Suits (USA), Empire (FOX), Rake (FOX), Law & Order (NBC), Law & Order Criminal Intent (NBC), Conviction (NBC), The Unusuals (ABC), Hack (CBS), Third Watch (NBC), and Drift (ABC). He appears in the upcoming Lear Rex, starring Al Pacino and The Drama, directed by Kristoffer Borgli, as well as Damien Chazelle's Academy Award-winning films Whiplash and LaLa Land, This is Forty, The Last Airbender, Helen at Risk, Before the Devil Knows You're Dead, Unfaithful, The Loretta Claiborne Story, and Nicki Micheaux's Summer of Violence. As a conductor, he was appointed the first-ever Principal Guest Conductor of the Cincinnati Pops. He served as American Conducting Fellow of the Houston Symphony and held the post of assistant conductor of the Kansas City Symphony. His conducting appearances include the Boston Pops, Philadelphia Orchestra, Orchestra of St. Luke's, Detroit Symphony, San Francisco Symphony, Atlanta Symphony, Baltimore Symphony, National Symphony Orchestra, St. Louis Symphony Orchestra, Toledo Symphony, Fort Worth Symphony, Florida Orchestra, San Diego Symphony, Long Beach Symphony, San Antonio Symphony, Princeton Symphony, Orchestre Philharmonique de Monte Carlo, NHK Orchestra of Tokyo, Orquesta Filarmonica de UNAM, Charlottesville Symphony, Brass Band of Battle Creek, NYU Steinhardt Orchestra, Kinhaven Music School, Vermont Music Festival, Michigan Youth Arts Festival, Brevard Music Center, and Sphinx Symphony as part of the 12th annual Sphinx Competition. 

Today, we meet a local mandolin ensemble. Then, the Supreme Court's history of resistance to Black progress. And, we'll hear some readings from local fiction writers.