Podcasts about orchestras

INTRO Ding Xiaokui - "Love of Eagles" (https://www.youtube.com/watch?v=cs3UfPIhiok) Zequinha de Abreu - "Tico Tico" (https://www.youtube.com/watch?v=v_ZnJCMQqwo) perf. Macalester African Music Ensemble - "Chana" (https://www.youtube.com/watch?v=ZcBeuBggwVE) Traditional - "Cat Rambles to the Child's Saucepan" (https://www.youtube.com/watch?v=Rl6FmRLKi5U&list=PLx1Nd6N7U0a93cIjpA-yzJonCao2TSZam) William Banfield - "I'm DIZzy over Miles" (https://www.youtube.com/watch?v=ghHn6hANkXk) Anton Bruckner - "Adagio" from Symphony No. 8 (https://www.youtube.com/watch?v=1qhJHNO3j84) MOVEMENT 1 "He Quit Singing Because of Body Shaming. Now He's Making a Comeback." (https://www.nytimes.com/2023/01/23/arts/music/limmie-pulliam-opera-body-shaming.html) R. Nathaniel Dett - "The Ordering of Moses" (https://www.youtube.com/watch?v=DX3xCrHBOwY) "McDonald's to play Beethoven music after staff injured in coin fight" (https://www.independent.co.uk/news/uk/home-news/mcdonalds-classical-music-wrexham-wales-b2271031.html) Ludwig van Beethoven - "Wellington's Victory" (https://www.youtube.com/watch?v=FrY9aqX49d8) MOVEMENT 2 Barrett Strong - "Money (That's What I Want)" (https://www.youtube.com/watch?v=yeVx1C73o8k) William Banfield - "If Bernstein Wrote It..." (https://www.youtube.com/watch?v=7xnvZ3V72aw) MOVEMENT 3 Red Black and Green Revolutionary Eco-Music Tour (excerpt) (https://www.youtube.com/watch?v=d2FNjC_8MtE) Conversation: Salim Washington and Garrett McQueen Charles Mingus - "Moanin'" (https://www.youtube.com/watch?v=ImvjZ7fUUBU) MOVEMENT 4 B.B. King - "I've Got a Mind to Give Up Living" (https://www.youtube.com/watch?v=GpoH2IY2Mcc) "4 officers indicted in Tyre Nichols death had previous reprimands, suspensions by MPD" (https://www.commercialappeal.com/story/news/2023/01/31/tyre-nichols-memphis-four-officers-indicted-prior-reprimands-suspensions/69860010007/) SPONSORS Schubert Club: https://schubert.org Salastina: https://www.salastina.org Gateways Radio: https://www.gatewaysmusicfestival.org ★ Support this podcast ★

Our guest this week is musician Andy Prince of the phenomenal band, Manchester Orchestra! Andy Grew up in the Florida panhandle, and spent his early years immersed in an Evangelical movement known as the Brownsville Revival. He cut his teeth as a musician in the church praise band. However, as he grew older, he found himself yearning for a little more out of life, and a little less out of the big church. We had a blast chatting with Andy and hearing his story! Follow Andy (@andyprince) and Manchester Orchestra (@manchesterorchestra) on Instagram, and stream their latest single “No Rule” out now!

Welcome to Season 2 of Two Moody Doctors!  We're so excited to continue this adventure with you all.  For the launch of season 2, our first two episodes were recorded live within our Life Wellness class at The University of Alabama School of Music!The topic of this recording?  College struggle meals.  So buckle up--this is a wild ride!If you wish to submit a topic, question, or idea (even anonymously, if desired), you may do so at https://kevinwoosley.com/two-moody-doctors  You may also email us at twomoodydoctors@gmail.com Keep being amazing!

The Cello Sherpa Podcast Host, Joel Dallow, interviews Janet Horvath, former Associate Principal Cellist of the Minnesota Orchestra and Author of "Playing Less Hurt." We talk about her struggle with overcoming her own hearing injury, and we introduce her newest book, slated for release on February 28, "The Cello Still Sings" For more information on Janet Horvath - https://www.janethorvath.com/The Cello Still Sings - https://mybook.to/CelloJH A Generational Story of the Holocaust and of the Transformative Power of Music preorders Jan 1.2023 , pub date February 28, 2023To purchase a copy of Janet's book "Playing Less Hurt" click here: https://www.amazon.com/Playing-Less-Hurt-Prevention-Musicians/dp/1423488466If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on instagram @theCello Sherpa

If you listened to my show last week about Stravinsky's ballet The Firebird, you know that Stravinsky's life was never the same after the premiere of the ballet in 1910. Sergei Diaghilev, the founder of the Ballets Russes and Stravinsky's greatest collaborator, said just before the premiere, “this man is on the eve of celebrity.” Diaghilev was absolutely right, as The Firebird made Stravinsky a Parisian household name practically overnight. Of course, immediately everyone wanted to know what was next. Stravinsky did too, and he was thinking that he needed to stretch himself even more, as even though the Firebird had caused a sensation, he still felt that it was too indebted to his teachers of the past like Nikolai Rimsky Korsakov and other Russian greats like Borodin or Mussorgsky. At first, Stravinsky dreamed of a pagan Rite, but quickly he changed course, wanting to write something that was NOT ballet music, and in fact would be a concerto for Piano and Orchestra. But instead of just a straight ahead abstract piece, Stravinsky had yet another story in mind. This time it was this: “In composing the music, I had in mind a distinct picture of a puppet, suddenly endowed with life, exasperating the patience of the orchestra with diabolical cascades of arpeggios. The orchestra in turn retaliates with menacing trumpet blasts. The outcome is a terrific noise which reaches its climax and ends in the sorrowful and querulous collapse of the poor puppet.” Diaghilev visited Stravinsky in Lausanne Switzerland expecting to hear more about the pagan rituals Stravinsky had been so excited about, but instead Stravinsky played him this strange piano concerto. But Digahliev, ever the visionary, saw the potential in this story and in this music for dance as well, and convinced Stravinsky to turn the piano concerto into a ballet, and Petrushka was born. Within a few months, Petrushka was written, performed, and was yet another sensation. Today, we'll talk all about the brilliant music that Stravinsky composed for the ballet, the integration of choreography and music, and the radical changes that this music heralded for the western music world.

Synopsis In 1933, Aaron Copland introduced Roy Harris to Serge Koussevitzky, the famous conductor of the Boston Symphony in those days. Now, Koussevitzky was one of the great patrons of American music and was always looking for new American music and new American composers. Roy Harris had been described to him as an "American Mussorgsky," which probably intrigued the Russian-born conductor. When Koussevitzky learned that Harris had been born in a log cabin in Lincoln County, Oklahoma, on Abraham Lincoln's birthday, no less – well, perhaps he hoped the 41-year old Harris might produce music equally all-American in origin. "Write me a big symphony from the West," asked Koussevitzky, and Harris responded with a three-movement orchestral work titled: "Symphony, 1933," which had its premiere performance on today's date in 1934 with the Boston Symphony under Koussevitzky's direction. Koussevitzky loved it. "I think that nobody has captured in music the essence of American life -- its vitality, its greatness, its strength -- so well as Roy Harris," enthused the famous conductor, who recorded the piece at Carnegie Hall in New York just one week after its premiere. And it was Koussevitzky's Boston Symphony that would subsequently premiere Harris's Second, Third, Fifth and Sixth Symphonies as well. Music Played in Today's Program Roy Harris (1898 – 1979) Symphony 1933 (No. 1) Louisville Orchestra; Jorge Mester, conductor Albany 012 On This Day Births 1924 - American composer Warren Benson, in Detroit, Michigan; Deaths 1795 - German composer Johann Christioph Friedrich Bach, age 62, in Bückeburg 1993 - American composer and teacher Kenneth Gaburo, age 66, in Iowa City; Premieres 1732 - Handel: opera "Ezio" (Julian date: Jan.15); 1790 - Mozart: opera, "Così fan tutte," in Vienna at the Burgtheater; 1873 - Tchaikovsky: Symphony No. 2, in Moscow (Gregorian date: Feb. 7); 1882 - Borodin: String Quartet No. 2 in D, in St. Petersburg (Gregorian date: Feb. 7); 1905 - Schoenberg: symphonic poem "Pelleas und Melisande," in Vienna, with the composer conducting; 1908 - Rachmaninoff: Symphony No. 2 in St. Petersburg (Gregorian date: Feb. 8); 1911 - Richard Strauss: opera, “Der Rosenkavalier,” in Dresden at the Hofoper, conducted by Ernst von Schuch, with vocal soloists Margarethe Siems (Marschallin), Eva von der Osten (Octavian), Minnie Nast (Sophie), Karl Perron (Baron Ochs), and Karl Scheidemantel (Faninal); 1920 - Prokofiev: "Overture on Hebrew Themes," in New York by the Zimro Ensemble, with the composer at the piano; 1922 - Vaughan Williams: Symphony No. 3 "Pastoral," by the Royal Philharmonic, London, Sir Adrian Boult conducting; 1934 - Roy Harris: Symphony No. 1, by the Boston Symphony, Serge Koussevitzky conducting; 1952 - Ernst von Dohnányi: Violin Concerto No. 2, in San Antonio, Texas; 1957 - Bernstein: "Candide" Overture (concert version), by New York Philharmonic conducted by the composer; The musical "Candide" had opened at the Martin Beck Theater in New York City on December 1, 1956; 1957 - Poulenc: opera, "Les dialogues des carmélites" (The Dialogues of the Carmelites) in Milan at the Teatro alla Scala, Nino Sanzogno conducting; 1962 - Diamond: Symphony No. 7, by the Philadelphia Orchestra, Eugene Ormandy conducting; 1966 - Dominick Argento: Variations for Orchestra and Soprano (The Masque of Night"), at the St. Paul Campus Student Center of the University of Minnesota, by the Minneapolis Civic Orchestra, Thomas Nee conducting, with soprano Carolyn Bailey; A second performance took place on Jan. 27th at Coffmann Memorial Union on the Minneapolis campus of the University of Minnesota; 1967 - Frank Martin: Cello Concerto, in Basel, Switzerland; 1994 - Elisabetta Brusa: “La Triade” for large orchestra, by the Tirana (Albania) Radio and Television Orchestra, Gilberto Serembe conducting; 1994 - Christopher Rouse: Cello Concerto, by the Los Angeles Philharmonic conducted by David Zinman, with Yo-Yo Ma the soloist; 1995 - Joan Tower: "Duets for Orchestra," by the Los Angeles Chamber Orchestra, Christoph Perick conducting. Links and Resources On Roy Harris

INTRO Wang Lu - "Urban Inventory" (https://www.youtube.com/watch?v=6BzCkMEadh8) Pyotr Tchaikovsky - Concerto for Violin and Orchcestra (https://www.youtube.com/watch?v=176ZO9pZGEc) MOVEMENT 1 (20:15) "Composers and Performers to Watch This Year": https://www.washingtonpost.com/arts-entertainment/2023/01/20/classical-music-composers-performers-2023/ Xavier Dubois Foley - "Shelter Island" (https://www.youtube.com/watch?v=xu4Pvmddsp0) Brittany J. Green - "Dark Forest" (https://www.youtube.com/watch?v=dBoqt4Ym2IQ&list=PLnE0VkxOY0VSJqLv3DEX8Ft119xnSMbOn&index=8) Joy Guidry - "Voices of the Ancestors" (https://www.youtube.com/watch?v=BxGOq0IklTE) William Grant Still - "Summerland" for Flute and Piano (https://www.youtube.com/watch?v=7hpXTfJvt7M) "New Concert Series to Launch with Jeezy and Atlanta Symphony Orchestra": https://www.ajc.com/things-to-do/new-concert-series-to-launch-with-jeezy-and-atlanta-symphony-orchestra/5WAZWSOB7JCHNH2SBRJXYUBCKU/?state=refreshTokenFallback Jeezy - "Me OK" MOVEMENT 2 (45:30) Depeche Mode - "Never Let Me Down Again" (https://www.youtube.com/watch?v=snILjFUkk_A) Eric Heilner - "Short Story for Viola and Piano" (https://www.youtube.com/watch?v=GHgzirYj3Uw) MOVEMENT 3 (58:30) Seth Parker Woods: https://sethparkerwoods.com/ George Walker - Cello Sonata (https://www.youtube.com/watch?v=ZqFWS-Ksqv8) Michael Vincent Waller - "Lines" (https://www.youtube.com/watch?v=qeoBWJhlvko) MOVEMENT 4 (1:34:20) Frederick Delius - "Florida Suite" (https://www.youtube.com/watch?v=7XocQWZCd4Y&t=1749s) Florida Rejects AP Black Studies: https://www.npr.org/2023/01/22/1150259944/florida-rejects-ap-class-african-american-studies SPONSORSSchubert Club: https://schubert.org/Salastina: https://www.salastina.org/Gateways Radio: https://www.gatewaysmusicfestival.org/gatewaysradio ★ Support this podcast ★

This week: Geoff brings you highlights of Ella's live concert at the Santa Monica Civic Auditorium in 1972, one of the most magnificent performances of her career, a mixture of new songs and classic tunes featuring Count Basie and his Orchestra plus arrangements by bassist Jim Hugh Hart and by Ella herself. Tracks include L.O.V.E. (Live / 1972), Begin The Beguine (Live / 1972), You've Got A Friend (Live / 1972), What's Going On (Live / 1972), Spring Can Really Hang You Up The Most (Live / 1972), Madalena (Live / 1972), Too Darn Hot/It's All Right With Me Now (Live / 1972), Sanford & Son Theme (The Streetbeater), I Can't Stop Loving You (Live / 1972). This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff brings you highlights of Ella's live concert at the Santa Monica Civic Auditorium in 1972, one of the most magnificent performances of her career, a mixture of new songs and classic tunes featuring Count Basie and his Orchestra plus arrangements by bassist Jim Hugh Hart and by Ella herself. Tracks include L.O.V.E. (Live / 1972), Begin The Beguine (Live / 1972), You've Got A Friend (Live / 1972), What's Going On (Live / 1972), Spring Can Really Hang You Up The Most (Live / 1972), Madalena (Live / 1972), Too Darn Hot/It's All Right With Me Now (Live / 1972), Sanford & Son Theme (The Streetbeater), I Can't Stop Loving You (Live / 1972). This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff brings you highlights of Ella's live concert at the Santa Monica Civic Auditorium in 1972, one of the most magnificent performances of her career, a mixture of new songs and classic tunes featuring Count Basie and his Orchestra plus arrangements by bassist Jim Hugh Hart and by Ella herself. Tracks include L.O.V.E. (Live / 1972), Begin The Beguine (Live / 1972), You've Got A Friend (Live / 1972), What's Going On (Live / 1972), Spring Can Really Hang You Up The Most (Live / 1972), Madalena (Live / 1972), Too Darn Hot/It's All Right With Me Now (Live / 1972), Sanford & Son Theme (The Streetbeater), I Can't Stop Loving You (Live / 1972). This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

Gábor Tarkövi is one of the most revered and respected trumpet players of his generation. He began his career as co-principal trumpet with the  Württemberg Philharmonic, then was principal trumpet of the Berlin Symphony Orchestra, followed by principal trumpet with the Bayern Radio Symphony Orchestra. Finally, from 2004-2019 he was principal trumpet with the Berliner Philharmoniker. In addition to his solo and chamber music appearances around the world, he is Professor of Trumpet at the Berlin University of the Arts.In order to find out more about the mindset of such a great orchestral musician, I ask Gábor about how he approaches four of the main excerpts in the orchestral literature for trumpet... the openings for both the Mahler Fifth Symphony and Mussorgsky/Ravel's Pictures at an Exhibition, the Ballerina's Dance from Petroushka, and Bartok's Concerto for Orchestra. We end part one with a discussion of the Berlin Philharmonic's Digital Concert Hall, and how he deals with nerves for those broadcast concerts.

A very rare Jack Benny episode I found in the past year!

Ever been in a software group that was so effective that it truly lived up to the word "team"? If so, what was it like?  What was the differentiator that took it beyond the infamous office posters of so-called "teams" into the realm of actual teaming? Join Chris and Austin as they celebrate and discuss with Woody Zuill and Kevin Meadows the second edition of the Software Teaming Book that Woody and Kevin just published. Woody and Kevin not only explore the inspiring software teaming concept from Amy Edmondson's Teaming book but also they dive into the genesis of the first and second editions of their Software Teaming book. Woody and Kevin talk about what changes were made in the second edition and why. They share about how they collaborated to write the book and why Kent Beck was asked to write the foreword. Lastly, they riff on different analogies for teaming (e.g., Orchestra, Jazz Band, Improv Comedy Group) and on the unity and diversity they have experienced in mob/ensemble programming.  FYI: Video and show notes to be posted here in the next day or so. 

Shellac Stack No. 299 says it with ukuleles! We dance with the Savoy Orpheans, Mike Markel's Orchestra, the Charleston Chasers, and Anson Weeks. We enjoy some Irish fiddling by Michael Coleman and the suave piano stylings of Edgar Fairchild and Adam Carroll. More from Jane Green, Nick Lucas, Johnny Marvin, and others.

Melissa chats with veteran elementary music teacher, John Coffey. They talk about the importance of music education, how students need to move and get their energy out in order to focus and learn among other topics.

Firmly back in the "and his orchestra" era, Andrew and Dan go DEEP on this song from the early days of the charts that incontrovertibly IS a song. You legally can't say that it isn't. They also learn a bit about the legendary Artie Shaw, who by his own account was a Grade-A psycho. It's a classic ep!

Have you ever wondered what it really takes to have a career as an internationally touring soloist?  Have you wondered if it is too late for YOU to create such a career? You will love hearing from my guest today,  Mary Elizabeth Bowden: International Trumpet Soloist  Classical Trumpeter Mary Elizabeth Bowden has built an in-demand career as a soloist, praised for her “splendid, brilliant” playing (Gramophone Magazine) and her “pure, refined, and warm” tone (American Record Guide). A Gold Medal Global Music Award Winner, Opus Klassik Nominee, and Yamaha Performing Artist, she has also worked to establish a new repertoire for the trumpet through creative, collaborative commissioning projects and award-winning albums.   Her current season includes no fewer than four world premiere concertos, including Clarice Assad's new Concerto for Trumpet and Orchestra with the Chicago Youth Symphony Orchestra and Chamber Orchestra of the Triangle, Jennifer Jolley's Concerto for Brass Quintet with Seraph Brass and the U.S. Army "Pershing's Own", Reena Esmail's Rosa de Sal for Trumpet and Orchestra with the Chicago Youth Symphony Orchestra, and Tyson Davis's Veiled Light with the Chamber Orchestra of the Triangle, which will be performed alongside her husband, trumpeter David Dash. She is the founder and performer in multiple chamber groups, including Seraph Brass, Dash Duo, and Chrysalis Chamber Players. In today's interview, we talked about her recent projects, and the importance of expanding and building representation in trumpet and brass repertoire.  Mary built her career from scratch, and I know I was inspired by her path to success, her honesty about the behind the scenes work of it, and her journey of increased confidence in her playing and her career. I know you will enjoy this interview!    Mary's upcoming schedule:  https://www.maryelizabethbowden.com/events Connect with Mary at her Website, Facebook, Instagram, TikTok, Twitter, or YouTube.

In the first hour of "Connections with Evan Dawson" on Thursday, January 19, 2023, we preview the performances and discuss the emotions behind them. Plus, we'll hear about the latest in local efforts to help the people of Ukraine.

Jennifer is the Director of Camp Pendola  Dr. Kendrick is the Music Director for Sacramento Choral Society and Orchestra

INTRO Kendrick Lamar - "We Cry Together" (https://www.youtube.com/watch?v=wUGyZM9rcnY) "It's Not Over Until the Soprano Dies" (https://archive.nytimes.com/www.nytimes.com/books/99/10/03/nnp/clement-undoing.html?_r=1&oref=slogin) MOVEMENT 1 "Gen Z and Millennials' Surprise Obsession" (https://www.bbc.com/culture/article/20230113-gen-z-and-young-millennials-surprising-obsession) Jakub Józef Orliński & Aleksander Dębicz - "Stay Home" (https://www.youtube.com/watch?v=Ur34iWfakhI) "Strategic Charitable Giving" (https://www.city-journal.org/strategic-charitable-giving) Traditional - "Mrs. Galo" (perf. Chicago Children's Choir: https://www.youtube.com/watch?v=IOxXvNXjD40) MOVEMENT 2 Catherine Dalton - "Boxes" (https://soundcloud.com/hickorystreet/boxes-by-catherine-dalton) Constantine Caravassilis - Guitar Concerto (mov. III: https://www.youtube.com/watch?v=xY9iZ9DKkl8) MOVEMENT 3 Sphinx Organization: https://www.sphinxmusic.org/25th-anniversary Simon Shaheed - Oud Concerto (perf. Sphinx Symphony Orchestra: https://www.youtube.com/watch?v=ijMSHbys9P0) Coleridge-Taylor Perkinson - Sinfonietta No. 1 (perf. Sphinx Virtuosi: https://www.youtube.com/watch?v=xlG-diPHVOU) MOVEMENT 4 Kendrick Lamar - "Backseat Freestyle" (https://www.youtube.com/watch?v=EZW7et3tPuQ) "Whitewashing 101: How To Rewrite Black History" (https://www.youtube.com/watch?v=i3uvcydrxYk) SPONSORS  Schubert Club: https://schubert.org/ Salastina: https://www.salastina.org/ Gateways Radio: https://www.gatewaysmusicfestival.org/gatewaysradio ★ Support this podcast ★

Alex Iles is principal trombonist of the Long Beach Symphony Orchestra and has performed with the Los Angeles Philharmonic, Hollywood Bowl Orchestra and The Los Angeles Chamber Orchestra. In addition, he has toured as lead and solo jazz trombonist with Maynard Ferguson and the Woody Herman Orchestra and performs in many of the top LA based big bands and jazz groups including Bob Florence's Limited Edition, The Seth McFarlane Orchestra, The Tom Kubis Big Band, and Gordon Goodwin's Big Phat Band. Alex can often be found playing in the pit orchestras of numerous Los Angeles  productions of Broadway shows and has performed on hundreds of television and motion picture soundtracks. He has also appeared on numerous recordings with artists such as Barbra Streisand, Michael Buble, Josh Groban, John Williams, Paul McCartney, and Prince. Alex  has been a faculty trombone and jazz instructor at the California Institute of the Arts, Azusa Pacific College and California State University, Northridge. He has appeared numerous times as a featured soloist at the International Trombone Workshop and at The American Trombone Workshop in Washington DC.

Danti Dan play by Livin Dred - Inishowen Traditional Orchestra & Choir - Gina Lollabrigida RIP - Doolin Hedge School

It's time to JAM! Checkered Past returns to Japan to continue their long-running series on prolific Ska/Jazz group Tokyo Ska Paradise Orchestra! To help discuss, Rob and Celine welcomes their home town heroes, Paint Bomb of Edmonton, Alberta, Canada! First they discuss Paint Bomb's checkered past, the impetus to start a Ska band in the prairies and their plans for the future. Then, they dig in on a trio of TSPO albums from their final days with founder ASA-CHANG to their jubilant concept album Fantasia to the feature-heavy Grand Prix. It's all capped off with a round of Big 5, CANCON Edition! www.checkeredpast.ca www.patreon.com/checkeredpast Hosts: Celine and Rob Engineer: Joey Editor: Rob

As often happens when the Imbalanced Brothers dig into a topic, they experienced wonder and discovery, only one of which is an ELO album title! Sure, they're both huge fans, sure they listened to Electric Light Orchestra a lot, but there's always a story inside the story that surprises, or even amazes. In this case, the reminder of just how great their music was, is part of the experience. The soundtrack for this episode is extra lush! We love our sponsors!!! Please visit their web sites, and support them because they make this crazy show go: Boldfoot Socks  https://boldfoot.com Crooked Eye Brewery  https://crookedeyebrewery.com/ Don't forget that you can find all of our episodes, on-demand, for free right here on our web site: https://imbalancedhistory.com/   Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's episode, we have the privilege of talking to Miguel Harth-Bedoya, conductor of the Baylor University Symphony Orchestra and Director of Orchestral Studies.  With many years of experience conducting orchestras all around the world, Miguel tells us about what the ultimate goal of a conductor should be, and his methods on preparing scores and working with ensembles.Connect with Miguel Harth-Bedoya!Website: https://www.miguelharth-bedoya.com/Instagram: https://www.instagram.com/miguelharthbedoya/Facebook: https://www.facebook.com/MiguelHarthBedoyaTwitter: https://twitter.com/MHarthBedoyaYouTube: https://www.youtube.com/channel/UCxDtynJwmcgudZPu9hkFWDgBaylor University School of Music: https://www.baylor.edu/music/The Conducting Institute: https://conductinginstitute.org/Miguel Harth-Bedoya is the Director of Orchestral Studies at Baylor University. He is the former music director of the Norwegian Radio Orchestra, Fort Worth Symphony Orchestra, Auckland Philharmonia Orchestra (New Zealand), and New York Youth Symphony. He graduated from the Curtis Institute of Music and the Juilliard School. Miguel has conducted worldwide, including the New York Philharmonic, Chicago Symphony, Cleveland Orchestra, Philadelphia Orchestra, Munich Philharmonic, London Philharmonic Orchestra, Tokyo Metropolitan Symphony, and the Sydney Symphony, among others. He is also the Founder of The Conducting Institute in Ft. Worth, Texas.Want a free piece of music for your ensemble to perform? Join Christian's mailing list!https://www.christianfortnermusic.com/mailings

In this episode, Dave and Andrew discuss the third winner of the Pulitzer Prize to study with Horatio Parker at Yale, Roger Sessions, for his Concerto for Orchestra. Since the other two winners were Charles Ives and Quincy Porter, it isn't a shock that Sessions was 85 years old when he won. What will they think about this blast from the past?   If you'd like to learn more about Roger Sessions, we recommend: Roger Sessions on Music: Collected Essays, edited by Edward T. Cone (Princeton University Press, 1979). Andrea Olmstead's book Roger Sessions: A Biography (Routledge, 2008). The Correspondence of Roger Sessions by Andrea Olmstead and Roger Sessions (Northeastern University Press, 1992) The Roger Sessions Society

Hear the Dance host and Principal Dancer Jared Angle dives into the unique challenges and special rewards of dancing George Balanchine's Allegro Brillante with Principal Dancer Tiler Peck. Tiler shares memories of learning the work from the late legendary Repertory Director and former Soloist Susie Hendl and reveals why she feels as though this ballet, which she describes as one of the hardest to dance in the repertory, was made for her. (35:58) Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931)by Igor Stravinsky, Piano Concerto No. 3 in E-flat major, Op. 75 (1892) by Peter Ilyitch Tschaikovsky

Shellac Stack No. 298 savors a Japanese sunset with Justin Huber's Orchestra. We dance along to the orchestras of Art Kahn, Paul Specht, and Judge Sturdy, relax to the crooning of Seger Ellis, and take a trip to Williams College in western Massachusetts. Plenty more too!

On this edition of The Arts Section, host Gary Zidek sits down with one of the most in-demand classical music conductors in the world, Dalia Stasevska for a conversation about her journey to taking the podium. Theater Critic Kerry Reid stops by to discuss a local revival of THE BEST LITTLE WHOREHOUSE IN TEXAS. Later in the show, Gary catches up wtih Reggie Thomas, the director of the Northern Illinois University jazz orchestra. The band is currently competing in one of the most prestigious collegiate jazz competitions in the country. And Gary revisits his conversation with a local photographer behind some of the most candid images of Dr. Martin Luther King Jr. that we have today.

Tony Prisk is in his eleventh season playing second trumpet with the Philadelphia Orchestra. Prior to taking the job in Philly, Tony played second trumpet with the Houston Symphony.See a pattern developing? It's not an accident, and it's not because Tony doesn't have what it takes to be "the man".In this episode, we discuss the value of specializing in a niche, such as playing second trumpet in a major symphony, (and why some people feel like they're "settling" for their position in the Philadelphia Orchestra), an exhortation on Charlier's Etude #2, why our ego often gets in the way of finding our purpose as musicians and as human beings, and much more.Here's a bit of what you'll hear in this episode:-Tony describes life in a top 5 orchestra...01:15-Putting the ego aside, and embracing the role you've been given...06:20-Tony's personal trumpet journey...08:15-How you "tell a story" with written music notes on a page...16:30-Is self-expression or "blending" the ideal in an orchestra?...23:50-The value of specializing in a role such as second trumpet in an orchestra...33:45-The advice Tony Prisk would tell his younger self...41:15-Plus whatever your discerning ears deem worthy of your time and interest...About the Guest:Anthony Prisk joined The Philadelphia Orchestra as second trumpet in August 2013. He came from the Houston Symphony, where he was second trumpet for 11 seasons, and the New World Symphony, where he was a trumpet fellow for four seasons. In the past 20 years he has played internationally with several orchestras and music festivals, including the Los Angeles Philharmonic, the Grant Park Festival Orchestra, the Montreal Symphony, the Boston Symphony, the Moscow Philharmonic, and many others. He has participated in several music festivals, including Classical Tahoe, the Cabrillo Music Festival, the Spoleto Festival USA, the Tanglewood Music Center, the Pacific Music Festival, the Music Academy of the West, and the Aspen Music Festival. Mr. Prisk won two international trumpet competitions through the International Trumpet Guild and Second Prize in the National Trumpet Competition. He was a soloist with the New World Symphony, the Temple Wind Symphony, the Texas Medical Center Orchestra, and several youth orchestras. He can be heard on numerous recordings with The Philadelphia Orchestra, the Houston Symphony, the New World Symphony, the Spoleto Festival Orchestra, and the McGill Symphony. Teaching is a passion for Mr. Prisk. He is currently on the faculty at Temple University and the Peabody Institute in Baltimore. He can also be found teaching at summer music festivals including the Philadelphia International Music Festival, the Luzerne Music Center, and the Monteux School and Music Festival. He is also involved with the All City program sponsored by The Philadelphia Orchestra.Mr. Prisk received his bachelor's degree from the University of Illinois, where he studied with Ray Sasaki and Michael Ewald, and his master's degree from McGill University, where he studied with Paul Merkelo. His other main influences were John Hagstrom, Michael Sachs, and David Bilger. Mr. Prisk is originally from Lombard, IL, in the suburbs of Chicago and currently resides in South Philadelphia.

Today on just chopsing we are joined by Ryan Thundersmith from the band The Outlaw Orchestra. We talk about life on the road, touring with your family, future releases and upcoming shows.

This week we continue our look at the recordings made by Benny Goodman for the RCA Victor label. We start with some songs from Volume Two and move into Volume Three. I also continue with my look at the career of Benny Goodman. Thia show also introduces the Goodman Quartet with the addition of vibraphonist Lionel Hampton. Most of these songs were recorded in 1936. There are a lot of favorites for all the fans of Benny and his Orchestra. I hope you are enjoying the recordings that Benny made for RCA Victor at the start of his career. Please visit this podcast at http://bigbandbashfm.blogspot.com

U.D.O. — Live With Orchestra (2014)

Features vintage Big Band recordings by Lionel Hampton, Jimmie Lunceford, Ralph Flanagan and Artie Shaw.  We also listen to a track from Sinatra's last performance with Tommy Dorsey's Orchestra. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

The last great Kansas City big band from 1940-43 featuring Charlie Parker as its main soloist, although pianist McShann was one of the best of his generation. Live broadcasts and studio sessions for Decca show this important transitional group which also has Orville Minor, Paul Quinichette, John Sparrow and John Jackson soloing as well as singer Walter Brown. --- Support this podcast: https://anchor.fm/john-clark49/support

INTRO: Rolling Stone's 200 Greatest Singers of All Time (https://www.rollingstone.com/music/music-lists/best-singers-all-time-1234642307/ariana-grande-8-1234643145/) Céline Dion - "The Power of Love"  Céline Dion - "My Heart Will Go On" perf. Céline Dion - "God Bless America" (https://www.youtube.com/watch?v=6LSarhZpnMs) MOVEMENT ONE: Marin Alsop Claims Cate Blanchett Film is 'Anti-Woman' (https://www.independent.co.uk/arts-entertainment/films/news/marin-alsop-tar-cate-blanchett-b2259030.html) Cate Blanchett Can't Imagine Her Life Without "Tár" (https://www.wmagazine.com/culture/cate-blanchett-lydia-tar-interview) perf. Marin Alsop/Sao Paolo Symphony - Symphony No. 2 by Gustav Mahler (https://www.youtube.com/watch?v=HKXbudz7ERE) A Black Composers Legacy Flourishes 500 Years After His Birth (https://www.nytimes.com/2023/01/05/arts/music/vincente-lusitano.html) Vicente Lusitano - "Aspice Domine" (perf. X-tet: https://www.youtube.com/watch?v=MTMcVw4r_Ug) MOVEMENT TWO: Nathan Johnson - String Quartet in g minor Sting - "I Burn For You" (https://www.youtube.com/watch?v=kgxy9lMbqJc) MOVEMENT THREE:  Peter Knell (https://peterknell.com/) Peter Knell - Excerpt from "ARKHIPOV" and Excerpt from LINES/ANGLES (https://soundcloud.com/peter-knell) THE TRILLOQUY:  Eric Clapton - "Tears in Heaven"  R.I.P. "Grover"  **Support for TRILLOQUY comes from Schubert Club (https://schubert.org/) and Salastina (https://www.salastina.org/) ★ Support this podcast ★

Does music have a moral character? What does creation have to do with music? You will find fascinating insights, and a surprising journey as we look at music in the Bible. Learn how all creation praises the Lord with Dr. Lonnie Shipman. Heaven's Orchestra book is available HERE https://www.swrc.com/heavens-orchestra.html

We continue our Black women in the Arts Series with the incomparable Jennifer Arnold. She was a delight to speak with. Her journey and story are remarkable. At a young age, she declared her path and embarked on the journey of a lifetime.Hearing her story left me in awe. The experiences she shared reminded me of a great movie filled with adventure and passion. Not only is she on the stage as a violist, but she uses her superpowers to help orchestras navigate diversity through the Black Orchestral Network of which she is a founding member. Join in my delight and enjoy our conversation on the Black Women Amplified Podcast. Monica, Black Women Amplified Please support the podcast with a purchase of merch. www.blackwomenamplified.com/shop. Send us a pic and we will post it on our socials. Jennifer Arnold, Viola Bio:Violist Jennifer Arnold is currently the Artistic Advisor to the Richmond Symphony, a freelance musician and arts consultant living abroad in Taiwan with her husband through the summer of 2024. She recently departed her position as Director of Artistic Planning and Orchestral Operations with the Richmond Symphony (VA) after helping to successfully lead the orchestra safely through the ongoing pandemic, allowing the orchestra to keep performing for the community. Jennifer is passionate about expanding the symphonic canon and focuses her artistic planning skills on creating opportunities for diverse voices to be publicly heard.Prior to her appointment in RVA, she enjoyed 15 seasons as a violist with the Oregon Symphony in addition to serving as Director of Artistic Operations for 45th Parallel Universe in Portland, OR. Jennifer performs as a member of the Gateways Festival Orchestra, Sphinx Symphony, Oregon Bach Festival, and with string quartet, mousai REMIX. A highlight of her career, Jennifer finds immense joy in teaching each summer at the Sphinx Performance Academy for young Black and brown musicians ages 12 – 17. She is a founding member of the Black Orchestral Network and holds memberships with ISBM, ASTA, SAA, AFM Local 99, and the Urban League. In her free time, Jennifer enjoys volunteering, mentoring, languages, traveling, kdrama, and karaoke.  Follow her on most platforms @24caratviolaThank you for listening! Please share with your tribe and leave us a great review. Appreciate it!Join our waitlist for the Power Story Formula. An incredible course designed to help you choose, build and monetize an impactful story. www.monicawisdomHQ.com to sign up. Join our private community. Women EmergedEnjoy your day, Monica Wisdom

The guys chat with Andre Dowell, Chief of Artist Engagement of the Sphinx Organization. Focused on increasing representation of Black and Latinx artists in classical music and recognizing excellence, Sphinx programs serve beginner students to seasoned classical music professionals, as well as cultural entrepreneurs and administrators.

1 - I Can Fix It - Big Bill and his Rhythm Band - 19462 - He'd Have to Get Under-Get Out and Get Under (to Fix Up His Automobile) - Billy Murray - 19133 - The Wheel of the Wagon is Broken - Bob Lawrence with Paul Whiteman and his Orchestra - 19364 - Torn Petticoat - McConnell's Four-Leaf Shamrocks - 19245 - The Fiddler with The Patch on His Pants - Paul Howard and his Cotton Pickers - 19476 - Patches - Coleman's Orchestra - 19207 - The Broken Record - Wingey Manone and his Orchestra - 19368 - Broken Doll - Al Jolson - 19169 - Broken Toy - Rudy Wiedoeft's Californians - 192110 - Get It Fixed - The Dixie Stompers - 192511 - Stop and Fix It - Washboard Sam and his Washboard Band - 194312 - Closed for Repairs - Bill Boyd and his Cowboy Ramblers - 194813 - How Do You Mend a Broken Heart - Eddie Kirk - 194814 - Let's See You Fix It - Stuart Hamblen - 194915 - That's Going to Ruin Your Beauty Spot - Hamfoot Ham and the Harlem Ham Fats - 193916 - Umbrellas to Mend - Joseph C. Smith and his Orchestra - 191717 - A Tender Word Will Mend It All - The Four King Sisters with Buddy Cole and his Orchestra - 194518 - Fixing the Furnace - The Phil Harris-Alice Faye Show - 1950 (Radio Comedy)19 - The Fixer - The FBI in Peace and War - 1950 (Radio Drama)20 - Won't You Mend My Aching Heart? - Clif Bruner - 194421 - At Your Service, Madame - Bob Crosby and his Orchestra - 1935

Does music have a moral character? What does creation have to do with music? You will find fascinating insights, and a surprising journey as we look at music in the Bible. Learn how all creation praises the Lord with Dr. Lonnie Shipman. Heaven's Orchestra book is available HERE https://www.swrc.com/heavens-orchestra.html

Synopsis If the late 18th century is the “Classical Age,” and the 19th “The Romantic,” then perhaps we should dub our time “The Eclectic Age” of music. These days, composers can—and do—pick and choose from a wide variety of styles. The American composer William Bolcom was loath to rule anything out when he approached the task of setting William Blake's Songs of Innocence and of Experience to music. Bolcom calls for a large orchestra, multiple choruses, and more than a dozen vocal soloists versed in classical, pop, folk, country, and operatic styles. There are echoes of jazz, reggae, gospel, ragtime, country and rock idioms as well. As Bolcom put it: "At every point Blake used his whole culture, past and present, high-flown and vernacular, as sources for his many poetic styles. All I did was use the same stylistic point of departure Blake did in my musical settings.” The massive work received its premiere performance in Stuttgart, Germany, on today's date in 1984. Most of the work was completed between 1973 and 1982, after Bolcom joined the faculty of the University of Michigan in Ann Arbor, and it was there that the work received its American premiere a few months following its world premiere in Germany. Music Played in Today's Program William Bolcom (b. 1938) Songs of Innocence and of Experience Soloists; Choirs; University of Michigan School of Music Symphony; Leonard Slatkin, conductor. Naxos 8.559216/18 On This Day Births 1792 - American composer and educator Lowell Mason, in Medford, Massachusetts; 1812 - Swiss composer and pianist Sigismond Thalberg, in Pâquis, near Geneva; 1896 - Czech composer Jaromir Weinberger, in Prague; 1899 - Russian-born American composer Alexander Tcherepnin (Gregorian date: Jan. 21); 1905 - Italian composer Giacinto Scelsi, in La Spezia; 1924 - Russian-American composer Benjamin Lees (née Lysniansky), in Harbin, Manchuria; 1924 - Austrian-born American composer Robert Starer, in Vienna; 1935 - The charismatic rock 'n' roll performer Elvis Presley is born in Tupelo, Miss.; 1937 - American composer Robert Moran, in Denver; Deaths 1713 - Italian composer and violinist Arcangelo Corelli, age 59, in Rome; 1831 - Moravian-born composer and violinist Franz Krommer, age 71, in Vienna; 1998 - British composer Sir Michael Tippett, age 93, in London; Premieres 1705 - Handel: opera "Almira" in Hamburg; This was Handel's first opera (see also Dec. 5 & 30 for related contemporary incidents); 1720 - Handel: opera "Radamisto" (2nd version), in London (Julian date: Dec. 28, 1720); 1735 - Handel: opera "Ariodante" in London at the Covent Garden Theater (Gregorian date: Jan. 19); 1843 - Schumann: Piano Quintet in Eb, Op. 44, at Leipzig Gewandhaus with pianist Clara Schumann; 1895 - Brahms: Clarinet Sonata, Op. 120, no. 1 (first public performance), in Vienna, by clarinetist Richard Mühlfeld, with the composer at the piano, as part of the Rosé Quartet's chamber music series; The first performance ever of this work occurred on September 19, 1894, at a private performance in the home of the sister of the Duke of Meiningen at Berchtesgaden, with the same performers; Brahms and Mühlfeld also gave private performances of both sonatas in Frankfurt (for Clara Schumann and others) on November 10-13, 1894; at Castle Altenstein (for the Duke of Meiningen) on Nov. 14, 1894; and on Jan. 7, 1895 (for members of the Vienna Tonkünstler Society); 1911 - Florent Schmitt: "La tragédie de Salomé" for orchestra, in Paris; 1927 - Berg: "Lyric Suite" for string quartet, in Vienna, by the Kolisch Quartet; 1928 - Hindemith: "Kammermusik" No. 7, Op. 46, no. 2, in Frankfurt, with Ludwig Rottenberg conducting and Reinhold Merten the organist; 1940 - Roger Sessions: Violin Concerto, by the Illinois Symphony conducted by Izler Solomon, with Robert Gross as soloist; The work was to have been premiered by Albert Spalding with the Boston Symphony under Koussevitzky in January of 1937, but did not take place); 1963 - Shostakovich: opera "Katerina Izmailova" (2nd version of "Lady Macbeth of the Mtsensk District"), in Moscow at the Stanislavsky-Nemirovich-Dachenko Music Theater; 1971 - Shostakovich: Symphony No. 15, in Moscow, by the All-Union Radio and Television Symphony, with the composer's son, Maxim, conducting; 1987 - Christopher Rouse: "Phaethon" for orchestra, by the Philadelphia Orchestra, Riccardo Muti conducting; 1988 - Schwantner: "From Afar . . . " (A Fantasy for Guitar and Orchestra), by guitarist Sharon Isbin with the St. Louis Symphony, Leonard Slatkin conducting; Others 1923 - First broadcast in England of an opera direct from a concert hall, Mozart's "The Magic Flute" via the BBC from London; Links and Resources More on Wiiliam Bolcom More on William Blake

Synopsis In 1935 Aaron Copland finished a new orchestral work that was to be premiered by the Minneapolis Symphony and its young conductor Eugene Ormandy. The work was entitled Statements for Orchestra, and consisted of six short movements, each with a descriptive title, namely: Militant, Cryptic, Dogmatic, Subjective, Jingo, and Prophetic. The Jingo movement alludes to the popular tune Sidewalks of New York – where Copland completed the orchestration of his new score. The last two movements were premiered by the Minneapolis Symphony early in 1936, first on an NBC radio broadcast, then on one of the orchestra's subscription concerts. The conductor, however, was not Ormandy but rather Dimitri Mitropoulos, who would become the Music Director of the Minneapolis Symphony the following year. And it was Mitropoulos who would lead the first complete performance of all six of Copland's Statements on today's date in 1942 during a concert by the New York Philharmonic. The new piece got good reviews, and Copland quoted with pride one given by his friend and colleague Virgil Thomson, which called the music “succinct and stylish, cleverly written and very, very personal …“ Much to Copland's surprise this music never really caught on with orchestras or audiences. “To my disappointment,” wrote Copland, “Statements remains one of my lesser-known scores.” Music Played in Today's Program Aaron Copland (1900 –1990) Statements London Symphony; Aaron Copland, conductor. Sony 47232

Amy and Joe start another new series delving into the orchestral details of some of the iconic music we hear in The Next Generation. In this episode, we look at the motifs and orchestration of the main theme and the beautiful melody from The Inner Light.Join our listeners group The BQN Collective on Facebook.Follow the network on Instagram @BQNPodcasts Find us on Twitter:The Network: @BQNPodcastsThe Show: @GalaxyClassPodAmy: @MissAmyNelsonJoe: @joeyjoe77ukKevin: @TrueNorthNerdsBQN Podcasts are brought to you by listeners like you. Special thanks to these patrons on Patreon whose generous contributions help produce the podcast! Tim CooperAnonymousMahendran RadhakrishnanDavid WillettPeter HongTom Van ScotterVera BibleJim McMahonJustin OserGreg MolumbyThad HaitChrissie De Clerck-SzilagyiJoe MignoneCarl WondersMatt Harker You can become a part of the Hive Mind Collective here: https://www.Patreon.com/BQN We'd love to add your uniqueness to our own! Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.STAR TREK and all related marks, logos and characters are owned by CBS Studios Inc. “BQN” is not endorsed or sponsored by or affiliated with CBS/Paramount Pictures or the STAR TREK franchise.

Welcome back to Artbeat Radio!  On today's episode, you'll hear a track created by EPI's drama class. The track is called “Ourhestra” and is based on a poem by Shel Silverstein. The ideas and sounds you hear on this track were created using pre-recorded sounds on Garageband, and orchestrated by the EPI service users   Collaborators on this episode: service users Rudy A, Jermaine F, Jamond P, Joyce G, Fernanda H, Myla I, Rita K, Eduardo L, Roberto L, Griselda R, Constance R, Brian Y; staff Imani and Morgan.   Thanks for listening and tune in next time! For more information about our organization, please visit our website www.ableartswork.org  Audio Transcription: (Please listen on Podomatic or Spotify to view the full transcript) *Intro music by Artbeat Radio staff*  Music, stories, and more! You're listening to Artbeat Radio, a program of Able ARTS Work.  Brian: Artbeat Radio will have a two week break but you can listen to us when we come back on January 27th! You can listen to old episodes until we come back.  *Car horns* Brian: We interrupt this podcast for a very important message. Nancy: Able ARTS Work is celebrating transportation with a car show exhibit! Aaron: This art show starts at 6:30pm on January 6th at our CECA location Brina: our exhibit runs through march the 17th of 2023 Comes see some great artwork showing different modes of transportation All: we can't wait to see you there!  Morgan: On today's episode of ABR you'll hear a track created by EPI's drama instructor Imani and the EPI drama class, with support from me. The track is called “Orchestra” and is based on a poem by Shel Silverstein. The track was featured in a production called “The Poem Show” created by Imani and the EPI service users! The Poem Show is a collection of short films all based on Shel Silverstein poems as well. The ideas and sounds you hear on this track were created using pre-recorded sounds on Garageband, and orchestrated by the EPI service users (both our in-person and virtual service users). We had a great time creating this track together, and I hope you enjoy it too! This is Orchestra.  *Outro music by Artbeat Radio staff*  We hope you enjoyed this episode of Artbeat Radio. For more information, please go to our website. Ableartswork.org. Thanks for listening and tune in next time!  

Theo Baer aka iT Boy is a Brooklyn-based composer of music that has, at various times, been described as  "experimental," "thoughtful," and "cosmic." In this discussion with host Khadija Mbowe, Theo reflects on the influences that brought him here; starting with a childhood growing up as the adopted child of Mennonite missionaries, walking a tightrope between his prodigious musical gifts and the persistence of low expectations— all the while navigating an evolving queer identity.  Chapters:[2:04] The inextricability of music to Theo's identity   [3:56] The good and bad of working with(in) musical institutions [5:18] Ever-unfolding lessons of queerness [8:48] Making music for magical moments[10:56] Mennonites and musical influences [12:19] On "radicalizing" his parents [16:09] The catharsis of vulnerability [18:13] What success looks like today  Music from this episode:Theo Baer aka iT Boy ft. Zachary Paul, Deities, from The Nail HouseTheo Baer aka iT Boy, Tempting (for Richard Maxfield) , from Euphoric RecallTheo Baer aka iT Boy, Habits, from Euphoric RecallTheo Baer aka iT Boy, LodgeLinks from this episode:iT Boy on BandcampiT Boy on InstagramAnderson Center

Join us for a very special MAMBO PACKED podcast as we celebrate the 100th birthday one of the most ICONIC voices in Latin Music history Tito Rodriguez! Special Guest: Leader of the Tito Rodriguez jr Orchestra ,son of Tito Rodriguez, Mr Tito Rodriguez Jr!Hosted by Adrian MontanezSpecial Guest Co- Host Mario GonzalezSupport the show

Movement One: ·      Black Administrators of Opera Release Letter in Support of Afton Battle: https://operawire.com/black-administrators-of-opera-release-letter-in-support-of-afton-battle/·      Young musicians keep showing up on concert stages. It's not clear they're ready: https://datebook.sfchronicle.com/music/young-musicians-keep-showing-up-on-concert-stages-its-not-clear-theyre-ready?fbclid=IwAR3hIysCFSu52hGEXu__-xWKw_lOMofAJdXm19oSdXClWOod2rdva4sfMbIMovement Two: ·      Danger Mouse and Black Thought – “No Gold Teeth”·      SZA – “Too Late” Movement Three: ·      Molly Joyce: https://www.mollyjoyce.com·      “Perspective”: https://mollyjoyce.bandcamp.com/album/perspective·      Accessibility in the Arts – A Promise and a Practice: https://promiseandpractice.artMore:·      Schubert Club: https://schubert.org·      Salastina: https://www.salastina.org·      “Capitolio” by Maria Isa: https://music.youtube.com/playlist?list=OLAK5uy_k8EaGWmdVD-Noiamc4-a4gosknhV1Id1E·      Antonín Dvořák - Symphony No. 9 ‘From the New World' - Klaus Mäkelä | Made in America: https://www.youtube.com/watch?v=vXcU7h3uVlg·      Chaka Khan - Through the Fire (Piano Cover by Gabriella Miranda): https://www.youtube.com/watch?v=_ludXTpP1Wg ★ Support this podcast ★

The early version of the classic Moten orchestra recording for Victor - featuring Lammar Wright, Ed Lewis, Paul Webster, Thamon Hayes, Harlan Leonard, Jack Washington, Woodie Walder, Sam Tall, Leroy Berry, Vernon Page and Willie McWashington with the leader on piano - some great territory jazz that became an early prototype of the Basie band of the 1930's. --- Support this podcast: https://anchor.fm/john-clark49/support

Synopsis OK – raise your hand if you have ever stayed up ‘till midnight to attend the premiere showing of a new film . . . Extra points if you attended in costume as a Hogwarts student! Well, opera fans are no slouches, either. On December 31, 1913, Wagner fanatics arrived at the opera house in Budapest in time to attend a performance of Wagner's -5-hour opera “Parsifal” that began at one minute after midnight! January 1, 1914 was the date on which the official copyright protection for Wagner's last opera ran out. Before then, staged performances of Parsifal were forbidden to take place anywhere else than Wagner's own Festival theater in Bayreuth, Germany. “Parsifal” had premiered there in 1882, but since international copyright laws proved unenforceable in many countries, some opera companies just ignored them. The Met in New York, for example, extensively renovated its stage machinery for the sole purpose of staging Parsifal on Christmas Eve in 1903, and there were also “pirated” pre-1914 performances in Canada, the Netherlands, Monaco, and Switzerland. One interesting note about that midnight Parsifal in Budapest – the conductor was a 25-year-old musical wizard by the name of Fritz Reiner, who would eventually be waving his wand – OK, his baton– to lead the Chicago Symphony. Music Played in Today's Program Richard Wagner (1813-1883) Parsifal excerpts Welsh National Opera Chorus and Orchestra; Reginald Goodall, conductor. EMI 65665