Genre of music that makes use of electronic instruments
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Send us a text-- JAPRICAN SOUNDS TOKYO BY TAMIO YAMASHITA.Powered by the Club Sabroso Radio NetworkFollow IG/FB: @CLUBSABROSORADIO24/7 Live Stream at: WWW.CLUBSABROSORADIO.COM
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In this episode we start out with a subharmonic Leibniz drone with Erfurt and Lipsk, layer some Drezno and Jena on top and then add Strega arpeggios and Morphagene drums!Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/@Nullphiinfinity ★ Support this podcast on Patreon ★
On episode 294 of Elite Muzik Radio, DJ Eternity weaves a captivating blend of House and Electronic Music, creating the ideal ambiance for a summer dance floor. The episode boasts a diverse selection of tracks, including music from TABLE, chriz Javey, FAS, Tentendo, LION BABE, Shay Lia, Leonardo Das Cabrio, and more.
Send us a textInside The DJ Sessions: The Secrets Behind Twitch Success#dj #djsession #success #twitch #podcast #interviews “The DJ Sessions” is a Twitch/Mixcloud "Featured Partner” live streaming/podcast series featuring electronic music DJ's/Producers/Industry Professionals via live mixes/interviews and streamed/distributed to a global audience.The series constantly places in the “Top Ten” on Twitch Music and the “Top Five” in the “Electronic Music", “DJ", "Dance Music" categories. TDJS is rated in the Top 0.11% of live streaming shows on Twitch out of millions of live streamers.Website: https://www.thedjsessions.com/Facebook: https://www.facebook.com/itvlivethedjsessions/# Instagram: https://www.instagram.com/thedjsessionsLinkedin: https://www.linkedin.com/company/thedjsessions/TikTok: https://www.tiktok.com/@thedjsessions Twitch: https://www.twitch.tv/thedjsessionsX: https://x.com/thedjsessionsYoutube: https://www.youtube.com/c/TheDJSessions1Thanks for tuning in, please be sure to click that subscribe button and give this a thumbs up!!Email: thevibesbroadcast@gmail.comInstagram: https://www.instagram.com/listen_to_the_vibes_/Facebook: https://www.facebook.com/thevibesbroadcastnetworkLinktree: https://linktr.ee/the_vibes_broadcastTikTok: https://vm.tiktok.com/ZMeuTVRv2/Twitter: https://twitter.com/TheVibesBrdcstTruth: https://truthsocial.com/@KoyoteFor all our social media and other links, go to: Linktree: https://linktr.ee/the_vibes_broadcastPlease subscribe, like, and share!
Support Night Clerk Radio on Patreon It's time for June new music explorations and in this episode Ross and Birk have once again shown up with two very different albums. We're discussing Suburbia After Dark, a compelling sample-laden darkwave journey, and Vistas, an upbeat love letter to Frutiger Aero and all the tech you love from the 00's. Grab yourself a copy of these albums and join us! Birk Shout-OutsNotorious Secret/Solodolo84 Sanctuary 2025Keyloggers, Cryptojacking, Mirror Neurons, Marley Station by Angelwings MarmaladeVaporwave News NetworkRoss Shout-OutsBeneath London: The Story of Alien War - FULL DOCUMENTARYThe Era of Informationby Macroblank & slowerpace 音楽Enter The Void III – Music Artist Submission >> MTHRBORD Albums DiscussedVistas by Ghost EnterpriseSuburbia After Dark by Spiritual ConspiracyAdditional LinksSpiritual Conspiracy - Suburbia After Dark - Music Only (full album) CreditsMusic by: 2MelloArtwork by: Patsy McDowellNight Clerk Radio on Bluesky
Send us a text-- Your favorite electronic music radio show Takes over the Airwaves in Punta Cana & Santiago, Dominican Republic.1st Hr. | Club Sabroso's Pick of the Week Playlist.2nd Hr. | Guest mix by Dominican DJ DANNY NUNEZ.DANNY NUNEZ checks in from Santiago, Dominican Republic to control the decks with an EXCLUSIVE AFRO LATIN HOUSE set.Prepare for absolute energetic audio experience..Where you'll hear nothing but heaters
ALL INCLUDED SESSIONS Welcome to ALL INCLUDED. Every 15 days a new session mixed live in my studio. Deep house,Deep Tech,Melodic Techno, Progressive house, Tech House, Techno ... Electronic Music.Hope you like it and enjoy it. Thank you for following and listening. Have fun!! This radio show is also available on Apple Podcasts or any podcast platform or app, and also on my Youtube channel (jayme_tube). Feel free to suscribe yourself. You can follow me on Instagram (@jay.me_world), X (@jayme_deejay) or Facebook (@jay.me.dj.page) Contact me at: mailto.jay.me@gmail.com EPISODE #210 TRACKLIST 1. Ximena, Ali X, Pvlomo - Pastillitas (Phunkadelica Mitsubishi Mix) 2. Meduza, Aya Anne, GENESI (ITA) - Freak (feat. Aya Anne) (feat. Aya Anne) 3. Sian, Sacha Robotti, David LeSal & Greta Levska - Insanity (Extended Mix) 4. Matt Sassari, SIDEPIECE - Elektro (Extended Mix) 5. Cafius - No Sleep 6. Oscar L & Metodi Hristov - Gravity (Original Mix) 7. Marco Faraone - Neva Sell, Neva Go (Original Mix) 8. Alan Fitzpatrick, Matt Sassari - Lost In Sound (Extended Mix)
Playlist: Random Factor - Angle of AttackThe Range - Bicameral (Tourist Remix)Groove Armada - SuperstylinDismantle - GhostDick & Dan - Devil is in the DetailFixate - ConumdrumMilio - Trojan HorseLeon Vynehall - DuofadeThe Blessed Madonna - Blessed AlreadyPhasmid - OccultBlank Card - You Know WhySammy Virji - Moonlight
Episode 177 Chapter 36, Modern Turntablism. Works Recommended from my book, Electronic and Experimental Music Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 36, Modern Turntablism from my book Electronic and Experimental music. Playlist: TURNTABLISM Time Track Time Start Introduction –Thom Holmes 01:28 00:00 1. Ottorino Respighi, “The Pines of Rome” (1924) recorded by The Milan Symphony Orchestra conducted by Cav. Lorenzo Molajoli in November 1928. Recorded bird sounds is heard at about 36 seconds into this section. This is a 78 RPM recording from 1928 that used a turntable to play the sounds during the performance. 01:44 01:36 2. Paul Hindemith, “Trickaufnahmen” (1930). Recording made available by Mark Katz, author of Capturing Sound: How Technology has Changed Music (2004). 00:58 03:16 3. John Cage, “Imaginary Landscape No. 1” (1939) from The 25-Year Retrospective Concert Of The Music Of John Cage (private, 1959). 08:37 04:12 4. Milan Knížák, “Composition No. 1' (1979) from Broken Music. Selection and assemblage of materials made by Walter Marchetti at Harpo's Bazaar, Via San Felice 22, Bologna. 03:26 12:46 5. Grandmaster Flash And The Furious Five, “The Wheels Of Steel” (1981) from The Wheels of Steel. Medley Compiled by Sylvia Robinson; Produced by, Joey Robinson, Jr., Sylvia Robinson. 07:04 16:10 6. Christian Marclay, “Smoker,” (1981) from the album Records. Christian Marclay, turntables and processing. Recorded on a cassette deck at home. 03:40 23:12 7. DJ Shadow ... And The Groove Robbers, “Hindsight,” (1993) from In/Flux/ Hindsight. 06:55 26:56 8. Afrika Bambaataa, “Looking For The Perfect Beat” (1985) from Looking For The Perfect Beat 1980-1985. 03:51 33:56 9. Gen Ken Montgomery, “Droneskipclickloop” (excerpt, 1998) from Pondfloorsample. Using four CD players and curated sounds in the categories Drone, Skip, Click, and Loop. Mixed in real time at a performance at Experimental Intermedia Foundation (NY) on March 17, 1998. 07:19 37:48 10. Crawling with Tarts, “Trecher Track”(1999) from Turntable Solos. By Michael Gendreau and Suzanne Dycus-Gendreau. 04:11 45:08 11. Christian Marclay, from Record Without a Cover (excerpt, 1999). Marked with instructions, "Do not store in a protective package," my copy is a reissue of the disc first released in 1985, done by Japanese label Locus Solus. The naked record will naturally become increasingly damaged from shipping, storing, and playing the record, all becoming part of the work. In essence, the owner is implored to progressively destroy the release, allowing it to become scratched and bruised from accumulating damage that make each copy unique. My copy actually skips a lot. In the passage I am playing I often had to press the needle down a little bit to get through a skip. There is faintly recorded jazz music found on some of the disc, while other parts are pretty much composed only of surface noise. 04:31 49:18 12. Yasunao Tone, “Part 1” (excerpt 1999) from Solo for Wounded CD. All sounds used were from scratched CD's. 03:54 53:50 13. Philip Jeck, “Untitled 2,” (2002) from Soaked. Turntables, Philip Jeck, electronics, Jacob Kirkegaard. Recorded live at the Electronic Lounge, Moers Festival, Germany. 04:30 57:42 14. Maria Chavez, “Jebus” (2004) from Tour Sampler, recorded in Houston, Texas. Turntables and electronics by Maria Chavez. 04:59 01:02:12 15. Marina Rosenfeld, “Three” (2005) from Joy of Fear. Piano, turntables, dubplates, electronics, sound processing], vocals, Marina Rosenfeld. She said, “This record couldn't exist without the small collection of one-off ‘acetate records' (dub plates) that I've been making since 1997, when I first encountered Richard Simpson and his disc-cutting lathe in Los Angeles.” 05:47 01:07:12 16. Luc Ferrari and Otomo Yoshihide, Slow Landing” (2008) from Les Archives Sauvées Des Eaux. Composed by Luc Ferrari and Turntables, Electronics, prepared phono cartridges by Otomo Yoshihide. 10:40 01:12:58 Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.
Episode 178 Chapter 37, Contemporary Software and Synthesis. Works Recommended from my book, Electronic and Experimental Music Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 37, Contemporary Software and Synthesis from my book Electronic and Experimental music. Playlist: CONTEMPORARY SOFTWARE AND SYNTHESIS Time Track Time Start Introduction –Thom Holmes 01:32 00:00 1. Barry Truax, “Sonic Landscapes No. 3” (1977 revision). From the album Sonic Landscapes: Electronic and Computer Music (Melbourne Records, Canada). “A spatial environment for four computer synthesized soundtracks.” 15:16 01:36 2. Robert Hood. “Spirit Levels” (1994) from Internal Empire. Written, performed, and produced by Robert Hood. 05:06 16:50 3. Ikue Mori, “Abacus—Blue Parrot” (1996) from Garden. Composed, performed, produced, drum Machines, effects, Ikue Mori. 10:57 10:57 21:56 4. Ghost, “Aramaic Barbarous Dawn” (2004) from Hypnotic Underworld. 03:15 32:52 5. Outputmessage (Bernard Farley), “REM State” (2004) from Oneiros. Written, performed, and produced by Bernard Farley. 04:33 36:08 6. TOKiMONSTA, “Let Me Trick You” (2010) from Cosmic Intoxication EP. Jennifer Lee is a producer from Los Angeles, California, USA. 03:27 40:40 7. TOKiMONSTA, “Line to Dot” (2010) from Cosmic Intoxication EP. Jennifer Lee is a producer from Los Angeles, California, USA. 02:50 44:06 8. Harold Budd, “Jane 1” (2014) from Jane 1-11. Composed, performed, produced by, Harold 07:42 47:00 9. Sophie, “Elle” (2013) from Bipp/Elle. Electronics, vocals, composed and performed by Sophie Xeon. Sophie was primarily known for electronica dance music. 03:39 54:42 10. William Basinski & Richard Chartier, “Divertissement” excerpt (2015). Composition and computer synthesis, Richard Chartier and William Basinski. 08:36 58:20 11. Thom Holmes, “Numbers” (2017) from Intervals. A composition using recordings of numbers stations as the primary source, combined with audio processing and software synthesis. 05:57 01:06:54 12. Ami Dang, “Conch and Crow” (2019) from Parted Plains. Sitar, electronics, audio processing, voice, Ami Dang. 06:00 01:12:50 13. Jeff Mills, “Canis Major Overdensity” (2020) from The Universe: Galaxy 1. Written, performed, and produced by Jeff Mills. 07:42 01:18:48 14. Pamela Z, “Ink” (2021). Commissioned and presented by VOLTI, artistic director Robert Geary; executive producer Barbara Heroux; performed by VOLTI. Music by Pamela Z. 18:08 01:26:32 15. Ryuichi Sakamoto, “20220214” (2022) from 12. Composed, produced, performed by Ryuichi Sakamoto. In answer to a question about how these recordings were done, Sakamoto replied: “They were all recorded in the small studio that was in my temporary abode in Tokyo. Depending on the piece, two or four mics were used to record the piano.” 09:10 01:44:38 16. QOA (Nina Corti), “Sauco” (2022) (04:22), “Liquen” (2022) (02:50), “Yatei” (2022) (03:04), “Muitu” (2022) (03:16) from SAUCO. Side 1 of this release from this Argentinian composer-performer. “Sonic journey crafted to cultivate poetic gestures amidst Fauna, Flora, Fungi, Mineral Waters, Wind, and Earth. Each track is an exploration of sound's constant transformation, akin to dragonfly particles swimming in the air. Like waves occupying a space in the spectrum, the compositions work with the movement, condensation, and lightness of the air.” 13:33 01:53:50 Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.
Episode 179 Chapter 38, Eurorack. Works Recommended from my book, Electronic and Experimental Music Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 38, Eurorack from my book Electronic and Experimental music. Playlist: EURORACK SYNTHESIS Time Track Time Start Introduction –Thom Holmes 01:26 00:00 1. Kaitlyn Aurelia Smith, “Abstractions” (2018) from Electronic Series: Vol. 1 – Abstractions. Written, recorded and mixed by Kaitlyn Aurelia Smith. Inspired by Harry Everett Smith's "Early Abstractions" films. 21:49 01:36 2. Alessandro Cortini & Lawrence English, “Immediate Horizon, Part 1 (2018) from Immediate Horizon. Recorded live at Berlin Atonal, Kraftwerk 2015. 04:59 23:24 3. Lukas Hermann, “Amphibious” (2022). Improvisation for a Eurorack modular synthesizer. From Tone Science Module No. 6 (Protons And Neutrons). 05:51 28:24 4. James Bernard, “Prisms” (2022) from Tone Science Module No. 6 (Protons And Neutrons). Composed by James Bernard. Live performance recorded in one take using a small Eurorack modular system. 08:10 34:12 5. Elin Piel, “Vänta” (2022) Tone Science Module No. 6 (Protons And Neutrons). Composed by Elin Piel. Recorded live with Lyra 8, a small Eurorack system and Analog Heat. 06:59 42:18 6. Field Lines Cartographer, “Eddy Currents” (2022). Tone Science Module No. 6 (Protons And Neutrons). Composed by Field Lines Cartographer. Realised on ARP 2600 and Eurorack modular synths. 08:54 49:12 7. Elinch, “Upward” (2022). Tone Science Module No. 6 (Protons And Neutrons). Composed by Elinch. A live composition with a small modular system (Strega, TTMC, Disting Ex for Loops) and Buchla Easel Command. 07:28 57:58 8. Steve Roach, “Random Possibilities” (2022). Composed by Steve Roach. Performed and recorded in real time on Large Format Analog and Eurorack Modulars. 06:29 01:05:22 9. Ewa Justka, “for the gatekeepers” (2023) from don't you want followers? For “handmade synthesisers and contingent rabbit holes.” 07:22 01:11:44 10. Tunegirl, “Push the Button” (2023) from Eurorack Ruhr: Compilation # 2. Trance music with a Eurorack system. 06:19 01:19:04 Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.
Tom tries his luck at making some improvised old school Drum and Bass using wavetables.
LTHM 809 features a deep and hypnotic session from Diego Valle, packed with raw textures, minimal grooves, and underground rhythm science.This mix dives into the deeper side of tech house and minimal, where subtlety, space, and movement shape the energy. Perfect for late-night drives, after-hours rooms, or anyone chasing that locked-in, rolling vibe.
“Silentium” (Original Mix) – Ruben Karapetyan. (RKP).“Future Frequency” (Original Mix) – Analog Jungs. (Mango Alley).“Big Sirens” (Mind Of Us Remix) – Melodiam. (Onedotsixtwo).“Young & Old” (Original Mix) – Ekis Ekis, Jury Spika. (CreatusFlow).“Solarius” (Original Mix) – Mind Conspiracy. (Protagonist dark).“Utility” (Original Mix) – Der Effekt. (Freegrant Music).“Uco Valley” (Extended Mix) – Maximo Lasso. (UV).“Telazar” (Original Mix) – George X. (Balance Music).“Dance With Me” (Original Mix) – Nick Lawyer. (Traces).“Monolaya” (Casnik & Gonzalo Cotroneo Remix) – VVS, Redspace. (Sunexplosion).“Rise Beyond Time” (Al Park Remix) – Yohai Mor. (Massive Harmony).“End Of The Line” (Original Mix) – Alan Cerra. (Particles).“Glitterhound” (Shinyblood Version) – EANP. (Reminiscence).“Dear Samira” (Mariano Giacinti Remix) – Beat Tonic. (Massive Harmony).“Great Journey” (Original Mix) – Ewan Rill. (Sever).“Echoes” (Original Mix) – Fraser Rix. (Onedotsixtwo).“Playa Perdida” (Original Mix) – Hannes Bieger. (Bedrock).“Envolve Me” (Original Mix) – Iaell, Kaled Nasser. (Pyramid Waves).“Drooping” (Original Mix) – John Cosani. (Sudbeat Music).“Capsule” (Agustin Pietrocola Remix) – Kebin Van Reeken. (Kitchen Recordings).“Side Effect” (Monostone Extended Mix) – Lena Storm. (Skytop).“Karma” (Original Mix) – Rafael Osmo. (Osmo Music).
Send us a text-- TECHOUZER checks in from MADRID, SPAIN and drops a sizzling TECH HOUSE set.Courtesy of the "HUAMBO RECORDS RADIO"Powered by the Club Sabroso Radio NetworkFollow IG/FB: @CLUBSABROSORADIO24/7 Live Stream at: WWW.CLUBSABROSORADIO.COM
Send us a text--- Dominican born & New York based —Ray MD takes over our airwaves for a power-packed 2 hour session of pure House loaded with Latin Rhythm, Tech, Tribal House & more. —∙> 1st hour: Ray Drops some exclusive tracks and unreleased projects from his label imprint “The Warrior Recordings”……. —∙> 2nd hour: From Canada Tommy Villacorta joins the fun with Interview and Guest Mix.Powered by the Club Sabroso Radio NetworkFollow IG/FB: @CLUBSABROSORADIO24/7 Live Stream at: WWW.CLUBSABROSORADIO.COM
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In this special episode of Super Progressive, we welcome Nick Varon to have a chat about his upcoming 20th anniversary boat party in his home country of Greece. Additionally, we chat about his favorite mix compilations, the most important clubs in the history of the Greek scene, the importance of the resident DJ, how he organizes his music, and much more.00:00 - Introduction00:50 - Nick Varon Boat Party03:23 - Track Selection for Boat Party06:44 - Origins in Electronic Music08:59 - Danny Tenaglia GU010 in Athens10:45 - Greek Clubbing History13:44 - Greek Producers in the Early 2000s15:58 - Becoming a DJ20:39 - The Benefits of Being a Resident DJ25:43 - The Power of an Opening Set31:54 - Playing to Different Dancefloors38:29 - Organizing Music43:10 - InspirationFollow Super Progressive: Instagram: https://www.instagram.com/superprogressive/#progressivehouse #dj #housemusic
FRSCKO WORLD RADIO #47Mixed by Redux Saints (Los Angeles, CA)FOLLOW REDUX SAINTSInstagram: www.instagram.com/reduxsaintsSoundCloud: on.soundcloud.com/UNIk0JGAqEZnF1lAWYSpotify: open.spotify.com/artist/55RaZUiEA2LgfoBxw1a7f0FOLLOW FRSCKO WORLDInstagram: www.instagram.com/frsckoworldSoundCloud: @frsckoBeatport: www.beatport.com/label/frscko-world-records/123456Apple Podcasts: podcasts.apple.com/us/podcast/frsc…dio/id123456789TRACKLISTR3WIRE – The Rhythm (Extended Mix) [KNOW WHERE]NIIKO X SWAE – International Party Girl (Extended Mix) [Dim Mak]Bad Intentions – Ibiza Vibes (Extended Mix) [Who Plays]Papa Marlin – Dancing Moments (Extended Mix) [Deep Tech Los Angeles]Pako Ramirez – Mwaki (Extended Mix) [Deep Tech Los Angeles]Mau P – Like I Like It (Extended Mix) [Diynamic]Redux Saints – The Time, The Place (Extended Mix) [Farris Wheel]Chris Lorenzo – Appetite (Extended Mix) [Catch & Release]Redux Saints – TR-808 (Extended Mix) [Deep Tech Los Angeles]MOGUAI, Champagne Kenny – MOVE YOU [LOW CEILING]Marco Lys, Ben Miller (Aus) – Hear This (Extended Mix) [Club Sweat]Redux Saints – To The Top (Extended Mix) [Who Plays]VNSSA & Benson – Shiny Disco Balls (Extended Mix) [Rules Don't Apply]DONT BLINK – LETS GET TOGETHER (Extended Mix) [The Myth of NYX]Dansyn – No Type (Original Mix) [Repopulate Mars]Return Of The Jaded & Wattage – In Your Cottage (Extended Mix) [The Myth of NYX]Smith & Sorren, On Deck, skemaddox – SLIDE (Extended Mix) [TURNT]The world Is yours.
London's neo-jazz group Sly + The Family Drone step up to the session with a fierce + capricious mixtape. Hear music from Skee Mask, Skudge, Thraa, Kerrie, JakoJako, Rob Mac, G Flame, Emptyset, The Bug, King Cannibal, + Ancestral Voices. As well as tracks from JK Flesh + Samuel Kerridge. Peder Mannerfelt's label. Karim Maas. And ScanOne. Tracklist — https://darkfloor.co.uk/mantisradio361 Join our Patreon — https://patreon.com/mantisradio for exclusive content and bonus material.
Dive into the ultimate groove with our latest podcast episode, packed with deep house, funky disco, and soulful club mixes! Featuring extended mixes from top artists like Riva Starr, Oliver Dollar, Shaka Loves You, and The Reflex, this set brings the perfect dancefloor vibes to your weekend or late-night chill sessions. Whether you're into underground house beats, nu-disco rhythms, or feel-good party anthems, this mix is designed to keep your energy high and the groove unstoppable. Perfect for workouts, house parties, or just vibing out. Don't miss out on your new favorite house music podcast! This week's episode includes: Fatback Band, Moodena - Backstrokin' (Moodena's Rub Down Mix) Oliver Dollar, Ben Silver, Boogs - Cosmic Weapon Riva Starr, Harry Stone, Crackazat - House Of Mirrors (Crackazat Extended Remix) Stacy Kidd - Pathway To Glory (Chicago Horn Mix) Doug Willis, Mike Dunn, Dave Lee ZR - Luv 2 Dance (Extended Mix) Shaka Loves You - Hear Me Today (Extended Mix) The Reflex - Weekend (Extended Mix) Earth N Days - Gonna Do (Extended Mix) Thulhum - Hornatron (Club Mix) John Julius Knight, Fimiani - Find A Friend (Fimiani Extended Remix) Baccus - Just Be Good To Me (Extended Mix) Riva Starr, Nic Hanson - (I'll Be Your) Paradise (Extended Mix) Alex Preston, Mo'Funk, Secret Weapons (AU) - People Dancing (Extended Mix) Sam Karlson - On The Run (Extended Mix) Block & Crown - Iam Ready Groove Armada, Gramma Funk, Austin Ato - I See You Baby (Austin Ato Extended Remix) Luke Alessi, Jordan Brando - Affogato Angelo Ferreri, Max Millan, Wild Joker - Sun Is Shining (Original Mix) Chloé Caillet, Luke Alessi, Jocelyn Brown - The One (Extended Mix) 49th & Main, SHEE - Hold On Keywords: House Music, Deep House, Disco House, Funky House, Club Mix, Extended Mix, Dancefloor Vibes, Groove Music, Soulful House, Nu-Disco, Remix, DJ Mix, Electronic Music, Weekend Vibes, Chill House, Dance Music Podcast, Underground House, Summer Mix, Late Night Groove, Riva Starr, Oliver Dollar, Shaka Loves You, The Reflex
Send us a text--Special Memorial Day Set by Toronto DJ 2TEN. Powered by the Club Sabroso Radio NetworkFollow IG/FB: @CLUBSABROSORADIO24/7 Live Stream at: WWW.CLUBSABROSORADIO.COM
Send us a text--- Portuguese DJ & Producer SYLVA DRUMS host this amazing Afro Tech House show.Every month the show will deliver Rhythmic melodic beats that will get you dancing.Powered by the Club Sabroso Radio NetworkFollow IG/FB: @CLUBSABROSORADIO24/7 Live Stream at: WWW.CLUBSABROSORADIO.COM
Send us a text-- THE LEGENDARY RADIO SHOWHOSTED BY: BLACK LEGEND (ITALY)MAMBO CAFE IBIZA.Powered by the Club Sabroso Radio NetworkFollow IG/FB: @CLUBSABROSORADIO24/7 Live Stream at: WWW.CLUBSABROSORADIO.COM
Decisive Podcast Series - Melanie MalikeThis is the audio version of a video conversation originally recorded for YouTube.In this episode, I'm joined by vocalist and songwriter Melanie Malike for a raw and thoughtful conversation about her creative journey. Alongside co-host Zoe Mazah, we dig into what it really means to find your voice, write with purpose, and perform with honesty.We talk about artistic identity, songwriting inspiration and process, staying connected during live performances, the space between vulnerability and confidence, working with Jan Kinčl, and the growth that comes from navigating creative challenges.It's an honest and unfiltered exchange, and a reminder of why we keep having these conversations.Watch the full video version on YouTube:[https://youtu.be/BEDMWVUczIU](https://youtu.be/BEDMWVUczIU)Follow the guests and hosts:Melanie Malike – Instagram: [https://www.instagram.com/melanie.malike](https://www.instagram.com/melanie.malike)Jan Kinčl – Instagram: [https://www.instagram.com/jan_kincl](https://www.instagram.com/jan_kincl) | Website: [https://www.jankincl.com](https://www.jankincl.com)Zoe Mazah – Instagram: [https://www.instagram.com/zoemazah](https://www.instagram.com/zoemazah) | Website: [https://www.zoemazah.com](https://www.zoemazah.com)Roberto Ingram – Instagram: [https://www.instagram.com/robertoingram](https://www.instagram.com/robertoingram) | Website: [https://www.robertoingram.com](https://www.robertoingram.com)Listen and follow the Decisive Podcast Series:Spotify: [https://open.spotify.com/show/6ErWC4m2HbewiIzAC3KWi3](https://open.spotify.com/show/6ErWC4m2HbewiIzAC3KWi3)Apple Podcasts: [https://podcasts.apple.com/sa/podcast/podcast-series/id364388579](https://podcasts.apple.com/sa/podcast/podcast-series/id364388579)SoundCloud: [https://soundcloud.com/roberto-q-ingram/sets](https://soundcloud.com/roberto-q-ingram/sets)Podomatic: [https://www.podomatic.com/podcasts/decisivepodcastseries](https://www.podomatic.com/podcasts/decisivepodcastseries)Subscribe to the Decisive Podcast Series on your favorite platform and share it with people who appreciate real conversations with artists. Every follow, repost, and listen helps us grow this creative community.Relevant tags: Melanie Malike, Jan Kincl, Zoe Mazah, Roberto Ingram, Decisive Podcast, Music Podcast, Artist Interview, Independent Artist, Live Performance, Songwriting, Vocalist, Electronic Music, Creative Process, Music Industry Talk, Artist Journey, Real Conversations, Soul Music, Female Artists, Emerging TalentSuggested hashtags for sharing: #MelanieMalike #JanKincl #ZoeMazah #RobertoIngram #DecisivePodcast #ArtistInterview #MusicTalk #CreativeCommunity #VocalistJourney #RealConversations #IndependentMusic #SupportCreators #PodcastRecommendations #ElectronicSoul #MusicCulture
Episode 176 Chapter 35, Live Electronic Music— Historical Practices. Works Recommended from my book, Electronic and Experimental Music Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 35, Live Electronic Music— Historical Practices from my book Electronic and Experimental music. Playlist: LIVE ELECTRONIC MUSIC—HISTORICAL PRACTICES Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1. Karlheinz Stockhausen, “Mikrophonie I” (1964) from Mikrophonie I · Mikrophonie II. Mikrophonist 1, Johannes Fritsch; Mikrophonist 2, Harald Bojé; Electronic Filters and Potentiometers 1, Karlheinz Stockhausen; Electronic Filters and Potentiometers 2, Hugh Davies, Jaap Spek; Tam-tam, Aloys Kontarsky; Tam-tam, Fred Alings. Brüsseler Version 1965 recorded at WDR, Cologne. 07:24 01:42 2. AMM, “In The Realm Of Nothing Whatever” (1966) from AMMMusic 1966. Cello, Accordion, Clarinet, Transistor Radio, Lawrence Sheaff; Electric Guitar, Transistor Radio, Keith Rowe; Music by, Cardew, Prévost, Rowe, Sheaff, Gare; Percussion, Eddie Prévost; Piano, Cello, Transistor Radio, Cornelius Cardew; Tenor Saxophone, Violin, Lou Gare. Recorded on the 8th and 27th June 1966 at Sound Techniques. 13:22 09:06 3. Musica Elettronica Viva (MEV), “SpaceCraft” (1967) from MEV 40. Mbira Thumb Piano Mounted On A Ten-litre Agip Motor Oil Can, Contact Microphones, Amplified Trumpet, Voice, Alvin Curran; Amplified Glass Plate With Attached Springs, Contact Microphones, Frederic Rzewski; Homemade Synthesizer from Electronic Organ Parts, Allan Bryant; Moog Modular Synthesizer, Contact Microphones, Voice, Richard Teitelbaum; Tenor Saxophone, Ivan Vandor; Voice, Carol Plantamura. 30:45 22:26 4. David Tudor, “Rainforest Version One” (1968) from Rainforest. Live electronics, David Tudor, Takehisa Kosugi. Used transducers to amplify objects. Recorded by Rob Miller. 21:50 53:10 5. Karlheinz Stockhausen, “Kurzwellen” (1968), excerpt from Festival of Hits. Composed By, Mixed By, Electronics, Filters, Potentiometers, Karlheinz Stockhausen; Electronium, Harald Bojé; Tamtam, Alfred Alings, Rolf Gehlhaar; Piano, Aloys Kontarsky; Electric Viola, Johannes G. Fritsch. This is the opening of this long work, excerpted for this strange collection of greatest “hits” by Stockhausen (you had to be in 1970 to understand this). Kurzwellen is a piece where the musicians need to improvise and react to signals they receive on randomly tuned shortwave radios. This is from the Cologne recording made in the Rhenus studio in Godorf for the Cologne Radio (WDR, Westdeutscher Rundfunk Köln) on the 8th and 9th of April 1969 (53'30), which was record 2 of the original 2-record set. By the way, this ensemble also featured the Electronium Pi, made by Hohner beginning in 1952. It was a monophonic, electronic keyboard instrument and was an add-on instrument for the piano mounted under the keyboard, which is the model used by Stockhausen. His keyboardist, while Harald Bojé used the accordion-like model. 06:19 01:14:56 6. The Music Improvisation Company, “Tuck” (1970) from The Music Improvisation Company. Electric Guitar, Derek Bailey; Live Electronics, Hugh Davies; Percussion, Jamie Muir; Soprano Saxophone, Evan Parker. 03:00 01:21:14 7. David Tudor, “Rainforest IV” (1973) from Rainforest IV. Composed in 1973 by David Tudor; performed by Composers Inside Electronics (David Tudor, Martin Kalve, Philip Edelstein, Ralph Jones, Bill Viola, John Driscoll). Recorded at the exhibition "Für Augen und Ohren - Von der Spieluhr zum akustischen (Environment (For eyes and ears - from the mechanical clock to the acoustic environment)" at the Akademie der Künste, Berlin, January 1980. 25:12 01:24:24 8. Maryanne Amacher, “"Head Rhythm 1" And "Plaything 2" (1999) from Sound Characters (Making The Third Ear). Electroacoustic composer of sound installations, best known for her incorporation of otoacoustic emissions -- sounds that seem to be emanating from inside one's own head. This track plays with that concept and sets your brain up to experience itself, so to speak. 10:04 01:49:36 9. Caroline Park, “Grain 5” (2011) from Grain. This is a cassette release by Park, often known her for generative composition work and electronic improvisations based on parameters that she defines. Recorded, performed by Caroline Park. 09:05 01:59:32 10. Caterina Barbieri. “This Causes Consciousness To Fracture” (2017) from Patterns Of Consciousness. Italian composer and musician from Bologna. This album was created using analog synthesis. Barbieri has said, “In Patterns of Consciousness I was interested in exploring the power of sound on our consciousness. I wanted to explore how a pattern creates a certain state of consciousness and how the gradual transformation of that pattern can affect that state of consciousness. I believe that sound is a tool for the exploration, reconfiguration and expansion of human perceptions.” I find this to be in a similar psychological vein as the Amacher work also heard in this episode. 22:44 02:08:36 11. Sarah Davachi, “First Cadence” (2021) from Antiphonals. Composed, recorded, performed, Mellotron (bass flute, recorder, oboe), Tape Echo, Sarah Davachi. 05:48 02:31:20 12. Asha Tamirisa, “Live Performance,”(2023) at the Waterworks 2023: Festival of Experimental Sound. Laptop synthesis, snare drums, Asha Tamirisa. Soundtrack for a video recorded by Wenhua Shi & Nick Stevens, video editing by Nick Stevens, and audio recording and mixing, Matthew Azevedo. 25:10 02:37:02 Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.
Episode 175 Chapter 34, Live Electronic Music— Foundations. Works Recommended from my book, Electronic and Experimental Music Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 34, Live Electronic Music— Foundations from my book Electronic and Experimental music. Playlist: LIVE ELECTRONIC MUSIC FOUNDATIONS Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1. John Cage, “Radio Music” (1956) from John Cage. Performed on radios by Gianni-Emilio Simonetti, Juan Hidalgo, Walter Marchetti. Each of these performers used a Panasonic multi-band portable Radio Model RF-1600 B receiver. 04:33 01:40 2. John Cage, “Cartridge Music” (1960) from Music For Merce Cunningham. Phonograph Cartridges, Amplified Small Objects, David Tudor, Michael Pugliese, Takehisa Kosugi. Recorded at Paris, France in September 1988. 18:53 06:12 3. Alvin Lucier, “Music for Solo Performer” (excerpt) (1965). Live recording from 1975. Brainwave amplification performed by Alvin Lucier; electronics, Nicolas Collins. 11:46 25:04 4. Gordon Mumma, “Horn” (1965) from Live-Electronic Music. Electronic modification of horn sounds. Horn, Gordon Mumma; Cybersonic console, designed by Mumma, operated by William Ribbens; Recorded by George Cacioppo; Voice, George Cacioppo, Robert Ashley. For a hornist, two voices, and a cybersonic console operator. 09:36 36:48 5. John Cage, “Variations V” (1965). Performance on November 11, 1966, Théâtre de Champs Élysées, Paris. Performers, John Cage, David Tudor, Gordon Mumma. 39:57 46:10 6. David Tudor, “Bandoneon ! (A Combine)” (1966) from The Art Of David Tudor 1963–1992. Composed and performed by David Tudor. 14:15 01:26:43 7. David Behrman, “Runthrough” (1967–68) from Wave Train. For homemade synthesizers and photocell mixers. Homemade Synthesizer, Photocell Mixer, Alvin Lucier, David Behrman, Gordon Mumma, Robert Ashley. 12:11 01:40:26 8. Gordon Mumma, “Telepos” (1972) from Music For Merce 1952-2009. Recorded live on February 2, 1972, La Fenice, Venice. Controlled Sounds Activated By Dancers With Telemetry-accelerometer Belts, Gordon Mumma. 18:38 01:52:34 9. Pauline Oliveros, Rehearsals for “In Memoriam, Nikola Tesla” (excerpt) (1972). Recorded live September 1972, Köln, Germany. No performers listed. 11:56 02:11:06 10. Robert Ashley, “Automatic Writing” (1974–79) from Automatic Writing. Electronics, Polymoog, Voice, Words, Produce, Recorded, Mixed by Robert Ashley; Mixing Assistance, Rich LePage; Switching Circuit Designed and Built by Paul DeMarinis; Translated by Monsa Norberg; Voice, Mimi Johnson. 46:00 02:23:04 Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.
Send us a text--- AFRODITA COLLECTIVE RADIO SHOW by NATTMUSIC••—> First Sunday of every month, You are treated to exclusive DJ sets and interviews by International and local DJs.Powered by the Club Sabroso Radio NetworkFollow IG/FB: @CLUBSABROSORADIO24/7 Live Stream at: WWW.CLUBSABROSORADIO.COM
CapeTalk’s Sara-Jayne Makwala King is joined on Weekend Breakfast by TAGS: Sara-Jayne Makwala King, CapeTalk, Weekend Breakfast, WeekendBreakfastwithSJK, Cape Town, radio, electronic music, founder of Lady of House, Laila McKenzie. See omnystudio.com/listener for privacy information.
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New Dj Set for Techno Live Sets (Yatagan Records - Italy)Tracklist:1) Heinrich & Heine (This is for This) 2) Jay-x (Energy Power) Yatgan Records3) Bud Red, Ruzmore (Heat) Fingers Records4) Jay-x (Arificial Intelligence) Yatagan Records5) Sam Junk (Believe Me) 6) Storytellers (Rythm Mind) Future Techno Records7) The Second Wave (Into a Complex Dystopia) Sugo Music8) Jay-x (Randomizer) Spirit Noise Records9) Birkenlauber (ROTU) Amber Recondings10) Dark Cities (Take My Hand) Space Kraft Recordings11) Mark Reeve x Joyhauser (Focus) Terminal M12) Argy, Mha Iri (Give You) Why Don't You Dance?13) Daichi Katsuren (Deigo) Redlof Records
In this engaging conversation, Grahame Farmer shares his journey through the music industry, from his early experiences with dance music to founding Data Transmission. He discusses the evolution of his career, the challenges faced while building a community, and the transition from a physical magazine to an online platform and radio station. Grahame reflects on the importance of consistency and innovation in the music scene, as well as the nostalgia of past music platforms like MySpace. In this conversation, Brad and Grahame Farmer discuss the challenges and opportunities within the music industry, particularly focusing on the importance of social media, the evolving role of DJs, and the significance of community and coaching. Grahame shares his personal journey of building a music brand, navigating ticketing, and the drive to provide for his family. They also delve into the process of writing a book and the importance of celebrating small wins in the industry. In this conversation, Grahame Farmer discusses the evolution of his music career, the importance of family in his business, and the unique genres he has created. He shares insights on the fun aspects of DJing, influential figures in the music industry, and the educational programs he offers for aspiring artists. Grahame emphasizes the transition from hobby to career, the significance of branding, and how to find the right record label. He provides valuable advice for new producers and highlights essential marketing skills for musicians.Takeaways- Grahame's journey into music began at a young age.- He discovered dance music at a friend's house party.- Turnmills was a pivotal point in his career.- Data Transmission started as a magazine promoting club events.- The transition to an online platform was driven by necessity.- Grahame emphasizes the importance of community in music.- He has built a successful podcast and radio station.- Consistency in content creation has been key to success.- The evolution of music platforms has changed the industry landscape.- Grahame's passion for music continues to drive his work. The ticketing landscape requires significant infrastructure and trial and error.- Providing for family can be a strong motivator in the music industry.- Social media offers various platforms for artists to connect with audiences.- DJs can explore new avenues like Twitch for live streaming and community building.- Self-releasing music is a viable option for artists today.- Coaching and community support can help emerging artists navigate their careers.- Writing a book can be a fulfilling way to share knowledge and experiences.- Celebrating small wins is crucial for long-term motivation in the music industry.- There are numerous ways to make a living as a producer beyond just releasing tracks.- Building a team requires management skills and adaptability. Grahame's partner plays a crucial role in the drum and bass scene.- Creating unique music genres can set artists apart.- DJing is a fun hobby for Grahame, not just a career.- Education is important to help others in the music industry.- Music is only a small part of a successful career.- Building a brand is essential for musicians.- Finding the right record label is key to success.- New producers should focus on perfecting their craft.- Networking is vital in the music industry.- Marketing skills can significantly boost a musician's profile.music, electronic, podcast, data transmission, Grahame Farmer, Turnmills, Ibiza, MySpace, community, record labels, house music, music industry, social media, DJing, coaching, ticketing, family, community, music production, writing, small wins, music production, DJing, branding, record labels, social media, music education, career advice, music genres, networking, artist development
Are you a creative looking to break the mold and redefine what performance can be? In this episode, Xylo chats with multidisciplinary artist, and electric violinist Alfiya Glow, whose genre-defying sets fuse Electronic music, live violin, and immersive visuals into a cinematic experience. Tune in for an inspiring conversation about carving out your own lane in the industry, merging classical roots with futuristic sound design, and how blending art forms can unlock powerful new ways to connect with audiences.Join a community of female artists and producers around the world and get free access to masterclasses, mentoring and more by becoming a member of MPW: https://musicproductionforwomen.com/membership
Listen to an interview with the acclaimed Gary, Indiana composer and electronic music producer Jlin. Her music has been praised by Pitchfork, NPR, Vogue, Rolling Stone and The New York Times, and she's collaborated with artists including Björk and Philip Glass. Born Jerrilynn Patton in 1987, Jlin's bold, genre-defying work has reshaped the landscape of experimental electronic music. Her rhythmically dense and emotionally intense style emerged from footwork, a high-speed dance music rooted in the underground music culture of Chicago. But Jlin's sound evolved over time, becoming an unmistakably original voice that transcends categorization. Jlin rose to prominence with her 2015 debut Dark Energy. The album was immediately hailed as a landmark in contemporary electronic music. Both The Quietus and The Wire named it Album of the Year, and Pitchfork included Dark Energy in its Top 20 Albums of 2015. Her follow-up album, Black Origami further solidified her status as a leading avant-garde composer. The album received almost universal acclaim, with The New York Times, Rolling Stone, NPR, and The Guardian including Black Origami in their the Best Albums of 2017 lists. Jlin's latest, album Akoma has also garnered widespread critical acclaim. Beyond her solo releases, Jlin's influence has expanded into the worlds of dance, classical music, and performance art. She has composed for the renowned Kronos Quartet and her music has been used by choreographers including Wayne McGregor and Kyle Abraham. Despite her international recognition, Jlin has remained firmly rooted in her hometown Gary, Indiana.
Colour and Pitch label founder Sumsuch returns to the airwaves for the May 2025 edition of Colour and Pitch Sessions, with an hour of stunning new soulful sounds, mixed live for your listening pleasure. Subscribe to the show via Apple Podcasts: https://geni.us/ColourAndPitch Tracklist: 1. Yuu Udagawa - Golden Glow - Compost Records 2. Caribou - Jamelia (BiG AL Remix) - White Label 3. Charles Webster, China Charmeleon & Girly - Many Blessings - Stay True Sounds 4. Dusky - Mr Man - Anjunadeep 5. Black Loops - Electrical (feat. Marlena Dae) (Jimpster Dub) - Freerange 6. Inkswel & Andre Espeut - Callin 4 U (feat. Han Litz) (Beatkozina Remix) - Compost Records 7. Malkom Kalma - Maam Boyo (TR3NACRIA, DEFREEZE Remix) - d:vision 8. Dokho - Crystal Cave - Monstercat Silk 9. Shur-I-Kan & Fred Everything - Composition X - Lazy Days Recordings 10. Sabrina Chyld & Atjazz - Protection - Atjazz Record Company 11. lovetempo - But I Do (Crackazat Remix) - Razor-N-Tape 12. Belcampo - Love & Affection - Lazy Days Recordings 13. Milton Jackson and Brian Kage - The Shine ft. Jon Dixon - Freerange Originally broadcast on Frisky Radio and Proton Radio.
Ben Cardew and Sergi Cuxart bring you their picks of the best electronic music at the 2025 Primavera Sound festival from Armand to Toumba, to help you plan out your listening. Line Noise is brought to you by Cupra.
Join leading labels, distributors and PRs as they unpack what's working in today's release landscape. From choosing the right formats and platforms to planning release frequency, strategy and spend, this podcast dives into the real-world decisions behind a successful campaign. We'll also explore the role of social media, the pros and cons of self-releasing vs. working with a label, and how approaches shift depending on the artists' goals and resources. Contributors: Connie Chow (FUGA)Moody Jones (EMPIRE/Dirtybird)Chris Goss (Hospital Records)Benjamin Belaga (Yoyaku)Aoife Lavery (Infectious PR)
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Send us a text-- Your favorite electronic music radio show Takes over the Airwaves in Punta Cana & Santiago, Dominican Republic.1st Hr. | Club Sabroso's Pick of the Week Playlist.2nd Hr. | Guest mix by Dominican DJ RAY MD.RAY MD checks in from NEW YORK to control the decks with an EXCLUSIVE AFRO LATIN HOUSE set.Prepare for absolute energetic audio experience..Where you'll hear nothing but heaters
Episode 174 Chapter 33, Digital Synthesizers and Samplers. Works Recommended from my book, Electronic and Experimental Music Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 33, Digital Synthesizers and Samplers from my book Electronic and Experimental music. Playlist: DIGITAL SYNTHESIZERS AND SAMPLERS Time Track Time Start Introduction –Thom Holmes 01:38 00:00 1. Jon Appleton, “Syntrophia”(1978) from Music For Synclavier And Other Digital Systems. Composed and performed on the Synclavier, Dartmouth Digital Synthesizer, Jon Appleton. 08:55 01:40 2. Claude Larsen, “Nitrogen” (1980) from Synthesis. Sounds a bit like “Oxygen” by Jarre from 1976. Programmed, performed, Fairlight CMI Music, Roland System 700, Oberheim TVS-1 Four Voice, Polymoog, Roland MC 8 Micro-Composer, Syntovox vocoder, Claude Larson. 02:31 10:36 3. Eberhard Schoener, “Fairlight 80” (1980) from Events. Featured the Fairlight CMI played by Schoener and vocals by Clare Torry. 04:20 13:04 4. Eberhard Schoener, “Events - A La Recherche Du Temps Perdu” (1980) from Events. Mellotron, Violin, Piano, Moog, Oberheim, Fairlight CMIsynthesizers, Eberhard Schoener; Fairlight CMI, Morris Pert; Gong, Percussion (Gede, Kempli, Rejong), Furst Agong Raka; Gong, Percussion (Gender, Lanang, Rejong), Ketut Tama; Gong, Percussion (Wadong, Rejong), Rai Raka; Percussion, Morris Pert; Fender electric piano, Roger Munnis; tenor saxophone, Olaf Kübler; Drums, Evert Fraterman, Pete York; Electric Bass, Steve Richardson; Electric Guitar, Ian Bairnson. 11:07 17:26 5. Klaus Schulze, “Death Of An Analogue” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 12:20 28:31 6. Klaus Schulze, “The Looper Isn't A Hooker” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 07:05 40:52 7. Joel Chadabe and Jan Williams, “Song Without Words” (1981) from Rhythms For Computer And Percussion. "The equipment used in RHYTHMS is a portable minicomputer/digital synthesizer system designed and manufactured by New England Digital Corporation in Norwich, Vermont, expressly for making music.” This was an early Synclavier without a keyboard controller. Synclavier digital synthesizer, Joel Chadabe; Percussion, Vibraphone, Marimba, Slit Drum, Log, Wood Block, Temple Block, Cowbell, Singing Bowls, Jan Williams. 07:24 47:54 8. Don Muro, “Deanna Of The Fields” (1981) from Anthology. Vocals, Piano, Electric Piano, Acoustic Guitar, Electric Guitar, Synthesizer, Korg M1 Music Workstation, Bass, Drums, Percussion, Don Muro. 02:52 55:18 9. Nervous Germans, “Hometown” (1981) from Nervösen Deutschen. Bass, Producer, Micki Mäuser; Drums, Udo Dahmen; Guitar, Manni Holländer; Vocals, Casio VL Tone micro keyboard, Grant Stevens. 05:15 58:10 10. Tuxedomoon, “Blind” from Time To Lose, Blind. Effects, Guitar, Peter Principle; Casio M-10, Blaine L. Reininger; Vocals, Moog, Soprano Saxophone, Steven Brown; Vocals, Winston Tong. 07:44 01:03:26 11. Herbie Hancock, “Rough” (1983) from Future Shock. Fairlight CMI, AlphaSyntauri, Emulator, Herbie Hancock; Background Vocals, Bernard Fowler, Grandmixer D.ST., Nicky Skopelitis, Roger Trilling; Bass, Bill Laswell; Drums, Sly Dunbar; Lead Vocals, Lamar Wright; Prophet-5, Michael Beinhorn; Turntables, Voice, Grandmixer D.ST. 06:54 01:11:00 12. Wendy Carlos, “Genesis,” “Eden,” and “I.C. (Intergalactic Communications)” (1984) from Wendy Carlos' Digital Moonscapes. Programmed All Sounds programmed and performed on the Crumar GDS/Synergy digital synthesizer, Wendy Carlos. 15:20 01:17:50 13. Ron Kuivila, “Household Object” (1984) from Fidelity. Casio VL toneand homemade electronics, Ron Kuivila. 09:34 01:33:20 14. Lejaren Hiller, “Expo '85” (1985) from Computer Music Retrospective. Four short pieces highlight the versatility of the Kurzweil K250: “Circus Piece - A Cadential Process” (4:04), “Transitions - A Hierarchical Process” (2:12), “Toy Harmonium - A Statistical Process” (1:41), “Mix Or Match - A Tune Generating Process (5 Examples)” (3:44). 11:55 01:42:52 15. Third World, “Can't Get You (Out Of My Mind)” (1985) from Sense Of Purpose. Yamaha DX7, Prophet 5, PFR Yamaha, Grand Piano Yamaha Acoustic, Organ Hammond B3, Clavinet Mohner D6, Percussion, Vocals, Michael "Ibo" Cooper; Backing Vocals, Glenn Ricks, Meekaaeel; Bass, Rhythm Guitar, Backing Vocals, Percussion, Richie "Bassie" Daley; Drums Yamaha Acoustic Drums, Electronic Drums Simmons, Drum Machine D.M.X., Drum Machine Linn Drum Machine, Percussion, Backing Vocals, Willie Stewart; Keyboards, Lead Guitar, Rhythm Guitar, Harmonica, Acoustic Guitar The Washburn Electro Acoustic, Vocals, Percussion, Stephen "Cat" Coore; Lead Vocals, Backing Vocals, Bill "Bunny Rugs" Clarke; Percussion, Neil Clarke; Percussion, Binghi Drums, Junior Wedderburn, Tschaka Tonge. 03:37 01:54:46 16. George Todd, “Sound Sculptures” (1985) from Music For Kurzweil And Synclavier. Synclavier Digital Music System, George Todd. 09:02 01:58:22 17. Russ Freeman, “Easter Island” (1986) from Nocturnal Playground. Electric Guitar, Acoustic Guitar, Guitar Synthesizer, Keyboard Bass, Emulator II, Linn 9000 Drum programming, Russ Freeman; Drums, Percussion, David Renick; Percussion, Emulator II programming, Steve Reid; Alto Saxophone, Brandon Fields. 05:30 02:07:22 18. Donald Steven of G.E.M.S., “Images - Refractions Of Time And Space (1986)” from Group Of The Electronic Music Studio - McGill University. Yamaha DX7, Laurie Radford; Bass, John Oliver; Electric Flute, Jill Rothberg; Percussion, Elliot Polsky, François Gauthier. 11:42 02:12:52 19. Jane Brockman, “Kurzweil Etudes” (1-3) (1986) from Music For Kurzweil And Synclavier. Kurzweil K250, Jane Brockman. 10:19 02:24:32 20. Richard Burmer, “Across The View” (1987) from Western Spaces. Emulator II plus an analog synth, Richard Burmer. 04:38 02:34:48 21. Sonny Sharrock Band, “Kate (Variations On A Theme By Kate Bush)” (1990) from Highlife. Electronics, Korg M1, Korg Wave Station, Dave Snider; Bass, Charles Baldwin; Drums, Abe Speller, Lance Carter; Guitar, Sonny Sharrock. 05:52 02:39:32 22. Second Decay, “Taste” (1994) from Taste. Produced with the Roland Compu Music CMU-800R workstation and without MIDI; Simmons Electronic Drums,Thomas V.. Other synths used: ARP Odyssey, ARP 2600, PPG Wave 2.0, Emulator I and II, Roland SH-101, SH-7, CR-78, TR-808, MC-4, TR-606, EMS Synthi A, Solina String, Mellotron, Crumar Performer, Teisco 110F, Wasp, Linn LM-1, SCI Pro-One, Minimoog, Korg Mono-Poly, SQ-10, Elektro Harmonix Minisynth, Vocoder and effect devices, Compact Phasing A, Roland Echos RE 201, SRE 555. 04:20 02:45:18 Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.
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LTHM 806 welcomes wEird disKo with a deep, trippy, and hypnotic DJ mix — packed with stripped-back rhythms, heady minimal textures, and late-night deep tech grooves.This set is a sonic trip through the underground: rolling basslines, hazy atmospheres, and subtle, cerebral shifts that keep you locked into the zone.
Send us a text-- RAY MD checks in from NEW YORK with a sizzling AFRO LATIN HOUSE SET. Courtesy of the "CLUB 2 RADIO SHOW PUNTA CANA"Powered by the Club Sabroso Radio NetworkFollow IG/FB: @CLUBSABROSORADIO24/7 Live Stream at: WWW.CLUBSABROSORADIO.COM
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Tom uses the 4MS Meta Module to try out various plugins from the company including the Ensemble oscillator. Tom also talks about his recent experience at Melt and Ooze in Baltimore, an experimental and noise festival at Wax Atlas. Check out Baltimore Drone Hive on instagram for more info an all things experimental going on in Baltimore.
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Robert F. Kennedy, Jr., the Secretary of Health and Human Services, has been undermining public trust in vaccines and overseeing crippling cuts to research across American science. And yet his “make America healthy again” highlights themes more familiar in liberal circles: toxins in the environment, biodiversity, healthy eating. Kennedy has put junk food at the center of the political conversation, speaking about ultra-processed foods and their established links to chronic disease—despite President Donald Trump's well-known reverence for fast food of all kinds. Marion Nestle, a leading nutrition researcher and the author of “Food Politics,” has written in depth on how money and politics affect our diet and our health, and about the ways that American science research has been hampered by limited funding. She tells the physician and contributing writer Dhruv Khullar, who's been reporting on the American diet, that “it would be wonderful if R.F.K., Jr., could make the food supply healthier. I just think that in order to do that, he's going to have to take on the food industry, and I don't think Trump has a history of taking on corporations of any kind. . . . I'll believe it when I see it.” Kraftwerk—the pioneering electronic music group that débuted more than half a century ago —has been touring the U.S., with stops planned in Europe this year. The staff writer Kelefa Sanneh calls them one of the most influential bands of all time, playing a formative role in hip-hop, techno, EDM, and much of popular music as we know it. Sanneh picks tracks from Kraftswerk's repertoire and demonstrates how those sounds trickle out through music history, from Afrika Bambaataa to Coldplay.
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