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CapeTalk’s Sara-Jayne Makwala King is joined on Weekend Breakfast by TAGS: Sara-Jayne Makwala King, CapeTalk, Weekend Breakfast, WeekendBreakfastwithSJK, Cape Town, radio, electronic music, founder of Lady of House, Laila McKenzie. See omnystudio.com/listener for privacy information.
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New Dj Set for Techno Live Sets (Yatagan Records - Italy)Tracklist:1) Heinrich & Heine (This is for This) 2) Jay-x (Energy Power) Yatgan Records3) Bud Red, Ruzmore (Heat) Fingers Records4) Jay-x (Arificial Intelligence) Yatagan Records5) Sam Junk (Believe Me) 6) Storytellers (Rythm Mind) Future Techno Records7) The Second Wave (Into a Complex Dystopia) Sugo Music8) Jay-x (Randomizer) Spirit Noise Records9) Birkenlauber (ROTU) Amber Recondings10) Dark Cities (Take My Hand) Space Kraft Recordings11) Mark Reeve x Joyhauser (Focus) Terminal M12) Argy, Mha Iri (Give You) Why Don't You Dance?13) Daichi Katsuren (Deigo) Redlof Records
Listen to an interview with the acclaimed Gary, Indiana composer and electronic music producer Jlin. Her music has been praised by Pitchfork, NPR, Vogue, Rolling Stone and The New York Times, and she's collaborated with artists including Björk and Philip Glass. Born Jerrilynn Patton in 1987, Jlin's bold, genre-defying work has reshaped the landscape of experimental electronic music. Her rhythmically dense and emotionally intense style emerged from footwork, a high-speed dance music rooted in the underground music culture of Chicago. But Jlin's sound evolved over time, becoming an unmistakably original voice that transcends categorization. Jlin rose to prominence with her 2015 debut Dark Energy. The album was immediately hailed as a landmark in contemporary electronic music. Both The Quietus and The Wire named it Album of the Year, and Pitchfork included Dark Energy in its Top 20 Albums of 2015. Her follow-up album, Black Origami further solidified her status as a leading avant-garde composer. The album received almost universal acclaim, with The New York Times, Rolling Stone, NPR, and The Guardian including Black Origami in their the Best Albums of 2017 lists. Jlin's latest, album Akoma has also garnered widespread critical acclaim. Beyond her solo releases, Jlin's influence has expanded into the worlds of dance, classical music, and performance art. She has composed for the renowned Kronos Quartet and her music has been used by choreographers including Wayne McGregor and Kyle Abraham. Despite her international recognition, Jlin has remained firmly rooted in her hometown Gary, Indiana.
Colour and Pitch label founder Sumsuch returns to the airwaves for the May 2025 edition of Colour and Pitch Sessions, with an hour of stunning new soulful sounds, mixed live for your listening pleasure. Subscribe to the show via Apple Podcasts: https://geni.us/ColourAndPitch Tracklist: 1. Yuu Udagawa - Golden Glow - Compost Records 2. Caribou - Jamelia (BiG AL Remix) - White Label 3. Charles Webster, China Charmeleon & Girly - Many Blessings - Stay True Sounds 4. Dusky - Mr Man - Anjunadeep 5. Black Loops - Electrical (feat. Marlena Dae) (Jimpster Dub) - Freerange 6. Inkswel & Andre Espeut - Callin 4 U (feat. Han Litz) (Beatkozina Remix) - Compost Records 7. Malkom Kalma - Maam Boyo (TR3NACRIA, DEFREEZE Remix) - d:vision 8. Dokho - Crystal Cave - Monstercat Silk 9. Shur-I-Kan & Fred Everything - Composition X - Lazy Days Recordings 10. Sabrina Chyld & Atjazz - Protection - Atjazz Record Company 11. lovetempo - But I Do (Crackazat Remix) - Razor-N-Tape 12. Belcampo - Love & Affection - Lazy Days Recordings 13. Milton Jackson and Brian Kage - The Shine ft. Jon Dixon - Freerange Originally broadcast on Frisky Radio and Proton Radio.
Interview by Kris PetersMusic and video games are no strange bedfellows, with bands such as Motorhead, Judas Priest, Dragonforce and Iron Maiden, plus a stack of others having their music forever immortalised in the popular platform.But more often than not, the songs are written first, with executives from gaming companies sensing the potential for more money by adding the songs in at a later date or as a soundtrack. But what if there was a band that actually wrote and performed music that was an amalgamation of the two? A band that combined electronic rock with gaming culture and internet anthems?Such a thing exists in the form of The Living Tombstone, an LA electronic rock outfit with both feet firmly planted across all three, making them possibly one of the most powerful and influential bands in the world.The two founding members - Yoav Landau and Sam Haft are in the unique position of being both recording artists and influencers in gaming, and as such have their fingers on the metaphorical pulse of both realms, which can only translate to something special in the right hands. And if the last decade of success is anything to go by, then The Living Tombstone have certainly cracked that elusive crossover market.With their first album in six years, Rust, coming out this Friday, May 30 and an Australian tour looming in July, HEAVY sat down for an interesting chat with both gentlemen to see if we could pinch some pointers."The name itself is inherently inspired by bands that in and of itself are things you feel for, like as a concept," Landau explained, "Like Gorillaz, for example, is a great idea. The name comes up, and you don't just think about the music; you think about the entire visual. It is almost like a snapshot or an obsession over other bands that had this sort of name and idea and big opaque."We ask about the live show and bringing all of their musical elements to life during a performance."The band is very much in and of itself, with characters that are really big and out of this world," Landau answered first. "Gaming and media culture are very much about how much you feel for them and the things you're into, so we translate and try to connect it within our own world.""We try to have characters people can connect to that are visual and exciting to look at," Sam added. "Beyond just the experience of going and seeing a band play live, you're getting to see these characters perform live."In the full interview, we had a chat about shoey's and Australian fans' insatiable appetite for the homemade craze. Sam and Yoav discussed their creative process, highlighting the collaborative nature of their work and the integration of gaming into their music, which has become increasingly relevant in pop culture. They expressed excitement for their new album, Rust, and their commitment to delivering a mix of familiar and innovative elements to connect with fans emotionally.We spoke more about their live show We spoke more about their live show and what to expect, the song they had on the movie Five Nights At Freddy's, the early days of the band and how their vision has changed, integrating gaming with music and finding the balance in the creative stage and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
Ben Cardew and Sergi Cuxart bring you their picks of the best electronic music at the 2025 Primavera Sound festival from Armand to Toumba, to help you plan out your listening. Line Noise is brought to you by Cupra.
As the candle flickered out, casting the room into darkness, the Silent Servant thought: ‘My duty is done, but my heart remains unheard.' Don't forget to share the good vibes by smashing that like button! Tracklist (Time – Title – Artist – Label): 00:00:00 – Above the Dub – Blundetto – Heavenly Sweetness 00:04:14 – Above the Water – Blundetto feat. Biga Ranx – Heavenly Sweetness 00:08:29 – Jamming with Craig (Mystic State remix) – Lurch – The Chikara Project...Lire la suite Lire la suite
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Send us a text-- Your favorite electronic music radio show Takes over the Airwaves in Punta Cana & Santiago, Dominican Republic.1st Hr. | Club Sabroso's Pick of the Week Playlist.2nd Hr. | Guest mix by Dominican DJ RAY MD.RAY MD checks in from NEW YORK to control the decks with an EXCLUSIVE AFRO LATIN HOUSE set.Prepare for absolute energetic audio experience..Where you'll hear nothing but heaters
Ben Cardew and Sergi Cuxart bring you their picks of the best electronic music at the 2025 Primavera Sound festival, from Armand to Toumba, to help you plan out your listening. Line Noise is brought to you by Cupra.
Tracklist: Rapture - Nadia Ali, Avicii Upside Down - DVBB, Bad Nonno In Your Arms - Dezza, Jackarta Dreamers - Stylo, Space Motion Blessings - Calvin Harris, Clementine Douglas Lights Go Down - Timmy Trumpet Friend Of Mine (from the Smurfs Movie Soundtrack) - Rihanna Love Like This - ZAYN Drifting Away - Audien, Joe Jury
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The artist, producer, and educator Jlin, born Jerrilynn Patton, first came out of the electronic dance music scene – specifically, the Chicago style of house music known as footwork. But she's also become a sought-after composer, and one of her works was a finalist for the Pulitzer Prize. Her collaborators include Icelandic pop star Bjork, composer Philip Glass, experimental electronic musician Holly Herndon, dance companies, and lots more. Jlin's unsettled rhythms, unexpected samples, and surprising sonic effects are layered, and played live (!) when she performs. Jlin joins us to play a set of pieces that draw on her typically bewildering array of sound sources, including a piece in six, “Iris”.Set list: 1. B12 2. Iris 3. The Precision of Infinity
LTHM 806 welcomes wEird disKo with a deep, trippy, and hypnotic DJ mix — packed with stripped-back rhythms, heady minimal textures, and late-night deep tech grooves.This set is a sonic trip through the underground: rolling basslines, hazy atmospheres, and subtle, cerebral shifts that keep you locked into the zone.
Send us a text-- RAY MD checks in from NEW YORK with a sizzling AFRO LATIN HOUSE SET. Courtesy of the "CLUB 2 RADIO SHOW PUNTA CANA"Powered by the Club Sabroso Radio NetworkFollow IG/FB: @CLUBSABROSORADIO24/7 Live Stream at: WWW.CLUBSABROSORADIO.COM
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Tom uses the 4MS Meta Module to try out various plugins from the company including the Ensemble oscillator. Tom also talks about his recent experience at Melt and Ooze in Baltimore, an experimental and noise festival at Wax Atlas. Check out Baltimore Drone Hive on instagram for more info an all things experimental going on in Baltimore.
Episode 172 Chapter 31, ARP Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 31, ARP Analog Synthesizers from my book Electronic and Experimental music. Playlist: MUSIC MADE WITH ARP ANALOG SYNTHESIZERS Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1. Elias Tanenbaum, “Contrasts” (1971) from ARP Art. Used the ARP Odyssey. 05:03 01:40 2. ARP demonstration. Roger Powell and Harry Coon, The ARP 2500—How it Sounds, side 2 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Music by Harry Coon and an improvisation by Roger Powell. 06:19 06:46 3. ARP demonstration. Roger Powell and Harry Coon, The ARP 2600—How it Works, side 1 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Narrated and all music by Roger Powell. 07:38 13:02 4. Roger Powell, “Ictus: Primordial Pulse,” (4:57), “Lumia: Dance Of The Nebulae” (5:14), “Fourneau Cosmique: The Alchemical Furnace Of Cleopatra,” (7:42) (1973) from Cosmic Furnace. Featured the ARP 2500, ARP Soloist, ARP 2600, and ARP Odyssey. 17:50 20:40 5. Bobbi Humphrey, “My Little Girl” (1974) from Satin Doll. Featured Larry Mizell on ARP synthesizers. 06:38 38:32 6. Herbie Hancock, “Palm Grease” (1974) from Thrust. Featured the ARP Odyssey, ARP Soloist, ARP 2600, and ARP String synthesizer. 10:35 45:16 7. John Keating, “Starcluster” (1975) from Space Experience 2. Featured the ARP 2600 and Pro- Soloist. 03:44 55:50 8. Joseph Byrd, “The Stars and Stripes Forever” (1976) from Yankee Transcendoodle. Featured the ARP Odyssey. 03:22 59:34 9. Charles Earland, “Sons of the Gods” (1976) from Odyssey. Featured the ARP Pro- Soloist, ARP Axe, ARP String Ensemble, Clavinet and organ. 05:44 01:02:58 10. Jean Michel Jarre, “Oxygene, Parts I, II, and III” (1976) from Oxygene. Used ARP and other synthesizers. 18:40 01:08:39 11. Michel Magne, “Trip Psychiatrique” (1978) from Elements, La Terre(1978). Featured the ARP Odyssey, ARP Omni Polyphonique, and ARP 2600. 04:35 01:27:22 12. Mike Mandel, “Pyramids” from Sky Music (1978). Featured the ARP Odyssey, ARP Pro Soloist, and ARP Omni II. 05:59 01:36:51 13. Eliane Radigue, “Triptych Part 2” (1978) from Triptypch. Composed and performed on the ARP 2500 modular synthesizer. 11:56 01:37:52 Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.
Episode 173 Chapter 32, Other Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 32, Other Analog Synthesizers from my book Electronic and Experimental music. Playlist: OTHER EARLY SYNTHESIZER RECORDINGS (PRE-MIDI AND NOT MOOG) Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1. Raymond Scott, “Space Mystery” (1963). Used Scott's Electronium, a custom-made analog synthesizer/sequencer. 05:08 01:42 2. Pauline Oliveros, “Alien Bog” (1967). Used a prototype Buchla 100 modular synthesizer at Mills College. 33:13 06:53 3. John Eaton, “Soliloquy For Syn-Ket” (1973) from Electro-Vibrations (The Music Of John Eaton). Used the Synket, an Italian-made modular synthesizer of which only six were ever made. 06:38 40:06 4. John Keating, “Earthshine” (1975) from Space Experience 2. Featured the ARP 2600 and Pro- Soloist. 04:09 46:46 5. Patrick Gleeson, “Saturn, The Bringer Of Old Age” (1976) from Beyond The Sun: An Electronic Portrait Of Holst's The Planets. Used Eµ Systems Polyphonic synthesizer. 09:31 51:02 6. Jean Michel Jarre, “Oxygene, Part IV” (1976) from Oxygene. Used the ARP Odyssey, EMS Synthi AKS, EMS Synthi VCS3, and RMI Harmonic Synthesizer and Keyboard Computer. 03:07 01:00:34 7. Bennie Maupin, “Crystals” (1978) from Moonscapes. Featured the E-mu Modular Synthesizer programmed by Patrick Gleeson, who owned Different Fur Studios in the San Francisco area and owned E-mu synthesizers (see previous track for an example of the E-mu Systems Polyphonic synthesizer). Here, we have a different treatment of the same instrument by jazz woodwind player Maupin, who played Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Flute, Marimba, Glockenspiel, E-mu Synthesizer, and Computone Synthesizer Winddriver on this album. I picked this track because this is most stripped-down arrangement featuring only Maupin playing the E-mu synthesizer and other instruments. 01:18 01:03:44 8. Pere Ubu, “On the Surface” (1978) from Dub Housing. Allen Ravenstein used the EML Electrocomp 101 modular synthesizer as a member of this band. 02:37 01:05:02 9. Sylvester, “You Make Me Feel (Mighty Real)” (1978) from Step II. One of the few albums to feature EML (Electronic Music Laboratories) Modular Synthesizer plus String synthesizer, Electro-comp 101 synthesizer and 200 expander unit, Oberheim DS-2 Sequencer, Effects, Pat Cowley; organ, Electric piano, Clavinet, Michael C. Finden; Percussion, David Frazier; Producer, Lead Vocals, Piano, Sylvester. EML was a Connecticut-based synth maker that was around from about 1970 to 1984. They were best-known for their Electro-comp modular synths. The 101 was a duophonic semi-modular 44-note synth and the model 200 was an expander unit that added ring modulation, spring reverb, and high and low filters to the setup. It was interesting to hear this Moroder-like pulsating synth sound coming from something other than a Moog. 06:34 01:07:40 10. Isao Tomita, “The Sea Named Solaris” (1978) from Kosmos. Used the Roland System 700, Roland Strings RS- 202, Roland Revo 30, in addition to Moog Modular III, Moog System 55, and Polymoog synthesizers. 12:28 01:14:11 11. Moebius, “Song For Lya” (1979) from Moebius. Serge, Oberheim, and Minimoog synthesizers, vocals, Bryce Robbley; Serge, Oberheim synthesizers, Doug Lynner; Violin, John Stubbs. Listen closely to tune-out the parts by the Odyssey and Minimoog and you will experience a lovely bed laid down by the Serge. Moebius had three members, one a violinist, heard in this tune blending with the Serge. Although the group used a Sennheiser vocoder on another track, the vocal distortion on this track may have actually been the voice processed with the Serge. 03:15 01:26:42 12. Pascal Languirand, “O Nos Omnes” (1980) from De Harmonia Universalia. Features the Farfisa Synthorchestra, the famous Italian's company entry into the string synthesizer fray. The Syntorchestra was split into two keyboard sections, strings (polyphonic), and mono synth voices. It was a hybrid organ and synthesizer and used much by Klaus Schulze and other German electronic musicians for the short time that it was available from 1975 to 1978. Nine slider controls were positioned next to a 3-octave keyboard and provided some “chaotic” control episodes for this much beloved and rare keyboard. 07:15 01:29:56 13. Henry Kucharzyk, “Play Dot Sam” (1981) from Walk The Line - Three New Works By Henry Kucharzyk. This work is performed at the Samson Box at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Palo Alto, California. This track is an escapee from the 1970s but nonetheless fills a void in that period when commercial synthesizers were moving to digital technology and were quite expensive. The Samson Box was a computer-based digital synthesizer created in 1977 by Peter Samson, who worked at the university. “Samson” was formally known as the “Systems Concepts Digital Synthesizer. It was a one-off special-purpose dedicated audio computer designed for use by student composers at Center for Computer Research in Musical and Acoustics (CCRMA) at Stanford University. 03:05 01:37:08 14. Terry Riley, “The Ethereal Time Shadow” (1981-82) from Music from Mills. Used two Prophet V synthesizers, tuned to just intonation and employing sequencing. 08:51 01:40:12 Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.
Send us a text-- CLUB SABROSO PRESENTS: TECH HOUSE SET BY VERA BROTHERS. Courtesy of CALIS HOUSE NATION RADIO.Powered by the Club Sabroso Radio NetworkFollow IG/FB: @CLUBSABROSORADIO24/7 Live Stream at: WWW.CLUBSABROSORADIO.COM
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Join Timmy Trumpet on SINPHONY Radio episode 220 for the rise of electronic music. Plus, Timmy drops some of the hottest tracks that are turning heads.
Episode 171 Chapter 30, EMS Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 30, EMS Analog Synthesizers from my book Electronic and Experimental music. Playlist: MUSIC MADE WITH EMS ANALOG SYNTHESIZERS Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1. Delia Derbyshire, “Dance From ‘Noah' " (1970). Composed for a television program. Used the EMS VCS3. 00:55 01:44 2. Selections from the demonstration disc, EMS Synthi And The Composer (1971). Excerpts from Harrison Birtwistle, “Medusa,” Peter Zinovieff, “January Tensions,” and Tristram Cary, “Continuum.” 06:15 02:34 3. Peter Zinovieff and Harrison Birtwistle, “Chronometer” (1971–2). Featured both the EMS Synthi VCS3 and modified sound recordings of the ticking of Big Ben and the chimes of Wells Cathedral clock. 24:23 08:48 4. Mike Hankinson, “Toccata And Fugue In D Minor” (Bach) (1972) from The Classical Synthesizer. South African record realized using the Putney (EMS) VCS3. 07:04 33:06 5. Electrophon, “Arrival of the Queen of Sheba” (1973) from In a Covent Garden (1973). Electrophon Music was described as the studio where the electronics were recorded and produced in the UK by Radiophonic musicians Brian Hodgson, Dudley Simpson. A variety of synthesizers were used including the obscure EMS Synthi Range, a multi-effect instrument. 03:04 40:10 6. The Eden Electronic Ensemble, “Elite Syncopations” (Joplin) (1974) from The Eden Electronic Ensemble Plays Joplin. Realized using the EMS VCS3 and Minimoog synthesizers. 04:53 43:12 7. Peter Zinovieff, “A Lollipop For Papa” (1974). Realized with the EMS Synthi AKS. 06:26 48:04 8. Peter Zinovieff and Hans Werner Henze, “Tristan” (Long Section) (1975). Tape accompaniment realized with the EMS Synthi AKS. 07:40 54:40 9. J.D. Robb, “Poem of Summer” (1976) from Rhythmania And Other Electronic Musical Compositions. Realized using the EMS Synthi AKS. 02:04 01:02:18 10. J.D. Robb, “Synthi Waltz” (1976) from Rhythmania And Other Electronic Musical Compositions. Realized using the EMS Synthi AKS and Synthi Sequencer 256 (digital sequencer). 01:52 01:04:24 11. Bruno Spoerri, “Hymn Of Taurus (Taurus Is Calling You!)” (1978) from Voice Of Taurus. Realized using a host of equipment, including a few EMS instruments: EMS Synthi 100, EMS VCS3, EMS AKS, EMS Vocoder 2000, Alto Saxophone with EMS Pitch-to-voltage Converter & Random Generator, plus the Lyricon, Prophet-5 Polyphonic Synthesizer, ARP Omni & Odyssey, Minimoog, Moog Taurus Bass Pedal, RMI Keyboard Computer, Ondes Martenot , Vako Polyphonic Orchestron, Bode Frequency Shifter, AMS Tape Phase Simulator, Echoplex, Roland Echo, Roland Rhythm Box, Bruno Spoerri. 02:48 01:06:16 12. Henry Sweitzer, “Open Windows” (1979) from Te Deum. Realized with the EMS Synthi AKS. 11:11 01:09:02 13. Eduard Artemyev, Yuri Bogdanov, Vladimir Martynov, “Le Vent Dans La Plaine,” “Io Mi Son Giovinetta,” and “Why Ask You?” (1980) from Metamorphoses. Composed and realized using the EMS Synthi 100, a large synthesizer unit combining several EMS3 models and connecting circuitry. 08:38 01:20:14 14. Jean-Michel Jarre, “Les Chants Magnétiques,” (side 1) (1981) from Les Chants Magnétiques. Portions realized with the EMS Synthi AKS, EMS Synthi VCS3, and EMS Vocoder 1000. 17:58 01:28:52 15. Alessandro Cortini and Merzbow, “AAMC” (2017) from Alessandro Cortini And Merzbow. Recent recording with all sounds realized using a vintage EMS Synthi AKS. 04:49 01:46:40 Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.
T. Gowdy steps up to the session with a mix to get lost with, rich in ambient texture. Hear new music from Andrew Nolan, Cristian Varela, deafheaven, Hedchef, Ourobonic Plague, Ploy, Cliche Morph, + Satøri. Alongside some older cuts from Exium, Skin Teeth, + Deathbed Tapes' Subklinik. Tracklist — https://darkfloor.co.uk/mantisradio360 Join our Patreon — https://patreon.com/mantisradio for exclusive content and bonus material.
Send us a text-- Your favorite electronic music radio show Takes over the Airwaves in Punta Cana & Santiago, Dominican Republic.1st Hr. | Club Sabroso's Pick of the Week Playlist.2nd Hr. | Guest mix by ANDREATENS.ANDREATENS checks in from CARACAS, VENEZUELA to control the decks with an EXCLUSIVE AFRO HOUSE set.Prepare for absolute energetic audio experience..Where you'll hear nothing but heaters
Send us a textSugarStarr's House Party by the Legendary Austrian DJ/Producer SugarStarr.Powered by the Club Sabroso Radio NetworkFollow IG/FB: @CLUBSABROSORADIO24/7 Live Stream at: WWW.CLUBSABROSORADIO.COM
Send us a text-- DJ, Producer, Label owner FRANKE ESTEVEZ (Fuzion Records) checks in from New Jersey to control the decks with an exclusive HOUSE set.Powered by the Club Sabroso Radio NetworkFollow IG/FB: @CLUBSABROSORADIO24/7 Live Stream at: WWW.CLUBSABROSORADIO.COM
Send us a text-- Your favorite electronic music radio show Takes over the Airwaves in Punta Cana & Santiago, Dominican Republic.1st Hr. | Club Sabroso's Pick of the Week Playlist.2nd Hr. | Guest mix by DJ SPENCER.DJ SPENCER checks in from PORTUGAL to control the decks with an EXCLUSIVE AFRO HOUSE set.Prepare for absolute energetic audio experience..Where you'll hear nothing but heaters
Send us a text-- TECHOUZER checks in from MADRID, SPAIN and drops a sizzling TECH HOUSE set.Courtesy of the "HUAMBO RECORDS RADIO"Powered by the Club Sabroso Radio NetworkFollow IG/FB: @CLUBSABROSORADIO24/7 Live Stream at: WWW.CLUBSABROSORADIO.COM
Dodge The Beams--Flow--Drama Queen--Not Yours To Share--Dying To Meet You--It Swallows Me Whole--Meant To Last--Stuck On You--Your Nightmare--Love Is Timeless
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Not A Mess--Starlight Fever--Begging For More--UFO Glow--Nice Aliens Unite--Going Wild--Push The Limit
Robert F. Kennedy, Jr., the Secretary of Health and Human Services, has been undermining public trust in vaccines and overseeing crippling cuts to research across American science. And yet his “make America healthy again” highlights themes more familiar in liberal circles: toxins in the environment, biodiversity, healthy eating. Kennedy has put junk food at the center of the political conversation, speaking about ultra-processed foods and their established links to chronic disease—despite President Donald Trump's well-known reverence for fast food of all kinds. Marion Nestle, a leading nutrition researcher and the author of “Food Politics,” has written in depth on how money and politics affect our diet and our health, and about the ways that American science research has been hampered by limited funding. She tells the physician and contributing writer Dhruv Khullar, who's been reporting on the American diet, that “it would be wonderful if R.F.K., Jr., could make the food supply healthier. I just think that in order to do that, he's going to have to take on the food industry, and I don't think Trump has a history of taking on corporations of any kind. . . . I'll believe it when I see it.” Kraftwerk—the pioneering electronic music group that débuted more than half a century ago —has been touring the U.S., with stops planned in Europe this year. The staff writer Kelefa Sanneh calls them one of the most influential bands of all time, playing a formative role in hip-hop, techno, EDM, and much of popular music as we know it. Sanneh picks tracks from Kraftswerk's repertoire and demonstrates how those sounds trickle out through music history, from Afrika Bambaataa to Coldplay.
FRSCKO WORLD RADIO #46 Mixed by ËKEN (CDMX)TRACKLIST Kölsch, Neon Capital – KIDS (Undercatt Remix) [IPSO] Whitesquare – Hypnophobia (Original Mix) [Visual Distortions] Enamour – Is This Your Card? (Original Mix) [Abracadabra Music] LUCYE – The Factory [Sincopat] Kiko, Waltervelt – The Sound (Original Mix) [ATLANT] Inigo Vontier – Bo Ni Ke (Musumeci Remix) [Duro] Julian Koerndl – Shake It (Original Mix) [Amaeo] Gumm – Don't DJ (Original Mix) [TAU] Ivory (IT) – Push Me [Exit Strategy] Mëhill – ID Nandu, Tripolism – Sunrise [Ultra] Ëken – ID Âme, Curses – Shadow Of Love (Echonomist Remix) [Innervisions]FOLLOW ËKEN Instagram: www.instagram.com/eken__ SoundCloud: https://on.soundcloud.com/riGpo2XNWC3Lm1Ej9 Spotify: https://open.spotify.com/artist/45D7ZhZjXoZz8nxjNEJrmFFOLLOW FRSCKO WORLD Instagram: www.instagram.com/frsckoworld SoundCloud: https://soundcloud.com/frscko Beatport: https://www.beatport.com/label/frscko-world-records/123456 Apple Podcasts: https://podcasts.apple.com/us/podcast/frscko-world-radio/id123456The world Is yours.
Escape Doom--Illusion Of Love--The Gods--No Need To Hide--Gaga's Smiling Star--Who Lives Who Dies--Fly High Fly Far--America Space Race Association--Escape The Planet--Tokyo Take Me There (DJ Eurobeat Version)--Planet Pulse--Popstar Space--Hearts Collide
Episode 170 Chapter 29, Buchla Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 29, Buchla Analog Synthesizers from my book Electronic and Experimental music. Playlist: MUSIC MADE WITH BUCHLA ANALOG SYNTHESIZERS Time Track Time Start Introduction –Thom Holmes 01:38 00:00 1. Morton Subotnick, “Prelude No. 4” (1966). Early work for piano and electronic tape using sounds created on the Buchla 100. Pianist, Richard Bunger, recorded in 1973 (Buchla tape from 1966). 05:15 01:40 2. Morton Subotnick, “Silver Apples of the Moon” (Part 1) (1966). First commissioned work of electronic music from Nonesuch Records. 04:23 08:32 3. Gerry Olds, “4/3 + 1” (1967). Jazz mixed with electronics created on the Buchla 100 at a San Francisco Tape Music Center Concert. 11:19 12:58 4. Buffy Sainte- Marie, “Better To Find Out For Yourself” and “The Vampire” (1969). Electronic “settings,” processing of Sainte-Marie's voice and guitar done on Buchla 100 modular systems (3 units) used by Michael Czajkowski at the electronic music studio of NYU. 04:39 24:16 5. Douglas Leedy, “Entropical Paradise” (1970). Sonic environments created by the Moog and Buchla modular synthesizers. 20:09 28:52 6. George Marsh, “Wind Borne” (1973). Prepared Buchla 200 Synthesizer with sequencing, George Marsh. 08:28 49:06 7. David Rosenboom and Donald Buchla, “How Much Better If Plymouth Rock Had Landed On The Pilgrims, Section V” (1978). Buchla modular synthesizers by composer Rosenboom and the inventor himself, Donald Buchla. 22:47 57:34 8. Morton Subotnick, “The Last Dream of the Beast” (1978, 1982, 1984). Featured the Buchla 400. 14:47 01:20:20 9. Mel Powell, “Three Synthesizer Settings” (1981). Moog and Buchla synthesizers. 08:47 01:35:06 10. Morton Subotnick, “A Sky of Cloudless Sulphur, Opening” (1980). Buchla 200 and Subotnick's “ghost shadow electronics.” 11:15 01:43:51 Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.
Send us a text--- Portuguese DJ & Producer SYLVA DRUMS host this amazing Afro Tech House show.Every month the show will deliver Rhythmic melodic beats that will get you dancing.Powered by the Club Sabroso Radio NetworkFollow IG/FB: @CLUBSABROSORADIO24/7 Live Stream at: WWW.CLUBSABROSORADIO.COM
Send us a text--- “LEVANTATE” - A LATIN HOUSE EXPERIENCE: CURATED BY NYC'S DJ DUO POLYRHYTHM. 1 hour of Latin Rhythm & Grooves with Live percussions. ENJOY THE VIBES.Powered by the Club Sabroso Radio NetworkFollow IG/FB: @CLUBSABROSORADIO24/7 Live Stream at: WWW.CLUBSABROSORADIO.COM
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Get ready for 1 hour 48 minutes of non-stop beats featuring the past, present, and future of electronic music from
Send us a text-- Chalet 7 is dedicated to celebrating dance music culture, with a strong emphasis on all styles of House and electronic music.Powered by the Club Sabroso Radio NetworkFollow IG/FB: @CLUBSABROSORADIO24/7 Live Stream at: WWW.CLUBSABROSORADIO.COM
More Berlin School goodness from Erwin Broers. There's not much I can say about this mix, other than being totally psyched for it, so I'll let Erwin give you the lowdown. "This mix is an overview of some of the interesting Berlin School Electronic releases of the current calendar year. There's a wide variety of styles, ranging from minimal and retro to loungy/chilled and bombastic/cinematic. Actually, this selection covers the whole spectrum of electronic music between ambient and synth pop. So maybe the label "Berlin School" is not adequate anymore. But hey what's in a name! In any case, unless you're a hard core ambient fan, you will certainly discover something to your liking. Check the links below and support the artists!" Thanks, Erwin, for another great Berlin School set. Cheers! T R A C K L I S T : 00:00:00 Ian Boddy & Harald Grosskopf - Diodengesang (Doppelgänger) 00:07:35 Daniel Coppens - Nocturnal (After The End) 00:15:34 State Azure - Vortices (The Light That Remains) 00:21:05 Gate Eleven - Fly By Night (First Contact) 00:26:55 Dino Pacifici & Brannan Lane - Amazon Mist (Imaginary Horizons) 00:31:50 Chuck van Zyl - Denkmal (Transience) 00:42:16 Brendan Pollard - Corollary (Strands) 00:48:53 Grauglanz - Collaborations (A Grim Moon Rising) 00:59:50 Leopards Of White - Through The Front Door To Then (Forest Edge) 01:08:47 Paul Ellis - Winter Garden (Warmth From Other Suns) 01:17:12 Stefan Erbe - Metamorphosys (Metamorphosys) 01:23:02 Colin Rayment - As Light Tiptoes In The Darkness (Penumbra) 01:31:04 Rene De Bakker - Cosmic Equilibrium (Cosmic Equilibrium) 01:47:58 end
FRSCKO WORLD RADIO #45 Mixed by MIKE. D (Juárez, MX | Vatos Locos / Losh)TRACKLIST Coming soon
Tom talks about past performances and creates a complex additive synthesizer using the Xaoc Devices Odessa and Noise Engineering Manis Iteritas with help from the Tip Top Audio FSU and Intellijel Rainmaker.
Playlist: Funk Hunters, DJ Outlier - Hillbrook Boogie (DJ OUTLIER's Friday Night Boogie Refix)John Ohms - Breathe & StopFather Funk - Fever 105Featurecast - Damm!Aldo Vanucci - Make You HappyBlack Eyed Peas - Joints & Jam (Remix)Audited Beats - Lil Green BagBenny Page, Father Funk - Turn Down The Lights (Father Funk Remix)Featurecast - Kick ItFeaturecast - DreamerBeastie Boys, Sound Bluntz - Triple Trouble (Sound Bluntz Remix)Dax Riders, DJ LBR - Real Fonky Time (DJ LBR Remix)Deejay Punk-Roc - Blow My Mind (Montana Chromeboy Remix)Cockney Nutjob - Sicker Than Your AverageFather Funk - Pilau RiceBarrington Levy, Father Funk - Here I Come (Father Funk Remix)Father Funk - Golden EraFather Funk - Jungle StrutFather Funk - Party RockerFeaturecast - Get It On The FloorLack Jemmon - Hello World, Hello LordeMark Walton, John Ohms - Got It Like (John Ohms)Dancefloor Outlaws - PandaEd Solo - Age of Dub (Parker Remix)Daft Punk - Da FunkThe Killergroove Formula - Out of MoneyBasement Freaks - Hit The FlameYard Boy 10 - Play With Fire (Fuzzbox Edit)J-Roc - ProtestAudited Beats - The One RockinKrafty Kuts, Kurtis Blow - Gimme The Breaks feat. Kurtis BlowMr. Strom & Prosper - Hollyboot SwingingNormski - Twisted DelightQdup Foundation - Stereo TroubleFlow Dynamics - Live In The MixFort Knox Five vs. Beastie Boys - Wrong Way LifestyleAll Good Funk Alliance, Flow Dynamics - Super Jam (Flow Dynamics Remix)Freelance Hellraiser - Musical Know HowDuptribe, D Eep, Miami Punx - SOS (D Eep Vs Miami Punx Remix)
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It is a privilege to welcome back singer-songwriter and DJ Davis Mallory to The Jake's Take with Jacob Elyachar Podcast! Davis grew up singing in his church choir in Georgia and found his calling in creating music. He moved to New York City, where he studied at the Dubspot School of Electronic Music. Davis performed as a DJ throughout the club scene before migrating to the songwriting capital of the world, Nashville, Tennessee, to write and record original music. He has released music on record labels including Warner Denmark, KnightVision, Delecta, Revealed, Hexagon, Armada, Sirup, Sidekick, Ego, Pyro, Kaliias, and Soave. “Beautiful Girls (Diem's Song),” a tribute to Davis Mallory's MTV co-star Diem Brown, who lost her battle to cancer, garnered attention in E! News, MTV News, People Magazine, and US Weekly. Davis launched his solo single “Jane Fonda,” a tribute to the famed actress with fellow Atlanta roots, followed by “Shirtless” with a premiere on the MTV show War of the Worlds and licensed in a commercial for Poolboy Swimwear. His sophomore album , Little Victory, featured many of Nashville's rising pop stars, including American Idol alum Madeline Finn on “Faith,” rapper Daisha McBride & vocalist Blake Lieder on “,” Best Pop Artist winner at the Nashville Indie Music Awards – Miss Audrey on “Fire Signs” premiering in Hollywood Life Magazine. A remix of “Little Victory” by French DJ RetroVision came out on Don Diablo's label Hexagon , and a remix of the single “Forget U” by Swedish DJ John Dahlback came out on Hardwell's label Revealed. On this episode of The Jake's Take with Jacob Elyachar Podcast, Davis Mallory discussed his success working with Swedish music professionals, hosting the Leaving a Legacy Podcast, and whether he is open to returning to compete on The Challenge: All-Stars.Let's connect on social media: A) Facebook: https://www.facebook.com/JacobElyachar/B) Instagram: https://www.instagram.com/jacobelyachar/C) Threads: https://www.threads.net/@jacobelyacharD) Twitter (X): https://x.com/JacobElyacharE) YouTube: https://www.youtube.com/@JacobElyacharBecome a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.
Another electronic gem from Erwin Broers. He has become my go to guy for berlin-school music and I'm totally here for it. I've said many times that I like hosting guest mixes from artists and listeners because I always discover new music. And this set is a perfect example - other than Ron Boots, every artist in this mix is new to me. Here's what Erwin has to say about this mix: "The theme this time is "Electronic Gems From The Lowlands", the lowlands being Belgium and the Netherlands. Both countries are neighbours of Germany, where Electronic Music took off in the early 1970s. It was therefore inevitable that many local progressive artists became fascinated by synthesizers and inspired by this new genre known as "Kosmische Musik" (cosmic music). Influence of Tangerine Dream and Klaus Schulze is obvious, but there's also a hint at prog rock and a few tracks come close to melodic synth pop similar to Vangelis and Jean Michel Jarre." Thanks for a great set, Erwin! Cheers! T R A C K L I S T : 00:00:00 PeRu - Out Of Time (Constellations, 1981) 00:09:01 Pillion - Enigmas (Enigmas, 1980) 00:22:36 Par Example - Flarepath (Pharos, 1989) 00:31:57 Patrick Kosmos - Mindscapes part 1, 2nd movement (Mindscapes, 1987) 00:41:00 Johan Timman - Trip Into The Body (Trip Into The Body, 1981) 00:46:31 Walter Christian Rothe - Solitude (Solitude, 1982) 00:50:34 Ton Scherpenzeel - Heart Of The Universe (Heart Of The Universe, 1984) 00:58:02 Frank Van Bogaert - A Picture of You (Closer, 2004) 01:01:45 Ron Boots & John Kerr - Oceans Of Emotions (Offshore Islands, 1990) 01:15:11 end
How do you stay ahead in an industry that never stops evolving?Today, we are diving into the mind of one of the most prolific, boundary-pushing, and curious creators of our time—Diplo.Perhaps you know him for his music career—with Grammy award winning hits and game-changing collaborations, or for headlining some of the biggest festivals in the world (including a concert in Cuba where 500,000 people showed up). Diplo has built an entire creative empire as a DJ, producer, entrepreneur, risk-taker, and cultural pioneer. The success has catapulted him into the spotlight, and that too has had its consequences.In this conversation, we explore how Diplo stays ahead of the curve in an industry that's constantly evolving. He shares why curiosity is at the center of his creativity, how he's learned to separate external validation from success, and why he believes mastery isn't a destination: it is a path. __________________This episode is brought to you by NordVPN. Get an exclusive deal for the Finding Mastery community at: https://nordvpn.com/findingmasteryGet discounts and support our amazing sponsors. Go to: https://findingmastery.com/sponsors/Watch this episode and many more on our YouTube ChannelSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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