Podcasts about Indeterminacy

Love in the Lav Series, Episode # 1 of 4. Sarah Ponsonby and Eleanor Butler, colloquially known as the Ladies of Llangollen, lived together in North Wales for 51 years in a cottage that they renovated and designed to suit their tastes, on an estate where they built gravel footpaths wending through perfectly lush gardens planted with all manner of shrubs, flowers, fruit trees and bushes, and vegetables. They embraced the “rural retirement” so admired and extolled by eighteenth century philosophers, poets, and artists; and presented their domestic arrangement as the rare but mostly acceptable “romantic friendship” written about in novels and poems. The inscription on Sarah Ponsonby's tomb is no accident. The Ladies of Llangollen were a queer couple who dedicated their lives to one another, and to the home they built and shared in North Wales - and this month we're lifting up stories of queer and trans folks in history, beginning with these two reclusive (but bizarrely public) Irish women who eloped to Wales together. Bibliography Averill Earls, Love in the Lav: A Social Biography of Same-Sex Desire in Ireland, 1922-72, Temple University Press, 2025.  Fiona Brideoake, The Ladies of Llangollen: Desire, Indeterminacy, and the Legacies of Criticism (Bucknell University Press, 2017) Learn more about your ad choices. Visit podcastchoices.com/adchoices

SOMETIMES I CAN'T FIND MY GOOD HABITSYou hear that? Of course you do, it's startling, nigh on deafening! It's the NEW HIGH CONCEPT ALARM! Unfortunately the new thing doesn't know what it's called. Drifting Reviewniverse? Random Reviewniverse? Adventure into Indeterminacy? Let's read with Ian Determinate? The idea is simple. A random English language comic from the last 90 years or so is chosen, read and talked about. This episode it's Here's Howie #9 and it's talked about by Gary Lactus and Al To AstonishGet more Al To Astonish at House To AstonishYou can support us using Patreon if you like. Hosted on Acast. See acast.com/privacy for more information.

How can we make decisions under conditions of indeterminacy? Robert Williams discusses this challenging issue with Nigel Warburton.  This episode of the Philosophy Bites podcast has been made in association with Vagueness & Ethics, a research project funded by the European Commission (grant agreement number 101028625 — H2020-MSCA-IF-2020) and led by Miguel Dos Santos at Uppsala University.

Recorded by J. Mae Barizo for Poem-a-Day, a series produced by the Academy of American Poets. Published on October 23, 2024. www.poets.org

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This episode features one of our most anticipated guests: M. Beatrice Fazi.M. Beatrice Fazi is a philosopher working in philosophy of computation, philosophy of technology and media philosophy. In this episode we mostly cover some key definitions relating to computation and its onto-epistemology grounded in Fazi's landmark book, Contingent Computation: Abstraction, Experience, and Indeterminacy in Computational Aesthetics published in 2018. But our discussion doesn't end in 2018.Now more than ever, Fazi`s work on computation holds unbelievable importance with wide-ranging implications. Philosophy is becoming a major foil to technocapital and technopolitics, forcing us to seriously (re)consider fundamental questions about technology and correlated fundamentals of knowledge and being.Ever wondered what computation actually is? According to Fazi, it exists and unfolds not only as a function, but also as a creative modality forming its own conditions for existence. This episode dives deep into the concept of computation as an autonomous form of thought and creation, that is nevertheless contingent, i.e. not independent from the material conditions of the world.We move further into Fazis more recent work in ontology: the triangulation of abstraction, representation and thought. This pushes us into massive questions - what does computation mean for the future of thought? How should we conceptualize the relationship between humans and technology? And why should we rethink the idea of technology as merely an extension of ourselves?Relevant Links & References:Fazi's landmark book, Contingent Computation: Abstraction, Experience, and Indeterminacy in Computational Aesthetics—still essential reading for anyone interested in the philosophy of technology. About the fundamentals of what computation does and what material, ontological and epistemological consequences this holds. Brian Cantwell Smith's essay, “The Foundations of Computing” (2003)—a text we explore, even if Fazi offers a different perspective on the nature of computation.Oh, also, look to Anil Bawa-Cavia's (life changing) episode of Interdependence, where he enumerates further on computational functionalism, computational realism, but more importantly for more color on the paths to incompleteness traced in Gödel and Turing -- to which Fazi builds her main thesis: these incompletenesses are actually strengths and not limitations of computation.Pls like and subscribe or leave a review or whatever we're a baby podcast that's doing huge things!

De raigambre europea y originada en Gran Bretaña, conecta con el free jazz, la música académica contemporánea, la experimental y la vanguardia que se gesta también en Estados Unidos. Si el jazz se ha calificado muchas veces como “el sonido de la sorpresa”, esta sería una “música sin memoria”._____Has escuchadoBarcelona. Esterri / Derek Bailey y Agustí Fernández. Derek Bailey, guitarra; Agustí Fernández, piano. Hopscotch Records (2001)Monoceros / Evan Parker. Evan Parker, saxofón soprano solo. Incus (1978)Solos. Ejié / Seijiro Murayama. Seijiro Murayama, caja (snare drum) sola. Zerojardins (2009)Todos los animales se reúnen en un gran gemido. Huracán de púrpura / Truss. Ferran Fages, guitarra acústica; Alejandro Rojas-Marcos, clavicordio; Bárbara Sela, flautas. Inexhaustible Editions (2020)Winter. Aconite / Wade Matthews & Alfredo Costa Monteiro. Wade Matthews, síntesis digital; Alfredo Costa Monteiro, objetos amplificados. Copy For Your Records (2011)_____Selección bibliográficaALONSO, Chefa, Improvisación libre: composición en movimiento. Dos Acordes, 2010*—, Enseñanza y aprendizaje de la improvisación libre. Propuestas y reflexiones. Editorial Alpuerto, 2014*BAILEY, Derek, La improvisación: su naturaleza y su práctica en la música. Ediciones Trea, 2010*BARZEL, Tamar, “‘We Began from Silence': Toward a Genealogy of Free Improvisation in Mexico City: Atrás del Cosmos at Teatro El Galeón, 1975-1977”. En: Experimentalism in Practice: Music Perspectives from Latin America. Editado por Ana R. Alonso-Minutti, Eduardo Herrera y Alejandro L. Madrid-González. Oxford University Press, 2018*BEN-TAL, Oded y Caroline Wilkins, “Improvisation as a Creative Dialogue”. Perspectives of New Music, vol. 51, n.º 1 (2013), pp. 21-39*BOSSEUR, Jean-Yves, Musique et contestation: la création contemporaine dans les années 1960. Minerve, 2019*CANONNE, Clément, “Improvisation collective libre et processus de création musicale: création et créativité au prisme de la coordination”. Revue de Musicologie, vol. 98, n.º 1 (2012), pp. 107-148*—, “Focal Points in Collective Free Improvisation”. Perspectives of New Music, vol. 51, n.º 1 (2013), pp. 40-55*—, “Du concept d'improvisation à la pratique de l'improvisation libre”. International Review of the Aesthetics and Sociology of Music, vol. 47, n.º 1 (2016), pp. 17-43*CORBETT, John, A Listener's Guide to Free Improvisation. University of Chicago Press, 2016COSTA, Rogério, “Free Musical Improvisation and the Philosophy of Gilles Deleuze”. Perspectives of New Music, vol. 49, n.º 1 (2011), pp. 127-142*DENZIER, Bertrand y Jean-Luc Guionnet (eds.), The Practice of Musical Improvisation: Dialogues with Contemporary Musical Improvisers. Bloomsbury, 2021*GALIANA, Josep Lluís, “De la naturaleza de la improvisación libre: elementos esenciales para su identificación y diferencias con la composición escrita”. Itamar: Revista de Investigación Musical: Territorios del Arte, n.º 4 (2018), pp. 26-49*—, Emociones sonoras: de la creación electroacústica, la improvisación libre, el arte sonoro y otras músicas experimentales. EdictOràlia, 2020*HOYER, Timo, Anthony Braxton: Creative Music. Wolke Verlag, 2022IRETA SÁNCHEZ, Iván Tadeo, La improvisación libre en solo: una aproximación fenomenológica y una proposición de análisis. Tesis doctoral, Universitat Autònoma de Barcelona, 2019MATTHEWS, Wade, Improvisando: la libre creación musical. Turner, 2012*MOLINA ALARCÓN, Miguel, “Auscultando la improvisación libre a la deriva”. En: Quartet de la Deriva. La improvisación libre y la teoría de la deriva. Editorial Obrapropia, 2012MUNÁRRIZ ORTIZ, Jaime, “Del lienzo en blanco al playback. Modelos de improvisación libre en el arte tecnológico”. Revista de Bellas Artes: Revista de Artes Plásticas, Estética, Diseño e Imagen, n.º 14 (2019-2020), pp. 51-67NOGLIK, Bert, “La música improvisada europea”. En: Hurta Cordel. Festival Internacional de Música Improvisada. La Casa Encendida, 2008OLEWNICK, Brian, Keith Rowe: The Room Extended. Powerhouse Books, 2019PIEKUT, Benjamin, “Indeterminacy, Free Improvisation, and the Mixed Avant-Garde: Experimental Music in London, 1965-1975”. Journal of the American Musicological Society, vol. 67, n.º 3 (2014), pp. 769-824*PRÉVOST, Edwin, “Free Improvisation in Music and Capitalism: Resisting Authority and the Cults of Scientism and Celebrity”. En: The Ashgate Research Companion to Experimental Music. Editado por James Saunders. Routledge, 2009*ROD, Johannes, Free Jazz and Improvisation on Vinyl, 1965-1985. Rune Grammofon, 2014SBORDONI, Alessandro et al., Free Improvisation: History and Perspectives. Libreria Musicale Italiana, 2018SALADIN, Matthieu, Esthétique de l'improvisation libre: expérimentation musicale et politique. Les Presses du Réel, 2014*SANSOM, Matthew, “Imaging Music: Abstract Expressionism and Free Improvisation”. Leonardo Music Journal, vol. 11 (2001), pp. 29-34*TOOP, David, En el maelström: música, improvisación y el sueño de la libertad antes de 1970. Caja Negra, 2018ZULIAN, Claudio, “La experiencia del colectivo de improvisación libre: músicas de vanguardia, free jazz y músicas alternativas”. En: Alter (músiques) natives. Generalitat de Catalunya, Departament de Cultura, 1995 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

From Indeterminacy To Immateriality - The Kripke - Ross Argument In Context | Antonio Ramos - Díaz by Angelicum Thomistic Institute

In this episode of “Voices with Vervaeke,” John Vervaeke and Guy Sengstock engage in a discussion about relationality, grief, and the sacred. Highlighting their upcoming Circling into Dialogos workshop, they delve into practices for realizing our interconnected nature, inspired by philosopher James Filler's views on relationality as the essence of being. The duo explores how grief exposes our lives as interwoven relational worlds, leading to a deeper comprehension of non-substantiality and connection. Their transformative workshop aims to cultivate better relationships with self, others, and ultimate reality, addressing the sacred amidst the meaning crisis and moving beyond adversarial thinking. This relational perspective, both transcendent and intimate, offers insights into a more responsive and holistic way of living. Listeners will gain an enriched understanding of how relational thinking can reshape our approach to life's challenges, opening doors to new meanings and deeper connections.   Guy Sengstock, the founder of the Circling method, is a renowned facilitator and innovator in the field of authentic communication and personal development. His method blends philosophical rigor with a deep understanding of relational dynamics, offering transformative experiences that foster genuine connection and self-awareness.    Glossary of Terms   Relationality: The quality of being relational, emphasizing the importance of relationships in understanding beings and the world. Heidegger: A German philosopher known for his existential and phenomenological explorations. Neoplatonism: A philosophical system that posits the existence of an ultimate reality or "One" from which everything emanates.   John Vervaeke Website: https://johnvervaeke.com/ YouTube: https://www.youtube.com/@johnvervaeke  Patreon: https://www.patreon.com/johnvervaeke   X: https://twitter.com/vervaeke_john   Facebook: https://www.facebook.com/VervaekeJohn/   Guy Sengstock Website: https://circlinginstitute.com/ Email: guysengstock@gmail.com Join our new Patreon https://www.patreon.com/johnvervaeke   The Vervaeke Foundation - https://vervaekefoundation.org/   Awaken to Meaning - https://awakentomeaning.com/   Workshop:  Circling & Dialogos: The After Socrates Wisdom Intensive February 10-11, 2024 https://circlinginstitute.mykajabi.com/dialogos-and-circling-registration   Books, Articles, and Publications   Heidegger, Neoplatonism, and the History of Being: Relation as Ontological Ground - James Filler  https://www.amazon.com/dp/3031309065 Relationality as the Ground of Being: The One as Pure Relation in Plotinus - Filler, James (2019). International Journal of the Platonic Tradition https://brill.com/view/journals/jpt/13/1/article-p1_1.xml The Relational Ontology of Anaximander and Heraclitus - Filler, James (2022). Review of Metaphysics https://muse.jhu.edu/article/872706 Heidegger, Neoplatonism, and the History of Being: Relation as Ontological Ground - Filler, James (2023). Springer Nature Switzerland. https://link.springer.com/book/10.1007/978-3-031-30907-6 Religion and Nothingness - Keiji Nishitani https://www.amazon.com/Religion-Nothingness-Nanzan-Studies-Culture/dp/0520049462 Supernatural Selection: How Religion Evolved - Matt Rossano https://www.amazon.com/Supernatural-Selection-How-Religion-Evolved/dp/0195385810/ Indeterminacy and Intelligibility - Brian John Martine https://www.amazon.com/Indeterminacy-Intelligibility-SUNY-Systematic-Philosophy/dp/0791411745/   Quotes   "There's a sacred dimension to this that is trying to be born right now, because we need to be born beyond the meaning crisis, and the sacred needs to be born." - John Vervaeke [00:45:26]   "That's what grief is. There's a hole in reality because relationality has been lost." - John Vervaeke [00:47:38]   "The ongoing practice involves continually reaching into, and being reached by this process. This relationality that is also an emptiness is so important. It just seems like it's the most important thing." - Guy Sengstock [00:58:10] Chapters    [00:00:00] - Introduction to Guy Sengstock and the upcoming workshop.  [00:02:00] - Discussing James Filler's book and relationality.  [00:14:00] - Exploring the significance of grief.  [00:29:00] - The relational nature of being and wisdom.  [00:42:00] - Delving into Zen philosophy and Neoplatonism.  [00:54:00] - The transformative power of grief and loss.  [01:10:00] - Concluding thoughts and reflections on relational ontology.

In Episode 4: Great Jones Street, DDSWTNP listen in on a rock icon in retreat on the Lower East Side, Bucky Wunderlick, who leaves his fame and music career behind as other characters descend into terrorism and fascism in pursuit of a drug said to wipe out language itself. Will Bucky “return with a new language,” fall prey to a violent hippie commune that seems to evoke the Weather Underground, or engage some other “terminal fantasy”? Subjects include the aesthetics of poetry, silence, and guttural sounds; the contradictory American quest for “revolutionary solitude”; and what a “counter-archeology” of 1970s New York has to offer. #dogboys #preemptingthemarket #beastislooseleastisbest #diamondstylus #pulseredactor #yapplesyapplesyapples #doubledfeat Texts referred to in this episode: Definition of “nonce” words: https://en.wikipedia.org/wiki/Nonce_word One rendering of Hugo Ball's Dadaist poem “Gadji Beri Bimba”: https://www.youtube.com/watch?v=aiKHSeDlU1U John Cage on visiting an anechoic chamber in “Indeterminacy”: https://www.lcdf.org/indeterminacy/s/6 DeLillo reads from a CIA memo on torture (“here several lines are redacted”) at the 2009 PEN event “Reckoning With Torture”: https://www.youtube.com/watch?v=4ZFf6NYTkrM&t=26s DeLillo and Greil Marcus discuss Bob Dylan and Great Jones Street at the 2005 Telluride Film Festival: https://greilmarcus.net/2014/10/17/greil-marcus-and-don-delillo-discuss-bob-dylan-and-bucky-wunderlick-2005/ Rainer Maria Rilke, “Ninth Duino Elegy”: https://web.ics.purdue.edu/~felluga/eng241/rilke.html William Butler Yeats, “The Second Coming”: https://www.poetryfoundation.org/poems/43290/the-second-coming

The Affinity Streaming team is going to tackle a re-watch of EVERY Episode of the Big Bang Theory.  This weeks episode is Season 1, Episode 15. The Porkchop Indeterminacy!  Hosted by Riley Williams (She's seen every episode) and Contrell Morris (First time watching)

Internationally!

Aquinas on the Indeterminacy of the Will | Tianyue Wu by Angelicum Thomistic Institute

Nicolas Gisin is a physicist at the University of Geneva working on the foundations of quantum mechanics, quantum information and communication.

In this episode, the Book Spider hosts discuss Lost Memory of Skin, a novel that seeks to empathize with probably the most reviled subgroup in the entire world: pedophiles. The novel follows the exploits of a young sex criminal known only as the kid, whose life of hardship culminates in an attempt to meet a teenage girl for sex. In the aftermath, the kid finds himself homeless, living under a causeway in southern Florida, attempting to eke out an existence among other down-and-out sex criminals. When he meets the professor, a sociology researcher at a local university, his fortunes seem to turn for the better, until the professor's past catches up to both of them.

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Just released on Bandcamp: Vol. 6: pages 131 to 160Vol. 5: pages 101 to 130Taking it all the way back:Vol. 4: pages 76-100Vol. 3: pages 51-75Vol. 2: pages 25-50Vol. 1: pages 1-24Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.I got some new music up on Bandcamp, an album of icy mellowness called Winter Sketchbook.

Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967.  It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish. Just released on Bandcamp: Vol. 6: pages 131 to 160Vol. 5: pages 101 to 130Taking it all the way back:Vol. 4: pages 76-100Vol. 3: pages 51-75Vol. 2: pages 25-50Vol. 1: pages 1-24Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.I got some new music up on Bandcamp, an album of icy mellowness called Winter Sketchbook.

Recorded by Charif Shanahan for Poem-a-Day, a series produced by the Academy of American Poets. Published on February 27, 2023. www.poets.org

Rob and Ryan are back! and this time Rob's mic is set up correctly! We recap BBT's 15th episode and we discuss the Kama Sutra, the differences between twins, weddings at Disneyland, and so much more! This is probably our most jammed packed episode in terms of IQ Points! 

The podcast's second go-round with author Dana Spiotta sees us dig into her most recent novel Wayward, which makes a bold effort to argue for nuance and subtlety in the sociopolitical chaos following the 2016 election (for everyone except finance bros, who remain one-dimensional shitheads).

INDETERMINACY? Ever take note that before you observe an event or happening, it's outcome and identity is unknown and therefor carries the potential to be multiple things? Well i do lol and in this Monday Rise Up we will unpack an awesome concept and become possibility thinkers.   Subscribe and Follow Rise Up With Dragon: https://lnkd.in/dNjsMy6 LIVE STREAMED IN: YouTube: https://lnkd.in/dVcUJA7 Facebook: https://lnkd.in/diK4YNa Linkedin: https://lnkd.in/dv6M3Cgk SUBSCRIBE TO THE "RISE UP WITH DRAGON NEWSLETTER" and receive weekly enhancements of consciousness. https://www.riseupwithdragon.com/newsletter

In this episode I speak with John Danvers about his 55+ years of Zen teaching and practice. We discuss the history of Zen, awakening experiences, the art of sitting and more.You can listen to his entire Wise Studies course An Introduction to Soto Zen at wisestudies.comJohn Danvers has over fifty-five years' experience of Zen meditation. He has no affiliation to any particular school or tradition.  Whilst he has learned a great deal from historical teachers and from people he has met over the years, both Buddhist and non-Buddhist, experience has been his main teacher – especially the experience of zazen – Zen sitting meditation, which he began in 1965.For seven years he practiced zazen alone, sitting for long hours and studying what texts he could find. In the early 1970s he undertook retreats at Throssel Hole Priory in Northumberland (a Soto Zen centre), and around 1975 he had some direct teaching from a Japanese Soto Zen monk who was travelling in the UK. Since then, he has guided retreats, workshops and seminars, and has undertaken other retreats, including with Thich Nhat Hanh in 2012.In 2012 he retired as Associate Professor in Philosophy and Art Practice at Plymouth University, UK. Since then, he has been the Buddhist chaplain, and honorary associate professor, at Exeter University. In 2016 he established the Exeter Meditation Circle – one of the few secular Buddhist / secular Zen groups in the UK.Books:Picturing Mind: Paradox, Indeterminacy and Consciousness in Art & Poetry. Rodopi: Amsterdam/New York.Agents of uncertainty: mysticism, scepticism, Buddhism, art and poetry. Rodopi: Amsterdam/New YorkInterwoven Nature: relatedness and identity in a changeful world. Whitewick Press: UK.To see the light: 100 poems. Whitewick Press: UK.Artist Website: http://johndanversart.co.uk/Exeter Meditation Circle Website: http://www.meditationcircle.org.uk/

In this teaching, Shunyamurti offers step by step guidance on how to deploy your spiritual intelligence so a harmonious, superorganismic potentiality can emerge to solve the problem of complexity in a world of "evol" that is ever-evolving into Love.

On April 7-9, 1995, the Federalist Society held its fourteenth annual National Student Symposium at the Northwestern University School of Law in Chicago, Illinois. The subject of the conference was "Originalism, Democracy, and the Constitution." The fifth panel discussed "Is Originalism Possible? Historical Indeterminacy."Featuring:Moderator: Prof. Stephen B. Presser, Northwestern University School of LawProf. Suzanna Sherry, University of Minnesota Law SchoolProf. Randy E. Barnett, Boston University School of Law Prof. Gary Lawson, Northwestern University School of Law Thomas B. McAffee, Southern Illinois University School of Law

On April 7-9, 1995, the Federalist Society held its fourteenth annual National Student Symposium at the Northwestern University School of Law in Chicago, Illinois. The subject of the conference was "Originalism, Democracy, and the Constitution." The second day of the conference commenced with a panel asking "Is Originalism Possible? Normative Indeterminacy and the Judicial Role."Featuring:Moderator: Edwin Meese III, The Heritage FoundationProf. Michael C. Dorf, Rutgers University School of LawProf. Richard A. Epstein, University of Chicago Law SchoolProf. Michael J. Perry, Northwestern University School of LawProf. Steven D. Smith, University of Colorado School of Law

YouTube link: https://youtu.be/jcHzgy0I6gk Nicolas Gisin is Professor of Physics, specializing in the foundations of quantum mechanics, at the University of Geneva. Sponsors: https://brilliant.org/TOE for 20% off. For Algo's podcast https://www.youtube.com/channel/UC9IfRw1QaTglRoX0sN11AQQ and website https://www.algo.com/.  Patreon: https://patreon.com/curtjaimungal Crypto: https://tinyurl.com/cryptoTOE PayPal: https://tinyurl.com/paypalTOE Twitter: https://twitter.com/TOEwithCurt Discord Invite: https://discord.com/invite/kBcnfNVwqs iTunes: https://podcasts.apple.com/ca/podcast/better-left-unsaid-with-curt-jaimungal/id1521758802 Pandora: https://pdora.co/33b9lfP Spotify: https://open.spotify.com/show/4gL14b92xAErofYQA7bU4e Subreddit r/TheoriesOfEverything: https://reddit.com/r/theoriesofeverything Merch: https://tinyurl.com/TOEmerch LINKS MENTIONED: -Quantum Chance by Nicholas Gisin (affiliate): https://amzn.to/3KPHG8x -Sabine Hossenfelder's Superdeterminism: https://www.youtube.com/watch?v=ytyjgIyegDI TIMESTAMPS: 00:00:00 Introduction 00:03:38 Gisin's "Quantum Chance" book is a friendly introduction to QM 00:06:36 Consciousness is outside today's physics and may always be 00:07:48 Indeterminacy is necessary but not sufficient for free will 00:09:37 Free will is necessary for "rationality" to exist 00:10:40 Free will comes FIRST in the "logical order" 00:21:39 What does mathematics have to say about free will and consciousness? 00:27:18 Intuitionism vs Constructionism 00:28:22 Classical physics is NOT deterministic 00:34:27 Does he agree with Stephen Wolfram that it's computation underlying physics? 00:36:06 Time is "thick" like molasses 00:40:21 Intuitionist mathematics and law of excluded middle 00:42:57 Graham Priest's paraconsistent logic and other forms of logic 00:49:32 A new understanding of time is needed for Quantum Gravity 00:52:55 Discrete spacetime? Perhaps not 00:53:21 Philosophy of Jules Lequier 00:55:15 On Sabine Hossenfelder's views on free will 00:58:33 Superdeterminism 01:01:52 Is indeterminacy truly necessary for free will? 01:03:39 Many Worlds is nonsense 01:05:37 Should logic be the basis of mathematics? 01:10:00 Which approach to quantum gravity does Gisin favor? 01:10:17 [Stephen Robbins] Bergson? 01:11:23 [Complex Plane @kekule6] Chomsky and denial of free will by physicists is an attempt to make evidence fit a model * * * Just wrapped (April 2021) a documentary called Better Left Unsaid http://betterleftunsaidfilm.com on the topic of "when does the left go too far?" Visit that site if you'd like to watch it. Learn more about your ad choices. Visit megaphone.fm/adchoices

This lecture was delivered on June 18, 2021 as part of the third annual Thomistic Philosophy and Natural Science Symposium: Chance and Indeterminacy in the Natural World. For information on upcoming events, please visit our website at www.thomisticinstitute.org. About the speaker: Jonathan I. Lunine is The David C. Duncan Professor in the Physical Sciences at Cornell University and Director of the Cornell Center for Astrophysics and Planetary Science, His research focuses on astrophysics, planetary science and astrobiology. In addition to his responsibilities in the classroom, he serves as Interdisciplinary Scientist on the James Webb Space Telescope project and is a coinvestigator on the Juno mission currently in orbit around Jupiter. Lunine is a member of the U.S. National Academy of Sciences, a fellow of the American Geophysical Union and the American Association for the Advancement of Science. He is the 2014 recipient of the Jean Dominique Cassini Medal of the European Geosciences Union. He is the author of Astrobiology: A Multidisciplinary Approach and Earth: Evolution of a Habitable World. Lunine obtained a B.S. in physics and astronomy from the University of Rochester (1980), an M.S. (1983) and a Ph.D. (1985) in planetary science from the California Institute of Technology. He lives in Ithaca New York, where he is a member of St. Catherine of Siena parish. In 2016 Lunine helped to found the Society of Catholic Scientists and currently serves as its vice president.

This lecture was delivered on June 20, 2021 as part of the third annual Thomistic Philosophy and Natural Science Symposium: Chance and Indeterminacy in the Natural World. For information on upcoming events, please visit our website at www.thomisticinstitute.org. About the speaker: Fr. Thomas Davenport O.P. is Assistant Professor of Physics at Providence College. He earned his Ph.D. in physics at Stanford University. His areas of expertise are theoretical particle physics (particle colliders), philosophy of science/philosophy of nature, and the relationship between faith and science.

This talk was delivered in June 2021 at the Third Annual Thomistic Philosophy and Natural Science Symposium, "Chance and Indeterminacy in the Natural World." For information on upcoming events, please visit our website at www.thomisticinstitute.org. Prof. Tony Barbosa is an Assistant Professor of Chemistry at Ave Maria University. He earned his B.S. in Chemistry from Providence College, and received his M.S. and Ph.D. in Organic Chemistry from the University of Rochester. He has done extensive research into the chemistry and biochemistry surrounding new pharmaceuticals and treatments for various diseases.

This lecture was delivered on June 18, 2021 as part of the third annual Thomistic Philosophy and Natural Science Symposium: Chance and Indeterminacy in the Natural World. Slides for this lecture can be found at: https://tinyurl.com/4643mb4v For information on upcoming events, please visit our website at www.thomisticinstitute.org. About the speaker: Dr. Valerie Plaus is Assistant Professor of Chemistry, Physics, and Engineering at the Franciscan University of Steubenville, where she teaches calculus-based physics classes designed for pre-engineering and chemistry majors. She taught physics and mathematics at universities in Ohio, Oklahoma, and Wisconsin before coming to Franciscan in Fall 2018. She completed her masters and Ph.D. at the University of Wisconsin-Madison and undergraduate degree at the University of Guelph. Her primary research interests are in supersymmetry and Higgs physics. Aside from physics, she is also passionate about swing and blues-idiom dancing and hiking.

This talk was delivered in June 2021 at the third annual Thomistic Philosophy and Natural Science Symposium, on "Chance and Indeterminacy in the Natural World." For information on upcoming events, please visit our website at www.thomisticinstitute.org. Prof. Steve Snyder is an associate professor of philosophy at Christendom College. He earned his bachelors in philosophy at Cornell University before going to Toronto, where he earned his doctorate from the Center for Medieval Studies. He has written on Aquinas, Albert the Great, and the history of the philosophy of science.

This talk was delivered in June 2021 at the Third Annual Thomistic Philosophy and Natural Science Symposium, "Chance and Indeterminacy in the Natural World." Access the handout here: https://tinyurl.com/jht8abja For information on upcoming events, please visit our website at www.thomisticinstitute.org. About the speaker: Dr. John Brunghardt is an assistant professor of Philosophy at the School of Catholic Studies at Newman University. He studied at Thomas Aquinas College before pursuing his doctoral degree in Philosophy at the Catholic University of America. Then from 2017 to 2019 he was a post-doctoral researcher at the Pontificia Universidad Católica de Chile in Santiago, Chile.

This talk was delivered in June 2021 at the Third Annual Thomistic Philosophy and Natural Science Symposium, "Chance and Indeterminacy in the Natural World." For information on upcoming events, please visit our website at www.thomisticinstitute.org. About the speaker: Prof. Michael Gorman is Ordinary Professor of Philosophy at the Catholic University of America. He received a doctorate in philosophy from SUNY Buffalo and a doctorate in theology from Boston College. He is also a scholar in the Templeton Virtue Project and a fellow of CUA's Institute for Human Ecology. He recently published a book, Aquinas on the Metaphysics of the Hypostatic Union, published by Cambridge University Press.

Support Topic Lords on Patreon and get episodes a week early! (https://www.patreon.com/topiclords) Lords: * John Bettonville * https://twitter.com/robohunkx * Alex Diener * https://twitter.com/ThemsAllTook Topics: * Blaseball: the Musical * https://blaseballthemusical.com * https://blaseballpodcast.com * https://catacalypto.substack.com * https://blandcamp.com * https://medium.com/the-game-bland/shell-your-idols-blaseball-and-the-attention-economy-74037293776e * Keeping the spirit of invention alive * A couple weeks ago I made turkey burgers with shredded zucchini mixed in and it was great. Today I mixed in shredded cheese too, and now I'm convinced I could mix anything in and it'd be great. * https://imgur.com/Q7B5JkS * Miko asks "do you know about As Slow As Possible or should I put it in the Topic Bucket" * As Slow as Possible as Fast as Possible: https://www.youtube.com/watch?v=h5-Yo328Rp4 * Indeterminacy: https://youtu.be/lOMHUrgMs * Existing completely outside the school system * Peter Gray on How Our Schools Thwart Passions: https://www.ted.com/talks/petergrayhowourschoolsthwartpassions * Glasses: getting them for the first time as an adult vs when you were younger Microtopics: * A modern take on Lunar Lander. * Flying a rocket ship underwater. * John Mystery's true identity. * The true identity of the investigator who uncovered John Mystery's true identity. * Blaseball: the Musical: the Deaths of Sebastian Telephone. * Whether it's okay to not be the most obsessed participant in your chosen fandom. * Take Me Out to the Blall Game. * Writing, recording and editing a musical in 72 hours. * Screaming about how Jessica Telephone looked at you. * The pros and cons of being cagey about your identity. * The ten most interesting things that happened in Blaseball this week. * Newsletters: the podcast that comes into your email. * The pros and cons of reinventing the wheel. * A non-destructive audio synthesizer that integrates into your makefile. * Writing the simplest version of a program that's exactly what you need vs. learning how to use someone else's complicated program that does all the things anyone could want. * Reinventing the wheel to learn how a wheel works. * Passing variously aggregated files back and forth between R and Python scripts. * NPM as exhibit A in the argument that maybe it's a good idea to reinvent the wheel sometimes. * Relying on a thousand strangers not breaking their NPM module so that your commercial web site can keep running. * Perpetually living in fear of the enormous arcane machine you've created. * Rice Krispie Treat Burgers. * The hidden dangers of putting diced onion in your meat loaf. * Ingredients blending into a homogenous mass. * Sweet Sundae Ramen. * Homemade fudge vs hot fudge. * A food dish that looks like something tasty. * A brown sludge at the end. * Whether this noodley carb would look more appetizing if it weren't dyed blue. * Adapting a 4chan cooking thread into a Youtube channel with MST3K style silhouettes heckling the whole time. * Shipping your symphony with instructions on how to remix it. * Indeterminacy. * Observing someone across the street when cars are passing by. * As Slow as Possible As Fast as Possible. * Basing the tempo of your performance on the wavelength of the shortest note in the piece. * Not knowing what to expect but being thoroughly satisfied by what you got. * Homeschooling vs. Unschooling. * A very positive thing for you that might not be great for other people. * Wanting to be a baker when you grow up but not knowing how to proceed because you already are a baker. * Learning by doing. * The correlation between people who like the structure of school and who people learn best by reading rather than doing. * The first person in your family to not be homeschooled. * Learning to play music because there are instruments in your house. * Growing up outside the school system and encountering the Pledge of Allegiance for the first time in your thirties. * Sending your homeschooled kids to high school so all their little personality quirks get beaten out of them by their peers. * Everyone American diagnosed with PTSD actually having PTSD twice, because they also went to middle school. * Learning how to deal with other humans once you're mature enough to have a little bit of emotional intelligence. * Embarrassment of your past self as a sign of growth. * A topic asking for the perspective of someone who is not on the podcast. * Getting glasses that make objects in your left eye look farther away than in your right eye. * Radially-oriented bifocals. * Finally achieving everyone else's normal. * Putting up with blurry vision for most of your life but wearing glasses when you hike because you want to see all the pretty leaves. * Putting on someone else's glasses as a joke but things do actually look a little bit sharper but assuming it's just an illusion. * Thinking you have normal vision until someone actually measures your corneas. * Swimming at the edges of your vision because lenses work best in the middle. * Wearing glasses that flip your vision vertically and your brain eventually learning to correct for it, and then taking the glasses off and your brain is like "oh shit it's this again!" * The thing where you put a mirror under your chin and walk around and the popcorn on the ceiling looks like the surface of the moon. * Objects shrinking every time you get new glasses. * Objectively measuring your perception by sticking a tape measure into your brain. * Writing one really excellent tweet and then hiding it behind a bunch of tweets promoting the musical you were in.

Episode 31 Electronic Literature The Marriage of Electronic Music, Poetry, and Literature   Playlist Luciano Berio, "Thema (Omaggio A Joyce)," from Orient-Occident/Momenti-Omaggio A Joyce/Continuo/Transition 1 (1967 Philips). Composed by Luciano Berio at the RAI studio in Milan. Vocals, Cathy Berberian. The piece dates from 1958-59. An exploration of editing and tape composition with the voice as a key source of audio material. This is an interpretative reading of the poem "Sirens" from chapter 11 of the novel Ulysses by James Joyce. This release on the Philips Prospective 21e Siècle is shorter than the one released around the same time on the Turnabout label in America. It omits the spoken sequence at the beginning where Berberian recites the words prior to them being manipulated on tape. John Cage/David Tudor, "Side 3" excerpt from Indeterminacy: New Aspect of Form in Instrumental And Electronic Music (1959 Folkways). John Cage reads previously prepared stories and anecdotes, David Tudor performs electronic music at the same time with no Earthly connection between the two. This was a long-standing performance practice of theirs and I saw them do this several times. John Cage, "Part One (To Line 220)" from Roaratorio: An Irish Circus On Finnegans Wake (1992 Mode), excerpt, for speaker, Irish musicians and 62-track tape. Speaker, John Cage. Production: WDR, Köln; Süddeutscher Rundfunk, Stuttgart; Katholieke Radio Omroep, Hilversum; Technical cooperation: IRCAM, Paris. First transmission: 22 October 1979, WDR3-Hörspielstudio. This score is a means for translating any book into a performance without actors, a performance which is both literary and musical or one or the other. In this case, the book was Finnegans Wake by James Joyce. The text of Roaratorio was published separately as Writing for the Second Time Through Finnegans Wake. This was part of the evolution of Cage's interest in creating works of text for performance with music and other activities. It further evolved into his use of texts by Henry David Thoreau for which he used chance processes to derive a text for solo vocal performance. Shakespeare, excerpt, (1962 Odhams Books Ltd.). BBC radioplay production with musique concrète by Desmond Leslie. King Henry is played by Richard Burton. Electronic music provided on tape for a set of Shakespeare play productions. This short. 2 and a half-minute segment is from Act IV, Scene 3 and gives you an idea of how the sound effects was joined with the dialog. This was a common outlet for electronic music in the UK. Shackleton, “Music For The Quiet Hour, Part 2,” excerpt, from Music For The Quiet Hour (2012 Woe To The Septic Heart!). Vocals, words (poetry), Vengeance Tenfold; Composer, producer, A. Gerth, K. Biswas, Sam Shackleton. A collaboration between producer Shackleton and vocalist Vengeance Tenfold. Beats, bass and rhythm patterns provide a backdrop for some stark poetry. This is a portion of a longer work that whose overall length is about an hour. Lily Greenham, “Traffic” from Lingual Music (2007 Paradigm Discs). Reissue of text-sound works made by Danish concrete poet Lily Greenham, probably between 1972-75. Hugh Davies is credited with assisting on the electronics for this work. Voice: Lily Greenham. Anne Clark, "Swimming" and "An Ordinary Life" from The Sitting Room (1982 Red Flame). Clark is a foremost British poet who fuses her texts with electronic music. This was the first of her albums. Words, Keyboards, Electronic Percussion, Water Percussion, Anne Clark; Guitar, Effects, Voice, Gary Mundy; Keyboards, Domonic Appleton, Patrik Fitzgerald; Keyboards, Electronic Percussion, Andrea Laschetti. Rick Wakeman, “The Journey,” excerpt, from Journey to the Center of the Earth (1974 A&M). Recorded in concert at The Royal Festival Hall London on Friday January 18th 1974. Synthesizers and other keyboards, Rick Wakeman; Narrator, David Hemmings; drums, Barney James; guitar, Mike Egan; accompanied by the London Symphony Orchestra conducted by David Measham. Alan Parsons Project, "The Raven" from Tales of Mystery and Imagination - Edgar Allan Poe (1976 Charisma). Words from the tale of the same name by Poe. The Harmony Vocoder heard on "The Raven" was invented and built by EMI Central Research Laboratories.Keyboards, Alan Parsons, Andrew Powell, Billy Lyall, Christopher North, Eric Woolfson, Francis Monkman; Composed by Alan Parsons, Andrew Powell, and Eric Woolfson. Silver Apples, "Dust" from Silver Apples (1968 Kapp). "INSTRUCTIONS: Play Twice Before Listening." Composed and Arranged by Dan Taylor and Simeon; Percussion, Dan Taylor; Oscillators, mixers, electronic gear (The Simeon), Simeon; Vocals, Dan Taylor, Simeon. Alice Shields, " Study For Voice And Tape" from Columbia-Princeton Electronic Music Center 1961-1973 (1998 New World Records). Recorded Voice, Buchla synthesizer, poem by Alice Shields. Ronald Perera, "Three Poems of Gunter Grass," part 1, “Gleisdreieck" from Music And Words (1980 CRI. Ronald Perera, electronic music on tape created in the Smith College Electronic Music Studio; soprano, Elsa Charlston; Conductor, Richard Pittman. John Hill, "Europa" from Six Moons Of Jupiter (2009 Finders Keepers). Recorded at Sigma Sound, Philadelphia, January-August 1970, but I don't think it was ever released. Uses a Moog Modular synthesizer programmed by Walter Sear. Composed, arranged produced, Moog Modular Synthesizer, Guitar, Bass, Flute, Recorder, Hammond organ, John Hill; Drums, Percussion, Jimmy Valerio; Performer (Poetry), Susan Christie; poetry, Ian Michaels. Ruth White, "The Clock," "Evening Harmony," "Lover's Wine," Owls," from Flowers of Evil (1969, Limelight). Composer, vocals, electronics (Moog Synthesizer), Ruth White; based on poetry by Charles Baudelaire, translated by Ruth White. Fantastic music from this singular composer who owned a Moog Modular Synthesizer. Her other music was often composed for media, television, and children's records.     Archive Mix In which I play two records at the same time to see what happens. The recordings were: Lily Greenham, “ABC in Sound” from Lingual Music (1968/2007 Paradigm Discs). Recording from 1968 and includes the words of poet Bob Cobbing. Arif Mardin, “The Prophet,” excerpt from side 1, from The Prophet (1974 Atlantic). Narrator Richard Harris; keyboards, Bob James, Pat Rebillot, and Ken Bichel (ARP 2600). Poetry by Kahlil Gibran.     The opening montage consists of excerpts from Milt Gabler and a reading of “The People Yes (Excerpt)” by Carl Sandburg and some saxophone music from Avant Slant (1968 Decca); James Joyce reading “Anna Livia Plurabelle” (1929 The Orthographic Institute); John Cage and David Tudor, Indeterminacy (1959 Folkways); Alice Shields, Dance Piece No. 3 from Columbia-Princeton Electronic Music Center 1961-1973 (1998 New World Records); Luciano Berio, "Thema (Omaggio A Joyce)," from Electronic Music III (1967 Turnabout);  Anne Clark, "The Sitting Room " from The Sitting Room (1982 Red Flame); Arif Mardin, “The Prophet,” excerpt from The Prophet (1974 Atlantic); Ruth White, "Owls" from Flowers of Evil (1969, Limelight).   Background music is excerpted from Shackleton, “Music For The Quiet Hour, Part 2,” from Music For The Quiet Hour (2012 Woe To The Septic Heart!).   Opening and closing sequences voiced by Anne Benkovitz.      

This episode is also available as a blog post: http://kingdablog.com/2014/04/10/indeterminacy-of-translation-and-innate-concepts-short-version/

This episode, Jason and Chad put on their Hyperlab Coats · and concoct their own indeterminacy recipe loosely based on John Cage·s experimental work, Roaratorio, an Irish circus on Finnegans Wake.

S04E01 Imagine being on a boat, looking out over the waves, waiting for the future to appear over the horizon. Full show notes: https://www.thejaymo.net/2021/01/08/301-2101-in-the-archipelago/ Support: https://thejaymo.net/support/ Webshow: http://comeinternetwith.me Website: https://www.thejaymo.net/ Permanently moved is a personal podcast 301 seconds in length, written and recorded by @thejaymo

Episode 12   David Tudor: From piano to electronics   The transition of a pianist to electronic music   David Tudor (1926-1996)   In which we listen to works created while Tudor transitioned from playing piano to composing works for homemade electronics.   Playlist Bo Nilsson, Quantitäten (1958), for “electronically fortified” piano. Recording from Swedish Radio made in 1960. This is an abbreviated performance of the work made for Swedish Radio. John Cage, Cartridge Music (1960). For amplified small sounds; also amplified piano or cymbal; any number of players and loudspeakers; parts to be prepared from score by performers. Recording by John Cage and David Tudor, Time Records (1963). John Cage, Variations II (1961), Parts to be prepared from the score, for any number of players, using any sound-producing means. Piano and electronics by David Tudor. Recorded in Japan in 1962. Christian Wolff, For 1, 2, or 3 People (1964), Piano by David Tudor. Recorded live by KPFA Radio in 1965 at the San Francisco Museum of Art. David Tudor, Bandoneon ! (A Combine) (1966), for bandoneon and live electronics. Recorded live in October 1966 at E.A.T.'s at Nine Evenings: Theatre and Engineering. From the collection, The Art of David Tudor released by New World Records and Radio Bremen.   The Archive Mix in which I conclude the podcast by playing two additional tracks at the same time, to see what happens. This time, I am once again drawing up David Tudor and John Cage from the Folkways recording in 1959 of the lecture Indeterminacy. John Cage and David Tudor, Indeterminacy: New Aspect of Form in Instrumental and Electronic Music, the first three minutes of the lecture recorded in 1959 for Folkways Records. John Cage and David Tudor, Indeterminacy: New Aspect of Form in Instrumental and Electronic Music, the last three minutes of the lecture recorded in 1959 for Folkways Records.   Read my book: Electronic and Experimental Music (sixth edition), by Thom Holmes (Routledge 2020).   Contact Composers Inside Electronics, c/o John Driscoll and Phil Edelstein, longtime Tudor associates beginning in the 1970s for a history of the group and updates about their ongoing activities.   Read You Nakai's new book about Tudor: Reminded by the Instruments: David Tudor's Music(Oxford 2020)   Full disclosure: I work for Oxford University Press by day, although not in the trade book division that has published You Nakai's new book.

On the final chapter, we discuss what does it mean to think about the end of the world with the help of mycelia: Indeterminacy, adaptation and renovation.

Plausibly context and culture are interconnected to a certain degree.For example context and culture may influence each other. This line of reasoning imputes that context matters. However expressing the context at the beginning minimizes confusion. William Anderson GittensAuthor, Cinematographer,Dip., Com., Arts. B.A. Media Arts Specialists’ Editor-in-Chief License Cultural Practitioner, Publisher, Student of Film, CEO Devgro Media Arts Services ISBN 978-976-96506-9-5"Definition of "opaque context" | Collins English Dictionary". www.collinsdictionary.com. Retrieved 2015-09-29.Frege, Gottlob (1884/1980). The Foundations of Arithmetic. Trans. J. L. Austin. Second Revised Edition. Evanston, Illinois: Northwestern University Press. ISBN 0-8101-0605-1.Goodwin, Charles; Duranti, Alessandro, eds. (1992). "Rethinking context: an introduction" (PDF). Rethinking context: Language as an interactive phenomenon. Cambridge: Cambridge University Press. pp. 1–42. Retrieved February 19, 2017.Silverstein, Michael (1992). "The Indeterminacy of Contextualization: When Is Enough Enough?". In Auer, Peter; Di Luzio, Aldo (eds.). The Contextualization of Language. Amsterdam: John Benjamins Publishing Company. pp. 55–76. ISBN 978-9027250346. Retrieved February 19, 2017.The word “context” is derived from the Latin words con (meaning “together”) and texere (meaning “to weave”). The raw meaning of it is therefore “weaving together”.The word “context” is derived from the Latin words con (meaning “together”) and texere (meaning “to weave”). The raw meaning of it is therefore “weaving together”.Wittgenstein, Ludwig (1921/1922). Tractatus Logico-Philosophicus. Trans. C. K. Ogden. London: Routledge and Kegan Paul Ltd. ISBN 0-415-05186-X.http://mason.gmu.edu/~rnanian/305context.htmlhttp://mason.gmu.edu/~rnanian/305context.htmlhttp://oer2go.org/mods/en-oya/english-104/webpages/Chapter7/2-How-to-Use-Context-to-Determine-the-Meaning-of-Words.htmlhttp://www.unn.edu.ng/wp-content/uploads/2015/09/72nd-Inaugural-Lecture-PROF-NWAOZUZU-THE-BABALIST-THEORY-OF-MEANING.pdfhttps://arxiv.org/pdf/0912.1838https://arxiv.org/pdf/0912.1838.pdfhttps://courses.lumenlearning.com/https://courses.lumenlearning.com/culturalanthropology/chapter/anthropological-culture-concept/https://deepenglish.com/2012/11/cultural-context/https://en.wikibooks.org/wiki/Linguistics/Pragmaticshttps://en.wikipedia.org/wiki/Context-sensitive_languagehttps://en.wikipedia.org/wiki/Context_(language_use)https://en.wikipedia.org/wiki/Context_principlehttps://en.wikipedia.org/wiki/Opaque_contexthttps://idioms.thefreedictionary.com/in+the+context+ofhttps://idioms.thefreedictionary.com/take+things+out+of+contexthttps://jakubmarian.com/most-everyone-vs-almost-everyone-in-english/https://link.springer.com/https://literarydevices.net/context/https://medium.com/@erinasimon1/content-vs-context-whats-more-important-fa4f85a23e23https://open.lib.umn.edu/businesscommunication/chapter/1-3-communication-in-context/https://pdfs.semanticscholar.org/e9d3/9e503717c4dd8bd1ca3de5ccb92fc2c7c99d.pdfhttps://pdfs.semanticscholar.org/e9d3/9e503717c4dd8bd1ca3de5ccb92fc2c7c99d.pdfhttps://qbq.com/15-reasons-to-ask-questions/#:~:text=%2015%20Reasons%20To%20Ask%20Questions%20%201,view%208%20To%20begin%20a%20relationship%20More%20https://simple.wikipedia.org/wiki/Context_(language)https://study.com/academy/lesson/what-is-context-definition-application-quiz.htmlhttps://writingcooperative.com/why-context-matters-in-writing-f52ad075c07ahttps://www.insightstoenglish.com/https://www.ldsd.org/cms/lib/PA09000083/Centricity/Domain/18/5contextclues.pdfhttps://www.livescience.com/21478-what-is-culture-definition-of-culture.htmlhttps://www.masterclass.com/Support the show (http://www.buzzsprout.com/429292)

DOVE BRADSHAW, born in New York in 1949, pioneered the use of Indeterminacy in 1969 by enlisting the unpredictable effects of time, weather, erosion, and indoor and outdoor atmospheric conditions on natural, chemical, and manufactured materials. She has created chemical paintings that change with the atmosphere, indoor erosion sculptures of salt and outdoor stone sculptures that weather. She has worked with crystals that receive radio transmissions from local, short wave, and weather stations, along with reception of radio tele-scope signals from Jupiter. In 1975 she was awarded a National Endowment for the Arts grant; 1985 the Pollock-Krasner award; 2003 a Furthermore Grant; in 2006 The National Science Foundation for Artists Grant. Her work has been shown regularly in the US, Europe, South America, Japan and South Korea, appearing in the 6th Gwangju Biennale. She is represented in the permanent collections of many major museums including the Metropolitan Museum of Art, Museum of Modern Art, New York, The National Gallery of Washington, The Art Institute of Chicago, The British Museum, Centre Pompidou, Paris, and the Marble Palace, Russian State Museum, St. Petersburg.

Місто, водночас, стосується не тільки «щільності», але і відноситься до трьох конкретних категорій: складність, незавершеність і невизначеність. Ці поняття є центральними для архітектурного дискурсу та виробництва. Фабіо Дон та Марко Зеллі, засновники Форуму для теорії архітектури (FAT), розповідають про ці категорії, а також з’ясовують як вони відображаються на місті. На основі своїх досліджень та проєктів […]

Місто, водночас, стосується не тільки «щільності», але і відноситься до трьох конкретних категорій: складність, незавершеність і невизначеність. Ці поняття є центральними для архітектурного дискурсу та виробництва. Фабіо Дон та Марко Зеллі, засновники Форуму для теорії архітектури (FAT), розповідають про ці категорії, а також з’ясовують як вони відображаються на місті. На основі своїх досліджень та проєктів […]

Introduction to the Bible- Indeterminacy of Meaning

Music today is mainly distributed through digital platforms that use algorithms to advise people what to listen to. This episode has been compiled combining pieces from records suggested by Discogs, the biggest record marketplace, that sends algorithm-based suggestions through its daily newsletter. The episode features: Babyfather, David Behrman, Iury Lech, David Rosenboom, Lori Goldston, The Lost Jockey, Laurie Spiegel , Insiememusicadiversa, The Durutti Column, Chris & Cosey, Gregor Schnitzler and Conrad Schnitzler, Wire and Joseph Beuys.

Silence is just the beginning.

ISACS17: Resonant Worlds: Sound, Art & Science | Konferenz Saturday 09/30/17, Vortragssaal ISACS17 (re)investigates the intersections of sound, art and science from the perspective of artistic / creative curation. The participants are asked to showcase, and reflect on, their own practices from the perspective of how and why choices are made in order to make things »work« – in the sense that it resonates in/with other people, contexts, culture, society, history, and »the world«. These are perhaps issues of (and effects from) embodied experiences, of language games, of existence. /// Samstag 30.9.17, Vortragssaal Auf der »ISACS17« werden die Schnittstellen von Sound, Kunst und Wissenschaft aus Perspektive des künstlerischen / kreativen Kuratierens (neu) untersucht. Die TeilnehmerInnen wurden gebeten, ihre Arbeiten aus dem Blickwinkel zu präsentieren und zu hinterfragen wie und warum Entscheidungen getroffen wurden, mit denen die Funktionalität von Dingen erreicht werden soll – in dem Sinne, dass diese Entscheidungen in anderen Menschen, Kontexten, Kulturen, Gesellschaften, der Geschichte und »der Welt« nachhallen. Dies können Problemstellungen (und Effekte) von verkörperten Erfahrungen, Sprachspielen oder der Existenz sein.

Topics: Sixties, footage, now, then, becoming, improvisation, practice, looking or searching, initial conditions, historicality, atmospheres, „Everything is different“, temporalities, „Five Years Later“, Indeterminacy, rustling, romantic conceptualism?, „I want to tell you something“, how little, „Spiral“ Links: [1] http://suarawelitoff.com [2] https://www.krakowwitkingallery.com/suara_welitoff [3] https://www.artforum.com/picks/id=45648

For our innagural podcast we would like to introduce you to the work of Johannes Klabbers. Johannes is an Australian artist, writer and also developer of the intriguing discipline of posthumanist therapy. During Unsound Krakow 2016, he acted as resident posthumanist therapist and he also presented his work as the performance "How Can a Posthumanist Be?". For it, he used an improvisation method developed by John Cage in 1958 for his piece Indeterminacy. In his latest book "I am Here" (2016), Johannes Klabbers gives insights to help understand the process of death and dying and help people cope with suffering. It is about listening and talking to people who are dying, and about life and death. We had the pleasure to talk to him during the Festival about how quantum physics influenced his theory and what a posthumanist therapist actually is and does This podcast was produced by CLOT Magazine editorial team and Stephen Mclaughlin for Unsound Festival in Collaboration with OFF Radio Krakow. Piotr Figiel kindly shared the glacial remix of the Unsound performance

Dr Gleider Hernandez, Reader in Public International Law, University of Durham, October 2016 Dr Gleider I Hernández is Reader in Public International Law at Durham Law School and Deputy Director of the Durham Global Policy Institute. Originally from Canada, Gleider took a D.Phil from Wadham College, Oxford, an LL.M degree from Leiden, and BCL & LL.B degrees from McGill. His DPhil, The International Court of Justice and the Judicial Function, was published by the OUP in 2014, and was shortlisted for the Peter Birks Prize. His second book, International Law, will be published in 2017, also by the OUP. Gleider is currently an AHRC Research Leadership Fellow on a project entitled 'Constructing Authority in International Law'. Besides his academic position at Durham, Gleider serves as Junior Faculty with the Harvard Institute for Global Law and Policy and is a Visiting Senior Fellow at the TMC Asser Institute in The Hague. He has previously has been Visiting Fellow at McGill and Amsterdam universities. In terms of practice and consultancy work, Gleider currently serves as Expert on the group of experts drafting the NATO/CCDCOE Tallinn Manual on Cyber Operations in International Law, and has just completed a mandate as Special Assistant to an ICSID investment tribunal. He also served from 2008-2010 as Associate Legal Officer to Judges Peter Tomka and Bruno Simma at the International Court of Justice. He is also a Member of the Legal Action Committee of GLANLaw.org, a non-governmental organisation dedicated to challenging injustice through innovative legal strategy. Finally, nearly a decade ago, he served as the Convenor of the Public International Law Discussion Group of the Oxford Law Faculty, to which he returns with fond memories. Abstract: This paper attempts to understand the authority asserted by certain norm-applying institutions (‘law-applying authorities’ or officials) as part of their practice of responding to situations of indeterminacy in the law. Indeterminacy is explored as but a temporary gap, one which can be resolved through mechanisms of determinability within the legal system. The authority of norm-applying institutions is purportedly defended as necessary for the existence of law and the legal system, but is in fact rooted in social practices that legitimate the exercise of authority through recognition. Such a claim to authority is specifically with respect to content-independent authority, to the extent that it relies on the identity of the law-applying actor, rather than on the substance of the reasoning invoked. There is a circularity in identifying law-applying authorities through reference to the rules of the legal system, yet presuming their existence as a necessary condition for the existence of the legal system. Instead, the answer is partly also to be found in the existence of common discourse rules between various international actors, who together constitute an epistemic community and whose canons, forms of discourse and methods serve to define the practice of international law. It is through this combination of social recognition and adherence to socially-constructed canons and discourse rules that authority in law-application, law-creation and development privilege, over all other priorities, the coherence and authority of the system as a whole.

Op de dubbel-lp Indeterminacy uit 1958 legt hij samen met David Tudor indirect zijn benadering van componeren uit. Deze hele dubbel-lp is daar een voorbeeld van. Cage vertelt verhalen. De enige regel is dat ze niet langer mogen duren dan een minuut. En Tudor improviseert daar muziek bij. Electronica en piano. Hypnotiserend.

No Sounds Are Forbidden - Episode 7 - Music of Changes: Cage, Chance Operations, and Indeterminacy

Hear Post-doctoral researcherIlla Carrillo Rodríguez discuss cosmopolitanism in experimental music of the 1960s, and Gascia Ouzounian of Queens University Belfast reflect on leading performances of Cornelius Cardew’s Paragraph 7 in all sorts of circumstances. Listen to the The Monday Night Choir perform Paragraph 7, lead by Dina Cédric, as part of the Suoni Per Il Popolofestival, and the encyclopedia and inexhaustible Benjamin Piekut talk about “Improvisation and Indeterminacy in London: 1965-1975.” This hour originally aired on CFRU 93.3FM on July 21st, 2014. Sound It Out is hosted by Rachel Elliott who is a PhD candidate in Philosophy at the University of Guelph in Ontario, Canada. Sound It Out is produced in conjunction with the International Institute for Critical Studies in Improvisation. The show explores whether and how improvised music can serve as a basis for discursive inclusivity, the creation of new forms of shared meaning, and more democratic means of connecting with each other. Sound It Out airs on Guelph’s campus and community radio station, CFRU 93.3FM, on alternating Tuesdays at 5pm.

In this seminar, Dr Gisa Weszkalnys (London School of Economics) focuses her study of the indeterminacy of natural resources on the small island state of São Tomé and Príncipe in the Gulf of Guinea.

Jessica Wilson (University of Toronto) gives a talk for the Metaphysics of Relations Conference, held at Senate House, University of London on 3rd-5th October 2012.

Dr. Howard A. Jones author of The World as Spirit - LIVE from London. Today's special guest is Dr Howard A. Jones; Proprietor, Fairhill Publishing; West Wales, UK We will discuss his book The World as Spirit and upcoming book, Evolution of Consciousness  It will be a fascinating discussion on the balance of materialism, determinism and reductionism of science with idealism (the world as spirit), Indeterminacy (which gives us our free will) and Holism (the interconnectedness of all that is - of all people's, all humankind with Nature, and of all matter with cosmic spirit) For more information visit Howard's web site at http://www.spiritofoneness.co.uk/

Online 24 hours each day 1 – 31 March, avfestival.co.uk / thepixelpalace.org - Radio Boredcast is a 744-hour continuous online radio project, curated by artist Vicki Bennett (People Like Us)