Podcasts about improvising

Jazz legend Herbie Hancock plays in Milwaukee tonight. He's produced dozens of albums, spanning jazz, jazz-rock fusion, funk, and electronic music. He's also collaborated with other music greats, from Miles Davis to Joni Mitchell.  On that journey, Hancock has picked up 14 Grammys and an Oscar for best soundtrack. He's playing at Milwaukee's Pabst Theatre tonight. Ahead of that he joins WUWM's Maayan Silver who first noted that he has a voice for radio. 

سانتوريو الفيل. تي بي بي. تبرعات لمدة ٢٠ سنة. تيكتوك واحنا عندنا ٦٠ سنة. شقق مصر. جروب للرجالة الخاينين. رقاصات أونلاين. الجوريزم تيكتوك. مسلسل "ساكن قصادي". نتكلم عن افلام "فيها إيه يعني" و "ضي" و "رامبو" وحاجات تانية كتير. مصارعة الروبوتات. شيبسي جوليو. إرتجال أغنية "نط أسوار".Santorio the elephant. TPP. 20-year-old charity. TikTok content in our 60's. Egypt apartments. Having 2 wives. Facebook groups for unfaithful men. Online bellydancers. TikTok algorithms. AI Sora 2. World conflicts. "Saken Osady" TV series. Update Islam: Live shows in Mexico. Weird recording in the back. Discussing movies "F1", "Superman", "The Balad of Wallace Island", "Feeha eh Ya3ny", "Dai", and "Rambo". Gemini vs Google. Robot battles. Zap Tharwat. Jolio chips. Absurd Irish. Wegz country music. Inappropriate ads. Improvising song: "Natt Aswar". This episode is sponsored by Moro.

Reading 1Amos 6:1a, 4-7Thus says the LORD the God of hosts: Woe to the complacent in Zion! Lying upon beds of ivory, stretched comfortably on their couches, they eat lambs taken from the flock, and calves from the stall! Improvising to the music of the harp, like David, they devise their own accompaniment. They drink wine from bowls and anoint themselves with the best oils; yet they are not made ill by the collapse of Joseph! Therefore, now they shall be the first to go into exile, and their wanton revelry shall be done away with.Reading 21 Timothy 6:11-16But you, man of God, pursue righteousness,devotion, faith, love, patience, and gentleness.Compete well for the faith.Lay hold of eternal life, to which you were calledwhen you made the noble confession in the presence of many witnesses.I charge you before God, who gives life to all things,and before Christ Jesus,who gave testimony under Pontius Pilate for the noble confession,to keep the commandment without stain or reproachuntil the appearance of our Lord Jesus Christthat the blessed and only rulerwill make manifest at the proper time,the King of kings and Lord of lords,who alone has immortality, who dwells in unapproachable light,and whom no human being has seen or can see.To him be honor and eternal power.  Amen.GospelLuke 16:19-31Jesus said to the Pharisees:"There was a rich man who dressed in purple garments and fine linenand dined sumptuously each day.And lying at his door was a poor man named Lazarus, covered with sores,who would gladly have eaten his fill of the scrapsthat fell from the rich man's table.Dogs even used to come and lick his sores.When the poor man died,he was carried away by angels to the bosom of Abraham.The rich man also died and was buried,and from the netherworld, where he was in torment,he raised his eyes and saw Abraham far offand Lazarus at his side.And he cried out, 'Father Abraham, have pity on me.Send Lazarus to dip the tip of his finger in water and cool my tongue,for I am suffering torment in these flames.'Abraham replied,'My child, remember that you receivedwhat was good during your lifetimewhile Lazarus likewise received what was bad;but now he is comforted here, whereas you are tormented.Moreover, between us and you a great chasm is establishedto prevent anyone from crossing who might wish to gofrom our side to yours or from your side to ours.'He said, 'Then I beg you, father,send him to my father's house, for I have five brothers,so that he may warn them,lest they too come to this place of torment.'But Abraham replied, 'They have Moses and the prophets.Let them listen to them.'He said, 'Oh no, father Abraham,but if someone from the dead goes to them, they will repent.'Then Abraham said, 'If they will not listen to Moses and the prophets,neither will they be persuaded if someone should rise from the dead.'"

This week, Coco, Red Sona and Matt welcome legendarily fearless racer Mario Capretti to discuss what cars are, the benefits of greasing up your body, why Brad Pitt is our mortal enemy, and, of course, goats.Improvising are:J. Michael DeAngelis as Matt "Girlyman" and Mario CaprettiBob Killion as Coco the Barbarianand Ashley Banks as Red SonaCreated, Produced & Edited byJ. Michael DeAngelisMusic & Sound Effects byPete BarryExecutive ProducersPete Barry, John Dowgin, Paige KlanieckiThis content is purely a parody and should be viewed as such. It is not affiliated with, nor does it represent the views or opinions of the original creators, real persons, or any affiliated parties.

Inner peace doesn't always come from serious effort — sometimes, it starts with pure fun! In this episode, Deborah sits down with Emily Iannuzzelli to explore the surprising and transformative power of improv. More than just comedy, improv can be a powerful tool for healing, growth, and joy. It's a path you may never have considered before, but this conversation might open your eyes to a whole new way of finding peace!Here are the things to expect in the episode:What inspired Emily to step into improvThe unexpected life-changing benefits of improv classesHow clarity fuels the process of manifesting goalsThe role of play in creating a balanced adult lifeA sneak peek into Emily's upcoming bookAnd much more!About Emily:Emily Iannuzzelli is an improv teacher, somatic facilitator, and writer based in Baltimore. She blends comedy, nervous system science, and embodiment to help people heal through play. A project manager by day, Emily brings clarity and heart to every space she leads—whether hosting workshops, mentoring women, or building digital experiences. She's currently writing a book weaving memoir, nervous system theory, and spiritual principles of creativity. Emily's work uplifts creative, neurodivergent women through humor, regulation, and authentic connection.How to Find Emily:Website: https://emilyiannuzzelli.com/Instagram: https://www.instagram.com/find.focus.withinBook Recommendations:The Artist's Way by Julia Cameron Big Magic by Elizabeth Gilbert Mind Over Back Pain by John Sarno, M.D. Dopamine Nation by Anna Lembke, M.D.  Connect with Deborah Kevin:Website: www.deborahkevin.comSubstack: https://debbykevin.substack.com/Instagram: www.instagram.com/debbykevinwriterLinkedIn: https://www.linkedin.com/in/deborah-kevin/Book Recommendations: https://bookshop.org/shop/storytellher Check out Highlander Press:Website: www.highlanderpressbooks.comTikTok: https://www.tiktok.com/@highlanderpressInstagram: https://www.instagram.com/highlanderpressFacebook: https://www.facebook.com/highlanderpress

On this Friends Like Us, I talk with both Erica Switzer and Nnenna Freelon about the improvisation of grief. Experience the powerful stories behind Nnenna Freelon's album "Beneath The Skin" and her upcoming book "Beneath The Skin Of Sorrow." Pre-order the book now and get the album today! Don't miss out on these soulful insights into art and grief.  Nnenna Freelon is a celebrated jazz vocalist, composer, producer, author and host of the award-winning podcast Great Grief with Nnenna Freelon. A seven-time Grammy® Award nominee, Freelon is a member of the North Carolina Music Hall of Fame. She has released over twelve solo albums, most recently, Beneath the Skin on Origin Records. She toured with Ray Charles. She performed at the inauguration of President George W. Bush in January 2001. In November 2011, The White House, under the leadership of President Barack Obama, asked Freelon to headline the Asia Pacific Economic Summit for 300 Presidents, Premiers, and Heads of State from around the world.  Dr. Maya Angelou was an admirer of her voice.  Married to Phillip Freelon, the lead architect for the Smithsonian Institution's National Museum of African American History. Nnenna's book-  preorder it  now! : officially Oct. 21, is the companion piece to her lauded spring 2025 album ‘Beneath the Skin' (Origin Records), Beneath the Skin of Sorrow, is a new collection of essays, poems, lyrics, revelations, and explorations of jazz, shaped by Freelon's personal experiences with grief. It's also a love letter—to Phil, to her sister, and to anyone learning to live with loss. Erica Switzer: Chicagoland's Erica Switzer is a rising stand-up comedian; think “Your bougie jet-set auntie who twerks to NPR.” Since 2021, she has produced Fear Of A Black Cat Comedy, a platform highlighting diverse comedic talent. A 2020 Flappers Comedy Club Soup-or-Bowl winner, she has performed at major festivals such as the World Series of Comedy, Black Women in Comedy Laff Fest, and Burbank Comedy Festival's Best of Fest. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf. Writer for HBO's 'Divorce' and the new Tracy Morgan show on Paramount Plus: 'Crutch'.    

Coco the Barbarian, Red Sona, and Matt welcome tech goddess Athena O'Brien to the studio, unpack their feelings about the new Red Sonja reboot film, and really focus on Matt's many failings.Improvising are:J. Michael DeAngelis as Matt "Girlyman"Bob Killion as Coco the Barbarianand Ashley Banks as Red Sona and Athena O'BrienProduced & Edited byJ. Michael DeAngelisMusic & Sound Effects byPete BarryExecutive ProducersPete Barry, John Dowgin, Paige KlanieckiThis content is purely a parody and should be viewed as such. It is not affiliated with, nor does it represent the views or opinions of the original creators, real persons, or any affiliated parties.

I'm re-releasing this episode, because my improvising ensemble Collected Strands have just released our second album, Volume 2, also with beautiful cover art by Maryanne Moodie. This is a special episode of my podcast, celebrating Volume 1 with my improvising ensemble Collected Strands. The other musicians in the group have all been featured previously on this series, and you'll find the links to those episodes below, with cellist Raphael Weinroth-Browne, pianist James McGowan and drummer Mike Essoudry. I'm also delighted that you will get to know the inspiring Australian artist, educator and author Maryanne Moodie who's woven art graces the cover of this album. You'll find the link to her work as well. I am also releasing the interview with Maryanne as a separate stand-alone bonus episode connected to this episode. I feel that all my listeners who love music and creativity will find that Maryanne's personal journey and perspectives will resonate strongly with them, and I hope some listeners in the weaving and art world will also be inspired by the musicians! We are including excerpts from the album during this episode, and you can listen to both albums here: Bandcamp Streaming services Volume 1Streaming services Volume 2To listen to my individual episodes with the members of the group, head over to my website where you'll also find the video and transcript of this episode. Newsletter sign-upPodcast Merchphoto of Collected Strands: Curtis Perrycold open with Raphael Weinroth-Browne (00:47) excerpt from Solace, Volume 1 Collected Strands (01:45) intro about the episode, Maryanne Moodie (03:45) James and Leah talk about recording the album, the process of improvising (07:35) intro to Unsettled Night with excerpt (10:16) group discussion, Mike Essoudry using bass bow, creative process in improvisation (12:20) percussive, random textures intro to Chaotic Kittens with excerpt (15:15) Mike and James on creative process (19:25)James and Leah on putting the album together, choosing titles, intro to Baroquinerie with clip (23:58) Raph's perspectives on improvisation, group discussion (34:52) Leah and James genres, improvised chamber music, intro to Summer's Eve with clip (38:03) Interview with artist Maryanne Moodie: her start in weaving, writing her books, nurturing our creativity creating commissions, how the audience takes in art, the community of weavers (55:09) ways you can support this podcast (56:03) group discussion, audiences (01:00:37) comments on The Long Journey Home and Summer's Eve, A Simple Magic with clip

Podcast PacketsIllustrationsLead SheetsPlay AlongsJazz Piano Skills CommunityKeywordsjazz piano, improvisation, arpeggios, melodic vocabulary, jazz education, music theory, jazz standards, musical patterns, jazz skills, music practiceSummaryIn this episode of Jazz Piano Skills, Dr. Bob Lawrence explores the essence of improvisation in jazz piano. He emphasizes the importance of understanding harmony and melody, and how to create melodic vocabulary through the use of arpeggios and patterns. The episode includes practical applications of these concepts, focusing on improvisation techniques over major chords and the significance of practicing melodic motifs. Dr. Lawrence encourages listeners to embrace the learning process and develop their improvisational skills through experimentation and practice.TakeawaysImprovisation is about creating melodic lines to fit a song's chord progression.A multi-dimensional understanding of harmony is crucial for jazz musicians.Patterns and motifs should be practiced to develop improvisational vocabulary.Jazz is a language that requires preparation and practice, not spontaneity.Melody flows from harmony, and understanding this is key to improvisation.Improvisation can be simplified by using control and experimental patterns.The importance of fingerings and hand movement in improvisation cannot be overlooked.Listening for and playing to count one of every measure is essential in jazz. Experimenting with different motifs can lead to unexpected musical discoveries.The journey of learning jazz piano is about discovery, learning, and having fun.Sound bites"Congrats! You're improvising!""Melody flows from harmony.""We're learning how to improvise!"Support the show

Kyle Hollingsworth—keyboardist for The String Cheese Incident and genre-hopping solo artist—joins us to talk about blending jazz, funk, electronica, and bluegrass into a sound that's entirely his own. He shares stories from nearly three decades with SCI, his love of analog gear, and what fuels his creativity both on and off stage.Plus, Kyle gives us a sneak peek into his upcoming solo album All We Are, releasing August 1st—a vibrant mix of introspective songwriting and danceable grooves.

Pools of blood, And pools of dust, And fools, and fools, and fools Pools of love, And pools of list And tools and tools, and tools Pools of us, And Pools of hours And palms of pools D'hors Pools of plants, And pools of listen Pools and Pools and Pools Now, for us, what's at stake has come upon us For whether which now or ever ties have made for us to burn; Ne'er mistake there lust for listens and of ponders, Waterfalls of love and feathers, wanders Ties to honor stars and fore of fathers Almost lost it, there, I– Almost gathered, therefore. [ ] So to us who part ties, Of tied knots and of stomach's wrench To nourish shadows as remains her honor, I, depart my once, I, as flocking doves, The twist'of fated never Bare I fear or fonder Where, where, for again (bare tied as to none) and again wakes as has but not in time, to grove– The box I paved and yet, Set aside not as slabs of stone Or ash and fire But there i wake In cedar pine and oak The turn of slumber as the glow of what I once did not know, Now has shined against My eyes as water Luminescence Oh Goddamnit. Peaking pride, the oath Again i wait and ne'er did I come, but forth I woke, and also thought Not one but worlds of color, And there i know, to heart the seas I parted Not shallow or in shallows waking, red as scarlet blood but mauve, and then, the coping stays of which I gathered here has Agape and aching, wet with pride and courage Forefront others As thought to know, I, And I become, as known, now not and. “All White World” Our ENSEMBLE awakens slowly in the void of light; an all white space seemingly endless and drenched in blinding light; slowly awakening as if upon a cloud, and yet, washed in the drenched brightness of an all white world–familiar and together, but also new; The uniformity of all white attire and the simplicity of symmetry–all alike but of many and also one. I promise there's pancakes; I promise there's porridge I primise there's light at the end of the tunnel (the end of the night and beginning of brunch) And yes, I promise a run And a run for the office (not by far) And not unpardoned I promise to pray And I promise to wait And i promise to ache In the acres I've laid Made of all green pastures And days and days Without saying my name Pass us over Now…. Hiatus, Hiatus, Hiatus! My maples for all of us, cornbread And cream of the coconut (cream of the coconut) Screams from the underworld (Calling! They're calling) And trees of the very best kind; Plush with fruits What a prosperous product A merciless giving A scrupulous foreign (For four eyes, not one on my forehead) –policy! Don't you know, Conan, That all this goes over my– Over my over– Over my Over my head, –like a snowball? Don't you know, though, That nothing goes over his– Over his over– Over his Over his head –no one throws that high! (Not in softball!) ENSEMBLE What an apocalypse! What an apocalypse! What a protocol! What a dunce! What an oddball! Don't you know Nothing goes over Goes over Goes over us Nothing goes over us Nothing goes over Nothing goes over No bombs being dropped And the worst has to come because Nobody's turning this off; It's a turning point Not a mantra! It's a saga And nothing less short than a– Awful apocalypse; Long hiatus and no-low doses of Polymorohypothesis– Whatever that is! Don't you know, Conan, They're all going wrong with us. No, There's no knowing the coat From the hotbox, the hoot from the horus, the laugh from the chopsticks, The room full of products Or coatrooms of corpses No, There's no knowing us But out of nowhere The hour comes running upon us, And so The show must go on The show must go on The show must go…. DIRECTOR CUT! WHAT! That was FABULOUS! I don't disagree with you. However– What is it now? A MAN hangs by nothing but seemingly a very tightly buckled pair of restraints, above his head–the source of the object from which he hangs unknown, he appears to almost float, in fact, in quite the sufferable struggle. Holy fuck, guy. You're still up here? The VOICE comes from above but is yet unseen, it appears as though two very tidy clean white tennis shoes appear to be holding the straps of these restraints in place. CONT'D That's amazing. No false ties, And no hard wars, And no jolly ranchers, Gob stoppers, or nerf ropes. No fruit roll ups, No lunchables, or gushers No hamburger helper And no candy crush Just Drugs And more Drugs And more Drugs and more Morons Donuts, and drag queens, Tim Hortons, And Mormons; Mothballs, and Roaches, And horseflies, And rodents – Now guess which long road you're on (guess which long road you're on) Guess which long road you're aaaaahhhhhh– HALT. Who goes there. What the fuck is THIS. Finally, two acts past intermission, The troll under the bridge has put his cancer in remission The redactions have acted as class-action warfare, McDonalds has sponsored us, But barely. Look: just. No. I'm not endorsing this. Why. Because! It's killing people! Shh! It is! He–'s uh–joking. Actors! Improvising! Hush. Left and right! Speaking of left and right– You know who our sponsors are, right? Of coure! This nonsense! No! The– Shh–! –Owners of this product. Beg your pardon. Do you know who owns this brand and company? No. Well, do your research. Immediately. I highly recommend that. This seems serious. Serious as a heart attack. ACTION! Fuck you! Nuhhhhh–fuck you, you fucking fuck! Look, you lost, alright. Ughhhhhh. It's three to one. Three to one?! Yes. Fuck. Wait a–wait– What. Aren't there five of you guys? What? Huh-huh? No. Yes. There are. No. There's. Why. Five–of us–four of us You're lying. One, two, three *hiccups* four– Strike force “five”? I'm two guys! FUCK. We're missing one. Fuck. They figured us out. I figured out nothing. I'm drunk. I Fluffed. just know the difference–s between Five and One What. Four and Five! okay . Fuck. Well that's right. Well can't we just do it with us. NO! Why not. Because. the singularity has to be in the exact circumstance when this lightning strikes as the first one was. But– That's impossible. It's not–*hiccups*--umpossible. I was 9! “9 and a half!” “The half counts.” But not right now! Because i'm like a 60 year old guy! What! Gross. You're 60?! I think so! Then how old am I!?! I don't know! How old were you before!? I'm your brother! You don't know how old I am!? You're not my brother now, so maybe–I don't know–you never were! *gasps* take that bacK! [The boys fight amongst eachother] Fuck me, man. No thank you. What in the fuck did I write. I don't know but. CUT TO Ooh. Dice. DON'T TOUCH *poof* ENTER THE MULTIVERSE: L E G E N D S “The Magic Dice” (A Triad) NICE. FUCK yOu DUDE. nO fuck U U dElEETED My WRLD. THen is must not have been that great. *exaggerateD gasp* *even more exaggerated gasp* *Fluffs* *fluffs harder* *explodes* [The Festival Project ™ ] MEANWHILE The Aliens Are On A Pirate Ship, There's Still No Sign of [Redacted] and that's what this beat is called. -U. iS this a montage? Idk it just seems like a ship sinking in very slow motion. [A pirate ship full of aliens is sinking in very slow motion in a thunderous maelstrom.] (in IMAX 3D) Wow. I like that. This is fascinating. JIMMY KIMMEL is pacing relentlessly; he is driving the other hosts up a wall. KIMMEL I'm hungry, I want pants. I'm hungry– I want pants– Jimmy... KIMMEL I'm hungry– Jimmy! KIMMEL I want pants! JIMMY! KIMMEL WHAT! I'M HUNGRY AND I WANT PANTS! Oh, is that when— CRAIG FURGUSON has had enough. CRAIG You want bloody pants! KIMMEL YES! I WANT PANTS! CRAIG You know what! Fine! I'll make you some fucking pants if you just–shut UP! KIMMEL AND I'M HUNGRY. CRAIG FIRST THINGS FIRST! CRAIG FURGUSON assembles some very eclectic pants from the drapery inside the mansion; this of course reveals the windows to be boarded up in a highly distinct bunker-like maximum security prison-ish fashion, but THE HOSTS at the very least now have makeshift pants; which are startlingly fashionable: read: bohemian chic. Why do mine have beads still attached? He pulls the decorative ripchord and his fly opens promptly. Oh. CRAIG FURGUSON For emergencies. He continues pulling it in sequence with the matching lamp; he alternates turning the lights on and off and opening and shutting his pants flap in admiration. CRAIG FURGUSON CONT'D In case you really have to go. (Facinated) Ooh! CRAIG FURGUSON is satisfied with his work. CRAIG FURGUSON CONT'D I guess you could say, “The curtains match the drapes” CONAN O'BRIEN (beat) …not mine. {Enter The Multiverse} Fearsome, fearsome friends– Fearsome fearsome few Fearsome fearsome tears Listen whispers Fearsome twin Silly hollows All the lies All that waits is Hollywood and chosen five at ends of times All that waits are kings and wisdom All that knows are far, and farther All that needs is nothing, lessons All that fears is our kind Waiting. Shallow. Whispers, Gaining, Hornets nests and looming , gifted Shadow watchers Our time Farrows, Listen, Glistening as sparrows, Gifted– Kill God, There remains a far price There remains a far cry A call to wolves A false time The fabric is losts on Ghosts and Carry trains, Wishes and Tilted, Whisperers Before our Galaxy of Hard times and Wishes, Wishes, Wilting, Flowers, Waiting, Waiting And Waiting And Waiting And wanting but watching The water Gallons Fly up The wanted Waiting The gallows Have haunted us Far cries, Far cry Fear twins, have shattered To notice us Chatterbox Listens and Life turns and Waiting and Galaxies Gallantly Waiting The gallows Have haunted us Waiting And Waiting And Waiting and Water. We're watching you. An ACHINGLY TALL red-headed fellow finds himself in a FIGHT TO THE DEATH, being cast over eons and decades, and cascaded in and our of portals throughout the ever-infinite dimensional portals of unknown realms as his grasp on life itself and reality begins to fade as he crosses in and out of parallels, one galaxy to the next and one lifetime to another, gripping death and darkness in one hand and light and living in the other. In this bloody brawl, scrawling across an expanse of unknown and unknowable times and realms, this mystic remains still yet as infinite and omniscient in himself as the Gods he looks to for mercy, as the journey has been known to become of these very same deities in its context and process. A folding timeline of blood and sacrifice melds itself into the rope of the materiel worlds; not one fabric of time but many twisted and woven fibers into one rope from which he climbs into the ranks of the upperworld–or heaven, then also slipping seemingly sometimes into the depths of the underworld, a Hell known to all man as this, existence not as one but many consumed in the shadow processes of wickedness and torture, war amongst one another, and the well known humanities of pride, faith, justice and wealth. …this is supposed to be Conan? Uhh… “Achingly tall red-head?” yeah I guess. –O'Brien? [beat] He seems capable. Don't pity me, For not I weep of our pride on doorsteps not allowed, But for the grace and hope of fortune in another world i've known But lest forgotten; Do not feign me for my ignorance in desire, For I am not of man, or woman, or grain, or stone But of the world itself and all ire. (Don't doubt me.) To be cruel not those who pass judgement That weighs in this way or that is utmost critical, In this the end of times and now the end of my desires, And yet the way that I have known, And the offer I have rung Is not here, but elsewhere. And yea, I walk alone. Amen. What the fuck does this have to do with show hosts. Almost always Irish Catholic Almost Always clothed in robes Almost Always fathers, aren't I? Almost always old, of Rome. Almost always birds of feather Almost always sticks and stones Almost always on the airwaves Almost always silver, gold Slither, Slither, Here i wait And Slither slither, Here I came And whether she will slit her wrists Is neither here Nor either there It's a comfort that I offer you to slaughter; That you'd rather not to love but instead murder– I'd be better off to love, then kill you after, Course, tarantula, or just as well, a spider. It's a comfort that I offer you to kill me; Lay my head upon a sanded wooden platter– That you'd rather me to say I'd kill than love you– So I rather just to love, then murder after. Woah. Good to God, God ought to know. I close my palms together full of laughter, So. Good to God, God ought to know, I sacrified my life for ever after. So far. Good to God, God ought to know, That all he wants, I want My heart is surely shattered. Now what. Good as God, God ought to know, That all I want becomes; The looking glass, The wishing well, The cross to bare The shepherd to the pasture. Amen. Omen. All men. Want none. But one. But– So. [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS W E L C O M E -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved B A C K Tales of A Superstar DJ

Pools of blood, And pools of dust, And fools, and fools, and fools Pools of love, And pools of list And tools and tools, and tools Pools of us, And Pools of hours And palms of pools D'hors Pools of plants, And pools of listen Pools and Pools and Pools Now, for us, what's at stake has come upon us For whether which now or ever ties have made for us to burn; Ne'er mistake there lust for listens and of ponders, Waterfalls of love and feathers, wanders Ties to honor stars and fore of fathers Almost lost it, there, I– Almost gathered, therefore. [ ] So to us who part ties, Of tied knots and of stomach's wrench To nourish shadows as remains her honor, I, depart my once, I, as flocking doves, The twist'of fated never Bare I fear or fonder Where, where, for again (bare tied as to none) and again wakes as has but not in time, to grove– The box I paved and yet, Set aside not as slabs of stone Or ash and fire But there i wake In cedar pine and oak The turn of slumber as the glow of what I once did not know, Now has shined against My eyes as water Luminescence Oh Goddamnit. Peaking pride, the oath Again i wait and ne'er did I come, but forth I woke, and also thought Not one but worlds of color, And there i know, to heart the seas I parted Not shallow or in shallows waking, red as scarlet blood but mauve, and then, the coping stays of which I gathered here has Agape and aching, wet with pride and courage Forefront others As thought to know, I, And I become, as known, now not and. “All White World” Our ENSEMBLE awakens slowly in the void of light; an all white space seemingly endless and drenched in blinding light; slowly awakening as if upon a cloud, and yet, washed in the drenched brightness of an all white world–familiar and together, but also new; The uniformity of all white attire and the simplicity of symmetry–all alike but of many and also one. I promise there's pancakes; I promise there's porridge I primise there's light at the end of the tunnel (the end of the night and beginning of brunch) And yes, I promise a run And a run for the office (not by far) And not unpardoned I promise to pray And I promise to wait And i promise to ache In the acres I've laid Made of all green pastures And days and days Without saying my name Pass us over Now…. Hiatus, Hiatus, Hiatus! My maples for all of us, cornbread And cream of the coconut (cream of the coconut) Screams from the underworld (Calling! They're calling) And trees of the very best kind; Plush with fruits What a prosperous product A merciless giving A scrupulous foreign (For four eyes, not one on my forehead) –policy! Don't you know, Conan, That all this goes over my– Over my over– Over my Over my head, –like a snowball? Don't you know, though, That nothing goes over his– Over his over– Over his Over his head –no one throws that high! (Not in softball!) ENSEMBLE What an apocalypse! What an apocalypse! What a protocol! What a dunce! What an oddball! Don't you know Nothing goes over Goes over Goes over us Nothing goes over us Nothing goes over Nothing goes over No bombs being dropped And the worst has to come because Nobody's turning this off; It's a turning point Not a mantra! It's a saga And nothing less short than a– Awful apocalypse; Long hiatus and no-low doses of Polymorohypothesis– Whatever that is! Don't you know, Conan, They're all going wrong with us. No, There's no knowing the coat From the hotbox, the hoot from the horus, the laugh from the chopsticks, The room full of products Or coatrooms of corpses No, There's no knowing us But out of nowhere The hour comes running upon us, And so The show must go on The show must go on The show must go…. DIRECTOR CUT! WHAT! That was FABULOUS! I don't disagree with you. However– What is it now? A MAN hangs by nothing but seemingly a very tightly buckled pair of restraints, above his head–the source of the object from which he hangs unknown, he appears to almost float, in fact, in quite the sufferable struggle. Holy fuck, guy. You're still up here? The VOICE comes from above but is yet unseen, it appears as though two very tidy clean white tennis shoes appear to be holding the straps of these restraints in place. CONT'D That's amazing. No false ties, And no hard wars, And no jolly ranchers, Gob stoppers, or nerf ropes. No fruit roll ups, No lunchables, or gushers No hamburger helper And no candy crush Just Drugs And more Drugs And more Drugs and more Morons Donuts, and drag queens, Tim Hortons, And Mormons; Mothballs, and Roaches, And horseflies, And rodents – Now guess which long road you're on (guess which long road you're on) Guess which long road you're aaaaahhhhhh– HALT. Who goes there. What the fuck is THIS. Finally, two acts past intermission, The troll under the bridge has put his cancer in remission The redactions have acted as class-action warfare, McDonalds has sponsored us, But barely. Look: just. No. I'm not endorsing this. Why. Because! It's killing people! Shh! It is! He–'s uh–joking. Actors! Improvising! Hush. Left and right! Speaking of left and right– You know who our sponsors are, right? Of coure! This nonsense! No! The– Shh–! –Owners of this product. Beg your pardon. Do you know who owns this brand and company? No. Well, do your research. Immediately. I highly recommend that. This seems serious. Serious as a heart attack. ACTION! Fuck you! Nuhhhhh–fuck you, you fucking fuck! Look, you lost, alright. Ughhhhhh. It's three to one. Three to one?! Yes. Fuck. Wait a–wait– What. Aren't there five of you guys? What? Huh-huh? No. Yes. There are. No. There's. Why. Five–of us–four of us You're lying. One, two, three *hiccups* four– Strike force “five”? I'm two guys! FUCK. We're missing one. Fuck. They figured us out. I figured out nothing. I'm drunk. I Fluffed. just know the difference–s between Five and One What. Four and Five! okay . Fuck. Well that's right. Well can't we just do it with us. NO! Why not. Because. the singularity has to be in the exact circumstance when this lightning strikes as the first one was. But– That's impossible. It's not–*hiccups*--umpossible. I was 9! “9 and a half!” “The half counts.” But not right now! Because i'm like a 60 year old guy! What! Gross. You're 60?! I think so! Then how old am I!?! I don't know! How old were you before!? I'm your brother! You don't know how old I am!? You're not my brother now, so maybe–I don't know–you never were! *gasps* take that bacK! [The boys fight amongst eachother] Fuck me, man. No thank you. What in the fuck did I write. I don't know but. CUT TO Ooh. Dice. DON'T TOUCH *poof* ENTER THE MULTIVERSE: L E G E N D S “The Magic Dice” (A Triad) NICE. FUCK yOu DUDE. nO fuck U U dElEETED My WRLD. THen is must not have been that great. *exaggerateD gasp* *even more exaggerated gasp* *Fluffs* *fluffs harder* *explodes* [The Festival Project ™ ] MEANWHILE The Aliens Are On A Pirate Ship, There's Still No Sign of [Redacted] and that's what this beat is called. -U. iS this a montage? Idk it just seems like a ship sinking in very slow motion. [A pirate ship full of aliens is sinking in very slow motion in a thunderous maelstrom.] (in IMAX 3D) Wow. I like that. This is fascinating. JIMMY KIMMEL is pacing relentlessly; he is driving the other hosts up a wall. KIMMEL I'm hungry, I want pants. I'm hungry– I want pants– Jimmy... KIMMEL I'm hungry– Jimmy! KIMMEL I want pants! JIMMY! KIMMEL WHAT! I'M HUNGRY AND I WANT PANTS! Oh, is that when— CRAIG FURGUSON has had enough. CRAIG You want bloody pants! KIMMEL YES! I WANT PANTS! CRAIG You know what! Fine! I'll make you some fucking pants if you just–shut UP! KIMMEL AND I'M HUNGRY. CRAIG FIRST THINGS FIRST! CRAIG FURGUSON assembles some very eclectic pants from the drapery inside the mansion; this of course reveals the windows to be boarded up in a highly distinct bunker-like maximum security prison-ish fashion, but THE HOSTS at the very least now have makeshift pants; which are startlingly fashionable: read: bohemian chic. Why do mine have beads still attached? He pulls the decorative ripchord and his fly opens promptly. Oh. CRAIG FURGUSON For emergencies. He continues pulling it in sequence with the matching lamp; he alternates turning the lights on and off and opening and shutting his pants flap in admiration. CRAIG FURGUSON CONT'D In case you really have to go. (Facinated) Ooh! CRAIG FURGUSON is satisfied with his work. CRAIG FURGUSON CONT'D I guess you could say, “The curtains match the drapes” CONAN O'BRIEN (beat) …not mine. {Enter The Multiverse} Fearsome, fearsome friends– Fearsome fearsome few Fearsome fearsome tears Listen whispers Fearsome twin Silly hollows All the lies All that waits is Hollywood and chosen five at ends of times All that waits are kings and wisdom All that knows are far, and farther All that needs is nothing, lessons All that fears is our kind Waiting. Shallow. Whispers, Gaining, Hornets nests and looming , gifted Shadow watchers Our time Farrows, Listen, Glistening as sparrows, Gifted– Kill God, There remains a far price There remains a far cry A call to wolves A false time The fabric is losts on Ghosts and Carry trains, Wishes and Tilted, Whisperers Before our Galaxy of Hard times and Wishes, Wishes, Wilting, Flowers, Waiting, Waiting And Waiting And Waiting And wanting but watching The water Gallons Fly up The wanted Waiting The gallows Have haunted us Far cries, Far cry Fear twins, have shattered To notice us Chatterbox Listens and Life turns and Waiting and Galaxies Gallantly Waiting The gallows Have haunted us Waiting And Waiting And Waiting and Water. We're watching you. An ACHINGLY TALL red-headed fellow finds himself in a FIGHT TO THE DEATH, being cast over eons and decades, and cascaded in and our of portals throughout the ever-infinite dimensional portals of unknown realms as his grasp on life itself and reality begins to fade as he crosses in and out of parallels, one galaxy to the next and one lifetime to another, gripping death and darkness in one hand and light and living in the other. In this bloody brawl, scrawling across an expanse of unknown and unknowable times and realms, this mystic remains still yet as infinite and omniscient in himself as the Gods he looks to for mercy, as the journey has been known to become of these very same deities in its context and process. A folding timeline of blood and sacrifice melds itself into the rope of the materiel worlds; not one fabric of time but many twisted and woven fibers into one rope from which he climbs into the ranks of the upperworld–or heaven, then also slipping seemingly sometimes into the depths of the underworld, a Hell known to all man as this, existence not as one but many consumed in the shadow processes of wickedness and torture, war amongst one another, and the well known humanities of pride, faith, justice and wealth. …this is supposed to be Conan? Uhh… “Achingly tall red-head?” yeah I guess. –O'Brien? [beat] He seems capable. Don't pity me, For not I weep of our pride on doorsteps not allowed, But for the grace and hope of fortune in another world i've known But lest forgotten; Do not feign me for my ignorance in desire, For I am not of man, or woman, or grain, or stone But of the world itself and all ire. (Don't doubt me.) To be cruel not those who pass judgement That weighs in this way or that is utmost critical, In this the end of times and now the end of my desires, And yet the way that I have known, And the offer I have rung Is not here, but elsewhere. And yea, I walk alone. Amen. What the fuck does this have to do with show hosts. Almost always Irish Catholic Almost Always clothed in robes Almost Always fathers, aren't I? Almost always old, of Rome. Almost always birds of feather Almost always sticks and stones Almost always on the airwaves Almost always silver, gold Slither, Slither, Here i wait And Slither slither, Here I came And whether she will slit her wrists Is neither here Nor either there It's a comfort that I offer you to slaughter; That you'd rather not to love but instead murder– I'd be better off to love, then kill you after, Course, tarantula, or just as well, a spider. It's a comfort that I offer you to kill me; Lay my head upon a sanded wooden platter– That you'd rather me to say I'd kill than love you– So I rather just to love, then murder after. Woah. Good to God, God ought to know. I close my palms together full of laughter, So. Good to God, God ought to know, I sacrified my life for ever after. So far. Good to God, God ought to know, That all he wants, I want My heart is surely shattered. Now what. Good as God, God ought to know, That all I want becomes; The looking glass, The wishing well, The cross to bare The shepherd to the pasture. Amen. Omen. All men. Want none. But one. But– So. [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS W E L C O M E -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved B A C K Tales of A Superstar DJ

Pools of blood, And pools of dust, And fools, and fools, and fools Pools of love, And pools of list And tools and tools, and tools Pools of us, And Pools of hours And palms of pools D'hors Pools of plants, And pools of listen Pools and Pools and Pools Now, for us, what's at stake has come upon us For whether which now or ever ties have made for us to burn; Ne'er mistake there lust for listens and of ponders, Waterfalls of love and feathers, wanders Ties to honor stars and fore of fathers Almost lost it, there, I– Almost gathered, therefore. [ ] So to us who part ties, Of tied knots and of stomach's wrench To nourish shadows as remains her honor, I, depart my once, I, as flocking doves, The twist'of fated never Bare I fear or fonder Where, where, for again (bare tied as to none) and again wakes as has but not in time, to grove– The box I paved and yet, Set aside not as slabs of stone Or ash and fire But there i wake In cedar pine and oak The turn of slumber as the glow of what I once did not know, Now has shined against My eyes as water Luminescence Oh Goddamnit. Peaking pride, the oath Again i wait and ne'er did I come, but forth I woke, and also thought Not one but worlds of color, And there i know, to heart the seas I parted Not shallow or in shallows waking, red as scarlet blood but mauve, and then, the coping stays of which I gathered here has Agape and aching, wet with pride and courage Forefront others As thought to know, I, And I become, as known, now not and. “All White World” Our ENSEMBLE awakens slowly in the void of light; an all white space seemingly endless and drenched in blinding light; slowly awakening as if upon a cloud, and yet, washed in the drenched brightness of an all white world–familiar and together, but also new; The uniformity of all white attire and the simplicity of symmetry–all alike but of many and also one. I promise there's pancakes; I promise there's porridge I primise there's light at the end of the tunnel (the end of the night and beginning of brunch) And yes, I promise a run And a run for the office (not by far) And not unpardoned I promise to pray And I promise to wait And i promise to ache In the acres I've laid Made of all green pastures And days and days Without saying my name Pass us over Now…. Hiatus, Hiatus, Hiatus! My maples for all of us, cornbread And cream of the coconut (cream of the coconut) Screams from the underworld (Calling! They're calling) And trees of the very best kind; Plush with fruits What a prosperous product A merciless giving A scrupulous foreign (For four eyes, not one on my forehead) –policy! Don't you know, Conan, That all this goes over my– Over my over– Over my Over my head, –like a snowball? Don't you know, though, That nothing goes over his– Over his over– Over his Over his head –no one throws that high! (Not in softball!) ENSEMBLE What an apocalypse! What an apocalypse! What a protocol! What a dunce! What an oddball! Don't you know Nothing goes over Goes over Goes over us Nothing goes over us Nothing goes over Nothing goes over No bombs being dropped And the worst has to come because Nobody's turning this off; It's a turning point Not a mantra! It's a saga And nothing less short than a– Awful apocalypse; Long hiatus and no-low doses of Polymorohypothesis– Whatever that is! Don't you know, Conan, They're all going wrong with us. No, There's no knowing the coat From the hotbox, the hoot from the horus, the laugh from the chopsticks, The room full of products Or coatrooms of corpses No, There's no knowing us But out of nowhere The hour comes running upon us, And so The show must go on The show must go on The show must go…. DIRECTOR CUT! WHAT! That was FABULOUS! I don't disagree with you. However– What is it now? A MAN hangs by nothing but seemingly a very tightly buckled pair of restraints, above his head–the source of the object from which he hangs unknown, he appears to almost float, in fact, in quite the sufferable struggle. Holy fuck, guy. You're still up here? The VOICE comes from above but is yet unseen, it appears as though two very tidy clean white tennis shoes appear to be holding the straps of these restraints in place. CONT'D That's amazing. No false ties, And no hard wars, And no jolly ranchers, Gob stoppers, or nerf ropes. No fruit roll ups, No lunchables, or gushers No hamburger helper And no candy crush Just Drugs And more Drugs And more Drugs and more Morons Donuts, and drag queens, Tim Hortons, And Mormons; Mothballs, and Roaches, And horseflies, And rodents – Now guess which long road you're on (guess which long road you're on) Guess which long road you're aaaaahhhhhh– HALT. Who goes there. What the fuck is THIS. Finally, two acts past intermission, The troll under the bridge has put his cancer in remission The redactions have acted as class-action warfare, McDonalds has sponsored us, But barely. Look: just. No. I'm not endorsing this. Why. Because! It's killing people! Shh! It is! He–'s uh–joking. Actors! Improvising! Hush. Left and right! Speaking of left and right– You know who our sponsors are, right? Of coure! This nonsense! No! The– Shh–! –Owners of this product. Beg your pardon. Do you know who owns this brand and company? No. Well, do your research. Immediately. I highly recommend that. This seems serious. Serious as a heart attack. ACTION! Fuck you! Nuhhhhh–fuck you, you fucking fuck! Look, you lost, alright. Ughhhhhh. It's three to one. Three to one?! Yes. Fuck. Wait a–wait– What. Aren't there five of you guys? What? Huh-huh? No. Yes. There are. No. There's. Why. Five–of us–four of us You're lying. One, two, three *hiccups* four– Strike force “five”? I'm two guys! FUCK. We're missing one. Fuck. They figured us out. I figured out nothing. I'm drunk. I Fluffed. just know the difference–s between Five and One What. Four and Five! okay . Fuck. Well that's right. Well can't we just do it with us. NO! Why not. Because. the singularity has to be in the exact circumstance when this lightning strikes as the first one was. But– That's impossible. It's not–*hiccups*--umpossible. I was 9! “9 and a half!” “The half counts.” But not right now! Because i'm like a 60 year old guy! What! Gross. You're 60?! I think so! Then how old am I!?! I don't know! How old were you before!? I'm your brother! You don't know how old I am!? You're not my brother now, so maybe–I don't know–you never were! *gasps* take that bacK! [The boys fight amongst eachother] Fuck me, man. No thank you. What in the fuck did I write. I don't know but. CUT TO Ooh. Dice. DON'T TOUCH *poof* ENTER THE MULTIVERSE: L E G E N D S “The Magic Dice” (A Triad) NICE. FUCK yOu DUDE. nO fuck U U dElEETED My WRLD. THen is must not have been that great. *exaggerateD gasp* *even more exaggerated gasp* *Fluffs* *fluffs harder* *explodes* [The Festival Project ™ ] MEANWHILE The Aliens Are On A Pirate Ship, There's Still No Sign of [Redacted] and that's what this beat is called. -U. iS this a montage? Idk it just seems like a ship sinking in very slow motion. [A pirate ship full of aliens is sinking in very slow motion in a thunderous maelstrom.] (in IMAX 3D) Wow. I like that. This is fascinating. JIMMY KIMMEL is pacing relentlessly; he is driving the other hosts up a wall. KIMMEL I'm hungry, I want pants. I'm hungry– I want pants– Jimmy... KIMMEL I'm hungry– Jimmy! KIMMEL I want pants! JIMMY! KIMMEL WHAT! I'M HUNGRY AND I WANT PANTS! Oh, is that when— CRAIG FURGUSON has had enough. CRAIG You want bloody pants! KIMMEL YES! I WANT PANTS! CRAIG You know what! Fine! I'll make you some fucking pants if you just–shut UP! KIMMEL AND I'M HUNGRY. CRAIG FIRST THINGS FIRST! CRAIG FURGUSON assembles some very eclectic pants from the drapery inside the mansion; this of course reveals the windows to be boarded up in a highly distinct bunker-like maximum security prison-ish fashion, but THE HOSTS at the very least now have makeshift pants; which are startlingly fashionable: read: bohemian chic. Why do mine have beads still attached? He pulls the decorative ripchord and his fly opens promptly. Oh. CRAIG FURGUSON For emergencies. He continues pulling it in sequence with the matching lamp; he alternates turning the lights on and off and opening and shutting his pants flap in admiration. CRAIG FURGUSON CONT'D In case you really have to go. (Facinated) Ooh! CRAIG FURGUSON is satisfied with his work. CRAIG FURGUSON CONT'D I guess you could say, “The curtains match the drapes” CONAN O'BRIEN (beat) …not mine. {Enter The Multiverse} Fearsome, fearsome friends– Fearsome fearsome few Fearsome fearsome tears Listen whispers Fearsome twin Silly hollows All the lies All that waits is Hollywood and chosen five at ends of times All that waits are kings and wisdom All that knows are far, and farther All that needs is nothing, lessons All that fears is our kind Waiting. Shallow. Whispers, Gaining, Hornets nests and looming , gifted Shadow watchers Our time Farrows, Listen, Glistening as sparrows, Gifted– Kill God, There remains a far price There remains a far cry A call to wolves A false time The fabric is losts on Ghosts and Carry trains, Wishes and Tilted, Whisperers Before our Galaxy of Hard times and Wishes, Wishes, Wilting, Flowers, Waiting, Waiting And Waiting And Waiting And wanting but watching The water Gallons Fly up The wanted Waiting The gallows Have haunted us Far cries, Far cry Fear twins, have shattered To notice us Chatterbox Listens and Life turns and Waiting and Galaxies Gallantly Waiting The gallows Have haunted us Waiting And Waiting And Waiting and Water. We're watching you. An ACHINGLY TALL red-headed fellow finds himself in a FIGHT TO THE DEATH, being cast over eons and decades, and cascaded in and our of portals throughout the ever-infinite dimensional portals of unknown realms as his grasp on life itself and reality begins to fade as he crosses in and out of parallels, one galaxy to the next and one lifetime to another, gripping death and darkness in one hand and light and living in the other. In this bloody brawl, scrawling across an expanse of unknown and unknowable times and realms, this mystic remains still yet as infinite and omniscient in himself as the Gods he looks to for mercy, as the journey has been known to become of these very same deities in its context and process. A folding timeline of blood and sacrifice melds itself into the rope of the materiel worlds; not one fabric of time but many twisted and woven fibers into one rope from which he climbs into the ranks of the upperworld–or heaven, then also slipping seemingly sometimes into the depths of the underworld, a Hell known to all man as this, existence not as one but many consumed in the shadow processes of wickedness and torture, war amongst one another, and the well known humanities of pride, faith, justice and wealth. …this is supposed to be Conan? Uhh… “Achingly tall red-head?” yeah I guess. –O'Brien? [beat] He seems capable. Don't pity me, For not I weep of our pride on doorsteps not allowed, But for the grace and hope of fortune in another world i've known But lest forgotten; Do not feign me for my ignorance in desire, For I am not of man, or woman, or grain, or stone But of the world itself and all ire. (Don't doubt me.) To be cruel not those who pass judgement That weighs in this way or that is utmost critical, In this the end of times and now the end of my desires, And yet the way that I have known, And the offer I have rung Is not here, but elsewhere. And yea, I walk alone. Amen. What the fuck does this have to do with show hosts. Almost always Irish Catholic Almost Always clothed in robes Almost Always fathers, aren't I? Almost always old, of Rome. Almost always birds of feather Almost always sticks and stones Almost always on the airwaves Almost always silver, gold Slither, Slither, Here i wait And Slither slither, Here I came And whether she will slit her wrists Is neither here Nor either there It's a comfort that I offer you to slaughter; That you'd rather not to love but instead murder– I'd be better off to love, then kill you after, Course, tarantula, or just as well, a spider. It's a comfort that I offer you to kill me; Lay my head upon a sanded wooden platter– That you'd rather me to say I'd kill than love you– So I rather just to love, then murder after. Woah. Good to God, God ought to know. I close my palms together full of laughter, So. Good to God, God ought to know, I sacrified my life for ever after. So far. Good to God, God ought to know, That all he wants, I want My heart is surely shattered. Now what. Good as God, God ought to know, That all I want becomes; The looking glass, The wishing well, The cross to bare The shepherd to the pasture. Amen. Omen. All men. Want none. But one. But– So. [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS W E L C O M E -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved B A C K Tales of A Superstar DJ

There aren't many things that get me to our rival city of Düsseldorf, but today's guest is one of them.I sat down with Professor at the Robert Schumann Hochschule, co-founder of PART ensemble, member of E-MAX ensemble, recording artist, soloist and contemporary music specialist; Evelin Degen.It was a pleasure of an episode to make, enjoy it xInline G Merch ⭐️www.Inlineg.myshopify.comInline G Patreon ⭐️www.patreon.com/TheInlineGFlutePodcastInline G will ALWAYS be free of charge, but signing up to the Patreon helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit xAnd finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)Chapters:00:00 - An Intro03:07 - Improvising and The Bug32:24 - Teaching Through the Years43:10 - Evelin's Flutes55:20 - Quick Fire Questions

Most people don't think of themselves as creative. We say, “I'm not artistic,” or “I can't perform,” and leave it at that. But the truth is, creativity isn't reserved for the select few. It lives in everyone. It's baked into how we think, feel, dream, and respond to the world. The problem is that most of us were taught to shut it down. We were told to color inside the lines, follow the rules, and keep things appropriate. Over time, we stopped expressing the weird, wonderful parts of ourselves and started believing that creativity belonged only to the professionals. But performers like Jennifer Blaine know better. Jennifer is a comedian, improviser, and creativity coach who doesn't just entertain, she activates. Her shows invite people to stop watching and start engaging. Through playful characters, spontaneous interaction, and real-time coaching, she helps people bypass their inner critic and access the creative voice that's been waiting inside them all along. Because when someone is bold enough to play in public, it sparks something in the room. It gives the rest of us permission to try, to improvise, to be ridiculous, expressive, and alive. How do we use play and improv to pull out our true expression? In this episode, Jennifer shares how performance becomes a portal, why creative energy is always running beneath the surface, and how just a little bit of play can bring people back to life.   Things You'll Learn In This Episode -The gaze that frees How does simply being seen without judgment ignite your creativity and confidence? -Performance as permission Why does witnessing play unlock something in you, and how can performers create the safety for that to happen? -Improvising with life We're all improvisers. So, how can you get better at dancing with the unknown instead of fearing it? -From grief to genius Can play be the most honest response to pain, transition, or loss, and how does it open doors to new expression?   Guest Bio Jennifer Blaine is an actor, comedian, playwright, and character chameleon. She has been performing one-woman shows for 25 years. Her original writing, performing, and comedy delve into serious and socially relevant issues and provide audiences the opportunity to unite in laughter. Jennifer has opened for George Carlin and performed with Chris Rock and Joe Piscopo. She has worked with great actors such as Glenda Jackson, Christopher Plummer, Laura Linney, Joanne Woodward, and Paul Newman, and was featured on ABC's Philly After Midnight: Women Comedians. She starred in the animated series “Teddy P. Brains,” in which she played a precocious brainy boy, and has lent her voice to hundreds of voiceover projects. According to the Philadelphia Daily News “not even Sybil can compete with Blaine's cast of characters. Her comic genius is like Lily Tomlin and Tracey Ullman.” Visit https://jenniferblaine.com/ to learn more.   About Your Hosts Katie Hendricks, Ph.D., BC-DMT, is a pioneer in body intelligence and conscious loving with over 40 years of experience. Known internationally as a presenter and seminar leader, she focuses on authenticity, responsibility, and appreciation in conscious living. She co-authored 12 books, including best-sellers Conscious Loving and Conscious Loving Ever After and she has appeared on over 500 radio and TV programs. Sophie Chiche is a seasoned coach and consultant who has worked with thousands of individuals and teams globally. With a focus on helping people live fully expressed lives, she guides clients and facilitates group sessions to remove obstacles and design meaningful lives. Sophie has developed unique methods, mindset shifts, and healing modalities to create lasting change.   Check out this episode on our website, Apple Podcasts, or Spotify and don't forget to leave a review if you like what you heard. Your review feeds the algorithm so the show reaches more people!  

Improvising Prayers Scripture: Romans 8:22–27Sometimes prayer begins not with words, but with sighs too deep for words. In this week's message, Pastor Sarah shares a powerful experience of communal prayer in South Korea and reflects on the Spirit's ability to speak through our groans, our longing, and even our silence.Drawing from Romans 8 and Psalm 40, we explore the deep connection between lament and hope, silence and song, structure and improvisation. Just as jazz invites us to improvise on familiar themes, our prayers—structured or spontaneous—can become living, breathing expressions of faith. Whether whispered in stillness or cried aloud in anguish, the Spirit intercedes on our behalf.Pastor Sarah also introduces a simple four-part prayer model to help us grow a more personal and creative prayer practice: You / Who / Do / Through. For those seeking a starting point or a new rhythm of prayer, this week's message offers tools, stories, and encouragement.

"I listened to the naturescape a few times before becoming inspired to add some instrumentation. Improvising chord progressions at different tempos allowed me to balance between harmony and animal sounds to have their own space.  "I collaborated with a long, dear friend of mine who has grown into an excellent producer. We had gone back and forth with our ideas for this track and are proud of what we made. Big thanks to Stuart for putting this project together." Stokers Siding, Australia reimagined by Bruhemian & Hellcat Sneer.

The prolific food writer and cook talks to Mark and Kate about having one foot in two cultures; the auntie whisperer network – or, how Indians in America learned to make do without some of their beloved staples, and how they learned to make do with what was readily available; and why and how the term "fusion" got a dirty rep.Find the recipe for Khushbu's Masala Smashed Potatoes on the Bittman Project: https://bittmanproject.com/recipe/masala-smashed-potatoes/Subscribe to Food with Mark Bittman on Apple Podcasts, Spotify, or wherever you like to listen, and please help us grow by leaving us a 5 star review on Apple Podcasts.Follow Mark on Twitter at @bittman, and on Facebook and Instagram at @markbittman. Want more food content? Subscribe to The Bittman Project at www.bittmanproject.com. Hosted on Acast. See acast.com/privacy for more information.

This week's guest is Billy Martin ... a world-renowned drummer, educator, visual artist, producer, and author. He has collaborated with some of the best, including (but certainly not limited to) John Scofield, John Zorn, Iggy Pop, Natalie Merchant, Flea and many more. Still, many people know him best for his work with Medeski, Martin & Wood, alongside John Medeski and Chris Wood. If you enjoy this episode, please go check out Billy's interview with Mike Dawson on the Drum Candy podcast titled “Improvising and Cultivating a Creative Mindset”. I recently re-watched his anti-instructional film, Life on Drums, and I can't recommend it enough. It's essentially a series of conversations between Martin and his first drum teacher, Allen Herman. These discussions delve into topics such as soloing, time, tone, phrasing, free playing, and so much more. Interspersed throughout are some pretty rad solo and duet performances…all filmed with a cinematic aesthetic. So check that out if that interests you.  Right off the bat, we dive into the topic of soloing — something Billy encourages all drummers to do first thing when they sit behind the kit (even if just for five minutes), before jumping into the records that shaped him into the remarkable musician he is today. BILLY'S CHOICES: Artist - Peter ToshAlbum - Legalize ItRelease Year - 1976Key Track - "Legalize it"Drummer - Carlton "Santa" Davis, Carlton Barrett - Artist - Stevie WonderAlbum - Talking BookRelease Year - 1972Key Track - "Superstition"Drummer - Stevie Wonder - Artist - Dr. JohnAlbum - Gris GrisRelease Year - 1968Key Track - "Mama Roux"Drummer - John Boudreaux - Artist - John ColtraneAlbum - Interstellar SpaceRelease Year - 1974Key Track - "Jupiter Variation"Drummer - Rashied Ali - Artist - Charles MingusAlbum - Mingus Ah UmRelease Year - 1959Key Track - "Better Git It In Your Soul"Drummer - Dannie Richmond - Artist - Lil' KimAlbum - Hard CoreRelease Year - 1996Key Track - "Queen Bitch" Artist - Wu-Tang ClanAlbum - Enter The Wu-Tang (36 Chambers)Release Year - 1993Key Track - "Wu-Tang: 7th Chamber - Part II - Conclusion"Drummer - RZA (producer / beat maker) --- Get Your Copy of the Drummers on Drumming Book Today!

Part TwoWhat if the body wasn't a fixed map, but a living, improvisational landscape?In this conversation with Lan Li, a historian, filmmaker, and rhythm-savvy thinker at the crossroads of medicine and imagination, we explore how anatomy is more than skin and sinew—it's a set of metaphors, shaped as much by culture as by scalpels. Lan brings insight from her work in neuroscience, film, and Chinese medicine to help us consider how maps of the body aren't just drawn—they're felt, narrated, and revised in real time.Listen into this discussion as we explore the improvisational nature of clinical work, the metaphoric structure of anatomy, the interplay between nerves and meridians, the persistence of imagination in medical history, and why ancient images might still be some of our most useful tools.This episode invites a reimagining of what it means to know, feel, and practice medicine. Especially when inquiry is more like music than math.

Part OneWhat if the body wasn't a fixed map, but a living, improvisational landscape?In this conversation with Lan Li, a historian, filmmaker, and rhythm-savvy thinker at the crossroads of medicine and imagination, we explore how anatomy is more than skin and sinew—it's a set of metaphors, shaped as much by culture as by scalpels. Lan brings insight from her work in neuroscience, film, and Chinese medicine to help us consider how maps of the body aren't just drawn—they're felt, narrated, and revised in real time.Listen into this discussion as we explore the improvisational nature of clinical work, the metaphoric structure of anatomy, the interplay between nerves and meridians, the persistence of imagination in medical history, and why ancient images might still be some of our most useful tools.This episode invites a reimagining of what it means to know, feel, and practice medicine. Especially when inquiry is more like music than math.

We celebrate the launch of Daggerheart from Darrington Press, whilst comparing encounter design between Draw Steel, D&D, and Critical Role's new TTRPG.Click to enter the Grim Hollow Player Pack D&D Beyond giveaway: https://forms.gle/RxFKrvYyJFFKHeTa7Sign up to GM at Gen Con 2025: https://www.baldmangames.com/gencon-2025-dm-signup/Email your questions to podcast@ghostfiregaming.comBen: @TheBenByrneDael: @DailyDaelJames: @jamesjhaeckShawn: @shawnmerwinEditor:  @ZsDante  Topics:00:00 - Intro08:50 - Weirdest place to play TTRPGs10:16 - Daggerheart releases27:10 - GM at Gen Con 202530:16 - Building Draw Steel encounters48:59 - Improvising fun NPCs

The Monty Roberts International Learning Center is the starting point for for the education of horses and people too. Today we invite Advanced Instructor Denise Heinlein and student James Oliver to share about a 2 year old Leopard Spotted Appaloosa named Malibu who is growing confident and mannered under their guidance. Listen in... Show Host: Debbie LoucksTitle Sponsor: HandsOnGlovesGuests: Denise Heinlein and James OliverMonty Roberts International Learning CenterSupport for this episode also provided by: Monty Roberts EQUUS Online University, The Hay PillowMonty's CalendarPlease follow Monty Roberts on FacebookFollow Monty Roberts on Twitter or on InstagramHear all the shows on the Horse Radio NetworkTime Stamps 08:14 - Improvising a round pen 13:25 - Get your horse used to fly spray 25:06 - Touching your horse on the forehead

The Monty Roberts International Learning Center is the starting point for for the education of horses and people too. Today we invite Advanced Instructor Denise Heinlein and student James Oliver to share about a 2 year old Leopard Spotted Appaloosa named Malibu who is growing confident and mannered under their guidance. Listen in... Show Host: Debbie LoucksTitle Sponsor: HandsOnGlovesGuests: Denise Heinlein and James OliverMonty Roberts International Learning CenterSupport for this episode also provided by: Monty Roberts EQUUS Online University, The Hay PillowMonty's CalendarPlease follow Monty Roberts on FacebookFollow Monty Roberts on Twitter or on InstagramHear all the shows on the Horse Radio NetworkTime Stamps 08:14 - Improvising a round pen 13:25 - Get your horse used to fly spray 25:06 - Touching your horse on the forehead

Laurie Berkner has released 15 best-selling records, has performed everywhere from The White House to Carnegie Hall and The Today Show, authored children's books based on her songs, written music and lyrics for 3 different off-Broadway shows, and is one of today's most prominent artist's for kids. We talk to Laurie about her transition from rock bands and 'adult' music, to writing and performing music for kids and the assumptions and stigma around that, self-distributing on a large scale, selling your back catalog, navigating changes in the industry, improvising songs experientially, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Laurie BerknerRaffiDaniel TigerToniesYotoKidz BopRazor and Tie“After Ecstasy, The Laundry”Click here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

In this interview, Snow Raven shares her journey as a shamanic singer and the power of ancestral wisdom. She discusses the global challenges humanity is facing and the need to embrace fear and uncertainty. Snow Raven emphasizes the importance of reconnecting with nature and the web of life. She also explores the concept of human potential and the role of creativity in accessing hidden treasures. Snow Raven shares her personal experiences with shamanic rituals and the significance of sacrifice. She concludes by discussing her ability to communicate with animals through mimicry and the profound conversations that can occur. The conversation concludes with Snow Raven's vision for a time capsule that contains a song for future generations.SNOW RAVEN - SUOR was born in one of the most remote and cold inhabited places in the world - the Republic of Sakha - Yakutia (arctic Siberia). She was three years old when she started to learn the language of birds and animals. Her voice takes its breath from traditional Sakha culture and is truly an instrument. She is the OG of “arctic beatbox” - the reindeer breath and the founder of OLOX ecosystem: Of Many Believes Common Truth.SNOW RAVEN, participant of America's Got Talent 2020, headlined Eclipse, Lightning in the Bottle, Lost Lands, Burning Man, The Elements, Lucidity Festival, Beloved, Sundance Film Festival. SNOW RAVEN sang for The Bioneers ECOconference, MAPS Psychedelic Science conference, the international forum Arctic Circle-2015 in Iceland, in the French-American Arctic expedition Pax Arctica (DeLong Islands) sponsored by the Prince Monaco Foundation and in the International Beatbox Championship as a special guest. In 2023 she spoke at TEDx Vermont, Yale University.___________________PODCAST CHAPTERS00:00 - Snow Raven Intro01:20 - Exploring Cultural Connection Through Music02:35 - Liberating Oppressed Voices04:25 - Facing Humanity's Global Challenges09:35 - Returning to Ancestral Songs and Shamanic Traditions11:58 - Carrying the Torch of Ancestral Lineage16:34 - The Web of Life vs. The Web of Internet20:40 - Human Potential Through Shamanic Practices23:10 - The Survival of Arctic Shamanism 30:23 - Losing and Sacrificing the Sacred Drum40:46 - Seeing the World Through the Raven's Eye43:42 - Communicating with Animals & Totem Spirits50:38 - Embodying the Super Skills of Animals54:00 - Journeying Through Spiritual Realms and Their Lessons01:00:42 - Shamanic Communication with Extraterrestrial Beings01:08:11 - Emerging Technologies & Their Role in Humanity's Evolution01:13:50 - Healing Through Sound and Internal Frequencies01:19:32 - Improvising an Ancestral Song for Healing01:23:30 - The Three Worlds of Shamanism01:28:50 - The Final Trio: Greatest Story From Snow Raven's Grandfather01:31:36 - Exploring the Concept of Truth and Adaptability01:32:48 - The Time Capsule Question: A Song for Future Generations___________________Guest: Snow Raven | The OG of “Arctic Beatbox”✦Website | https://snowraven.com/✦ Instagram |   / snowravenofficial  ✦ YouTube | ‪@SNOWRAVENOFFICIAL‬ ✦ LinkTree | https://linktr.ee/snowraven.comHost: Emilio Ortiz✦ IG |   / iamemilioortiz  ✦ Subscribe to Channel |    / emilioortiz  ✦ Watch Emilio's latest series on 4biddenknowledge TV l https://bit.ly/AwakenThe6thSense___________________© 2024 Emilio Ortiz. All rights reserved. Content from Just Tap In Podcast is protected under copyright law.Legal Disclaimer: The views, thoughts, and opinions expressed by guests on Just Tap In are solely those of the guest and do not necessarily reflect the views or opinions of Emilio Ortiz or the Just Tap In Podcast. All content is for informational purposes only and should not be considered professional advice.

We don't need more treatment manuals—we need more musicians. In this episode, Dr. Graham Taylor is joined by Ross Ellenhorn, a pioneering voice in mental health and addiction recovery. As the founder and CEO of Ellenhorn—the nation's most comprehensive community integration program—Ross has spent his career helping individuals heal and thrive within their lives, not away from them. With a joint PhD in Social Welfare Policy and Sociology from Brandeis University, he's a sought-after speaker, consultant, and advocate for reshaping behavioral health care. Ross's work defies traditional paradigms, elevating collaboration, creativity, and authentic human connection as the true drivers of healing. Together, we explore the art of psychotherapy as an improvisational practice—fluid, relational, and deeply human. It's a conversation about reframing resistance, restoring hope, and making space for people to recover in ways that honor their lived experience.   For more information about Ross Ellenhorn, please visit: https://www.ellenhorn.com For more information on “Purple Crayons: The Art of Drawing A Life”, by Ross Ellenhorn, please visit: https://www.harpercollins.com/products/purple-crayons-ross-ellenhorn?variant=40128124846114 For more information about Cardea and Ketamine Treatment, please visit: https://cardea.net Connect with Ross on LinkedIn at: https://www.linkedin.com/in/ross-ellenhorn-47a6751 Connect with Ellenhorn PACT on Facebook at: https://www.facebook.com/ellenhornPACT

Join us for an in-depth conversation with bassist, composer, and musical explorer *Reed Mathis**, whose resume reads like a roadmap through the avant-jam universe. From **Jacob Fred Jazz Odyssey* to *Tea Leaf Green**, from **7 Walkers* with Bill Kreutzmann to **Electric Beethoven**, Mathis has continually pushed the boundaries of improvisation, composition, and collaboration. We talk about: Balancing the freedom of JFJO with the structure of Tea Leaf Green Playing Carnegie Hall with Marco Benevento Reinterpreting Beethoven with a full improvisational band Stories from the road with the Rhythm Devils, Mickey Hart Band, and Billy & The Kids His evolution as a solo artist, writer, and bandleader Whether you're a jazz head, a Deadhead, or just into genre-blurring musicianship, this one goes deep. Support the Channel: If you enjoyed this please follow, like, and subscribe @allthatjampod on IG, FB, and Twitter - www.allthatjampod.com - Subscribe - leave a review - tell a friend. Merch: https://t.co/QgtAisVtbV All That Jam is brought to you by Executive Producers Amanda Cadran and Kevin Hogan. Produced and edited by Amanda Cadran and Kevin Hogan. Mixed and Mastered by Kevin Hogan. Original Music by Aaron Gaul. Art by Amanda Cadran.

Send us a textFind more about Adam Miller on:Internet: www.adammiller.com.auInstagram: https://www.instagram.com/adammillerguitarPatreon: https://patreon.com/adammillerBandcamp: https://adammillerguitar.bandcamp.com/album/timingSoothe Sounds: https://soothesounds.lnk.to/TimingSponsorsGrez Guitars: https://www.grezguitars.com/Grez Guitars (Instagram): https://www.instagram.com/grezguitars/Summer School Electronics: https://www.summerschoolelectronics.com/Summer School Electronics (Instagram): https://www.instagram.com/summerschoolelectronics/Meris Pedals: https://www.meris.us/Meris Pedals (Instagram): https://www.instagram.com/meris.us/Affiliate LinksSweetwater: https://sweetwater.sjv.io/qzy9XjTourGear Designs: https://www.tourgeardesigns.com/discount/40WATTGet 10% off with code 40WATT at checkout!Rattlesnake Cables: https://www.rattlesnakecables.com/40watt/Get 20% off by using the link!TrueFire (affiliate link): https://shorturl.at/bfjGXGet 40% off your first lesson purchase (including the annual pass!) with code 40WATTReverb (affiliate link): https://tidd.ly/3zLI32NPatreon: https://www.patreon.com/40wattpodcast/​Find all of the podcast links at:https://www.linktr.ee/40wattpodcasthttps://www.40wattpodcast.com/Subscribe to the channel and give a like – also find us in audio format wherever you listen to podcasts and leave us a review and share us with your friends. Support the show

The Horsemanship Radio Podcast is excited to announce some new content coming to you! We kick off with Tips and Techniques with Monty Roberts answering listener's most often asked questions. Then listen for the next episode with Monty's reading of his most beloved books. From his autobiography to his advice for horse husbands and curious friends of horse lovers, learn from Monty who changed horsemanship forever for the better. Listen in... Show Host: Debbie LoucksTitle Sponsor: HandsOnGlovesGuest: Monty RobertsSupport for this episode also provided by: Monty Roberts EQUUS Online University, The Hay PillowMonty's CalendarPlease follow Monty Roberts on FacebookFollow Monty Roberts on Twitter or on InstagramHear all the shows on the Horse Radio NetworkTime Stamps 08:14 - Improvising a round pen 13:25 - Get your horse used to fly spray 25:06 - Touching your horse on the forehead

The Horsemanship Radio Podcast is excited to announce some new content coming to you! We kick off with Tips and Techniques with Monty Roberts answering listener's most often asked questions. Then listen for the next episode with Monty's reading of his most beloved books. From his autobiography to his advice for horse husbands and curious friends of horse lovers, learn from Monty who changed horsemanship forever for the better. Listen in... Show Host: Debbie LoucksTitle Sponsor: HandsOnGlovesGuest: Monty RobertsSupport for this episode also provided by: Monty Roberts EQUUS Online University, The Hay PillowMonty's CalendarPlease follow Monty Roberts on FacebookFollow Monty Roberts on Twitter or on InstagramHear all the shows on the Horse Radio NetworkTime Stamps 08:14 - Improvising a round pen 13:25 - Get your horse used to fly spray 25:06 - Touching your horse on the forehead

The path to becoming a physician - and then working as one for the rest of your career - can feel like a highly regimented road, with little room for side journeys. A new book called Improvising Adulthood: What I Wish Someone Had Told Me makes a bold claim: that adult life is a lot like an improv show, where you make one choice, and then another, and then another, and you get to change direction at any time. The author of this book, Amanda Hirsch, wants us to feel empowered to shift ourselves out of auto-pilot and question the scripts we feel we must follow. Amanda is our guest for this special episode in which we explore how her book applies to medical students in particular. There are three copies of her book in our OSA, so please feel free to stop by and borrow a copy!   

Let's start episode 722 of Secrets of Organ Playing Podcast. This question was sent by Dawn and she writes: "My New Year's resolution is to be confident at improvising.You can support this channel by becoming a member here: https://www.youtube.com/channel/UCO4K3_6QVJI_HlI5PCFQqtg/joinIf you like what I do, you can buy me some coffee: https://www.buymeacoffee.com/organduoPayPal: https://PayPal.Me/VPinkeviciusWe support Ukraine: https://www.blue-yellow.lt/enMy Hauptwerk setup: https://www.organduo.lt/tools.htmlTotal Organist - the most comprehensive organ training program online: https://www.organduo.lt/total-organistSecrets of Organ Playing - When You Practice, Miracles Happen! https://organduo.ltListen to my organ playing on Spotify: https://open.spotify.com/artist/0ckKPIvTWucoN3CZwGodCO?si=YWy7_0HqRvaZwBcovL-RKg#secretsoforganplaying #vidaspinkevicius #ausramotuzaite

In an insightful discussion on the "Tales from the Green Room" podcast, Reed Mathis provides host Dennis Strazulo and listeners with a detailed preview of his upcoming podcast series “The Gifts of Improvising” which debuts January 29, 2024 on the Osiris Media Podcast Network. Reed opens the door to a new, profound exploration of the role and challenge of artists as they navigate improvising the music of their heroes and legends, analyzed in detail during discussions with fellow musicians throughout 12 introspective episodes. Reed delves into the dynamics of the jam band scene and the authenticity of spontaneous musical creation. Previously connected with iconic projects like Jacob Fred Jazz Odyssey and Tea Leaf Green, and with artists including Steve Kimock, Billy Strings, and Bill Kreutzmann, Reed shares the conception and evolution of his podcast with refreshing candor and excitement - describing it not merely as an exploration of improvisation but as a spotlight on the reenactment versus innovation debate within music. Listen as Reed challenges the norm of merely quoting musical heroes and urges a portrayal of personal truth through music. The essence of his message is about fostering a space where musicians are encouraged to "play themselves," offering a raw reflection of their true, creative essence rather than adhering strictly to established templates.The soon to be released series features an impressive roster of musicians, each bringing their unique experiences and insights to light, including: Joe Russo, Marco Benevento, Steve Kimmock, Adam McDougald, and Jay Lane taking a deep dive into musical philosophies and personal anecdotes that reveal much about these beloved names in music.“The Gifts of Improvising” also includes a touching homage to Phil Lesh, featuring reflections from Natalie Cressman, Elliot Peck, and Grahame Lesh - a moving tribute to Lesh's indelible impact on both Mathis's own career and the broader music landscape. Enjoy this discussion as Reed muses about the art and joy of truly improvising in anticipation of his podcast release.Linkshttps://www.instagram.com/reedmathis/https://www.facebook.com/reed.mathis.5/http://www.youtube.com/@reedmathis4623https://www.osirispod.com/podcasts/ MusicLazyLightning55a YouTube Channel: Reed Mathis' Electric Beethoven - 10/26/16 - MP WilliamsburgPhoto by Stefanie Atkinson Schwartz  

"Agatha All Along” star Kathryn Hahn joins the show. Over stuffed grape leaves and shawarma rubbed oyster mushrooms, Hahn tells me how her career has climbed after 40 (dubbed her “Hahnissance”), the amazing moments she improvised in “Step Brothers” and we retell our pilates meet-cute. This episode was recorded at Mazal in Lincoln Heights, CA. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to the J&J on Jazz Podcast. This podcast was originally released on April 8th, 2022, on the Jeff Antoniuk - Educator YouTube channel. Please subscribe to the YouTube channel and feel free to enjoy the video version as well.FOR ALL INSTRUMENTS!In episode #35, believe it or not, we improvise better when we don't improvise so much. There, we said it. But what in the world does this mean? Coltrane and Miles were improvising, right . . . ? Well, yes and no. "Crafting" a solo is a big part of it. Jump into this video, email us for the pdf, and let's get this sorted out!!Mentioned in this podcast:• www.JazzWire.net - Since we announced JazzWire back in 2017, it has become an incredible Community of hundreds of adult musicians from over 25 different countries around the world. If you are looking for a plan for your practice, regular insights and wisdom on playing jazz, and a huge COMMUNITY of jazz players from around the world, this is the place for you! • J&J on Jazz - Many of the J&J episodes include a PDF (but not all!!). Just write us at J&JonJazz@gmail.com, and we'll offer you the pdf for the episode you're looking for if available (or all PDFs for a small price)! We will also put you on the list to receive each new pdf, weekly.  Amazing practice ideas, every week, for free. What's not to love!?

In this episode of Talking Art, we sit down with the remarkable Lawrence Hobgood, a multifaceted pianist, composer, arranger, producer, educator, and proud Yamaha artist.

Improvising with Luke, Sammy and Peter on Nov. 13th, 2024 at the BCA.

Reformation Sunday with Guest Pastor Bill Lenoard Park Road Baptist is located Charlotte, NC. For my information, please visit our website at ParkRoadBaptist.org Find us on Social Media: @ParkRoadChurch

“The Bear” star Matty Matheson on improvising scenes on the hit show and how he started his career in restaurants. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hey Loftmates, this is the episode where everyone learns what a cheating liar Schmidt is, and Winston does everything in his power to reserve a table at a luxury restaurant. This episode ended up being rather memorable for our hosts. Lamorne lost a friend and got some help from his co-star. Improvising, Hannah delivered one of the most heartbreaking moments in the series' history. Hannah tries to figure out what Lamorne's doing on the new Spider-Man movie, and Lamorne tries to guess Hannah's favorite movie. See omnystudio.com/listener for privacy information.

Join @thebuzzknight for this musical journey conversation with Jazz Guitarist Pat Metheny. He is a twenty-time Grammy Award Winner and the only person to have won Grammys in 10 categories. This episode explores the inside stories from this music legend unplugged.  You hear great musician storytelling from one of the true masters of his craft. For suggestions or comments write Buzz@BuzzKnightMedia.com Connect with Buzz on Twitter @TheBuzzKnight and Instagram @takinawalkpodcast. Like this show? Share it with all of your friends and leave us a review here. ReviewSupport the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

This week's topics: • Having a moral code, even if you're living a criminal life • Notting Hill Carnival murder • Liam Gallagher performance at the AJ boxing • Blink Twice movie • Films to add to your watchlist. Including Korean films • Improvising the words to dancehall songs • Murder She Wrote v Bam Bam v No No No v Ring The Alarm • Confusing one Asian for anohter • shxtsngigs / Andrew Schulz controversy around Black women jokes • AJ losing to Daniel Dubois • The state of the heavyweight boxing scene • Diddy getting arrested for allegedly being a dutty bastard • #StavrosSays : Cruise. [https://www.youtube.com/@jointhecruise] food hall was gonna say, but the crown has introduced me now Connect with us at & send your questions & comments to: #ESNpod so we can find your comments www.esnpodcast.com www.facebook.com/ESNpodcasts www.twitter.com/ESNpodcast www.instagram.com/ESNpodcast @esnpodcast on all other social media esnpodcast@gmail.com It's important to subscribe, rate and review us on your apple products. You can do that here... www.bit.ly/esnitunes

The Canadian actor Elliot Page (Inception, Juno, The Umbrella Academy) and the British director Dominic Savage (I Am…) have come together to make “Close to You,” a powerful new drama about a young trans man who's headed home to see his family for the first time in years. Elliot and Dominic join Tom to talk about the film and why it meant so much to them.

Chase & Timothy talk with Vic Michaelis about basketball outfits, improvising, and theme parks. Follow Vic: @vicmic on Instagram Follow: Customer Service Podcast on Instagram @customerservicepod  Canoe Club on Instagram & YouTube @shopcanoeclub  ⁠www.shopcanoeclub.com

▶▶ Guide To Clear Sounding Chords - Free Download - https://www.playguitaracademy.com/chordguide Improvising isn't just for lead guitar! Let's learn to mix and match some basic blues guitar rhythms to create something new, different, and exciting!.   This Week's Video Lesson - https://www.youtube.com/watch?v=g20cjtFbVRc   SHOW NOTES FOR THIS EPISODE- https://www.playguitaracademy.com/blog/mixing-blues-rhythms-380 PLAY GUITAR ACADEMY - Instant access to the tabs, backing tracks, and guitar pro files from all my lick videos, Monthly masterclasses, and weekly Q&A. https://www.playguitaracademy.com 1-on-1 Guitar Lessons - https://www.playguitaracademy.com/play-guitar-coaching PLAY GUITAR PODCAST - https://podcasts.apple.com/us/podcast/play-guitar-podcast/id1341900209 https://open.spotify.com/show/0MxjU2Y0L8PoYiTKmCtvpt YOUTUBE  (SUBSCRIBE)- https://www.youtube.com/@playguitaracademy FACEBOOK - https://www.facebook.com/PlayGuitarAcademy/ https://www.facebook.com/groups/playguitargroup/ INSTAGRAM - https://www.instagram.com/playguitaracademy Copyright ©2024 Play Guitar Academy

Psychologists and neuroscientists struggle with how best to interpret human motivation and decision making. The assumption is that below a mental “surface” of conscious awareness lies a deep and complex set of inner beliefs, values, and desires that govern our thoughts, ideas, and actions, and that to know this depth is to know ourselves. In the The Mind Is Flat: The Remarkable Shallowness of the Improvising Brain (Yale UP, 2019), behavioural scientist Nick Chater contends just the opposite: rather than being the plaything of unconscious currents, the brain generates behaviors in the moment based entirely on our past experiences. Engaging the reader with eye-opening experiments and visual examples, Chater first demolishes our intuitive sense of how our mind works, then argues for a positive interpretation of the brain as a ceaseless and creative improviser. Dr. Nick Chater is Professor of behavioral science at the Warwick Business School and cofounder of Decision Technology Ltd. He has contributed to more than two hundred articles and book chapters and is author, co-author, or co-editor of fourteen books. Dr. John Griffiths (@neurodidact) is an Assistant Professor at the University of Toronto, and Head of Whole Brain Modelling at the CAMH Krembil Centre for Neuroinformatics. His research group (www.grifflab.com) works at the intersection of computational neuroscience and neuroimaging, building simulations of human brain activity aimed at improving the understanding and treatment of neuropsychiatric and neurological illness. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Comedian Nick Swardson joins Jason and Tully to discuss, Nick's fight, AIDS Cat 2000, Pissing off Dana White, Rollerblading, Jason's pubic hair, Holistic sex worker, Nick getting high in Colorado, Jason's and Nick's first rodeos, Carrot Top jokes, Two-vagina model, John Jones, If Jason and Nick fought, Reno 911, Improvising on film, 35 year old who looks like a teenager, If Jason could live 1,000 years, Giraffes or Buffalos, Meth, Key west covid escapade, and the $800 to hear John Denver
 Visit BetterHelp.com/ELLIS today to get 10% off your first month. Jason's Dates at thejasonellis.com Learn How To Skate, No Matter What Age You Are. Out Now https://fathergrind.com/ Sponsor The Jason Ellis Show: https://public.liveread.io/media-kit/jasonellis Learn more about your ad choices. Visit megaphone.fm/adchoices

John Born is an artist working in sculpture and drawing based in New York City. In his recent show at Curatorial and Co. in Sydney he showed a series of his signature composite forms made from stacked ceramic shapes. In our interview we talk about his start in ceramics, the role improvisation plays in his sculpture, and the series of portals he made for his recent exhibition. www.humblematter.com   Today's episode is brought to you by the following sponsors: The Rosenfield Collection of Functional Ceramic Art www.Rosenfieldcollection.com 28th Annual Bray Benefit Auction July 19th-26th www.archiebray.org