Podcasts about Analog

What does it sound like to record reverb inside a giant dome? Dr. Chris Warren shares how Echo Thief captures real-world impulse responses, the power of Max programming, and why reverb is key to music, game audio, and immersive sound design. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Dr. Chris Warren, a sound designer, digital composer, and creator of immersive sonic installations. His exhibits have been featured at the Museum of Making Music, the Fleet Science Center, and NAMM. Dr. Warren's extensive research in acoustic measurement has produced EchoThief, a library of beautiful reverberation from around North America. These sonic snapshots of distinctive spaces have been featured in video games (Sony's Days Gone, Bethesda's Wolfenstein II), museum exhibits, sonic software, and artistic work around the globe. Dr. Warren teaches digital music composition and sound design at San Diego State University. Thank you to Susan Clausen for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.spectra1964.com https://pickrmusic.com  https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/artist/5vzarQ5NKsI5UShPA0OA7r If you love the podcast, then please leave a review: https://RSRockstars.com/Review   CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/527  

Heather Douglas loves making zines, both long and short, big and small, about subjects both serious and lighthearted. The zine — its name a shortened form of magazine and is pronounced “zeen” — has been around for decades, and can refer to a single sheet of paper folded into multiple panels and hand drawn, or multiple sheets of paper folded in half, similar to a chapbook.   The zine arguably saw its zenith in the late '90s and early 2000s, before the rise of social media and the ubiquity of internet platforms that provided a million digital forms for self-expression. But for many cartoonists and zinesters, like Douglas, the physical, analog nature of the form is one to be treasured and the fact that it brings people together — offline, in real life — is one of its many appeals. That’s one reason she approached her fellow Astorian, Kirista Trask with the Cambium Gallery about creating a Zine festival, something she said as a lifelong Astorian, she’d never seen before in the city.   Trask was enthusiastic, and by chance had just put out her own zine about the gallery. They created the “Astoria Zine Festival,” which takes place at the gallery this weekend. Douglas and Trask join us, along with BB Anderson, a Portland zinester and co-organizer of the long- standing Portland Zine Symposium. They all share more about the enduring appeal of the art form and why they consider it more vital than ever.  

An interview with Peter Ledermann of Soundsmith. Peter has a very long history of research and development in audio. From his time at IBM to amps to turntable cartridges, Peter has long sought to educate and enlighten the twisting technicalities of HiFi. In this interview we chat about why audio is sometimes pros, cons and compromise. It is an evolution that attempts to help to solve a host of problems, while sometimes creating new ones. But most importantly, it's weeding out things that break over time so consumers have a lifelong product. We also chat about turntables and is analog better than digital? Do Turntables have sample rates? Measurements, cantilever material, why mono karts might be better, cable burn in and how “getting used to something” really effects how we can form preferences. Video coverage: https://www.youtube.com/@PT-Audio The pt.AUDIO Record Weight In Walnut : 230 Gram S13E3 Sponsors: AUDIOVISIONSFdotCOM - San Francisco Oct 18-19 In-Store HiFi Celebration AUDIOQUESTdotCOM — High-Performance Cables & Power Products — Made for You MUSICHALLAUDIOdotCOM - No Nonsense, Just Great Sound SCHIITdotCOM - Audio Components Designed & Built in Texas, Starting At $49 PTdotAUDIO - Great Sounds Meet Good Times PASSLABSdotCOM - Rediscover Your Music Like Never Before

⸻ Podcast: Redefining Society and Technologyhttps://redefiningsocietyandtechnologypodcast.com _____ Newsletter: Musing On Society And Technology https://www.linkedin.com/newsletters/musing-on-society-technology-7079849705156870144/_____ Watch on Youtube: https://youtu.be/nFn6CcXKMM0_____ My Website: https://www.marcociappelli.com_____________________________This Episode's SponsorsBlackCloak provides concierge cybersecurity protection to corporate executives and high-net-worth individuals to protect against hacking, reputational loss, financial loss, and the impacts of a corporate data breach.BlackCloak:  https://itspm.ag/itspbcweb_____________________________A Musing On Society & Technology Newsletter Written By Marco Ciappelli | Read by TAPE3A new transmission from Musing On Society and Technology Newsletter, by Marco CiappelliReflections from Our Hybrid Analog-Digital SocietyFor years on the Redefining Society and Technology Podcast, I've explored a central premise: we live in a hybrid -digital society where the line between physical and virtual has dissolved into something more complex, more nuanced, and infinitely more human than we often acknowledge.Introducing a New Series: Analog Minds in a Digital World:Reflections from Our Hybrid Analog-Digital SocietyPart II: Lo-Fi Music and the Art of Imperfection — When Technical Limitations Become Creative LiberationI've been testing small speakers lately. Nothing fancy—just little desktop units that cost less than a decent dinner. As I cycled through different genres, something unexpected happened. Classical felt lifeless, missing all its dynamic range. Rock came across harsh and tinny. Jazz lost its warmth and depth. But lo-fi? Lo-fi sounded... perfect.Those deliberate imperfections—the vinyl crackle, the muffled highs, the compressed dynamics—suddenly made sense on equipment that couldn't reproduce perfection anyway. The aesthetic limitations of the music matched the technical limitations of the speakers. It was like discovering that some songs were accidentally designed for constraints I never knew existed.This moment sparked a bigger realization about how we navigate our hybrid analog-digital world: sometimes our most profound innovations emerge not from perfection, but from embracing limitations as features.Lo-fi wasn't born in boardrooms or designed by committees. It emerged from bedrooms, garages, and basement studios where young musicians couldn't afford professional equipment. The 4-track cassette recorder—that humble Portastudio that let you layer instruments onto regular cassette tapes for a fraction of what professional studio time cost—became an instrument of democratic creativity. Suddenly, anyone could record music at home. Sure, it would sound "imperfect" by industry standards, but that imperfection carried something the polished recordings lacked: authenticity.The Velvet Underground recorded on cheap equipment and made it sound revolutionary—so revolutionary that, as the saying goes, they didn't sell many records, but everyone who bought one started a band. Pavement turned bedroom recording into art. Beck brought lo-fi to the mainstream with "Mellow Gold." These weren't artists settling for less—they were discovering that constraints could breed creativity in ways unlimited resources never could.Today, in our age of infinite digital possibility, we see a curious phenomenon: young creators deliberately adding analog imperfections to their perfectly digital recordings. They're simulating tape hiss, vinyl scratches, and tube saturation using software plugins. We have the technology to create flawless audio, yet we choose to add flaws back in.What does this tell us about our relationship with technology and authenticity?There's something deeply human about working within constraints. Twitter's original 140-character limit didn't stifle creativity—it created an entirely new form of expression. Instagram's square format—a deliberate homage to Polaroid's instant film—forced photographers to think differently about composition. Think about that for a moment: Polaroid's square format was originally a technical limitation of instant film chemistry and optics, yet it became so aesthetically powerful that decades later, a digital platform with infinite formatting possibilities chose to recreate that constraint. Even more, Instagram added filters that simulated the color shifts, light leaks, and imperfections of analog film. We had achieved perfect digital reproduction, and immediately started adding back the "flaws" of the technology we'd left behind.The same pattern appears in video: Super 8 film gave you exactly 3 minutes and 12 seconds per cartridge at standard speed—grainy, saturated, light-leaked footage that forced filmmakers to be economical with every shot. Today, TikTok recreates that brevity digitally, spawning a generation of micro-storytellers who've mastered the art of the ultra-short form, sometimes even adding Super 8-style filters to their perfect digital video.These platforms succeeded not despite their limitations, but because of them. Constraints force innovation. They make the infinite manageable. They create a shared language of creative problem-solving.Lo-fi music operates on the same principle. When you can't capture perfect clarity, you focus on capturing perfect emotion. When your equipment adds character, you learn to make that character part of your voice. When technical perfection is impossible, artistic authenticity becomes paramount.This is profoundly relevant to how we think about artificial intelligence and human creativity today. As AI becomes capable of generating increasingly "perfect" content—flawless prose, technically superior compositions, aesthetically optimized images—we find ourselves craving the beautiful imperfections that mark something as unmistakably human.Walking through any record store today, you'll see teenagers buying vinyl albums they could stream in perfect digital quality for free. They're choosing the inconvenience of physical media, the surface noise, the ritual of dropping the needle. They're purchasing imperfection at a premium.This isn't nostalgia—most of these kids never lived in the vinyl era. It's something deeper: a recognition that perfect reproduction might not equal perfect experience. The crackle and warmth of analog playback creates what audiophiles call "presence"—a sense that the music exists in the same physical space as the listener.Lo-fi music replicates this phenomenon in digital form. It takes the clinical perfection of digital audio and intentionally degrades it to feel more human. The compression, the limited frequency range, the background noise—these aren't bugs, they're features. They create the sonic equivalent of a warm embrace.In our hyperconnected, always-optimized digital existence, lo-fi offers something precious: permission to be imperfect. It's background music that doesn't demand your attention, ambient sound that acknowledges life's messiness rather than trying to optimize it away.Here's where it gets philosophically interesting: we're using advanced digital technology to simulate the limitations of obsolete analog technology. Young producers spend hours perfecting their "imperfect" sound, carefully curating randomness, precisely engineering spontaneity.This creates a fascinating paradox. Is simulated authenticity still authentic? When we use AI-powered plugins to add "vintage" character to our digital recordings, are we connecting with something real, or just consuming a nostalgic fantasy?I think the answer lies not in the technology itself, but in the intention behind it. Lo-fi creators aren't trying to fool anyone—the artifice is obvious. They're creating a shared aesthetic language that values emotion over technique, atmosphere over precision, humanity over perfection.In a world where algorithms optimize everything for maximum engagement, lo-fi represents a conscious choice to optimize for something else entirely: comfort, focus, emotional resonance. It's a small rebellion against the tyranny of metrics.As artificial intelligence becomes increasingly capable of generating "perfect" content, the value of obviously human imperfection may paradoxically increase. The tremor in a hand-drawn line, the slight awkwardness in authentic conversation, the beautiful inefficiency of analog thinking—these become markers of genuine human presence.The challenge isn't choosing between analog and digital, perfection and imperfection. It's learning to consciously navigate between them, understanding when limitations serve us and when they constrain us, recognizing when optimization helps and when it hurts.My small speakers taught me something important: sometimes the best technology isn't the one with the most capabilities, but the one whose limitations align with our human needs. Lo-fi music sounds perfect on imperfect speakers because both embrace the same truth—that beauty often emerges not from the absence of flaws, but from making peace with them.In our quest to build better systems, smarter algorithms, and more efficient processes, we might occasionally pause to ask: what are we optimizing for? And what might we be losing in the pursuit of digital perfection?The lo-fi phenomenon—and its parallels in photography, video, and every art form we've digitized—reveals something profound about human nature. We are not creatures built for perfection. We are shaped by friction, by constraint, by the beautiful accidents that occur when things don't work exactly as planned. The crackle of vinyl, the grain of film, the compression of cassette tape—these aren't just nostalgic affectations. They're reminders that imperfection is where humanity lives. That the beautiful inefficiency of analog thinking—messy, emotional, unpredictable—is not a bug to be fixed but a feature to be preserved.Sometimes the most profound technology is the one that helps us remember what it means to be beautifully, imperfectly human. And maybe, in our hybrid analog-digital world, that's the most important thing we can carry forward.Let's keep exploring what it means to be human in this Hybrid Analog Digital Society.End of transmission.______________________________________

“It's pretty hard to f* it up in Muscle Shoals.” Jay Tooke found creative freedom and killer drum sounds after leaving Nashville for the slower pace of Muscle Shoals. We talk studio vibes, live tracking, subtlety in performance, and the magic of first takes. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Jay Tooke, a Canadian-born, award-winning producer, drummer, multi-instrumentalist, songwriter, and mix engineer now based in Muscle Shoals. After a 14-year run in Nashville, Jay developed a reputation for his intuitive and organic approach to production—working with artists like Randy Houser, Cody Johnson, Lindi Ortega, James Otto, and many more. He's produced six #1 singles and multiple top 10s across Canada, Australia, and New Zealand, with credits ranging from mixing for Cody Jinks to drumming on albums by The Steel Woods. We had Jay on the show back on episode RSR311, where we talked about his transition from band life to the control room, mixing in Muscle Shoals, and embracing a less-is-more approach to production. Today, we're catching up on what he's been working on lately at Fame Studios and Noble Steed  and digging deeper into his creative process. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.spectra1964.com https://pickrmusic.com Use code ROCK10 to get 10% off! https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/3v6l7ldK64dlpBATOv3PIy?si=da901ffdebb34951 If you love the podcast, then please leave a review: https://RSRockstars.com/Review   CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/526

A spacey start brings us in time to New Age Valley and the border of Jazzville (actually kind of the corner of Jazzville and Classicaltown) before heading back into some deep realms. The end of the voyage glides back into a contemporary instrumental zone and a bit of piano for a quiet landing. Have fun. […]

Hausmeisterei Video zur Episode Text-/Audio-/Videokommentar einreichen HS-Hörer:innen im Slack treffen Aus der Preshow Weiterleitungen, Ärscher mit Äscher, Kontakt aufnehmen HS Workshops Workshops HS Workshop-Newsletter Letzte Chance: Zwei Tage, die Deine Fotografie verändern 2026 wird wild Statt Werbung DANKE an alle Spender #hshi / #hsnachtrag #hsfeedback von Klaus zum Hotspot bei der Infrarotfotografie. Kommt vom Objektiv, … „#913 – Happy Schaaaf“ weiterlesen

Chris, Ade and Jeremiah explore the ways new technology can help you make fantastic photos.

In this episode, French-Belgian photographer, teacher, and curator Marie Sordat shares how she discovered photography almost by accident, why she never traded film for digital, and how Brussels became her endlessly inspiring backdrop. We dive into her love for black-and-white street photography, the importance of festivals as creative fuel, and her sharp yet hopeful view on AI in photography. Marie also talks about her books, her curatorial work, and what it means to stay free as an artist.Join us for this conversation full of raw honesty and creative energy—and don't forget: on September 30 we'll be live on stage at Pakhuis de Zwijger in Amsterdam, with guests like Stephan Vanfleteren, Anton Corbijn, and among others Anais Lopez. Get your tickets via donkrawcamera.com/shows and be part of the experience!- website van De Donkere Kamer: www.donkerekamer.com- insta DDK: @dedonkerekamer_be- multi-day workshop with Awoiska van der Molen: https://www.donkerekamer.com/master-workshop- mentorship: donkerekamer.com/mentor- website Marie Sordat: https://www.mariesordat.net/- insta Marie: @mariesordat

Mastering Engineer Dave Gardner & Audio Archivist Catherine Vericolli discuss the preservation of the Westbound Records audio catalogue, including the masters of legendary recordings by Funkadelic, The Counts, Ohio Players & more. Topics Include: Dave Gardner (mastering engineer) and Catherine Vericoli (archivist) introduce their specialized roles Mastering serves as link between creative process and manufacturing standards Catherine transfers analog tapes to highest possible digital quality preservation Physical restoration work includes extensive mold and splice remediation tasks Much archival work involves "audio archaeology" detective work with clues Working backwards from incomplete information when documentation is missing completely Common assumption that old records were always done "the right way" Reality reveals beloved records often weren't made using proper methods Got rare access to examine entire Westbound Records collection together Westbound Records started late 1960s by distributor Armin Bolodian in Detroit Detroit-based independent label achieved regional success with multiple hit records Funkadelic, Ohio Players, Detroit Emeralds were among their major successful acts Complete catalog reissue approach rather than cherry-picking just popular hits Assets moved between multiple locations over decades, not everything returned Found various generations and copies of tapes for each release Maggot Brain original masters were believed to be permanently missing Discovery of missing masters hidden in completely unmarked white archive boxes Original tape playback speeds rarely match speeds of vinyl releases Spent entire week meticulously fine-tuning correct playback speeds for accuracy Academic ethnomusicologist confirmed musical key was wrong on commercial releases Many recent European reissues contain fundamentally inaccurate speed and sound Double 45 RPM format avoids sonic compromises required for long sides 27-minute album sides on 33 RPM required major audio quality sacrifices All-analog cutting process preserves original sound character without digital conversion Unreleased material exists primarily in unprocessed multitrack tape format only Dennis Coffey played guitar on many more Funkadelic recordings than known Analog tape degradation accelerating rapidly, especially problematic for digital formats Cultural preservation mission drives their passionate collaborative archival restoration work Asset paranoia and trust issues affect access to important historical recordings Primary motivation remains saving irreplaceable music for all future generations High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Analog Combo - Leica CL, Industar 50, Eastman Double X, HC-110 Dilution H.Lytkarino Optical Glass Plant, No. 233 — Lytkarino. LZOS -1953 erahttps://en.wikipedia.org/wiki/Lytkarino_Optical_Glass_PlantDouble X:https://podcasts.apple.com/us/podcast/bringing-it-all-back-home/id1471887835?i=1000522462861

Join the Refrigeration Mentor Hub here Learn more about Refrigeration Mentor Customized Technical Training Programs at www.refrigerationmentor.com/courses This episode is the first of a four-part CO2 series, starting off with a dive into the basics of CO2 controls with Kevin Mullis, Head of Product Engineering at Clade Engineering Systems. This is about returning to fundamentals, even for seasoned technicians, to ensure a thorough understanding CO2 controls, programming, wiring diagrams, meter readings, and step-by-step troubleshooting techniques. Kevin shares lots of great tips and advice for refrigeration technicians to enhance their skills and confidence in handling CO2 refrigeration systems. In this episode, we cover: -Introduction to CO2 controls -Refrigeration controller fundamentals and basics -Wiring diagrams -Importance of proper tools -RDM controllers -Probes and transducers -Relays and voltage -Voltage and relays -Testing and troubleshooting relays -Universal inputs and outputs -Analog signals and transducers -Identifying and tracing probes -Practical tips for wiring and safety -Compressor circuits and VFD's -Sequence of operation in CO2 systems -Analyzing a zero zone drawing Helpful Links & Resources: Follow Kevin on LinkedIn Clade Engineering Systems Episode 315. Mastering RDM Controls, Live Commissioning & Networking Essentials with Kevin Mullis Episode 299. Basic Refrigeration 101  

Remember Polaroid and its instant photo proposition? For some it's a dusty icon of the past, but for others it might just be the latest innovative idea. Polaroid's internal creative and planning leads, Patricia Varella and Dovile Banyte join me to talk about "The camera for an analog life." 

2 Corinthians chapter 4 outlines nine manifestation gifts of the Holy Spirit. Tim talks about why these gifts are analog and not digital.

What if fewer mics could help you make better records? Alan Evans (Soulive) joins me to talk 4-track recording, Iceland sessions, AI in music, and how simplicity, mindset, and health can fuel your best creative work.   Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Alan Evans, a recording, mixing, and mastering engineer, producer, and musician based in Western Massachusetts. Alan's probably best known as the drummer and co-founder of Soulive, but over the past 30 years, he's also built a deep discography engineering, producing, and shaping the sound of hundreds of recordings. He grew up in a musically rich household in Buffalo, NY, soaking in the sounds of Miles Davis, Ray Charles, and Jimi Hendrix which ignited his interest in music. As a teenager, he hit the clubs and started recording bands, teaching himself the craft of recording, mixing, and production from the ground up. These days, Alan continues to push boundaries through his label, Vintage League Music, with projects spanning jazz, funk, reggae, rock, and Americana—including recent recordings with Oteil Burbridge and MonoNeon at Floki Studios in Iceland, and a new album with Charlie Hunter and Ella Feingold at Pilot Recording Studios in Housatonic, MA. Alan's been on the show before in episodes RSR183, RSR339, and RSR440—and I'm psyched to have him back again, this time in person for video at Ready To Rock Studios. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/1F16ucxEvIBugOepkzsTkW?si=FJKiBFINRAOZrjKf0FdYJg If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/525

Rising from Argentina's underground, Analog Jungs are the duo of Claudio Cornejo and Gustavo Ruarte. Since their 2015 debut, they've honed a sound rooted in dance-floor fundamentals, inspired by artists like Cid Inc, Guy J, and Henry Saiz. In 2019, Nick Warren brought them into The Soundgarden fold, while Antrim's Or Two Strangers became a steady home. By 2021, a breakout remix catapulted them into Beatport's progressive top ten. More recently, their Mango Alley streak has delivered an impressive run of productions, highlighted by ‘Solar Symphony': a depth charge of a track that grooves with infectious drive.  In this Balance Selections mix, Analog Jungs stay true to form with another engaging underground outing. Featuring tracks from Patch Park, Fran Garay, EMPHI and much more, this is deep 2 hours of quality progressive that never lurks too far for the shadows. @analog-jungs

My podcast guests this week are Celera Semiconductor CEO Pat Brockett and COO Alberto Viviani! Pat, Alberto and I discuss the trends driving the need for custom analog solutions and how Celera is looking to revolutionize analog chip design through AI-driven automation. Also this week, I check out a new AI-powered smart bandage called a-HEAL.

Back in the 160’s I did an episode where I gave artists I’d only played once a chance to be heard again. Now, through the miracle of science and the power of random number generation, we’re doing it again. A second chance for the second chance show! Enjoy the mix. Start      Those Damn […]

Hausmeisterei Video zur Episode Text-/Audio-/Videokommentar einreichen HS-Hörer:innen im Slack treffen Aus der Preshow Nukular, Essen auf Planken, Butterfahrten, Wellengang HS Workshops Workshops HS Workshop-Newsletter #hshi / #hsnachtrag Infrarot mit iPhone bzw OnePlus Kuchenmampfer bzgl. FTP-Upload aus der Kamera: „Ich würde das Upload-Verzeichnis in die Nextcloud einbinden“ Rüdiger bzgl. Sync vom FTP-Verzeichnis zum Mac über Raspberry … „#912 – YOLO Schiefspiegler“ weiterlesen

Renowned keyboard player and all-around great human Kyle Hollingsworth of The String Cheese Incident is here!!  Kyle has been behind the keys and on the road with Cheese for almost three decades, and has been at it as a solo artist for two decades. His latest album, All We Are, is a timely and lively collection of wonderful songs and great jams, all the while celebrating life and reflecting on the challenges many of us face.  Kyle has a fun-loving charm; he's quirky and kind, and he talks to me about his life with String Cheese, the impact on his family life, and we compare and contrast our similar musical influences. Kyle brings his easy-going energy and warm enthusiasm to Roadcase for this episode, and I'm super psyched to share this one with you!!    ================================Chapters00:00 Episode Intro with Host Josh Rosenberg; Introducing Kyle Hollingsworth04:25 Introduction and First Impressions  07:17 The Evolution of Kyle's Music Career  10:14 The Origins of String Cheese Incident  13:22 The Band's DIY Ethos and Early Days  16:16 Creative Processes and Outdoor Inspirations  19:11 Communication and Growth in the Band  22:12 Reflections on the Grateful Dead and Musical Influences  26:13 The Tubes and Their Influence  27:50 Electric Forest: A Festival's Heartbeat  29:08 Tragedy and Resilience: The Texas Floods  30:44 Boldness in Music: A New Album's Journey  33:23 Creativity Through Technology: Evolving Soundscapes  40:09 The Analog vs. Digital Debate  45:01 Family Life and Music: Balancing Act  48:32 Balancing Family and Music Career  51:19 The Emotional Journey of Fatherhood  52:10 Musical Influences and Inspirations  55:15 Collaborations and Live Performances  58:09 Navigating the Challenges of Touring  01:01:06 The Evolution of Musical Style  01:04:09 The Beauty of Genre Diversity  01:07:12 Reflections on Musical Legacy 01:10:55 Episode Wrap Up and Outro with Host Josh Rosenberg===================================For more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

Do you ever wonder if your restaurant's technology is ahead of the curve, just keeping pace, or falling behind the competition? In a tough environment where 44% of restaurants are missing their labor targets, knowing where you stand is the first step to getting ahead.In this special solo episode, host D.J. Costantino walks you through the four distinct stages of a restaurant's digital journey: from "Analog" paper-and-pen operations to a fully "Optimized" and integrated tech stack. Discover where your restaurant fits in this framework and get a clear, practical roadmap for what comes next.In this episode, you'll discover:How to identify your restaurant's current stage of tech maturity, from Analog to Optimized.Why 44% of restaurants are missing labor targets and how real-time data can give you back control.The direct link between modern tools, a positive employee experience, and improving your team's retention rate.How automating manual tasks can free up hours of your time to work on your business, not just in it.Send us a text

On the latest LGM Podcast I had the opportunity to speak with Dr. Kate Epstein of the Rutgers University Department of History. We talked through her two books, Analog Superpowers (about fire control equipment) and Torpedo (about, well, torpedoes), the latter of which I reviewed here. We discussed the mechanics of fire control and the […] The post LGM Podcast: Analog Superpowers appeared first on Lawyers, Guns & Money.

On the latest LGM Podcast I had the opportunity to speak with Dr. Kate Epstein of the Rutgers University Department of History. We talked through her two books, Analog Superpowers (about fire control equipment) and Torpedo (about, well, torpedoes), the latter of which I reviewed here. We discussed the mechanics of fire control and the […] The post LGM Podcast: Analog Superpowers appeared first on Lawyers, Guns & Money.

We've got a special episode today. Tyler McCall, co-owner of Chicago stationery shop Pencil & Paper, joins us to talk about the havoc caused by the Trump administration's chaotic tariff policies. These policies aren't just hurting small businesses like Tyler's — they're also driving up costs and creating disruptions for everyday consumers in ways you might not expect. This conversation is for anyone who cares about supporting local shops, stationery or otherwise. And if you're in Chicago, be sure to stop by Tyler's store in Andersonville.

Summary:In this episode of the Text Driven Podcast, Timothy Pigg and Carter Jurkovich discuss the recent assassination of Charlie Kirk and its implications for youth ministry and the church. They explore the contrast between analog and digital relationships, the persistent presence of evil, and the importance of sharing the gospel in today's world. The conversation emphasizes the need for authenticity in ministry and the role of the church in combating evil through community engagement and personal evangelism.Takeaways:Charlie Kirk's assassination highlights the ongoing problem of evil.Digital relationships can lead to relational anemia.Authentic, face-to-face conversations are crucial for connection.The church must be mobilized to engage with the community.Pastors should not shy away from tough questions from youth.God's promises provide hope amidst evil.The church's purpose is to share the gospel to combat evil.Involvement in local schools can foster community relationships.Authenticity in ministry is essential for effective outreach.Every believer should strive to share the gospel daily.Chapters00:00 Introduction to the Text Driven Podcast01:27 The Impact of Charlie Kirk on Youth06:28 The Analog vs. Digital Relationship12:38 Evil and the Role of the Church18:48 Conclusion and Call to Action

Can you really build your own recording studio gear and make it sound amazing? Mitch Rose from Audio Boys says yes—and shows you how. From hand-built microphones to creating reverb chambers in your home, we dive into the heart of DIY recording and why it's the most creative path to finding your signature sound.   Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Mitch Rose, a recording and mixing engineer from Newcastle, Australia. Mitch is passionate about all things DIY—building his own mics, preamps, EQs, compressors, and even studio furniture and acoustic treatment for home studio spaces. He's been teaching music and audio production for over a decade at technical colleges across Australia, covering everything from recording and live sound to composing in Ableton. Mitch is also a multi-instrumentalist who plays drums, guitar, bass, and all kinds of percussion—especially the Cajon. These days, he spends most of his time recording and mixing other artists from his DIY home studio, and sharing what he learns online. He runs a popular YouTube channel called The DIY Recording Studio, where he teaches other producers and engineers how to start their own DIY studio journey—with hands-on build tutorials for companies like MicParts, DIYRE, CAPI, and Sound Skulptor. Mitch recently flew to the US for NAMM 2025 to work with Z&H Designs and connect with artists, producers, and creators from around the world where I got to shoot a couple of fun videos with him at the booth. Thank you to Nick at Panorama Mastering for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/59vJxA8aupW03dSSZDfHyc?si=i77sfgsvTyaSLNvRiwqd-Q If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/524

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A teacher put his students to the test—read an analogue clock in three seconds for bonus marks. The result? Chaos. Half the class guessed wrong, mixing up the hands, shouting times like “10:5” and “9:8.” The clip’s gone viral and now everyone’s arguing: is telling time on an old-school clock becoming a lost skill in the TikTok age?See omnystudio.com/listener for privacy information.

Your enjoyment of the music time shall be undisturbed by your host insisting on speaking with you mid-flow. No, you’re on your own as this wends through drifty spots, familiar names and sounds, some grungy guitar, and…one of those. Start      Henrik Meierkord, Marco Lucchi & Pawel Kobak, By The Gates, The Book of […]

Hausmeisterei Video zur Episode Text-/Audio-/Videokommentar einreichen HS-Hörer:innen im Slack treffen Aus der Preshow Aussetzer ausmerzen, Carrier-grade NAT, IPV6, wir können auch einfach nur flüstern WERBUNG: Saal Digital – 30% mit Gutschein-Code HAPPY30SAAL (alles groß geschrieben) (Gutschein in Großbuchstaben eingeben, nur einmal je Person und Haushalt einlösbar, nicht mit anderen Gutscheinen oder Aktionen kombinierbar, Versandkosten nicht … „#911 – Quanteneffizienz“ weiterlesen

The promise of technology is efficiency, but the core of community building still lies in authentic human connection. The current nonprofit sector finds it hard to balance automation with meaningful touchpoints that foster trust, vulnerability, and genuine relationships. This conversation explores the intersection of community and technology, emphasizing how nonprofit organizations can avoid over-engineering relationships, understand the ebb and flow of engagement, and harness the power of simple but personal gestures.  Tasha Van Vlack is the CEO of Community Hives, a global peer-connection platform that helps organizations to strengthen their communities, whether through technology, strategy, or hands-on consulting. With a passion for bringing people together and with the belief that right connections can change everything, Tasha's diving headfirst into scaling relational tech and dreaming up what's next for human-first connection tools. She sits down with Mallory to talk about how nonprofits can leverage modern technologies not to replace but to support authentic communities by blending automation with personal touchpoints.  In this episode, you will be able to: - Learn how to balance automation with authentic human touchpoints. - Learn the importance of embracing the natural ebb and flow of engagement. - Discover how simple but personal gestures can have an enormous impact on relationships. - Learn why vulnerability, flexibility, and active participation is essential in building trust.  Get all the resources from today's episode here.  Support for this show is brought to you by Practivated. Practivated delivers AI-powered donor conversation simulations that let fundraisers practice in a private, judgment‑free space—building confidence, refining messaging, and improving outcomes before the real conversation even begins. Developed by fundraising experts with real‑time coaching at its core, it's the smart way to walk into every donor interaction calm, prepared, and ready to connect. Learn more at practivated.com Connect with me:  Instagram: https://www.instagram.com/_malloryerickson/ Facebook: https://www.facebook.com/whatthefundraising YouTube: https://www.youtube.com/@malloryerickson7946 LinkedIn: https://www.linkedin.com/mallory-erickson-bressler/ Website: malloryerickson.com/podcast Loved this episode? Leave us a review and rating here: https://podcasts.apple.com/us/podcast/what-the-fundraising/id1575421652 If you haven't already, please visit our new What the Fundraising community forum. Check it out and join the conversation at this link. If you're looking to raise more from the right funders, then you'll want to check out my Power Partners Formula, a step-by-step approach to identifying the optimal partners for your organization. This free masterclass offers a great starting point.

The race is OVER! Thank you to everyone that donated to this wonderful organization. But the fundraising doesn't end at the race, you can donate all year long at: https://fdlt.memberclicks.net/donor-form#/ This week wraps up the collection of conversations we got at the Jensen Dental (https://jensendental.com/) booth at the FDLA Symposium and Expo (https://www.fdla.net/). Thank you Jensen Dental (https://jensendental.com/) for hosting us at this wonderful event. First we talk to Leah Gold, an assistant turned dental technician. Leah got into assisting while in Ohio and during the pandemic, she moves down to Florida and starts working in a in-office lab for a prosthodontist. Basically having to teach herself most of the skills, she was soon setting teeth, using exocad, and doing custom shades with MIYO (https://miyoworld.com/). Then as a BONUS, not at the FDLA, we bring back on Jade Connors, denturist out of Canada. We just talked to Jade last March at IDS and she was a day away from finding out if she won the CANDULOR KunstZahnWerk Award (https://www.candulor.com/en-us/kzw-winners-2025). Well, it turns out she did win and she comes on to talk about the process, the pains, and the wins, all while learning a new skill. Looking for a way to unlock the full potential of your digital dentistry workflow. Take it from Elise Heathcote, associate manager of digital services with Ivoclar. This is all about the Cam Academy. They have a new in-person training experience designed specifically for dental technicians. This hands-on course explores the full potential of programmable Cam software, helping you take your digital workflow to the next level. Learn directly from Ivoclar experts, refine your skills and bring new precision and efficiency to your lab. Cam Academy is more than a course. It's your next step in digital excellence. To reserve your spot, visit the Ivoclar Academy website (https://www.ivoclar.com/en_us/academy/learning-opportunities?page=1&offset=12&filters=%5B%7B%22id%22%3A%22dateRange%22%2C%22selectedLowerBound%22%3A%222021-12-09T07%3A30%3A45.534Z%22%2C%22selectedUpperBound%22%3A%222022-06-09T06%3A30%3A45.534Z%22%7D%2C%7B%22id%22%3A%22type%22%2C%22advancedFilter%22%3Afalse%2C%22values%22%3A%5B%22In-house+trainings%22%5D%7D%5D) or contact your local Ivoclar sales representative today. Take your Full Arch game to the next level! On October 11th, 2025 the people that brought us the Locator attachment, Zest Dental Solutions (https://www.zestdent.com/) is putting on their first-ever ZEST LAB MASTERSHIP (https://info.zestdent.com/labmastership) program! You'll master the art of creating life-changing full-arch restorations, discover streamlined protocols, and develop the diagnostic skills that will revolutionize your practice. Plus, you'll get hands-on experience with LOCATOR FIXED (https://www.zestdent.com/locator-fixed-now-available?srsltid=AfmBOoo_v9_ANsrYCMncz0XWLf5401jx3ezw_Dgq16lTov7fkI4iMeK9). Head over to zest.pub/labmaster25 (https://education.zestdent.com/events/zestdental/1779555) or visit the full calendar at zestdent.com (https://www.zestdent.com/) right now and secure your spot. Use the code VOICESLAB to save $100!! Special Guests: Jade Connors, DD, RDT and Leah Gold.

My Music: Interview with Robin RossIn this candid and wide‑ranging episode of My Music, host Graham Coath sits down with singer‑songwriter and producer Robin Ross to talk about his latest project with The Howers and their vintage‑sounding EP Back to the Forest.Recorded in Ross's own Baba Leaf Studio—an analogue-focused retreat in the Poconos—the conversation covers:The story behind The Howers: how late‑night songwriting sessions in the woods with collaborator Tim Howell (and the occasional coyote) inspired both the band's name and their harmonically rich, retro blues sound.From gambling win to guitar obsession: Ross recounts the teenage bet that landed him his first guitar, leading to a lifelong passion for instruments with “mojo” and the souls of previous players.Building studios and careers: from Bleecker Street gigs with Laughing Jack/Jack's Maze and four‑track recordings to audio engineering school, multiple home studios and his current SSL‑equipped setup.Life beyond music: Ross's detour into novel‑writing and energy‑efficiency engineering, and how those experiences ultimately pulled him back into music in 2021.Analog vs. AI: why he avoids over‑compression, embraces analog gear and believes that algorithms can't replicate the human “vibe” in music.Releasing imperfect art: the freedom of putting out B‑sides, accepting honest criticism and connecting with listeners from Russia to the Scilly Isles via digital platforms.Ross also shares his hopes of bringing The Howers to stages in Norway and beyond, swapping stories with Coath about treasured guitars and the magic of songcrafting in nature. If you love behind‑the‑scenes studio talk, reflections on musical authenticity and the journey of a lifelong musician, this episode is for you.

"Music's too fun not to have fun making music." In this episode, I talk with Chris Andrews, a seasoned producer, mix, and mastering engineer who has worked with artists across the globe. From his Dolby-approved Atmos studio, Monument Sound, nestled at 7,400 feet in the Rocky Mountains of Colorado, Chris delivers stunning immersive mixes that compete at the highest level of the music industry. His story begins in a basement studio in Virginia and evolves through years of military service, technical refinement, and relentless creativity. We talk about Chris's current studio setup, his go-to tools like the SSL Sigma, and how Forte AI and Soundflow are revolutionizing his workflow. He shares advice for audio professionals on avoiding debt, maximizing creativity, and treating music as both an art and a business. This one's packed with insight and inspiration! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Chris Andrews, a 25-year veteran producer, mix, and mastering engineer based in Monument, Colorado. He got his start running TBR Studio—The Basement Recording Studio—for seven years before moving to Denver in 2007, where he balanced a day job while refining his craft by night. That dedication led to the creation of Monument Sound, a private studio set 7,400 feet up in the foothills of the Rocky Mountains. In 2022, he leveled up his studio with a Dolby-approved ATMOS mixing room, allowing him to deliver immersive, three-dimensional mixes that help artists compete in today's evolving audio world. While he's worked with artists all over the globe across many genres, his heart is in rock, pop, and country. And when he's not mixing music, he's lending his post-audio talents to indie film projects. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Apple Music: STEREO: https://music.apple.com/us/playlist/monument-sound-mix-master/pl.u-XkD0vN0C2vbYx3g ATMOS: https://music.apple.com/us/playlist/chris-andrews-atmos-mixes/pl.u-zPyLl9LCer95vy8 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/523

Video zur Episode Text-/Audio-/Videokommentar einreichen HS-Hörer:innen im Slack treffen Aus der Preshow Boris Rechner ist ausgelastet WERBUNG: Saal Digital – 30% mit Gutschein-Code HAPPY30SAAL (alles groß geschrieben) (Gutschein in Großbuchstaben eingeben, nur einmal je Person und Haushalt einlösbar, nicht mit anderen Gutscheinen oder Aktionen kombinierbar, Versandkosten nicht enthalten) HS Workshops Workshops Ausblick Workshops 2026 und … „#910 – Villageister“ weiterlesen

Is analog really better, or is convenience the true king in modern mixing? In this episode of the Mixing Music Podcast, Dee Kei and Lu dive deep into the ongoing debate of analog hardware vs. digital plugins — and reveal why the real competition has never been about sound quality, but about workflow efficiency and convenience.They explore the myths that analog gear automatically makes you a better mixer, the hidden costs and maintenance headaches of vintage units, and how digitally controlled hardware is bridging the gap between tone and practicality. From patch bays and recalls to plugin innovation and offline bounces, this conversation breaks down what actually matters in professional mixing today.Whether you're a gearhead, a plugin-only engineer, or someone stuck between worlds, this episode will help you rethink how you invest your time, money, and energy in the studio.

Our recommendations for the top 10 best sounding Turntable Carts from the past 12 months. Marc and Brian run down their best turntable cartridges for record players available to buy today. Released in conjunction with the pt.AUDIO Buyer's Guide Summer 2025. You can check out all the "best of" gear from every HiFi category here: https://pt.audio/category/audio-gear-reviews/buyers-guide/ In this epsiode we also discuss the pros and cons of Moving Magnet vs. Moving Coil cartridges and how to properly budget a cart vs. the total price of the turntable and components.  Video coverage: https://www.youtube.com/@PT-Audio The pt.AUDIO Record Weight In Walnut : 230 Gram S13E1 Sponsors: AUDIOVISIONSFdotCOM - San Francisco Oct 18-19 In-Store HiFi Celebration AUDIOQUESTdotCOM — High-Performance Cables & Power Products — Made for You MUSICHALLAUDIOdotCOM - No Nonsense, Just Great Sound SCHIITdotCOM - Audio Components Designed & Built in Texas, Starting At $49 ZMFHEADPHONESdotCOM - Traditional Craft, Modern Acoustics PTdotAUDIO - Great Sounds Meet Good Times PASSLABSdotCOM - Rediscover Your Music Like Never Before  

⸻ Podcast: Redefining Society and Technologyhttps://redefiningsocietyandtechnologypodcast.com _____ Newsletter: Musing On Society And Technology https://www.linkedin.com/newsletters/musing-on-society-technology-7079849705156870144/_____ Watch on Youtube: https://youtu.be/nFn6CcXKMM0_____ My Website: https://www.marcociappelli.com_____________________________This Episode's SponsorsBlackCloak provides concierge cybersecurity protection to corporate executives and high-net-worth individuals to protect against hacking, reputational loss, financial loss, and the impacts of a corporate data breach.BlackCloak:  https://itspm.ag/itspbcweb_____________________________A Musing On Society & Technology Newsletter Written By Marco Ciappelli | Read by TAPE3We Have All the Information, So Why Do We Know Less?Introducing: Reflections from Our Hybrid Analog-Digital SocietyFor years on the Redefining Society and Technology Podcast, I've explored a central premise: we live in a hybrid analog-digital society where the line between physical and virtual has dissolved into something more complex, more nuanced, and infinitely more human than we often acknowledge.But with the explosion of generative AI, this hybrid reality isn't just a philosophical concept anymore—it's our lived experience. Every day, we navigate between analog intuition and digital efficiency, between human wisdom and machine intelligence, between the messy beauty of physical presence and the seductive convenience of virtual interaction.This newsletter series will explore the tensions, paradoxes, and possibilities of being fundamentally analog beings in an increasingly digital world. We're not just using technology; we're being reshaped by it while simultaneously reshaping it with our deeply human, analog sensibilities.Analog Minds in a Digital World: Part 1We Have All the Information, So Why Do We Know Less?I was thinking about my old set of encyclopedias the other day. You know, those heavy volumes that sat on shelves like silent guardians of knowledge, waiting for someone curious enough to crack them open. When I needed to write a school report on, say, the Roman Empire, I'd pull out Volume R and start reading.But here's the thing: I never just read about Rome.I'd get distracted by Romania, stumble across something about Renaissance art, flip backward to find out more about the Reformation. By the time I found what I was originally looking for, I'd accidentally learned about three other civilizations, two art movements, and the invention of the printing press. The journey was messy, inefficient, and absolutely essential.And if I was in a library... well then just imagine the possibilities.Today, I ask Google, Claude or ChatGPT about the Roman Empire, and in thirty seconds, I have a perfectly formatted, comprehensive overview that would have taken me hours to compile from those dusty volumes. It's accurate, complete, and utterly forgettable.We have access to more information than any generation in human history. Every fact, every study, every perspective is literally at our fingertips. Yet somehow, we seem to know less. Not in terms of data acquisition—we're phenomenal at that—but in terms of deep understanding, contextual knowledge, and what I call "accidental wisdom."The difference isn't just about efficiency. It's about the fundamental way our minds process and retain information. When you physically search through an encyclopedia, your brain creates what cognitive scientists call "elaborative encoding"—you remember not just the facts, but the context of finding them, the related information you encountered, the physical act of discovery itself.When AI gives us instant answers, we bypass this entire cognitive process. We get the conclusion without the journey, the destination without the map. It's like being teleported to Rome without seeing the countryside along the way—technically efficient, but something essential is lost in translation.This isn't nostalgia talking. I use AI daily for research, writing, and problem-solving. It's an incredible tool. But I've noticed something troubling: my tolerance for not knowing things immediately has disappeared. The patience required for deep learning—the kind that happens when you sit with confusion, follow tangents, make unexpected connections—is atrophying like an unused muscle.We're creating a generation of analog minds trying to function in a digital reality that prioritizes speed over depth, answers over questions, conclusions over curiosity. And in doing so, we might be outsourcing the very process that makes us wise.Ancient Greeks had a concept called "metis"—practical wisdom that comes from experience, pattern recognition, and intuitive understanding developed through continuous engagement with complexity. In Ancient Greek, metis (Μῆτις) means wisdom, skill, or craft, and it also describes a form of wily, cunning intelligence. It can refer to the pre-Olympian goddess of wisdom and counsel, who was the first wife of Zeus and mother of Athena, or it can refer to the concept of cunning intelligence itself, a trait exemplified by figures like Odysseus. It's the kind of knowledge you can't Google because it lives in the space between facts, in the connections your mind makes when it has time to wander, wonder, and discover unexpected relationships.AI gives us information. But metis? That still requires an analog mind willing to get lost, make mistakes, and discover meaning in the margins.The question isn't whether we should abandon these digital tools—they're too powerful and useful to ignore. The question is whether we can maintain our capacity for the kind of slow, meandering, gloriously inefficient thinking that actually builds wisdom.Maybe the answer isn't choosing between analog and digital, but learning to be consciously hybrid. Use AI for what it does best—rapid information processing—while protecting the slower, more human processes that transform information into understanding. We need to preserve the analog pathways of learning alongside digital efficiency.Because in a world where we can instantly access any fact, the most valuable skill might be knowing which questions to ask—and having the patience to sit with uncertainty until real insight emerges from the continuous, contextual, beautifully inefficient process of analog thinking.Next transmission: "The Paradox of Infinite Choice: Why Having Everything Available Means Choosing Nothing"Let's keep exploring what it means to be human in this Hybrid Analog Digital Society.End of transmission.Marco______________________________________

Sat, 06 Sep 2025 08:00:00 GMT http://relay.fm/analogue/241 http://relay.fm/analogue/241 We're Part of the Us 241 Casey Liss and Myke Hurley It's actually September. It's actually September. clean 5502 It's actually September. This episode of Analog(ue) is sponsored by: Saily: Affordable eSIM plans for international travel. Use code 'analogue' for 15% off. Fitbod: Get stronger, faster with a fitness plan that fits you. Get 25% off your membership. Squarespace: Save 10% off your first purchase of a website or domain using code ANALOGUE. Incogni: Take your personal data back with Incogni! Use code ANALOGUE with this link and get 60% off an annual plan. Links and Show Notes: Support Analog(ue) with a Relay Membership Submit Feedback Relay for St. Jude Relay for St. Jude Podcastathon 2025Get ready!

Sat, 06 Sep 2025 08:00:00 GMT http://relay.fm/analogue/241 http://relay.fm/analogue/241 Casey Liss and Myke Hurley It's actually September. It's actually September. clean 5502 It's actually September. This episode of Analog(ue) is sponsored by: Saily: Affordable eSIM plans for international travel. Use code 'analogue' for 15% off. Fitbod: Get stronger, faster with a fitness plan that fits you. Get 25% off your membership. Squarespace: Save 10% off your first purchase of a website or domain using code ANALOGUE. Incogni: Take your personal data back with Incogni! Use code ANALOGUE with this link and get 60% off an annual plan. Links and Show Notes: Support Analog(ue) with a Relay Membership Submit Feedback Relay for St. Jude Relay for St. Jude Podcastathon 2025Get ready!

“Surround yourself with people you admire.” In this episode of Recording Studio Rockstars, I had the pleasure of talking with Brendan Duffey, a multi-Grammy-nominated mix and mastering engineer with nearly 30 years of experience. Brendan has worked with legends like Kendrick Lamar, Sheryl Crow, Milton Nascimento, and Bruce Dickinson—best known as the iconic lead singer of Iron Maiden and a legendary solo artist in his own right. Brendan brings a deep understanding of both the technical and emotional sides of music production. We talked about everything from his early days teaching audio engineering—where he learned how to explain complex concepts in simple ways—to his approach to mixing and mastering across different genres. Brendan shared what it was like to remix and master much of Bruce Dickinson's solo catalog, how he thinks about low-end in hip-hop, and why sometimes a mistake in the studio can lead to your most exciting creative breakthrough. He also opened up about how vocal production has changed over the years, moving from an auditory process to a more visual one, and why he believes simplicity, emotional connection, and knowing your tools inside and out are what really make a mix come alive. Brendan reminded me that mixing isn't just about the gear or the plugins—it's about bringing out the best in the performance and creating something that moves people. This was a killer episode with tons of great insight, whether you're just starting out or deep in your career. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Brendan Duffey, an award-winning mix and mastering engineer with 21 nominations to his name. Based in Jupiter, Florida, Brendan has nearly three decades of experience delivering world-class sound for artists across genres, including Bruce Dickinson of Iron Maiden, Kendrick Lamar, Milton Nascimento, and Sheryl Crow. For 10 years, Brendan owned and operated a major recording facility in São Paulo, Brazil, before relocating to California to focus on mixing and mastering. He later moved to Jupiter in search of a better quality of life for his family. Brendan holds a B.A. in Recording Arts from CSU Chico and a Master's degree in Music Business from Berklee College of Music. Thank you to Matt Boudreau for the introduction our NAMM meetup! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0L98zCsTqvYmMxalrJa1SZ?si=8bfd61e0069a4adb If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/522

In this episode, host Sebastian Hassinger sits down with Xiaodi Wu, Associate Professor at the University of Maryland, to discuss Wu's journey through quantum information science, his drive for bridging computer science and physics, and the creation of the quantum programming language SimuQ.Guest IntroductionXiaodi Wu shares his academic path from Tsinghua University (where he studied mathematics and physics) to a PhD at the University of Michigan, followed by postdoctoral work at MIT and a position at the University of Oregon, before joining the University of Maryland.The conversation highlights Wu's formative experiences, early fascination with quantum complexity, and the impact of mentors like Andy Yao.Quantum Computing: Theory Meets PracticeWu discusses his desire to blend theoretical computer science with physics, leading to pioneering work in quantum complexity theory and device-independent quantum cryptography.He reflects on the challenges and benefits of interdisciplinary research, and the importance of historical context in guiding modern quantum technology development.Programming Languages and Human FactorsThe episode delves into Wu's transition from theory to practical tools, emphasizing the major role of human factors and software correctness in building reliable quantum software.Wu identifies the value of drawing inspiration from classical programming languages like FORTRAN and SIMULA—and points out that quantum software must prioritize usability and debugging, not just elegant algorithms.SimiQ: Hamiltonian-Based Quantum AbstractionWu introduces SimuQ, a new quantum programming language designed to treat Hamiltonian evolution as a first-class abstraction, akin to how floating-point arithmetic is fundamental in classical computing.SimiQ enables users to specify Hamiltonian models directly and compiles them to both gate-based and analog/pulse-level quantum devices (including IBM, AWS Braket, and D-Wave backends).The language aims to make quantum simulation and continuous-variable problems more accessible, and serves as a test bed for new quantum software abstractions.Analog vs. Digital in Quantum ComputingWu and Hassinger explore the analog/digital divide in quantum hardware, examining how SimuQ leverages the strengths of both by focusing on higher-level abstractions (Hamiltonians) that fit natural use cases like quantum simulation and dynamic systems.Practical Applications and VisionThe conversation highlights targeted domains for SimuQ, such as quantum chemistry, physics simulation, and machine learning algorithms that benefit from continuous-variable modeling.Wu discusses his vision for developer-friendly quantum tools, drawing parallels to the evolution of classical programming and the value of reusable abstractions for future advancements. Listen to The New Quantum Era podcast for more interviews with leaders in quantum computing, software development, and scientific research.

I have nothing clever or interesting to say about this episode. It’s 90 in the Holding Tanks with a talky bit in the middle. I will say that the latter half of it, though it starts a bit uptempo and quirky, settles into a quite warm and reflective space by the end. Must be the […]

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⸻ Podcast: Redefining Society and Technologyhttps://redefiningsocietyandtechnologypodcast.com _____ Newsletter: Musing On Society And Technology https://www.linkedin.com/newsletters/musing-on-society-technology-7079849705156870144/_____ Watch on Youtube: https://youtu.be/OYBjDHKhZOM_____ My Website: https://www.marcociappelli.com_____________________________This Episode's SponsorsBlackCloak provides concierge cybersecurity protection to corporate executives and high-net-worth individuals to protect against hacking, reputational loss, financial loss, and the impacts of a corporate data breach.BlackCloak:  https://itspm.ag/itspbcweb_____________________________A Musing On Society & Technology Newsletter Written By Marco Ciappelli | Read by TAPE3The First Smartphone Was a Transistor Radio — How a Tiny Device Rewired Youth Culture and Predicted Our Digital FutureA new transmission from Musing On Society and Technology Newsletter, by Marco CiappelliI've been collecting vintage radios lately—just started, really—drawn to their analog souls in ways I'm still trying to understand. Each one I find reminds me of a small, battered transistor radio from my youth. It belonged to my father, and before that, probably my grandfather. The leather case was cracked, the antenna wobbled, and the dial drifted if you breathed on it wrong. But when I was sixteen, sprawled across my bedroom floor in that small town near Florence with homework scattered around me, this little machine was my portal to everything that mattered.Late at night, I'd start by chasing the latest hits and local shows on FM, but then I'd venture into the real adventure—tuning through the static on AM and shortwave frequencies. Voices would emerge from the electromagnetic soup—music from London, news from distant capitals, conversations in languages I couldn't understand but somehow felt. That radio gave me something I didn't even know I was missing: the profound sense of belonging to a world much bigger than my neighborhood, bigger than my small corner of Tuscany.What I didn't realize then—what I'm only now beginning to understand—is that I was holding the first smartphone in human history.Not literally, of course. But functionally? Sociologically? That transistor radio was the prototype for everything that followed: the first truly personal media device that rewired how young people related to the world, to each other, and to the adults trying to control both.But to understand why the transistor radio was so revolutionary, we need to trace radio's remarkable journey through the landscape of human communication—a journey that reveals patterns we're still living through today.When Radio Was the Family HearthBefore my little portable companion, radio was something entirely different. In the 1930s, radio was furniture—massive, wooden, commanding the living room like a shrine to shared experience. Families spent more than four hours a day listening together, with radio ownership reaching nearly 90 percent by 1940. From American theaters that wouldn't open until after "Amos 'n Andy" to British families gathered around their wireless sets, from RAI broadcasts bringing opera into Tuscan homes—entire communities synchronized their lives around these electromagnetic rituals.Radio didn't emerge in a media vacuum, though. It had to find its place alongside the dominant information medium of the era: newspapers. The relationship began as an unlikely alliance. In the early 1920s, newspapers weren't threatened by radio—they were actually radio's primary boosters, creating tie-ins with broadcasts and even owning stations. Detroit's WWJ was owned by The Detroit News, initially seen as "simply another press-supported community service."But then came the "Press-Radio War" of 1933-1935, one of the first great media conflicts of the modern age. Newspapers objected when radio began interrupting programs with breaking news, arguing that instant news delivery would diminish paper sales. The 1933 Biltmore Agreement tried to restrict radio to just two five-minute newscasts daily—an early attempt at what we might now recognize as media platform regulation.Sound familiar? The same tensions we see today between traditional media and digital platforms, between established gatekeepers and disruptive technologies, were playing out nearly a century ago. Rather than one medium destroying the other, they found ways to coexist and evolve—a pattern that would repeat again and again.By the mid-1950s, when the transistor was perfected, radio was ready for its next transformation.The Real Revolution Was Social, Not TechnicalThis is where my story begins, but it's also where radio's story reaches its most profound transformation. The transistor radio didn't just make radio portable—it fundamentally altered the social dynamics of media consumption and youth culture itself.Remember, radio had spent its first three decades as a communal experience. Parents controlled what the family heard and when. But transistor radios shattered this control structure completely, arriving at precisely the right cultural moment. The post-WWII baby boom had created an unprecedented youth population with disposable income, and rock and roll was exploding into mainstream culture—music that adults often disapproved of, music that spoke directly to teenage rebellion and independence.For the first time in human history, young people had private, personal access to media. They could take their music to bedrooms, to beaches, anywhere adults weren't monitoring. They could tune into stations playing Chuck Berry, Elvis, and Little Richard without parental oversight—and in many parts of Europe, they could discover the rebellious thrill of pirate radio stations broadcasting rock and roll from ships anchored just outside territorial waters, defying government regulations and cultural gatekeepers alike. The transistor radio became the soundtrack of teenage autonomy, the device that let youth culture define itself on its own terms.The timing created a perfect storm: pocket-sized technology collided with a new musical rebellion, creating the first "personal media bubble" in human history—and the first generation to grow up with truly private access to the cultural forces shaping their identity.The parallels to today's smartphone revolution are impossible to ignore. Both devices delivered the same fundamental promise: the ability to carry your entire media universe with you, to access information and entertainment on your terms, to connect with communities beyond your immediate physical environment.But there's something we've lost in translation from analog to digital. My generation with transistor radios had to work for connection. We had to hunt through static, tune carefully, wait patiently for distant signals to emerge from electromagnetic chaos. We learned to listen—really listen—because finding something worthwhile required skill, patience, and analog intuition.This wasn't inconvenience; it was meaning-making. The harder you worked to find something, the more it mattered when you found it. The more skilled you became at navigating radio's complex landscape, the richer your discoveries became.What the Transistor Radio Taught Us About TomorrowRadio's evolution illustrates a crucial principle that applies directly to our current digital transformation: technologies don't replace each other—they find new ways to matter. Printing presses didn't become obsolete when radio arrived. Radio adapted when television emerged. Today, radio lives on in podcasts, streaming services, internet radio—the format transformed, but the essential human need it serves persists.When I was sixteen, lying on that bedroom floor with my father's radio pressed to my ear, I was doing exactly what teenagers do today with their smartphones: using technology to construct identity, to explore possibilities, to imagine myself into larger narratives.The medium has changed; the human impulse remains constant. The transistor radio taught me that technology's real power isn't in its specifications or capabilities—it's in how it reshapes the fundamental social relationships that define our lives.Every device that promises connection is really promising transformation: not just of how we communicate, but of who we become through that communication. The transistor radio was revolutionary not because it was smaller or more efficient than tube radios, but because it created new forms of human agency and autonomy.Perhaps that's the most important lesson for our current moment of digital transformation. As we worry about AI replacing human creativity, social media destroying real connection, or smartphones making us antisocial, radio's history suggests a different possibility: technologies tend to find their proper place in the ecosystem of human needs, augmenting rather than replacing what came before.As Marshall McLuhan understood, "the medium is the message"—to truly understand what's happening to us in this digital age, we need to understand the media themselves, not just the content they carry. And that's exactly the message I'll keep exploring in future newsletters—going deeper into how we can understand the media to understand the messages, and what that means for our hybrid analog-digital future.The frequency is still there, waiting. You just have to know how to tune in.__________ End of transmission.

Happy International Workers Day, everyone! If you get a long weekend, we really hope you make the most of it. (Andy's going to the SF Pen Show, for example!) Before we go off and celebrate, we're coming atcha with some new Fresh Points, including some new Blackwings, a cool film camera, and the question that plagues our minds, “why is loose leaf paper so terrible?”. Show Notes and LinksErasable PatreonErasable Podcast Discord inviteAEnima by ToolIn Case You Were Napping by PusciferTrue Writer Killarney fountain pen Automatic Noodle by Annalee NewitzLessons in Magic and Disaster by Charlie Jane AndersSlow HorsesMission Impossible Final ReckoningSnipe Hunter by Tyler ChildersBlackwing Volume 292Kodak EtkarNahvalur TriadBlackwing x Fender San Francisco Pen ShowMonoc Evo by Schon DesignYour HostsJohnny GamberPencil RevolutionAndy Welfleandy.wtfTim Wasem

"I always had music around." In this episode, Lij Shaw interviews Felipe de Mari Scalone, a Brazilian producer and musician, about his journey from growing up in a musical family to establishing Junk Mahal Studio in Brazil. Felipe shares insights from his time in London and Amsterdam, his transition from performing in bands to music production, and his experiences attending Mix with the Masters with Shawn Everett. He discusses his sound experimentation, mixing techniques, and the impact of Brazilian and international music on his work. Felipe also shares his unique approaches to reamping, DIY audio equipment, vintage technology, and the challenges and rewards of working in the music industry. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Felipe De Mari Scalone, a Brazilian producer, musician, and frontman of the shoegaze/grunge band Cyanish. After immersing himself in the music scenes of Amsterdam and London, he returned to Brazil to record his debut EP, Lighthouse (2019), marking the beginning of his journey in music production. In 2021, Felipe founded Junkmahal Studio, collaborating with artists like Vitor Bruno, Catiça, 43duo, De Um Filho, De Um Cego, and Luvbites, helping shape their sound across various genres. In 2022, he attended a Mix With The Masters seminar in France with Shawn Everett, and by the end of 2024, he had earned an honorable mention in Eric Valentine's mix contest. Shortly after, he moved to Los Angeles for an internship with Chris Sorem at Nest Recorders, continuing to refine his craft. I met Felipe at NAMM during our Recording Studio Rockstars meetup and was impressed by his story, enthusiasm, and the cool sound of his records! Shoutout to Matt Boudreau for the introduction at the bar. Today, we will discuss making records in Brazil, experimenting with sound, and creating super cool short videos for Instagram to create new and unusual instruments in the studio. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/2RWGULQsJ7Ulj9f6AmQ2O1?si=540116b8c51440b1 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/521

Nostalgia for the late '90s and early 2000s is roaringly popular among Gen Z right now. Listeners call in with stories of life before the internet and what it is about that era that younger listeners wish for today, and we hear from Clay Routledge, social psychologist, director of the Human Flourishing Lab at Archbridge Institute and author of Past Forward: How Nostalgia Can Help You Live a More Meaningful Life (Sounds True, 2023).=>"Why Gen Z Is Resurrecting the 1990s" (NYT Opinion, 8/24/25)

Tune in for an episode of Recording Studio Rockstars with host Lij Shaw, featuring the talented musician and recording arts student, Abbie Griffin. Abbie shares her personal journey—from falling in love with music inspired by artists like Joni Mitchell and Taylor Swift, to navigating the challenges of the industry. She opens up about her songwriting process, the influence of her family and life experiences, and how technology is transforming the way we create music. Most importantly, Abbie emphasizes the importance of staying true to yourself and embracing your individuality. Don't miss her latest track, "Live from Onie's House," available on Spotify. Join us as we chat about music and creativity on this episode of Recording Studio Rockstars. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Abbie Griffin, an engineer, singer, guitarist, and bassist, and a student of Recording Arts and Production at Montclair State University in NJ, where she studies audio engineering, post-production, and live event audio. At just 22 years old, she's already been performing for nearly two decades. She loves making music and recently released her first record, Live from Onie's House, inspired by Joni Mitchell. To quote her greatest inspiration—her musical grandmother—Abbie is “the saddest yet happiest songbird you'll ever meet, with that smile.” I met Abbie at NAMM when she came to a meetup for Recording Studio Rockstars. The first thing she said to me was that she was a fan of the podcast—and so was her dad! It's so cool to hear how the podcast is reaching a younger audience and inspiring those just starting out in their music and audio careers. Today, we're going to find out what it's like to be a young student of recording aspiring to be a musician and songwriter. We'll talk about what Abbie's learning in school, what she thought she needed to learn, and what music really means to her. She shares her thoughts on the rapid changes in music technology with AI, how the definition of a producer is evolving for the next generation, and where she sees the future of music heading. We'll also dive into her love for vintage gear, DIY instruments, and how strength training plays a surprising role in her creative process. And—one of the coolest parts—Abbie recently had the chance to interview Pat Metheny, one of her musical heroes. Get ready for an inspiring conversation about songwriting, personal growth, and embracing your unique sound! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/7jc5wSU8VTbukzdbPmvyXa?si=fc479fd1cff4463d If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/520

Robert Kaplan and the analog Weimar Republic 2025. Peter Berkowitz, Hoover 1945 BERLIN