Podcasts about Analog

What's the secret to crafting a killer mix? Grammy-winning mix engineer Collin Dupuis joins us to share his insights on mixing techniques, room acoustics, and creative chaos. Known for working with The Black Keys, Lana Del Rey, Angel Olsen, he discusses the evolution of music gear, collaboration, experimentation, clarity in mixing, effective file management, and tools like Soundflow and Samply that streamline workflow. Collin talks about vintage recording equipment, the revival of classic multitrack tapes, and automation in modern mixing. He shares experiences with in-person learning, challenges working with musicians of varying skill levels, techniques for enhancing drum sounds, the importance of headphone mixes for drummers, microphone choices and design, and the historical impact of Stevens tape machines. From live-to-two-track recording to innovative mixing, Collin offers valuable insights into pushing creative boundaries. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Collin Dupuis, a Detroit-based multi-Grammy nominated and two time Grammy winning mixer, producer, and musician working with artists like Yves Tumor, Angel Olsen, Lawrence Rothman, Special Interest, Boy and Bear, and many others. He also plays drums in his band Zoos of Berlin. In 2024, Collin came to my studio to teach a mixing masterclass that was a ton of fun. We had a full studio of dedicated producers and engineers from near and far. We learned a ton about Collin's sophisticated mixing method, including a better understanding of how a mix template can work in your home studio and a deep dive into RX and how it can improve your mixes. Collin has been a guest on the podcast in episodes RSR252, RSR341 and RSR404. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0WU3Rx4o79aPlCDRnq4O0m?si=abcc86915abc4b5a If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/515

Mixed by KD (China) 01. T-Pain ft. Yung Joc - Buy U A Drink 02. Ella Mai - Boo'd Up 03. Ella Mai - Trip 04. Nelly ft. Kelly Rowland - Dilemma 05. Gorillaz - Clint Eastwood 06. Lil Wayne - Mrs. Officer 07. OutKast - So Fresh, So Clean 08. Goodie Mob - Cell Therapy 09. OutKast - Git Up, Git Out 10. Mary J. Blige ft. Fabolous - Breathing 11. Lil Wayne - Kat Food 12. The Black Eyed Peas - The APL Song 13. Akon - Gunshot 14. Shaggy - Luv Me Up 15. The Black Eyed Peas - Just Can't Get Enough 16. Lumidee - Never Leave You (Uh Oooh, Uh Oooh) 17. Missy Elliott - Work It 18. Soul II Soul - Back To Life 19. Snoop Dogg - Riders On The Storm 20. Drake & Chris Brown - No Guidance (Mashup Edition) 21. Kendrick Lamar - Squabble Up! (DJ Kasir Blend) 22. Kanye West & Lil Pump - I Love It (Astro Carryy Edit) 23. Tyla, Gunna, Skillibeng - Jump (YuchiBoi MORE FRE$H MIXTAPES ▶️ bit.ly/RAfresh reactivateasia.com FIND US ON OUR SOCIALS! FACEBOOK

Two distinct parts here. We’ll kick off with a couple long-ish, flowing tracks, endure a short talky bit, then head off again where things get a bit…peppier. (Did I just use an old-guy word? Oh, well. Enjoy!) Start      Sephiroth, Cathedron, Cathedron*13.11     Jarguna, Light Passage, The Truth Lies Beyond25.02     eyes cast down, […]

Video-Version auf youtube Fast immer dienstags, gerne mal um 18:00 Uhr: Happy Shooting Live. Täglich im Slack mitmachen – auch Audio-/Videokommentare werden gern angenommen. Aus der Preshow: eine nützliche Community, Ding-Dong, Eis ohne Eierlikör, Rum-Topf #hshi-Feedback vom Sponsor Detlev: Stahl-SD-Karte, Geodaten im Smartphone, LR Spiegelungenentfernen entfernt auch Flares, Spende #hshi-Feedback von Jens zu den Adobe-KI-Credits … „#903 – Wenn es Puff macht“ weiterlesen

I got rid of all my analog gear… and honestly, I didn't expect this. In this video, I break down why I made the switch to plugins, what I gained (and lost), and whether I'd ever go back. Let's find out.If you're a producer and want to get on Colossal, and sell more beats, register now at colossal.fm/producers - and it's free, no subscription costs!➡️https://colossal.fmhttps://www.instagram.com/colossal_apphttps://www.tiktok.com/@colossal.apphttps://www.youtube.com/@colossal-app➡️ Get Our Rosetta Plugins: https://cutt.ly/RwAEmuRF➡️ Our Site: https://www.helpmedevvon.com Please subscribe to our YouTube and rate our podcast it helps us a lot!➡️ https://linktr.ee/mystudionerdsFollow Ushttps://www.instagram.com/helpmedevvon➡️Join this channel to get access to perks:https://www.youtube.com/channel/UCGyDjbX9F9ARt_8sgv5kGDg/joinFollow The CastDevvon Terrellhttps://instagram.com/helpmedevvonLJhttps://instagram.com/prodbyljeanHere is L.Jean channel! https://youtube.com/@SweataWeathaCourtney Taylorhttps://instagram.com/officialcourtneytaylor#podcast #mixing #mastering

Chris, Ade and Jeremiah explore the ways new technology can help you make fantastic photos.

Resident in the mix returns with another outstanding mix from Garry Howden.Trilucid - Cheyenne. [UV]Jamie Stevens - Tell You Later (Feat. Wilma (AU) (GMJ & Matter Remix). [Music To Die For Recordings]Ruben Karapetyan - Perceptual Isolation.[Meanwhile]Rabiee Ahmad & Hassan Tariq Khan - In My Mind. [BCSA]Grisel Esquivel - Arcanas (Soulmade AR Remix) [Droid 9]BORDA - Hyperion. [BCSA]Mattias Herrera - Gardens [The Soundgarden]Juan Deminicis - Solar Reign [Kitchen Recordings]Gowzer - Diamond Sky. [Vapour Recordings]Solis [US] - Lumina . [Univack]Sandra Collins & Micke - Thirteen (Quivver Remix). [Dissident Music]Unusual Soul & Redspace - Shadows Of Consciousness. [Music Treasures]Framewerk - Only When I Lose Myself. [Bandcamp]Framewerk - Perception. [Bandcamp]

Having fun at the pace of real life is a skill these days. It takes practice, flexibility, and the creativity to say yes as often as possible.Show Notes: https://bit.ly/407qPr1 

It's New Tunesday: new releases from the past week! Give the bands a listen. If you like what you hear, support the bands! Today's episode features new releases by Agency-V, Spacebuoy, For Joris, Chrom, Twisted Destiny, Liya, Core In Motion, Analog 80, TC75, Larva, Stoneburner, Vol. A.D., Incirrina, Die Sexual, Lebanon Hanover, Dunkelwald, Midnight, In A Darkened Room, Closed Tear, N8NOFACE, None Shall Remain, and Blood Dance!

Check out McMo's latest fantastic contribution to our PHUK Resident in the Mix series...Tracklist:1. 84 Avenue - Stellar (Extended Mix) [Sunexplosion]2. Temple Gate - Pure Distance (Zankee Gulati Remix) [Warung Recordings]3. D-MICE - Orbiter (Extended Mix) [SkyTop]4. Nikhila Hashen - The Void (Original Mix) [Soulsynth]5. Teleport-X, XAVI st - Many Things (Extended Mix) [Univack]6. Mike Kohl - Wonder Valley (Club Mix) [Manual Music]7. Agustin Pietrocola - Sorcerer (Original Mix) [Balkan Connection South America]8. D-MICE - Tension (Original Mix) [Protagonist Dark]9. CAMILA (AR) - Impetus (Original mix) [Natura Viva Black]10. Indigo Man - Similarity (Mayro Remix) [Undergroove Music]11. Jerome Isma-Ae - Rise (Envotion Extended Remix) [JEE Productions]12. Moodfreak, Haen - Frostbite (Original Mix) [YOMO Records]13. Puck - Hallucinate (Original Mix) [YOMO Records]14. Matt Oliver - Water Cut (Original Mix) [WARPP]15. Al Park - Stellar Drift (Original Mix) [Protagonist Dark]16. Mike Griego, Scippo - Trapped Under Ice (Original Mix) [A Line In The Sand]17. MYRNE, mor•a•mor - Blood Runs Blue (Extended Mix) [Anjunabeats]18. Nicolas Rada - Glasgow (Original Mix) [Meanwhile]19. Ezequiel Arias - What Is Music (Extended Mix) [Anjunadeep]20. D-Nox - Heartbeat (Original Mix) [Sprout]21. Laut, Marc Wiese - Melodies of Us (Extended Mix) [Sekora]22. foglight - Secret Temple (Original Mix) [Mango Alley]23. Adrià Falcó - Shiva's Journey (Extended Mix) [Hollystone Records]

Episode 59: Analog Horror This episode was recorded on June 20, 2025 and posted on July 12, 2025.  Content Warning: Light vulgarity.  Introduction Welcome to No Bodies Episode 59 Introductions to your ghost hosts - Lonely of Lonely Horror Club and Suzie aka Projectile Varmint Introductions to our guest - Billy D of Halloween Babies Podcast Today's Topic: Analog Horror Defining Analog Horror The origins of analog horror The Uncanny Valley  Liminal Spaces The rise of analog horror and Skinamarink Media Discussion Shorts Dog Nightmares - Childhood Dreams (2022) Local 58 - You Are on the Fastest Available Route (2017) Midis Gemini Home Entertainment - World's Weirdest Animals (2018) The Backrooms - Found Footage (2022) The Walten Files: Introductory Tape (2023) Possibly in Michigan (1983) Mandela Catalogue Volume 1 (2020) The Greylock Tapes - Tape 001, Tape 002, Tape 003, Tape 004 (2023) Feature Length Winter of ‘83 (2022) Best & Worst Representations of Analog Horror Worst The Walten Files (2023) - Suzie, Billy D, & Lonely The Greylock Tapes - Tape 001 (2023) - Billy D Best Possibly in Michigan (1983) - Lonely & Billy D Winter of ‘83 (2022) - Suzie Suzie's Deep Cuts & Surface Wounds This segment highlights lesser known films based on their IMDB ratings. If something has 5k or under reviews on IMDB, we'll call it a Deep Cut. If something has between 6-10k reviews on IMDB, we'll call it a Surface Wound. Too Many Cooks (2014) This House Has People In It (2016) WNUF Halloween Special (2013) Closing Thoughts How do you think the rise of analog horror will impact the future of horror storytelling, if at all? Thank you to Our Guests Follow Billy D on Instagram @halloweenbabiespodcast and listen to Halloween Babies wherever you get your podcasts! Keep Up with Your Hosts Check out our instagram antics and drop a follow @nobodieshorrorpodcast.  Subscribe to our YouTube channel for exclusive video episodes coming soon! Take part in our audience engagement challenge - The Coroner's Report! Comment, share, or interact with any Coroner's Report post on our socials to be featured in an upcoming episode.  Projectile Varmint - keep up with Suzie's film musings on Instagram @projectile__varmint Lonely - read more from Lonely and keep up with her filmstagram chaos @lonelyhorrorclub on Instagram and www.lonelyhorrorclub.com. Original No Bodies Theme music by Jacob Pini. Need music? Find Jacob on Instagram at @jacob.pini for rates and tell him No Bodies sent you! Leave us a message at (617) 431-4322‬ and we just might answer you on the show! Sources DeGuzman, K. (2025, June 5). What is Analog Horror — History and Examples Explained. StudioBinder. https://www.studiobinder.com/blog/what-is-analog-horror-definition/  Partha, M. (2025, January 22). Analog horror and the Uncanny Valley — what makes it so terrifying? Medium. https://medium.com/@mitalisechochamber/analog-horror-and-the-uncanny-valley-what-makes-it-so-terrifying-4048f7b7062e  Wiki, C. T. a. H. (n.d.-a). Dog nightmares. Analog Horror Wiki. https://analog-horror-0.fandom.com/wiki/Dog_Nightmares  Wiki, C. T. a. H. (n.d.-b). Gemini Home Entertainment. Analog Horror Wiki. https://analog-horror-0.fandom.com/wiki/Gemini_Home_Entertainment  Wiki, C. T. a. H. (n.d.-c). Local 58. Analog Horror Wiki. https://analog-horror-0.fandom.com/wiki/Local_58  Wiki, C. T. a. H. (n.d.-d). The backrooms. Analog Horror  Wiki. https://analog-horror-0.fandom.com/wiki/The_Backrooms  Wikipedia contributors. (2025a, June 23). Uncanny. Wikipedia. https://en.wikipedia.org/wiki/Uncanny Wikipedia contributors. (2025b, July 1). Uncanny valley.  Wikipedia. https://en.wikipedia.org/wiki/Uncanny_valley#:~:text=The%20uncanny%20valley%20is%20the,Movement%20amplifies%20the%20emotional%20response.  Wikipedia contributors. (2025c, July 6). Liminal space (aesthetic). Wikipedia. https://en.wikipedia.org/wiki/Liminal_space_(aesthetic)

In this episode of Recording Studio Rockstars, I sat down with the legendary David Botrill—Grammy-winning producer and engineer behind iconic albums by Tool, Peter Gabriel, King Crimson, Muse, and more. David's journey began in a small Canadian studio run by Bob Lanois, where he learned to be indispensable in the room. From there, he went on to work with Daniel Lanois, Peter Gabriel, and Real World Studios before stepping out on his own. We talk about: The evolution of his ambient and world music influences Building a custom studio for Atmos mixing Embracing imperfection in music Band dynamics, remote collaboration, and pre-production tips His hands-on carpentry work and how it shapes his approach to sound This episode is packed with wisdom for producers, engineers, and anyone passionate about capturing real emotion in the studio. Don't miss this conversation with one of the greats! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is David Bottrill, a three time Grammy Award winning Producer/Engineer/Mixer and has had over 15 million copies of his work sold worldwide. He has worked with a diverse spectrum of prolific artists, such as Peter Gabriel, Smashing Pumpkins, Tool, Muse, Silverchair, King Crimson, Godsmack. and Rush. David has also worked with some of the most influential world musicians, noteably Youssou N'dour and Baaba Maal of Senegal, and Nusrat Fateh Ali Khan of Pakistan. David spent 20 years living in the UK, followed by a term in New York, but has settled back in Canada, where he has a mixing studio. Even still, David still spends much of his time working in the US and abroad. Thanks to Brian Murphree at SoundPorter Mastering for making this happen! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/4rABNr5EoaZ8S7hJSMCXMm?si=017e4b84ae674701 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/514

Our resident in the mix series continues with another outstanding mix from SPICE. Get your ears round this.1. “Electronic Universe” (Extended Mix) – Tom Sommerson. (Truesounds Music).2. “Red Lights From Afar” (Ruben Karapetyan Remix) – Maze 28. (RKP).3. “Unmoving” (Remixes)(Hernan Cattaneo & Marcelo Vasami Remix) – East Café. (Embliss).4. “Emily” (Original Mix) – Valen Gonzalez. (Droid9).5. “Hypnotic” (Original Mix) – Taleon. (Undercool Productions).6. “Neverland” (Original Mix) – Michael A. (Musical Euphoria).7. “Modulator” (Original Mix) – Michael A. (Proton Music).8. “Silence Becomes You” (Original Mix) – Redspace. (PURRFECTION).9. “Re Enabled One” (Original Mix) – Ace Cat. (MNL).10. “Character” (Original Mix) – Agustin Bertolotti. (AH Digital).11. “Another Galaxy” (Original Mix) – Agustin Pietrocola. (Droid9).12. “Third Earth” (Federico Monachesi Remix) – Brisboys. (Brisbeats).13. “Angelos” (Original Mix) – Carlos Bacchus. (Balkan Connection).14. “Interiser” (Original Mix) – Lexicon Avenue, Fordal. (Ray Of Light).15. “Monocroma” (Original Mix) – Lucho Bragagnolo. (Traful).16. “Lost My Skin” (Original Mix) – MATTIC (BR). (Optin).17. “Soul Shifter” (Liam Garcia Remix) – Mind Conspiracy. (RKP).18. “Abelton Crash” (Extended Mix) – Redspace, Atique, Al Park. (Univack).19. “Tunna” (EANP Remix) – DERK, DEMIS (AR). (Golden Wings Music).20. “Rocket Jam” (Original Mix) – Will DeKeizer. (Plattenbank).21. “Gothamania” (Remixes)(Lexicon Avenue Remix) – Cass (UK). (Stripped).22. “Aphelion” (Original Mix) – Lucas Zarate. (Zenebona).

UNDERGROUNDED returns to Progressive House UK with a 4 hour masterclass from RICCO.

I quite enjoyed digging around in the library in the previous episode, so I’ve decided to ride that train a little longer here. Eighteen luscious tracks, aided and abetted by the shuffle (but mindfully, mind you!). And you never know…there just might be one of those. Yeah, one. Sure. That’s what I meant. Start    […]

Video-Version auf youtube Fast immer dienstags, gerne mal um 18:00 Uhr: Happy Shooting Live. Täglich im Slack mitmachen – auch Audio-/Videokommentare werden gern angenommen. Aus der Preshow: das is live!, wir hams doch im Griff, du brauchst mehr Ohren, Revolt stundenlang auf dem MacBook #hsfeedback von Peter: Mögliche „Villageister“ in der Viewfinder Villa – Klostergeister … „#902 – Grillhähnchen bedrucken“ weiterlesen

Video-Version auf youtube Fast immer dienstags, gerne mal um 18:00 Uhr: Happy Shooting Live. Täglich im Slack mitmachen – auch Audio-/Videokommentare werden gern angenommen. Aus der Preshow: das is live!, wir hams doch im Griff, du brauchst mehr Ohren, Revolt stundenlang auf dem MacBook #hsfeedback von Peter: Mögliche „Villageister“ in der Viewfinder Villa – Klostergeister … „#902 – Grillhähnchen bedrucken“ weiterlesen

Chris, Ade and Jeremiah explore the ways new technology can help you make fantastic photos.

Sat, 05 Jul 2025 19:30:00 GMT http://relay.fm/analogue/239 http://relay.fm/analogue/239 Did You Not Get Enough of Me 239 Casey Liss and Myke Hurley There's a lot in this one. There's a lot in this one. clean 5491 There's a lot in this one. This episode of Analog(ue) is sponsored by: Incogni: Take your personal data back with Incogni! Use code ANALOGUE with this link and get 60% off an annual plan. Squarespace: Save 10% off your first purchase of a website or domain using code ANALOGUE. Fitbod: Get stronger, faster with a fitness plan that fits you. Get 25% off your membership. Links and Show Notes: Support Analog(ue) with a Relay Membership Submit Feedback Cortex #167: Ten Years of Cortex Cortex #168: State of the Workflow — Austin Evans The Enthusiast: State of the Workflow Quinn Nelson: "Coming soon to Snazzy Labs :)" How the Week Has Been – The Enthusiast I Made My Own Mac! You Can Too! - Snazzy Labs The Enthusiast Casey's Tumblelog - “Go for it.” Callsheet: Awards Callsheet's 'App of the Day' entry Andor Percy Jackson & the Olympians In The Big Room by Peter Gabriel Squid Game season 3 F1: The Movie F1 — A Quick Review Mario Kart World

Sat, 05 Jul 2025 19:30:00 GMT http://relay.fm/analogue/239 http://relay.fm/analogue/239 Casey Liss and Myke Hurley There's a lot in this one. There's a lot in this one. clean 5491 There's a lot in this one. This episode of Analog(ue) is sponsored by: Incogni: Take your personal data back with Incogni! Use code ANALOGUE with this link and get 60% off an annual plan. Squarespace: Save 10% off your first purchase of a website or domain using code ANALOGUE. Fitbod: Get stronger, faster with a fitness plan that fits you. Get 25% off your membership. Links and Show Notes: Support Analog(ue) with a Relay Membership Submit Feedback Cortex #167: Ten Years of Cortex Cortex #168: State of the Workflow — Austin Evans The Enthusiast: State of the Workflow Quinn Nelson: "Coming soon to Snazzy Labs :)" How the Week Has Been – The Enthusiast I Made My Own Mac! You Can Too! - Snazzy Labs The Enthusiast Casey's Tumblelog - “Go for it.” Callsheet: Awards Callsheet's 'App of the Day' entry Andor Percy Jackson & the Olympians In The Big Room by Peter Gabriel Squid Game season 3 F1: The Movie F1 — A Quick Review Mario Kart World

Is AI changing the future of music production? In this episode, I sit down with Bobby Owsinski, renowned producer, author, and music industry expert, to explore the evolving role of AI, mastering, and the creative process. We dive into the latest edition of Owsinski's Mastering Engineer's Handbook, the importance of reference tracks, and the challenges of self-mastering. Our conversation covers the adaptability of professional songwriters, the resurgence of traditional song structures like bridges, and essential mixing techniques. We also discuss the significance of mono mixing, the roles of engineers and producers, and how the legacy of the music industry continues to shape modern production. Bobby and I explore the fallibility of memory in music history, the evolution of guitar tone and equipment, and the impact of technology on sound. We discuss the future of immersive audio, particularly in theatrical settings, and share insights on discovering new music, staying engaged with diverse sounds, and the importance of content creation and organization. If you're looking for expert insights on mastering, mixing, and navigating the changing landscape of music production, this episode is packed with valuable takeaways! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is producer and engineer Bobby Owsinski, one of the best-selling authors in the music industry, with 24 books that have become staples in audio recording, music, and music business programs worldwide. His titles include The Mixing Engineer's Handbook, The Music Business Advice Book, and The Musician's AI Handbook. A contributor to Forbes as a category expert on the new music business, Bobby's industry blogs have won numerous awards, and he's appeared on CNN and ABC News as a music branding and audio expert. His highly-rated Inner Circle podcast is now in its 10th year, with over 500 episodes featuring top guests from across the music industry. Bobby Owsinski was featured in RSR010, RSR395 and RSR458 episodes. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/35qyOhVhDyTtol0MGSyCjf?si=7f4e7901c3a94ec5 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/513

Not much to say here other than it’s a 50/50 ride, with tracks in the back half going back to 2013. Although I do get to teach you what a ney is, so there’s that. Enjoy. Start      Tony Gerber, Life Electromagnetic, Plank and Strings11.27     RL Huber, Deceitful Star, Hafgufa15.38     Infinite Body, […]

Video-Version auf youtube Fast immer dienstags, gerne mal um 18:00 Uhr: Happy Shooting Live. Täglich im Slack mitmachen – auch Audio-/Videokommentare werden gern angenommen. Aus der Preshow: Noch 300 Tage bis Klostergeister, Kalte LEDs im Kühlschrank, Laptop beim Italiener #hshi von Andy: Lichtfeldkamera finde ich interessant, UV Drucker will ich haben #hshi von Christian: In … „#901 – Es geht um die Ballons“ weiterlesen

After a month full of travel from our intrepid hosts, involving everything from counterfeit theatre tickets to marriage proposals to a literal train wreck, we're back to regale each other with stories from our travels, and, of course, the stationery we picked up along the way. Plus, we announce a future book club episode with The Phoenix Pencil Company by Allison King.For this episode, we recorded video, available to Patreon subscribers! If you're a patron, head over to see our faces and visual examples of many of the things we discuss. And if you're not a patron, join us at any level and you can see this and other supplemental content at any time!Show notes and linksErasable PatreonErasable Podcast Discord invitePhoenix Pencil Company by Allison KingUntitled Goose Game bookAnimal Crossing bookParis France by Gertrude SteinAndor Season 2The Bureaucratic Banality of Andor | RonBronson.designMy Friends by Fredrik BackmanEveryman's Library Pocket Poets SeriesCharley CrockettSomebody Feed PhilIs a River Alive?Remix Album from The CureJohnny's Pride journalsNahvalur Verdigris Muse fountain penErasable logo hatsErasable Eraser Friend lapel pinYour HostsJohnny GamberPencil RevolutionAndy Welfleandy.wtfTim Wasem

What are the important analog activities in an increasingly digital world? This week, Joey and Jess talk about luddites, handwriting, typewriting, mashing tomatoes, kinetic learning, and carbon dioxide. They don't talk about Folkways Records. references Taki Taki Luddites Study: Handwriting but not typewriting leads to widespread brain connectivity: a high-density EEG study with implications for the classroom Rick Barry 

In this Random and Unscripted episode, Marco Ciappelli and Sean Martin connect the dots between AI, robotics, connected systems, and human behavior. How do machines reshape society—and how do we reshape ourselves in response? A conversation born from their latest articles.This Random and Unscripted episode is exactly what the title promises—a raw, thoughtful exchange between Marco Ciappelli and Sean Martin, sparked by their most recent written reflections. The starting point? Two timely articles. Sean unpacks the complexity of securing connected environments—what happens when devices, vehicles, sensors, and platforms become part of something bigger? It's no longer about protecting individual elements, but understanding how they operate as “systems of systems”—intertwined, dynamic, and vulnerable. Meanwhile, Marco revisits Robbie, Isaac Asimov's iconic robot story, to explore how our relationship with technology evolves over time. What felt like distant science fiction in the 1980s now hits closer to home, as AI simulates understanding, machines mimic empathy, and humans blur the lines between organic and artificial. The discussion drifts from cybersecurity to human psychology, questioning how interacting with AI reshapes society—and whether our own behavior starts reflecting the technology we create. Machines are learning, systems are growing more complex, and somewhere along the way, humanity is changing too. Stay random. Stay curious. ⸻

High NRJ for your summer, much love !Peace Playlist : 1Matt Sassari / BLRThe Incident (extended mix) (5:51) 126 BPMTruesoul; 2BLR / Matt SassariClose Encounters (extended mix) (4:48) 128 BPMTruesoul; 3Carlo Lio / BorisJAQ (5:15) 131 BPMArcane; 4THE DEVIANTTNoir (5:27) 142 BPMSoma; 5DJ DextroBeautiful Day (4:59) 142 BPMMutual Rytm; 6JancenVertex (6:25) 142 BPMDrawner; 7Johannes AstrupSalsa Lessons (5:53) 142 BPMDrawner; 8DJ DextroMero Acaso (5:00) 142 BPMCodein Music; 9Genex / STIPPOut Of Turn (6:20) 144 BPMPlanet Rhythm; 10Confidential Recipe / DJ HausFlange Romance (4:32) 133 BPMDance Trax.   minimal show on iTunes minimal show rss feed   

⸻ Podcast: Redefining Society and Technologyhttps://redefiningsocietyandtechnologypodcast.com _____________________________This Episode's SponsorsBlackCloak provides concierge cybersecurity protection to corporate executives and high-net-worth individuals to protect against hacking, reputational loss, financial loss, and the impacts of a corporate data breach.BlackCloak:  https://itspm.ag/itspbcweb_____________________________Robbie, From Fiction to Familiar — Robots, AI, and the Illusion of Consciousness June 29, 2025A new transmission from Musing On Society and Technology Newsletter, by Marco CiappelliI recently revisited one of my oldest companions. Not a person, not a memory, but a story. Robbie, the first of Isaac Asimov's famous robot tales.It's strange how familiar words can feel different over time. I first encountered Robbie as a teenager in the 1980s, flipping through a paperback copy of I, Robot. Back then, it was pure science fiction. The future felt distant, abstract, and comfortably out of reach. Robots existed mostly in movies and imagination. Artificial intelligence was something reserved for research labs or the pages of speculative novels. Reading Asimov was a window into possibilities, but they remained possibilities.Today, the story feels different. I listened to it this time—the way I often experience books now—through headphones, narrated by a synthetic voice on a sleek device Asimov might have imagined, but certainly never held. And yet, it wasn't the method of delivery that made the story resonate more deeply; it was the world we live in now.Robbie was first published in 1939, a time when the idea of robots in everyday life was little more than fantasy. Computers were experimental machines that filled entire rooms, and global attention was focused more on impending war than machine ethics. Against that backdrop, Asimov's quiet, philosophical take on robotics was ahead of its time.Rather than warning about robot uprisings or technological apocalypse, Asimov chose to explore trust, projection, and the human tendency to anthropomorphize the tools we create. Robbie, the robot, is mute, mechanical, yet deeply present. He is a protector, a companion, and ultimately, an emotional anchor for a young girl named Gloria. He doesn't speak. He doesn't pretend to understand. But through his actions—loyalty, consistency, quiet presence—he earns trust.Those themes felt distant when I first read them in the '80s. At that time, robots were factory tools, AI was theoretical, and society was just beginning to grapple with personal computers, let alone intelligent machines. The idea of a child forming a deep emotional bond with a robot was thought-provoking but belonged firmly in the realm of fiction.Listening to Robbie now, decades later, in the age of generative AI, alters everything. Today, machines talk to us fluently. They compose emails, generate artwork, write stories, even simulate empathy. Our interactions with technology are no longer limited to function; they are layered with personality, design, and the subtle performance of understanding.Yet beneath the algorithms and predictive models, the reality remains: these machines do not understand us. They generate language, simulate conversation, and mimic comprehension, but it's an illusion built from probability and training data, not consciousness. And still, many of us choose to believe in that illusion—sometimes out of convenience, sometimes out of the innate human desire for connection.In that context, Robbie's silence feels oddly honest. He doesn't offer comfort through words or simulate understanding. His presence alone is enough. There is no performance. No manipulation. Just quiet, consistent loyalty.The contrast between Asimov's fictional robot and today's generative AI highlights a deeper societal tension. For decades, we've anthropomorphized our machines, giving them names, voices, personalities. We've designed interfaces to smile, chatbots to flirt, AI assistants that reassure us they “understand.” At the same time, we've begun to robotize ourselves, adapting to algorithms, quantifying emotions, shaping our behavior to suit systems designed to optimize interaction and efficiency.This two-way convergence was precisely what Asimov spoke about in his 1965 BBC interview, which has been circulating again recently. In that conversation, he didn't just speculate about machines becoming more human-like. He predicted the merging of biology and technology, the slow erosion of the boundaries between human and machine—a hybrid species, where both evolve toward a shared, indistinct future.We are living that reality now, in subtle and obvious ways. Neural implants, mind-controlled prosthetics, AI-driven decision-making, personalized algorithms—all shaping the way we experience life and interact with the world. The convergence isn't on the horizon; it's happening in real time.What fascinates me, listening to Robbie in this new context, is how much of Asimov's work wasn't just about technology, but about us. His stories remain relevant not because he perfectly predicted machines, but because he perfectly understood human nature—our fears, our projections, our contradictions.In Robbie, society fears the unfamiliar machine, despite its proven loyalty. In 2025, we embrace machines that pretend to understand, despite knowing they don't. Trust is no longer built through presence and action, but through the performance of understanding. The more fluent the illusion, the easier it becomes to forget what lies beneath.Asimov's stories, beginning with Robbie, have always been less about the robots and more about the human condition reflected through them. That hasn't changed. But listening now, against the backdrop of generative AI and accelerated technological evolution, they resonate with new urgency.I'll leave you with one of Asimov's most relevant observations, spoken nearly sixty years ago during that same 1965 interview:“The saddest aspect of life right now is that science gathers knowledge faster than society gathers wisdom.”In many ways, we've fulfilled Asimov's vision—machines that speak, systems that predict, tools that simulate. But the question of wisdom, of how we navigate this illusion of consciousness, remains wide open.And, as a matter of fact, this reflection doesn't end here. If today's machines can already mimic understanding—convincing us they comprehend more than they do—what happens when the line between biology and technology starts to dissolve completely? When carbon and silicon, organic and artificial, begin to merge for real?That conversation deserves its own space—and it will. One of my next newsletters will dive deeper into that inevitable convergence—the hybrid future Asimov hinted at, where defining what's human, what's machine, and what exists in-between becomes harder, messier, and maybe impossible to untangle.But that's a conversation for another day.For now, I'll sit with that thought, and with Robbie's quiet, unpretentious loyalty, as the conversation continues.Until next time,Marco_________________________________________________

Are you AI ready? Lots of you have already tried our fun AI readiness quiz to find out if you're an AI Superhero, but now there's a "scientifically validated" test of your AI competency. Well actually, you self-assess so it won't tell the whole story, but it's still interesting. In this issue, we've also got Stuart's article in PRovoke summarising the highlights of the AMEC summit, which is also one of the topics discussed on the first-ever live broadcast of Embracing Marketing Mistakes, where Stuart was the guest. The Wall Street Journal has an article on how the PR industry is using AI, a new tool to help you 'optimise' for AI large language models, a measurement framework for internal communications and a fascinating story about pitting AI LLMs against each other to play Diplomacy, the classic board game. We cover the Global Alliance's Venice Pledge on responsible AI and Stuart's analysis of the research that helped inform it. Finally, we have a look at how the BBC is using AI in the newsroom, 70% of Fortune 500 companies using video AI avatars, and a report on how NHS comms is failing to use AI enough.

In this episode of Recording Studio Rockstars, Lij Shaw and Dr. Ford explore what really goes into music production—from songwriting and vocal techniques to how social media is shaping the industry. They discuss the importance of staying flexible, much like in jiu-jitsu, and how AI can be a helpful tool while still emphasizing the human touch. Dr. Ford shares stories from his journey, including studio setup, maintaining health, and balancing creativity with hustle. It's a conversation about teamwork, adaptability, and pursuing what truly makes you passionate about music and life. Tune in for an insightful and inspiring discussion on making great music today. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Daniel Robert Ford, also known as "Dr. Ford," an 11-time award-winning and 8-time iTunes #1 record producer and mixer. Originally from the San Francisco Bay Area, he studied at Musicians Institute in Hollywood before making Nashville his home. With a passion for country music and working directly with artists, Dr. Ford has built a successful career producing records for clients in Nashville and internationally. Now, with the opening of his second commercial studio, he continues to expand his reach. Outside the studio, he's an avid weightlifter and a purple belt in Jiu-Jitsu at Gracie Barra Franklin. Dr Ford has been a guest on the podcast in episodes RSR136, 218 and 367. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.phantomfocus.com/category-s/149.htm https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/4cpjIff1g4Lwdld3Fz5OGa?si=61b9462116db42f6 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/512

Call it a landmark without fanfare. Instead, just another 90 minutes of dang fine music, including an unplanned “Ladies of the Piano” section. The flow dictates the show… Start      Karmacosmic, Voice from Beyond, Sky Space Bar III (compilation)4.35       Élément Kuuda, Tidal Denouement, Harbour of the North Wind8.26       Velocidad Crucero, […]

Video-Version auf youtube Fast immer dienstags, gerne mal um 18:00 Uhr: Happy Shooting Live. Täglich im Slack mitmachen – auch Audio-/Videokommentare werden gern angenommen. Aus der Preshow: bröselnder Waschbeton, gepushtes Update, Freibad-Öffnungszeiten Folge 900! Alte Videofolge mit Chris und Boris Happy Shooting jetzt auch mit Hosen Youtube-Shorts #hshi von Wilhelm: Es gibt nicht nur das … „#900 – Lichtlötfunktion“ weiterlesen

Alex Shvartsman (Brooklyn, NY) is the author of Kakistocracy (2023), The Middling Affliction (2022), and Eridani's Crown (2019) fantasy novels. Over 120 of his stories have appeared in Analog, Nature, Strange Horizons, et al. He won the WSFA Small Press Award for Short Fiction and was a three-time finalist for the Canopus Award for Excellence in Interstellar Fiction.His translations from Russian have appeared in F&SF, Clarkesworld, Tor.com, Analog, Asimov's, et al. Alex has edited over a dozen anthologies, including the long-running Unidentified Funny Objects series.This story originally appeared in Galaxy's Edge, no. 25, March 2017.Narrated by: Will StaglWill Stagl lives in Tucson Arizona and is a proud member of the StarShipSofa team. This month you'll likely find him tearing through The Devils by Joe Abercrombie at a local café or waiting for the next installment of Murderbot to air.Support this show http://supporter.acast.com/starshipsofa. Hosted on Acast. See acast.com/privacy for more information.

Generation X, born between 1965 and 1980, is often called the "sandwich generation" because many are simultaneously caring for their aging parents while still supporting their own children. On Tuesday's program, we'll talk to local Gen Xers about life, societal pressures and growing up before the start of the digital age.

Rockstars, in this episode, I'm hanging with four-time Grammy-winning producer, engineer, and mixer Chris Shaw for a deep dive into the craft of recording and mixing. We talk about his journey in the industry, his unique mixing setup, and the balance between analog and digital workflows. Chris shares insights on managing plugins, keeping a solid recording system, and the nuances of working with tape—covering everything from compression and dynamic range to how MIDI triggers fit into a mix. We also dig into the challenges of mixing live recordings, working on Bob Dylan's archival material, and the evolution of recording technology. Chris breaks down workflow efficiency, the importance of pre-production, and how tools like iZotope RX help clean up tracks. Plus, we touch on the role of machine learning in music production and the art of capturing a performance's true feel in the final mix. Chris shares stories from working with legends like Ice Cube and Public Enemy, techniques for dialing in signature guitar tones, and how looping has changed over the years. Whether you're in a pro studio or working from home, this episode is packed with tips and insights to level up your mixes! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Chris Shaw, a four-time Grammy-winning producer, engineer, mixer, and musician. Starting at Greene Street Recording, he quickly rose from an NYU intern to staff engineer, working with hip-hop legends like Public Enemy, A Tribe Called Quest, Run-DMC, and LL Cool J. In 1991, he played bass with LL Cool J on MTV Unplugged. Going independent, he's since worked with artists like Weezer, Wilco, Bob Dylan, Jeff Buckley, Sheryl Crow, Death Cab for Cutie, and more. His work appears on six of Rolling Stone's "500 Greatest Albums of All Time." Originally from New York, Chris relocated to Austin in 2014. Chris Shaw has been a guest on the podcast in RSR246 episode. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.phantomfocus.com/category-s/149.htm https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/1ngTJOUT3IqRLJVm3FWKKQ?si=f6cb25639e3b4199 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/511

Chris, Ade and Jeremiah explore the ways new technology can help you make fantastic photos.

// Erst wollte ich den Tryday diese Woche ausfallen lassen, weil ich keine Möglichkeit hatte, diese Folge zur gewohnten Zeit hochzuladen. Hier in Costa Rica gab es heute nämlich den ganzen Tag keinen Strom, kein Internet, kein fließendes Wasser. Aber dann dachte ich: Lädst du die Folge einfach drei Stunden später hoch und siehst den Tag ohne Strom als Tryday – die Idee, einen Tag ganz ohne Strom auszukommen, hatte ich ohnehin schon mehrfach vorgeschlagen bekommen. In dieser Folge erzähle ich, wie das war, und wie auch du einen ähnlichen Tag einbauen kannst. Und natürlich gibt es auch ein kurzes Update vom Pazifik. Inklusive Meeresrauschen und Hängematte! // Mehr zum FREI RAUS Podcast, unter anderem auch die Möglichkeit, dich zum wöchentlich erscheinenden Newsletter anzumelden, findest du unter https://www.christofoerster.com/freiraus // Die Musik-Playlist „FREI RAUS Wanderlust” ist auf Spotify abrufbar. // Coverphoto by Blackforest Collective

Creepypasta Scary Story

What starts in Jazz Valley and ends up wrapped in shadows? This episode. Start      David Mash, Bottles, Back to My Roots8.45       Laura Masotto, Orange (Rubin Henkel Rework), The Spirit Of Things Reworks12.14     Prix Libre, A Rendez-vous, Dead Again18.21     Ben Chatwin, The Beginning/The End, The Beginning25.13     Ah! Kosmos & […]

Video-Version auf youtube Fast immer dienstags, gerne mal um 18:00 Uhr: Happy Shooting Live. Täglich im Slack mitmachen – auch Audio-/Videokommentare werden gern angenommen. Aus der Preshow: Spaß mit Hermes, Fertig-Rouladen, an der Synchronizität gearbeitet. #hsfeedback von Manuel zu Boris iPhone-GPS-Problem #hsfollowup zu Großformat-Schlitten News: KI-Aussortier-Tools für Lightroom Snapseed 3.0 Leica Monopan 50 Film Urbex-Fotograf … „#899 – Panchromanisch“ weiterlesen

Today we're bringing you the recording from Slow Take, our live event in Nashville this past April, featuring Major Jackson in conversation with Jad Abumrad and special guest poets Kate Daniels, Mark Jarman, Ciona Rouse and Didi Jackson, as well as singer-songwriter Tia Sillers. Our hosts and guests employed the attention of The Slowdown to explore the daily noise we interact with -- how sharing poetry, stories, and reflection can shape our experience of the everyday. How do we collage our own pasts and our presents, alongside the many voices that we engage with? This event was produced in collaboration with The Porch and was recorded live at Analog at Hutton Hotel. The full video is available on The Slowdown's YouTube channel: https://youtu.be/NfNliG95AiECelebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

Today's guest is Matthew R. Corr, author of the retro-inspired horror novel Camp 1985 and creator of the ever-expanding Slasherverse series. What begins as a tongue-in-cheek sendup of influencer culture quickly descends into something far more sinister—and emotionally resonant.We dive deep into how Corr blends analog horror tropes with modern anxieties, explores identity and mental health through characters like Ander and Liam, and examines the darker sides of internet fame. From Ouija boards and condemned churches to OCD and body image, this episode pulls no punches.Matthew also opens up about his personal connection to the story, his journey from musical theater to indie horror fiction, and what fans can expect from Blood in the Water and the upcoming Static Snow.If you're a fan of slashers, ‘80s nostalgia, and horror that hits both the heart and the jugular—this conversation is for you.Website: https://www.matthewrcorr.com/Amazon: https://www.amazon.com/stores/Matthew-R.-Corr/author/B08YQN9V8V?ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=true&ccs_id=d02d7439-ed86-45cc-83fa-f033057d0fb0Instagram: https://www.instagram.com/matthewrcorr/?hl=enFacebook: https://www.facebook.com/matthewrcorr/

What Hump? Thirty Years of Cybersecurity and the Fine Art of Pretending It's Not a Human ProblemA new transmission from Musing On Society and Technology Newsletter, by Marco CiappelliJune 6, 2025A Post-Infosecurity Europe Reflection on the Strange but Predictable Ways We've Spent Thirty Years Pretending Cybersecurity Isn't About People.⸻ Once there was a movie titled “Young Frankenstein” (1974) — a black-and-white comedy directed by Mel Brooks, written with Gene Wilder, and starring Wilder and Marty Feldman, who delivers the iconic “What hump?” line.Let me describe the scene:[Train station, late at night. Thunder rumbles. Dr. Frederick Frankenstein steps off the train, greeted by a hunched figure holding a lantern — Igor.]Igor: Dr. Frankenstein?Dr. Frederick Frankenstein: It's Franken-steen.Igor: Oh. Well, they told me it was Frankenstein.Dr. Frederick Frankenstein: I'm not a Frankenstein. I'm a Franken-steen.Igor (cheerfully): All right.Dr. Frederick Frankenstein (noticing Igor's eyes): You must be Igor.Igor: No, it's pronounced Eye-gor.Dr. Frederick Frankenstein (confused): But they told me it was Igor.Igor: Well, they were wrong then, weren't they?[They begin walking toward the carriage.]Dr. Frederick Frankenstein (noticing Igor's severe hunchback): You know… I'm a rather brilliant surgeon. Perhaps I could help you with that hump.Igor (looks puzzled, deadpan): What hump?[Cut to them boarding the carriage, Igor climbing on the outside like a spider, grinning wildly.]It's a joke, of course. One of the best. A perfectly delivered absurdity that only Mel Brooks and Marty Feldman could pull off. But like all great comedy, it tells a deeper truth.Last night, standing in front of the Tower of London, recording one of our On Location recaps with Sean Martin, that scene came rushing back. We joked about invisible humps and cybersecurity. And the moment passed. Or so I thought.Because hours later — in bed, hotel window cracked open to the London night — I was still hearing it: “What hump?”And that's when it hit me: this isn't just a comedy bit. It's a diagnosis. Here we are at Infosecurity Europe, celebrating its 30th anniversary. Three decades of cybersecurity: a field born of optimism and fear, grown in complexity and contradiction.We've built incredible tools. We've formed global communities of defenders. We've turned “hacker” from rebel to professional job title — with a 401(k), branded hoodies, and a sponsorship deal. But we've also built an industry that — much like poor Igor — refuses to admit something's wrong.The hump is right there. You can see it. Everyone can see it. And yet… we smile and say: “What hump?”We say cybersecurity is a priority. We put it in slide decks. We hold awareness months. We write policies thick enough to be used as doorstops. But then we underfund training. We silo the security team. We click links in emails that say whatever will make us think it's important — just like those pieces of snail mail stamped URGENT that we somehow believe, even though it turns out to be an offer for a new credit card we didn't ask for and don't want. Except this time, the payload isn't junk mail — it's a clown on a spring exploding out of a fun box.Igor The hump moves, shifts, sometimes disappears from view — but it never actually goes away. And if you ask about it? Well… they were wrong then, weren't they?That's because it's not a technology problem. This is the part that still seems hard to swallow for some: Cybersecurity is not a technology problem. It never was.Yes, we need technology. But technology has never been the weak link.The weak link is the same as it was in 1995: us. The same it was before the internet and before computers: Humans.With our habits, assumptions, incentives, egos, and blind spots. We are the walking, clicking, swiping hump in the system. We've had encryption for decades. We've known about phishing since the days of AOL. Zero Trust was already discussed in 2004 — it just didn't have a cool name yet.So why do we still get breached? Why does a ransomware gang with poor grammar and a Telegram channel take down entire hospitals?Because culture doesn't change with patches. Because compliance is not belief. Because we keep treating behavior as a footnote, instead of the core.The Problem We Refuse to See at the heart of this mess is a very human phenomenon:vIf we can't see it, we pretend it doesn't exist.We can quantify risk, but we rarely internalize it. We trust our tech stack but don't trust our users. We fund detection but ignore education.And not just at work — we ignore it from the start. We still teach children how to cross the street, but not how to navigate a phishing attempt or recognize algorithmic manipulation. We give them connected devices before we teach them what being connected means. In this Hybrid Analog Digital Society, we need to treat cybersecurity not as an optional adult concern, but as a foundational part of growing up. Because by the time someone gets to the workforce, the behavior has already been set.And worst of all, we operate under the illusion that awareness equals transformation.Let's be real: Awareness is cheap. Change is expensive. It costs time, leadership, discomfort. It requires honesty. It means admitting we are all Igor, in some way. And that's the hardest part. Because no one likes to admit they've got a hump — especially when it's been there so long, it feels like part of the uniform.We have been looking the other way for over thirty years. I don't want to downplay the progress. We've come a long way, but that only makes the stubbornness more baffling.We've seen attacks evolve from digital graffiti to full-scale extortion. We've watched cybercrime move from subculture to multi-billion-dollar global enterprise. And yet, our default strategy is still: “Let's build a bigger wall, buy a shinier tool, and hope marketing doesn't fall for that PDF again.”We know what works: Psychological safety in reporting. Continuous learning. Leadership that models security values. Systems designed for humans, not just admins.But those are hard. They're invisible on the balance sheet. They don't come with dashboards or demos. So instead… We grin. We adjust our gait. And we whisper, politely:“What hump?”So what Happens now? If you're still reading this, you're probably one of the people who does see it. You see the hump. You've tried to point it out. Maybe you've been told you're imagining things. Maybe you've been told it's “not a priority this quarter.” And maybe now you're tired. I get it.But here's the thing: Nothing truly changes until we name the hump.Call it bias.Call it culture.Call it education.Call it the human condition.But don't pretend it's not there. Not anymore. Because every time we say “What hump?” — we're giving up a little more of the future. A future that depends not just on clever code and cleverer machines, but on something far more fragile:Belief. Behavior. And the choice to finally stop pretending.We joked in front of a thousand-year-old fortress. Because sometimes jokes tell the truth better than keynote stages do. And maybe the real lesson isn't about cybersecurity at all.Maybe it's just this: If we want to survive what's coming next, we have to see what's already here.- The End➤ Infosecurity Europe: https://www.itspmagazine.com/infosecurity-europe-2025-infosec-london-cybersecurity-event-coverageAnd ... we're not done yet ... stay tuned and follow Sean and Marco as they will be On Location at the following conferences over the next few months:➤ Black Hat USA in Las Vegas in August: https://www.itspmagazine.com/black-hat-usa-2025-hacker-summer-camp-2025-cybersecurity-event-coverage-in-las-vegasFOLLOW ALL OF OUR ON LOCATION CONFERENCE COVERAGEhttps://www.itspmagazine.com/technology-and-cybersecurity-conference-coverageShare this newsletter and invite anyone you think would enjoy it!As always, let's keep thinking!— Marco [https://www.marcociappelli.com]

Bob Bullock's mixed more hits than a jukebox, with 40+ years in the biz and 50+ gold & platinum credits. He's redesigned his studio three times with Carl Tatz, teaches at Belmont & SAE, and knows the magic of great acoustics, collaboration, and staying ahead of the mix! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Bob Bullock, an acclaimed engineer and producer who began his career in Los Angeles training under legends like Humberto Gatica, Reggie Dozier, and Roger Nichols. He quickly worked with top acts such as The Tubes, Art Garfunkel, REO Speedwagon, and Chick Corea before moving to Nashville, where he earned over 50 gold and platinum credits with artists like Shania Twain, George Strait, Reba McEntire, and Hank Williams Jr. With a 40-year career spanning engineering, producing, and artist development, Bob has worked with legends like Kenny Chesney, Loretta Lynn, and Keith Urban while also focusing on independent artists worldwide. He now shares his expertise through teaching at Belmont University, SAE, and other institutions. Bob has been a guest on the podcast on episodes RSR055 and RSR369. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.phantomfocus.com/category-s/149.htm https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/62mgdopY5MN7Gvta4TAeUK?si=ed9ccbe6500d4529 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/510

How shall we begin year 16? I thought maybe some really good music from the Holding Tanks was the way to go. I think you’ll agree. Enjoy. Start      Paul Ellis, Winter Garden, Warmth From Other Suns8.33       Yakuza Jacuzzi, Roscosmos, Space Race23.08     Avalon, Our Hypnotic Moods (single)29.48     Bohdan Stupak, Kviten, […]

Video-Version auf youtube Fast immer dienstags, gerne mal um 18:00 Uhr: Happy Shooting Live. Täglich im Slack mitmachen – auch Audio-/Videokommentare werden gern angenommen. Aus der Preshow: Für ein Blatt? Internet weg. Es war Großformat-Workshop, Noch ein Platz beim Großformat-Workshop im Oktober frei, noch freie Plätze beim Mensch-Workshop und Licht-Workshop News: Neuer Analogfilm aus Deutschland … „#898 – Du Hengst“ weiterlesen

Ignore this advice at your own peril.

In this episode, I share my thoughts on the evolving meaning of “rewilding” my illustration process. Originally, rewilding meant bringing analog elements back into my work—inking on paper, scanning textures, doing things the “hard” way. But lately, I've been asking myself: is it really about going analog? Or is it about something deeper? In this episode, I unpack how rewilding is less about tools and more about mindset. I look at how digital tools can either suffocate or support our creativity, depending on how we use them. And I share how I'm finding spontaneity, joy, and pride in my work—even when it's 100% digital.If you've ever felt disconnected from your creative process, or worried about how AI and digital tools are affecting your style, this episode is for you.I also share some reflections on the Amish, digital minimalism, and why your mechanical pencil will never ask you to rate it on the App Store.IN THIS EPISODEWhy rewilding might be a mindset, not a mediumHow digital tools can both hinder and help creative joyWhat I've rediscovered about spontaneity, surprise, and storytelling in illustrationWhy pride in your process matters—and how to get it backHow AI is forcing illustrators to reevaluate their processThe three key questions I now ask to evaluate any creative toolPLUS – Why my Apple Pencil will never beat a Mason jar full of ink water.SHOW LINKSDrawing Ideas (Skillshare Class) — https://www.tomfroese.com/teaching/drawingideasPost by @brettpstenson — https://www.instagram.com/p/DKiYMKHSapr/?img_index=1See How Book Artwork Was Done In The Old Days Before Computers — https://www.youtube.com/watch?v=w5YoyBvX1f8Graphic Design Tools Before Photoshop — https://youtu.be/O-XrRQf7BPM?si=GqEeaFOWfW3A87LlMy early style (Tom Froese Postcard example) — https://images.squarespace-cdn.com/content/v1/5aa6d6c0a9e028fce5f7f4b2/1523840966237-XPQXSOX8HCUS9WI1SEDW/Tom+Froese+Stationery-3.jpgMy style a few years ago (totally digital) — https://www.tomfroese.com/work/canadianidentityMy more recent style (more rewilded, in spite of being all digital) — https://www.instagram.com/p/DJr4MSTyTTv/ (image for my upcoming book, Drawing is Important).HOW TO SUPPORTShare this episode with your friends!Like / Subscribe / Follow / Comment / Review on Apple PodcastsBecome a $3 Supporter or $8 Drawing Buddy on Patreon – patreon.com/tomfroeseBECOME A DRAWING BUDDYLive, monthly Draw With Me meetupsAll past DWMs available as replaysExclusive access to the DWM Discord ServerJoin hereFIND ME ELSEWHEREWork and ClassesInstagramDaily DrawingsCREDITSMusic and Cues by Mark Allan Falk – semiathletic on Linktree

Sat, 07 Jun 2025 11:15:00 GMT http://relay.fm/analogue/238 http://relay.fm/analogue/238 A Specific Flavor of Juice 238 Casey Liss and Myke Hurley Preparing for WWDC, a baby update, and a remembrance. Preparing for WWDC, a baby update, and a remembrance. clean 5395 Preparing for WWDC, a baby update, and a remembrance. This episode of Analog(ue) is sponsored by: Saily: Affordable eSIM plans for international travel. Use code 'analogue' for 15% off. Squarespace: Save 10% off your first purchase of a website or domain using code ANALOGUE. COMPUTEX: Learn more about the 2026 event now. Fitbod: Get stronger, faster with a fitness plan that fits you. Get 25% off your membership. Links and Show Notes: Support Analog(ue) with a Relay Membership Submit Feedback Casey's Temperature Post on Threads Let‘s Get Started Smart Sleep Coach App by Pampers Huckleberry Mango Baby Remembering Daniel Williams ‘Not right': Verstappen issues veiled apology for Russell crash at F1 Spanish GP Williams Racing on Instagram Lilo & Stitch The Murderbot Diaries The Remarkable Life of Ibelin The Studio The Ringer: Seth Rogen, Evan Goldberg, and Wild Stories From the Set of ‘The Studio' Part 1 The Ringer: Seth Rogen, Evan Goldberg, and Wild Stories From the Set of ‘The Studio' Part 2 WVFRM Podcast on YouTube

Get ready to rock the world of immersive audio with award-winning producer and mixing engineer Justin Gray! In this episode, we explore his journey from bassist to pioneer in Dolby Atmos and Sony 360, uncovering spatial sound's creative and technical magic. Justin shares his innovative recording techniques, the importance of capturing music in 3D space, and the evolving role of musicians in the process. We also discuss the challenges of funding music in Canada, how to get started with Atmos in a home studio, and the power of remote collaboration. Plus, Justin drops some golden advice for aspiring producers on embracing their creative identity. Don't miss this one, Rockstars! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Justin Gray, an award-winning producer, mixing, and mastering engineer based in Toronto, Canada. Justin is a leader in immersive audio music production, working with artists, producers, and labels worldwide to bring their music to life in Dolby Atmos and Sony 360 Reality Audio. He has worked across a wide range of musical styles with artists like Snoop Dogg, Olivia Rodrigo, Brandy, Carlos Santana, Arkells, The Sheepdogs, Valley, Mother Mother, Jann Arden, Blackbear, Christina Perri, Orville Peck, and many more. Justin runs his own studio, Justin Gray Sound & Immersive Mastering, one of the first Dolby Atmos and Sony 360RA-certified music studios in Canada. He's also a faculty member at Humber College, where he teaches audio production, composition, and music performance. Thank you to Matt Boudreau for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.phantomfocus.com/category-s/149.htm https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Apple Podcasts: https://music.apple.com/ca/playlist/justin-gray-dolby-atmos-mixes/pl.u-kv9lRk5TW6eJev If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/509