Podcasts about Analog

✅ The 5-movement Examen prayer that's transforming bedtimes (free PDF included!) ✅ Why this dad says NO social media until 18 (and the research backing him up) ✅ Simple breath prayers that turn everyday moments into encounters with God ✅ The daily catechism question that reminds his kids of their true identity FULL SHOW NOTES:  In a world where screens compete for our attention every waking moment, how do we raise kids who know they belong to God instead of their devices? Jay Kim, a pastor living in Silicon Valley, shares his family's journey of moving at the "pace of peace" while navigating digital distractions. From practicing the ancient prayer of Examen with his 10 and 7-year-old to implementing radical boundaries around smartphones, Jay offers practical wisdom for dads who want to show up—really show up—for their children in an analog way.  TAKEAWAYS   Moving at the "pace of peace" means prioritizing relationships over plans and never compromising people for productivity The Examen prayer creates a powerful bedtime rhythm: presence, gratitude, reflection, confession, and hope for tomorrow Breath prayers can transform everyday moments—try "God, you control outcomes" (inhale) and "help me to be faithful" (exhale) Digital addiction requires intentional intervention: practice one hour tech-free daily, one day weekly, one week yearly Your kids need to see you detached from devices—dock phones away from family spaces to model analog presence Catechism in daily rhythms reinforces identity: "What is our only hope in life and death? We are not our own, we belong to God" Social media should have age restrictions like alcohol and tobacco—consider no social media until 18 The fruit of the Spirit (love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, self-control) is the antidote to digital-age discontentment, fragility, and foolishness GUEST  Jay Kim is a pastor in Northern California's Silicon Valley, author of multiple books including Analog Christian and Analog Church, and host of the Digital Examen podcast. He and his wife Jenny have two children and are committed to practicing intentional, incarnational family rhythms in one of the world's most digitally connected regions. Jay's work focuses on helping followers of Jesus navigate technology with wisdom while cultivating deeper spiritual practices. Links Send a Voice Message to DadAwesome Apply to join the next DadAwesome Accelerator Cohort: Email awesome@dadawesome.org Subscribe to DadAwesome Messages: Text the word "Dad" to (651) 370-8618 Analog Christian by Jay Kim Analog Church by Jay Kim Digital Examen Podcast The Tech-Wise Family by Andy Crouch The Anxious Generation by Jonathan Haidt Examen Prayer Family Guide (Free PDF) Heidelberg Catechism for Children Listen. Listen. Speak. by Jay Kim  

Video-Version auf youtube Fast immer dienstags, gerne mal um 18:00 Uhr: Happy Shooting Live. Täglich im Slack mitmachen – auch Audio-/Videokommentare werden gern angenommen. Aus der Preshow: unscharf, ¡Hola!, Schublade Klostergeister revisited Klostergeister 2025: Offizielles Video Lob an die Teilnehmer Workshop umgestaltet Vorträge bis spät Abends O-Töne einiger Teilnehmer Vorstellung der Projektgruppen und Parallelkurse (Holzbildhauer … „#896 – Pinkes Einhorn auf der Kuhweide“ weiterlesen Der Beitrag #896 – Pinkes Einhorn auf der Kuhweide ist ursprünglich hier erschienen: Happy Shooting - Der Foto-Podcast.

This is The Digital Story Podcast 1,001, May 27, 2025. Today's theme is, "Half Digital, Half Analog - The Fujifilm X half Review." I'm Derrick Story. Opening Monologue 2025 is establishing itself as the year of the creative camera. We started with the Sigma BF, then Fujifilm GFX100RF, and now the Fujifilm X half. Nothing boring in this lot! And whether or not you decide to purchase the new X half, you're bound to appreciate the thought that went in to it. I'll share my highlights in today's TDS Photography Podcast. I hope you enjoy the show.

Rockstars, get ready to crank it up! This episode, I'm hanging with Adam Krinsky of Bellows Studio, diving into touring, studio life, and keeping that work-life balance tight. We talk studio humidity (yep, it matters!), live recording chaos, and dream studio setups! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Adam Krinsky, starting his music career in Minneapolis, at the Institute of Production and Recording. While still a student, he recorded and mixed an album for The Alarmists, gaining local recognition. After graduating, he worked as an assistant engineer at Master Mix Studios under Grammy-winning Tom Tucker and later started teaching at the Minneapolis Media Institute and touring as a FOH mixer for artists like Mason Jennings, Iris Dement, and Dave Simonett. Today, he runs Bellows Studio in St. Paul and mixes live for Trampled by Turtles. Whether in the studio or on the road, he's always mixing. Adam Krinsky has been a guest of the podcast on RSR307 where you can hear his backstory. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://stealthchair.com/ Use code ROCK10 to get 10% off! https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/71uDzwTG14iEN7SrrGGEdo?si=838b90172e3241fd If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/507

Gonna get a bit drifty ’round these parts. You can deal with that, right? Give your brain a rest for a bit. It (and you!) deserve it. Start      Exit Chamber, Faith In a Beautiful Future, Faith In a Beautiful Future4.38       Pietro Zollo, Going Beyond, Abstraction10.02     Ashot Danielyan, Divine Light of […]

Fast immer dienstags, gerne mal um 18:00 Uhr: Happy Shooting Live. Täglich im Slack mitmachen – auch Audio-/Videokommentare werden gern angenommen. Aus der Preshow: Der Mond ist ein Repeater für die Sonne, herunterfallende Mobiltelefone, kann man noch ein Bier holen? Neue Hörerinnen. Ist das shon die Preshow? Wie lange geht die Postshow? Bitte schreibt dazu, … „#895 – Ausschussmaschine“ weiterlesen Der Beitrag #895 – Ausschussmaschine ist ursprünglich hier erschienen: Happy Shooting - Der Foto-Podcast.

In the podcast episode featuring tattoo artist and painter Senju, a fascinating narrative unfolds about the interconnectedness of tattooing and painting, particularly within the context of Japanese art. Senju's journey illustrates how these two forms of expression can influence and inspire one another, creating a cyclical relationship that enriches the artist's work. Senju's story begins with his initial foray into tattooing, which he describes as a pivotal moment in his life. Growing up in the punk scene in Sweden, he was initially drawn to tattooing through friends who had tattoos. His first experience with a tattoo—a simple abstract eye—sparked a realization of the permanence and beauty of body art. This moment marked the beginning of his journey into the world of tattooing, which he pursued passionately for over three decades. Senju's journey from tattooing to painting and back again illustrates the interconnectedness of different art forms. His story highlights the importance of cultural exploration and the willingness to adapt and evolve as an artist. By embracing both tattooing and painting, and utilizing modern digital tools, Senju not only honors the rich traditions of Japanese art but also paves the way for future generations of artists to explore the boundaries of creativity. Tune in for an inspiring exploration of art, creativity, and the interconnectedness of different mediums. Chat Breakdown: 00:01:16 - Gods of Ink Convention 00:02:08 - Meeting Senju 00:03:11 - Tattooing in Sweden 00:05:18 - Early Tattoo Influences 00:07:22 - Apprenticeship and Learning 00:09:08 - Discovering Japanese Culture 00:10:22 - Transition to Painting 00:12:03 - Return to Tattooing 00:14:45 - Painting vs. Tattooing 00:17:06 - Shunga: Japanese Erotic Art 00:19:48 - Japanese Cultural Attitudes 00:22:47 - Kinbaku and Shibari 00:25:42 - Work-Life Balance 00:28:28 - Creative Process and Meditation 00:32:01 - Retirement and Lifelong Creativity 00:35:28 - Digital Art Techniques 00:40:16 - Analog vs. Digital Debate 00:44:51 - Acceptance of Digital Art in the Community Quotes: "I started to paint Shunga, which is like Edo period porn... I was painting porn but it looked nice, you know, beautiful." "Because they didn't have Christianity, there was no taboo around sexuality." "They adapted to a more Christian way of viewing sexuality in the human body, and this has kind of dragged on into the common, to now, you know, contemporary times." "Yes, this is more, maybe more, seems nicer than ordinary S&M." "You're 100% in the now. There is only right now happening." "We are the outliers. We are the outcasts, supposedly. We're the ones that were, I thought, saying to each other, do whatever you want. Live a happy life. And now we're turning on each other?"  "In our minds, change is a tiger coming, you know?" "Because all art forms are just different expressions of the same thing, you know." Stay Connected: Chats & Tatts: Website: http://www.chatsandtatts.com⁠ Tik Tok: https://www.tiktok.com/@chatsandtatts  IG: http://www.instagram.com/chatsandtatts Chats & Tatts YouTube: https://www.youtube.com/c/chatsandtatts Connect with Aaron:⁠   Aaron IG:⁠ http://www.instagram.com/aarondellavedova⁠ Guru Tattoo: http://www.Gurutattoo.com Connect with Senju: IG: https://www.instagram.com/senjushunga    

It's New Tunesday: new releases from the past week! Give the bands a listen. If you like what you hear, support the bands! Today's episode features new releases by DiarBlack (ft. Helga Dyrfinna), Midsummer Ex, Neurotech, Stars Crusaders, Missing in Stars, Modulo One, Fermion, Mari Kattman, Megan McDuffee, Analog 80, Freaky Mind, Bleeding Corp, Shad Shadows, Dunkelwald, Owls, No, Luminance, Ezra Seven (ft. Virgo Supercluster), Equitant (ft. Yasmin Gate), Seasurfer, Deceits, Mark E Moon, and Fuzzle!

"AI will never touch live musicians." Tim Lauer shares his journey working on a variety of albums and TV shows, highlighting how feedback from music supervisors shapes the final sound. He talks about his innovative use of reverb, effects, guitar pedals, and real-time processing to enhance recordings, emphasizing the collaborative nature of music creation. Tim also dives into how sampling and synthesizers are essential tools in modern music production, and discusses the intricate art of arrangement and orchestration, especially the roles musicians play in the studio. He explores the evolving landscape of music with AI and the future of live performances, all while stressing the importance of personal fulfillment and joy in making music. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Tim Lauer, a versatile musician, producer, and arranger. He has played on albums by Taylor Swift, The Civil Wars, Cheap Trick, Joan Baez, and more, and arranged strings for Dolly Parton, Smashing Pumpkins, and Shawn Mendes. Tim has produced cast recordings for shows like Nashville, Greenleaf, Big Sky, and Zoey's Extraordinary Playlist. Recently, he worked on Amazon's The Bondsman, Sony's Patsy and Loretta, and Netflix's Country Comfort. He's also part of the dream pop band Bien, with millions of streams and 1.5 million monthly listeners, and serves as musical director for NPR's No Small Endeavor. Tim first joined us on RSR172. Thank you to Glenn Rosenstein and Loren Francis for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://stealthchair.com/ Use code ROCK10 to get 10% off! https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/7vbOMZzOi478USUr54FPtL?si=db2b0060b6fe4d5c If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/506

Soft glides and sweet rides both electronic and acoustic AND … the best inside joke EVER for long-time listeners. (Don’t peek at the playlist!) Enjoy the trip. Start      Dapper Blob, Soft Space, Somewhere With You3.24       Nick Storring, Mirante, Mirante12.03     Hiram, Eglantine Remix 2, Green Green Earth19.10     Ilka de Gast, […]

Video-Version Fast immer dienstags, gerne mal um 18:00 Uhr: Happy Shooting Live. Täglich im Slack mitmachen – auch Audio-/Videokommentare werden gern angenommen. Aus der Preshow: kurz vor Klostergeister, so ein Stapel Zeug, Laptopakku, Leistung muss man sich auch leisten #hsfeedback: Schwurbel-Geister-Fotografie in der Methodisch-Inkorrekt-Folge 344, Zeitmarke 01:35h Klostergeister 2025 – Ausblick News: Canon R6 Mark … „#894 – Geile Wegwerfkamera“ weiterlesen Der Beitrag #894 – Geile Wegwerfkamera ist ursprünglich hier erschienen: Happy Shooting - Der Foto-Podcast.

Episode 173 Chapter 32, Other Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 32, Other Analog Synthesizers from my book Electronic and Experimental music.   Playlist: OTHER EARLY SYNTHESIZER RECORDINGS (PRE-MIDI AND NOT MOOG)   Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1.     Raymond Scott, “Space Mystery” (1963). Used Scott's Electronium, a custom-made analog synthesizer/sequencer. 05:08 01:42 2.     Pauline Oliveros, “Alien Bog” (1967). Used a prototype Buchla 100 modular synthesizer at Mills College. 33:13 06:53 3.     John Eaton, “Soliloquy For Syn-Ket” (1973) from Electro-Vibrations (The Music Of John Eaton). Used the Synket, an Italian-made modular synthesizer of which only six were ever made. 06:38 40:06 4.     John Keating, “Earthshine” (1975) from Space Experience 2. Featured the ARP 2600 and Pro- Soloist. 04:09 46:46 5.     Patrick Gleeson, “Saturn, The Bringer Of Old Age” (1976) from Beyond The Sun: An Electronic Portrait Of Holst's The Planets. Used Eµ Systems Polyphonic synthesizer. 09:31 51:02 6.     Jean Michel Jarre, “Oxygene, Part IV” (1976) from Oxygene. Used the ARP Odyssey, EMS Synthi AKS, EMS Synthi VCS3, and RMI Harmonic Synthesizer and Keyboard Computer. 03:07 01:00:34 7.     Bennie Maupin, “Crystals” (1978) from Moonscapes. Featured the E-mu Modular Synthesizer programmed by Patrick Gleeson, who owned Different Fur Studios in the San Francisco area and owned E-mu synthesizers (see previous track for an example of the E-mu Systems Polyphonic synthesizer). Here, we have a different treatment of the same instrument by jazz woodwind player Maupin, who played Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Flute, Marimba, Glockenspiel, E-mu Synthesizer, and Computone Synthesizer Winddriver on this album. I picked this track because this is most stripped-down arrangement featuring only Maupin playing the E-mu synthesizer and other instruments. 01:18 01:03:44 8.     Pere Ubu, “On the Surface” (1978) from Dub Housing. Allen Ravenstein used the EML Electrocomp 101 modular synthesizer as a member of this band. 02:37 01:05:02 9.     Sylvester, “You Make Me Feel (Mighty Real)” (1978) from Step II. One of the few albums to feature EML (Electronic Music Laboratories) Modular Synthesizer plus String synthesizer, Electro-comp 101 synthesizer and 200 expander unit, Oberheim DS-2 Sequencer, Effects, Pat Cowley; organ, Electric piano, Clavinet, Michael C. Finden; Percussion, David Frazier; Producer, Lead Vocals, Piano, Sylvester. EML was a Connecticut-based synth maker that was around from about 1970 to 1984. They were best-known for their Electro-comp modular synths. The 101 was a duophonic semi-modular 44-note synth and the model 200 was an expander unit that added ring modulation, spring reverb, and high and low filters to the setup. It was interesting to hear this Moroder-like pulsating synth sound coming from something other than a Moog. 06:34 01:07:40 10.   Isao Tomita, “The Sea Named Solaris” (1978) from Kosmos. Used the Roland System 700, Roland Strings RS- 202, Roland Revo 30, in addition to Moog Modular III, Moog System 55, and Polymoog synthesizers. 12:28 01:14:11 11.   Moebius, “Song For Lya” (1979) from Moebius. Serge, Oberheim, and Minimoog synthesizers, vocals, Bryce Robbley; Serge, Oberheim synthesizers, Doug Lynner; Violin, John Stubbs. Listen closely to tune-out the parts by the Odyssey and Minimoog and you will experience a lovely bed laid down by the Serge. Moebius had three members, one a violinist, heard in this tune blending with the Serge. Although the group used a Sennheiser vocoder on another track, the vocal distortion on this track may have actually been the voice processed with the Serge. 03:15 01:26:42 12.   Pascal Languirand, “O Nos Omnes” (1980) from De Harmonia Universalia. Features the Farfisa Synthorchestra, the famous Italian's company entry into the string synthesizer fray. The Syntorchestra was split into two keyboard sections, strings (polyphonic), and mono synth voices. It was a hybrid organ and synthesizer and used much by Klaus Schulze and other German electronic musicians for the short time that it was available from 1975 to 1978. Nine slider controls were positioned next to a 3-octave keyboard and provided some “chaotic” control episodes for this much beloved and rare keyboard. 07:15 01:29:56 13.   Henry Kucharzyk, “Play Dot Sam” (1981) from Walk The Line - Three New Works By Henry Kucharzyk. This work is performed at the Samson Box at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Palo Alto, California. This track is an escapee from the 1970s but nonetheless fills a void in that period when commercial synthesizers were moving to digital technology and were quite expensive. The Samson Box was a computer-based digital synthesizer created in 1977 by Peter Samson, who worked at the university. “Samson” was formally known as the “Systems Concepts Digital Synthesizer. It was a one-off special-purpose dedicated audio computer designed for use by student composers at Center for Computer Research in Musical and Acoustics (CCRMA) at Stanford University. 03:05 01:37:08 14.   Terry Riley, “The Ethereal Time Shadow” (1981-82) from Music from Mills. Used two Prophet V synthesizers, tuned to just intonation and employing sequencing. 08:51 01:40:12   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Episode 172 Chapter 31, ARP Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 31, ARP Analog Synthesizers from my book Electronic and Experimental music.   Playlist: MUSIC MADE WITH ARP ANALOG SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     Elias Tanenbaum, “Contrasts” (1971) from ARP Art. Used the ARP Odyssey. 05:03 01:40 2.     ARP demonstration. Roger Powell and Harry Coon, The ARP 2500—How it Sounds, side 2 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Music by Harry Coon and an improvisation by Roger Powell. 06:19 06:46 3.     ARP demonstration. Roger Powell and Harry Coon, The ARP 2600—How it Works, side 1 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Narrated and all music by Roger Powell. 07:38 13:02 4.     Roger Powell, “Ictus: Primordial Pulse,” (4:57), “Lumia: Dance Of The Nebulae” (5:14), “Fourneau Cosmique: The Alchemical Furnace Of Cleopatra,” (7:42) (1973) from Cosmic Furnace. Featured the ARP 2500, ARP Soloist, ARP 2600, and ARP Odyssey. 17:50 20:40 5.     Bobbi Humphrey, “My Little Girl” (1974) from Satin Doll. Featured Larry Mizell on ARP synthesizers. 06:38 38:32 6.     Herbie Hancock, “Palm Grease” (1974) from Thrust. Featured the ARP Odyssey, ARP Soloist, ARP 2600, and ARP String synthesizer. 10:35 45:16 7.     John Keating, “Starcluster” (1975) from Space Experience 2.  Featured the ARP 2600 and Pro- Soloist. 03:44 55:50 8.     Joseph Byrd, “The Stars and Stripes Forever” (1976) from Yankee Transcendoodle. Featured the ARP Odyssey. 03:22 59:34 9.     Charles Earland, “Sons of the Gods” (1976) from Odyssey. Featured the ARP Pro- Soloist, ARP Axe, ARP String Ensemble, Clavinet and organ. 05:44 01:02:58 10.   Jean Michel Jarre, “Oxygene, Parts I, II, and III” (1976) from Oxygene. Used ARP and other synthesizers. 18:40 01:08:39 11.   Michel Magne, “Trip Psychiatrique” (1978) from Elements, La Terre(1978). Featured the ARP Odyssey, ARP Omni Polyphonique, and ARP 2600. 04:35 01:27:22 12.   Mike Mandel, “Pyramids” from Sky Music (1978). Featured the ARP Odyssey, ARP Pro Soloist, and ARP Omni II. 05:59 01:36:51 13.   Eliane Radigue, “Triptych Part 2” (1978) from Triptypch. Composed and performed on the ARP 2500 modular synthesizer. 11:56 01:37:52   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

To get live links to the music we play and resources we offer, visit www.WOSPodcast.comThis show includes the following songs:CMAGIC5 - Happy Never After FOLLOW ON SPOTIFYLuciana Lariccia - Masterpiece FOLLOW ON SPOTIFYB. Hawksley - Kansas FOLLOW ON SPOTIFYFiona Glatki - glad you're here FOLLOW ON SPOTIFYHRZN - Haunted FOLLOW ON SPOTIFYNorth Folk - River FOLLOW ON SPOTIFYEmma Jane - Lying To Myself FOLLOW ON SPOTIFYTricia Battani - Favorite FOLLOW ON SPOTIFYMeredith Taylor - Who You Became FOLLOW ON SPOTIFYSabrielle - Wait I Can't Bare FOLLOW ON SPOTIFYLeona Rue - Car Crash FOLLOW ON SPOTIFYMinnie Birch - All on the Black FOLLOW ON SPOTIFYSoft Analog - IF YOU DANCE AGAIN FOLLOW ON SPOTIFYSara Rego - Miracles FOLLOW ON SPOTIFYAnnabel Freya - Money Can't Buy Happiness FOLLOW ON SPOTIFYFor Music Biz Resources Visit www.FEMusician.com and www.ProfitableMusician.comVisit our Sponsor Profitable Musician Newsletter at profitablemusician.com/joinVisit our Sponsor Ed and Carol Nicodemi at edandcarolnicodemi.comVisit our Sponsor Mandi Macias at mandimacias.comVisit our Sponsor Susie Maddocks at susiemaddocks.comVisit www.wosradio.com for more details and to submit music to our review board for consideration.Visit our resources for Indie Artists: https://www.wosradio.com/resourcesBecome more Profitable in just 3 minutes per day. http://profitablemusician.com/join

Buck Reising and Greg Cosell sit down and break down the Titans 2025 Draft Class and more with Special Guest Titans Head Coach Brian Callahan LIVE from the Analog at The Hutton Hotel. Part 2 of 2See omnystudio.com/listener for privacy information.

Reviving vinyl in the digital age sounded impossible until the creation of Record Store Day changed everything.Launched with Metallica at a San Francisco record shop in 2008, it became a global celebration of indie music culture and a blueprint for building real human connections. In this episode, we drop the needle on what marketers can learn from vinyl's resurgence with special guest Robert McCauley, Sr. Director of Content Marketing at Upwork.Together, we explore what B2B marketers can learn from community-driven events, the power of exclusivity, and how to build content strategies that truly resonate.About our guest, Robert McCauleyRobert has 20+ years of experience in content marketing, editorial, and communications. At Upwork, he leads a team of more than two dozen amazing content marketers, customer marketers, and multimedia professionals. (In fact, you can find out more about how awesome they are by checking out this link: https://bit.ly/3PGXNcD.) Robert lives in the San Francisco Bay Area with his wife and their high-octane fourth-grader. Ask him about his vinyl collection if you're looking to waste an hour or two.What B2B Companies Can Learn From Record Store Day:Sell the experience, not just the product. Exclusivity and differentiation aren't just nice-to-haves; they're why people line up on Record Store Day. As Robert puts it, “Part of the reason that someone is gonna pay $40 for something that they could, in theory, get for free is because the artists and record labels have done a nice job of selling the exclusivity and the differentiation. And, frankly, understanding their audience.” In B2B marketing, it's a reminder that when you make your audience feel like they're getting something rare and tailored, they'll lean in.Community turns customers into believers. Record Store Day isn't really about what you buy, it's about who you're with. Robert says, “This is where the power of community really comes in. It feels like a celebration of music. It feels like a celebration of vinyl... it feels like an event, a way to connect with people that are passionate about something like you are.” That emotional connection is the secret ingredient. For marketers, if your audience feels seen and connected, your brand becomes more than a service. It becomes a shared story.Go analog to cut through the noise. In a world of constant digital overload, physical media feels almost radical. Robert explains, “Analog physical media can really make an impact. We're all flooded with digital stuff all day, every day... the thing that cuts through that are physical things because they're so far, few and far between nowadays.” For marketers, this is a cue to think tactile because sometimes, the most unforgettable touchpoint isn't a notification, it's something your audience can actually hold.Quotes*“ When done right and in a very strategic way, analog physical media can really make an impact, right? We're all flooded with digital stuff all day, every day. There's the whole joke of you going from kind of your midsize screen to your small screen, to your big screen over the course of the day. And the thing that cuts through that are physical things because they're sort of so far few and far between nowadays.”*“ Record Store Day at the end of the day is really an awesome in-person event. And in-person events, I think, in general, can be really effective for marketers. And again, when they're well thought out and done well. One of the great things about this is that, again, it's about community. It's about doing something that people appreciate and like. It's about feeling very kind of personalized to the things that they're passionate about. And, I think again, it just reinforces the fact that there are great ways of connecting with your customers much more directly and, of course, physically than over email or something. And they have a much stronger impact when you are face to face with someone and they remember your name, or you have a conversation, or you enjoy the coffee, or the excitement in the atmosphere that the event brought you. So I think it's the way that these are run are a good example of how in-person events can and should be run and can really make a difference to marketing efforts.”“  We always, as content marketers and B2B marketers, I think, worry that we have one opportunity to kind of hook our audience. If we don't do it now, if we don't get everything we need, this is gonna pass us by. There's this trust of, ‘Hey, I am confident that over time I'm gonna show you the value of my content in this case, my music, and I'm gonna get hooked.' And that will be rewarded down the line. It's definitely a long-term play, but it is very counter to, I think, a lot of our instincts of squeeze as much as we can as quickly as we can.”Time Stamps[0:55] Meet Robert McCauley, Sr. Director, Content Marketing at Upwork[01:26] Why Record Store Day?[03:21] Origins of Record Store Day[10:26] The Draw of Vinyl[16:51] Robert's First Record Store Day[20:15] Value of Physical Music in a Digital Age[28:58] B2B Marketing Lessons from Record Store Day[47:43] Upwork's Content Strategy[51:41] Upwork's Recent Content Creation[55:21] Final Thoughts and TakeawaysLinksConnect with Robert on LinkedInLearn more about UpworkAbout Remarkable!Remarkable! is created by the team at Caspian Studios, the premier B2B Podcast-as-a-Service company. Caspian creates both nonfiction and fiction series for B2B companies. If you want a fiction series check out our new offering - The Business Thriller - Hollywood style storytelling for B2B. Learn more at CaspianStudios.com. In today's episode, you heard from Ian Faison (CEO of Caspian Studios) and Meredith Gooderham (Head of Production). Remarkable was produced this week by Jess Avellino, mixed by Scott Goodrich, and our theme song is “Solomon” by FALAK. Create something remarkable. Rise above the noise.

Buck Reising and Greg Cosell sit down and break down the Titans 2025 Draft Class and more with Special Guest Titans Head Coach Brian Callahan LIVE from the Analog at The Hutton Hotel. Part 2 of 2See omnystudio.com/listener for privacy information.

JB, Sandy, and Tricia dive into a Vogue article claiming Generation X (1965-1980) might be the coolest generation. Sandy shares a heartfelt story about a listener named Erin, highlighting the show's impact. The hosts reminisce about Gen X's cultural influence, from iconic figures like Madonna to the carefree, pre-digital childhoods they enjoyed. They contrast their upbringing with today's digital age and discuss the shift in parenting styles, lamenting the rise of helicopter parenting. The episode wraps up with a nostalgic reflection on Gen X's unique perspective and contributions.Vogue Article Discussion (00:00:01)  The speakers discuss a Vogue article claiming Generation X might be the coolest generation.Listener Connection Story(00:00:17)  JB shares a touching story about a listener who found comfort in their radio show during a tough childhood.Childhood Experiences (00:02:37)  The speakers reflect on how their childhood experiences differ from today's kids, emphasizing the lack of constant supervision.Cultural Impact of Generation X (00:03:43)  Discussion on how Generation X shaped 1990s culture, including music, fashion, and iconic figures.Analog vs. Digital Upbringing (00:05:31)  Speakers compare growing up analog to the fully digital experiences of today's children.Helicopter Parenting (00:07:56)  Discussion on the rise of helicopter parenting and its roots in societal fears and media influence.Generational Differences in Parenting (00:09:17)  The speakers discuss how parenting styles have changed, reflecting on their own childhood freedoms.Work Ethic and Career Choices (00:11:09)  The speakers talk about Generation X's shift away from traditional career paths and corporate loyalty.Selling Out in Today's Culture (00:12:19)  Conversation about how perceptions of "selling out" have changed, especially concerning music and business.

Sun, 11 May 2025 11:00:00 GMT http://relay.fm/analogue/237 http://relay.fm/analogue/237 Core Personality: Papa 237 Casey Liss and Myke Hurley Myke is back and has a lot to catch up on. Casey showed restraint! Myke is back and has a lot to catch up on. Casey showed restraint! clean 6402 Myke is back and has a lot to catch up on. Casey showed restraint! This episode of Analog(ue) is sponsored by: Saily: Affordable eSIM plans for international travel. Use code 'analogue' for 15% off. Squarespace: Save 10% off your first purchase of a website or domain using code ANALOGUE. Fitbod: Get stronger, faster with a fitness plan that fits you. Get 25% off your membership. Computex: Grow your career, expand your business, and discover the infinite possibilities of technology. Register now or find out more info. Links and Show Notes: Support Analog(ue) with a Relay FM Membership Submit Feedback ICON Cope Mango Baby The Studio Your Friends & Neighbors The Four Seasons The Last of Us Missed Apex Podcast

Sun, 11 May 2025 11:00:00 GMT http://relay.fm/analogue/237 http://relay.fm/analogue/237 Casey Liss and Myke Hurley Myke is back and has a lot to catch up on. Casey showed restraint! Myke is back and has a lot to catch up on. Casey showed restraint! clean 6402 Myke is back and has a lot to catch up on. Casey showed restraint! This episode of Analog(ue) is sponsored by: Saily: Affordable eSIM plans for international travel. Use code 'analogue' for 15% off. Squarespace: Save 10% off your first purchase of a website or domain using code ANALOGUE. Fitbod: Get stronger, faster with a fitness plan that fits you. Get 25% off your membership. Computex: Grow your career, expand your business, and discover the infinite possibilities of technology. Register now or find out more info. Links and Show Notes: Support Analog(ue) with a Relay FM Membership Submit Feedback ICON Cope Mango Baby The Studio Your Friends & Neighbors The Four Seasons The Last of Us Missed Apex Podcast

"AI can't produce anything we haven't already heard." Chuck Zwicky and Lij Shaw discuss how AI is changing music production and songwriting, highlighting the importance of human elements and collaboration in the creative process while exploring the balance between technology and artistic expression. Chuck offers insights on mixing, emphasizing the value of interaction and the significance of live feedback in crafting music. The conversation also includes personal anecdotes and advice for aspiring producers. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Chuck Zwicky, a Manhattan-based engineer, writer, and producer with a diverse discography. Chuck has worked with iconic artists like The Rembrandts, Reggie Watts, Soul Asylum, Prince, and Information Society, as well as emerging talents. His sun-soaked mixing HQ reflects his unique approach to mixing, from the gear he uses to the plugins he designs himself. Chuck likes to bring together the audio artist and scientist through his techniques. This is Chuck's second time on the show — he first joined us in episode RSR260. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://stealthchair.com/ Use code ROCK10 to get 10% off! https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/6m08mI58QrvO8e97BrilPi?si=f0ab12ca4019468d If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/505

LTHM 804 - Analog DiskoAnalog Disko brings the sunshine with this feel-good, vocal disco-inspired house mix on the LTHM Podcast. Perfectly crafted for daytime pool parties, rooftop sessions, and summer celebrations, this DJ set is packed with uplifting energy, infectious grooves, and soulful vocal cuts that keep the vibe high from start to finish.Whether you're throwing a rooftop day party with family and friends, chilling at the beach, or driving with the windows down, this mix delivers happy, high-energy house that keeps your spirits lifted and your feet moving.Follow:https://www.instagram.com/deep_groove_movement/https://www.instagram.com/analog_diskoMusic Releases - Podcast - Social - Videowww.lthmmusic.com/

Episode 171 Chapter 30, EMS Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 30, EMS Analog Synthesizers from my book Electronic and Experimental music.   Playlist: MUSIC MADE WITH EMS ANALOG SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     Delia Derbyshire, “Dance From ‘Noah' " (1970). Composed for a television program. Used the EMS VCS3. 00:55 01:44 2.     Selections from the demonstration disc, EMS Synthi And The Composer (1971). Excerpts from Harrison Birtwistle, “Medusa,” Peter Zinovieff, “January Tensions,” and Tristram Cary, “Continuum.” 06:15 02:34 3.     Peter Zinovieff and Harrison Birtwistle, “Chronometer” (1971–2). Featured both the EMS Synthi VCS3 and modified sound recordings of the ticking of Big Ben and the chimes of Wells Cathedral clock. 24:23 08:48 4.     Mike Hankinson, “Toccata And Fugue In D Minor” (Bach) (1972) from The Classical Synthesizer. South African record realized using the Putney (EMS) VCS3. 07:04 33:06 5.     Electrophon, “Arrival of the Queen of Sheba” (1973) from In a Covent Garden (1973).  Electrophon Music was described as the studio where the electronics were recorded and produced in the UK by Radiophonic musicians Brian Hodgson, Dudley Simpson. A variety of synthesizers were used including the obscure EMS Synthi Range, a multi-effect instrument. 03:04 40:10 6.     The Eden Electronic Ensemble, “Elite Syncopations” (Joplin) (1974) from The Eden Electronic Ensemble Plays Joplin. Realized using the EMS VCS3 and Minimoog synthesizers. 04:53 43:12 7.     Peter Zinovieff, “A Lollipop For Papa” (1974).  Realized with the EMS Synthi AKS. 06:26 48:04 8.     Peter Zinovieff and Hans Werner Henze, “Tristan” (Long Section) (1975). Tape accompaniment realized with the EMS Synthi AKS. 07:40 54:40 9.     J.D. Robb, “Poem of Summer” (1976) from Rhythmania And Other Electronic Musical Compositions. Realized using the EMS Synthi AKS. 02:04 01:02:18 10.   J.D. Robb, “Synthi Waltz” (1976) from Rhythmania And Other Electronic Musical Compositions. Realized using the EMS Synthi AKS and Synthi Sequencer 256 (digital sequencer). 01:52 01:04:24 11.   Bruno Spoerri, “Hymn Of Taurus (Taurus Is Calling You!)” (1978) from Voice Of Taurus. Realized using a host of equipment, including a few EMS instruments: EMS Synthi 100, EMS VCS3, EMS AKS, EMS Vocoder 2000, Alto Saxophone with EMS Pitch-to-voltage Converter & Random Generator, plus the Lyricon, Prophet-5 Polyphonic Synthesizer, ARP Omni & Odyssey, Minimoog, Moog Taurus Bass Pedal, RMI Keyboard Computer, Ondes Martenot , Vako Polyphonic Orchestron, Bode Frequency Shifter, AMS Tape Phase Simulator, Echoplex, Roland Echo, Roland Rhythm Box, Bruno Spoerri. 02:48 01:06:16 12.   Henry Sweitzer, “Open Windows” (1979) from Te Deum.  Realized with the EMS Synthi AKS. 11:11 01:09:02 13.   Eduard Artemyev, Yuri Bogdanov, Vladimir Martynov, “Le Vent Dans La Plaine,” “Io Mi Son Giovinetta,” and “Why Ask You?” (1980) from Metamorphoses. Composed and realized using the EMS Synthi 100, a large synthesizer unit combining several EMS3 models and connecting circuitry. 08:38 01:20:14 14.   Jean-Michel Jarre, “Les Chants Magnétiques,” (side 1) (1981) from Les Chants Magnétiques. Portions realized with the EMS Synthi AKS, EMS Synthi VCS3, and EMS Vocoder 1000. 17:58 01:28:52 15.   Alessandro Cortini and Merzbow, “AAMC” (2017) from Alessandro Cortini And Merzbow. Recent recording with all sounds realized using a vintage EMS Synthi AKS. 04:49 01:46:40   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Buck Reising and Greg Cosell sit down and break down the Titans 2025 Draft Class and more with Special Guest Titans Head Coach Brian Callahan LIVE from the Analog at The Hutton Hotel. Part 1 of 2See omnystudio.com/listener for privacy information.

Buck Reising and Greg Cosell sit down and break down the Titans 2025 Draft Class and more with Special Guest Titans Head Coach Brian Callahan LIVE from the Analog at The Hutton Hotel. Part 1 of 2See omnystudio.com/listener for privacy information.

Buck Reising and Greg Cosell sit down and break down the Titans 2025 Draft Class and more with Special Guest Titans Head Coach Brian Callahan LIVE from the Analog at The Hutton Hotel. Part 1 of 2See omnystudio.com/listener for privacy information.

Here’s another one that comes rippin’ out of the starting blocks! We’ll spend a good chunk of our time together digging around in the library to round out the voyage. And as it turns out, one of those people snuck under the radar. See my note below the playlist. Hold tight! Start      Tobi […]

Video-Version Fast immer dienstags, gerne mal um 18:00 Uhr: Happy Shooting Live. Täglich im Slack mitmachen – auch Audio-/Videokommentare werden gern angenommen. Aus der Preshow: Der Count und andere Muppets, Schlehmihl, Bitte schreibt dazu, worum es geht, wenn ihr ein „hi“ schreibt #hshi von Jürgen: Eine Liste der teuersten Teleobjektive #hsnachtrag zum Bild mit dem … „#893 – Existentielle Krise, aber fluffig“ weiterlesen Der Beitrag #893 – Existentielle Krise, aber fluffig ist ursprünglich hier erschienen: Happy Shooting - Der Foto-Podcast.

We are live at Analog and Grit with new guests from ConceptCarStudio.com to share their latest creation on display at Sunday Grit Cars and Coffee. We speak with the designer Brent and engineer Rico behind their newest wheel creation fitted to an Izuzu Impulse owned by Donut Media Host, Justin Freeman. Dylan and Christian join the show to talk aftermarket wheels and whether or not they add or lower the value of a car.

May is upon is, and we're here with a short one, discussing our tools of the trade, and some fun fresh points — Johnny talked about his sugar cane notebooks for Earth Day, and Andy introduced some new spring Erasable swag for 2025 (Stay tuned!)For this episode, we recorded video, available to Patreon subscribers! If you're a patron, head over to see our faces and visual examples of many of the things we discuss. And if you're not a patron, join us at any level and you can see this and other supplemental content at any time!Show Notes & LinksErasable PatreonThe Birthday Massacre's Sleep TonightWhere the Crawdads SingDamnedPusciferNahvalur Nautilus Ti Herbin Sapphire Bullet Journal 2.0 2023 Artist EditionChiikawaWhen We Were RealWhere the Axe is BuriedLed Zeppelin by Bob SpitzBad Monkey SoundtrackEverybody's Live with John MulaneySugar Cane paper notebooks at Pencil Revolution PressMakers CabinetElipso KickstarterIRIS Large FormatTimberlines on Substack (Blog of Charles Berolzheimer, CEO of Blackwing)Your HostsJohnny GamberPencil RevolutionAndy Welfleandy.wtfTim Wasem

Send us a textWelcome to IoT Coffee Talk #242 where we have a chat about all things #IoT over a cup of coffee or two with some of the industry's leading business minds, thought leaders and technologists in a totally unscripted, organic format. Thanks for joining us. Sit back with a cup of Joe and enjoy the morning banter.This week, Dimitri, Jan, Debbie, Rob, Ryan, and Leonard jump on Web3 to talk about:BAD KARAOKE! "Summer Breeze", Seals & CroftsDJ Rob T ushers in 2025 with some killer Yacht Rock!Analog is the key to the future of artificial uber intelligenceAgentic AI in the billions - the key to logarithmically scaling out 5% error rate in your business!The first rule in responsible AI, don't say irresponsible things about AIAgentic AI - GenAI + RPA on steroids with all the side effectsThe job of the future is to be an AI plumberDon't call your IoT business a "GenAIoT" business in 2025! Don't do it! AppleTown - Apple jumps the smart home shark?The next exponential product from Apple: iHomeiFactory Dogecoin will become the new U.S. currency in 2025? Huh?The next era of Digital Twins is Seals and Crofts. Start the hype cycle!What is the opportunity for edge AI infrastructure in 2025?It's a great episode. Grab an extraordinarily expensive latte at your local coffee shop and check out the whole thing. You will get all you need to survive another week in the world of IoT and greater tech!Thanks for listening to us! Watch episodes at http://iotcoffeetalk.com/. We support Elevate Our Kids to bridge the digital divide by bringing K-12 computing devices and connectivity to support kids' education in under-resourced communities. Please donate.

"Metaphors are essential in plugin design!" Bill talked about Native Instruments, managing new products at iZotope, the importance of good speakers in the studio, how AI will help your sonic perspective, and using Ozone, RX, and the Catalyst plugins. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Bill Podolak, a Senior Product Manager at iZotope by Native Instruments. Bill has had the privilege of managing the past two versions of Ozone 10 and 11 along with RX 11 and their new Catalyst Series - Plasma, Aurora, and Cascadia. He is also a musician and music producer and makes tracks in his spare time. His wife is also a singer-songwriter, and they make music together. Thank you to Dave Godowsky for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://stealthchair.com/ Use code ROCK10 to get 10% off! https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/4zUBC1bygkBypno6yiYcEU?si=3f4deed105b94924 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/504

This week, join Pencil and Cellar for the wrap up episode for Season 8, talking all things Dumpin by the Psychopathic Rydas. Sit back and listen as they go over fixes from the season, discuss merch from this era of the Rydas' history, listen to your voicemails, and tackle important topics like where this album lands in Juggalo History!        New gimmick: TIME STAMPS! 0:00:00 (Start)    0:11:16 (Fixes and Stories)    0:20:19 (Jigglz & FearTheBeard Voicemails)    0:24:31 (More Notes)    0:29:09 (Skitzo voicemails)    0:36:00 (Back to notes and stories)    0:46:24 (Merch Talk)    0:56:36 (Voicemails by Pizza Nugget)    1:01:58 (Back to the news)    1:07:22 (Denver Chris voicemails and Gratitude Banter)    1:18:03 (Merch Madness recap)    1:26:15 (Winding Down and Wrapping Up)      The LinkTree can be found at https://linktr.ee/juggalorwd. Otherwise here are all of our links -  Youtube: @JuggaloRWD  Twitter/X: @JuggaloRWD  IG: @JuggaloRWD  Facebook: @JuggaloRWD  TikTok: @JuggaloRWD  Threads: @JuggaloRWD  BlueSky: @JuggaloRWD  The website is www.JuggaloRewind.com.  Join us on the ICPWWE Discord and talk to other listeners and podcast hosts about ICP, Twiztid and random juggalo nonsense.  Email us at juggalorwd@gmail.com or call/text us at (810) 666-1570.      Additional music provided by Steve O (aka Analog) of the IRTD and StirCrazy. Voiceover work provided by Christmas (aka Lil Krampus). The Rewind is forever powered by the 20x20 Apparel.   All music played is owned by the respective publishers and copywrite holders and is reproduced for review purposes only under fair use. Except for this season. Fuck your copyright. CopyWRONG, youknowwhatimsayin. #ForTheJuggaloCulture  #RydaRewind

I’ve got a lot of things to show you this time, a lot of places to take you. Ready for a fresh li’l trip? Let’s go! Start      deepspace, Vertical Automated Parking, Neon Blue Utopia4.12       One Far West, Equinox, Heliacal Risings9.40       Murray Grant, Shades of Grey, First…Listen15.06     Krakenkraft, Transordinal […]

Hi all, enjoy this trippy spring dedicated mix.Peace and cheers.Playlist :1MulyaSilvio (7:37) 119 BPMInnervisions; 2Tee MangoMoonshots (5:56) 120 BPMKompakt Germany; 3MagitmanShadows (5:25) 121 BPMPata Pata Recordings; 4Yulia NikoIntention (6:19) 122 BPMAXEPT; 5Adam Ten / DvirNunsComusa (4:27) 123 BPMLife And Death; 6Sven VathRitual Of Life (Adam Port 108 mix) (10:08) 123 BPMCocoon Recordings; 7Sable SheepUpon Burning Skies (8:24) 123 BPMMoon Harbour Germany; 8Joeski feat HarkatiGenuine Divine (original mix) (6:46) 123 BPMMaya Recordings; 9IsoleeOMG So Random (5:33) 120 BPMResort Island; 10Alex JonesTold U (8:37) 61 BPMHypercolour.  minimal show on iTunes minimal show rss feed   

Episode 170 Chapter 29, Buchla Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 29, Buchla Analog Synthesizers from my book Electronic and Experimental music.   Playlist: MUSIC MADE WITH BUCHLA ANALOG SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:38 00:00 1.     Morton Subotnick, “Prelude No. 4” (1966). Early work for piano and electronic tape using sounds created on the Buchla 100. Pianist, Richard Bunger, recorded in 1973 (Buchla tape from 1966). 05:15 01:40 2.     Morton Subotnick, “Silver Apples of the Moon” (Part 1) (1966). First commissioned work of electronic music from Nonesuch Records. 04:23 08:32 3.     Gerry Olds, “4/3 + 1” (1967). Jazz mixed with electronics created on the Buchla 100 at a San Francisco Tape Music Center Concert. 11:19 12:58 4.     Buffy Sainte- Marie, “Better To Find Out For Yourself” and “The Vampire” (1969). Electronic “settings,” processing of Sainte-Marie's voice and guitar done on Buchla 100 modular systems (3 units) used by Michael Czajkowski at the electronic music studio of NYU. 04:39 24:16 5.     Douglas Leedy, “Entropical Paradise” (1970). Sonic environments created by the Moog and Buchla modular synthesizers. 20:09 28:52 6.     George Marsh, “Wind Borne” (1973). Prepared Buchla 200 Synthesizer with sequencing, George Marsh. 08:28 49:06 7.     David Rosenboom and Donald Buchla, “How Much Better If Plymouth Rock Had Landed On The Pilgrims, Section V” (1978). Buchla modular synthesizers by composer Rosenboom and the inventor himself, Donald Buchla. 22:47 57:34 8.     Morton Subotnick, “The Last Dream of the Beast” (1978, 1982, 1984). Featured the Buchla 400. 14:47 01:20:20 9.     Mel Powell, “Three Synthesizer Settings” (1981). Moog and Buchla synthesizers. 08:47 01:35:06 10.   Morton Subotnick, “A Sky of Cloudless Sulphur, Opening” (1980). Buchla 200 and Subotnick's “ghost shadow electronics.” 11:15 01:43:51   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

A new American electric vehicle startup called Slate Auto has made its debut, and it's about as anti-Tesla as it gets. It's affordable, deeply customizable, and very analog. It has manual windows and it doesn't come with a main infotainment screen. Heck, it isn't even painted. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Listeners, a great time was had by all last Friday as we celebrated episode 20 with you all of our ongoing "All About Aesthetics" series which centered around Graydon Carter's new memoir, "When the Going Was Good".We will be back in May with Episode 21 of our namesake series, exploring the depths and nuances of aesthetics!Thanks replay crew! #mitchhampton #GraydonCarter #aesthetics #vanityfair #patriciabosworth #analog #magazines

"Artists should be in control of their destiny." Renowned mastering engineer Alan Douches discussed his extensive experience at West Westside Music, offering insights into the significance of immersive audio formats like Atmos and their creative potential for artists. He addressed challenges in archiving both analog and digital formats, the transformative potential of blockchain technology, and how Web3 can help indie musicians monetize their work. Additionally, he explored the role of NFTs, AI, and the importance of community in supporting artists' journeys. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Alan Douches, a mastering engineer, CEO, and founder of West West Side Music with over 15,000 mastering credits. Alan has worked with a stunning roster of artists, including Sufjan Stevens, Converge, Mastodon, Chelsea Wolfe, Lucy Dacus, My Chemical Romance, Fall Out Boy, The Dillinger Escape Plan, LCD Soundsystem, and many more. He's been instrumental in defining the sound of independent music, always championing DIY artists, and is now leading the way in bringing ATMOS production and mastering to indie music. Alan is also exploring the cutting edge of blockchain technology with his Web3 startup. This is Alan's second appearance on the podcast—he was previously on episode RSR092. Thanks to Jesse Cannon for our original introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://stealthchair.com/ Use code ROCK10 to get 10% off! https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/1gTFsTwGaGIAhiCLTpDuoB?si=359193d09d634d9b If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/503

This week, join Pencil and Cellar as they deep dive into the twelfth and final track off Dumpin by the Psychopathic Rydas, "Rydin 4 Life." Sit back and listen as they dissect the history, lyrics and content of the song (and "Slow Down" by Snoop Dogg), discuss the rules of becoming a Ryda, talk about classic Juggalo tracks at the end of albums, and tackle important topics like buffering your pickle piece!        New gimmick: TIME STAMPS! 0:00:00 (Start)    0:10:59 (YouTube History)    0:23:03 (Tale of the Tape)    0:32:45 (Lyrical Deep Dive)     0:54:16 (Wrapping Up)      The LinkTree can be found at https://linktr.ee/juggalorwd. Otherwise here are all of our links -  Youtube: @JuggaloRWD  Twitter/X: @JuggaloRWD  IG: @JuggaloRWD  Facebook: @JuggaloRWD  TikTok: @JuggaloRWD  Threads: @JuggaloRWD  BlueSky: @JuggaloRWD  The website is www.JuggaloRewind.com.  Join us on the ICPWWE Discord and talk to other listeners and podcast hosts about ICP, Twiztid and random juggalo nonsense.  Email us at juggalorwd@gmail.com or call/text us at (810) 666-1570.      Additional music provided by Steve O (aka Analog) of the IRTD and StirCrazy. Voiceover work provided by Christmas (aka Lil Krampus). The Rewind is forever powered by the 20x20 Apparel.   All music played is owned by the respective publishers and copywrite holders and is reproduced for review purposes only under fair use. Except for this season. Fuck your copyright. CopyWRONG, youknowwhatimsayin. #ForTheJuggaloCulture  #RydaRewind

Herein you shall find interesting song and album titles, knob-twiddly bits of synth music, a Latin lesson, floaty drifty things, and, all in all, 90 minutes of the stuff you like, with a quick talky stop in the middle. Enjoy. Start       AeTopus, Level, Iota6.22       Alexis Delozanne, Le Reve de Samson, Acclimatation10.39  […]

Discover all of the podcasts in our network, search for specific episodes, get the Optimal Living Daily workbook, and learn more at: OLDPodcast.com. Episode 2561: Dr. Kelly Flanagan explores the emotional paradox of our hyper-connected digital age, where the illusion of belonging masks an underlying loneliness. Through heartfelt reflections and vivid metaphors, he illustrates why only face-to-face, imperfect, and embodied relationships can truly satisfy our deep need for connection. Read along with the original article(s) here: https://drkellyflanagan.com/why-you-cant-replace-analog-companionship-with-digital-connection/ Quotes to ponder: "Digital connection is like chocolate chips in the pancake recipe of life. It is tasty and tempting to consume by the bagful." "Analog companionship has flesh and blood in its code, not 1s and 0s. It has salt in its tears, not pixels." "Out of habit, I reached for my phone. No signal. I left my digital crowd upstream. I paddled. I looked around." Learn more about your ad choices. Visit megaphone.fm/adchoices

"I've never once used MIDI." Craig talked about the evolution of audio engineering, the transition to video podcasting, and the rich musical history of Muscle Shoals. Craig shares insights about his Grammy-winning work and the unique characteristics of his studio, Noble Steed, the unique UA console he acquired, and his current projects, including mixing for country artist Anna Voss. He  touches on the evolving sound of country music, highlighting a shift towards more pop and psychedelic influences, and the technical challenges faced in audio engineering. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Craig Alvin, an award-winning audio engineer based in Muscle Shoals, Alabama. Over 30 years, Craig has worked with many artists, including Hanson, Little Big Town, Amy Grant, Vanessa Carlton, Will Hoge, Andrew Belle, Brittany Howard, and many others. He won two Grammys for his engineering on Kacey Musgraves‘ Golden Hour album in 2019 and has contributed to Musgraves' follow-up albums Star-Crossed and nominated for a Grammy this year for best engineered non-classical for Deeper Well. Craig's work has earned him a stellar reputation for his ability to capture compelling sounds live in the studio and his sonic aptitude as a mix engineer. He has also been a guest on the show on episodes RSR029 and RSR232.  We also created a free video to show you his ultimate snare-mixing trick, which you can find in the show notes at UltimateMixingMasterclass.com. This helped my mixes tremendously, and we hope it can help yours, too! So please check it out. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://stealthchair.com/ Use code ROCK10 to get 10% off! https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/6BoLzjNA3x4A9rRFeWNA4Q?si=321d29271d724cdd If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/502

This week, join Pencil and Cellar as they deep dive into the eleventh track off Dumpin by the Psychopathic Rydas, "Back 2 Crack." Sit back and listen as they dissect the history, lyrics and content of the song (and "Illusions" by Cypress Hill), discuss Astronomicon 8, talk about the harpsicord, and tackle important topics like how drug dealers are good at math!        New gimmick: TIME STAMPS! 0:00:00 (Start)    0:06:23 (Astronomicon Recap)    0:24:04 (90s Rewind - WrestleMania XV)     0:33:51 (Tale of the Tape)    0:39:44 (Lyrical Deep Dive)     1:05:11 (Wrapping Up)      The LinkTree can be found at https://linktr.ee/juggalorwd. Otherwise here are all of our links -  Youtube: @JuggaloRWD  Twitter/X: @JuggaloRWD  IG: @JuggaloRWD  Facebook: @JuggaloRWD  TikTok: @JuggaloRWD  Threads: @JuggaloRWD  BlueSky: @JuggaloRWD  The website is www.JuggaloRewind.com.  Join us on the ICPWWE Discord and talk to other listeners and podcast hosts about ICP, Twiztid and random juggalo nonsense.  Email us at juggalorwd@gmail.com or call/text us at (810) 666-1570.      Additional music provided by Steve O (aka Analog) of the IRTD and StirCrazy. Voiceover work provided by Christmas (aka Lil Krampus). The Rewind is forever powered by the 20x20 Apparel.   All music played is owned by the respective publishers and copywrite holders and is reproduced for review purposes only under fair use. Except for this season. Fuck your copyright. CopyWRONG, youknowwhatimsayin. #ForTheJuggaloCulture  #RydaRewind

To celebrate our podcast turning 11 last month, we're traveling back in time to channel our 11 year-old selves, and examine what stationery meant to us as Little Guys.For this episode, we recorded video, available to Patreon subscribers! If you're a patron, head over to see our faces and visual examples of many of the things we discuss. And if you're not a patron, join us at any level and you can see this and other supplemental content at any time!Show Notes and LinksErasable PatreonErasable Podcast Discord inviteBon Iver Field Notes“The Chicago Look” Field NotesNahvalur Original PlusNahvalur Nautilus Ti BlackAndy's Yikes blog postYour HostsJohnny GamberPencil RevolutionAndy Welfleandy.wtfTim Wasem

The amazing people we talked to in the Ivoclar (https://www.ivoclar.com/en_us) Ballroom during the 40th anniversary of LMT Lab Day Chicago just keep coming and this week we have a stellar line up. First up is Eric Kukucka. Eric came on the podcast years ago to talk about his multiple denturist practices in Canada. But he has since sold them and has joined the Aspen Dental (https://www.aspendental.com/) group as their Vice President of Clinical Removable Prosthetics & Design Technologies. Eric talks about going from making dentures for hundreds of patients to working with a team to produce quality dentures for millions. Then we chat with Chelsea Homire, who has years of dental assistant experience, but when given the oppritunity to learn the in-office lab work, she took off. With a passion for printing, Chelsea is now teaching other offices (and even a few labs) how they can optimize their digital workflow. We wrap up the episode with Brittany Mitchell. You might know her becuase she designed (and made the denture) on our "Just Say No to Brushing" shirt, but she's also a talented removable technician. Brittany talks about starting in at the front desk, drawing a picture that got notices and placed in the lab, falling in love with it, and making digital dentures for a 12 doctor dental group. Don't miss this incredible webinar with Tanya Little, a dentist from beautiful Vancouver, Canada. We would like to invite you to a special webinar that she's hosting with Ivoclar (https://www.ivoclar.com/en_us) and LMT (https://lmtmag.com/) on Wednesday, May 7th, titled "Reflections from a Denturist: 20 Years of Crafting Dentures!". In this program, she will review the incredible history of removables with Ivoclar and focus on the new and exciting evolution based print resin and of course, the PM7. Her goal is to provide you with several key takeaways that will allow you to work smarter and not harder. You can join on May 7th by registering at https://lmtmag.com/webinars/reflections-from-a-denturist-20-years-of-crafting-dentures Are you a dental lab in need of more talent to improve your bottom line and keep production on schedule? Are you a dental tech with great skills but feel you're being limited at your current lab? Well, the answer is here and this is precisely why WIN WIN GO (https://www.winwingo.com/) was created. The dental lab and dental tech community needed a place where labs and technicians can meet, talk about their needs and connect in ways that foster a win win outcome. As a tech. If you're ready to make a change, thinking about moving in the next year or just curious what's out there, sign up today. It's totally free. As a lab, you might be feeling the frustration of paying the big employment site so much and getting so few tech candidates. We understand they don't much care about our industry. WINWINGO.com is simply the best place for lab techs and lab owners to actively engage in creating their ideal future. WINWINGO.com, how dental techs find paradise. Special Guests: Brittany Mitchell, Chelsea Homire, and Eric Kukucka DD.

We've both gotten our hands on CRT televisions recently--Will's one from his youth and Brad's a much more modern set--and we've spent a bunch of time tinkering with them, getting our MiSTers to play nicely with them, and generally enjoying some warm analog video. On this week's ep we dig into our time reacquainting ourselves with what TVs used to be like, with a freewheeling conversation that touches on all kinds of minutiae like when it might be time to replace your aging set's capacitors, trying to understand signal standards from RGsB to YPbPr, remembering the time when the only inputs on your TV were a couple of screws, and a bunch more.Will's TV: General Electric 10AB3406WF02Brad's TV: https://crtdatabase.com/crts/toshiba/toshiba-14af42This is a great teardown and servicing video for the Toshiba: https://www.youtube.com/watch?v=9Ij0i-xnvic Support the Pod! Contribute to the Tech Pod Patreon and get access to our booming Discord, a monthly bonus episode, your name in the credits, and other great benefits! You can support the show at: https://patreon.com/techpod

Sun, 13 Apr 2025 14:00:00 GMT http://relay.fm/analogue/236 http://relay.fm/analogue/236 We're Makin' Memories! 236 Casey Liss and Myke Hurley With Myke still on paternity leave, Erin joins Casey to have a chat about teaching, parenting, life, and what it's like living with a tinkerer. With Myke still on paternity leave, Erin joins Casey to have a chat about teaching, parenting, life, and what it's like living with a tinkerer. clean 6492 With Myke still on paternity leave, Erin joins Casey to have a chat about teaching, parenting, life, and what it's like living with a tinkerer. This episode of Analog(ue) is sponsored by: Fitbod: Get stronger, faster with a fitness plan that fits you. Get 25% off your membership. Saily: Affordable eSIM plans for international travel. Use code 'analogue' for 15% off. Squarespace: Save 10% off your first purchase of a website or domain using code ANALOGUE. Guest Starring: Erin Liss Links and Show Notes: Support Analog(ue) with a Relay FM Membership Submit Feedback University of VirginiaErin's alma mater Virginia TechCasey's alma mater Blood and Ash Series by Jennifer L. Armentrout Blake Crouch

"Atmos mixes are crushing my stereo mixes!" Colt talked about upgrading his mixing studio to Atmos, DIY construction, studio ergonomics, mixing on headphones, huge snare sounds, growing a Youtube channel, and why the new Mac Mini is right for you. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Colt Capperrune, a producer, mix engineer, and mastering engineer with 21 years of experience in the music industry. Colt is also a talented session guitarist, and passionate advocate for artist development. In recent years, he's gained recognition as a social media influencer, sharing invaluable insights and tutorials through his popular YouTube channel. Colt produced his first record at 19 and has since achieved Top 40 on Billboard, multiple #1s on iTunes and Amazon charts, and has worked with countless artists to turn raw ideas into polished, professional productions. His expertise extends to Dolby Atmos mixing, and he's recently built a state-of-the-art Atmos-equipped studio to deliver immersive audio experiences, taking his productions to the next level. Beyond the studio, Colt is committed to empowering artists, often showcasing his process of transforming simple worktapes into chart-worthy productions on his website and YouTube. You can hear Colt's previous interview and backstory at RSR209. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://stealthchair.com/ Use code ROCK10 to get 10% off! https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/33rmdc0r1kt1O64NSLEdHJ?si=6484711793a44259 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/501

In this episode of the Mixing Music Podcast, Dee Kei and Lu dive into the ongoing resurgence of analog emulation plugins and why these classic tones still matter in today's digital landscape. They break down the technological leaps in digital plugin development, the shift in modern musical trends, and what “warmth” really means when it comes to sound. From the nostalgic vibe of tape saturation to the precision of modern analog-modeled tools, they explore the strengths and quirks of both analog and digital workflows. Plus, Dee Kei and Lu share some of their favorite go-to plugins that bring character and vibe to every mix.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy