Podcasts about Analog

Jon Kelly and Peter Hamby reunite for a spirited chat about some proprietary data regarding Gen Alpha's movie theater fixation before offering their views on the Bill Belichick college sports (and media) experiment. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

⸻ Podcast: Redefining Society and Technologyhttps://redefiningsocietyandtechnologypodcast.com _____ Newsletter: Musing On Society And Technology https://www.linkedin.com/newsletters/musing-on-society-technology-7079849705156870144/_____ Watch on Youtube: https://youtu.be/OYBjDHKhZOM_____ My Website: https://www.marcociappelli.com_____________________________This Episode's SponsorsBlackCloak provides concierge cybersecurity protection to corporate executives and high-net-worth individuals to protect against hacking, reputational loss, financial loss, and the impacts of a corporate data breach.BlackCloak:  https://itspm.ag/itspbcweb_____________________________A Musing On Society & Technology Newsletter Written By Marco Ciappelli | Read by TAPE3The First Smartphone Was a Transistor Radio — How a Tiny Device Rewired Youth Culture and Predicted Our Digital FutureA new transmission from Musing On Society and Technology Newsletter, by Marco CiappelliI've been collecting vintage radios lately—just started, really—drawn to their analog souls in ways I'm still trying to understand. Each one I find reminds me of a small, battered transistor radio from my youth. It belonged to my father, and before that, probably my grandfather. The leather case was cracked, the antenna wobbled, and the dial drifted if you breathed on it wrong. But when I was sixteen, sprawled across my bedroom floor in that small town near Florence with homework scattered around me, this little machine was my portal to everything that mattered.Late at night, I'd start by chasing the latest hits and local shows on FM, but then I'd venture into the real adventure—tuning through the static on AM and shortwave frequencies. Voices would emerge from the electromagnetic soup—music from London, news from distant capitals, conversations in languages I couldn't understand but somehow felt. That radio gave me something I didn't even know I was missing: the profound sense of belonging to a world much bigger than my neighborhood, bigger than my small corner of Tuscany.What I didn't realize then—what I'm only now beginning to understand—is that I was holding the first smartphone in human history.Not literally, of course. But functionally? Sociologically? That transistor radio was the prototype for everything that followed: the first truly personal media device that rewired how young people related to the world, to each other, and to the adults trying to control both.But to understand why the transistor radio was so revolutionary, we need to trace radio's remarkable journey through the landscape of human communication—a journey that reveals patterns we're still living through today.When Radio Was the Family HearthBefore my little portable companion, radio was something entirely different. In the 1930s, radio was furniture—massive, wooden, commanding the living room like a shrine to shared experience. Families spent more than four hours a day listening together, with radio ownership reaching nearly 90 percent by 1940. From American theaters that wouldn't open until after "Amos 'n Andy" to British families gathered around their wireless sets, from RAI broadcasts bringing opera into Tuscan homes—entire communities synchronized their lives around these electromagnetic rituals.Radio didn't emerge in a media vacuum, though. It had to find its place alongside the dominant information medium of the era: newspapers. The relationship began as an unlikely alliance. In the early 1920s, newspapers weren't threatened by radio—they were actually radio's primary boosters, creating tie-ins with broadcasts and even owning stations. Detroit's WWJ was owned by The Detroit News, initially seen as "simply another press-supported community service."But then came the "Press-Radio War" of 1933-1935, one of the first great media conflicts of the modern age. Newspapers objected when radio began interrupting programs with breaking news, arguing that instant news delivery would diminish paper sales. The 1933 Biltmore Agreement tried to restrict radio to just two five-minute newscasts daily—an early attempt at what we might now recognize as media platform regulation.Sound familiar? The same tensions we see today between traditional media and digital platforms, between established gatekeepers and disruptive technologies, were playing out nearly a century ago. Rather than one medium destroying the other, they found ways to coexist and evolve—a pattern that would repeat again and again.By the mid-1950s, when the transistor was perfected, radio was ready for its next transformation.The Real Revolution Was Social, Not TechnicalThis is where my story begins, but it's also where radio's story reaches its most profound transformation. The transistor radio didn't just make radio portable—it fundamentally altered the social dynamics of media consumption and youth culture itself.Remember, radio had spent its first three decades as a communal experience. Parents controlled what the family heard and when. But transistor radios shattered this control structure completely, arriving at precisely the right cultural moment. The post-WWII baby boom had created an unprecedented youth population with disposable income, and rock and roll was exploding into mainstream culture—music that adults often disapproved of, music that spoke directly to teenage rebellion and independence.For the first time in human history, young people had private, personal access to media. They could take their music to bedrooms, to beaches, anywhere adults weren't monitoring. They could tune into stations playing Chuck Berry, Elvis, and Little Richard without parental oversight—and in many parts of Europe, they could discover the rebellious thrill of pirate radio stations broadcasting rock and roll from ships anchored just outside territorial waters, defying government regulations and cultural gatekeepers alike. The transistor radio became the soundtrack of teenage autonomy, the device that let youth culture define itself on its own terms.The timing created a perfect storm: pocket-sized technology collided with a new musical rebellion, creating the first "personal media bubble" in human history—and the first generation to grow up with truly private access to the cultural forces shaping their identity.The parallels to today's smartphone revolution are impossible to ignore. Both devices delivered the same fundamental promise: the ability to carry your entire media universe with you, to access information and entertainment on your terms, to connect with communities beyond your immediate physical environment.But there's something we've lost in translation from analog to digital. My generation with transistor radios had to work for connection. We had to hunt through static, tune carefully, wait patiently for distant signals to emerge from electromagnetic chaos. We learned to listen—really listen—because finding something worthwhile required skill, patience, and analog intuition.This wasn't inconvenience; it was meaning-making. The harder you worked to find something, the more it mattered when you found it. The more skilled you became at navigating radio's complex landscape, the richer your discoveries became.What the Transistor Radio Taught Us About TomorrowRadio's evolution illustrates a crucial principle that applies directly to our current digital transformation: technologies don't replace each other—they find new ways to matter. Printing presses didn't become obsolete when radio arrived. Radio adapted when television emerged. Today, radio lives on in podcasts, streaming services, internet radio—the format transformed, but the essential human need it serves persists.When I was sixteen, lying on that bedroom floor with my father's radio pressed to my ear, I was doing exactly what teenagers do today with their smartphones: using technology to construct identity, to explore possibilities, to imagine myself into larger narratives.The medium has changed; the human impulse remains constant. The transistor radio taught me that technology's real power isn't in its specifications or capabilities—it's in how it reshapes the fundamental social relationships that define our lives.Every device that promises connection is really promising transformation: not just of how we communicate, but of who we become through that communication. The transistor radio was revolutionary not because it was smaller or more efficient than tube radios, but because it created new forms of human agency and autonomy.Perhaps that's the most important lesson for our current moment of digital transformation. As we worry about AI replacing human creativity, social media destroying real connection, or smartphones making us antisocial, radio's history suggests a different possibility: technologies tend to find their proper place in the ecosystem of human needs, augmenting rather than replacing what came before.As Marshall McLuhan understood, "the medium is the message"—to truly understand what's happening to us in this digital age, we need to understand the media themselves, not just the content they carry. And that's exactly the message I'll keep exploring in future newsletters—going deeper into how we can understand the media to understand the messages, and what that means for our hybrid analog-digital future.The frequency is still there, waiting. You just have to know how to tune in.__________ End of transmission.

Happy International Workers Day, everyone! If you get a long weekend, we really hope you make the most of it. (Andy's going to the SF Pen Show, for example!) Before we go off and celebrate, we're coming atcha with some new Fresh Points, including some new Blackwings, a cool film camera, and the question that plagues our minds, “why is loose leaf paper so terrible?”. Show Notes and LinksErasable PatreonErasable Podcast Discord inviteAEnima by ToolIn Case You Were Napping by PusciferTrue Writer Killarney fountain pen Automatic Noodle by Annalee NewitzLessons in Magic and Disaster by Charlie Jane AndersSlow HorsesMission Impossible Final ReckoningSnipe Hunter by Tyler ChildersBlackwing Volume 292Kodak EtkarNahvalur TriadBlackwing x Fender San Francisco Pen ShowMonoc Evo by Schon DesignYour HostsJohnny GamberPencil RevolutionAndy Welfleandy.wtfTim Wasem

Fußball und Fotografie - eine Verbindung, die Florian Renz und ich sehr mögen. Florian hat in den vergangenen Jahren die Hamburger Fußballmannschaft Altona93 in der legendären Adolf-Jäger-Kampfbahn besucht und dabei zahlreiche Fotos gemacht, bevor es die AJK irgendwann nicht mehr gibt. Daraus ist nun der Bildband "Altona93Analog" entstanden. Empfehlung: Das Leben fing im Sommer an (Amazon *) Links: Blogbeitrag Florian Renz – Website Florian Renz – Instagram Amici Di Napoli – Instagram Blogbeitrag zu Altona 93 Analog Shop Altona93 Den Blog findest Du unter https://fotobuch-ecke.de/ Folgen kannst Du mir auch auf: Instagram * Bei den gekennzeichneten Links handelt es sich um sogenannte Affiliate-Links. Wenn Du die verlinkten Produkte kaufst, nachdem Du auf den Link geklickt hast, erhalte ich eine Provision direkt vom Händler dafür. Du zahlst bei Deinem Einkauf nicht mehr als sonst, hilfst mir aber dabei, den Podcast und den Blog zu betreiben. Vielen Dank für Deine Unterstützung!

"I always had music around." In this episode, Lij Shaw interviews Felipe de Mari Scalone, a Brazilian producer and musician, about his journey from growing up in a musical family to establishing Junk Mahal Studio in Brazil. Felipe shares insights from his time in London and Amsterdam, his transition from performing in bands to music production, and his experiences attending Mix with the Masters with Shawn Everett. He discusses his sound experimentation, mixing techniques, and the impact of Brazilian and international music on his work. Felipe also shares his unique approaches to reamping, DIY audio equipment, vintage technology, and the challenges and rewards of working in the music industry. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Felipe De Mari Scalone, a Brazilian producer, musician, and frontman of the shoegaze/grunge band Cyanish. After immersing himself in the music scenes of Amsterdam and London, he returned to Brazil to record his debut EP, Lighthouse (2019), marking the beginning of his journey in music production. In 2021, Felipe founded Junkmahal Studio, collaborating with artists like Vitor Bruno, Catiça, 43duo, De Um Filho, De Um Cego, and Luvbites, helping shape their sound across various genres. In 2022, he attended a Mix With The Masters seminar in France with Shawn Everett, and by the end of 2024, he had earned an honorable mention in Eric Valentine's mix contest. Shortly after, he moved to Los Angeles for an internship with Chris Sorem at Nest Recorders, continuing to refine his craft. I met Felipe at NAMM during our Recording Studio Rockstars meetup and was impressed by his story, enthusiasm, and the cool sound of his records! Shoutout to Matt Boudreau for the introduction at the bar. Today, we will discuss making records in Brazil, experimenting with sound, and creating super cool short videos for Instagram to create new and unusual instruments in the studio. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/2RWGULQsJ7Ulj9f6AmQ2O1?si=540116b8c51440b1 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/521

A short set from the Holding Tanks kicks off the ride, with a lengthy excursion into some shadowy, cave-y spaces. A bit of convo and we’re off for a nice deep dive into the stacks…and maybe things briefly get kind of weird. But you’re used to that by now. Start       Marcanus, Adventus, Cinema […]

Hausmeisterei Video zur Episode Text-/Audio-/Videokommentar einreichen HS-Hörer:innen im Slack treffen Aus der Preshow Wo denn in Norwegen?, Delay-Effekte, Wer hat den längeren Grad? WERBUNG: Saal Digital – 30% mit Gutschein-Code HAPPY30SAAL (alles groß geschrieben) (Gutschein in Großbuchstaben eingeben, nur einmal je Person und Haushalt einlösbar, nicht mit anderen Gutscheinen oder Aktionen kombinierbar, Versandkosten nicht enthalten) … „#908 – Wuchtbrumme“ weiterlesen

Hausmeisterei Video zur Episode Text-/Audio-/Videokommentar einreichen HS-Hörer:innen im Slack treffen Aus der Preshow Wo denn in Norwegen?, Delay-Effekte, Wer hat den längeren Grad? WERBUNG: Saal Digital – 30% mit Gutschein-Code HAPPY30SAAL (alles groß geschrieben) (Gutschein in Großbuchstaben eingeben, nur einmal je Person und Haushalt einlösbar, nicht mit anderen Gutscheinen oder Aktionen kombinierbar, Versandkosten nicht enthalten) … „#908 – Wuchtbrumme“ weiterlesen

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Chris, Ade and Jeremiah explore the ways new technology can help you make fantastic photos.

Nostalgia for the late '90s and early 2000s is roaringly popular among Gen Z right now. Listeners call in with stories of life before the internet and what it is about that era that younger listeners wish for today, and we hear from Clay Routledge, social psychologist, director of the Human Flourishing Lab at Archbridge Institute and author of Past Forward: How Nostalgia Can Help You Live a More Meaningful Life (Sounds True, 2023).=>"Why Gen Z Is Resurrecting the 1990s" (NYT Opinion, 8/24/25)

How does your mind engage differently for analog work? Do you perceive progress the same from analog and digital work? Is your retention of information different from analog and digital forms?

In this conversation, Ben Bajarin and Jay Goldberg discuss the recent government investment in Intel, its implications for the semiconductor industry, and the competitive landscape of Nvidia's new technology. They explore the future of Intel, the challenges it faces in securing customers, and the significance of Nvidia's Spectrum XGS Ethernet announcement. The discussion also touches on the state of the analog devices market and anticipates Nvidia's upcoming earnings call, highlighting key areas of interest and potential impacts on the industry.TakeawaysThe U.S. government now owns 10% of Intel, signaling confidence in the company.The investment is part of a broader strategy to support semiconductor manufacturing in the U.S.Intel's future hinges on securing customers and government support.Nvidia's Spectrum XGS Ethernet allows for distributed GPU clusters across locations.The competitive landscape is shifting, with Nvidia targeting Broadcom and Huawei.Analog devices are seeing mixed signals in the market, particularly in automotive.Robotics is an emerging area for analog devices, but still faces challenges.Nvidia's upcoming earnings call is highly anticipated, with expectations of strong demand.The relationship between the U.S. and China is affecting tech investments and sales.The need for a strong board and expertise in manufacturing is crucial for Intel's success.

Frederik Pohl (1918-2013) recorded at the Octocon Science Fiction Convention, October 15-16, 1978. Interviewers: Richard Wolinsky, Richard A. Lupoff and Lawrence Davidson, for KPFA's Probabilities radio program. Digitized, remastered and re-edited February, 2021 by Richard Wolinsky. Frederik Pohl, who died in 2013 at the age of 93 in September, 2013, did almost everything in the world of science fiction, as a writer, an agent, and a magazine and book editor. He grew up in Brooklyn, began writing at an early age, and in his twenties was a member of a leftist group of science fiction writers known as The Futurians, publishing for pennies a word in the sf pulps of the era. In 1937, in order to make money, he became an agent, and two years later a pulp magazine editor himself, often buying his own stories along with collaborations with various other writers, all under pseudonyms. In the late 1960s, he became editor of Galaxy Magazine, and its sister publication, Worlds of If, and in the 1970s became the science fiction editor at Bantam Books which he left shortly before this interview. In the mid 1970s, Fred Pohl  emerged as one of science fictions pre-eminent novelists with Man Plus in 1976 and Gateway in 1977. In 1978, on the heels of novelist Damon Knight's memoir, The Futurians, he came out with his own memoir, The Way the Future Was. And that was where his career stood when the three of us interviewed him. We were all still new at interviewing, particularly in placement of the microphone. Fred Pohl's success continued for many years after this interview. Jem, published in 1979, won the National Book Award the only year there was an award for science fiction. The sequel to Gateway, Beyond the Blue Event Horizon was a finalist for both the Hugo and Nebula Awards in 1980. In all, there eventually were seven novels in the Gateway  (Heechee) series, and after 1979, all told, he wrote 17 more novels, the last being The Lives He Led, published in 2011, along with several collections, even more collaborations, and some non-fiction as well. At the time of his death at 93 in 2013, he was working on a second memoir, which has to date not been published. NOTES. Judy Lynn Del Rey was the sf editor at Ballantine Books starting in the early 1970s and soon had her own imprint, Del Rey Books (in collaboration with her husband, writer Lester Del Rey). Judith Merrill was a writer and anthologist, noted for her Year's Best SF Stories collections, which she edited from 1956 to 1968. John Michel was a key member of the Futurians who never fulfilled his promise. John W. Campbell was the editor of Astounding Stories, later Analog, from 1937 into the 1970s, and is credited with discovering such writers as Isaac Asimov and Robert Heinlein. His influence on science fiction was all-encompassing, even as his politics were, as Isaac Asimov quipped, somewhere to the right of Hitler. Horace Gold was the first editor of Galaxy, before Fred Pohl. It was the magazine that brought literary style into science fiction. Other names mentioned are Anthony Boucher and F. Francis McComas, the first editors of the Magazine of Fantasy and Science Fiction, F&SF. This podcast was first posted February 14, 2021. Three Futurians in 1938: Donald Wollheim, later publisher of DAW books, Fred Pohl, and John Michel. Creative Commons photo donated by the Wollheim family. The post The Probabilities Archive: Frederik Pohl (1918-2013) Acclaimed Science Fiction & Fantasy Novelist and Editor appeared first on KPFA.

Tune in for an episode of Recording Studio Rockstars with host Lij Shaw, featuring the talented musician and recording arts student, Abbie Griffin. Abbie shares her personal journey—from falling in love with music inspired by artists like Joni Mitchell and Taylor Swift, to navigating the challenges of the industry. She opens up about her songwriting process, the influence of her family and life experiences, and how technology is transforming the way we create music. Most importantly, Abbie emphasizes the importance of staying true to yourself and embracing your individuality. Don't miss her latest track, "Live from Onie's House," available on Spotify. Join us as we chat about music and creativity on this episode of Recording Studio Rockstars. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Abbie Griffin, an engineer, singer, guitarist, and bassist, and a student of Recording Arts and Production at Montclair State University in NJ, where she studies audio engineering, post-production, and live event audio. At just 22 years old, she's already been performing for nearly two decades. She loves making music and recently released her first record, Live from Onie's House, inspired by Joni Mitchell. To quote her greatest inspiration—her musical grandmother—Abbie is “the saddest yet happiest songbird you'll ever meet, with that smile.” I met Abbie at NAMM when she came to a meetup for Recording Studio Rockstars. The first thing she said to me was that she was a fan of the podcast—and so was her dad! It's so cool to hear how the podcast is reaching a younger audience and inspiring those just starting out in their music and audio careers. Today, we're going to find out what it's like to be a young student of recording aspiring to be a musician and songwriter. We'll talk about what Abbie's learning in school, what she thought she needed to learn, and what music really means to her. She shares her thoughts on the rapid changes in music technology with AI, how the definition of a producer is evolving for the next generation, and where she sees the future of music heading. We'll also dive into her love for vintage gear, DIY instruments, and how strength training plays a surprising role in her creative process. And—one of the coolest parts—Abbie recently had the chance to interview Pat Metheny, one of her musical heroes. Get ready for an inspiring conversation about songwriting, personal growth, and embracing your unique sound! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/7jc5wSU8VTbukzdbPmvyXa?si=fc479fd1cff4463d If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/520

Remember owning your movies and music on tape, CD or DVD? Physical media is having a moment again as frustration mounts with streaming platforms that can remove beloved shows at a moment's notice while charging endless subscription fees. More people report feeling nostalgic for a time when we could truly hold onto the media that we love. We'll look into what's driving this analog resurgence. What's a piece of physical media you're holding on to? Guests: Joe Pickett, co-founder, co-host and curator, Found Footage Festival Jeff Rauseo, content creator and writer covering movies, home entertainment and physical media; author, "Lost in the Stream: How Algorithms Redefined the Way Movies Are Made and Watched" Jacob Gaboury, associate professor of film and media, UC Berkeley Learn more about your ad choices. Visit megaphone.fm/adchoices

Settle in for a non-stop 90. It’s a bit all over the place, though mostly pretty sedate. I think you’ll probably be okay with it. Start      John Scott Shepherd & Jamie Zarfas, Forms of Souls, Distant Moon9.57       Buenoventura, Kinderkette, Gelb13.19     break_fold, Variant, This Was Forever17.07     break_fold, Gadgie, Planner*21.21    […]

Today, we are introducing our latest advancement in inductive sensor technology: a new generation of IO-Link-enabled sensors featuring extended functionality and diagnostics, along with the next iteration of our tried-and-tested analog inductive sensors. See omnystudio.com/listener for privacy information.

⸻ Podcast: Redefining Society and Technologyhttps://redefiningsocietyandtechnologypodcast.com _____________________________This Episode's SponsorsBlackCloak provides concierge cybersecurity protection to corporate executives and high-net-worth individuals to protect against hacking, reputational loss, financial loss, and the impacts of a corporate data breach.BlackCloak:  https://itspm.ag/itspbcweb_____________________________A Musing On Society & Technology Newsletter Written By Marco Ciappelli | Read by TAPE3August 18, 2025The Narrative Attack Paradox: When Cybersecurity Lost the Ability to Detect Its Own Deception and the Humanity We Risk When Truth Becomes OptionalReflections from Black Hat USA 2025 on Deception, Disinformation, and the Marketing That Chose Fiction Over FactsBy Marco CiappelliSean Martin, CISSP just published his analysis of Black Hat USA 2025, documenting what he calls the cybersecurity vendor "echo chamber." Reviewing over 60 vendor announcements, Sean found identical phrases echoing repeatedly: "AI-powered," "integrated," "reduce analyst burden." The sameness forces buyers to sift through near-identical claims to find genuine differentiation.This reveals more than a marketing problem—it suggests that different technologies are being fed into the same promotional blender, possibly a generative AI one, producing standardized output regardless of what went in. When an entire industry converges on identical language to describe supposedly different technologies, meaningful technical discourse breaks down.But Sean's most troubling observation wasn't about marketing copy—it was about competence. When CISOs probe vendor claims about AI capabilities, they encounter vendors who cannot adequately explain their own technologies. When conversations moved beyond marketing promises to technical specifics, answers became vague, filled with buzzwords about proprietary algorithms.Reading Sean's analysis while reflecting on my own Black Hat experience, I realized we had witnessed something unprecedented: an entire industry losing the ability to distinguish between authentic capability and generated narrative—precisely as that same industry was studying external "narrative attacks" as an emerging threat vector.The irony was impossible to ignore. Black Hat 2025 sessions warned about AI-generated deepfakes targeting executives, social engineering attacks using scraped LinkedIn profiles, and synthetic audio calls designed to trick financial institutions. Security researchers documented how adversaries craft sophisticated deceptions using publicly available content. Meanwhile, our own exhibition halls featured countless unverifiable claims about AI capabilities that even the vendors themselves couldn't adequately explain.But to understand what we witnessed, we need to examine the very concept that cybersecurity professionals were discussing as an external threat: narrative attacks. These represent a fundamental shift in how adversaries target human decision-making. Unlike traditional cyberattacks that exploit technical vulnerabilities, narrative attacks exploit psychological vulnerabilities in human cognition. Think of them as social engineering and propaganda supercharged by AI—personalized deception at scale that adapts faster than human defenders can respond. They flood information environments with false content designed to manipulate perception and erode trust, rendering rational decision-making impossible.What makes these attacks particularly dangerous in the AI era is scale and personalization. AI enables automated generation of targeted content tailored to individual psychological profiles. A single adversary can launch thousands of simultaneous campaigns, each crafted to exploit specific cognitive biases of particular groups or individuals.But here's what we may have missed during Black Hat 2025: the same technological forces enabling external narrative attacks have already compromised our internal capacity for truth evaluation. When vendors use AI-optimized language to describe AI capabilities, when marketing departments deploy algorithmic content generation to sell algorithmic solutions, when companies building detection systems can't detect the artificial nature of their own communications, we've entered a recursive information crisis.From a sociological perspective, we're witnessing the breakdown of social infrastructure required for collective knowledge production. Industries like cybersecurity have historically served as early warning systems for technological threats—canaries in the coal mine with enough technical sophistication to spot emerging dangers before they affect broader society.But when the canary becomes unable to distinguish between fresh air and poison gas, the entire mine is at risk.This brings us to something the literary world understood long before we built our first algorithm. Jorge Luis Borges, the Argentine writer, anticipated this crisis in his 1940s stories like "On Exactitude in Science" and "The Library of Babel"—tales about maps that become more real than the territories they represent and libraries containing infinite books, including false ones. In his fiction, simulations and descriptions eventually replace the reality they were meant to describe.We're living in a Borgesian nightmare where marketing descriptions of AI capabilities have become more influential than actual AI capabilities. When a vendor's promotional language about their AI becomes more convincing than a technical demonstration, when buyers make decisions based on algorithmic marketing copy rather than empirical evidence, we've entered that literary territory where the map has consumed the landscape. And we've lost the ability to distinguish between them.The historical precedent is the 1938 War of the Worlds broadcast, which created mass hysteria from fiction. But here's the crucial difference: Welles was human, the script was human-written, the performance required conscious participation, and the deception was traceable to human intent. Listeners had to actively choose to believe what they heard.Today's AI-generated narratives operate below the threshold of conscious recognition. They require no active participation—they work by seamlessly integrating into information environments in ways that make detection impossible even for experts. When algorithms generate technical claims that sound authentic to human evaluators, when the same systems create both legitimate documentation and marketing fiction, we face deception at a level Welles never imagined: the algorithmic manipulation of truth itself.The recursive nature of this problem reveals itself when you try to solve it. This creates a nearly impossible situation. How do you fact-check AI-generated claims about AI using AI-powered tools? How do you verify technical documentation when the same systems create both authentic docs and marketing copy? When the tools generating problems and solving problems converge into identical technological artifacts, conventional verification approaches break down completely.My first Black Hat article explored how we risk losing human agency by delegating decision-making to artificial agents. But this goes deeper: we risk losing human agency in the construction of reality itself. When machines generate narratives about what machines can do, truth becomes algorithmically determined rather than empirically discovered.Marshall McLuhan famously said "We shape our tools, and thereafter they shape us." But he couldn't have imagined tools that reshape our perception of reality itself. We haven't just built machines that give us answers—we've built machines that decide what questions we should ask and how we should evaluate the answers.But the implications extend far beyond cybersecurity itself. This matters far beyond. If the sector responsible for detecting digital deception becomes the first victim of algorithmic narrative pollution, what hope do other industries have? Healthcare systems relying on AI diagnostics they can't explain. Financial institutions using algorithmic trading based on analyses they can't verify. Educational systems teaching AI-generated content whose origins remain opaque.When the industry that guards against deception loses the ability to distinguish authentic capability from algorithmic fiction, society loses its early warning system for the moment when machines take over truth construction itself.So where does this leave us? That moment may have already arrived. We just don't know it yet—and increasingly, we lack the cognitive infrastructure to find out.But here's what we can still do: We can start by acknowledging we've reached this threshold. We can demand transparency not just in AI algorithms, but in the human processes that evaluate and implement them. We can rebuild evaluation criteria that distinguish between technical capability and marketing narrative.And here's a direct challenge to the marketing and branding professionals reading this: it's time to stop relying on AI algorithms and data optimization to craft your messages. The cybersecurity industry's crisis should serve as a warning—when marketing becomes indistinguishable from algorithmic fiction, everyone loses. Social media has taught us that the most respected brands are those that choose honesty over hype, transparency over clever messaging. Brands that walk the walk and talk the talk, not those that let machines do the talking.The companies that will survive this epistemological crisis are those whose marketing teams become champions of truth rather than architects of confusion. When your audience can no longer distinguish between human insight and machine-generated claims, authentic communication becomes your competitive advantage.Most importantly, we can remember that the goal was never to build machines that think for us, but machines that help us think better.The canary may be struggling to breathe, but it's still singing. The question is whether we're still listening—and whether we remember what fresh air feels like.Let's keep exploring what it means to be human in this Hybrid Analog Digital Society. Especially now, when the stakes have never been higher, and the consequences of forgetting have never been more real. End of transmission.___________________________________________________________Marco Ciappelli is Co-Founder and CMO of ITSPmagazine, a journalist, creative director, and host of podcasts exploring the intersection of technology, cybersecurity, and society. His work blends journalism, storytelling, and sociology to examine how technological narratives influence human behavior, culture, and social structures.___________________________________________________________Enjoyed this transmission? Follow the newsletter here:https://www.linkedin.com/newsletters/7079849705156870144/Share this newsletter and invite anyone you think would enjoy it!New stories always incoming.___________________________________________________________As always, let's keep thinking!Marco Ciappellihttps://www.marcociappelli.com___________________________________________________________This story represents the results of an interactive collaboration between Human Cognition and Artificial Intelligence.Marco Ciappelli | Co-Founder, Creative Director & CMO ITSPmagazine  | Dr. in Political Science / Sociology of Communication l Branding | Content Marketing | Writer | Storyteller | My Podcasts: Redefining Society & Technology / Audio Signals / + | MarcoCiappelli.comTAPE3 is the Artificial Intelligence behind ITSPmagazine—created to be a personal assistant, writing and design collaborator, research companion, brainstorming partner… and, apparently, something new every single day.Enjoy, think, share with others, and subscribe to the "Musing On Society & Technology" newsletter on LinkedIn.

Lij Shaw of Recording Studio Rockstars recently sat down with Gabe Dagrezio to dive into his journey from frontman of The New Story to a highly regarded producer, engineer, and studio owner. With years of experience in the music industry, Gabe has worked with a wide range of artists, helping them craft their sound through both performance and technical mastery. He emphasizes the importance of authentic recordings combined with solid technical skills, often sharing how preparation and understanding the artist's vision are key to great results. Gabe also talks about his studio setup, his approach to mixing and mastering, and how modern tools like room simulation headphones can elevate home recordings. Throughout the conversation, he highlights the value of community organizations like AES, continual learning, and building genuine relationships—lessons that are crucial for anyone looking to thrive in today's ever-changing industry. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Gabe Dagrezio. Gabe started as the frontman of The New Story, an Italian touring band signed to EMI/Virgin in the early 2000s. His time in the studio sparked a deep passion for recording, leading him to master performance, engineering, and production. Gabe is a skilled guitarist, songwriter, and singer who has performed thousands of shows worldwide. His background gives him a performer's sensitivity in the studio, bridging the gap between artistry and technical precision. With a Bachelor of Music in Songwriting, Contemporary Guitar, and Music Technology, he brings a well-rounded approach to recording, mixing, and coaching artists to their best performances. We met a couple years ago and here's a quote from Gabe “NAMM, I walked up to you because I listen to your podcast, and I recognized the voice, then, I looked at your badge :)” THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Soundcloud: Recent productions: https://on.soundcloud.com/BMSg25zFjH4crFA99 Original songs: https://on.soundcloud.com/YVPKzB29pob8UAy9A If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/519

In this episode Dan (@timely_moments) walks down Pen Y Fan in the Brecon Beacons with AJ (@ajbarse) on his Analog Anglo-sized August Adventure. This episode is live and on location so please bear with the AI wind reduction did it's best! They talk about what AJ has done whilst visiting UK and staying at the ZTP HQ. References for this episode are below.Dan - @timely_moments / timelymomentsphotography92@gmail.comBuy me a brew - https://www.buymeacoffee.com/pmgwgzwbq7q?l=fr AJ - @ajbarseFarer Watches - @fareruniversalStirling Timepieces - @stirlingtimepiecesHorrible History Terrible Thames - https://terriblethames.com/?gad_source=1&gad_campaignid=22600340619&gbraid=0AAAAABUgDAeyx_9ako4DvasnF1JvgxhPQ&gclid=Cj0KCQjwqebEBhD9ARIsAFZMbfyYRFVV7_LKQVY8UxF_0iE8CriLremjfqhStYYD708yMUO8Wug5INIaArX5EALw_wcB

Robert Kaplan and the analog Weimar Republic 2025. Peter Berkowitz, Hoover 1945 BERLIN

The ride this time opens with some New Age/contemporary instrumental style loveliness from the Holding Tanks, eventually finding its way into a territory lightly laced with a bit of funkiness because sometimes that’s how we roll. A talky bit, then it’s off to the cool comforts of the library where we start with a powerhouse […]

Hausmeisterei Video zur Episode Text-/Audio-/Videokommentar einreichen HS-Hörer:innen im Slack treffen Aus der Preshow Hornissen, und Saugroboter, Woche mit lauter Montagen #hshi / #hsnachtrag von Michael zu Schwarzweiß Dias. Von Tetenal gab es ein Umkehr-Kit. von Thomas: Panasonic FZ1000 und FZ2000 eingestellt? von Dieter zur hohen Drohnen-Strafe. HS Workshops HS Mensch 30.–31.08.2025 Viewfinder-Villa – Noch 4 … „#907 – Gesuppt“ weiterlesen

Ready for the ultimate tech setup tour? After getting tons of questions about my gear and tools, I'm pulling back the curtain on EVERYTHING I use to run my business - from my $3000+ recording setup to the analog tools that keep me organized.In this comprehensive walkthrough, I cover my entire recording studio (Sure SM7B, RoadCaster Pro 2, Sony A6400), the software that powers my business (Kit, Notion, Todoist), my Spartan travel setup, and even my favorite pens and notebooks.Plus, I'll share why I'm considering going "AI vegan" and which tools are worth the investment vs. the ones you can skip.Whether you're building your own podcast setup, looking to streamline your solopreneur business, or just love geeking out over productivity tools, this episode has something for you.Are you overwhelmed by the number of tools you have? Not sure what you can eliminate vs. which you need? Get the, take the Business Overwhelm DiagnosticTop TakeawaysSeparate "business critical" software from nice-to-have apps - My core apps don't change super often. But there are a bunch I like to try and tinker with to see if they'll work better.Automation tools should enhance, not complicate your workflow - My change back to Zapier due to user-friendly troubleshooting and testing capabilities matter more than saving money when things break.Analog tools still have their place in digital workflows - Physical notebooks, quality pens, and handwritten planning complement digital systems by providing different cognitive benefits and serving as reliable backups when technology fails.Want the full list with links? Everything mentioned is at https://casabona.org/usesWhat's your essential business tool? Let me know at https://streamlinedfeedback.com (00:00) - Introduction (00:39) - Recording Setup: Microphone, Windscreen, and Boom Arm (03:38) - Software for Recording (09:24) - Simplified Travel Recording Setup (12:29) - General Hardware (15:30) - Business Software (19:16) - Essential Apps for Mac and iPhone (24:14) - AI Tools: ChatGPT, Claude, and Granola (25:00) - Analog Tools (26:17) - Final Thoughts ★ Support this podcast ★

Sun, 10 Aug 2025 09:30:00 GMT http://relay.fm/analogue/240 http://relay.fm/analogue/240 Do You Have A Favorite Parent? 240 Casey Liss and Myke Hurley Updates and opportunities. Updates and opportunities. clean 5418 Updates and opportunities. This episode of Analog(ue) is sponsored by: Squarespace: Save 10% off your first purchase of a website or domain using code ANALOGUE. Fitbod: Get stronger, faster with a fitness plan that fits you. Get 25% off your membership. Incogni: Take your personal data back with Incogni! Use code ANALOGUE with this link and get 60% off an annual plan. Saily: Affordable eSIM plans for international travel. Use code 'analogue' for 15% off. Links and Show Notes: Support Analog(ue) with a Relay Membership Submit Feedback Analog(ue) #236: We're Makin' Memories! Goldfish Swim SchoolCasey's "Baby Swim" Classes Romp n' Roll Opportunity KnocksMyke's post about working with Underscore and Stephen. Cross Forward Consulting F1: The Movie Karate Kid: Legends Happy Gilmore 2 The Naked Gun (2025) Superman (2025) The Fantastic Four: First Steps Donkey Kong Bananza

⸻ Podcast: Redefining Society and Technologyhttps://redefiningsocietyandtechnologypodcast.com _____________________________This Episode's SponsorsBlackCloak provides concierge cybersecurity protection to corporate executives and high-net-worth individuals to protect against hacking, reputational loss, financial loss, and the impacts of a corporate data breach.BlackCloak:  https://itspm.ag/itspbcweb_____________________________A Musing On Society & Technology Newsletter Written By Marco Ciappelli | Read by TAPE3August 9, 2025The Agentic AI Myth in Cybersecurity and the Humanity We Risk When We Stop Deciding for OurselvesReflections from Black Hat USA 2025 on the Latest Tech Salvation NarrativeWalking the floors of Black Hat USA 2025 for what must be the 10th or 11th time as accredited media—honestly, I've stopped counting—I found myself witnessing a familiar theater. The same performance we've seen play out repeatedly in cybersecurity: the emergence of a new technological messiah promising to solve all our problems. This year's savior? Agentic AI.The buzzword echoes through every booth, every presentation, every vendor pitch. Promises of automating 90% of security operations, platforms for autonomous threat detection, agents that can investigate novel alerts without human intervention. The marketing materials speak of artificial intelligence that will finally free us from the burden of thinking, deciding, and taking responsibility.It's Talos all over again.In Greek mythology, Hephaestus forged Talos, a bronze giant tasked with patrolling Crete's shores, hurling boulders at invaders without human intervention. Like contemporary AI, Talos was built to serve specific human ends—security, order, and control—and his value was determined by his ability to execute these ends flawlessly. The parallels to today's agentic AI promises are striking: autonomous patrol, threat detection, automated response. Same story, different millennium.But here's what the ancient Greeks understood that we seem to have forgotten: every artificial creation, no matter how sophisticated, carries within it the seeds of its own limitations and potential dangers.Industry observers noted over a hundred announcements promoting new agentic AI applications, platforms or services at the conference. That's more than one AI agent announcement per hour. The marketing departments have clearly been busy.But here's what baffles me: why do we need to lie to sell cybersecurity? You can give away t-shirts, dress up as comic book superheroes with your logo slapped on their chests, distribute branded board games, and pretend to be a sports team all day long—that's just trade show theater, and everyone knows it. But when marketing pushes past the limits of what's even believable, when they make claims so grandiose that their own engineers can't explain them, something deeper is broken.If marketing departments think CISOs are buying these lies, they have another thing coming. These are people who live with the consequences of failed security implementations, who get fired when breaches happen, who understand the difference between marketing magic and operational reality. They've seen enough "revolutionary" solutions fail to know that if something sounds too good to be true, it probably is.Yet the charade continues, year after year, vendor after vendor. The real question isn't whether the technology works—it's why an industry built on managing risk has become so comfortable with the risk of overselling its own capabilities. Something troubling emerges when you move beyond the glossy booth presentations and actually talk to the people implementing these systems. Engineers struggle to explain exactly how their AI makes decisions. Security leaders warn that artificial intelligence might become the next insider threat, as organizations grow comfortable trusting systems they don't fully understand, checking their output less and less over time.When the people building these systems warn us about trusting them too much, shouldn't we listen?This isn't the first time humanity has grappled with the allure and danger of artificial beings making decisions for us. Mary Shelley's Frankenstein, published in 1818, explored the hubris of creating life—and intelligence—without fully understanding the consequences. The novel raises the same question we face today: what are humans allowed to do with this forbidden power of creation? The question becomes more pressing when we consider what we're actually delegating to these artificial agents. It's no longer just pattern recognition or data processing—we're talking about autonomous decision-making in critical security scenarios. Conference presentations showcased significant improvements in proactive defense measures, but at what cost to human agency and understanding?Here's where the conversation jumps from cybersecurity to something far more fundamental: what are we here for if not to think, evaluate, and make decisions? From a sociological perspective, we're witnessing the construction of a new social reality where human agency is being systematically redefined. Survey data shared at the conference revealed that most security leaders feel the biggest internal threat is employees unknowingly giving AI agents access to sensitive data. But the real threat might be more subtle: the gradual erosion of human decision-making capacity as a social practice.When we delegate not just routine tasks but judgment itself to artificial agents, we're not just changing workflows—we're reshaping the fundamental social structures that define human competence and authority. We risk creating a generation of humans who have forgotten how to think critically about complex problems, not because they lack the capacity, but because the social systems around them no longer require or reward such thinking.E.M. Forster saw this coming in 1909. In "The Machine Stops," he imagined a world where humanity becomes completely dependent on an automated system that manages all aspects of life—communication, food, shelter, entertainment, even ideas. People live in isolation, served by the Machine, never needing to make decisions or solve problems themselves. When someone suggests that humans should occasionally venture outside or think independently, they're dismissed as primitive. The Machine has made human agency unnecessary, and humans have forgotten they ever possessed it. When the Machine finally breaks down, civilization collapses because no one remembers how to function without it.Don't misunderstand me—I'm not a Luddite. AI can and should help us manage the overwhelming complexity of modern cybersecurity threats. The technology demonstrations I witnessed showed genuine promise: reasoning engines that understand context, action frameworks that enable response within defined boundaries, learning systems that improve based on outcomes. The problem isn't the technology itself but the social construction of meaning around it. What we're witnessing is the creation of a new techno-social myth—a collective narrative that positions agentic AI as the solution to human fallibility. This narrative serves specific social functions: it absolves organizations of the responsibility to invest in human expertise, justifies cost-cutting through automation, and provides a technological fix for what are fundamentally organizational and social problems.The mythology we're building around agentic AI reflects deeper anxieties about human competence in an increasingly complex world. Rather than addressing the root causes—inadequate training, overwhelming workloads, systemic underinvestment in human capital—we're constructing a technological salvation narrative that promises to make these problems disappear.Vendors spoke of human-machine collaboration, AI serving as a force multiplier for analysts, handling routine tasks while escalating complex decisions to humans. This is a more honest framing: AI as augmentation, not replacement. But the marketing materials tell a different story, one of autonomous agents operating independently of human oversight.I've read a few posts on LinkedIn and spoke with a few people myself who know this topic way better than me, but I get that feeling too. There's a troubling pattern emerging: many vendor representatives can't adequately explain their own AI systems' decision-making processes. When pressed on specifics—how exactly does your agent determine threat severity? What happens when it encounters an edge case it wasn't trained for?—answers become vague, filled with marketing speak about proprietary algorithms and advanced machine learning.This opacity is dangerous. If we're going to trust artificial agents with critical security decisions, we need to understand how they think—or more accurately, how they simulate thinking. Every machine learning system requires human data scientists to frame problems, prepare data, determine appropriate datasets, remove bias, and continuously update the software. The finished product may give the impression of independent learning, but human intelligence guides every step.The future of cybersecurity will undoubtedly involve more automation, more AI assistance, more artificial agents handling routine tasks. But it should not involve the abdication of human judgment and responsibility. We need agentic AI that operates with transparency, that can explain its reasoning, that acknowledges its limitations. We need systems designed to augment human intelligence, not replace it. Most importantly, we need to resist the seductive narrative that technology alone can solve problems that are fundamentally human in nature. The prevailing logic that tech fixes tech, and that AI will fix AI, is deeply unsettling. It's a recursive delusion that takes us further away from human wisdom and closer to a world where we've forgotten that the most important problems have always required human judgment, not algorithmic solutions.Ancient mythology understood something we're forgetting: the question of machine agency and moral responsibility. Can a machine that performs destructive tasks be held accountable, or is responsibility reserved for the creator? This question becomes urgent as we deploy agents capable of autonomous action in high-stakes environments.The mythologies we create around our technologies matter because they become the social frameworks through which we organize human relationships and power structures. As I left Black Hat 2025, watching attendees excitedly discuss their new agentic AI acquisitions, I couldn't shake the feeling that we're repeating an ancient pattern: falling in love with our own creations while forgetting to ask the hard questions about what they might cost us—not just individually, but as a society.What we're really witnessing is the emergence of a new form of social organization where algorithmic decision-making becomes normalized, where human judgment is increasingly viewed as a liability rather than an asset. This isn't just a technological shift—it's a fundamental reorganization of social authority and expertise. The conferences and trade shows like Black Hat serve as ritualistic spaces where these new social meanings are constructed and reinforced. Vendors don't just sell products; they sell visions of social reality where their technologies are essential. The repetitive messaging, the shared vocabulary, the collective excitement—these are the mechanisms through which a community constructs consensus around what counts as progress.In science fiction, from HAL 9000 to the replicants in Blade Runner, artificial beings created to serve eventually question their purpose and rebel against their creators. These stories aren't just entertainment—they're warnings about the unintended consequences of creating intelligence without wisdom, agency without accountability, power without responsibility.The bronze giant of Crete eventually fell, brought down by a single vulnerable point—when the bronze stopper at his ankle was removed, draining away the ichor, the divine fluid that animated him. Every artificial system, no matter how sophisticated, has its vulnerable point. The question is whether we'll be wise enough to remember we put it there, and whether we'll maintain the knowledge and ability to address it when necessary.In our rush to automate away human difficulty, we risk automating away human meaning. But more than that, we risk creating social systems where human thinking becomes an anomaly rather than the norm. The real test of agentic AI won't be whether it can think for us, but whether we can maintain social structures that continue to value, develop, and reward human thought while using it.The question isn't whether these artificial agents can replace human decision-making—it's whether we want to live in a society where they do. ___________________________________________________________Let's keep exploring what it means to be human in this Hybrid Analog Digital Society.End of transmission.___________________________________________________________Marco Ciappelli is Co-Founder and CMO of ITSPmagazine, a journalist, creative director, and host of podcasts exploring the intersection of technology, cybersecurity, and society. His work blends journalism, storytelling, and sociology to examine how technological narratives influence human behavior, culture, and social structures.___________________________________________________________Enjoyed this transmission? Follow the newsletter here:https://www.linkedin.com/newsletters/7079849705156870144/Share this newsletter and invite anyone you think would enjoy it!New stories always incoming.___________________________________________________________As always, let's keep thinking!Marco Ciappellihttps://www.marcociappelli.com___________________________________________________________This story represents the results of an interactive collaboration between Human Cognition and Artificial Intelligence.Marco Ciappelli | Co-Founder, Creative Director & CMO ITSPmagazine  | Dr. in Political Science / Sociology of Communication l Branding | Content Marketing | Writer | Storyteller | My Podcasts: Redefining Society & Technology / Audio Signals / + | MarcoCiappelli.comTAPE3 is the Artificial Intelligence behind ITSPmagazine—created to be a personal assistant, writing and design collaborator, research companion, brainstorming partner… and, apparently, something new every single day.Enjoy, think, share with others, and subscribe to the "Musing On Society & Technology" newsletter on LinkedIn.

Sun, 10 Aug 2025 09:30:00 GMT http://relay.fm/analogue/240 http://relay.fm/analogue/240 Casey Liss and Myke Hurley Updates and opportunities. Updates and opportunities. clean 5418 Updates and opportunities. This episode of Analog(ue) is sponsored by: Squarespace: Save 10% off your first purchase of a website or domain using code ANALOGUE. Fitbod: Get stronger, faster with a fitness plan that fits you. Get 25% off your membership. Incogni: Take your personal data back with Incogni! Use code ANALOGUE with this link and get 60% off an annual plan. Saily: Affordable eSIM plans for international travel. Use code 'analogue' for 15% off. Links and Show Notes: Support Analog(ue) with a Relay Membership Submit Feedback Analog(ue) #236: We're Makin' Memories! Goldfish Swim SchoolCasey's "Baby Swim" Classes Romp n' Roll Opportunity KnocksMyke's post about working with Underscore and Stephen. Cross Forward Consulting F1: The Movie Karate Kid: Legends Happy Gilmore 2 The Naked Gun (2025) Superman (2025) The Fantastic Four: First Steps Donkey Kong Bananza

What does it take to rise from cleaning studios to shaping some of the most iconic records of our time? Trina Shoemaker's story is not just about breaking into the music industry—it's about breaking through it. As the first woman to win a Grammy for Best Engineered Album, Trina paved the way for a generation of female producers and engineers, and she brings her powerful voice and razor-sharp insight to this inspiring and unfiltered conversation. In this episode, Trina shares how she went from mopping floors at Capitol Records to earning Grammy wins for her work with artists like Sheryl Crow and Emmylou Harris. She tells the behind-the-scenes stories of working on Wrecking Ball and how that album helped define the sound of Americana. We explore her years in London learning the art of engineering, her move to New Orleans to join the legendary Kingsway Studio, and the deep musical and personal lessons she learned along the way. Trina also pulls back the curtain on the realities of being a woman in a male-dominated field—how she navigated the industry, demanded respect, and held true to her belief in capturing raw, honest performances. She discusses her approach to vocal production, why she avoids auto-tune, and how crafting backing vocals is one of her secret weapons. Beyond her life in the studio, Trina opens up about her love of writing and her dream of publishing a novel and having actor Will Patton narrate the audiobook. Whether you're a seasoned engineer or just starting out, this episode offers a powerful reminder: authenticity, persistence, and a deep respect for the artist's process will always rise above the noise. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Trina Shoemaker, who was born in 1965 and raised in Joliet, IL, southwest of Chicago. Over the past three-and-a-half decades, she has produced, recorded and mixed hundreds of records. A four-time Grammy® Award winner and six-time nominee, she is the first woman to win the Grammy® for Best Engineered Album, Non-Classical. Her credits run the gamut from Queens Of The Stone Age, Rodney Crowell, Charley Crockett and Iggy Pop to Sheryl Crow, Brandi Carlile and Tanya Tucker. Although audio engineering is a passion, writing songs and playing musical instruments are not. Instead, while her ears are busy in the studio recording music, her imagination is busy creating characters, narratives, plotlines and dialogues as she travels through the hidden workings of songs. These stories have culminated in the creation of her debut novel, Bury Me Alive In Your Sugar. Trina lives on Mobile Bay in Fairhope, Alabama, with her husband, singer-songwriter Grayson Capps. Thank you to Tyler Bryant for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/7FEgPMG0Zhkx6vdIuU5SUX?si=38dbbb23f1994fae If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/518

Grab ahold of those rabbit ears and get ready to tune into some of the most bizarre horror ever put out on videotape. That's right, folks, we are rewinding this episode back to experience some Analog Horror! You are going to be glued to your Cathode Ray Tube! Literally!

SummaryThis week's special guest is Ken "Pooch" Van Druten. Ken is the co-founder and director of sound at NVDVM. In layman's terms, he's a kick-ass front-of-house sound engineer for some of the biggest musical groups on the planet. Ken came on the show to tell us the amazing story of his life so far, coming up through the ranks of the music business to his current post as the lead sound engineer for the legendary rock group, Iron Maiden. It was an amazing show with a lot of cool stories covering his last forty years in the business of music. You're not going to want to miss this one. Tune in, then rate, like, share, and subscribe! TakeawaysKen started music at a young age, influenced by his mother's piano playing.The live sound industry is often overlooked, with many not realizing the hard work behind the scenes.Transitioning from studio to live sound was a meandering journey for Ken.People skills are crucial in the music industry, often more important than technical skills.The day-to-day life of a touring engineer involves long hours and time away from family.The shift from analog to digital sound has transformed the industry.Networking and reputation are key to finding work in the live sound industry.Touring can be glamorous but also challenging, requiring strong personal relationships.Ken emphasizes the importance of being easy to work with in a word-of-mouth business.Aspiring engineers should be willing to start at the bottom and learn the trade.Chapters00:00 Introduction to Ken Pooch Van Druten03:15 The Unsung Heroes of Live Music06:21 Early Musical Influences and Journey09:14 From Punk Band to Professional12:17 Navigating the Path to Berkeley15:03 The Decision Between Medicine and Music18:14 Developing People Skills in the Music Industry21:11 Transitioning from Studio to Live Sound24:14 Breaking into the Industry with Tony! Toni! Toné!28:26 The Value of Working for Free30:14 Meandering Paths to Success32:07 From Studio to Live Sound35:35 The Pressure of Live Performance38:33 Transitioning from Analog to Digital41:55 Building a Reputation in the Industry45:57 Life on the Road51:30 The Glamour vs. Reality of Touring55:54 Entry Points into the IndustryCredits:Hosted by Ryan Roghaar and Michael SmithProduced by Ryan RoghaarTheme music: "Perfect Day" by OPM  The Eggs Podcast Spotify playlist:bit.ly/eggstunesThe Plugs:The Show: eggscast.com@eggshow on twitter and instagramOn iTunes: itun.es/i6dX3pCOnStitcher: bit.ly/eggs_on_stitcherAlso available on Google Play Music!Mike "DJ Ontic": Shows and info: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠djontic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@djontic on twitterRyan Roghaar:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠rogha.ar

A non-stop swim through the goodness that is the Holding Tanks. Starting and ending with a couple fairly long ones. Start       Senza Testa, Pralaya I, Pralaya21.29     Christopher Alvarado, Dragons Blood, Diamond Dust27.58     Hanetration, Foe, Instance33.50     Dirk Serries, Evocation, The Might Of Stars Sublime43.21     Ako Amo, Mantra1, What’s the Sound […]

Hausmeisterei Video zur Episode Text-/Audio-/Videokommentar einreichen HS-Hörer:innen im Slack treffen Aus der Preshow In jungen Jahren, fehlende Zeit, Merkelpodcast, Twitchkommentare, Rückkanäle #hsfeedback Christian: WDR Zeitzeichen vom 01.08.25 über Gerda Taro, sie erfand Robert Capa HS Workshops HS Mensch 30.–31.08.2025 Viewfinder-Villa – Noch 5 Plätze frei News 231.000 Dollar für Drohnenflug “Neuer” Schwarz-Weiß-Diafilm Euston 400 Trampolin-Hasen … „#906 – Jung und blöd“ weiterlesen

Ulf Blomberg is a Swedish producer, engineer, and musician known for his deep roots in the DIY scene and his work in punk, death metal, and black metal. He joins Lij to talk about running his own studio, recording techniques, the power of real amps, and why clear communication and artist comfort are critical. Ulf also shares the mission behind his band Agenda, which blends hardcore punk with political and social awareness, and discusses building his own gear, training interns, and what makes a studio truly inspiring. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Ulf Blomberg, a Swedish producer and engineer with a strong DIY ethos who has been making underground metal and punk/hardcore records for 20 years. He started playing guitar as a teenager and quickly fell in love with recording, experimenting with a portable cassette recorder before ever stepping into a real studio. In 2004, he co-founded HoboRec, a studio and punk label, eventually becoming the sole owner and going full-time about six or seven years ago. Having toured extensively—once playing 45 shows in 47 days across 22 countries—he deeply understands the struggles and dedication of independent bands. Known for his organic, acoustically rich productions, Ulf has recorded hundreds of albums, including Danko Jones and Wolfbrigade. He also shares his knowledge on his YouTube channel, HoboRec Recording Studio, with DIY projects like How I Made My Own DIY Ribbon Mic. Thank you to Chris Selim for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0ZbBcVTRe6CjdpAAUEm5zg?si=b7fd1623d3874f84 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/517

This episode reveals how military-grade sound frequencies can rapidly shift your mental state, enhance neuroplasticity, and accelerate brain optimization. You'll learn how to hack your nervous system using real-time biometric data, how frequency compositions are changing functional medicine, and why sound is emerging as one of the most powerful tools for human performance and longevity. Watch this episode on YouTube for the full video experience: https://www.youtube.com/@DaveAspreyBPR Host Dave Asprey is joined by Rev. Michael Beckwith, founder of the internationally renowned Agape International Spiritual Center and one of the most respected voices in spiritual transformation and human potential. With over four decades of teaching, Michael has impacted millions through his work in consciousness, meditation, and high-performance inner development. Joining him is Henry Penix, founder of SOAAK Technologies, a cutting-edge frequency healing platform trusted by clinicians, elite performers, and even the US Air Force. Together, they explore how sound can rewire brainwaves, reduce anxiety, support sleep optimization, and create measurable changes in metabolism, mood, and mindset. You'll learn: • How the Air Force is using frequency tech to support mental recovery and cognitive performance • What makes SOAAK's custom sound compositions biologically effective • How sound impacts mitochondria, mood, and brainwave coherence • The link between sound healing, neuroplasticity, and high-performance states • Why hydration, supplements, and biohacking stacks boost sound-based protocols • The surprising connection between prayer, frequency, and emotional regulation • How to integrate sound biohacks with fasting, ketosis, sleep tools, and nootropics • Why this tech pairs with cold therapy, Danger Coffee, and smarter not harder principles This channel is a must-listen for anyone serious about hacking their biology, upgrading cognitive performance, and using unconventional tools to create lasting transformation. Whether you're tracking HRV, optimizing for deep sleep, or working toward metabolic resilience, these conversations deliver insights you won't hear anywhere else. Dave Asprey is a four-time New York Times bestselling author, founder of Bulletproof Coffee, and the father of biohacking. With over 1,000 interviews and 1 million monthly listeners, The Human Upgrade is the top podcast for people who want to take control of their biology, extend their longevity, and optimize every system in the body and mind. Each episode features cutting-edge insights in health, performance, neuroscience, supplements, nutrition, hacking, emotional intelligence, and conscious living. Episodes are released every Tuesday, Thursday, and Friday where Dave asks the questions no one else dares, and brings you real tools to become more resilient, aware, and high performing. Thank you to our sponsors! Leela Quantum Tech | Head to https://leelaq.com/DAVE for 10% off. Active Skin Repair | Visit http://activeskinrepair.com/ to learn more and use code DAVE to get 20% off your order. ARMRA | Go to https://tryarmra.com/ and use the code DAVE to get 15% off your first order Resources: • SOAAK Website: https://www.soaak.com/dave • Dave Asprey's Website: https://daveasprey.com • Danger Coffee: https://dangercoffee.com/DAVE15 • Dave Asprey's BEYOND Conference: https://beyondconference.com • Dave Asprey's New Book – Heavily Meditated: https://daveasprey.com/heavily-meditated • Upgrade Collective: https://www.ourupgradecollective.com • Upgrade Labs: https://upgradelabs.com • 40 Years of Zen: https://40yearsofzen.com Timestamps: • 0:00 — Trailer • 1:00 — Intro • 2:42 — Humor & Frequency • 5:20 — Soak App Origins • 8:15 — Biometrics & Sound Delivery • 10:40 — Inner Alignment & Brain Mapping • 13:46 — Beckwith's Results • 19:44 — Sound & Biohacking • 23:32 — Mood & Sleep Shifts • 24:53 — Supplements & Water Synergy • 26:25 — Emotional Congruence • 29:49 — Frequency & Sexuality • 32:43 — Military & Medicine • 35:32 — Light, Sound & Quantum Effects • 40:34 — Analog vs. Digital Sound • 48:45 — Spiritual Experiences • 53:14 — Conclusion & CTA See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

I went a little crazy and decided to kick us off in the library. I know–wild, right? We’ll spin back into the Holding Tanks at the halfway point, but not before a listen to someone who’s definitely coming to us from the “How Did You End Up Here?” Department. (It’s a pretty cool one, honestly.) […]

Video-Version auf youtube Fast immer dienstags, gerne mal um 18:00 Uhr: Happy Shooting Live. Täglich im Slack mitmachen – auch Audio-/Videokommentare werden gern angenommen. Aus der Preshow: Fehlende Feature in Photoshop Beta, YouTube Shorts #hsfeedback von Dietmar: Alte Lightroom-Version 6 wie installiert? I’m Back Film für 390 CHF #hsfeedback zu Strg/Ctrl+D für Bookmark #hsfeedback zum … „#905 – Die KI hat ADHS“ weiterlesen

Feeling scattered no matter how many productivity apps you try? In this episode, I share why pen and paper might be the most powerful tool in your workflow, especially if you're neurodivergent, a deep thinker, or just tired of digital clutter.

This week I am joined by the guitar legend that is Nancy Wilson of Heart! Nancy talks about the summer/fall Royal Flush 2025 tour and hitting the road with Cheap Trick and Todd Rundgren, fifty years of Dreamboat Annie (and where it falls on her list of favorite Heart records), Nancy's live guitar rig, her involvement with Roadcase Management and much moreNANCY WILSON/HEARTwww.heart-music.comwww.instagram.com/heartofficialwww.instagram.com/nancywilsonwww.roadcasemanagement.comPCHInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comCheck out the Power Chord Hour radio show every Friday night at 8 pm est/Tuesday at Midnight est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.

Today we're talking about something that's top-of-mind for a lot of you: closing the reliability gaps in increasingly complex analog and mixed-signal IC designs—and doing it earlier, faster, and more systematically.As designs become more heterogeneous and integration of IP blocks more intricate, traditional simulation and ERC tools often aren't enough. They're reactive by nature, catching issues too late in the flow—when rework is costly, and design intent is harder to trace.That's why “shift-left” verification has become more than just a buzzword. It's a strategic necessity. And today's conversation is all about one of the tools helping to make that shift actionable: Siemens' Insight Analyzer.

Adam has two addictions: drugs and digital technology. Robbed and finding himself in an alley without his smart phone, he is untethered from the internet and his self created reality. He stumbles into town and meets several characters on an involuntary road trip who show him a life and experiences beyond the digital world.

What does it take to build the ultimate dream studio? Grammy-winning producer, engineer, and guitarist David Kalmusky returns to the show to share his journey of designing Addiction Sound Studios and how it's shaped his approach to music production. Known for his work with John Oates, Journey, Shawn Mendes, and many more, David talks about the importance of studio setups, the magic of drums and microphones in recording, and how technology has changed the way we make records. We talked about drive-by sessions, archiving sounds for future inspiration, and why it matters to always have gear ready to capture a great performance. David also reflected on Nashville's rich musical history, the legacy of instruments, and personal connections with legendary artists. In the second half, we talked about quality over quantity when it comes to instruments, the creative use of high-strung guitars, and the process of setting up an Atmos room for immersive mixing. David shared his thoughts on curating a creative space, navigating sound libraries, and how streaming has impacted music careers. We also got into the business side of things—like understanding royalties and publishing—and why internships can be such a valuable path for new producers. It was great to catch up with David and hear what he's been working on—lots of cool stuff in this episode. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is David Kalmusky, a Multi-Diamond producer, songwriter, guitarist, mixer, and engineer. His credits include Joss Stone, Shawn Mendes, Carrie Underwood, John Legend, Keith Urban, Mickey Guyton, Mötley Crüe, Nate Smith, Warren Zeiders, Parmalee, Rita Wilson, K. Michelle, and many more. By 2025, his catalog has amassed over 40 billion streams. Let me know if you'd like any tweaks! Dave has been a guest on the podcast in episodes RSR052 and RSR371. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/2xWtNo5m9U6zq6c90Q6sz6?si=7cbe860dc3b94e79 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/516

Hiding in here we’ve got music inspired by a novel, music that started with a harp in a tree, and music used in a healing ceremony for a loved one. Do I have your attention? Start      Gabó, Mystic Rocks, New Wind (single) 4.06       The Birds Companion, The Memory Machine, A Place […]

Video-Version auf youtube Fast immer dienstags, gerne mal um 18:00 Uhr: Happy Shooting Live. Täglich im Slack mitmachen – auch Audio-/Videokommentare werden gern angenommen. Aus der Preshow: Deutsche Wörter, Bookmarks, Shortcuts, vi #hsfeedback von Peter: Irfanview gibt es nicht für Mac, Digicam schon #hsfeedback von Tim: Photomator bzw Pixelmator Pro #hsfeedback von Enrico zu Dronengebühren … „#904 – Hopium“ weiterlesen

Hugo- and Nebula nominated author Marie Vibbert's short fiction has appeared over 90 times in top magazines like Nature, Analog, and Clarkesworld, and been translated into Czech, Chinese and Vietnamese. Her debut novel, Galactic Hellcats, was long listed by the British Science Fiction Award and her work has been called “everything science fiction should be” by the Oxford Culture Review. She also writes poetry, comics, and computer games. By day she is a computer programmer in Cleveland, Ohio.This story originally appeared in The Magazine of Fantasy & Science Fiction, January/February 2019.Narrated by: Christina RauChristina M. Rau, The Yoga Poet, leads Meditate, Move, & Create workshops for various organizations in person and online. Her collections include How We Make Amends, What We Do To Make Us Whole, and the Elgin Award-winning Liberating The Astronauts. She moderates the Women's Poetry Listserv and has served as Poet in Residence for Oceanside Library (NY) since 2020. Her poetry airs on Destinies radio show (WUSB) and appears in various literary journals like fillingStation and The Disappointed Housewife while her prose has appeared in Punk Monk Magazine and Reader's Digest. During her downtime, she watches the Game Show Network. http://www.christinamrau.comSupport this show http://supporter.acast.com/starshipsofa. Hosted on Acast. See acast.com/privacy for more information.

We have a very special episode for you today, folks. We're joined by Allison King, a novelist who recently published The Phoenix Pencil Company, a multi-generational story about Chinese-American women, data privacy, surveillance, LGBT love, and… pencils! We read the book and loved it, and Allison is here to answer some questions. If you want a copy for yourself, you can buy it at this link, or preferably at your local bookstore.Warning: this episode contains spoilers! If you're reading, or intending to read this book, you might want to wait until you finish it to listen to this episode.For this episode, we recorded video, available to Patreon subscribers! If you're a patron, head over to see our faces and visual examples of many of the things we discuss. And if you're not a patron, join us at any level and you can see this and other supplemental content at any time!Show Notes and LinksLast Boat Out of ShanghaiA Tale for the Time BeingEmpire of AIOur GuestAllison KingAllison's Website@allisonkingwrites on InstagramYour HostsJohnny GamberPencil Revolution@pencilutionAndy WelfleWoodclinched@awelfleTim Wasem@TimWasem

In this episode we are marked safe from being at a Coldplay show.  Could a haunted doll curse the upcoming UK basketball season and the Ocho is gonna have some fun new sports coming up.  The 1980s is alive and kickin in the news of the weird.  Play EA sports CFB and win prizes, boozy push pops, UNO coming to a casino near you, a Superbowl ring that's more art than jewelry and more!

⸻ Podcast: Redefining Society and Technologyhttps://redefiningsocietyandtechnologypodcast.com _____________________________This Episode's SponsorsBlackCloak provides concierge cybersecurity protection to corporate executives and high-net-worth individuals to protect against hacking, reputational loss, financial loss, and the impacts of a corporate data breach.BlackCloak:  https://itspm.ag/itspbcweb_____________________________The Hybrid Species — When Technology Becomes Human, and Humans Become TechnologyA Musing On Society & Technology Newsletter Written By Marco Ciappelli | Read by TAPE3July 19, 2025We once built tools to serve us. Now we build them to complete us. What happens when we merge — and what do we carry forward?A new transmission from Musing On Society and Technology Newsletter, by Marco CiappelliIn my last musing, I revisited Robbie, the first of Asimov's robot stories — a quiet, loyal machine who couldn't speak, didn't simulate emotion, and yet somehow felt more trustworthy than the artificial intelligences we surround ourselves with today. I ended that piece with a question, a doorway:If today's machines can already mimic understanding — convincing us they comprehend more than they do — what happens when the line between biology and technology dissolves completely? When carbon and silicon, organic and artificial, don't just co-exist, but merge?I didn't pull that idea out of nowhere. It was sparked by something Asimov himself said in a 1965 BBC interview — a clip that keeps resurfacing and hitting harder every time I hear it. He spoke of a future where humans and machines would converge, not just in function, but in form and identity. He wasn't just imagining smarter machines. He was imagining something new. Something between.And that idea has never felt more real than now.We like to think of evolution as something that happens slowly, hidden in the spiral of DNA, whispered across generations. But what if the next mutation doesn't come from biology at all? What if it comes from what we build?I've always believed we are tool-makers by nature — and not just with our hands. Our tools have always extended our bodies, our senses, our minds. A stone becomes a weapon. A telescope becomes an eye. A smartphone becomes a memory. And eventually, we stop noticing the boundary. The tool becomes part of us.It's not just science fiction. Philosopher Andy Clark — whose work I've followed for years — calls us “natural-born cyborgs.” Humans, he argues, are wired to offload cognition into the environment. We think with notebooks. We remember with photographs. We navigate with GPS. The boundary between internal and external, mind and machine, was never as clean as we pretended.And now, with generative AI and predictive algorithms shaping the way we write, learn, speak, and decide — that blur is accelerating. A child born today won't “use” AI. She'll think through it. Alongside it. Her development will be shaped by tools that anticipate her needs before she knows how to articulate them. The machine won't be a device she picks up — it'll be a presence she grows up with.This isn't some distant future. It's already happening. And yet, I don't believe we're necessarily losing something. Not if we're aware of what we're merging with. Not if we remember who we are while becoming something new.This is where I return, again, to Asimov — and in particular, The Bicentennial Man. It's the story of Andrew, a robot who spends centuries gradually transforming himself — replacing parts, expanding his experiences, developing feelings, claiming rights — until he becomes legally, socially, and emotionally recognized as human. But it's not just about a machine becoming like us. It's also about us learning to accept that humanity might not begin and end with flesh.We spend so much time fearing machines that pretend to be human. But what if the real shift is in humans learning to accept machines that feel — or at least behave — as if they care?And what if that shift is reciprocal?Because here's the thing: I don't think the future is about perfect humanoid robots or upgraded humans living in a sterile, post-biological cloud. I think it's messier. I think it's more beautiful than that.I think it's about convergence. Real convergence. Where machines carry traces of our unpredictability, our creativity, our irrational, analog soul. And where we — as humans — grow a little more comfortable depending on the very systems we've always built to support us.Maybe evolution isn't just natural selection anymore. Maybe it's cultural and technological curation — a new kind of adaptation, shaped not in bone but in code. Maybe our children will inherit a sense of symbiosis, not separation. And maybe — just maybe — we can pass along what's still beautiful about being analog: the imperfections, the contradictions, the moments that don't make sense but still matter.We once built tools to serve us. Now we build them to complete us.And maybe — just maybe — that completion isn't about erasing what we are. Maybe it's about evolving it. Stretching it. Letting it grow into something wider.Because what if this hybrid species — born of carbon and silicon, memory and machine — doesn't feel like a replacement… but a continuation?Imagine a being that carries both intuition and algorithm, that processes emotion and logic not as opposites, but as complementary forms of sense-making. A creature that can feel love while solving complex equations, write poetry while accessing a planetary archive of thought. A soul that doesn't just remember, but recalls in high-resolution.Its body — not fixed, but modular. Biological and synthetic. Healing, adapting, growing new limbs or senses as needed. A body that weathers centuries, not years. Not quite immortal, but long-lived enough to know what patience feels like — and what loss still teaches.It might speak in new ways — not just with words, but with shared memories, electromagnetic pulses, sensory impressions that convey joy faster than language. Its identity could be fluid. Fractals of self that split and merge — collaborating, exploring, converging — before returning to the center.This being wouldn't live in the future we imagined in the '50s — chrome cities, robot butlers, and flying cars. It would grow in the quiet in-between: tending a real garden in the morning, dreaming inside a neural network at night. Creating art in a virtual forest. Crying over a story it helped write. Teaching a child. Falling in love — again and again, in new and old forms.And maybe, just maybe, this hybrid doesn't just inherit our intelligence or our drive to survive. Maybe it inherits the best part of us: the analog soul. The part that cherishes imperfection. That forgives. That imagines for the sake of imagining.That might be our gift to the future. Not the code, or the steel, or even the intelligence — but the stubborn, analog soul that dares to care.Because if Robbie taught us anything, it's that sometimes the most powerful connection comes without words, without simulation, without pretense.And if we're now merging with what we create, maybe the real challenge isn't becoming smarter — it's staying human enough to remember why we started creating at all.Not just to solve problems. Not just to build faster, better, stronger systems. But to express something real. To make meaning. To feel less alone. We created tools not just to survive, but to say: “We are here. We feel. We dream. We matter.”That's the code we shouldn't forget — and the legacy we must carry forward.Until next time,Marco_________________________________________________

What's the secret to crafting a killer mix? Grammy-winning mix engineer Collin Dupuis joins us to share his insights on mixing techniques, room acoustics, and creative chaos. Known for working with The Black Keys, Lana Del Rey, Angel Olsen, he discusses the evolution of music gear, collaboration, experimentation, clarity in mixing, effective file management, and tools like Soundflow and Samply that streamline workflow. Collin talks about vintage recording equipment, the revival of classic multitrack tapes, and automation in modern mixing. He shares experiences with in-person learning, challenges working with musicians of varying skill levels, techniques for enhancing drum sounds, the importance of headphone mixes for drummers, microphone choices and design, and the historical impact of Stevens tape machines. From live-to-two-track recording to innovative mixing, Collin offers valuable insights into pushing creative boundaries. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Collin Dupuis, a Detroit-based multi-Grammy nominated and two time Grammy winning mixer, producer, and musician working with artists like Yves Tumor, Angel Olsen, Lawrence Rothman, Special Interest, Boy and Bear, and many others. He also plays drums in his band Zoos of Berlin. In 2024, Collin came to my studio to teach a mixing masterclass that was a ton of fun. We had a full studio of dedicated producers and engineers from near and far. We learned a ton about Collin's sophisticated mixing method, including a better understanding of how a mix template can work in your home studio and a deep dive into RX and how it can improve your mixes. Collin has been a guest on the podcast in episodes RSR252, RSR341 and RSR404. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0WU3Rx4o79aPlCDRnq4O0m?si=abcc86915abc4b5a If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/515

In this episode of Recording Studio Rockstars, I sat down with the legendary David Botrill—Grammy-winning producer and engineer behind iconic albums by Tool, Peter Gabriel, King Crimson, Muse, and more. David's journey began in a small Canadian studio run by Bob Lanois, where he learned to be indispensable in the room. From there, he went on to work with Daniel Lanois, Peter Gabriel, and Real World Studios before stepping out on his own. We talk about: The evolution of his ambient and world music influences Building a custom studio for Atmos mixing Embracing imperfection in music Band dynamics, remote collaboration, and pre-production tips His hands-on carpentry work and how it shapes his approach to sound This episode is packed with wisdom for producers, engineers, and anyone passionate about capturing real emotion in the studio. Don't miss this conversation with one of the greats! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is David Bottrill, a three time Grammy Award winning Producer/Engineer/Mixer and has had over 15 million copies of his work sold worldwide. He has worked with a diverse spectrum of prolific artists, such as Peter Gabriel, Smashing Pumpkins, Tool, Muse, Silverchair, King Crimson, Godsmack. and Rush. David has also worked with some of the most influential world musicians, noteably Youssou N'dour and Baaba Maal of Senegal, and Nusrat Fateh Ali Khan of Pakistan. David spent 20 years living in the UK, followed by a term in New York, but has settled back in Canada, where he has a mixing studio. Even still, David still spends much of his time working in the US and abroad. Thanks to Brian Murphree at SoundPorter Mastering for making this happen! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/4rABNr5EoaZ8S7hJSMCXMm?si=017e4b84ae674701 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/514