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27 episodes with media arts and new media
11 episodes with media arts and new media
13 episodes with media arts and new media
4 episodes with media arts and new media
4 episodes with media arts and new media
2 episodes with media arts and new media
2 episodes with media arts and new media
2 episodes with media arts and new media
2 episodes with media arts and new media
UC Santa Barbara professor of art Lisa Jevbratt explores the history of invasive plants through textiles and data visualization in her new exhibition, Interlopings. Series: "UC Santa Barbara News" [Arts and Music] [Show ID: 40208]
UC Santa Barbara professor of art Lisa Jevbratt explores the history of invasive plants through textiles and data visualization in her new exhibition, Interlopings. Series: "UC Santa Barbara News" [Arts and Music] [Show ID: 40208]
Artist Shana Moulton's other self, ‘Cynthia,' seeks enlightenment through song, shopping and exercise. Performing the misadventures of her semi-autobiographical alter ego, artist Shana Moulton has drawn attention in the field of new media studies. Over two decades, Moulton, a professor of time-based arts at UC Santa Barbara, has used physical comedy to interpret her artistic creation, “Cynthia,” a wide-eyed ingénue. In Moulton's performance, video and sculpture series, "Whispering Pines" — named after the trailer park in Central California where Moulton grew up — Cynthia often sports a housecoat or spandex and seeks enlightenment through exercise and shopping. Most recently, Moulton presented an extension of “Whispering Pines” — “Meta/Physical Therapy” — at The Museum of Modern Art (MoMA) in New York. (While the work was on view, from Feb. 17 to April 21, 2024, the museum's overall attendance was close to half a million people.) Series: "UC Santa Barbara News" [Arts and Music] [Show ID: 40207]
Artist Shana Moulton's other self, ‘Cynthia,' seeks enlightenment through song, shopping and exercise. Performing the misadventures of her semi-autobiographical alter ego, artist Shana Moulton has drawn attention in the field of new media studies. Over two decades, Moulton, a professor of time-based arts at UC Santa Barbara, has used physical comedy to interpret her artistic creation, “Cynthia,” a wide-eyed ingénue. In Moulton's performance, video and sculpture series, "Whispering Pines" — named after the trailer park in Central California where Moulton grew up — Cynthia often sports a housecoat or spandex and seeks enlightenment through exercise and shopping. Most recently, Moulton presented an extension of “Whispering Pines” — “Meta/Physical Therapy” — at The Museum of Modern Art (MoMA) in New York. (While the work was on view, from Feb. 17 to April 21, 2024, the museum's overall attendance was close to half a million people.) Series: "UC Santa Barbara News" [Arts and Music] [Show ID: 40207]
He is often referred to as the "God of Manga" and the "Father of Anime", Osamu Tezuka was a pioneering Japanese manga artist, animator, and film producer. His work laid the foundation for modern manga and anime, influencing countless creators and shaping the industry as it is known today. Tezuka founded Mushi Production, one of the first anime studios in Japan, where he produced the first Japanese TV anime series, Astro Boy in 1963. This show was a significant milestone in anime history, both for its success and for establishing the practice of limited animation, which became a standard in the industry. A lifelong anime aficionado, Rachel Costello, from UC San Diego's Innovating for National Security Academic Program, gives a retrospective on the life and work for Tezuka. Her passion led her to spearhead the U.S. Navy's “Sea Strike 2041” comic project as executive producer. Series: "Arts Channel " [Arts and Music] [Show ID: 40089]
He is often referred to as the "God of Manga" and the "Father of Anime", Osamu Tezuka was a pioneering Japanese manga artist, animator, and film producer. His work laid the foundation for modern manga and anime, influencing countless creators and shaping the industry as it is known today. Tezuka founded Mushi Production, one of the first anime studios in Japan, where he produced the first Japanese TV anime series, Astro Boy in 1963. This show was a significant milestone in anime history, both for its success and for establishing the practice of limited animation, which became a standard in the industry. A lifelong anime aficionado, Rachel Costello, from UC San Diego's Innovating for National Security Academic Program, gives a retrospective on the life and work for Tezuka. Her passion led her to spearhead the U.S. Navy's “Sea Strike 2041” comic project as executive producer. Series: "Arts Channel " [Arts and Music] [Show ID: 40089]
He is often referred to as the "God of Manga" and the "Father of Anime", Osamu Tezuka was a pioneering Japanese manga artist, animator, and film producer. His work laid the foundation for modern manga and anime, influencing countless creators and shaping the industry as it is known today. Tezuka founded Mushi Production, one of the first anime studios in Japan, where he produced the first Japanese TV anime series, Astro Boy in 1963. This show was a significant milestone in anime history, both for its success and for establishing the practice of limited animation, which became a standard in the industry. A lifelong anime aficionado, Rachel Costello, from UC San Diego's Innovating for National Security Academic Program, gives a retrospective on the life and work for Tezuka. Her passion led her to spearhead the U.S. Navy's “Sea Strike 2041” comic project as executive producer. Series: "Arts Channel " [Arts and Music] [Show ID: 40089]
An American animator, film director, and producer, Max Fleischer is best known for creating some of the most iconic animated characters and for pioneering several animation techniques that have had a lasting impact on the industry. Fleischer is responsible for creating Betty Boop, Popeye the Sailor, and Koko the Clown, and was one of the leading figures in the early days of American animation, alongside Walt Disney, and his work significantly shaped the development of the medium. While his contributions to animation were groundbreaking, but Fleischer's work was often overshadowed by Disney in later years. Rockin Pins CEO, Mauricio Alvarado is joined by animation historian Ray Pointer in a discussion on how Fleischer Cartoons are working to be restored for a new generation of animation lovers. Series: "Arts Channel " [Arts and Music] [Show ID: 40088]
An American animator, film director, and producer, Max Fleischer is best known for creating some of the most iconic animated characters and for pioneering several animation techniques that have had a lasting impact on the industry. Fleischer is responsible for creating Betty Boop, Popeye the Sailor, and Koko the Clown, and was one of the leading figures in the early days of American animation, alongside Walt Disney, and his work significantly shaped the development of the medium. While his contributions to animation were groundbreaking, but Fleischer's work was often overshadowed by Disney in later years. Rockin Pins CEO, Mauricio Alvarado is joined by animation historian Ray Pointer in a discussion on how Fleischer Cartoons are working to be restored for a new generation of animation lovers. Series: "Arts Channel " [Arts and Music] [Show ID: 40088]
An American animator, film director, and producer, Max Fleischer is best known for creating some of the most iconic animated characters and for pioneering several animation techniques that have had a lasting impact on the industry. Fleischer is responsible for creating Betty Boop, Popeye the Sailor, and Koko the Clown, and was one of the leading figures in the early days of American animation, alongside Walt Disney, and his work significantly shaped the development of the medium. While his contributions to animation were groundbreaking, but Fleischer's work was often overshadowed by Disney in later years. Rockin Pins CEO, Mauricio Alvarado is joined by animation historian Ray Pointer in a discussion on how Fleischer Cartoons are working to be restored for a new generation of animation lovers. Series: "Arts Channel " [Arts and Music] [Show ID: 40088]
Galia Borja Gómez, Deputy Vice Governor of Banco de Mexico, discusses how the Bank of Mexico reimagined the designs of its currency to reflect Mexico's cultural and natural heritage, while also incorporating the latest technology. Borja Gómez talks with Rafael Fernández de Castro, Director of the Center for U.S.-Mexican Studies at UC San Diego and a former foreign policy adviser to President Felipe Calderón on bilateral relations between Mexico and the U.S. Series: "Arts Channel " [Arts and Music] [Show ID: 39521]
Galia Borja Gómez, Deputy Vice Governor of Banco de Mexico, discusses how the Bank of Mexico reimagined the designs of its currency to reflect Mexico's cultural and natural heritage, while also incorporating the latest technology. Borja Gómez talks with Rafael Fernández de Castro, Director of the Center for U.S.-Mexican Studies at UC San Diego and a former foreign policy adviser to President Felipe Calderón on bilateral relations between Mexico and the U.S. Series: "Arts Channel " [Arts and Music] [Show ID: 39521]
Galia Borja Gómez, Deputy Vice Governor of Banco de Mexico, discusses how the Bank of Mexico reimagined the designs of its currency to reflect Mexico's cultural and natural heritage, while also incorporating the latest technology. Borja Gómez talks with Rafael Fernández de Castro, Director of the Center for U.S.-Mexican Studies at UC San Diego and a former foreign policy adviser to President Felipe Calderón on bilateral relations between Mexico and the U.S. Series: "Arts Channel " [Arts and Music] [Show ID: 39521]
Director Paromita Vohra joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) in a discussion of her film Partners in Crime, which dives into the world of copyright law, piracy, and the fluid nature of authorship. She dives into concepts like the cultural commons and the complicated nature of artistic value. She also details the social and economic contexts of the bazaar and the impacts of a rapidly changing economic landscape on art. They share perspectives on the diversity of people involved in the “illegal” market, the impacts of colonization and neoliberal practices, and the nuances of conflicting definitions of ownership. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 39048]
Director Paromita Vohra joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) in a discussion of her film Partners in Crime, which dives into the world of copyright law, piracy, and the fluid nature of authorship. She dives into concepts like the cultural commons and the complicated nature of artistic value. She also details the social and economic contexts of the bazaar and the impacts of a rapidly changing economic landscape on art. They share perspectives on the diversity of people involved in the “illegal” market, the impacts of colonization and neoliberal practices, and the nuances of conflicting definitions of ownership. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 39048]
Director Paromita Vohra joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) in a discussion of her film Partners in Crime, which dives into the world of copyright law, piracy, and the fluid nature of authorship. She dives into concepts like the cultural commons and the complicated nature of artistic value. She also details the social and economic contexts of the bazaar and the impacts of a rapidly changing economic landscape on art. They share perspectives on the diversity of people involved in the “illegal” market, the impacts of colonization and neoliberal practices, and the nuances of conflicting definitions of ownership. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 39048]
Director Paromita Vohra joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) in a discussion of her film Partners in Crime, which dives into the world of copyright law, piracy, and the fluid nature of authorship. She dives into concepts like the cultural commons and the complicated nature of artistic value. She also details the social and economic contexts of the bazaar and the impacts of a rapidly changing economic landscape on art. They share perspectives on the diversity of people involved in the “illegal” market, the impacts of colonization and neoliberal practices, and the nuances of conflicting definitions of ownership. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 39048]
Director Paromita Vohra joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) in a discussion of her film Partners in Crime, which dives into the world of copyright law, piracy, and the fluid nature of authorship. She dives into concepts like the cultural commons and the complicated nature of artistic value. She also details the social and economic contexts of the bazaar and the impacts of a rapidly changing economic landscape on art. They share perspectives on the diversity of people involved in the “illegal” market, the impacts of colonization and neoliberal practices, and the nuances of conflicting definitions of ownership. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 39048]
Artist Vishal Jugdeo and poet vqueeram join moderator Cathy Thomas (English, UCSB) to discuss their film Does Your House Have Lions, which features a queer household of activists and academics in New Delhi living under the shadow of increasing authoritarianism. They discuss the film's exploration of different forms of queer intimacy and propose possibilities for resistance against state violence. They also reflect on communal ideas of freedom, ways of building spaces of joy, and incorporating friendship as a method of artistic and scholarly practice. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 39016]
Artist Vishal Jugdeo and poet vqueeram join moderator Cathy Thomas (English, UCSB) to discuss their film Does Your House Have Lions, which features a queer household of activists and academics in New Delhi living under the shadow of increasing authoritarianism. They discuss the film's exploration of different forms of queer intimacy and propose possibilities for resistance against state violence. They also reflect on communal ideas of freedom, ways of building spaces of joy, and incorporating friendship as a method of artistic and scholarly practice. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 39016]
Artist Vishal Jugdeo and poet vqueeram join moderator Cathy Thomas (English, UCSB) to discuss their film Does Your House Have Lions, which features a queer household of activists and academics in New Delhi living under the shadow of increasing authoritarianism. They discuss the film's exploration of different forms of queer intimacy and propose possibilities for resistance against state violence. They also reflect on communal ideas of freedom, ways of building spaces of joy, and incorporating friendship as a method of artistic and scholarly practice. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 39016]
Artist Vishal Jugdeo and poet vqueeram join moderator Cathy Thomas (English, UCSB) to discuss their film Does Your House Have Lions, which features a queer household of activists and academics in New Delhi living under the shadow of increasing authoritarianism. They discuss the film's exploration of different forms of queer intimacy and propose possibilities for resistance against state violence. They also reflect on communal ideas of freedom, ways of building spaces of joy, and incorporating friendship as a method of artistic and scholarly practice. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 39016]
Artist Vishal Jugdeo and poet vqueeram join moderator Cathy Thomas (English, UCSB) to discuss their film Does Your House Have Lions, which features a queer household of activists and academics in New Delhi living under the shadow of increasing authoritarianism. They discuss the film's exploration of different forms of queer intimacy and propose possibilities for resistance against state violence. They also reflect on communal ideas of freedom, ways of building spaces of joy, and incorporating friendship as a method of artistic and scholarly practice. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 39016]
Artist Vishal Jugdeo and poet vqueeram join moderator Cathy Thomas (English, UCSB) to discuss their film Does Your House Have Lions, which features a queer household of activists and academics in New Delhi living under the shadow of increasing authoritarianism. They discuss the film's exploration of different forms of queer intimacy and propose possibilities for resistance against state violence. They also reflect on communal ideas of freedom, ways of building spaces of joy, and incorporating friendship as a method of artistic and scholarly practice. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 39016]
Ernie Lowe is a photographer who documented life in the Central Valley of California in the 1960s, with a focus on labor activism among farmworkers. He was mentored by Dorothea Lange and also studied under John Collier, Jr. Lowe's archive of photos can be found at the UC Merced Library, which has made them available online through Calisphere. Series: "Critically Human" [Humanities] [Arts and Music] [Show ID: 38289]
Ernie Lowe is a photographer who documented life in the Central Valley of California in the 1960s, with a focus on labor activism among farmworkers. He was mentored by Dorothea Lange and also studied under John Collier, Jr. Lowe's archive of photos can be found at the UC Merced Library, which has made them available online through Calisphere. Series: "Critically Human" [Humanities] [Arts and Music] [Show ID: 38289]
Ernie Lowe is a photographer who documented life in the Central Valley of California in the 1960s, with a focus on labor activism among farmworkers. He was mentored by Dorothea Lange and also studied under John Collier, Jr. Lowe's archive of photos can be found at the UC Merced Library, which has made them available online through Calisphere. Series: "Critically Human" [Humanities] [Arts and Music] [Show ID: 38289]
Paul Espinosa, an award-winning filmmaker and producer, is the President/CEO of Espinosa Productions, specializing in films focused on the U.S.-Mexico border region. He has been involved with producing films for over 35 years and is professor emeritus in the School of Transborder Studies at Arizona State University. He has worked with public television stations in San Diego and Dallas as a Senior Producer and Executive Producer and has produced, directed, written and hosted numerous programs for PBS. Espinosa received his Ph.D. from Stanford University in Anthropology. Series: "Critically Human" [Humanities] [Arts and Music] [Show ID: 38288]
Paul Espinosa, an award-winning filmmaker and producer, is the President/CEO of Espinosa Productions, specializing in films focused on the U.S.-Mexico border region. He has been involved with producing films for over 35 years and is professor emeritus in the School of Transborder Studies at Arizona State University. He has worked with public television stations in San Diego and Dallas as a Senior Producer and Executive Producer and has produced, directed, written and hosted numerous programs for PBS. Espinosa received his Ph.D. from Stanford University in Anthropology. Series: "Critically Human" [Humanities] [Arts and Music] [Show ID: 38288]
Paul Espinosa, an award-winning filmmaker and producer, is the President/CEO of Espinosa Productions, specializing in films focused on the U.S.-Mexico border region. He has been involved with producing films for over 35 years and is professor emeritus in the School of Transborder Studies at Arizona State University. He has worked with public television stations in San Diego and Dallas as a Senior Producer and Executive Producer and has produced, directed, written and hosted numerous programs for PBS. Espinosa received his Ph.D. from Stanford University in Anthropology. Series: "Critically Human" [Humanities] [Arts and Music] [Show ID: 38288]
Paul Espinosa, an award-winning filmmaker and producer, is the President/CEO of Espinosa Productions, specializing in films focused on the U.S.-Mexico border region. He has been involved with producing films for over 35 years and is professor emeritus in the School of Transborder Studies at Arizona State University. He has worked with public television stations in San Diego and Dallas as a Senior Producer and Executive Producer and has produced, directed, written and hosted numerous programs for PBS. Espinosa received his Ph.D. from Stanford University in Anthropology. Series: "Critically Human" [Humanities] [Arts and Music] [Show ID: 38288]
Join UC Davis Strategic Communications intern and student, Emily Choi, for a quick trip down I-80 to photograph nearby sunflower fields. Series: "UCTV Prime" [Arts and Music] [Show ID: 37403]
Join UC Davis Strategic Communications intern and student, Emily Choi, for a quick trip down I-80 to photograph nearby sunflower fields. Series: "UCTV Prime" [Arts and Music] [Show ID: 37403]
Join UC Davis Strategic Communications intern and student, Emily Choi, for a quick trip down I-80 to photograph nearby sunflower fields. Series: "UCTV Prime" [Arts and Music] [Show ID: 37403]
To Sheng-Ying Pao, the power of reframing CRISPR lies in what is absolutely ordinary: paper. In CRISPaper, Pao revisited a cultural past in the ancient art of papermaking. In ancient China, wild rice was used to make paper. Pao took rice stalks from plants edited with CRISPR and ground the fibers into pulp. She then poured the pulp over a mesh screen. Every time she dipped the screen into water, the plant fibers would lift and resettle on top of the mesh, eventually making paper. Through the genome-edited rice plant, an ancient practice was juxtaposed with cutting-edge technology. Series: "UC Berkeley News" [Science] [Arts and Music] [Show ID: 37388]
To Sheng-Ying Pao, the power of reframing CRISPR lies in what is absolutely ordinary: paper. In CRISPaper, Pao revisited a cultural past in the ancient art of papermaking. In ancient China, wild rice was used to make paper. Pao took rice stalks from plants edited with CRISPR and ground the fibers into pulp. She then poured the pulp over a mesh screen. Every time she dipped the screen into water, the plant fibers would lift and resettle on top of the mesh, eventually making paper. Through the genome-edited rice plant, an ancient practice was juxtaposed with cutting-edge technology. Series: "UC Berkeley News" [Science] [Arts and Music] [Show ID: 37388]
To Sheng-Ying Pao, the power of reframing CRISPR lies in what is absolutely ordinary: paper. In CRISPaper, Pao revisited a cultural past in the ancient art of papermaking. In ancient China, wild rice was used to make paper. Pao took rice stalks from plants edited with CRISPR and ground the fibers into pulp. She then poured the pulp over a mesh screen. Every time she dipped the screen into water, the plant fibers would lift and resettle on top of the mesh, eventually making paper. Through the genome-edited rice plant, an ancient practice was juxtaposed with cutting-edge technology. Series: "UC Berkeley News" [Science] [Arts and Music] [Show ID: 37388]
To Sheng-Ying Pao, the power of reframing CRISPR lies in what is absolutely ordinary: paper. In CRISPaper, Pao revisited a cultural past in the ancient art of papermaking. In ancient China, wild rice was used to make paper. Pao took rice stalks from plants edited with CRISPR and ground the fibers into pulp. She then poured the pulp over a mesh screen. Every time she dipped the screen into water, the plant fibers would lift and resettle on top of the mesh, eventually making paper. Through the genome-edited rice plant, an ancient practice was juxtaposed with cutting-edge technology. Series: "UC Berkeley News" [Science] [Arts and Music] [Show ID: 37388]
To Sheng-Ying Pao, the power of reframing CRISPR lies in what is absolutely ordinary: paper. In CRISPaper, Pao revisited a cultural past in the ancient art of papermaking. In ancient China, wild rice was used to make paper. Pao took rice stalks from plants edited with CRISPR and ground the fibers into pulp. She then poured the pulp over a mesh screen. Every time she dipped the screen into water, the plant fibers would lift and resettle on top of the mesh, eventually making paper. Through the genome-edited rice plant, an ancient practice was juxtaposed with cutting-edge technology. Series: "UC Berkeley News" [Science] [Arts and Music] [Show ID: 37388]
To Sheng-Ying Pao, the power of reframing CRISPR lies in what is absolutely ordinary: paper. In CRISPaper, Pao revisited a cultural past in the ancient art of papermaking. In ancient China, wild rice was used to make paper. Pao took rice stalks from plants edited with CRISPR and ground the fibers into pulp. She then poured the pulp over a mesh screen. Every time she dipped the screen into water, the plant fibers would lift and resettle on top of the mesh, eventually making paper. Through the genome-edited rice plant, an ancient practice was juxtaposed with cutting-edge technology. Series: "UC Berkeley News" [Science] [Arts and Music] [Show ID: 37388]
To Sheng-Ying Pao, the power of reframing CRISPR lies in what is absolutely ordinary: paper. In CRISPaper, Pao revisited a cultural past in the ancient art of papermaking. In ancient China, wild rice was used to make paper. Pao took rice stalks from plants edited with CRISPR and ground the fibers into pulp. She then poured the pulp over a mesh screen. Every time she dipped the screen into water, the plant fibers would lift and resettle on top of the mesh, eventually making paper. Through the genome-edited rice plant, an ancient practice was juxtaposed with cutting-edge technology. Series: "UC Berkeley News" [Science] [Arts and Music] [Show ID: 37388]
Steven Schick leads a sharply varied program. Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music with film, and we hear her "Fuel," with a film by Bill Morrison. Young Artist Winner Anne Liu performs Camille Saint-Saens’ witty "Second Piano Concerto," which has been described as “beginning with Bach and ending with Offenbach.” The concert concludes with Jean Sibelius’ mighty "Symphony No. 5," which drives to its triumphant conclusion on six shattering chords for full orchestra. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34006]
Steven Schick leads a sharply varied program. Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music with film, and we hear her "Fuel," with a film by Bill Morrison. Young Artist Winner Anne Liu performs Camille Saint-Saens’ witty "Second Piano Concerto," which has been described as “beginning with Bach and ending with Offenbach.” The concert concludes with Jean Sibelius’ mighty "Symphony No. 5," which drives to its triumphant conclusion on six shattering chords for full orchestra. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34006]
Steven Schick leads a sharply varied program. Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music with film, and we hear her "Fuel," with a film by Bill Morrison. Young Artist Winner Anne Liu performs Camille Saint-Saens’ witty "Second Piano Concerto," which has been described as “beginning with Bach and ending with Offenbach.” The concert concludes with Jean Sibelius’ mighty "Symphony No. 5," which drives to its triumphant conclusion on six shattering chords for full orchestra. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34006]
Steven Schick leads a sharply varied program. Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music with film, and we hear her "Fuel," with a film by Bill Morrison. Young Artist Winner Anne Liu performs Camille Saint-Saens’ witty "Second Piano Concerto," which has been described as “beginning with Bach and ending with Offenbach.” The concert concludes with Jean Sibelius’ mighty "Symphony No. 5," which drives to its triumphant conclusion on six shattering chords for full orchestra. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34006]
Renowned composer John Luther Adams discusses “The Wind Garden,” his soundscape installation for the Stuart Collection at UC San Diego, with the Collection’s Mathieu Gregoire. Series: "Stuart Collection" [Arts and Music] [Show ID: 30732]
Renowned composer John Luther Adams discusses “The Wind Garden,” his soundscape installation for the Stuart Collection at UC San Diego, with the Collection’s Mathieu Gregoire. Series: "Stuart Collection" [Arts and Music] [Show ID: 30732]
Renowned composer John Luther Adams discusses “The Wind Garden,” his soundscape installation for the Stuart Collection at UC San Diego, with the Collection’s Mathieu Gregoire. Series: "Stuart Collection" [Arts and Music] [Show ID: 30732]
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