Podcast appearances and mentions of Peter Evans

M

Send us your thoughts! Jon Irabagon is a Filipino-American saxophonist, composer, and founder of Irabbagast Records.[1]Winner of the 2008 Thelonious Monk Jazz Competition[1] and one of Time Out's "25 essential New York City jazz icons",[2] Irabagon is known for the breadth of his work on a jazz continuum ranging "from postbop to free improvisation, avant country to doom metal".[3] His "extraordinary eclecticism"[4] has led to performances with such diverse artists as Wynton Marsalis,[5] Lou Reed, Evan Parker, Billy Joel, the Maria Schneider Orchestra, Bertha Hope, Herbie Hancock, Conor Oberst,[6] Christian McBride,[7] Mike Pride,[8] Kenny Barron, Darcy James Argue's Secret Society, Bill Laswell, Peter Evans,[9] Tyshawn Sorey, Ingrid Laubrock,[10] Ava Mendoza,[11] Mick Barr, and Tom Rainey.Irabagon's many projects as bandleader include a quartet with Luis Perdomo, Yasushi Nakamura, and Rudy Royston,[12] as well as a trio with Mark Helias and Barry Altschul.[13] He is also a member of the Mary Halvorson Quintet, Septet,[14] and Octet;[15] the Dave Douglas Quintet;Support the show

On cities and the politics of development. [For the full episode, subscribe at patreon.com/bungacast] Ben Bradlow, assistant professor of sociology and international affairs at Princeton, talks to Alex about his book Urban Power: Democracy and Inequality in São Paulo and Johannesburg. If our future is urban – and it is – why is it different to what we imagined? Are Johannesburg and São Paulo representative of what is going on in cities? How did democratic promise and neoliberal disappointment go together in the 1990s, through to today? What has been the role of social movements (e.g. for housing) in transforming cities and municipal government? Is the radical right in the global North and South fundamentally different? What is the urban dimension? What does China's lead in industries like electric vehicles mean for countries like Brazil? Is industrial upgrading possible under post-neoliberalism? Links: Urban Power: Democracy and Inequality in São Paulo and Johannesburg, Benjamin Bradlow, Princeton UP A processual framework for understanding the rise of the populist right: the case of Brazil (2013–2018), Tomás Gold and Benjamin Bradlow, Social Forces Embedded Autonomy: States and Industrial Transformation, Peter Evans, Princeton UP

AI-labor saving tool or existential threat? On his new recording Server Farm, saxophonist and composer Jon Irabagon contemplates the potential threat and promise of this omni-present technology. For this recording Irabagon augments his regular quartet consisting of keyboardist Matt Mitchell, bassist Chris Lightcap, and percussionist Dan Weiss with violinist and vocalist Mazz Smith, trumpeter Peter Evans, guitarists Miles Okazaki and Wendy Eisenberg, bassist Michael Formanek, and percussionist and electronic musician Levy Lorenzo. Imitating AI, Jon spent several years doing a deep dive into the musical output of his collaborators, mining their entire catalogues for ideas that create the foundation of the music on this exciting recording.   

Gabriel Ferrandini estreou-se a solo no Théâtro de la Ville, em Paris, partilhou com o público uma experiência de improvisação, explorando a liberdade sonora da bateria. Compositor e baterista, Ferrandini combina ritmo, textura e harmonia de forma inovadora. Nascido na Califórnia, filho de pai moçambicano e mãe brasileira, vive em Lisboa, onde se destacou em grupos como RED Trio e Rodrigo Amado Motion Trio. Colaborou com artistas como Thurston Moore (Sonic Youth), Evan Parker e Hilary Woods. RFI: Durante o concerto que relação sentiu com o público?Gabriel Ferrandini: Nesta coisa das vibrações e dos feedbacks há qualquer coisa de meio medo e aquela coisa impressionante que  quase que nos junta um bocado a todos e as dinâmicas de ir para um muito alto ou muito baixo e trazer esse silêncio para dentro da sala, algo muito poderoso. Às vezes dá para sentir o público e neste concerto acho que sim. Estávamos todos juntos.Há intervenções do público nos seus concertos. Houve um momento em que quase que havia impulsos para as pessoas baterem palmas, por exemplo. Isso acontece?Às vezes acontece. A malta acha que são falsos fins, mas às vezes até as pessoas tossem ou há coisas a cair na sala. Eu gosto dessa parte porque há qualquer coisa que pode entrar e, como estou a improvisar, posso agarrar em qualquer coisa. Um sentimento que vem do nada por causa de uma coisa exterior. E eu gosto de trabalhar em cima disso. Tenho uma estrutura fechada, mas a coisa é toda muito aberta e inevitavelmente estou num sítio, num espaço e não consigo controlar tudo. E tudo pode ser música. De certa maneira.Tudo é música, até mesmo o tossir das pessoas e qualquer ruído que venha do público, como dizia John Cage e tantos outros, não é? Gabriel tocou durante uma hora a solo. Foi pura improvisação ?Sim, é uma peça que não conseguiria repetir. Há uma narrativa, há uma estrutura. Mas não é uma composição clássica no sentido em que tudo o que eu estou a tocar está escrito, com a estrutura e um arco narrativo. Eu sei como é que vou começar, sei o que vai acontecer no meio, sei o que vai acontecer no final e o resto são gavetas minhas. São coisas da minha linguagem com as quais convivo diariamente. Portanto, às vezes pode entrar um bocadinho depois, ou um bocadinho antes, ou bem mais tarde, ou antecipar. Mas lá está, começámos com o gongo. Havia toda uma introdução do gongo. Havia um som de uma pandeireta com o gongo que eu trouxe para o final. Portanto, há toda uma estrutura, mas é bastante aberto, sim.Qual é essa narrativa? Em que é que pensa? Porque cada instrumento conta uma história e cada instrumento parece assumir uma personagem...Sim. A percussão e a bateria têm essa coisa incrível de infinito, não é? Há muitos instrumentos que são o que são, um saxofone, um violino, trompete e na percussão; temos aqui um gongo gigantesco, até uma peça meio rara de se ter acesso. Os amplificadores gigantescos, depois a bateria em si e as percussões todas de mão. Eu, a mim, interessa-me mexer nestas coisas, nestas matérias e, depois, com o tempo, talvez até com os anos, essas matérias começam a ter ligações emocionais comigo. Porque uma pessoa, quando toca um piano, um acorde, ou um acorde numa guitarra, ou uma melodia de um instrumento melódico, é algo mais clara, emocionalmente. A bateria, a clareza da bateria tem a ver com o ritmo. É algo primordial, rítmico. Mas a questão da emoção, às vezes, é difícil de pintar as cores. Esta coisa dos feedbacks e de conseguir ter coisas longas, é o que sustém. É por aí que eu tenho tentado explorar um bocado a coisa.E há países ou há públicos mais receptivos a essa exploração e ao tempo de ouvir? Sim, eu acho que cada país, cada sítio ou continente... Mas acho que isto tem sempre a ver com a disponibilidade do público. A música é algo muito universal e esta coisa mais experimental e do jazz são línguas absolutamente... Qualquer pessoa pode tocar em qualquer sítio e é uma coisa unificadora da linguagem e das ferramentas da música experimental. Eu acho que, no fim, é um bando de nerds ou pessoas muito disponíveis e abertas, e isso encontra-se em qualquer lado. As pessoas que querem coisas novas, ou a malta nova que tem muita sede. Mas eu não consigo dizer que haja um sítio em que haja mais disponibilidade. Acho que tenho tido surpresas um pouco por todo o lado.Fez parte de vários trios como com o Rodrigo Amado.  É pouco comum ver percussionistas ou bateristas a solo e perguntei-lhe porquê?Sim, por excelência, a bateria é um instrumento de acompanhamento, não é? Há papéis... Os instrumentos também têm papéis nas suas constelações, nos trios, nos quartetos ou nas orquestras. E o papel da bateria é esse: manter o ritmo, manter a pressão sonora, o pulso, e também ajudar os outros a soarem melhor. Não é um solista. Está a fazer um solo, seja qual for o instrumento. E o baterista está a acentuar os sítios que são importantes ou a criar tensão onde tem que ser, criando uma coisa de "release". E isso é a história do instrumento agora. Há alguns malucos que gostam de fazer isto sozinhos e isso não é muito comum. Mas há alguma história de bateria a solo.Porquê malucos?Não é uma coisa usual e acho que quando contrariamos a natureza do instrumento... Eu conto como uma banda, eu estou em casa e é fácil para mim, porque estou um bocadinho mais lá atrás. Mesmo que eu possa ter uma importância grande, sou um "team player", não é? Não estou no foco, no spotlight. E eu digo "maluco" mais nisto, nesta coisa de abraçar essa questão de não posso ir pela estrutura normal deste instrumento e mergulhar, sabe-se lá para onde.Em 1914, Igor Stravinsky mudou a estrutura da música tradicional e colocou o ritmo no topo da pirâmide da "Sagração da Primavera". Ele já era, na altura, vanguardista e maluco.Com certeza. Claro, só podia, não é? Mas também um grande virtuoso. Devia ser doido, de certeza.Para mudar a estrutura musical nacional, inevitavelmente fala das luzes, as luzes que ocupam um espaço muito importante neste seu espetáculo a solo. Como é que foi trabalhado? Tenho tido a sorte de trabalhar com o Rui Monteiro e acho que não só o trabalho dele é incrível, mas todo este trabalho que tenho feito... A bateria tem aquele perigo de ser um meio de exibição, um showcase, e estar a mostrar os virtuosismos de cada coisa que sabemos fazer. E aquilo que tenho tentado fazer é pensar numa narrativa ou numa história, num arco. E eu acho que a luz ajuda muito nisso. E em vez de ser aquela coisa mais clássica, há aqui uma luz em cima do instrumento e que pode mudar um bocadinho, conforme o que está a acontecer. É muito diferente de haver uma coisa mais completa, que está sincronizada com a estrutura. A luz também é muito aberta, abstrata, mas é bastante clara. E acho que isso oferece espaço às pessoas, de repente, dois ou três minutos só faziam uma linha contínua de graves, não há realmente muito a acontecer, mas se houver também uma componente visual, talvez aí cada pessoa possa viajar para onde quiser. E eu gosto quando há esse espaço em que as pessoas podem pôr o que quiserem ali, no que está a acontecer, e não ser só aquela coisa de absorver apenas o momento musical. Acho que é fixe as pessoas irem para onde têm que ir também.A música, que também cria imagem, além de ser apoiada pela luminosidade. E depois há esta questão da exploração e do trabalho do som, que em inglês chamamos "noise", o ruídoTem a ver com o timbre que estamos mais habituados ou texturas que estamos mais habituados. E sim, acho que plasticamente, esteticamente, há aqui coisas que têm a ver com esse barulho estranho, que, de certa maneira, é também um monstro que eu estou aqui a querer controlar. E, às vezes, eu deixo que esse monstro tome controle e às vezes estou eu a tentar apanhar as rédeas. E esse monstro é noise, de certeza.Como é que de repente sabe o que está a criar, a interpretar, a improvisar? Como é que todas estas sonoridades acontecem, naturalmente? Dá ideia que, no final do espetáculo, está em transe? Sim. Eu não estou completamente em controlo. Lá está e a concentração é a única coisa que me pode ajudar, a estar ali focado e perceber o que vai acontecer. Mas eu nunca sei o que vai acontecer. E, por mais que eu queira controlar, eu também gosto de não estar completamente sob controlo. Mas isso só me obriga a estar mais atento porque, se fosse uma estrutura ou uma competição cerrada, mesmo, poderia ter as suas dificuldades. É uma coisa mais segura, de certa maneira.Se uma pessoa souber o que fazer, aquilo sai. Eu gosto desta novidade: De repente, há uma coisa que me cai, de repente, há um som... Como já fiz muita força na pele, ela já mudou de nota... há muitas coisas. Às vezes é um bocado infeliz, porque pode levar os sons para sítios que não são tão interessantes. Mas o incrível é que, quando essas pequenas mudanças que não controlo são coisas boas, é como se houvesse música dentro da música. O que tento fazer é estar só preparado para isso. Eu estou com estes sons. Mais estranho que isso pareça, eu convivo com isto, não é? É estar pronto para qualquer coisa que possa acontecer.Já esteve aqui em Paris com o espectáculo "Dans la mesure de l'impossible", de Tiago Rodrigues, cuja música é sua. Aqui, é, mais uma vez, uma forma de representar?Ali eu estava a tocar música e houve uma criação e havia uma história, não é? E eu estou a tocar para aquilo, estou a tocar para a história. É uma banda sonora. Aqui, não estou a tocar para nada. De certa forma, estou livre. Estou completamente livre, mas não consigo pôr um nome nisto, dar uma estética definida. Há materiais que trago e esses materiais têm uma presença e aquilo que tento é mexer com essa presença. No caso do teatro, tudo o que levo para ali é para a peça e para aquela história.Nasceu nos Estados Unidos, os seus pais tem origem brasileira e moçambicana. Tem ligações a Itália, a Espanha..  vive em Portugal. Esta multiculturalidade à sua volta também ascende na música que faz e com a qual cresceu?Sim, eu acho que a bateria apareceu aí. Esta coisa de não ter bem uma nação, de não ter bem uma linguagem que seja mesmo minha e ser um pouco de todo o lado não ser de lado nenhum. Acho que a bateria tem um bocado essa coisa. A bateria é uma coisa universal e que não tem bem a palavra, não tem bem a nota. E apesar de ser um instrumento claro, é muito abstracto. E eu acho que talvez tenha sido por isso que vim aqui parar à bateria e depois, ainda dentro disso, vim parar aqui a este outro sítio. Portanto, acho que isto tem a ver, talvez com esta minha, esta minha confusão criativa e a estrutura da minha família e por onde eu andei e talvez apanhei um bocadinho de cada sítio, mas à minha maneira.O que é que sentiu esta noite? Não sei se penso mesmo, mais é uma coisa de delivery. É uma coisa de querer que aquilo que que aparece ali a qualquer momento que aquilo resulte é fazer aquilo soar. O grande objectivo é pôr um instrumento a cantar. Posso ir por aqui, posso ir por ali. Há muitas coisas, como pudeste ver, que podem acontecer, mas a minha preocupação é o meu corpo, é a minha cabeça estarem no sítio certo para eu poder agarrar essas janelas de oportunidades que surgem. Eu acho que é só isso. Estou sempre só à procura de um som que possa agarrar e que possa espremer.Gabriel Ferrandini nasceu na Califórnia, é filho de pai moçambicano e mãe brasileira com origens italianas e espanholas. Vive em Lisboa onde construiu uma carreira de destaque na música, sendo parte central de grupos como RED Trio e Rodrigo Amado Motion Trio. Colaborou com artistas renomados, como Thurston Moore (Sonic Youth), Evan Parker, Hilary Woods e Peter Evans.

2024 was a tough year! It may be hard to be nostalgic about it. It will be much easier to be nostalgic about the amazing music that it brought to us and so, for our first show of 2025, we are looking back at some of the many gems that we have discovered in the past months. The playlist features Mulatu Astatke, Hoodna Orchestra; Josephine Davies; Kika Sprangers; Federico Casagrande, Francesco Bearzatti; Allison Russell [pictured], Ahya Simone; Kit Downes; Peter Evans; Sol Sol; Godwin Louis; Alice Zawadzki, Fred Thomas, Misha Mullov-Abbado. Detailed playlist at  Happy listening!

Space is the place_jazz e dintorni Prima puntata del 2025, dedicata ai migliori dischi dell`anno appena passato. Con Jeff Parker, Peter Evans, Alessandro Stefana, Modney, Ill Considered, Nìdia e Valentina, e Ibelisse Guardia Ferraguti e Frank Rosaly. Per diffondere questa puntata: https://www.radiotandem.it/space-is-the-place-del-7-gennaio-2025 Tutti i podcast di Space is the place: https://www.radiotandem.it/space-is-the-place

What is Epiphany, and why does it hold such deep significance in holiday traditions around the world? In this episode, we uncover the rich history, cultural significance, and timeless stories behind Epiphany—also known as Theophany, Three Kings' Day or Día de los Reyes. Discover how this celebration marks the arrival of the Three Wise Men to visit the baby Jesus, the symbolism of the Star of Bethlehem, and the diverse traditions observed across countries like Spain, Mexico, Italy, and Greece. From Rosca de Reyes cakes to chalking doors with blessed initials, we'll explore the rituals, stories, and legends that make Epiphany a cherished part of the holiday season. At the end of the episode, I'll share an exclusive reading from The Lost Years of Santa Claus, my book that reveals untold stories from Santa's journey and his connection to the timeless magic of Christmas. Whether you're a history buff, a lover of holiday traditions, or just curious about this special day, this episode will inspire and enlighten!

One of the stadium technology product segments experiencing rapid deployment over the past couple years is the “walk-through” model of security scanners, which allow fans to pass through security screening without having to stop or divest items from pockets or bags. Listen in as we talk to Xtract One CEO Peter Evans about why venues are moving to new security technology -- only on the Stadium Tech Report podcast!

Did you know that Santa Claus isn't the only gift-bringer during the holiday season? In this episode, we explore the fascinating world of New Year's gift givers from cultures around the globe. From Russia's Ded Moroz (Grandfather Frost) and his granddaughter Snegurochka to Korea and Japan and Colombia, discover the captivating stories behind these legendary figures. We'll dive into the history, traditions, and mythos surrounding these characters, exploring how they became central to New Year's celebrations. Learn about the symbolism behind their gifts, their unique cultural roles, and how they continue to bring joy to families worldwide as each year begins. At the end of the episode, I'll share an exclusive excerpt from my book, The Lost Years of Santa Claus, where Santa's hidden adventures and untold stories come to life. Don't miss this enchanting episode filled with global holiday folklore, history, and timeless traditions—it's the perfect way to welcome the New Year!

How is Christmas Eve celebrated across the globe? In this episode, we take you on a magical journey to explore Christmas Eve traditions from different cultures and countries. From candlelit church services in Sweden and Nochebuena feasts in Latin America to the serene KFC Christmas Eve dinners in Japan, discover the diverse ways people prepare for the most enchanting night of the year. We'll dive into the history behind these cherished traditions, uncover the meaning behind midnight masses, festive feasts, and unique customs like placing shoes by the fireplace or lighting luminaries. Along the way, our host shares some personal favorite Christmas Eve traditions and memories, adding a warm, personal touch to the global celebration. At the end of the episode, don't miss a special reading from The Lost Years of Santa Claus, the book that reveals Santa's hidden adventures and the untold stories behind his transformation into the symbol of Christmas magic. Whether you're cozy by the fire or wrapping last-minute gifts, this episode is the perfect companion for your Christmas Eve festivities!

"The vision is creating a world where great experiences and safety work together"Peter and I discuss the possibilities of creating a different, smoother approach that seamlessly integrates AI solutions without compromising the convenience and comfort of the user. The exponential speed of tech is disruptive, so a people-first approach is essential to provide a tech solution that does not cause any unnatural change to behaviour or the way we live and does not interrupt the flow of the day. We explore a more focused market approach, where solutions are tailored to meet the specific demands of users, especially in a post-COVID world where hybrid work models are becoming the norm, and hitting the crucial balance of enhancing security measures without sacrificing user convenience. We need to challenge outdated protocols in schools and airports by advocating for a seamless, human-centric approach.Our conversation also highlights the importance of aligning marketing strategies with customer expectations and adapting training materials to meet generational shifts. By putting the customer first, especially during economic downturns, companies can successfully navigate challenges and emerge stronger. Companies must also be willing to disrupt themselves so as not to be out-innovated by others who build loyalty along the way - different generations have different requirements, habits and expectations.Peter generously shares his insights from leading high growth technology businesses and digital transformation initiatives, particularly into how AI is not just modernizing security but transforming it into an experience that aligns with the expectations of today's world. The main insights you'll get from this episode are : - Physical security technology lags behind other technologies; Xtract One as a leading AI-powered tech company is bringing the physical into the digital to create a transparent, frictionless, non-invasive experience.- The exponential speed of tech is disruptive, so a people-first approach is essential to provide a tech solution that does not cause any unnatural change to behaviour or the way we live and does not interrupt the flow of the day.- Technology such as airport security has failed to catch up due to its long sales cycle (in addition to factors of governance and bureaucracy). It must be familiar but make life easier and invisible but make the system more efficient.- It is imperative to talk to customers about their needs and priorities, and to fit the solution to the business, i.e. the idea must reflect the reality by finding the problem first and working backwards.- Complex security situations (e.g. multiple sites) must adopt a digital solution as the start of the digital transformation journey with a mindset of continuous use of tech to continuously innovate the guest experience in order to stay ahead.- The approach must be customer-first over invention-first: hyperfocus (with the potential to pivot afterwards) and leveraging data (also internally) to improve the experience and open the door to infinite scalability.- The future of the guest experience is a safe environment - large venues obtain vast amounts of data and must use it to give the guest a better experience by reducing the negative experience and rewarding ‘good' guests.- Xtract One's platform makes it safer and easier to navigate the end-to-end guest journey by innovating with integrity: this means being transparent with customers and explaining in detail what products/solutions don't do.- The physical security industry...

Who has the best holiday lights on the block? In this episode, we dive into the sparkling world of Christmas decorating competitions. From their humble beginnings as neighborhood challenges to dazzling national events like The Great Christmas Light Fight, these competitions have become a beloved part of the holiday season. Explore the history behind Christmas decorating contests, from the first illuminated trees to modern-day extravagant light displays. We'll discuss the cultural impact of these festive showdowns, how communities come together through friendly rivalries, and some of the most impressive ongoing competitions around the world. Whether you're looking for inspiration or just love the magic of holiday decor, this episode will light up your holiday spirit! Stick around until the end of the episode for a special reading from The Lost Years of Santa Claus, my book that uncovers Santa's untold adventures and his transformation into a symbol of Christmas magic. Let's shine a spotlight on the joy of holiday decorating and the stories behind it!

What does Christmas look like in the middle of summer? In this episode, we travel to Argentina to explore how this vibrant country celebrates the holiday season. From warm-weather traditions and outdoor gatherings to unique Christmas decorations like fireworks and pesebres (nativity scenes), Argentina brings its own special charm to the holidays. Learn about the festive foods that define an Argentine Christmas, including asado (barbecue), vitel toné, and the delicious sweet treat pan dulce. We'll also uncover the stories behind beloved holiday characters, like Papá Noel, and traditions such as setting off fireworks on Christmas Eve and celebrating Nochebuena with friends and family late into the night. At the end of the episode, I'll share an excerpt from The Lost Years of Santa Claus, my book that explores Santa's untold adventures and his transformation into the legendary figure we know today. Don't miss this journey into a sun-soaked Christmas filled with food, fun, and traditions from Argentina!

Último episodio de este año de Libertad Jazzera, con la música de The Roboquarians; Peter Evans; Jeff Parker ETA 4tet; Ornette Coleman. Seguir leyendo Libertad Jazzera. Diciembre 2024. en La Montaña Rusa Radio Jazz.

Is Die Hard a Christmas movie? What about Gremlins or The Nightmare Before Christmas? In this festive episode, we tackle the age-old debate: what is and isn't a Christmas movie? Join us as we break down the rules and criteria that define a holiday classic. Does the movie need to take place during Christmas? Is a focus on holiday themes required, or can a backdrop of snow and lights suffice? We'll explore fan-favorite films, controversial choices, and some unexpected titles that just might qualify as Christmas movies. Whether you're team traditional (It's a Wonderful Life, Home Alone) or love an unconventional twist (Batman Returns, anyone?), this episode will have you rethinking your holiday watchlist. At the end of the episode, I'll read an excerpt from The Lost Years of Santa Claus, the book that reveals the untold adventures of Santa and his legendary journey to becoming the heart of Christmas magic. Tune in for a spirited holiday debate you won't want to miss!

Who is Father Christmas, and how is he different from St. Nicholas? In this episode, we unwrap the fascinating history of Father Christmas, from his roots in British folklore to his evolution into a symbol of holiday cheer. Learn how ancient pagan traditions, like the mysterious "Green Man" and "Wild Men of Winter," influenced the stories and imagery of this festive figure. We'll also explore how Father Christmas differs from the saintly St. Nicholas and how their tales became intertwined in holiday lore. Discover the rich mixture of myths, traditions, and cultural shifts that shaped Father Christmas into a beloved holiday icon. At the end of the episode, I'll read an excerpt from The Lost Years of Santa Claus, the book that delves into the hidden history of Santa's adventures and the stories behind his legendary role in Christmas. Don't miss this journey into the magical past of the holidays—perfect for history buffs, holiday enthusiasts, and anyone who loves a good story!

How did Christmas decorations become such a magical part of the holiday season? In this episode, we explore the fascinating history behind the festive adornments we know and love. From the ancient use of greenery like holly, ivy, and mistletoe to the first decorated Christmas trees in Germany, every tradition has a story to tell. We'll also dive into the evolution of ornaments, the dazzling rise of electric Christmas lights, and the shimmer of tinsel that has graced holiday homes for centuries. Discover how these decorations became symbols of joy, hope, and celebration, and how modern trends continue to transform the way we deck the halls. Whether you're a fan of vintage charm or contemporary sparkle, this episode is packed with inspiration and holiday history. Stay tuned at the end of the episode for a special reading from The Lost Years of Santa Claus, the book that uncovers Santa's untold adventures and the origins of Christmas magic. Let's light up your holiday season with the history of Christmas decorations!

Isaiah Collier & The Chosen Few, Righteous Rooster, Brian Ho, Peter Bernstein, Melinda Sullivan & Larry Goldings, Brad Mehldau, Thelonius Garcia, Sahara von Hattenberger, Peggy Lee & Cole Schmidt, Eldritch Priest, David Lavoie & Carson Tworow, David Lavoie Quartet, Peter Evans and Lina Allemano's OhrenschmausPlaylist: Isaiah Collier & The Chosen Few - The Time is NowRighteous Rooster - Groovin' on ClaremontBrian Ho Trio, featuring Paul Bollenback & Byron Landham - Saving All My LovePeter Bernstein, featuring Brad Mehldau, Vicente Archer & Al Foster - Better AngelsMelinda Sullivan, Larry Goldings - Big FootBrad Mehldau - Between BachThelonius Garcia - Apres minuit BachSahara von Hattenberger - Night PathPeggy Lee & Cole Schmidt - BlameEldritch Priest - Supposition EngineCarson Tworow and David Lavoie - CypressDavid Lavoie Quartet - Climate ChangePeter Evans - FreaksLina Allemano's Ohrenschmaus - Stricken

Everything's bigger in Texas, including Christmas! In this episode, we're exploring the Lone Star State's unique holiday traditions, shaped by its rich blend of cultures. From German-inspired Christmas markets to Mexican tamales and posadas, Texas celebrates the season in style. We'll also uncover the story behind the iconic lighting displays in towns like Fredericksburg and Grapevine, known as the Christmas Capital of Texas. Discover how cowboy boots meet twinkling lights, why luminarias line Texas streets, and the way barbecue becomes part of holiday feasts. Whether it's dancing under the stars at a holiday rodeo or enjoying a Texas Christmas craft beer, Christmas in Texas is a celebration like no other. At the end of the episode, don't miss a special reading from The Lost Years of Santa Claus, the book that uncovers Santa's hidden adventures and the stories that shaped his legend. Saddle up for some holiday cheer—Texas style!

Ever wonder how Christmas cookies became a beloved holiday tradition? In this episode, we're diving into the delicious history of Christmas cookies, tracing their journey from ancient spice-filled treats to the beautifully decorated confections we know today. Learn how baking traditions from around the world—from gingerbread houses in Germany to black pepper cookies in Norway—shaped the way we celebrate with cookies during the holidays. We'll also explore the modern magic of holiday cookie culture, from cookie swaps and viral recipes to the art of decorating sugar cookies that could rival any winter wonderland. Whether you're a casual baker or a seasoned pro, this episode is packed with festive flavor and history you won't want to miss. As a sweet ending, we'll read an excerpt from The Lost Years of Santa Claus, the book that uncovers Santa's untold past and the origins of his magical holiday adventures. Tune in and let's bake up some holiday cheer together! Contact: ⁠⁠⁠email⁠⁠⁠ ⁠⁠⁠website⁠⁠⁠ Special thanks to: The Christmas Song/Heaven/Slow 3/4 Song by Peter Evans, Tom Blancarte, and Brandon Seabrook - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CC by 3.0⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Santa Claws is Coming by Ergo Phizmiz - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CC by 3.0⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ holiday by Dee Yan-Key - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CC by 3.0⁠⁠

What makes something a “favorite” at Christmas? In this episode, we dive into the beloved classic song My Favorite Things—from its origins in The Sound of Music to its surprising rise as a holiday staple. Discover how this timeless tune became a soundtrack for the season, even though it was never originally written as a Christmas song. But we don't stop there! We'll also explore the broader idea of “favorite things” during the holidays: cherished traditions, decorations, foods, media, and moments that bring joy year after year. Whether it's snowy nights, warm drinks, or the sparkle of lights, this episode will leave you inspired to reflect on what makes your own holiday season magical. And at the end of the episode, I'll be reading a special excerpt from the book, The Lost Years of Santa Claus. Join us for a journey into Santa's untold past and discover the stories that shaped the legend of Christmas himself. This is one of our favorite episodes—don't miss it! Contact: ⁠⁠email⁠⁠ ⁠⁠website⁠⁠ Special thanks to: The Christmas Song/Heaven/Slow 3/4 Song by Peter Evans, Tom Blancarte, and Brandon Seabrook - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CC by 3.0⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Santa Claws is Coming by Ergo Phizmiz - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CC by 3.0⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ holiday by Dee Yan-Key - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CC by 3.0⁠⁠

Why do we give gifts at Christmas? In this episode, we unwrap the fascinating history of Christmas gift-giving, exploring its roots in ancient traditions, its connections to religious celebrations, and how it evolved into the modern practice we know today. Learn about the symbolism behind early gift exchanges, the story of Saint Nicholas, and how wrapping paper and ribbons became essential to the holiday season. Whether you're a last-minute shopper or a meticulous gift-wrapper, this episode reveals the heartwarming history behind the presents under the tree. And don't miss the end of the episode, where I'll read an excerpt from the book, The Lost Years of Santa Claus. Discover Santa's hidden past and the untold stories that make him the legendary figure at the center of Christmas cheer. This festive deep dive is a gift you'll love unwrapping! Contact: ⁠email⁠ ⁠website⁠ Special thanks to: The Christmas Song/Heaven/Slow 3/4 Song by Peter Evans, Tom Blancarte, and Brandon Seabrook - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CC by 3.0⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Santa Claws is Coming by Ergo Phizmiz - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CC by 3.0⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ holiday by Dee Yan-Key - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CC by 3.0⁠⁠

In this episode, Andrew and Dr Sam dive into the world of singing drummers—because why settle for just bashing skins when you can also belt out tunes? Expect a thorough dissection of jazz chaos theory, led by Peter Evans and his so-called “three-stooges” approach to organised sound. The duo also explore Karen Carpenter's dual talents, Red Fang's unadulterated riffage, and Mastodon's... well, let's say, questionable riff decisions. Dr Sam throws in some knowledge grenades about jazz producer legends, while Andrew recalls a traumatic encounter with Reading Festival toilets that left him missing Mastodon for a “pressing” appointment. They also ponder how Robert Wyatt of Soft Machine managed to keep it together, both rhythmically and vocally, before a window accident shifted his life forever. From awkward gig moments to a deep-dive into prog jazz and even John Grant's soundcheck playlist, this episode has it all—except, maybe, subtlety. _Featured Tracks and Artists_: - Peter Evans and friends with some chaotic jazz noodling - The Morons with "I Want to Stab You in the Neck" (naturally) - Anderson .Paak, making soul look way too easy on the Tiny Desk - Queens of the Stone Age, with zero Grohl vocals - Yoshida Tatsuya's wild prog jazz - A head-turning pick from Soft Machine with Robert Wyatt singing and drumming Grab your headphones (and maybe a stiff drink); it's a wild ride through rhythm, riffs, and a solid bit of nonsense. ### Riffs of the week #### Dr Sam's Riff - Peter Evans - Freaks (opening) #### Andrew's Riff - The Ruins of Beverast - Anchoress in Furs (opening) ### Dr Sam's track choices 1. The Morons - Stab You in the Neck (0.10) 2. Anderson .Paak - Heart Don't Stand a Chance (from NPR tiny desk) : 3.57 3. Soft Machine - Moon in June (0.20) 4. Koenjihyakkei - Rattims Friezz (1.44) ### Andrew's track choices 1. The Carpenters - Close to you (1:15) 2. Mastodon - Blood and Thunder (opening) 3. Queens of the Stone Age - Song for the dead (0:02) 4. Velvet Underground - After Hours Email us - beatmotel@lawsie.com Anderson .Paak - Heart Don't Stand a Chance (from NPR tiny desk) : 3.57 - https://youtu.be/ferZnZ0_rSM?feature=shared&t=237

This holiday season, take a journey through the world of Christmas-themed games! In this episode, we explore the timeless appeal of holiday games, starting with the traditional parlor games of antiquity that brought friends and families together. Then, fast forward to today, where we'll dive into the digital world of modern Christmas video games, capturing holiday magic on screens big and small. Discover the games that bring joy, laughter, and a festive spirit, whether you're playing around the table or on your favorite gaming console. From classic charades to virtual winter wonderlands, Christmas games have evolved to match the times while keeping holiday cheer alive. Stay tuned at the end of the episode for a special reading from The Lost Years of Santa Claus, the book that unveils the untold adventures of Santa and his journey to becoming the holiday icon we all know. Perfect for game lovers and holiday enthusiasts alike, this episode brings the fun of Christmas straight to you! Contact: email website Special thanks to: The Christmas Song/Heaven/Slow 3/4 Song by Peter Evans, Tom Blancarte, and Brandon Seabrook - ⁠⁠⁠⁠⁠⁠⁠⁠⁠CC by 3.0⁠⁠⁠⁠⁠⁠⁠⁠⁠ Santa Claws is Coming by Ergo Phizmiz - ⁠⁠⁠⁠⁠⁠⁠⁠⁠CC by 3.0⁠⁠⁠⁠⁠⁠⁠⁠⁠ holiday by Dee Yan-Key - ⁠⁠⁠⁠⁠⁠⁠⁠⁠CC by 3.0⁠⁠

Mondo Jazz is back on its path of discovery of the finest new jazz releases which are found off the beaten path... and there's plenty to enjoy in this playlist! The playlist features Stefano Risso, Francesco Bearzatti, Mattia Barbieri; Peter Evans [pictured], Petter Eldh, Jim Black; Orrin Evans, Bilal; Godwin Louis; Or Bareket; and Rahsaan Barber. Detailed playlist at https://spinitron.com/RFB/pl/19726016/Mondo-Jazz (from "Lee's Dance" to "The Long Wait for Justice"). Happy listening! Photo credit: Peter Gannushkin

This week, we had some brilliant selections from Black Sugar, Nino Ferrer, Steve Leach, Curtis Mayfield, The Bad Plus, Peter Evans, Rio 18, Leroy Hutson, Dee Dee Sharp, Dionne Warwick, Dominic Balchin, and more! For more info and tracklisting, visit: thefaceradio.com/the-rendezvous/.Tune into new broadcasts of The Rendezvous, LIVE, Sunday from 2 - 4 PM EST / 7 - 9 PM GMT on The Face Radio and Totally Wired Radio.Dig this show? Please consider supporting The Face Radio: support.thefaceradio.com.Connect: https://linktr.ee/kurtispowers Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Get ready to be transported to the winter wonderland of Norway this holiday season! In this episode, we dive into the heartwarming traditions that make a Norwegian Christmas so special. From savoring traditional foods like ribbe and lutefisk to sipping on gløgg, Norway offers a feast for the senses. We'll also explore the rich history behind these customs, how Norwegians brave the winter weather to celebrate, and the magical decorations that light up homes across the country. Whether it's a tale of hearty meals shared around the fire, the crisp chill of a Norwegian winter night, or the warm glow of Advent stars in the windows, Norway's Christmas traditions have a charm all their own. Plus, at the end of the episode, I'll be reading an excerpt from The Lost Years of Santa Claus, a book that explores Santa's hidden past and the stories that make him the beloved icon he is today. Join us for a cozy, festive episode that brings Norway's holiday spirit right to you! Contact: jeff@lostchristmaspodcast.com lostchristmaspodcast@gmail.com ⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/lostchristmaspodcast⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠www.twitter.com/lostchristmasp1⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/lostchristmaspodcast⁠⁠⁠⁠⁠⁠⁠ www.youtube.com/@lostchristmaspodcast Special thanks to: The Christmas Song/Heaven/Slow 3/4 Song by Peter Evans, Tom Blancarte, and Brandon Seabrook - ⁠⁠⁠⁠⁠⁠⁠⁠CC by 3.0⁠⁠⁠⁠⁠⁠⁠⁠ Santa Claws is Coming by Ergo Phizmiz - ⁠⁠⁠⁠⁠⁠⁠⁠CC by 3.0⁠⁠⁠⁠⁠⁠⁠⁠ holiday by Dee Yan-Key - ⁠⁠⁠⁠⁠⁠⁠⁠CC by 3.0⁠⁠

Abrimos con nuestra portada, el descubrimiento de la estupenda voz de la vocalista armenia Astghik Martirosyan que en el 2023 presentó Distance. La guitarra de Julian Lage suena de nuevo en La Montaña Rusa, esta vez con Squint, álbum publicado en 2021. Nuestro Clásico de la Semana fue la tuba de Ray Draper que junto a su Quintet firmó el clásico Tuba Sounds en 1957. Desde Italia escuchamos de nuevo al contrabajista Dario Piccioni con Caffé Tevere, de 2022. Aunque parezca mentira, hacía ya unos cuantos programas que no escuchábamos la música de John Zorn y sin que sirva de precedente, hoy volvemos a su universo de la mano de sus Bagatelles, estas del 2022 y el volumen 14, con el trompetista Peter Evans. Descubriremos la música de la vocalista y pianista lituana Liva Dumpe que este 2024 ha publicado Talskatis. Y cerarremos con el pianista alemana Julie Sassoon y su Quartet, con el estupendo Voyages de 2021.

In an enlightening episode of "Supply Chain Next," host Richard Donaldson welcomes Peter Evans, Chief Strategy Officer at McFadyen Digital, for a thought-provoking discussion on the evolution of digital marketplaces and the strategic implications for supply chains. Peter, with his rich background spanning roles at KPMG, the Center for Global Enterprise, and General Electric, shares his journey from an industry visionary to a leading strategist in the digital marketplace arena. His experiences shed light on the critical intersections between marketplace trends, technological disruptions, and strategic innovation. The conversation delves into Peter's insights on the digital transformation of supply chains, the impact of AI and automation on marketplace efficiency, and the future of eCommerce. Peter's expertise highlights the importance of adopting platform business models and the role of strategic foresight in navigating the rapidly changing digital landscape. As the episode unfolds, listeners will gain a deeper understanding of the mechanisms driving the success of digital marketplaces, the challenges and opportunities in implementing digital strategies, and the potential for technology to redefine traditional supply chain models. The discussion concludes with a forward-looking perspective on the role of digital innovation in shaping the future of supply chains and a call to action for businesses to embrace digital transformation as a cornerstone of their growth strategy. https://www.mcfadyendigital.com/ Peter Evans - Chief Strategy Officer, McFadyen Digital https://www.linkedin.com/in/peter-evans-digital-strategist/

The big game is right around the corner and securing the site has been in the works for quite some time now. The NFL's Super Bowl is always considered a 'SEAR level 1', meaning it always receives the highest ranking security level. Besides local and state law enforcement the game will be being monitored by artificial intelligence that will aid humans in making sure everyone is safe. FOX's John Saucier speaks with Peter Evans, CEO of 'Xtract One Technologies', about this technology and how it is used to secure all types of gatherings. Click Here To Follow 'The FOX News Rundown: Evening Edition' Learn more about your ad choices. Visit megaphone.fm/adchoices

The big game is right around the corner and securing the site has been in the works for quite some time now. The NFL's Super Bowl is always considered a 'SEAR level 1', meaning it always receives the highest ranking security level. Besides local and state law enforcement the game will be being monitored by artificial intelligence that will aid humans in making sure everyone is safe. FOX's John Saucier speaks with Peter Evans, CEO of 'Xtract One Technologies', about this technology and how it is used to secure all types of gatherings. Click Here To Follow 'The FOX News Rundown: Evening Edition' Learn more about your ad choices. Visit megaphone.fm/adchoices

The big game is right around the corner and securing the site has been in the works for quite some time now. The NFL's Super Bowl is always considered a 'SEAR level 1', meaning it always receives the highest ranking security level. Besides local and state law enforcement the game will be being monitored by artificial intelligence that will aid humans in making sure everyone is safe. FOX's John Saucier speaks with Peter Evans, CEO of 'Xtract One Technologies', about this technology and how it is used to secure all types of gatherings. Click Here To Follow 'The FOX News Rundown: Evening Edition' Learn more about your ad choices. Visit megaphone.fm/adchoices

Peter Evans returns to The Arts Salon to talk about his artistic practice, the cultish nature of "new music," the 30 Years War, Bach, John Coltrane, American education, music education, and how Peter is convinced the internet is just a fad (lol not really). If you are unfamiliar with Peter, you can listen to episode 8 of the podcast to get acquainted with his work. Later this month we release part 2 of my talk about Greek Mythology with Susana Castellanos where we discuss the second generation of Olympian Gods (for part 1 listen to Episode 46). We will close out January with another Arts Salon "Off-Topic" featuring economist Tyler Cowen, leader of Marginal Revolution and host of Conversations With Tyler. --- Support this podcast: https://podcasters.spotify.com/pod/show/artssalon/support

In this enchanting episode of The Lost Christmas Podcast, we journey into the heart of the Alpine region to unravel the captivating traditions of Raunacht, a mystical and magical celebration intertwined with the Christmas season. Join us as we peel back the layers of folklore, superstition, and ancient customs that make Raunacht a truly unique and intriguing holiday experience. Discover the centuries-old traditions of the Alpine people as they engage in mysterious rituals, don elaborate masks, and partake in night-time festivities during this special time of year. We'll delve into the history and significance of Raunacht, shedding light on how it blends seamlessly with the Christmas season. Whether you're a history enthusiast, a folklore aficionado, or simply curious about the mystical traditions of the Alpine region, this episode offers a fascinating glimpse into the world of Raunacht. Tune in and immerse yourself in the enchanting world of Raunacht, where ancient customs and holiday cheer intertwine in a truly magical way, only on The Lost Christmas Podcast! Stick around (or skip ahead!) to the end of the episode to hear the two-part conclusion to the latest story from The Lost Years of Santa Claus! Contact: lostchristmaspodcast@gmail.com ⁠⁠⁠⁠⁠⁠⁠www.facebook.com/lostchristmaspodcast⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠www.twitter.com/lostchristmasp1⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠www.instagram.com/lostchristmaspodcast⁠⁠⁠⁠⁠⁠ Special thanks to: The Christmas Song/Heaven/Slow 3/4 Song by Peter Evans, Tom Blancarte, and Brandon Seabrook - ⁠⁠⁠⁠⁠⁠⁠CC by 3.0⁠⁠⁠⁠⁠⁠⁠ Santa Claws is Coming by Ergo Phizmiz - ⁠⁠⁠⁠⁠⁠⁠CC by 3.0⁠⁠⁠⁠⁠⁠⁠ holiday by Dee Yan-Key - ⁠⁠⁠⁠⁠⁠⁠CC by 3.0⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/lostchristmaspodcast/message

In this delectable episode of The Lost Christmas Podcast, we dive into the world of Christmas beverages that warm the heart and tickle the taste buds. Join us as we take a flavorful journey through the most beloved and festive drinks of the holiday season. Going beyond classic favorites like hot cocoa and mulled wine and diving into deeper cuts in the beverage world, we'll explore the diverse array of Christmas libations that grace our mugs and glasses during this special time of year. Discover the origins, traditions, and unique regional variations of these delightful concoctions that bring joy and comfort to gatherings around the world. Whether you're a culinary enthusiast seeking new recipes or simply curious about the stories behind your favorite festive drinks, this episode will quench your thirst for knowledge. Tune in and join us in savoring the season's most delicious and heartwarming beverages on The Lost Christmas Podcast! Cheers to the holidays! Stick around at the end of the episode as we read more from The Lost Years of Santa Claus, continuing on to part 3 of our current story: Santa Claus and the Curse of the Wild Hunt! Contact: lostchristmaspodcast@gmail.com ⁠⁠⁠⁠⁠⁠www.facebook.com/lostchristmaspodcast⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠www.twitter.com/lostchristmasp1⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠www.instagram.com/lostchristmaspodcast⁠⁠⁠⁠⁠ Special thanks to: The Christmas Song/Heaven/Slow 3/4 Song by Peter Evans, Tom Blancarte, and Brandon Seabrook - ⁠⁠⁠⁠⁠⁠CC by 3.0⁠⁠⁠⁠⁠⁠ Santa Claws is Coming by Ergo Phizmiz - ⁠⁠⁠⁠⁠⁠CC by 3.0⁠⁠⁠⁠⁠⁠ holiday by Dee Yan-Key - ⁠⁠⁠⁠⁠⁠CC by 3.0 --- Send in a voice message: https://podcasters.spotify.com/pod/show/lostchristmaspodcast/message

In this enlightening episode of The Lost Christmas Podcast, we embark on a captivating journey through time to explore the rich history of Luminaria. Join us as we uncover the origins, cultural significance, and evolution of these mesmerizing paper lanterns that have lit up our lives for centuries. From their humble beginnings in far-flung regions to their widespread use in modern celebrations, we delve deep into the enchanting world of Luminaria. Learn how different cultures have embraced these glowing lanterns, from the traditional Mexican "farolitos" to the luminaria-lit streets of Santa Fe, New Mexico. Discover the intriguing stories behind Luminaria's role in various festivals, holidays, and religious ceremonies, shedding light on their enduring symbolism and importance. Don't miss out on this radiant exploration of Luminaria's past. Hit that play button and let us guide you through the luminous tapestry of history on The Lost Christmas Podcast! Stick around after the history to answer another mystery as we reveal another piece from The Lost Years of Santa Claus, exploring the missing pages from the rich history of our beloved hero. lostchristmaspodcast@gmail.com ⁠⁠⁠⁠⁠www.facebook.com/lostchristmaspodcast⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠www.twitter.com/lostchristmasp1⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠www.instagram.com/lostchristmaspodcast⁠⁠⁠⁠ Special thanks to: The Christmas Song/Heaven/Slow 3/4 Song by Peter Evans, Tom Blancarte, and Brandon Seabrook - ⁠⁠⁠⁠⁠CC by 3.0⁠⁠⁠⁠⁠ Santa Claws is Coming by Ergo Phizmiz - ⁠⁠⁠⁠⁠CC by 3.0⁠⁠⁠⁠⁠ holiday by Dee Yan-Key - ⁠⁠⁠⁠⁠CC by 3.0 --- Send in a voice message: https://podcasters.spotify.com/pod/show/lostchristmaspodcast/message

In this bone-chilling episode of The Lost Christmas Podcast, we venture into the frosty depths of folklore to unravel the tales of wintertime monsters that have haunted our imaginations for generations. Join us as we shine a light on the dark and mysterious creatures that emerge when the winter winds howl and the snow falls. From the elusive Barbegazi of the Alps to the eerie Wendigo of North American legends, we delve deep into the myths and legends that have sent shivers down our spines during the coldest months of the year. Discover the stories that have been passed down through generations, captivating our curiosity and sparking our fear. We'll also explore the cultural significance of these wintertime monsters, shedding light on the traditions and rituals that have developed around them. Whether you're a fan of spine-tingling tales or simply curious about the origins of these chilling myths, this episode promises to intrigue and educate. With expert insights, captivating narratives and in-depth research The Lost Christmas Podcast is your guide to uncovering the secrets of wintertime monsters. Tune in and prepare to be enthralled by the lore that has persisted through the ages, while satisfying your curiosity about these fascinating creatures. Don't miss out on this frosty expedition into the world of wintertime monsters. Hit that play button and join us on a chilling journey into the unknown! As always, stay tuned for another story from The Lost Years of Santa Claus. We start a new story from his lost book today, so don't miss Santa Claus and the Curse of the Wild Hunt part 1! lostchristmaspodcast@gmail.com ⁠⁠⁠⁠www.facebook.com/lostchristmaspodcast⁠⁠⁠⁠ ⁠⁠⁠⁠www.twitter.com/lostchristmasp1⁠⁠⁠⁠ ⁠⁠⁠⁠www.instagram.com/lostchristmaspodcast⁠⁠⁠ Special thanks to: The Christmas Song/Heaven/Slow 3/4 Song by Peter Evans, Tom Blancarte, and Brandon Seabrook - ⁠⁠⁠⁠CC by 3.0⁠⁠⁠⁠ Santa Claws is Coming by Ergo Phizmiz - ⁠⁠⁠⁠CC by 3.0⁠⁠⁠⁠ holiday by Dee Yan-Key - ⁠⁠⁠⁠CC by 3.0 --- Send in a voice message: https://podcasters.spotify.com/pod/show/lostchristmaspodcast/message

In this festive episode of The Lost Christmas Podcast, we're donning our capes and spreading holiday spirit as we explore the incredible world of Christmas heroes and superheroes. Join us as we unwrap heartwarming stories of individuals (in movies) who go above and beyond during the holiday season, embodying the true spirit of giving. Discover how these everyday heroes, in their own unique ways, bring joy, hope, and happiness to those in need. We'll also dive into the realm of pop culture, exploring how our favorite superheroes, from Shazam! to Batman, have left their mark on Christmas lore, saving the day in the most unexpected ways. Also, stay tuned to the end of the episode for more of The Lost Years of Santa Claus, as we continue to learn about Santa Claus and the Stone Sage! Tune in to The Lost Christmas Podcast as we unmask the true essence of Christmas heroes and superheroes. Whether you're a fan of heartwarming stories or a superhero enthusiast, this episode has something for everyone! Don't miss out—hit that play button and join us on this merry journey of discovery. lostchristmaspodcast@gmail.com ⁠⁠⁠www.facebook.com/lostchristmaspodcast⁠⁠⁠ ⁠⁠⁠www.twitter.com/lostchristmasp1⁠⁠⁠ ⁠⁠⁠www.instagram.com/lostchristmaspodcast⁠⁠⁠ Special thanks to: The Christmas Song/Heaven/Slow 3/4 Song by Peter Evans, Tom Blancarte, and Brandon Seabrook - ⁠⁠⁠CC by 3.0⁠⁠⁠ Santa Claws is Coming by Ergo Phizmiz - ⁠⁠⁠CC by 3.0⁠⁠⁠ holiday by Dee Yan-Key - ⁠⁠⁠CC by 3.0 --- Send in a voice message: https://podcasters.spotify.com/pod/show/lostchristmaspodcast/message

In this enchanting episode of The Lost Christmas Podcast, we set sail on a cultural voyage to the sun-kissed shores of the Mediterranean, where Christmas celebrations take on a unique and captivating charm. Join us as we uncover the rich tapestry of traditions in Greece, Croatia, and Albania, and discover how these countries infuse the holiday season with their own distinctive flavors. From the twinkling lights of Dubrovnik's Old Town to the mesmerizing dance of the Albanian "Kështjella" (castle) during Christmas, we delve into the captivating traditions that make this region a must-visit during the festive season. Explore the delicious cuisine, such as Greece's mouthwatering "Melomakarona" and Croatia's delectable "Peka," that grace the holiday tables and delight the senses. Join us as we unlock the secrets of Christmas in Greece, Croatia, and Albania, and be inspired to infuse a touch of Mediterranean magic into your own holiday celebrations. Don't miss out on this delightful exploration of unique traditions and heartwarming stories. Hit that play button and embark on a Mediterranean Christmas adventure with and stay tuned all the way to the end as we finish up the story of Santa Claus and the Stone Sage on The Lost Years of Santa Claus! All of this on The Lost Christmas Podcast! lostchristmaspodcast@gmail.com ⁠⁠⁠www.facebook.com/lostchristmaspodcast⁠⁠⁠ ⁠⁠⁠www.twitter.com/lostchristmasp1⁠⁠⁠ ⁠⁠⁠www.instagram.com/lostchristmaspodcast⁠⁠⁠ Special thanks to: The Christmas Song/Heaven/Slow 3/4 Song by Peter Evans, Tom Blancarte, and Brandon Seabrook - ⁠⁠⁠CC by 3.0⁠⁠⁠ Santa Claws is Coming by Ergo Phizmiz - ⁠⁠⁠CC by 3.0⁠⁠⁠ holiday by Dee Yan-Key - ⁠⁠⁠CC by 3.0 --- Send in a voice message: https://podcasters.spotify.com/pod/show/lostchristmaspodcast/message

In this captivating episode, we delve deep into the fascinating world of winter time deities. Discover the rich tapestry of cultural and mythological figures associated with the cold season as we explore their origins, symbolism, and significance. Join us for a journey through the lore of these powerful entities and their connection to various winter traditions around the world. Whether you're a mythology enthusiast or simply curious about the mystical aspects of winter, this episode offers insights that will leave you enchanted and informed. Tune in now to unravel the secrets of winter time deities and embrace the magic of the season. Lastly, we conclude with the next piece of another story from The Lost Years of Santa Claus! Visit the new website! https://www.LostChristmasPodcast.com email: jeff@lostchristmaspodcast.com or lostchristmaspodcast@gmail.com ⁠⁠www.facebook.com/lostchristmaspodcast⁠⁠ ⁠⁠www.twitter.com/lostchristmasp1⁠⁠ ⁠⁠www.instagram.com/lostchristmaspodcast⁠⁠ Special thanks to: The Christmas Song/Heaven/Slow 3/4 Song by Peter Evans, Tom Blancarte, and Brandon Seabrook - ⁠⁠CC by 3.0⁠⁠ Santa Claws is Coming by Ergo Phizmiz - ⁠⁠CC by 3.0⁠⁠ holiday by Dee Yan-Key - ⁠⁠CC by 3.0 --- Send in a voice message: https://podcasters.spotify.com/pod/show/lostchristmaspodcast/message

Although political constraints have significant negative impacts on development, mainstream approaches to addressing these issues are often primarily technical and lack a willingness to understand and address political economy factors. Despite decades of technical efforts in sectors like health, education, and climate, some critical problems persist, such as drug supply losses, tree planting failures, and chronic absenteeism in health and education. Peter Evans is a governance specialist with wide-ranging experience and expertise across international development and social research. He holds a PhD in medical geography and was previously Team Leader of the Governance, Conflict, Inclusion and Humanitarian Research Team at the UK's Foreign, Commonwealth & Development Office (FCDO). In this role, Peter designed and led the Anti-Corruption Evidence (ACE) programme. Until recently, he was director of the U4 Anti-Corruption Resource Centre at the Chr. Michelsen Institute (CMI) in Bergen. @PeterEvans_GuvPeter argues that the supply of practical political economy research is limited and often falls short of practicality and accessibility, shaped more by researchers' interests and fund availability than the needs of policymakers or practitioners. Political economy research is further hindered by its sensitivity and riskiness, making it challenging for researchers, particularly in politically unstable or corrupt environments. On the demand side, there is a lack of structured efforts to understand and address political constraints in global investments for growth and development. Politics is often relegated to a risk rather than a problem to be understood and engaged with. And many actors in the field, including national governments, bilateral agencies, and multilateral organizations, often avoid addressing political economy factors, which hinders effective development outcomes.ResourcesGambling on corruption, and making the political more practicalWhen evidence is thin... (how to think, not what to think).How I think when I talk about anti-corruption: porridge and berries, priors and biasesPeter Evans on LinkedInCorruption and political settlements (episode featuring Mushtaq Khan)The development bargain (episode featuring Stefan Dercon)Key highlightsIntroduction - 00:24Wicked problems and progress - 03:50Taking politics seriously - 08:08Tackling corruption - 20:25Why capacity building initiatives do not work - 36:20Political settlements and public procurement - 44:07Anti-corruption: What should researchers, donors, and governments focus more on - 53:52 HostProfessor Dan Banik (@danbanik  @GlobalDevPod)Apple Google Spotify YouTubeSubscribe: https://globaldevpod.substack.com/

On today's episode we cover the history of the iconic colors of the Christmas season. Yes, that color too!, I've got it all covered with background from religious to secular and all kinds of history beyond the surface. I hope you enjoy, and stick around after the colors of Christmas to discover more of the Lost Years of Santa Claus! Visit the new website! https://www.LostChristmasPodcast.com email: jeff@lostchristmaspodcast.com or lostchristmaspodcast@gmail.com ⁠www.facebook.com/lostchristmaspodcast⁠ ⁠www.twitter.com/lostchristmasp1⁠ ⁠www.instagram.com/lostchristmaspodcast⁠ Special thanks to: The Christmas Song/Heaven/Slow 3/4 Song by Peter Evans, Tom Blancarte, and Brandon Seabrook - ⁠CC by 3.0⁠Santa Claws is Coming by Ergo Phizmiz - ⁠CC by 3.0⁠holiday by Dee Yan-Key - ⁠CC by 3.0 --- Send in a voice message: https://podcasters.spotify.com/pod/show/lostchristmaspodcast/message

Today being #ChristmasPodcastDay, I had to release a special episode covering a unique version of A Christmas Carol. Oh and we're kicking off another story from The Lost Years of Santa Claus as well. Thanks everyone and enjoy! Visit the new website! https://www.LostChristmasPodcast.com email: jeff@lostchristmaspodcast.com or lostchristmaspodcast@gmail.com www.facebook.com/lostchristmaspodcast www.twitter.com/lostchristmasp1 www.instagram.com/lostchristmaspodcast Special thanks to: The Christmas Song/Heaven/Slow 3/4 Song by Peter Evans, Tom Blancarte, and Brandon Seabrook - CC by 3.0Santa Claws is Coming by Ergo Phizmiz - CC by 3.0holiday by Dee Yan-Key - CC by 3.0 --- Send in a voice message: https://podcasters.spotify.com/pod/show/lostchristmaspodcast/message

Everyone in old Hollywood can probably be connected by whom they dated, married, or slept with. Two of the most desirable lovers of the era were LANA TURNER and AVA GARDNER, both Hollywood superstars who shared a friendship, similar backgrounds, and many romantic partners, including a husband. Join us as we connect the romantic dots through old Hollywood using Lana and Ava's little black books as our guide. __________________________________________ Sources: The Lady, The Legend, The Truth: Lana (1982) by Lana Turner;  Lana: The Life and Loves of Lana Turner (1995) by Jane Ellen Wayne; Detour: A Hollywood Story (1988) by Cheryl Crane; Movie Star & The Mobster: Lana Tuner, Johnny Stompanato and Homicide in the Pink Bedroom (2016) by John William Law; Ava: My Story (1990) by Ava Gardner; Ava Gardner: Love is Nothing (2006) by Lee Server; Ava Gardner: The Secret Conversations (2014) by Peter Evans; Scarlett O'Hara's Younger Sister: My Lively Life In and Out of Hollywood (1977) by Evelyn Keyes; The Man Who Seduced Hollywood: The Life and Loves of Greg Bautzer, Tinseltown's Most Powerful Lawyer (2013) by James Gladstone; Artie Shaw: The King of Clarinet: His Life and Times (2011) by Tom Nolan; The Life and Times of Mickey Rooney (2015) by Richard Lertzman; ________________________________________ http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, host Efi Pylarinou interviews Dr. Peter Evans, Chief Strategy Officer of McFadyen Digital, about the rise of a new innovative business model in the digital economy – The Circular Platform model. Dr. Evans recently spoke at the annual Digital Economy Conference of the research academy that Alibaba founded 5 yrs ago. Listen to his fresh insights around the potential of SuperApps to lead this emerging Circular Platform model, but also our discussion about which other players could grab this opportunity. Dr. Evans emphasises the importance of collaboration between various stakeholders, including banks, fintechs, and big tech companies, to create scalable and efficient Circular marketplaces. Mentions: The Luohan Academy https://www.luohanacademy.com/ Event attachment 1 out of 1 in total Dr. Peter C. Evans https://www.linkedin.com/in/peter-c-evans-phd-217b8/ is Chief Strategy Officer at McFadyen Digital. Peter been at the forefront of identifying and articulating significant new trends, including the rise of experience platforms. He is the co-chair of the MIT Platform Strategy Summit and the NTWRK Summit in Barcelona, Spain. He is a lifetime member of the Council on Foreign Relations and served on the board of the National Association for Business Economics.  He is the Lead Instructor at Caltech Executive Education, a visiting instructor teaching platform strategy for three years at Dartmouth College, and a Faculty at the Fast Future Executive Program.  

The ‘Quietly Confident Quartet' of Mark Tonelli (backstroke), Peter Evans (breaststroke), Mark Kerry (butterfly), and Neil Brooks (freestyle) won Gold in the 4 × 100 metres medley relay at the Summer Olympics in Moscow on 24th July, 1980: the only time the United States had not won the event. It was Australia's first Gold medal for eight years, but reaction back home to the swimmers' astonishing victory was mixed, because some of their countrymen - including the Australian government - believed the team, like the USA, should have boycotted the games due to Russia's invasion of Afghanistan. In this episode, Arion, Rebecca and Olly debate whether their triumph was one of determination or youthful confidence; explain why the Seamen's Union Of Australia played a pivotal role in getting them to Moscow; and investigate the Soviets' claims to have run ‘the cleanest Games on record'… Further Reading: • Mark Tonelli Relives Legendary Commentator Norman May's famous Moscow call: “Gold…Gold to Australia…Gold.!!” (Swimming World, 2020): https://www.swimmingworldmagazine.com/news/mark-tonelli-relives-legendary-commentator-norman-mays-famous-moscow-call-goldgold-to-australiagold/ • ‘The 1980 Olympics Are The 'Cleanest' In History. Athletes Recall How Moscow Cheated The System' (Radio Free Europe, 2020): https://www.rferl.org/a/the-1980-moscow-olympics-rank-as-the-cleanest-in-history-athletes-recall-how-the-u-s-s-r-cheated-the-system-/30741567.html • ‘Norman May - GOLD, GOLD, GOLD!' (Olympics, 1980): https://www.youtube.com/watch?v=o8sguWatsAU #Australia #Sport #Russia #80s Love the show? Join 

Xtract One Technologies is at the forefront of threat detection and security solutions, using AI to prioritize patron access experiences without compromising safety. With a recent investment from Madison Square Garden Sports, the company is poised for growth and continued innovation in the physical security space. Peter Evans, CEO of Xtract One Technologies, joins me in a conversation about how AI-driven security is revolutionizing the event experience. Peter brings over 25 years of experience leading organizations through digital transformations, solving modern security problems with innovative solutions, and applying AI in the physical world. As a four-time high-tech CEO, Peter has a track record of driving revenue growth and accelerating profitability, making him the perfect guest to discuss the future of event security and the role of AI in creating a safer world. In our conversation, we dive into how Xtract One's AI-powered weapon detection technology transforms perimeter screening and security, replacing outdated metal detectors with seamless, unobtrusive threat detection systems. By focusing on weapons rather than the person, Xtract One's integrated security solutions provide patrons with a frictionless, welcoming experience while ensuring their safety. We also discuss the challenges and opportunities of integrating AI-powered security solutions and how Xtract One addresses concerns about personal privacy. Finally, Peter shares an example of how a venue transformed its outdated security system using its smart gateway lanes, resulting in significant cost savings and an improved patron experience. Finally, we'll explore emerging trends and technologies in AI-driven security, including the potential for AI to replace labor-based business models and create digitally enhanced security guards.

Peter Evans, CEO of Xtract One Technologies, leads his company around this model, and in his role he is devoted to advancing the physical security technology industry. Xtract is a leading technology-driven threat detection and security solution that uses unobtrusive threat detection systems to enable venues to deliver improved experiences while providing unprecedented safety.  Peter joins host Chuck Randolph to discuss:How Xtract's customer-based model drives insights and minimizes riskThe evolution of event security and why it's not a one size fits all modelThe value of technology in maximizing resources and improving the patron experience

Platform-enabled Ecosystems to Power A Circular Economy As we look to the horizon of a sustainable future, a circular economy and its impact on our environment becomes ever more important. With the growth and reach of platforms throughout our economy and society, to what degree can circular systems be enabled by our platform economy?  This fascinating opportunity is the topic of today's Ecosystemic Futures podcast, as our co-hosts Marco Annunziata and Christopher Potter sit down with Dr. Peter Evans, the Chief Strategy Officer at MacFadyen Digital, to discuss the ways that platforms and ecosystems can power a circular economy, inform supply chain and sustainability, and unlock greater ecosystemic wellness within society. The Ecosystemic Futures Podcast is provided by Shoshin Works in collaboration with NASA Convergent Aeronautics Solutions Project to help explore and share broadly technological advances and structural patterns that will help us better innovate, operate, and navigate in our increasingly connected world. Guest:  Dr. Peter Evans, the Chief Strategy Officer at MacFadyen Digital and Faculty Fast Future Fundamentals Co-hosts:  Marco Annunziata, Co-Founder, Annunziata + Desai Partners Christopher Potter, Senior Research Scientist, Ecosystem Science & Technology Branch, NASA Ames Research Center Series Host: Dyan Finkhousen, Founder & CEO, Shoshin Works