Podcasts about british painting

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Best podcasts about british painting

Latest podcast episodes about british painting

In Our Time
The Fighting Temeraire (Summer Repeat)

In Our Time

Play Episode Listen Later Aug 27, 2020 46:38


In a programme first broadcast in 2016, Melvyn Bragg and guests discuss The Fighting Temeraire, one of Turner's greatest works and the one he called his 'darling'. It shows one of the most famous ships of the age, a hero of Trafalgar, being towed up the Thames to the breakers' yard, sail giving way to steam. Turner displayed this masterpiece to a public which, at the time, was deep in celebration of the Temeraire era, with work on Nelson's Column underway, and it was an immediate success, with Thackeray calling the painting 'a national ode'. With Susan Foister Curator of Early Netherlandish, German and British Painting at the National Gallery David Blayney Brown Manton Curator of British Art 1790-1850 at Tate Britain and James Davey Curator of Naval History at the National Maritime Museum Producer: Simon Tillotson.

National Gallery of Art | Audio
2019 Summer Sunday Lecture Series: Celebrating the Old Masters of the NGA: British Painting

National Gallery of Art | Audio

Play Episode Listen Later Oct 29, 2019 51:22


National Gallery of Art | Audio
Celebrating the Old Master Collections of the National Gallery of Art: British Painting, 1700–1850

National Gallery of Art | Audio

Play Episode Listen Later Oct 22, 2019 51:22


In Our Time
Judith beheading Holofernes

In Our Time

Play Episode Listen Later Feb 14, 2019 49:30


Melvyn Bragg and guests discuss how artists from the Middle Ages onwards have been inspired by the Bible story of the widow who killed an Assyrian general who was besieging her village, and so saved her people from his army and from his master Nebuchadnezzar. A symbol of a woman's power and the defiance of political tyranny, the image of Judith has been sculpted by Donatello, painted on the ceiling of the Sistine Chapel and, in the case of Caravaggio, Liss and Artemisia Gentileschi, been shown with vivid, disturbing detail. What do these interpretations reveal of the attitudes to power and women in their time, and of the artists' own experiences? The image of Judith, above is from a tapestry in the Duomo, Milan, by Giovanni or Nicola Carcher, 1555 With Susan Foister Curator of Early Netherlandish, German and British Painting at the National Gallery John Gash Senior Lecturer in History of Art at the University of Aberdeen And Ela Nutu Hall Research Associate at the Sheffield Institute for Interdisciplinary Biblical Studies, at the University of Sheffield Producer: Simon Tillotson

In Our Time: Religion
Judith beheading Holofernes

In Our Time: Religion

Play Episode Listen Later Feb 14, 2019 49:30


Melvyn Bragg and guests discuss how artists from the Middle Ages onwards have been inspired by the Bible story of the widow who killed an Assyrian general who was besieging her village, and so saved her people from his army and from his master Nebuchadnezzar. A symbol of a woman's power and the defiance of political tyranny, the image of Judith has been sculpted by Donatello, painted on the ceiling of the Sistine Chapel and, in the case of Caravaggio, Liss and Artemisia Gentileschi, been shown with vivid, disturbing detail. What do these interpretations reveal of the attitudes to power and women in their time, and of the artists' own experiences? The image of Judith, above is from a tapestry in the Duomo, Milan, by Giovanni or Nicola Carcher, 1555 With Susan Foister Curator of Early Netherlandish, German and British Painting at the National Gallery John Gash Senior Lecturer in History of Art at the University of Aberdeen And Ela Nutu Hall Research Associate at the Sheffield Institute for Interdisciplinary Biblical Studies, at the University of Sheffield Producer: Simon Tillotson

In Our Time: Culture
Judith beheading Holofernes

In Our Time: Culture

Play Episode Listen Later Feb 14, 2019 49:30


Melvyn Bragg and guests discuss how artists from the Middle Ages onwards have been inspired by the Bible story of the widow who killed an Assyrian general who was besieging her village, and so saved her people from his army and from his master Nebuchadnezzar. A symbol of a woman's power and the defiance of political tyranny, the image of Judith has been sculpted by Donatello, painted on the ceiling of the Sistine Chapel and, in the case of Caravaggio, Liss and Artemisia Gentileschi, been shown with vivid, disturbing detail. What do these interpretations reveal of the attitudes to power and women in their time, and of the artists' own experiences? The image of Judith, above is from a tapestry in the Duomo, Milan, by Giovanni or Nicola Carcher, 1555 With Susan Foister Curator of Early Netherlandish, German and British Painting at the National Gallery John Gash Senior Lecturer in History of Art at the University of Aberdeen And Ela Nutu Hall Research Associate at the Sheffield Institute for Interdisciplinary Biblical Studies, at the University of Sheffield Producer: Simon Tillotson

In Our Time
The Fighting Temeraire

In Our Time

Play Episode Listen Later Nov 10, 2016 45:58


This image: Joseph Mallord William Turner, The Fighting Temeraire, 1839 (c) The National Gallery, London Melvyn Bragg and guests discuss "The Fighting Temeraire", one of Turner's greatest works and the one he called his 'darling'. It shows one of the most famous ships of the age, a hero of Trafalgar, being towed up the Thames to the breakers' yard, sail giving way to steam. Turner displayed this masterpiece to a public which, at the time, was deep in celebration of the Temeraire era, with work on Nelson's Column underway, and it was an immediate success, with Thackeray calling the painting 'a national ode'. With Susan Foister Curator of Early Netherlandish, German and British Painting at the National Gallery David Blayney Brown Manton Curator of British Art 1790-1850 at Tate Britain and James Davey Curator of Naval History at the National Maritime Museum Producer: Simon Tillotson.

In Our Time: History
The Fighting Temeraire

In Our Time: History

Play Episode Listen Later Nov 10, 2016 45:58


This image: Joseph Mallord William Turner, The Fighting Temeraire, 1839 (c) The National Gallery, London Melvyn Bragg and guests discuss "The Fighting Temeraire", one of Turner's greatest works and the one he called his 'darling'. It shows one of the most famous ships of the age, a hero of Trafalgar, being towed up the Thames to the breakers' yard, sail giving way to steam. Turner displayed this masterpiece to a public which, at the time, was deep in celebration of the Temeraire era, with work on Nelson's Column underway, and it was an immediate success, with Thackeray calling the painting 'a national ode'. With Susan Foister Curator of Early Netherlandish, German and British Painting at the National Gallery David Blayney Brown Manton Curator of British Art 1790-1850 at Tate Britain and James Davey Curator of Naval History at the National Maritime Museum Producer: Simon Tillotson.

In Our Time: Culture
The Fighting Temeraire

In Our Time: Culture

Play Episode Listen Later Nov 10, 2016 45:58


This image: Joseph Mallord William Turner, The Fighting Temeraire, 1839 (c) The National Gallery, London Melvyn Bragg and guests discuss "The Fighting Temeraire", one of Turner's greatest works and the one he called his 'darling'. It shows one of the most famous ships of the age, a hero of Trafalgar, being towed up the Thames to the breakers' yard, sail giving way to steam. Turner displayed this masterpiece to a public which, at the time, was deep in celebration of the Temeraire era, with work on Nelson's Column underway, and it was an immediate success, with Thackeray calling the painting 'a national ode'. With Susan Foister Curator of Early Netherlandish, German and British Painting at the National Gallery David Blayney Brown Manton Curator of British Art 1790-1850 at Tate Britain and James Davey Curator of Naval History at the National Maritime Museum Producer: Simon Tillotson.

In Our Time
Holbein at the Tudor Court

In Our Time

Play Episode Listen Later Oct 15, 2015 46:30


Melvyn Bragg and guests discuss the life and work of Hans Holbein the Younger (1497-1543) during his two extended stays in England, when he worked at the Tudor Court and became the King's painter. Holbein created some of the most significant portraits of his age, including an image of Henry VIII, looking straight at the viewer, hands on hips, that has dominated perceptions of him since. The original at Whitehall Palace was said to make visitors tremble at its majesty. Holbein was later sent to Europe to paint the women who might be Henry's fourth wife; his depiction of Anne of Cleves was enough to encourage Henry to marry her, a decision Henry quickly regretted and for which Thomas Cromwell, her supporter, was executed. His paintings still shape the way we see those in and around the Tudor Court, including Cromwell, Thomas More, the infant Prince Edward (of which there is a detail, above), The Ambassadors and, of course, Henry the Eighth himself. With Susan Foister Curator of Early Netherlandish, German and British Painting at the National Gallery John Guy A fellow of Clare College, University of Cambridge And Maria Hayward Professor of Early Modern History at the University of Southampton Producer: Simon Tillotson.

In Our Time: History
Holbein at the Tudor Court

In Our Time: History

Play Episode Listen Later Oct 15, 2015 46:30


Melvyn Bragg and guests discuss the life and work of Hans Holbein the Younger (1497-1543) during his two extended stays in England, when he worked at the Tudor Court and became the King's painter. Holbein created some of the most significant portraits of his age, including an image of Henry VIII, looking straight at the viewer, hands on hips, that has dominated perceptions of him since. The original at Whitehall Palace was said to make visitors tremble at its majesty. Holbein was later sent to Europe to paint the women who might be Henry's fourth wife; his depiction of Anne of Cleves was enough to encourage Henry to marry her, a decision Henry quickly regretted and for which Thomas Cromwell, her supporter, was executed. His paintings still shape the way we see those in and around the Tudor Court, including Cromwell, Thomas More, the infant Prince Edward (of which there is a detail, above), The Ambassadors and, of course, Henry the Eighth himself. With Susan Foister Curator of Early Netherlandish, German and British Painting at the National Gallery John Guy A fellow of Clare College, University of Cambridge And Maria Hayward Professor of Early Modern History at the University of Southampton Producer: Simon Tillotson.

In Our Time: Culture
Holbein at the Tudor Court

In Our Time: Culture

Play Episode Listen Later Oct 15, 2015 46:30


Melvyn Bragg and guests discuss the life and work of Hans Holbein the Younger (1497-1543) during his two extended stays in England, when he worked at the Tudor Court and became the King's painter. Holbein created some of the most significant portraits of his age, including an image of Henry VIII, looking straight at the viewer, hands on hips, that has dominated perceptions of him since. The original at Whitehall Palace was said to make visitors tremble at its majesty. Holbein was later sent to Europe to paint the women who might be Henry's fourth wife; his depiction of Anne of Cleves was enough to encourage Henry to marry her, a decision Henry quickly regretted and for which Thomas Cromwell, her supporter, was executed. His paintings still shape the way we see those in and around the Tudor Court, including Cromwell, Thomas More, the infant Prince Edward (of which there is a detail, above), The Ambassadors and, of course, Henry the Eighth himself. With Susan Foister Curator of Early Netherlandish, German and British Painting at the National Gallery John Guy A fellow of Clare College, University of Cambridge And Maria Hayward Professor of Early Modern History at the University of Southampton Producer: Simon Tillotson.