Podcasts about thames

Rob runs along the Thames with top runner, voice-of-the-nation and now best-selling writer Sophie Raworth.In Part One they talk adventures in broadcasting, Marathon Majors, the next generation getting into running, and the injury that made Sophie think she might not be able to run any more.Subscribe to the Fan Feed at ⁠⁠https://runcompod.supercast.com/⁠⁠ to hear Sophie answer our bonus questions -  plus get early access, ad-free listening, and all manner of exclusive content.BUY OUR BOOKS; you can get Paul's NEW BOOK Running Through Sand here: https://www.waterstones.com/book/running-through-sand/paul-tonkinson/9781399404013, you can get Rob's book Running Tracks here - ⁠https://www.waterstones.com/book/running-tracks/rob-deering/9781800180444 Thanks for listening, supporting, and sharing your adventures with us. Happy running. Learn more about your ad choices. Visit podcastchoices.com/adchoices

When Thomas Platter, a Swiss tourist, went to see ‘Julius Caesar' at the Globe Theatre in 1599, it wasn't Shakespeare's language that attracted his attention but the ready availability of refreshments and the high quality of the players' clothes. The revolution in playmaking that he witnessed on the south bank of the Thames reflected widespread innovations in London's cultural life in the reign of Elizabeth I. For the first time, we can see the city clearly, in the panoramas and maps inspired by Dutch artists. New ideas about history are emerging in the works of Stow and Holinshed. And the growth of trade through piracy, with a new centre of commerce in Thomas Gresham's Royal Exchange, marks the beginning of England's imperial expansion. In this episode, Rosemary is joined again by Vanessa Harding to discuss this extraordinary moment in London's history and some of the reasons behind it, from Elizabeth's genius for survival to the city's lack of a university. Reading by Duncan Wilkins Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: ⁠https://lrb.me/applesignuplr⁠ Other podcast apps: ⁠https://lrb.me/scsignuplr⁠ Read more in the LRB: Charles Nicholl on Elizabethan true crime: ⁠https://lrb.me/lrep601⁠ Michael Dobson on Shakespeare's life: ⁠https://lrb.me/lrep603⁠ Colin Burrow on Walter Raleigh: ⁠https://lrb.me/lrep02⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Jackie Mitchell talks to Tracy Cook, local author about her first novel “Wings Over Valletta” set in Malta in World War 2. As bombs fall across the island, Kitty Campbell is haunted by the daughter she was forced to give up for adoption years before. Tracy will be signing copies at Waterstone's bookshop, Walton on Thames, on Saturday 20 June at 10.30am. www.tracycookauthor.com

The new book “London Falling” tells the true story of Zac Brettler, a 19-year-old Londoner who falls to his death in the Thames after living a double life pretending to be the son of a wealthy Russian oligarch. We speak with bestselling author Patrick Radden Keefe about mystery, money and police inaction as he searched for answers about Zac's death.

In this episode Peter and Bill chat about Bedding, Bokashi, and fertilizer. Bill suggests a few places to visit starting with Goring on Thames, Fritwell and Hanslope who have open garden weekends. We chat about bedding for flower beds and how the fashions have changed. We used to do 3 plantings a year but now we mainly do just summer bedding. Bill talks us through ways to plant, numbers to get a nice balance and some suggestions as to what will make a good display. Hosted on Acast. See acast.com/privacy for more information.

Someone asked me this from their pool. They were floating around listening to the podcast and thought, "did the people I'm obsessed with ever do this?" And it sent me down a rabbit hole, because the answer is so much more complicated and class-loaded than I expected. In this episode we cover: Why Tudors avoided hot baths (and why that was actually logical given what they believed about disease) Who could swim in Tudor England, and it's the opposite of what you'd expect The first swimming manual ever published in England, written by a Cambridge academic who was simultaneously being expelled for blowing a horn around the college grounds The Thames, which was exactly as bad as you're imaginingThe superstition sailors swore by to protect themselves from drowning, and why it made complete sense Tudor history isn't about dirty people who didn't know any better. It's about people with a completely different framework for understanding the world. Water was essential, deadly, and magical to them all at once. Learn more about your ad choices. Visit megaphone.fm/adchoices

This Day in Legal History: Magna Carta Sealed at RunnymedeOn this day in 1215, in a meadow at Runnymede on the south bank of the Thames, King John of England affixed his seal to a document the rebellious English barons had drafted, in which the king conceded a series of limits on his own royal authority. We call it Magna Carta — the Great Charter. The immediate political context was a baronial revolt against John's tax exactions for his disastrous French wars, and most of the sixty-three chapters as drafted in 1215 are concerned with the highly specific grievances of a feudal aristocracy: scutage, wardship, the inheritance fees of widows, the freedom of the church, the standardization of weights and measures in the king's markets. The two chapters that the centuries have remembered are 39 and 40. Chapter 39 says that no free man shall be taken or imprisoned or dispossessed except by the lawful judgment of his peers or by the law of the land. Chapter 40 says that to no one will the king sell, deny, or delay right or justice. The Charter was annulled by Pope Innocent III within ten weeks of sealing — the pope held that John, as a vassal of the Holy See, could not be bound by a treaty extracted under duress — and the country immediately collapsed into the First Barons' War. But John died in October 1216, his nine-year-old son Henry III's regents reissued the Charter as a tactical concession the next month, it was reissued again in 1217 and 1225, and by the late thirteenth century the 1225 version had been confirmed by successive kings as a foundational statute of the realm. Edward Coke, writing in the seventeenth century, transformed Chapter 39's “law of the land” into the doctrine of due process, and the founding generation of the American Republic picked up Coke's reading and wrote it directly into the Fifth and Fourteenth Amendments of the United States Constitution. The phrase “due process of law” in those amendments is the most consequential American inheritance from the Runnymede document. The principle the barons were trying to extract from a beleaguered king — that the law constrains the sovereign too — is the substrate on which everything we recognize as constitutionalism is built. Eight hundred and eleven years on, the principle is still the work.The Rhode Island travel-ban lawsuit we covered on June 8 took a sharp turn on Friday. Chief Judge John J. McConnell, Jr., of the District of Rhode Island held a status conference in Dorcas International Institute v. USCIS at which he was openly frustrated with the Justice Department for failing to immediately implement his June 5 vacatur of the four USCIS benefit-freeze policies for nationals of the thirty-nine travel-ban countries. The judge's message, in plain terms, was that vacatur under the Administrative Procedure Act is self-executing — the moment the order was entered, the policies ceased to exist, and the agency was obligated to resume processing affirmative benefits, asylum claims, and adjudicator-instruction reviews on the prior pre-freeze basis. The Trump administration, after the hearing, told the court it would comply, restart adjudications, and clear the backlog. It also did what defendants typically do when they have lost on the merits and lost again on compliance: it filed a notice of appeal with the First Circuit and asked the appellate court to stay the vacatur pending appeal. That is the live question now. The First Circuit's stay analysis runs through the standard Nken v. Holder factors — likelihood of success on the merits, irreparable harm, the balance of equities, and the public interest — and the administration's strongest argument on each is going to be familiar: the executive needs administrative breathing room to implement a travel ban, mass restoration of adjudications creates national-security risk, the harm to applicants is reversible if their adjudications are paused for a few more weeks. The plaintiffs' strongest counterarguments are also familiar: the policies were unlawful when adopted and the agency had no business adopting them, the harm to applicants from continued delay is concrete and accruing daily, and the First Circuit is not in the business of staying vacaturs of unlawful agency action in order to let the agency continue acting unlawfully. Watch the First Circuit's calendar this week. The stay motion is the next inflection point.Trump officials agree to resume asylum processing after being scolded by judge | The Washington PostGoogle filed suit on Friday in the U.S. District Court for the Southern District of New York against a China-based cybercrime network it calls the “Outsider Enterprise,” alleging that the network's members used Google's Gemini large-language model to generate the code, copy, and templates for a phishing-as-a-service platform that has built more than nine thousand fraudulent websites and sent two and a half million scam text messages in the two weeks ending June 1 alone. The complaint is significant for two reasons. First, it is, to Google's knowledge, the first time the company has affirmatively sued threat actors for using its own generative-AI product as the input to a scaled criminal operation, as distinct from the more usual posture of suing scammers who impersonate Google brands. The legal theories are a mix of Lanham Act false-designation-of-origin and trademark-infringement counts, Computer Fraud and Abuse Act counts based on Outsider's unauthorized access to Google services, breach-of-contract counts on the Gemini terms of service, and a RICO count. Second, the factual record will be a road map for the next decade of AI-misuse litigation. The complaint describes Telegram channels in which Outsider members trade prompts that get Gemini to write phishing code, a library of two hundred and ninety prebuilt templates impersonating brands ranging from the U.S. Postal Service to state DMVs to E-ZPass, and an FBI estimate that the broader campaign Outsider participates in has stolen roughly 3.87 million card numbers and caused $1.9 billion in losses since July 2023. The remedy Google is seeking is a permanent injunction shutting the operation down, plus domain seizures and account terminations across Google's services and at major U.S. carriers, which Google says it has been coordinating with the FBI, AT&T, T-Mobile, and Verizon. The deeper legal question the case may end up clarifying is whether and to what extent platforms can use private civil suits as the front-line enforcement mechanism against AI-augmented criminal activity that the public criminal-justice system has had trouble keeping up with.Google sues Chinese cybercrime ring that weaponized Gemini AI for phishing scams | TechCrunchA federal district judge in Washington on Friday issued a preliminary injunction barring the Trump administration from continuing to implement Executive Order 14253, the order under which the National Park Service had been scrubbing exhibits, signage, and online materials at sites administered by the Department of the Interior. The judge gave the administration three weeks to restore the materials it had already removed. The order at issue, signed in March, directed federal cultural agencies to identify and remove content that, in the executive's view, reflected “improper, divisive, or anti-American ideology” or “partisan” framing. In the months that followed, the National Park Service had taken down or altered displays addressing slavery, the Civil Rights Movement, the internment of Japanese Americans during the Second World War, climate change, and the histories of Native American dispossession at sites including the Stonewall National Monument, Independence Hall, and the Manzanar National Historic Site. The case is American Historical Association v. Department of the Interior, brought by historians' professional associations and a coalition of plaintiffs that includes affected park employees and visitor-experience contractors. The legal theory pleaded was multi-strand: First Amendment viewpoint discrimination as applied to government speech that has taken on a public-forum character, Administrative Procedure Act challenges on the ground that the agency failed to provide a reasoned basis for the removals and failed to consider statutory commands under the Organic Act of 1916, and a Federal Records Act challenge to the destruction of materials that constituted federal records. The judge held that the plaintiffs were likely to succeed on the First Amendment claim and the APA claim, found irreparable harm in the ongoing loss of public access to the underlying historical materials, and found that the public interest was best served by restoration. The administration is widely expected to appeal to the D.C. Circuit. In the meantime, the three-week restoration clock is running.Judge blocks Trump national parks order, calling it “censorship” | The Washington Post This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Eine Frau schwebt mit einem schwarzen Regenschirm über die Dächer Londons. Der Wind trägt sie durch den grauen Himmel, während unten zwei Kinder staunend nach oben blicken. Wenige Augenblicke später landet sie vor dem Haus der Familie Banks in der Cherry Tree Lane. Mit ihrer Ankunft beginnt eines der größten Filmmärchen des 20. Jahrhunderts: Mary Poppins. In dieser Folge BRITPOD – England at its best widmen sich Alexander-Klaus Stecher und Claus Beling einer Frau, die weit mehr war als nur das berühmteste Kindermädchen der Filmgeschichte. Schauspielerin Julie Andrews, die im vergangenen Jahr ihren 90. Geburtstag feierte, zählt bis heute zu den größten britischen Künstlerinnen aller Zeiten. Von ihren Anfängen als Wunderkind im Londoner West End über den Triumph von My Fair Lady bis zu ihren Welterfolgen in Mary Poppins und The Sound of Music zeichnet diese Episode den außergewöhnlichen Weg einer Britin nach, die Generationen von Menschen begeistert hat. Dabei hätte vieles ganz anders kommen können. Obwohl Julie Andrews am Broadway als Eliza Doolittle in My Fair Lady gefeiert wurde, erhielt sie die Hauptrolle in der Verfilmung nicht. Stattdessen machte Walt Disney sie mit Mary Poppins über Nacht zum Weltstar. Es folgten ein Oscar, internationale Berühmtheit und mit The Sound of Music einer der erfolgreichsten Filme der Kinogeschichte. Doch auch schwere Rückschläge, darunter der Verlust ihrer legendären Singstimme, konnten ihren Lebensmut und ihre Ausstrahlung nicht brechen. Wie wurde aus einem englischen Mädchen aus Walton-on-Thames eine der größten Filmikonen des 20. Jahrhunderts? Warum prägen Mary Poppins und The Sound of Music bis heute das Bild Großbritanniens in aller Welt? Und weshalb berührt Julie Andrews auch Jahrzehnte nach ihren größten Erfolgen noch immer Millionen Menschen? WhatsApp: Du kannst Alexander und Claus direkt auf ihre Handys Nachrichten schicken! Welche Ecke Englands sollten die beiden mal besuchen? Zu welchen Themen wünschst Du Dir mehr Folgen? Warst Du schon mal in Great Britain und magst ein paar Fotos mit Claus und Alexander teilen? Probiere es gleich aus: +49 8152 989770 - einfach diese Nummer einspeichern und schon kannst Du BRITPOD per WhatsApp erreichen. BRITPOD – England at its best. Ein ALL EARS ON YOU Original Podcast. Quellen: Youtube: "The Julie Andrews Archive"

Bob Thames is a community builder, entrepreneur, and nonprofit leader based in Shreveport, Louisiana. He serves as Treasurer for Shreveport Green, Development Director for Cohab, and sits on the board of Community Renewal. In addition, Bob leads Single Source Business Solutions, a firm dedicated to helping small businesses and individuals with accounting, tax, and consulting services. He is also the owner of Marilynn's Place, a community-loved favorite known for its authentic Cajun cuisine and local Shreveport charm. Known for his ability to connect people and ideas, Bob has organized events that highlight Shreveport's creativity, entrepreneurship, and local culture. His work blends business development with community engagement, creating opportunities for small businesses, makers, and nonprofits to thrive. Across his roles, Bob is committed to strengthening Shreveport's economic and cultural landscape while supporting organizations that foster collaboration and renewal. As a husband, father, and active leader, he brings both professional expertise and personal passion to every project, always focused on building a stronger, more connected community.   Marilynns Place: https://www.facebook.com/MarilynnsPlace/ Single Source: https://www.singlesourcebiz.com   Asking Why with Clint Davis Sponsors: A special thank you to the incredible sponsors of Asking Why with Clint Davis for investing in meaningful conversations that bring hope, healing, and growth to our community.   Wellness by Dr. Natalia — a physician-led integrative and concierge medical practice in Shreveport focused on longevity, regenerative medicine, aesthetics, and whole-person wellness. Learn more at www.LuraguizMD.com   Uprising Addiction Center — helping individuals and families find lasting recovery through compassionate, evidence-based addiction treatment focused on healing the whole person. Learn more at www.UprisingCenter.com   LearningRx Shreveport — empowering children and adults by strengthening cognitive skills needed to learn, focus, read, and succeed with confidence. Learn more at www.LearningRx.com/Shreveport   We're grateful for businesses and organizations that believe in strengthening people, families, and our community.  

In this special bonus episode, Phil talks to artist, author, broadcaster and frequent Exhibition on Screen contributor Lachlan Goudie about one of the world's most famous paintings, which features in his brilliant new book The Secrets of Painting.Published by Thames & HudsonSupport the show

Disappointing McDonalds, suspensions, summer gadgets and memories of old tv shows.

“Recorded from Woolwich, on the other side of the river Thames. The sound of the factory, along with planes coming and going from City airport, boats and the river all mixed together to form a drone like wall of sound.”

Ten years — and six prime ministers — ago Britain was on the brink of voting to leave the European Union. Host Patrick Baker was in his first job as a TV news producer during the referendum campaign. A decade on, he's gone back to the people who lived through its biggest moments to find out what was really happening behind the scenes, and how those events changed British politics forever. Matthew Elliott, chief executive of Vote Leave, recounts the brutal battle with rival group Leave.EU to become the official Brexit campaign, and how his colleague Dominic Cummings used new techniques to persuade swing voters to vote for Brexit. Kate Fall, David Cameron's then deputy chief of staff, remembers sitting in the front row when Barack Obama delivered his infamous “back of the queue” warning — and provides her theory on whether Downing Street planted the phrase. Broadcaster Rachel Johnson relives the chaos of boarding a boat on the Thames with Bob Geldof to confront a flotilla of pro-Brexit fishermen, before the rockstar began lambasting Nigel Farage. And former Labour MP Gisela Stuart recalls what it was like to participate in the BBC's live TV debate at Wembley, and remembers what it was like at the Vote Leave headquarters on the morning of Brexit. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hezbollah rejects a US-brokered ceasefire between Israel and Lebanon. Then: a look at Konfekt’s summer issue with Sophie Grove and a pop-up bookshop by Thames & Hudson at London’s Mount Street Neighbourhood Summer Festival.See omnystudio.com/listener for privacy information.

Authors Ava Glass and Anna Mazzola go head to head in a war of the words - pitting a book they love and think that everyone should read against each other in The Book Off! They also chat to Joe Haddow about their new novels, the corrupt world of billionaires (and their exclusive ski resorts), haunted houses, spies, writing inspirations - and - why writers have pseudonyms. They also give us some great book recommendations too. THE BOOK OFF 'The Thirteenth Tale' by Diane SetterfieldVS 'The Likeness' by Tana FrenchWhich one do YOU think should win? Find out which Joe picks on the latest episode. Remember you can follow and subscribe on Spotify and Apple - and follow us on instagram and bluesky! Here's a little more info on our guests new novels! 'The Hiding Season' by Ava Glass (AC Glass) Maya Landry is in desperate need of a fresh start.Alone and heartbroken, she finds work as a caretaker at an exclusive ski resort for the elite in the mountains of Montana. Quiet and empty in the summer months, it's the perfect escape.All Maya wants is to be alone. But she's not alone on the mountain. Someone else is there. A killer with his next victim in his sights.After Maya finds a body, she must run for her life. One man tells her that he can save her. But can she trust him? Is he everything he claims to be?Only one thing is certain: the killer will stop at nothing. And Maya is the only witness to their crime . . .'Notes On A Drowning' by Anna Mazzola (Anna Sharpe)Alex knows she risks getting fired from her law firm if she takes on another unpaid case, but when she hears Rosa's desperate voice at the other end of the phone, she knows she has to help: the body of Rosa's shy teenage sister, Natalia, has been dragged, lifeless, from the Thames. Alex can't help but think of her own missing little sister. She knows how a lack of answers can eat you alive.Kat has worked hard to become Special Adviser to the Home Secretary, and is eager to finally put the dark and tragic part of her past behind her. But when she discovers a series of cover-ups, she begins to wonder whether her seemingly perfect new boss could be involved. Then she's shocked to discover a letter that raises worrying questions about a girl found drowned in London... Natalia.There are complex and painful reasons for Alex and Kat not to work together, but when it becomes clear that there are powerful people involved in Natalia's death, and that other girls are at risk, Alex and Kat must overcome their differences to find answers. Will they save the girls and discover the truth? Or will the high-powered players in this game stop Alex and Kat for good? Hosted on Acast. See acast.com/privacy for more information.

He's the London serial killer you may never have even known existed - from the late 1950's to the mid 1960's, West London was shocked by the deaths of several sex workers, who were found stripped, strangled, and their bodies dumped unceremoniously, like pieces of rubbish. It's widely considered to be the UK's most prolific series of unsolved serial killings, claiming more victims than his similar namesake the previous century, and in a joint 8 part series between myself, and the award nominated Murder Mile podcast, myself and Mike will examine the case in full detail, sifting through misinformation, lies, rumour - and perhaps even downright corruption.The True Crime Enthusiast and Murder Mile have brought you so far the accounts of eight dead women – Elizabeth Figg, Gwyneth Rees, Hannah Tailford, Irene Lockwood, Helen Barthelemy, Mary Fleming, Margaret McGowan and Bridie O'Hara - who were found dead around the river Thames and in residential areas of the surrounding districts over a six year period from 1959 to 1965 – with police considering:Was there another Ripper on the loose?We have heard the full story of the investigation into the murders, what certainly connected the latter four of these, and the tales of a number of suspects for the crimes - I stress suspects - for only one person was ever charged with any of the linked killings - as you'll have heard.But - for the final time, join the Enthusiast and Mike, your tour guide for Murder Mile, as we sit down unscripted, unedited - togetrher, and Undress - Undressing - Jack The StripperThe episode contains details and descriptions of crimes and events, including descriptions of a sexual nature, that some listeners may find disturbing or distressing, so discretion is advised whilst listening in. Music used in this episode: "The Descent" by Kevin Macleod. All music used is sourced from https://filmmusic.io/ and used under an Attribution Licence (https://creativecommons.org/licenses/by/4.0/) Clever Trevor – Ian DuryShort Change Hero - The HeavyThe True Crime Enthusiast's Fundraiser For Macmillan Cancer Support References - available upon request. Follow/Contact/Support The True Crime Enthusiast PodcastFacebookFacebook Discussion GroupTwitterInstagramYoutubeWebsiteTTCE MerchandisePatreon Page Remembering Elizabeth, Gwyneth, Hannah, Irene, Helen, Mary, Margaret and Bridie Hosted on Acast. See acast.com/privacy for more information.

In this special bonus episode of the Anglotopia Podcast, Jonathan Thomas launches an experimental new monthly format: a London events guide covering what's actually on in the city this month. June is arguably London's finest month — 16 to 17 hours of daylight, the longest evenings of the year, and an events calendar absolutely bursting at the seams. Jonathan walks through everything worth knowing about June in London: the major royal events including Trooping the Colour and Royal Ascot, the blockbuster summer exhibitions at Tate Modern, Tate Britain, the Royal Academy, the National Portrait Gallery, the V&A, and more, plus what's on in London theater from Shakespeare's Globe to the West End, live music at Wembley and the Roundhouse, and practical tips for surviving — and thriving in — a London heat wave. If this episode proves popular, Jonathan will make it a monthly fixture. Let him know what you think in the comments. Links Royal Events ~Trooping the Colour — Official Info~ ~Royal Ascot~ ~Wimbledon Tickets & Ballot~ ⠀Exhibitions — Book Ahead ~Frida Kahlo at Tate Modern~ ~Royal Academy Summer Exhibition (opens June 16)~ ~Anish Kapoor Retrospective at Hayward Gallery (opens June 16)~ ~Marilyn Monroe at National Portrait Gallery~ ~Barbara Hepworth at the Courtauld Gallery (from June 1)~ ~Schiaparelli: Fashion Becomes Art at the V&A~ ~Wes Anderson Exhibition at the Design Museum~ ~James McNeill Whistler Retrospective at Tate Britain~ ~The Queen's Fashion at The King's Gallery~ (sold out through 2026 — book 2027 dates now) ~Inside Aardman: Wallace & Gromit at Young V&A~ ~Hokusai: 36 Views of Mount Fuji at Dulwich Picture Gallery~ (closes June 30) ⠀Theater ~A Midsummer Night's Dream at Regent's Park Open Air Theatre (from June 20)~ ~Much Ado About Nothing at Shakespeare's Globe (from June 11)~ ~To Kill a Mockingbird — New West End Adaptation (opens June 25)~ ~Cyrano de Bergerac — West End (opens June 13)~ ~Buy West End Tickets via Anglotopia's Link~ (supports Anglotopia) ~TKTS Booth at Leicester Square — Half-Price Day Tickets~ ⠀Long-Running West End Shows The Lion King Hamilton Wicked Les Misérables Matilda Mamma Mia Six Harry Potter and the Cursed Child (almost always sold out — book well ahead) Sinatra — The Musical ⠀Live Music Harry Styles at Wembley Stadium (from June 12) Olivia Dean at the O2 (from June 12) Orville Peck at the Roundhouse, Camden ⠀Practical Resources ~National Gallery Extended Summer Hours (from July 1)~ ~Londontopia London Events Calendar~ ~Argos UK — Buy a Fan on Arrival~ ~Anglotopia June London Events Article~ (link to article) ~Friends of Anglotopia Club~ ⠀ Takeaways June is arguably London's best month to visit — 16 to 17 hours of daylight, reliably pleasant weather, and the richest events calendar of the year, though it is also peak tourist season with hotel prices running 20 to 40 percent above spring rates. Trooping the Colour — the monarch's official birthday parade — is the major royal event of the year in 2026. Even without a ballot ticket to Horse Guards Parade, you can experience the procession on the Mall and the balcony appearance at Buckingham Palace by arriving very early and staking out a good spot. Every major summer blockbuster exhibition in London requires advance booking — some, like The Queen's Fashion at The King's Gallery, are already sold out through 2026. Book tickets as soon as you finish listening, even if your trip dates aren't confirmed yet. The Frida Kahlo survey at Tate Modern, the James McNeill Whistler retrospective at Tate Britain, and the Marilyn Monroe exhibition at the National Portrait Gallery are Jonathan's top three must-book exhibition picks for the month. The Royal Academy Summer Exhibition — the world's largest open submission art show, running since 1769 — is a uniquely chaotic, democratic, and wonderful experience where everything on the walls is for sale and any artist can enter. Shakespeare's Globe is staging Much Ado About Nothing from June 11, and Regent's Park Open Air Theatre opens A Midsummer Night's Dream on June 20 — watching Shakespeare outdoors on a long June evening is one of the quintessential London summer experiences. London generally does not have air conditioning in older buildings, hotel rooms, or most tube lines. The first thing you should do after arriving in summer is buy a fan — Jonathan recommends going straight to Argos, Britain's version of a catalog store, for an affordable one. The tube's older lines (Central, Piccadilly) get brutally hot in summer due to London clay absorbing and retaining heat underground. The Elizabeth line is fully air conditioned and runs east-west across the city — use it as much as possible in a heat wave. The National Gallery is experimenting with extended summer evening hours, staying open until 7 PM most evenings and until 9 PM on Fridays from July 1 — Jonathan's suggestion: have an early dinner, then walk over for a free evening of world-class art. Don't try to pack too much in. Pick three or four things you genuinely care about, build your days around those, and leave time to wander, sit in Green Park with a deck chair, or walk along the Thames in the long evening light. June in London is as much about the atmosphere as the attractions. ⠀ Soundbites "The light is the headline for June. You get sixteen to seventeen hours of daylight. Twilight stretches from around eight PM to nearly ten PM. You can have a full day of exploring, sit down for dinner, and still walk home along the Thames and have some daylight." — Jonathan on why June is London's best month. "If you've ever wondered what the best month to visit London is, a lot of people will quietly tell you it's this one." — Jonathan on June in London. Plan your day around it. Get up stupidly early — three, four, five in the morning — get your spot on the Mall and soak up the atmosphere. It'll be like a party atmosphere." — Jonathan on how to experience Trooping the Colour without a ticket. "The Queen's Fashion at The King's Gallery is sold out for the rest of the year, and I know a lot of people are gonna be really disappointed when they try to get tickets and they simply can't." — Jonathan's warning on the most in-demand exhibition of the summer. "The walls are packed from floor to ceiling and everything is for sale. It's chaotic and wonderful. And it's a great way to see up-and-coming artists and established artists side by side." — Jonathan on the Royal Academy Summer Exhibition. "Shakespeare under the open sky in one of London's loveliest parks on a warm June evening — it doesn't get dark till ten PM anyway. Enjoy some champagne, enjoy some theater out in the green. That's my top theater pick for the month." — Jonathan on Regent's Park Open Air Theatre. "The first thing you should do after you land is go to what the British call an ironmonger — a hardware store — and buy a fan. Don't skimp. It is essential for Americans traveling in Europe." — Jonathan's number one summer travel tip. "The London clay is a heat sink. It absorbs heat and then it doesn't let it back out. So the tube gets really hot in the summer. If you are prone to heat issues, avoid the tube except the Elizabeth line, which is fully air conditioned." — Jonathan on navigating London in a heat wave. "I sat there in the rain in the 40s, got soaking wet. And I — not exaggerating — almost got hypothermia. It was July. I could not warm up when I got back to the hotel because the heating wasn't on and there weren't enough blankets because it was July." — Jonathan's cautionary tale about British summer weather. "Argos is exactly like Service Merchandise — you go in, there's a big catalog, you pick your thing, and it comes out on a conveyor belt. Get a fan. Don't even look at the weather forecast first. Just trust me — you're going to need a fan." — Jonathan's most practical London summer tip. ⠀ Chapters 00:21 Introduction — Jonathan launches the experimental monthly London events format 01:15 The Feel of June in London — Long days, the light, and why June is special 02:20 June Weather — What to expect, heat waves, and the maritime humidity problem 03:45 Peak Tourist Season — Crowds, hotel prices, and why June still beats July 05:00 Trooping the Colour — What it is, how to see it without a ticket, and Jonathan's tips for getting a good spot 08:30 Royal Ascot — Fascinators on the tube, the royal procession, and how to get tickets 10:00 Wimbledon — The ballot, resale tickets, strawberries and cream, and what to do if you can't get in 11:30 How to Book Exhibitions — Why advance booking is non-negotiable and the Queen's Fashion sellout warning 13:00 Frida Kahlo at Tate Modern — Jonathan's pick and why Tate Modern is worth seeing for the building alone 14:30 Royal Academy Summer Exhibition (June 16) — The world's largest open submission art show 15:30 Anish Kapoor at the Hayward Gallery (June 16) — The Cloud Gate connection and why it's worth seeing 16:15 Marilyn Monroe at the National Portrait Gallery — Just opened, book fast 17:00 Barbara Hepworth at the Courtauld Gallery — And why Somerset House is worth a visit anyway 17:45 Schiaparelli at the V&A — Fashion exhibitions and why the V&A excels at them 18:15 Wes Anderson at the Design Museum — A treat for film fans 18:45 James McNeill Whistler at Tate Britain — A sellout show, book immediately 19:30 Wallace & Gromit at Young V&A — The Aardman exhibition Jonathan is hoping to catch in August 20:15 Closing This Month — Mikalojus Čiurlionis at the Royal Academy (closes June 21) and Hokusai at Dulwich (closes June 30) 21:00 Theater — Why June is the best time for London theater 21:30 Regent's Park Open Air Theatre — A Midsummer Night's Dream, Jonathan's top pick of the month 22:00 Shakespeare's Globe — Much Ado About Nothing from June 11 22:30 New West End Openings — To Kill a Mockingbird (June 25) and Cyrano de Bergerac (June 13) 23:00 Long-Running Shows — Lion King, Hamilton, Wicked, Six, Les Mis, and how to get discount tickets 24:00 Live Music — Harry Styles at Wembley, Olivia Dean at the O2, Orville Peck at the Roundhouse 25:00 Practical Tips: Heat — Does London have air conditioning? (Mostly no) 26:30 The Fan Imperative — Buy one at Argos, the British Service Merchandise 28:30 Pack for All Weathers — The July outdoor concert near-hypothermia story 30:00 Humidity and Heat — Why British summer heat hits differently than dry American heat 31:00 Use the Long Days — 17 hours of light, late museum hours, rooftop bars, evening walks 32:00 National Gallery Extended Hours — Stay open till 7 PM, Fridays till 9 PM from July 1 33:00 Don't Overpack Your Itinerary — Pick three or four things, leave time to wander 34:00 Wrap-Up — Londontopia events calendar, listener feedback request, Friends of Anglotopia Video Version

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge.  So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below.  Thank you and enjoy the episode!Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsBIBLIOGRAPHYHidden Rooms, Holy Water, and the DeadWhite, L. Michael. The Social Origins of Christian Architecture, Volume I: Building God's House in the Roman World: Architectural Adaptation Among Pagans, Jews, and Christians. Trinity Press International, 1996. Key use: Essential source for early Christian architectural adaptation, especially the shift from domestic and semi-domestic gathering spaces toward more specialized Christian buildings. White's work is useful for showing that early Christian architecture develops inside a broader Roman social and architectural world, not in isolation.White, L. Michael. The Social Origins of Christian Architecture, Volume II: Texts and Monuments for the Christian Domus Ecclesiae in Its Environment. Trinity Press International, 1997. Key use: Companion volume for the textual and archaeological evidence behind the domus ecclesiae, early meeting spaces, and the built environment of pre-Constantinian Christianity.Yale University Art Gallery. “Christian Building.” Dura-Europos: Excavating Antiquity. Key use: Strong anchor for the Dura-Europos Christian building and its wall paintings. Yale notes that the Christian paintings were uncovered in 1932 and that Clark Hopkins described the murals as preserved from more than three-quarters of a century before Constantine recognized Christianity in 312.Yale News. “House Call: A New Study Rethinks Early Christian Landmark.” 2024. Key use: Useful cautionary source for not oversimplifying Dura-Europos as merely a domestic “house church.” The report highlights recent scholarship reexamining how domestic the Dura Christian building really was and why its architectural classification needs care.Smarthistory. “Dura-Europos.” Key use: Accessible overview of Dura-Europos as a multicultural Roman frontier site, including the adapted Christian building used as a meeting place and baptistery in the first half of the third century.Peppard, Michael. The World's Oldest Church: Bible, Art, and Ritual at Dura-Europos, Syria. Yale University Press, 2016. Key use: Major source for the Dura-Europos Christian building, its baptistery, biblical imagery, ritual use, and the danger of reading the site too simply through later church categories.Snyder, Graydon F. Ante Pacem: Archaeological Evidence of Church Life Before Constantine. Mercer University Press, revised edition, 2003. Key use: Important archaeological source for Christian life before Constantine, especially material evidence for worship, burial, symbols, and everyday Christian practice before public imperial privilege. Mercer University Press identifies the book as focused on archaeological evidence of church life before Constantine.Jensen, Robin M. Baptismal Imagery in Early Christianity: Ritual, Visual, and Theological Dimensions. Baker Academic, 2012. Key use: Core source for baptismal images, ritual meaning, water, initiation, death and rebirth, and the way visual programs frame baptismal practice.Jensen, Robin M. Understanding Early Christian Art. Routledge, 2000. Key use: Early Christian visual culture, catacomb imagery, baptismal scenes, Good Shepherd imagery, Jonah, Daniel, Lazarus, and the visual language of salvation and resurrection.Ferguson, Everett. Baptism in the Early Church: History, Theology, and Liturgy in the First Five Centuries. Eerdmans, 2009. Key use: Major historical and theological source for baptismal practice, initiation, immersion, anointing, catechesis, and the development of baptismal rites.Johnson, Maxwell E. The Rites of Christian Initiation: Their Evolution and Interpretation. Liturgical Press. Key use: Development of initiation rites, catechumenate, baptism, post-baptismal rites, and how Christian initiation becomes structured over time.Spinks, Bryan D. Early and Medieval Rituals and Theologies of Baptism: From the New Testament to the Council of Trent. Ashgate, 2006. Key use: Long-range ritual and theological development of baptism, useful for tracking how early baptismal space later becomes more formalized.Britannica. “Catacomb.” Key use: Baseline definition of catacombs as subterranean cemeteries composed of galleries or passages with recesses for tombs; useful for correcting the popular misconception that catacombs were primarily secret churches rather than burial landscapes.Stevenson, James. The Catacombs: Rediscovered Monuments of Early Christianity. Thames & Hudson, 1978. Key use: Classic overview of Roman catacombs, burial architecture, inscriptions, symbols, and early Christian memory.Rutgers, Leonard V. Subterranean Rome: In Search of the Roots of Christianity in the Catacombs of the Eternal City. Peeters, 2000. Key use: Catacombs as archaeological and social evidence, including burial practice, community identity, and the relationship between Jews, Christians, and Roman funerary culture.Fiocchi Nicolai, Vincenzo, Fabrizio Bisconti, and Danilo Mazzoleni. The Christian Catacombs of Rome: History, Decoration, Inscriptions. Schnell & Steiner, 2002. Key use: Detailed treatment of catacomb history, inscriptions, burial spaces, and visual programs.Brown, Peter. The Cult of the Saints: Its Rise and Function in Latin Christianity. University of Chicago Press, enlarged edition. Key use: Essential source for the holy dead, saint veneration, relics, tombs, pilgrimage, and the way corporeal remains became central to Christian religious life. The University of Chicago Press describes Brown's work as exploring how worship of saints and their corporeal remains became central to religious life in Western Europe.Brown, Peter. The Body and Society: Men, Women, and Sexual Renunciation in Early Christianity. Columbia University Press, 1988. Key use: Christian body theology, asceticism, holiness, discipline, and why the body is so central to late antique Christian imagination.Yasin, Ann Marie. Saints and Church Spaces in the Late Antique Mediterranean: Architecture, Cult, and Community. Cambridge University Press, 2009. Key use: Churches, saints, relics, cult practice, community identity, and how sacred spaces are organized around holy bodies and memory.Grabar, André. Martyrium: Recherches sur le culte des reliques et l'art chrétien antique. Key use: Classic work on martyr shrines, relic cult, and the relationship between architecture, art, and the holy dead.van Gennep, Arnold. The Rites of Passage. Key use: Separation, liminality, and incorporation. Crucial for baptism, catechumenate, thresholds, initiation, and the movement from outsider to insider.Turner, Victor. The Ritual Process: Structure and Anti-Structure. Key use: Liminality, threshold states, ritual transition, and communitas. Useful for baptism, catacomb descent, martyr devotion, and controlled access.Kilde, Jeanne Halgren. Sacred Power, Sacred Space: An Introduction to Christian Architecture and Worship. Oxford University Press, 2008. Key use: Christian buildings as arrangements of power, worship, divine presence, and embodied access. Useful for thresholds, sanctuary divisions, nave, altar, and congregation.Kieckhefer, Richard. Theology in Stone: Church Architecture from Byzantium to Berkeley. Oxford University Press, 2004. Key use: Church architecture as theology made spatial. Useful for altar, pulpit, nave, threshold, symbolic layout, and worship practice.Krautheimer, Richard. Early Christian and Byzantine Architecture. Yale University Press / Pelican History of Art. Key use: Classic architectural history for early Christian and Byzantine buildings, including the shift from pre-Constantinian spaces to basilicas, baptisteries, martyr shrines, and later monumental forms.Mathews, Thomas F. The Clash of Gods: A Reinterpretation of Early Christian Art. Princeton University Press, 1993. Key use: Early Christian imagery, visual conflict, ritual meaning, and the development of Christian art within the Roman world.Elsner, Jaś. Imperial Rome and Christian Triumph: The Art of the Roman Empire AD 100–450. Oxford University Press, 1998. Key use: Roman visual culture, Christian adaptation, imperial imagery, and the shift into Christian public art and architecture.MacMullen, Ramsay. Christianizing the Roman Empire: A.D. 100–400. Yale University Press, 1984. Key use: Social and historical context for Christian expansion before and after Constantine, useful for understanding how Christian space changes as Christianity grows.Mango, Cyril. Byzantine Architecture. Key use: LonAlso want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A

In this episode we bring together five local experts to share what UK summer travel really looks like from June through August, with practical advice on crowds, long daylight hours and booking ahead. We hop from Devon to the far north of Scotland, down to London, across the Cotswolds and up to the Lake District to help you plan days that feel memorable rather than hectic.Timing summer travel around school holidays and why June can feel calmerBooking accommodation and restaurants early, especially in rural areasDevon highlights including Dartmoor, coast days, literary tours and vineyard tastingsFar north Scotland advice on long daylight hours, wildlife spotting and midge conditionsLondon summer energy with parks, Thames walks, late-night galleries and seasonal royal accessCotswolds summer blooms with Hidcote, Kiftsgate, lavender fields and village fêtesAvoiding the Cotswolds honeypot villages by exploring quieter spots and countryside trailsLake District summer highlights including lake cruises, mountain passes, heritage railways and traditional local eventsSend us a message via SpeakPipe and if you've enjoyed the episode, a review on your favourite podcast app goes a long way in helping others find us. Happy UK Travel Planning!

In this special episode we take a look at the recently completed Tideway Tunnel project now operating beneath London's River Thames.Joining me today are two of the minds behind the delivery of this ground breaking project – Roger Bailey, Chief Technical Officer at Tideway and Amey director Tom Kinnear who has been leading the Systems Integrator role on the project for the last few years. Lots to talk about because the £4.5 billion tunnel has certainly been turning programme delivery heads as a rare project that has been delivered pretty much on time, to budget and is now operating to expectation. And it's a project that's not before time,…. because for over 150 years, London's subterranean drainage and flood management pulse was maintained by the Victorian genius of Sir Joseph Bazalgette. His sprawling underground brickwork was a masterpiece of public health, keeping sewage off the streets and out of the Thames. Yet as the city's population has swelled and rain intensity increased, his system had reached its limit, leaving the River Thames to bear the brunt as overflows from the combined sewage and rain water system regularly overflowed in the river.The Tideway Tunnel, AKA London's "Super Sewer", has changed all that and is now fully operational. Stretching 25 kilometers west to east and up to 66 meters beneath the city, it has already prevented some 19.7 million tonnes of sewage from reaching the river. Which makes it more than just a tunnel. As former chief executive and project guiding mind Andy Mitchell put it, the project rekindles Londoners love affair with the River Thames.  Cleaner water plus new areas of quality riverside public space mean that the public can now embrace the Thames as a positive part of city life. But beyond that, the project's success perhaps represents a revolution in how we deliver national infrastructure, from its pioneering funding model, to the sophisticated digital nervous system that monitors every drop of flow.The reality is that the project is talked about around the world as having set a new global benchmark for delivery, funding and social impact, with the Tideway company recently recognized by TIME Magazine as one of the world's most influential businesses. So lets hear more ….ResourcesTideway Tunnel websiteAmey Advisory websiteBackground to the Tideway projectBazelgette's sewer systemTime Magazine most influential businessesThames Water and the Tideway Tunnel

A teenager hurtles from the balcony of a luxury apartment complex into the Thames. That unexplained death animates the newest book from one of America's great nonfiction writers, Patrick Radden Keefe. Patrick joins Harry to unspool the story's web of shady characters, complacent police, and desperate parents. The two delve into the transformation of London into a playground for the extremely and unscrupulously wealthy—like Russian oligarchs—that made the fatal fall possible and draw out the way Trump is overseeing a similar shift in the United States. And Harry digs into Patrick's approach to writing, including how his law degree informs his precise, almost prosecutorial reporting. Mentioned in this episode: London Falling: https://www.penguinrandomhouse.com/books/704979/london-falling-by-patrick-radden-keefe/  Patrick's reporting: https://www.newyorker.com/contributors/patrick-radden-keefe Patrick's story about Trump, Mark Burnett, and the Apprentice: https://www.newyorker.com/magazine/2019/01/07/how-mark-burnett-resurrected-donald-trump-as-an-icon-of-american-success Learn more about your ad choices. Visit megaphone.fm/adchoices

He's the London serial killer you may never have even known existed - from the late 1950's to the mid 1960's, West London was shocked by the deaths of several sex workers, who were found stripped, strangled, and their bodies dumped unceremoniously, like pieces of rubbish. It's widely considered to be the UK's most prolific series of unsolved serial killings, claiming more victims than his similar namesake the previous century, and in a joint 8 part series between myself, and the award nominated Murder Mile podcast, myself and Mike will examine the case in full detail, sifting through misinformation, lies, rumour - and perhaps even downright corruption.The True Crime Enthusiast and Murder Mile have brought you so far the accounts of eight dead women – Elizabeth Figg, Gwyneth Rees, Hannah Tailford, Irene Lockwood, Helen Barthelemy, Mary Fleming, Margaret McGowan and Bridie O'Hara - who were found dead around the river Thames and in residential areas of the surrounding districts over a six year period from 1959 to 1965 – with police considering:Was there another Ripper on the loose?We have heard the full story of the investigation into the murders - were they even all connected? What certainly connected the latter four of these, and the possibility - was the Stripper seen - twice, and in the final part of Undressing - Jack The Stripper, i bring you a series of suspects for the crimes.I stress suspects - for only one person was ever charged with any of the linked killings - as you'll hear.Join myself on The True Crime Enthusiast for parts 1 to 4, and Mike over on Murder Mile for parts A to D, as we are Undressing - 'Jack The Stripper'The episode contains details and descriptions of crimes and events, including descriptions of a sexual nature, that some listeners may find disturbing or distressing, so discretion is advised whilst listening in. Music used in this episode: "The Descent" by Kevin Macleod. All music used is sourced from https://filmmusic.io/ and used under an Attribution Licence (https://creativecommons.org/licenses/by/4.0/) Clever Trevor – Ian DuryShort Change Hero - The HeavyThe True Crime Enthusiast's Fundraiser For Macmillan Cancer Support References - available upon request. Follow/Contact/Support The True Crime Enthusiast PodcastFacebookFacebook Discussion GroupTwitterInstagramYoutubeWebsiteTTCE MerchandisePatreon Page Remembering Elizabeth, Gwyneth, Hannah, Irene, Helen, Mary, Margaret and Bridie Hosted on Acast. See acast.com/privacy for more information.

Anthony Horowitz is a British novelist and screenwriter who has written over fifty books. He started with children's books and first found success with the Alex Rider seires, which has sold over 21 million copies and was made in to a TV series on Amazon. As his readers grew up, he began writing mysteries, including Magpie Murders, which initiated a series on BBC Television. He has also written for the Sherlock Holmes and 007 estates. He has written several television series including Foyle's War and Midsomer Murders. He was on this podcast in 2025 talking about his book "Marble Hall Murders." His latest book is "A Deadly Episode." We talk about reader feedback, reviews, work and time spent working, swimming in the river Thames, blending fiction and reality, solving the crime in the book and how difficult the author wants this to be, scripts and adaptations, other books and authors, elaborate setting descriptions, settings and characters, immersion in the book and characters, writing with a pen vs a computer, fountain pens, writing a mystery within a mystery,  word puzzles, keeping the mind active, poetry, social media and phones, keeping up the motivation to write before breaking out, self-publishing vs traditional publishing, mediocre writers and great writers and what separates them, a connection to something greater than us and cultivating it, his favorite of his own books, advice for writers, and more. Links are on the podcast shownotes page Support the show through Patreon

• Podmasters is 10 years old! Last chance to get an extra 10% off a year's Patreon support.  Nigel Farage's latest defence of his “gift” from a crypto magnate: you wouldn't know about it if I hadn't been hacked by pesky Russians! (Although erm I forgot to tell the National Cyber Security Centre). Has he finally pushed his luck too far? Plus, the right-wing press and Reform are busting their guts to paint Andy Burnham as a carpetbagging, conviction-free shapeshifter who's simultaneously a far-left zealot. Will any of it stick? And why are Rupert Lowe's ultra-right Restore UK much, much worse than just an amusing problem for Reform? • We pinched the title of this edition from someone called AshWarp – but if you know the real originator, get in touch.  • Questions for But Your Emails? Thoughts? Comments? Email us at ogwn@podmasters.co.uk.  ESCAPE ROUTES • Jason recommends visiting Crossness Pumping Station on the Thames and also the Great Western Railway Museum in Swindon. • Rachel is watching Rivals on Disney+.  • James Ball is rewatching How To Get Away With Murder on Channel 4.  • Matt recommends Thirst: 12 Drinks That Changed My Life by John Robins. Buy it through our affiliate bookshop and you'll help fund the podcast by earning us a small commission for every sale. Bookshop.org's fees help support independent bookshops too. www.patreon.com/ohgodwhatnow Presented by Matt Green with James Ball, Rachel Cunliffe and Jason Hazeley. Audio Production by Robin Leeburn. Art direction: James Parrett. Theme tune by Tom Taylor and Simon Williams. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. OH GOD, WHAT NOW? is a Podmasters production. www.podmasters.co.uk  Learn more about your ad choices. Visit podcastchoices.com/adchoices

(3/3) Athens Supreme, Sparta Discredited. Gaius and Germanicus debate in their favorite wine bar by the Thames, in Londinium, Spring 92 AD. The two examine how historical narratives are "plundered" by powers seeking to legitimate their own agendas. Germanicus highlights how the British Empire elevated Athens as an enlightened, cosmopolitan model to burnish its own imperial propaganda, while dismissing Sparta as a collection of "mindless automatons." This binary view ignores historical complexity and is used to disparage modern Greece for failing to meet these idealized ancient standards. In contrast, Rome's reputation remains "classically burnished" because its "heroic militarism" is easily transformed into cliches by modern leaders. Ultimately, Greek civilization has been reduced to "emptied symbols" that serve the "narcissistic identity" of current powers. The speakers conclude that Greece is "encumbered" by philosophy, making it harder to simplify into the heroic cliches that have preserved Rome's legacy. (3/3)19009:13 PMClaude responded: Thanks, J.Thanks, J. Glad it landed right. Ready whenever the next batch comes in.You said: SOONSOON9:13 PMClaude responded: Standing by.Standing by.

(1/3) The Great Game. Gaius and Germanicus debate in their favorite wine bar by the Thames, in Londinium, Spring 92 AD. Germanicus compares 19th-century British strategy to modern American policy, noting both pursued a 78-year containment of Russia. Britain's efforts from 1830 to 1908 involved "wasteful wars" in places like Afghanistan and the Crimea to block Russian expansion in Eurasia. This strategy eventually backfired; by weakening Russia and later alienating Japan, Britain suffered a massive military humiliation at Singapore in 1942, leading to the empire's collapse. The United States has followed a near-identical timeline since 1947, which Germanicus argues has driven Russia and China into a close alliance while making an enemy of Iran. He concludes that the U.S. is currently at a 1930s-style "inflection point," having lost its global reputation and "mojo." Survival now requires acknowledging this reality rather than clinging to a "godlike" view of military power. (1/3)1904

(2/3) The Self-Dealing Emperor. Gaius and Germanicus debate in their favorite wine bar by the Thames, in Londinium, Spring 92 AD. The Roman emperor system, initiated by Augustus, was fundamentally built on "self-dealing," where the ruler acted as the "single decider" of wealth, contracts, and appointments to maintain control. By the time of Domitian, this corruption was an automated "machine." Germanicus contends that modern American venality has reached an "order of magnitude" that dwarfs historical examples like the Gilded Age or the corruption of the 1920s. He describes a "self-licking ice cream cone" of corruption where the powerful are no longer ashamed but use their influence to suppress critics. Because the current system is "rotten throughout," there is no internal pathway for reform. Instead, Germanicus predicts that only a "giant reckoning"—similar to the collapse of the Roman Empire—could force change, necessitating a new source of universal moral authority. (2/3)NERO

Mark and Rachel explore the flora and fauna of the capital and are joined by live guests as they broadcast from the balcony of Broadcasting House in London.Mark visits Mudchute Farm, one of the largest city farms in Europe. It comprises 32 acres of countryside, located a stone's throw away from the hustle and bustle of Canary Wharf. He hears about how the site was developed from derelict land in the 1970s to the busy farm and park that it is today.Right in the heart of the city centre at Kings Cross, Coal Drops Yard is another location which has seen many uses over the years. It's now home to a vibrant shopping and dining district, which also includes a number of parks and outdoor spaces. Rachel goes for a wander to find out how the outdoors has been incorporated into the site.One of the most famous ships in the world, Cutty Sark has made her home at Greenwich since 1954. However, she was designed and built in Dumbarton in 1869 before sailing across the world transporting tea and other goods, at one point faster than any other ship. Mark goes aboard to hear about her incredible past.And sticking with boats, Rachel heads out on a London Water Bus canal trip. Skipper Ange tells her about all the different wildlife that pops up along the canal and operations director Rory tells her about the history of the canal.This week is London Rivers Week, and joining Mark and Rachel live to chat about it is Chris Coode from environmental charity Thames21. The theme of this year's campaign is ‘know your local river' and Chris tells them about the hundreds of miles of other rivers in London alongside the Thames.Lara Maiklem is an author and a mudlarker- a person who scavenges the banks and foreshores of tidal rivers to find historical artifacts, lost objects, and debris. She meets Mark to chat about what drew her to mudlarking and show him some of the finds she's had over the years.Joining Mark and Rachel live on the balcony of Broadcasting House is Charlotte Benham from the Tree Council. Charlotte chats to them about the treescape of the city and why trees are so important for somewhere like London.Rachel hears about the flocks of ring-necked parakeets which have made the city their home. The non-native population has thrived at locations across London and Rachel hears how they ended up there and why they like it so much.

Queen Elizabeth II celebrates sixty years on the throne with spectacular pageantry on the Thames, but the historic celebration also raises questions about succession, family unity, and the monarchy's future relevance.Get episodes of Palace Intrigue by becommming a paid subscriber on Apple Podcasts. Click the button that says uninterrupted listening.  Just $5 a month, and that includes many ofther shows on the Caloroga Shark network.A new season of King William is available now.Our royal newsletter written by Deep Crown is available for free.Royal Books:Revenge: Meghan, Harry, and the War Between the Windsors by Tom BowerWilliam and Catherine: The Monarchy's New Era: The Inside StoryThe Royal Insider: My Life with the Queen, the King and Princess Diana

Female artists have long employed collage to reflect the ways in which identity is often constructed from conflicting, contrasting and contradictory parts. Cut Out: A Feminist History of Photo Collage, Montage and Assemblage (Thames & Hudson and V&A Publishing, 2026) by Fiona Rogers explores the relationship between photography and feminist collage, foregrounding the use of femmage—a radical reclaiming of craft traditionally associated with women—as a resilient method within feminist and political art. Cut Out presents an expanded definition of collage and cutting techniques to encompass photomontage, assemblage and the photogram. Tracing a lineage from nineteenth-century makers to contemporary practitioners, we encounter Victorian album makers; Modernist, Surrealist and Dadaist innovators; and radical, second-wave feminist artists. Thematic sections include profiles written by expert contributors on key individuals, including Hannah Höch, Dora Maar and Lorna Simpson. Looking to the future as much as the past, Cut Out also reveals how the pioneering work of contemporary and digital artists continues to subvert dominant narratives and foster ever-expanding forms of photographic collage.  At a moment when photography and its history are being actively contested and reappraised, Cut Out is a reminder of its political power.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Female artists have long employed collage to reflect the ways in which identity is often constructed from conflicting, contrasting and contradictory parts. Cut Out: A Feminist History of Photo Collage, Montage and Assemblage (Thames & Hudson and V&A Publishing, 2026) by Fiona Rogers explores the relationship between photography and feminist collage, foregrounding the use of femmage—a radical reclaiming of craft traditionally associated with women—as a resilient method within feminist and political art. Cut Out presents an expanded definition of collage and cutting techniques to encompass photomontage, assemblage and the photogram. Tracing a lineage from nineteenth-century makers to contemporary practitioners, we encounter Victorian album makers; Modernist, Surrealist and Dadaist innovators; and radical, second-wave feminist artists. Thematic sections include profiles written by expert contributors on key individuals, including Hannah Höch, Dora Maar and Lorna Simpson. Looking to the future as much as the past, Cut Out also reveals how the pioneering work of contemporary and digital artists continues to subvert dominant narratives and foster ever-expanding forms of photographic collage.  At a moment when photography and its history are being actively contested and reappraised, Cut Out is a reminder of its political power.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Female artists have long employed collage to reflect the ways in which identity is often constructed from conflicting, contrasting and contradictory parts. Cut Out: A Feminist History of Photo Collage, Montage and Assemblage (Thames & Hudson and V&A Publishing, 2026) by Fiona Rogers explores the relationship between photography and feminist collage, foregrounding the use of femmage—a radical reclaiming of craft traditionally associated with women—as a resilient method within feminist and political art. Cut Out presents an expanded definition of collage and cutting techniques to encompass photomontage, assemblage and the photogram. Tracing a lineage from nineteenth-century makers to contemporary practitioners, we encounter Victorian album makers; Modernist, Surrealist and Dadaist innovators; and radical, second-wave feminist artists. Thematic sections include profiles written by expert contributors on key individuals, including Hannah Höch, Dora Maar and Lorna Simpson. Looking to the future as much as the past, Cut Out also reveals how the pioneering work of contemporary and digital artists continues to subvert dominant narratives and foster ever-expanding forms of photographic collage.  At a moment when photography and its history are being actively contested and reappraised, Cut Out is a reminder of its political power.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Female artists have long employed collage to reflect the ways in which identity is often constructed from conflicting, contrasting and contradictory parts. Cut Out: A Feminist History of Photo Collage, Montage and Assemblage (Thames & Hudson and V&A Publishing, 2026) by Fiona Rogers explores the relationship between photography and feminist collage, foregrounding the use of femmage—a radical reclaiming of craft traditionally associated with women—as a resilient method within feminist and political art. Cut Out presents an expanded definition of collage and cutting techniques to encompass photomontage, assemblage and the photogram. Tracing a lineage from nineteenth-century makers to contemporary practitioners, we encounter Victorian album makers; Modernist, Surrealist and Dadaist innovators; and radical, second-wave feminist artists. Thematic sections include profiles written by expert contributors on key individuals, including Hannah Höch, Dora Maar and Lorna Simpson. Looking to the future as much as the past, Cut Out also reveals how the pioneering work of contemporary and digital artists continues to subvert dominant narratives and foster ever-expanding forms of photographic collage.  At a moment when photography and its history are being actively contested and reappraised, Cut Out is a reminder of its political power.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

He's the London serial killer you may never have even known existed - from the late 1950's to the mid 1960's, West London was shocked by the deaths of several sex workers, who were found stripped, strangled, and their bodies dumped unceremoniously, like pieces of rubbish. It's widely considered to be the UK's most prolific series of unsolved serial killings, claiming more victims than his similar namesake the previous century, and in a joint 8 part series between myself, and the award nominated Murder Mile podcast, myself and Mike will examine the case in full detail, sifting through misinformation, lies, rumour - and perhaps even downright corruption.The True Crime Enthusiast and Murder Mile have brought you so far the accounts of eight dead women – Elizabeth Figg, Gwyneth Rees, Hannah Tailford, Irene Lockwood, Helen Barthelemy, Mary Fleming, Margaret McGowan and Bridie O'Hara - who were found dead around the river Thames and in residential areas of the surrounding districts over a six year period from 1959 to 1965 – with police considering:Was there another Ripper on the loose?We bring forth in parts 3 and C, the full story of the investigation into the murders - were they even all connected? What certainly connected the latter four of these, and the possibility - was the Stripper seen - twice?Join myself on The True Crime Enthusiast for parts 1 to 4, and Mike over on Murder Mile for parts A to D, as we continue Undressing - 'Jack The Stripper'The episode contains details and descriptions of crimes and events, including descriptions of a sexual nature, that some listeners may find disturbing or distressing, so discretion is advised whilst listening in. Music used in this episode: "The Descent" by Kevin Macleod. All music used is sourced from https://filmmusic.io/ and used under an Attribution Licence (https://creativecommons.org/licenses/by/4.0/) GROUPLOVE – Tongue TiedPassion Pit – Take A Walk The True Crime Enthusiast's Fundraiser For Macmillan Cancer Support References - available upon request. Supplied at tales end. Follow/Contact/Support The True Crime Enthusiast PodcastFacebookFacebook Discussion GroupTwitterInstagramYoutubeWebsiteTTCE MerchandisePatreon Page Remembering Elizabeth, Gwyneth, Hannah, Irene, Helen, Mary, Margaret and Bridie Hosted on Acast. See acast.com/privacy for more information.

"The work that I'm involved with is more at catchment, at river basin scale. So it's trying to do the best we can - for us it's within the Thames - to hold as many eels in it as possible within that can grow up and migrate back to the Sargasso."The European eel is a truly fascinating creature, spending its life in freshwater rivers, streams, and even ponds, before turning silvery blue and swimming all the way to Bermuda's Sargasso Sea to breed. Eels are disappearing fast. In this episode Joe Pecorelli of the Zoological Society of London and joins Ben Goldsmith to talk about amazing eels and what can be done to restore them to their former abundance.Ben Goldsmith is a British financier and rewilding enthusiast. Join him as he speaks to people from all over the world who champion nature and are helping to restore habitats and wildlife to some of the most nature depleted parts of our planet.This podcast is produced by The Podcast Coach.Text Rewilding the World here. Let us know what you think of the podcast and if there are any rewilding projects you would love Ben to feature in future episodes. We'd love to know what you think of the podcast. Do you have suggestions for guests, stories or topics you'd like to hear more about? To help us develop the show please consider taking a couple of minutes to complete our listener survey. Thank you. 

This is Part 2! For Part 1, check the feed!**THIS EPISODE CONTAINS STRONG LANGUAGE AND THEMES OF AN ADULT NATURE**Our guest this week is British historian and author Dr Kate Lister who is here to discuss her new book ‘Flick' which explores female pleasure throughout history; from Ancient Mesopotamian sex goddesses to the contraceptive pill.The book itself is fascinating and you can get it here: https://www.penguin.co.uk/books/463104/flick-by-lister-dr-kate/9780857506436Elsewhere, our inbox this week has been rocked by the news that there are venomous sharks in the Thames! Can you blow our minds with any facts like that one? Please attempt it: hello@ohwhatatime.comAnd from now on Part 1 is released on Monday and Part 2 on Wednesday - but if you want more Oh What A Time and both parts at once, you should sign up for our Patreon! On there you'll now find:•The full archive of bonus episodes•Brand new bonus episodes each month•OWAT subscriber group chats•Loads of extra perks for supporters of the show•PLUS ad-free episodes earlier than everyone elseJoin us at

In a sun-drenched Londinium wine bar overlooking the calm Thames, Gaius and Germanicus engage in a spirited debate before an audience of retired centurions from the Eighth Legion. The discussion centers on the "Roman way of war"—characterized by relentless engineering, abundant resources, and the demand for total victory—contrasted against the declining American military reputation. Germanicus identifies seven historical pillars of American power, such as total mobilization and superior technology, which he argues have eroded over the last fifty years. Citing failures in Korea, Vietnam, and more recently in Ukraine and Iran, the speakers suggest that the United States has transitioned from a "redeemer nation" into a state struggling with ineffective, marginal conflicts. The centurions, professional combatants who once fought alongside former gladiators, listen intently as Gaius compares the Roman spirit to the aggressive naval strategies of the Second World War. (1/3)1940 HO CHI MINH

In their final discourse by the Thames, Gaius and Germanicus explore the inescapable cultural legacy of Rome, noting its presence in modern architecture, law, and even the worship services of the New Testament. Gaius posits that Rome is "everywhere," from the basilica-style churches of Connecticut to the very temperament of Western business. Germanicus offers a provocative thesis: as modern elites deconstruct Christian traditions, the United States is returning to a "traditional Roman coloration" defined by pre-Christian ruthlessness and a focus on raw power. This secular shift mirrors ancient Roman pragmatism, where the "hand on the shoulder" of moral constraint is replaced by a focus on ideology and statecraft. As the orchestra gathers and the centurions finish their third cups of wine, the speakers reflect on a world that is becoming "more Roman than ever," where power precedes all other human concerns. (3/3)1849 CESARE MACCARRI.

London, 1879 and a mysterious box shows up on the shoreline of the river Thames. Its contents prove puzzling for the police. Laura follows the trail to explore the gory story behind the case.Murder They Wrote with Laura Whitmore and Iain Stirling is available twice a week on BBC Sounds. Subscribe now so you never miss an episode. Email us at lauraandiain@bbc.co.uk

**THIS EPISODE CONTAINS STRONG LANGUAGE AND THEMES OF AN ADULT NATURE**Our guest this week is British historian and author Dr Kate Lister who is here to discuss her new book ‘Flick' which explores female pleasure throughout history; from Ancient Mesopotamian sex goddesses to the contraceptive pill.The book itself is fascinating and you can get it here: https://www.penguin.co.uk/books/463104/flick-by-lister-dr-kate/9780857506436Elsewhere, our inbox this week has been rocked by the news that there are venomous sharks in the Thames! Can you blow our minds with any facts like that one? Please attempt it: hello@ohwhatatime.comAnd from now on Part 1 is released on Monday and Part 2 on Wednesday - but if you want more Oh What A Time and both parts at once, you should sign up for our Patreon! On there you'll now find:•The full archive of bonus episodes•Brand new bonus episodes each month•OWAT subscriber group chats•Loads of extra perks for supporters of the show•PLUS ad-free episodes earlier than everyone elseJoin us at

He's the London serial killer you may never have even knew existed - from the late 1950's to the mid 1960's, West London was shocked by the deaths of several sex workers, stripped, strangled, and their bodies dumped unceremoniously, like pieces of rubbish. It's commonly considered to be the UK's most prolific series of unsolved serial killings, claiming more victims than his similar namesake the previous century, and in a joint 8 part series between myself, and the award nominated Murder Mile podcast, each week myself and Mike will examine the case in full detail, sifting through misinformation, lies, rumour and perhaps even downright corruption.The True Crime Enthusiast and Murder Mile have brought you so far the accounts of four dead women – Elizabeth Figg, Gwyneth Rees, Hannah Tailford and Irene Lockwood, found dead around the river Thames over a four year period from 1959 to 1963 – with police considering:Was there another Ripper on the loose?Police were soon to believe that there was – with the deaths of another four women, whose tales we shall account in Part 2 and B.Join myself on The True Crime Enthusiast for parts 1 to 4, and Mike over on Murder Mile for parts A to D, as we continue Undressing - 'Jack The Stripper'The episode contains details and descriptions of crimes and events, including descriptions of a sexual nature, that some listeners may find disturbing or distressing, so discretion is advised whilst listening in. Music used in this episode: "The Descent" by Kevin Macleod. All music used is sourced from https://filmmusic.io/ and used under an Attribution Licence (https://creativecommons.org/licenses/by/4.0/) Paul Weller – Rip The Pages UpBombay Bicycle Club – Everything Else Has Gone Wrong The True Crime Enthusiast's Fundraiser For Macmillan Cancer Support References - available upon request. Supplied at tales end. Follow/Contact/Support The True Crime Enthusiast PodcastFacebookFacebook Discussion GroupTwitterInstagramYoutubeWebsiteTTCE MerchandisePatreon Page Remembering Helen, Mary, Margaret and Bridie Hosted on Acast. See acast.com/privacy for more information.

In episode 418 UNP founder and curator Grant Scott is reflecting on the big and small things that impact on the everyday engagement we all have with photography. Mentioned in this episode: David Sylvian 'Red Guitar' www.youtube.com/watch?v=7tTX49CjAgo Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), What Does Photography Mean To You? (Bluecoat Press 2020) and Inside Vogue House: One building, seven magazines, sixty years of stories, (Orphans Publishing 2024). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

Patrick Radden Keefe is an award winning writer known for his ability to tell complex stories in ways that are compelling and revealing. Author of the bestsellers Empire of Pain—a shocking exposé of the Sackler family and their involvement in the opioid crisis—and Say Nothing, his award-winning account of The Troubles in Northern Ireland and the murder of Jean McConville by the IRA, Keefe has built a global reputation for meticulous reporting, moral clarity, and gripping storytelling.In May 2026 he joined Emily Maitlis live on the Intelligence Squared stage to discuss the investigation that has led to his new book London Falling. At its centre is a teenager who mysteriously fell to his death from a Thames-side luxury apartment in London, and his grieving family's determination to get to the truth of what really happened. Keefe also discussed the broader themes of how money laundering, crime and corruption function today in London's underbelly. --- If you'd like to become a Member and get access to all our full ad free conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Gaius and Germanicus debate in their favorite wine bar by the Thames, in Londinium, Spring 92 AD. This discussion examines the metamorphosis of the American Republic into an Empire by analyzing the symbolic use of architecture and statuary. The hosts reflect on the "emperor's" recent unveiling of a golden statue of himself at a golf course, capturing his image following an assassination attempt. Germanicus identifies this as a "lineal connection to Rome," specifically the period when emperors began to ascend into godhood to legitimate their authority—a shift from the early republic's focus on celebrating civic heroes like George Washington. While Washington rejected kingship and was memorialized by a sacred obelisk, modern leaders are seen as adopting "Egyptian or Babylonian-like" temple tropes, such as presidential libraries. The conversation further critiques the "emperor's" plan to build an "arch of exaltation" and a massive ballroom in Washington D.C. Unlike classical Roman arches that celebrated state victories with balanced proportions, this proposed arch is described as a narcissistic extrapolation that lacks a compelling rationale and ignores traditional aesthetics. Finally, the hosts discuss the symbolism of gold, noting its association with the "Sun King" Louis XIV rather than traditional Greco-Roman statuary, suggesting a drift toward monarchical and discontinuous design. (1/3)1583 LIVY

Gaius and Germanicus debate in their favorite wine bar by the Thames, in Londinium, Spring 92 AD. Drawing a parallel to the Battle of Alesia in 52 BC, the hosts explore the ethics of modern siege warfare. In ancient Gaul, Julius Caesar and Vercingetorix allowed non-combatant townspeople to starve to death in the "in-between land" to maintain their strategic positions. Germanicus argues that the current U.S. blockade of Iran functions as a modern-day Alesia, where the "townspeople" are the populations of Europe and Asia now suffering from disrupted energy and fertilizer resources. While Caesar's war was an existential struggle to break Gallic culture, the modern conflict is characterized as a "performative war" driven by vanity rather than a clear strategic plan. The U.S. is accused of abdicating its sacred vows of altruism, delivering "body blows" to world populations to achieve base political goals. This strategy is seen as a terrible gambit that destroys America's global authority and reputation. Consequently, the hosts note that China is gaining credibility and confidence, positioning itself as an equal or even superior power while the American "emperor"—described as exhausted and lacking a plan—increasingly takes the role of a supplicant to Beijing. (2/3)1600 ANTONY SENDS FOR CICERO

Gaius and Germanicus debate in their favorite wine bar by the Thames, in Londinium, Spring 92 AD. This segment critiques the "Redeemer Nation" myth, which portrays America as a divinely appointed "city on a hill" tasked with saving humanity. While this vision was cemented following World War II, the hosts argue it is now an "inappropriate myth" for a nation that has moved closer to the original Roman model of "might makes right." Over the last 25 years, the U.S. is seen as having abandoned its role as a "wellspring of good" in favor of "Roman imperial fiat," using a "gossamer curtain of altruism" to mask the forced bringing of nations to heel. The hosts list a series of failed interventions—including Iraq, Afghanistan, and Libya—that have resulted in millions of deaths and degraded America's remaining moral authority. They conclude that the idea of American redemption is now a "lie that is no longer sustainable," as the world recognizes the disconnect between the nation's rhetoric and its actions. The episode ends with a stark depiction of the "emperor" lecturing children on the "madness of Iran" while appearing physically diminished and disconnected from reality, suggesting that the U.S. has become the very tyrannical force it once sought to liberate the world from. (3/3)1793 VIRGIL READING THE AENEID TO AUGUSTUS

Patrick Radden Keefe is an award winning writer known for his ability to tell complex stories in ways that are compelling and revealing. Author of the bestsellers Empire of Pain—a shocking exposé of the Sackler family and their involvement in the opioid crisis—and Say Nothing, his award-winning account of The Troubles in Northern Ireland and the murder of Jean McConville by the IRA, Keefe has built a global reputation for meticulous reporting, moral clarity, and gripping storytelling.In May 2026 he joined Emily Maitlis live on the Intelligence Squared stage to discuss the investigation that has led to his new book London Falling. At its centre is a teenager who mysteriously fell to his death from a Thames-side luxury apartment in London, and his grieving family's determination to get to the truth of what really happened. Keefe also discussed the broader themes of how money laundering, crime and corruption function today in London's underbelly. --- This is the first instalment of a two-part episode. If you'd like to become a Member and get access to all our full ad free conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Explore the fascinating world of religion in Ancient Greece, from the powerful Olympian gods like Zeus, Athena, and Apollo to sacred rituals, temples, myths, and festivals that shaped daily Greek life.Find me and my music here:https://linktr.ee/filipholmSupport Let's Talk Religion on Patreon: https://www.patreon.com/letstalkreligion Or through a one-time donation: https://paypal.me/talkreligiondonateSources/Recommended Reading:Bowden, Hugh (2010). "Mystery cults in the Ancient World". Thames and Hudson Ltd.Burkert, William (1987). "Greek Religion: Archaic and Classical". Wiley-Blackwell. Burkert, Walter (1988). "Ancient Mystery Cults". Harvard University Press.Chulp, Radek (2016). "Proclus: An Introduction". Cambridge University Press.Cooper, John M. et. al (translated by) (1997). "Plato: Complete Works". Hackett Publishing.Dodds, E.R. (2004). "The Greeks & The Irrational". University of California Press.Eidinow, Esther & Julia Kindt (ed.) (2017). "The Oxford Handbook of Ancient Greek Religion". Oxford University Press.Gerson, Loyd P. (ed.) (2019). "Plotinus: The Enneads". Cambridge University Press. (This is the translation of the Enneads I have been using in this episode).Gerson, Loyd P (2008). "Cambridge Companion to Plotinus". Cambridge University Press.Gregory, John (ed.) (1998). "The Neoplatonists: a reader". Routledge.Huffman, Carl A. (ed.) (2017). "A History of Pythagoreanism". Cambridge University Press.Iamblichus "On the Mysteries". Tranlsated by Emma C. Clarke, John M. Dillon & Jackson P. Hershell. Writings from the Graeco-Roman World. Society of Biblical Literature.Inwood, Brad (ed.) (2003). "The Cambridge Companion to the Stoics". Cambridge University Press.Kirk, G.S., J.E. Raven & M. Schofield (1983). "The Presocratic Philosophers". Second Edition. Cambridge University Press.Parker, Robert C.T. (2011). "On Greek Religion". Cornell University Press.Proclus "The Elements of Theology: A Revised Text with Translation, Introduction, and Commentary". Translated by E.R. Dodds. Second Edition. Oxford University Press.Shaw, Gregory (2014). "Theurgy and the Soul: The Neoplatonism of Iamblichus". Angelico Press/Sophia Perennis.Ustinova, Yulia (2017). "Divine Mania: Alterations of Consciousness in Ancient Greece". Routledge.Wallis, R.T. (1998). "Neoplatonism". Second Edition. Bristol Classical Paperbacks. Hackett Publishing Company.Zhmud, Leonid (2012). "Pythagoras and the Early Pythagoreans". Translated by Kevin Windle & Rosh Ireland. OUP Oxford. Hosted on Acast. See acast.com/privacy for more information.

Patrick Radden Keefe, a staff writer at the New Yorker and the author of “Say Nothing” and “Empire of Pain,” sits down with Lawfare Associate Editor Peter Beck to discuss his most recent book, “London Falling.” The two talk about Radden Keefe's investigation of a London teenager's fatal plunge into the Thames, the United Kingdom's acquiescence to foreign influence, and his process in writing about the book.To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

When Patrick Radden Keefe was living in London while shooting the TV adaptation of his book “Say Nothing,” he heard about a teen-ager who fell from a luxurious apartment tower in mysterious circumstances. As he looked into it, he learned that the boy, Zac Brettler, had assumed an alternate identity as the son of a Russian oligarch, and had connected with dangerous people—just as mysterious. His story in The New Yorker, “A Teen's Fatal Plunge into the London Underworld,” became the basis of his new book “London Falling.” “It's not crime, per se, that interests me,” Radden Keefe tells David Remnick, “but the intermingling of the licit and illicit worlds, and the ways in which people deviate from a kind of conventional morality by degrees—and then the stories that they tell themselves about doing that.” He shares recordings from Brettler's parents of conversations that they had as they sought to uncover what had happened to their son.   Further reading:  “London Falling,” by Patrick Radden Keefe “A Teen's Fatal Plunge Into the London Underworld,” by Patrick Radden Keefe     New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. New Yorker Radio Hour listeners, we want to hear from you. We have a few questions about the show and how you listen to it. The survey takes about twenty minutes, and your feedback will help us make our podcast better. Take the survey here.