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Preview: PRC Banks. Colleague Anne Stevenson-Yang comments that PRC banking is as unstable as the property market it lends. More later. 1969
Preview: Alaska Summit. Ambassador John Bolton recommends Kyiv follow Chou Enlai proverb in China Civil War with Nationalists: Fight fight fight, talk talk talk. More later. 1855 CRIMEAN WAR
If you'll recall, last time we were learning about what it means to be a peacemaker. In other words how to bring peace and order in the midst of chaos and disorder. We'll continue that message today, as pastor James Kaddis revisits First Kings chapter three. We're considering Solomon as a great example of a peacemaker. To support this ministry financially, visit: https://www.oneplace.com/donate/1459/29
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I think you'd agree, this world is full of chaos and disorder! But as pastor James Kaddis said a moment ago, the Lord can use us to bring order into the situation. And today on Light on the Hill we'll see how. We're learning how to be a peacemaker, as we return to our series, “In Spirit and in Truth.” To support this ministry financially, visit: https://www.oneplace.com/donate/1459/29
Are you enjoying this? Are you not? Tell us what to do more of, and what you'd like to hear less of. The Reykjavík Grapevine's Iceland Roundup brings you the top news with a healthy dash of local views. In this episode, Grapevine publisher Jón Trausti Sigurðarson is joined by Heimildin journalist Aðalsteinn Kjartansson, and Grapevine friend and contributor Sindri Eldon to roundup the stories making headlines in recent weeks. On the docket this week are: ✨Special forces deployed after football fans clash✨Iceland's first bank robbery solved✨Trump appoints a new ambassador to Iceland✨Israel's plans to occupy Gaza condemned✨Death at Reynisfjara beach------------------------------------------------------------------------------------------SHOW SUPPORTSupport the Grapevine's reporting by becoming a member of our High Five Club: https://steadyhq.com/en/rvkgrapevine/You can also support the Grapevine by shopping in our online store: https://shop.grapevine.is------------------------------------------------------------------------------------------ This is a Reykjavík Grapevine podcast.The Reykjavík Grapevine is a free alternative magazine in English published 18 times per year, biweekly during the spring and summer, and monthly during the autumn and winter. The magazine covers everything Iceland-related, with a special focus culture, music, food and travel. The Reykjavík Grapevine's goal is to serve as a trustworthy and reliable source of information for those living in Iceland, visiting Iceland or interested in Iceland. Thanks to our dedicated readership and excellent distribution network, the Reykjavík Grapevine is Iceland's most read English-language publication. You may not agree with what we write or publish, but at least it's not sponsored content.www.grapevine.is
Meet Tricia Copeland. She is an award-winning author of books for youth and young adults. Mostly she writes fantasy books, but as we learn during this episode, she also does write some romance books. Tricia says that as a child she hated writing. Even so, she went to school and eventually she went to college where she received a degree in Microbiology. She also attained a Master's degree. She then went to work for a chemical company. After four years she found herself beginning a journey of technical writing and writing patterns and supporting materials. After a few years Tricia became a stay-at-home-mom for a time. She tells us how she loved to tell stories and entertain her children. We learn how she wrote her first fiction book series in 2015-16 about her time facing anorexia. In real life, she faced this and overcame it. She then began writing fantasy youth books and realized not only that she could write, but that she did not hate writing at all. She has written several series and has plans for more. About the Guest: Tricia Copeland is the critically acclaimed and award-winning author of Kingdom of Embers, To be Fae Queen, Lovelock Ones, and Azreya, Aztec Priestess, and dozens of other titles. She is the host of the Finding the Magic Book Podcast who weaves magical stories about love, courage, and finding your passion. Tricia began her author journey with a women's fiction series, the Being Me series, which is an adaptation of her experience with anorexia. Afterwards she quickly pivoted to her favorite genre, fantasy. Her young adult fantasy series highlight themes including resilience, perseverance, faith, loyalty, trust, friendship, family, and love. They include the Kingdom Journals and Realm Chronicles series that find witches, vampires, and fae fighting an evil spirit determined to end them all. She tempers the high stakes drama in these books with her fun rom coms in the Perfect romance series. Tricia Copeland believes in finding magic. She thinks magic infuses every aspect of our lives, whether it is the magic of falling in love, discovering a new passion, seeing a beautiful sunset, or reading a book that transports us to another world. An avid runner and Georgia native, Tricia now lives with her family and four-legged friends in Colorado. Find all her titles including contemporary romance, now penned under Maria Jane, young adult fantasy, and dystopian fiction at www.triciacopeland.com. Ways to connect with Tricia: https://triciacopeland.com https://www.facebook.com/TriciaCopelandAuthor/ https://www.instagram.com/authortriciacopeland/ https://twitter.com/tcbrzostowicz https://www.tiktok.com/@triciacopelandauthor https://www.youtube.com/@triciacopelandauthor https://www.amazon.com/stores/Tricia-Copeland/author/B00YHN5Q4G https://www.goodreads.com/author/show/14055439.Tricia_Copeland https://www.bookbub.com/authors/tricia-copeland About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson ** 01:17 Well, hello everyone. We're really glad to have you here, wherever you may happen to be listening in from. We're really glad that you're listening to unstoppable mindset. I'm your host, Michael hingson, and our guest today is Tricia Copeland. Tricia is a prolific author. I use that word absolutely without any any concern, a prolific author of children's books, especially in the fantasy world. So she has been doing this a while and and also has an interesting story just of her life to tell. So we're going to go into all of that and delve in and see where we go. So Tricia, I want to welcome you to unstoppable mindset. We're really glad you're here. Tricia Copeland ** 02:05 Thank you, Michael, I appreciate you having me, and I do want to make a little edit to that intro. Okay, go ahead. My books are young adult to New Adult books, so ages 13 plus mostly, all right, Michael Hingson ** 02:19 so young adult to new adult. All right, that's fair. So how do you feel that your books fall into the range of things like the Harry Potter series and so on, sort of the same age groups, Tricia Copeland ** 02:40 right? Genre adjacent, I have a series, The Kingdom Journal series, which includes three witches that have to break a curse on the witch lines. So the witches have to find each other as well as figure out how to break the curse using various forms of magic. So not really the same as Harry Potter, but definitely with with the witches, and the kind of contemporary world that Harry Potter is. But actually, I won't say that, because I haven't I think Harry Potter is mostly in the contemporary world, right? I didn't read all the books. I have to admit that he's Michael Hingson ** 03:18 somewhat in the contemporary world, but, but I was thinking more of from a standpoint of the same type of age group. Tricia Copeland ** 03:25 Yes, I think a younger reader. I think people started reading Harry Potter maybe around 10 or 11. And these books have older teenagers to start, age 1718, so 13 Plus is a good indicator. I think the other Michael Hingson ** 03:42 thing I would observe about Harry Potter is that there are a lot of people who aren't necessarily teenagers or young adults, including me, who have read them and enjoyed them. I think that that Harry Potter certainly brought an interesting dimension to reading for teenagers especially, and hopefully young adults, because a lot of people did catch on to them, and they they had a great theme, and you do some of the same sorts of things by virtue of the fact of what you're writing and who you're writing it for, Tricia Copeland ** 04:17 right? They definitely caught adult eyes and hearts and minds too Michael Hingson ** 04:23 well, tell us somewhat about the early Trisha growing up and so on. Love to learn a little bit more about you, and then we can talk about whatever we feel is relevant to talk about the early Tricia, Tricia Copeland ** 04:35 right? Well, I grew up in rural South Georgia, small town in south Georgia, and always loved reading and hiking and the outdoors, and very quickly, knew that maybe I didn't want to be in a small town forever. So I went to college in Atlanta, and I got a degree in microbiology, and from there, I got a master's. Degree, and I started my career in Central Research and Development at a chemical company, a large chemical company. So I was looking at making chemicals from microbes. And that was very exciting. That was my dream job that I'd always wanted. So that was very cool to be able to achieve that goal, and I actually didn't like writing until I started doing more technical writing with papers and patents. Michael Hingson ** 05:29 Technical writing can be boring, but people could make it more exciting than oftentimes they do. I would say I've had to do some of it. I understand Tricia Copeland ** 05:39 well, you have to like the topic, right? If you don't like the topic, you're not going to like the paper, Michael Hingson ** 05:45 right? But also, I think that a lot of technical writers write and it's all very factual, but I think even in technical writing, it would be better if writers could do some things to draw in readers. And I've always felt that about textbooks. For example, my master's degree and bachelor's degree are in physics, and I've always maintained that the the physics people who write these books, who are oftentimes fairly substantial characters in in the genre, if you will, or in the field, could do a lot more to interest people in science and physics by rather than just doing these technical books, telling some stories along the way, and bringing people in and making people relate more to the topic. And they don't do that like I think at least that they should. Tricia Copeland ** 06:36 I guess that can be said, maybe for every technical Yeah. Area, Michael Hingson ** 06:43 yeah, it would be nice if technical writers spend a little bit of time, but of course, then the other side of it is that the industry doesn't want that. So what do you Tricia Copeland ** 06:54 do? It may be a catch 22 on that one Michael Hingson ** 06:56 might be, but that's okay. So how long did you stay working at the tech at the chemical companies and so on? Tricia Copeland ** 07:06 I was in the lab for four years, and then I moved into the patent Legal Group. So I began my career as a Patent Agent, and now that's what I do for a living. My day job is that I help clients draft and file their patent applications. Michael Hingson ** 07:22 So you have your own business doing that. I do, yes, oh, Tricia Copeland ** 07:28 well, I write by day and I write by night. Michael Hingson ** 07:32 Yeah, well, that can be pretty exciting, though. You get all sorts of interesting things to write about. I Tricia Copeland ** 07:40 do I meet a lot of cool people that are inventing cool things. Michael Hingson ** 07:44 So here's the question, do you ever find that what you write about during the day influences you, and you want to use some of that, or the general concepts of some of that, at night, when you're doing your your fiction writing? Tricia Copeland ** 07:58 I haven't done that yet, I did write one dystopian fiction about a viral pandemic, and that touched on a little bit of my background in microbiology and genetics, but not anything that my clients have done Michael Hingson ** 08:19 well. So you got into the patent field when you when you started doing that initially, were you doing it for a company, or did you just leap out on your own and start to have your own business? Speaker 1 ** 08:30 Yes, I was doing that for a company. Okay? And how long did you do that? I was at that company Tricia Copeland ** 08:35 about a year and a half. And at the time, we lived in Pennsylvania and outside of Philly. So then we had a job change, and we moved to Denver, so I took a little time off to be with my kids before I started my business. Michael Hingson ** 08:53 So how long ago did you start the business? Speaker 1 ** 08:57 In 2012 so 13 years doing it a while? Wow, Michael Hingson ** 09:01 okay, and obviously you're having some success because you're still doing it. Tricia Copeland ** 09:05 I am. Yes, I love helping my clients, and feel like I can definitely give them a value add Michael Hingson ** 09:14 if you're not giving something away. What's probably the most interesting patent that you helped somebody work on attaining Tricia Copeland ** 09:24 I will say, I worked with an inventor a year ago, and amazing man, he had had his career in education and teaching, and he developed a set of blocks to help people or Help kids. I should say, learn the parts of speech so you could put the together, the blocks, whether it was a subject, verb, pronoun, noun, adjective, adverb, and I learned parts of speech that I never knew existed from helping them with this application, and I was very excited. To help him get his patent. That's kind of cool. Michael Hingson ** 10:04 Yeah, I am fair. I'm not sure I know all the parts of speech, but I remember being involved in high school well and in elementary school and diagramming sentences and learning a lot about the different or a number of the different parts of speech. Not sure I necessarily remember all of them extremely well, so I probably split infinitives and well, what do you do? Tricia Copeland ** 10:28 Yes, I hated sentence structures. Michael Hingson ** 10:35 Well, so what got you started then, since you were writing patents for people and so on, and helping people in securing patents. What got you then started in dealing with fiction writing, right? Tricia Copeland ** 10:49 Well, when my kids were very young, I was a stay at home mom, and most of my days were spent chasing them around, occupying them, entertaining them, shuttling them from one place to another. So I realized in the evenings I was bored. I did my mind didn't have enough to occupy it. And I was about, I think it was about 38 and, you know, looking at my 40 year old birthday and thinking, huh, well, and I maybe it was like my 20 year high school reunion. I don't know why it coincide coincided, but I started thinking about my early college years I developed anorexia, and thinking about that time in my life and how poignant it was that I was able to recover from that disease and really gain some life skills from that experience. So I started a story that was a fictionalized account of my experience with anorexia and recovering for anorexia. So my first series, called the being me series, is a four book series about a character named Amanda who develops anorexia and then is able to recover. Michael Hingson ** 12:01 So what caused if you understand, or, man, I don't know a lot about anorexia, Anorexia, and probably have some misconceptions about what I'm about to ask, but what, what caused it? Why did you develop that condition? Tricia Copeland ** 12:16 Well, there's a lot of I mean, it happens differently for a lot of people, I think anorexia is a lot about control and having control over your environment. And I got there was a number of factors that I was depressed and not happy about not feeling like I was achieving, maybe what I should be achieving, and instead of someone might have turned to alcohol or drugs to alleviate those stressful feelings. I channeled all that into Okay? Well, if I'm just thin and if I just look good enough, then everything will be fine. And obviously, once your brain starts to get in that cycle, it just compounds on itself. You can't stop yourself from thinking that way. Yeah, Michael Hingson ** 13:05 and what helped you get out of doing that? Was it writing or what? What really caused you to realize that ain't the way to go? Tricia Copeland ** 13:16 Yeah, I almost died. That was it very it was a low point. And really, you know, if I didn't do something different, if I didn't let people help me do something different, I would not have made it. So really, you know, a lot of that is like educating people how serious eating disorders are, as well as how helpless sometimes the person that is experiencing them is in being able to help themselves. Michael Hingson ** 13:48 And you said that this happened somewhat in your your college years. Tricia Copeland ** 13:53 Yes, I was 20. Michael Hingson ** 13:56 Were there a lot of pressures were, were people criticizing you in any way that helped contribute to it, or was it sort of really Tricia Copeland ** 14:04 internally? Part of it was internally. Part of it was, you know, what I thought people's expectations I was in. I was at a engineering school and I was a biology major, so maybe that wasn't the best place for me. Everybody was very high in performing. Yeah, yeah. There are many, many factors, I think, and just my my brain that was not processing things, maybe as realistically as they could have been processed. Michael Hingson ** 14:33 But what you eventually did about it was to write a series about it, so clearly you were able to move beyond it, and then, if you will, talk about it, Tricia Copeland ** 14:45 right, right? So I went into inpatient recovery, and then was able to get the help that I needed with therapist and psycho psychiatrist and support groups, and that was a big help. And then, yes, 20 years later, I. Wrote a series about it. Michael Hingson ** 15:02 Well, that's pretty cool. And again, it's I'm always one who admires people who are able to and willing to talk about things. I went to an event last year was the Marshfield, Missouri Cherry Blossom Festival, and the Cherry Blossom Festival, which happens every April, is a celebration of American history, and they'll bring people in who have some relationship to an historic event, or who have relatives who were so for example, the great grandson of President Grant was at this event, but one of the people who was there was a former secret service agent who rode in the car behind John Kennedy when he was in Dallas and assassinated, and it took him 45 years to get to the point where he could come out of his experiences enough to start to talk about it, and I just have always admired people who do that. For me, being in the World Trade Center on September 11 and getting out, I never really viewed it as all that traumatic, but I guess it was, but my way to deal with it was, and I realized it much later, but we had so many newspaper reporters who wanted to know about the blind guy who got out of the World Trade Center. I talked about it, I mean, answered everyone's questions. And that was ironically, I love to pick on the media, but ironically, it was the media that really probably helped me move forward from September 11 the most. Tricia Copeland ** 16:41 Yeah, I can imagine that was a lot of processing that you were able to do, as you talked about it. Michael Hingson ** 16:48 People asked all sorts of questions, some really good questions, some not so good questions. And we got to observe all sorts of different types of press people. We had one Italian film crew who came to our house, there were 13 people, most of whom didn't really seem to do a whole lot, but they were there. And then there was a Japanese crew that came. And I think there were two people. It's just amazing what you see and what you learn. And for me and my wife, both now my late wife, but both, both of us love to observe and study and really think about what all these people are doing and how they do it, and we use it as ways to help us learn more about things, if you will, studying and being a student. I think of life as always an important thing, Tricia Copeland ** 17:39 right, yeah, and I guess everybody reacts different to trauma and how you can process that everybody needs a little bit different. But yes, if you could look at things through a learning lens, that can definitely help too. Michael Hingson ** 17:52 So you wrote the being me series. How many books are in that series? Four books, four books. Okay, and so, how long ago did you write those? Tricia Copeland ** 18:03 I published them between 2015 and 2016 Michael Hingson ** 18:07 Okay, did you self publish or I do? Yes, you still do. Okay, great. Well, all right, and then what? What made you decide to then continue and start going into sort of teenage and so on, fiction and fantasy and so on, right? Tricia Copeland ** 18:31 I realized that I just loved writing, and it was something that I didn't want to stop doing. So when I looked around for my next genre to write in, it was very obviously fantasy. For me. I read fantasy from a very young age. I loved Merlin and King authors legends and the Lord of the Rings and all of those books as a young person and a young adult, and that's just what I wanted to write. So my first book, interestingly enough, my editor sent it back to me and said, This is not fantastical enough. You need to make it more paranormal. So it took a minute to make that switch. What Michael Hingson ** 19:15 book was that Tricia Copeland ** 19:16 that is drops of sunshine and it is mirrored off an experience I had. I was a camp counselor at a camp for the blind when I was in I guess after my freshman year of college, and the campers in my story have these extra sensory skills where they can read people's minds. That was the paranormal aspect of my book, and that's not known in the beginning the story to our main character, and then she discovers that these kids have this special talent, and that was how my fantasy books started out. Mm, hmm. Michael Hingson ** 20:00 Then where did it go from Tricia Copeland ** 20:01 there? Then I jumped into the witches with the kingdom Journal series. I developed a character that was a vampire or is a vampire witch hybrid, and so she has a vampire mother and a witch father, but she doesn't know who her father is. She's never met him. And to make things a little bit harder, vampire witch Hyderabad are not allowed, but either the witch lines or the vampires, so both the vampires and the witches got together and said, these beings are too dangerous. We're not going to allow them in our society. And if she's discovered, then she'll be killed. That was the first character, Alina, and she's and to give her just a little more stress, I put her in a human High School, so now she pretends, you know, can't pretend to be a witch. Can't pretend to be a vampire. She needs to be human too. And, yeah, so that was a really fun book to write, and that's the series where the trinity of witches has to come together, so she has to find the other two witches of the Trinity, and they each get to tell their story in the books too. So that's why it's called the kingdom journals. It's a little bit of a journal format, so each character gets to tell their own story as well as telling the overall plot line of the series. How Michael Hingson ** 21:19 do you come up with these characters and create these stories? I mean, it's very imaginative. I wouldn't have thought of it. How do you, and I'm sure other people say that, but how do you create the characters? How does all that Tricia Copeland ** 21:32 work? Yeah, I set out, funny enough, I set out to write a vampire series that was my vampire is my favorite fantasy characters. And I thought, Okay, I'm gonna write a vampire series. It's not you don't want to do it too far out from what most people write or most people think of vampires. But I wanted my vampires to be a little bit different from the other vampires and other series. So I had this idea of making the vampire witch hybrid and her set in a human High School, and what would that look like? And then the challenge? I wasn't sure what I wanted to do with the challenge, but somehow I came up with this curse, and the curse was on the witch line, so it very quickly morphed into more of a witch book and the magical side of things, but the vampire characters are still there, and I explore them a little bit, although not as much as the witches. Michael Hingson ** 22:27 Do you find that the characters essentially tell you what they want to be and who they are and why they do what they do. How much are the characters involved in your writing process? I've heard other authors say that that in some of the fiction things, the characters really create the story Tricia Copeland ** 22:47 they do. I feel like my books are very character driven. So how I usually start with the idea for a character and think of their personality, their challenges, what I want, what themes I want to show with that character and then build the world sort of around that character. So it shows those themes and those character traits and what they're overcoming, either in their personal life or in their their physical life, right? But I do have characters that go off script. In the second book, kingdom of darkness. I have a character who we're not sure if he's a good guy or a bad guy. The main character thinks that he may be trying to delude her into thinking he's good when he's not really good. But I wrote him so well, like he was so nice that I couldn't make him a villain. So he became, I rewrote the story a little bit. I'd written it in my mind, I guess, but I rewrote it a little bit. So he did end up being a villain. And then somehow he got his whole own book, so he gets to star in his whole book after that. Michael Hingson ** 23:54 And does he stay a villain? No, he Tricia Copeland ** 23:57 didn't stay. He didn't was never, I mean, I kind of wrote it so the main character thought he was a villain, but in the end, I didn't make him a villain. Michael Hingson ** 24:06 Well, I like books like that. I yeah, I think that most creatures are generally pretty nice. Tricia Copeland ** 24:14 We would hope so, Michael Hingson ** 24:16 although I don't know that that bears necessarily are overly generally nice to people, but, you know, who knows? Yeah, that doesn't mean they're evil either. Well, no, yeah. Tricia Copeland ** 24:27 I mean, they're just living their life, right? That's they need their food sources. Is just like we need our food sources. So Michael Hingson ** 24:35 I'd rather not be their food source, though, but that's okay, right? Tricia Copeland ** 24:39 Yeah, and I don't know. I do struggle with, like, evil or antagonistic characters, because I'm, I don't like the idea that there's a character that is purely evil for no reason. So that is, that's always a grapple in an author's mind. I think, Michael Hingson ** 24:56 well, and you know, I'll go back to Harry Potter. Modern Of course, we have Lord waldemart, who was definitely evil. But even so, the way she created the characters and the way she crafted the books, which probably in some ways, are similar, just in a process of what you do, it's not necessarily overly graphically evil. Even if there's evil, it isn't so graphic that you you you become totally adverse or against it. Evil or bad things are there, but it's all on how you present it. That's why I like books that are essentially puzzles, if you will, because they leave a lot of things to your imagination, and they give you the ability to as a reader, think about it, but as a writer, you also are essentially drawing the reader in to where you want the reader to go, but, but they're puzzles, rather than just some graphic thing, talking about all these horrible, mean, nasty things that a character may do. Tricia Copeland ** 26:08 That's true, and it's all perspective, right? So the quote, unquote villain in my series is out to destroy all the vampires. But then you meet vampires that are good vampires, right? And you think, Huh, well, maybe this one vampire shouldn't be destroyed, because this vampire is not acting in a mean or hurtful way. So many sides to those questions, Michael Hingson ** 26:33 yeah. Well, so the Kingdom series. How many books are in that one? Tricia Copeland ** 26:38 There are four books in the main series, and there's a prequel to that series, okay? Michael Hingson ** 26:45 And then what happened? What happened after that series? Tricia Copeland ** 26:48 So in the finale, kingdom of war, my witches were going to have this huge battle against a vampire army that the evil witch created to, you know, battle the good witches. Yeah, she put which souls in the vampires. So that made them sort of like super vampires. But anyway, my witches needed an army, and I thought who would be a good character to be, to have an army that can come help the witches. So, yeah, the beings I thought of were fairies, and I created a queen Titania, is her name, who had an army who would come help the witches battle these vampire witch soul hybrid be. And when I created her, she just kind of took on her own character, and I quickly morphed that into what was her backstory, what were struggles? Where was she living? Where would the spay army come from? And that is what kind of launched my realm chronicle series, that the finale is coming out next month. Well, Michael Hingson ** 28:10 that's that's pretty cool, and that that answers, again, the question we talked about earlier. The character actually took over, if you will, the writing, which is always cool, because that really shows how deeply you're invested in the characters and you let them have their voices, right? Tricia Copeland ** 28:26 And I couldn't really give up the characters from my kingdom Journal series. They not, you know, not to give too much away, but they do complete their first quest and but this evil witch who's trying to destroy the vampires is still out there somewhere, so I couldn't completely let them go. So the witches from my kingdom Journal series come into the round Chronicles series, and the fairies and the witches are continuing to help each other. Michael Hingson ** 28:56 Well, that's cool. Well, it's kind of neat to even though it's a new series, and I assume you can read one without reading the other, but still, it's neat that you, you follow on and help to craft and expand the world. Tricia Copeland ** 29:11 It's been a lot of fun. And I, you know, selfishly, I didn't want to let go the characters. I felt like they had a little bit of story left in them, and I was able to do that through the round chronicle series. And yeah, it it was a lot of fun for me to Michael Hingson ** 29:26 write. And now, of course, the question is, will there be a lot more story with them, which is part of the adventure that will come next? Right? Tricia Copeland ** 29:33 Yes, I'm, I'm thinking of that. I put my characters through a lot. So after I finished the finale, I felt like I just had to let them rest. I'm not really sure if I will continue with those same characters or or either pull out some different characters from that book to have their own stories. Yeah, Michael Hingson ** 29:54 well, it's, it's going to be an adventure. No question about. It 30:00 definitely so Michael Hingson ** 30:04 with your books. Do you have themes in your books? That is, are you? Are you trying to convey messages? Do you have themes and things that you want people to think about as they go through reading your books? Tricia Copeland ** 30:16 I do. I feel like I like that in the book, and so I kind of embed that in my books too, but it's really more about what is the character grappling with. Not only, like I said in their physical world, maybe Queen Titania is the first female queen in her realm, and some of the old guard, other monarchs are not sure that a female should be able to rule, So that's sort of an out, outside challenge. But she also has inner conflict and challenges where she's not really trusting that she really can do it and she's really supposed to do it, and should she, you know, hand the crown to someone else who may be older or wiser or and so it does she have faith in herself. You know, would sort of be that theme there. And so each of the books have, I mean, it's not like I say, hey, the theme of this book is you need to believe in yourself, yeah, but just showing that the character arcs and how they overcome their challenges. Michael Hingson ** 31:22 How do you again create those? How do you work those in what? What's the process that allows you to to put those themes in and and add them to the book and bring that value out? Right? Tricia Copeland ** 31:37 I guess it's just how, the way I the challenges I choose to put in front of my characters and showing them fail at times, and showing them I do write first person, so you're getting a very up close view of what the character is thinking and feeling at all times. So I think that helps with a little bit of that, knowing that the character is struggling with whatever their um, XYZ, inner, inner turmoil that they're struggling with. And then, you know, just having other characters bounce things off of them, because the character themselves might not realize, hey, I I get anxious when I'm not in control of situations. So, you know, somebody might say, Hey, you're doing this again, stop. Michael Hingson ** 32:29 That's why we have editors, 32:30 right, Michael Hingson ** 32:33 and other people to help well, so you are you, but you clearly talk with your characters and you let them have a voice, which is, I think, something that adds a really great dimension to the writing that you do. And I think it's very important to do that. Tricia Copeland ** 32:51 I hope so. I have very detailed character sheets for each of my characters. I create much bigger back stories than, probably, than really makes it into the books, just to be able to know, like, how my characters will react in situations, what their growth needs to be, where areas that I want to show that growth, and what's most important in their values, And how would they react to all the different challenges? Michael Hingson ** 33:24 What caused you to bring fairies into it again? I think that's pretty imaginative. You were writing about witches of vampire. Fairies are are different. How did that come about? Tricia Copeland ** 33:34 Honestly, I was at a book event, and a person was walking around with these postcards, and they were trying to get authors to write a short story for an anthology, and it had to be a fantasy genre, and it had to be a character with a mental health challenge. But the image on the postcard was of a fairy, and she was hunched in a meadow in these grasses, and she looked kind of anxious or scared, maybe even a little timid or worried. And I thought, Oh, that's a cool image. It was very striking with the green grass and her fairy wings and just her eyes were like had just a lot of feeling behind them. So it caught my eye. I never thought I'd write about fairies. I was looking for the Army for my witches, and I thought, well, you know, the fairies could be like the characters the witches go to. So it was just kind of happenstance that I happened to see this fairy character on a postcard and think, Huh, I could, you know, the fairies could be the answer. Michael Hingson ** 34:44 And turns out, they were, they were Yes. So are all fairies girls? No, okay. Tricia Copeland ** 34:51 I mean, fairies are much like humans in my world, except that my fairies have wings. They in. Middle Earth, which is just below earth. So they share our same bedrock. It kind of mirrors our Earth in my world. And they have rings where they can come back and forth between the fae and the human realm, and they live in our contemporary times. I like those themes of there might be witches, there might be vampires, there might be fairies that walk alongside us every day, and we don't know it. Michael Hingson ** 35:24 And do they know Bill Bo Baggins, since we're talking about Middle Earth, just Tricia Copeland ** 35:29 they do, well, they might have read the book. I don't know that they met him personally. Michael Hingson ** 35:35 Yeah. Well, that's, you know, another, another story, but it's but it's cool. What other kinds of characters are you thinking of for maybe future books, outside of witches, vampires and fairies, Tricia Copeland ** 35:49 right? So I won't give too much away, but no, in order to perform some of the spells that they need to perform in, I guess in two of my books in this series, to be a Fae legend, which is the third book of the series, and to be a Fae which is the finale, The last book of the series. My witches and fairies need to perform these spells. So they need a great amount of power or energy, and they have to assemble different kinds of beings. And in the finale, they have to assemble 12 different kinds of beings. If you try to make a list of different kinds of being, you actually in ones that the witches and the fairies could find in the human realm, like so I had an elf and the werewolves and nicks and selkies like so the Nicks are shape shifters that shift into fish, and then the selkies are shape shifters that shift into now I'm blanking not walruses seals, sorry. So yeah, I had to go find all these different characters. So all of those characters are in this final book, and I I'm thinking of maybe some of those characters that can form a new series. Michael Hingson ** 37:11 So are all trolls, mean, nasty creatures, or, do you know yet, Tricia Copeland ** 37:16 in my series, they are depicted as that? Yes, Michael Hingson ** 37:21 how about gnomes? I don't have any gnomes. Well, there's another one for you to look at down the line. Might be. It might be interesting to see where that goes. Of course. Yep, so you but you have a variety of characters, and I think it's it's great when you have a rich culture of a lot of different characters. And of course, there are all sorts of potentials for conflict or for different creatures to work learn to work together too, Tricia Copeland ** 37:56 right? The Fay historically have not worked with other beings or creatures. They very much kept to themselves and had primary purpose. They think their primary purpose is to protect the humans from all the evil spirits. So that has been their focus historically, and they've shunned other groups of beings based on whether they thought they were descended from the Creator, who's sort of like their god or the creator or the evil one, right? So the Fae believed that the vampires and werewolves, for instance, were created by the evil ones, so they shouldn't associate with those types of beings, and there's a lot of learning in there. I guess you could say it, are we going to partner with these beings, and how? What does that look like? And is that really okay? And can we choose a different path than what our predecessors have chosen? Michael Hingson ** 38:59 And I guess it's sort of pretty clearly, is that they somewhat do that. Tricia Copeland ** 39:06 Yes, they do. And Titania, our main character, is very much the Herald for that type of behavior and that type of community and that type of acceptance Michael Hingson ** 39:23 well. So your next year, your book will be out in July, and then where do you go from there? Tricia Copeland ** 39:31 Yes, so like I said, I'm tossing around ideas for fantasy characters. I also write in the romance genre, so generally, I'll write a fantasy, and then I'll write a romance. I'll switch back and forth between writing those. The past year and a half, I guess I've been focusing on finishing this fantasy series, so I have two romances now queued up that I'm excited about writing, and we'll get to those first. I Michael Hingson ** 39:58 think, hmm. What romances Have you written already? Tricia Copeland ** 40:03 So after the being me series, I started the perfect romance series, which the first book was a little bit different from a typical romance. It has five parts, and it's the same main character, but based on decisions at different times in her life, her life goes off in a different way. So you see her go to France and fall in love with the French man, or you see her take a job in New York City and fall in love with a investment banker. And so you see her in different stages of her life, having made different decisions, but still finding happily ever after. So that kind of kicked off that. And somebody, somebody called it speculative romance at one time, and it's more like make your own story or choose your own ending type of book. But from there, I initially thought I would write like a full book showing each of the happily ever afters with that same character, but I wrote one book showing one happily ever after scenario, but then decided that I would look at all of her friends lives so they all met in college, and they were in this one sorority together. And so I write different books showing the different friends love stories. So I've written perfect. Was the first one perfect, always with Chloe. And then Brie book is a close as close to perfect. And this is still set in Lexington, Kentucky. And then the last one is perfect office pack, which is a enemies to lovers, office romance. Michael Hingson ** 41:51 Now, do you put a lot of sex in your books? I Tricia Copeland ** 41:54 don't know. My books are what's called closed door or fade to black, so you'll see some kissing, but not much more than that, Michael Hingson ** 42:03 and that's fine. And the reason I asked that question was to get to the whole issue of so many people when they're writing, just have to make everything so graphic. There's got to be all this sex and all this other stuff that they put in them. And my view has always been, is that really necessary? And I gather you, you're essentially saying the same thing. And again, it's like detective stories. I love to read a lot of detective stories, but I like the detective stories most that are puzzles. That is, I want to figure out who done it. I don't need all the graphics of how somebody got murdered, or what happened. It happens. You don't need to put all that graphic stuff in to get to dealing with the puzzle. And it's the same thing with sex. You really need all that. Like a lot of comedians, it's all the shock stuff. They got to have all these horrible words, swear words, and everything else but the best comedians, I think most people, if they really study it, will agree, are the ones that tell stories without all that dirty and sex stuff in it. Tricia Copeland ** 43:12 And that's what I like to read and what I like to watch, too. But there are definitely people that enjoy different types of books. Yeah, there are, yeah, Michael Hingson ** 43:21 yeah, I hear you, but I, I would prefer to be able to use my imagination in various things. So one of my favorite detective stories or Characters of All Times is Nero Wolfe, written by Rex Stout, because he he writes in a way where you don't see all the graphic and don't need to see any of the graphic to get the entire picture. He describes enough so you know what's going on, but he doesn't deal with it in a way that would How do I put it? Offend anyone? Tricia Copeland ** 43:59 Right? And I would probably argue that mystery books are would be the hardest to write, I think, because you have to give enough clues throughout so that the reader doesn't think, Oh, I would have never thought that was the villain, but you don't want to put too much in. So it's so obvious who the villain is, right? So I think it's the ways those authors weave those stories are very intricate and thought out and multi layered and impressive to me Michael Hingson ** 44:34 well. And the reality is that sometimes, and again, I'll use Rex Stout as an example, when you find out who did it, or who the bad person was, and Wolf explains it clearly, all the clues were there, but it would be really hard for you to put it together. Now, there have been a few times where there were things that he didn't tell you, that if you if he had said those. Because during the book, you might have figured it out, but mostly the clues are somewhat there, but it is so subtle that I doubt very many people would figure it out, which Tricia Copeland ** 45:14 is, yeah, definitely. Michael Hingson ** 45:17 It makes it so much fun. When that happens, it is. So you're, you're still deciding what you want to do for your next series of books, or what, what the next realm will be, if you will, Tricia Copeland ** 45:31 in the fantasy genre, yes, I'm still deciding which way to go with my next characters. Michael Hingson ** 45:38 Yes, right, but you're going to probably do some romances before you go into those. I Tricia Copeland ** 45:43 am, yes, I was just writing a newsletter to my subscribers. In the last book, I had subscribers pick names for my characters. And so in this book, I thought, You know what? I don't like this character has has only been introduced and very briefly in one of the books, and so she doesn't have a lot of backstory. And I thought, You know what, I can just ask my readers, where do you think she should live? What are her hobbies? What does she like to do? What's her favorite book genre? I thought that would be a lot of fun for my readers to direct some of that. Michael Hingson ** 46:18 And what kind of answers did you get? Did you get a lot of feedback? Tricia Copeland ** 46:22 Like I said, I Well, with the names one when? So I'm just sent out the poll today, new one, but for the name ones, yeah, I would. I got like 100 answers. And then I thought, you know, next time, I won't do the names, because sometimes names are so personal and can vote like a lot of emotion that people get very heated about people's names. Michael Hingson ** 46:47 Now, do mostly women answer? Do you get both sexes answering your questions? It is Tricia Copeland ** 46:52 mostly women, but definitely, maybe 10% male, I would think. And actually, I feel like I have more interaction, and that's mostly on the fantasy side, but I feel like I actually have sometimes more interaction. Maybe, I don't know, maybe this get more passionate about fantasy? Michael Hingson ** 47:13 Yeah, probably so. But you know, there's, there's something to be said for reading a good romance book. I like cozy mysteries as well, and a lot of those are really combinations of mysteries and romance, and the mystery part is oftentimes more straightforward, but it's just the whole book and the putting the entire book together that makes it so much fun. Tricia Copeland ** 47:41 Yeah, those can be a quick, you know, kind of feel good read. I yeah for that genre, yeah, and Michael Hingson ** 47:49 there's nothing wrong with that. It's good to have feel good books occasionally, Tricia Copeland ** 47:54 too. I am all for feel good everything, yeah. Michael Hingson ** 47:58 Well, when I travel, I like to read on airplanes, and I like not to work and do reading that's really related to work, because going and coming from events is really the time that I get to have the most down time once I get somewhere I am on until I am on the airplane coming home. And so it is the way to relax. So I enjoy reading things that will allow me to relax when I'm going and coming from trips or from events, which is so important, I think, to be able to do and I think people should do more of that. It's always worth slowing down some and really letting your mind just wander. Tricia Copeland ** 48:38 Yeah, plane trips are my favorite, because that's I do the same thing. I read on the plane, and I listen to audio books mostly if I'm home, when I'm exercising or when I'm doing chores. But to be able to sit down and read doesn't happen that often. Michael Hingson ** 48:56 What do you like to read most from audio books? What? What genre? Tricia Copeland ** 48:59 Um, exactly what I write, fantasy and romance. Michael Hingson ** 49:03 What's your favorite fantasy books Tricia Copeland ** 49:06 I just finished, and I'm so behind because I don't read fantasy when I'm writing fantasy. So I just finished Holly Black's, the folk of the air series, the cruel prince, I think the cool prince, the wicked king and the queen of nothing. I think they're the three books in that series. So that was really good series. And I'm writing Emily's wild encyclopedia fairies right now. So I just started that get Michael Hingson ** 49:33 a little bit more information on those fairies for a future book. Right? That's that's kind of important to do. So do you produce with I've asked a number of people this, and I'll ask you, do you arrange for audio books to be produced from your series? Tricia Copeland ** 49:53 I do both my fantasy series, The Kingdom journals, as well as the realm Chronicles. I have audio books. Four. I'm a little bit behind in the realm Chronicles. My Narrator had some health problems, so I'm switching narrators. But my new narrator, Tina walls, wolsen craft, yes, I think that's how you pronounce her last name, she will be working on the fourth book in the realm Chronicles series in September. So I'm hoping that will come out in October, and that will be my, my eighth audio book. Michael Hingson ** 50:23 And where can people get the audio books? Tricia Copeland ** 50:26 So the kingdom Journal series is on all platforms, and then the realm chronicle series, the newest series, is on Audible. Okay, Michael Hingson ** 50:37 so and again under your name for the author? Tricia Copeland ** 50:42 Yep. Tricia Copeland, author, the Kingdom Journal series. The first two books are female character, so and now I'm blank. I can't believe I'm blanking on her name. It'll come to me in a minute. Yeah. So I had a female narrator for the first two books, and then the second two books are male Lee main characters. So Dan Delgado did the narration on those and then Jillian Yetter, who was the most amazing narrator for Titania. She even had pink hair, just just like Titania does, a hold of the the cover of the book has Titania is pink hair. So that was really fun to work with her, and we won an award for the second book in that series, to be a fake guardian Michael Hingson ** 51:26 in audio book. Oh, cool. What was the award? It Tricia Copeland ** 51:29 was independent book publisher Association, young adult fantasy, Silver Award. Michael Hingson ** 51:35 Oh, cool. That's exciting. It's always good to have awards. Have you run other awards along the way? Tricia Copeland ** 51:40 I have several Colorado independent book Publishers Association for the first book, kingdom of embers, in the kingdom Journal series, as well as several the global Book Awards for to remember it to be, to be a fake queen, which is the first book in the kingdom journals and as Ray at my Aztec mythology. Michael Hingson ** 52:06 So how many books have you written all together? Speaker 1 ** 52:08 Next month's book will be 23 Wow. Michael Hingson ** 52:13 That is really exciting. Well, I know we're putting in the show notes, the picture of the book cover for the next book. And as I mentioned earlier, if you want to send us other books that you think people ought to read, we'll put those pictures in the the notes as well. I'm glad to have all the pictures you want to share. Tricia Copeland ** 52:31 I will definitely share them. Thank you. Well, Michael Hingson ** 52:34 so is there anything else you'd like all of our listeners and viewers to know or to think about going forward, Tricia Copeland ** 52:42 right? Well, if you go to my website, which is triciacopeland.com, Michael Hingson ** 52:47 and Tricia is T, R, i, c, I A, Copeland, C, O, P, E, L, 52:53 a n, d, l, a n, d.com.com, Tricia Copeland ** 52:56 yes, if you go there, and if you just want to get a trial of my books. If you subscribe to my newsletter, then you can read a free short story fantasy as well as a free short story romance. Michael Hingson ** 53:07 Oh, okay. If people want to reach out to you, what's the best way to do that, Tricia Copeland ** 53:13 they can reach out on direct message, on social media, or my email is Tricia T, R, i, c, I a@triciacopeland.com 53:21 too. Okay, Michael Hingson ** 53:24 then people can, can reach out and and they'll, I'm sure, have all sorts of ideas for you. Tricia Copeland ** 53:31 I love ideas, and I love talking to readers about my books. Michael Hingson ** 53:36 Yeah, I I've written three, and I love getting comments and feedback from people, because I get new ideas and new thoughts. And mine are really all about helping to inspire people and so on. So it's it's always good when people have their their observations, whatever they are. 54:01 I agree. Michael Hingson ** 54:03 Well, anyway, I want to thank you for being here. This has been a lot of fun, and I really value your time being here, and I hope people will reach out and and also, more important, get your books and read your books and review them. One of the most important things that all of us who are authors will tell anyone is, please review the books. Please go to places like Amazon and Reddit and so on and review the books, because those reviews are are viewed and paid attention to by so many people. So giving an author, a great review is always a wonderful thing to do. Tricia Copeland ** 54:44 We do appreciate those and thank you so much, Michael for having me. Michael Hingson ** 54:48 Well, it was my pleasure, and I want to thank all of you for listening and watching today. We really appreciate it. If you've got any thoughts, I'd love to hear from you, please email me at Michael H i. M, I, C, H, A, E, L, H, I, at access, A, B, A, C, C, E, S, S, i, b, e.com, but also go to our podcast page, www, dot Michael hinkson.com/podcast, you can see all of our podcasts there, but they're also available wherever you're listening to podcasts and and you can find the most anywhere podcasts are available. If you know anyone who ought to be a guest that you think would make a wonderful guest, and you'd like to have them tell their stories and Tricia you as well, I would really appreciate you introducing us, because we're always looking for more people to have on the podcast, and so please don't hesitate to reach out and don't hesitate to provide introductions, but again, give us a five star review here on unstoppable mindset. We value your reviews greatly, and we really appreciate you doing it. So I want to thank you, Tricia again, for being here. This has been fun, and I think it's really important that people do get a great sense of what you're doing, and I think we've done that, and we're really anxious to see where you go from here. Tricia Copeland ** 56:08 Thank you so much, Michael, I so appreciate it. Michael Hingson ** 56:15 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.
In this episode of 'Extraordinary Living with Bill and Roger,' Roger Morris discusses the concept of compromise within the church and its detrimental effects on faith. Through the narrative of Eastern Flight 401, he illustrates how distraction and focus on minor issues can lead to catastrophic outcomes, drawing parallels to spiritual life. He emphasizes the importance of knowing and trusting the Word of God, citing it as the instrument panel for believers. Roger challenges listeners to evaluate if they have compromised their faith, encouraging them to stay rooted in scripture and reject misleading traditions or beliefs. He concludes with a call to accept Jesus Christ to transform lives. EPISODE HIGHLIGHTS: 00:00 Introduction: Living as Ambassadors of God's Kingdom 00:31 Welcome to Extraordinary Living 01:01 The Danger of Compromise: Eastern Flight 401 04:25 Spiritual Compromise and Its Consequences 08:08 Understanding and Applying God's Word 12:01 Practical Faith and Overcoming Challenges 16:00 The Importance of Knowing God's Word 17:55 Demonstration: The Compromised Water 19:23 The Parable of the Sower 26:58 Invitation to Accept Jesus Christ Connect with Bill & Roger Ministries: www.billandroger.com Email: roger@billandroger.com Facebook: https://www.facebook.com/profile.php?id=100064668460680
Imagine if our President appointed you to be an Ambassador of the United States in a foreign land. I think you'd agree, that's quite an honor. But you know what's even better than that, and even a greater privilege? God Almighty has selected you to be His Personal Ambassador of the Kingdom of God. We'll spend some time talking about that on Light on the Hill, as we continue our series, In Spirit and in Truth. Pastor James Kaddis has framed his message around Romans chapter one. To support this ministry financially, visit: https://www.oneplace.com/donate/1459/29
Did you know that the average salary for a Platform Engineer is 42.5% more than a DevOps engineer? But why is that?We sat down with Artem Lajko, CNCF Kubestronaut and Ambassador as well as Author of the book Implementing GitOps with Kubernetes. We dive into the role of a platform engineer, the common pitfalls in implementing IDPs and why Backstage and AI won't solve all your problems. And we touch upon a topic hot off the press around Terraform: Its not dead!Links we discussedArtem's LinkedIn: https://www.linkedin.com/in/lajko/Talk slides from Cloud Land: https://lajko10-my.sharepoint.com/personal/artem_lajko_dev/_layouts/15/onedrive.aspx?id=%2Fpersonal%2Fartem%5Flajko%5Fdev%2FDocuments%2FAttachments%2Fcloud%20land%2D2025%5F%2Epdf&parent=%2Fpersonal%2Fartem%5Flajko%5Fdev%2FDocuments%2FAttachments&ga=1State of Platform Engineering Report: https://platformengineering.org/reports/state-of-platform-engineering-vol-3Upjet GitHub Project: https://github.com/crossplane/upjet
YCCI Cultural Ambassador Community Health Watch: Health Education Advocacy and Learning (HEAL): Building Healthy Communities by WNHH Community Radio
Dr kenneth Bruce Allegience To The King Ambassadors From Another Kingdom Daniel 1:3
Dr kenneth Bruce Allegience To The King Ambassadors From Another Kingdom Daniel 1:3
Cliff takes us through what's highlighted in 2 Corinthians 5 in his Bible.Watch on YouTube: youtube.com/sunrisecommunitychurchWatch live on Mondays at 10am: www.facebook.com/sunrisecommunityonline/liveSong: Fredji - Happy Life (Vlog No Copyright Music)Music provided by Vlog No Copyright Music.Video Link: https://youtu.be/KzQiRABVARk
FULL SHOW : We talk Snoop Dogg with AFL CEO Andrew Dillon; One of us has become an Ambassador for the Melbourne Wheel; We get your Guilty Pleasure songs; and Ben Cousins stops by Tomorrow: Michael Zerafa Catch Mick in the Morning LIVE from 6-9am weekdays on 105.1 Triple M. To watch your favourite new Breakfast Radio crew in action, follow @molloy and @triplemmelb on InstagramSee omnystudio.com/listener for privacy information.
On CNN's State of the Union, Dana Bash travels to Wheeling, West Virginia for an exclusive interview with Sen. Bernie Sanders. They discuss his push to bring his progressive message to red states, the Democratic Party's struggles with working-class voters, the escalating showdown over redistricting in red and blue states, the situations in Ukraine and Gaza, and what the future holds for him and his movement. Plus, US Ambassador to NATO Matthew Whitaker joins Dana to discuss President Trump's summit with Vladimir Putin later this week in Alaska. Finally, former Republican Gov. Scott Walker, Democratic Strategist Mo Elleithee, and CNN Political Commentators Kristen Soltis Anderson and Ashley Allison join Dana to break down this high-stakes moment for Trump's economic and foreign policy agenda, as well as what the Texas redistricting fight means for the future of American democracy. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Pastor David Hwang shared from 2 Corinthians 5:16-21 about how we can truly treat each other as the treasures we are before the Lord.
Ambassador Robert O'Brien discusses the upcoming meeting between Trump and Putin Learn more about your ad choices. Visit megaphone.fm/adchoices
Vigs! Radiation poisoning! Hats!Beth and David are back from space, and they've brought with them The Ambassadors Of Death.There's much confusion about the plot; hot scientists; divalicious outfits from Liz; a pregnancy; chunky bottom lashes; and a shoutout for John Whaite Off've Baking's OnlyFans.Next week, we wave goodbye to this series (already?!) as we head to the Inferno...You can get in touch via @whowatchpodcast, or send us some love via email - thewhowatchpodcast@gmail.com.You can also tip The Who Watch Podcast via Ko-Fi, if you'd like.Find socials, the Song Of The Story playlists, and other fun things here, including our occasional chats to the press, because we're proper famous, like.Music by Haydn WynnArtwork by Reece ConnollyPhotos from The Black ArchiveAll clips belong to their respective copyright holders and are used purely for parody purposes Hosted on Acast. See acast.com/privacy for more information.
Ambassador Robert O'Brien: What will happen when Putin meets Trump next week? Learn more about your ad choices. Visit megaphone.fm/adchoices
On the heels of the Prime Minister of Israel Benjamin Netanyahu's announcement that Israel will take back complete control of the Gaza Strip, the U.S. Ambassador to Israel Mike Huckabee discusses his announcement and the current situation in Gaza. He also explains the immense pressure European leaders have put on Israel recently. The Ambassador highlights the recent protests in Israel and the concerns from hostage families about their loved ones' safety. Later, he shares what he has seen since entering Israel, including their love of America. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Hugh talks with former Chicago Mayor and former U.S. Ambassador to Japan Rahm Emanuel as well as South Carolina Senator Tim Scott.See omnystudio.com/listener for privacy information.
When we receive some good news, normally we can't wait to share it… with our friends and family and even through social media! But often we're reluctant to share the greatest news of all… the gospel! How can we get over that hurdle? Join us today on Light on the Hill as pastor James Kaddis shares encouragement from Romans chapter one. We won't be talking so much about how to preach the gospel, but rather the mind and heart of our evangelism. To support this ministry financially, visit: https://www.oneplace.com/donate/1459/29
Disclaimer: This conversation with Mr. Ajay Bisaria was recorded on August 6, 2025 and reflects the information available to us at that time. Any developments that occurred after the recording date have not been covered by the guest or the host.Episode 120 of The Prakhar Gupta Xperience features Ajay Bisaria.Ajay Bisaria is a former Indian diplomat who served as High Commissioner to Canada (2020–2022) and Pakistan (2017–2020), and as Ambassador to Poland and Lithuania. He was an aide to Prime Minister Atal Bihari Vajpayee from 1999 to 2004, contributing to major policy initiatives. Over his 35-year career in the Indian Foreign Service, he specialized in India's relations with Eurasia, including Russia, Ukraine, and Central Asia. Academically, he holds degrees from St. Stephen's College, the Indian Institute of Management Calcutta, and Princeton University. Currently, he is a strategic advisor and Distinguished Fellow at the Observer Research Foundation, advising global businesses on geopolitics, governance, and international strategy.This is what we talked about:00:00 - Intro00:53 - Trump calls India a "Dead Economy"09:21 - Are We in a Tariff War?12:11 - India–U.S. Relations History15:14 - Is Pakistan a New Ally?24:25 - Failures of Indian Media28:17 - Impact of 50% Tariff31:12 - Ambassador vs High Commissioner35:26 - Pakistan as a Paradox38:31 - Collapse of Diplomacy Talks42:25 - Why Pakistan is Different47:28 - Pakistan's Denial of Terrorism50:42 - Indus Water Treaty Basics1:04:09 - Trump's Issue with BRICS1:06:22 - China's Global Rise1:10:39 - Could Bangladesh Betray India?1:14:21 - Complexity of Global Diplomacy1:17:12 - India–Russia Friendship1:18:54 - India's Non-Alignment Advantage1:19:18 - Final Question for Prakhar
Our guest this week is Tom Sander of Charlotte, NC a territory account manager at Liquidia Corporation, a rare disease bio pharma company, and father of three including a daughter with Charcot-Marie-Tooth Syndrome, a rare form of Muscular Dystrophy. Tom and his wife, Julie, have married for 22 years and are the proud parents of three children: Will (22), and twins: Jack (18) and Lily (18) who has Charcot-Marie-Tooth Syndrome, which is a type of Muscular Dystrophy that is a spectrum of nerve disorders. From a very young age Lily has been speaking in public about her condition and how it's affected her and others. She was selected this past year to be one of two national ambassadors for the Muscular Dystrophy Association. We'll hear all about the Sander famiy story on this episode of the SFN Dad To Dad Podcast. Show Links - Phone – (803) 493-7744Email – tfsander2@gmail.comLinkedIn – https://www.linkedin.com/in/thomas-sander-30977b12/MDA Website – https://www.mda.org/press-releases/2025/mda-announces-2025-mda-national-ambassador-lily-sanderCharcot-Marie-Tooth Association - https://www.cmtausa.org/Charcot-Marie-Tooth Research Foundation - https://cmtrf.org/YouTube – 2025 Ambassador https://www.youtube.com/watch?v=stJElfj7uqg&t=11sInstagram Video Burn Bootcamp Be Our Muscle - https://www.instagram.com/p/DIRIv74ODkt/ Special Fathers Network -SFN is a dad to dad mentoring program for fathers raising children with special needs. Many of the 800+ SFN Mentor Fathers, who are raising kids with special needs, have said: "I wish there was something like this when we first received our child's diagnosis. I felt so isolated. There was no one within my family, at work, at church or within my friend group who understood or could relate to what I was going through."SFN Mentor Fathers share their experiences with younger dads closer to the beginning of their journey raising a child with the same or similar special needs. The SFN Mentor Fathers do NOT offer legal or medical advice, that is what lawyers and doctors do. They simply share their experiences and how they have made the most of challenging situations.Check out the 21CD YouTube Channel with dozens of videos on topics relevant to dads raising children with special needs - https://www.youtube.com/channel/UCzDFCvQimWNEb158ll6Q4cA/videosPlease support the SFN. Click here to donate: https://21stcenturydads.org/donate/Special Fathers Network: https://21stcenturydads.org/ SFN Mastermind Group - https://21stcenturydads.org/sfn-mastermind-group/
In this episode of Unstoppable Mindset we get to experience a story of a man who demonstrates what real unstopability is really all about. I hope you will be inspired and that you will learn some good life lessons from what you will hear. Our guest, Kijuan Amey grew up around Durham North Carolina. After completing high school, rather than going to college, circumstances brought him to an Airforce recruiter. He scored quite high on his tests which resulted in his recruiter showing him a list of jobs including working as an in-flight refueling expert. The job was demanding, and it requires significant intelligence. After pondering and speaking with the recruiter Kijuan signed up for the job and spent the next 6 and a half years refueling aircraft in flight. In May of 2017 Kijuan was struck by a motorcycle and suffered a significant number of major injuries. Of course, his career as a refueling expert ended. He actually spent the next 3 and a half years healing and eventually deciding to move on with his life. Kijuan describes himself as someone who always likes getting answers and moving forward. This he did as you will discover. You will hear the story of Kijuan Amey in detail. Today he teaches and he is a coach. He also wrote and published a book. What I haven't told you to this point is that one of the things that happened to Kijuan as a result of his injuries is that he lost his eyesight. As he will tell you, however, “I may have lost my sight, but I have not lost my vision”. Kijuan today is a keynote speaker talking to many audiences and helping people to discover how they can move forward with their lives no matter what befalls them. About the Guest: Kijuan Amey, the visionary behind Amey Motivation, hails from Durham, NC, where his journey of resilience and success began. After graduating from Southern High School, he dedicated a decade of his life to the US Air Force, achieving the rank of Staff Sergeant as an In-flight Refueling Specialist. Medically retired, he transitioned into academia, earning a degree and founding Amey Motivation LLC. Formerly served as the vice president for the Carolina regional group of the Blinded Veterans Association, Kijuan is also a mentor and ambassador for the Air Force Wounded Warriors program. Beyond his remarkable military career, Kijuan is a man of many talents, boasting over 25 years of drumming expertise, onstage acting, and now, an upcoming bestseller, “Don't Focus on Why Me.” However, life took an unexpected turn on May 5th, 2017, when a motorcycle accident claimed his eyesight. Yet, as Kijuan profoundly states, “I may have lost my sight, but I did not lose my vision.” Now armed with an inspiring story of overcoming adversity, Kijuan has become a motivational force, empowering others to reach their highest potential. Whether addressing a crowd of 1,500 or engaging in one-on-one sessions, Kijuan is well-equipped for any speaking engagement. He's not just a speaker; he's a catalyst for transformation, ready for the task ahead! Contact him at (919) 641-8150 | kijuan@ameymotivation.com | AmeyMotivation.com Ways to connect with Kijuan: Website: ameymotivation.com LinkedIn: https://www.linkedin.com/in/kijuan-amey-783889121?utm_source=share&utm_campaign=share_via&utm_content=profile&utm_medium=ios_app Facebook: https://www.facebook.com/share/167F8mGMfR/?mibextid=wwXIfr Instagram: https://www.instagram.com/kijuanamey?igsh=NmZtNHRqbW1meWNy&utm_source=qr About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson ** 01:20 Hi, everyone. I am Michael hingson, and you are listening and or watching our podcast. Unstoppable mindset where inclusion, diversity and the unexpected meet. And for those who may not really understand all of that, we start with inclusion, because if you talk to diversity people, they typically leave out any discussion of disabilities, and today, especially, that gets to be important, because our guest Kijuan, Amey, is blind, and I, of course, as many of you probably know also, am blind, and so we're going to talk about blind, and who knows what else we'll we'll get into all sorts of adventures. There's another thing that Kijuan and I have in common, and he doesn't even really probably know about it, and that is that in my book thunder dog, the story of a blind man, his guide dog, and the triumph of trust at Ground Zero, there's a section called guide dog wisdom. And in the section of guide dog wisdom, number two, the main point of that one is, don't let your sight get in the way of your vision. And that was published in Thunder dog anyway, we'll talk about whatever comes along. But Kijuan, I want to welcome you to doing a stoppable mindset, and thanks for being here. We're glad to have you, Kijuan Amey ** 02:42 Michael, I truly appreciate you allowing me to come on your platform and share my story. Michael Hingson ** 02:47 Well, no allowance necessary. It is all all about people conversing and telling their stories and why they do what they do, and showing that they're unstoppable, so that we can show everybody else that they're unstoppable as well, or really ought to consider themselves more unstoppable than they think. But anyway, we're glad you're here, and looking forward to having a great conversation with you. Why don't we start by you going back and telling us kind of about the the early years of Kijuan, the early years of Yeah. Let's start with the beginning. You know, you know, like they, they always say you gotta start at the beginning somewhere. So might as well start at the beginning. Kijuan Amey ** 03:29 Yeah. So back in the 90s, born in Durham, North Carolina, where I was, of course, raised there as well. I don't live too far from there. Now, honestly, I'm only maybe 2530 minutes from there, so I still consider myself right here in it. Michael Hingson ** 03:48 And of course, having grown up in Durham, you must be a major basketball fan of some sort. Kijuan Amey ** 03:55 What? Why would you say that there's no basketball around here? What Michael Hingson ** 03:58 are you talking about? Yes, 25 miles away from you. Yeah, I am definitely a, a Kijuan Amey ** 04:04 true Understander of the rivalry UNC versus Duke. Okay, oh gosh, and and then I might be from Durham, but I'm actually a UNC fan. Michael Hingson ** 04:16 I was in Carolina once and Northern Carolina, North Carolina in Durham, several years ago to do a speech. And we came in on a Thursday night, and I got to the hotel was pretty tired, but I thought I would unpack and watch TV. And at the time, there was a show on CBS called without a trace. I kind of like the show, so I turned it on, and at eight o'clock, when without a trace was supposed to come on, there was suddenly an announcement that says that without a trace will not be seen tonight, because we're going to be presenting live the basketball game between North Carolina State and University of. North Carolina to see which one is going to go to the chip college championships. And so if you want to watch without a trace, you can watch it Sunday morning at two in the morning. I wasn't going to do that, but anyway. But anyway. So yeah, the basketball. It runneth hot there, obviously, Kijuan Amey ** 05:22 yeah, so it's pretty interesting. There is a meme for those who understands what that is, but it's a depiction. There's North Carolina State, Duke and UNC, all standing on top of a mountain, all of the mascots, and North Carolina State says, I'm going to do this one for my team, and they jump off the mountain. And then UNC says, and I'm going to do this one for my team, and then they kick Duke off the mountain. Michael Hingson ** 05:59 Listen, I'm telling you, man, it is serious around I know it is really serious. It's so serious. So, yeah, Kijuan Amey ** 06:05 no, I grew up in a UNC household, um, grandmother, mother, I mean, dad, hey, listen, if you they even worked at Duke and still were UNC fans. It's just the way it was, you know, and it's hard to when you grew up in it was hard to go against, you know, Unc, when they have such a amazing teams with Michael Jordan, Antoine Jameson, all these guys that came through there, you just like, gosh, these guys were really great. And so it's just one of those things. But, you know, kind of growing up with that lifestyle, you had the two games during the season, and you you hope they met in the in the in the ACC tournament, right? Because you wanted to see if there could be a clean sweep, well. And so this past year, Duke got to sleep. They rightfully, rightfully so, because their star player is going to be drafted number one this year. So they rightfully got it Michael Hingson ** 07:12 another year. I was in brether County, Kentucky to do a speech, and it was the day of the NCAA championship. So one of the two teams was the what Wildcats of Kentucky, and I forget who the other one was, but I was to do a speech that started at 6pm and I was told it was at a high school. And I was told this speech has to end absolutely latest, at 6:30pm because by 631 the gym will be completely closed and and everyone will be gone because everyone wants to go home and see the Wildcats. Well, I did the speech. I ended it at 630 and everyone was gone. By 631 they were flooding out. Boy, I couldn't believe how fast they all got out. I'm Kijuan Amey ** 08:09 telling you. Man, those, what we call them is blue, blue bloods, yeah, and these are the big, the biggest, you know, college teams that that impact that sport. So for basketball, of course, you got your UNC, your Duke, your Kentucky, your Kansas, those types of teams, you know. And football we already know is kind of shifting a little bit, but hey, it's just the way it is with all this nio money now. So yeah, and that's kind of what's going on nowadays. You got to have some money. And the difference between UNC and Duke, one's a private school and one's public. There you go. Well, so tell us. So tell us more about you. Yes. So me, besides me being a Tar Heel fan, I personally, you know, went after high school, graduated from Southern High School here in Durham, and then went on to the United States Air Force. I actually was going to consider going to North Carolina State, but it was not to become a fan. It was because they had one of the better engineering programs in the state, and better than UNC, huh? UNC doesn't really offer engineering. They offer computer science. And I didn't want that. And the computer science is kind of boring to me, yeah? And I mean, I'm just being honest, yeah, that's okay. And so I wanted to do either software or computer engineering, and the two best schools in the state were North Carolina State University and North Carolina agriculture and Technical State University, which we shortened for North Carolina A and T. So those two schools are the best here in North Carolina, which actually get a lot of great funding for engineering. Yeah, by the way. So yeah, that was what I was planning on doing, but there were admission hiccups. And so I said, you guys can have your admission hiccups. I already can't afford you. Anyway, I'm gonna take a different route. And so I have a really heavy or, shall I say my family has a really heavy background in the military, and mostly navy. Jeez, maybe seven, I think maybe six or seven Navy members, and then one army, one Marine, one went from the Navy to the Coast Guard. And then you have me, who kicked off the Air Force journey, and then my youngest brother is now carrying that torch, so he's out there in Italy. Man, I'm a little jealous about it. It's okay. I never got to see Italy. It's all right. It's all right. But anyway, I went into the Air Force and became an in flight refueling specialist. So what does that mean? Exactly, yeah, yeah. That's what I was getting into. I can't just say it without not telling so what that means is, I do refill aircraft, but I do it in the sky. It's basically like airplanes pulling up to a flying gas station, Michael Hingson ** 11:28 which can be very tricky, tricky. Kijuan Amey ** 11:30 That's a That's an understatement of the year. It's dangerous the first so when I was going through school, the first warning that they had in the book says flying two planes in close proximity is inherently dangerous. You think there's no way that's possible. No couldn't be Who are they telling this to? Like, man, it's almost like a five year or five year old needed to read that or something. So I'm just like, okay, the way to scare me. Appreciate it. And anywho I did that job for on paper, 10 years, three months and 17 days. That's how long the military counted. I Yeah, say, six and a half Michael Hingson ** 12:22 years now. Why did you decide to do that, to go into the military? No to to become an in flight? Oh, Kijuan Amey ** 12:31 that's because, well, first, yeah, yeah, you're right. That's a good question, because I had no clue that even existed. Didn't even know until my recruiter showed me, because I scored so high on the ASVAB, he said, I gotta show you something. And I was like, Okay, what is it? And so, you know, when you're going into the military, you're kind of skeptical about them trying to sell you a dream. And you know, so I'm like, and again, I have plenty of military families, so they're all telling me about this. They're like, don't let them sell you no dream. Make sure you pick a job before you go to basic training, because you don't want to go in open general and all this stuff. I said, okay, cool. Well, when he shows me that video, I start giggling. I said, Okay, all right. And he's like, what? I'm like, yeah, that's pretty cool. But what's the actual job you're going to show me? And he's like, this is the job as it that looks like a video game, man. He's like, he was like, I know it's crazy, but you qualify for it Michael Hingson ** 13:40 now. What, what, what characteristic did you have, or what was the scoring on the test that made you qualify for that? Kijuan Amey ** 13:49 I don't know what the exact cutoff is, but I score an 87 on my ASVAB out of 100 so that's that's high. Um, you needed a 50 to get into the Air Force. And I scored the 87 and he was so happy and elated. He called me as soon as he got my score. Not like, waited a day or two, no, he called me as soon as he saw the opening of the email. And he was like, When can you come in? That's all he said to me. He didn't say nothing else on the phone. And I was like, um, I could be there tomorrow. He was like, I'll be here. I said, okay, but anyway, that's literally how excited he was. He didn't even tell me why until I got there, so I had no clue, until the day I arrived in his office, and he was, he pulled out this stack of papers that he had stapled together, which was a was jobs, listing of jobs. And it was like eight pages, front and back, listings. And I'm like, Okay, what is this? And then I get close to it, I read. And I'm like, Oh, these are jobs. He's like, Yeah. He's like, go ahead. You flip through him, if you like. And I'm flipping through he's already started highlighting some and I knew there was something I wasn't gonna do. I mean, there was one of them that wasn't highlighted that I thought I wanted to do, which I'm glad I didn't, because I told it basically been me working on, like, Humvees and trucks and stuff. And he was like, You are way too smart for that. I said, okay, but that's what I know. That's what I just came out of high school doing, you know, because I went to a high school that had vocational trades and stuff. So I loved cars, I still do, and worked on mine until, literally, I couldn't see anymore, and so, you know, slowly becoming a lost trait. But hey, somebody's got to do it anyway. Yeah, that's how I got into that job. He showed it to me on a computer screen, and I was like, What the heck he's like, I've never, I said I'd never seen this before. He's like, you're not gonna see it as a civilian, because only the military does. Michael Hingson ** 16:09 So why is it the military essentially said you did it six and a half years and you said you did it as 10. Kijuan Amey ** 16:14 No, opposite. I said I did it six and a half. Oh, okay, rather, okay, 10, right? Because that was the day they retired me, the six and a half is the day I had my injury, and I never showed back up to work. Basically, what was your injury? My injury was a motorcycle accident where a car pulled out in front of okay, yeah, yeah. Sustained my eyes, my eyesight loss, traumatic brain injury, PTSD, spinal cord injury, broken, both legs, everything. What do you want to know? The only thing that didn't get, I guess you say, didn't have a surgery on was my arms Michael Hingson ** 16:55 got it, but they, but they kept you in essentially, well, you were, you were in the military, so you stayed in while you were healing, or what? Kijuan Amey ** 17:06 Yeah, so it, what happened was the reason it took so long, nobody really knew what to do with me and I, and I'll get you to why, or an understanding of why. So I did four years active, but now, at the time of my accident, I'm a reservist. I'm not active duty anymore. So fortunately for me, I was on an active duty, or in an active status, is what we call it, in the reserves, because I was in a travel status that day of my accident because I had to work that weekend, and on the day, which was May 5, 2017 that was my travel day. Okay, thankfully, because had it been may 4, 2017 I wouldn't have any of this, literally just one day. Wow. And so they were trying to figure out how to process me. They didn't know what to keep me, to let me go, to drop me off a cliff, like they didn't know what to do. And so as we were trying to file every piece of paper known to the what do you call it? DOD, Department of Defense. We had no clue what to do. Medical didn't know what to do. My leadership didn't know what to do. I definitely didn't know what to do. I mean, I never dealt with an injury, you know, or seen anybody deal with an injury, especially as substantial as mine. Yeah, of course, you were in the hospital. Well, even after getting out of hospital, you know, we were still dealing with this the whole entire time until I got retired, you know, up until the point where they eventually put me, it's kind of like they were trying to out process me with an honorable discharge, but they saw that he has an injury, so we need to get him some, you know, stuff done, and then he put me on a casualty report, and which means, you know, I was very badly injured. That's basically all that means. And that put me on a another piece of or or track, shall I say, which got me connected to a headquarters in Randolph Air Force Base in San Antonio, which is the Air Force Wounded Warriors Program. Now, when they saw my name pop up on the casualty report, they called me, and I'll never forget Connie Sanchez's voice, because I was like, What the heck is this? But she said, Hi, I'm Connie Sanchez calling from the Air Force winter Warriors Program, and I was trying to reach a key one Amy. And I'm like, You're who from where, because I had never heard of a program. Mm, hmm. So are you trying to in today's society, the scams that go on, you know? Yeah, I don't know what's going on. Who you? Who are you from? Where I'm I've been been in the Air Force for a while now. I've never heard of an Air Force. When the Warriors program, what are we talking about here, you know? And so she's doing her best to explain it to me and keep me from from being skeptical, as she says, I saw you pop up on a casualty report list, and we help airmen who have been wounded, ill or injured, you know, and and I said, Okay, well, what do you what are we we talking about? Like, what are mean you supposed to be talking about? She's like, Oh, I'm gonna help you get medically retired. I say, you gonna help me who? These are the words I've been looking for. You know, you gonna help me do what? Oh, I'm gonna help you get medically retired. I said, Where have you been for the last three years? And so anyway, that's how that whole thing got started. The ball started getting rolled to get Michael Hingson ** 21:14 rolling so you were injured in 2017 Yeah. What was your attitude like after the injury? How? How did you move forward, or what? What were you thinking? Was it? Were you? Were you just totally devastated? Did you think you're going to just off yourself, or what? Kijuan Amey ** 21:38 Well, let me preface by saying this, I told you I had a traumatic brain injury. The damage to my brain is most severe in the frontal lobe. The frontal lobe houses a lot of emotions, and so yes, there was devastation, yes, there was sadness. Yes, there was, well, what am I going to do now? Yes, there was anxiety, there was anything you can think of anger because of the guy who hit me or pulled out in front of me. Shall I say? You know, there was so much that was going on at one time, because, you know, I'm stuck in the hospital for, oh, by the way, I was at UNC hospital. Okay, so that's pretty cool. Uh, that I'm a Tar Heel Fanning and I got, you know, Life Flight of the UNC hospital. But back to what I was saying, there's so much that was going on that one time, because I'm stuck at a hospital for two months now, granted, the first month I know nothing about. I was in a medically induced coma for the first month, so from May 5 until June the sixth. Don't ask me any question. You know what? I mean, I literally know nothing, because that's when I came to I came out of my medically induced coma, and so I'm just trying to figure out where I am. I cannot see already, like my vision was already gone. This is not a gradual loss, as some might think or might be wondering. I could not talk at the time because my jaw had been broken, so they wired it shut to keep me from damaging it any further then I didn't realize it yet, but I also could not smell, and the reason I didn't realize it is because I could breathe just fine. The only time I noticed I couldn't smell is when some is when somebody said, Man, you smell that? It smelled good? No, no, I don't know. I don't know what you're talking about. What What smells good, you know? Or if I you know, yeah, something smell bad. I don't smell it. What are you talking about? And so anywho, um, all of these different things are going through my mind, and even after I was told what happened to me, because I, of course, don't remember. I have no recollection of the accident. So after they told me what happened now, I am sitting there with these thoughts in my head for basically, I don't know, 12 hours because I stopped talking or communicating with anyone after that, and I just wanted to be alone. Because, as the saying goes, I just got hit with a ton of bricks. Yeah, you know, so I'm literally going through all the emotions, the sadness, the net, the potential, thought of never being able to see again, never being able to fly again, refill again, see my, my girlfriend, see my, my nieces, nephews, a family, uncle, anything possible. My, I don't even have kids. I never get to see them, you know. So it's. It was one of those things. And I, I mean, I took a lot of pride in the things that I saw, because it was things that a lot of people would never see. And this is also why, you know, on some of my social media, when I did do air refuelings and things of that nature, or or went to really nice locations, or even some that weren't so nice. I would take pictures and post it, because some people will never get to see this. Yeah, so I want you to live vicariously if you want to say it through me, they're like, man, that's cool. That video, that was awesome. You you did the other day. Hey, I appreciate it, man. Hey, it's my job, you know? It's just what it is. It's all part of the Michael Hingson ** 25:49 game, you know. And all that was taken away Kijuan Amey ** 25:53 Exactly. And so when I tell you I used to have and I wouldn't even be sleep, I would be daydreaming, and could see so vividly, like airplanes that I used to refuel, like the F 22 Raptor, the C 17, you know, it's it's things like that. The views I used to have looking down at the ocean from 20,000 feet in the air, looking down at the coastline, flying over the North Carolina and Virginia border, where you can see literally go from land to water to land, because there is a tunnel that goes underneath the water for ships to pass over, I could literally see that stuff from the air and to now go from not seeing that ever again, the thoughts that you sit with were just like beating me up alive. And so I finally had to come out of crazy mode, because that's what it makes you do. It makes you go crazy when you do think about all these thoughts. I had to come out of that mode, because if I didn't, I probably would have really went crazy. And I finally started asking all the questions to get answers, instead of trying to formulate my own questions that I had no answers to. And so that is what you know, got me the information and how the accident happened, where I was, where I was coming from. I do remember the day that I had before that, like not not may 4, but like what I was doing before I had the accident. I do remember all of that, but the thing is, when it came up to the accident, I don't know nothing about it, it's like it completely erased that entire moment. And that's a protective mode that your neurological system does for your brain. So it's so, it's so. It's so empowering that your your mind, can do something like that. But it's also a benefit, because I would never, I do not want to relive that dream or that nightmare, shall I say, over and over. Right? Michael Hingson ** 28:22 But you made the choice to move on, to get out of the crazy mode. What? What caused you to do that? Just you decided enough was enough, and it's time to move on, or what? Kijuan Amey ** 28:39 No, I'm a man of answers. I need answers so. So when I think the military kind of did that to me too, but I've always been that guy who asked questions to you, even when I was younger, I was at, man, will you just sit down and we'll get to it, you know? So the military made it worse, because I became an instructor, and as an instructor, you tend to ask questions, so you can see what the person is thinking, how they're thinking, you know, making sure they're processing the information correctly. And so I am now doing that to everybody. I've put my instructor hat back on, and I'm going to asking questions that I need to know the answers Michael Hingson ** 29:21 to so, how long after the accident, did you start doing this? Kijuan Amey ** 29:25 Oh, no, this was a Maybe the day after I woke up from my medically induced coma. Okay, so, so the day I was informed of the accident, which was June the sixth, when I woke up out of my medically induced coma because I hate the panic button, basically not being a receipt or talk, you know what I mean? So, so I needed to figure something out, and that's when I asked the question, Well, what happened to me? Or what is the question I asked was, What? What is this motorcycle accident dream you guys are talking about? Because somebody, it was just people in my room talking, right? And they were like, Oh no, that's not a dream. That's what happened to you. And that was when I went into that shutdown period. And how long were you in that period? That was, that was the like, 12 to 16 hours or so that I didn't talk okay? And so the next day, June the seventh, is when I was like, hey, hey, I need to find something now. And that's what happened to me. What really happened? Michael Hingson ** 30:30 So when that occurred? So now, on the seventh of June, did you just basically decide fairly quickly you got to move beyond from this, or did? Was it devastating for a while? Kijuan Amey ** 30:44 Yeah, no, that's when the devastation and stuff really kicked in, because it made me say, What the heck, man, like, you know, somebody did this to me, you know, and I can't get back, none of that stuff. Yeah, that was taken away from me. I have all these different parts inside of me. I got metal plates in my head, screw rods and screws in my back, rods in both legs, a screw in my foot, like I even have two different sized feet now. Michael Hingson ** 31:16 So how long was it before you started to decide you gotta go off and do something else with your life, and you're not gonna just let all of this rule you Kijuan Amey ** 31:28 let's see when, when did that kind of transfer that it took me a little while, because I had to get acclimated to the new right life, you know, at first. So I think that would be around maybe I know I went on my first plane ride as a visually impaired person in 2018 So December of 2018 I went to my first blind rehab center. Where was that? In Tucson, Arizona. Okay, okay. The one for the V The VA has a couple of them. I can't remember how many it is, but that was the one I went to, because that was the first one to accept. I didn't want to go to the one that was closest to me. I've been to Georgia. It's okay. I wanted to go somewhere I haven't been, you know what I mean? And not no no shot at Georgia. I just wanted to go somewhere different, you know, yeah, and so that's what I did. And at first I wanted to go to Mississippi, but they took way too long to respond. And so anywho, I'm trying to get this done today, not next year, you know. And so I went there from December of 2018 until February of 2019 okay, I'm a pretty fast learner, and everything, when you go to those to the VA blind rehab centers, is at your own pace. You're fully embedded like you know, you're there the whole time. You got a room, you got everything, so they fully submerge you into this program, and you leave when you're ready. And so it only took me, and it wasn't even a full two months, is but, but I say two months because December to February, but anyway, I learned what I needed to learn, and I got out of there. I even learned stuff that I didn't know I wanted to learn, like copper tooling, wood working, you know, what's the other one? What's the leather? What's when you do leather? Yeah, but yeah, I I've even done stuff with leather, and that's so cool. It's pretty cool to do that stuff, but, yeah, I did all of that stuff, man. It's amazing. And, you know, come back home to show everybody what I learned, and they're like, Wow, you're like, a whole nother person. I said, Well, you know, I did pick up few things. And so once I got that under my belt, you know, the ability to know how to navigate, I still was not, like, really stable, because I hadn't. I hadn't, I didn't start lifting weights, or, you know, doing any like physical training, training, like legitimate training, until right before the pandemic, I was going to the YMCA and swimming, because, as we know, swimming is a full body workout, and so I was hitting the lap pool with a recreational therapist. And so what, man, that was the worst when that pandemic hit in March of 2020, yeah, because, trust me, I'll never forget it. That was when everything was looking up for me. I was like, Oh, this is so amazing. I'm I'm getting stronger, you know? I'm able to move a little bit better, get more confident in my life. And then, bam, shut everything down. I said, What? We can't go out. Wait. Everything's closed. Oh, okay, it'll only be two weeks. Oh, okay, that's okay. I could wait for two weeks. That's not that bad, yeah, but it'll be another month. Well, you said three months, six months, okay, I don't like this. So yeah, that's when everything started to come down. But then it went back up in 2021 Michael Hingson ** 35:25 Yeah, later in 2021 it started to lift Kijuan Amey ** 35:28 Well, I mean, for me, for me in 2021 it was when I started actually working out by actually lifting weights again. Michael Hingson ** 35:38 Now, were you still in the military? Swimming? Were you still in the military at this time I Kijuan Amey ** 35:43 retired? Or was literally, uh, like, officially, medically retired, June 3, 2021, but again, I had not been to work since May. No, I understand 17, you know. So there's nothing that I'm doing at work. And when I did go down there, it was just kind of the just kind of a visit and hang out with those guys for the day. Michael Hingson ** 36:07 You mean, they wouldn't give you a long cane and let you go ahead and continue to refuel aircraft, because you could just find the the appropriate place with the cane. They Kijuan Amey ** 36:15 they would have had to switch it to the left hand, because I'm left handed, and they and they make you do that with the right hand, that refueling side, I'm way better with my left hand. Well, but hey, I would have gave it a shot, but, but Michael Hingson ** 36:29 you don't move, yeah, but you, but you, but you had to make along the way the decision that you were going to move forward, which is what it sounds like you, you were doing. And certainly by June of 2021, when you retired and and so on, you made the decision that you were going to do your best to continue to to advance and do something else with your world. Oh Kijuan Amey ** 37:00 yeah, yeah, no. I mean, the pandemic actually was a part of good and bad. I mean, yes, it made me upset because they kept pushing the timeline and stuff back. But October of 2020, that's when I started writing my book. So that was in the pandemic. I started writing my book. You know, I learned how to use a computer again in September. And then once I got that down pack, hey, I'm going to the next thing. What's the title of the book? Don't focus on why me. From motorcycle accident to miracle. Got it Okay, so that's the name of it. Yeah, that's the name of it. And, excuse me, like I said, I wrote the book, or started writing the book October 2020, but I wanted to publish it in May of 2021, because of the accident. You know, the accident was in May. I wanted to publish the book in May. Well, it didn't quite happen like that, because timelines get pushed back, because you got to get an editor, you got to get a book formatter, you got to get it covered. Oh, it was taking a long time. And so anywho, it got published in June of 2021, which is my entire retirement month. So I was okay with it. I retired and I published a book, a self published, by the way, a book in June of 2021, which is a big month for me, so I celebrate both good Michael Hingson ** 38:32 so you did that, yep. And were you? So you got retired in June. And when, what did you decide to do? Or when did you decide to find work? Kijuan Amey ** 38:47 Well, I don't, I don't really consider what I do work, and I'll tell you why, so as we will from what you're about to find out, I am the proud founder, and I call myself a chief motivational officer, not a CEO of Amey motivation. Now Amey motivation, I do keynote speaking motivationally based most of the time, and then I also am a trusted mentor and a resilience coach. So I don't feel like I'm working. I feel like I'm actually doing a service and giving back, right? I'm sorry, go ahead. No, I agree with you when I'm when I when I said a job, I kind of put it in air quotes, but anyway, I got you, but yeah, no, that's how I feel in my, you know, giving back. Because I almost feel like this is a type of ministry, a type of healing, a type of journey that not only benefits me, but benefits others. And it doesn't even feel like I'm working when I do this stuff. It just feels like I'm having a conversation. It feels like I'm building. It feels like I'm helping others, you know. And I. I couldn't even dare say that I feel like I'm working, and it's not even because I'm making good money. It's not because people are paying me, it's not because I travel to do this. It's because I really just don't feel like this is work, sure. Now, when I was in the military, that was work, you know, that felt like work. But this really does not. It's enjoyable, you know, and that's the beauty of it. And I love what I do. Michael Hingson ** 40:34 But when did you decide to start motivating people? Kijuan Amey ** 40:38 Well, that started back before the pandemic, too. And my first speech, like official, big speech, shall I say, anyway, was May of 2019, that's when I came out and told everybody, you know, kind of what, what happened to me, my story. Because, you know, everybody was hearing what happened to me on Facebook. I can't stand when I see a post of something bad happening to somebody on social media. Let me tell my story. And so that's what I did. And the title of that, that, uh, that speaking engagement, was, why not me? And everybody, I'm sure, was like, Wait, what the heck? Why is it called that? And I said, you're gonna have to come in to find out. You know, so anywho I told my story, and I do have a snippet of it on my website, Amy motivation.com Michael Hingson ** 41:33 and Amy is spelled, a, yeah, Kijuan Amey ** 41:36 A, M, E, y, right. So, you know, I did tell my story about just being the vulnerable side of what happened to me, how I feel, how I got through it, what I went through, what I was dealing with, you know, and man, when I tell you it was, you could literally hear a pin drop, and we were on carpet. Okay, so it was so quiet in there. Everybody was very attentive. It was a packed house, to say the least. There was not one empty seat, except for behind me, because, no, I didn't want anybody behind me. I wanted everybody to be out front. And so that was the only spot where there was an empty seat. I had people on the right side of me, people on the left side of me, people in front of me, everywhere. And so anywho you know, it was just an amazing speech and an amazing time, because a lot of people there, I knew some people I didn't, but a lot of people there I knew. And after they heard it and came up and talked to me after the speech, they were like, Man, I didn't even know you were going through that. I didn't even know this happened to you. I didn't even know that happened. I said, that's why I had to tell it, because what y'all are hearing on Facebook is partially true, and it's part of the story. It's not the whole story. Let me tell the whole story. So yeah, that's where all that started. I also did before that speech. I also did a couple of talks at high school, local high schools in Durham too. So my high school, Southern high school, my alma mater, another local high school called Jordan High School. So yeah, you know, just different things like that, Michael Hingson ** 43:31 but you still ultimately were the one that you made the choice to do it. You made the choice to move on, which is so cool, because I can think of any number of people who, if they had the same sorts of things happen to them that happened to you, would give up, and you clearly did not, Kijuan Amey ** 43:50 absolutely not. I think the hardest part for me is I can't sit down. Yeah, so, so me giving up is basically like me sitting down so and I can't do that. I'm like a person like the Energizer Bunny. As soon as you put a battery anywhere near me, I'm gone Michael Hingson ** 44:09 well, and it's so much more rewarding to do that, I know for me after the World Trade Center attacks and so on, and we started getting calls asking me to come and talk about September 11 and what people should learn. My wife and I decided that selling life and philosophy was a whole lot more fun and rewarding, which is really probably the biggest issue, rewarding psychologically, was much more rewarding than selling computer hardware and managing a computer hardware sales team, which is what I did. So, yeah, it became also a a path and something that was worth doing. And I agree it, it is. It isn't work, right? Not. Not in the same way, but that is also in part because we've chosen to structure it and make it work that way, that it's not work. Kijuan Amey ** 45:09 Yeah, yeah. You know what is. By the way, I love your story. I did hear it on another podcast that I listened to, who that I was interviewed by. And so the the so the day of the World Trade Center and the attacks, the plane that I used to fly on the KC 135 was actually the first plane to come check it out. That was the actually the first plane to come report what had happened, because it was one already airborne, nearby, and then when they look, they loop back around, and they were like, wait, the second one's on fire. Yeah. When did that happen? Like it was basically just like that. There was a Michael Hingson ** 45:52 Air Canada flight. We met, well, I didn't. My wife did. Met the pilot. We were out in San Francisco, and I was doing a presentation, and she told me about it after the speech, but she said she was coming down on the elevator, and there was a pilot from Air Canada, and they got to talking, and she explained why she was there and what what we were doing. And he said that his plane was the first passenger plane over the world trade center after things happened. And as she said, the FBI must be, have become one of your favorite friends, right, or one of your best friends? And he said, Yeah, they sure did. But Kijuan Amey ** 46:38 I don't want to get that knock, Michael Hingson ** 46:40 but it's but it is a choice, and yeah, for for us, the other part about it was that the media got the story, and I feel so blessed, ironically, given how everybody likes to abuse reporters in the Media, but I got so many requests for interviews, and clearly it made sense to do what we could to try to educate and help people move on from September 11, so we accepted the interview requests. And for me personally, what I really learned is something, well, I kind of rediscovered and it got reaffirmed, was that, in reality, talking about something that happens to you like that is the most important thing, because talking about it gives you the opportunity to think about it and move on. And I got asked so many different questions by reporters, some intelligent, some not some in the middle. But the bottom line is that by talking to literally hundreds and hundreds of reporters, that made me talk about it, which was a very good blessing by the time all was said and done, Kijuan Amey ** 47:54 right, right, instead of internalizing, yeah, no, listen, I also have to say, I'm glad you were in some shape, because what it was 78 floors, yeah, golly, hey, I don't want to hear you say 10, you know. But 78 floors, Michael Hingson ** 48:15 it was going down. So that's pretty good. As I tell people, I do understand, but as I tell people, the next week, for the next week I was starting, actually the next day, I was stiff as a board. The adrenaline ran out. And, oh, it's horrible. And, yeah, you know, my wife was in a wheelchair her whole life, and we were in a two story house we built so there was an elevator. And I swear, for the next week after September 11, I use that elevator a whole lot more than she did. Kijuan Amey ** 48:43 Ah, that's funny, Michael Hingson ** 48:46 but, but, you know, it was just kind of the way it was. But it is a choice, yes, and the bottom line is that we we move on you. You certainly had lots of things happen to you. You lost a lot of things. Did you ever get your sense of smell back? Or is it still gone? Kijuan Amey ** 49:01 No, no. It was damaged during the reconstructive surgery on my face where they had to input the two plates. Yeah. Okay, yeah. So that's where that came from. So now it happened, shall I say? So Michael Hingson ** 49:13 now getting back to something that we talked about at the very beginning, as you point out, you lost your site, but you didn't lose your vision. So tell me more about that, what that means to you, and why you say that. Because, as I said, that's something that that I've thought and talked about a lot. And of course, when thunder dog was written, we put that into thunder dog. And by the way, if you don't know it, Thunder dog and and all three of my books actually are on on Bard, so you can download them, or you can help a poor, starving author and go buy them, but, but, you know, Kijuan Amey ** 49:50 come on, I think you will off. Mr. Steve Harvey, No, I'm joking. But anywho. So, as I mentioned before. Four, you know, when I was talking about my business, I don't necessarily feel like I'm working. I feel like I'm helping and and what I mean, the reason I even preface that is because when I say I may have lost my sight, but I didn't lose my vision. Sight, to me, is the physical, the vision is the mental. And so my mental was helping others, and it's always been that way, whether it was me playing sports, I had to help in some way, because I played team sports. Now, did I play any individual? No, I played all team sports. I did bowling, I did football, the basketball and ran track. All of those are team sports. And so you can roll in singles, but at the same sense, some point you're going to be doing either doubles or three or four person teams. So most of the time I was doing teams and doubles. But anyway, I was always doing some kind of helping. I grew up with siblings. I had to help somebody. I, you know, I grew up with without much, so we had to help each other. Hey, you don't know how to cook. Let me show you. You don't know how to fix this in the microwave. Let me show you, you know. And so, um, when I got to the military, I had to help, you know, when I was became an instructor, I was helping teach the people who are coming in new and all these different times I'm helping people. And now I get to a point where, not only I have to help myself get back to where I can have some kind of normalcy of life, but what really is a normal life? You know what I mean? Yeah, I had to help others understand that if I can make it through this, you can make it through what you're dealing with as well, and be there to help you. Michael Hingson ** 51:57 How about going the other way? Though you needed help too, yeah, yeah. And were you advanced enough in your thinking at the time that you were perfectly willing to accept help as well? Kijuan Amey ** 52:12 Uh, no, I had my moments. Um, there. There's a chapter in my book I called, uh, it's called the depression set in, and that was when I was at one of my lower points, because not too long after depression, where the suicidal thoughts, the suicidal thoughts, luckily, didn't take me out and I never attempted, because I was able to think my way. I'm a very critical thinker, Problem Solver kind of guy, so I was able to think my way out of even having those thoughts again. And I said, Hey, man, this is not you. I don't know what it is, but it's not you. And so instead of me continuing to have those thoughts, I started asking people questions, what can I do? Because this is not like, it's not working, whatever life is not working for me, right? You know, and I'm a faith believer. So my grandmother, I was living with her at the time, and the first she's a faith believer as well. And the first thing she says is, you know, just pray. You know, just pray about it. I said, Grandma, we pray every day. Hear me clearly. I didn't say, some days we pray every day this obviously, and I'm not saying it's not working, but it needs something more. And so she was, well, I don't know what to tell you. And then eventually she goes in her room and thinks about it for a minute, and she said, Why don't you call your uncle? And I said, You know what? It's not a bad idea. And he, by the way, he's a senior pastor at his church, and so I said, that's not a bad idea. I didn't think to call my pastor because I didn't want to bother him. It's kind of one of those things you just felt like, I don't want him to think about that. I've had it on his mind, you know, stuff like that. And so I called my uncle, and I was telling telling him how I was feeling, and all I heard him say was, hold on key, I'm on the way. It was like eight o'clock at night, so for him to be like, Hey, I'm HOLD ON key, I'm on the way. That's what they call me Ki, my family. Some of them call me kiwi, but some call me Ki. But anyway, just as long as they don't call me late for dinner. And so I was like, Wait, he he's coming over here, you know? So I said, Okay. And I hung up the phone, and my grandma's like, Well, what did he say? I said, he said he's on the way. She's like, he went. I said, Exactly. That's what I said. And so she said, Oh Lord, well, let me put on some clothes. I said, let you put on some clothes. I need to put on some clothes. And. Yeah, and so anyway, we both get dressed somewhat. I wasn't, like, fully dressed. I just put on, like, some, you know, some basketball shorts, a shirt, yeah, you know, stuff like that. Because I'm thinking, we're just going to hang out at the house. He's going to talk to me. He's like, Hey, man, you want to throw on some pants and, you know, go out and put on some shoes. I said, Where we going? It's like, for a ride. I said, Okay, uh, yeah, uh, grandma, and she came back in there, she's like, Yeah, he's like, we're gonna go for a ride. Um, can you get my sweatpants from over this here? Because I knew where everything was in the room, and you know how it is, we know where everything is, where we put stuff. We know exactly where it is, right? And so I knew everything was get my sweat pants from this drawer and get my shirt from that drawer. And I said, No, it's the second drawer, not the third and stuff. So we I get dressed, we go for a ride, and he's talking. No, no, I'm talking first. He let me talk. He said, So key, tell me what's up. I said, I ran through the gambit of what I was going down with me, how I had the depressed thoughts, how I had some suicidal thoughts, but I had to bring myself back out of this, and I just could not figure out why this was coming over me like that. And he was like, Uh huh. And then, you know, I just stopped talking for a while. He said, You know what key I said, What's that? He said, I'm surprised it took you this long. I was like, What do you mean? He was like, Dude, I thought this would have happened to you a long time ago? He said, I've been waiting on this. And I said, that's crazy. Like I'm sitting there thinking, man, what the heck? You know? I'm thinking. People ain't thinking about me. Nobody's like, really, can't they see me smiling, laughing, giggling and all that stuff. So they're probably not even thinking about it, you know. But he was actually prepared. He's prepared for what I call the breakdown. And he said, Keith, I think the best thing you can do, and this is when we pulled over somewhere and start talking. He said, The best thing I think you can do with this situation is you're going to have to embrace and confront the issue. And I said, Can you explain that a little bit more? He's like, Yeah, yeah. He said, what it is, I think, is your the hope that we all have is for you to regain your eyesight. But the real realization is you don't have it right now. So I need you to live like you don't have it and hope that one day you'll get it. So don't keep dwelling on the hope part. Just live like you don't have it, and that way you'll keep moving forward versus thinking you're going to get it, because these thoughts are taking you down. Every day you wake up, every time you wake up from a nap, you think you're gonna open your eyes and see something that's gonna keep bringing you further and further down. I need you to embrace this thing and don't live in the denial phase of it happening. And that was when I started to come out like that was when I really started to gain some strength and a stronger mindset. Very wise words, oh, yeah, no, these are all he is, trust me, I'm just regurgitating them. I'm sorry. Oh, I said, yeah, these were definitely his words. I'm just regurgitating, Michael Hingson ** 58:46 yeah, well, but, but certainly some, some good wisdom there. But you also then chose to follow, which is great, and probably whether he's surprised it took so long. It sounds like it all happened at the right time, because you are also willing to listen, which is great. So you you moved forward. When did you form your company? Kijuan Amey ** 59:12 I mean, on paper, it was like two years ago, okay, um, but like I said, officially, I started speaking in 2019 right? I understand that, yeah. But so I always count 2019 because I really believe as soon as you start doing something, you're doing it, right, yeah, you understand and and the legality side of it, hey, you can have that. I don't care. But yeah. So that's how I view it. Michael Hingson ** 59:44 So how did 10 years, if you will, even though some of it was less active, but how did 10 years in the military help prepare you for public speaking and what you're doing today? Kijuan Amey ** 59:56 Oh, wow. I mean, well, first off, like I told you, the resilience coaching. Mm. Um, that's part of it, and that's all they used to talk about in the military, being resilient. We used to have, like, a training, I think it was every year, is it every year or twice a year, or something like that, but we used to have training on that stuff. Um, speaking, I I never really wanted to be a public speaker. I'll be honest. Um, I do have to stay that, say, say that, because I was not one who wanted to be in the spotlight. But if the spotlight found me, I'm okay with it. You know that that's that's what I was okay with. If it found me, that's fine, but I'm not trying to take over it. Don't put it on me, shine that light somewhere else and so, but what happened with that? Okay, yes, I took, I was in college for a while, and I did take a public speaking class with the instructor. Upgrade. You have to do public speaking, because you have to give presentations going through the pre training and the actual training, the certification training. So those were different. And also the the group sizes were different. Size you might be talking to one person you might be talking to an auditorium full. Mm, hmm. So there, there was that. And, you know? So these different things, I speak for different things at my church, you know? And so it started to kind of snowball again. Different things were building me up to that point, and as I got and you'll, you'll appreciate this here, as I got into my vision, or the eyesight loss, I understood that I have a superpower. Now, yeah, and I know people like a superpower. What are you talking about, man? So I can't see you so the the looks on your faces don't affect me, the fact that I'm looking at, or supposedly looking at, engaging an audience of one to 10 to 100 to even 1500 because I have spoken to over 1500 people before, it does not affect me, yeah? And that is like us to me, my superpower now. So that's how I've changed all of this to be fitting for me. Yeah, Michael Hingson ** 1:02:32 yeah. Well, so let me ask you this. We've been doing this for a while, but I want to ask you one more question. Other people are certainly going through challenges. They're experiencing difficulties in their lives, and maybe some life altering kinds of situations. What kind of advice would you give them? Kijuan Amey ** 1:02:54 Oh, the first one I can easily give you don't give up, and it's easily easy to give, but it's not easy to do. So I do have to say that you but if you keep that in the back of your mind, don't give up and you keep saying that to yourself, make it an affirmation. Put it on your vision board, put it in as a reminder in your phone, whatever you need to keep you grounded in that concept of, don't give up. And so that's one thing I would say. And for myself, I say this a lot, my situation, whether it's me being blind, me being having a traumatic brain injury, me having emotional, you know, flare ups, spinal cord issues or lack of mobility, what, whatever it is my situation that doesn't define who I am. I define who I am. Michael Hingson ** 1:03:56 So that's what I'll leave people with. And that is so true for everyone. Your your conditions don't define you. You've defined you, and you can choose how you want to be defined. Which gets back to, don't let your sight get in the way of your vision. Yep. Well, key one, I want to thank you for being here. I hope that people take this to heart, and I hope it will generate more business for you, if people want to reach out to you, maybe for coaching or for speaking and so on. How do they do that? Yeah, Kijuan Amey ** 1:04:33 and I appreciate you saying that. So again, you can go to my website. That's Amey, motivation.com A, M, E, y, motivation.com you can also find my book on there. So don't focus on why me from motorcycle accident to miracle. You can also go on Amazon, Kindle Apple books as well as audible to find my book as well. So I do have audio versions out there for those who like to listen to their book. Books and for speaking engagements, feel free to click that book me link you can speak book me for a convention or conference or an event, a gala, high school, college, whatever you want me to come speak for. Come get me because I am all over it. Michael Hingson ** 1:05:18 How many speaking events do you do a year. Kijuan Amey ** 1:05:21 I don't count. Okay, if I try to count, Michael Hingson ** 1:05:24 you know what I mean? I know the feeling, yeah, Kijuan Amey ** 1:05:27 I just do Hey, hey. That's, I think that's what Nike said. Just do it, man. Michael Hingson ** 1:05:31 Yeah, exactly right. Well, Kijuan, thank you for being here, and I want to thank all of you who are out there listening or watching. Really, we're grateful that you're here. I hope that what we've talked about today not only inspires you, but it gives you some good life thoughts that you can go use. Because certainly, everything that we got to discuss today is relevant, not just if you are having a challenge in your life, but it's something that is important for all of us. Life lessons like these don't grow on trees, and I hope that you'll enjoy them and use them. Reach out to key one. I'd love to hear from you. Love to hear your thoughts. Please feel free to email me at Michael H, I m, I C, H, A, E, L, H i at access, A, B, A, C, C, E, S, S, i, b, e.com, or go to our podcast page, www, dot Michael hingson.com/podcast, and Michael hingson is m, I, C, H, A, E, L, H, I N, G, S O, n.com/podcast, love you to please give us a five star rating wherever you're listening. We love your reviews and your thoughts, so please do that, and as I also love to do, and that is to ask you, if you know of anyone else who ought to be a guest on this podcast. And Kijuan you as well, love to get your thoughts. Feel free to reach out, introduce us to anyone who you think ought to be a guest. We're always looking for more people who want to come on and and share their stories and help us all become more unstoppable than we think we are. But again, really appreciate your time today, everyone and Kiju, especially you. Thanks for being here. This has been wonderful. Kijuan Amey ** 1:07:15 Thank you again. I really appreciate you having me on to tell my story. Michael Hingson ** 1:07:22 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.
Israel's political-security cabinet has approved a plan to take control of Gaza City, hours after Prime Minister Benjamin Netanyahu said Israel intended to take military control of the entire strip. Shane spoke to Dr Jilan Abdalmajid, Palestinian Ambassador to Ireland.
President Trump presents unverified economic data after firing the Bureau of Labor Statistics chief following a weak jobs report. Texas State Rep. James Talarico (D) discusses how he and his colleagues are blocking Texas Republicans from redrawing the state's congressional maps. Fmr. U.S. Ambassador to Ukraine Bill Taylor talks about the potential for a Russia-Ukraine ceasefire with President Trump and Russian President Vladimir Putin expected to meet in the "coming days."
Rahm Emanuel was the U.S. Ambassador to Japan from 2022 to 2025. Prior to that, he served as the White House Chief of Staff from 2009 to 2010 under President Barack Obama, and as the Mayor of Chicago from 2011 to 2019. He also represented Illinois in the U.S. House of Representatives from 2003 to 2009. Welcome back to United States of Sweat presented by Choose the Hard Way where politicians and policymakers join us to share stories about fitness, health and the sports they love playing. Jonathan Kaplan is my co-host and the founder of WRITE CADENCE STRATEGIES, helping organizations navigate Washington, shape policy and manage reputational risk. He also writes RIDING WITH, a newsletter and podcast exploring the intersection of pro cycling, media, business and politics. Find that at ridingwithkaplan.substack.com. The number one way to support Choose the Hard Way is to become a paid subscriber to my substack, alwaysthehardway.substack.com. That's where I share my reflections on these interviews and write about engaged mindfulness, bikes and life. For senior execs, pro athletes, and political leaders, podcasts aren't optional anymore. They're mission-critical. At One Real Voice, I coach leaders 1:1 to help them thrive as storytellers and stand out in the long-form podcast conversations where real influence is built. When you're ready to be great, DM me @hardwaypod or email hello@onerealvoice.com. Wherever you're listening to this podcast, please subscribe and do humanity a favor when you hit 5 stars. Crypto curious? With over $1 trillion in transactions to date, https://www.blockchain.com/ is your trusted partner on your crypto journey. Create your free wallet and get up to 10% in annual rewards by putting your crypto to work. Go to Blockchain.com to get started today, no experience required. Choose the Hard Way Newsletter: https://alwaysthehardway.substack.com/ One Real Voice podcast coaching & strategy: https://www.onerealvoice.com/ Connect with Palm Tree Pod Co.
30&Nerdy Podcast Show Notes: This is a NerdySouth Entertainment joint! In this SUPER Season 6 Finale, we sit down and talk Superman with two of the biggest Superman fans we know. We are joined by Matt aka Knoxville Superman, and Julian from Fanboy Expo and his own very successful journeys through The Nerdiverse. We are also very excited because as a celebration for this season's finale and the very successful Superman movie that is out now, we close out this episode with snippets from the Superman reunion panel at Fanboy Expo: Knoxville '25 which was hosted by Julian, himself. So sit back, look up, and enjoy #TheSinister6thSeasonFinale 30&Nerdy Podcast's Opening Rift: Kyle Standifer The Ballad of 30&Nerdy: Beth Crowley This Episode is brought to you by: Fan Boy Expo Tennessee Legend Distillery Hippie Water use the code NERDYFOR30 at checkout Advertising Expressions Encore Theatrical Company Shane's Rib Shack Reaper Apparel Company 30&Nerdy Podcast is an Ambassador for Reaper Apparel Co. If you are interested in checking out all the great attire they have, or learning more about them; click here and if you want to purchase something, don't forget to use our code 30ANDNERDYPOD at check out for 10% off of your order! You can learn more about NerdySouth Entertainment and its content by visiting The Fortress of NERDitude and while you are there, subscribe to our Nerdly Newsletter for behind the scenes, announcements, and Nerdly News updates. You can also check out the other shows and content under NerdySouth Entertainment For more NerdySouth content, find us on all social media outlets: Instagram YouTube TikTok Facebook Email us at 30andnerdypod@gmail.com Shop Nerdy at NerdySouth Studios Cheers To Ya Nerds!
12 - Columbus Day is saved! Attorney Extraordinaire George Bocchetto joins us to discuss how he prevailed in his case against the city and the Mayor's office over the removal of the Christopher Columbus statue and the celebration of Columbus Day, with the court ruling the former mayor was out of their depth decrying the statue and holiday. How does George feel after winning a case like this? Who will be the grand marshal of the parade? What has the response been to the win? Do we know the theme yet? Why is this case so big regarding the separation of powers in this country? What will happen to the Frank Rizzo statue? 1215 - Side - people who look like they have bad breath. Is this question too offensive? 1220 - Ambassador to Israel and former governor Mike Huckabee joins us from Israel. How has Trump's new plan regarding food distribution to Gaza stumped Hamas? How has the Arab League of Nations message on Hamas contrast with those of the Europeans and many sentiments in the West? How many tons of food have been sent into Gaza? Why are some conservatives saying our involvement in Israel is like participating in endless wars? 1250 - Your calls to round out the hour.
Join us on #texasvaluesreport with special guest Kylee Alons, @icons_women Ambassador, & host Jonathan Saenz, President & Attorney for Texas Values as they discuss the importance of the Texas Women's Privacy Act. #txlege #protectwomensprivacy To learn more about Texas Women's privacy Act, visit https://protectwomensprivacytexas.com/ Read our latest press release here: https://txvalues.org/breaking-texas-senate-passes-texas-womens-privacy-act/ Join us at Texas Faith Fest September 26-27 with lead keynote Governor Abbott and approx. 30 additional leaders across the nation http://texasfaithfest.com/ Help us build our channel so we can maintain a culture of Faith, Family, & Freedom in Texas by interacting with us; like, comment, share, subscribe! For more about Texas Values see: Txvalues.org To support our work, go to donate.txvalues.org/GivetoTexasValues
Ambassador Karl Hofmann has a 30 year career in global development, first as a career diplomat including US Ambassador for Togo and followed by 2 decades as President of NGO giant PSI. He now serves as CEO to HealthX Partners. We delve into how simply drinking water in many countries could be a death sentence and also why the west should care. We also discuss the state of affairs following the abolishment of USAID and its deadly effect on the world's population.
More of our weekly conversation with the former Virginia Governor and Ambassador to Europe . . .
In our 8:30 half hour, we talk to former Virginia Governor and Ambassador to Europe Jim Gilmore, in the first part of our weekly conversation with him.
Welcome to Revive Ministries Podcast. This month's theme is “Healing Our Communities,” which divesinto some questions like, “How can I Help?” Whether you're a caretaker orsuffering, I have seen strong communities be very helpful towards healing. Sometimes I think of a comedian I watched one time and theparaphrased quote that I continue to tell myself and to those I assist: “Don'tbe the mayor of nothing.” When I was struggling with my condition, I spent countlesshours trying to be understood while feeling more and more like a burden. I hadto reframe and accept that it did not require others to understand to get thesupport needed. Healing communities provide that safe space to gain thisinsight, speaking from experience."The greatness of a community is most accuratelymeasured by the compassionate actions of its members." – Coretta ScottKingToday we have a new guest, Clarissa Burt, to assist us inunpacking what healing our community may mean to us today. Disclaimer: if you are in crisis, please seek appropriateprofessional help immediately. The new 988 Suicide and Crisis Lifeline isavailable for those in the States. More on Clarrisa Burt: https://bit.ly/3S8HDurHer international award-winning bestselling book entitledThe Self-Esteem Regime, published by Roman and Littlefield has been on theshelves in Barnes & Noble nationwide for the last 4 and a half years. Theaudiobook was published by Recorded Books two weeks later and can be found onAmazon Audible and Kindle. THE SELF-ESTEEM RE-GIME: An Action Plan for Becoming theConfident Person You Were Meant to Be, offers down-to-earth advice to helpmanifest self-confidence in all aspects of life: relationships, family,friendships, careers, and everyday engagement. The book helps readers findworthiness through a concrete, step-by-step program. Sharing her unique mix ofknowledge, attitude, and humor, Clarissa handholds readers through her uniqueprocess of RE-invention that instills a lifetime of self-awareness, poise, andassurance. According to Clarissa, healthy self-esteem means feelingworthy at all times. This experience requires having the solutions necessary tocope with challenges as they arise and feeling worthy of happiness even whenrepairing mistakes and overcoming setbacks. Clarissa has a range of tools tooffer—including how to create physical and inspirational vision boards—that areprescriptive and easy for readers to implement and incorporate into theirlives. In her 256-page book, Clarissa empowers readers to acceptmistakes as valuable learning experiences and steppingstones. Her regime isneither complicated nor demanding, although it builds mental strength,toughness, and resilience. The chapters consist of empowering, progressivesteps comprising the “RE” concept: RE-lease. RE-build. RE-new. RE-place. RE-establish.RE-invent. RE-inforce. RE-peat. RE-bound. RE-member. RE-ciprocal. For the millions of women today with low self-esteem, TheSelf-Esteem RE-gime is an authoritative, systematic solution to achievetotal confidence and happiness. She was the first American to present Russian TV at theKremlin and has had two private audiences with Pope John Paul II honoring hersocial work. As the Ambassador to the United States, she actively helpedAfrican women win the Nobel Peace Prize in 2011. Clarissa has recently been bestowed with the EntrepreneurialExcellence Award by the Women's Economic Forum and is the USA Chair for theG100 Club/All Ladies League for Television and Broadcasting, the Certificate ofGlobal Honor from Pune University, India, and the Diploma of Recognition fromthe National Italian American Foundation, Washington, D.C. Native American (Sioux) Proverb,“With all things and in all things, we are relatives.”
Shane and the Holwer lament the passing of Loni Anderson, taking vacation, and the story of the fake Ambassador of Westarctica -- ne of the craziest stories we have ever heard!The Midweek Howl Disclaimer: The Skeptic of the From The Shadows Podcast crew, aka the Ozark Howler, joins Shane each week, to share a story or two and discuss current events. Just a little midweek humor to brighten your day. We like to call this segment “The Midweek Howl.” Enjoy!From The Shadows Podcast is a program where we seriously discuss the supernatural, the paranormal, cryptozoology as well as ufology. Anything that cannot be rationally explained has a platform for discussion here on the From The Shadows Podcast.Web https://www.fromtheshadowspodcast.comFacebook https://www.facebook.com/fromtheshadowspodcastInstagram - Shane Grove https://www.instagram.com/shanegroveauthorInstagram - Podcast https://www.instagram.com/fromtheshadowspodcast#LoniAnderson #HighSchoolFootball #TrueCrime #India #antarctica
This Week on Accunet Ambassadors: Turning "Meh" Homes into "Wow" Homes with Andy Renner from JRL ImprovementsJoin David and Tim as they sit down with Andy Renner of JRL Improvements — the guy who helps homeowners bridge the gap between what their house is and what they want it to be. Whether we're calling him the "Transformation Guru" or the "Outdated Upgrade Leader," one thing's clear: Andy knows how to bring visions to life.From outdated kitchens to uninspired basements, Andy shares insights on how thoughtful design and smart renovation can dramatically boost both comfort and value. If you're thinking about remodeling — or just love a good home makeover story — this episode is for you.
On this week's episode of Cloverchat we are going to hear from SALT member Kaitlyn from Pipestone County about her leadership journey in 4-H.
In this episode of Hb Conversations, guest host Jacob Khan talks with celebrity stylists and Nine Zero One founders Nikki Lee and Riawna Capri. They share hilarious Hollywood stories, how they rose from assistants to A-list favorites, and the key role Great Lengths extensions played in their success. Plus, they reveal the one thing that truly set them apart. Packed with laughs, inspo, and real talk—don't miss it! Elevate your extension services with Great Lengths when you attend the 2-day, pre-bonded keratin training experience which includes one-on-one training segments. Choose the thermal method or the innovative Ultrasonic Touch method, which provides the greatest extension versatility. Great Lengths offers more than 70 dimensional, no-fade colors. https://www.greatlengths.com/en-us/become-a-certified-salon
David Mayernik is an architect, artist, writer, educator and most of all, he is a life-long student. David grew up in Allentown Pennsylvania. As he tells us during this episode, even at a young age of two he already loved to draw. He says he always had a pencil and paper with him and he used them constantly. His mother kept many of his drawings and he still has many of them to this day. After graduating from University of Notre Dame David held several positions with various architectural firms. He always believed that he learned more by teaching himself, however, and eventually he decided to leave the professional world of architecture and took teaching positions at Notre Dame. He recently retired and is now Professor Emeritus at Notre Dame. Our conversation is far ranging including discussions of life, the importance of learning and growing by listening to your inner self. David offers us many wonderful and insightful lessons and thoughts we all can use. We even talk some about about how technology such as Computer Aided Design systems, (CAD), are affecting the world of Architecture. I know you will enjoy what David has to say. Please let me know your thoughts through email at michaelhi@accessibe.com. About the Guest: David Mayernik is an architect, artist, writer, and educator. He was born in 1960 in Allentown, Pennsylvania; his parents were children of immigrants from Slovakia and Italy. He is a Fellow of the American Academy in Rome and the British Royal Society for the Encouragement of Arts, Manufactures, and Commerce, and has won numerous grants, awards and competitions, including the Gabriel Prize for research in France, the Steedman Competition, and the Minnesota State Capitol Grounds competition (with then partner Thomas N. Rajkovich). In 1995 he was named to the decennial list of the top forty architects in the United States under forty. In the fall of 2022, he was a resident at the Bogliasco Foundation in Liguria and the Cini foundation in Venice. His design work for the TASIS campus in Switzerland over twenty-eight years has been recognized with a Palladio Award from Traditional Building magazine, an honorable mention in the INTBAU Excellence Awards, and a jury prize from the Prix Européen d'Architecture Philippe Rotthier. TASIS Switzerland was named one of the nine most beautiful boarding schools in the world by AD Magazine in March 2024. For ten years he also designed a series of new buildings for TASIS England in Surrey. David Mayernik studied fresco painting with the renowned restorer Leonetto Tintori, and he has painted frescoes for the American Academy in Rome, churches in the Mugello and Ticino, and various buildings on the TASIS campus in Switzerland. He designed stage sets for the Haymarket Opera company of Chicago for four seasons between 2012 and 2014. He won the competition to paint the Palio for his adopted home of Lucca in 2013. His paintings and drawings have been exhibited in New York, Chicago, London, Innsbruck, Rome, and Padova and featured in various magazines, including American Artist and Fine Art Connoisseur. David Mayernik is Professor Emeritus with the University of Notre Dame, where for twenty years he taught in the School of Architecture. He is the author of two books, The Challenge of Emulation in Art and Architecture (Routledge, UK) and Timeless Cities: An Architect's Reflections on Renaissance Italy, (Basic Books), and numerous essays and book chapters, including “The Baroque City” for the Oxford Handbook of the Baroque. In 2016 he created the online course The Meaning of Rome for Notre Dame, hosted on the edX platform, which had an audience of six thousand followers. Ways to connect with David: Website: www.davidmayernik.com Instagram: davidmayernik LinkedIn: davidmayernik EdX: The Meaning of Rome https://www.edx.org/learn/humanities/university-of-notre-dame-the-meaning-of-rome-the-renaissance-and-baroque-city About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson ** 01:17 Well, hi and welcome once again. Wherever you happen to be, to another episode of unstoppable mindset. Today, we get to chat with David Mayernik, unless you're in Europe, and then it's David Mayernik, but either way, we're glad to have him. He is an architect. He is an award winning architect. He's an author. He's done a number of things in his life, and we're going to talk about all of those, and it's kind of more fun to let him be the one to talk more about it, and then I can just pick up and ask questions as we go, and that's what we'll do. But we're really glad that he's here. So David, welcome to unstoppable mindset. David Mayernik ** 01:57 Oh, thanks so much. Michael, thanks for the invitation. I'm looking forward to it. Michael Hingson ** 02:02 Well, I know we've been working on getting this set up, and David actually happens to be in Italy today, as opposed to being in the US. He was a professor at Notre Dame for 20 years, but he has spent a lot of time in Europe and elsewhere, and I'm sure he's going to talk about that. But why don't we start, as I mentioned earlier, as I love to do, tell us kind of about the early David growing up. David Mayernik ** 02:25 Well, so my both of my parents passed away several years ago, and when I was at my mom's funeral, one of our next door neighbors was telling my wife what I was like when I was a kid, and she said he was very quiet and very intense. And I suppose that's how I was perceived. I'm not sure I perceived myself that way I did. The thing about me is I've always drawn my mom. I mean, lots of kids draw, but I drew like credibly, well, when I was, you know, two and three years old. And of course, my mother saved everything. But the best thing about it was that I always had paper and pencil available. You know, we were terribly well off. We weren't poor, but we weren't, you know, well to do, but I never lacked for paper and pencils, and that just allowed me to just draw as much as I possibly could. Michael Hingson ** 03:16 And so I guess the other question is, of course, do you still have all those old drawings since your mom kept David Mayernik ** 03:23 them? Well, you know? Yeah, actually, after she passed, I did get her, Well, her collection of them. I don't know that all of them. My father had a penchant for throwing things away, unfortunately. So some of the archive is no longer with us, but no but enough of it. Just odds and bits from different areas of my life. And the thing is, you know, I was encouraged enough. I mean, all kids get encouraged. I think when they're young, everything they do is fabulous, but I had enough encouragement from people who seem to take it seriously that I thought maybe I had something and and it was the kind of thing that allowed me to have enough confidence in myself that I actually enjoyed doing it and and mostly, my parents were just impressed. You know, it just was impressive to them. And so I just happily went along my own way. The thing about it was that I really wanted to find my own path as somebody who drew and had a chance in high school for a scholarship to a local art school. I won a competition for a local art school scholarship, and I went for a couple of lessons, and I thought, you know, they're just teaching me to draw like them. I want to draw like me. So for better or worse, I'm one of those autodidacts who tries to find my own way, and, you know, it has its ups and downs. I mean, the downside of it is it's a slower learning process. Is a lot more trial and error. But the upside of it is, is that it's your own. I mean, essentially, I had enough of an ego that, you know, I really wanted to do. Things my way. Michael Hingson ** 05:02 Well, you illustrate something that I've believed and articulate now I didn't used to, but I do now a lot more, which is I'm my own best teacher. And the reality is that you you learn by doing, and people can can give you information. And, yeah, you're right. Probably they wanted you to mostly just draw like them. But the bottom line is, you already knew from years of drawing as a child, you wanted to perhaps go a slightly different way, and you worked at it, and it may have taken longer, but look at what you learned. David Mayernik ** 05:37 Yeah, I think it's, I mean, for me, it's, it's important that whatever you do, you do because you feel like you're being true to yourself somehow. I mean, I think that at least that's always been important to me, is that I don't, I don't like doing things for the sake of doing them. I like doing them because I think they matter. And I like, you know, I think essentially pursuing my own way of doing it meant that it always was, I mean, beyond just personal, it was something I was really committed to. And you know, the thing about it, eventually, for my parents was they thought it was fabulous, you know, loved great that you draw, but surely you don't intend to be an artist, because, you know, you want to have a job and make a living. And so I eventually realized that in high school, that while they, well, they probably would have supported anything I did that, you know, I was being nudged towards something a little bit more practical, which I think happens to a lot of kids who choose architecture like I did. It's a way, it's a practical way of being an artist and and that's we could talk about that. But I think that's not always true. Michael Hingson ** 06:41 Bill, go ahead, talk about that. Well, I think that the David Mayernik ** 06:44 thing about architecture is that it's become, well, one it became a profession in America, really, in the 20th century. I mean, it's in the sense that there was a licensing exam and all the requirements of what we think of as, you know, a professional service that, you know, like being a lawyer or a doctor, that architecture was sort of professionalized in the 20th century, at least in the United States. And, and it's a business, you know, ostensibly, I mean, you're, you know, you're doing what you do for a fee. And, and so architecture tries to balance the art part of it, or the creative side, the professional side of it, and the business side. And usually it's some rather imperfect version of all of those things. And the hard part, I think the hardest part to keep alive is the art part, because the business stuff and the professional stuff can really kind of take over. And that's been my trial. Challenge is to try to have it all three ways, essentially. Michael Hingson ** 07:39 Do you think that Frank Lloyd Wright had a lot to do with bringing architecture more to the forefront of mindsets, mindsets, and also, of course, from an art standpoint, clearly, he had his own way of doing things. David Mayernik ** 07:54 Yeah, absolutely he comes from, I mean, I wouldn't call it a rebellious tradition, but there was a streak of chafing at East Coast European classicism that happened in Chicago. Louis Sullivan, you know, is mostly responsible for that. And I but, but Right, had this, you know, kind of heroic sense of himself and and I think that his ability to draw, which was phenomenal. His sense that he wanted to do something different, and his sense that he wanted to do something American, made him a kind of a hero. Eventually, I think it coincided with America's growing sense of itself. And so for me, like lot of kids in America, my from my day, if you told somebody in high school you wanted to be an architect, they would give you a book on Frank Lloyd Wright. I mean, that's just, you know, part of the package. Michael Hingson ** 08:47 Yeah, of course, there are others as well, but still, he brought a lot into it. And of course there, there are now more architects that we hear about and designers and so on the people what, I m Pei, who designed the world, original World Trade Center and other things like that. Clearly, there are a number of people who have made major impacts on the way we design and think of Building and Construction today, David Mayernik ** 09:17 you know, I mean America's, you know, be kind of, it really was a leader in the development of architecture in the 20th century. I mean, in the 19th century was very much, you know, following what was happening in Europe. But essentially, by the 20th century, the America had a sense of itself that didn't always mean that it rejected the European tradition. Sometimes it tried to do it, just bigger and better, but, but it also felt like it had its, you know, almost a responsibility to find its own way, like me and, you know, come up with an American kind of architecture and and so it's always been in a kind of dialog with architecture from around the world. I mean, especially in Europe, at Frank Lloyd Wright was heavily influenced by Japanese architecture and. And so we've always seen ourselves, I think, in relationship to the world. And it's just the question of whether we were master or pupil to a certain extent, Michael Hingson ** 10:07 and in reality, probably a little bit of both. David Mayernik ** 10:12 Yeah, and we are, and I think, you know, acknowledging who we are, the fact that we didn't just, you know, spring from the earth in the United States, where we're all, I mean, essentially all immigrants, mostly, and essentially we, you know, essentially bring, we have baggage, essentially, as a culture, from lots of other places. And that's actually an advantage. I mean, I think it's actually what makes us a rich culture, is the diversity. I mean, even me, my father's family was Slovak, my mother's family Italian. And, you know from when I tell you know Europeans that they think that's just quintessentially American. That's what makes you an American, is that you're not a purebred of some kind. Michael Hingson ** 10:49 Yeah, yeah. Pure purebred American is, is really sort of nebulous and and not necessarily overly accurate, because you are probably immigrants or part other kinds of races or nationalities as well. And that's, that's okay. David Mayernik ** 11:08 It's, it's rich, you know, I think it's, it's a richer. It's the extent to which you want to engage with it. And the interesting thing about my parents was that they were both children of first generation immigrants. My mom's parents had been older Italian, and they were already married, and when they came to the States, my father's parents were younger and Slovak, and they met in the United States. And my father really wasn't that interested in his Slovak heritage. I mean, just, you know, he could speak some of the language, you know, really feel like it was something he wanted to hold on to or pass along, was my mom was, I mean, she loved her parents. She, you know, spoke with him in Italian, or actually not even Italian, the dialect from where her parents came from, which is north of Venice. And so she, I think she kind of, whether consciously or unconsciously, passed that on to me, that sense that I wanted to be. I was interested in where I came from, where the origins of my where my roots were, and it's something that had an appeal for me that wasn't just it wasn't front brain, it was really kind of built into who I was, which is why, you know, one of the reasons I chose to go to Notre Dame to study where I also wound up teaching like, welcome back Carter, is that I we had a Rome program, and so I've been teaching in the Rome program for our school, but we, I was there 44 years ago as a student. Michael Hingson ** 12:28 Yeah. So quite a while, needless to say. And you know, I think, well, my grandmother on my mother's side was Polish, but I I never did get much in the way of information about the culture and so on from her and and my mom never really dealt with it much, because she was totally from The Bronx in New York, and was always just American, so I never really got a lot of that. But very frankly, in talking to so many people on this podcast over almost the last four years, talking to a number of people whose parents and grandparents all came to this country and how that affected them. It makes me really appreciate the kind of people who we all are, and we all are, are a conglomerate of so many different cultures, and that's okay, yeah? I mean, David Mayernik ** 13:31 I think it's more than okay, and I think we need to just be honest about it, yeah. And, you know, kind of celebrate it, because the Italians brought with them, you know, tremendous skills. For example, a lot of my grandfather was a stone mason. You know, during the Depression, he worked, you know, the for the WPA essentially sponsored a whole series of public works projects in the parks in the town I grew up in Allentown, Pennsylvania. And Allentown has a fabulous park system. And my grandfather built a lot of stone walls in the parks in the 1930s and, you know, all these cultures that came to the states often brought, you know, specialized skills. You know, from where they they came from, and, and they enriched the American, you know, skill set, essentially, and, and that's, you know, again, that's we are, who we are because of that, you know, I celebrated I, you know, I'm especially connected to my Italian heritage. I feel like, in part because my grandfather, the stone mason, was a bit of jack of all trades. He could paint and draw. And my mom, you know, wrote poetry and painted. And even though she mostly, you know, in my life, was a was a housewife, but before she met my father, and they got married relatively late for their day, she had a professional life in World War Two, my mom actually went to Penn State for a couple of years in the start of at the start of the war, and then parents wanted her to come home, and so she did two years of engineering. Penn State. When she came back to Allentown, she actually got a job at the local airplane manufacturing plant that was making fighter planes for the United States called company called volte, and she did drafting for them. And then after World War Two, she got a job for the local power company drafting modern electrical kitchens and and so I've inherited all my mom's drafting equipment. And, you know, she's, she's very much a kind of a child of the culture that she came from, and in the sense that it was a, you know, artistic culture, a creative culture. And, you know, I definitely happy and proud of Michael Hingson ** 15:37 that. You know, one of the things that impresses me, and I think about a lot in talking to so many people whose parents and grandparents immigrated to this country and so on, is not just the skill sets that they brought, but the work ethic that they had, that they imparted to people. And I think people who have had a number of generations here have not always kept that, and I think they've lost something very valuable, because that work ethic is what made those people who they were David Mayernik ** 16:08 absolutely I mean, my Yeah, I mean my father. I mean absolutely true is, I mean tireless worker, capable of tremendous self sacrifice and and, you know, and that whole generation, I mean, he fought in World War Two. He actually joined, joined the Navy underage. He lied about his age to get in the Navy and that. But they were capable of self, tremendous self sacrifice and tremendous effort. And, you know, I think, you know, we're always, you know, these days, we always talk about work life balance. And I have to say, being an architect, most architects don't have a great work life balance. Mostly it's, it's a lot of work and a little bit of life. And that's, I don't, you know. I think not everybody survives that. Not every architects marriage survives that mine has. But I think it's, you know, that the idea that you're, you're sort of defined by what you do. I think there's a lot of talk these days about that's not a good thing. I I'm sort of okay with that. I'm sort of okay with being defined by what I do. Michael Hingson ** 17:13 Yeah, and, and that that's, that's okay, especially if you're okay with it. That's good. Well, you So you went to Notre Dame, and obviously dealt with architecture. There some, David Mayernik ** 17:28 yeah. I mean, the thing, the great thing about Notre Dame is to have the Rome program, and that was the idea of actually a Sicilian immigrant to the States in the early 20th century who became a professor at Notre Dame. And he had, he won the Paris prize. A guy named Frank Montana who won the Paris prize in the 1930s went to Harvard and was a professor at Notre Dame. And he had the good idea that, you know, maybe sending kids to five years of architecture education in Indiana, maybe wasn't the best, well rounded education possible, and maybe they should get out of South Bend for a year, and he, on his own initiative, without even support from the university, started a Rome program, and then said to the university, hey, we have a Rome program now. And so that was, that was his instinct to do that. And while I got, I think, a great education there, especially after Rome, the professor, one professor I had after Rome, was exceptional for me. But you know, Rome was just the opportunity to see great architecture. I mean, I had seen some. I mean, I, you know, my parents would go to Philadelphia, New York and, you know, we I saw some things. But, you know, I wasn't really bowled over by architecture until I went to Rome. And just the experience of that really changed my life, and it gave me a direction, Michael Hingson ** 18:41 essentially. So the Rome program would send you to Rome for a year. David Mayernik ** 18:46 Yeah, which is unusual too, because a lot of overseas programs do a semester. We were unusual in that the third year out of a five year undergraduate degree in architecture, the whole year is spent in Rome. And you know, when you're 20 ish, you know, 20 I turned 21 when I was over there. It's a real transition time in your life. I mean, it's, it was really transformative. And for all of us, small of my classmates, I mean, we're all kind of grew up. We all became a bit, you know, European. We stopped going to football games when we went back on campus, because it wasn't cool anymore, but, but we, we definitely were transformed by it personally, but, it really opened our eyes to what architecture was capable of, and that once you've, once you've kind of seen that, you know, once you've been to the top of the mountain, kind of thing, it can really get under your skin. And, you know, kind of sponsor whatever you do for the rest of your life. At least for me, it Michael Hingson ** 19:35 did, yeah, yeah. So what did you do after you graduated? David Mayernik ** 19:40 Well, I graduated, and I think also a lot of our students lately have had a pretty reasonably good economy over the last couple of decades, that where it's been pretty easy for our students to get a job. I graduated in a recession. I pounded the pavements a lot. I went, you know, staying with my parents and. Allentown, went back and forth to New York, knocking on doors. There was actually a woman who worked at the unemployment agency in New York who specialized in architects, and she would arrange interviews with firms. And, you know, I just got something for the summer, essentially, and then finally, got a job in the in the fall for somebody I wanted to work with in Philadelphia and and that guy left that firm after about three months because he won a competition. He didn't take me with him, and I was in a firm that really didn't want to be with. I wanted to be with him, not with the firm. And so I then I picked up stakes and moved to Chicago and worked for an architect who'd been a visiting professor at Notre Dame eventually became dean at Yale Tom Beebe, and it was a great learning experience, but it was also a lot of hours at low pay. You know, I don't think, I don't think my students, I can't even tell my students what I used to make an hour as a young architect. I don't think they would understand, yeah, I mean, I really don't, but it was, it was a it was the sense that you were, that your early years was a kind of, I mean an apprenticeship. I mean almost an unpaid apprenticeship at some level. I mean, I needed to make enough money to pay the rent and eat, but that was about it. And and so I did that, but I bounced around a lot, you know, and a lot of kids, I think a lot of our students, when they graduate, they think that getting a job is like a marriage, like they're going to be in it forever. And, you know, I, for better or worse, I moved around a lot. I mean, I moved every time I hit what I felt was like a point of diminishing returns. When I felt like I was putting more in and getting less out, I thought it was time to go and try something else. And I don't know that's always good advice. I mean, it can make you look flighty or unstable, but I kind of always followed my my instinct on that. Michael Hingson ** 21:57 I don't remember how old I was. You're talking about wages. But I remember it was a Sunday, and my parents were reading the newspaper, and they got into a discussion just about the fact that the minimum wage had just been changed to be $1.50 an hour. I had no concept of all of that. But of course, now looking back on it, $1.50 an hour, and looking at it now, it's pretty amazing. And in a sense, $1.50 an hour, and now we're talking about $15 and $16 an hour, and I had to be, I'm sure, under 10. So it was sometime between 1958 and 1960 or so, or maybe 61 I don't remember exactly when, but in a sense, looking at it now, I'm not sure that the minimum wage has gone up all that much. Yes, 10 times what it was. But so many other things are a whole lot more than 10 times what they were back then, David Mayernik ** 23:01 absolutely, yeah. I mean, I mean, in some ways also, my father was a, my father was a factory worker. I mean, he tried to have lots of other businesses of his own. He, you're, you're obviously a great salesman. And the one skill my father didn't have is he could, he could, like, for example, he had a home building business. He could build a great house. He just couldn't sell it. And so, you know, I think he was a factory worker, but he was able to send my sister and I to private college simultaneously on a factory worker salary, you know, with, with, I mean, I had some student loan debt, but not a lot. And that's, that's not possible today. Michael Hingson ** 23:42 No, he saved and put money aside so that you could do that, yeah, and, David Mayernik ** 23:47 and he made enough. I mean, essentially, the cost of college was not that much. And he was, you know, right, yeah. And he had a union job. It was, you know, reasonably well paid. I mean, we lived in a, you know, a nice middle class neighborhood, and, you know, we, we had a nice life growing up, and he was able to again, send us to college. And I that's just not possible for without tremendous amount of debt. It's not possible today. So the whole scale of our economy shifted tremendously. What I was making when I was a young architect. I mean, it was not a lot then, but I survived. Fact, actually saved money in Chicago for a two month summer in Europe after that. So, you know, essentially, the cost of living was, it didn't take a lot to cover your your expenses, right? The advantage of that for me was that it allowed me time when I had free time when I after that experience, and I traveled to Europe, I came back and I worked in Philadelphia for the same guy who had left the old firm in Philadelphia and went off on his own, started his own business. I worked for him for about nine months, but I had time in the evenings, because I didn't have to work 80 hours a week to do other things. I taught myself how to paint. And do things that I was interested in, and I could experiment and try things and and, you know, because surviving wasn't all that hard. I mean, it was easy to pay your bills and, and I think that's one of the things that's, I think, become more onerous, is that, I think for a lot of young people just kind of dealing with both college debt and then, you know, essentially the cost of living. They don't have a lot of time or energy to do anything else. And you know, for me, that was, I had the luxury of having time and energy to invest in my own growth, let's say as a more career, as a creative person. And you know, I also, I also tell students that, you know, there are a lot of hours in the day, you know, and whatever you're doing in an office. There are a lot of hours after that, you could be doing something else, and that I used every one of those hours as best I could. Michael Hingson ** 25:50 Yeah. Well, you know, we're all born with challenges in life. What kind of challenges, real challenges did you have growing up as you look back on it? David Mayernik ** 26:01 Yeah, my, I mean, my, I mean, there was some, there was some, a few rocky times when my father was trying to have his own business. And, you know, I'm not saying we grew up. We didn't struggle, but it wasn't, you know, always smooth sailing. But I think one of the things I learned about being an architect, which I didn't realize, and only kind of has been brought home to me later. Right now, I have somebody who's told me not that long ago, you know? You know, the problem is, architecture is a gentleman's profession. You know that IT architecture, historically was practiced by people from a social class, who knew, essentially, they grew up with the people who would become their clients, right? And so the way a lot of architects built their practice was essentially on, you know, family connections and personal connections, college connections. And I didn't have that advantage. So, you know, I've, I've essentially had to define myself or establish myself based on what I'm capable of doing. And you know, it's not always a level playing field. The great breakthrough for me, in a lot of ways, was that one of the one of my classmates and I entered a big international competition when we were essentially 25 years old. I think we entered. I turned 26 and it was an open competition. So, you know, no professional requirements. You know, virtually no entry fee to redesign the state capitol grounds of Minnesota, and it was international, and we, and we actually were selected as one of the top five teams that were allowed to proceed onto the second phase, and at which point we we weren't licensed architects. We didn't have a lot of professional sense or business sense, so we had to associate with a local firm in Minnesota and and we competed for the final phase. We did most of the work. The firm supported us, but they gave us basically professional credibility and and we won. We were the architects of the state capitol grounds in Minnesota, 26 years old, and that's because the that system of competition was basically a level playing field. It was, you know, ostensibly anonymous, at least the first phase, and it was just basically who had the best design. And you know, a lot of the way architecture gets architects get chosen. The way architecture gets distributed is connections, reputation, things like that, but, but you know, when you find those avenues where it's kind of a level playing field and you get to show your stuff. It doesn't matter where you grew up or who you are, it just matters how good you are, yeah, Michael Hingson ** 28:47 well, and do you think it's still that way today? David Mayernik ** 28:51 There are a lot fewer open professional competitions. They're just a lot fewer of them. It was the and, you know, maybe they learned a lesson. I mean, maybe people like me shouldn't have been winning competitions. I mean, at some level, we were out of our league. I wouldn't say, I wouldn't say, from a design point of view. I mean, we were very capable of doing what the project involved, but we were not ready for the hardball of collaborating with a big firm and and the and the politics of what we were doing and the business side of it, we got kind of crushed, and, and, and eventually they never had the money to build the project, so the project just kind of evaporated. And the guy I used to work with in Philadelphia told me, after I won the competition, he said, you know, because he won a competition. He said, You know, the second project is the hardest one to get, you know, because you might get lucky one time and you win a competition, the question is, how do you build practice out of that? Michael Hingson ** 29:52 Yeah, and it's a good point, yeah, yeah. David Mayernik ** 29:55 I mean, developing some kind of continuity is hard. I mean, I. Have a longer, more discontinuous practice after that, but it's that's the hard part. Michael Hingson ** 30:07 Well, you know, I mentioned challenges before, and we all, we all face challenges and so on. How do we overcome the challenges, our inherited challenges, or the perceived challenges that we have? How do we overcome those and work to move forward, to be our best? Because that's clearly kind of what you're talking about here. David Mayernik ** 30:26 Yeah, well, the true I mean, so the challenges that we're born with, and I think there are also some challenges that, you know, we impose on ourselves, right? I mean, in this, in the best sense, I mean the ways that we challenge ourselves. And for me, I'm a bit of an idealist, and you know, the world doesn't look kindly on idealist. If you know, from a business, professional point of view, idealism is often, I'm not saying it's frowned upon, but it's hardly encouraged and rewarded and but I think that for me, I've learned over time that it's you really just beating your head against the wall is not the best. A little bit of navigating your way around problems rather than trying to run through them or knock them over is a smarter strategy. And so you have to be a little nimble. You have to be a little creative about how you find work and essentially, how you keep yourself afloat and and if you're if you're open to possibilities, and if you take some risks, you can, you can actually navigate yourself through a series of obstacles and actually have a rich, interesting life, but it may not follow the path that you thought you were starting out on at the beginning. And that's the, I think that's the skill that not everybody has. Michael Hingson ** 31:43 The other part about that, though, is that all too often, we don't really give thought to what we're going to do, or we we maybe even get nudges about what we ought to do, but we discount them because we think, Oh, that's just not the way to do it. Rather than stepping back and really analyzing what we're seeing, what we're hearing. And I, for 1am, a firm believer in the fact that our inner self, our inner voice, will guide us if we give it the opportunity to do that. David Mayernik ** 32:15 You know, I absolutely agree. I think a lot of people, you know, I was, I for, I have, for better or worse, I've always had a good sense of what I wanted to do with my life, even if architecture was a you know, conscious way to do something that was not exactly maybe what I dreamed of doing, it was a, you know, as a more rational choice. But, but I've, but I've basically followed my heart, more or less, and I've done the things that I always believed in it was true too. And when I meet people, especially when I have students who don't really know what they love, or, you know, really can't tell you what they really are passionate about, but my sense of it is, this is just my I might be completely wrong, but my sense of it is, they either can't admit it to themselves, or they can't admit it to somebody else that they that, either, in the first case, they're not prepared to listen to themselves and actually really deep, dig deep and think about what really matters to them, or if they do know what that is, they're embarrassed to admit it, or they're embarrassed to tell somebody else. I think most of us have some drive, or some internal, you know, impetus towards something and, and you're right. I mean, learning to listen to that is, is a, I mean, it's rewarding. I mean, essentially, you become yourself. You become more, or the best possible self you can be, I guess. Michael Hingson ** 33:42 Yeah, I agree. And I guess that that kind of answers the question I was was thinking of, and that is, basically, as you're doing things in life, should you follow your dreams? David Mayernik ** 33:53 You know, there's a lot, a lot of people are writing these days, if you read, if you're just, you know, on the, on the internet, reading the, you know, advice that you get on, you know, the new services, from the BBC to, you know, any other form of information that's out there, there's a lot of back and forth by between the follow your dreams camp and the don't follow your dreams camp. And the argument of the don't follow your dreams camp seems to be that it's going to be hard and you'll be frustrated, and you know, and that's true, but it doesn't mean you're going to fail, and I don't think anybody should expect life to be easy. So I think if you understand going in, and maybe that's part of my Eastern European heritage that you basically expect life to be hard, not, not that it has to be unpleasant, but you know it's going to be a struggle, but, but if you are true to yourself or follow your dreams, you're probably not going to wake up in the middle of your life with a crisis. You know, because I think a lot of times when you suppress your dreams, they. Stay suppressed forever, and the frustrations come out later, and it's better to just take them on board and try to again, navigate your way through life with those aspirations that you have, that you know are really they're built in like you were saying. They're kind of hardwired to be that person, and it's best to listen to that person. Michael Hingson ** 35:20 There's nothing wrong with having real convictions, and I think it's important to to step back and make sure that you're really hearing what your convictions are and feeling what your convictions are. But that is what people should do, because otherwise, you're just not going to be happy. David Mayernik ** 35:36 You're not and you're you're at one level, allowing yourself to manipulate yourself. I mean, essentially, you're, you know, kind of essentially deterring yourself from being who you are. You're probably also susceptible to other people doing that to you, that if you don't have enough sense of yourself, a lot of other people can manipulate you, push you around. And, you know, the thing about having a good sense of yourself is you also know how to stand up for yourself, or at least you know that you're a self that's worth standing up for. And that's you know. That's that, that thing that you know the kids learn in the school yard when you confront the bully, you know you have to, you know, the parents always tell you, you know, stand up to the bully. And at some level, life is going to bully you unless you really are prepared to stand up for something. Michael Hingson ** 36:25 Yeah, and there's so many examples of that I know as a as a blind person, I've been involved in taking on some pretty major tasks in life. For example, it used to be that anyone with a so called Disability couldn't buy life insurance, and eventually, we took on the insurance industry and won to get the laws passed in every state that now mandate that you can't discriminate against people with disabilities in providing life insurance unless you really have evidence To prove that it's appropriate to do that, and since the laws were passed, there hasn't been any evidence. And the reason is, of course, there never has been evidence, and insurance companies kept claiming they had it, but then when they were challenged to produce it, they couldn't. But the reality is that you can take on major tasks and major challenges and win as long as you really understand that that is what your life is steering you to do, David Mayernik ** 37:27 yeah, like you said, and also too, having a sense of your your self worth beyond whatever that disability is, that you know what you're capable of, apart from that, you know that's all about what you can't do, but all the things that you can do are the things that should allow you to do anything. And, yeah, I think we're, I think it's a lot of times people will try to define you by what you can't do, you Michael Hingson ** 37:51 know? And the reality is that those are traditionally misconceptions and inaccurate anyway, as I point out to people, disability does not mean a lack of ability. Although a lot of people say, Well, of course it, it is because it starts with dis. And my response is, what do you then? How do you deal with the words disciple, discern and discrete? For example, you know the fact of the matter is, we all have a disability. Most of you are light dependent. You don't do well with out light in your life, and that's okay. We love you anyway, even though you you have to have light but. But the reality is, in a sense, that's as much a disability is not being light dependent or being light independent. The difference is that light on demand has caused so much focus that it's real easy to get, but it doesn't change the fact that your disability is covered up, but it's still there. David Mayernik ** 38:47 No, it's true. I mean, I think actually, yeah, knowing. I mean, you're, we're talking about knowing who you are, and, you know, listening to your inner voice and even listening to your aspirations. But also, I mean being pretty honest about where your liabilities are, like what the things are that you struggle with and just recognizing them, and not not to dwell on them, but to just recognize how they may be getting in the way and how you can work around them. You know, one of the things I tell students is that it's really important to be self critical, but, but it's, it's not good to be self deprecating, you know. And I think being self critical if you're going to be a self taught person like I am, in a lot of ways, you you have to be aware of where you're not getting it right. Because I think the problem is sometimes you can satisfy yourself too easily. You're too happy with your own progress. You know, the advantage of having somebody outside teaching you is they're going to tell you when you're doing it wrong, and most people are kind of loath do that for themselves, but, but the other end of that is the people who are so self deprecating, constantly putting themselves down, that they never are able to move beyond it, because they're only aware of what they can't do. And you know, I think balancing self criticism with a sense of your self worth is, you know, one of the great balancing acts of life. You. Michael Hingson ** 40:00 Well, that's why I've adopted the concept of I'm my own best teacher, because rather than being critical and approaching anything in a negative way, if I realize that I'm going to be my own best teacher, and people will tell me things, I can look at them, and I should look at them, analyze them, step back, internalize them or not, but use that information to grow, then that's what I really should do, and I would much prefer the positive approach of I'm my own best teacher over anything else. David Mayernik ** 40:31 Yeah, well, I mean, the last kind of teachers, and I, you know, a lot of my students have thought of me as a critical teacher. One of the things I think my students have misunderstood about that is, it's not that I have a low opinion of them. It's actually that I have such a high opinion that I always think they're capable of doing better. Yeah, I think one of the problems in our educational system now is that it's so it's so ratifying and validating. There's so we're so low to criticize and so and the students are so fragile with criticism that they they don't take the criticism well, yeah, we don't give it and, and you without some degree of what you're not quite getting right, you really don't know what you're capable of, right? And, and I think you know. But being but again, being critical is not that's not where you start. I think you start from the aspiration and the hope and the, you know, the actually, the joy of doing something. And then, you know, you take a step back and maybe take a little you know, artists historically had various techniques for judging their own work. Titian used to take one of his paintings and turn it away, turn it facing the wall so that he couldn't see it, and he would come back to it a month later. And, you know, because when he first painted, he thought it was the greatest thing ever painted, he would come back to it a month later and think, you know, I could have done some of those parts better, and you would work on it and fix it. And so, you know, the self criticism comes from this capacity to distance yourself from yourself, look at yourself almost as as hard as it is from the outside, yeah, try to see yourself as other people see you. Because I think in your own mind, you can kind of become completely self referential. And you know, that's that. These are all life skills. You know, I had to say this to somebody recently, but, you know, I think the thing you should get out of your education is learning how to learn and like you're talking about, essentially, how do you approach something new or challenging or different? Is has to do with essentially, how do you how do you know? Do you know how to grow and learn on your own? Michael Hingson ** 42:44 Yeah, exactly, well, being an architect and so on. How did you end up going off and becoming a professor and and teaching? Yeah, a David Mayernik ** 42:52 lot of architects do it. I have to say. I mean, there's always a lot of the people who are the kind of heroes when I was a student, were practicing architects who also taught and and they had a kind of, let's say, intellectual approach to what they did. They were conceptual. It wasn't just the mundane aspects of getting a building built, but they had some sense of where they fit, with respect to the culture, with respect to history and issues outside of architecture, the extent to which they were tied into other aspects of culture. And so I always had the idea that, you know, to be a full, you know, a fully, you know, engaged architect. You should have an academic, intellectual side to your life. And teaching would be an opportunity to do that. The only thing is, I didn't feel like I knew enough until I was older, in my 40s, to feel like I actually knew enough about what I was doing to be able to teach somebody else. A lot of architects get into teaching early, I think, before they're actually fully formed to have their own identities. And I think it's been good for me that I waited a while until I had a sense of myself before I felt like I could teach somebody else. And so there was, there was that, I mean, the other side of it, and it's not to say that it was just a day job, but one of the things I decided from the point of your practice is a lot of architects have to do a lot of work that they're not proud of to keep the lights on and keep the business operating. And I have decided for myself, I only really want to do work that I'm proud of, and in order to do that, because clients that you can work for and be you know feel proud of, are rather rare, and so I balanced teaching and practice, because teaching allowed me to ostensibly, theoretically be involved with the life of the mind and only work for people and projects that interested me and that I thought could offer me the chance to do something good and interesting and important. And so one I had the sense that I had something to convey I learned. Enough that I felt like I could teach somebody else. But it was also, for me, an opportunity to have a kind of a balanced life in which practice was compensated. You know that a lot of practice, even interesting practice, has a banal, you know, mundane side. And I like being intellectually stimulated, so I wanted that. Not everybody wants Michael Hingson ** 45:24 that. Yeah, so you think that the teaching brings you that, or it put you in a position where you needed to deal with that? David Mayernik ** 45:32 You know, having just retired, I wish there had been more of that. I really had this romantic idea that academics, being involved in academics, would be an opportunity to live in a world of ideas. You know? I mean, because when I was a student, I have to say we, after we came back from Rome, I got at least half of my education for my classmates, because we were deeply engaged. We debated stuff. We, you know, we we challenged each other. We were competitive in a healthy way and and I remember academics my the best part of my academic formation is being immensely intellectually rich. In fact, I really missed it. For about the first five years I was out of college, I really missed the intellectual side of architecture, and I thought going back as a teacher, I would reconnect with that, and I realized not necessarily, there's a lot about academics that's just as mundane and bureaucratic as practice can be so if you really want to have a satisfying intellectual life, unfortunately, you can't look to any institution or other people for it. You got to find it on your own. 46:51 Paperwork, paperwork, David Mayernik ** 46:55 committee meetings, just stuff. Yeah, yeah, Michael Hingson ** 47:00 yeah. Yeah, which never, which never. Well, I won't say they never help, but there's probably, there's probably some valuable stuff that you can get, even from writing and doing, doing paperwork, because it helps you learn to write. I suppose you can look at it that way. David Mayernik ** 47:16 No, it's true. I mean, you're, you're definitely a glass half full guy. Michael, I appreciate that's good. No. I mean, I, obviously, I always try to make get the most out of whatever experience I have. But, I mean, in the sense that there wasn't as much intellectual discourse, yeah, you know, as my I would have liked, yeah, and I, you know, in the practice or in the more academic side of architecture. Several years ago, somebody said we were in a post critical phase like that. Ideas weren't really what was driving architecture. It was going to be driven by issues of sustainability, issues of social structure, you know, essentially how people live together, issues that have to do with things that weren't really about, let's call it design in the esthetic sense, and all that stuff is super important. And I'm super interested in, you know, the social impact of my architecture, the sustainable impact of it, but the the kind of intellectual society side of the design part of it, we're in a weird phase where it that's just not in my world, we just it's not talked about a lot. You know, Michael Hingson ** 48:33 it's not what it what it used to be. Something tells me you may be retired, but you're not going to stop searching for intellectual and various kinds of stimulation to help keep your mind active. David Mayernik ** 48:47 Oh, gosh, no, no. I mean, effectively. I mean, I just stopped one particular job. I describe it now as quitting with benefits. That's my idea of what I retired from. I retired from a particular position in a particular place, but, but I haven't stopped. I mean, I'm certainly going to keep working. I have a very interesting design project in Switzerland. I've been working on for almost 29 years, and it's got a number of years left in it. I paint, I write, I give lectures, I you know, and you obviously have a rich life. You know, not being at a job. Doesn't mean that the that your engagement with the world and with ideas goes away. I mean, unless you wanted to, my wife's my wife had three great uncles who were great jazz musicians. I mean, some quite well known jazz musicians. And one of them was asked, you know, was he ever going to retire? And he said, retire to what? Because, you know, he was a musician. I mean, you can't stop being a musician, you know, you know, if, some level, if you're really engaged with what you do, you You never stop, really, Michael Hingson ** 49:51 if you enjoy it, why would you? No, I David Mayernik ** 49:54 mean, the best thing is that your work is your fun. I mean, you know, talking about, we talked about it. I. You that You know you're kind of defined by your work, but if your work is really what you enjoy, I mean, actually it's fulfilling, rich, enriching, interesting, you don't want to stop doing that. I mean, essentially, you want to do it as long as you possibly can. Yeah, Michael Hingson ** 50:13 and it's and it's really important to do that. And I think, in reality, when you retire from a job, you're not really retiring from a job. You're retiring, as you said, from one particular thing. But the job isn't a negative thing at all. It is what you like to do. David Mayernik ** 50:31 Yeah. I mean, there's, yeah, there's the things that you do that. I mean, I guess the job is the, if you like, the thing that is the, you know, the institution or the entity that you know, pays your bills and that kind of stuff, but the career or the thing that you're invested in that had the way you define yourself is you never stop being that person, that person. And in some ways, you know, what I'm looking forward to is a richer opportunity to pursue my own avenue of inquiry, and, you know, do things on my own terms, without some of the obligations I had Michael Hingson ** 51:03 as a teacher, and where's your wife and all that. David Mayernik ** 51:06 So she's with me here in LUCA, and she's she's had a super interesting life, because she she she studied. We, when we were together in New York, she was getting a degree in art history, Medieval and Renaissance studies in art history at NYU, and then she decided she really wanted to be a chef, and she went to cooking school in New York and then worked in a variety of food businesses in New York, and then got into food writing and well, food styling for magazines, making food for photographs, and then eventually writing. And through a strange series of connections and experiences. She got an opportunity to cook at an Art Foundation in the south of France, and I was in New York, and I was freelancing. I was I'd quit a job I'd been at for five years, and I was freelancing around, doing some of my own stuff and working with other architects, and I had work I could take with me. And you know, it was there was there was, we didn't really have the internet so much, but we had FedEx. And I thought I could do drawings in the south of France. I could do them in Brooklyn. So, so I went to the south of France, and it just happens to be that my current client from Switzerland was there at that place at that time, scouting it out for some other purpose. And she said, I hear you're architect. I said, Yeah. And I said, Well, you know, she said, I like, you know, classical architecture, and I like, you know, traditional villages, and we have a campus, and we need a master plan architect. And I was doing a master plan back in Delaware at that time, and my wife's you know, career trajectory actually enabled me to meet a client who's basically given me an opportunity to build, you know, really interesting stuff, both in Switzerland and in England for the last, you know, again, almost 29 years. And so my wife's been a partner in this, and she's been, you know, because she's pursued her own parallel interest. But, but our interests overlap enough and we share enough that we our interests are kind of mutually reinforcing. It's, it's been like an ongoing conversation between us, which has been alive and rich and wonderful. Michael Hingson ** 53:08 You know, with everything going on in architecture and in the world in general, we see more and more technology in various arenas and so on. How do you think that the whole concept of CAD has made a difference, or in any way affected architecture. And where do you think CAD systems really fit into all of that? David Mayernik ** 53:33 Well, so I mean this, you know, CAD came along. I mean, it already was, even when I was early in my apprenticeship, yeah, I was in Chicago, and there was a big for som in Chicago, had one of the first, you know, big computers that was doing some drawing work for them. And one of my, a friend of mine, you know, went to spend some time and figure out what they were capable of. And, but, you know, never really came into my world until kind of the late night, mid, mid to late 90s and, and, and I kind of resisted it, because I, the reason I got into architecture is because I like to draw by hand, and CAD just seemed to be, you know, the last thing I'd want to do. But at the same time, you, some of you, can't avoid it. I mean, it has sort of taken over the profession that, essentially, you either have people doing it for you, or you have to do it yourself, and and so the interesting thing is, I guess that I, at some point with Switzerland, I had to, basically, I had people helping me and doing drawing for me, but I eventually taught myself. And I actually, I jumped over CAD and I went to a 3d software called ArchiCAD, which is a parametric design thing where you're essentially building a 3d model. Because I thought, Look, if I'm going to do drawing on the computer, I want the computer to do something more than just make lines, because I can make lines on my own. But so the computer now was able to help me build a 3d model understand buildings in space and construction. And so I've taught myself to be reasonably, you know, dangerous with ArchiCAD and but the. Same time, the creative side of it, I still, I still think, and a lot of people think, is still tied to the intuitive hand drawing aspect and and so a lot of schools that gave up on hand drawing have brought it back, at least in the early years of formation of architects only for the the conceptual side of architecture, the the part where you are doodling out your first ideas, because CAD drawing is essentially mechanical and methodical and sort of not really intuitive, whereas the intuitive marking of paper With a pencil is much more directly connected to the mind's capacity to kind of speculate and imagine and daydream a little bit, or wander a little bit your mind wanders, and it actually is time when some things can kind of emerge on the page that you didn't even intend. And so, you know, the other thing about the computer is now on my iPad, I can actually do hand drawing on my iPad, and that's allowed me to travel with it, show it to clients. And so I still obviously do a lot of drawing on paper. I paint by hand, obviously with real paints and real materials. But I also have found also I can do free hand drawing on my iPad. I think the real challenge now is artificial intelligence, which is not really about drawing, it's about somebody else or the machine doing the creative side of it. And that's the big existential crisis that I think the profession is facing right now. Michael Hingson ** 56:36 Yeah, I think I agree with that. I've always understood that you could do free hand drawing with with CAD systems. And I know that when I couldn't find a job in the mid 1980s I formed a company, and we sold PC based CAD systems to architects and engineers. And you know, a number of them said, well, but when we do designs, we charge by the time that we put into drawing, and we can't do that with a CAD system, because it'll do it in a fraction of the time. And my response always was, you're looking at it all wrong. You don't change how much you charge a customer, but now you're not charging for your time, you're charging for your expertise, and you do the same thing. The architects who got that were pretty successful using CAD systems, and felt that it wasn't really stifling their creativity to use a CAD system to enhance and speed up what they did, because it also allowed them to find more jobs more quickly. David Mayernik ** 57:35 Yeah, one of the things it did was actually allow smaller firms to compete with bigger firms, because you just didn't need as many bodies to produce a set of drawings to get a project built or to make a presentation. So I mean, it has at one level, and I think it still is a kind of a leveler of, in a way, the scale side of architecture, that a lot of small creative firms can actually compete for big projects and do them successfully. There's also, it's also facilitated collaboration, because of the ability to exchange files and have people in different offices, even around the world, working on the same drawing. So, you know, I'm working in Switzerland. You know, one of the reasons to be on CAD is that I'm, you know, sharing drawings with local architects there engineers, and that you know that that collaborative sharing process is definitely facilitated by the computer. Michael Hingson ** 58:27 Yeah, information exchange is always valuable, especially if you have a number of people who are committed to the same thing. It really helps. Collaboration is always a good thing, David Mayernik ** 58:39 yeah? I mean, I think a lot of, I mean, there's always the challenge between the ego side of architecture, you know, creative genius, genius, the Howard Roark Fountainhead, you know, romantic idea. And the reality is that it takes a lot of people to get a building built, and one person really can't do it by themselves. And So collaboration is kind of built into it at the same time, you know, for any kind of coherence, or some any kind of, let's say, anything, that brings a kind of an artistic integrity to a work of architecture, mostly, that's got to come from one person, or at least people with enough shared vision that that there's a kind of coherence to it, you know. And so there still is space for the individual creative person. It's just that it's inevitably a collaborative process to get, you know, it's the it's the 1% inspiration, 99% perspiration. Side architecture is very much that there's a lot of heavy lifting that goes into getting a set of drawings done to get
U.S. Ambassador to Israel Mike Huckabee and Middle East envoy Steve Witkoff traveled to Gaza Friday to tour an Israeli-backed aid site, amid growing global outcry over the country's handling of its war with Hamas. New polling from Gallup shows barely a third of Americans support Israel's actions in Gaza, a new low. And two Israeli human rights organizations last week concluded Israel is committing genocide in Gaza, a first since the start of the war almost two years ago. But as of now, there's no indication Israeli Prime Minister Benjamin Netanyahu and his right-wing government have any plans to wind down the war. Yair Rosenberg, a staff writer at The Atlantic, talks about the ‘corrupt bargain' that went into the making of Netanyahu's coalition.And in headlines: White House officials defended President Donald Trump's decision to fire the head of the Bureau of Labor Statistics after a bad jobs report, Texas House Democrats fled the state to block Republicans from redrawing the state's congressional map, and the Corporation for Public Broadcasting said it would shut down.Show notes:Read Yair's work - https://www.theatlantic.com/author/yair-rosenberg/Learn More About The Texas Redistricting Push - https://tinyurl.com/4x9f9ee8Call Congress – 202-224-3121Subscribe to the What A Day Newsletter – https://tinyurl.com/3kk4nyz8What A Day – YouTube – https://www.youtube.com/@whatadaypodcastFollow us on Instagram – https://www.instagram.com/crookedmedia/For a transcript of this episode, please visit crooked.com/whataday
-President Trump reacts to “Russiagate”, Ukraine, Epstein files, Jerome Powell, and more with Rob Finnerty. [Finnerty] -U.S. Ambassador to NATO Matthew Whitaker discusses the Russia-Ukraine war as President Trump's deadline approaches. [Sunday Agenda] -Newsmax's Tom Basile warns that rising global antisemitism and the radical left may affect U.S. support of Israel. [America Right Now] -Byron Donalds favors stock trading regulations for Congress. [National Report] Listen to Newsmax LIVE and see our entire podcast lineup at http://Newsmax.com/Listen Make the switch to NEWSMAX today! Get your 15 day free trial of NEWSMAX+ at http://NewsmaxPlus.com Looking for NEWSMAX caps, tees, mugs & more? Check out the Newsmax merchandise shop at : http://nws.mx/shop Follow NEWSMAX on Social Media: -Facebook: http://nws.mx/FB -X/Twitter: http://nws.mx/twitter -Instagram: http://nws.mx/IG -YouTube: https://youtube.com/NewsmaxTV -Rumble: https://rumble.com/c/NewsmaxTV -TRUTH Social: https://truthsocial.com/@NEWSMAX -GETTR: https://gettr.com/user/newsmax -Threads: http://threads.net/@NEWSMAX -Telegram: http://t.me/newsmax -BlueSky: https://bsky.app/profile/newsmax.com -Parler: http://app.parler.com/newsmax Learn more about your ad choices. Visit megaphone.fm/adchoices
Republicans in the Texas State House released their plans to redraw the state's congressional map this week. It's a nakedly partisan gambit to maximize GOP wins in next year's midterm elections, all at the behest of President Donald Trump. In response, some Democrats want the party to fight fire with fire. California Democratic Gov. Gavin Newsom said Thursday he wants a special election in a bid to offset Texas's shenanigans. Justin Levitt, a constitutional law professor at Loyola Law School in Los Angeles and a former White House senior advisor to the Biden Administration, lays out the stakes for this mid-cycle redistricting war and why all of us should care.And in headlines: Trump slaps a 35 percent tariff on Canada after complaining about the country's plans to recognize a Palestinian state, U.S. Ambassador to Israel Mike Huckabee and Special envoy to the Middle East Steve Witkoff are headed to Gaza, and Trump signs an executive order to bring back the Presidential Fitness Test to schools.Show Notes:Call Congress – 202-224-3121Subscribe to the What A Day Newsletter – https://tinyurl.com/3kk4nyz8What A Day – YouTube – https://www.youtube.com/@whatadaypodcastFollow us on Instagram – https://www.instagram.com/crookedmedia/For a transcript of this episode, please visit crooked.com/whataday
ISRAEL: NYT FALSE PHOTO. AMBASSADOR YECHIEL LEITER, MALCOLM HOENLEIN @CONF_OF_PRES @MHOENLEIN1 1959 UN IN GAZA
ISRAEL: NYT FALSE PHOTO. AMBASSADOR YECHIEL LEITER, MALCOLM HOENLEIN @CONF_OF_PRES @MHOENLEIN1 CONTINUED 1898 GAZA
President Donald Trump fires the head of the Bureau of Labor Statistics after baselessly questioning the integrity of the July jobs report. Mercy Corps CEO Tjada D'Oyen McKenna discusses the hunger crisis in Gaza, as U.S. Special Envoy to the Middle East Steve Witkoff and U.S. Ambassador to Israel Mike Huckabee visit the region. NBC News' Peter Nicholas reports on the White House's plans to build a ballroom.
On today's Top News in 10, we cover: Reciprocal tariffs went into effect at midnight. Special envoy Steve Witkoff and U.S. Ambassador to Israel Mike Huckabee are going into Gaza on Friday. And Russiagate takes another turn. Keep Up With The Daily Signal Sign up for our email newsletters: https://www.dailysignal.com/email Subscribe to our other shows: The Tony Kinnett Cast: https://open.spotify.com/show/7AFk8xjiOOBEynVg3JiN6g The Signal Sitdown: https://megaphone.link/THEDAILYSIGNAL2026390376 Problematic Women: https://megaphone.link/THEDAILYSIGNAL7765680741 Victor Davis Hanson: https://megaphone.link/THEDAILYSIGNAL9809784327 Follow The Daily Signal: X: https://x.com/intent/user?screen_name=DailySignal Instagram: https://www.instagram.com/thedailysignal/ Facebook: https://www.facebook.com/TheDailySignalNews/ Truth Social: https://truthsocial.com/@DailySignal YouTube: https://www.youtube.com/dailysignal?sub_confirmation=1 Subscribe on your favorite podcast platform and never miss an episode. Learn more about your ad choices. Visit megaphone.fm/adchoices