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Hannah Zeavin and Helen Charman return to the podcast to discuss the history of technology, media and mothering throughout the 20th century. We discuss the role media and technology play in the labor process of mothering, how media often becomes a site of panic and pathology, and what this all tells us about the relationship between the state and the so-called private household.Hannah Zeavin is Assistant Professor of the History of Science in the Department of History and the Berkeley Center for New Media at UC Berkeley. In 2021, she cofounded The Psychosocial Foundation and is Founding Editor of Parapraxis magazine. She is the author of The Distance Cure and more recently Mother Media: Hot and Cool Parenting in the Twentieth Century (both published by The MIT Press.)Helen Charman is a Fellow and College Teaching Officer in English at Clare College, University of Cambridge. Her writing has been published in publications such as the Guardian, The White Review, and Another Gaze. As a poet, Charman was shortlisted for the White Review Poet's Prize in 2017 and for the 2019 Ivan Juritz Prize for Creative Experiment, and has published four poetry pamphlets, most recently In the Pleasure Dairy. Her first book Mother State: A Political History of Motherhood published last August. FESTIVAL OF THE OPPRESSED TICKETS: https://revsoc21.uk/festival2025/ SUPPORT: www.buymeacoffee.com/redmedicineSoundtrack by Mark PilkingtonTwitter: @red_medicine__www.redmedicine.substack.com/
Laurie Taylor talks to Helen Charman, Fellow and Assistant College Lecturer in English at Clare College, University of Cambridge, about her study of mothers fighting for alternative futures for themselves and their children. Is motherhood an inherently political state, one that poses challenges to various status quos? Also, Caitlin Killian - Professor of Sociology, Drew University, Madison, New Jersey argues that US mums are held to ever higher standards and now subject to an expanding list of offences - from falling down the stairs while pregnant to letting a child spend time alone in a park - which were not seen as criminal behaviours a generation ago. Are mothers likelier to be held accountable than fathers? Producer: Jayne Egerton
Simon Bertin drops in to Clare College to find out about a tapestry that centres on the career of scientist and suffragette Hertha Ayrton; we wrestle with the current political […]
In this episode, we discuss recordings of “Palestrina Revealed - Byrd, White, Mundy” (Harmonia Mundi) by Choir of Clare College, Cambridge / Graham Ross, “Debussy: String Quartet & Sonatas” (Hyperion) by The Nash Ensemble, “Baltic Prayer” (Stradivarius) by Dalia Dėdinskaitė, Gleb Pyšniak, Vilnius Municipal Choir, and Jauna Muzika / Vaclovas Augustinas, “Screen Time” (Imani Records) by Thomas Marriott, “The Snake Charmer” (Origin) by The Brad Goode Polytonal Big Band, and “Breakthrough” (Wide Hive Records) by Erik Jekabson. The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts Episode 198 Deezer Playlist Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists. “Palestrina Revealed - Byrd, White, Mundy” (Harmonia Mundi) Choir of Clare College, Cambridge / Graham Ross https://open.spotify.com/album/3SCqc57oIo1iB7YUFBHfPx https://music.apple.com/us/album/palestrina-revealed-byrd-white-mundy/1783559437 https://music.amazon.com/albums/B0DPN9GJDP “Debussy: String Quartet & Sonatas” (Hyperion) The Nash Ensemble https://open.spotify.com/album/6AQyffF6UZnpI2yLJ1uWdF https://music.apple.com/us/album/debussy-string-quartet-sonatas/1768313042 https://music.amazon.com/albums/B0DGYXYLTL “Baltic Prayer” (Stradivarius) Dalia Dėdinskaitė, Gleb Pyšniak, Vilnius Municipal Choir, Jauna Muzika / Vaclovas Augustinas https://open.spotify.com/album/7BGRJswOfIypnQFn16K2Pk https://music.apple.com/us/album/baltic-prayer/1790430093 https://music.amazon.com/albums/B0DK623NV3 “Screen Time” (Imani Records) Thomas Marriott https://open.spotify.com/album/5coJsCkeHFfbmFT6GTJyhM https://music.apple.com/us/album/screen-time-feat-orrin-evans-robert-hurst-mark-whitfield-jr/1767598774 https://music.amazon.com/albums/B0DGLQPKH7 “The Snake Charmer” (Origin) Brad Goode Polytonal Big Band https://open.spotify.com/album/3FGXtQeRDC6i5LQMDTnyDl https://music.apple.com/us/album/polytonal-big-band-the-snake-charmer/1781618413 https://music.amazon.com/albums/B0DNZ5HRRD “Breakthrough” (Wide Hive Records) Erik Jekabson https://open.spotify.com/album/11VnWS06K2HbgxuQU3mrN2 https://music.apple.com/us/album/breakthrough/1783170241 https://music.amazon.com/albums/B0DPJCJ5LZ
Fredrik talks to Jon Sterling about user interfaces old and new. Jon has created Aquaui - a Mac user interface library which is a small love letter to the Aqua user interface style for Mac OS X. Based on that, we discuss understandable and consistent user interfaces, how there seems to be little evolution and improvement, wish for brave new ideas, and a lot more. Oh, and we also discuss living with old technology, like a seventh-generation Ipod. Plus liability laundering and the problems of building the whole house of out fire alarms. Thank you Cloudnet for sponsoring our VPS! Comments, questions or tips? We a re @kodsnack, @tobiashieta, @oferlund and @bjoreman on Twitter, have a page on Facebook and can be emailed at info@kodsnack.se if you want to write longer. We read everything we receive. If you enjoy Kodsnack we would love a review in iTunes! You can also support the podcast by buying us a coffee (or two!) through Ko-fi. Links Jon Cambridge Clare college Aquaui - Jon’s library Aqua - the user interface design language Steve Jobs introducing Aqua The dock Windows XP Windows 98 Iphone 4 IOS 6 IOS 7 - the great flattening of everything Apple’s old human interface guidelines Accidental tech podcast The purple button for single-window mode in the Mac OS X beta - scroll down or search for “purple” Stage manager Lion Infinite Mac - the website where you can run old Mac operating systems The spatial Finder - and why the modern Finder isn’t Support Kodsnack on Ko-fi Elementary OS - and their interface design guide GTK A post about the original dock Discussion about Mica - Apple internal design tool Core animation Webkit Blink WKWebview Appkit NSScrollview NSScroller 12-inch Powerbook Seventh-generation Ipod Itunes Intel Imac Tiger Tenfourfox- browser for old versions of Mac OS X Charles proxy jonmstirling.com Jon on Mastodon Titles A love letter A very different era Beautiful blue liquid The great flattening of everything Unbelievable user interface regression I feel powerless today when I’m using my computer They did mess up the photo app Like a pill A long-lasting Ibuprofen That upper-right corner Bigger than my wingspan Beautiful, unsullied whitespace During the decline of Mac OS Time to be a bit bold A passable gradient Start from a point of inspiration Too much for the old hardware The Aqua fire alarm SSL fire alarms
Melvyn Bragg and guests discuss the Greek biographer Plutarch (c46 AD-c120 AD) and especially his work 'Parallel Lives' which has shaped the way successive generations see the Classical world. Plutarch was clear that he was writing lives, not histories, and he wrote these very focussed accounts in pairs to contrast and compare the characters of famous Greeks and Romans, side by side, along with their virtues and vices. This focus on the inner lives of great men was to fascinate Shakespeare, who drew on Plutarch considerably when writing his Julius Caesar, Coriolanus, Timon of Athens and Antony and Cleopatra. While few followed his approach of setting lives in pairs, Plutarch's work was to influence countless biographers especially from the Enlightenment onwards.WithJudith Mossman Professor Emerita of Classics at Coventry UniversityAndrew Erskine Professor of Ancient History at the University of EdinburghAnd Paul Cartledge AG Leventis Senior Research Fellow of Clare College, University of CambridgeProducer: Simon TillotsonReading list:Mark Beck (ed.), A Companion to Plutarch (Wiley-Blackwell, 2014)Colin Burrow, Shakespeare and Classical Antiquity (Oxford University Press, 2013), especially chapter 6Raphaëla Dubreuil, Theater and Politics in Plutarch's Parallel Lives (Brill, 2023)Tim Duff, Plutarch's Lives: Exploring Virtue and Vice (Oxford University Press, 1999)Noreen Humble (ed.), Plutarch's Lives: Parallelism and Purpose (Classical Press of Wales, 2010)Robert Lamberton, Plutarch (Yale University Press, 2002)Hugh Liebert, Plutarch's Politics: Between City and Empire (Cambridge University Press, 2016)Christopher Pelling, Plutarch and History (Classical Press of Wales, 2002)Plutarch (trans. Robin Waterfield), Greek Lives (Oxford University Press, 2008) Plutarch (trans. Robin Waterfield), Roman Lives (Oxford University Press, 2008) Plutarch (trans. Robin Waterfield), Hellenistic Lives (Oxford University Press, 2016)Plutarch (trans. Ian Scott-Kilvert), The Rise and Fall of Athens: Nine Greek Lives (Penguin, 2023) Plutarch (trans. Ian Scott-Kilvert), The Age of Alexander: Nine Greek Lives (Penguin, 2011) Plutarch (trans. Richard Talbert), On Sparta (Penguin, 2005)Plutarch (trans. Christopher Pelling), The Rise of Rome (Penguin, 2013) Plutarch (trans. Christopher Pelling), Rome in Crisis: Nine Lives (Penguin, 2010)Plutarch (trans. Rex Warner), The Fall of the Roman Republic: Six Lives (Penguin, 2006)Plutarch (trans. Thomas North, ed. Judith Mossman), The Lives of the Noble Grecians and Romans (Wordsworth, 1998)Geert Roskam, Plutarch (Cambridge University Press, 2021)D. A. Russell, Plutarch (2nd ed., Bristol Classical Press, 2001)Philip A. Stadter, Plutarch and his Roman Readers (Oxford University Press, 2014)Frances B. Titchener and Alexei V. Zadorojnyi (eds.), The Cambridge Companion to Plutarch (Cambridge University Press, 2023)In Our Time is a BBC Studios Audio Production
Melvyn Bragg and guests discuss the Greek biographer Plutarch (c46 AD-c120 AD) and especially his work 'Parallel Lives' which has shaped the way successive generations see the Classical world. Plutarch was clear that he was writing lives, not histories, and he wrote these very focussed accounts in pairs to contrast and compare the characters of famous Greeks and Romans, side by side, along with their virtues and vices. This focus on the inner lives of great men was to fascinate Shakespeare, who drew on Plutarch considerably when writing his Julius Caesar, Coriolanus, Timon of Athens and Antony and Cleopatra. While few followed his approach of setting lives in pairs, Plutarch's work was to influence countless biographers especially from the Enlightenment onwards.WithJudith Mossman Professor Emerita of Classics at Coventry UniversityAndrew Erskine Professor of Ancient History at the University of EdinburghAnd Paul Cartledge AG Leventis Senior Research Fellow of Clare College, University of CambridgeProducer: Simon TillotsonReading list:Mark Beck (ed.), A Companion to Plutarch (Wiley-Blackwell, 2014)Colin Burrow, Shakespeare and Classical Antiquity (Oxford University Press, 2013), especially chapter 6Raphaëla Dubreuil, Theater and Politics in Plutarch's Parallel Lives (Brill, 2023)Tim Duff, Plutarch's Lives: Exploring Virtue and Vice (Oxford University Press, 1999)Noreen Humble (ed.), Plutarch's Lives: Parallelism and Purpose (Classical Press of Wales, 2010)Robert Lamberton, Plutarch (Yale University Press, 2002)Hugh Liebert, Plutarch's Politics: Between City and Empire (Cambridge University Press, 2016)Christopher Pelling, Plutarch and History (Classical Press of Wales, 2002)Plutarch (trans. Robin Waterfield), Greek Lives (Oxford University Press, 2008) Plutarch (trans. Robin Waterfield), Roman Lives (Oxford University Press, 2008) Plutarch (trans. Robin Waterfield), Hellenistic Lives (Oxford University Press, 2016)Plutarch (trans. Ian Scott-Kilvert), The Rise and Fall of Athens: Nine Greek Lives (Penguin, 2023) Plutarch (trans. Ian Scott-Kilvert), The Age of Alexander: Nine Greek Lives (Penguin, 2011) Plutarch (trans. Richard Talbert), On Sparta (Penguin, 2005)Plutarch (trans. Christopher Pelling), The Rise of Rome (Penguin, 2013) Plutarch (trans. Christopher Pelling), Rome in Crisis: Nine Lives (Penguin, 2010)Plutarch (trans. Rex Warner), The Fall of the Roman Republic: Six Lives (Penguin, 2006)Plutarch (trans. Thomas North, ed. Judith Mossman), The Lives of the Noble Grecians and Romans (Wordsworth, 1998)Geert Roskam, Plutarch (Cambridge University Press, 2021)D. A. Russell, Plutarch (2nd ed., Bristol Classical Press, 2001)Philip A. Stadter, Plutarch and his Roman Readers (Oxford University Press, 2014)Frances B. Titchener and Alexei V. Zadorojnyi (eds.), The Cambridge Companion to Plutarch (Cambridge University Press, 2023)In Our Time is a BBC Studios Audio Production
Interpreten: Choir of Clare College, Cambridge; Graham Ross Label: harmonia mundi EAN: 3149020951934 Nach der quirligen Eröffnung des CD der Woche Jahres 2025 mit Lisette Oropesa vergangene Woche, geht es diesmal ein wenig gediegener zu. Der Choir of Clare College, also jener Chor, dessen Hauptaufgabe es ist, die Gottesdienste in der Kapelle des Clare College, Cambridge, zu leiten, hat sich mit Weltersteinspielungen von Palestrina'schen Werken beschäftigt und diese mit Kompositionen einiger englischer Zeitgenossen kombiniert. Ganz nach dem Geschmack von Michael Gmasz. Langjährige Hörerinnen und Hörer von radio klassik Stephansdom wissen mittlerweile schon über meine Leidenschaft und Liebe zur Vokalpolyphonie der Renaissancezeit Bescheid. Immer wieder habe ich an dieser Stelle herausragende Neuveröffentlichungen alter Sangeskunst empfohlen. Und wenn dann eine CD erscheint, auf der so schön gesungen wird, mit absoluter Intonationsreinheit, deutlicher Artikulation und Variantenreichtum in Agogik und Dynamik, dann kann ich an einer solchen CD als CD der Woche nicht vorbei. Der Chor des Clare College in Cambridge ist, mit seiner Gründung im Jahr 1972, vergleichsweise jung. Er hat sich jedoch schnell einen internationalen Ruf als eine der führenden Hochschulchorgruppen der Welt erworben. Die Stimmen fügen sich, auch durch die Akustik des geistlichen Kirchenraums, wunderbar zusammen und ergeben ein Klang Bad, in das man sich gerne hineinlegt. Geleitet wird der Chor ausschließlich von ehemaligen Chorknaben, seit 15 Jahren ist das nun höchst erfolgreich Graham Ross. Für dieses Album hat er bisher kaum bekannte Vokalwerke von Giovanni Pierluigi da Palestrina, zwei Messen, ein Magnificat sowie zwei weitere Motetten, ausgewählt. Kombiniert hat er diese mit Vertonungen derselben Texte von drei englischen Zeitgenossen Palestrinas: William Byrd, Robert White und William Mundy. Ein erstes ausgesprochen gelungenes Geburtstagsgeschenk zum 500er des römischen Meisters! (mg)
Watch the Q&A session here: https://youtu.be/f6Z9L2dnxSAThis lecture explores the emergence of the "femme au piano" genre in 19th-century French painting, depicted by artists like Renoir, Van Gogh, and Matisse. What suddenly made this topic so popular, and what does it tell us about the role of women in music-making at the time? Tracing the genre's roots from the Italian Renaissance clavichord depictions to Vermeer's Dutch domestic scenes, and 18th-century harpsichord portraits. Discover how the piano became a middle-class status symbol and how modernists of the 1910s-20s reinterpreted it. Presented from the perspective of a music historian, this lecture will delve into the roots of the “Women at the Piano” genre and reveal how these paintings offer a window onto women's music-making.This lecture was recorded by Marina Frolova-Walker on 10th December 2024 at Barnard's Inn Hall, London.Marina is Gresham Emerita Professor of Music.Marina Frolova-Walker, a Russian-born British musicologist and music historian, was Visiting Gresham Professor of Russian Music in 2018-19 and Gresham Professor of Music 2019-23. She is Professor of Music History and Director of Studies in Music at Clare College, Cambridge. She is a specialist in the Russian music of the 19th and 20th centuries. She has published extensively on Russian music and is a well-known lecturer and broadcaster for BBC Radio 3. Among her many awards and appointments, she is a Fellow of the British Academy and was awarded the Edward Dent Medal in 2015 by the Royal Musical Association for her achievements in musicology.The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/women-pianoGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todayWebsite: https://gresham.ac.ukTwitter: https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show
Scientific discoveries can often be codified in simple laws, neatly stated in textbooks with directions on applying them. But the enterprise of science is embedded in society. It depends on individuals and economies. It is far from simple to answer the question: How did we get these laws? Patricia Fara is an Emeritus Fellow of Clare College, Cambridge. She is a former president of the British Society for the History of Science and has written Science: A Four Thousand Year History, Newton: The Making of Genius, and numerous other books. Patricia discusses the way we often mythologize individual scientists and how the notion of genius has changed over the centuries. She also highlights lesser-known figures, such as Hertha Ayrton, whose contribution should not be measured merely in scientific breakthroughs, but in how they paved the way for further women scientists.
Helen Charman describes some of the many political and historical struggles over the meaning and status of motherhood, by way of thinkers such as Denise Riley and Jacqueline Rose, as well as figures such as Margaret Thatcher and Buffy the Vampire Slayer. Helen Charman is a Fellow and College Teaching Officer in English at Clare College, University of Cambridge. Her critical writing has been published in the Guardian, The White Review, Another Gaze, and The Stinging Fly among others. As a poet, Charman was shortlisted for the White Review Poet's Prize in 2017 and for the 2019 Ivan Juritz Prize for Creative Experiment, and has published four poetry pamphlets, most recently In the Pleasure Dairy. Charman volunteers as a birth companion in Glasgow. SUPPORT: www.buymeacoffee.com/redmedicineSoundtrack by Mark PilkingtonTwitter: @red_medicine__www.redmedicine.substack.com/
DATE: November 8, 2024 SHOW: Prelude to Positivity Producer: Tommy Geraci HOST: Tommy Geraci GUEST: Trent Ford Trent Ford was born in Akron, Ohio to a US Navy test pilot father and a British Airways head stewardess mother from Birmingham, West Midlands. He moved to the United Kingdom at the age of one with his parents and grew up in Cradley and Malvern with his brother and two sisters. He studied Economics and English Literature at Clare College, Cambridge University. Ford is an accomplished actor known for Gosford Park (2001), How to Deal (2003) and Burning Blue (2013).Trent is most recognized for his onscreen work, often appearing as the slick heartthrob in film and television. Throughout his career, he has demonstrated a high level of dramatic versatility, while maintaining a successful modeling career. Ford has been photographed by some of the most prestigious names in fashion photography, including Mario Testino, Bruce Weber and Peter Lindbergh. Trent has appeared multiple times in V Magazine and Italian Vogue, and campaigns for Gap and Valentino, among others. He was the leading man in the global advertising campaign for Calvin Klein perfume 'Eternity Moment' opposite Scarlett Johansson.In May 2020, after falling gravely ill, Trent received a life-saving liver transplant from UCLA. Fully recovered and forever changed for the better, deepened and stiller, as an actor- being told one will face their own mortality with no chance of surviving, and then miraculously receiving grace will do that to a person. This is all thanks in largest part to the love of his life, Natalie Cohen. Trent and Natalie continue to be of service to other transplant patients and caregivers, and advocate for organ donation. In 2023, they founded their nonprofit RELIVE, providing free ongoing support and resources for patients and caregivers affected by liver failure and liver transplantation, specializing in helping those suffering from alcohol and addiction related liver disease. They live in perpetual happiness and gratitude with their two cats
One of the premises of modern science is that nature is devoid of purposes. Instead, purposeless explanations for phenomena are sought. And the strategy has proved hugely productive. Except that allusions to purpose never quite fade from the scientific imagination. In this episode of the Sheldrake-Vernon Dialogues, Rupert Sheldrake and Mark Vernon explore the ways in which the natural world is indeed full of purposes, both at the level of the so-called inanimate, as well as in the living world, and the reality we know most immediately and best, namely our own lives and consciousness. The discussion ranges over a range of matters, from the growth of embryos to the attractive nature of gravity and the tendency towards order and beauty. An implication of the presence of purpose in nature and minds is a need to rethink phenomena such as matter and power. And there is an obvious reason that purpose keeps reappearing in scientific accounts, namely that purposes are present in all things. Mark's discussion of David Bentley Hart's book, All Things Are Full Of Gods, mentioned in the discussion can be found at his YouTube channel here - https://youtu.be/pRhzg7c41sE.------Dr Mark Vernon is a psychotherapist and writer with a rich academic background in physics, theology, and philosophy. He contributes to programmes on the radio, writes and reviews for newspapers and magazines, gives talks and podcasts. His books have covered themes including friendship and God, ancient Greek philosophy and wellbeing. His new book, out August 2019, is "A Secret History of Christianity: Jesus, the Last Inkling and the Evolution of Consciousness". He has a PhD in ancient Greek philosophy, and other degrees in physics and in theology, and works as a psychotherapist in private practice. He used to be an Anglican priest.Mark's latest book is...A Secret History of Christianity: Jesus, the Last Inkling, and the Evolution of Consciousnesshttp://www.markvernon.com/books/a-secret-history-of-christianity?svd=91------Dr Rupert Sheldrake, PhD, is a biologist and author best known for his hypothesis of morphic resonance. At Cambridge University, as a Fellow of Clare College, he was Director of Studies in biochemistry and cell biology. As the Rosenheim Research Fellow of the Royal Society, he carried out research on the development of plants and the ageing of cells, and together with Philip Rubery discovered the mechanism of polar auxin transport. In India, he was Principal Plant Physiologist at the International Crops Research Institute for the Semi-Arid Tropics, where he helped develop new cropping systems now widely used by farmers. He is the author of more than 100 papers in peer-reviewed journals and his research contributions have been widely recognized by the academic community, earning him a notable h-index for numerous citations. On ResearchGate his Research Interest Score puts him among the top 4% of scientists.https://www.sheldrake.org/about-rupert-sheldrake?svd=91
This episode features a recording of live discussion with Richard Seymour and Helen Charman about the medical imaginaries of the far right. This recording is from illness (3), the third in the event series that runs alongside the podcast. We discuss why the far-right has so many paranoid fantasies about medicine, from race science and eugenics, to attacks on trans and reproductive healthcare. Helen Charman is a Fellow and College Teaching Officer in English at Clare College, University of Cambridge. Her critical writing has been published in the Guardian, The White Review, Another Gaze, and The Stinging Fly among others. As a poet, Charman was shortlisted for the White Review Poet's Prize in 2017 and for the 2019 Ivan Juritz Prize for Creative Experiment, and has published four poetry pamphlets, most recently In the Pleasure Dairy. Charman volunteers as a birth companion in Glasgow. Her first book Mother State: A Political History of Motherhood is now available. Richard Seymour is a writer and broadcaster from Northern Ireland and the author of numerous books about politics including Corbyn: The Strange Rebirth of Radical Politics and The Twittering Machine. His writing appears in the The New York Times, the London Review of Books, the Guardian, Prospect, Jacobin, and innumerable other places including his own Patreon. He is an editor at Salvage magazine. His most recent book Disaster Nationalism: The Downfall of Liberal Civilization is now available. SUPPORT: www.buymeacoffee.com/redmedicineSoundtrack by Mark PilkingtonTwitter: @red_medicine__www.redmedicine.substack.com/
This week we're joined by Em, host of Verbal Diorama, to discuss quite possibly the perfect movie: the 90s adventure, horror fun-time classic, The Mummy. Em explains how the film came to be (thank-you Babe: Pig in the City) whilst Kim and Alice find out that love makes you do some crazy things, like unhinge your jaw and cover Egyptians in boils.For more fascinating film history, you can find Em at:Verbal Diorama PodcastSound Engineer: Keith NagleEditor: Keith NagleProducer: Helen HamiltonSourcesBlog post: Egypt at the Manchester Museum, “Representation and Reality in ‘The Mummy' (1999)” by Matt Szafran AND “The Cult of Imhotep” Screenrant article: “How much of The Mummy 1999 is actually real?” Egypt Exploration Society websiteEgypt Exploration Society 1926 Annual ReportBBC podcast The Forum episode: “Imhotep, the man behind The Mummy” Blog post: Clare College, University of Cambridge, “Egyptomania” by Toby Wilkinson Article from Enterprise: The State of the Nation (Egypt): “A look back at Egypt's roaring ‘20s” Sky History article: “The curse of Tutankhamun and the mummy's tomb”
"I'm a dangerous person to know..."Rupert Sheldrake, PhD, is one of the godfathers of the world of weird. He's the only guest to have personally created one of the entries on the batsh*t list! In this live recording, hear Rupert take on the list, and tell Dan about his numerous experiments of the unexplained. Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance, and the sense of being started at. At Cambridge University he worked in developmental biology as a Fellow of Clare College. He was Principal Plant Physiologist at the International Crops Research Institute for the Semi-Arid Tropics in Hyderabad, India. From 2005 to 2010 he was Director of the Perrott-Warrick project for research on unexplained human and animal abilities, funded by Trinity College, Cambridge.***LIVE SHOW OCTOBER 21st***This episode is just a taster of a whole night of eclectic weirdness! To see it all for yourself, We Can Be Weirdos is LIVE again on Monday 21st October 2024, at the Underbelly Boulevard, London. Keep listening to the podcast for the guest announcement!Head here for more info and to buy your tickets: https://underbellyboulevard.com/tickets/we-can-be-weirdos-live/
With the help of one of the world's foremost experts on ancient Greece, Ouzo Talk finally tackles Alexander The Great! Professor Paul Cartledge – A.G. Leventis Senior Research Fellow at Clare College, University of Cambridge rejoins Tom and Nick in the Ouzo Talk studio to talk about the incredible life and legacy of Alexander the Great – one of history's most influential figures. From the modern-day dispute on his origins, to his campaigns, his lovers, and the disappearance of his body, Professor Cartledge has the boys enthralled with his stories, making this mandatory listening for all history buffs!This episode is brought to you by,KST Buseshttps://www.kstbuses.com.au/The Greek Providorehttps://thegreekprovidore.com.au/?gad_source=1&gbraid=0AAAAABaIfVu5ZSu9ChnH0iC7eafZwv_LO&gclid=EAIaIQobChMIjOX76-DhhwMVf6lmAh2xdwN4EAAYASAAEgLG2PD_BwESend us a Text Message.Support the Show.Email us at ouzotalk@outlook.comSubscribe to our Youtube: https://www.youtube.com/watch?v=R3n85GSdk5Q&t=6sFollow us on Facebook: https://www.facebook.com/OuzoTalkFollow us on Instagram: https://www.instagram.com/ouzo_talk/
In the culminating fifth lecture of the Sophia Lecture series, Professor Douglas Hedley culminates his exploration by delving into play's theological dimension, engaging with Marsilio Ficino, Desiderius Erasmus, and Plotinus to dissect 'serious play', a pivotal concept in Renaissance thought. Throughout the lecture series, Hedley has traversed play's philosophical terrain, examining its roots, the vital role of language in human development, the journey into self-awareness, and the allure of aesthetics. In this lecture, he weaves together the interplay of wisdom and play within cultural narratives, delves into Plotinus' portrayal of the cosmos as a divine ballet, and highlights the synergy between divine ecstasy and human creativity. Additionally, he probes the impact of symbolic play in spiritual realms and underscores the critical role of femininity in the discourse on wisdom and play. Professor Hedley's contributions provide a rich, interconnected view of play as a gateway to a deeper understanding of our selves and the cosmos. Douglas Hedley is a Professor in the Philosophy of Religion at the University of Cambridge and a Fellow at Clare College. His work spans the fields of philosophy, theology, and psychology, focusing on the intersection of ancient wisdom and modern thought. Glossary of Terms Kenosis: The self-emptying of one's own will and becoming entirely receptive to God's divine will. Resources Ralston College Website: https://www.ralston.ac/ YouTube: https://www.youtube.com/@RalstonCollegeSavannah X: https://twitter.com/RalstonCollege Douglas Hedley https://www.ralston.ac/people/douglas-hedley Living Forms of the Imagination -Douglas Hedley https://www.amazon.com/Living-Forms-Imagination-Douglas-Hedley/dp/0567032957 Sacrifice Imagined: Violence, Atonement, and the Sacred - Douglas Hedley https://www.amazon.com/Sacrifice-Imagined-Violence-Atonement-Sacred/dp/1441194452 The Iconic Imagination - Douglas Hedley https://www.amazon.com/Iconic-Imagination-Douglas-Hedley/dp/1441194630 The Ages of the World 1811 - Friedrich Wilhelm Joseph Von Schelling https://www.amazon.com/Ages-World-Contemporary-Continental-Philosophy/dp/1438474059 Man at Play - Hugo Rahner S.J. https://www.amazon.com/Man-Play-Hugo-Rahner-S-J/dp/1949899799 Plotinus: Myth, Metaphor, and Philosophical Practice - Stephen R. L. Clark https://www.amazon.com/Plotinus-Myth-Metaphor-Philosophical-Practice/dp/022633967X Quotes "While our Plato often discusses in a hidden matter, the duty belonging to mankind, it sometimes seems as though he's joking and playing. But platonic games and jokes are much more serious than the serious things of the Stoics." - Douglas Hedley, originally from Marsilio Ficino [00:10:20] “All fleeting things are just an image. The imperishable is here an event. The indescribable is thus done. The eternal feminine draws us upwards.” Douglas Hedley, paraphrasing Johann Wolfgang von Goethe [00:45:40] Chapters [00:00:00] Introduction and Musical Performance [00:04:00] Formal Introduction of Professor Douglas Hedley [00:09:35] Exploring the Philosophical and Theological Dimensions of Play [00:16:40] The Renaissance Connection: Erasmus and the Play of Wisdom [00:22:20] Plotinus and the Cosmic Dance of Creation [00:27:00] Playfulness in Theology and Philosophy [00:32:00] Sacred Play: The Intersection of Divine Joy and Human Creativity [00:36:40] The Iconic Imagination: Symbols and Play in Spiritual Life [00:42:00] Femininity, Wisdom, and Play in Cultural Traditions [00:52:00] Concluding Thoughts on Play and Human Development [00:56:12] Audience Q&A: Insights on Play, Culture, and Society
In the fourth Sophia Lecture, Professor Douglas Hedley explores the transformative power of play in art and human consciousness, examining its philosophical significance across various cultures and traditions. Hedley highlights play's role in fostering aesthetic appreciation and creativity, embarking on a historical and philosophical journey from ancient wisdom to modern interpretations. He scrutinizes the aesthetic crisis in contemporary art, noting its departure from traditional notions of beauty and creativity, and weaves together intriguing concepts from evolutionary psychology, post-structuralist theories, and sacred art dimensions. Central to his discussion are the contributions of Kant, Schiller, and Gadamer, which shed light on art's role in society and individual lives. The lecture culminates in a compelling argument to reignite beauty's appreciation, urging a re-embrace of art's transformative potential in contemporary discourse. By positioning art as a conduit for truth and moral reflection, Hedley calls for a rediscovery of the deep connections between art, beauty, and the human condition. Douglas Hedley is a Professor in the Philosophy of Religion at the University of Cambridge and a Fellow at Clare College. His work spans the fields of philosophy, theology, and psychology, focusing on the intersection of ancient wisdom and modern thought. Glossary of Terms Aesthetics: The branch of philosophy dealing with the nature of beauty, art, and taste. Resources Ralston College Website: https://www.ralston.ac/ YouTube: https://www.youtube.com/@RalstonCollegeSavannah X: https://twitter.com/RalstonCollege Douglas Hedley https://www.ralston.ac/people/douglas-hedley Living Forms of the Imagination -Douglas Hedley https://www.amazon.com/Living-Forms-Imagination-Douglas-Hedley/dp/0567032957 Sacrifice Imagined: Violence, Atonement, and the Sacred - Douglas Hedley https://www.amazon.com/Sacrifice-Imagined-Violence-Atonement-Sacred/dp/1441194452 The Iconic Imagination - Douglas Hedley https://www.amazon.com/Iconic-Imagination-Douglas-Hedley/dp/1441194630 Homo Ludens: A Study of the Play-Element in Culture - Johan Huizinga https://www.amazon.com/Homo-Ludens-Study-Play-Element-Culture/dp/1621389995 Truth and Method - Hans-Georg Gadamer https://www.amazon.com/Truth-Method-Hans-Georg-Gadamer/dp/0826405851 Likeness and Presence: A History of the Image before the Era of Art - Hans Belting https://www.amazon.com/Likeness-Presence-History-Image-before/dp/0226042154 Quotes "Friedrich Schiller observes that man only plays when he is in the fullest sense of the word a human being, and he is only fully a human being when he plays." - Douglas Hedley [00:15:49] There has emerged a widely documented crisis of aesthetics. In the wake of Duchamp, or Warhol, it becomes more difficult to speak of the artwork, or indeed, aesthetic experience, more broadly." - Douglas Hedley [00:03:52] Chapters 00:00:00] Introduction to the Aesthetics of Play [00:02:25] Philosophical Significance of Art, Beauty, and Aesthetics [00:17:00] Kant's Contribution to Aesthetics and the Concept of Genius [00:24:00] Schiller's Aesthetic Education of Man and the Concept of Play [00:33:40] Gadamer's Exploration of Art's Ontology and the Critical Role of Play [00:52:56] Audience Questions and Reflections
In the third lecture of the Sophia Lecture series, Professor Douglas Hedley embarks on an intellectual journey that explores the enigmatic nature of play and its profound impact on human life, drawing from ancient philosophies and modern psychological theories. Delving into the works of Heraclitus and Plato, Hedley examines the paradoxical relationship between play and seriousness and how this dynamic shapes our understanding of life's deepest questions. He discusses the transformative power of poetic language, the importance of embracing the child's soul, and the role of play as a bridge between our inner realities and the external world. Furthermore, Hedley reflects on mental health, cultural shifts, and the significance of the humanities in providing a sense of purpose and meaning, ultimately arguing that engaging with foundational texts and embracing play can help us navigate the complexities of modern life and contribute to our overall well-being. Douglas Hedley is a Professor in the Philosophy of Religion at the University of Cambridge and a Fellow at Clare College. His work spans the fields of philosophy, theology, and psychology, focusing on the intersection of ancient wisdom and modern thought. Glossary of Terms Ion: Time period, sometimes interpreted as "lifetime" or "eternity." Sophrosyne: Excellence in character; moderation; self-control; leading to well-being. Resources Ralston College Website: https://www.ralston.ac/ YouTube: https://www.youtube.com/@RalstonCollegeSavannah X: https://twitter.com/RalstonCollege Douglas Hedley https://www.ralston.ac/people/douglas-hedley Homo Ludens: A Study of the Play-Element in Culture - Johan Huizinga https://www.amazon.com/Homo-Ludens-Study-Play-Element-Culture/dp/1621389995 The Coddling of the American Mind: How Good Intentions and Bad Ideas Are Setting Up a Generation for Failure - Greg Lukianoff Jonathan Haidt https://www.amazon.com/Coddling-American-Mind-Intentions-Generation/dp/0735224897 Playing and Reality - D. W. Winnicott https://www.amazon.com/Playing-Reality-Routledge-Classics-86/dp/0415345464 Civilization and Its Discontents - Sigmund Freud https://www.amazon.com/Civilization-Its-Discontents-Sigmund-Freud/dp/0393304515 Modern Man in Search of a Soul - C. G. Jung https://www.amazon.com/Modern-Man-Search-Soul-Jung/dp/1684220904 The Red Book - C. G. Jung https://www.amazon.com/Red-Book-Philemon-C-Jung/dp/0393065677 Poetic Diction: A Study in Meaning - Owen Barfield https://www.amazon.com/Poetic-Diction-Meaning-Wesleyan-Paperback/dp/081956026X Plato. "Laws." Translated by Benjamin Jowett, The Internet Classics Archive. https://classics.mit.edu/Plato/laws.html Homer. "The Iliad." Translated by Samuel Butler, The Internet Classics Archive. https://classics.mit.edu/Homer/iliad.html Quotes "Does it mean a lifetime, time, or eternity is nothing but a child playing? Playing checkers or draughts. Kingship belonging to the child. Does this mean that living like a child is somehow to live like a king? Or is it a claim about the universe that all is chance?" - Douglas Hedley (on the enigmatic utterance of the ancient philosopher Heraclitus) [00:03:34] “Meaning cannot be generated by human conventions… but only on the assumption that meaning is grounded in the logos and indeed the transformation of consciousness through poetic language." - Douglas Hedley [00:08:29] Chapters [00:00:00] - Introduction to the Sophia Lecture Series and Professor Hedley [00:02:00] - The Enigma of Heraclitus' Riddles on Time and Play [00:05:00] - Plato's Laws on Play and its Role in Life [00:08:00] - The Transformation of Consciousness Through Language [00:10:00] - The Significance of Mental Health and Play in Contemporary Society [00:19:00] - Exploring Donald Winnicott's Theory of Play [00:29:00] - Carl Jung and the Concept of the Daimon [00:54:00] - The Legacy of Play in Philosophical and Psychological Thought [00:58:00] - Q&A Session: Academia, Play, Suffering, and Self-Understanding [01:12:00] - Concluding Reflections
On Sunday 26th May Llandaff Cathedral will host a service to remember people in the LGBTQ+ community who have suffered exclusion from Christian communities because of their sexuality or gender identity. The service is organised LGBTQ+ Christian Charity OneBodyOneFaith. In this week's 'All Things Considered' Delyth Liddell speaks to the charity's co-chair, Father Jarel Robinson-Brown. Jarel Robinson-Brown is vicar of St German's Church, Adamsdown, Cardiff but he hails from London. He was raised in West London by Jamaican grandparents and studied in Cambridge to become a Methodist minister, serving as an Ordinand at Clare College. In 2021 he left the Methodist church and began the journey to be ordained as an Anglican Priest. Jarel says himself he's a person who crosses many boundaries, calling himself “a Black, Queer British Christian minister of Jamaican and Cuban heritage.” His writing explores racism and homophobia in the church and how to better address these issues. He is the Martin Luther King Fellow at Regent's Park College, University of Oxford, and his research interests are early Christian history, Patristics and Egyptian Late Antiquity.
Melvyn Bragg and guests discuss Aristophanes' comedy in which the women of Athens and Sparta, led by Lysistrata, secure peace in the long-running war between them by staging a sex strike. To the men in the audience in 411BC, the idea that peace in the Peloponnesian War could be won so easily was ridiculous and the thought that their wives could have so much power over them was even more so. However Aristophanes' comedy also has the women seizing the treasure in the Acropolis that was meant to fund more fighting in an emergency, a fund the Athenians had recently had to draw on. They were in a perilous position and, much as they might laugh at Aristophanes' jokes, they knew there were real concerns about the actual cost of the war in terms of wealth and manpower. WithPaul Cartledge AG Leventis Senior Research Fellow of Clare College, University of Cambridge Sarah Miles Associate Professor in the Department of Classics and Ancient History at Durham UniversityAndJames Robson Professor of Classical Studies at the Open UniversityProducer: Simon TillotsonReading list:Aristophanes (ed. Jeffrey Henderson), Lysistrata (Oxford University Press, 1987)Aristophanes (ed. Jeffrey Henderson), Three Plays by Aristophanes: Staging Women (Routledge, 2010)Aristophanes (ed. Jeffrey Henderson), Birds; Lysistrata; Women at the Thesmophoria (Loeb Classical Library series, Harvard University Press, 2014) Aristophanes (ed. Alan H. Sommerstein), Lysistrata and Other Plays: The Acharnians; The Clouds; Lysistrata (Penguin, 2002)Aristophanes (ed. Alan H. Sommerstein), Lysistrata (Aris & Phillips, 1998)Paul Cartledge, Aristophanes and his Theatre of the Absurd (Bristol Classical Press, 1999)Kenneth Dover, Aristophanic Comedy (University of California Press, 1972)Germaine Greer, Lysistrata: The Sex Strike: After Aristophanes (Aurora Metro Press, 2000)Tony Harrison, The Common Chorus: A Version of Aristophanes' Lysistrata (Faber & Faber, 1992)Douglas M. MacDowell, Aristophanes and Athens: An Introduction to the Plays (Oxford University Press, 1995)S. Douglas Olson (ed.), Ancient Comedy and Reception: Essays in Honor of Jeffrey Henderson (De Gruyter, 2013), especially 'She (Don't) Gotta Have It: African-American reception of Lysistrata' by Kevin WetmoreJames Robson, Aristophanes: Lysistrata, Bloomsbury ancient comedy companions (Bloomsbury, 2023)James Robson, Aristophanes: An Introduction (Duckworth, 2009)Ralph M. Rosen and Helene P. Foley (eds.), Aristophanes and Politics. New Studies (Brill, 2020) Donald Sells, Parody, Politics and the Populace in Greek Old Comedy (Bloomsbury, 2018)David Stuttard (ed.), Looking at Lysistrata: Eight Essays and a New Version of Aristophanes' Provocative Comedy (Bristol Classical Press, 2010)
Melvyn Bragg and guests discuss Aristophanes' comedy in which the women of Athens and Sparta, led by Lysistrata, secure peace in the long-running war between them by staging a sex strike. To the men in the audience in 411BC, the idea that peace in the Peloponnesian War could be won so easily was ridiculous and the thought that their wives could have so much power over them was even more so. However Aristophanes' comedy also has the women seizing the treasure in the Acropolis that was meant to fund more fighting in an emergency, a fund the Athenians had recently had to draw on. They were in a perilous position and, much as they might laugh at Aristophanes' jokes, they knew there were real concerns about the actual cost of the war in terms of wealth and manpower. WithPaul Cartledge AG Leventis Senior Research Fellow of Clare College, University of Cambridge Sarah Miles Associate Professor in the Department of Classics and Ancient History at Durham UniversityAndJames Robson Professor of Classical Studies at the Open UniversityProducer: Simon TillotsonReading list:Aristophanes (ed. Jeffrey Henderson), Lysistrata (Oxford University Press, 1987)Aristophanes (ed. Jeffrey Henderson), Three Plays by Aristophanes: Staging Women (Routledge, 2010)Aristophanes (ed. Jeffrey Henderson), Birds; Lysistrata; Women at the Thesmophoria (Loeb Classical Library series, Harvard University Press, 2014) Aristophanes (ed. Alan H. Sommerstein), Lysistrata and Other Plays: The Acharnians; The Clouds; Lysistrata (Penguin, 2002)Aristophanes (ed. Alan H. Sommerstein), Lysistrata (Aris & Phillips, 1998)Paul Cartledge, Aristophanes and his Theatre of the Absurd (Bristol Classical Press, 1999)Kenneth Dover, Aristophanic Comedy (University of California Press, 1972)Germaine Greer, Lysistrata: The Sex Strike: After Aristophanes (Aurora Metro Press, 2000)Tony Harrison, The Common Chorus: A Version of Aristophanes' Lysistrata (Faber & Faber, 1992)Douglas M. MacDowell, Aristophanes and Athens: An Introduction to the Plays (Oxford University Press, 1995)S. Douglas Olson (ed.), Ancient Comedy and Reception: Essays in Honor of Jeffrey Henderson (De Gruyter, 2013), especially 'She (Don't) Gotta Have It: African-American reception of Lysistrata' by Kevin WetmoreJames Robson, Aristophanes: Lysistrata, Bloomsbury ancient comedy companions (Bloomsbury, 2023)James Robson, Aristophanes: An Introduction (Duckworth, 2009)Ralph M. Rosen and Helene P. Foley (eds.), Aristophanes and Politics. New Studies (Brill, 2020) Donald Sells, Parody, Politics and the Populace in Greek Old Comedy (Bloomsbury, 2018)David Stuttard (ed.), Looking at Lysistrata: Eight Essays and a New Version of Aristophanes' Provocative Comedy (Bristol Classical Press, 2010)
The everyday stuff called matter turns out to be both more fascinating and stranger than we usually assume. In this episode of the Sheldrake-Vernon Dialogues, Rupert Sheldrake and Mark Vernon ask just matter is, beginning with contemporary ideas from quantum physics, in which matter is frozen light, as the physicist David Bohm put it. They consider the relationship between matter and gravity, as well as matter and ancient notions of potentiality, which turn out to be surprising relevant today. The differences between quantity and quality offer another conversational thread, with the discussion also drawing in wider questions, such as the nature of matter within the philosophy of panpsychism, and also the etymological links between matter and mater, or mother, revealing factors about material of which most are unconscious today.------Dr Rupert Sheldrake, PhD, is a biologist and author best known for his hypothesis of morphic resonance. At Cambridge University, as a Fellow of Clare College, he was Director of Studies in biochemistry and cell biology. As the Rosenheim Research Fellow of the Royal Society, he carried out research on the development of plants and the ageing of cells, and together with Philip Rubery discovered the mechanism of polar auxin transport. In India, he was Principal Plant Physiologist at the International Crops Research Institute for the Semi-Arid Tropics, where he helped develop new cropping systems now widely used by farmers. He is the author of more than 100 papers in peer-reviewed journals and his research contributions have been widely recognized by the academic community, earning him a notable h-index for numerous citations. On ResearchGate his Research Interest Score puts him among the top 4% of scientists.https://www.sheldrake.org/about-rupert-sheldrake?svd=85------Dr Mark Vernon is a psychotherapist and writer with a rich academic background in physics, theology, and philosophy. He contributes to programmes on the radio, writes and reviews for newspapers and magazines, gives talks and podcasts. His books have covered themes including friendship and God, ancient Greek philosophy and wellbeing. His new book, out August 2019, is "A Secret History of Christianity: Jesus, the Last Inkling and the Evolution of Consciousness". He has a PhD in ancient Greek philosophy, and other degrees in physics and in theology, and works as a psychotherapist in private practice. He used to be an Anglican priest.Mark's latest book is...A Secret History of Christianity: Jesus, the Last Inkling, and the Evolution of Consciousnesshttp://www.markvernon.com/books/a-secret-history-of-christianity?svd=85
In this episode, Xavier Bonilla has a dialogue with Nicola Clayton about cognition across many animals. They define cognition in humans and in animals, intelligence, using magic to understand cognition in animals, embodied mind in animals, and comparative cognition as a type of convergent evolution. They discuss difficulties in using human measures for evaluating animal cognition, New Caledonian crows and their intelligence, consciousness, the future of comparative cognition research, and many more topics.Nicola Clayton is Professor of Comparative Cognition in the Department of Psychology at the University of Cambridge, a Fellow of Clare College and a Fellow of the Royal Society. Her main interests areas are comparative cognition and the evolution and development of intelligence in non-verbal animals and pre-verbal children. She is currently President of the British Science Association Psychology Section. She is also in residence at Rambert Dance Company. Website: https://www.psychol.cam.ac.uk/people/nsc22%40cam.ac.uk Get full access to Converging Dialogues at convergingdialogues.substack.com/subscribe
Isaac Newton is best known for his theory of gravity. And yet, the great scientist also insisted: "the cause of gravity is what I do not pretend to know.” In other words, notions like gravity, and force in general, are deeply mysterious phenomena. In this episode of the Sheldrake-Vernon Dialogues, Rupert Sheldrake and Mark Vernon ask just what gravity might be. The conversation begins with a feature of gravity that is typically overlooked by physicists, namely that gravity has a speed. According to the physicist Tom van Flandern, the speed of gravity is at least **20 billion times faster than light**!https://www.intalek.com/Index/Projects/Research/TheSpeedofGravity-WhattheExperimentsSay.htmThey consider how gravity might be linked to the notion of levity, a link that can be renewed again. Newton himself was inclined to regard gravity as the divine will in the cosmos and was also influenced by the belief in daemons, particularly the entity called Eros or love. These are go-betweens in the universe, in the case of Eros, attracting all things and securing the many as a whole. Panpsychism and final causes are other themes that arise. Contemplating the mysteries of modern science, often hidden in plain sight, leads naturally to deeply meaningful considerations about the nature of the world in which we live.------Dr Rupert Sheldrake, PhD, is a biologist and author best known for his hypothesis of morphic resonance. At Cambridge University, as a Fellow of Clare College, he was Director of Studies in biochemistry and cell biology. As the Rosenheim Research Fellow of the Royal Society, he carried out research on the development of plants and the ageing of cells, and together with Philip Rubery discovered the mechanism of polar auxin transport. In India, he was Principal Plant Physiologist at the International Crops Research Institute for the Semi-Arid Tropics, where he helped develop new cropping systems now widely used by farmers. He is the author of more than 100 papers in peer-reviewed journals and his research contributions have been widely recognized by the academic community, earning him a notable h-index for numerous citations. On ResearchGate his Research Interest Score puts him among the top 4% of scientists.https://www.sheldrake.org/about-rupert-sheldrake?svd=84------Dr Mark Vernon is a psychotherapist and writer with a rich academic background in physics, theology, and philosophy. He contributes to programmes on the radio, writes and reviews for newspapers and magazines, gives talks and podcasts. His books have covered themes including friendship and God, ancient Greek philosophy and wellbeing. His new book, out August 2019, is "A Secret History of Christianity: Jesus, the Last Inkling and the Evolution of Consciousness". He has a PhD in ancient Greek philosophy, and other degrees in physics and in theology, and works as a psychotherapist in private practice. He used to be an Anglican priest.Mark's latest book is...A Secret History of Christianity: Jesus, the Last Inkling, and the Evolution of Consciousnesshttp://www.markvernon.com/books/a-secret-history-of-christianity?svd=84
How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute."The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change.All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."www.sheldrake.orgwww.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20
"The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change.All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute.www.sheldrake.orgwww.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20
"The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change.All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute.www.sheldrake.orgwww.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20
How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute."The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change.All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."www.sheldrake.orgwww.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20
How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute."The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change.All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."www.sheldrake.orgwww.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20
"The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change.All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute.www.sheldrake.orgwww.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20
"The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change.All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute.www.sheldrake.orgwww.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20
How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute."The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change.All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."www.sheldrake.orgwww.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20
How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute."The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change.All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."www.sheldrake.orgwww.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20
"The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change.All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute.www.sheldrake.orgwww.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20
How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute."The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change.All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."www.sheldrake.orgwww.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20
"The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change.All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute.www.sheldrake.orgwww.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20
The Creative Process in 10 minutes or less · Arts, Culture & Society
"The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change.All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute.www.sheldrake.orgwww.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20
"The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change.All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute.www.sheldrake.orgwww.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20
How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute."The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change.All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."www.sheldrake.orgwww.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20
Episode 4 of the online course How To Transform the Sciences: Six Potential Breakthroughshttps://www.sheldrake.org/online-coursesAround 2015, scientists were shocked to find that most papers in high-prestige peer-reviewed scientific journals are not reproducible. In one study of papers in prestigious biomedical journals, 90% could not be replicated, and in experimental psychology more than 60%. This crisis partly arises from systematic biases that Rupert discusses in his chapter on ‘Illusions of Objectivity' in The Science Delusion (2012, new edition 2020; in the US this book is called Science Set Free), including the selective observation and reporting of results, and perverse incentives for scientists and journals to publish striking positive findings. The crisis continues to roll on, as shown, for example, by an editorial in Nature, December 2021, about un-reproducible results in cancer biology.All this is relatively straightforward, but Rupert suggests that some experiments may also involve direct mind-over-matter effects. It has long been known that experimenters can influence their experimental results through their expectations, in so-called ‘experimenter expectancy effects', which is why many clinical trials, psychological and parapsychological experiments are carried out under blind or double-blind conditions.In most other fields of science, experimenter effects are ignored and blind methodologies are rarely employed. Rupert suggests that in addition to the usual sources of bias, experimenters may also influence experiments psychokinetically, through direct mind-over-matter effects. Scientists may be particularly prone to this source of error because most scientists believe psychokinesis is impossible, and hence take no precautions against it. They practise unprotected science. Rupert proposes experiments on experiments to test for the effects of experimenters' hopes and expectations.ReferencesReferences____A Dream, or the Astronomy of the MoonJohann Kepler, published posthumously in 1634 by his sonhttps://sheldrake.org/somnium____Rupert's essay The Replicability Crisis in Sciencehttps://sheldrake.org/replicability____Bad PharmaBen GoldacreFourth Estate, 2012https://sheldrake.org/badpharma____Artifacts in Behavioral ResearchRobert Rosenthal and Ralph L. Rosnow, Oxford University Press, 2009https://sheldrake.org/rosenthal____Over half of psychology studies fail reproducibility testhttps://www.nature.com/articles/nature.2015.18248____Differential indoctrination of examiners and Rorschach responseshttps://psycnet.apa.org/record/1965-12396-001____A longitudinal study of the effects of experimenter bias on the operant learning of laboratory ratshttps://psycnet.apa.org/record/1965-01547-001____Could Experimenter Effects Occur in the Physical and Biological Sciences?Skeptical Inquirer 22(3), 57-58 May / June 1998https://sheldrake.org/skepticalinquirer98____Quantum‐Mechanical Random‐Number Generator https://aip.scitation.org/doi/abs/10.1063/1.1658698------Dr Rupert Sheldrake, PhD, is a biologist and author best known for his hypothesis of morphic resonance. At Cambridge University, as a Fellow of Clare College, he was Director of Studies in biochemistry and cell biology. As the Rosenheim Research Fellow of the Royal Society, he carried out research on the development of plants and the ageing of cells, and together with Philip Rubery discovered the mechanism of polar auxin transport. In India, he was Principal Plant Physiologist at the International Crops Research Institute for the Semi-Arid Tropics, where he helped develop new cropping systems now widely used by farmers. He is the author of more than 100 papers in peer-reviewed journals and his research contributions have been widely recognized by the
Legendary Historian, Professor Paul Cartledge, joins Ouzo Talk for a personal lecture on the Ancient Greeks. When it comes to experts, few come close to the A.G. Leventis Senior Research Fellow of Clare College, Cambridge, and A.G. Leventis Professor of Greek Culture in the Faculty of Classics. Add in countless documentaries, books, lectures and more to his name, and there's no doubt that there's much you can learn from this now honorary Spartan Citizen. One thing's certain when it comes to Paul: 2500 years from now, the world will still be learning about the Ancient Greeks through reading sources like Herodotus, Thucidides and Plutarch… but they'll also be reading Paul Cartledge. If you're an ancient history buff, or want to know why Ancient Greece still matters, this is the podcast for you.This episode is proudly brought to you by The Greek Providore. Visit https://thegreekprovidore.com.au/An award-winning independent real estate agency that offers expertise in property buying, selling, and property management. With over 2000 managed properties, MGM Martin provides its community, tenants, and landlords with a five-star real estate experience. Visit their website today at mgmmartin.com or drop in and see our friendly staff at one of our three great locations, Mascot, Zetland, or Randwick. Visit mgmmartin.com Support the showEmail us at ouzotalk@outlook.comSubscribe to our Youtube: https://www.youtube.com/watch?v=R3n85GSdk5Q&t=6sFollow us on Facebook: https://www.facebook.com/OuzoTalkFollow us on Instagram: https://www.instagram.com/ouzo_talk/
Do our minds reside solely inside our heads, or perhaps bodies? Or do they extend into the wider world, perhaps even reaching to the stars? In this episode of the Sheldrake-Vernon Dialogues, Rupert Sheldrake and Mark Vernon discuss the extended mind theory, taking a lead from recent work of Rupert's on the sense of being stared at, and also the problems that contemporary science has with understanding vision. The discussion considers new research carried out by Rupert and others, as well as the theories of A.N. Whitehead. The way in which science since Maxwell has considered light as moving backwards as well as forwards in time is explored, alongside the way that William Blake described how we see, which itself fits the ancient understanding, that seeing is an active process of engagement, not a passive mode of reception.Rupert references two published papers. One is on the nature of visual perception, co-written with Alex Gomez-Marin, online here:https://www.sheldrake.org/files/pdfs/papers/The-Nature-of-Visual-Perception.pdfThe other is on directional scopaesthesia, co-written with Pamela Smart, online here:https://www.sheldrake.org/vision------Dr Rupert Sheldrake, PhD, is a biologist and author best known for his hypothesis of morphic resonance. At Cambridge University, as a Fellow of Clare College, he was Director of Studies in biochemistry and cell biology. As the Rosenheim Research Fellow of the Royal Society, he carried out research on the development of plants and the ageing of cells, and together with Philip Rubery discovered the mechanism of polar auxin transport. In India, he was Principal Plant Physiologist at the International Crops Research Institute for the Semi-Arid Tropics, where he helped develop new cropping systems now widely used by farmers. He is the author of more than 100 papers in peer-reviewed journals and his research contributions have been widely recognized by the academic community, earning him a notable h-index for numerous citations. On ResearchGate his Research Interest Score puts him among the top 4% of scientists.https://www.sheldrake.org?svd=82------Dr Mark Vernon is a psychotherapist and writer with a rich academic background in physics, theology, and philosophy. He contributes to programmes on the radio, writes and reviews for newspapers and magazines, gives talks and podcasts. His books have covered themes including friendship and God, ancient Greek philosophy and wellbeing. His new book, out August 2019, is "A Secret History of Christianity: Jesus, the Last Inkling and the Evolution of Consciousness". He has a PhD in ancient Greek philosophy, and other degrees in physics and in theology, and works as a psychotherapist in private practice. He used to be an Anglican priest.Mark's latest book is...A Secret History of Christianity: Jesus, the Last Inkling, and the Evolution of Consciousnesshttp://www.markvernon.com/books/a-secret-history-of-christianity?svd=82
If you are reading this, it's probably hard—nearly impossible—to imagine a world without writing—without print, books, newspapers, signs, graffiti, advertisements, forms, letters, texts, internet memes, and New Books Network blogposts like this one. How would you do your work? How would you communicate with your friends and family? How would you learn about the world around you? The historians in this conversation have written path-breaking books that deepen our understanding of an age when the written word was still emerging as a feature in everyday life. These books focus on different places—Russia and the Netherlands—where writing and print emerged quite differently but they share a deep erudition and ambitious methodological creativity in endeavoring to account for the ephemeral. Simon Franklin is emeritus professor of Russian history at University of Cambridge, Clare College. His books include Writing Society and Culture in Early Rus, 950–1300 (2002), The Emergence of Rus, 750–1200 (1996), co-authored with Jonathan Shepard, and Information and Empire: mechanisms of Communication in Russia, 1600–1850 (2017), co-edited with Katherine Bowers. In The Russian Graphosphere, 1450–1850 (Cambridge UP, 2019) Franklin reconstructs with deep erudition and carefully contextualized sleuthing the concrete and conceptual ways in which people in Russia from the mid-sixteenth to mid-nineteenth centuries encountered various types of writing. Andrew Pettegree and Arthur der Weduwen are historians at University of St. Andrews in Scotland. Pettegree's books include The Invention of News (2014), Brand Luther: 1517, printing and the making of the Reformation (2015), and most recently, The Book at War: Libraries and Readers in an Age of Conflict (2023). Arthur der Weduwen followed up his award-winning first monograph, Dutch and Flemish Newspapers of the Seventeenth Century with the newly released State Communication and Public Politics in the Dutch Golden Age (2023). As has Simon Franklin, they have brought great creativity to the history of texts. Known for its now world-famous still life paintings produced by the affluent incubator of capitalism that was the seventeenth-century Netherlands, Bookshop of the World: Making and Trading Books in the Dutch Golden Age (Yale UP, 2020) shows us that what was going onto the canvases in the Dutch Golden Age paled in comparison to what was coming off the printing presses. With many unexpected revelations, this ambitious attempt to account for the (perhaps?) countless texts that did not survive demonstrates how the production, distribution, and consumption of books was central to economic, political, and cultural life in seventeenth-century Netherlands. They continue to collaborate on the Universal Short Title Catalogue and have also co-authored The Library: A Fragile History (2021). Erika Monahan is the author of The Merchants of Siberia: Trade in Early Modern Eurasia (Cornell UP, 2016) and a 2023-2024 Alexander von Humboldt Fellow Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
If you are reading this, it's probably hard—nearly impossible—to imagine a world without writing—without print, books, newspapers, signs, graffiti, advertisements, forms, letters, texts, internet memes, and New Books Network blogposts like this one. How would you do your work? How would you communicate with your friends and family? How would you learn about the world around you? The historians in this conversation have written path-breaking books that deepen our understanding of an age when the written word was still emerging as a feature in everyday life. These books focus on different places—Russia and the Netherlands—where writing and print emerged quite differently but they share a deep erudition and ambitious methodological creativity in endeavoring to account for the ephemeral. Simon Franklin is emeritus professor of Russian history at University of Cambridge, Clare College. His books include Writing Society and Culture in Early Rus, 950–1300 (2002), The Emergence of Rus, 750–1200 (1996), co-authored with Jonathan Shepard, and Information and Empire: mechanisms of Communication in Russia, 1600–1850 (2017), co-edited with Katherine Bowers. In The Russian Graphosphere, 1450–1850 (Cambridge UP, 2019) Franklin reconstructs with deep erudition and carefully contextualized sleuthing the concrete and conceptual ways in which people in Russia from the mid-sixteenth to mid-nineteenth centuries encountered various types of writing. Andrew Pettegree and Arthur der Weduwen are historians at University of St. Andrews in Scotland. Pettegree's books include The Invention of News (2014), Brand Luther: 1517, printing and the making of the Reformation (2015), and most recently, The Book at War: Libraries and Readers in an Age of Conflict (2023). Arthur der Weduwen followed up his award-winning first monograph, Dutch and Flemish Newspapers of the Seventeenth Century with the newly released State Communication and Public Politics in the Dutch Golden Age (2023). As has Simon Franklin, they have brought great creativity to the history of texts. Known for its now world-famous still life paintings produced by the affluent incubator of capitalism that was the seventeenth-century Netherlands, Bookshop of the World: Making and Trading Books in the Dutch Golden Age (Yale UP, 2020) shows us that what was going onto the canvases in the Dutch Golden Age paled in comparison to what was coming off the printing presses. With many unexpected revelations, this ambitious attempt to account for the (perhaps?) countless texts that did not survive demonstrates how the production, distribution, and consumption of books was central to economic, political, and cultural life in seventeenth-century Netherlands. They continue to collaborate on the Universal Short Title Catalogue and have also co-authored The Library: A Fragile History (2021). Erika Monahan is the author of The Merchants of Siberia: Trade in Early Modern Eurasia (Cornell UP, 2016) and a 2023-2024 Alexander von Humboldt Fellow Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
If you are reading this, it's probably hard—nearly impossible—to imagine a world without writing—without print, books, newspapers, signs, graffiti, advertisements, forms, letters, texts, internet memes, and New Books Network blogposts like this one. How would you do your work? How would you communicate with your friends and family? How would you learn about the world around you? The historians in this conversation have written path-breaking books that deepen our understanding of an age when the written word was still emerging as a feature in everyday life. These books focus on different places—Russia and the Netherlands—where writing and print emerged quite differently but they share a deep erudition and ambitious methodological creativity in endeavoring to account for the ephemeral. Simon Franklin is emeritus professor of Russian history at University of Cambridge, Clare College. His books include Writing Society and Culture in Early Rus, 950–1300 (2002), The Emergence of Rus, 750–1200 (1996), co-authored with Jonathan Shepard, and Information and Empire: mechanisms of Communication in Russia, 1600–1850 (2017), co-edited with Katherine Bowers. In The Russian Graphosphere, 1450–1850 (Cambridge UP, 2019) Franklin reconstructs with deep erudition and carefully contextualized sleuthing the concrete and conceptual ways in which people in Russia from the mid-sixteenth to mid-nineteenth centuries encountered various types of writing. Andrew Pettegree and Arthur der Weduwen are historians at University of St. Andrews in Scotland. Pettegree's books include The Invention of News (2014), Brand Luther: 1517, printing and the making of the Reformation (2015), and most recently, The Book at War: Libraries and Readers in an Age of Conflict (2023). Arthur der Weduwen followed up his award-winning first monograph, Dutch and Flemish Newspapers of the Seventeenth Century with the newly released State Communication and Public Politics in the Dutch Golden Age (2023). As has Simon Franklin, they have brought great creativity to the history of texts. Known for its now world-famous still life paintings produced by the affluent incubator of capitalism that was the seventeenth-century Netherlands, Bookshop of the World: Making and Trading Books in the Dutch Golden Age (Yale UP, 2020) shows us that what was going onto the canvases in the Dutch Golden Age paled in comparison to what was coming off the printing presses. With many unexpected revelations, this ambitious attempt to account for the (perhaps?) countless texts that did not survive demonstrates how the production, distribution, and consumption of books was central to economic, political, and cultural life in seventeenth-century Netherlands. They continue to collaborate on the Universal Short Title Catalogue and have also co-authored The Library: A Fragile History (2021). Erika Monahan is the author of The Merchants of Siberia: Trade in Early Modern Eurasia (Cornell UP, 2016) and a 2023-2024 Alexander von Humboldt Fellow Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Melvyn Bragg and guests discuss the great epic poem attributed to Homer, telling the story of an intense episode in the Trojan War. It is framed by the wrath of the Greek hero Achilles, insulted by his leader Agamemnon and withdrawing from the battle that continued to rage, only returning when his close friend Patroclus is killed by the Trojan hero Hector. Achilles turns his anger from Agamemnon to Hector and the fated destruction of Troy comes ever closer. With Edith Hall Professor of Classics at King's College London Barbara Graziosi Professor of Classics at Princeton University And Paul Cartledge A.G. Leventis Senior Research Fellow and Emeritus Professor of Greek Culture at Clare College, Cambridge Producer: Simon Tillotson.
In Season 2, the Interfaith America with Eboo Patel podcast explores how we engage religious diversity in different sectors of our nation, from Hollywood to politics, journalism to academia. Featuring prominent public figures including Rainn Wilson, Jonathan Eig, and Danielle Allen, Eboo Patel engages in meaningful conversations to understand how our nation's constantly evolving religious diversity shapes our democracy.Kwame Anthony Appiah is a British-born American philosopher, writer, and scholar of African and African American studies, best known for his contributions to political philosophy, moral psychology, and the philosophy of culture. Appiah tackles life's dilemmas in The Ethicist column in the New York Times magazine. In his recent book The Lies that Bind, Appiah helps us rethink the way we understand group identity. His earlier book Cosmopolitanism defined a diversity paradigm and was widely influential in the Obama era.Appiah is the son of Joseph Appiah, a Ghanaian-born barrister, and Peggy Cripps, daughter of the British states-person Sir Stafford Cripps. He attended Bryanston School and later Clare College, Cambridge, where he earned a Ph.D. in philosophy in 1982. He taught philosophy, African studies, and African American studies at Yale University (1981–86), Cornell University (1986–89), Duke University (1990–91), and Harvard University (1999–2002). In 2002 he joined the University Center for Human Values at Princeton University, where he stayed until moving to New York University in 2014.You can learn more about Appiah on his website.Visit Interfaith America to learn more about the organization and our podcast. Follow us on Twitter and Instagram to stay up to date with new episodes, interfaith stories, and our programs.Guest Bio: Kwame Anthony Appiah is a British-born American philosopher, novelist, and scholar of African and African American studies, best known for his contributions to political philosophy, moral psychology, and the philosophy of culture. Appiah tackles life's dilemmas in The Ethicist column in the New York Times magazine. And in his book The Ties that Bind, he illustrates how identities are defined by conflict, while Cosmopolitanism is a proclamation that every single one of us matters and that we are responsible for our collective wellbeing no matter the differences. Appiah is the son of Joseph Appiah, a Ghanaian-born barrister, and Peggy Cripps, daughter of the British statesperson Sir Stafford Cripps. He attended Bryanston School and later Clare College, Cambridge, where he earned a Ph.D. in philosophy in 1982. He taught philosophy, African studies, and African American studies at Yale University (1981–86), Cornell University (1986–89), Duke University (1990–91), and Harvard University (1999–2002). In 2002 he joined the University Center for Human Values at Princeton University, where he stayed until moving to New York University in 2014.You can learn more about Appiah on his website.Visit Interfaith America to learn more about the organization and our podcast. Follow us on Twitter and Instagram to stay up to date with new episodes, interfaith stories, and our programs.
Melvyn Bragg and guests discuss the speeches that became a byword for fierce attacks on political opponents. It was in the 4th century BC, in Athens, that Demosthenes delivered these speeches against the tyrant Philip II of Macedon, father of Alexander the Great, when Philip appeared a growing threat to Athens and its allies and Demosthenes feared his fellow citizens were set on appeasement. In what became known as The Philippics, Demosthenes tried to persuade Athenians to act against Macedon before it was too late; eventually he succeeded in stirring them, even if the Macedonians later prevailed. For these speeches prompting resistance, Demosthenes became famous as one of the Athenian democracy's greatest freedom fighters. Later, in Rome, Cicero's attacks on Mark Antony were styled on Demosthenes and these too became known as Philippics. The image above is painted on the dome of the library of the National Assembly, Paris and is by Eugene Delacroix (1798-1863). It depicts Demosthenes haranguing the waves of the sea as a way of strengthening his voice for his speeches. With Paul Cartledge A. G. Leventis Senior Research Fellow at Clare College, University of Cambridge Kathryn Tempest Reader in Latin Literature and Roman History at the University of Roehampton And Jon Hesk Reader in Greek and Classical Studies at the University of St Andrews Producer: Simon Tillotson
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