Podcasts about Middle Ages

Could a medieval church really protect a killer from the law?From the 40-day asylum of parish churches to the more permanent protections claimed by Westminster Abbey, sanctuary was never simply an escape route, it was a contested space where mercy and authority met.Dr. Eleanor Janega is joined by Professor Shannon McSheffrey to uncover the extraordinary history of a medieval institution that could save lives, provoke outrage and expose the uneasy balance between bloodshed, forgiveness and power.More:Excommunication in the Middle AgesListen on AppleListen on SpotifyA Guide to Medieval ChurchesListen on AppleListen on SpotifyGone Medieval is presented by Dr. Eleanor Janega. Audio editor is Amy Haddow, the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week, plus early access ad-free podcasts. Sign up at https://www.historyhit.com/subscribe Hosted on Acast. See acast.com/privacy for more information.

Send us Fan MailJust when you thought you knew everything about Gettysburg-Author John Hopkins speaks on the 1913 Gettysburg reunion! Get the book here: https: //www.savasbeatie.com/the-world-will-never-see-the-like-the-gettysburg-reunion-of-1913/Music is graciously provided by Craig Duncan.Our website: https://www.untoldcivilwar.com/Our Youtube Channel: https://www.youtube.com/channel/UCMMWxSupport the show:One time donation of any amount here: https://www.paypal.me/supportuntoldCWMonthly payment through Patreon and unlock unique perks!https://www.patreon.com/user?u=51151470&fan_landing=truThis show is made possible by the support of our sponsors:The Badge MakerProudly carrying affordable, USA made products for reenactors, living history interpreters, and lovers of history.Civil War TrailsThe world's largest 'Open Air Museum' offering over 1,350 sites across six states. Paddle to Frederick Douglass's birthplace, follow the Gettysburg Campaign turn-by-turn in your car, or hike to mountain tops where long forgotten earthworks and artillery positions await you.Military Images MagazineAmerica's only magazine dedicated solely to the study of portrait photographs of Civil War soldiers.The Excelsior BrigadeDealers in FINE CIVIL WAR MEMORABILIA.The goal of the "Brigade" is to offer high quality, original items while ensuring the best in service and customer satisfaction.HistoryFixCome enjoy history! Explore stories from the Middle Ages to the early 21st century. Enjoy historical video content always ad free and get a 7-day free trial as you explore our site.1863 DesignsAre you looking for Civil War themed graphic design, logo design, historical art and or hand drawn art? Look no further than 1863 Designs. Use the code, “UNTOLD” for 15% off your purchase! Iron Horse Military AntiquesIron Horse Military Antiques is an Illinois-based buyer and seller of nineteenth-century documents, letters, images, and militaria, specializing in the American Civil War.Support the show

rWotD Episode 3315: Belisarius Begging for Alms Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Monday, 1 June 2026, is Belisarius Begging for Alms.Belisarius Begging for Alms (French: Bélisaire demandant l'aumône, lit. 'Belisarius asking for alms') is a large-format (288 × 312 cm) history painting in oil on canvas by the French artist Jacques-Louis David. It depicts the Byzantine general Belisarius, who heroically defeated the Vandals in North Africa in AD 533–534 on behalf of Justinian I, and (according to an apocryphal account probably added to his biography in the Middle Ages) was later blinded by the emperor and reduced to begging for alms on the street. David exhibited the work at the Salon of 1781 at the Louvre after returning from Italy and it proved a great success.It is now in the Palais des Beaux-Arts in Lille. A second, reduced version was displayed at the Salon of 1785 and is now in the collection of the Louvre.This recording reflects the Wikipedia text as of 00:22 UTC on Monday, 1 June 2026.For the full current version of the article, see Belisarius Begging for Alms on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Justin.

What are the origins of well-known legendary figures, such as the phoenix, the unicorn and the mermaid? From ancient symbols and myths to medieval bestiaries, we are going to explore their appearance and evolution and try to dig a bit deeper. Why do certain motifs such as the phoenix appear across various cultures? What are the Physiologus and the illustrated bestiaries from the Middle Ages? What is the psychological and cultural appeal of part-human, part-animal hybrids such as the mermaid? Let's find out! This podcast is entirely scripted and recorded by real people, it includes no AI, and mid-roll ad breaks are turned off so that you can relax without interruption. #sleep #documentary #bedtimestory #asmr #sleepstory #fantasy #legend #mythology #creatures Welcome to Lights Out Library Join me for a sleepy adventure tonight. Sit back, relax, and fall asleep to documentary-style bedtime stories read in a calming ASMR voice. Learn something new while you enjoy a restful night of sleep. Listen ad free and get access to bonus content on our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/LightsOutLibrary621⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy my audiobook on Ancient Egyptian History, Myths & Mysteries: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/6mCqX5FoO6uCilrWCS8mB9?si=e1ecb983d2534d69⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Listen on Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@LightsOutLibraryov⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   ¿Quieres escuchar en Español? Echa un vistazo a La Biblioteca de los Sueños! En Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/1t522alsv5RxFsAf9AmYfg⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ En Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/la-biblioteca-de-los-sue%C3%B1os-documentarios-para-dormir/id1715193755⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ En Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@LaBibliotecadelosSuenosov⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Wherein D & M are in their Middle Ages & yap about it

How could a love song become a political weapon? How were scandals, wars and crusades turned into some of the most influential poetry ever written?The songs of the troubadours - celebrities in their day - helped define the emotional landscape of the Middle Ages and left a legacy that still echoes through European literature. Matt Lewis is joined by Professor Linda M. Paterson to explore the poet-musicians who shaped medieval ideas of courtly love, chivalry, gender, power and performance.More:Erotic Medieval Poet: Gwerful MechainListen on AppleListen on SpotifyCrusades Against Heretics (Albigensian Crusade)Listen on AppleListen on SpotifyGone Medieval is presented by Matt Lewis. Audio editor is Amy Haddow, the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week plus ad-free podcasts. Sign up at https://www.historyhit.com/subscribe Hosted on Acast. See acast.com/privacy for more information.

The medieval period is well known for several large-scale and horrific persecutions, especially ones based on religious grounds. One of these is a succession of expulsions of the Jews from one kingdom after another. Persecutions like these don't just come out the blue. So, if we're going to understand them – and hopefully prevent them – we have to dig deep into the cultural ideas and purported justifications that they spring from. This week, Danièle speaks with Rowan Dorin about what usury is, how changing ideas of sin and foreignness shaped Europe, and how mass expulsion went from unthinkable to acceptable in the late Middle Ages.This podcast is made possible by the generous support of listeners like you! To find out how to help spread the joy of medieval history, please visit patreon.com/themedievalpodcast

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge.  So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below.  Thank you and enjoy the episode!Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsBIBLIOGRAPHYLoaded Ground and Temple GrammarBradley, Richard. An Archaeology of Natural Places. Key use: Natural features as ritual centers: springs, caves, mountains, watery places, unusual stones, and the way landscape itself becomes an active participant in sacred behavior.Bradley, Richard. The Significance of Monuments: On the Shaping of Human Experience in Neolithic and Bronze Age Europe. Key use: Monumentality, repeated movement, ritual landscapes, and how built earth/stone structures anchor memory and collective story.Scarre, Chris, ed. Monuments and Landscape in Atlantic Europe: Perception and Society During the Neolithic and Early Bronze Age. Key use: Landscape archaeology, perception, monument placement, sacred routes, and social memory.Tilley, Christopher. A Phenomenology of Landscape: Places, Paths and Monuments. Key use: Embodied movement through sacred landscapes. Good for explaining why approach, walking, turning, climbing, entering, and returning matter as much as the site itself.Ruggles, Clive. Ancient Astronomy: An Encyclopedia of Cosmologies and Myth. Key use: Archaeoastronomy, horizon alignment, sky events, and methodological caution against sloppy “everything is a star map” claims.Ruggles, Clive. Astronomy in Prehistoric Britain and Ireland. Key use: Prehistoric monuments, solar/lunar alignments, and sky-ground relationships.Watson, Aaron, and David Keating. “Architecture and Sound: An Acoustic Analysis of Megalithic Monuments in Prehistoric Britain.” Antiquity 73, no. 280 (1999): 325–336. Key use: Archaeoacoustics, megalithic sound environments, echo, resonance, and how ancient monuments may have shaped movement and perception through sound as well as sight.Eliade, Mircea. The Sacred and the Profane: The Nature of Religion. Key use: Sacred space, center, axis mundi, threshold, and the difference between ordinary space and holy space.Smith, Jonathan Z. To Take Place: Toward Theory in Ritual. Key use: Ritual as place-making. Useful for the idea that sacred places are not merely found; they are produced through repeated action, interpretation, and return.Tuan, Yi-Fu. Space and Place: The Perspective of Experience. Key use: Lived place, memory, orientation, and the difference between abstract space and meaningful place.van Gennep, Arnold. The Rites of Passage. Key use: Separation, threshold, and incorporation. Useful for crossings, caves, temples, initiation, and the movement from ordinary to sacred space.Turner, Victor. The Ritual Process: Structure and Anti-Structure. Key use: Liminality, betweenness, communitas, and why thresholds create psychological and social transformation.Vitruvius. Ten Books on Architecture / De Architectura. Key use: Classical architecture, proportion, order, temple siting, and the ancient architectural concern with harmony, geometry, and orientation.Scully, Vincent. The Earth, the Temple, and the Gods: Greek Sacred Architecture. Key use: Greek temples in relation to landscape, sightlines, deity, terrain, and sacred placement.Ward-Perkins, J. B. Roman Imperial Architecture. Key use: Roman monumental space, basilicas, civic authority, imperial architecture, and the built environment Christianity later inherits.Wycherley, R. E. How the Greeks Built Cities. Key use: Greek civic and sacred urban planning, temple placement, public space, and the relationship between architecture and city order.Onians, John. Bearers of Meaning: The Classical Orders in Antiquity, the Middle Ages, and the Renaissance. Key use: Classical orders as carriers of meaning, authority, proportion, and inherited architectural language.Assmann, Jan. The Search for God in Ancient Egypt. Key use: Egyptian sacred space, temple theology, divine presence, ritual service, and cosmic order.Shafer, Byron E., ed. Temples of Ancient Egypt. Key use: Egyptian temple structure, processional access, restricted interiors, ritual activity, light/dark progression, and the temple as cosmic environment.Levenson, Jon D. Sinai and Zion: An Entry into the Jewish Bible. Key use: Temple, mountain, divine presence, sacred center, covenant, and the biblical imagination of holy place.Levine, Lee I., ed. Jerusalem: Its Sanctity and Centrality to Judaism, Christianity, and Islam. Key use: Jerusalem, sacred center, Temple memory, pilgrimage, and the later religious mapping of holiness.The Bible, especially Exodus, Leviticus, 1 Kings, Ezekiel, Psalms, the Gospels, Hebrews, and Revelation. Key use: Tabernacle, Temple, altar, priesthood, sacrifice, holiness, veil, divine presence, living water, pilgrimage, heavenly city, and sacred orientation.Misstear, Bruce. “The Hydrogeology of Sacred Wells: Insights from Ireland.” Hydrogeology Journal, 2024. Key use: Sacred wells as real groundwater systems, including hydrogeological settings, water chemistry, cultural meaning, and anthropogenic impacts. This supports the line that holy wells are both sacred sites and physical water systems.Bord, Janet, and Colin Bord. Sacred Waters: Holy Wells and Water Lore in Britain and Ireland. Key use: Holy wells, healing traditions, local water lore, offerings, vows, and repeated devotional return.Rattue, James. The Living Stream: Holy Wells in Historical Context. Key use: Historical context for holy wells, Christianization, local devotion, and the persistence of sacred water sites.Ray, Celeste. The Origins of Ireland's Holy Wells. Key use: Irish holy wells, sacred water, pilgrimage, healing, local tradition, and the complex relation between Christian practice and older water sites.National Churches Trust. “Medieval Bridge Chapels.” Key use: Bridge chapels as medieval crossing sites, often chantry chapels connected to prayers for founders, benefactors, travelers, and pilgrims.Green, Edward. “Bridge Chapels.” Building Conservation. Key use: Bridge chapels as Christian worship sites built on or near bridges for travelers, safe arrival, and the sacralization of movement.Research report. The Bridge Chapels of Medieval Britain. Key use: Bridge construction and maintenance as pious and charitable work, chapels and crosses at bridges, safe passage, tolls, repairs, and the link between devotion and infrastructure.Walsham, Alexandra. The Reformation of the Landscape: Religion, Identity, and Memory in Early Modern Britain and Ireland. Key use: How sacred geography, wells, crosses, shrines, roads, memory, and local religious landscapes were reclassified and contested during the Reformation.Ren, L., et al. “GIS-Based Viewshed Analysis on the Visibility of Historic Towns.” ISPRS Archives, 2021. Key use: Viewshed analysis, line-of-sight, historic structures, and the use of GIS to study visibility in built heritage environments. Useful for keeping claims about towers, spires, and landmark dominance grounded in method.Vaz de Freitas, I. “Historical Landscape: A Methodological Proposal to Characterise the Landscape of Monasteries in Early Medieval Portugal.” Religions 15, no. 10 (2024): 1158. Key use: Early medieval monastic landscapes, GIS method, religious siting, and environmental variables. Useful for sacred visibility, water proximity, slope, altitude, and landscape choice.Kilde, Jeanne Halgren. Sacred Power, Sacred Space: An Introduction to Christian Architecture and Worship. Key use: Broad Christian architecture source for power, worship, sacred space, and the way buildings shape religious experience.Kieckhefer, Richard. Theology in Stone: Church Architecture from Byzantium to Berkeley. Key use: Church architecture as theology in built form. Useful as a bridge from ancient sacred grammar into later Christian architectural expression.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A

Steamboat vampires!!!!Support the network and gain access to over fifty bonus episodes by becoming a patron on ⁠⁠Patreon⁠⁠.Want more science fiction in your life? Check out ⁠⁠The Gene Wolfe Literary Podcast⁠⁠.Love Neil Gaiman? Join us on ⁠⁠Hanging Out With the Dream King: A Neil Gaiman Podcast⁠⁠.Lovecraft? Poe? Check out ⁠⁠Elder Sign: A Weird Fiction Podcast⁠⁠.Trekker? Join us on ⁠⁠Lower Decks: A Star Trek Podcast⁠⁠.Want to know more about the Middle Ages? Subscribe to ⁠⁠Agnus: The Late Antique, Medieval, and Byzantine Podcast⁠⁠.

A recent hospital visit means there is no new episode this week, but it reminded me of this classic from early 2024! Tune in to find out more How difficult was life in the Middle Ages? This is something archaeologists and historians have debated for decades. In recent years, new techniques, including genetic analysis, have given us new insights into the lives of our distant ancestors in the Medieval Era. Their findings are unsettling. Life in the Middle Ages was far more difficult than we imagine.My guest in this episode is Prof. Eileen Murphy from Queen's University Belfast. Eileen has recently published groundbreaking research on daily life in early medieval Ireland, based on her analysis of human remains excavated in Co. Roscommon. In this podcast, she answers all your questions on what life was like.Eileen shares her discoveries on how people survived in a hard and difficult world. It's not for the faint of heart.This episode is not suitable for children.Our interview is based on the book "The Forgotten Cemetery: Excavations at Ranelagh, Co. Roscommon," available for free at https://www.tii.ie/technical-services/archaeology/publications/tii-heritage/.Eileen is the deputy head of the School of Built & Natural Heritage at Queen's University Belfast: https://www.qub.ac.uk/schools/NBE/.Sound by Kate Dunlea Hosted on Acast. See acast.com/privacy for more information.

Who survives when medieval deaths are turned into Top Trumps? In this riotous made up game of Foolish Fatalities, Dr. Eleanor Janega and Matt Lewis rank the most ridiculous ends of the Middle Ages, from a latrine disaster and Henry I's fatal fish, to a king laughing himself to death and a ghoulish deadly bite delivered by a severed head. Expect gore, gossip, and (at least) one unforgettable toilet death.MOREThe White Ship DisasterListen on AppleListen on SpotifyJames II and the Deadly Black DinnerListen on AppleListen on SpotifyGone Medieval is presented by Dr. Eleanor Janega and Matt Lewis. Audio editor is Amy Haddow, produced by Amy Haddow and Rob Weinberg. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week plus ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

Why are hundreds of thousands of people once again walking the ancient pilgrimage routes of Europe?In this episode, we explore the remarkable revival of the Camino de Santiago and other medieval pilgrimage paths — journeys once central to European spiritual life that are now attracting modern seekers searching for meaning, healing, silence, and transformation.From the dangerous pilgrimages of the Middle Ages to the modern Camino revival sparked by Father Elías Valiña's famous yellow arrows, this episode examines why so many people today feel drawn toward experiential spirituality beyond institutional religion alone.We also explore how pilgrimage changes people emotionally, spiritually, and psychologically — and why few return home unchanged.#CaminoDeSantiago #Pilgrimage #Spirituality #ExperientialSpirituality #MeaningOfLife #PersonalGrowth #WalkingMeditation #Mysticism #InnerTransformation #Podcast #Mindfulness #MedievalHistory #SpiritualJourney #SelfDiscovery #SlowLivingUseful Information:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.reinogevers.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://reinodiary.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Books:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sages, Saints and Sinners⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Deep Walking for Body Mind and Soul⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Walking on Edge: A pilgrimage to Santiago⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Fjord wins the Palme! All of a Sudden's Virgine Efira & Tao Okamoto win Best Actress, the boys from Coward win Best Actor, and La Bola Negra and Fatherland tie in Director. The Cannes Awards are here, and we discuss them all. Plus, we continue to review the reviewers and tally the ovations in Part III of our coverage of the 2026 Cannes Film Festival. BOX OFFICE REPORT: The Mandalorian and Grogu Reviewed - 1:35 Obsession Rewatched - 4:36 CANNES COVERAGE PART III: Fjord wins the Palme and a bunch of independent awards - 9:44 Minotaur takes 2nd - 15:37 A tie in Director between La Bola Negra and Fatherland - 18:03 Netflix Acquisitions: La Bola Negra, Gentle Monster & In Waves - 20:31 Best Actress to Efira & Okamoto from All of a Sudden - 21:40 Best Actor to Macchia & Champagne of Coward & MUBI's Acquisitions - 23:58 The Jury Prize to The Dreamed Adventure - 23:36 Best Screenplay to A Man of His Time - 27:54 Un Certain Regard's FIPRESCI PRIZE & Camera D'or to Benimana - 29:43 Everytime and Elephants in the Fog take 2 other top prizes - 33:58 Past Un Certain Regard Film That Have Gone onto Oscar Noms - 37:47 The Queer Palme goes to Teenage Sex and Death - 38:43 A24's Club Kid scores the largest acquisition price at Cannes - 39:23 Victorian Psycho isn't set in the Middle Ages but has contemporary music - 41:59 Out of Competition Discussions - 46:51 John Travolta's Propeller One Way Night Coach, South Korea's Zombie Film - Colony, Nicholas Winding Refn's Her Private Hell, Andy Garcia's Diamond & Kiyoshi Kurosawa's The Samurai and the Prisoner. The Final Standing Ovations Tally - 55:22 OUTRO: Make sure to follow us on social media as we comment on everything happening in the movie business. https://linktr.ee/mikemikeandoscar

THE LAST DUEL A respected knight, known for his bravery and skill on the battlefield, finds himself at odds with a squire whose intelligence and eloquence have made him one of the most admired nobles in court. When the squire viciously assaults the knight's wife, she steps forward to accuse her attacker, an act of bravery and defiance that puts her own life in jeopardy. The ensuing trial by combat, a grueling duel to the death, places the fate of all three in God's hands. Craig, Elisabeth and guest Brendan Agnew talk about the brutality of the Middle Ages, perspectives, tornados and the movie “The Last Duel” on this week's Matinee Heroes. Show Notes 1:23 Craig, Elisabeth and Brendan catch up on Oklahoma weather and Marion's latest movies. 10:14 Craig, Elisabeth and Brendan discuss "The Last Duel." 50:00 Recasting 1:11:01 Double Feature 1:17:57 Final Thoughts 1:22:04 A preview of next week's episode "Throne of Blood." Next week, we head to medieval Japan to talk "Throne of Blood."

A friend forwarded a New York Times essay — Katya Ungerman's "We Are Sliding Back Into the Middle Ages" — cataloguing the strange new texture of American life: Tucker Carlson's reported demon attack, a FEMA official's teleportation claim, the Easter surge of conversions to Catholicism and Orthodoxy, sworn UAP testimony about nonhuman "biologics," a humanoid robot on the White House red carpet. Ungerman's diagnosis is sociological — information overload, AI-fabricated evidence, institutional decay. In this episode I offer a different reading. Working from the scholastic axiom that whatever is received is received in the mode of the receiver, I walk through how four levels of consciousness — pre-modern, modern, postmodern, and post-postmodern — each meet the same "high strangeness" and name it incompatibly. I argue that the universe is genuinely enchanted and that much of what is being called re-enchantment is distortion, and that holding both at once is the work in front of us. Along the way: orange-ray blockage as the recurring diagnostic; the steel-manning of the anti-liberal critique and where it goes catastrophically wrong; the May 17 Rededicate 250 ceremony on the National Mall; Ra's "quiet horror" and the window-balancing principle; why our institutions of formation were so often born inside the Great BASH; the factory farm as karmic substrate; and the hermeneutic I am calling the conspiring wholeness. The throughline, as always, is that love is the great protection — not armor, but a frequency the philosophy of separation cannot grasp. This is my limited, partial, open-handed offering. Take what is useful. Leave what is not. The full essay is at cosmicchrist.net.

What the if Lamarck was right? Stanford historian Jessica Riskin, author of "The Power of Life," is our guide into a universe where living things aren't passive passengers waiting for evolution to happen to them, but the active architects of their own bodies, their offspring, and the world around them. The line between creature and environment dissolves. Even the smallest beings turn out to be busy reshaping the planet. Stretch your neck. Reshape your descendants. Welcome to the Lamarckian universe. Want more Jessica? Grab her book at https://www.penguinrandomhouse.com/books/763654/the-power-of-life-by-jessica-riskin/ Find her at Stanford here: https://history.stanford.edu/people/jessica-riskin —————————————————— In the show, I mentioned a wonderful note from longtime listener Steve Scalici about our recent "no gasoline" episode. Here's Steve's full message: —————————————————— From: Steve Scalici Subject: No gasoline, phase 2 "Maybe THE best IFisode I've heard, perhaps because I've been noodling with that inevitable coming world without petroleum…how'd we function, how would society break down, would we be in a Soylent Green-scape? "Seems to me that this too was a corollary of the IF I sent in regarding an aeroplane-less world. My supposition culminated with small self-supporting cities of a certain drivable radius from the city limits. "But overlaying the petro-less factor into the equation, we would devolve berryyyyy quickly to an agrarian localized world perhaps reminiscent of sometime in the 1800s. "The curveball to this is the Industrial Revolution would not, could not be. No power source! This leads me back to my Malthusian philosophy is coming: population does invariably increase when the means of subsistence increase. "Well then the opposite is true…population would curtail as our means of food harvesting ebbs. And it'd happen rather quickly as our food stocks diminish and famine would occur. "Back to the Middle Ages of castles, moats, bows and arrows, and self-sustained populations. "So my newer IF is 'how and what would a powerless world happen, assuming a stasis occurs in, say, 20 years?' "Shout out to my grandson Matteo here as we drive to a gas station to fill up, he posed a mini-IF: where does the gas come from. Tough to explain to a 5-year-old, but then last week's IF struck and I listened to it multiple times with my wife hearing it replayed and yelled 'WTF!'" —— When she's not studying zombie fungus at Harvard or helping us break the universe every week, our very own Gaby Paniccia writes science fiction. Her short story "The Automatic Grocery Store" is now featured on the popular podcast Escape Pod! Listen here: https://escapepod.org/2026/02/19/escape-pod-1033-the-automatic-grocery-store/ —— Check out our membership rewards! Visit us at Patreon.com/Whattheif —— Got an IF of your own? Want to have us consider your idea for a show topic? Send YOUR IF to us! Visit https://whattheif.com/contact and let us know what's in your imagination. No idea is too small, or too big! Keep On IFFin', Philip, Matt & Gaby

In this video, I'm joined by Dr. Grace Hamman to discuss how Medieval Christians approached spiritual formation. We give special attention to their understanding of virtue and vice, exploring how that might help enrich our modern approaches to the Christian life. We also talk about how to read medieval theologians wisely, and what to do with some of the more extreme examples of piety that might make us uncomfortable today. Pre-order my novel, The Long Road to Holy Island: https://amzn.to/4sISAC9Get access to my book club, show notes, ad-free episodes and more:  https://patreon.com/gospelsimplicity Make a one-time donation: https://paypal.me/gospelsimplicityBook a meeting: https://calendly.com/gospelsimplicity/meet-with-austinRead my writings: https://austinsuggs.substack.comGet the book: https://amzn.to/3RcUEowFollow Dr. Hamman on Substack: https://gracehamman.substack.com/Dr. Hamman's website: https://gracehamman.com/About the Guest: Grace Hamman, Ph.D. (Duke University) is a writer and independent scholar of late medieval poetry and contemplative writing. She is the author of Ask of Old Paths: Medieval Virtues and Vices for a Whole and Holy Life and Jesus through Medieval Eyes: Beholding Christ with the Artists, Mystics, and Theologians of the Middle Ages. Her work has been published by academic and popular outlets, including Plough Quarterly and The Journal of Medieval and Early Modern Studies. She lives near Denver, Colorado with her husband and three young children.Chapters00:00 The Overlooked Medieval Era05:07 Personal Journey into Medieval Studies09:54 Exploring Virtue in Medieval Literature15:47 Understanding Wholeness and Virtue20:49 The Interconnectedness of Virtues and Vices36:22 The Thin Picture of Christian Life38:45 Pairing Virtues and Vices42:30 The Richness of Abstinence and Gluttony47:21 Imagination in Christian Formation53:00 Navigating Historical Literature01:30:08 Gateway Texts to the Medieval PeriodSupport the show

In the Middle Ages, the bearing and raising of children defined women's lives. But, as this Long Read written by Elinor Cleghorn explains, there were women who had other ideas and boldly challenged attitudes towards motherhood. Today's feature originally appeared in the April 2026 issue of HistoryExtra Magazine, and has been voiced in partnership with the RNIB. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Were the Middle Ages really a thousand years of ignorance, brutality, and superstition? Host Matt Trump, a physicist, says no and has the receipts. Drawing on Johan Huizinga's classic "The Autumn of the Middle Ages" and a revelatory 1982 essay by mathematician James Franklin, Matt makes the case that the Middle Ages were actually a period of extraordinary advancement in philosophy, science, architecture, and literature, and that the Renaissance was the gap, not the golden age. Gothic cathedrals, Thomas Aquinas, Nicole Oresme's pre-Galilean mechanics, the myth of prima nocta, chastity belts, flat earth belief, and the Black Death all get their moment. A rich, wide-ranging episode that will make you rethink everything your history class told you.

Greed, Lust, Pride, Sloth, Gluttony, Envy, Wrath! You might be surprised to learn the true history of the Seven Deadly Sins doesn't start in the bible. Rather, they were first thought up by a Greek monk in the 4th century who'd fled to the desert after becoming embroiled in a scandal with a married woman…Dan is joined by historian and author Peter Jones to trace the true history of the Seven Deadly Sins, why they took the Middle Ages by storm, and how they have shaped European society for centuries.You can learn more in Peter's new book, ' Self Help from the Middle Ages: What the Seven Deadly Sins Can Teach Us About Living'Produced by Mariana Des Forges, McKenna Fernandez and James Hickmann. Edited by Matthew WilsonWe need your help! Let us know what you want from Dan Snow's History Hit by filling in our anonymous survey here: https://forms.gle/PvgayWLkWGjYT4St6Dan Snow's History Hit is now available on YouTube! Check it out at: https://www.youtube.com/@DSHHPodcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.You can also email the podcast directly at ds.hh@historyhit.com. Hosted on Acast. See acast.com/privacy for more information.

Just in time for his feast day on May 16, we're looking at St. Brendan, an Irish saint whose holy encounters included island-sized whales, lava-slinging smiths, and rodents of unusual size. This week, Danièle speaks with Gordon Barthos about St. Brendan's epic odyssey, his long-standing popularity, and just some of his incredible adventures.This podcast is made possible by the generous support of listeners like you! To find out how to help spread the joy of medieval history, please visit patreon.com/themedievalpodcast

Cohost Matt Trump finally makes it on the mic after last week's traffic detour, and the wait was worth it. He brings a giant lens: humanity over millennia, with Johan Huizenga's The Autumn of the Middle Ages as the anchor. Lt Gen (Ret.) Steven L. Kwast riffs alongside him. The framing is unforgettable. Matt calls our current moment the return of the future. In the 1960s, with Apollo and Star Trek, humanity was thinking in millennia. Then we pulled in the sails. Under Trump and Musk, we are unfurling them again. The deep-dive walks through the Portuguese caravel breakthrough that opened the New World, why it took a century of violence and printing presses and reformations before things matured, and why our space era follows the same pattern at vastly higher speed. Along the way: why globalism became a Pandora's box, why nations and families are the structures we cannot skip past, why Ming dynasty politics destroyed their own 600 year naval head start, and why young engineers raised on the internet are turning hundred year timelines into hundred day ones. Build with the right moral compass, then full speed ahead.

Want to Start or Grow a Successful Business? Schedule a FREE 13-Point Assessment with Clay Clark Today At: www.ThrivetimeShow.com   Join Clay Clark's Thrivetime Show Business Workshop!!! Learn Branding, Marketing, SEO, Sales, Workflow Design, Accounting & More. **Request Tickets & See Testimonials At: www.ThrivetimeShow.com  **Request Tickets Via Text At (918) 851-0102   See the Thousands of Success Stories and Millionaires That Clay Clark Has Helped to Produce HERE: https://www.thrivetimeshow.com/testimonials/ Download A Millionaire's Guide to Become Sustainably Rich: A Step-by-Step Guide to Become a Successful Money-Generating and Time-Freedom Creating Business HERE: www.ThrivetimeShow.com/Millionaire   See Thousands of Case Studies Today HERE: www.thrivetimeshow.com/does-it-work/  

I spoke with Nick Nielsen (Geopolicraticus), who publishes a regular newsletter, and the series, Today in the Philosophy of History. We discussed Augustine's theory of history; the differing views of history of Hegel and Schopenhauer; the Renaissance and the Reformation; textual gaps in the Middle Ages; Nietzsche's "On the Use and Abuse of History for Life"; Nietzsche & Machiavelli as the monumental role models of our time; ideographic versus nomothetic knowledge; Peter Turchin's Cliodynamics. This was my first conversation with Nick, but it was lovely to meet him and I had a nice time talking to him. I very much enjoy his Youtube channel and would recommend it to those among the Patrons who enjoy history, and speculations about history.

In the first part of our Mother's Day festivities, we're unlocking our Mother's Day episode from 2023 with Eleanor Janega. A new one on Eleanor of Aquitaine is out tomorrow for subscribers, so subscribe now. Enjoy! Happy Mother's Day! Danny and Derek welcome Eleanor Janega, co-host of the We're Not So Different podcast and author of The Once and Future Sex: Going Medieval on Women's Roles in Society, to talk about one of the great mothers of history: The Virgin Mary. They discuss what actually makes Mary the ultimate medieval mother (despite being from ancient times), how her story is fan fiction for the Middle Ages, conceptions and the reality of motherhood in the medieval era across different classes, the sexualization of Mary, her treatment in different Christian sects, and more.  Look out for the second season of our Welcome to the Crusades series with Eleanor and Luke of We're Not so Different. In the meantime, get season 1 here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why did the West dominate all rivals on Earth? How did a group of states that were nearly wiped out in the late Middle Ages by enemies to the south and east grow to conquer the globe by the 16th century? To answer that question, we need to go back to its beginning and see what made Europe, Europe. As good a point as any is the Battle of Marathon in 490 BC, when Athens preserved democracy from Persian conquest. It consolidated further in 146 BC when Rome began continental integration, and more so under Charlemagne when it became defined as wherever Christian rulers governed rather than by Hadrian's fixed borders six centuries earlier. Overall, it’s a mix of Greek political systems, Roman law, Christianity's moral architecture, and Niall Ferguson's "killer app" of competition where states and merchants constantly vied to outdo each other in ways China's unified empire never experienced. Today's guest is Roderick Beaton, author of Europe: A New History. We discuss why the Scientific Revolution happened in Europe and not Asia or China (the reintroduction of Greek scholarship into universities combined with the printing press allowing radical ideas to bypass censorship), how representative government emerged when Dutch and English merchant classes traded tax revenue for permanent voice in state policy, and why the European Union's visionary supranational system with open borders under rule of law did not mark the end of history as America celebrated in 1991. Beaton explains that while Princeton dropped even the language requirement for Classics majors in recent years, Europe as an idea and collective identity cannot simply be deconstructed without offering any replacement for the framework we all still use.See omnystudio.com/listener for privacy information.

AI models now advise on everything from war, crop output, and marriages. Algorithms determine whether we can get a loan, a job, an apartment, or an organ transplant. Carissa Véliz, Associate Professor at the Institute for Ethics in AI at the University of Oxford, argues that today's computer scientists play the same role as the oracles of the ancient world and the astrologers of the Middle Ages. And when we cede ground to these predictions, we lose control of our own lives. In this episode, Véliz speaks to technology philosopher Tom Chatfield about how systems of prediction have long shaped human decisions - and how their influence is expanding in the age of data and AI. Together they examine why more data does not always lead to better outcomes, and how predictive systems can become self-fulfilling, and argue for shifting focus from prediction to preparation — and for reclaiming human agency in a world increasingly guided by forecasts. Carissa Véliz is Associate Professor at the Institute for Ethics in AI at the University of Oxford. She is the author of Prophecy: Prediction, Power and the Fight for the Future, from Ancient Oracles to AI. Tom Chatfield is a technology philosopher, author and commentator on digital culture, technology and society. If you'd like to become a Member and get access to all our full conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Lt Gen (Ret.) Steven L. Kwast was supposed to share the mic with cohost Matt Trump this week, but traffic had other plans. So buckle up for a solo ride through one of the meatiest history-meets-tech episodes yet, built around the recommended read The Autumn of the Middle Ages. The thesis: every great technological leap in human history, from medieval to Renaissance to industrial to today's network age, has been transformative and brutally violent. Kwast argues we are standing at the next hinge point and we have a choice. Race ahead with American values planted firmly on the high ground of space, or let an adversary plant theirs. He breaks down why energy in space is the whole ballgame, why Trump's executive order to put a nuclear plant in orbit by 2028 and on the moon by 2030 is the strategic one two punch that pairs with the 2019 creation of the Space Force, and why the Pancho Villa moment looking up at an airplane is exactly what we want our adversaries feeling. He also explains why Trump is wisely refusing to tear down old institutions until better ones are built. Build first, exit second.

What does The Green Knight reveal about masculinity, honor, fear, and the strange world of medieval storytelling?In this episode of Reckoning with Jason Herbert, historian and medievalist Matt Gabriele joins Jason for a deep dive into David Lowery's haunting adaptation of the Arthurian legend Sir Gawain and the Green Knight. Together, they unpack the film's rich symbolism, eerie atmosphere, and surprisingly human portrayal of knighthood in the Middle Ages.From Dev Patel's unforgettable performance as Gawain to the mythology surrounding King Arthur, the conversation explores how medieval people understood honor, courage, religion, violence, and destiny. Jason and Matt discuss the real history behind Arthurian legends, the meaning of chivalry, the role of Christianity and folklore in medieval Europe, and why The Green Knight may be one of the most honest medieval films ever made.Along the way, they tackle medieval masculinity, race in the medieval world, storytelling traditions, and the enduring power of myth in modern culture. Plus: bourbon, bad decisions, Monty Python, and why every historian secretly wants to talk about talking foxes and giants.If you love medieval history, Arthurian lore, fantasy films, mythology, or thoughtful movie analysis, this episode is for you.Topics Include:The Green Knight explained  King Arthur and the origins of Arthurian legend  Medieval masculinity and chivalry  Dev Patel as Gawain  Religion and magic in the Middle Ages  Medieval storytelling and folklore  Race and diversity in medieval Europe  Why The Green Knight feels so different from other medieval films  The real meaning of honor and oathkeeping

Join me for a livestream interview with Dr Gal Sofer on the complex histories of Solomonic magic, learned magical literature, and the transmission of esoteric knowledge across Jewish, Christian, and Arabic-speaking contexts. We will explore what it means to call a magical tradition Solomonic, how texts, images, and ritual technologies travelled across languages and cultures, and why the history of magic is far more intricate than simple questions of authenticity or invention.Dr Gal Sofer (MD, PhD) is a Senior Lecturer in the Department of the Arts at Ben-Gurion University of the Negev. His research focuses on the history of science, magic, and Kabbalah from the late Middle Ages to the present, in both Jewish and Christian cultures and across multiple languages. His work examines the transfer of knowledge between languages in Europe, the visualisation of scientific and religious knowledge, and the visual aspects of learned magical literature. His first book, Solomonic Magic: Methodology, Texts, and Histories, was published by Brill in 2025. His second book, Conjuring the Arab Magician: Intercultural Histories of Magic, was published by Cambridge University Press in 2026.CONNECT & SUPPORT

Send us Fan MailA man and woman separately relate the story of the tragedy that brought them together and the love that redeemed them both.Gary B. Lamb directs a cast that includes himself as The Man and Elaine Mello as The Woman.Barbara Lindsay is the playwright. Her plays and monologues have received over 400 national and international productions. Among her previous plays are FREE, Snow White Who?, Sex in The Middle Ages, Creamy Dreamy Boyfriend, Want, The Walkers, and so many more. She is currently based in Seattle.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

What could drive a pope to put a corpse on trial?In 897, Rome staged one of the Middle Ages' strangest spectacles: the Cadaver Synod, where Pope Stephen VI exhumed his predecessor and put his body on trial. Dr. Eleanor Janega is joined by Jessica Wärnberg to unpack the violent politics behind the outrage, the rival factions at stake, and why this gruesome event still fascinates today.MOREConclave: Picking PopesListen on AppleListen on SpotifyCharles IV, Holy Roman EmperorListen on AppleListen on SpotifyGone Medieval is presented by Dr. Eleanor Janega. It was edited by Amy Haddow, the producer is Joseph Knight. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

The history of medieval Britain through twelve remarkable illuminated manuscripts. Illumino: A History of Medieval Britain in Twelve Illuminated Manuscripts (Reaktion, 2025) explores the history of medieval Britain through the biographies of twelve remarkable illuminated manuscripts and of their creators and owners. The manuscripts each serve as portals into these lives and as springboards into the era of their production. For illuminated manuscripts are among the most intricate and fascinating forms of evidence for the Middle Ages, blending the fruits of human intellect – the arts, the sciences, politics, philosophy and faith – with the materiality of their production. By undertaking the detective work needed to determine the nature of each project and the underlying human-interest stories, this book reveals their manifold social, economic and cultural contexts and charts the exchange of ideas, techniques and materials over time and space. Featuring more than a hundred beautiful illustrations, this is a unique and accessible introduction to Britain's history, art history and book history across a thousand years. Michelle P. Brown is Professor Emerita of Medieval Manuscript Studies at the School of Advanced Study, University of London, and was formerly Curator of Illuminated Manuscripts at the British Library. Her books include Bede and the Theory of Everything (Reaktion, 2023). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The history of medieval Britain through twelve remarkable illuminated manuscripts. Illumino: A History of Medieval Britain in Twelve Illuminated Manuscripts (Reaktion, 2025) explores the history of medieval Britain through the biographies of twelve remarkable illuminated manuscripts and of their creators and owners. The manuscripts each serve as portals into these lives and as springboards into the era of their production. For illuminated manuscripts are among the most intricate and fascinating forms of evidence for the Middle Ages, blending the fruits of human intellect – the arts, the sciences, politics, philosophy and faith – with the materiality of their production. By undertaking the detective work needed to determine the nature of each project and the underlying human-interest stories, this book reveals their manifold social, economic and cultural contexts and charts the exchange of ideas, techniques and materials over time and space. Featuring more than a hundred beautiful illustrations, this is a unique and accessible introduction to Britain's history, art history and book history across a thousand years. Michelle P. Brown is Professor Emerita of Medieval Manuscript Studies at the School of Advanced Study, University of London, and was formerly Curator of Illuminated Manuscripts at the British Library. Her books include Bede and the Theory of Everything (Reaktion, 2023). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Acts 14:8-22,8 Now at Lystra there was a man sitting who could not use his feet. He was crippled from birth and had never walked. 9 He listened to Paul speaking. And Paul, looking intently at him and seeing that he had faith to be made well, 10 said in a loud voice, “Stand upright on your feet.” And he sprang up and began walking. 11 And when the crowds saw what Paul had done, they lifted up their voices, saying in Lycaonian, “The gods have come down to us in the likeness of men!” 12 Barnabas they called Zeus, and Paul, Hermes, because he was the chief speaker. 13 And the priest of Zeus, whose temple was at the entrance to the city, brought oxen and garlands to the gates and wanted to offer sacrifice with the crowds. 14 But when the apostles Barnabas and Paul heard of it, they tore their garments and rushed out into the crowd, crying out, 15 “Men, why are you doing these things? We also are men, of like nature with you, and we bring you good news, that you should turn from these vain things to a living God, who made the heaven and the earth and the sea and all that is in them. 16 In past generations he allowed all the nations to walk in their own ways. 17 Yet he did not leave himself without witness, for he did good by giving you rains from heaven and fruitful seasons, satisfying your hearts with food and gladness.” 18 Even with these words they scarcely restrained the people from offering sacrifice to them.19 But Jews came from Antioch and Iconium, and having persuaded the crowds, they stoned Paul and dragged him out of the city, supposing that he was dead. 20 But when the disciples gathered about him, he rose up and entered the city, and on the next day he went on with Barnabas to Derbe. 21 When they had preached the gospel to that city and had made many disciples, they returned to Lystra and to Iconium and to Antioch, 22 strengthening the souls of the disciples, encouraging them to continue in the faith, and saying that through many tribulations we must enter the kingdom of God.We conclude our worship gathering here each week with the commissioning, reciting Jesus' words to us in Matthew 28:19-20. He tells us to “go therefore and make disciples of all nations, baptizing them in the name of the Father, Son, and Holy Spirit, teaching them to observe all I have commanded you…”The authority given to us from Jesus Christ, to “make disciples” from all the nations, applies to all sorts of tasks: it includes local tasks such as raising children, encouraging a brother or sister in Christ, confronting a friend who is drifting, or explaining the gospel to a Lyft driver. But it also goes beyond our local horizon to tasks like learning a new language to communicate in a different country. When we come to “missions” Sunday, we mean something specific. Missions means that someone is sent, with purpose, for a goal. And the specific goal we understand with that term is, “cross-cultural witness” about Jesus. Why is that?The Great Commission does not allow us to be content with our own home or neighborhood. It requires us to look beyond the horizons of our city, and of our nation or people. God has a special and distinct delight in creating disciples from among all nations.That nudge, that delight, that push to emphasize “all nations” is what we call “missions.” Of all that God calls us to do, one part that requires a reminder and special attention, is to pray for, to send, and to go toward peoples who have not yet heard or accepted the gospel.And in Acts 14 we have an example of the first missionary team to the nations, Paul and Barnabas.This story gives us a picture or model of what it looks like to bring the good news about Jesus to a new place. Whatever situation we face today, we can ask how to respond in ways that reflect what we see from the Apostles. My hope is that this text stimulates us to send cross-cultural witnesses (missionaries). And, I pray that it would confirm some people in this room with the desire to join that work.How does cross-cultural witness glorify God? Cross-cultural witness glorifies (or makes much of) God—through Light, Life, and Love.Light: It shines light into darkness.Life: It brings new groups of people to Jesus.Love: It helps believers walk in a cross-shaped way.1) Light: Light into Darkness (vv. 9-18)How does cross-cultural witness glorify God? It shines light into darkness. This is the main point of the story about Paul and Barnabas's witness in the town of Lystra.The story has three parts: a healing, a misunderstanding, and then light (the explanation).HealingThe Apostles announced the saving power of Jesus through a miracle.Paul says to a lame man, “Stand upright on your feet” (14:10). And the man rises. In fact, the text says that he “sprang up”, and began walking. The people of Lystra were no fools. They must have known this man. They knew he could not walk and had never walked. He was disabled from birth. There was no orthopedic surgery at this time. No Dr. Peter Cole to set those bones, and no physical therapy to train him to walk. And yet, in a moment, the power of Jesus changed everything.We are all familiar with showcased, staged healings. It is difficult for us to contemplate what a real public healing would look like. What would you feel if you were there? Remember, this is someone the townspeople knew. The evidence, for them, was clear as the blue sky. This man couldn't walk, and now he can.And that makes their reaction a bit less surprising.Misunderstanding“And when the crowds saw what Paul had done, they lifted up their voices, saying in Lycaonian, ‘The gods have come down to us in the likeness of men!'” (v. 11) Paul and Barnabas didn't understand what was said. Notice that the people were speaking in Lycaonian. Paul and Barnabas were undoubtedly speaking Greek, and we think most people would have spoken Greek as well. Cities such as Lystra were founded as Greek cities several hundred years earlier.But this verse tells us that there was a deeper culture, an older culture, an older language still at play. When the people were startled by this obvious miracle, they responded in their native language.Verse 12 explains the confusion,“Barnabas they called Zeus, and Paul, Hermes, because he was the chief speaker.”It would be a big surprise for you and me to be mistaken as “gods”. I think it was a surprise for Paul and Barnabas as well. The people saw the miracle and concluded this must be a divine visit. They picked the most likely visitors from the Greek pantheon—Zeus, king of the gods, and Hermes, the messenger of the gods. The misunderstanding went even deeper when the priest of Zeus proposed sacrificing an ox to celebrate the visit from these god-like figures. The text says that when Barnabas and Paul “heard of it,” that is, someone had to tell them what was going on…they spoke up and explained the true situation.Think about what Paul and Barnabas were feeling at that moment. “We've been totally misunderstood!” Even after Paul's explanation, Luke records that “even with these words they scarcely restrained the people from offering sacrifice to them” (14:18).So, despite a clear word from Paul, there was misunderstanding.Dear friends, have you ever been misunderstood in your gospel witness? It happens that we try as best we can to make the gospel clear, and yet people around us hear it through their own lens. Perhaps, “Ah, so you are religious and I'm not.” “So you hold a particular political view.” Or, as I experienced with a driver in Vietnam once, “You ask Jesus for good stuff, and I ask Budda for good stuff. We're basically the same.”But I want us to see in this text that misunderstanding has a purpose. It fuels clear gospel witness. Misunderstanding forces us to new and fresh ways of speaking. Misunderstanding is the stuff of cross-cultural witness because it forces us to push through. It forces us to learn a new language, whether a literal language or the vocabulary of a sub-culture we've never experienced—maybe even one in our own city.LightA misunderstood healing gives Paul a chance to speak. And he has a message, a beam of light into darkness. He says in verse 15,“We bring you good news.”What is that good news?What was the great problem regarding god in the ancient world? Because there were so many powers in the universe, so many potential gods, the greatest challenge was to know which god should be worshipped. All the sacrifices in the pagan world were attempts to ask, “Will this help?” “Will that help?” My Vietnamese friend treated Buddha in the same way: He can help me get what I want.That is why Paul says in verse 15, “We bring you good news!” It frees us to learn that there is one God above all. It is freeing to hear that this God has spoken. If I am worried about offending one of the many gods, to hear that there is one God above them all changes things.Remember that the priest of Zeus is waiting there with a sacrificial ox. But Paul doesn't say, “Just like Zeus, the god I proclaim is the king of the gods. He directs the lightning. He shows his power in the sky.”The Living God is not like Zeus. He is not a part of creation, but completely separate from it. As the “living” God, he is life and he gives life. He created all things and so rules over all things.And people need that same word today. Without a belief in the living God, people have no real connection to what is bigger than themselves. A world without a creator has a great emptiness. All our quests to be part of something bigger than ourselves are pointing in that direction. We may settle for building our own little empire, or devoting ourselves to a political cause, or vaguely hoping that “helping people” gets us a bit more meaning, but in quiet moments we know that we are alone in this universe without connection to one who created all things.Dear friends, this is the “light” of the gospel message. The God who made the world, the one whom we cannot avoid, has spoken and acted for us in Jesus.Luke doesn't record the end of Paul's message here, but he does in Acts 17, when Paul visits Athens. There Paul says,“The times of ignorance God overlooked, but now he commands all people everywhere to repent, 31 because he has fixed a day on which he will judge the world in righteousness by a man whom he has appointed; and of this he has given assurance to all by raising him from the dead” (Acts 17:30-31).The resurrection of Jesus Christ has announced God's salvation and judgment to the world.Some of you are facing difficult conversations with friends and family about what you believe. You may be uncertain about how to make clear what you mean by faith in Jesus. Paul's witness here reminds us that even in the midst of misunderstanding, the gospel announces real, solid light to every culture and sub-culture, to every sector of society, and to every man and woman. And the work to make that gospel light clear is the glorious work of witness, particularly cross-cultural witness.2) Life: New Followers of JesusCross-cultural witness glorifies God because it results in life: that is, new followers of Jesus.What Does Christian Conversion Look Like? (v. 15)It is to “turn from vain things to a living God” (Acts 14:15). Paul explains this to the Thessalonians in 1 Thessalonians 1:10, “you turned to God from idols to serve the living and true God.” Notice the contrast: Vain things, idols, that is, whatever claims to meet our needs. Instead we should turn to the “living God.” “Living God” does not mean simply that “he exists.” Rather, he is life and he gives life. He is not an inert, distant power or force—like gravity. But he is active, alive, and giving life.Psalm 36:9,“For with you is the fountain of life; in your light do we see light.” This reminds us why the message is good news.Turning to God is not just doing what we are told: like getting back to your homework after wasting 30 minutes scrolling. It is not like getting serious after throwing around some jokes with friends, or setting yourself a long list of goals to make yourself better. Instead, the New Testament describes conversion as turning from darkness to light. It is stepping away from emptiness and toward fullness. It is to reorder your desires and values so that you look up to the one who is the most valuable and say, “Yes! I have everything I need in You!” Everything else is “vanity,” insufficient, incomplete, temporary, and ultimately unsatisfying. If we have Jesus, then we lack nothing. Our cup is full. And we are satisfied with all that God is for us in Jesus. He is to us, not only Lord and Savior, but also our treasure.Have you turned from vain things to the Living God? Have you given up on empty pursuits (and you know deep down that they are empty) to look toward the God who gives real life? Paul calls the people of Lystra to the most significant moment of their lives. He tells them not to miss out on what God gives. And if you have not yet put your faith in Jesus, then God announces this to you again today: Come to him.And the miracle is that people in Lystra believed.New Disciples and New ChurchesActs 14:21-22,“When they had preached the gospel to that city and had made many disciples, they returned to Lystra and to Iconium and to Antioch, 22 strengthening the souls of the disciples, encouraging them to continue in the faith....”They “made many disciples” and they returned to “strengthen the souls of the disciples.” In the midst of misunderstanding, people believed. When Paul and Barnabas came back to Lystra, perhaps a month or two later, there were “disciples.”This is the great promise of gospel witness. Real lives are changed. Human lives take a new direction. And those believers make churches, churches that often endure. Do you remember Paul's companion, Timothy? Do you know where he is from? Lystra. This very town (Acts 16:1-3).I know Lystra is not on a tour of Bible lands today. That part of Turkey was conquered by Muslims in the Middle Ages, but the church in Lystra survived for at least four hundred years after this event. There is evidence that the bishop of Lystra attended a church council in 451 AD. So, the cross-cultural witness here produced fruit for hundreds of years to come.How does cross-cultural witness glorify God? It brings life and joy that transform the lives of men and women…and then it bears fruit in churches and communities for decades and centuries. So, Cities Church, if a mature member of this church says, “Yes. I want to give my life for that work in a fresh, cross-cultural environment,” will we get behind them? Are we ready to send a member or members of this church to live and witness cross-culturally for the sake of new spiritual life? Might that perhaps be you? 3) Love: Believers Walk in a Cross-shaped Way (vv. 19-20)Cross-cultural witness brought Light (out of darkness and into light), Life (new life that grows in Christ), and then Love (Believers now walk in a cross-shaped way).Acts 14:19-20,“But Jews came from Antioch and Iconium, and having persuaded the crowds, they stoned Paul and dragged him out of the city, supposing that he was dead. 20 But when the disciples gathered about him, he rose up and entered the city, and on the next day he went on with Barnabas to Derbe.”Can you imagine this scene? As Paul, you are hit in the head with a stone that knocks you out. Next thing you know, you wake up in the dust on a road outside the town.Imagine what that felt like for Barnabas. Here we are, a few months into this journey. We've seen some success, we've seen people come to faith. And even in Lystra it looked hopeful after the misunderstanding. But then, it all comes crashing down in a mob action directed at Paul. How do you respond to that? Luke records this very simply: Paul got up, went into the city, and left the next day with Barnabas. These guys knew what they were about, and they were not surprised.We have been studying John 17, and Jesus makes this perfectly clear:“I have given them your word, and the world has hated them because they are not of the world, just as I am not of the world.” (John 17:14)“As you sent me into the world, so I have sent them into the world.” (John 17:18)Paul and Barnabas looked at each other that day and said, “Brother, we are not of this world. But we are sent into the world. The world hates our Savior, and so it hates us as well.”Here is how Paul reflected on that day when he wrote to Timothy several years later, 2 Timothy 3:10-12,“You, however, have followed my teaching, my conduct, my aim in life, my faith, my patience, my love, my steadfastness, 11 my persecutions and sufferings that happened to me at Antioch, at Iconium, and at Lystra—which persecutions I endured; yet from them all the Lord rescued me. 12 Indeed, all who desire to live a godly life in Christ Jesus will be persecuted…”When Paul thinks through his “persecutions and sufferings”, he goes back to this event. He tells Timothy, you want to know what my life looks like? Remember Lystra. We can call it a cross-shaped life. Just as Jesus told us,“If anyone would come after me, let him deny himself and take up his cross daily and follow me. 24 For whoever would save his life will lose it, but whoever loses his life for my sake will save it.” (Luke 9:23-24)Do you believe that, dear friends? The life of love is a life poured out for others in serving them and proclaiming the good news about Jesus Christ. And cross-cultural witness among unreached people makes this abundantly clear. C.T. Studd, one of the missionaries to China in 1885 said about his years there: “For five years we never went outside our doors without a volley of curses from our neighbors.” Those who engage in front-line, pioneering cross-cultural witness often face a negative response from people. And yet there is glory in it. Would it not be a glory to display that cross-shaped life as a witness to a people group among whom there are few believers? Would it not be a grace to spend your life working through the frustration of cross-cultural misunderstanding to see new spiritual life spring up? Would it not be worth it to find yourself spent, tired, and poured out for the sake of people who might not hear the gospel clearly any other way? And for every Christian, it may be that you will face a “volley of curses” when you go outside your door. You might even face such a thing today. And that is why Paul's exhortation to the new believers in Lystra applies also to us, Acts 14:22:“strengthening the souls of the disciples, encouraging them to continue in the faith, and saying that through many tribulations we must enter the kingdom of God.”Your “many tribulations” might look like anything: this includes both opposition and just plain difficulty. Paul says to you that “through many tribulations we must enter the kingdom of God.” This is from God and God is with us in it.The TableAnd how do we know that God is with us in difficulty? One way is through the witness of the Lord's Supper.Believers have a life shaped by the cross. Behind our struggles with misunderstanding and opposition is a confidence in Jesus, who suffered and died for us. And so, if you feel inadequate for a difficult situation. If you feel like your knees would buckle when faced with opposition. If you sense that your body and soul are not sufficient for the risk-taking life that we see in Paul and Barnabas here, then God has a word for you here at this table. Jesus Christ endured all for you, and he gives himself to you to be received in faith, just as we take and eat these elements. And if Christ is in you by the power of the Spirit, then all of heaven works for your good.

A major new look at Africa's influence on European culture and how colonization remade Africa in the image of a medieval Europe.Virgil. Chaucer. Petrarch. These names resonate with many as cornerstones of European culture. Yet, in Atlas's Bones: The African Foundations of Europe (U Chicago Press, 2025), D. Vance Smith reveals that much of what is claimed as European culture up to the Middle Ages—its great themes in literature, its sources in political thought, its religious beliefs—originated in the writings of African thinkers like Augustine, Fulgentius, and Martianus Capella, or Europeans who thought extensively about Africa. In fact, a third of Virgil's Aeneid takes place in Africa. Francis Petrarch believed his most important achievement was his epic Africa; while Geoffrey Chaucer wrote repeatedly about the figures of Scipio Africanus, actually two different men who defeated and destroyed Carthage.Smith tells the story of how Europe created a false “medieval” version of Africa to acquire resources and power during the era of imperialism and colonialism. The first half of the book, “Reading Africa,” traces Egypt's, Libya's, and Carthage's influence on classical and medieval thinking about Africa, highlighting often ignored literary and legendary traditions, for example, that Alexander the Great named himself the son of an African god. The second part, “Writing Africa,” focuses on how the different cultures of the two great African cities—Carthage and Alexandria—shaped modern literary criticism and political theology and examines the cross-influences of modern anthropology, medieval studies, and colonial law.Atlas's Bones firmly re-establishes the significance of Africa in European intellectual history. It will be essential reading for anyone seeking to understand how much of Africa informs our artistic and cultural world. D. Vance Smith is professor of English and former director of medieval studies at Princeton University. His many books include Arts of Dying: Literature and Finitude in Medieval England, also published by the University of Chicago Press. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

During the Middle Ages, a French convent experienced an epidemic like no other—the nuns couldn't stop acting like cats. The behavior was so strange it caused an army to intervene. But it's not the only time in history a plague like this has affected nuns—which makes many wonder if it's the work of the devil himself. For a full list of sources, please visit: sosupernaturalpodcast.com/the-unknown-meowing-nuns   Did you know you can listen to So Supernatural ad-free? Join the Crime Junkie Fan Club! Visit https://crimejunkiepodcast.com/fanclub/ to view the current membership options and policies. So Supernatural is an Audiochuck and Crime House production. Find us on social! Instagram: @sosupernaturalpod Twitter: @_sosupernatural Facebook: /sosupernaturalpod Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Before rock-n-roll started taking America by storm in the 1950s, you wouldn't find a minister or holy roller anywhere in the country who didn't refer to the blues as the “Devil's Music.” During the Middle Ages, the Church told people that any kind of music that wasn't about God was the work of the Devil. That became a popular refrain for church leaders – then and sometimes now. By the early twentieth century, it was jazz music – linked to the blamed of Storyville – that was being blamed for lewd and lascivious behavior. Jazz seemed really bad – but then came the blues -- a form of music with an angry, wicked sound that conjures up visions of dive bars, pool halls, graveyards, and an abandoned crossroads in Mississippi where the Devil just might be waiting for the next hopeful guitar player to come along, looking for fame and fortune.Then, with the blending of blues, country, hillbilly music, and more, rock-n-roll was born. It's evolved in many ways over the years – but it's always been trouble.Our Sponsors:* Check out Shopify: https://shopify.com/hauntingsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A detailed account of the siege and fall of Constantinople in 1453, a watershed year that closed the book, once and for all, on the Roman Empire and confirmed for Europeans their worst fears about an expanding Ottoman Empire.Anthony Kaldellis offers a new narrative of the siege and fall of Constantinople in 1453, a watershed year that closed the book, once and for all, on the Roman Empire and confirmed for Europeans their worst fears about an expanding Ottoman Empire. By the fifteenth century, Constantinople had seen better days, but it was still a vibrant center of learning, worship, commerce, and information. 1453: The Conquest and Tragedy of Constantinople (Oxford UP, 2026) sketches the tense but exciting shared world of Italians, Turks, and Romans that was thrown into crisis by Mehmed II's decision to conquer the city. Kaldellis showcases a detailed reconstruction following events on a day-by-day basis, pulling from gripping eye-witness testimonies in Latin, Italian, Greek, Russian, and Turkish. He weighs the strategies of both the attackers and defenders, and proves that, contrary to the fatalism that marks almost all narratives written with hindsight, in reality the defense was hardly a lost cause. The defenders knew exactly what they were doing. They were willing to risk their lives, but it was not their intention to become martyrs. Instead, it was the sultan who was scrambling to neutralize a seemingly impregnable defense. That he did so was a testament to his ingenuity and tenacity. The final chapters of 1453 trace the fate of the vanquished and their captivity. It also weighs the impact of the city's fall on the conquerors, the conquered, and on world history. 1453 was not merely a symbol for the passing of the Middle Ages and the onset of early modernity: it changed the very nature of the Ottoman empire and redirected the transmission of cultural legacies, especially those of Greek classical scholarship. The fall of Constantinople is therefore a nexus of converging pathways between east and west, medieval and modern, ends and beginnings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A detailed account of the siege and fall of Constantinople in 1453, a watershed year that closed the book, once and for all, on the Roman Empire and confirmed for Europeans their worst fears about an expanding Ottoman Empire.Anthony Kaldellis offers a new narrative of the siege and fall of Constantinople in 1453, a watershed year that closed the book, once and for all, on the Roman Empire and confirmed for Europeans their worst fears about an expanding Ottoman Empire. By the fifteenth century, Constantinople had seen better days, but it was still a vibrant center of learning, worship, commerce, and information. 1453: The Conquest and Tragedy of Constantinople (Oxford UP, 2026) sketches the tense but exciting shared world of Italians, Turks, and Romans that was thrown into crisis by Mehmed II's decision to conquer the city. Kaldellis showcases a detailed reconstruction following events on a day-by-day basis, pulling from gripping eye-witness testimonies in Latin, Italian, Greek, Russian, and Turkish. He weighs the strategies of both the attackers and defenders, and proves that, contrary to the fatalism that marks almost all narratives written with hindsight, in reality the defense was hardly a lost cause. The defenders knew exactly what they were doing. They were willing to risk their lives, but it was not their intention to become martyrs. Instead, it was the sultan who was scrambling to neutralize a seemingly impregnable defense. That he did so was a testament to his ingenuity and tenacity. The final chapters of 1453 trace the fate of the vanquished and their captivity. It also weighs the impact of the city's fall on the conquerors, the conquered, and on world history. 1453 was not merely a symbol for the passing of the Middle Ages and the onset of early modernity: it changed the very nature of the Ottoman empire and redirected the transmission of cultural legacies, especially those of Greek classical scholarship. The fall of Constantinople is therefore a nexus of converging pathways between east and west, medieval and modern, ends and beginnings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

A detailed account of the siege and fall of Constantinople in 1453, a watershed year that closed the book, once and for all, on the Roman Empire and confirmed for Europeans their worst fears about an expanding Ottoman Empire.Anthony Kaldellis offers a new narrative of the siege and fall of Constantinople in 1453, a watershed year that closed the book, once and for all, on the Roman Empire and confirmed for Europeans their worst fears about an expanding Ottoman Empire. By the fifteenth century, Constantinople had seen better days, but it was still a vibrant center of learning, worship, commerce, and information. 1453: The Conquest and Tragedy of Constantinople (Oxford UP, 2026) sketches the tense but exciting shared world of Italians, Turks, and Romans that was thrown into crisis by Mehmed II's decision to conquer the city. Kaldellis showcases a detailed reconstruction following events on a day-by-day basis, pulling from gripping eye-witness testimonies in Latin, Italian, Greek, Russian, and Turkish. He weighs the strategies of both the attackers and defenders, and proves that, contrary to the fatalism that marks almost all narratives written with hindsight, in reality the defense was hardly a lost cause. The defenders knew exactly what they were doing. They were willing to risk their lives, but it was not their intention to become martyrs. Instead, it was the sultan who was scrambling to neutralize a seemingly impregnable defense. That he did so was a testament to his ingenuity and tenacity. The final chapters of 1453 trace the fate of the vanquished and their captivity. It also weighs the impact of the city's fall on the conquerors, the conquered, and on world history. 1453 was not merely a symbol for the passing of the Middle Ages and the onset of early modernity: it changed the very nature of the Ottoman empire and redirected the transmission of cultural legacies, especially those of Greek classical scholarship. The fall of Constantinople is therefore a nexus of converging pathways between east and west, medieval and modern, ends and beginnings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

The English queens of the fifteenth century have had a serious popularity boost in the last twenty years, thanks to novels and TV series showing the glamour and drama of their lives. Queenship could have serious advantages – fame and fortune included. But eventually, you do have to pay the piper. This week, Danièle speaks with Michele Seah about where these powerful ladies got their cash, what they spent it on, and why it's not that easy being queen.This podcast is made possible by the generous support of listeners like you! To find out how to help spread the joy of medieval history, please visit patreon.com/themedievalpodcast

Todos hemos oído hablar de los torneos medievales, incluso los hemos podido ver en el cine. Aparecieron en la Francia del siglo XI. En esos primeros tiempos se les conocía como melé y eran simples peleas, batallas en miniatura que se libraban a campo abierto con armas afiladas, cargas a galope, heridos y en ocasiones también muertos. Aquellas melés servían para mantener engrasada la maquinaria de guerra en tiempos de paz ,y para que se luciesen los mejores caballeros de cada señorío. La Iglesia condenaba la práctica, pero sin demasiado éxito ya que pronto empezaron a verse melés por toda la Europa occidental. Ya en el siglo XIII la melé fue cediendo terreno a la justa, un combate singular y teatralizado entre dos caballeros separados por una liza de madera. Aquella barrera, creada por por los italianos del siglo XIV, reducía el riesgo de morir en combate y permitía que la justa se convirtiese en un gran espectáculo que congregaba a multitudes. El torneo se transformó así en un escaparate cortesano con heraldos que anunciaban a los contendientes, damas que entregaban los premios, y un código heráldico fácilmente reconocible que permitía saber el linaje de cada caballero aunque llevase el yelmo cerrado. El honor era lo que estaba en juego, aunque, eso sí, las justas de los siglos XIV y XV movían ya una cantidad de dinero considerable. En origen los caballeros iban armados con una simple cota de malla, poco a poco fueron adoptando piezas duras, primero de cuero hervido y luego de metal. La armadura de los siglos XV y XVI estaba ya muy trabajada. Para las justas se fabricaban en los talleres de Milán o Augsburgo armaduras de placas que cubrían en cuerpo entero. Esas armaduras llegaron a alcanzar precios de escándalo, pero los caballeros pagaban gustosos. Maximiliano de Habsburgo dio nombre a la modalidad estriada, la cumbre de las armaduras que llegó justo cuando la pólvora y las armas de fuego portátiles empezaron a cambiar la cara a la guerra. Pero el torneo era también un negocio. Los rescates que pedían los vencedores, los caballos destreros criados en Flandes o en Andalucía y los séquitos que acompañaban a los caballeros movían fortunas y trastornaban la vida de las ciudades que acogían una justa durante semanas. Organizar un buen torneo otorgaba un gran prestigio al anfitrión y dejaba mucho dinero allá donde se celebraba. A mediados del siglo XVI empezaron a decaer y su declive fue muy rápido. Los arcabuces y mosquetes hicieron de la armadura algo inútil, disciplinados cuerpos de infantería como los tercios desplazaron a la caballería pesada y la nobleza empezó a perder el interés en participar directamente en las guerras. Hubo también un desgraciado accidente. En 1559 durante una justa que celebraba en París el matrimonio de Felipe II de España e Isabel de Valois, el rey de Francia murió a consecuencia de las heridas tras medirse con el conde de Montgomery. Su viuda, Catalina de Médici prohibió los torneos en toda Francia y a partir de ahí fueron perdiendo atractivo. Pero de los torneos medievales nos queda más de lo que pensamos. La heráldica pervive hasta nuestros días, también la idea caballeresca del juego limpio y el respeto al adversario. Para hablar de este tema tan sugerente vuelve a La ContraHistoria Yeyo Balbás, alguien para quien la edad media no tiene secreto alguno. Bibliografía: “Libro de la orden de caballería” de Ramón Llull - https://amzn.to/425KmZu “Tournaments: Jousts, Chivalry and Pageants in the Middle Ages” de Richard Barber y Juliet Baker - https://amzn.to/4cH8mZ0 “Chivalry” de Maurice Keen - https://amzn.to/4tDTOPL “Libro del passo honroso” de Suero de Quiñones - https://amzn.to/3PcW3dV · Canal de Telegram: https://t.me/lacontracronica · “Contra el pesimismo”… https://amzn.to/4m1RX2R · “Hispanos. Breve historia de los pueblos de habla hispana”… https://amzn.to/428js1G · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Contra la Revolución Francesa”… https://amzn.to/4aF0LpZ · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #edadmedia #torneos Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

More RPG fun!Support the network and gain access to over fifty bonus episodes by becoming a patron on ⁠Patreon⁠.Want more science fiction in your life? Check out ⁠The Gene Wolfe Literary Podcast⁠.Love Neil Gaiman? Join us on ⁠Hanging Out With the Dream King: A Neil Gaiman Podcast⁠.Lovecraft? Poe? Check out ⁠Elder Sign: A Weird Fiction Podcast⁠.Trekker? Join us on ⁠Lower Decks: A Star Trek Podcast⁠.Want to know more about the Middle Ages? Subscribe to ⁠Agnus: The Late Antique, Medieval, and Byzantine Podcast⁠.

Europe's borders in the Middle Ages were created by one man, and he wasn't even born in the Middle Ages, nor was he Christian. It was Emperor Diocletian, who ruled Rome from 284 to 305. His reforms that chained tenant farmers to land created the blueprint for feudalism. He split the empire, which established the East-West divide. Lastly, his shift from static Roman legions to mobile armies set the stage for the warrior kingdoms that would dominate the early Middle Ages. Today, new genetic analysis of skeletal and tooth remains is revolutionizing how we understand this transformation—a high-status woman buried around 550 in Britain was born in Norway according to her childhood tooth enamel, proving the "barbarian invasions" were actually century-long migrations averaging just three miles per day. Today's guest is John Haywood, author of The Making of the Middle Ages: An Atlas of Europe. We discuss how Europe from 500-700 was ruled by warrior kingdoms with mobile courts that constantly traveled—only shifting to fixed courts and proper imperial administration after Charlemagne established counties, libraries, copyists, and the emporia trading centers where workshops and markets flourished. Haywood also explains how Ravenna's independence from Byzantium portended the rise of papal power, why towns collapsed from Roman populations of thousands to mere hundreds unless a bishop resided there, and how the density of churches and monasteries north of the Alps exploded between 600 and 1200 as the Catholic Church consolidated power across formerly pagan Germanic territories.See omnystudio.com/listener for privacy information.

www.patreon.com/theconspiracypodcastThe ocean has always been the last great unknown. Long before maps were complete, before satellites scanned every inch of the earth, sailors stared out into endless water and swore something was staring back.Mermaids didn't begin as the bright, red-haired figure we know today. They began in the shadows—ancient myths of half-human creatures tied to gods, shame, and transformation. In Greece, they weren't even fish, but deadly Sirens whose voices lured men to their deaths. By the Middle Ages, they became symbols of temptation—beautiful, dangerous, and impossible to trust.But not all stories paint them as monsters.Some tell of mermaids living among humans… quietly learning how to survive on land. Others speak of sea-women taken from the ocean, only to leave years later when they find their way back. Sailors like Christopher Columbus claimed to see them—though not quite as beautiful as expected—while others, like John Smith, described something far more captivating.And then there are the strange cases. The stitched “Feejee Mermaid” that fooled thousands. The eerie mermaid mummies in Japan. Even modern sightings, where people still claim to see something sitting on rocks just before disappearing beneath the waves.So what are mermaids, really?A misidentified animal? A shared illusion? Or something deeper—something that lives in the space between what we see and what we want to believe?Tonight, the boys dive into the long, strange history of mermaids—from ancient myth to Disney—and explore why, even now, we're not entirely ready to let them go.

Is evolutionary psychology merely a way of excusing outdated behaviours? Is it instead culture which really defines how we behave?As with the animal kingdom, we see human behaviour as the product of elemental drives to survive and reproduce. Evolutionary psychology has taken this a stage further - seeing violence, social hierarchy, and sexual promiscuity as a product of evolutionary drives. But might this be a misleading and dangerous approach? Murder rates have fallen seventy-fold since the Middle Ages, and across the globe birth rates are a fraction of what they were a hundred years ago. Fathers are actively involved in child care and we've radically changed our outlook on social issues like gender identity - suggesting ideas and culture drive behaviour rather than evolution.Should we conclude that evolutionary psychology is a blind alley with no predictive power? Are we capable of overcoming behavioural traits and therefore wholly responsible for our actions? Or is evolution an inescapable force and behavioural change a result of altered circumstances while our core nature remains identical?Critic of evolutionary psychology Subrena E. Smith, philosopher of mind Keith Frankish, and clinical psychologist Simon Baron-Cohen debate the significance of evolutionary psychology. Hosted by Güneş Taylor.Don't hesitate to email us at podcast@iai.tv with your thoughts or questions on the episode!To witness such debates live buy tickets for our upcoming festival: https://howthelightgetsin.org/festivals/And visit our website for many more articles, videos, and podcasts like this one: https://iai.tv/You can find everything we referenced here: https://linktr.ee/philosophyforourtimesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What does the raucous laughter of Nicki Minaj and Billy Graham have to do with 14th century saint? Find out in PART TWO of our MOST requested episodes ever -- diving deep into the question "Who is Saint Julian of Norwich???" Author of Revelations of Divine Love, coiner of the phrase "All Shall Be Well," and delighter in God's delight, St. Julian is such a powerful visionary and leader we needed two episodes to do her justice. We're joined again by the The Rev. Dr. Amy Laura Hall, one of Lizzie's professors from her time at Duke Divinity School. In part two, we explore "Christ as our true mother," the nature of the devil, and we see how Julian has echoes for us to consider in today's religious landscape. We also get a little teaser for Dr. Hall's new book, out in May 2026, called ERECTING THE PULPIT: MUSCULAR CHRISTIANITY FROM TEDDY ROOSEVELT TO DONALD TRUMP. Amy Laura Hall is Associate Professor of Christian Ethics and Gender, Sexuality, and Feminist Studies at Duke University, where she has taught since 1999. She is the author of four books, including Conceiving Parenthood: American Protestantism and the Spirit of Reproduction (2007) and Laughing at the Devil: Seeing the World with Julian of Norwich (2018). A noted authority on Christianity and culture in the U.S., Hall has also contributed provocative essays on Protestantism and politics to Religion Dispatches and Religion News Service. Resources mentioned in this episode: Laughing at the Devil: Seeing the World with Julian of Norwich by Amy Laura Hall https://www.dukeupress.edu/laughing-at-the-devil Revelations of Divine Love by Julian of Norwich trans. by Elizabeth Spearing https://www.penguinrandomhouse.com/books/261039/revelations-of-divine-love-by-julian-of-norwich-translated-by-elizabeth-spearing-introduction-and-notes-by-a-c-spearing/ Julian of Norwich and the Mystical Body Politic of Christ By Frederick Christian Bauerschmidt --https://undpress.nd.edu/9780268022082/julian-of-norwich/ The Writings of Julian of Norwich A Vision Showed to a Devout Woman and A Revelation of Love Edited by Nicholas Watson and Jacqueline Jenkins -- https://www.psupress.org/books/titles/0-271-02547-6.html?srsltid=AfmBOoopOJOEaY69eupR8Rx1uxzSJyVJpaSpLJKpJoHSPKAQ9ry8HPJY Rev. Dr. Amy Laura Hall's works: FORTHCOMING: Erecting the Pulpit: Muscular Christianity from Teddy Roosevelt to Donald Trump https://www.bloomsbury.com/us/erecting-the-pulpit-9798216383475/ Laughing at the Devil: Seeing the World with Julian of Norwich by Amy Laura Hall https://www.dukeupress.edu/laughing-at-the-devil https://arcmag.org/home-movies-for-holy-week/ +++ Like what you hear? We are an entirely crowd-sourced, you-funded project.  SUPPORT US ON PATREON: https://www.patreon.com/AndAlsoWithYouPodcast There's all kinds of perks including un-aired live episodes, Zoom retreats, and mailbag episodes for our Patreons! +++ Our Website: https://andalsowithyoupod.com Our Instagram: https://www.instagram.com/andalsowithyoupodcast/ ++++ MERCH: https://www.bonfire.com/store/and-also-with-you-the-podcast/ ++++ More about Father Lizzie: BOOK: https://www.penguinrandomhouse.com/books/762683/god-didnt-make-us-to-hate-us-by-rev-lizzie-mcmanus-dail/ RevLizzie.com https://www.instagram.com/rev.lizzie/ https://www.tiktok.com/@rev.lizzie Jubilee Episcopal Church in Austin, TX - JubileeATX.org  ++++ More about Mother Laura: https://www.instagram.com/laura.peaches/ https://www.tiktok.com/@mother_peaches ++++ Theme music: "On Our Own Again" by Blue Dot Sessions (www.sessions.blue). New episodes drop Mondays at 7am EST/6am CST! 

James Delbourgo, professor of history at Rutgers University and author of A Noble Madness: the Dark Side of Collecting from Antiquity to Now, talks about: Why he's written about contemporary art so extensively, as a history academic who's very interested in the present, going to galleries and wondering who collectors are right now, raising a lot of questions about archetypes for what would become a big part of his book; how collectors can not only be defined as powerful, they can also be defined as weak, unhinged and deranged, among other things; how the profile of the collector, over time, is more a corkscrew than an arc, with the Freudian view of the collector was seen as repressed and even dangerous, whereas the contemporary collector is seen as being more about power; how in Robert Bloch's book "Psycho," upon which the movie was based, the Norman Bates character is actually described as a collector but one who is ugly and unprepossessing, and how the Hitchcock film turned him into a charming, ingratiating figure who turns the audience on his side; how really thoroughly experiencing housed collections (prime examples are the Hearst Castle in San Simeon, CA, and    the Vittoriale degli Italiani in Gardone, owned by Gabrielle d'Anunzio) was embedded in his writing the book; the collector as puppeteer, as orchestrator (and collector) of people, as William Randolph Hearst was; how encountering someone's place, and their things, is "a physical experience that constitutes the way you understand this person and your relationship to them," as James put it; and how Freudian interpretation has had such a lasting relevance over the years, even as it's gone out of fashion. In the 2nd half of our conversation, available to Patreon Supporters of the podcast, you'll hear James talk about: How hoarding, like the Middle Ages, has waned, and is tossed around far too lazily; the 'l' word, as in "loser," which he used to describe Robert Bloch's Norman Bates, whom he qualifies as a 'lovable loser,' particularly because collectors like Bates collect authentically, out of passion, not for financial gains; how he couldn't quite get the marketing department to change the subtitle of his book (particularly "The Dark Side" part), and why he's interested in authentic collectors, those who collect for love, with no thoughts of profits or strategy, the type of collector who he believes is vindicated in the end, as opposed to the Charles Foster Kane-type collector, who collects to accumulate; the democratization of collecting, including 'garbologists,' in which everything can, and does, get commodified; countercultural collectors, who collect things like deformed animal corpses, their own child's placentas, and other curiosities, and how they don't care what people think of them, or in fact that they want to defy popular opinion…as James put it: "their truth to self is uncompromised…by notions of taste or fine arts or utilitarianism…they're the freest people of all…they've freed themselves from the tyranny of the respectable opinion of other people;" and finally he describes an exhibition about Marie Antoinette at the Victoria & Albert Museum in London (the lines to get in were staggering), a collector of shoes and porcelain and snuff boxes and furniture…who was so vilified/demonized for political reasons, as the enemy of the people…she is the classic case of the political demonization of a collector who is executed as if it would purge the suffering of her subjects; the most classic case of that political question around the collector, and how, ironically, it was her execution that made her immortal.  

When medieval historian Peter Jones found himself spiraling into depression while teaching at a frigid Siberian university with icicles sprouting from his eyelashes, he asked himself what a medieval sufferer would do—and discovered something shocking: the Middle Ages, for all its reputation as a dark and superstitious time, was actually the golden age of self-help. A medieval merchant consulting a priest about melancholia would receive diagnosis, confession, and penance based on the Seven Deadly Sins, a psychological framework that mapped the seven basic patterns of human thought long before modern psychiatry existed. What we dismiss today as a catalog of Thou Shall Nots was actually an intricate system for understanding behavior—so effective that Reid Hoffman, founder of LinkedIn, credited it for his social media success by mapping each sin to platforms: Tinder on Lust, Yelp on Gluttony, LinkedIn on Greed, Netflix on Sloth, Twitter on Anger, Facebook on Envy, and Instagram on Pride. Today's guest is Peter Jones, author of Self-Help from the Middle Ages: What the Seven Deadly Sins Can Teach Us About Living. We discuss how fourth-century Egyptian monk Evagrius Ponticus formulated eight "wicked thoughts" to help monks identify psychological roots of temptation, why Pope Gregory the Great consolidated them into seven sins in the sixth century, and how the 1215 Lateran Council made yearly confession mandatory, transforming intellectual theology into practical psychology for the masses. Jones explains why sloth was considered the "ultimate danger"—a stagnation of the soul and refusal to fulfill one's purpose—and how medieval thinkers like Levi ben Abraham argued that avarice shackles the soul to material distractions while knowledge remains the only possession that cannot be stolen, making intellectual acquisitions the cure for greed.See omnystudio.com/listener for privacy information.