Podcasts about national gallery

Ep.252 Howardena Pindell was born in 1943 in Philadelphia, Pennsylvania and lives and works in New York. She has exhibited extensively, including selected solo exhibitions at Fruitmarket, Edinburgh, UK, touring to Kettle's Yard, Cambridge, UK, Spike Island, Bristol, UK, and Irish Museum of Modern Art, Dublin (2022–23); Baltimore Museum of Art, Maryland (2022); The Museum of Fine Arts Houston, Texas (2022); The Shed, New York, touring to Oklahoma Contemporary, Oklahoma City (2021–22); Museum of Contemporary Art, Chicago, Illinois (2018); Spelman College Museum of Fine Art, Atlanta, Georgia (2015); Cleveland Institute of Arts, Ohio (1994); Wadsworth Atheneum, Hartford, Connecticut (1989); The Studio Museum in Harlem, New York (1986); Birmingham Museum of Art, Alabama (1985); A.I.R Gallery, New York (1983); and Rockefeller Memorial Galleries, Spelman College, Atlanta, Georgia (1971). Selected group exhibitions include The Kitchen, New York (2024); Louisiana Museum of Modern Art, Humlebæk, Denmark (2024); Museum of Modern Art, New York (2023); National Gallery of Art, Washington, DC (2022); Guggenheim Bilbao, Spain, touring to Centre Pompidou, Paris (2021); Tate Modern, London, touring to Brooklyn Museum, New York and Broad Museum, Los Angeles, California (2017–19); Brooklyn Museum, New York (2017); Museum Moderner Kunst Stiftung Ludwig Wien, Austria, touring to Museum Brandhorst, Munich, Germany (2016); Contemporary Arts Museum, Houston, Texas (2013); Seattle Art Museum, Washington (2009); Museum of Contemporary Art, Los Angeles, California (2007); and The Studio Museum in Harlem, New York (2006). Credit: Howardena Pindell, 2018, Photo © Nathan Keay White Cube https://www.whitecube.com/gallery-exhibitions/howardena-pindell-hong-kong-2024 Garth Greenan https://www.garthgreenan.com/artists/howardena-pindell MoMA https://www.moma.org/artists/4625-howardena-pindell NYTimes https://www.nytimes.com/interactive/2025/06/09/t-magazine/howardena-pindell.html | https://www.nytimes.com/2020/10/16/arts/design/howardena-pindell-shed-video.html Fruitmarket https://www.fruitmarket.co.uk/howardena-pindell/ Stony Brook University https://www.stonybrook.edu/commcms/art/people/faculty-staff/howardena-pindell

Sir Keir Starmer and Emmanuel Macron's migrant deal comes into force today, with detentions set to begin from tomorrow. The ‘one in, one out' pilot scheme allows the UK to send some people who have crossed the Channel back to France, in exchange for asylum seekers with ties to Britain. Daniel Sohege, a specialist in international refugee law and protection, and the director of human rights organisation Stand For All, joins us to discuss whether it will deter people from crossing the Channel. And in part two, The National Gallery has announced that a citizens' assembly will help shape its future. The Standard's columnist and arts critic, Melanie McDonagh shares her thoughts. Hosted on Acast. See acast.com/privacy for more information.

From his home in Silkeborg, Aalborg-born Danish whisky maker and co-founder of Stauning Whisky ALEX HØJRUP MUNCH talks about the award-winning New World premium rye whisky. He shares the joy of introducing Stauning to Americans, and reflects on the challenges breaking into the US market, and the effects of evolving tariff policies. On the business that began with nine founders on the Danish west coast focusing on rye, a Danish grain, Alex discusses working with friends and staying local.Alex selects the building of the National Gallery of Denmark.https://www.smk.dk/en/section/about-smk/?modal=9(Photographer: Katrine Brønd)----------We invite you to subscribe to Danish Originals for weekly episodes. You can also find us at:website: https://danishoriginals.com/email: info@danishoriginals.com----------And we invite you to donate to the American Friends of Statens Museum for Kunst and become a patron: https://donorbox.org/american-friends-of-statens-museum-for-kunst

Send us a textIn this episode of Art Wank, we sit down with one of Australia's most respected – and at times divisive – voices in the art world, John McDonald. Known for his decades-long career as an art critic and columnist, John brings sharp insight, dry humour, and a deep knowledge of art history to the conversation.We discuss the role and relevance of art prizes in today's cultural landscape, including whether they truly reflect quality or simply reinforce trends and institutional biases. John shares his candid thoughts on the Archibald Prize, among others, and questions the criteria by which we measure artistic merit in competitive formats.Our chat turns to the shifting state of the Powerhouse Museum and the controversial changes that have sparked public outcry. John offers a well-informed perspective on how institutions like the Powerhouse serve (or fail to serve) their communities, and what's at stake when decisions are made without proper consultation.We also touch on public art and the recent Lindy Lee sculpture installed at the National Gallery of Australia. While acknowledging her important place in Australian art, John questions the processes behind major commissions and whether spectacle sometimes overshadows substance in large-scale public works.This episode is a lively, thought-provoking conversation about the state of the Australian art world — its politics, pitfalls, and potential — from someone who's spent a lifetime analysing it. Whether you agree or disagree with his views, John McDonald is never boring, and his insights are well worth a listen. If you'd like to read more of John McDonald's writing, subscribe to his Substack, Everything the Art World Doesn't Want You to Know. 

Today on What's My Frame I'm joined by Writer/Director, Ryan Landels. This is a beautiful episode spotlighting the importance of community and finding your fellow collaborators. Ryan is a Canadian-born American writer/director who recently sold his genre-bending thriller CUL-DE-SAC to Sony, with his frequent collaborator Jon M. Chu (WICKED) producing.He is currently developing a project in the vein of PIRATES OF THE CARIBBEAN for Hobie Films, which got both Matt Shakman (THE FANTASTIC FOUR: FIRST STEPS) and Joachim Rønning (TRON: ARES) attached in the pitch stage. Ryan is also writing a four-quadrant fantasy adventure for Electric Somewhere, and wrote the screenplay for JEM AND THE HOLOGRAMS – Universal's live-action adaptation of Hasbro's toyline and animated series that was theatrically released worldwide.In TV, Ryan wrote the multiple Primetime Emmy-winning BEAUTY AND THE BEAST: A 30TH CELEBRATION for Disney+ and ABC, with the hybrid live-action and animation tribute starring Martin Short, Josh Groban, Rita Moreno, David Alan Grier and H.E.R. He recently wrote and directed the hit original movies SANTA TELL ME and SUGARPLUMMED for Hallmark, with SANTA TELL ME becoming the No. 1 new Christmas movie of 2024 across all broadcast networks and streaming platforms. Ryan also adapted TOM CLANCY'S GHOST RECON: WILDLANDS for Amazon and Ubisoft, created and directed ABBY NORMAL for Disney Channel, and wrote and directed on three seasons of Hulu and Paramount's hit streaming series, THE LXD.Ryan is a graduate of the USC School of Cinema-Television, which he attended with the support of a scholarship from the Hollywood Foreign Press Association. His thesis film THE MIDNIGHT EXPRESS went to more than thirty festivals internationally, won the Audience Award at Slamdance and was featured in the National Gallery of Art in Washington, D.C.Ryan is based out of Los Angeles and a member of the Writers Guild of America, the Producers Guild of America, the Directors Guild of Canada and the Television Academy. He is represented by Rob Carlson at the United Talent Agency and Mike Fera at Kaplan/Perrone.Official SiteFollow Ryan on InstagramTHE MIDNIGHT EXPRESS--What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Today, Ceri sits down with the brilliant Shezad Dawood, whose expansive practice spans painting, textile, sculpture, film and digital media. He weaves stories, realities and symbolism to create richly layered worlds, and exhibits at leading institutions worldwide, from MoMA and the ICA to the Venice Biennale, Guangzhou Triennial and Manifesta. His works are held in major collections including the Guggenheim, Tate, LACMA, the National Gallery of Canada, and the British Museum. Shezad unpacks the inspiration behind his work. He shares why he always proposes the most ambitious, even bonkers ideas, how he maximises every project and why he stays clear of social media. Whether you're early in your career or looking to push your work further, this conversation is packed with insight from playing the long game as an artist. KEY TAKEAWAYS Your artistic voice emerges from a willingness to play, to fail, and to continuously reimagine your practice. It's less about perfection, and more about persistent, passionate inquiry. The intersection of artistic vision and community engagement is where the real magic happens. Shezad's approach to public art is revolutionary: it's not about imposing a vision, but creating a generous, collaborative dialogue. Your intuition is what will lead you to the right place. BEST MOMENTS "He was a really tough critic and teacher who would question every brush mark. It just gave me this real sort of critical kind of eye and voice on my own work.” “Stay with your practice. Keep developing, keep working at it. Don't be easily dissuaded, deterred, distracted or pushed into an avenue you don't want to go down." “Engage with people. You might have a coffee with somebody, they say something, and you think “Oh, that´s the missing thing that I was sort of looking for.” EPISODE RESOURCES https://shezaddawood.com PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** The Artist Mastermind Circle: Ready to stop second-guessing and start building momentum in your art career? Applications are now open for the next Artist Mastermind Circle—a six-month coaching programme for mid-career artists who are serious about growing their confidence, income, and opportunities. Apply by September 15th 2025 at https://cerihand.com/artist-mastermind-circle/ and take the next bold step. Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

In this Singapore Home Brew, we celebrate the vibrant intersection of art and national identity in a milestone year—Singapore turns 60, and the National Gallery marks its 10th anniversary. Joining us on the line is Dr. Adele Tan, Senior Curator at the Gallery and the guiding voice behind one of its most anticipated exhibitions: Singapore Stories: Pathways and Detours in Art. This full-scale unveiling traces the evolving narratives of our visual culture, reflecting the dynamic turns and thoughtful detours that have shaped Singapore’s artistic journey. We’ll explore how the artworks were curated to tell these stories, how new project spaces are expanding the exhibition’s reach and relevance, and what surprises await visitors who step into this immersive cultural archive. Dr. Tan, welcome to the show—and let’s begin with what this exhibition means on such a landmark birthday for both Singapore and the Gallery. Join “Saturday Mornings Show” host Glenn van Zutphen and co-host Neil Humphreys.See omnystudio.com/listener for privacy information.

This is a special episode in which I'm reflecting on a unique experience that I undertook: visiting 9 Ottawa museums in just 3 days to explore how each one creates meaningful, accessible, and inspiring learning experiences. This whirlwind tour includes 7 of Canada's national museums: Canada Agriculture and Food Museum - https://ingeniumcanada.org/cafm Canada Aviation and Space Museum - https://ingeniumcanada.org/casm Canadian Museum of History - https://www.historymuseum.ca Canadian Museum of Nature - http://nature.ca Canada Science and Technology Museum - http://ingeniumcanada.org Canadian War Museum - https://www.warmuseum.ca National Gallery of Canada (Including an interview with Kathryn Lyons, Director of Learning and Community Engagement - https://www.linkedin.com/in/kathryn-lyons-48a6253/ ) http://www.gallery.ca Plus, two additional Ottawa landmarks: Royal Canadian Mint - https://www.mint.ca/en Bytown Museum - http://bytownmuseum.ca While each of these remarkable museums easily warrants a full day, I'm using the new 3-Day Museum Pass from Ottawa Tourism, which is a great way to see what each museum has to offer. Ottawa Museum Pass https://ottawatourism.ca/en/ottawa-insider/explore-ottawas-museums-ottawa-museums-pass?gad_source=1&gad_campaignid=22501991642&gbraid=0AAAAA-NkCBJ8OQutpMd54a4wyAFE5Zi3B&gclid=EAIaIQobChMIntnbs-nYjgMVilN_AB2NsjYgEAAYAiAAEgKnPfD_BwE Ottawa Tourism https://ottawatourism.ca/en?fbclid=IwZXh0bgNhZW0CMTEAAR6mJqJqOQlwQnuz9-vM4Q20AQu0eNNQlW_lnjAo_R6H20kfO0SGb_qIYC8DeA_aem_ry7fXUc3ozpQdV-neRnTGA

More than one third of MPs, drawn from across the political parties, have signed a letter urging the Prime Minister to give official recognition to a Palestinian state.The letter piles pressure on Sir Keir Starmer after France committed to recognising a Palestinian state within months.Thailand warns two days of border clashes with Cambodia could 'move towards war'And as it gets ready to celebrate its 200th birthday, we take a look at preparations for a street party outside the National Gallery.

In this NBN episode, host Hollay Ghadery speaks with poet and visual artist Zachary Logan about his beautiful collection of poetry and art, Green (Radiant Press, 2025).  An exciting new collection of ekphrastic poems accompanied by a compilation of green sketches via the lens of a queer poet and visual artist. Zachari Logan carried a sketchbook as he travelled the world and responded to iconic artwork as well as art that once existed but is now lost, destroyed, or far away. Whimsical art and thoughtful poems that ponder the nature of existence. Zachari Logan is a queer Canadian settler poet and artist whose artwork has been exhibited throughout North America, Europe and Asia. Logan's work can be found in collections worldwide, including the National Gallery of Canada, Art Gallery of Ontario, Remai Modern, Peabody Essex Museum, McMichael Canadian Art Collection and Nerman MOCA among many others. In 2014 Logan received the Lieutenant Governor's Emerging Artist Award, in 2015 he received the Alumni of Influence Award from the University of Saskatchewan and in 2016 Logan was long-listed for the Sobey Art Award. In 2010, his chapbook, A Eulogy for the Buoyant, was published by JackPine Press and in 2021, A Natural History of Unnatural Things, was published by Radiant Press. Logan's artwork and writing has been featured in many publications throughout the world. Zachari Logan lives in Regina, Saskatchewan. “Green is a ravishing compendium of attention—a book that bristles with subtle and unexpected poetic turns, and the peculiar thrum of being human in a world increasingly out of step with itself. Here, the act of writing is inseparable from drawing, from walking, from remembering, from witnessing—and from loving, deeply, the fragile and persistent textures of the earth. Zachari Logan's poems pulse with vegetal sensitivity, moving between alleyways and art history, between inner monologue and ecological longing. Green is not merely a colour: it is an atmosphere, a consciousness, a sensual and moral register. What it captures is more than the sum of its fragments—it is their residue, their ache, their adaptation, their ephemeral and often unintelligible traces. There is a deep and haunting beauty across these pages, but also fury, wit, and a quiet defiance. A sensual invitation to pay attention, this little but mighty book is not only an artistic gesture, but a political and ethical one. With luminous precision and a mind turned toward both the microscopic and the mythic, Green is a spell cast in language and images—one that lingers long after the page is turned.”— Giovanni Aloi, author of Lucian Freud: Plant Portraits, Botanical Revolutions: How Plants Changed the Course of Art and Speculative Taxidermy: Natural History, Animal Surfaces, and Art in the Anthropocene“A poem in its very color; deep green, wildly queer. This book captivates with its folds and cracks. The dissection of worlds, coupled with meticulous sketches of botany, art and the quotidian carried by the fascinating complexity of nature. One is lost between the body of a naked man or an abandoned thistle flower in a thick ditch. At once a sketchbook, a collection of poems, and an essay- this collection opens a door to the striking universe of Zachari Logan.”— Julie Hetu, author of Pacific Bell, Les dormeurs de Nauru and MotZachari Logan Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN episode, host Hollay Ghadery speaks with poet and visual artist Zachary Logan about his beautiful collection of poetry and art, Green (Radiant Press, 2025).  An exciting new collection of ekphrastic poems accompanied by a compilation of green sketches via the lens of a queer poet and visual artist. Zachari Logan carried a sketchbook as he travelled the world and responded to iconic artwork as well as art that once existed but is now lost, destroyed, or far away. Whimsical art and thoughtful poems that ponder the nature of existence. Zachari Logan is a queer Canadian settler poet and artist whose artwork has been exhibited throughout North America, Europe and Asia. Logan's work can be found in collections worldwide, including the National Gallery of Canada, Art Gallery of Ontario, Remai Modern, Peabody Essex Museum, McMichael Canadian Art Collection and Nerman MOCA among many others. In 2014 Logan received the Lieutenant Governor's Emerging Artist Award, in 2015 he received the Alumni of Influence Award from the University of Saskatchewan and in 2016 Logan was long-listed for the Sobey Art Award. In 2010, his chapbook, A Eulogy for the Buoyant, was published by JackPine Press and in 2021, A Natural History of Unnatural Things, was published by Radiant Press. Logan's artwork and writing has been featured in many publications throughout the world. Zachari Logan lives in Regina, Saskatchewan. “Green is a ravishing compendium of attention—a book that bristles with subtle and unexpected poetic turns, and the peculiar thrum of being human in a world increasingly out of step with itself. Here, the act of writing is inseparable from drawing, from walking, from remembering, from witnessing—and from loving, deeply, the fragile and persistent textures of the earth. Zachari Logan's poems pulse with vegetal sensitivity, moving between alleyways and art history, between inner monologue and ecological longing. Green is not merely a colour: it is an atmosphere, a consciousness, a sensual and moral register. What it captures is more than the sum of its fragments—it is their residue, their ache, their adaptation, their ephemeral and often unintelligible traces. There is a deep and haunting beauty across these pages, but also fury, wit, and a quiet defiance. A sensual invitation to pay attention, this little but mighty book is not only an artistic gesture, but a political and ethical one. With luminous precision and a mind turned toward both the microscopic and the mythic, Green is a spell cast in language and images—one that lingers long after the page is turned.”— Giovanni Aloi, author of Lucian Freud: Plant Portraits, Botanical Revolutions: How Plants Changed the Course of Art and Speculative Taxidermy: Natural History, Animal Surfaces, and Art in the Anthropocene“A poem in its very color; deep green, wildly queer. This book captivates with its folds and cracks. The dissection of worlds, coupled with meticulous sketches of botany, art and the quotidian carried by the fascinating complexity of nature. One is lost between the body of a naked man or an abandoned thistle flower in a thick ditch. At once a sketchbook, a collection of poems, and an essay- this collection opens a door to the striking universe of Zachari Logan.”— Julie Hetu, author of Pacific Bell, Les dormeurs de Nauru and MotZachari Logan Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In this NBN episode, host Hollay Ghadery speaks with poet and visual artist Zachary Logan about his beautiful collection of poetry and art, Green (Radiant Press, 2025).  An exciting new collection of ekphrastic poems accompanied by a compilation of green sketches via the lens of a queer poet and visual artist. Zachari Logan carried a sketchbook as he travelled the world and responded to iconic artwork as well as art that once existed but is now lost, destroyed, or far away. Whimsical art and thoughtful poems that ponder the nature of existence. Zachari Logan is a queer Canadian settler poet and artist whose artwork has been exhibited throughout North America, Europe and Asia. Logan's work can be found in collections worldwide, including the National Gallery of Canada, Art Gallery of Ontario, Remai Modern, Peabody Essex Museum, McMichael Canadian Art Collection and Nerman MOCA among many others. In 2014 Logan received the Lieutenant Governor's Emerging Artist Award, in 2015 he received the Alumni of Influence Award from the University of Saskatchewan and in 2016 Logan was long-listed for the Sobey Art Award. In 2010, his chapbook, A Eulogy for the Buoyant, was published by JackPine Press and in 2021, A Natural History of Unnatural Things, was published by Radiant Press. Logan's artwork and writing has been featured in many publications throughout the world. Zachari Logan lives in Regina, Saskatchewan. “Green is a ravishing compendium of attention—a book that bristles with subtle and unexpected poetic turns, and the peculiar thrum of being human in a world increasingly out of step with itself. Here, the act of writing is inseparable from drawing, from walking, from remembering, from witnessing—and from loving, deeply, the fragile and persistent textures of the earth. Zachari Logan's poems pulse with vegetal sensitivity, moving between alleyways and art history, between inner monologue and ecological longing. Green is not merely a colour: it is an atmosphere, a consciousness, a sensual and moral register. What it captures is more than the sum of its fragments—it is their residue, their ache, their adaptation, their ephemeral and often unintelligible traces. There is a deep and haunting beauty across these pages, but also fury, wit, and a quiet defiance. A sensual invitation to pay attention, this little but mighty book is not only an artistic gesture, but a political and ethical one. With luminous precision and a mind turned toward both the microscopic and the mythic, Green is a spell cast in language and images—one that lingers long after the page is turned.”— Giovanni Aloi, author of Lucian Freud: Plant Portraits, Botanical Revolutions: How Plants Changed the Course of Art and Speculative Taxidermy: Natural History, Animal Surfaces, and Art in the Anthropocene“A poem in its very color; deep green, wildly queer. This book captivates with its folds and cracks. The dissection of worlds, coupled with meticulous sketches of botany, art and the quotidian carried by the fascinating complexity of nature. One is lost between the body of a naked man or an abandoned thistle flower in a thick ditch. At once a sketchbook, a collection of poems, and an essay- this collection opens a door to the striking universe of Zachari Logan.”— Julie Hetu, author of Pacific Bell, Les dormeurs de Nauru and MotZachari Logan Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

We talk Frederick Wiseman's National Gallery (2014) with film critic Philip Concannon.0:00: intro99:30: chat w/Concannonwisemanpodcast@gmail.com

Adam's counting butterflies with Dr Dan from Butterfly Conservation Society. He also pops along to the brand new Roden Centre for Creative Learning at the National Gallery in London Join Fun Kids Podcasts+: https://funkidslive.com/plusSee omnystudio.com/listener for privacy information.

Hans Holbein's Tudor masterpiece known as the Ambassadors was painted in 1533, the year when Henry VIII changed the course of history. Religious turmoil sweeps through Europe and Anne Boleyn is Queen of England.     Two Ambassadors choose to capture this pivotal moment of religious and political upheaval, but who were they and what did they want this painting to convey?   In today's episode we join Tracy Borman, Chief Historian, as she explores the painting known as The Ambassadors, by Hans Holbein.   You can view The Ambassadors in high resolution here.  Thank you to the National Gallery for letting us record in front of the painting. 

Tuần trước, phòng triển lãm Tate Modern tại London đã chính thức khai mạc cuộc triển lãm cá nhân lớn đầu tiên tại châu Âu, dành cho họa sĩ thổ dân danh tiếng của Úc là bà Emily Kam Kngwarray. Sự kiện mang tính lịch sử này được chuẩn bị trong suốt 5 năm, là kết quả hợp tác giữa Tate và Phòng triển lãm Quốc gia Úc hay National Gallery of Australia, nhằm vinh danh một trong những danh họa nổi tiếng nhất của xứ sở Miệt Dưới.

The opening of Emily Kam Kngwarray at the Tate Modern marks the first major solo exhibition of the First Nations artist in Europe. Five years in the making, the show is a collaboration with the National Gallery of Australia and showcases the works of one of Australia's most renowned artists.

The room is absolutely rammers and through the door I spot so many faces from the past. We're talking Angela and Dermot from the campaign to move Funderland to the northside. We're talking Ida and Clem from the campaign to stop the Luas from coming to Foxrock. We're talking Lucy and Aednat from the campaign to stop poor people being allowed into the National Gallery. Hosted on Acast. See acast.com/privacy for more information.

Anselm Kiefer is one of the world's greatest living artists. Born in Germany at the end of the Second World War, much of his work in paintings, sculptures and vast installation pieces, has addressed his country's history and culture, asking difficult questions about the legacy of fascism and conflict. His paintings, thickly layered and sometimes embellished with straw or molten lead, often depict dark rutted fields or dense forests. Kiefer is renowned for the size of his work, and for his industrial-scale studio complexes in France, where he has lived for over thirty years. Kiefer's works are included in numerous public collections including the Museum of Modern Art and the Solomon R. Guggenheim Museum, New York, Tate Modern, the San Francisco Museum of Modern Art and the National Gallery of Australia. His most recent show at the Royal Academy in London has paired his works with those of one his artistic heroes for an exhibition called Kiefer/Van Gogh. Producer: Edwina Pitman

#romanticism #podcast #mitchhampton #aesthetics In this, the second episode of my series on Isaiah Berlin and his scholarship and theories of Romanticism, I enter into a definition of Romanticism and begin my regular usage of visual film and textual examples.More on this special series, here:In this, the 22st episode of “All About Aesthetics” I will begin a miniseries on Isaiah Berlin's theory of Romanticism, taken from his important lectures in the 1960s at the National Gallery and elsewhere, and starting from his unequivocal assertion that Romanticism was “the single greatest shift in the consciousness of the West that has occurred”.I will inquire into the many effects of this shift, most of which are taken for granted and have been indispensable to forming the works of art, both popular and high, that we have most enjoyed or given importance. The series will include discussion of MGM musicals in Hollywood, melodrama films, novels, standup comedy, improvised jazz performances and much more.Learning Links related to this stream:   • Romanticism - Isaiah Berlin (1965)  https://isaiah-berlin.wolfson.ox.ac.u...#History #literature #movies #love #Hollywood #comedy #tragedy #freedom #liberty #classical #modern #postmodern #religion #spirituality #wordsworth #coleridge #keats #brightstar #lyricalballads #verse #isaiahberlin #russia #germany #France #uk #greatbritain #england #jazz #rock #africanamerican #existentialism #standupcomedy #tradition #thirtyyearswar #communism #fascism #ecology #environmentalism #intellectualhistory #culturalstudies #authenticity #sincerity #annaakhmatova #poetry #brontesisters #lordbyron #painting #caspardavidfriedrich #eletricguitar #powerballad #romance #feminism #democracy #liberalism #immanuelkant #rousseau #diderot #socialcontract #civility #manners #civillization #anarchism

I am so excited to say that my guest on the GWA Podcast is the esteemed curator Kelli Cole to discuss the trailblazing Australian artist, Emily Kam Kngwarray! This is a very special BONUS episode and [as a one-off format] an exhibition walkthrough of Kngwarray's show at TATE MODERN. This is the first large-scale presentation of Kngwarray's work ever held in Europe and a celebration of her extraordinary career as one of Australia's greatest artists. Born in 1914, from the Alhalker Country in the Northern Territory, Kngwarray made thousands of works, reflecting her life as an Anmatyerr woman, but was – extraordinarily – only in her late 70s when she began painting in earnest, creating for ceremonial purposes and designs on the bodies of women. Listen to us explore the exhibition: witnessing first hand some of the most dazzling paintings I've ever seen. So whether you'll listen to this ahead of your visit, or be virtually transported here (for those who can't be here in person), I hope we can bring the magic of her paintings alive for you. About our guest: A Warumungu and Luritja woman from Central Australia, Kelli Cole is the Director of Curatorial & Engagement for the National Aboriginal and Torres Strait Islander Art Gallery of Australia project in Alice Springs. Previously, she held the position of Curator of Special Projects in the First Nations portfolio at the National Gallery of Australia, and has contributed to numerous publications, both nationally and internationally, on various aspects of First Nations art. In 2022, she worked closely with another esteemed curator, Hetti Perkins, as part of the team for the 4th National Indigenous Art Triennial: Ceremony. But the reason why we are speaking with Cole today is because she is the lead curator of a very exciting new exhibition here at London's Tate Modern: Emily Kam Kngwarray! Link to show – to see the works: https://www.tate.org.uk/whats-on/tate-modern/emily-kam-kngwarray --- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

fWotD Episode 2984: Wintjiya Napaltjarri Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Sunday, 6 July 2025, is Wintjiya Napaltjarri.Wintjiya Napaltjarri (also spelt Wentjiya, Wintjia or Wentja, c. 1923–1934 – 2014), also known as Wintjia Napaltjarri No. 1, was a Pintupi-speaking Indigenous artist from Australia's Western Desert region. She was the sister of artist Tjunkiya Napaltjarri; both were wives of Toba Tjakamarra, with whom Wintjiya had five children.Wintjiya's involvement in contemporary Indigenous Australian art began in 1994 at Haasts Bluff, when she participated in a group painting project and in the creation of batik fabrics. She has also been a printmaker, using drypoint etching. Her paintings typically use an iconography that represents the eggs of the flying ant (waturnuma) and hair-string skirts (nyimparra). Her palette generally involves strong red or black against a white background.A finalist in the 2007 and 2008 National Aboriginal & Torres Strait Islander Art Awards, Wintjiya's work is held in several of Australia's public collections including the Art Gallery of New South Wales, the Museum and Art Gallery of the Northern Territory, the National Gallery of Australia and the National Gallery of Victoria. Her work is also held in the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia.This recording reflects the Wikipedia text as of 01:03 UTC on Sunday, 6 July 2025.For the full current version of the article, see Wintjiya Napaltjarri on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Nicole.

In this podcast episode, Becky and Tinna speak with art historian and curator Heiðar Kári Rannversson about his work locally and internationally, and recently opened exhibitions Sóley Ragnarsdóttir, Queen of Hearts, and Þór Vigfússon, Numbers, places in Gerðarsafn. Heiðar Kári most recently he held a position at the Nordatlantens Brygge in Copenhagen from 2018 to 2022.  He has curated multiple shows across Iceland; The Living Art Museum, the National Gallery, and for the Icelandic Art Center. He is the current chairman of the Association of Art History and Theory in Iceland.

At the heart of the latest exhibit at the National Gallery of Victoria (NGV) is not just art, but the power of storytelling highlighting how reading and shared stories can help raise a new generation of young readers. - Hindi lang sining ang tampok sa bagong exhibit ng NGV, kundi ang kahalagahan ng pagkukuwento- isang paraan para hubugin ang pagmamahal ng mga kabataan sa pagbabasa.

On today's episode, I'm joined by Rashieda Witter, a cultural caretaker, art historian, curator, writer, and photographer currently based in Chicago. Rashieda is interested in the intersections between art museums, community, and social equity, and is invested in making art institutions more equitable and accessible for all.She is currently the Black Visual Arts Researcher at the Black Metropolis Research Consortium (BMRC). In addition to serving as an art history lecturer at the University of the Witwatersrand, Rashieda has held curatorial roles for the Stellenbosch Triennale, The Phillips Collection, and the National Gallery of Art. Follow Rashieda on Instagram at @_rashieda.Get involved with the Black Metropolis Research Consortium (BMRC) here. Follow the show on IG at @theartofitallshow and follow the host at @dariasimoneharper! Don't forget to rate, review, and subscribe. Sharing an episode with a friend never hurts either;)

Joan Jonas, now 88, has been a celebrated artist since the late 1960s. But it wasn't until 2024 that she received her crowning recognition in the U.S., when New York's Museum of Modern Art organized a major retrospective of her work. The arts icon splits her time between a Soho loft in NYC, and the "magical landscape" of Cape Breton, where she can be by her muse: the ocean. As she tells IDEAS producer Mary Lynk, "We come from the sea. It's not a memory. It's a feeling. It's in our DNA."Part of Jonas' MoMA retrospective called Moving Off the Land II has been acquired by the National Gallery of Canada and the Art Gallery of Nova Scotia. The exhibit will tour across Canada this summer, beginning in Cape Breton.

What's it like to leave the U.S. for the first time and study in a new country? In this short series I'm highlighting our Texas State University education abroad program in Scotland. Students and faculty spent three weeks living and working on the campus of Queen Margaret University, near Edinburgh, Scotland.  Join me as I sit down with students, faculty, and local professionals to capture their stories.Tori, a sophomore advertising major, shares her journey as a first-time international traveler. From navigating airports solo to building confidence through creative PR projects with local Scottish businesses, Tori's experience shows how studying abroad can transform your perspective—and your future.Tune in to hear how Tori made meaningful connections and gained real-world skills that go beyond the classroom.Key Takeaways:Study abroad builds independence and resilienceTips for navigating cultural differences and public transportationThe impact of working on real PR projects in a global settingCreating connections through collaborative, creative student workMaking meaningful connections with classmates through projects like her National Gallery photography series Finding confidence in a new environment where Tori could define herself without preconceptionsDiscovering confidence and community in a new environmentYou can learn more about our summer Texas State University Edinburgh program here. Hi Friend - If you're enjoying Stories of Change and Creativity, make sure to follow, rate, and leave a 5-star review—it helps more people discover the show. Check out my TEDx talk. Why you should take action - then figure it out.

I capolavori dei maestri del movimento francese del Museum of Fine Arts di Boston sono in mostra alla National Gallery of Victoria fino al 5 ottobre.

In this episode of PhotoWork with Sasha Wolf, Sasha welcomes two extraordinary guests: artist and curator Justine Kurland and Marina Chao, a curator at CPW. Together, they discuss their collaboration on The Rose, an exhibition that explores collage as a feminist form, strategy, and genealogy. Featuring works by over fifty contemporary artists and key figures from the 1960s and 1970s, the exhibition examines collage as both a means of world-building and a survival strategy in times of crisis. Sasha, Justine, and Marina delve into the layered responsibilities of artists and discuss the assumption that interpreting a straightforward photograph is inherently simpler than reading and interpreting conceptual art. https://www.justinekurland.com https://cpw.org/staff/ https://cpw.org/exhibition/the-rose/ Justine Kurland is an artist known for her utopian photographs of American landscapes and the fringe communities, both real and imagined, that inhabit them. Her early work comprises photographs, taken during many cross-country road trips, that counter the masculinist mythology of the American landscape, offering a radical female imaginary in its place. Her recent series of collages, SCUMB Manifesto, continues to make space for women by transforming books by canonized male photographers through destruction and reparation. Kurland's work has been exhibited at museums and galleries in the United States and abroad. Her work is included in permanent collections of the Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum of Art, New York; Museum of Modern Art, New York; Carnegie Museum, Pennsylvania; Getty Museum, California; National Gallery of Art, Washington, D.C.; and the Museum of Fine Arts, Montreal, among others. She works with Higher Pictures in New York. Marina Chao has previously held curatorial positions at the International Center of Photography and the Museum of Modern Art in New York. As assistant curator at ICP she organized the exhibition Multiply, Identify, Her (2018) and contributed to the publication Public, Private, Secret: On Photography and the Configuration of Self (Aperture and ICP, 2018). She was awarded a 2019 Curatorial Research Fellowship from the Andy Warhol Foundation for the Visual Arts for Seeing Meaning, a project exploring the intersections of image, language, and technology.

fWotD Episode 2963: The Combat: Woman Pleading for the Vanquished Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Sunday, 15 June 2025, is The Combat: Woman Pleading for the Vanquished.The Combat: Woman Pleading for the Vanquished is a large oil painting on canvas by English artist William Etty, first exhibited in 1825 and now in the National Gallery of Scotland. Inspired by the Elgin Marbles and intended by the artist to provide a moral lesson on "the beauty of mercy", it shows a near-nude warrior whose sword has broken, forced to his knees in front of another near-nude soldier who prepares to inflict a killing blow. A woman, also near-nude, clutches the victorious warrior to beg him for mercy. Unusually for a history painting of the period, The Combat does not depict a scene from history, literature or religion and is not based on an existing artwork, but is instead a scene from the artist's own imagination.When it was shown at the Royal Academy Summer Exhibition of 1825, it attracted near-universal praise from critics for its technical excellence, its fusion of the styles of different schools of painting, and its subject matter. Nevertheless, it failed to find a buyer at the Summer Exhibition, and was instead bought by fellow artist John Martin. The painting proved too large for Martin's house, and in 1831 he sold it on to the Royal Scottish Academy. It was transferred in 1910 to the National Gallery of Scotland, where it remains.This recording reflects the Wikipedia text as of 00:30 UTC on Sunday, 15 June 2025.For the full current version of the article, see The Combat: Woman Pleading for the Vanquished on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Salli.

Marguerite Yourcenar entered the Académie Française in 1981, the first woman to be admitted. Her novel Memoirs of Hadrian, published thirty years earlier, is ‘often considered the best French novel of the 20th century', as Joanna Biggs wrote in a recent issue of the LRB. In this episode of the podcast, Joanna joins Tom to discuss Yourcenar's life and work, and what makes Memoirs of Hadrian – a reimagining of the life of the Roman emperor – such a good book.Find further reading on the episode page: https://lrb.me/yourcenarpodFind Memoirs of Hadrian at the Bookshop: https://lrb.me/hadrianpodSponsored links:Find out more about the National Gallery's Siena exhibition here: https://www.nationalgallery.org.uk/exhibitions/siena-the-rise-of-painting Hosted on Acast. See acast.com/privacy for more information.

French Impressionism is a major exhibition developed by the Museum of Fine Arts, Boston, in partnership with the National Gallery of Victoria. Ksenia Radchenko, an art historian and lecturer of art history at the University of Sydney, talks about the collection, the essence of impressionism and the lives of artists. - В Национальной галерее Виктории открылась выставка работ французских импрессионистов из коллекции Бостонского музея в рамках ежегодной серии «Зимние шедевры». Искусствовед и преподаватель истории искусства в Сиднейском университете Ксения Радченко рассказывает о коллекции, сути импрессионизма и жизни художников.

As a teenager, Dr Michael Brand experienced moving from Canberra to Washington as both traumatic and exciting. It was on a journey back to Australia via family in Nepal with his brother, they were aged 15 and 18 respectively, that he first experienced Islamic art. He can trace a direct line from that experience to his field of study and life’s work. Brand has recently retired as Director of the Art Gallery of NSW, after guiding it through the most significant transformation in its history. He’s led galleries all over the world, from the Aga Khan Museum in Toronto, to the J Paul Getty Museum in LA and the Virginia Museum of Fine Arts. He started his career as curator of Asian art at the National Gallery of Australia under the iconic James Mollison. Brand is a scholar of Indian and Islamic art, architecture and landscape design and has led these world-class art museums at some of the most challenging in their history. Listen in as Vince and Michael discuss trying to be ethical in the art world, falling in love with Asian art in Nepal aged 15 and being sent to NYC by Frank Robertson to buy art. See omnystudio.com/listener for privacy information.

‘How useful is it,' Daniel Trilling asked recently in the LRB, ‘to compare the current global resurgence of right-wing nationalism to fascism?' In this episode of the podcast Daniel joins TJ to explore the question in light of his review of Richard Seymour's book Disaster Nationalism. They discuss the continuities between earlier forms of far-right politics and its more recent manifestations, as well as what's new about the current moment, and why fascism may be a useful frame for thinking not only about where right-wing nationalism comes from, but also about what might be done to forestall it.Find further reading on the episode page: https://lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/is-this-fascismSponsored links:Find out more about the National Gallery's Siena exhibition here: https://www.nationalgallery.org.uk/exhibitions/siena-the-rise-of-painting Hosted on Acast. See acast.com/privacy for more information.

A study finds more than one in three Australian men have committed violence against an intimate partner; Australia's lowest-paid workers have been handed a 3.5 per cent wage increase; and, in sport, The Matildas to be immortalised at the National Gallery in Canberra.

In this, the 21st episode of All About Aesthetics I will begin a miniseries on Isaiah Berlin's theory of Romanticism, taken from his important lectures in the 1960s at the National Gallery and elsewhere, and starting from his unequivocal assertion that Romanticism was "the single greatest shift in the consciousness of the West that has occurred".More on this livestream event, here:“Isaiah Berlin, Romanticism and it's effects in Art and CultureEpisode 1, an Introduction”In this, the 21st episode of “All About Aesthetics” I will begin a miniseries on Isaiah Berlin's theory of Romanticism, taken from his important lectures in the 1960s at the National Gallery and elsewhere, and starting from his unequivocal assertion that Romanticism was “the single greatest shift in the consciousness of the West that has occurred” I will inquire into the many effects of this shift, most of which are taken for granted and have been indispensable to forming the works of art, both popular and high, that we have most enjoyed or given importance.I return to our good friend and inspiration for the podcast Isaiah Berlin, covered in my book lunch on Kei Hiruta from Season Three and elsewhere.The series will include discussion of MGM musicals in Hollywood, melodrama films, novels, standup comedy, improvised jazz performances and much more. This will be the beginning of a series of episodes on Berlin's innovative theory of “The Roots Of Romanticism” that Berlin explored in lectures delivered at the National Gallery Of Art in Washington DC 1966.Berlin was quite explicit in his assessment: “the largest recent movement to transform the lives and thought of the Western world and seems to me the greatest single shift in the consciousness of the West that has occurred, and all the other shifts which have occurred in the course of the nineteenth and twentieth century appear to me in comparison lessimportant and at any rate influenced by it.” Starting from the premise that there is a great deal of truth in Berlin's theory, I will examine in these episodes not only the beauty of Berlin's oratory but also the many world of art and culture that seem to be made possible by this shift in consciousness - even in areas not normally thought of of as in any way Romantic, as well as in vastly diverse mediums of expression, including music, stand-up comedy, performance art, movies and much more.#History #literature #movies #love #Hollywood #comedy #tragedy #freedom #liberty #classical #modern #postmodern #religion #spirituality #wordsworth #coleridge #keats #brightstar #lyricalballads #verse #isaiahberlin #russia #germany #France #uk #greatbritain #england #jazz #rock #africanamerican #existentialism #standupcomedy #tradition #thirtyyearswar #communism #fascism #ecology #environmentalism #intellectualhistory #culturalstudies #authenticity #sincerity #annaakhmatova #poetry #brontesisters #lordbyron #painting #caspardavidfriedrich #eletricguitar #powerballad #romance #feminism #democracy #liberalism #immanuelkant #rousseau #diderot #socialcontract #civility #manners #civillization #anarchism

Last week, I got a text message from my friend Michelle, who works at the National Gallery of Art. “Lunch tomorrow or Thursday?” followed by “Come see the movie in Little Beasts. It starts at the top of every hour. I would love to discuss it with you.” Not only was Michelle one of the first people I met when I first visited DC in 2014, since then, she's become a close friend and the National Gallery has come to be my happy place in DC. In fact, some of the best art and photography shows I've ever seen, including Sally Mann: A Thousand Crossings (Catalog), Gordon Parks: The New Tide, 1940-1950 (Catalog), Outliers and American Vanguard Art (Catalog), The 70s Lens, and Mark Rothko: Paintings on Paper (Catalog), to name just a few, have all been at the National Gallery. I've also learned about artists I'd never heard of before, like Rachel Whiteread, Philip Guston, James Castle, and Elizabeth Catlett, among others. And in nearly every case, when I've had the chance to walk through a show with Michelle, through her knowledge and experience of art and materials, I've come away with a deeper understanding and a greater appreciation of the nuances of both art and artists.CONNECT WITH MEWebsite: https://jefferysaddoris.com  Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.

ادامه میدیم داستان ناپلئون رو، این بار همراه با تابلوهای ژاک لویی داوید از اوج و مراسم تاج گذاری او میرسیم به سقوط و مرگ امپراتور.لینک صفحه‌ی حامی باش:https://hamibash.com/Gessopodcastتابلوی مراسم تاج گذاری ناپلئون:https://upload.wikimedia.org/wikipedia/commons/1/1e/Jacques-Louis_David_-_The_Coronation_of_Napoleon_%281805-1807%29.jpgتابلوی ناپلئون در دفتر کارش در کاخ توئیلری:https://upload.wikimedia.org/wikipedia/commons/4/4f/The_Emperor_Napoleon_in_His_Study_at_the_Tuileries%2C_by_Jacques-Louis_David_%281812%29_-_National_Gallery_of_Art_%28Samuel_H._Kress_Foundation%29_-_2.jpgقطعات موسیقی:Johann Strauss ll - Persischer MarschCoronation Mass - Wolfgang Amadeus MozartAdagio for Strings - Barber Hosted on Acast. See acast.com/privacy for more information.

Kelly Tanzi, a fourth grade writing teacher with a background in special education, shares how incorporating the arts into learning can create a powerful multi-dimensional learning experience for all students. Kelly discusses how incorporating arts projects can give students who struggle with reading and writing more agency in how they present their knowledge, and can hook the interest of reluctant readers. Along with examples of past artistic projects, Kelly shares resources for parents and educators looking to incorporate the arts into their student's learning. Mentioned in the podcast:National Gallery of ArtFolger Shakespeare LibraryPhillips CollectionNational Building MuseumNational Women's History Museum

This week on Australia Wide, Emi Heazlewood in Canberra explores the hidden power of bees and a new exhibition at the National Gallery. - 国内各地の話題や情報をお伝えするコーナー「オーストラリアワイド」。今週は、キャンベラのヘイゼルウッド恵美さんが、知られざるハチの力と、国立ギャラリーの新しい展示についてお届けします。

El Salvator Mundi, atribuido a Da Vinci, es la pintura por la que más se ha pagado en el mundo: 450 millones de dólares. También una de las más misteriosas. Su pista nos lleva desde una modesta casa de subastas de Nueva Orleans a la National Gallery de Londres; también a la colección de un oligarca ruso y, al yate de lujo del príncipe saudí. No sabemos con certeza dónde está, pero su recorrido estrambótico nos dice mucho del mundo del arte y del dinero. CRÉDITOS: Realización y presentación: Ana Fuentes Con información de: Miguel Ángel García Vega Edición: Ana Ribera Dirección: Silvia Cruz Lapeña Diseño de sonido: Nacho Taboada Sintonía: Jorge Magaz Ven al directo de Hoy en El País en Estación Podcast el próximo viernes 23 de mayo a las 19h en Serrería Belga (Madrid). Entradas gratuitas aquí (hasta completar aforo). Si tienes quejas, dudas o sugerencias, escribe a defensora@elpais.es o manda un audio a +34 649362138 (no atiende llamadas).

Frontwoman of Garbage, Shirley Manson talks about the band's latest album Let All That We Imagine Be The Light, which is inspired by contemporary events including the killing of George Floyd in Los Angeles, but which presents an optimistic perspective on a dystopian world. We hear from the winner of the International Booker Prize, which was announced at a ceremony last night. And Turner Prize-winning artist Jeremy Deller talks about how he has curated joyful and exuberant events in towns and cities around the UK - Derry-Londonderry, Dundee, Llandudno and Plymouth - to celebrate the bicentenary of the National Gallery.

Well, here we are my friends, the 100th and final episode!  We go back to where it all started, the National Gallery of Art, for a look at one of Pieter de Hooch's idealized depictions of what a Dutch household was supposed to be. This cozy home may have been more wishful thinking than reality, though!  We'll find out how an embarrassing meeting helped create the Gallery! And I'll share final thoughts and thank yous and a few podcast recommendations I think you'll really like (listed below). If you want to follow along, you can find it here on the Gallery's site SHOW NOTES “A Long Look” themes are "Easy" by Ron Gelinas https://youtu.be/2QGe6skVzSs and “At the Cafe with You” by Onion All Stars https://pixabay.com/users/onion_all_stars-33331904/ Episode Music “The Well Tempered Clavier, Book I, BWV 846-869 - Prelude No. 19 in A major, BWV 864” composed by Johann Sebastian Bach. Performed by Kimiko Ishizaka. Courtesy of musopen.org https://musopen.org/music/43466-the-well-tempered-clavier-book-i-bwv-846-869 “Hand in Space” by Quantum Jazz https://archive.org/details/jamendo-046377 Artwork information https://www.nga.gov/artworks/1172-bedroom https://www.nga.gov/research/publications/online-editions/dutch-paintings-seventeenth-century-bedroom-16581660 Pieter de Hooch information “Pieter de Hooch, 1629-1684” by Peter C. Sutton (Archive.org) https://archive.org/details/pieterdehooch16200sutt https://www.theartstory.org/artist/de-hooch-pieter https://en.wikipedia.org/wiki/Pieter_de_Hooch “Public and Private Life in the Art of Pieter de Hooch” by Martha Hollander (JSTOR) Nederlands Kunsthistorisch Jaarboek (NKJ) / Netherlands Yearbook for History of Art 51 (2000): 272–93. https://www.jstor.org/stable/24706499 Women in Dutch life “The Embarrassment of Riches” by Simon Schama (Bookshop.org) Gallery history https://www.nga.gov/about-us/our-history https://www.doaks.org/resources/cultural-philanthropy/national-gallery-of-art “America's National Gallery of Art” by Philip Kopper (Internet Archive) https://archive.org/details/americasnational0000kopp/americasnational0000kopp Jazz in the Garden https://www.nga.gov/calendar/jazz-garden “The Mill” by Rembrandt https://www.nga.gov/artworks/1201-mill The Object Podcast--Minneapolis Institute of Art https://new.artsmia.org/the-object-podcast The Modern Art Notes Podcast https://manpodcast.com Tyler Greene presents in-depth discussions with artists about their practice and curators about current shows for a fascinating look at today's art world. Immaterial https://www.metmuseum.org/perspectives/series/immaterial-podcast The Metropolitan of Art's limited series podcast tells us surprising stories about the stuff art is made from. Transcript available at https://alonglookpodcast.com/bedroom-de-hooch

Pope Leo XIV gave his first mass as pontiff today and is being celebrated across the globe, including in Peru, where he carried out decades of missionary work and became a naturalized citizen. Also, the US cuts $50 million in medical aid to Zambia following a corruption investigation. And, Sudan cuts ties with the UAE as drone attacks on Port Sudan continue for a sixth day. Plus, the National Gallery in London is unveiling an early renaissance painting this weekend that's considered to be a European masterpiece.Listen to today's Music Heard on Air. Learn about your ad choices: dovetail.prx.org/ad-choices

Episode No. 705 features curators Dalila Scruggs and Catherine Morris, and artist Beatriz Cortez. With Mary Lee Corlett, Scruggs and Morris are the co-curators of "Elizabeth Catlett: A Black Revolutionary Artist" at the National Gallery of Art, Washington. The exhibition surveys Catlett's career across over 150 sculptures, prints, paintings, and drawings. The exhibition is on view through July 6. An exceptional exhibition catalogue, titled Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies was published by the The University of Chicago Press, the NGA and the Brooklyn Museum, which originated the exhibition. It is available from Amazon and Bookshop for $56-60. Catlett was a feminist, activist, and radical who helped join the Black Left in the US to influences from the Mexican Revolution. Her work continued the practice of earlier US artists such as Thomas Cole, Frederic Church, and Carleton Watkins by using cultural production to advance ideas and ideologies. Cortez is featured in "Seeds: Containers of a World to Come" at the Kemper Art Museum, Washington University in St. Louis. The exhibition features work by ten artists whose research-driven practices are informed by inquiry into plant-human-land relations. "Seeds" was curated by Meredith Malone and Svea Braeunert, and remains on view through July 28. The exhibition brochure is available here. "Beatriz Cortez x rafa esparza: Earth and Cosmos" is at the Americas Society, New York through May 17. The show considers the idea of ancient objects traveling across space and time. Cortez's work explores simultaneity, life in different temporalities, and imaginaries of the future. She has been featured in solo exhibitions at Storm King Art Center, New Windsor, NY,; the Williams College Museum of Art; Clockshop, Los Angeles; and more. Instagram: Catherine Janet Morris, Beatriz Cortez, Tyler Green.

This week: after a two-year closure, the National Gallery's Sainsbury Wing reopens this week, revealing a major overhaul by the architect Annabelle Selldorf. The gallery has also rehung its entire collection and Ben Luke takes a tour of both the revamped building and the new displays with the National Gallery director, Gabriele Finaldi. Tate Modern celebrates its 25th anniversary this weekend, and Luke talks to The Art Newspaper's contemporary art correspondent Louisa Buck and another of our regular contributors, Dale Berning Sawa, about its seismic impact in London and beyond over the past quarter of a century, its complex present circumstances and its future. And this episode's Work of the Week is the late German artist Inge Mahn's sculpture Balancing Towers (1989). It is a key work in an exhibition called “Are we still up to it?” – Art & Democracy at the Herrenchiemsee, the castle on an island in the Chiemsee lake, in southern Bavaria, Germany. Oliver Kase, the director of collections at the Pinakothek der Moderne, in Munich, and co-curator of the exhibition, joins Luke to discuss the sculpture.The Sainsbury Wing and CC Land: The Wonder of Art, National Gallery, London, from 10 May. You can hear a conversation with Annabelle Selldorf about the Frick Collection on the episode of this podcast from 28 March 2025. And our interview with the architectural critic Rowan Moore reflecting on the debate about Selldorf's alterations to the original Sainsbury Wing project is in the episode from 4 November 2022.Tate Modern's 25th Birthday Weekender, Tate Modern, London, 9-12 May.“Are we still up to it?” – Art & Democracy, Herrenchiemsee Palace, Chiemsee, Germany, 10 May-12 October Hosted on Acast. See acast.com/privacy for more information.

May 7, 1994. Edvard Munch's painting The Scream is recovered undamaged after being stolen from the National Gallery of Norway. This episode originally aired in 2024.Support the show! Join Into History for ad-free listening and more.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The artist Jeremy Deller can't really draw or paint. Instead of making things, he makes things happen. And later this year, he is planning to unleash a bacchanalian festival that will be his most daring public artwork yet By Charlotte Higgins. Read by Richard Coyle. Help support our independent journalism at theguardian.com/longreadpod

DAMION1White House blasts Amazon over tariff cost report: ‘Hostile and political act'The White House on Tuesday slammed Amazon for reportedly planning to display the cost of President Donald Trump's tariffs next to the total price of products on its site.“This is hostile and political act by Amazon,” White House press secretary Karoline Leavitt told reporters. “Why didn't Amazon do this when the Biden administration hiked inflation to the highest level in 40 years?” Leavitt asked.The Trump administration's aggressive swipe came in response to a report that Amazon will soon show consumers how much of an item's cost comes from tariffs. The amount added as a result of tariffs will be displayed right next to each product's total listed price, a person familiar with the plan told the news outlet.WHO DO YOU BLAME?CEO Andrew Jassy.He's the “boss.”Maybe he feels emasculated?Lowest overall batting average (.308)only 6% influence compared to his boss, Jeff Bezos (67%)Not paid like traditional CEOs (relying instead on his $275M in unvested equity) and the $38M that vested last year; so when he's hanging out withHis buddies like Target CEO Brian Cornell ($20M) eBay CEO Jamie Iannone ($22M) have the total summary compensation bragging rights. Not to mention the sad, unmanly CEO Pay Ratio which is listed as 43:1 for Jassy and 753:1 for the DEI-hating Cornell Jeffrey Preston Bezos (67%)I mean he's the actual boss, right?Executive Chair, founder, former CEO, superstar.Hangs out with people like Katy Perry, has a newspaper, sends penis rockets to nowhere, has pretend funds named after himself like the Bezos Earth Fund and the Bezos Day One FundBoard member and former Pepsi CEO Indra NooyiOr maybe this is a DEI problem? Amazon's Audit Committee is tasked with stuff like operational risks, and legal and regulatory matters. Indra chairs this committeeIndra is also involved with very woke-y/DEI-y:stuff like science (Trustee of Memorial Sloan Kettering Cancer Center)Stuff like math (Member of the Dean's Advisory Council at MIT's School of Engineering)Stuff like art (Trustee of the National Gallery of Art)And stuff like giving a shit about people, stakeholder-y capitalism stuff (Director of Partnership for Public Service, whose mission is to inspire a new generation of civil servants and to transform the way government works)Former President Joe BidenAmazon later clarified that the plan to show tariff surcharges was “never approved” and is “not going to happen.” Trump personally called Bezos on Tuesday morning to express his displeasure about the initial report that spurred the heated response from the White House.Trump world's Laura Loomer takes aim at a 'woke' Lockheed Martin and its $2 trillion F-35 programLaura Loomer, the far-right activist who has a direct line to President Donald Trump, criticized Lockheed Martin's F-35 program over the weekend, decrying the US defense giant as "woke" and lashing out against the expensive stealth aircraft.In a lengthy post on X, Loomer suggested Lockheed Martin is delivering F-35 Lightning II Joint Strike Fighters that "are simply not ready for combat.""The F-35 program, one of the most expensive weapons programs in history, is plagued by delays, defects, & downright incompetence," she wrote Saturday. She said the US Air Force is accepting jets that lack "functional" radar systems, without offering evidence.She also claimed that Lockheed is "increasingly obsessed with pushing a woke agenda." Like many other US defense contractors, Lockheed scrapped its diversity, equity, and inclusion programs in January after Trump returned to the White House.The $2 trillion F-35 program is an appealing target for activists and officials seeking to slash government spending, and it has a well-documented list of problems. The Pentagon's top weapons tester said earlier this year that the program had problems delivering functional software and had fallen behind schedule to test upgraded mission systems.WHO DO YOU BLAME?The 2025 Proxy Statement that mentions “diversity” five times!Of course all five of those instances were in the anti-woke/anti-DEI shareholder proposal introduced by the Bahnsen Family Trust.Not sure how this even made the proxy after Lockheed's anti-DEI move in January: “As we publicly stated following the issuance of President Trump's January 2025 Executive Order on DEI, we will not have goals or incentives based on demographic representation or Affirmative Action Plans. We are actively reviewing our workforce-related policies to ensure they are, and remain, compliant and aligned with the Executive Order and all related applicable legal precedent.”The three-headed white guy leadership group (53% influence)CEO/Chair James Taiclet (25%): $24M in payLead Independent Director and Nominating Committee chair Thomas J. Falk (13%)“Independent” since 2010David Burritt (15%)Longest-tenured director (2008-)Busy beaver: two committees (Audit and Pay); CEO of US. SteelSince this is a woke/DEI issue: the black guy:Nevermind, there are no black people on this boardA woman? It would have to be Debra Reed-Klages (17%)While she has no leadership roles she does sit on the board of Caterpillar, which also removed its DEI policies. What, what?Investors. They should have been holding Lockheed accountable, right?According to MSCI data, average support since 2015 is 95%; no director has even received less than 92% since 2017Say on Pay support is routinely over 90%Starbucks union rejects company's recent offer of at least 2% annual pay raiseStarbucks union delegates involved in contract bargaining voted to reject the coffee chain's latest proposal that guaranteed annual raises of at least 2%, Workers United said. Out of the 490 baristas representing the company's more than 550 unionized U.S. stores, 81% rejected the proposal, which did not offer any changes to economic benefits such as healthcare or any immediate pay hike.WHO DO YOU BLAME?The union, for being greedy.The company pays its baristas about $19 an hour on average currently. That's $39,520 before taxes. A 2% raise would result in an increase of $790.40!InvestorsAverage director support of 96% over past 2 yearsEven 86% support for new CEO Brian Niccol's $96M, including $5M in funny munny cashAnd a devilishly perverse CEO pay ratio of 6,666 to 1.Not to mention Use of Starbucks aircraft for travel between city of primary residence and Starbucks headquarters AND up to $250,000 in personal non-commuting travel per yearWhich brings us to the CEO, Brian Niccol, a guy so wonderful that they scrapped the independent chair nonsense and gave him both titles: CEO and ChairLead Independent Director and Nominating Committee chair Jørgen Vig KnudstorpAveraged over 10% votes against over the past 3 AGMs: which is essentially an investor revolutionHis favorite drink–the Caramel Macchiato–is 250 calories with 33g of sugar: the American Heart Association recommends that women consume no more than 25 grams per dayMATT1Novavax appoints Charles Newton to board of directorsChuck Newton has a background from BofA Merrill, Credit Suisse, Morgan Stanley, and Lehman as an investment banker, and is now CFO at a pharma company. He got his education in business administration and “arts”.Who do we blame for the appointment of Chucky?John Jacobs, CEO and highest influence on the board at 23%New board chair and nom committee chair Margaret McGlynn, who will inherit retiring director James Young's 16% influence to become the most influential person on the board?Too much science?Actual knowledge of pharmaceutical science - Young's retirement means there are only 2 actual scientists left on the board of the 9 members - 6 have finance backgrounds, and 1 is a lawyer.DEI - while Novavax's SEC disclosure says that the 9 person board has 1 male with 2 or more races and 2 women, they actually didn't feel white ENOUGH so they added Charles Newton to have a 100% white board (because black people don't even get malaria, COVID, or flu)They actually claim to have 10 board members when they really have 9Investors - who actually hate this board and can't possibly like it more now?Classified board, last year the new board chair (promotion!) got 52% votes for, the PhD got 58% for, and the guy from the family foundation got 53% for - and yes, exactly 35% of the shares are owned by State Street, Vanguard, BlackRock, and Shah CapitalSam Altman says OpenAI will fix ChatGPT's ‘annoying' new personality as users complain the bot is sucking up to them“ChatGPT's new personality is so positive it's verging on sycophantic—and it's putting people off.”Who do we blame for AI being a big fat suckup?Sam Altman, for being a big fat Trump suckupSam Altman, for having an insipid tech bro personality desperately seeking the fame and attention of the earthSam Altman, for firing his non-suckup board membersSam Altman, for putting himself on the board and surrounding himself with board suckups

David Rubenstein helped pioneer modern private equity—building The Carlyle Group into a $400B global investment firm from a modest D.C. office and a relentless fundraising streak. But beyond PE, his legacy spans presidential libraries, historic American artifacts, and a lifelong obsession with civic contribution.In this episode, David shares how he raised billions without a background in finance, why owning a baseball team was more than just a trophy purchase—and what building true generational success really means beyond wealth alone.Chapters:00:00 Trailer00:53 Introduction01:40 Family, wealth, class14:40 Happiness disparity and longevity19:25 I need more to give away more25:04 The relentless fundraiser 33:53 Kids and travel36:06 No track record, the great white buffalo38:59 Business and politics43:53 Fired from Washington45:52 Fundraising, presidents, podcast guests48:04 Private equity and sports53:44 Expenses — no charges55:49 Waking up with energy 57:26 Preserving copies1:02:05 Organizational architecture1:03:41 Bury me in my plane1:08:11 Not a big luxury spender1:10:32 What “grit” means to David1:10:50 OutroMentioned in this episode: Andrew Rubenstein, Stanford University, Bill Gates, Melinda Gates, Warren Buffett, Morgan Guaranty Trust Company, International Business Machines Corporation (IBM), Procter & Gamble Company, Forbes 400, Duke University, University of Chicago, Harvard Corporation, Johns Hopkins University, California Public Employees' Retirement System (CalPERS), President of the United States of America, Donald J. Trump, Jimmy Carter, John F. Kennedy Center for the Performing Arts, Smithsonian Institution, National Gallery of Art, George W. Bush, Barack Obama, Joe Biden, Arianna Huffington, Xi Jinping, Hank Greenberg, Stephen A. Schwarzman, Tim Cook, Jeff Bezos, Baltimore Orioles, Fred Trammell Crow, Harlan Crow, National Basketball Association (NBA), National Football League (NFL), Arctos Partners LP, Anthropic, Magna Carta Libertatum, Declaration of Independence, Emancipation Proclamation, Abraham Lincoln, US Constitution, National Archives, Lincoln Memorial, Thomas Jefferson Memorial, Mount Vernon, Monticello, Montpelier, Mark Cuban, Paul McCartneyConnect with David:X: @DM_RubensteinConnect with Joubin:X: @JoubinmirLinkedIn: Joubin MirzadeganEmail: grit@kleinerperkins.comkleinerperkins.com