Podcasts about national gallery

Episode No. 727 is a holiday weekend clips episode featuring artist Andrea Carlson. The Denver Art Museum just opened "Andrea Carlson: A Constant Sky," a mid-career survey. The exhibition spotlights how Carlson, who is Ojibwe and of European settler descent, creates works that challenge the colonial narratives presented by modern artists, museum collections, and cannibal genre horror films, all in ways that challenge and depart from the US landscape tradition. The exhibition was curated by Dakota Hoska, and will remain on view through February 16, 2026. The exhibition catalogue was published by Scala, Amazon and Bookshop offer it for $30-35. Museums that have featured solo exhibitions of Carlson's work include the Smithsonian's National Museum of the American Indian, New York, and the Minneapolis Institute of Art. Her work is in the collection of museums such as the National Gallery of Canada, Ottawa, the Walker Art Center, Minneapolis, the Whitney Museum of American Art, New York, and the Denver Art Museum. She is also the co-founder of the Center for Native Futures in Chicago. This program was taped on the occasion of Carlson's 2024 solo exhibition at the MCA Chicago. For images, please see Episode No. 677. Instagram: Andrea Carlson, Tyler Green.

Waldy and Bendy briefly revisit Swangate, and Bendy would like one of the old National Gallery benches now that they're coming up for sale. They also award the Waldy & Bendy award for the best forgotten artist. Waldy chooses a Picasso from the Tate to have on his wall. Show Notes - https://zczfilms.com/podcasts/waldy-bendy/season-05-episode-04-picasso-el-greco-and-some-benches/  Video version - https://youtu.be/5LOwLMQ1IEY 

Tate Modern continues to explore the histories of Modern art beyond the European and North American canons that were once its focus. This week it opened the exhibition Nigerian Modernism, and The Art Newspaper's digital editor, Alexander Morrison, speaks to the show's co-curator, Osei Bonsu, and to one of the 50 artists in the exhibition, Jimoh Buraimoh. Before the 12-day war between Israel and Iran in June of this year, the art scene in the Iranian capital, Tehran, was thriving. Sarvy Geranpayeh, one of our correspondents for the Middle East, travelled to Tehran for The Art Newspaper and tells Ben Luke how the art world has responded in the aftermath of the conflict. And this episode's Work of the Week is Cakes (1963) by Wayne Thiebaud, a painting in the National Gallery of Art in Washington that has travelled to the Courtauld Gallery in London for Wayne Thiebaud: American Still Life, the first UK museum exhibition of his art. We visit the show and speak to Barnaby Wright, its co-curator.Nigerian Modernism, Tate Modern, London, until 10 May 2026.Wayne Thiebaud. American Still Life, Courtauld Gallery, London, 10 October-18 January 2026.LAST CHANCE student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available.https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

For the first time in nearly seven years, federal operations have been drastically curtailed as the US government shuts down. As it enters a second week, we look in detail at how the collapse in funding for government services is affecting America at large - from the Federal worker fearing for his job, to the wider concerns of slowing growth and rising inflation. What does this say about the state of the world's largest economy?Produced and presented by Ed Butler(Image: "Closed" signage in front of the National Gallery of Art in Washington, DC, US, on 5 October 20205. Credit: Getty Images)

Episode 494 / Alexa Kumiko HatanakaAlexa Kumiko Hatanaka is a Japanese-Canadian, artist based out of Toronto. She studied printmaking at OCAD University in Toronto. In 2023, she completed a residency at a washi paper mill in Japan's Kōchi Prefecture, where she studied papermaking traditions that date to the 7th century. She works primarily with paper, and uses printmaking, ink drawing and natural dying combined with sewing. She engages with historical paper processes and materials that both require and contribute to a clean environment.  Her adaptations of traditions, in the form of sculpture, large-scale print installations and wearable sculptures, address contemporary questions of climate change, mental health, and survival. Alexa's practice includes a decade of community-engaged projects based in the high Arctic, and collaborative performances that integrate and reinterpret kamiko, garments sewn out of washi.Alexa's work has been exhibited at Kotaro Nukaga (Tokyo, JP), Harper's Gallery (New York, USA), Art Gallery of Ontario (Toronto, CA), Toronto Biennial of Art (Toronto, CA), Ino-chō Paper Museum (Kōchi, Japan), and NADA (Miami, New York City). Recent acquisitions include the The British Museum (London, UK), Dallas Art Museum (Dallas, USA), Material Art and Design Museum (New York City, USA), Shiga Prefecture Museum (Otsu, JP), National Gallery of Canada (Ottawa, CA) and Wellin Museum (Clinton, USA). Alexa was a 2025 artist in residence at Black Rock Senegal.

A brand-new exhibition showcasing the breadth of Picasso's work will be opening at the National Gallery of Ireland.‘Picasso: From the Studio' will be the first Irish exhibition of this scale to showcase the Spanish master's art since his death in 1973.The first ever display of Picasso's work in Ireland was organised by Trinity College students in a library storage room back in 1969.This time around, the exhibition places Picasso in the context of his studios, highlighting the phases of his art and life.It will feature paintings, sculptures, ceramics, works on paper, as well as photographic and audio-visual works.Joining Seán to tell more is Curator of Modern Art at the National Gallery of Ireland, Janet McLean...

A brand-new exhibition showcasing the breadth of Picasso's work will be opening at the National Gallery of Ireland.‘Picasso: From the Studio' will be the first Irish exhibition of this scale to showcase the Spanish master's art since his death in 1973.The first ever display of Picasso's work in Ireland was organised by Trinity College students in a library storage room back in 1969.This time around, the exhibition places Picasso in the context of his studios, highlighting the phases of his art and life.It will feature paintings, sculptures, ceramics, works on paper, as well as photographic and audio-visual works.Joining Seán to tell more is Curator of Modern Art at the National Gallery of Ireland, Janet McLean...

Read OnlineJesus said to the Pharisees: “There was a rich man who dressed in purple garments and fine linen and dined sumptuously each day. And lying at his door was a poor man named Lazarus, covered with sores, who would gladly have eaten his fill of the scraps that fell from the rich man's table. Dogs even used to come and lick his sores. When the poor man died, he was carried away by angels to the bosom of Abraham.” Luke 16:19–22No rational person would want to go to hell. The rich man in this parable certainly did not desire hell, but his actions led him there. Most people, however, do want to be rich in this world. In fact, many people would think it  irrational not to desire wealth. It is very rare to find a person who chooses to live in simplicity as a means to deeper spiritual fulfillment and as a preparation for the riches of Heaven. But one clear message from our Gospel story today is that the life that Lazarus lived on earth was far better than that of the rich man. So which life do you prefer here and now? While it is true that the rich man's riches were not the exclusive cause of his eternal damnation, it is also true that his riches imposed upon him a temptation toward selfishness and indifference to the needs of others, which ended in his eternal demise.Imagine that you won many millions of dollars. What would you do with it? As a good Christian, you might immediately profess that you would use that money for good, to help the poor and make a difference in the lives of others. What would the ideal response be to winning many millions of dollars? Would it suffice to give away ten percent and then use the rest for yourself? Probably not.One thing that this parable teaches is that material wealth not only adds nothing of value to our eternal reward, it also adds much temptation to our lives. True, if you received a lot of money and then used that money exclusively for good in accord with God's will, that would be a holy act of charity on your part and good for your eternal soul. But doing so would be very difficult. It would be very difficult to resist the temptations that come from material wealth.Is it good to be rich? It is certainly good to be able to take care of your basic needs in life and those of your family. Having money helps you do that. But once our basic needs have been met, the money left over is far more of a temptation than it is a blessing. We have to believe that. And if you are among those who want to become rich so that you can help others, consider this scenario. If that is your motivation, and if you did win a large amount of money, would it be possible for you to continue living the way you are living now? Imagine staying in the same home, driving the same car, having the same lifestyle, and using all the money you obtained 100% for the glory of God and the good of others. That would be hard to do. But if you could do it, not only would it be good for others, it would be exceptionally good for your own soul. Though this Gospel story has many valuable lessons in it, one of the clearest messages is that earthly poverty benefits a soul far more than earthly wealth. Many people will find that hard to accept.Reflect, today, upon the stark contrast between Lazarus and the rich man. One dined sumptuously every day, was clothed in fine linen and purple garments and then spent eternity in the netherworld where he was tormented. The other longed to eat the scraps from another's table, had no home, was covered in sores, but spent eternity in Heaven after being carried away by angels to the bosom of Abraham. Choose to imitate Lazarus rather than the rich man. If you have many material possessions, work hard at being detached from them. Live simply, be generous, and never neglect those in need. If you have very little, do not covet more. Eliminate envy, don't despair, trust in the providence of God, and rejoice that, like Lazarus, you are able to build up eternal riches within your soul that will remain with you forever. Lord of true riches, the spiritual wealth of true virtue, charity, faith and hope are all that matters in life. Material possessions mean little in this life and are a source of many temptations. Please free me from the desire for wealth. Free me from greed, selfishness and envy. Fill me with a spirit of detachment and generosity, and help me to build up true treasure in Heaven. Jesus, I trust in You.  Image: The Parable of Lazarus and the Rich Man, via National Gallery of ArtSource of content: catholic-daily-reflections.comCopyright © 2025 My Catholic Life! Inc. All rights reserved. Used with permission via RSS feed.

Episode No. 725 features curators Philip Brookman and Deborah Willis (and a cameo, of sorts, from artist Anthony Barboza). Brookman and Willis are the co-curators of "Photography and the Black Arts Movement, 1955-85" at the National Gallery of Art, Washington. The exhibition considers photography's engagement with the post-war cultural and aesthetic movement that celebrated Black history, identity, and beauty, and which often influenced the broader civil rights movement of which it was a part. The exhibition features 150 works from photographers and other artists who used photography in their work, such as in collage or assemblage. It is on view through January 11, 2026. An excellent catalogue was published by the NGA In association with Yale University Press. Amazon and Bookshop offer it for about $60. Instagram: Philip Brookman, Anthony Barboza, Deborah Willis, Tyler Green. Air date: September 25, 2025.

Waldy & Bendy are back! And not only that, they're treating you to a double bill! One episode today, one tomorrow. In this episode, they discuss the expansion plans of the National Gallery, Waldy's exciting new series, and Bendy shocks Waldy with his On The Wall choice. See the show notes here - https://zczfilms.com/podcasts/waldy-bendy/season-5-episode-1/ You can now also watch Waldy & Bendy on Youtube - https://youtu.be/Mg7rsCUrtUI 

Ben Pascoe talks with recently appointed Director of the Slovak National Gallery Juraj Kralik as well as co-organizer of the free SNG initiative Andras Csefalvay about how the see the Slovak National Gallery today. He also attended the recent opening of SNG's newest exhibit and heard from protesters and attendees about how they seen SNG today.

This week in 1973, during the Whitlam era, a highly divisive cultural moment occurred. Gough Whitlam decided to spend $2 million US dollars, to buy US artist Jackson Pollock's Blue Poles. 

Tosca Ruggieri is an independent art historian and the founder of Art with Tosca. She brings museum collections to life through storytelling, guided tours, and lectures. Based just outside of Washington, D.C., Tosca began her career in the London art market before shifting her focus to education and engagement both online and in-person. Since moving to the U.S. in 2021, she has created and led intimate, research-driven tours at the National Gallery of Art, helping audiences connect deeply with individual works while exploring themes such as women artists, symbolism, and the history of color. Her approach blends scholarship with improvisation, encouraging conversation and sparking curiosity that extends far beyond the museum walls. Tosca's passion for art has roots in her French and Italian upbringing: her early exposure to the museums of Paris, Florence, and Tuscany inspired a lifelong fascination with art history and collecting. Join our conversation with Tosca Ruggieri today on Radio Maine. Don't forget to subscribe to the channel for more episodes!  

ART FOR PUBLIC PURPOSE. Dr Caroline Campbell was born and educated in Belfast, and became Director of the National Gallery of Ireland in 2022. She studied Modern History at University College Oxford, and has an MA and PhD from the Courtauld Institute of Art, University of London. A former Fellow of the Center for Curatorial Leadership, New York, before joining the National Gallery of Ireland, Caroline was Director of Collections and Research at the National Gallery, London. Earlier in her career she held curatorial positions at the Ashmolean Museum, Oxford, the Courtauld Gallery, London, and the National Gallery. Caroline has published widely on European art from the Middle Ages to the twentieth century, particularly on the Italian Renaissance, most recently Mantegna & Bellini and 14th Century Siena. “The Taking of Christ is an absolutely astonishing painting because of the moment of drama in it, and that, as much as the name Caravaggio, is what really excites our visitors.” “Irish art is really strong, but it is much less known outside of Ireland. I would love people to be able to appreciate it more, as part of the more widespread European and Western tradition.” “I love the connection that people have with the gallery.”

Send us a textGraham gives the new release from Suede a listen. Have Suede managed a resurrection part 2 with new album Antidepressants?New movie Eddington with Joaquin Phoenix and the trend for social surrealism in cinema.There's money for major art museums and a bit of a face-off between Tate and The National Gallery as they re-draw their agreement to keep the National Gallery exhibits confined to 1900 and before. Graham and Charles take a look at the big money flowing into The National Gallery and Amsterdam's Van Gogh Museum.Graham looks ahead to Harrogate events with Charlie Higson, Pete McKee and Kate Bush.Charles reports on his recent visit to Prague enjoying the sheer breadth and depth of galleries and museums.Keep in touch with Two Big Egos in a Small Car:X@2big_egosFacebook@twobigegos

In Part Two of our late-night conversation, Bad at Sports digs deeper into the remarkable trajectory of Kenny Schachter. From law school dropout to autodidact philosopher, from Sotheby's bidder to artist and teacher, Schachter traces the unlikely path that brought him into the heart of the art world — a place he insists remains strangely conservative despite all its pretenses of progress. The discussion moves between personal history and systemic critique. Schachter recounts the role of art in surviving trauma, loss, and addiction, and why surrounding himself with works by others has been both solace and education. He reflects on the stubborn conservatism of the market, celebrity crossovers from Johnny Depp to Julian Schnabel, and the tension between wanting freedom and the systems that resist it. For Schachter, art is both a lifeline and a way to comment on the world's chaos — a practice rooted in generosity, curiosity, and contradiction. This episode captures him at his most reflective and most biting, moving from humor to vulnerability and back again. Highlights • Schachter's first encounters with Twombly, Rauschenberg, and Frankenthaler at the National Gallery. • The shock of Andy Warhol's estate sale in 1988. • Dealer-to-dealer hustling as an unlikely entry into art. • Why “there are no rules” is his best definition of being an artist. • The paradox of an art world that markets rebellion but runs on tradition. Names Dropped Andy Warhol I.M. Pei, https://www.pcf-p.com/about/i-m-pei/ Chase Manhattan Bank, https://www.jpmorganchase.com/about/art-collection Christie's, https://www.christies.com/en Sotheby's, https://www.sothebys.com/en/ Phillips Auction House, https://www.phillips.com/ Patrick Drahi, https://www.artnews.com/art-collectors/top-200-profiles/patrick-drahi/ Leonard Lauder, https://www.artnews.com/art-news/news/leonard-lauder-sothebys-klimt-matisse-1234751922/ The Pritzker family, https://www.artnews.com/art-news/news/pritzker-art-collection-sothebys-breuer-1234751864/ Elaine Wynn, https://www.christies.com/en/events/the-collection-of-elaine-wynn Wyatt Kline, https://unframed.lacma.org/2014/01/28/contemporary-friends-acquire-ten-new-works-by-artists-from-around-the-world Alex Burns, Felix Reuter (Ryder), https://felixreuter.bandcamp.com/ Guerrilla Girls, https://www.guerrillagirls.com/ Old Friends Gallery, https://www.oldfriendsgallery.com/ David Letterman, https://en.wikipedia.org/wiki/David_Letterman The Suburban, http://www.thesuburban.org/

Kerry James Marshall: The Histories at the Royal Academy of Arts in London is the largest ever European retrospective of the work of the US artist and has been greeted with universal critical acclaim. Ben Luke takes a tour of the exhibition with Mark Godfrey, its curator, and visits a related exhibition of Marshall's graphic novel project, Rythm Mastr, at The Tabernacle in Notting Hill, London, with the co-curator of that show with Godfrey, Nikita Sena Quarshie. Last week, the National Gallery in London announced that it will build a major new extension, at a cost around £400m, of which £375m has already been raised. Project Domani, as it is called, is billed by the National as the largest transformation since it was founded, 200 years ago. The National will also expand its collecting boundary beyond 1900 in a major shift in the division of UK national collections. The Art Newspaper's digital editor, Alexander Morrison, talks to the director of the National Gallery, Gabriele Finaldi. And this episode's Work of the Week is The Three Dancers by Pablo Picasso, one of the greatest of all the many thousands of works by the Spanish artist. The painting was made in 1925 and Tate Modern is celebrating its centenary with an exhibition, Theatre Picasso, in which The Three Dancers is the centrepiece. Ben talks to Natalia Sidlina, co-curator of the exhibition, and to Enrique Fuenteblanca who, with the artist Wu Tsang, has designed the radical staging of the exhibition.Kerry James Marshall: The Histories, Royal Academy of Arts, London, 20 September-18 January 2026; Kunsthaus Zürich, 27 February-16 August 2026; Musée d'Art Moderne de Paris, 18 September 2026-24 January 2027; Rythm Mastr: The Chronicles, The Tabernacle, London, until 14 December.Theatre Picasso, Tate Modern, London, until 12 April 2026.Student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available. https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

For the latest episode of the A is for Architecture Podcast, I spoke to architectural historian, writer and curator, Sir Charles Saumarez Smith CBE about his forthcoming book, John Vanbrugh: The Drama of Architecture, which is due out with Lund Humphries in November this year. Sir John Vanbrugh (1664–1726) was an English dramatist turned architect, best known for designing Castle Howard and Blenheim Palace, two of the most ambitious Baroque buildings in Britain. A member of the Whig elite and the Kit-Cat Club, Vanbrugh's work can be read through the social forms of his times but, as Sir John suggests, more importantly in the context of his unique theatrical imagination as it was revealed through his collaborations with professional architects, like Nicholas Hawksmoor. Mocked in his own life, Vanbrugh is now celebrated as one of England's most original and daring architects.Sir Charles was chief executive of the Royal Academy of Arts (2007-2018), director of the National Gallery (2002 – 2007) and before that, director of the National Portrait Gallery (1994 – 2002). He can, as such, be found everywhere online. You may seek him on LinkedIn and his personal website. The book is linked above.In our own time we are #blessed with #Heatherwick. But back then, they had #Vanbrugh.+Music credits: ⁠Bruno Gillick 

Convocation /Roberta AhmansonRoberta Green Ahmanson is a writer, speaker, and philanthropist who focuses on the confluence of religion, art, and culture. For the past 30 years her work has been influenced by travel across the globe. In 2022 she and her husband Howard led a tour for seven presidents of historic Christian colleges to experience the DNA of the Christian faith through its art and architecture, starting at the Church of the Holy Sepulcher in Jerusalem, journeying to Rome, Pisa, Bologna, Ravenna, Padua, Venice, Aachen, Ghent, and London. Her focus is on the ways built reality embodies ideas and even doctrine. She and her husband have sponsored exhibitions at the National Gallery in London including The Sacred Made Real and Francis of Assisi. She is a member of the Collectors Committee of the National Gallery in Washington, D.C. She is coming to the finish line of a book on how longing for the New Jerusalem has shaped art and architecture in the West. She has been a teacher and a journalist covering religion.

Ready to fall asleep faster than ever? In tonight's tale, Geoffrey will take you on a relaxing tour of London's National Gallery, where you can linger, undisturbed by crowds, among some of the world's most exquisite works of art... Love Night Falls?

Robert Plant on his journey from Led Zeppelin to his latest album of folk songs. Creator of V for Vendetta and Watchmen, Alan Moore is probably the world's most acclaimed writer of comic books, a medium he now eschews. Moving into novels, he has explored his hometown Northampton in widely praised work like Jerusalem, but his latest - The Great When - is an otherworldly exploration of literary London, inspired by the psychogeography of Iain SInclair and horror writing of Arthur Machen. From Seurat to Van Gogh, we mark a new exhibition at the National Gallery with a dive into the entrancing light and pontillist glow of the neo-impressionists. Co-curator Julien Domercq and art expert Anthea Callen are on to discuss. With the National Short Story Awards approaching, we speak to shortlisted author Emily Abdeni-Holman about her entry, Yair.

Samantha Peart has worked across 20 different countries, involving sustainability strategies and multidisciplinary project delivery for commercial and residential buildings, healthcare facilities, retail developments, university campuses, large-scale infrastructure projects and organisations. In her role as Hassell's Global Head of Sustainability, Peart is leading the drive for innovation in sustainable design, helping to steer Hassell's mission to become a more sustainable and forward-thinking practice. Prue Pascoe, Associate Interior Designer at Hassell has played a key role in the design of the Design Wall 2023. The Design Wall is part of the Melbourne Now exhibition and showcases innovative product design from Melbourne at the National Gallery of Victoria (NGV).In this interveiw Samanatha and Prue discuss teh drive towards Closing the Loop and in what ways are smart technologies (IoT, AI, data analytics) driving sustainability in building operations and infrastructure management.This podcast is brought to you in association with Autex Acoustics, proud sponsors of our 2025 Sustainability series of podcasts.

Laurence Marks and Maurice Gran have created some of comedy's most beloved characters, including Birds of a Feather's Sharon and Tracey, and The New Statesman's Alan B'Stard. As their play Dr Freud Will See You Now Mrs Hitler comes to London, they discuss alternate histories, the limits of comedy, and how they still make each other laugh. Medea remains one of the most complex and terrifying characters in mythology, and Natalie Haynes's new novel No Friend to this House reimagines the story of the sorceress from Colchis. She discusses depictions of Medea with theatre director Carrie Cracknell. As the National Gallery launches an architectural competition to build a new wing, funded by two huge donations from charitable foundations, art curator and critic Kate Bryan joins Tom to discuss what the building might hold, how the National Gallery might be able to attract new audiences, and the place of art in today's world. And the award-winning pianist Jeneba Kanneh-Mason joins Front Row to talk about her upcoming concerts, her album Fantasie and gives us a special performance. Presenter: Tom Sutcliffe Producer: Tim Bano

Zo is on one of his visits to the National Gallery of Art looking at beautiful artifacts found all over the world. Where are these things found and what ordeal does one go through to collect these priceless treasures? Zo imagines that it would take people with considerable resources, knowledge and grit. He had once read about a famed archeologist who risked life and limb and journeyed to the four corners of the Earth in order to retrieve forgotten treasures in an effort to share his finds with the citizens of the world. Through these artifacts he hoped to enrich the lives of everyday people and teach them about far flung cultures and lost civilizations. There was even a rumor that this archologist nearly lost his life looking for the actual Holy Grail, and that this distinguished gentleman, Dr. Henry Jones, Sr. was saved from death by the efforts of his son, a renowned archeologist in his own right, and their mutual friends. Though Dr. Jones, Sr. named his only son after himself, his son never appreciated the moniker of "Junior" and would rather be known as "Indiana" Jones and this was their last crusade. Episode Segments00:08:04 Opening Credits for Indiana Jones and the Last Crusade starring Harrison Ford, Sean Connery and Alison Doody00:15:52 Favorite Parts of the 1989 film: Indiana Jones and the Last Crusade00:52:11 Trivia from the fantasy adventure: Indiana Jones and the Last Crusade00:58:19 Critics' Thoughts on Steven Spielberg's Indiana Jones and the Last Crusade #IndianaJonesandtheLastCrusade #HarrisonFord #SeanConnery Please leave a comment, suggestion or question on our social media: Back Look Cinema: The Podcast Links:Website: www.backlookcinema.comEmail: fanmail@backlookcinema.comYouTube: https://www.youtube.com/@backlookcinemaTwitter: https://twitter.com/backlookcinemaFacebook: https://www.facebook.com/BackLookCinemaInstagram: https://instagram.com/backlookcinemaThreads: https://www.threads.net/@backlookcinemaTikTok: https://www.tiktok.com/@backlookcinemaTwitch https://www.twitch.tv/backlookcinemaBlue Sky: https://bsky.app/profile/backlookcinema.bsky.socialMastodon: https://mstdn.party/@backlookcinemaBack Look Cinema Merch at Teespring.comBack Look Cinema Merch at Teepublic.com Again, thanks for listening.

Helms, Franz-Paul www.deutschlandfunkkultur.de, Studio 9

durée : 00:16:02 - Disques de légende du jeudi 28 août 2025 - Grande figure du piano en Grande-Bretagne, Myra Hess fut l'âme musicale de Londres pendant la seconde guerre mondiale avec ses concerts à la National Gallery. Ses Bach enregistrés, portés par un toucher d'une délicatesse miraculeuse, gardent une intensité intemporelle. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Shirley Moorhouse was 65 when she decided to pursue a Master of Fine Arts. Though she's been creating art for more than three decades, now, at age 69, she's finally having her moment. This year, the Labrador-based Inuk artist is on the longlist for the prestigious Sobey Art Award, a major solo exhibit of her work is currently on display in St. John's, and one of her wall hangings will be shown at the National Gallery of Canada come October. Shirley speaks with guest host Gill Deacon about how her grandmother set her on course to become an observer and a creator when she was just a newborn, the technique behind her wall hangings, and how it feels to be in the prime of her creative life.

Celebrate the National Gallery Singapore’s 10th anniversary with curators Shujuan Lim and Jennifer Lam, the creative minds behind "Dalam Collection: Where Ink Tides Meet." This exhibition, running until 16 November 2025, showcases over 50 ink works—many on public view for the first time—spanning more than a century of artistic expression. From Khoo Seok Wan’s delicate orchids to Hong Zhu An’s "Idle Thoughts," the collection bridges tradition and innovation, spotlighting 19 Singaporean artists among a total of 31.In this Singapore Home Brew Segment on the “Saturday Mornings Show” with host Glenn van Zutphen and co-host Neil Humphreys, we explore why ink was chosen as the medium to launch the Gallery’s new Dalam Collection series, and how curatorial decisions were shaped by deep research across Southeast Asia and beyond. Shujuan and Jennifer share insights into the exhibition’s themes, the evolving role of ink in contemporary art, and what visitors can expect to take away from this immersive experience that gives a reflection on heritage, identity, and artistic evolution.See omnystudio.com/listener for privacy information.

From Jordan's Waters to Eternal Life: Living Christ's Command of Love The Homily weaves together the Gospel command of Christ . . . . . . to “love one another as I have loved you” with the biblical symbolism of the Jordan River, the sacrament of Baptism, the Eucharist, and the witness of St. Maximilian Kolbe. The crossing of the Jordan foreshadowed baptism, where Christ consecrated the waters to grant eternal life. Baptism is not merely symbolic but transforms us into sharers of Christ's death and resurrection, directing us toward our eternal homeland. The Eucharist deepens this call, reminding us that love means self-giving. St. Maximilian Kolbe embodies this truth, freely offering his life in place of another at Auschwitz, living out Christ's command of sacrificial love. The newly consecrated tabernacle at the shrine thus becomes a profound sign of Christ's abiding presence, love, and the command to imitate Him. Listen to this Meditation Media. Listen to From Jordan's Waters to Eternal Life: Living Christ's Command of Love ------------------------------------------------------------- The Baptism of Christ: Italian painter: Paris Paschalinus Bordone: 1535-1540 The painting resides at the National Gallery of Art in Washington, D.C.

Este episodio forma parte de una selección para el verano de EL PAÍS Audio. Se emitió el 23 de mayo de 2024. El Salvator Mundi, atribuido a Da Vinci, es la pintura por la que más se ha pagado en el mundo: 450 millones de dólares. También una de las más misteriosas. Su pista nos lleva desde una modesta casa de subastas de Nueva Orleans a la National Gallery de Londres; también a la colección de un oligarca ruso y, al yate de lujo del príncipe saudí. No sabemos con certeza dónde está, pero su recorrido estrambótico nos dice mucho del mundo del arte y del dinero. CRÉDITOS: Realización y presentación: Ana Fuentes Con información de: Miguel Ángel García Vega Edición: Ana Ribera Dirección: Silvia Cruz Lapeña Diseño de sonido: Nacho Taboada Sintonía: Jorge Magaz Si tienes quejas, dudas o sugerencias, escribe a defensora@elpais.es o manda un audio a +34 649362138 (no atiende llamadas).

The material is used for the purpose of education, commentary and criticism, which falls under the fair use doctrine of copyright law. No copyright infringement is intended. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. ALL RIGHTS BELONG TO THEIR RESPECTIVE OWNERS”#aesthetics #IsaiahBerlin #romanticism #arts #culture In this, the third episode on Isaiah Berlin and Romanticism I focus on a couple of examples of the period from 1779-1830 as well as 1980s and 2010 representations and reflections on this late 18th century and early 19th century period.*Special Correction- in this episode Mitch gives commentary on the wonderful film "Tender Mercies" and the lead actress is Tess Harper, not Kate Mulgrew ( both fabulous ).More on this mini series, here:In this, our new special topic, “All About Aesthetics”, I will begin a miniseries on Isaiah Berlin's theory of Romanticism, taken from his important lectures in the 1960s at the National Gallery and elsewhere, and starting from his unequivocal assertion that Romanticism was “the single greatest shift in the consciousness of the West that has occurred” I will inquire into the many effects of this shift, most of which are taken for granted and have been indispensable to forming the works of art, both popular and high, that we have most enjoyed or given importance. The series will include discussion of MGM musicals in Hollywood, melodrama films, novels, standup comedy, improvised jazz performances and much more.Learning Links related to this stream:   • Romanticism - Isaiah Berlin (1965)  https://isaiah-berlin.wolfson.ox.ac.u...#History #literature #movies #love #Hollywood #comedy #tragedy #freedom #liberty #classical #modern #postmodern #religion #spirituality #wordsworth #coleridge #keats #brightstar #lyricalballads #verse #isaiahberlin #russia #germany #France #uk #greatbritain #england #jazz #rock #africanamerican #existentialism #standupcomedy #tradition #thirtyyearswar #communism #fascism #ecology #environmentalism #intellectualhistory #culturalstudies #authenticity #sincerity #annaakhmatova #poetry #brontesisters #lordbyron #painting #caspardavidfriedrich #eletricguitar #powerballad #romance #feminism #democracy #liberalism #immanuelkant #rousseau #diderot #socialcontract #civility #manners #civillization #anarchism

你有多久没有去看现当代艺术了？你有多久没有花钱去民营美术馆看现当代艺术了？ 近来不时传出民营美术馆停止运营，民营美术馆遭遇经营困难的消息。官办馆的运营状况倒是少有耳闻，毕竟有财政托底。当下也只有上海的官方美术馆有能力大搞西方著名馆藏ip的借展。 民营美术馆大多是以现当代艺术为主要经营对象的。特朗普对全世界发起关税战，日本保守在野党成功上岸参议院，这样的大背景下，仔细看，溃败的不只是民营馆艺术馆们，发端自西方的当代艺术也在溃败。 这一切，我们从thom yorke在牛津的展览，从tillmans在蓬皮杜的回顾大展，慢慢说起。 ps. 首先，wayayaya 收听方式: 小宇宙 / apple podcasts / Spotify 。 其次，听友专享福利。 ■ 主播 杨老师 游戏时长11小时 · ■ Cover art 中作品 IMark Pritchard & Thom Yorke - Back in the Game (Official Video) · ■ Song List Radiohead - 2 + 2 = 5 · ■ 延伸阅读 THIS IS WHAT YOU GET STANLEY DONWOOD | RADIOHEAD | THOM YORKE https://www.ashmolean.org/exhibition/this-is-what-you-get-stanley-donwood-radiohead-thom-yorke A succession of bad paintings': Stanley Donwood and Radiohead's Thom Yorke – review https://www.theguardian.com/artanddesign/2025/jul/29/stanley-donwood-thom-yorke-this-is-what-you-get-review-radiohead-ashmolean-museum Wolfgang Tillmans Nothing could have prepared us – Everything could have prepared us https://www.centrepompidou.fr/en/program/calendar/event/nSlcbMZ ⭐ Wolfgang Tillmans takes you on a tour of his exhibition at the Centre Pompidou! https://www.youtube.com/watch?v=FBOCcvkEC9w Why Is L.A.'s Top Gallery Closing? Let the Owner Tell You. https://www.nytimes.com/2025/07/09/arts/design/tim-blum-la-gallery-art-closing.html Tate reveals the main reason for its lower attendance figures https://www.theartnewspaper.com/2025/07/29/tate-says-drop-in-student-age-visitors-from-eu-is-main-reason-for-fall-in-attendance-figures Picture is rosy for 200-year anniversary of National Gallery as visits hit 3million https://www.standard.co.uk/news/london/national-gallery-200th-anniversary-trafalgar-square-gabriele-finaldi-vincent-van-gogh-b1142264.html How many visitors is too many? Paris museums confront ‘over-attendance' https://www.theartnewspaper.com/2025/04/01/how-many-visitors-is-too-many-paris-museums-deal-with-over-attendance 东一美术馆即将闭展告别外滩 http://www.why.com.cn/epublish/qnb/html/2025-02/07/content_124_30092.htm 浦东美术馆四年吸引观众近300万人次 https://www.pudong.gov.cn/0060011/20250710/810359.html 多地网红民营美术馆倒闭，曾经的“艺术地标”去向何处？ https://tidenews.com.cn/news.html?id=3178240&from_channel=5d8b4d25cf8dfd0001a4143c&top_id=3178318 孙一钿：毫无畏怯 https://mp.weixin.qq.com/s/yz_y04zrrE0WVnYB0q_URw · ■ sns 感谢你的收听！关于节目和主播的动态，欢迎关注我们的社交号： 「一画一话」微博 「一画一话」豆瓣 杨老师微博 另一位主播微博 Instagram上也可以找到我们。 如果你喜欢我们的节目请在你常用的平台留下好评，将节目分享给你的朋友。 · ■ 进入听友不说话群 添加小助手微信号：tvtproject · ■ 付费订阅 patreon 订阅 爱发电 订阅 · ■ say hi info（at）theviewtalk.com

Ep.252 Howardena Pindell was born in 1943 in Philadelphia, Pennsylvania and lives and works in New York. She has exhibited extensively, including selected solo exhibitions at Fruitmarket, Edinburgh, UK, touring to Kettle's Yard, Cambridge, UK, Spike Island, Bristol, UK, and Irish Museum of Modern Art, Dublin (2022–23); Baltimore Museum of Art, Maryland (2022); The Museum of Fine Arts Houston, Texas (2022); The Shed, New York, touring to Oklahoma Contemporary, Oklahoma City (2021–22); Museum of Contemporary Art, Chicago, Illinois (2018); Spelman College Museum of Fine Art, Atlanta, Georgia (2015); Cleveland Institute of Arts, Ohio (1994); Wadsworth Atheneum, Hartford, Connecticut (1989); The Studio Museum in Harlem, New York (1986); Birmingham Museum of Art, Alabama (1985); A.I.R Gallery, New York (1983); and Rockefeller Memorial Galleries, Spelman College, Atlanta, Georgia (1971). Selected group exhibitions include The Kitchen, New York (2024); Louisiana Museum of Modern Art, Humlebæk, Denmark (2024); Museum of Modern Art, New York (2023); National Gallery of Art, Washington, DC (2022); Guggenheim Bilbao, Spain, touring to Centre Pompidou, Paris (2021); Tate Modern, London, touring to Brooklyn Museum, New York and Broad Museum, Los Angeles, California (2017–19); Brooklyn Museum, New York (2017); Museum Moderner Kunst Stiftung Ludwig Wien, Austria, touring to Museum Brandhorst, Munich, Germany (2016); Contemporary Arts Museum, Houston, Texas (2013); Seattle Art Museum, Washington (2009); Museum of Contemporary Art, Los Angeles, California (2007); and The Studio Museum in Harlem, New York (2006). Credit: Howardena Pindell, 2018, Photo © Nathan Keay White Cube https://www.whitecube.com/gallery-exhibitions/howardena-pindell-hong-kong-2024 Garth Greenan https://www.garthgreenan.com/artists/howardena-pindell MoMA https://www.moma.org/artists/4625-howardena-pindell NYTimes https://www.nytimes.com/interactive/2025/06/09/t-magazine/howardena-pindell.html | https://www.nytimes.com/2020/10/16/arts/design/howardena-pindell-shed-video.html Fruitmarket https://www.fruitmarket.co.uk/howardena-pindell/ Stony Brook University https://www.stonybrook.edu/commcms/art/people/faculty-staff/howardena-pindell

Sir Keir Starmer and Emmanuel Macron's migrant deal comes into force today, with detentions set to begin from tomorrow. The ‘one in, one out' pilot scheme allows the UK to send some people who have crossed the Channel back to France, in exchange for asylum seekers with ties to Britain. Daniel Sohege, a specialist in international refugee law and protection, and the director of human rights organisation Stand For All, joins us to discuss whether it will deter people from crossing the Channel. And in part two, The National Gallery has announced that a citizens' assembly will help shape its future. The Standard's columnist and arts critic, Melanie McDonagh shares her thoughts. Hosted on Acast. See acast.com/privacy for more information.

From his home in Silkeborg, Aalborg-born Danish whisky maker and co-founder of Stauning Whisky ALEX HØJRUP MUNCH talks about the award-winning New World premium rye whisky. He shares the joy of introducing Stauning to Americans, and reflects on the challenges breaking into the US market, and the effects of evolving tariff policies. On the business that began with nine founders on the Danish west coast focusing on rye, a Danish grain, Alex discusses working with friends and staying local.Alex selects the building of the National Gallery of Denmark.https://www.smk.dk/en/section/about-smk/?modal=9(Photographer: Katrine Brønd)----------We invite you to subscribe to Danish Originals for weekly episodes. You can also find us at:website: https://danishoriginals.com/email: info@danishoriginals.com----------And we invite you to donate to the American Friends of Statens Museum for Kunst and become a patron: https://donorbox.org/american-friends-of-statens-museum-for-kunst

Send us a textIn this episode of Art Wank, we sit down with one of Australia's most respected – and at times divisive – voices in the art world, John McDonald. Known for his decades-long career as an art critic and columnist, John brings sharp insight, dry humour, and a deep knowledge of art history to the conversation.We discuss the role and relevance of art prizes in today's cultural landscape, including whether they truly reflect quality or simply reinforce trends and institutional biases. John shares his candid thoughts on the Archibald Prize, among others, and questions the criteria by which we measure artistic merit in competitive formats.Our chat turns to the shifting state of the Powerhouse Museum and the controversial changes that have sparked public outcry. John offers a well-informed perspective on how institutions like the Powerhouse serve (or fail to serve) their communities, and what's at stake when decisions are made without proper consultation.We also touch on public art and the recent Lindy Lee sculpture installed at the National Gallery of Australia. While acknowledging her important place in Australian art, John questions the processes behind major commissions and whether spectacle sometimes overshadows substance in large-scale public works.This episode is a lively, thought-provoking conversation about the state of the Australian art world — its politics, pitfalls, and potential — from someone who's spent a lifetime analysing it. Whether you agree or disagree with his views, John McDonald is never boring, and his insights are well worth a listen. If you'd like to read more of John McDonald's writing, subscribe to his Substack, Everything the Art World Doesn't Want You to Know. 

Today on What's My Frame I'm joined by Writer/Director, Ryan Landels. This is a beautiful episode spotlighting the importance of community and finding your fellow collaborators. Ryan is a Canadian-born American writer/director who recently sold his genre-bending thriller CUL-DE-SAC to Sony, with his frequent collaborator Jon M. Chu (WICKED) producing.He is currently developing a project in the vein of PIRATES OF THE CARIBBEAN for Hobie Films, which got both Matt Shakman (THE FANTASTIC FOUR: FIRST STEPS) and Joachim Rønning (TRON: ARES) attached in the pitch stage. Ryan is also writing a four-quadrant fantasy adventure for Electric Somewhere, and wrote the screenplay for JEM AND THE HOLOGRAMS – Universal's live-action adaptation of Hasbro's toyline and animated series that was theatrically released worldwide.In TV, Ryan wrote the multiple Primetime Emmy-winning BEAUTY AND THE BEAST: A 30TH CELEBRATION for Disney+ and ABC, with the hybrid live-action and animation tribute starring Martin Short, Josh Groban, Rita Moreno, David Alan Grier and H.E.R. He recently wrote and directed the hit original movies SANTA TELL ME and SUGARPLUMMED for Hallmark, with SANTA TELL ME becoming the No. 1 new Christmas movie of 2024 across all broadcast networks and streaming platforms. Ryan also adapted TOM CLANCY'S GHOST RECON: WILDLANDS for Amazon and Ubisoft, created and directed ABBY NORMAL for Disney Channel, and wrote and directed on three seasons of Hulu and Paramount's hit streaming series, THE LXD.Ryan is a graduate of the USC School of Cinema-Television, which he attended with the support of a scholarship from the Hollywood Foreign Press Association. His thesis film THE MIDNIGHT EXPRESS went to more than thirty festivals internationally, won the Audience Award at Slamdance and was featured in the National Gallery of Art in Washington, D.C.Ryan is based out of Los Angeles and a member of the Writers Guild of America, the Producers Guild of America, the Directors Guild of Canada and the Television Academy. He is represented by Rob Carlson at the United Talent Agency and Mike Fera at Kaplan/Perrone.Official SiteFollow Ryan on InstagramTHE MIDNIGHT EXPRESS--What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Today, Ceri sits down with the brilliant Shezad Dawood, whose expansive practice spans painting, textile, sculpture, film and digital media. He weaves stories, realities and symbolism to create richly layered worlds, and exhibits at leading institutions worldwide, from MoMA and the ICA to the Venice Biennale, Guangzhou Triennial and Manifesta. His works are held in major collections including the Guggenheim, Tate, LACMA, the National Gallery of Canada, and the British Museum. Shezad unpacks the inspiration behind his work. He shares why he always proposes the most ambitious, even bonkers ideas, how he maximises every project and why he stays clear of social media. Whether you're early in your career or looking to push your work further, this conversation is packed with insight from playing the long game as an artist. KEY TAKEAWAYS Your artistic voice emerges from a willingness to play, to fail, and to continuously reimagine your practice. It's less about perfection, and more about persistent, passionate inquiry. The intersection of artistic vision and community engagement is where the real magic happens. Shezad's approach to public art is revolutionary: it's not about imposing a vision, but creating a generous, collaborative dialogue. Your intuition is what will lead you to the right place. BEST MOMENTS "He was a really tough critic and teacher who would question every brush mark. It just gave me this real sort of critical kind of eye and voice on my own work.” “Stay with your practice. Keep developing, keep working at it. Don't be easily dissuaded, deterred, distracted or pushed into an avenue you don't want to go down." “Engage with people. You might have a coffee with somebody, they say something, and you think “Oh, that´s the missing thing that I was sort of looking for.” EPISODE RESOURCES https://shezaddawood.com PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** The Artist Mastermind Circle: Ready to stop second-guessing and start building momentum in your art career? Applications are now open for the next Artist Mastermind Circle—a six-month coaching programme for mid-career artists who are serious about growing their confidence, income, and opportunities. Apply by September 15th 2025 at https://cerihand.com/artist-mastermind-circle/ and take the next bold step. Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

In this Singapore Home Brew, we celebrate the vibrant intersection of art and national identity in a milestone year—Singapore turns 60, and the National Gallery marks its 10th anniversary. Joining us on the line is Dr. Adele Tan, Senior Curator at the Gallery and the guiding voice behind one of its most anticipated exhibitions: Singapore Stories: Pathways and Detours in Art. This full-scale unveiling traces the evolving narratives of our visual culture, reflecting the dynamic turns and thoughtful detours that have shaped Singapore’s artistic journey. We’ll explore how the artworks were curated to tell these stories, how new project spaces are expanding the exhibition’s reach and relevance, and what surprises await visitors who step into this immersive cultural archive. Dr. Tan, welcome to the show—and let’s begin with what this exhibition means on such a landmark birthday for both Singapore and the Gallery. Join “Saturday Mornings Show” host Glenn van Zutphen and co-host Neil Humphreys.See omnystudio.com/listener for privacy information.

This is a special episode in which I'm reflecting on a unique experience that I undertook: visiting 9 Ottawa museums in just 3 days to explore how each one creates meaningful, accessible, and inspiring learning experiences. This whirlwind tour includes 7 of Canada's national museums: Canada Agriculture and Food Museum - https://ingeniumcanada.org/cafm Canada Aviation and Space Museum - https://ingeniumcanada.org/casm Canadian Museum of History - https://www.historymuseum.ca Canadian Museum of Nature - http://nature.ca Canada Science and Technology Museum - http://ingeniumcanada.org Canadian War Museum - https://www.warmuseum.ca National Gallery of Canada (Including an interview with Kathryn Lyons, Director of Learning and Community Engagement - https://www.linkedin.com/in/kathryn-lyons-48a6253/ ) http://www.gallery.ca Plus, two additional Ottawa landmarks: Royal Canadian Mint - https://www.mint.ca/en Bytown Museum - http://bytownmuseum.ca While each of these remarkable museums easily warrants a full day, I'm using the new 3-Day Museum Pass from Ottawa Tourism, which is a great way to see what each museum has to offer. Ottawa Museum Pass https://ottawatourism.ca/en/ottawa-insider/explore-ottawas-museums-ottawa-museums-pass?gad_source=1&gad_campaignid=22501991642&gbraid=0AAAAA-NkCBJ8OQutpMd54a4wyAFE5Zi3B&gclid=EAIaIQobChMIntnbs-nYjgMVilN_AB2NsjYgEAAYAiAAEgKnPfD_BwE Ottawa Tourism https://ottawatourism.ca/en?fbclid=IwZXh0bgNhZW0CMTEAAR6mJqJqOQlwQnuz9-vM4Q20AQu0eNNQlW_lnjAo_R6H20kfO0SGb_qIYC8DeA_aem_ry7fXUc3ozpQdV-neRnTGA

More than one third of MPs, drawn from across the political parties, have signed a letter urging the Prime Minister to give official recognition to a Palestinian state.The letter piles pressure on Sir Keir Starmer after France committed to recognising a Palestinian state within months.Thailand warns two days of border clashes with Cambodia could 'move towards war'And as it gets ready to celebrate its 200th birthday, we take a look at preparations for a street party outside the National Gallery.

In this NBN episode, host Hollay Ghadery speaks with poet and visual artist Zachary Logan about his beautiful collection of poetry and art, Green (Radiant Press, 2025).  An exciting new collection of ekphrastic poems accompanied by a compilation of green sketches via the lens of a queer poet and visual artist. Zachari Logan carried a sketchbook as he travelled the world and responded to iconic artwork as well as art that once existed but is now lost, destroyed, or far away. Whimsical art and thoughtful poems that ponder the nature of existence. Zachari Logan is a queer Canadian settler poet and artist whose artwork has been exhibited throughout North America, Europe and Asia. Logan's work can be found in collections worldwide, including the National Gallery of Canada, Art Gallery of Ontario, Remai Modern, Peabody Essex Museum, McMichael Canadian Art Collection and Nerman MOCA among many others. In 2014 Logan received the Lieutenant Governor's Emerging Artist Award, in 2015 he received the Alumni of Influence Award from the University of Saskatchewan and in 2016 Logan was long-listed for the Sobey Art Award. In 2010, his chapbook, A Eulogy for the Buoyant, was published by JackPine Press and in 2021, A Natural History of Unnatural Things, was published by Radiant Press. Logan's artwork and writing has been featured in many publications throughout the world. Zachari Logan lives in Regina, Saskatchewan. “Green is a ravishing compendium of attention—a book that bristles with subtle and unexpected poetic turns, and the peculiar thrum of being human in a world increasingly out of step with itself. Here, the act of writing is inseparable from drawing, from walking, from remembering, from witnessing—and from loving, deeply, the fragile and persistent textures of the earth. Zachari Logan's poems pulse with vegetal sensitivity, moving between alleyways and art history, between inner monologue and ecological longing. Green is not merely a colour: it is an atmosphere, a consciousness, a sensual and moral register. What it captures is more than the sum of its fragments—it is their residue, their ache, their adaptation, their ephemeral and often unintelligible traces. There is a deep and haunting beauty across these pages, but also fury, wit, and a quiet defiance. A sensual invitation to pay attention, this little but mighty book is not only an artistic gesture, but a political and ethical one. With luminous precision and a mind turned toward both the microscopic and the mythic, Green is a spell cast in language and images—one that lingers long after the page is turned.”— Giovanni Aloi, author of Lucian Freud: Plant Portraits, Botanical Revolutions: How Plants Changed the Course of Art and Speculative Taxidermy: Natural History, Animal Surfaces, and Art in the Anthropocene“A poem in its very color; deep green, wildly queer. This book captivates with its folds and cracks. The dissection of worlds, coupled with meticulous sketches of botany, art and the quotidian carried by the fascinating complexity of nature. One is lost between the body of a naked man or an abandoned thistle flower in a thick ditch. At once a sketchbook, a collection of poems, and an essay- this collection opens a door to the striking universe of Zachari Logan.”— Julie Hetu, author of Pacific Bell, Les dormeurs de Nauru and MotZachari Logan Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN episode, host Hollay Ghadery speaks with poet and visual artist Zachary Logan about his beautiful collection of poetry and art, Green (Radiant Press, 2025).  An exciting new collection of ekphrastic poems accompanied by a compilation of green sketches via the lens of a queer poet and visual artist. Zachari Logan carried a sketchbook as he travelled the world and responded to iconic artwork as well as art that once existed but is now lost, destroyed, or far away. Whimsical art and thoughtful poems that ponder the nature of existence. Zachari Logan is a queer Canadian settler poet and artist whose artwork has been exhibited throughout North America, Europe and Asia. Logan's work can be found in collections worldwide, including the National Gallery of Canada, Art Gallery of Ontario, Remai Modern, Peabody Essex Museum, McMichael Canadian Art Collection and Nerman MOCA among many others. In 2014 Logan received the Lieutenant Governor's Emerging Artist Award, in 2015 he received the Alumni of Influence Award from the University of Saskatchewan and in 2016 Logan was long-listed for the Sobey Art Award. In 2010, his chapbook, A Eulogy for the Buoyant, was published by JackPine Press and in 2021, A Natural History of Unnatural Things, was published by Radiant Press. Logan's artwork and writing has been featured in many publications throughout the world. Zachari Logan lives in Regina, Saskatchewan. “Green is a ravishing compendium of attention—a book that bristles with subtle and unexpected poetic turns, and the peculiar thrum of being human in a world increasingly out of step with itself. Here, the act of writing is inseparable from drawing, from walking, from remembering, from witnessing—and from loving, deeply, the fragile and persistent textures of the earth. Zachari Logan's poems pulse with vegetal sensitivity, moving between alleyways and art history, between inner monologue and ecological longing. Green is not merely a colour: it is an atmosphere, a consciousness, a sensual and moral register. What it captures is more than the sum of its fragments—it is their residue, their ache, their adaptation, their ephemeral and often unintelligible traces. There is a deep and haunting beauty across these pages, but also fury, wit, and a quiet defiance. A sensual invitation to pay attention, this little but mighty book is not only an artistic gesture, but a political and ethical one. With luminous precision and a mind turned toward both the microscopic and the mythic, Green is a spell cast in language and images—one that lingers long after the page is turned.”— Giovanni Aloi, author of Lucian Freud: Plant Portraits, Botanical Revolutions: How Plants Changed the Course of Art and Speculative Taxidermy: Natural History, Animal Surfaces, and Art in the Anthropocene“A poem in its very color; deep green, wildly queer. This book captivates with its folds and cracks. The dissection of worlds, coupled with meticulous sketches of botany, art and the quotidian carried by the fascinating complexity of nature. One is lost between the body of a naked man or an abandoned thistle flower in a thick ditch. At once a sketchbook, a collection of poems, and an essay- this collection opens a door to the striking universe of Zachari Logan.”— Julie Hetu, author of Pacific Bell, Les dormeurs de Nauru and MotZachari Logan Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

We talk Frederick Wiseman's National Gallery (2014) with film critic Philip Concannon.0:00: intro99:30: chat w/Concannonwisemanpodcast@gmail.com

Hans Holbein's Tudor masterpiece known as the Ambassadors was painted in 1533, the year when Henry VIII changed the course of history. Religious turmoil sweeps through Europe and Anne Boleyn is Queen of England.     Two Ambassadors choose to capture this pivotal moment of religious and political upheaval, but who were they and what did they want this painting to convey?   In today's episode we join Tracy Borman, Chief Historian, as she explores the painting known as The Ambassadors, by Hans Holbein.   You can view The Ambassadors in high resolution here.  Thank you to the National Gallery for letting us record in front of the painting. 

Tuần trước, phòng triển lãm Tate Modern tại London đã chính thức khai mạc cuộc triển lãm cá nhân lớn đầu tiên tại châu Âu, dành cho họa sĩ thổ dân danh tiếng của Úc là bà Emily Kam Kngwarray. Sự kiện mang tính lịch sử này được chuẩn bị trong suốt 5 năm, là kết quả hợp tác giữa Tate và Phòng triển lãm Quốc gia Úc hay National Gallery of Australia, nhằm vinh danh một trong những danh họa nổi tiếng nhất của xứ sở Miệt Dưới.

The room is absolutely rammers and through the door I spot so many faces from the past. We're talking Angela and Dermot from the campaign to move Funderland to the northside. We're talking Ida and Clem from the campaign to stop the Luas from coming to Foxrock. We're talking Lucy and Aednat from the campaign to stop poor people being allowed into the National Gallery. Hosted on Acast. See acast.com/privacy for more information.

I am so excited to say that my guest on the GWA Podcast is the esteemed curator Kelli Cole to discuss the trailblazing Australian artist, Emily Kam Kngwarray! This is a very special BONUS episode and [as a one-off format] an exhibition walkthrough of Kngwarray's show at TATE MODERN. This is the first large-scale presentation of Kngwarray's work ever held in Europe and a celebration of her extraordinary career as one of Australia's greatest artists. Born in 1914, from the Alhalker Country in the Northern Territory, Kngwarray made thousands of works, reflecting her life as an Anmatyerr woman, but was – extraordinarily – only in her late 70s when she began painting in earnest, creating for ceremonial purposes and designs on the bodies of women. Listen to us explore the exhibition: witnessing first hand some of the most dazzling paintings I've ever seen. So whether you'll listen to this ahead of your visit, or be virtually transported here (for those who can't be here in person), I hope we can bring the magic of her paintings alive for you. About our guest: A Warumungu and Luritja woman from Central Australia, Kelli Cole is the Director of Curatorial & Engagement for the National Aboriginal and Torres Strait Islander Art Gallery of Australia project in Alice Springs. Previously, she held the position of Curator of Special Projects in the First Nations portfolio at the National Gallery of Australia, and has contributed to numerous publications, both nationally and internationally, on various aspects of First Nations art. In 2022, she worked closely with another esteemed curator, Hetti Perkins, as part of the team for the 4th National Indigenous Art Triennial: Ceremony. But the reason why we are speaking with Cole today is because she is the lead curator of a very exciting new exhibition here at London's Tate Modern: Emily Kam Kngwarray! Link to show – to see the works: https://www.tate.org.uk/whats-on/tate-modern/emily-kam-kngwarray --- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

Joan Jonas, now 88, has been a celebrated artist since the late 1960s. But it wasn't until 2024 that she received her crowning recognition in the U.S., when New York's Museum of Modern Art organized a major retrospective of her work. The arts icon splits her time between a Soho loft in NYC, and the "magical landscape" of Cape Breton, where she can be by her muse: the ocean. As she tells IDEAS producer Mary Lynk, "We come from the sea. It's not a memory. It's a feeling. It's in our DNA."Part of Jonas' MoMA retrospective called Moving Off the Land II has been acquired by the National Gallery of Canada and the Art Gallery of Nova Scotia. The exhibit will tour across Canada this summer, beginning in Cape Breton.

In this episode of PhotoWork with Sasha Wolf, Sasha welcomes two extraordinary guests: artist and curator Justine Kurland and Marina Chao, a curator at CPW. Together, they discuss their collaboration on The Rose, an exhibition that explores collage as a feminist form, strategy, and genealogy. Featuring works by over fifty contemporary artists and key figures from the 1960s and 1970s, the exhibition examines collage as both a means of world-building and a survival strategy in times of crisis. Sasha, Justine, and Marina delve into the layered responsibilities of artists and discuss the assumption that interpreting a straightforward photograph is inherently simpler than reading and interpreting conceptual art. https://www.justinekurland.com https://cpw.org/staff/ https://cpw.org/exhibition/the-rose/ Justine Kurland is an artist known for her utopian photographs of American landscapes and the fringe communities, both real and imagined, that inhabit them. Her early work comprises photographs, taken during many cross-country road trips, that counter the masculinist mythology of the American landscape, offering a radical female imaginary in its place. Her recent series of collages, SCUMB Manifesto, continues to make space for women by transforming books by canonized male photographers through destruction and reparation. Kurland's work has been exhibited at museums and galleries in the United States and abroad. Her work is included in permanent collections of the Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum of Art, New York; Museum of Modern Art, New York; Carnegie Museum, Pennsylvania; Getty Museum, California; National Gallery of Art, Washington, D.C.; and the Museum of Fine Arts, Montreal, among others. She works with Higher Pictures in New York. Marina Chao has previously held curatorial positions at the International Center of Photography and the Museum of Modern Art in New York. As assistant curator at ICP she organized the exhibition Multiply, Identify, Her (2018) and contributed to the publication Public, Private, Secret: On Photography and the Configuration of Self (Aperture and ICP, 2018). She was awarded a 2019 Curatorial Research Fellowship from the Andy Warhol Foundation for the Visual Arts for Seeing Meaning, a project exploring the intersections of image, language, and technology.