Podcasts about national gallery

One of the legacies of the Holy roman empire is that Germany does not have just one place where everything happens, where politicians, entrepreneurs, bankers, artists, and actors travel on the same underground trains and eat at the same restaurants. Berlin is the capital with its political class of members of the Bundestag, journalists and lobbyist and at the same time a major gathering place for artists, musicians and thespians of all stripes and home to many tech startups. But the bankers are in Frankfurt, the headquarters of the major companies are in Stuttgart, Munich, Düsseldorf and spread around everywhere. Several of the major publishing houses are in Hamburg, the private TV stations in Munich, but none of these places have a monopoly on any of these activities. There are banks headquartered in Munich and major corporates in Frankfurt, there is great theater in Düsseldorf, Dresden and Schwerin, there are world leading companies headquartered in tiny towns like Künzelsau.And that cuts through to the major cultural sites. Though the quip that there were 365 states in the Holy Roman empire is vastly exaggerated, there were once a hundred capital cities, from splendid Dresden to tiny Hohenzollern-Hechingen, each with its princely residence, cathedral, grand monastery and theater. The great artists either travelled from court to court, leaving behind their works here or there, or stayed in one of the free imperial cities, operating large workshops.Therefore what you cannot do in Germany is to go to one city and see all the major treasures the country has “collected” over the centuries, as you can do in the Louvre or the British Museum and the National Gallery. In Germany you have to move around, see one thing at the time, always in the knowledge that its significant counterpart is a few hundred miles north, south, east or west of you. This is one of the legacies of the medieval empire that Germany has in common with Italy.And hence we are going through each of the Bundesländer trying to pick out one absolute must-see and one place where you are likely to encounter fewer people. And as we have covered 9 Bundesländer up to Mecklenburg-Vorpommern already, the next location we will have to get to is Nordrhein-Westfalen, Germany's most populous state.

Elijah Gowin uses photography to speak about ritual, landscape and memory.  He was born in Dayton, Ohio in 1967 and received his BA in Art History from Davidson College in 1990 and MFA in Photography from the University of New Mexico in 1997. His photographs are in the collection of the National Gallery of Art, Houston Museum of Fine Art, and the Virginia Museum of Fine Art, among others.   His awards include the John S. Guggenheim Fellowship in 2008 as well as grants from the Charlotte Street Foundation and the Puffin Foundation.  He founded Tin Roof Press to publish his books on art and photography including “The Last Firefly” in 2024 and “Of Falling and Floating” in 2011.  Presently, he is a Professor in the Department of Media, Art and Design at the University of Missouri-Kansas City where he directs photographic studies.  Gowin is represented by the Robert Mann Gallery, New York, Photo Gallery International, Tokyo and Bond Millen Gallery, Richmond, Virginia. Elijah Gowin, Tree 1. Date: 2012 Size: 15.33x 23, Pigment inkjet print Elijah Gowin, fireflies in trees, selangor river, malaysia, 2017 Size: 22”x30.75” Elijah Gowin, House 1 Date: 2014. Size: 15.33”x 23” Pigment inkjet print

Abby Bysshe believes the most powerful museum experiences start with fun and lead to curiosity. From hands-on exhibits to full-body interactive moments, her work centers on creating spaces where visitors of all ages can explore science, ask questions, and leave inspired to learn more long after they walk out the door.Abby is the Chief Experience and Strategy Officer at the Franklin Institute in Philadelphia, one of the nation's oldest and most visited science museums. She has spent nearly a decade at the Institute overseeing exhibitions, live science programming, and the overall visitor experience. Prior to that, she worked at the National Geographic Society and the National Gallery of Art, building a career at the intersection of design, storytelling, and cultural institutions.Abby joined the podcast to discuss designing engaging museum experiences, sparking curiosity through play, and her career path through the museum world, along with insights on lifelong learning, creative leadership, and staying open to unexpected opportunities.

"Comfort, Comfort, My People" - Isaiah 40:1-11 Behold Your God Mike Barnett, CityChurch Bristol, December 21, 2025. Artwork Credits: Peter Paul Rubens, The Defeat of Sennacherib, ca. 1617, Alte Pinakothek, Munich. Pupil of Rembrandt, The Adoration of the Shepherds, 1646, The National Gallery, London. Pieter Bruegel the Elder, The Adoration of the Kings, 1564, The National Gallery, London.

This episode we are thrilled to be joined by the artist Martine Gutierrez. Martine is a transdisciplinary artist whose work uses photography, video, and performance to examine how identity is constructed and portrayed. Her projects range from billboards and music videos to her celebrated magazine Indigenous Woman, where she takes on every role — artist, subject, and producer — to challenge pop-culture tropes around gender, beauty, and representation.Her work has been shown internationally, including at the 58th Venice Biennale and in exhibitions at the Museum of Modern Art, the Whitney Museum of American Art, LACMA, Crystal Bridges, the Pérez Art Museum, and the Smithsonian American Art Museum. Her work is also held in major collections including MoMA, the Whitney, the Guggenheim, SFMOMA, LACMA, Crystal Bridges, the National Gallery of Art, and the Smithsonian American Art Museum. Martine will be in the 2026 Whitney Biennial.Martine received her BFA from the Rhode Island School of Design and lives and works in New York.Martine is represented by Fraenkel Gallery and Ryan Lee Galleryhttps://fraenkelgallery.com/artists/martine-gutierrez https://ryanleegallery.com/artists/martine-gutierrez/Some artists discussed in this episode:Yoko OnoMarina AbramovićFollow along on Instagram at @artfromtheoutsidepodcasthttps://www.instagram.com/artfromtheoutsidepodcast

What if Trafalgar Square didn't have Nelson's Column at all, but a full-scale Great Pyramid instead? Not a model. Not a metaphor. Six million tonnes of ancient Egyptian stone plonked right where the fountains are. This piece takes one of the most jaw-dropping, gloriously bonkers proposals in London history and lets it rip, measuring the pyramid against the National Gallery and St Martin-in-the-Fields, marvelling at its insane size and weight, and imagining Londoners calmly going about their business in the shadow of a monument built for eternity. Big, bold, cheeky and very London.

"The Righteous Branch" - Isaiah 11:1-10 Behold Your God Taylor Whitson, CityChurch Bristol, December 21, 2025. Artwork Credits: Peter Paul Rubens, The Defeat of Sennacherib, ca. 1617, Alte Pinakothek, Munich. Pupil of Rembrandt, The Adoration of the Shepherds, 1646, The National Gallery, London. Pieter Bruegel the Elder, The Adoration of the Kings, 1564, The National Gallery, London.

This is an episode of The Specialist, your weekly dose of wonder. In The Specialist, explore the significance and journey of an extraordinary work through the eyes of those that know it best. On today's episode, what happens when a work of art is so enigmatic that you think about it for 60 years? Alex Bell, Chairman Emeritus of Sotheby's UK and Old Masters Worldwide, tells the story of how a mysterious Renaissance altarpiece entered the collection of the National Gallery in London as the museum celebrated its bi-centenary. Further details about the episode subject. Learn more about your ad choices. Visit podcastchoices.com/adchoices

As always, the final episode of The Week in Art of the year is a review of the past 12 months. To look at the top stories, the big issues and the best art in 2025, host Ben Luke is joined by The Art Newspaper's contemporary art correspondent, Louisa Buck, our art market editor, Kabir Jhala, and Ben Sutton, our editor-in-chief, Americas. We reflect on subjects from the Los Angeles wildfires in January, via President Trump's raft of policies in relation to culture and heritage, to the crisis at the Louvre, the National Gallery in London's expansion plans and their potential effect on the gallery's relationship with Tate, and the fortunes of the art market, including the flight to the Middle East for art fairs and auction houses. Plus, the guests select their exhibitions and works of the year, including those by Kerry James Marshall, Helen Chadwick, Coco Fusco, Jack Whitten, Henri Matisse and Hamad Butt. Hosted on Acast. See acast.com/privacy for more information.

A number of artworks by South African artist Steven Cohen have been concealed rather than removed from an exhibition showcasing the 40 years of his career, currently taking place at the Iziko National Gallery of South Africa. Lester Kiewit speaks to curator Dr Anthea Buys. Good Morning Cape Town with Lester Kiewit is a podcast of the CapeTalk breakfast show. This programme is your authentic Cape Town wake-up call. Good Morning Cape Town with Lester Kiewit is informative, enlightening and accessible. The team’s ability to spot & share relevant and unusual stories make the programme inclusive and thought-provoking. Don’t miss the popular World View feature at 7:45am daily. Listen out for #LesterInYourLounge which is an outside broadcast – from the home of a listener in a different part of Cape Town - on the first Wednesday of every month. This show introduces you to interesting Capetonians as well as their favourite communities, habits, local personalities and neighbourhood news. Thank you for listening to a podcast from Good Morning Cape Town with Lester Kiewit. Listen live on Primedia+ weekdays between 06:00 and 09:00 (SA Time) to Good Morning CapeTalk with Lester Kiewit broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/xGkqLbT or find all the catch-up podcasts here https://buff.ly/f9Eeb7i Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.

Located in the beautiful Baroque Barberini Palace, the National Gallery of Ancient Art contains works of art produced before the year 1800. It includes masterpieces by Andrea del Sarto, Bronzino, Canaletto, Titian, and Tintoretto. But the collection's most important works are Caravaggio's "Judith and Holofernes," Bernini's "Bust of Pope Urban VIII," and Pietro da Cortona's spectacular ceiling fresco "The Allegory of Divine Providence and Barberini Power." 

Three visions of darkness as the days draw in. Adam Rutherford's guests for Radio 4's Monday discussion programme are a poet, a photographer of night-time and a National Gallery curator. Night Vision is the latest book from the award-winning poet and writer Jean Sprackland exploring our complex relationship with the dark: what we fear and what we wish to banish. In the dark she finds a place of possibility and she asks what might we discover in the dark if we free our imagination. The photographer Jasper Goodall has been taking photographs in the dark for many years, mainly in forests and woodlands. In 2025 in exhibitions on show at Nottingham, Brighton, Cornwall and the Royal Academy Summer Exhibition he has displayed works which draw on classical myth, European folklore and animistic belief systems. Christine Riding, Director of Collections and Research, talks about the images of scientific experiment and industrialisation in England on show in the National Gallery's exhibition showcasing the candlelight paintings of Wright of Derby (1734-1797). Wright of Derby: From the Shadows in the Sunley Room at the National Gallery runs until 10 May 2026 and there is an entrance fee. Producer: Ruth Watts

"Rejoice Before Him" - Isaiah 9:1-7 Behold Your God Taylor Whitson, CityChurch Bristol, December 14, 2025.   Artwork Credits: Peter Paul Rubens, The Defeat of Sennacherib, ca. 1617, Alte Pinakothek, Munich. Pupil of Rembrandt, The Adoration of the Shepherds, 1646, The National Gallery, London. Pieter Bruegel the Elder, The Adoration of the Kings, 1564, The National Gallery, London.

We are delighted to announce the first ever Irish episode of Russell Tovey and Robert Diament's acclaimed Talk Art podcast, recorded live at the National Gallery of Ireland Lecture Theatre on Saturday November 8th for Dublin Gallery Weekend 2025.Isabel Nolan, Ireland's representative at the 2026 Venice Biennale, has an expansive practice that incorporates sculptures, paintings, textile works, photographs, writing and works on paper. Her subject matter is similarly comprehensive, taking in cosmological phenomena, religious reliquaries, Greco-Roman sculptures and literary/historical figures, examining the behaviour of humans and animals alike.These diverse artistic investigations are driven by intensive research, but the end result is always deeply personal and subjective. Exploring the “intimacy of materiality”, Nolan's work ranges from the architectural – steel sculptures that frame or obstruct our path – to small handmade objects in clay, hand-tufted wool rugs illuminated with striking cosmic imagery, to drawings and paintings using humble gouache or colouring pencils. In concert, they feel equally enchanted by and afraid of the world around us, expressing humanity's fear of mortality and deep need for connection as well as its startling achievements in art and thought.Driven by “the calamity, the weirdness, horror, brevity and wonder of existing alongside billions of other preoccupied humans”, her works give generous form to fundamental questions about the ways the chaos of the world is made beautiful or given meaning through human activity.In 2026, Nolan will represent Ireland at the 61st Venice Biennale, with Georgina Jackson and The Douglas Hyde Gallery of Contemporary Art as the curator and Cian O'Brien as producer. In 2025, Nolan participated in the 13th Liverpool Biennial, Bedrock, curated by Marie-Anne McQuay. Isabel Nolan lives and works in Dublin.Follow @NolanIsabel and @KerlinGallery.Thank you @DublinGalleryWeekend, we loved visiting! We can't wait to return to beautiful Ireland. Hosted on Acast. See acast.com/privacy for more information.

Send us a textIn this episode of Artwank, we visit Bundanon to discuss the current exhibition, 'The Hidden Line The Art of the Boyd Women', with curator Sophie O'Brien. The exhibition brings attention to the women of the Boyd family (Arthur Boyd was a celebrated Australian artist, leaving his home, the Bundanon estate, to support the arts) and their role in Australian art and cultural life. While the Boyd name is often associated with male artists, this show focuses on the work, lives and influence of the women who shaped the legacy in ways that have often been overlooked.Sophie O'Brien joins us to talk through the curatorial process behind the exhibition. She reflects on how the project developed, how works and archival materials were selected, and the challenges of representing multiple generations of women across different creative practices. The conversation explores what it means to reframe established art histories and how institutions like Bundanon can open space for stories that have not always been centred.Sophie O'Brien is a curator at Bundanon where she works across exhibitions, collections and research. She has held roles at major public institutions and has worked on a wide range of projects spanning historical and contemporary art. Her practice is grounded in close engagement with artists, archives and place, with a focus on bringing new perspectives to existing collections.This episode looks at the labour of curating, the gaps that still exist in art history and how exhibitions like The Boyd Women can shift public understanding of legacy, authorship and recognition. It is a conversation about process, responsibility and the ongoing work of making space for women within cultural narratives.Thanks for chatting to us SophieRecorded November 2025Exhibition on until 15th February 2026'The Hidden Line: Art of the Boyd Women repositions the creative practices of five generations of women from one of Australia's most prominent artistic dynasties. Showcasing more than 300 powerful and diverse works, this timely exhibition brings into focus the women of the Boyd family – artists, designers, writers, and creative collaborators – whose contributions have long been influential yet overshadowed by their celebrated male counterparts.Revealing a remarkable matrilineal line of artistic practices, the exhibition will present works by Emma Minnie a'Beckett Boyd, Lady Mary Nolan, Yvonne Boyd, Lucy Boyd Beck, Hermia Boyd and their descendents still practicing today including Lucy Boyd, Polly Boyd, Florence Boyd Williams and Ellen Boyd Green. Drawn largely from the Bundanon Collection, with key loans from the National Gallery of Australia, the National Gallery of Victoria, the National Library, and Heide Museum of Modern Art, the exhibi

Artist Jack Boul loved to paint the world around him: people sitting on benches, urban streetscapes, cows in a pasture, and the mountain scenery of western North Carolina. Boul's work is included in collections at the National Gallery of Art, the Smithsonian, and the Library of Congress as well as other private and public collections. And now there's an exhibition of his art at the Blowing Rock Art and History Museum that highlights his special connection to the Blowing Rock/Boone area. It's called “Jack Boul: Land, City, Home.” On this Piedmont Arts podcast, hear a conversation with Jack Boul's son David who helped organize the exhibition to help ensure his father's legacy. "Catawba" by Jack Boul "Quartet" by Jack Boul "Atlantic Beach" by Jack Boul "Canal" by Jack Boul "Self Portrait" by Jack Boul "Artist Studio" by Jack Boul

"Firm in Faith" - Isaiah 7:1-17 Behold Your God Taylor Whitson, CityChurch Bristol, November 30, 2025.   Artwork Credits: Peter Paul Rubens, The Defeat of Sennacherib, ca. 1617, Alte Pinakothek, Munich. Pupil of Rembrandt, The Adoration of the Shepherds, 1646, The National Gallery, London. Pieter Bruegel the Elder, The Adoration of the Kings, 1564, The National Gallery, London.

Pulitzer Prize-winning photojournalist Lynsey Addario on the personal toll of conflict. Plus: Kate Hawley, costume designer of the much-celebrated film Frankenstein, discusses her first Fashion Award.See omnystudio.com/listener for privacy information.

Francesca Cappelletti"Da Raffaello a Bernini"Storia di una collezioneCuneo, Complesso Monumentale di San FrancescoÈ aperta al pubblico fino al 29 marzo 2026 la mostra "La Galleria Borghese. Da Raffaello a Bernini. Storia di una collezione", promossa da Fondazione CRC e Intesa Sanpaolo negli spazi del Complesso Monumentale di San Francesco a Cuneo. Il progetto espositivo, a cura di Francesca Cappelletti ed Ettore Giovanati, si avvale del Patrocinio del Ministero della Cultura, ed è stato realizzato con il supporto organizzativo di MondoMostre.La mostra raccoglie alcuni dipinti identificativi delle diverse “scuole pittoriche” che contraddistinguono l'arte italiana in epoca rinascimentale e barocca, frutto del collezionismo onnivoro ed eclettico del cardinale e soprattutto del suo giudizio critico nella scelta di opere d'arte, all'insegna della qualità e della bellezzaA partire dalla figura di Scipione Caffarelli Borghese (1577–1633), tra le personalità più significative del panorama culturale della Roma del Seicento, la mostra racconta la nascita di una nuova idea di collezionismo: sistematico, visionario, capace di anticipare il gusto e le tendenze artistiche del tempo.Attraverso una selezione di capolavori provenienti dalla Galleria Borghese – raramente esposti al pubblico – il percorso restituisce la straordinaria parabola di un collezionista che fece della sua raccolta un teatro del bello e della conoscenza.Tra i maestri presenti: Tiziano, Jacopo Bassano, Raffaello, Battista Dossi, Gian Lorenzo Bernini, Guido Reni.La mostra è accompagnata da un catalogo edito da Allemandi, con contributi scientifici a cura di Ettore Giovanati, con la partecipazione di Lucia Calzona e Antonio Iommelli. Un collezionista e mecenate leggendario si racconta attraverso i suoi capolavori, scelti con fiuto infallibile tra le opere dei più grandi artisti del Rinascimento e del Barocco: l'appuntamento è al Complesso Monumentale di San Francesco di Cuneo, che ospita una preziosa selezione di opere un tempo di proprietà del Cardinale Scipione Borghese. Il progetto nasce dalla collaborazione della Galleria Borghese con Gallerie d'Italia e Fondazione CRC, un'alleanza pubblico-privato nel segno della bellezza che mira a fare dell'arte un patrimonio vivo accessibile a tutti, coinvolgendo le comunità locali in un'esperienza di fruizione partecipata attraverso laboratori ed eventi per ogni fascia di pubblico. L'invito è a tornare più volte (l'ingresso è gratuito) per godere senza fretta dei gioielli del Cardinale, perché diventino occasioni di condivisione e nuova creatività. Francesca Cappelletti è direttrice della Galleria Borghese di Roma. Ha insegnato Storia dell'Arte Moderna e Storia dell'Arte dei Paesi Europei in diverse università italiane. Autrice di saggi e articoli sulla storia del collezionismo, con il suo lavoro ha contribuito al ritrovamento del dipinto di Caravaggio La cattura di Cristo, attualmente alla National Gallery di Dublino. Ha curato mostre e cataloghi in Italia e all'estero.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Kenny and Sally talk to Myles Russell-Cook, Artistic Director and CEO, ACCA; Highlights of his First Year. Myles discusses his first year in the hot seat at the Australian Centre for Contemporary Arts and what’s coming up Myles commenced in the role of Artistic Director & CEO of ACCA in 2024 and was formerly Senior Curator of Australian and First Nations Art at the National Gallery of Victoria (NGV). Myles has a long-standing interest in cultural, gender and sexual diversity within both Australian and International contemporary practice and has worked across a broad range of exhibitions and projects. For over eight years Myles was one of a team of curators who oversaw major contemporary art exhibitions at the National Gallery of Victoria, including NGV Triennial, and Melbourne Now. Myles is the curator of the upcoming touring show, The Stars We Do Not See: Australian Indigenous Art, presented in partnership with the National Gallery of Art in Washington DC. This exhibition is the largest exhibition of Aboriginal and Torres Strait Islander art ever presented internationally. The post Saturday, 6th, Dec, 2025: Myles Russell-Cook, Artistic Director and CEO, ACCA; Highlights of his First Year appeared first on Saturday Magazine.

I've always enjoyed Leo Villareal's "Multiverse" (2008) which is located between the East Building and the West Building of the National Gallery of Art in Washington DC. The work, made of light-emitting diodes, surrounds you as you are transported via a moving walkway. In the recording, you can hear the sound of people chatting and laughing, (I swear I hear someone happily say "Jamiroquai!" towards the end), heels clacking as some choose to walk instead of using the walkway, and beginning at the eight-minute mark you can hear a child say "wow!" a few times. Their father is holding them in his arms and, as they get near, you can hear him sing the end of "Twinkle Twinkle Little Star". Recorded by Bill McKenna.

I am so excited to bring you this conversation with the extraordinary Es Devlin, who joined me at Liberty last week to celebrate the release of How to Live an Artful Life. Es Devlin is an artist and stage designer renowned all over the world for her large-scale performative sculptures and environments – from theatre and opera design for the National Gallery and Royal Opera House, to kinetic stage sculptures for musicians like Beyoncé, U2 and Lady Gaga. She has also created luminous installations at the V&A, Serpentine Galleries, Somerset House, and more. Whether designing for Beyoncé, the opera, or creating public artworks, Es Devlin's works dissolve the boundaries between art, architecture and performance, and encourage us to rethink our position in the world. Expertly led by the wonderful Hannah Macinnes, we touched on all things to do with living an artful life – Es's morning routine; how we can get better at focusing our attention on one thing; artmaking as an expression of love; the artist hustle – and so much more. I can't wait for you to hear it. Pick up your copy of How to Live an Artful Life: https://www.waterstones.com/book/how-to-live-an-artful-life/katy-hessel/9781529155204 An Atlas of Es Devlin https://www.waterstones.com/book/an-atlas-of-es-devlin/es-devlin/andrea-lipps/9780500023181

After a delayed application process and an aborted initial commission, the US has at last appointed its artist for next year's Venice Biennale: the Utah-born, Mexico-based artist Alma Allen. The Art Newspaper's editor-in-chief in the Americas, Ben Sutton, talks Ben Luke through this confusing saga. At the National Museum of Norway in Oslo a new exhibition, Deviant Ornaments, focuses on the expression and representation of queerness in Islamic art over more than a millennium. Ben talks to the curator of the exhibition Noor Bhangu. And this episode's Work of the Week is the Cree artist Duane Linklater's wintercount_215_kisepîsim (2022), a piece using recycled canvas from teepees, and referencing the deaths of First Nations children after they were separated from their families in the Residential School system in Canada. It's part of an exhibition called Winter Count: Embracing the Cold, at the National Gallery of Canada in Ottawa, and we talk to two of the four curators of that show, Wahsontiio Cross and Jocelyn Piirainen, about the work.Deviant Ornaments, The National Museum of Art, Architecture and Design, Oslo, until 15 March 2026.Winter Count: Embracing the Cold, National Gallery of Canada, Ottawa, until 22 March 2026Black Friday subscription offer: enjoy up to 70% off across subscription packages to The Art Newspaper this Black Friday, with a year's digital subscription just £21, reduced from £70 (or the equivalent in your currency) and a print and digital subscription just £40, reduced from £99. https://www.theartnewspaper.com/subscriptions-BF25?promocode=BF25&utm_source=display+ads&utm_campaign=blackfriday25 Hosted on Acast. See acast.com/privacy for more information.

A 10-year-old Clare artist has taken home a major national award at the AIB Young Portrait Prize at the National Gallery of Ireland. Michael Ryan, from Kilmaley, has won the 7–11 age category for his striking painted portrait In Deep Thought, unveiled during a prize-giving ceremony at the Gallery. His work is now on public display as part of the Young Portrait Prize exhibition, which runs until 15 March 2026 Alan Morrissey was delighted to have a chat with Michael live in-studio on Friday's Morning Focus.

We speak with Italian chef Giorgio Locatelli about his new restaurant Locatelli at London's National Gallery. See omnystudio.com/listener for privacy information.

'My discovery of early Renaissance art was completely by accident in the National Gallery, by just walking down a few more stairs...I'd stay there for about an hour, and then I would come out, I'd close my eyes, and as I pushed the doors, I would imagine my paintings'. –Tracey Emin  In the first episode of the 2025 Frieze Masters Podcast, artist Tracey Emin, Nicholas Cullinan (director, British Museum), and their host Arturo Galansino (Director General, Fondazione Palazzo Strozzi) discuss their early experiences and evolving relationships within the arts, delving into topics such as intimacy and feelings of safety in the context of an institution, overcoming class struggle and illness, and speaking the truth.   The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill.  Full transcript available at frieze.com Dame Tracey Emin OBE is one of the most important contemporary artists of her generation, known for her autobiographical and confessional work. Nicholas Cullinan OBE, art historian and curator has been the Director of the British Museum since 2024, and prior to that was appointed the 12th Director of the National Portrait Gallery from 2015. They are joined by their host Arturo Galansino - art historian, curator, and Director General of the Fondazione Palazzo Strozzi in Florence, and the curator of this year's Frieze Masters Talks programme.  About the Frieze Masters Podcast The Frieze Masters Podcast is back for 2025, bringing you seven conversations across art history curated by Arturo Galansino (Director General of the Palazzo Strozzi Foundation in Florence).   Entitled 'Woven Histories' and recorded live at Frieze Masters 2025, this year's series features artists, curators and thinkers, whose conversations weave together geographies and chronologies, and challenge us to look at history in new and unexpected ways. Topics range from the evolving relationship between fashion and art to the role of the archive in Black history, the last Mughals and their cultural influence in India and the enduring inspiration of the old masters and renaissance art on contemporary making. Speakers include artists Tracey Emin, Glenn Brown and Antony Gormley, museum directors and curators Nicholas Cullinan, Émilie Hammen, Elizabeth Way and Carl Strehlke, and writers Edward George, Matthew Harle, Christopher Rothko and William Dalrymple.  The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill.       

The House passed a bill to release the Jeffery Epstein Bill to release all the files from the case. Dog Lovers in PG county can now own Pitbull's as the ban was lifted yesterday. National Gallery of art created an ice rink starting Monday. Make sure to also keep up to date with ALL our podcasts we do below that have new episodes every week: The Thought Shower Let's Get Weird Crisis on Infinite Podcasts See omnystudio.com/listener for privacy information.

In this episode of PhotoWork with Sasha Wolf, April Watson, Senior Curator of Photography at The Nelson-Atkins Museum of Art in Kansas City, Missouri, joins Sasha to discuss her upcoming exhibition, American Prospects and Landscape Photography, 1839 to Today. The two dive into an insider's conversation about how acquisitions—whether through donations or direct purchases—shape curatorial decisions. April speaks about the importance of honoring donor gifts through thoughtful exhibitions, and about working closely with museum education staff to shape exhibition language to engage audiences who may not have an art-historical background. She then turns the tables, inviting Sasha to share her perspective on the current state of the photographic art market and how it has evolved or devolved over time. https://nelson-atkins.org/art/exhibitions/american-prospects-and-landscape-photography-1839-to-today/ https://www.instagram.com/nama_photographs/ April M. Watson is Senior Curator of Photography at The Nelson-Atkins Museum of Art in Kansas City, Missouri. During her eighteen-year tenure at the museum, Watson has curated over 20 exhibitions that span the history of photography. These include: American Prospects and Landscape Photography, 1839 to the Present (forthcoming 2026); Strange and Familiar Places (2025); Evelyn Hofer: Eyes on the City (2023, with the High Museum of Art); Jim Dow: Signs (2022); Gordon Parks X Muhammad Ali: The Image of a Champion, 1966/1970 (2020, with the Gordon Parks Foundation); Eugene Richards: The Run-On of Time (2018, with the George Eastman Museum); Impressionist France: Visions of Nation from Le Gray to Monet (2013); and Heartland: The Photographs of Terry Evans (2012). Prior to the Nelson-Atkins, Watson held curatorial research positions at the National Gallery of Art, Washington D.C., and the Center for Creative Photography, Tucson. She holds an MA in Art History from the University of New Mexico and a Ph.D. in Art History from the University of Kansas. She is currently at work on a major exhibition for 2027 that explores the relationship between early photography the antislavery movement. The exhibition will also feature major contemporary works inspired by this history.

I am so excited to say that my guest on the GWA Podcast is the esteemed curator, author, and expert in photography, Madga Keany. Currently the Head Curator of International Art at the National Gallery of Art, Canberra, Magda was most recently Curator at the National Portrait Gallery, Canberra, and before that, Senior Curator, Photographs at the National Portrait Gallery London, where she lead the realisation of a major re-presentation of the Photographs Collection as part of the museum's rehaul. Keany has curated shows and published texts on Australian art, design and social history, photography that ranges from the Victorian period to fashion, conflict and portraiture, solo presentations of portraits by Irving Penn, among many others. She has written for the groundbreaking Know My Name project, that put women artists in Australia on a global stage as well as for Cindy Sherman, A World History of Women Photographers, and more. …but it was her exhibition last year that really grabbed my attention: Francesca Woodman and Julia Margaret Cameron: Portraits to Dream in', that brought together the two photographers working 100 years apart, from very different worlds, circumstances and contexts, but which showed how these pioneering women shaped the medium, with their dreamlike pictures imbued with beauty, symbolism, classicism, transformation and more… So today, I couldn't be more excited to delve into the life of the 19th century photographer, Julia Margaret Cameron, who, aged 49 in 1863, picked up a camera and, largely self-taught, crafted her distinct bohemian style pictures with that hazy sepia glow, that proved to not only be influential in Victorian Britain, but have a huge impact on photography at large. As Cameron once said: “My aspirations are to ennoble Photography and to secure for it the character and uses of High Art by combining the real & Ideal & sacrificing nothing of Truth by all possible devotion to poetry and beauty.” And I can't wait to find out more. People mentioned: Julia Margaret Cameron (1815–1879) Francesca Woodman (1958–1981) John Herschel (1792–1871) Artworks: Julia Margaret Cameron, Annie, 1864; https://collections.vam.ac.uk/item/O81145/annie-photograph-cameron-julia-margaret/ Julia Margaret Cameron, Pomona, 1872; https://collections.vam.ac.uk/item/O1433678/pomona-photograph-cameron-julia-margaret/ Julia Margaret Cameron, Thomas Carlyle, 1867; https://www.metmuseum.org/art/collection/search/269434 Julia Margaret Cameron, The Astronomer, 1867; https://collections.vam.ac.uk/item/O1433637/the-astronomer-photograph-cameron-julia-margaret/ Julia Margaret Cameron, Ellen Terry, at the age of sixteen, 1864 https://www.metmuseum.org/art/collection/search/269433 -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

Studies have shown that going to a museum or gallery can have major health benefits. In light of this, some are saying that people need to sometimes skip the gym, and have a cultural workout instead.Joining Ciara Doherty to discuss this is Cultural Art Therapist with the National Gallery of Ireland, Andrea Clare Plunkett.

Presenter and author Alice Loxton discusses how fiction can help us understand the past – particularly when it comes to women's stories; finding humour in classic literature; and her companionship with figures from history. Alice is passionate about bringing history to mainstream, younger audiences, and she has over three million followers on social media, where her videos educate on British history, heritage and art. She has worked with many organisations including 10 Downing Street, The Royal Academy, English Heritage, The National Gallery, Tate, BBC, ITV, and Microsoft, and she writes about history for publications including The Times, Telegraph and Spectator. She's an ambassador for the National Trust, a mentor for The King's Foundation 35 Under 35 Network, and a patron of The British Pilgrimage Trust.  Alice's book Eighteen: A History of Britain in 18 Young Lives was a Sunday Times bestseller and Blackwell's Book of the Year 2024. Her new book, Eleanor: A 200-Mile Walk in Search of England's Lost Queen, sees her follow in the footsteps of Eleanor of Castile's funeral procession, bringing to life the formidable character of this lesser-known royal.   Alice's book choices are: ** Northanger Abbey by Jane Austen ** Secret Voices by Sarah Gristwood ** Through England by Side Saddle by Celia Fiennes ** The Tower by Flora Carr ** Hamnet by Maggie O'Farrell Vick Hope, multi-award winning TV and BBC Radio 1 presenter, author and journalist, is the host of season eight of the Women's Prize's Bookshelfie Podcast. Every week, Vick will be joined by another inspirational woman to discuss the work of incredible female authors. The Women's Prize for Fiction is the biggest celebration of women's creativity in the world and has been running for over 30 years.  Don't want to miss the rest of season eight? Listen and subscribe now! You can buy all books mentioned from our dedicated shelf on Bookshop.org - every purchase supports the work of the Women's Prize Trust and independent bookshops.  This podcast is sponsored by Baileys and produced by Bird Lime Media.

A new documentary shines light on the early years of the hugely successful Canadian wildlife painter Robert Bateman. “The Art of Adventure” peels back the layers of how the artist fell deeply in love with the natural world and launched a lifelong fight to protect it. Yet, critics often dismiss Robert's art. He has received the Order of Canada, but has never been invited to show at the National Gallery of Canada. At 95, Robert looks back with Tom Power on an unusually artistic career which has been both celebrated and misunderstood by his home country.

Waldy speaks to Katy Hessel about her new book, and ponders with Bendy on how art can be good for you. Also in a rare treat, Waldy and Bendy gets to meet in person to visit the Joseph Wright of Derby show at The National Gallery. See the show notes here: https://zczfilms.com/podcasts/waldy-bendy/season-5-episode-8/  Watch it on YouTube here: https://youtu.be/urbWO9jvEYk 

Nick Jeffery and John Granger do a Compare and Contrast test of the latest Cormoran Strike novel, The Hallmarked Man, and the previous seven books in Rowling-Galbraith's longest series of novels. Adapting a list of ‘Greatest Hits' moments from the first ‘Reading, Writing, Rowling' podcast John did with Katie McDaniel and a panel of Potter Pundits in Roanoke, Virginia, Nick and John share their favorite moments first from the series and then from Strike 8 before contrasting the quality of these highlights.The point of the exercise? Besides being a fun review of Strike-Ellacott adventures, a Greatest Hits collection of their highs and lows, Agency cases and sub-contractors included, the absence of any Hallmarked Man moments that merit a ‘Best in Series' badge suggests that Strike 8 will be remembered best for how it set up Strikes 9 and 10.Whatever your thoughts about that thesis, please share the scenes on your Greatest Hits list, both for the series and Hallmarked Man, per the numbered categories below. Nick and John have a few more to run through that they couldn't get to on their first ‘go' at this; feel free to share categories they should discuss in addition to the ones listed here:* Top Strike-Ellacott Moments* Ellacott taking care of wrecked Strike* Strike taking care of wrecked Ellacott* The Two having a frank conversation about the Agency, their vocation* The Two having a frank conversation about life and their relationship* Top Mystery Reveal* Top Agency Subcontractor moment* Top Agency case not the focus of the novel* Top Strike Confront-the-Killer moment,* Top “Magical” Moment (heart-rending/opening)* Top Moment-that-We-didn't-know-was-a-Moment-until-later* Top Saving People MomentJohn is working on his charting of Hallmarked Man for the paid subscriber list as well as reviewing and revising his 2017 online course, ‘Wizard Reading Formula.' More on those projects and the Kanreki Series in his next conversation with Nick; stay tuned!Links to Ideas, Posts, and Theories Mentioned* Roanoke ‘Reading, Writing, Rowling' Harry Potter Review[‘reading, Writing, Rowling's] first episode was recorded at CoLab in Roanoke, Virginia, at the May 2017 Roanoke Harry Potter Fest and celebrates 20 years of Harry Potter. Listen to a stellar crew of Hogwarts professors discuss [with hosts John Granger and Katy McDaniel] their favorite moments in the Harry Potter series, inspired by Bloomsbury Publishing's recent reader poll. Guests Louise Freeman, Elizabeth Baird Hardy, Emily Strand, and Lana Whited identify the best moments featuring the trio friendship, surprises and narrative misdirection, wizard magic, Snape, texts-within-the-text, and those inspirational messages that make the Harry Potter series profound and emotionally resonant to readers worldwide.* Rowling's Favorite Painting and What It Suggests about Her Artistry and Meaning: Caravaggio's ‘Supper at Emmaus'Professor Groves suggests strongly that what Rowling took away from her “mesmerised” “slow mining” of Caravaggio's Supper at Emmaus was the central Mystery of the Incarnation of Christ, the “guiler beguiled” idea of Aulen's Christus Victor. I find that argument compelling and want to build on it. There are embedded symbols in Supper at Emmaus that I think the fascinated Rowling would have noticed as she looked at the painting in the National Gallery, at the print on her wall in Exeter and London, and at the image on her first website, symbols beyond the “realism” of the Christ as imagined by Caravaggio and the revelation at the breaking of bread of His divinity.* Robin is Sterile Prediction: Chlamydia to Ectopic Pregnancy (December 2023)The thesis of this Hogwarts Professor essay — what I hope will be the subject of our second ‘Rowling Studies' podcast here — is that Robin Venetia Ellacott will not have children with Murphy, Strike, or any other partner, because she cannot, at least not without some extraordinary efforts via in vitro conception and surrogacy. I will attempt to explain how this infertility is possible, to detail the ‘Lake' suggestions from Rowling's life and personal experience that shows she is more than familiar with this condition among women, and to share the ‘Shed' literary markers in Running Grave and Rowling's other novels that this is indeed what she has in mind for Strike's partner Robin.Means Before Motive: How is it Possible that Robin is Sterile?In a word, “Chlamydia.”* The Hallmarked Man's Mythological Template ‘Cupid and Psyche's importance for grasping the depths of Strike 8, from the “necessity” of the Silver Vault and the three men in Robin's life, to spaghetti carbonara and ‘Maid of the Silver Sea' (links list to previous posts, 2021-present on this subject)* Charlotte Was Murdered, Mate; It Wasn't a Suicide* The Strange Death of Charlotte Campbell: Could the Psycho-Ex be the Focus of a Murder Investigation in Strike 8? (Nick Jeffery, November 2023)* Strike8: The Charlotte Campbell Murder Mystery: Nick Jeffery's Idea Checks a Lot of Boxes (John Granger, November 2023)* The Mysterious Death of Charlotte Campbell: Was It Suicide or Was It Murder? The ‘Rowling Studies' Pilot Episode (December 2023)* J. S. Maleksen's Re-read of Running Grave in Search of Ryan MurphyAfter reading HM twice, I re-read ‘Running Grave' with this theory in mind. It occurred to me that RFM might have read Charlotte's suicide note because it was in the police file. He might have even read through statements made by Charlotte's family members about Charlotte's relationship with Strike. At the very least, he would have read that Strike was in love with Robin and may have even bought into the ‘Strike was abusive to Charlotte' narrative and the ‘Strike has been in a romantic relationship with Robin since he broke up with Charlotte' narrative. This would explain why RFM is significantly more chippy towards Strike after Robin returns from Chapman Farm than he was at the beginning of ‘Running Grave.' Come to think of it, if Nick's theory is right and the suicide was a murder, it's quite possible that RFM may have been the lead investigator because, as we now know, he kinda sucks at his job. RFM would have had no reason to disclose any of this information to Robin because “she gets ratty every time he says anything against Strike.” Details identifying the investigating officer may not have been published. Alternatively, Iverson could have been the investigating officer and she could have shared this information with RFM and RFM can't tell Robin how he got the information because he had a fling with Iverson while Robin was at Chapman Farm.This might lead to an explanation as to why/how RFM fell off the wagon (guilt about having cheated on Robin and/or fear that Robin hasn't been honest about her relationship with Strike and/or his perception that Robin is being cowed by an abusive Strike)It makes sense to me that the period of time when Robin was at Chapman Farm is the most plausible and likely spot for JKR to have buried details about RFM, and his true character and motivations. The story as told from Robin and Strike's respective points of view intentionally distracted us from what RFM was up to during Robin's time at Chapman Farm. Indeed, he was often an afterthought of Robin's if she even thought about him at all.Incidentally, this makes the ‘RFM as gorilla man theory' more plausible because walking around with all of this information in his head could have motivated RFM to take extreme measures to get Robin to abandon Strike and the agency.I love your Substack and Podcast. Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

Colin Davidson, whose work has featured in the National Portrait Collection of the National Gallery in Dublin. They chat about Davidson's new book ‘Twelve Paintings' which was written by Mark recalls the people he has studied and painted down the years, including Queen Elizabeth II.

Larry Ostola speaks with Harry Malcolmson about his book, Scene: How the 1960s Transformed Canadian Art. Scene traces this remarkable reshaping of the nation's artistic landscape. Written by renowned art critic Harry Malcolmson, the book offers an insider's view of how a surge of artists, galleries, collectors, and critics propelled Canadian art onto the global stage. Malcolmson explores the forces behind this creative renaissance, from the patriotic fervor surrounding Canada's Centennial and Expo '67 to landmark projects like Toronto City Hall. Through vivid anecdotes and sharp analysis, he captures the energy of the decade and profiles over twenty influential Canadian artists who defined the period. Richly illustrated, Scene examines how growing nationalism, cultural confidence, and economic prosperity converged to shape a new artistic identity. It also charts the rise of key institutions, including the Art Gallery of Ontario and the National Gallery of Canada. Harry Malcolmson is an art critic and a prominent collector of art and historical photography. Previously, he worked as a lawyer and was a regular contributor to publications such as the Toronto Telegram, Saturday Night, and Canadian Art. Together with Ann Malcolmson, he assembled The Malcolmson Collection, which spans the history of photography from the 1840s and is regarded as one of the most important collections of historical photography in Canada. If you like our work, please consider supporting it: bit.ly/support_WTY. Your support contributes to the Champlain Society's mission of opening new windows to directly explore and experience Canada's past.

Hundreds of thousands of federal employees have missed their full paycheques for the first time since the beginning of the government shutdown three weeks ago, with Democrats and Republicans still blaming each other for the lapse in federal funding. We hear from a US federal employee at the Department of Defence on the East Coast. And this week the fight moved to the courts over another politically contentious area – the massive charges the Trump administration wishes to impose on H1B visas – the work visas issued to up to 65,000 foreign workers each year, looking for jobs that US employers say they are unable to fill otherwise. Also, Canada's prime minister, Mark Carney, says he's ready to resume trade negotiations with the United States when Washington is ready. This comes after President Trump announced he was abruptly ending talks because of an anti-tariff advertising campaign by the province of Ontario. (Picture: A sign outside the National Gallery of Art alerts visitors the museum is closed in Washington and remains closed due to the government shutdown on 23 October 2025. Credit: photo by JIM LO SCALZO/EPA/Shutterstock).

Happy 80th birthday to Maggi Hambling, our guest this week! We meet Maggi in her studio to discuss her 6 decades of making painting and sculpture.Maggi Hambling CBE was born in Suffolk in 1945. She studied at the East Anglian School of Painting and Drawing from 1960 under Cedric Morris and Lett Haines, then at Ipswich School of Art, Camberwell, and finally the Slade School of Art, graduating in 1969.In 1980 she was the First Artist in Residence at the National Gallery, London, and in 1995 she won the Jerwood Painting Prize (with Patrick Caulfield). Public sculpture includes A conversation with Oscar Wilde (1998) at Adelaide Street, London, facing Charing Cross Station and Scallop (2003), a sculpture to celebrate Benjamin Britten, at Aldeburgh beach, Suffolk and for which the artist was awarded the Marsh Award for Excellence in Public Sculpture. A Sculpture for Mary Wollstonecraft was unveiled in Newington Green, London in 2020.Hambling's work is held in public collections including at Tate, British Museum, CAFA, Beijing and the Metropolitan Museum of Art, New York.Visit: http://maggihambling.com/ Hosted on Acast. See acast.com/privacy for more information.

Send us a textIn this episode we explore the work and world of Australian artist John R Walker, a painter who invites us to experience the land as a living and layered presence rather than just a view. Born in Sydney in 1957 and now based in Braidwood, New South Wales, Walker's journey has taken him from city life to a deep engagement with rural environments. His art connects ecology, geology, and memory, revealing what he calls “the experience of being in country.”Walker is known for his large and immersive paintings that map the rhythms and histories of the Australian landscape. His brushwork traces erosion, fire, and growth, capturing both the slow movement of geological time and the immediate sensations of walking through a place. In his Fireground series he responded to the devastation and regeneration of bushfires, showing both the destruction and renewal that shape the land.Over more than thirty years, Walker has exhibited widely in Australia and overseas. His paintings are held in major collections including the National Gallery of Australia. His exhibition Journeys and Return at the Orange Regional Gallery in 2023 and 2024 confirmed his reputation as one of the leading painters of country in Australia.In our conversation we discuss how Walker balances materials and philosophy, how walking shapes his art, and why he believes landscape painting today must also tell ecological stories.John is represented by Utopia Art in Sydney Thanks John

Waldy and Bendy go head to head to find the best unfinished artwork. Who will come out on top? They also discuss the graffiti exhibition in Canterbury Cathedral, and Bendy updates us on his attempt to get a National Gallery bench for his kitchen, and wants a piece from Westminster Abbey for his wall.   See the show notes here - https://zczfilms.com/podcasts/waldy-bendy/season-5-episode-5-is-graffiti-art/  Watch the podcast on Youtube here - https://youtu.be/YyBJaFiKrJA 

Planning a European cruise and overwhelmed by shore excursion choices? Travel advisors Ryan and Julie break down the must-do tours and activities at Europe's most popular cruise ports. From Norwegian fjords to Greek islands, discover how to maximize your limited time in each destination and choose experiences that match your travel style.Northern Europe Ports:Edinburgh, Scotland - Royal Mile walking tour with National Gallery visit featuring Da Vinci and RembrandtLisbon, Portugal - Historic neighborhood exploration including 10th-century cathedral and cobblestone cafesOslo, Norway - Traditional wooden boat fjord cruise with Akershus Fortress visit (dating to 1299)Amsterdam, Netherlands - GPS-guided tour to Volendam and Marken windmills with Dutch cheese-making demonstrationCopenhagen, Denmark - Segway waterfront tour past Gefion Fountain and Royal Opera House with Danish pastry tastingMediterranean & Central Europe Ports:Barcelona, Spain - Montserrat Monastery combined with Sagrada Familia and Park Güell tourAthens, Greece - Acropolis visit with Temple of Zeus, Tomb of Unknown Soldier, and Plaka free timeNaples, Italy - Amalfi Coast day trip to Positano, Amalfi, and SorrentoCivitavecchia (Rome), Italy - Full-day Rome tour including Colosseum, Vatican City, and Trevi FountainDubrovnik, Croatia - Old Town walking tour with panoramic views and Game of Thrones filming locationsMykonos, Greece - Coastal panoramas, Oia village, windmills, and Little Venice explorationExpert TipsLearn why European cruise ports make perfect "sampler trips" for planning future extended vacations. Discover which ports require longer transit times and how to balance guided tours with free exploration time. Plus, hear why some excursions work better for families versus couples.Perfect for first-time European cruisers and seasoned travelers looking to optimize their port days on Northern Europe or Mediterranean itineraries.Next Episode: Walt Disney World's Four Park ChallengeSupport the showLove the podcast? Help us continue to create great travel content by supporting the show. You can do that here: https://www.buzzsprout.com/1197029/supporters/new Ready to plan your vacation? Most families are confused and overwhelmed when planning a vacation. We work with you to plan a trip perfect for your family. Saving you time, money, and stress! Visit our website www.allthingstravelpodcast.com and click on "Plan Your Next Vacation" Join the travel conversations and the fun in our Facebook Page and Instagram Page! Please share the show with your travel buddies!! Click this link and share the show! Never miss an episode and help us take you to the top with us by following and leaving a 5-Star review on your favorite podcasting app!

Episode No. 727 is a holiday weekend clips episode featuring artist Andrea Carlson. The Denver Art Museum just opened "Andrea Carlson: A Constant Sky," a mid-career survey. The exhibition spotlights how Carlson, who is Ojibwe and of European settler descent, creates works that challenge the colonial narratives presented by modern artists, museum collections, and cannibal genre horror films, all in ways that challenge and depart from the US landscape tradition. The exhibition was curated by Dakota Hoska, and will remain on view through February 16, 2026. The exhibition catalogue was published by Scala, Amazon and Bookshop offer it for $30-35. Museums that have featured solo exhibitions of Carlson's work include the Smithsonian's National Museum of the American Indian, New York, and the Minneapolis Institute of Art. Her work is in the collection of museums such as the National Gallery of Canada, Ottawa, the Walker Art Center, Minneapolis, the Whitney Museum of American Art, New York, and the Denver Art Museum. She is also the co-founder of the Center for Native Futures in Chicago. This program was taped on the occasion of Carlson's 2024 solo exhibition at the MCA Chicago. For images, please see Episode No. 677. Instagram: Andrea Carlson, Tyler Green.

Waldy and Bendy briefly revisit Swangate, and Bendy would like one of the old National Gallery benches now that they're coming up for sale. They also award the Waldy & Bendy award for the best forgotten artist. Waldy chooses a Picasso from the Tate to have on his wall. Show Notes - https://zczfilms.com/podcasts/waldy-bendy/season-05-episode-04-picasso-el-greco-and-some-benches/  Video version - https://youtu.be/5LOwLMQ1IEY 

Tate Modern continues to explore the histories of Modern art beyond the European and North American canons that were once its focus. This week it opened the exhibition Nigerian Modernism, and The Art Newspaper's digital editor, Alexander Morrison, speaks to the show's co-curator, Osei Bonsu, and to one of the 50 artists in the exhibition, Jimoh Buraimoh. Before the 12-day war between Israel and Iran in June of this year, the art scene in the Iranian capital, Tehran, was thriving. Sarvy Geranpayeh, one of our correspondents for the Middle East, travelled to Tehran for The Art Newspaper and tells Ben Luke how the art world has responded in the aftermath of the conflict. And this episode's Work of the Week is Cakes (1963) by Wayne Thiebaud, a painting in the National Gallery of Art in Washington that has travelled to the Courtauld Gallery in London for Wayne Thiebaud: American Still Life, the first UK museum exhibition of his art. We visit the show and speak to Barnaby Wright, its co-curator.Nigerian Modernism, Tate Modern, London, until 10 May 2026.Wayne Thiebaud. American Still Life, Courtauld Gallery, London, 10 October-18 January 2026.LAST CHANCE student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available.https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

For the first time in nearly seven years, federal operations have been drastically curtailed as the US government shuts down. As it enters a second week, we look in detail at how the collapse in funding for government services is affecting America at large - from the Federal worker fearing for his job, to the wider concerns of slowing growth and rising inflation. What does this say about the state of the world's largest economy?Produced and presented by Ed Butler(Image: "Closed" signage in front of the National Gallery of Art in Washington, DC, US, on 5 October 20205. Credit: Getty Images)

Send us a textDescription: An immersive viewing of The Scream by Edvard Munch with reflection on fear, jaundice, aliens and anxiety.  Website:https://anauscultation.wordpress.comWork: By Edvard Munch - National Museum of Art, Architecture and Design, Public Domain, https://commons.wikimedia.org/w/index.php?curid=69541493  References:Friedlaender GE, Friedlaender LK. Edvard Munch and The Scream: A Cry for Help. Clin Orthop Relat Res. 2018 Feb;476(2):200-202. Rosenblum, Robert (1978). "Introduction". Edvard Munch: Symbols & Images (PDF). Washington, D.C.: National Gallery of Art. p. 8. Finger S, Sirgiovanni E. The electrified artist: Edvard Munch's demons, treatments, and sketch of an electrotherapy session (1908-1909). J Hist Neurosci. 2024 Jul-Sep;33(3):241-274.https://lighthouse.mq.edu.au/article/please-explain/october-2023/please-explain-why-do-we-scream 

Episode 494 / Alexa Kumiko HatanakaAlexa Kumiko Hatanaka is a Japanese-Canadian, artist based out of Toronto. She studied printmaking at OCAD University in Toronto. In 2023, she completed a residency at a washi paper mill in Japan's Kōchi Prefecture, where she studied papermaking traditions that date to the 7th century. She works primarily with paper, and uses printmaking, ink drawing and natural dying combined with sewing. She engages with historical paper processes and materials that both require and contribute to a clean environment.  Her adaptations of traditions, in the form of sculpture, large-scale print installations and wearable sculptures, address contemporary questions of climate change, mental health, and survival. Alexa's practice includes a decade of community-engaged projects based in the high Arctic, and collaborative performances that integrate and reinterpret kamiko, garments sewn out of washi.Alexa's work has been exhibited at Kotaro Nukaga (Tokyo, JP), Harper's Gallery (New York, USA), Art Gallery of Ontario (Toronto, CA), Toronto Biennial of Art (Toronto, CA), Ino-chō Paper Museum (Kōchi, Japan), and NADA (Miami, New York City). Recent acquisitions include the The British Museum (London, UK), Dallas Art Museum (Dallas, USA), Material Art and Design Museum (New York City, USA), Shiga Prefecture Museum (Otsu, JP), National Gallery of Canada (Ottawa, CA) and Wellin Museum (Clinton, USA). Alexa was a 2025 artist in residence at Black Rock Senegal.

Read OnlineJesus said to the Pharisees: “There was a rich man who dressed in purple garments and fine linen and dined sumptuously each day. And lying at his door was a poor man named Lazarus, covered with sores, who would gladly have eaten his fill of the scraps that fell from the rich man's table. Dogs even used to come and lick his sores. When the poor man died, he was carried away by angels to the bosom of Abraham.” Luke 16:19–22No rational person would want to go to hell. The rich man in this parable certainly did not desire hell, but his actions led him there. Most people, however, do want to be rich in this world. In fact, many people would think it  irrational not to desire wealth. It is very rare to find a person who chooses to live in simplicity as a means to deeper spiritual fulfillment and as a preparation for the riches of Heaven. But one clear message from our Gospel story today is that the life that Lazarus lived on earth was far better than that of the rich man. So which life do you prefer here and now? While it is true that the rich man's riches were not the exclusive cause of his eternal damnation, it is also true that his riches imposed upon him a temptation toward selfishness and indifference to the needs of others, which ended in his eternal demise.Imagine that you won many millions of dollars. What would you do with it? As a good Christian, you might immediately profess that you would use that money for good, to help the poor and make a difference in the lives of others. What would the ideal response be to winning many millions of dollars? Would it suffice to give away ten percent and then use the rest for yourself? Probably not.One thing that this parable teaches is that material wealth not only adds nothing of value to our eternal reward, it also adds much temptation to our lives. True, if you received a lot of money and then used that money exclusively for good in accord with God's will, that would be a holy act of charity on your part and good for your eternal soul. But doing so would be very difficult. It would be very difficult to resist the temptations that come from material wealth.Is it good to be rich? It is certainly good to be able to take care of your basic needs in life and those of your family. Having money helps you do that. But once our basic needs have been met, the money left over is far more of a temptation than it is a blessing. We have to believe that. And if you are among those who want to become rich so that you can help others, consider this scenario. If that is your motivation, and if you did win a large amount of money, would it be possible for you to continue living the way you are living now? Imagine staying in the same home, driving the same car, having the same lifestyle, and using all the money you obtained 100% for the glory of God and the good of others. That would be hard to do. But if you could do it, not only would it be good for others, it would be exceptionally good for your own soul. Though this Gospel story has many valuable lessons in it, one of the clearest messages is that earthly poverty benefits a soul far more than earthly wealth. Many people will find that hard to accept.Reflect, today, upon the stark contrast between Lazarus and the rich man. One dined sumptuously every day, was clothed in fine linen and purple garments and then spent eternity in the netherworld where he was tormented. The other longed to eat the scraps from another's table, had no home, was covered in sores, but spent eternity in Heaven after being carried away by angels to the bosom of Abraham. Choose to imitate Lazarus rather than the rich man. If you have many material possessions, work hard at being detached from them. Live simply, be generous, and never neglect those in need. If you have very little, do not covet more. Eliminate envy, don't despair, trust in the providence of God, and rejoice that, like Lazarus, you are able to build up eternal riches within your soul that will remain with you forever. Lord of true riches, the spiritual wealth of true virtue, charity, faith and hope are all that matters in life. Material possessions mean little in this life and are a source of many temptations. Please free me from the desire for wealth. Free me from greed, selfishness and envy. Fill me with a spirit of detachment and generosity, and help me to build up true treasure in Heaven. Jesus, I trust in You.  Image: The Parable of Lazarus and the Rich Man, via National Gallery of ArtSource of content: catholic-daily-reflections.comCopyright © 2025 My Catholic Life! Inc. All rights reserved. Used with permission via RSS feed.

Episode No. 725 features curators Philip Brookman and Deborah Willis (and a cameo, of sorts, from artist Anthony Barboza). Brookman and Willis are the co-curators of "Photography and the Black Arts Movement, 1955-85" at the National Gallery of Art, Washington. The exhibition considers photography's engagement with the post-war cultural and aesthetic movement that celebrated Black history, identity, and beauty, and which often influenced the broader civil rights movement of which it was a part. The exhibition features 150 works from photographers and other artists who used photography in their work, such as in collage or assemblage. It is on view through January 11, 2026. An excellent catalogue was published by the NGA In association with Yale University Press. Amazon and Bookshop offer it for about $60. Instagram: Philip Brookman, Anthony Barboza, Deborah Willis, Tyler Green. Air date: September 25, 2025.

Waldy & Bendy are back! And not only that, they're treating you to a double bill! One episode today, one tomorrow. In this episode, they discuss the expansion plans of the National Gallery, Waldy's exciting new series, and Bendy shocks Waldy with his On The Wall choice. See the show notes here - https://zczfilms.com/podcasts/waldy-bendy/season-5-episode-1/ You can now also watch Waldy & Bendy on Youtube - https://youtu.be/Mg7rsCUrtUI