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Best podcasts about Eighth

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Latest podcast episodes about Eighth

Six:Eight
The Eighth

Six:Eight

Play Episode Listen Later Aug 7, 2022 32:46


God doesn't want us to steal anything from anyone. Yet instead of viewing this command in the negative, let's see this commandment in the positive as God's desire for His people to work for the good of others.

Torah to the Tribes
Eighth Edition Torah To The Tribes Parashah – D’VARIM דברים words Deuteronomy 1:1-3:22

Torah to the Tribes

Play Episode Listen Later Aug 7, 2022


Devarim/Deuteronomy - the book of ethics, the ultimate book of ethical guidance throughout our generations. Devarim = Torah's “mouth”, a summarizing of all that has happened before in “the main body.” דברים Download the 2021-2022 Eighth Edition Torah To The Tribes Parashah

Steelers Podcast - The Terrible Podcast
The Terrible Podcast - 2022 Steelers Training Camp - Eighth Practice 8/4

Steelers Podcast - The Terrible Podcast

Play Episode Listen Later Aug 5, 2022 38:12


August 4, 2022 - Welcome back. This is the eighth of several special edition episodes of The Terrible Podcast that are being posted nightly after the Pittsburgh Steelers wrap up their 2022 training camp practices. It's Thursday night and Alex Kozora joins me to discuss what he observed at Saint Vincent College in Latrobe earlier in the day. As per usual, Alex and I go through all of the position groups and try to give you the rundown on as many players possible in the shortest amount of time. In case you missed it, you can read Alex's Thursday camp practice report on steelersdepot.com.

Common Prayer Daily
August 5th - The Eighth Week After Pentecost

Common Prayer Daily

Play Episode Listen Later Aug 5, 2022 18:44


Opening Scripture:Grace to you and peace from God our Father and the Lord Jesus Christ. - PHILIPPIANS 1:2 Confession: *Let us take a moment to confess our sinsMost merciful God, we confess that we have sinned against you in thought, word, and deed, by what we have done, and by what we have left undone. We have not loved you with our whole heart; we have not loved our neighbors as ourselves. We are truly sorry and we humbly repent. For the sake of your Son Jesus Christ, have mercy on us and forgive us; that we may delight in your will, and walk in your ways, to the glory of your Name. Amen.Grant to your faithful people, merciful Lord, pardon and peace; that we may be cleansed from all our sins, and serve you with a quiet mind; through Jesus Christ our Lord. Amen. The Invitatory:O Lord, open our lips; and our mouth shall proclaim your praise.O God, make speed to save us; O Lord, make haste to help usGlory be to the Father, and to the Son, and to the Holy Spirit;as it was in the beginning, is now, and ever shall be, world without end. Amen.Praise the Lord: The Lord's Name be praised.Venite (O Come)The earth is the Lord's for he made it:O come, let us adore him. O come, let us sing unto the Lord; *let us heartily rejoice in the strength of our salvation.Let us come before his presence with thanksgiving *and show ourselves glad in him with psalms.For the Lord is a great God *and a great King above all gods.In his hand are all the depths of the earth, *and the heights of the hills are his also.The sea is his, for he made it, *and his hands prepared the dry land.O come, let us worship and fall down, *and kneel before the Lord our Maker.For he is our God, *and we are the people of his pasture,and the sheep of his hand.The earth is the Lord's for he made it:O come, let us adore him. The Psalms and OT and NT LessonsReading plan based on the Morning Prayer of the 2019 BCP Daily Office Lectionary(Psalms from BCP 2019 / OT and NT Readings from ESV)SundayPsalm 78:19–40Nehemiah 10 or 10:28–39John 6:1–21MondayPsalmPsalm 80Nehemiah 12 or 12:27–47John 6:22–40TuesdayPsalm 83Nehemiah 13 or 13:1–22, 30–31John 6:41–71WednesdayPsalm 85Hosea 1John 7:1–24ThursdayPsalm 88Hosea 2John 7:25–52FridayPsalm 89:19–51Hosea 3John 7:53–8:30Saturday (The Transfiguration of Our Lord Jesus Christ)Psalm 80Hosea 4John 8:31–59Luke 9:28–36AFTER THE PSALMS: Glory be to the Father, and to the Son, and to the Holy Spirit; as it was in the beginning, is now, and ever shall be, world without end. Amen.AFTER LESSONS: The Word of the Lord. Thanks Be To God.  BenedictusBlessed be the Lord, the God of Israel; *he has come to his people and set them free.He has raised up for us a mighty savior, *born of the house of his servant David.Through his holy prophets he promised of oldthat he would save us from our enemies, *from the hands of all who hate us.He promised to show mercy to our fathers *and to remember his holy covenant.This was the oath he swore to our father Abraham, *to set us free from the hands of our enemies,Free to worship him without fear, *holy and righteous in his sightall the days of our life.You, my child, shall be called the prophet of the Most High, *for you will go before the Lord to prepare his way,To give his people knowledge of salvation *by the forgiveness of their sins.In the tender compassion of our God *the dawn from on high shall break upon us,To shine on those who dwell in darknessand in the shadow of death, *and to guide our feet into the way of peace. Glory be to the Father, and to the Son, and to the Holy Spirit; *as it was in the beginning, is now, and ever shall be,world without end. Amen. The Apostles CreedI believe in God, the Father almighty, creator of heaven and earth. I believe in Jesus Christ, his only Son, our Lord. He was conceived by the Holy Spirit and born of the Virgin Mary. He suffered under Pontius Pilate, was crucified, died, and was buried. He descended to the dead. On the third day he rose again. He ascended into heaven, and is seated at the right hand of the Father. He will come again to judge the living and the dead.I believe in the Holy Spirit, the holy catholic Church, the communion of saints, the forgiveness of sins, the resurrection of the body, and the life everlasting. Amen. The PrayersLord, have mercy.Christ, have mercyLord, have mercyOur Father, who art in heaven, hallowed be thy Name, thy kingdom come, thy will be done, on earth as it is in heaven. Give us this day our daily bread. And forgive us our trespasses, as we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil. For thine is the kingdom, and the power, and the glory, forever and ever. Amen. Prayer of IntercessionShow us your mercy, O Lord; And grant us your salvation. Clothe your ministers with righteousness; Let your people sing with joy. Give peace, O Lord, in all the world; For only in you can we live in safety. Lord, keep this nation under your care; and guide us in the way of justice and truth. Let your way be known upon the earth; Your saving health among all nations. Let not the needy, O Lord, be forgotten; Nor the hope of the poor be taken away. Create in us clean hearts, O God; and Sustain us with your Holy Spirit. Amen.Take a moment of silence at this time to reflect and pray for others.The CollectsProper 13Almighty and merciful God, it is only by your grace that your faithful people offer you true and laudable service: Grant that we may run without stumbling to obtain your heavenly promises; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, now and for ever. Amen.The Transfiguration of Our Lord Jesus Christ (Saturday Only)O God, who on the holy mount revealed to chosen witnesses your well-beloved Son, wonderfully transfigured, in raiment white and glistening: Mercifully grant that we, being delivered from the disquietude of this world, may by faith behold the King in his beauty; who with you and the Holy Spirit lives and reigns, one God, for ever and ever. Amen.A Collect for PeaceO God, the author of peace and lover of concord, to know you is eternal life and to serve you is perfect freedom: Defend us, your humble servants, in all assaults of our enemies; that we, surely trusting in your defense, may not fear the power of any adversaries, through the might of Jesus Christ our Lord. Amen.A Collect for GraceO Lord, our heavenly Father, almighty and everlasting God, you have brought us safely to the beginning of this day: Defend us by your mighty power, that we may not fall into sin nor run into any danger; and that, guided by your Spirit, we may do what is righteous in your sight; through Jesus Christ our Lord. Amen. For Acceptance of PrayerHeavenly Father, you have promised to hear what we ask in the Name of your Son: Accept and fulfill our petitions, we pray, not as we ask in our ignorance, nor as we deserve in our sinfulness, but as you know and love us in your Son Jesus Christ our Lord. Amen. General ThanksgivingAlmighty God, Father of all mercies, we your unworthy servants give you humble thanks for all your goodness and loving-kindness to us and to all whom you have made.We bless you for our creation, preservation, and all the blessings of this life; but above all for your immeasurable love in the redemption of the world by our Lord Jesus Christ; for the means of grace, and for the hope of glory.And, we pray, give us such an awareness of your mercies, that with truly thankful hearts we may show forth your praise, not only with our lips, but in our lives, by giving up our selves to your service, and by walking before you in holiness and righteousness all our days;Through Jesus Christ our Lord, to whom, with you and the Holy Spirit, be honor and glory throughout all ages. Amen.A Prayer of St. John ChrysostomAlmighty God, you have given us grace at this time, with one accord to make our common supplications to you; and you have promised through your well-beloved Son that when two or three are gathered together in his Name you will grant their requests: Fulfill now, O Lord, our desires and petitions as may be best for us; granting us in this world knowledge of your truth, and in the age to come life everlasting. Amen.DismissalLet us bless the LordThanks be to God!BenedictionThe grace of our Lord Jesus Christ, and the love of God, and the fellowship of the Holy Spirit, be with us all evermore. Amen. (2 CORINTHIANS 13:14)

Common Prayer Daily
August 4th - The Eighth Week After Pentecost

Common Prayer Daily

Play Episode Listen Later Aug 4, 2022 19:37


Opening Scripture:Grace to you and peace from God our Father and the Lord Jesus Christ. - PHILIPPIANS 1:2 Confession: *Let us take a moment to confess our sinsMost merciful God, we confess that we have sinned against you in thought, word, and deed, by what we have done, and by what we have left undone. We have not loved you with our whole heart; we have not loved our neighbors as ourselves. We are truly sorry and we humbly repent. For the sake of your Son Jesus Christ, have mercy on us and forgive us; that we may delight in your will, and walk in your ways, to the glory of your Name. Amen.Grant to your faithful people, merciful Lord, pardon and peace; that we may be cleansed from all our sins, and serve you with a quiet mind; through Jesus Christ our Lord. Amen. The Invitatory:O Lord, open our lips; and our mouth shall proclaim your praise.O God, make speed to save us; O Lord, make haste to help usGlory be to the Father, and to the Son, and to the Holy Spirit;as it was in the beginning, is now, and ever shall be, world without end. Amen.Praise the Lord: The Lord's Name be praised.Venite (O Come)The earth is the Lord's for he made it:O come, let us adore him. O come, let us sing unto the Lord; *let us heartily rejoice in the strength of our salvation.Let us come before his presence with thanksgiving *and show ourselves glad in him with psalms.For the Lord is a great God *and a great King above all gods.In his hand are all the depths of the earth, *and the heights of the hills are his also.The sea is his, for he made it, *and his hands prepared the dry land.O come, let us worship and fall down, *and kneel before the Lord our Maker.For he is our God, *and we are the people of his pasture,and the sheep of his hand.The earth is the Lord's for he made it:O come, let us adore him. The Psalms and OT and NT LessonsReading plan based on the Morning Prayer of the 2019 BCP Daily Office Lectionary(Psalms from BCP 2019 / OT and NT Readings from ESV)SundayPsalm 78:19–40Nehemiah 10 or 10:28–39John 6:1–21MondayPsalmPsalm 80Nehemiah 12 or 12:27–47John 6:22–40TuesdayPsalm 83Nehemiah 13 or 13:1–22, 30–31John 6:41–71WednesdayPsalm 85Hosea 1John 7:1–24ThursdayPsalm 88Hosea 2John 7:25–52FridayPsalm 89:19–51Hosea 3John 7:53–8:30Saturday (The Transfiguration of Our Lord Jesus Christ)Psalm 80Hosea 4John 8:31–59Luke 9:28–36AFTER THE PSALMS: Glory be to the Father, and to the Son, and to the Holy Spirit; as it was in the beginning, is now, and ever shall be, world without end. Amen.AFTER LESSONS: The Word of the Lord. Thanks Be To God.  BenedictusBlessed be the Lord, the God of Israel; *he has come to his people and set them free.He has raised up for us a mighty savior, *born of the house of his servant David.Through his holy prophets he promised of oldthat he would save us from our enemies, *from the hands of all who hate us.He promised to show mercy to our fathers *and to remember his holy covenant.This was the oath he swore to our father Abraham, *to set us free from the hands of our enemies,Free to worship him without fear, *holy and righteous in his sightall the days of our life.You, my child, shall be called the prophet of the Most High, *for you will go before the Lord to prepare his way,To give his people knowledge of salvation *by the forgiveness of their sins.In the tender compassion of our God *the dawn from on high shall break upon us,To shine on those who dwell in darknessand in the shadow of death, *and to guide our feet into the way of peace. Glory be to the Father, and to the Son, and to the Holy Spirit; *as it was in the beginning, is now, and ever shall be,world without end. Amen. The Apostles CreedI believe in God, the Father almighty, creator of heaven and earth. I believe in Jesus Christ, his only Son, our Lord. He was conceived by the Holy Spirit and born of the Virgin Mary. He suffered under Pontius Pilate, was crucified, died, and was buried. He descended to the dead. On the third day he rose again. He ascended into heaven, and is seated at the right hand of the Father. He will come again to judge the living and the dead.I believe in the Holy Spirit, the holy catholic Church, the communion of saints, the forgiveness of sins, the resurrection of the body, and the life everlasting. Amen. The PrayersLord, have mercy.Christ, have mercyLord, have mercyOur Father, who art in heaven, hallowed be thy Name, thy kingdom come, thy will be done, on earth as it is in heaven. Give us this day our daily bread. And forgive us our trespasses, as we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil. For thine is the kingdom, and the power, and the glory, forever and ever. Amen. Prayer of IntercessionShow us your mercy, O Lord; And grant us your salvation. Clothe your ministers with righteousness; Let your people sing with joy. Give peace, O Lord, in all the world; For only in you can we live in safety. Lord, keep this nation under your care; and guide us in the way of justice and truth. Let your way be known upon the earth; Your saving health among all nations. Let not the needy, O Lord, be forgotten; Nor the hope of the poor be taken away. Create in us clean hearts, O God; and Sustain us with your Holy Spirit. Amen.Take a moment of silence at this time to reflect and pray for others.The CollectsProper 13Almighty and merciful God, it is only by your grace that your faithful people offer you true and laudable service: Grant that we may run without stumbling to obtain your heavenly promises; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, now and for ever. Amen.The Transfiguration of Our Lord Jesus Christ (Saturday Only)O God, who on the holy mount revealed to chosen witnesses your well-beloved Son, wonderfully transfigured, in raiment white and glistening: Mercifully grant that we, being delivered from the disquietude of this world, may by faith behold the King in his beauty; who with you and the Holy Spirit lives and reigns, one God, for ever and ever. Amen.A Collect for PeaceO God, the author of peace and lover of concord, to know you is eternal life and to serve you is perfect freedom: Defend us, your humble servants, in all assaults of our enemies; that we, surely trusting in your defense, may not fear the power of any adversaries, through the might of Jesus Christ our Lord. Amen.A Collect for GraceO Lord, our heavenly Father, almighty and everlasting God, you have brought us safely to the beginning of this day: Defend us by your mighty power, that we may not fall into sin nor run into any danger; and that, guided by your Spirit, we may do what is righteous in your sight; through Jesus Christ our Lord. Amen. For Acceptance of PrayerHeavenly Father, you have promised to hear what we ask in the Name of your Son: Accept and fulfill our petitions, we pray, not as we ask in our ignorance, nor as we deserve in our sinfulness, but as you know and love us in your Son Jesus Christ our Lord. Amen. General ThanksgivingAlmighty God, Father of all mercies, we your unworthy servants give you humble thanks for all your goodness and loving-kindness to us and to all whom you have made.We bless you for our creation, preservation, and all the blessings of this life; but above all for your immeasurable love in the redemption of the world by our Lord Jesus Christ; for the means of grace, and for the hope of glory.And, we pray, give us such an awareness of your mercies, that with truly thankful hearts we may show forth your praise, not only with our lips, but in our lives, by giving up our selves to your service, and by walking before you in holiness and righteousness all our days;Through Jesus Christ our Lord, to whom, with you and the Holy Spirit, be honor and glory throughout all ages. Amen.A Prayer of St. John ChrysostomAlmighty God, you have given us grace at this time, with one accord to make our common supplications to you; and you have promised through your well-beloved Son that when two or three are gathered together in his Name you will grant their requests: Fulfill now, O Lord, our desires and petitions as may be best for us; granting us in this world knowledge of your truth, and in the age to come life everlasting. Amen.DismissalLet us bless the LordThanks be to God!BenedictionThe grace of our Lord Jesus Christ, and the love of God, and the fellowship of the Holy Spirit, be with us all evermore. Amen. (2 CORINTHIANS 13:14)

The Everything Sequel Podcast
The 1982 Project's Eighth Installment - The They're Here Episode: Part 1 (The Thing and Poltergeist)

The Everything Sequel Podcast

Play Episode Listen Later Aug 3, 2022 61:59


The Everything Sequel Podcast presents The 1982 Project! Listen as Mike and Matt discuss the prestige horror movies from 1982 including The Thing and Poltergeist. You'll hear which of us is unimpressed with The Thing, how much we like Poltergeist and were surprised by it on a rewatch and discussions about these prestige horror movies before we get into the schlock of horror next week.

Common Prayer Daily
August 3rd - The Eighth Week After Pentecost

Common Prayer Daily

Play Episode Listen Later Aug 3, 2022 16:34


Opening Scripture:Grace to you and peace from God our Father and the Lord Jesus Christ. - PHILIPPIANS 1:2 Confession: *Let us take a moment to confess our sinsMost merciful God, we confess that we have sinned against you in thought, word, and deed, by what we have done, and by what we have left undone. We have not loved you with our whole heart; we have not loved our neighbors as ourselves. We are truly sorry and we humbly repent. For the sake of your Son Jesus Christ, have mercy on us and forgive us; that we may delight in your will, and walk in your ways, to the glory of your Name. Amen.Grant to your faithful people, merciful Lord, pardon and peace; that we may be cleansed from all our sins, and serve you with a quiet mind; through Jesus Christ our Lord. Amen. The Invitatory:O Lord, open our lips; and our mouth shall proclaim your praise.O God, make speed to save us; O Lord, make haste to help usGlory be to the Father, and to the Son, and to the Holy Spirit;as it was in the beginning, is now, and ever shall be, world without end. Amen.Praise the Lord: The Lord's Name be praised.Venite (O Come)The earth is the Lord's for he made it:O come, let us adore him. O come, let us sing unto the Lord; *let us heartily rejoice in the strength of our salvation.Let us come before his presence with thanksgiving *and show ourselves glad in him with psalms.For the Lord is a great God *and a great King above all gods.In his hand are all the depths of the earth, *and the heights of the hills are his also.The sea is his, for he made it, *and his hands prepared the dry land.O come, let us worship and fall down, *and kneel before the Lord our Maker.For he is our God, *and we are the people of his pasture,and the sheep of his hand.The earth is the Lord's for he made it:O come, let us adore him. The Psalms and OT and NT LessonsReading plan based on the Morning Prayer of the 2019 BCP Daily Office Lectionary(Psalms from BCP 2019 / OT and NT Readings from ESV)SundayPsalm 78:19–40Nehemiah 10 or 10:28–39John 6:1–21MondayPsalmPsalm 80Nehemiah 12 or 12:27–47John 6:22–40TuesdayPsalm 83Nehemiah 13 or 13:1–22, 30–31John 6:41–71WednesdayPsalm 85Hosea 1John 7:1–24ThursdayPsalm 88Hosea 2John 7:25–52FridayPsalm 89:19–51Hosea 3John 7:53–8:30Saturday (The Transfiguration of Our Lord Jesus Christ)Psalm 80Hosea 4John 8:31–59Luke 9:28–36AFTER THE PSALMS: Glory be to the Father, and to the Son, and to the Holy Spirit; as it was in the beginning, is now, and ever shall be, world without end. Amen.AFTER LESSONS: The Word of the Lord. Thanks Be To God.  BenedictusBlessed be the Lord, the God of Israel; *he has come to his people and set them free.He has raised up for us a mighty savior, *born of the house of his servant David.Through his holy prophets he promised of oldthat he would save us from our enemies, *from the hands of all who hate us.He promised to show mercy to our fathers *and to remember his holy covenant.This was the oath he swore to our father Abraham, *to set us free from the hands of our enemies,Free to worship him without fear, *holy and righteous in his sightall the days of our life.You, my child, shall be called the prophet of the Most High, *for you will go before the Lord to prepare his way,To give his people knowledge of salvation *by the forgiveness of their sins.In the tender compassion of our God *the dawn from on high shall break upon us,To shine on those who dwell in darknessand in the shadow of death, *and to guide our feet into the way of peace. Glory be to the Father, and to the Son, and to the Holy Spirit; *as it was in the beginning, is now, and ever shall be,world without end. Amen. The Apostles CreedI believe in God, the Father almighty, creator of heaven and earth. I believe in Jesus Christ, his only Son, our Lord. He was conceived by the Holy Spirit and born of the Virgin Mary. He suffered under Pontius Pilate, was crucified, died, and was buried. He descended to the dead. On the third day he rose again. He ascended into heaven, and is seated at the right hand of the Father. He will come again to judge the living and the dead.I believe in the Holy Spirit, the holy catholic Church, the communion of saints, the forgiveness of sins, the resurrection of the body, and the life everlasting. Amen. The PrayersLord, have mercy.Christ, have mercyLord, have mercyOur Father, who art in heaven, hallowed be thy Name, thy kingdom come, thy will be done, on earth as it is in heaven. Give us this day our daily bread. And forgive us our trespasses, as we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil. For thine is the kingdom, and the power, and the glory, forever and ever. Amen. Prayer of IntercessionShow us your mercy, O Lord; And grant us your salvation. Clothe your ministers with righteousness; Let your people sing with joy. Give peace, O Lord, in all the world; For only in you can we live in safety. Lord, keep this nation under your care; and guide us in the way of justice and truth. Let your way be known upon the earth; Your saving health among all nations. Let not the needy, O Lord, be forgotten; Nor the hope of the poor be taken away. Create in us clean hearts, O God; and Sustain us with your Holy Spirit. Amen.Take a moment of silence at this time to reflect and pray for others.The CollectsProper 13Almighty and merciful God, it is only by your grace that your faithful people offer you true and laudable service: Grant that we may run without stumbling to obtain your heavenly promises; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, now and for ever. Amen.The Transfiguration of Our Lord Jesus Christ (Saturday Only)O God, who on the holy mount revealed to chosen witnesses your well-beloved Son, wonderfully transfigured, in raiment white and glistening: Mercifully grant that we, being delivered from the disquietude of this world, may by faith behold the King in his beauty; who with you and the Holy Spirit lives and reigns, one God, for ever and ever. Amen.A Collect for PeaceO God, the author of peace and lover of concord, to know you is eternal life and to serve you is perfect freedom: Defend us, your humble servants, in all assaults of our enemies; that we, surely trusting in your defense, may not fear the power of any adversaries, through the might of Jesus Christ our Lord. Amen.A Collect for GraceO Lord, our heavenly Father, almighty and everlasting God, you have brought us safely to the beginning of this day: Defend us by your mighty power, that we may not fall into sin nor run into any danger; and that, guided by your Spirit, we may do what is righteous in your sight; through Jesus Christ our Lord. Amen. For Acceptance of PrayerHeavenly Father, you have promised to hear what we ask in the Name of your Son: Accept and fulfill our petitions, we pray, not as we ask in our ignorance, nor as we deserve in our sinfulness, but as you know and love us in your Son Jesus Christ our Lord. Amen. General ThanksgivingAlmighty God, Father of all mercies, we your unworthy servants give you humble thanks for all your goodness and loving-kindness to us and to all whom you have made.We bless you for our creation, preservation, and all the blessings of this life; but above all for your immeasurable love in the redemption of the world by our Lord Jesus Christ; for the means of grace, and for the hope of glory.And, we pray, give us such an awareness of your mercies, that with truly thankful hearts we may show forth your praise, not only with our lips, but in our lives, by giving up our selves to your service, and by walking before you in holiness and righteousness all our days;Through Jesus Christ our Lord, to whom, with you and the Holy Spirit, be honor and glory throughout all ages. Amen.A Prayer of St. John ChrysostomAlmighty God, you have given us grace at this time, with one accord to make our common supplications to you; and you have promised through your well-beloved Son that when two or three are gathered together in his Name you will grant their requests: Fulfill now, O Lord, our desires and petitions as may be best for us; granting us in this world knowledge of your truth, and in the age to come life everlasting. Amen.DismissalLet us bless the LordThanks be to God!BenedictionThe grace of our Lord Jesus Christ, and the love of God, and the fellowship of the Holy Spirit, be with us all evermore. Amen. (2 CORINTHIANS 13:14)

The Return to Order Moment
The World Loves Henry VIII - It Is Time To Hear From His Victims

The Return to Order Moment

Play Episode Listen Later Aug 3, 2022 27:15


Henry the Eighth is getting a historical make-over. For centuries, the English king was most often a figure of ridicule. The only thing that most people knew about him pertained to his deplorable marital history. However, some historians are reconsidering his role in English history, looking at him in a far more favorable light. They paint him as a figure who made England stronger abroad and more unified at home. Even his horrible record as a husband is explained away as necessary to maintain the Tudor dynasty and stabilize England by providing a male heir. There is another interesting – and ironic – facet of Henry's rehabilitation. Some try to present him as a pioneer of the modern idea of separating the Church from the State. For the “woke” historians, the Catholic Church is high on the list of oppressors. Therefore, they are quite willing to praise a tyrant, as long as he fought against the Church. This episode of the Return to Order Moment looks at Henry VIII from a different vantage point – that of his victims. Specifically, we look at two of those victims – both better men than Henry. They are, in fact, both saints – Saint Thomas More and Saint John Fisher.

Common Prayer Daily
August 2nd - The Eighth Week After Pentecost

Common Prayer Daily

Play Episode Listen Later Aug 2, 2022 20:27


Opening Scripture:Grace to you and peace from God our Father and the Lord Jesus Christ. - PHILIPPIANS 1:2 Confession: *Let us take a moment to confess our sinsMost merciful God, we confess that we have sinned against you in thought, word, and deed, by what we have done, and by what we have left undone. We have not loved you with our whole heart; we have not loved our neighbors as ourselves. We are truly sorry and we humbly repent. For the sake of your Son Jesus Christ, have mercy on us and forgive us; that we may delight in your will, and walk in your ways, to the glory of your Name. Amen.Grant to your faithful people, merciful Lord, pardon and peace; that we may be cleansed from all our sins, and serve you with a quiet mind; through Jesus Christ our Lord. Amen. The Invitatory:O Lord, open our lips; and our mouth shall proclaim your praise.O God, make speed to save us; O Lord, make haste to help usGlory be to the Father, and to the Son, and to the Holy Spirit;as it was in the beginning, is now, and ever shall be, world without end. Amen.Praise the Lord: The Lord's Name be praised.Venite (O Come)The earth is the Lord's for he made it:O come, let us adore him. O come, let us sing unto the Lord; *let us heartily rejoice in the strength of our salvation.Let us come before his presence with thanksgiving *and show ourselves glad in him with psalms.For the Lord is a great God *and a great King above all gods.In his hand are all the depths of the earth, *and the heights of the hills are his also.The sea is his, for he made it, *and his hands prepared the dry land.O come, let us worship and fall down, *and kneel before the Lord our Maker.For he is our God, *and we are the people of his pasture,and the sheep of his hand.The earth is the Lord's for he made it:O come, let us adore him. The Psalms and OT and NT LessonsReading plan based on the Morning Prayer of the 2019 BCP Daily Office Lectionary(Psalms from BCP 2019 / OT and NT Readings from ESV)SundayPsalm 78:19–40Nehemiah 10 or 10:28–39John 6:1–21MondayPsalmPsalm 80Nehemiah 12 or 12:27–47John 6:22–40TuesdayPsalm 83Nehemiah 13 or 13:1–22, 30–31John 6:41–71WednesdayPsalm 85Hosea 1John 7:1–24ThursdayPsalm 88Hosea 2John 7:25–52FridayPsalm 89:19–51Hosea 3John 7:53–8:30Saturday (The Transfiguration of Our Lord Jesus Christ)Psalm 80Hosea 4John 8:31–59Luke 9:28–36AFTER THE PSALMS: Glory be to the Father, and to the Son, and to the Holy Spirit; as it was in the beginning, is now, and ever shall be, world without end. Amen.AFTER LESSONS: The Word of the Lord. Thanks Be To God.  BenedictusBlessed be the Lord, the God of Israel; *he has come to his people and set them free.He has raised up for us a mighty savior, *born of the house of his servant David.Through his holy prophets he promised of oldthat he would save us from our enemies, *from the hands of all who hate us.He promised to show mercy to our fathers *and to remember his holy covenant.This was the oath he swore to our father Abraham, *to set us free from the hands of our enemies,Free to worship him without fear, *holy and righteous in his sightall the days of our life.You, my child, shall be called the prophet of the Most High, *for you will go before the Lord to prepare his way,To give his people knowledge of salvation *by the forgiveness of their sins.In the tender compassion of our God *the dawn from on high shall break upon us,To shine on those who dwell in darknessand in the shadow of death, *and to guide our feet into the way of peace. Glory be to the Father, and to the Son, and to the Holy Spirit; *as it was in the beginning, is now, and ever shall be,world without end. Amen. The Apostles CreedI believe in God, the Father almighty, creator of heaven and earth. I believe in Jesus Christ, his only Son, our Lord. He was conceived by the Holy Spirit and born of the Virgin Mary. He suffered under Pontius Pilate, was crucified, died, and was buried. He descended to the dead. On the third day he rose again. He ascended into heaven, and is seated at the right hand of the Father. He will come again to judge the living and the dead.I believe in the Holy Spirit, the holy catholic Church, the communion of saints, the forgiveness of sins, the resurrection of the body, and the life everlasting. Amen. The PrayersLord, have mercy.Christ, have mercyLord, have mercyOur Father, who art in heaven, hallowed be thy Name, thy kingdom come, thy will be done, on earth as it is in heaven. Give us this day our daily bread. And forgive us our trespasses, as we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil. For thine is the kingdom, and the power, and the glory, forever and ever. Amen. Prayer of IntercessionShow us your mercy, O Lord; And grant us your salvation. Clothe your ministers with righteousness; Let your people sing with joy. Give peace, O Lord, in all the world; For only in you can we live in safety. Lord, keep this nation under your care; and guide us in the way of justice and truth. Let your way be known upon the earth; Your saving health among all nations. Let not the needy, O Lord, be forgotten; Nor the hope of the poor be taken away. Create in us clean hearts, O God; and Sustain us with your Holy Spirit. Amen.Take a moment of silence at this time to reflect and pray for others.The CollectsProper 13Almighty and merciful God, it is only by your grace that your faithful people offer you true and laudable service: Grant that we may run without stumbling to obtain your heavenly promises; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, now and for ever. Amen.The Transfiguration of Our Lord Jesus Christ (Saturday Only)O God, who on the holy mount revealed to chosen witnesses your well-beloved Son, wonderfully transfigured, in raiment white and glistening: Mercifully grant that we, being delivered from the disquietude of this world, may by faith behold the King in his beauty; who with you and the Holy Spirit lives and reigns, one God, for ever and ever. Amen.A Collect for PeaceO God, the author of peace and lover of concord, to know you is eternal life and to serve you is perfect freedom: Defend us, your humble servants, in all assaults of our enemies; that we, surely trusting in your defense, may not fear the power of any adversaries, through the might of Jesus Christ our Lord. Amen.A Collect for GraceO Lord, our heavenly Father, almighty and everlasting God, you have brought us safely to the beginning of this day: Defend us by your mighty power, that we may not fall into sin nor run into any danger; and that, guided by your Spirit, we may do what is righteous in your sight; through Jesus Christ our Lord. Amen. For Acceptance of PrayerHeavenly Father, you have promised to hear what we ask in the Name of your Son: Accept and fulfill our petitions, we pray, not as we ask in our ignorance, nor as we deserve in our sinfulness, but as you know and love us in your Son Jesus Christ our Lord. Amen. General ThanksgivingAlmighty God, Father of all mercies, we your unworthy servants give you humble thanks for all your goodness and loving-kindness to us and to all whom you have made.We bless you for our creation, preservation, and all the blessings of this life; but above all for your immeasurable love in the redemption of the world by our Lord Jesus Christ; for the means of grace, and for the hope of glory.And, we pray, give us such an awareness of your mercies, that with truly thankful hearts we may show forth your praise, not only with our lips, but in our lives, by giving up our selves to your service, and by walking before you in holiness and righteousness all our days;Through Jesus Christ our Lord, to whom, with you and the Holy Spirit, be honor and glory throughout all ages. Amen.A Prayer of St. John ChrysostomAlmighty God, you have given us grace at this time, with one accord to make our common supplications to you; and you have promised through your well-beloved Son that when two or three are gathered together in his Name you will grant their requests: Fulfill now, O Lord, our desires and petitions as may be best for us; granting us in this world knowledge of your truth, and in the age to come life everlasting. Amen.DismissalLet us bless the LordThanks be to God!BenedictionThe grace of our Lord Jesus Christ, and the love of God, and the fellowship of the Holy Spirit, be with us all evermore. Amen. (2 CORINTHIANS 13:14)

RTÉ - Morning Ireland
Eighth series of Love Island draws to a close

RTÉ - Morning Ireland

Play Episode Listen Later Aug 2, 2022 7:06


Orlaith Condon, Love Island podcaster, discusses the series finale of the popular sun-soaked reality dating show.

Common Prayer Daily
August 1st - The Eighth Week After Pentecost

Common Prayer Daily

Play Episode Listen Later Aug 1, 2022 18:54


Opening Scripture:Grace to you and peace from God our Father and the Lord Jesus Christ. - PHILIPPIANS 1:2 Confession: *Let us take a moment to confess our sinsMost merciful God, we confess that we have sinned against you in thought, word, and deed, by what we have done, and by what we have left undone. We have not loved you with our whole heart; we have not loved our neighbors as ourselves. We are truly sorry and we humbly repent. For the sake of your Son Jesus Christ, have mercy on us and forgive us; that we may delight in your will, and walk in your ways, to the glory of your Name. Amen.Grant to your faithful people, merciful Lord, pardon and peace; that we may be cleansed from all our sins, and serve you with a quiet mind; through Jesus Christ our Lord. Amen. The Invitatory:O Lord, open our lips; and our mouth shall proclaim your praise.O God, make speed to save us; O Lord, make haste to help usGlory be to the Father, and to the Son, and to the Holy Spirit;as it was in the beginning, is now, and ever shall be, world without end. Amen.Praise the Lord: The Lord's Name be praised.Venite (O Come)The earth is the Lord's for he made it:O come, let us adore him. O come, let us sing unto the Lord; *let us heartily rejoice in the strength of our salvation.Let us come before his presence with thanksgiving *and show ourselves glad in him with psalms.For the Lord is a great God *and a great King above all gods.In his hand are all the depths of the earth, *and the heights of the hills are his also.The sea is his, for he made it, *and his hands prepared the dry land.O come, let us worship and fall down, *and kneel before the Lord our Maker.For he is our God, *and we are the people of his pasture,and the sheep of his hand.The earth is the Lord's for he made it:O come, let us adore him. The Psalms and OT and NT LessonsReading plan based on the Morning Prayer of the 2019 BCP Daily Office Lectionary(Psalms from BCP 2019 / OT and NT Readings from ESV)SundayPsalm 78:19–40Nehemiah 10 or 10:28–39John 6:1–21MondayPsalmPsalm 80Nehemiah 12 or 12:27–47John 6:22–40TuesdayPsalm 83Nehemiah 13 or 13:1–22, 30–31John 6:41–71WednesdayPsalm 85Hosea 1John 7:1–24ThursdayPsalm 88Hosea 2John 7:25–52FridayPsalm 89:19–51Hosea 3John 7:53–8:30Saturday (The Transfiguration of Our Lord Jesus Christ)Psalm 80Hosea 4John 8:31–59Luke 9:28–36AFTER THE PSALMS: Glory be to the Father, and to the Son, and to the Holy Spirit; as it was in the beginning, is now, and ever shall be, world without end. Amen.AFTER LESSONS: The Word of the Lord. Thanks Be To God.  BenedictusBlessed be the Lord, the God of Israel; *he has come to his people and set them free.He has raised up for us a mighty savior, *born of the house of his servant David.Through his holy prophets he promised of oldthat he would save us from our enemies, *from the hands of all who hate us.He promised to show mercy to our fathers *and to remember his holy covenant.This was the oath he swore to our father Abraham, *to set us free from the hands of our enemies,Free to worship him without fear, *holy and righteous in his sightall the days of our life.You, my child, shall be called the prophet of the Most High, *for you will go before the Lord to prepare his way,To give his people knowledge of salvation *by the forgiveness of their sins.In the tender compassion of our God *the dawn from on high shall break upon us,To shine on those who dwell in darknessand in the shadow of death, *and to guide our feet into the way of peace. Glory be to the Father, and to the Son, and to the Holy Spirit; *as it was in the beginning, is now, and ever shall be,world without end. Amen. The Apostles CreedI believe in God, the Father almighty, creator of heaven and earth. I believe in Jesus Christ, his only Son, our Lord. He was conceived by the Holy Spirit and born of the Virgin Mary. He suffered under Pontius Pilate, was crucified, died, and was buried. He descended to the dead. On the third day he rose again. He ascended into heaven, and is seated at the right hand of the Father. He will come again to judge the living and the dead.I believe in the Holy Spirit, the holy catholic Church, the communion of saints, the forgiveness of sins, the resurrection of the body, and the life everlasting. Amen. The PrayersLord, have mercy.Christ, have mercyLord, have mercyOur Father, who art in heaven, hallowed be thy Name, thy kingdom come, thy will be done, on earth as it is in heaven. Give us this day our daily bread. And forgive us our trespasses, as we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil. For thine is the kingdom, and the power, and the glory, forever and ever. Amen. Prayer of IntercessionShow us your mercy, O Lord; And grant us your salvation. Clothe your ministers with righteousness; Let your people sing with joy. Give peace, O Lord, in all the world; For only in you can we live in safety. Lord, keep this nation under your care; and guide us in the way of justice and truth. Let your way be known upon the earth; Your saving health among all nations. Let not the needy, O Lord, be forgotten; Nor the hope of the poor be taken away. Create in us clean hearts, O God; and Sustain us with your Holy Spirit. Amen.Take a moment of silence at this time to reflect and pray for others.The CollectsProper 13Almighty and merciful God, it is only by your grace that your faithful people offer you true and laudable service: Grant that we may run without stumbling to obtain your heavenly promises; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, now and for ever. Amen.The Transfiguration of Our Lord Jesus Christ (Saturday Only)O God, who on the holy mount revealed to chosen witnesses your well-beloved Son, wonderfully transfigured, in raiment white and glistening: Mercifully grant that we, being delivered from the disquietude of this world, may by faith behold the King in his beauty; who with you and the Holy Spirit lives and reigns, one God, for ever and ever. Amen.A Collect for PeaceO God, the author of peace and lover of concord, to know you is eternal life and to serve you is perfect freedom: Defend us, your humble servants, in all assaults of our enemies; that we, surely trusting in your defense, may not fear the power of any adversaries, through the might of Jesus Christ our Lord. Amen.A Collect for GraceO Lord, our heavenly Father, almighty and everlasting God, you have brought us safely to the beginning of this day: Defend us by your mighty power, that we may not fall into sin nor run into any danger; and that, guided by your Spirit, we may do what is righteous in your sight; through Jesus Christ our Lord. Amen. For Acceptance of PrayerHeavenly Father, you have promised to hear what we ask in the Name of your Son: Accept and fulfill our petitions, we pray, not as we ask in our ignorance, nor as we deserve in our sinfulness, but as you know and love us in your Son Jesus Christ our Lord. Amen. General ThanksgivingAlmighty God, Father of all mercies, we your unworthy servants give you humble thanks for all your goodness and loving-kindness to us and to all whom you have made.We bless you for our creation, preservation, and all the blessings of this life; but above all for your immeasurable love in the redemption of the world by our Lord Jesus Christ; for the means of grace, and for the hope of glory.And, we pray, give us such an awareness of your mercies, that with truly thankful hearts we may show forth your praise, not only with our lips, but in our lives, by giving up our selves to your service, and by walking before you in holiness and righteousness all our days;Through Jesus Christ our Lord, to whom, with you and the Holy Spirit, be honor and glory throughout all ages. Amen.A Prayer of St. John ChrysostomAlmighty God, you have given us grace at this time, with one accord to make our common supplications to you; and you have promised through your well-beloved Son that when two or three are gathered together in his Name you will grant their requests: Fulfill now, O Lord, our desires and petitions as may be best for us; granting us in this world knowledge of your truth, and in the age to come life everlasting. Amen.DismissalLet us bless the LordThanks be to God!BenedictionThe grace of our Lord Jesus Christ, and the love of God, and the fellowship of the Holy Spirit, be with us all evermore. Amen. (2 CORINTHIANS 13:14)

First Smoke of The Day
Freddie Bigg of SF Canna - Episode 54

First Smoke of The Day

Play Episode Listen Later Aug 1, 2022 84:21


Today we sat down with a Bay Area Tastemaker who has been there since the Origins of each Phase of Cannabis History to come out of the San Francisco Legendary Bay Area. So much rich cannabis history that we speak on in this podcast. The Flavors coming through in every HIT and those legendary strains are the taste and smell of cannabis history. A rich Bay Area History and sometimes Deep Story Behind every strain and every Eighth. Then let's take this to another Connoisseur Level with SF Canna because they hired a Professional Sushi Roller to Roll up their top shelf flowers so that ultimate smokeability is achieved every time. This podcast is rich in Bay Area history and just a fun conversation about SF strains, Bay Area Plugs, the best Food Spots and native Strains.. “Freddie” from S.F. Canna, a Bay Area Cannabis Player and Tastemaker, is welcome to First Smoke of the Day.Connect with SF CannaFreddie BiggSF CannaFSOTD SponsorsAthena | IGMango Tech | IGCan-FilterLuxx LightingGrow Generation | IGPower SI | IGJungle Boys | IGThe Diamond Mine | IGFSOTD LinksWebsite | Patreon | YouTubeMake sure to tell all your friends and family to subscribe! Go register on the website or Patreon for all the exclusive ad-free content, BTS, tutorials, and more! Please leave a 5-Star review! We appreciate your support, First Smoke Family! See acast.com/privacy for privacy and opt-out information.

Common Prayer Daily
July 31st - The Eighth Week After Pentecost

Common Prayer Daily

Play Episode Listen Later Jul 31, 2022 18:08


Opening Scripture:Grace to you and peace from God our Father and the Lord Jesus Christ. - PHILIPPIANS 1:2 Confession: *Let us take a moment to confess our sinsMost merciful God, we confess that we have sinned against you in thought, word, and deed, by what we have done, and by what we have left undone. We have not loved you with our whole heart; we have not loved our neighbors as ourselves. We are truly sorry and we humbly repent. For the sake of your Son Jesus Christ, have mercy on us and forgive us; that we may delight in your will, and walk in your ways, to the glory of your Name. Amen.Grant to your faithful people, merciful Lord, pardon and peace; that we may be cleansed from all our sins, and serve you with a quiet mind; through Jesus Christ our Lord. Amen. The Invitatory:O Lord, open our lips; and our mouth shall proclaim your praise.O God, make speed to save us; O Lord, make haste to help usGlory be to the Father, and to the Son, and to the Holy Spirit;as it was in the beginning, is now, and ever shall be, world without end. Amen.Praise the Lord: The Lord's Name be praised.Venite (O Come)The earth is the Lord's for he made it:O come, let us adore him. O come, let us sing unto the Lord; *let us heartily rejoice in the strength of our salvation.Let us come before his presence with thanksgiving *and show ourselves glad in him with psalms.For the Lord is a great God *and a great King above all gods.In his hand are all the depths of the earth, *and the heights of the hills are his also.The sea is his, for he made it, *and his hands prepared the dry land.O come, let us worship and fall down, *and kneel before the Lord our Maker.For he is our God, *and we are the people of his pasture,and the sheep of his hand.The earth is the Lord's for he made it:O come, let us adore him. The Psalms and OT and NT LessonsReading plan based on the Morning Prayer of the 2019 BCP Daily Office Lectionary(Psalms from BCP 2019 / OT and NT Readings from ESV)SundayPsalm 78:19–40Nehemiah 10 or 10:28–39John 6:1–21MondayPsalmPsalm 80Nehemiah 12 or 12:27–47John 6:22–40TuesdayPsalm 83Nehemiah 13 or 13:1–22, 30–31John 6:41–71WednesdayPsalm 85Hosea 1John 7:1–24ThursdayPsalm 88Hosea 2John 7:25–52FridayPsalm 89:19–51Hosea 3John 7:53–8:30Saturday (The Transfiguration of Our Lord Jesus Christ)Psalm 80Hosea 4John 8:31–59Luke 9:28–36AFTER THE PSALMS: Glory be to the Father, and to the Son, and to the Holy Spirit; as it was in the beginning, is now, and ever shall be, world without end. Amen. AFTER LESSONS: The Word of the Lord. Thanks Be To God.  BenedictusBlessed be the Lord, the God of Israel; *he has come to his people and set them free.He has raised up for us a mighty savior, *born of the house of his servant David.Through his holy prophets he promised of oldthat he would save us from our enemies, *from the hands of all who hate us.He promised to show mercy to our fathers *and to remember his holy covenant.This was the oath he swore to our father Abraham, *to set us free from the hands of our enemies,Free to worship him without fear, *holy and righteous in his sightall the days of our life.You, my child, shall be called the prophet of the Most High, *for you will go before the Lord to prepare his way,To give his people knowledge of salvation *by the forgiveness of their sins.In the tender compassion of our God *the dawn from on high shall break upon us,To shine on those who dwell in darknessand in the shadow of death, *and to guide our feet into the way of peace. Glory be to the Father, and to the Son, and to the Holy Spirit; *as it was in the beginning, is now, and ever shall be,world without end. Amen. The Apostles CreedI believe in God, the Father almighty, creator of heaven and earth. I believe in Jesus Christ, his only Son, our Lord. He was conceived by the Holy Spirit and born of the Virgin Mary. He suffered under Pontius Pilate, was crucified, died, and was buried. He descended to the dead. On the third day he rose again. He ascended into heaven, and is seated at the right hand of the Father. He will come again to judge the living and the dead.I believe in the Holy Spirit, the holy catholic Church, the communion of saints, the forgiveness of sins, the resurrection of the body, and the life everlasting. Amen. The PrayersLord, have mercy.Christ, have mercyLord, have mercyOur Father, who art in heaven, hallowed be thy Name, thy kingdom come, thy will be done, on earth as it is in heaven. Give us this day our daily bread. And forgive us our trespasses, as we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil. For thine is the kingdom, and the power, and the glory, forever and ever. Amen. Prayer of IntercessionShow us your mercy, O Lord; And grant us your salvation. Clothe your ministers with righteousness; Let your people sing with joy. Give peace, O Lord, in all the world; For only in you can we live in safety. Lord, keep this nation under your care; and guide us in the way of justice and truth. Let your way be known upon the earth; Your saving health among all nations. Let not the needy, O Lord, be forgotten; Nor the hope of the poor be taken away. Create in us clean hearts, O God; and Sustain us with your Holy Spirit. Amen.Take a moment of silence at this time to reflect and pray for others.The CollectsProper 13Almighty and merciful God, it is only by your grace that your faithful people offer you true and laudable service: Grant that we may run without stumbling to obtain your heavenly promises; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, now and for ever. Amen.The Transfiguration of Our Lord Jesus Christ (Saturday Only)O God, who on the holy mount revealed to chosen witnesses your well-beloved Son, wonderfully transfigured, in raiment white and glistening: Mercifully grant that we, being delivered from the disquietude of this world, may by faith behold the King in his beauty; who with you and the Holy Spirit lives and reigns, one God, for ever and ever. Amen.A Collect for PeaceO God, the author of peace and lover of concord, to know you is eternal life and to serve you is perfect freedom: Defend us, your humble servants, in all assaults of our enemies; that we, surely trusting in your defense, may not fear the power of any adversaries, through the might of Jesus Christ our Lord. Amen.A Collect for GraceO Lord, our heavenly Father, almighty and everlasting God, you have brought us safely to the beginning of this day: Defend us by your mighty power, that we may not fall into sin nor run into any danger; and that, guided by your Spirit, we may do what is righteous in your sight; through Jesus Christ our Lord. Amen. For Acceptance of PrayerHeavenly Father, you have promised to hear what we ask in the Name of your Son: Accept and fulfill our petitions, we pray, not as we ask in our ignorance, nor as we deserve in our sinfulness, but as you know and love us in your Son Jesus Christ our Lord. Amen. General ThanksgivingAlmighty God, Father of all mercies, we your unworthy servants give you humble thanks for all your goodness and loving-kindness to us and to all whom you have made.We bless you for our creation, preservation, and all the blessings of this life; but above all for your immeasurable love in the redemption of the world by our Lord Jesus Christ; for the means of grace, and for the hope of glory.And, we pray, give us such an awareness of your mercies, that with truly thankful hearts we may show forth your praise, not only with our lips, but in our lives, by giving up our selves to your service, and by walking before you in holiness and righteousness all our days;Through Jesus Christ our Lord, to whom, with you and the Holy Spirit, be honor and glory throughout all ages. Amen.A Prayer of St. John ChrysostomAlmighty God, you have given us grace at this time, with one accord to make our common supplications to you; and you have promised through your well-beloved Son that when two or three are gathered together in his Name you will grant their requests: Fulfill now, O Lord, our desires and petitions as may be best for us; granting us in this world knowledge of your truth, and in the age to come life everlasting. Amen.DismissalLet us bless the LordThanks be to God!BenedictionThe grace of our Lord Jesus Christ, and the love of God, and the fellowship of the Holy Spirit, be with us all evermore. Amen. (2 CORINTHIANS 13:14)

Christ Church Cathedral Audio
WORSHIP - 10:30 a.m. Eighth after Pentecost

Christ Church Cathedral Audio

Play Episode Listen Later Jul 31, 2022 62:22


Torah to the Tribes
Eighth Edition Torah To The Tribes Parashah – מטות MATOT tribes, מסעי MAS’EI journeys

Torah to the Tribes

Play Episode Listen Later Jul 31, 2022


SIGN UP FOR SUKKOT 2022: https://www.eventbrite.com/e/feast-of-tabernacles-sukkoth-2022-torah-to-the-tribes-registration-390198242447?aff=ebdsoporgprofile Download the 2021-2022 Eighth Edition Torah To The Tribes Parashah

piano ten thousand leaves project
Moon-Viewing Parties Were Held On The Fifteenth Of The Eighth Month - #3151 By Chair House 07312022

piano ten thousand leaves project

Play Episode Listen Later Jul 30, 2022 2:32


#3151, Jul. 31, 2022: Moon-Viewing parties were held on the fifteenth of the eighth month (this title is from "An Introduction to Ukiyo-e, in English and Japanese") Today's pure primal piano music here. Happy if this music makes you feel peaceful.. : ) Looking for absolute natural beauty every day for Piano Ten Thousand Leaves. Target number is 4536 and 3151(69.4%) achieved today. Find my project.. : ) This piece may might have good 1/f fluctuation characteristic although I stopped investigating it each piece. ######## NEW 21th SELECTION ALBUM JUST RELEASED ######## "Giouji Temple Feeling Love" - the 21st selection album of piano ten thousand leaves Youtube: Full(20 songs, 50 minutes) and Free 4K Video with Super Beautiful Motion Graphics of Artgrid https://youtu.be/Zq9Oksqf4rw spotify https://open.spotify.com/album/5JDlSrZ6wltF3ouIXsr4U2 apple music https://music.apple.com/jp/album/1615911988 iTunes https://music.apple.com/jp/album/1615911988?app=itunes amazon music https://www.amazon.co.jp/s?k=chair+house+%E7%A5%87%E7%8E%8B%E5%AF%BA%E3%81%AE%E6%83%B3%E3%81%84+-+%E3%83%94%E3%82%A2%E3%83%8E%E4%B8%87%E8%91%89%E9%9B%86+-+%E7%AC%AC21%E9%81%B8&i=digital-music&ref=nb_sb_noss_2 Line Music https://music.line.me/webapp/album/mb000000000266d79e AWA https://s.awa.fm/album/0d40ec976ca707691d13 Other Every music streaming services in the world https://linkco.re/ECPuRp77

Business For Superheroes
Ep314: 10 Books I Have Read + Loved

Business For Superheroes

Play Episode Listen Later Jul 28, 2022 18:31


This week Vicky is flying solo because of organisation issues so she decided to share 10 books she's read and loved recently. If you're wondering what to read, and how to read, and whether you should be reading books on writing or just books—tune into this episode and sort out your reading plans for the next couple of months. Enjoy!   Key Takeaways: [0:45] Vicky is going solo this week! And the podcast name is changing!  [2:10] If you want to write a book, you need to also read!  [2:35] The more diverse authors you read, the better of a writer you will become.  [3:15] First book review: The Dictionary of Lost Words by Pip Williams. [4:35] Second book review: Please Don't Sit on My Bed in Your Outside Clothes by Phoebe Robinson. [6:20] Third book review: Show Your Work!: 10 Ways to Share Your Creativity and Get Discovered by Austin Kleon [7:35] Fourth book review: The Secret Lives of Church Ladies by Deesha Philyaw [8:10] Fifth book review: Furiously Happy: A Funny Book About Horrible Things by Jenny Lawson [9:45] Sixth book review: An Idler's Manual by Tom Hodgkinson [10:50] Seventh book review: My Mess Is a Bit of a Life: Adventures in Anxiety by Georgia Pritchett [12:10] Eighth book review: Good Pop, Bad Pop by Jarvis Cocker [13:05] Ninth book review: Their eyes were watching god by Zora Neale Hurston [14:10] Tenth book review: Slouching Towards Bethlehem by Joan Didion [15:25] Vicky highly recommends that you join a book club!    Mentioned in This Episode: Website Creative Book Coaching Join Vicky's Power Hour Free Writing Prompt Calendar Start Your book Templates Book Breakthrough Jam Subscribe on iTunes, Stitcher, and Overcast Email Vicky about 1:1 coaching at: vicky@moxiebooks.co.uk The Dictionary of Lost Words by Pip Williams Please Don't Sit on My Bed in Your Outside Clothes: Essays Book by Phoebe Robinson Show Your Work!: 10 Ways to Share Your Creativity and Get Discovered (Austin Kleon) by Austin Kleon The Secret Lives of Church Ladies by Deesha Philyaw Furiously Happy: A Funny Book About Horrible Things by Jenny Lawson An Idler's Manual by Tom Hodgkinson My Mess Is a Bit of a Life: Adventures in Anxiety by Georgia Pritchett Good Pop, Bad Pop by Jarvis Cocker Their eyes were watching god by Zora Neale Hurston Slouching Towards Bethlehem by Joan Didion

Wolf and Owl
S2 Ep 6: Puppy Piss & Ruined Rugs

Wolf and Owl

Play Episode Listen Later Jul 27, 2022 59:34


We're talking… hair gel techniques, puppy piss and a ruined rug, Sunday lunch spills, Henry the Eighth, mortal combat with the kids, phones in the toilet, a pact to learn Spanish and the end of Neighbours. Then some email questions answered on dating a friend's ex, an expensive wedding invite, and a mystery tidy-upper.For any feedback, questions or comments please email us at wolfowlpod@gmail.com - we'd love to hear from you. See acast.com/privacy for privacy and opt-out information.

Locked On Braves - Daily Podcast On The Atlanta Braves
Locked On Braves POSTCAST: Atlanta Braves unable to hold late lead in 6-4 loss to Philadelphia

Locked On Braves - Daily Podcast On The Atlanta Braves

Play Episode Listen Later Jul 26, 2022 16:40


The Atlanta Braves ran into trouble on Monday at Citizens Bank Park, but it wasn't the typical Phillies sluggers who did the damage. Eighth place hitter Bryson Stott hit a go-ahead homer off A.J. Minter to highlight a five-RBI performance and a 6-4 comeback win for Philadelphia. Grant McAuley and Jake Mastroianni of Locked On Braves recap the series opener, what went right, what went wrong, Max Fried's first start of the second half, Austin Riley's continued hot streak, Dylan Lee's latest standout relief performance, and look ahead to Game 2 on Tuesday. Make sure you subscribe to the channel and hit the bell to enable notifications, so you'll know when we drop a new episode. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Cartoncast
The Eighth Annual Cartony Awards

The Cartoncast

Play Episode Listen Later Jul 26, 2022


Well, it's that time again to celebrate the holiest of holidays - Cartony season. Sure, this past year was a bit of a struggle at times, with many contenders for the spot of New Ben before the original came back to claim his title. But amongst the strife came clarity on the true nature of Santa Claus (the answer may surprise you!) as well as a higher than recommended dose of dithering about with various guests. Join us as we debate whether or not most of the things this year happened. Our categories this year: * Most Interesting Nonhuman * Best Musical Number to Worst Episode Ratio * Best Santa * Best Boy * Best Intro * Best Adoption of an Earlier Art Style * Best Conspiracy Theory * Best Ensemble Cast * Best Sibling Dynamic * Who Would Win in a Fight? * Biggest Coincidence (You're Tellin' Me) * Biggest Payoff for Creative Liberties Taken * Best Movie * Best Bonus Episode * Best Show

Podzilla 1985
Podzilla After Dark - The Long Awaited Eighth Series

Podzilla 1985

Play Episode Listen Later Jul 25, 2022 103:41


It's a few days late due to some cousin-related turbulence, but we're kicking the week off with an all new (sorta) 85AD! Tonight - utter nonsense, AND THEN an all-new top 5 featuring entertainment properties we would fix by making one change!

Torah to the Tribes
Eighth Edition Torah To The Tribes Parashah – PIN’CHAS פינחס Phinehas/dark-skinned Num 25:10-29:40

Torah to the Tribes

Play Episode Listen Later Jul 24, 2022


The peril of syncretism is the account found in Torah parsha Pinchas. The error at the Acacia Grove in Num. 25 is: don't be distinct, blend in with the culture. The grace of Balaam is lawlessness, it teaches that it's okay to assimilate the worship practices of Ishtar into the festivals of the Creator. Yahusha has strong words against the assembly in Pergamos in Rev. 2. Download the 2021-2022 Eighth Edition Torah To The Tribes Parashah

Tucker's DJ Mixtape Podcast
United States House Select Committee on the January 6th Attack (Eighth Hearing, July 21, 2022)

Tucker's DJ Mixtape Podcast

Play Episode Listen Later Jul 22, 2022 149:43


United States House Select Committee on the January 6th Attack (Eighth Hearing, July 21, 2022)

Eighth Note Sessions
Big Brother - Eighth Note Sessions

Eighth Note Sessions

Play Episode Listen Later Jul 22, 2022 42:22


Explicit Language Disclaimer Trigger Warning: Self-harm In this episode, we're joined by Big Brother (Phil Draper). We discuss his background in music starting in the early digital content creator scene, to deathcore, to now working in hip hop. BB is about as down to earth in conversation as you can get, but his heart and mind are set toward spiritual connection and bringing the light. We discuss in this episode: bullying, being respectful to the culture as a white rapper, keeping a local mentality for supporting business, and engaging in politics, as well as other fun anecdotes. Keep an eye out for Phil on streaming services, as well as for his brand of apparel, "Deadass Digitial." https://open.spotify.com/album/7zFKgfOI7Gu8KNNSBbhgtn

Faithful Politics
Eighth Open Testimony Before January 6 Committee (Full hearing without commentary)

Faithful Politics

Play Episode Listen Later Jul 22, 2022 152:02


Faithful Politics wanted to ensure that everyone had the chance to hear the case that is being presented to the American public by the January 6th Committee . We will be posting the episodes unedited, with the exception of the breaks. “For 187 minutes on January 6th, this man of unbridled destructive energy could not be moved,” said January 6 Committee Chair Rep. Bennie Thompson (D-MS) of President Trump's perceived unwillingness to act on January 6th. His remarks came as he delivered his opening statement during the January 6 Committee hearing on the investigation of the attack on the U.S. Capitol. This is the eighth in a series of public hearings - after months of closed-door investigations - detailing the committee findings on the January 6 attack. During her closing testimony, Vice Chair Rep. Liz Cheney (R-WY) touched on the former president's supporters, saying, “he is praying on their patriotism,” and that “on January 6th, Donald Trump turned their love of country into a weapon against our capitol, and our constitution.” Testifying before the committee on President Trump's actions and response to the attack on the U.S. Capitol were former Deputy National Security Adviser Matthew Pottinger and former White House Deputy Press Secretary Sarah Matthews.  Support the show

GENERATION RIPE
The Eighty-Eighth One... and Pleasant Gehman

GENERATION RIPE

Play Episode Listen Later Jul 22, 2022 66:08


Episode 88 and Wendi and Dfernando's guest interview is multi-disciplinary artist, writer, professional dancer, actor, psychic, musician and painter Pleasant Gehman.  A Hollywood rock ‘n' roll icon, during the 1970s, she was one of the first punks in Los Angeles, documenting the scene she helped create in her fanzine LOBOTOMY, which lead to writing for the top mainstream rock publications. During the 1980s, she toured fronting her three bands, all of whom released multiple recordings: Screamin' Sirens, The Ringling Sisters and Honk If Yer Horny. Concurrently, she was the talent booker for the seminal Los Angeles “alternative” clubs Cathay De Grande and Raji's.Since the early 1990s, under the stage name Princess Farhana, she has appeared internationally as a professional belly dance and burlesque performer and teacher, touring in Egypt, Turkey, China, Australia, and constantly across Europe, the United Kingdom and North America. She's danced and acted in numerous motion pictures, in music videos and on television shows and has been featured in many documentaries on belly dance and burlesque, performing and as an interview subject. In 2009, she was the star of Steve Balderson's feature-length documentary UNDERBELLY: A YEAR IN THE LIFE OF PRINCESS FARHANA, released worldwide in theaters as well as on DVD. A practicing witch, her work as a psychic, intuitive Tarot reader and energy healer has been life-long; she currently shares her gifts with clients worldwide. From the age of sixteen onwards, Pleasant has been a journalist and cultural commentator with literally thousands of articles published nationally and internationally on everything from rock ‘n' roll to the paranormal, from magic to homeless teenagers. Her memoirs, short stories and poetry have been widely anthologized and many works were recorded on her spoken word CD Ruined. In March 2020, she launched the  popular podcast THE DEVIL'S MUSIC, which explores the intersection of rock'n'roll and the occult. It is available across all podcasting platforms. Pleasant is the author and/or editor of eight books, including THE BELLY DANCE HANDBOOK and the memoir SHOWGIRL CONFIDENTIAL: MY LIFE ONSTAGE, BACKSTAGE AND ON THE ROAD.Her latest book ROCK 'N' ROLL WITCH: A MEMOIR OF SEX MAGICK, DRUGS AND ROCK 'N' ROLL, is a memoir of her astonishing life, where music and the unexplained have been constants for decades. Her supernatural experiences unfold to a soundtrack of old school punk, 50's rockabilly, vintage blues, classic rock and girl groups. Stranger than fiction, her true stories of spirit encounters, synchronicity and her own psychic abilities are populated with the friends who also experienced them, including The Go-Go's, The Cramps, The Germs, The Gun Club, The Blasters and many more. Her writing is riveting, loaded with humor and extraordinary details that will make readers question their own reality.She authored her own chapters in John Doe and Tom Desavia's UNDER THE BIG BLACK SUN: A PERSONAL HISTORY OF LA PUNK and MORE FUN IN THE NEW WORLD: THE UNMAKING AND LEGACY OF LA PUNK. She currently hosts BELL, BOOK & CANDLE - an occult burlesque show at El Cid in Los Angeles that is held every third Wednesday of every month.  Pleasant lives in Hollywood, California, with four spoiled rescue cats.Also on Episode 88, Dfernando and Wendi celebrate his new status as a new Californian and their weekend attending the play TILDA SWINTON ANSWERS AN AD ON CRAIGSLIST (at Los Angeles' Casita Del Campo) written by past guest Byron Lane and starring (another past guest) Tom Lenk.  And Wendi mentions she spoke on Lux ATL's MAKE IT HAPPEN VIRTUAL RETREAT.  Watch Wendi and Dfernando and their TEAM GENERATION RIPE: Greg Covey, Shelley McLendon and Ponciana Badia on Season 7 Episode 2 of CELEBRITY FAMILY FEUD - now on ABC OnDemand and Hulu and on the GENERATION RIPE website.  Follow us on our Instagram:Wendi McLendon-CoveyDfernando ZarembaGENERATION RIPE... and our guest Pleasant Gehman, her Twitter, and her Facebook page. Remember to subscribe to GENERATION RIPEAnd rate & leave us a review by clicking HERE!Visit Dfernando Zaremba's website: dfernandozaremba.com

Rational Boomer Podcast
THE EIGHTH HEARING - RB461 - RATIONAL BOOMER PODCAST

Rational Boomer Podcast

Play Episode Listen Later Jul 21, 2022 56:50


Well today we will watch the 8th January 6th Committee hearing. Like the previous hearings it will have it share of bombshells. None of it good news for Donald Trump. Let's get into it. --- Send in a voice message: https://anchor.fm/rational-boomer/message Support this podcast: https://anchor.fm/rational-boomer/support

Horror Bulletin
Halloween Resurrection, We Have Always Lived in the Castle, Tales from the Crypt- Demon Knight, and the Body Snatcher

Horror Bulletin

Play Episode Listen Later Jul 21, 2022 44:58


Episode 178 We've got our usual collection of four horror films and a short film for you this week. We'll start off with the EIGHTH and final part of the original Halloween series, "Halloween Resurrection." Then we'll watch the dark family drama, "We Have Always Lived in the Castle," from 2018, and then the classic "Tales from the Crypt: Demon Knight" from 1995. Lastly, we'll dig up another Boris Karloff classic with "The Body Snatcher" from 1945. Bonus reviews at https://horrorbulletin.com this week: "Beast from Haunted Cave" (1959) "Corruption" (1968) Tenth Issue of Horror Bulletin now available The newest issue of Horror Bulletin Monthly, our monthly compilation of all our reviews, is out now. This includes all the bonus content and is available as both a print book as well as an ebook. If you don't have time to read the website or email, here's one more option for you! Buy from Amazon: Amazon.com Buy Direct: https://brianschell.com/collection/horror-bulletin-monthly Check out all our books! The Horror Guys Guide to: The Horror Films of Vincent Price Universal Studios' Shock! Theater Universal Studios' Son of Shock! Hammer Horror Films The Silent Age of Horror Creepy Fiction: A Sextet of Strange Stagings: Six Surprising Scripts Tales to Make You Shiver, Volume 1 and 2 Here. We. Go! Links: Halloween Resurrection (2002) https://www.horrorguys.com/halloween-resurrection-2002/ We Have Always Lived in the Castle (2018) https://www.horrorguys.com/we-have-always-lived-in-the-castle-2018/ Blood of the Dinosaurs (2021) https://www.horrorguys.com/short-film-the-blood-of-the-dinosaurs-2021/ Tales from the Crypt: Demon Knight (1995) https://www.horrorguys.com/tales-from-the-crypt-demon-knight-1995/ The Body Snatcher (1945) https://www.horrorguys.com/the-body-snatcher-1945/ And that's our show. Thanks for joining us. Stop in during the week at our website, HorrorMovieGuys.com for news and horror updates, to comment on this podcast, or to contact us. Get ready for next week, where we'll be watching four more full-lengths and a fun short film! Stay tuned! Stay tuned for more regular and bonus reviews next week! Email: email@horrorguys.com Book Store: https://brianschell.com/collection/horror-film-books The web: http://www.horrorguys.com Subscribe by email: http://horrorbulletin.substack.com Facebook: https://www.facebook.com/horrormovieguys Twitter: http://twitter.com/HorrorMovieGuys Theme Music by Kevin MacLeod of Incompetech.com

Freedom Baptist Locust
Proverbs Pt. 08

Freedom Baptist Locust

Play Episode Listen Later Jul 21, 2022 40:00


Eighth in the series on Proverbs. Proverbs 3:29-4:9 Watch our Sermons online! Freedom Baptist Locust - YouTube

Freedom Baptist Locust
When Jesus Rejoiced Out Loud - Pt.3 - Luke 10:23-24

Freedom Baptist Locust

Play Episode Listen Later Jul 17, 2022 50:00


Eighth message from the Gospel of Luke. Luke 10:23-24 Watch our Sermons online! Freedom Baptist - YouTube Freedom Baptist - LinkedIn

The Heights Baptist Church
The Eighth Commandment - Audio

The Heights Baptist Church

Play Episode Listen Later Jul 17, 2022 34:45


And here we are at number 8 and heading to the barn. We started this series on commandments, the great commandment and the ten commandments back on May 1; with the first message entitled, Loving God, because that is what all these commands are about: love. Today’s command can be a little like the murder command. Today is about stealing, and I think we run out there to the big examples of stealing and absolve ourselves of any guilt. I haven’t killed anyone, and I haven’t robbed a bank, so I’m in the good here. But as we said on murder, the goal is not just not killing someone, or not robbing a bank. The goal is being like God. So what is that going to mean here. Look with me at Exodus 20:1-17.

Torah to the Tribes
Eighth Edition Torah To The Tribes Parashah – BALAK בלק Balak/destroyer Num 22:2-25:9

Torah to the Tribes

Play Episode Listen Later Jul 17, 2022


Balaam's prophecy marks both the beginning and the end of the series of quotations in Matthew Chapter 2 where Numbers 24.17 was fresh in the hearer's mind during the synagogue reading cycle which happened to be Torah portion Balak. Download the 2021-2022 Eighth Edition Torah To The Tribes Parashah

Literary Joe's Inner Child Podcast
Exiled and Wesley Snipes with Writer, Director, Creator, and Producer Adam Lawson

Literary Joe's Inner Child Podcast

Play Episode Listen Later Jul 17, 2022 22:38


Adam Lawson is back for his third - or fourth, I have a terrible memory - guest appearance on Inner Child Podcast! Previously we spoke with Adam about his work on directing Escape the Night, his comic publishing company Gifted Rebels, and his music video work, including Snakes On A Plane's Bring It and other Fueled By Ramen-backed bands and songs. The multi-talented Adam has his hands in everything from games to movies to music videos - but recently, he has also turned his attention to comic books and graphic novels, going so far as to create his own publishing company, Gifted Rebels. Under his label, he has released the titles The Eighth, The Kill Journal, and Kids and Monsters, but his newest graphic novel may be his most ambitious yet as it is being released with Wesley Snipes, the actor who played the infamous vampire in the Blade trilogy. The Exiled is the new collaboration between Wesley Snipes and Adam, so we clearly had plenty of questions to ask about what to expect from the upcoming project and what it was like working with Snipes. The other goodies you'll have to listen to the episode for or check out on the Literary Joe youtube channel. Don't forget you can also see the transcripts and read more about these projects over on ComicBookMovie.com. Enjoy! :)

ESV: Every Day in the Word
July 16: 1 Chronicles 26–27; 2 Corinthians 1:12–2:11; Psalm 15; Proverbs 19:18–19

ESV: Every Day in the Word

Play Episode Listen Later Jul 16, 2022 13:04


Old Testament: 1 Chronicles 26–27 1 Chronicles 26–27 (Listen) Divisions of the Gatekeepers 26 As for the divisions of the gatekeepers: of the Korahites, Meshelemiah the son of Kore, of the sons of Asaph. 2 And Meshelemiah had sons: Zechariah the firstborn, Jediael the second, Zebadiah the third, Jathniel the fourth, 3 Elam the fifth, Jehohanan the sixth, Eliehoenai the seventh. 4 And Obed-edom had sons: Shemaiah the firstborn, Jehozabad the second, Joah the third, Sachar the fourth, Nethanel the fifth, 5 Ammiel the sixth, Issachar the seventh, Peullethai the eighth, for God blessed him. 6 Also to his son Shemaiah were sons born who were rulers in their fathers' houses, for they were men of great ability. 7 The sons of Shemaiah: Othni, Rephael, Obed and Elzabad, whose brothers were able men, Elihu and Semachiah. 8 All these were of the sons of Obed-edom with their sons and brothers, able men qualified for the service; sixty-two of Obed-edom. 9 And Meshelemiah had sons and brothers, able men, eighteen. 10 And Hosah, of the sons of Merari, had sons: Shimri the chief (for though he was not the firstborn, his father made him chief), 11 Hilkiah the second, Tebaliah the third, Zechariah the fourth: all the sons and brothers of Hosah were thirteen. 12 These divisions of the gatekeepers, corresponding to their chief men, had duties, just as their brothers did, ministering in the house of the LORD. 13 And they cast lots by fathers' houses, small and great alike, for their gates. 14 The lot for the east fell to Shelemiah. They cast lots also for his son Zechariah, a shrewd counselor, and his lot came out for the north. 15 Obed-edom's came out for the south, and to his sons was allotted the gatehouse. 16 For Shuppim and Hosah it came out for the west, at the gate of Shallecheth on the road that goes up. Watch corresponded to watch. 17 On the east there were six each day,1 on the north four each day, on the south four each day, as well as two and two at the gatehouse. 18 And for the colonnade2 on the west there were four at the road and two at the colonnade. 19 These were the divisions of the gatekeepers among the Korahites and the sons of Merari. Treasurers and Other Officials 20 And of the Levites, Ahijah had charge of the treasuries of the house of God and the treasuries of the dedicated gifts. 21 The sons of Ladan, the sons of the Gershonites belonging to Ladan, the heads of the fathers' houses belonging to Ladan the Gershonite: Jehieli.3 22 The sons of Jehieli, Zetham, and Joel his brother, were in charge of the treasuries of the house of the LORD. 23 Of the Amramites, the Izharites, the Hebronites, and the Uzzielites—24 and Shebuel the son of Gershom, son of Moses, was chief officer in charge of the treasuries. 25 His brothers: from Eliezer were his son Rehabiah, and his son Jeshaiah, and his son Joram, and his son Zichri, and his son Shelomoth. 26 This Shelomoth and his brothers were in charge of all the treasuries of the dedicated gifts that David the king and the heads of the fathers' houses and the officers of the thousands and the hundreds and the commanders of the army had dedicated. 27 From spoil won in battles they dedicated gifts for the maintenance of the house of the LORD. 28 Also all that Samuel the seer and Saul the son of Kish and Abner the son of Ner and Joab the son of Zeruiah had dedicated—all dedicated gifts were in the care of Shelomoth4 and his brothers. 29 Of the Izharites, Chenaniah and his sons were appointed to external duties for Israel, as officers and judges. 30 Of the Hebronites, Hashabiah and his brothers, 1,700 men of ability, had the oversight of Israel westward of the Jordan for all the work of the LORD and for the service of the king. 31 Of the Hebronites, Jerijah was chief of the Hebronites of whatever genealogy or fathers' houses. (In the fortieth year of David's reign search was made and men of great ability among them were found at Jazer in Gilead.) 32 King David appointed him and his brothers, 2,700 men of ability, heads of fathers' houses, to have the oversight of the Reubenites, the Gadites and the half-tribe of the Manassites for everything pertaining to God and for the affairs of the king. Military Divisions 27 This is the number of the people of Israel, the heads of fathers' houses, the commanders of thousands and hundreds, and their officers who served the king in all matters concerning the divisions that came and went, month after month throughout the year, each division numbering 24,000: 2 Jashobeam the son of Zabdiel was in charge of the first division in the first month; in his division were 24,000. 3 He was a descendant of Perez and was chief of all the commanders. He served for the first month. 4 Dodai the Ahohite5 was in charge of the division of the second month; in his division were 24,000. 5 The third commander, for the third month, was Benaiah, the son of Jehoiada the chief priest; in his division were 24,000. 6 This is the Benaiah who was a mighty man of the thirty and in command of the thirty; Ammizabad his son was in charge of his division.6 7 Asahel the brother of Joab was fourth, for the fourth month, and his son Zebadiah after him; in his division were 24,000. 8 The fifth commander, for the fifth month, was Shamhuth the Izrahite; in his division were 24,000. 9 Sixth, for the sixth month, was Ira, the son of Ikkesh the Tekoite; in his division were 24,000. 10 Seventh, for the seventh month, was Helez the Pelonite, of the sons of Ephraim; in his division were 24,000. 11 Eighth, for the eighth month, was Sibbecai the Hushathite, of the Zerahites; in his division were 24,000. 12 Ninth, for the ninth month, was Abiezer of Anathoth, a Benjaminite; in his division were 24,000. 13 Tenth, for the tenth month, was Maharai of Netophah, of the Zerahites; in his division were 24,000. 14 Eleventh, for the eleventh month, was Benaiah of Pirathon, of the sons of Ephraim; in his division were 24,000. 15 Twelfth, for the twelfth month, was Heldai the Netophathite, of Othniel; in his division were 24,000. Leaders of Tribes 16 Over the tribes of Israel, for the Reubenites, Eliezer the son of Zichri was chief officer; for the Simeonites, Shephatiah the son of Maacah; 17 for Levi, Hashabiah the son of Kemuel; for Aaron, Zadok; 18 for Judah, Elihu, one of David's brothers; for Issachar, Omri the son of Michael; 19 for Zebulun, Ishmaiah the son of Obadiah; for Naphtali, Jeremoth the son of Azriel; 20 for the Ephraimites, Hoshea the son of Azaziah; for the half-tribe of Manasseh, Joel the son of Pedaiah; 21 for the half-tribe of Manasseh in Gilead, Iddo the son of Zechariah; for Benjamin, Jaasiel the son of Abner; 22 for Dan, Azarel the son of Jeroham. These were the leaders of the tribes of Israel. 23 David did not count those below twenty years of age, for the LORD had promised to make Israel as many as the stars of heaven. 24 Joab the son of Zeruiah began to count, but did not finish. Yet wrath came upon Israel for this, and the number was not entered in the chronicles of King David. 25 Over the king's treasuries was Azmaveth the son of Adiel; and over the treasuries in the country, in the cities, in the villages, and in the towers, was Jonathan the son of Uzziah; 26 and over those who did the work of the field for tilling the soil was Ezri the son of Chelub; 27 and over the vineyards was Shimei the Ramathite; and over the produce of the vineyards for the wine cellars was Zabdi the Shiphmite. 28 Over the olive and sycamore trees in the Shephelah was Baal-hanan the Gederite; and over the stores of oil was Joash. 29 Over the herds that pastured in Sharon was Shitrai the Sharonite; over the herds in the valleys was Shaphat the son of Adlai. 30 Over the camels was Obil the Ishmaelite; and over the donkeys was Jehdeiah the Meronothite. Over the flocks was Jaziz the Hagrite. 31 All these were stewards of King David's property. 32 Jonathan, David's uncle, was a counselor, being a man of understanding and a scribe. He and Jehiel the son of Hachmoni attended the king's sons. 33 Ahithophel was the king's counselor, and Hushai the Archite was the king's friend. 34 Ahithophel was succeeded by Jehoiada the son of Benaiah, and Abiathar. Joab was commander of the king's army. Footnotes [1] 26:17 Septuagint; Hebrew six Levites [2] 26:18 Or court; Hebrew parbar (meaning unknown); twice in this verse [3] 26:21 The Hebrew of verse 21 is uncertain [4] 26:28 Hebrew Shelomith [5] 27:4 Septuagint; Hebrew Ahohite and his division and Mikloth the chief officer [6] 27:6 Septuagint, Vulgate; Hebrew was his division (ESV) New Testament: 2 Corinthians 1:12–2:11 2 Corinthians 1:12–2:11 (Listen) Paul's Change of Plans 12 For our boast is this, the testimony of our conscience, that we behaved in the world with simplicity1 and godly sincerity, not by earthly wisdom but by the grace of God, and supremely so toward you. 13 For we are not writing to you anything other than what you read and understand and I hope you will fully understand—14 just as you did partially understand us—that on the day of our Lord Jesus you will boast of us as we will boast of you. 15 Because I was sure of this, I wanted to come to you first, so that you might have a second experience of grace. 16 I wanted to visit you on my way to Macedonia, and to come back to you from Macedonia and have you send me on my way to Judea. 17 Was I vacillating when I wanted to do this? Do I make my plans according to the flesh, ready to say “Yes, yes” and “No, no” at the same time? 18 As surely as God is faithful, our word to you has not been Yes and No. 19 For the Son of God, Jesus Christ, whom we proclaimed among you, Silvanus and Timothy and I, was not Yes and No, but in him it is always Yes. 20 For all the promises of God find their Yes in him. That is why it is through him that we utter our Amen to God for his glory. 21 And it is God who establishes us with you in Christ, and has anointed us, 22 and who has also put his seal on us and given us his Spirit in our hearts as a guarantee.2 23 But I call God to witness against me—it was to spare you that I refrained from coming again to Corinth. 24 Not that we lord it over your faith, but we work with you for your joy, for you stand firm in your faith. 2 For I made up my mind not to make another painful visit to you. 2 For if I cause you pain, who is there to make me glad but the one whom I have pained? 3 And I wrote as I did, so that when I came I might not suffer pain from those who should have made me rejoice, for I felt sure of all of you, that my joy would be the joy of you all. 4 For I wrote to you out of much affliction and anguish of heart and with many tears, not to cause you pain but to let you know the abundant love that I have for you. Forgive the Sinner 5 Now if anyone has caused pain, he has caused it not to me, but in some measure—not to put it too severely—to all of you. 6 For such a one, this punishment by the majority is enough, 7 so you should rather turn to forgive and comfort him, or he may be overwhelmed by excessive sorrow. 8 So I beg you to reaffirm your love for him. 9 For this is why I wrote, that I might test you and know whether you are obedient in everything. 10 Anyone whom you forgive, I also forgive. Indeed, what I have forgiven, if I have forgiven anything, has been for your sake in the presence of Christ, 11 so that we would not be outwitted by Satan; for we are not ignorant of his designs. Footnotes [1] 1:12 Some manuscripts holiness [2] 1:22 Or down payment (ESV) Psalm: Psalm 15 Psalm 15 (Listen) Who Shall Dwell on Your Holy Hill? A Psalm of David. 15   O LORD, who shall sojourn in your tent?    Who shall dwell on your holy hill? 2   He who walks blamelessly and does what is right    and speaks truth in his heart;3   who does not slander with his tongue    and does no evil to his neighbor,    nor takes up a reproach against his friend;4   in whose eyes a vile person is despised,    but who honors those who fear the LORD;  who swears to his own hurt and does not change;5   who does not put out his money at interest    and does not take a bribe against the innocent.  He who does these things shall never be moved. (ESV) Proverb: Proverbs 19:18–19 Proverbs 19:18–19 (Listen) 18   Discipline your son, for there is hope;    do not set your heart on putting him to death.19   A man of great wrath will pay the penalty,    for if you deliver him, you will only have to do it again. (ESV)

ESV: Through the Bible in a Year
July 16: 1 Chronicles 26–27; Psalm 15; Matthew 18

ESV: Through the Bible in a Year

Play Episode Listen Later Jul 16, 2022 14:14


Old Testament: 1 Chronicles 26–27 1 Chronicles 26–27 (Listen) Divisions of the Gatekeepers 26 As for the divisions of the gatekeepers: of the Korahites, Meshelemiah the son of Kore, of the sons of Asaph. 2 And Meshelemiah had sons: Zechariah the firstborn, Jediael the second, Zebadiah the third, Jathniel the fourth, 3 Elam the fifth, Jehohanan the sixth, Eliehoenai the seventh. 4 And Obed-edom had sons: Shemaiah the firstborn, Jehozabad the second, Joah the third, Sachar the fourth, Nethanel the fifth, 5 Ammiel the sixth, Issachar the seventh, Peullethai the eighth, for God blessed him. 6 Also to his son Shemaiah were sons born who were rulers in their fathers' houses, for they were men of great ability. 7 The sons of Shemaiah: Othni, Rephael, Obed and Elzabad, whose brothers were able men, Elihu and Semachiah. 8 All these were of the sons of Obed-edom with their sons and brothers, able men qualified for the service; sixty-two of Obed-edom. 9 And Meshelemiah had sons and brothers, able men, eighteen. 10 And Hosah, of the sons of Merari, had sons: Shimri the chief (for though he was not the firstborn, his father made him chief), 11 Hilkiah the second, Tebaliah the third, Zechariah the fourth: all the sons and brothers of Hosah were thirteen. 12 These divisions of the gatekeepers, corresponding to their chief men, had duties, just as their brothers did, ministering in the house of the LORD. 13 And they cast lots by fathers' houses, small and great alike, for their gates. 14 The lot for the east fell to Shelemiah. They cast lots also for his son Zechariah, a shrewd counselor, and his lot came out for the north. 15 Obed-edom's came out for the south, and to his sons was allotted the gatehouse. 16 For Shuppim and Hosah it came out for the west, at the gate of Shallecheth on the road that goes up. Watch corresponded to watch. 17 On the east there were six each day,1 on the north four each day, on the south four each day, as well as two and two at the gatehouse. 18 And for the colonnade2 on the west there were four at the road and two at the colonnade. 19 These were the divisions of the gatekeepers among the Korahites and the sons of Merari. Treasurers and Other Officials 20 And of the Levites, Ahijah had charge of the treasuries of the house of God and the treasuries of the dedicated gifts. 21 The sons of Ladan, the sons of the Gershonites belonging to Ladan, the heads of the fathers' houses belonging to Ladan the Gershonite: Jehieli.3 22 The sons of Jehieli, Zetham, and Joel his brother, were in charge of the treasuries of the house of the LORD. 23 Of the Amramites, the Izharites, the Hebronites, and the Uzzielites—24 and Shebuel the son of Gershom, son of Moses, was chief officer in charge of the treasuries. 25 His brothers: from Eliezer were his son Rehabiah, and his son Jeshaiah, and his son Joram, and his son Zichri, and his son Shelomoth. 26 This Shelomoth and his brothers were in charge of all the treasuries of the dedicated gifts that David the king and the heads of the fathers' houses and the officers of the thousands and the hundreds and the commanders of the army had dedicated. 27 From spoil won in battles they dedicated gifts for the maintenance of the house of the LORD. 28 Also all that Samuel the seer and Saul the son of Kish and Abner the son of Ner and Joab the son of Zeruiah had dedicated—all dedicated gifts were in the care of Shelomoth4 and his brothers. 29 Of the Izharites, Chenaniah and his sons were appointed to external duties for Israel, as officers and judges. 30 Of the Hebronites, Hashabiah and his brothers, 1,700 men of ability, had the oversight of Israel westward of the Jordan for all the work of the LORD and for the service of the king. 31 Of the Hebronites, Jerijah was chief of the Hebronites of whatever genealogy or fathers' houses. (In the fortieth year of David's reign search was made and men of great ability among them were found at Jazer in Gilead.) 32 King David appointed him and his brothers, 2,700 men of ability, heads of fathers' houses, to have the oversight of the Reubenites, the Gadites and the half-tribe of the Manassites for everything pertaining to God and for the affairs of the king. Military Divisions 27 This is the number of the people of Israel, the heads of fathers' houses, the commanders of thousands and hundreds, and their officers who served the king in all matters concerning the divisions that came and went, month after month throughout the year, each division numbering 24,000: 2 Jashobeam the son of Zabdiel was in charge of the first division in the first month; in his division were 24,000. 3 He was a descendant of Perez and was chief of all the commanders. He served for the first month. 4 Dodai the Ahohite5 was in charge of the division of the second month; in his division were 24,000. 5 The third commander, for the third month, was Benaiah, the son of Jehoiada the chief priest; in his division were 24,000. 6 This is the Benaiah who was a mighty man of the thirty and in command of the thirty; Ammizabad his son was in charge of his division.6 7 Asahel the brother of Joab was fourth, for the fourth month, and his son Zebadiah after him; in his division were 24,000. 8 The fifth commander, for the fifth month, was Shamhuth the Izrahite; in his division were 24,000. 9 Sixth, for the sixth month, was Ira, the son of Ikkesh the Tekoite; in his division were 24,000. 10 Seventh, for the seventh month, was Helez the Pelonite, of the sons of Ephraim; in his division were 24,000. 11 Eighth, for the eighth month, was Sibbecai the Hushathite, of the Zerahites; in his division were 24,000. 12 Ninth, for the ninth month, was Abiezer of Anathoth, a Benjaminite; in his division were 24,000. 13 Tenth, for the tenth month, was Maharai of Netophah, of the Zerahites; in his division were 24,000. 14 Eleventh, for the eleventh month, was Benaiah of Pirathon, of the sons of Ephraim; in his division were 24,000. 15 Twelfth, for the twelfth month, was Heldai the Netophathite, of Othniel; in his division were 24,000. Leaders of Tribes 16 Over the tribes of Israel, for the Reubenites, Eliezer the son of Zichri was chief officer; for the Simeonites, Shephatiah the son of Maacah; 17 for Levi, Hashabiah the son of Kemuel; for Aaron, Zadok; 18 for Judah, Elihu, one of David's brothers; for Issachar, Omri the son of Michael; 19 for Zebulun, Ishmaiah the son of Obadiah; for Naphtali, Jeremoth the son of Azriel; 20 for the Ephraimites, Hoshea the son of Azaziah; for the half-tribe of Manasseh, Joel the son of Pedaiah; 21 for the half-tribe of Manasseh in Gilead, Iddo the son of Zechariah; for Benjamin, Jaasiel the son of Abner; 22 for Dan, Azarel the son of Jeroham. These were the leaders of the tribes of Israel. 23 David did not count those below twenty years of age, for the LORD had promised to make Israel as many as the stars of heaven. 24 Joab the son of Zeruiah began to count, but did not finish. Yet wrath came upon Israel for this, and the number was not entered in the chronicles of King David. 25 Over the king's treasuries was Azmaveth the son of Adiel; and over the treasuries in the country, in the cities, in the villages, and in the towers, was Jonathan the son of Uzziah; 26 and over those who did the work of the field for tilling the soil was Ezri the son of Chelub; 27 and over the vineyards was Shimei the Ramathite; and over the produce of the vineyards for the wine cellars was Zabdi the Shiphmite. 28 Over the olive and sycamore trees in the Shephelah was Baal-hanan the Gederite; and over the stores of oil was Joash. 29 Over the herds that pastured in Sharon was Shitrai the Sharonite; over the herds in the valleys was Shaphat the son of Adlai. 30 Over the camels was Obil the Ishmaelite; and over the donkeys was Jehdeiah the Meronothite. Over the flocks was Jaziz the Hagrite. 31 All these were stewards of King David's property. 32 Jonathan, David's uncle, was a counselor, being a man of understanding and a scribe. He and Jehiel the son of Hachmoni attended the king's sons. 33 Ahithophel was the king's counselor, and Hushai the Archite was the king's friend. 34 Ahithophel was succeeded by Jehoiada the son of Benaiah, and Abiathar. Joab was commander of the king's army. Footnotes [1] 26:17 Septuagint; Hebrew six Levites [2] 26:18 Or court; Hebrew parbar (meaning unknown); twice in this verse [3] 26:21 The Hebrew of verse 21 is uncertain [4] 26:28 Hebrew Shelomith [5] 27:4 Septuagint; Hebrew Ahohite and his division and Mikloth the chief officer [6] 27:6 Septuagint, Vulgate; Hebrew was his division (ESV) Psalm: Psalm 15 Psalm 15 (Listen) Who Shall Dwell on Your Holy Hill? A Psalm of David. 15   O LORD, who shall sojourn in your tent?    Who shall dwell on your holy hill? 2   He who walks blamelessly and does what is right    and speaks truth in his heart;3   who does not slander with his tongue    and does no evil to his neighbor,    nor takes up a reproach against his friend;4   in whose eyes a vile person is despised,    but who honors those who fear the LORD;  who swears to his own hurt and does not change;5   who does not put out his money at interest    and does not take a bribe against the innocent.  He who does these things shall never be moved. (ESV) New Testament: Matthew 18 Matthew 18 (Listen) Who Is the Greatest? 18 At that time the disciples came to Jesus, saying, “Who is the greatest in the kingdom of heaven?” 2 And calling to him a child, he put him in the midst of them 3 and said, “Truly, I say to you, unless you turn and become like children, you will never enter the kingdom of heaven. 4 Whoever humbles himself like this child is the greatest in the kingdom of heaven. 5 “Whoever receives one such child in my name receives me, 6 but whoever causes one of these little ones who believe in me to sin,1 it would be better for him to have a great millstone fastened around his neck and to be drowned in the depth of the sea. Temptations to Sin 7 “Woe to the world for temptations to sin!2 For it is necessary that temptations come, but woe to the one by whom the temptation comes! 8 And if your hand or your foot causes you to sin, cut it off and throw it away. It is better for you to enter life crippled or lame than with two hands or two feet to be thrown into the eternal fire. 9 And if your eye causes you to sin, tear it out and throw it away. It is better for you to enter life with one eye than with two eyes to be thrown into the hell3 of fire. The Parable of the Lost Sheep 10 “See that you do not despise one of these little ones. For I tell you that in heaven their angels always see the face of my Father who is in heaven.4 12 What do you think? If a man has a hundred sheep, and one of them has gone astray, does he not leave the ninety-nine on the mountains and go in search of the one that went astray? 13 And if he finds it, truly, I say to you, he rejoices over it more than over the ninety-nine that never went astray. 14 So it is not the will of my5 Father who is in heaven that one of these little ones should perish. If Your Brother Sins Against You 15 “If your brother sins against you, go and tell him his fault, between you and him alone. If he listens to you, you have gained your brother. 16 But if he does not listen, take one or two others along with you, that every charge may be established by the evidence of two or three witnesses. 17 If he refuses to listen to them, tell it to the church. And if he refuses to listen even to the church, let him be to you as a Gentile and a tax collector. 18 Truly, I say to you, whatever you bind on earth shall be bound in heaven, and whatever you loose on earth shall be loosed6 in heaven. 19 Again I say to you, if two of you agree on earth about anything they ask, it will be done for them by my Father in heaven. 20 For where two or three are gathered in my name, there am I among them.” The Parable of the Unforgiving Servant 21 Then Peter came up and said to him, “Lord, how often will my brother sin against me, and I forgive him? As many as seven times?” 22 Jesus said to him, “I do not say to you seven times, but seventy-seven times. 23 “Therefore the kingdom of heaven may be compared to a king who wished to settle accounts with his servants.7 24 When he began to settle, one was brought to him who owed him ten thousand talents.8 25 And since he could not pay, his master ordered him to be sold, with his wife and children and all that he had, and payment to be made. 26 So the servant9 fell on his knees, imploring him, ‘Have patience with me, and I will pay you everything.' 27 And out of pity for him, the master of that servant released him and forgave him the debt. 28 But when that same servant went out, he found one of his fellow servants who owed him a hundred denarii,10 and seizing him, he began to choke him, saying, ‘Pay what you owe.' 29 So his fellow servant fell down and pleaded with him, ‘Have patience with me, and I will pay you.' 30 He refused and went and put him in prison until he should pay the debt. 31 When his fellow servants saw what had taken place, they were greatly distressed, and they went and reported to their master all that had taken place. 32 Then his master summoned him and said to him, ‘You wicked servant! I forgave you all that debt because you pleaded with me. 33 And should not you have had mercy on your fellow servant, as I had mercy on you?' 34 And in anger his master delivered him to the jailers,11 until he should pay all his debt. 35 So also my heavenly Father will do to every one of you, if you do not forgive your brother from your heart.” Footnotes [1] 18:6 Greek causes . . . to stumble; also verses 8, 9 [2] 18:7 Greek stumbling blocks [3] 18:9 Greek Gehenna [4] 18:10 Some manuscripts add verse 11: For the Son of Man came to save the lost [5] 18:14 Some manuscripts your [6] 18:18 Or shall have been bound . . . shall have been loosed [7] 18:23 Or bondservants; also verses 28, 31 [8] 18:24 A talent was a monetary unit worth about twenty years' wages for a laborer [9] 18:26 Or bondservant; also verses 27, 28, 29, 32, 33 [10] 18:28 A denarius was a day's wage for a laborer [11] 18:34 Greek torturers (ESV)

A History Of Rock Music in Five Hundred Songs
PLEDGE WEEK: “I’m Henry VIII I Am” by Herman’s Hermits

A History Of Rock Music in Five Hundred Songs

Play Episode Listen Later Jul 14, 2022


This episode is part of Pledge Week 2022. Every day this week, I'll be posting old Patreon bonus episodes of the podcast which will have this short intro. These are short, ten- to twenty-minute bonus podcasts which get posted to Patreon for my paying backers every time I post a new main episode -- there are well over a hundred of these in the archive now. If you like the sound of these episodes, then go to patreon.com/andrewhickey and subscribe for as little as a dollar a month or ten dollars a year to get access to all those bonus episodes, plus new ones as they appear. Click below for the transcript Transcript Today's backer-only episode is an extra-long one -- it runs about as long as some of the shorter main episodes -- but it also might end up containing material that gets repeated in the main podcast at some point, because a lot of British rock and pop music gets called, often very incorrectly, music-hall, and so the subject of the music halls is one that may well have to be explained in a future episode. But today we're going to look at one of the very few pop hits of the sixties that is incontrovertibly based in the music-hall tradition -- Herman's Hermits singing "I'm Henry the Eighth, I Am": [Excerpt: Herman's Hermits, "I'm Henry the Eighth, I Am"] The term "music hall" is one that has been widely misused over the years. People talk about it as being a genre of music, when it's anything but. Rather, the music hall -- which is the British equivalent of the American vaudeville -- was the most popular form of entertainment, first under that name and then under the name "variety", for more than a century, only losing its popularity when TV and rock-and-roll between them destroyed the market for it. Even then, TV variety shows rooted in the music hall continued, explicitly until the 1980s, with The Good Old Days, and implicitly until the mid-1990s. As you might imagine, for a form of entertainment that lasted over a hundred years, there's no such thing as "music-hall music" as a singular thing, any more than there exists a "radio music" or a "television music". Many music-hall acts were non-musical performers -- comedians, magicians, acrobats, and so forth -- but among those who did perform music, there were all sorts of different styles included, from folk song to light opera, to ragtime, and especially minstrel songs -- the songs of Stephen Foster were among the very first transatlantic hits. We obviously don't have any records from the first few decades of the music hall, but we do have sheet music, and we know that the first big British hit song was "Champagne Charlie", originally performed by George Leybourne, and here performed by Derek B Scott, a professor of critical musicology at the university of Leeds: [Excerpt: Derek B. Scott, "Champagne Charlie"] If you've ever heard the phrase "the Devil has all the best tunes", that song is why. William Booth, the founder of the Salvation Army, set new lyrics to it and made it into a hymn, and when asked why, he replied "Why should the Devil have all the good tunes?" The phrase had been used earlier, but it was Booth who popularised it. "Champagne Charlie" also has rather morbid associations, because it was sung by the crowd at the last public execution in Britain, so it often gets used in horror and mystery films set in Victorian London, so chances are if you recognised the song it's because you've heard it in a film about Jack the Ripper or Jekyll and Hyde. But the music hall, like all popular entertainment, demanded a whole stream of new material. The British Tin Pan Alley publishers and songwriters who wrote much of the early British rock and roll we've looked at started out in music hall, and almost every British popular song up until the rise of jazz, and most after that until the fifties, was performed in the music halls. We do have recordings from the later part of the music-hall era, of course, and they show what a wide variety of music was performed there, from pitch-black comedy songs like "Murders", by George Grossmith, the son of the co-writer of Diary of a Nobody: [Excerpt: George Grossmith, "Murders"] To sing-along numbers like "Waiting at the Church" by Vesta Victoria: [Excerpt: Vesta Victoria, "Waiting at the Church"] And one of the most-recorded music-hall performers, Harry Champion, a London performer who sang very wordy songs, at a fast tempo, usually with a hornpipe rhythm and often about food, like "A Little Bit of Cucumber" or his most famous song "Boiled Beef and Carrots": [Excerpt: Harry Champion, "Boiled Beef and Carrots"] But one that wasn't about food, and was taken a bit slower than his normal patter style, was "I'm Henry the VIII I Am": [Excerpt: Harry Champion, "I'm Henry VIII, I Am"] (Incidentally, the song as written on the sheet music has "Henery" rather than "Henry", and most people sing it "Enery", but the actual record by Champion uses "Henry" on the label, as does the Hermits' version, so that's what I'm going with). Fifty years after Champion, the song was recorded by Joe Brown. We've talked about Brown before in the main podcast, but for those of you who don't remember, he's one of the best British rock and roll musicians of the fifties, and still performing today, and he has a real love of pre-war pop songs, and he would perform them regularly with his band, the Bruvvers. Those of you who've heard the Beatles performing "Sheikh of Araby" on their Decca audition, they're copying Brown's version of that song -- George Harrison was a big fan of Brown. Brown's version of "I'm Henry the Eighth I Am" gave it a rock and roll beat, and dropped the verse, leaving only the refrain: [Excerpt: Joe Brown and the Bruvvers, "I'm Henry the Eighth I Am"] Enter Herman's Hermits, four years later. In 1964, Herman's Hermits, a beat group from Manchester led by singer Peter Noone, had signed with Mickie Most and had a UK number one with "I'm Into Something Good", a Goffin and King song originally written for Earl-Jean of the Cookies: [Excerpt: Herman's Hermits, "I'm Into Something Good"] That would be their only UK number one, though they'd have several more top ten hits over here. It only made number thirteen in the US, but their second US single (not released as a single over here), "Can't You Hear My Heartbeat", went to number two in the States. From that point on, the group's career would diverge enormously between the US and the UK -- half their US hits were never released as singles in the UK, and vice versa. Several records, like their cover version of Sam Cooke's "Wonderful World", were released in both countries, but in general they went in two very different directions. In the UK they tended to release fairly normal beat-group records like "No Milk Today", written by Graham Gouldman, who was also writing hits for the Yardbirds and the Hollies: [Excerpt: Herman's Hermits, "No Milk Today"] That only charted in the US when it was later released as a B-side. Meanwhile, in the US, they pursued a very different strategy. Since the "British Invasion" was a thing, and so many British bands were doing well in the States partly because of the sheer novelty of them being British, Herman's Hermits based their career on appealing to American Anglophiles. This next statement might be a little controversial, even offensive to some listeners, so I apologise, but it's the truth. There is a large contingent of people in America who genuinely believe that they love Britain and British things, but who have no actual idea what British culture is actually like. They like a version of Britain that has been constructed entirely from pop-culture aimed at an American market, and have a staggeringly skewed vision of what Britain is actually like, one that is at best misguided and at worst made up of extremely offensive stereotypes. People who think they know all about the UK because they've spent a week going round a handful of tourist traps in central London and they've watched every David Tennant episode of Doctor Who. (Please note that I am not, here, engaging in reflex anti-Americanism, as so many British people do on this topic, because I know very well that there is an equally wrong kind of British person who worships a fictional America which has nothing to do with the real country -- as any American who has come over to the UK and seen cans of hot dog sausages in brine with "American style" and an American flag on the label will shudderingly attest. Fetishising of a country not one's own exists in every culture, and about every culture, whether it's American weebs who think they know about Japan or British Communists who were insistent that the Soviet Union under Stalin was a utopia). For their US-only singles, most of which were massive hits, Herman's Hermits played directly to that audience. The group's first single in this style was "Mrs. Brown, You've Got a Lovely Daughter", written by the actor Trevor Peacock, now best known for playing Jim in The Vicar of Dibley, but at the time best known as a songwriter for groups like the Vernons Girls and  for writing linking material for Six-Five Special and Oh Boy! That song was written for a TV play and originally performed by the actor Tom Courtenay: [Excerpt: Tom Courtenay, "Mrs. Brown, You've Got a Lovely Daughter"] The Hermits copied Courtenay's record closely, down to Noone imitating Courtenay's vocals: [Excerpt: Herman's Hermits, "Mrs. Brown, You've Got a Lovely Daughter"] That became their first US number one, and the group went all-in on appealing to that particular market. Noone started singing, not in the pseudo-American style that, say, Mick Jagger sings in (and early-sixties Jagger is a perfect example of the British equivalent of those American Anglophiles, loving but not understanding Black America), and not in his own Manchester accent, but in a faked Cockney accent, doing what is essentially a bad impersonation of Anthony Newley. (Davy Jones, who like Noone was a Mancunian who had started his career in the Manchester-set soap opera Coronation Street, was also doing the same thing at the time, in his performances as the Artful Dodger in the Broadway version of Oliver! -- we'll talk more about Jones in future episodes of the main podcast, but he, like Noone, was someone who was taking aim at this market.) Noone's faked accent varied a lot, sometimes from syllable to syllable, and on records like "Mrs. Brown, You've Got a Lovely Daughter" and the Hermits' version of the old George Formby song "Leaning on a Lamp Post" he sounds far more Northern than on other songs -- fitting into a continuum of Lancashire novelty performers that stretched at least from Formby's father, George Formby senior, all the way to Frank Sidebottom. But on the Hermits' version of "I'm Henry the Eighth, I Am", Noone is definitely trying to sound as London as he can, and he and the group copy Joe Brown's arrangement: [Excerpt: Herman's Hermits, "I'm Henry the Eighth I Am"] That also became an American number one, and Herman's Hermits had truly found their niche. They spent the next three years making an odd mixture of catchy pop songs by writers like Graham Gouldman or PF Sloan, which became UK hits, and the very different type of music typified by "I'm Henry the Eighth I Am". Eventually, though, musical styles changed, and the group stopped having hits in either country. Peter Noone left the group in 1971, and they made some unsuccessful records without him before going on to the nostalgia circuit. Noone's solo career started relatively successfully, with a version of David Bowie's "Oh! You Pretty Things", backed by Bowie and the Spiders From Mars: [Excerpt: Peter Noone, "Oh! You Pretty Things"] That made the top twenty in the UK, but Noone had no further solo success. These days, there are two touring versions of Herman's Hermits -- in the US, Noone has toured as "Herman's Hermits featuring Peter Noone", with no other original members, since the 1980s. Drummer Barry Whitwham and lead guitarist Derek Leckenby kept the group going in the rest of the world until Leckenby's death in 1994 -- since then Whitwham has toured as Herman's Hermits without any other original members. Herman's Hermits may not have the respect that some of their peers had, but they had incredible commercial success at their height, made some catchy pop records, and became the first English group to realise there was a specific audience of Anglophiles in the US that they could market to. Without that, much of the subsequent history of music might have been very different.

Torah to the Tribes
Eighth Edition Torah To The Tribes Parashah – CHUKAT חקת statute of…Num 19:1-22:1

Torah to the Tribes

Play Episode Listen Later Jul 10, 2022


Red Heifer: Parah Adumah a Chuk, according to traditional Judaism this the most mysterious ritual in all scripture that even Solomon in all his wisdom despaired of learning the secret meaning of. Download the 2021-2022 Eighth Edition Torah To The Tribes Parashah

Torah to the Tribes
Eighth Edition Torah To The Tribes Parashah – KORAH קרח Num 16:1-18:32

Torah to the Tribes

Play Episode Listen Later Jul 3, 2022


Korah – to be made bald. Torot of Ra'ah, recognition and Torot of Kavod, honor. Korah - the root not dealt with that manifest - non acceptance and dishonoring of who Moshe and Aaron were appointed to be. Download the 2021-2022 Eighth Edition Torah To The Tribes Parashah

Glen Ellyn Bible Church - Sermons
The King and His People: Eighth Command

Glen Ellyn Bible Church - Sermons

Play Episode Listen Later Jul 3, 2022


A sermon by Kelly Brady from Deuteronomy 5:19

$MAGIC HOUR
$MAGIC HOUR #23: Elefrens

$MAGIC HOUR

Play Episode Listen Later Jun 27, 2022 60:42


On this episode of $MAGIC HOUR, Alam and Braiker talk Elefrens with Harold the Eighth. You'll also find some soundbytes from NFT NYC, featuring Archanic, one of the Arbitrum founders and various female leaders from the Cuteverse space. Timestamp for Elefrens interview: 22:30 Links: Elefrens: Twitter: https://twitter.com/elefrens Discord: https://t.co/pXV5SlWF4B Charitable Orgs Giving Block: https://twitter.com/TheGivingBlock African Conserve: https://twitter.com/AfricanConserve WildlifeSOS: https://twitter.com/WildlifeSOS Global Elephants: https://twitter.com/GlobalElephants CuteVerse: Chubbiverse: https://t.co/4V33aQKt58 String (creator): https://twitter.com/StringStory Cin (creator): https://twitter.com/cinna_munch Froyoverse: https://t.co/SM1GjydFID Jessie Morii (creator): https://twitter.com/jessiemorii Axolittles: https://t.co/3gWKOU9CXo Super Fly Dope Squad: https://twitter.com/Superflyds

A History Of Rock Music in Five Hundred Songs
Episode 150: “All You Need is Love” by the Beatles

A History Of Rock Music in Five Hundred Songs

Play Episode Listen Later Jun 26, 2022


This week's episode looks at “All You Need is Love”, the Our World TV special, and the career of the Beatles from April 1966 through August 1967. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a thirteen-minute bonus episode available, on "Rain" by the Beatles. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ NB for the first few hours this was up, there was a slight editing glitch. If you downloaded the old version and don't want to redownload the whole thing, just look in the transcript for "Other than fixing John's two flubbed" for the text of the two missing paragraphs. Errata I say "Come Together" was a B-side, but the single was actually a double A-side. Also, I say the Lennon interview by Maureen Cleave appeared in Detroit magazine. That's what my source (Steve Turner's book) says, but someone on Twitter says that rather than Detroit magazine it was the Detroit Free Press. Also at one point I say "the videos for 'Paperback Writer' and 'Penny Lane'". I meant to say "Rain" rather than "Penny Lane" there. Resources No Mixcloud this week due to the number of songs by the Beatles. I have read literally dozens of books on the Beatles, and used bits of information from many of them. All my Beatles episodes refer to: The Complete Beatles Chronicle by Mark Lewisohn, All The Songs: The Stories Behind Every Beatles Release by Jean-Michel Guesdon, And The Band Begins To Play: The Definitive Guide To The Songs of The Beatles by Steve Lambley, The Beatles By Ear by Kevin Moore, Revolution in the Head by Ian MacDonald, and The Beatles Anthology. For this episode, I also referred to Last Interview by David Sheff, a longform interview with John Lennon and Yoko Ono from shortly before Lennon's death; Many Years From Now by Barry Miles, an authorised biography of Paul McCartney; and Here, There, and Everywhere: My Life Recording the Music of the Beatles by Geoff Emerick and Howard Massey. Particularly useful this time was Steve Turner's book Beatles '66. I also used Turner's The Beatles: The Stories Behind the Songs 1967-1970. Johnny Rogan's Starmakers and Svengalis had some information on Epstein I hadn't seen anywhere else. Some information about the "Bigger than Jesus" scandal comes from Ward, B. (2012). “The ‘C' is for Christ”: Arthur Unger, Datebook Magazine and the Beatles. Popular Music and Society, 35(4), 541-560. https://doi.org/10.1080/03007766.2011.608978 Information on Robert Stigwood comes from Mr Showbiz by Stephen Dando-Collins. And the quote at the end from Simon Napier-Bell is from You Don't Have to Say You Love Me, which is more entertaining than it is accurate, but is very entertaining. Sadly the only way to get the single mix of "All You Need is Love" is on this ludicrously-expensive out-of-print box set, but the stereo mix is easily available on Magical Mystery Tour. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript A quick note before I start the episode -- this episode deals, in part, with the deaths of three gay men -- one by murder, one by suicide, and one by an accidental overdose, all linked at least in part to societal homophobia. I will try to deal with this as tactfully as I can, but anyone who's upset by those things might want to read the transcript instead of listening to the episode. This is also a very, very, *very* long episode -- this is likely to be the longest episode I *ever* do of this podcast, so settle in. We're going to be here a while. I obviously don't know how long it's going to be while I'm still recording, but based on the word count of my script, probably in the region of three hours. You have been warned. In 1967 the actor Patrick McGoohan was tired. He had been working on the hit series Danger Man for many years -- Danger Man had originally run from 1960 through 1962, then had taken a break, and had come back, retooled, with longer episodes in 1964. That longer series was a big hit, both in the UK and in the US, where it was retitled Secret Agent and had a new theme tune written by PF Sloan and Steve Barri and recorded by Johnny Rivers: [Excerpt: Johnny Rivers, "Secret Agent Man"] But McGoohan was tired of playing John Drake, the agent, and announced he was going to quit the series. Instead, with the help of George Markstein, Danger Man's script editor, he created a totally new series, in which McGoohan would star, and which McGoohan would also write and direct key episodes of. This new series, The Prisoner, featured a spy who is only ever given the name Number Six, and who many fans -- though not McGoohan himself -- took to be the same character as John Drake. Number Six resigns from his job as a secret agent, and is kidnapped and taken to a place known only as The Village -- the series was filmed in Portmeirion, an unusual-looking town in Gwynnedd, in North Wales -- which is full of other ex-agents. There he is interrogated to try to find out why he has quit his job. It's never made clear whether the interrogators are his old employers or their enemies, and there's a certain suggestion that maybe there is no real distinction between the two sides, that they're both running the Village together. He spends the entire series trying to escape, but refuses to explain himself -- and there's some debate among viewers as to whether it's implied or not that part of the reason he doesn't explain himself is that he knows his interrogators wouldn't understand why he quit: [Excerpt: The Prisoner intro, from episode Once Upon a Time, ] Certainly that explanation would fit in with McGoohan's own personality. According to McGoohan, the final episode of The Prisoner was, at the time, the most watched TV show ever broadcast in the UK, as people tuned in to find out the identity of Number One, the person behind the Village, and to see if Number Six would break free. I don't think that's actually the case, but it's what McGoohan always claimed, and it was certainly a very popular series. I won't spoil the ending for those of you who haven't watched it -- it's a remarkable series -- but ultimately the series seems to decide that such questions don't matter and that even asking them is missing the point. It's a work that's open to multiple interpretations, and is left deliberately ambiguous, but one of the messages many people have taken away from it is that not only are we trapped by a society that oppresses us, we're also trapped by our own identities. You can run from the trap that society has placed you in, from other people's interpretations of your life, your work, and your motives, but you ultimately can't run from yourself, and any time you try to break out of a prison, you'll find yourself trapped in another prison of your own making. The most horrifying implication of the episode is that possibly even death itself won't be a release, and you will spend all eternity trying to escape from an identity you're trapped in. Viewers became so outraged, according to McGoohan, that he had to go into hiding for an extended period, and while his later claims that he never worked in Britain again are an exaggeration, it is true that for the remainder of his life he concentrated on doing work in the US instead, where he hadn't created such anger. That final episode of The Prisoner was also the only one to use a piece of contemporary pop music, in two crucial scenes: [Excerpt: The Prisoner, "Fall Out", "All You Need is Love"] Back in October 2020, we started what I thought would be a year-long look at the period from late 1962 through early 1967, but which has turned out for reasons beyond my control to take more like twenty months, with a song which was one of the last of the big pre-Beatles pop hits, though we looked at it after their first single, "Telstar" by the Tornadoes: [Excerpt: The Tornadoes, "Telstar"] There were many reasons for choosing that as one of the bookends for this fifty-episode chunk of the podcast -- you'll see many connections between that episode and this one if you listen to them back-to-back -- but among them was that it's a song inspired by the launch of the first ever communications satellite, and a sign of how the world was going to become smaller as the sixties went on. Of course, to start with communications satellites didn't do much in that regard -- they were expensive to use, and had limited bandwidth, and were only available during limited time windows, but symbolically they meant that for the first time ever, people could see and hear events thousands of miles away as they were happening. It's not a coincidence that Britain and France signed the agreement to develop Concorde, the first supersonic airliner, a month after the first Beatles single and four months after the Telstar satellite was launched. The world was becoming ever more interconnected -- people were travelling faster and further, getting news from other countries quicker, and there was more cultural conversation – and misunderstanding – between countries thousands of miles apart. The Canadian media theorist Marshall McLuhan, the man who also coined the phrase “the medium is the message”, thought that this ever-faster connection would fundamentally change basic modes of thought in the Western world. McLuhan thought that technology made possible whole new modes of thought, and that just as the printing press had, in his view, caused Western liberalism and individualism, so these new electronic media would cause the rise of a new collective mode of thought. In 1962, the year of Concorde, Telstar, and “Love Me Do”, McLuhan wrote a book called The Gutenberg Galaxy, in which he said: “Instead of tending towards a vast Alexandrian library the world has become a computer, an electronic brain, exactly as an infantile piece of science fiction. And as our senses have gone outside us, Big Brother goes inside. So, unless aware of this dynamic, we shall at once move into a phase of panic terrors, exactly befitting a small world of tribal drums, total interdependence, and superimposed co-existence.… Terror is the normal state of any oral society, for in it everything affects everything all the time.…” He coined the term “the Global Village” to describe this new collectivism. The story we've seen over the last fifty episodes is one of a sort of cultural ping-pong between the USA and the UK, with innovations in American music inspiring British musicians, who in turn inspired American ones, whether that being the Beatles covering the Isley Brothers or the Rolling Stones doing a Bobby Womack song, or Paul Simon and Bob Dylan coming over to the UK and learning folk songs and guitar techniques from Martin Carthy. And increasingly we're going to see those influences spread to other countries, and influences coming *from* other countries. We've already seen one Jamaican artist, and the influence of Indian music has become very apparent. While the focus of this series is going to remain principally in the British Isles and North America, rock music was and is a worldwide phenomenon, and that's going to become increasingly a part of the story. And so in this episode we're going to look at a live performance -- well, mostly live -- that was seen by hundreds of millions of people all over the world as it happened, thanks to the magic of satellites: [Excerpt: The Beatles, "All You Need is Love"] When we left the Beatles, they had just finished recording "Tomorrow Never Knows", the most experimental track they had recorded up to that date, and if not the most experimental thing they *ever* recorded certainly in the top handful. But "Tomorrow Never Knows" was only the first track they recorded in the sessions for what would become arguably their greatest album, and certainly the one that currently has the most respect from critics. It's interesting to note that that album could have been very, very, different. When we think of Revolver now, we think of the innovative production of George Martin, and of Geoff Emerick and Ken Townshend's inventive ideas for pushing the sound of the equipment in Abbey Road studios, but until very late in the day the album was going to be recorded in the Stax studios in Memphis, with Steve Cropper producing -- whether George Martin would have been involved or not is something we don't even know. In 1965, the Rolling Stones had, as we've seen, started making records in the US, recording in LA and at the Chess studios in Chicago, and the Yardbirds had also been doing the same thing. Mick Jagger had become a convert to the idea of using American studios and working with American musicians, and he had constantly been telling Paul McCartney that the Beatles should do the same. Indeed, they'd put some feelers out in 1965 about the possibility of the group making an album with Holland, Dozier, and Holland in Detroit. Quite how this would have worked is hard to figure out -- Holland, Dozier, and Holland's skills were as songwriters, and in their work with a particular set of musicians -- so it's unsurprising that came to nothing. But recording at Stax was a different matter.  While Steve Cropper was a great songwriter in his own right, he was also adept at getting great sounds on covers of other people's material -- like on Otis Blue, the album he produced for Otis Redding in late 1965, which doesn't include a single Cropper original: [Excerpt: Otis Redding, "Satisfaction"] And the Beatles were very influenced by the records Stax were putting out, often namechecking Wilson Pickett in particular, and during the Rubber Soul sessions they had recorded a "Green Onions" soundalike track, imaginatively titled "12-Bar Original": [Excerpt: The Beatles, "12-Bar Original"] The idea of the group recording at Stax got far enough that they were actually booked in for two weeks starting the ninth of April, and there was even an offer from Elvis to let them stay at Graceland while they recorded, but then a couple of weeks earlier, the news leaked to the press, and Brian Epstein cancelled the booking. According to Cropper, Epstein talked about recording at the Atlantic studios in New York with him instead, but nothing went any further. It's hard to imagine what a Stax-based Beatles album would have been like, but even though it might have been a great album, it certainly wouldn't have been the Revolver we've come to know. Revolver is an unusual album in many ways, and one of the ways it's most distinct from the earlier Beatles albums is the dominance of keyboards. Both Lennon and McCartney had often written at the piano as well as the guitar -- McCartney more so than Lennon, but both had done so regularly -- but up to this point it had been normal for them to arrange the songs for guitars rather than keyboards, no matter how they'd started out. There had been the odd track where one of them, usually Lennon, would play a simple keyboard part, songs like "I'm Down" or "We Can Work it Out", but even those had been guitar records first and foremost. But on Revolver, that changed dramatically. There seems to have been a complex web of cause and effect here. Paul was becoming increasingly interested in moving his basslines away from simple walking basslines and root notes and the other staples of rock and roll basslines up to this point. As the sixties progressed, rock basslines were becoming ever more complex, and Tyler Mahan Coe has made a good case that this is largely down to innovations in production pioneered by Owen Bradley, and McCartney was certainly aware of Bradley's work -- he was a fan of Brenda Lee, who Bradley produced, for example. But the two influences that McCartney has mentioned most often in this regard are the busy, jazz-influenced, basslines that James Jamerson was playing at Motown: [Excerpt: The Four Tops, "It's the Same Old Song"] And the basslines that Brian Wilson was writing for various Wrecking Crew bassists to play for the Beach Boys: [Excerpt: The Beach Boys, "Don't Talk (Put Your Head on My Shoulder)"] Just to be clear, McCartney didn't hear that particular track until partway through the recording of Revolver, when Bruce Johnston visited the UK and brought with him an advance copy of Pet Sounds, but Pet Sounds influenced the later part of Revolver's recording, and Wilson had already started his experiments in that direction with the group's 1965 work. It's much easier to write a song with this kind of bassline, one that's integral to the composition, on the piano than it is to write it on a guitar, as you can work out the bassline with your left hand while working out the chords and melody with your right, so the habit that McCartney had already developed of writing on the piano made this easier. But also, starting with the recording of "Paperback Writer", McCartney switched his style of working in the studio. Where up to this point it had been normal for him to play bass as part of the recording of the basic track, playing with the other Beatles, he now started to take advantage of multitracking to overdub his bass later, so he could spend extra time getting the bassline exactly right. McCartney lived closer to Abbey Road than the other three Beatles, and so could more easily get there early or stay late and tweak his parts. But if McCartney wasn't playing bass while the guitars and drums were being recorded, that meant he could play something else, and so increasingly he would play piano during the recording of the basic track. And that in turn would mean that there wouldn't always *be* a need for guitars on the track, because the harmonic support they would provide would be provided by the piano instead. This, as much as anything else, is the reason that Revolver sounds so radically different to any other Beatles album. Up to this point, with *very* rare exceptions like "Yesterday", every Beatles record, more or less, featured all four of the Beatles playing instruments. Now John and George weren't playing on "Good Day Sunshine" or "For No One", John wasn't playing on "Here, There, and Everywhere", "Eleanor Rigby" features no guitars or drums at all, and George's "Love You To" only features himself, plus a little tambourine from Ringo (Paul recorded a part for that one, but it doesn't seem to appear on the finished track). Of the three songwriting Beatles, the only one who at this point was consistently requiring the instrumental contributions of all the other band members was John, and even he did without Paul on "She Said, She Said", which by all accounts features either John or George on bass, after Paul had a rare bout of unprofessionalism and left the studio. Revolver is still an album made by a group -- and most of those tracks that don't feature John or George instrumentally still feature them vocally -- it's still a collaborative work in all the best ways. But it's no longer an album made by four people playing together in the same room at the same time. After starting work on "Tomorrow Never Knows", the next track they started work on was Paul's "Got to Get You Into My Life", but as it would turn out they would work on that song throughout most of the sessions for the album -- in a sign of how the group would increasingly work from this point on, Paul's song was subject to multiple re-recordings and tweakings in the studio, as he tinkered to try to make it perfect. The first recording to be completed for the album, though, was almost as much of a departure in its own way as "Tomorrow Never Knows" had been. George's song "Love You To" shows just how inspired he was by the music of Ravi Shankar, and how devoted he was to Indian music. While a few months earlier he had just about managed to pick out a simple melody on the sitar for "Norwegian Wood", by this point he was comfortable enough with Indian classical music that I've seen many, many sources claim that an outside session player is playing sitar on the track, though Anil Bhagwat, the tabla player on the track, always insisted that it was entirely Harrison's playing: [Excerpt: The Beatles, "Love You To"] There is a *lot* of debate as to whether it's George playing on the track, and I feel a little uncomfortable making a definitive statement in either direction. On the one hand I find it hard to believe that Harrison got that good that quickly on an unfamiliar instrument, when we know he wasn't a naturally facile musician. All the stories we have about his work in the studio suggest that he had to work very hard on his guitar solos, and that he would frequently fluff them. As a technical guitarist, Harrison was only mediocre -- his value lay in his inventiveness, not in technical ability -- and he had been playing guitar for over a decade, but sitar only a few months. There's also some session documentation suggesting that an unknown sitar player was hired. On the other hand there's the testimony of Anil Bhagwat that Harrison played the part himself, and he has been very firm on the subject, saying "If you go on the Internet there are a lot of questions asked about "Love You To". They say 'It's not George playing the sitar'. I can tell you here and now -- 100 percent it was George on sitar throughout. There were no other musicians involved. It was just me and him." And several people who are more knowledgeable than myself about the instrument have suggested that the sitar part on the track is played the way that a rock guitarist would play rather than the way someone with more knowledge of Indian classical music would play -- there's a blues feeling to some of the bends that apparently no genuine Indian classical musician would naturally do. I would suggest that the best explanation is that there's a professional sitar player trying to replicate a part that Harrison had previously demonstrated, while Harrison was in turn trying his best to replicate the sound of Ravi Shankar's work. Certainly the instrumental section sounds far more fluent, and far more stylistically correct, than one would expect: [Excerpt: The Beatles, "Love You To"] Where previous attempts at what got called "raga-rock" had taken a couple of surface features of Indian music -- some form of a drone, perhaps a modal scale -- and had generally used a guitar made to sound a little bit like a sitar, or had a sitar playing normal rock riffs, Harrison's song seems to be a genuine attempt to hybridise Indian ragas and rock music, combining the instrumentation, modes, and rhythmic complexity of someone like Ravi Shankar with lyrics that are seemingly inspired by Bob Dylan and a fairly conventional pop song structure (and a tiny bit of fuzz guitar). It's a record that could only be made by someone who properly understood both the Indian music he's emulating and the conventions of the Western pop song, and understood how those conventions could work together. Indeed, one thing I've rarely seen pointed out is how cleverly the album is sequenced, so that "Love You To" is followed by possibly the most conventional song on Revolver, "Here, There, and Everywhere", which was recorded towards the end of the sessions. Both songs share a distinctive feature not shared by the rest of the album, so the two songs can sound more of a pair than they otherwise would, retrospectively making "Love You To" seem more conventional than it is and "Here, There, and Everywhere" more unconventional -- both have as an introduction a separate piece of music that states some of the melodic themes of the rest of the song but isn't repeated later. In the case of "Love You To" it's the free-tempo bit at the beginning, characteristic of a lot of Indian music: [Excerpt: The Beatles, "Love You To"] While in the case of "Here, There, and Everywhere" it's the part that mimics an older style of songwriting, a separate intro of the type that would have been called a verse when written by the Gershwins or Cole Porter, but of course in the intervening decades "verse" had come to mean something else, so we now no longer have a specific term for this kind of intro -- but as you can hear, it's doing very much the same thing as that "Love You To" intro: [Excerpt: The Beatles, "Here, There, and Everywhere"] In the same day as the group completed "Love You To", overdubbing George's vocal and Ringo's tambourine, they also started work on a song that would show off a lot of the new techniques they had been working on in very different ways. Paul's "Paperback Writer" could indeed be seen as part of a loose trilogy with "Love You To" and "Tomorrow Never Knows", one song by each of the group's three songwriters exploring the idea of a song that's almost all on one chord. Both "Tomorrow Never Knows" and "Love You To" are based on a drone with occasional hints towards moving to one other chord. In the case of "Paperback Writer", the entire song stays on a single chord until the title -- it's on a G7 throughout until the first use of the word "writer", when it quickly goes to a C for two bars. I'm afraid I'm going to have to sing to show you how little the chords actually change, because the riff disguises this lack of movement somewhat, but the melody is also far more horizontal than most of McCartney's, so this shouldn't sound too painful, I hope: [demonstrates] This is essentially the exact same thing that both "Love You To" and "Tomorrow Never Knows" do, and all three have very similarly structured rising and falling modal melodies. There's also a bit of "Paperback Writer" that seems to tie directly into "Love You To", but also points to a possible very non-Indian inspiration for part of "Love You To". The Beach Boys' single "Sloop John B" was released in the UK a couple of days after the sessions for "Paperback Writer" and "Love You To", but it had been released in the US a month before, and the Beatles all got copies of every record in the American top thirty shipped to them. McCartney and Harrison have specifically pointed to it as an influence on "Paperback Writer". "Sloop John B" has a section where all the instruments drop out and we're left with just the group's vocal harmonies: [Excerpt: The Beach Boys, "Sloop John B"] And that seems to have been the inspiration behind the similar moment at a similar point in "Paperback Writer", which is used in place of a middle eight and also used for the song's intro: [Excerpt: The Beatles, "Paperback Writer"] Which is very close to what Harrison does at the end of each verse of "Love You To", where the instruments drop out for him to sing a long melismatic syllable before coming back in: [Excerpt: The Beatles, "Love You To"] Essentially, other than "Got to Get You Into My Life", which is an outlier and should not be counted, the first three songs attempted during the Revolver sessions are variations on a common theme, and it's a sign that no matter how different the results might  sound, the Beatles really were very much a group at this point, and were sharing ideas among themselves and developing those ideas in similar ways. "Paperback Writer" disguises what it's doing somewhat by having such a strong riff. Lennon referred to "Paperback Writer" as "son of 'Day Tripper'", and in terms of the Beatles' singles it's actually their third iteration of this riff idea, which they originally got from Bobby Parker's "Watch Your Step": [Excerpt: Bobby Parker, "Watch Your Step"] Which became the inspiration for "I Feel Fine": [Excerpt: The Beatles, "I Feel Fine"] Which they varied for "Day Tripper": [Excerpt: The Beatles, "Day Tripper"] And which then in turn got varied for "Paperback Writer": [Excerpt: The Beatles, "Paperback Writer"] As well as compositional ideas, there are sonic ideas shared between "Paperback Writer", "Tomorrow Never Knows", and "Love You To", and which would be shared by the rest of the tracks the Beatles recorded in the first half of 1966. Since Geoff Emerick had become the group's principal engineer, they'd started paying more attention to how to get a fuller sound, and so Emerick had miced the tabla on "Love You To" much more closely than anyone would normally mic an instrument from classical music, creating a deep, thudding sound, and similarly he had changed the way they recorded the drums on "Tomorrow Never Knows", again giving a much fuller sound. But the group also wanted the kind of big bass sounds they'd loved on records coming out of America -- sounds that no British studio was getting, largely because it was believed that if you cut too loud a bass sound into a record it would make the needle jump out of the groove. The new engineering team of Geoff Emerick and Ken Scott, though, thought that it was likely you could keep the needle in the groove if you had a smoother frequency response. You could do that if you used a microphone with a larger diaphragm to record the bass, but how could you do that? Inspiration finally struck -- loudspeakers are actually the same thing as microphones wired the other way round, so if you wired up a loudspeaker as if it were a microphone you could get a *really big* speaker, place it in front of the bass amp, and get a much stronger bass sound. The experiment wasn't a total success -- the sound they got had to be processed quite extensively to get rid of room noise, and then compressed in order to further prevent the needle-jumping issue, and so it's a muddier, less defined, tone than they would have liked, but one thing that can't be denied is that "Paperback Writer"'s bass sound is much, much, louder than on any previous Beatles record: [Excerpt: The Beatles, "Paperback Writer"] Almost every track the group recorded during the Revolver sessions involved all sorts of studio innovations, though rarely anything as truly revolutionary as the artificial double-tracking they'd used on "Tomorrow Never Knows", and which also appeared on "Paperback Writer" -- indeed, as "Paperback Writer" was released several months before Revolver, it became the first record released to use the technique. I could easily devote a good ten minutes to every track on Revolver, and to "Paperback Writer"s B-side, "Rain", but this is already shaping up to be an extraordinarily long episode and there's a lot of material to get through, so I'll break my usual pattern of devoting a Patreon bonus episode to something relatively obscure, and this week's bonus will be on "Rain" itself. "Paperback Writer", though, deserved the attention here even though it was not one of the group's more successful singles -- it did go to number one, but it didn't hit number one in the UK charts straight away, being kept off the top by "Strangers in the Night" by Frank Sinatra for the first week: [Excerpt: Frank Sinatra, "Strangers in the Night"] Coincidentally, "Strangers in the Night" was co-written by Bert Kaempfert, the German musician who had produced the group's very first recording sessions with Tony Sheridan back in 1961. On the group's German tour in 1966 they met up with Kaempfert again, and John greeted him by singing the first couple of lines of the Sinatra record. The single was the lowest-selling Beatles single in the UK since "Love Me Do". In the US it only made number one for two non-consecutive weeks, with "Strangers in the Night" knocking it off for a week in between. Now, by literally any other band's standards, that's still a massive hit, and it was the Beatles' tenth UK number one in a row (or ninth, depending on which chart you use for "Please Please Me"), but it's a sign that the group were moving out of the first phase of total unequivocal dominance of the charts. It was a turning point in a lot of other ways as well. Up to this point, while the group had been experimenting with different lyrical subjects on album tracks, every single had lyrics about romantic relationships -- with the possible exception of "Help!", which was about Lennon's emotional state but written in such a way that it could be heard as a plea to a lover. But in the case of "Paperback Writer", McCartney was inspired by his Aunt Mill asking him "Why do you write songs about love all the time? Can you ever write about a horse or the summit conference or something interesting?" His response was to think "All right, Aunt Mill, I'll show you", and to come up with a lyric that was very much in the style of the social satires that bands like the Kinks were releasing at the time. People often miss the humour in the lyric for "Paperback Writer", but there's a huge amount of comedy in lyrics about someone writing to a publisher saying they'd written a book based on someone else's book, and one can only imagine the feeling of weary recognition in slush-pile readers throughout the world as they heard the enthusiastic "It's a thousand pages, give or take a few, I'll be writing more in a week or two. I can make it longer..." From this point on, the group wouldn't release a single that was unambiguously about a romantic relationship until "The Ballad of John and Yoko",  the last single released while the band were still together. "Paperback Writer" also saw the Beatles for the first time making a promotional film -- what we would now call a rock video -- rather than make personal appearances on TV shows. The film was directed by Michael Lindsay-Hogg, who the group would work with again in 1969, and shows Paul with a chipped front tooth -- he'd been in an accident while riding mopeds with his friend Tara Browne a few months earlier, and hadn't yet got round to having the tooth capped. When he did, the change in his teeth was one of the many bits of evidence used by conspiracy theorists to prove that the real Paul McCartney was dead and replaced by a lookalike. It also marks a change in who the most prominent Beatle on the group's A-sides was. Up to this point, Paul had had one solo lead on an A-side -- "Can't Buy Me Love" -- and everything else had been either a song with multiple vocalists like "Day Tripper" or "Love Me Do", or a song with a clear John lead like "Ticket to Ride" or "I Feel Fine". In the rest of their career, counting "Paperback Writer", the group would release nine new singles that hadn't already been included on an album. Of those nine singles, one was a double A-side with one John song and one Paul song, two had John songs on the A-side, and the other six were Paul. Where up to this point John had been "lead Beatle", for the rest of the sixties, Paul would be the group's driving force. Oddly, Paul got rather defensive about the record when asked about it in interviews after it failed to go straight to the top, saying "It's not our best single by any means, but we're very satisfied with it". But especially in its original mono mix it actually packs a powerful punch: [Excerpt: The Beatles, "Paperback Writer"] When the "Paperback Writer" single was released, an unusual image was used in the advertising -- a photo of the Beatles dressed in butchers' smocks, covered in blood, with chunks of meat and the dismembered body parts of baby dolls lying around on them. The image was meant as part of a triptych parodying religious art -- the photo on the left was to be an image showing the four Beatles connected to a woman by an umbilical cord made of sausages, the middle panel was meant to be this image, but with halos added over the Beatles' heads, and the panel on the right was George hammering a nail into John's head, symbolising both crucifixion and that the group were real, physical, people, not just images to be worshipped -- these weren't imaginary nails, and they weren't imaginary people. The photographer Robert Whittaker later said: “I did a photograph of the Beatles covered in raw meat, dolls and false teeth. Putting meat, dolls and false teeth with The Beatles is essentially part of the same thing, the breakdown of what is regarded as normal. The actual conception for what I still call “Somnambulant Adventure” was Moses coming down from Mount Sinai with the Ten Commandments. He comes across people worshipping a golden calf. All over the world I'd watched people worshiping like idols, like gods, four Beatles. To me they were just stock standard normal people. But this emotion that fans poured on them made me wonder where Christianity was heading.” The image wasn't that controversial in the UK, when it was used to advertise "Paperback Writer", but in the US it was initially used for the cover of an album, Yesterday... And Today, which was made up of a few tracks that had been left off the US versions of the Rubber Soul and Help! albums, plus both sides of the "We Can Work It Out"/"Day Tripper" single, and three rough mixes of songs that had been recorded for Revolver -- "Doctor Robert", "And Your Bird Can Sing", and "I'm Only Sleeping", which was the song that sounded most different from the mixes that were finally released: [Excerpt: The Beatles, "I'm Only Sleeping (Yesterday... and Today mix)"] Those three songs were all Lennon songs, which had the unfortunate effect that when the US version of Revolver was brought out later in the year, only two of the songs on the album were by Lennon, with six by McCartney and three by Harrison. Some have suggested that this was the motivation for the use of the butcher image on the cover of Yesterday... And Today -- saying it was the Beatles' protest against Capitol "butchering" their albums -- but in truth it was just that Capitol's art director chose the cover because he liked the image. Alan Livingston, the president of Capitol was not so sure, and called Brian Epstein to ask if the group would be OK with them using a different image. Epstein checked with John Lennon, but Lennon liked the image and so Epstein told Livingston the group insisted on them using that cover. Even though for the album cover the bloodstains on the butchers' smocks were airbrushed out, after Capitol had pressed up a million copies of the mono version of the album and two hundred thousand copies of the stereo version, and they'd sent out sixty thousand promo copies, they discovered that no record shops would stock the album with that cover. It cost Capitol more than two hundred thousand dollars to recall the album and replace the cover with a new one -- though while many of the covers were destroyed, others had the new cover, with a more acceptable photo of the group, pasted over them, and people have later carefully steamed off the sticker to reveal the original. This would not be the last time in 1966 that something that was intended as a statement on religion and the way people viewed the Beatles would cause the group trouble in America. In the middle of the recording sessions for Revolver, the group also made what turned out to be their last ever UK live performance in front of a paying audience. The group had played the NME Poll-Winners' Party every year since 1963, and they were always shows that featured all the biggest acts in the country at the time -- the 1966 show featured, as well as the Beatles and a bunch of smaller acts, the Rolling Stones, the Who, the Yardbirds, Roy Orbison, Cliff Richard and the Shadows, the Seekers, the Small Faces, the Walker Brothers, and Dusty Springfield. Unfortunately, while these events were always filmed for TV broadcast, the Beatles' performance on the first of May wasn't filmed. There are various stories about what happened, but the crux appears to be a disagreement between Andrew Oldham and Brian Epstein, sparked by John Lennon. When the Beatles got to the show, they were upset to discover that they had to wait around before going on stage -- normally, the awards would all be presented at the end, after all the performances, but the Rolling Stones had asked that the Beatles not follow them directly, so after the Stones finished their set, there would be a break for the awards to be given out, and then the Beatles would play their set, in front of an audience that had been bored by twenty-five minutes of awards ceremony, rather than one that had been excited by all the bands that came before them. John Lennon was annoyed, and insisted that the Beatles were going to go on straight after the Rolling Stones -- he seems to have taken this as some sort of power play by the Stones and to have got his hackles up about it. He told Epstein to deal with the people from the NME. But the NME people said that they had a contract with Andrew Oldham, and they weren't going to break it. Oldham refused to change the terms of the contract. Lennon said that he wasn't going to go on stage if they didn't directly follow the Stones. Maurice Kinn, the publisher of the NME, told Epstein that he wasn't going to break the contract with Oldham, and that if the Beatles didn't appear on stage, he would get Jimmy Savile, who was compering the show, to go out on stage and tell the ten thousand fans in the audience that the Beatles were backstage refusing to appear. He would then sue NEMS for breach of contract *and* NEMS would be liable for any damage caused by the rioting that was sure to happen. Lennon screamed a lot of abuse at Kinn, and told him the group would never play one of their events again, but the group did go on stage -- but because they hadn't yet signed the agreement to allow their performance to be filmed, they refused to allow it to be recorded. Apparently Andrew Oldham took all this as a sign that Epstein was starting to lose control of the group. Also during May 1966 there were visits from musicians from other countries, continuing the cultural exchange that was increasingly influencing the Beatles' art. Bruce Johnston of the Beach Boys came over to promote the group's new LP, Pet Sounds, which had been largely the work of Brian Wilson, who had retired from touring to concentrate on working in the studio. Johnston played the record for John and Paul, who listened to it twice, all the way through, in silence, in Johnston's hotel room: [Excerpt: The Beach Boys, "God Only Knows"] According to Johnston, after they'd listened through the album twice, they went over to a piano and started whispering to each other, picking out chords. Certainly the influence of Pet Sounds is very noticeable on songs like "Here, There, and Everywhere", written and recorded a few weeks after this meeting: [Excerpt: The Beatles, "Here, There, and Everywhere"] That track, and the last track recorded for the album, "She Said She Said" were unusual in one very important respect -- they were recorded while the Beatles were no longer under contract to EMI Records. Their contract expired on the fifth of June, 1966, and they finished Revolver without it having been renewed -- it would be several months before their new contract was signed, and it's rather lucky for music lovers that Brian Epstein was the kind of manager who considered personal relationships and basic honour and decency more important than the legal niceties, unlike any other managers of the era, otherwise we would not have Revolver in the form we know it today. After the meeting with Johnston, but before the recording of those last couple of Revolver tracks, the Beatles also met up again with Bob Dylan, who was on a UK tour with a new, loud, band he was working with called The Hawks. While the Beatles and Dylan all admired each other, there was by this point a lot of wariness on both sides, especially between Lennon and Dylan, both of them very similar personality types and neither wanting to let their guard down around the other or appear unhip. There's a famous half-hour-long film sequence of Lennon and Dylan sharing a taxi, which is a fascinating, excruciating, example of two insecure but arrogant men both trying desperately to impress the other but also equally desperate not to let the other know that they want to impress them: [Excerpt: Dylan and Lennon taxi ride] The day that was filmed, Lennon and Harrison also went to see Dylan play at the Royal Albert Hall. This tour had been controversial, because Dylan's band were loud and raucous, and Dylan's fans in the UK still thought of him as a folk musician. At one gig, earlier on the tour, an audience member had famously yelled out "Judas!" -- (just on the tiny chance that any of my listeners don't know that, Judas was the disciple who betrayed Jesus to the authorities, leading to his crucifixion) -- and that show was for many years bootlegged as the "Royal Albert Hall" show, though in fact it was recorded at the Free Trade Hall in Manchester. One of the *actual* Royal Albert Hall shows was released a few years ago -- the one the night before Lennon and Harrison saw Dylan: [Excerpt: Bob Dylan, "Like a Rolling Stone", Royal Albert Hall 1966] The show Lennon and Harrison saw would be Dylan's last for many years. Shortly after returning to the US, Dylan was in a motorbike accident, the details of which are still mysterious, and which some fans claim was faked altogether. The accident caused him to cancel all the concert dates he had booked, and devote himself to working in the studio for several years just like Brian Wilson. And from even further afield than America, Ravi Shankar came over to Britain, to work with his friend the violinist Yehudi Menuhin, on a duet album, West Meets East, that was an example in the classical world of the same kind of international cross-fertilisation that was happening in the pop world: [Excerpt: Yehudi Menuhin and Ravi Shankar, "Prabhati (based on Raga Gunkali)"] While he was in the UK, Shankar also performed at the Royal Festival Hall, and George Harrison went to the show. He'd seen Shankar live the year before, but this time he met up with him afterwards, and later said "He was the first person that impressed me in a way that was beyond just being a famous celebrity. Ravi was my link to the Vedic world. Ravi plugged me into the whole of reality. Elvis impressed me when I was a kid, and impressed me when I met him, but you couldn't later on go round to him and say 'Elvis, what's happening with the universe?'" After completing recording and mixing the as-yet-unnamed album, which had been by far the longest recording process of their career, and which still nearly sixty years later regularly tops polls of the best album of all time, the Beatles took a well-earned break. For a whole two days, at which point they flew off to Germany to do a three-day tour, on their way to Japan, where they were booked to play five shows at the Budokan. Unfortunately for the group, while they had no idea of this when they were booked to do the shows, many in Japan saw the Budokan as sacred ground, and they were the first ever Western group to play there. This led to numerous death threats and loud protests from far-right activists offended at the Beatles defiling their religious and nationalistic sensibilities. As a result, the police were on high alert -- so high that there were three thousand police in the audience for the shows, in a venue which only held ten thousand audience members. That's according to Mark Lewisohn's Complete Beatles Chronicle, though I have to say that the rather blurry footage of the audience in the video of those shows doesn't seem to show anything like those numbers. But frankly I'll take Lewisohn's word over that footage, as he's not someone to put out incorrect information. The threats to the group also meant that they had to be kept in their hotel rooms at all times except when actually performing, though they did make attempts to get out. At the press conference for the Tokyo shows, the group were also asked publicly for the first time their views on the war in Vietnam, and John replied "Well, we think about it every day, and we don't agree with it and we think that it's wrong. That's how much interest we take. That's all we can do about it... and say that we don't like it". I say they were asked publicly for the first time, because George had been asked about it for a series of interviews Maureen Cleave had done with the group a couple of months earlier, as we'll see in a bit, but nobody was paying attention to those interviews. Brian Epstein was upset that the question had gone to John. He had hoped that the inevitable Vietnam question would go to Paul, who he thought might be a bit more tactful. The last thing he needed was John Lennon saying something that would upset the Americans before their tour there a few weeks later. Luckily, people in America seemed to have better things to do than pay attention to John Lennon's opinions. The support acts for the Japanese shows included  several of the biggest names in Japanese rock music -- or "group sounds" as the genre was called there, Japanese people having realised that trying to say the phrase "rock and roll" would open them up to ridicule given that it had both "r" and "l" sounds in the phrase. The man who had coined the term "group sounds", Jackey Yoshikawa, was there with his group the Blue Comets, as was Isao Bito, who did a rather good cover version of Cliff Richard's "Dynamite": [Excerpt: Isao Bito, "Dynamite"] Bito, the Blue Comets, and the other two support acts, Yuya Uchida and the Blue Jeans, all got together to perform a specially written song, "Welcome Beatles": [Excerpt: "Welcome Beatles" ] But while the Japanese audience were enthusiastic, they were much less vocal about their enthusiasm than the audiences the Beatles were used to playing for. The group were used, of course, to playing in front of hordes of screaming teenagers who could not hear a single note, but because of the fear that a far-right terrorist would assassinate one of the group members, the police had imposed very, very, strict rules on the audience. Nobody in the audience was allowed to get out of their seat for any reason, and the police would clamp down very firmly on anyone who was too demonstrative. Because of that, the group could actually hear themselves, and they sounded sloppy as hell, especially on the newer material. Not that there was much of that. The only song they did from the Revolver sessions was "Paperback Writer", the new single, and while they did do a couple of tracks from Rubber Soul, those were under-rehearsed. As John said at the start of this tour, "I can't play any of Rubber Soul, it's so unrehearsed. The only time I played any of the numbers on it was when I recorded it. I forget about songs. They're only valid for a certain time." That's certainly borne out by the sound of their performances of Rubber Soul material at the Budokan: [Excerpt: The Beatles, "If I Needed Someone (live at the Budokan)"] It was while they were in Japan as well that they finally came up with the title for their new album. They'd been thinking of all sorts of ideas, like Abracadabra and Magic Circle, and tossing names around with increasing desperation for several days -- at one point they seem to have just started riffing on other groups' albums, and seem to have apparently seriously thought about naming the record in parodic tribute to their favourite artists -- suggestions included The Beatles On Safari, after the Beach Boys' Surfin' Safari (and possibly with a nod to their recent Pet Sounds album cover with animals, too), The Freewheelin' Beatles, after Dylan's second album, and my favourite, Ringo's suggestion After Geography, for the Rolling Stones' Aftermath. But eventually Paul came up with Revolver -- like Rubber Soul, a pun, in this case because the record itself revolves when on a turntable. Then it was off to the Philippines, and if the group thought Japan had been stressful, they had no idea what was coming. The trouble started in the Philippines from the moment they stepped off the plane, when they were bundled into a car without Neil Aspinall or Brian Epstein, and without their luggage, which was sent to customs. This was a problem in itself -- the group had got used to essentially being treated like diplomats, and to having their baggage let through customs without being searched, and so they'd started freely carrying various illicit substances with them. This would obviously be a problem -- but as it turned out, this was just to get a "customs charge" paid by Brian Epstein. But during their initial press conference the group were worried, given the hostility they'd faced from officialdom, that they were going to be arrested during the conference itself. They were asked what they would tell the Rolling Stones, who were going to be visiting the Philippines shortly after, and Lennon just said "We'll warn them". They also asked "is there a war on in the Philippines? Why is everybody armed?" At this time, the Philippines had a new leader, Ferdinand Marcos -- who is not to be confused with his son, Ferdinand Marcos Jr, also known as Bongbong Marcos, who just became President-Elect there last month. Marcos Sr was a dictatorial kleptocrat, one of the worst leaders of the latter half of the twentieth century, but that wasn't evident yet. He'd been elected only a few months earlier, and had presented himself as a Kennedy-like figure -- a young man who was also a war hero. He'd recently switched parties from the Liberal party to the right-wing Nacionalista Party, but wasn't yet being thought of as the monstrous dictator he later became. The person organising the Philippines shows had been ordered to get the Beatles to visit Ferdinand and Imelda Marcos at 11AM on the day of the show, but for some reason had instead put on their itinerary just the *suggestion* that the group should meet the Marcoses, and had put the time down as 3PM, and the Beatles chose to ignore that suggestion -- they'd refused to do that kind of government-official meet-and-greet ever since an incident in 1964 at the British Embassy in Washington where someone had cut off a bit of Ringo's hair. A military escort turned up at the group's hotel in the morning, to take them for their meeting. The group were all still in their rooms, and Brian Epstein was still eating breakfast and refused to disturb them, saying "Go back and tell the generals we're not coming." The group gave their performances as scheduled, but meanwhile there was outrage at the way the Beatles had refused to meet the Marcos family, who had brought hundreds of children -- friends of their own children, and relatives of top officials -- to a party to meet the group. Brian Epstein went on TV and tried to smooth things over, but the broadcast was interrupted by static and his message didn't get through to anyone. The next day, the group's security was taken away, as were the cars to take them to the airport. When they got to the airport, the escalators were turned off and the group were beaten up at the arrangement of the airport manager, who said in 1984 "I beat up the Beatles. I really thumped them. First I socked Epstein and he went down... then I socked Lennon and Ringo in the face. I was kicking them. They were pleading like frightened chickens. That's what happens when you insult the First Lady." Even on the plane there were further problems -- Brian Epstein and the group's road manager Mal Evans were both made to get off the plane to sort out supposed financial discrepancies, which led to them worrying that they were going to be arrested or worse -- Evans told the group to tell his wife he loved her as he left the plane. But eventually, they were able to leave, and after a brief layover in India -- which Ringo later said was the first time he felt he'd been somewhere truly foreign, as opposed to places like Germany or the USA which felt basically like home -- they got back to England: [Excerpt: "Ordinary passenger!"] When asked what they were going to do next, George replied “We're going to have a couple of weeks to recuperate before we go and get beaten up by the Americans,” The story of the "we're bigger than Jesus" controversy is one of the most widely misreported events in the lives of the Beatles, which is saying a great deal. One book that I've encountered, and one book only, Steve Turner's Beatles '66, tells the story of what actually happened, and even that book seems to miss some emphases. I've pieced what follows together from Turner's book and from an academic journal article I found which has some more detail. As far as I can tell, every single other book on the Beatles released up to this point bases their account of the story on an inaccurate press statement put out by Brian Epstein, not on the truth. Here's the story as it's generally told. John Lennon gave an interview to his friend, Maureen Cleave of the Evening Standard, during which he made some comments about how it was depressing that Christianity was losing relevance in the eyes of the public, and that the Beatles are more popular than Jesus, speaking casually because he was talking to a friend. That story was run in the Evening Standard more-or-less unnoticed, but then an American teen magazine picked up on the line about the Beatles being bigger than Jesus, reprinted chunks of the interview out of context and without the Beatles' knowledge or permission, as a way to stir up controversy, and there was an outcry, with people burning Beatles records and death threats from the Ku Klux Klan. That's... not exactly what happened. The first thing that you need to understand to know what happened is that Datebook wasn't a typical teen magazine. It *looked* just like a typical teen magazine, certainly, and much of its content was the kind of thing that you would get in Tiger Beat or any of the other magazines aimed at teenage girls -- the September 1966 issue was full of articles like "Life with the Walker Brothers... by their Road Manager", and interviews with the Dave Clark Five -- but it also had a long history of publishing material that was intended to make its readers think about social issues of the time, particularly Civil Rights. Arthur Unger, the magazine's editor and publisher, was a gay man in an interracial relationship, and while the subject of homosexuality was too taboo in the late fifties and sixties for him to have his magazine cover that, he did regularly include articles decrying segregation and calling for the girls reading the magazine to do their part on a personal level to stamp out racism. Datebook had regularly contained articles like one from 1963 talking about how segregation wasn't just a problem in the South, saying "If we are so ‘integrated' why must men in my own city of Philadelphia, the city of Brotherly Love, picket city hall because they are discriminated against when it comes to getting a job? And how come I am still unable to take my dark- complexioned friends to the same roller skating rink or swimming pool that I attend?” One of the writers for the magazine later said “We were much more than an entertainment magazine . . . . We tried to get kids involved in social issues . . . . It was a well-received magazine, recommended by libraries and schools, but during the Civil Rights period we did get pulled off a lot of stands in the South because of our views on integration” Art Unger, the editor and publisher, wasn't the only one pushing this liberal, integrationist, agenda. The managing editor at the time, Danny Fields, was another gay man who wanted to push the magazine even further than Unger, and who would later go on to manage the Stooges and the Ramones, being credited by some as being the single most important figure in punk rock's development, and being immortalised by the Ramones in their song "Danny Says": [Excerpt: The Ramones, "Danny Says"] So this was not a normal teen magazine, and that's certainly shown by the cover of the September 1966 issue, which as well as talking about the interviews with John Lennon and Paul McCartney inside, also advertised articles on Timothy Leary advising people to turn on, tune in, and drop out; an editorial about how interracial dating must be the next step after desegregation of schools, and a piece on "the ten adults you dig/hate the most" -- apparently the adult most teens dug in 1966 was Jackie Kennedy, the most hated was Barry Goldwater, and President Johnson, Billy Graham, and Martin Luther King appeared in the top ten on both lists. Now, in the early part of the year Maureen Cleave had done a whole series of articles on the Beatles -- double-page spreads on each band member, plus Brian Epstein, visiting them in their own homes (apart from Paul, who she met at a restaurant) and discussing their daily lives, their thoughts, and portraying them as rounded individuals. These articles are actually fascinating, because of something that everyone who met the Beatles in this period pointed out. When interviewed separately, all of them came across as thoughtful individuals, with their own opinions about all sorts of subjects, and their own tastes and senses of humour. But when two or more of them were together -- especially when John and Paul were interviewed together, but even in social situations, they would immediately revert to flip in-jokes and riffing on each other's statements, never revealing anything about themselves as individuals, but just going into Beatle mode -- simultaneously preserving the band's image, closing off outsiders, *and* making sure they didn't do or say anything that would get them mocked by the others. Cleave, as someone who actually took them all seriously, managed to get some very revealing information about all of them. In the article on Ringo, which is the most superficial -- one gets the impression that Cleave found him rather difficult to talk to when compared to the other, more verbally facile, band members -- she talked about how he had a lot of Wild West and military memorabilia, how he was a devoted family man and also devoted to his friends -- he had moved to the suburbs to be close to John and George, who already lived there. The most revealing quote about Ringo's personality was him saying "Of course that's the great thing about being married -- you have a house to sit in and company all the time. And you can still go to clubs, a bonus for being married. I love being a family man." While she looked at the other Beatles' tastes in literature in detail, she'd noted that the only books Ringo owned that weren't just for show were a few science fiction paperbacks, but that as he said "I'm not thick, it's just that I'm not educated. People can use words and I won't know what they mean. I say 'me' instead of 'my'." Ringo also didn't have a drum kit at home, saying he only played when he was on stage or in the studio, and that you couldn't practice on your own, you needed to play with other people. In the article on George, she talked about how he was learning the sitar,  and how he was thinking that it might be a good idea to go to India to study the sitar with Ravi Shankar for six months. She also talks about how during the interview, he played the guitar pretty much constantly, playing everything from songs from "Hello Dolly" to pieces by Bach to "the Trumpet Voluntary", by which she presumably means Clarke's "Prince of Denmark's March": [Excerpt: Jeremiah Clarke, "Prince of Denmark's March"] George was also the most outspoken on the subjects of politics, religion, and society, linking the ongoing war in Vietnam with the UK's reverence for the Second World War, saying "I think about it every day and it's wrong. Anything to do with war is wrong. They're all wrapped up in their Nelsons and their Churchills and their Montys -- always talking about war heroes. Look at All Our Yesterdays [a show on ITV that showed twenty-five-year-old newsreels] -- how we killed a few more Huns here and there. Makes me sick. They're the sort who are leaning on their walking sticks and telling us a few years in the army would do us good." He also had very strong words to say about religion, saying "I think religion falls flat on its face. All this 'love thy neighbour' but none of them are doing it. How can anybody get into the position of being Pope and accept all the glory and the money and the Mercedes-Benz and that? I could never be Pope until I'd sold my rich gates and my posh hat. I couldn't sit there with all that money on me and believe I was religious. Why can't we bring all this out in the open? Why is there all this stuff about blasphemy? If Christianity's as good as they say it is, it should stand up to a bit of discussion." Harrison also comes across as a very private person, saying "People keep saying, ‘We made you what you are,' well, I made Mr. Hovis what he is and I don't go round crawling over his gates and smashing up the wall round his house." (Hovis is a British company that makes bread and wholegrain flour). But more than anything else he comes across as an instinctive anti-authoritarian, being angry at bullying teachers, Popes, and Prime Ministers. McCartney's profile has him as the most self-consciously arty -- he talks about the plays of Alfred Jarry and the music of Karlheinz Stockhausen and Luciano Berio: [Excerpt: Luciano Berio, "Momenti (for magnetic tape)"] Though he was very worried that he might be sounding a little too pretentious, saying “I don't want to sound like Jonathan Miller going on" --