Podcasts about Artemisia Gentileschi

Met emiritus hoogleraar kunst, cutluur & diversiteit Rosemarie Buikema en schrijver & essayist Marja Pruis Marja Pruis - schrijver en essayistBeelden zijn niet alleen beschrijvend, ze zijn vormend. Kijk je naar de westerse kunstgeschiedenis, dan is het dominante beeld van de moeder dat van de heilige Maria: toegewijd, opofferend, zonder vieze handen of schort - een schim bijna, volledig in dienst van haar kind. Geschilderd door mannen, bekeken van buitenaf. Zo kregen we eeuwenlang wél beelden van het instituut moederschap, maar nauwelijks van de ervaring zelf. En op die eeuwenoude beelden borduren we nog altijd voort - versterkt door social media misschien nog wel meer dan de generatie voor ons. Vanuit die onrealistische lat ontstaan schuldgevoelens die vrouwen klein houden. Het idee dat een goede moeder zoveel mogelijk aanwezig is, klinkt als zorg - maar houdt vrouwen ook gebonden aan het thuisfront.Maar wat de generatie moeders van nu ook kenmerkt, mede dankzij diezelfde social media, is dat er eindelijk ruimte komt voor het hele spectrum van die ervaring: naast de schattige kinderen, de snoezige kleertjes, de gezellige uitjes of het kneuterige samenzijn, ook de verveling, de woede, het verlangen naar afstand en eigen ruimte. Alle ambivalentie die bij het moederschap hoort. In die gedeelde ervaring schuilt onze kracht. Zo kunnen we het beeld van de goede moeder bijstellen, verrijken en verdiepen. Iets heel anders dan Maria, kortom. Ik onderzoek het moederschap als persoonlijke invulling én als politiek systeem met emeritus hoogleraar kunst, cultuur en diversiteit Rosemarie Buikema en met schrijver en essayist Marja Pruis. We eindigen met een herdefinitie van goed moederschap: eentje die de druk verlicht en meer ruimte creëert voor de vrouw die de moederrol vervult.Shownotes Aflevering 5: de heiligeGeïnteresseerd in meer? In Ongebonden schrijf ik over een autonomer leven, onder andere door bevrijding van de idealen die vrouwen klein houden. Je bestelt het boek hier. Bestel mijn boek hier. GastenRosemarie Buikema - emeritus hoogleraar kunst, cultuur en diversiteit (Universiteit Utrecht). Schreef een bijdrage voor de catalogus Mothering Myths (zie hieronder).Marja Pruis - schrijver en essayist (o.a. De Groene Amsterdammer). Essay in de Groene Amsterdammer Moederschap als estafetteloopGood Mom/Bad Mom - De moedermythe ontrafeld, Centraal Museum Utrecht. De tentoonstelling liep van 29 maart t/m 14 september 2025 en was de eerste grootschalige expositie in Nederland over moederschap in de kunst, met werk van o.a. Artemisia Gentileschi, Louise Bourgeois & Tracey Emin, Luchita Hurtado, Camille Henrot, Miriam Cahn en Lotti van der Gaag. ArtutrechtCentraalmuseum. Meer over de tentoonstelling Good Mom/Bad Mom hierMothering Myths. An ABC of Art, Birth and Care - de bijbehorende catalogus. Samengesteld door Laurie Cluitmans en Heske ten Cate.Verder:Amil Niazi - Life after ambitionElisabeth Badinter - De mythe van de moederliefde (oorspr. L'amour en plus, 1980), over het ontkrachten van het "moederinstinct".Ianthe Mosselman - Al die liefde en woede. Moeder worden, een memoir.Rodante van der Waal - Baas in eigen buik. Een essay over reproductieve rechtvaardigheid.Lynn Berger - Ik werk al (ik krijg er alleen niet voor betaald) (De Correspondent, 2023).Silvia Federici - Caliban and the Witch.Charlotte Perkins Gilman - Women and EconomicsMarie Lucassen Uit het midden. Filosofie van de zwangerschap. Nina's nieuwste boek Ongebonden: in een wereld vol idealen is nu te pre-orderen als gesigneerd exemplaar bij Scheltema via deze link. Stuur je aankoopbon naar ongebonden@awbruna.nl en maak kans op twee maanden gratis abonnement op Vrouw'en.Deze podcast wordt uitgegeven door Geuren & Kleuren MediaAdverteren of samenwerken op deze titel? Mail naar adverteren@geurenenkleurenmedia.nl Hosted on Acast. See acast.com/privacy for more information.

Klaire is back on the podcast talking about an amazing Italian painter who started producing works as a teenager. Artemisia Gentileschi's life was full of challenges and obstacles, including an abuser and rarely getting credit for her paintings. Learn about Artemisia's fierce paintings of women that are gorgeous and haunting to look at. 

Idag fyller Konsthistoriepodden 6 år!Det vill vi förstås fira tillsammans med er! Vi startade podden mitt under pandemin, när museer, konsthallar och andra kulturinstitutioner höll stängt. Idag är det nästan svårt att föreställa sig, men då var det en verklighet som präglade hela kulturlivet. Att kulturinstitutionerna skulle stänga sina dörrar kändes lika otänkbart då som det gör nu. Mitt i den tiden föddes Konsthistoriepodden.För att uppmärksamma födelsedagen släpper vi idag ett nytt Samtal pågår: Årets tågluff. På midsommarhelgen tar vi oss till Palermo för att därifrån tågluffa hem genom Europa, med många stopp längs vägen. Självklart får ni följa med på resan! Mer om våra planer berättar vi i dagens avsnitt.Och när vi ändå är på väg vill vi passa på att tipsa om några tidigare avsnitt som knyter an till vår färd genom Italien, Österrike, Tjeckien och Tyskland:— Avsnitt 25: Artemisia Gentileschi, Judith halshugger Holofernes
— Avsnitt 31: Laokoongruppen
— Avsnitt 41: Michelangelo, Yttersta domen
— Avsnitt 20: Gustav Klimt, Adele Bloch-Bauer I
— Avsnitt 28: Rafael, Sixtinska madonnan
— Avsnitt 43: Oskar Schlemmer, BauhaustrappanVi vill också passa på att rikta ett varmt tack till er alla som tar er tid att lyssna på oss. Vi vet att många av er har varit med ända sedan starten och följt oss på våra konsthistoriska upptäcktsfärder genom åren. Det är tack vare er som Konsthistoriepodden finns och fortsätter att utvecklas.Utan er – ingen Konsthistoriepodden.Nu ser vi fram emot nya avsnitt. Vi hörs snart!Support till showen http://supporter.acast.com/konsthistoriepodden. Hosted on Acast. See acast.com/privacy for more information.

Dans Holopherne doit mourir, l'avocate Chirinne Ardakani met en scène le procès fictif du Patricarcat.  Un procès pour féminicide, un procès de masse historique au nom de toutes les femmes et pour toutes les victimes pour juger du patriarcat qui gouverne nos sociétés depuis des décennies voire des siècles. Une œuvre pensée pour créer du débat.  "J'ai imaginé ce procès du patriarcat car c'est une nécessité de savoir ce que des siècles nous ont laissé en héritage : le quotidien nous le montre, des femmes continuent à mourir car elles sont des femmes"  explique Chirinne Ardakani. Mêlant droit, théâtre et histoire de l'art, le Théâtre de la Concorde propose avec ce spectacle de rendre justice aux vies. Dans cette audience hors norme, des figures multiples– anonymes, historiques ou symboliques – sont appelées à comparaître. Toutes sont suspectées d'avoir participé, à des degrés divers, à une organisation criminelle tentaculaire : le Patriarcat incarné par Holopherne. Holopherne est un personnage du livre de Judith, dans la Bible. C'est un général sanguinaire chargé de piller les cités puis des violer les femmes. Il va tomber amoureux de Judith, une veuve magnifique qui va le séduire, le faire boire, puis le tuer en le décapitant. Au cœur du procès, il y a Holopherne mais aussi un tableau célèbre, Judith décapitant Holopherne signé par l'artiste italienne Artemisia Gentileschi du début du 17eme siècle. Très tôt dans le spectacle, il y a un montage vidéo ou sont incriminés tous les puissants de ce monde et de tous les pays, de l'Afghanistan au Soudan : "De tout temps, les lois, les états estiment que e corps des femmes est un sujet de législation. Qu'on peut disposer comme on veut de leurs corps."  L'avocate rappelle que le Code civil a longtemps été très misogyne en France avec de grandes inégalités qui perdurent encore dans de nombreux pays. Dans la vraie vie, Chirinne Ardanaki est avocate pénaliste à la Défense : je défends des hommes accusés de crimes sexuels mais dans la vie de tous les jours, elle est engagée pour la défense des femmes "Je défends l'homme mais je combat le mâle, le théâtre est un moyen pour cela." Invitée : Chirinne Ardakani, avocate en droit pénal et en droit des étrangers, autrice et militante pour les droits humains. Elle est l'avocate du Prix Nobel de la paix Narges Mohammadi.  Et le reportage de Fanny Imbert avec des spectateurs.  Programmation musicale :  L'artiste Yamé avec le titre Ne reviens pas. 

Dans Holopherne doit mourir, l'avocate Chirinne Ardakani met en scène le procès fictif du Patricarcat.  Un procès pour féminicide, un procès de masse historique au nom de toutes les femmes et pour toutes les victimes pour juger du patriarcat qui gouverne nos sociétés depuis des décennies voire des siècles. Une œuvre pensée pour créer du débat.  "J'ai imaginé ce procès du patriarcat car c'est une nécessité de savoir ce que des siècles nous ont laissé en héritage : le quotidien nous le montre, des femmes continuent à mourir car elles sont des femmes"  explique Chirinne Ardakani. Mêlant droit, théâtre et histoire de l'art, le Théâtre de la Concorde propose avec ce spectacle de rendre justice aux vies. Dans cette audience hors norme, des figures multiples– anonymes, historiques ou symboliques – sont appelées à comparaître. Toutes sont suspectées d'avoir participé, à des degrés divers, à une organisation criminelle tentaculaire : le Patriarcat incarné par Holopherne. Holopherne est un personnage du livre de Judith, dans la Bible. C'est un général sanguinaire chargé de piller les cités puis des violer les femmes. Il va tomber amoureux de Judith, une veuve magnifique qui va le séduire, le faire boire, puis le tuer en le décapitant. Au cœur du procès, il y a Holopherne mais aussi un tableau célèbre, Judith décapitant Holopherne signé par l'artiste italienne Artemisia Gentileschi du début du 17eme siècle. Très tôt dans le spectacle, il y a un montage vidéo ou sont incriminés tous les puissants de ce monde et de tous les pays, de l'Afghanistan au Soudan : "De tout temps, les lois, les états estiment que e corps des femmes est un sujet de législation. Qu'on peut disposer comme on veut de leurs corps."  L'avocate rappelle que le Code civil a longtemps été très misogyne en France avec de grandes inégalités qui perdurent encore dans de nombreux pays. Dans la vraie vie, Chirinne Ardanaki est avocate pénaliste à la Défense : je défends des hommes accusés de crimes sexuels mais dans la vie de tous les jours, elle est engagée pour la défense des femmes "Je défends l'homme mais je combat le mâle, le théâtre est un moyen pour cela." Invitée : Chirinne Ardakani, avocate en droit pénal et en droit des étrangers, autrice et militante pour les droits humains. Elle est l'avocate du Prix Nobel de la paix Narges Mohammadi.  Et le reportage de Fanny Imbert avec des spectateurs.  Programmation musicale :  L'artiste Yamé avec le titre Ne reviens pas. 

Artemisia Gentileschi's paintings personify female rage against men. She paints women beheading men, hammering nails into their skulls, brandishing their dead faces. In her personal life, Artemisia was the victim of sexual abuse, torture and public shaming. Can we read her traumatic personal life into her work?Edited by Anna Brant and Hannah Feodorov. Produced by Stuart Beckwith. Senior Producer is Freddy Chick.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  You can take part in our listener survey here.All music from Epidemic Sounds. Hosted on Acast. See acast.com/privacy for more information.

If you're an artist, when would you like recognition to strike? Do you want it to be in your lifetime, only to be forgotten decades after your death? Or do you want to remain undiscovered, with your story potentially echoing for centuries after you've been discovered posthumously? These are some of the thorny questions Dan and Elizabeth consider in this episode about artistic failure. Together, they trace the stories of artists whose lives don't neatly match up with the reputations their works have gathered: French writer George Sand, and the painters Vincent Van Gogh, and Artemisia Gentileschi. Each artist presents a differing experience of the kaleidoscope that is artistic failure: Van Gogh and Gentileschi suffered great personal anguish yet have given the world canonical paintings, while Sand was one of the most popular novelists of the 19th century – only to be cast out of the canon in the next century. So what would you rather: Acclaim now, or acclaim posthumously? – As always, Dan's royal favourites can chime in anytime on the royal court on Patreon at patreon.com/thisishistory. And don't forget to listen to this season's accompanying bonus episodes for this miniseries, where Dan and Producer Al are dissecting the biggest historical failures as submitted by the royal favourites. In this episode, they discuss a potential research fail about Battle of Hastings, what happens when failure is lost in translation, and what American Reconstruction can teach us about historical failure. – A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit megaphone.fm/adchoices –– Presented by Dan Jones and Elizabeth Day Producer - Alan Weedon Senior Producer - Dominic Tyerman Researcher - Phoebe Joyce Executive Producer - Louisa Field Executive Producer - Dan Jones Executive Producer for Daylight Productions - Elizabeth Day Production Manager - Jen Mistri Production Coordinator - Eric Ryan Head of content - Chris Skinner Learn more about your ad choices. Visit podcastchoices.com/adchoices

There's something quietly extraordinary unfolding in Italy, inside museums, churches, and hidden archives where history has long rested in silence.For centuries, luminous works of art created by women were tucked away, overlooked, or forgotten. Not because they lacked brilliance, but because their stories were never fully told. And still, they remained, waiting, holding their place in time.Today, that silence is beginning to lift.In this episode of Speaking of Travel, we're joined by Jane Adams, co-founder and CEO of Artemisia Gold, and Susan Glimcher, whose work is helping to gently return these artists, and their voices, back into the world.As Jane shares, “It feels less like discovering something new, and more like listening… as if these women have been speaking all along, and we are finally quiet enough to hear them.”Together, they reflect on the beauty and emotion of restoration, not just of paintings, but of presence. Of stories re-emerging. We also explore the enduring legacy of Artemisia Gentileschi, whose life and work continue to resonate so deeply today, reminding us of the strength and resilience of women throughout history.This is more than art. It's a return. A remembering. A quiet but undeniable shift in how we see, and who we choose to see, when we look at history. And now, as this movement grows, Italy opens its doors and invites you to step into these stories and witness history alive again.Ciao! Ciao! Thanks for listening to Speaking of Travel! Visit speakingoftravel.net for travel tips, travel stories, and ways you can become a more savvy traveler. 

Episode 186 Monday, March 30, 2026 On the Needles 1:40 ALL KNITTING LINKS GO TO RAVELRY UNLESS OTHERWISE NOTED.  Please visit our Instagram page @craftcookreadrepeat for non-Rav photos and info     Sashiko class with Amanda embroideredpanda at Love Fest Fibers   Cougar Ridge Socks by Lori Wagner (52 Weeks of Socks Vol 2 from Laine Publishing), Forbidden Woolery/Fiber Co in Mystery Man   Scultura by Cecelia Campochiaro, AVFKW Floating in Ripple Effect    No Pressure shawl by Stephanie Lotven, Invictus Yarns Unafraid Sock Blank in Mauve Segue   Simple Baby Cap 2 by Susan B. Anderson, plus Umbilical Cord hat by Jennifer L. Jones (S&B), Cascade 220 Superwash Wave in Spectrum – DONE!   Vesna Tee by Ksenia Naidyon/Life is Cozy, Shel Designs Finito Fingering in Tutti Frutti and Shel Designs Suri Silk Lace in seafoam   Bay Area Yarn Crawl 2026 On the Easel 19:39 Vacation sketching: green monkeys, butterflies, frogs,  Caribbean Sea and sky.   Bouquets to Art exhibit   Alphonse Mucha exhibit   Cartier exhibit in capitoline museum     On the Table 31:09   Parma tour with Via Rosa and Jenny Rosenstrarch   Dining in Barbados with ChefP! Bajan Roti Chicken curry Fried chicken with cauliflower & ginger mash, and kale/parm chips *Tempura flying fish! Banana “bakes” and cinnamon sugar beignets Coconut whipped cream with sugar cookie crumble, and mango coulis. On the Nightstand 46:32 We are now a Bookshop.org affiliate!  You can visit our shop to find books we've talked about or click on the links below.  The books are supplied by local independent bookstores and a percentage goes to us at no cost to you!   The Queen of Swords by Jazmina Barrera, trans by Christina MacSweeney The Librarians by Sherry Thomas The Hero and the Crown by Robin McKinley Skandar and the Unicorn Thief by A.F. Steadman The Remarkable Retirement of Edna Fisher by E.M. Anderson The Raven Scholar by Antonia Hodgson (audio) The Archive of Unknown Universes by Ruen Reyes Jr. The Ten Year Affair by Erin Somers   The Reformatory by Tananarive Due She Made Herself a Monster by Anna Kovetcheva (I think the cover art is Artemisia Gentileschi!) The Killing Stones (Jimmy Perez + Willow Reeves Book 1!!!) by Ann Cleeves Kin by Tayari Jones

I am so excited to say that my guests on the GWA Podcast is the esteemed scholar and curator, Katlijne Van der Stighelen, and Royal Acdemy senior curator, Julien Domercq! Part 1 –  Katlijne Van der Stighelen Part 2 – Julien Domercq A professor at KU Leuven until 2024, who has published books on artist Anna Maria van Schurma, Katlijne is also a curator, having, in 1999, along with Mirjam Westen, curated the first ever exhibition on women artists in Belgium and the Netherlands. She is also the curator of Van Dyck l'Europeo: His Journey from Antwerp to Genoa and London', currently on view at the Palazzo Ducale in Genoa. But, the reason why we are speaking with Katlijne today is because she has, according to some news outlets, made the greatest artistic discovery of the 21st century - and no, we are not talking about Banksy. It was digging around in a museum basement just over 30 years ago that Katlijne stumbled upon the extraordinary work of Michaelina Wautier, then a totally obscure name not even known to 17th century specialists, active in the mid-1600s and at famed for her colossal paintings of mythological scenes, smaller meticulously rendered, almost breathable garlands of dazzling flowers, and portraits of strong female saints and characters, not unlike her Roman contemporary, Artemisia Gentileschi. But clearly something got lost upon the way – because until Katlijne's work, Wautier's name had been merely a footnote in art history. But now, thanks to decades of her tireless work, she is righting that wrong with Wautier's first ever exhibition in the UK - following critically acclaimed shows at the Kunsthistorisches Museum, Vienna, MFA Boston, MAS-Museum in Antwerp, and more. Part one of this podcast will deep dive into this extraordinary artist – and story – and in the second half, we will walk around the exhibition with Royal Academy senior curator Julien Dormecq to transport you to London, and I can't wait to find out more. ––– THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Tory Peters Music by Ben Wetherfield

Originally part of the residence of the Medici dynasty, the Palatine Gallery encompasses the entire second floor of the Pitti Palace in Florence, Italy. Its collection includes the largest concentration of paintings by Raphael in the world, as well as works by Titian, Artemisia Gentileschi, Andrea del Sarto, Caravaggio, and Rubens. The paintings in their lavish frames entirely cover the walls of the rooms. 

Sometimes referred to as "the Uffizi of southern Italy," the Capodimonte Museum in Naples, Italy, houses one of the world's most important collections of Italian Renaissance painting. It includes masterpieces such as the "Crucifixion" by Masaccio, Titian's "Danaë" and  "Portrait of Pope Paul III," Caravaggio's "Flagellation," and Artemisia Gentileschi's "Judith and Holofernes," just to name a few.  

Décembre ouvre une parenthèse où la lumière se glisse partout, dans les intérieurs, les rues, tout comme dans nos envies de faire place au beau. Pour accompagner cette atmosphère, allora reçoit une véritable exploratrice de beauté. Elle traque le beau dans les œuvres d'art qui n'ont aucun secret pour elle, dans sa vie d'historienne de l'art. Le beau, elle le retranscrit aussi sous sa plume d'écrivaine.Si son nom sonne italien, il n'en a que la musique. C'est la passion maternelle pour le bel paese qui a fait d'elle une amoureuse de l'Italie depuis toujours. Rien d'étonnant à retrouver la péninsule au cœur de chacun de ses récits.Son dernier roman, « Douce menace », nous entraîne à Rome, sur les pas du Caravage. Le précédent, « Le Grand Art », nous ouvrait les portes de Florence et de la Renaissance italienne. Dans son premier récit d'inspiration autobiographique, déjà, elle nous guidait dans la capitale toscane, au cœur du célèbre Musée des Offices.Lire Léa Simone Allegria, c'est donc franchir une frontière celle de l'Italie, bien sûr, mais aussi entrer dans les coulisses de l'art, de ses mystères, de ses éclats... Des inspirations que l'on aime tant dans ce podcast. Allora… prêts pour le voyage ? Soyez prévenus, nos zigomatiques ont beaucoup travaillé durant cet épisode. Ça rit, ça rit, ça rit… Joyeuses fêtes à tous et bell'ascolto !· L'univers de Léa Simone Allegria :En librairies, retrouvez son dernier roman « Douce Menace » (Ed Albin Michel), mais aussi « Le Grand Art » (2020 . Ed J'ai lu), « Loin du corps » (2017 . Ed Seuil) & sur Instagram @leasimoneallegria !· Les inspirations italiennes de Léa Simone Allegria :Le cavalier de Simone Martini sur la fresque « Guidoriccio da Fogliano all'assedio di Montemassi » du Palazzo Pubblico de Sienne.L'Accademia del Giglio à Florence pour apprendre l'italien, tout en peignant !Le peintre Masaccio (1401–1428), l'un des plus grands peintres de la Renaissance italienne et sa fresque au cœur de la Chapelle Brancacci de l'Église Santa Maria del Carmine à Florence.La Galerie Borghèse à Rome et sa salle des Caravage où découvrir le 1er tableau du peintre, le « Jeune Bacchus Malade ».L'Église Saint-Louis-des-Français et sa Chapelle Contarelli où observer les trois toiles qui évoquent de la vie de l'apôtre Saint Matthieu.Le biopic « L'Ombra di Caravaggio » (2022) de Michele Placido avec Riccardo Scamarcio, Louis Garrel, et Isabelle Huppert.Le roman « Artemisia » d'Alexandra Lapierre, dédié à la peintre Artemisia Gentileschi (1593-1653).Dans sa playlist de variété italienne : tout Lucio Battisti et une chanson en particulier : « Amarsi un po » !Conçu, réalisé et présenté par Claire PlantinetMontage Générique : François PraudMusique : Happy Clapping Cinematic Score / PaBlikMM / Envato ElementsCréation visuelle : Thomas JouffritPortrait cover © Pascal ItoPodcast hébergé par Ausha.· Archives épisodes :© Extraits Italian with Bri, Artesplorando sur Masaccio et Caravaggio, « Elfe » Dario Lessing, « Meraviglie d'Italia » Epic Explorations TV, « Amarsi un po » Lucio Battisti.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Lo sponsor di questo episodio dedicato alla Giornata internazionale per l'eliminazione della violenza contro le donne è Sorgenia!  Il canto dell'usignolo nasconde una delle storie più potenti della mitologia classica. In questo episodio ti accompagno nel mito di Filomela: una storia che Ovidio ha reso immortale nelle Metamorfosi, ma che affonda le radici nella tragedia greca di Sofocle. È un racconto che parla di linguaggio e potere, di come si possa tentare di negare la voce a qualcuno e di come quella voce trovi sempre un'altra strada per esistere. Non è una storia facile da ascoltare. I miti greci raramente lo sono. Ma è una storia che ci interroga ancora oggi su temi che ci riguardano da vicino. Dal mondo antico al presente, passando attraverso l'arte di Artemisia Gentileschi, questo mito ha continuato a parlare a ogni generazione in modo diverso. Cosa ci dice oggi? Scopriamolo! .-.-. Vuoi saperne di più sull'episodio? Vai qui e leggi gli approfondimenti: https://it.tipeee.com/mitologia-le-meravigliose-storie-del-mondo-antico/news .-.-. Per avere informazioni su come puoi supportare questo podcast vai qui: https://it.tipeee.com/mitologia-le-meravigliose-storie-del-mondo-antico/ Se ti va di dare un'occhiata al libro “Il Re degli Dei”, ecco qui un link (affiliato: a te non costa nulla a me dà un piccolissimo aiuto): https://amzn.to/3Q50uFR Se ti va di dare un'occhiata al libro “Eracle, la via dell'eroe”, ecco qui un link: https://amzn.to/46dAFYZ Altri link affiliati: Lista dei libri che consiglio (lista in continuo aggiornamento): https://amzn.to/3Q3ZYI9 Lista dei film che consiglio (lista in continuo aggiornamento): https://amzn.to/3DoqTa7 Lista hardware che consiglio per chi è curioso del mondo per podcast (lista in continuo aggiornamento): https://amzn.to/44TYKTW Uso plugin audio da questa Software House: Waves. Se vuoi dare un'occhiata, anche questo è un link affiliato: https://www.waves.com/r/1196474 Ami musiche rilassanti e i suoni della natura? Iscriviti a questo meraviglioso canale  https://www.youtube.com/channel/UCbRZLgwT37437fYK4YYKhXQ?sub_confirmation=1 Learn more about your ad choices. Visit megaphone.fm/adchoices

Before the idea of feminism took shape, there was what writers once called “the woman question.” The phrase comes from the querelle des femmes—a centuries-long debate in Europe about women's rights, intellect, and place in society. One of the first to take it up was Christine de Pizan, the Italian-French court writer who, in 1405, published The Book of the City of Ladies. At a time when most women were excluded from education and public life, de Pizan challenged misogyny head-on, laying some of the earliest groundwork for what we now understand as feminist thought. That question—what is a woman's place in culture and history?—has echoed ever since. In 1971, the art historian Linda Nochlin famously reframed it by asking: “Why Have There Been No Great Women Artists?” We have a clear answer: there had been great women artists all along, but their stories were often overlooked, dismissed, or erased. A new exhibition at the recently opened Museum of Modern Art in Warsaw hones in on that conversation. "The Woman Question: 1550–2025," curated by Alison M. Gingeras, gathers nearly five hundred years of women's creative production—from Renaissance pioneers like Sofonisba Anguissola and Lavinia Fontana, to Baroque heroines such as Elisabetta Sirani and Artemisia Gentileschi, and contemporary artists including Betty Tompkins and Lisa Brice. With more than 200 artworks, the exhibition focuses on how women saw and depicted themselves and the world, and how the represented power, resistance, desire, and violence. Through portraits, allegories, and bold depictions of female experience, these artists reveal how women have long claimed creative agency despite the structures built to contain them. On this episode of The Art Angle, Gingeras joins senior editor Kate Brown from Warsaw, Poland, to talk about early women art stars, recent rediscoveries, and why, after all this time, we still need all-women exhibitions.

*Please note that this episode features descriptions of a sexual assault that some listeners may find disturbing.* Seventeen century artist Artemisia Gentileschi upended traditional depictions of women in her paintings by creating gutsy, strong female figures. With her paintbrush as in her life, she fought gender inequality and helped to reimagine womanhood and what it could mean to be a female artist. *This episode originally aired on May 24, 2022.Fill out our listener survey here. We appreciate your input!

Once a property owned and lived in by Michelangelo, the Casa Buonarroti Museum was created by the famous artist's nephew to celebrate the legacy of his famous uncle. The museum contains Michelangelo's two earliest known sculptures - “The Madonna of the Stairs” and “The Battle of the Centaurs,” his spectacular wooden model for the facade of San Lorenzo and the world's largest collection of Michelangelo drawings. There is also a group of paintings celebrating Michelangelo by important 17th-century artists including Artemisia Gentileschi. 

V dalším díle podcastového speciálu Buchty čtou umění aka umču se Ivana Veselková, Zuzana Fuksová a kunsthistorička a básnířka Marie Šťastná zabývaly vybranými umělkyněmi, ne celým výtvarným stylem - konkrétně barokní malířkou jménem Artemisia Gentileschi a jednou z rokokových portrétistek na dvoře Marie Antoinetty.

Episode No. 717 features artist Erin Shirreff, curator Davide Gasparotto, and conservator Ulrich Birkmaier. The Milwaukee Art Museum is presenting "Erin Shirreff: Permanent Drafts" through September 1. Across 40 recent collages, photographs, sculptures, and videos, the exhibition reveals Shirreff's interest in the space between images and the objects they picture. The exhibition was curated by Kristen Gaylord. Among the museums that have presented solo exhibitions of Shirreff's work are SITE Santa Fe, the Clark Art Institute, Williamstown, Mass., SFMOMA, and the Institute of Contemporary Art, Boston. "Artemisia's Strong Women: Rescuing a Masterpiece" is at the J. Paul Getty Museum, Los Angeles through September 14. The exhibition reveals conservation work done on Gentileschi's ~1635-37 Hercules and Omphale, a significant painting damaged in a massive explosion in Beirut in 2020. Birkmaier led the conservation of the work, which Gasparotto joined to four other Gentileschis in this exhibition, which particularly highlights Gentileschi's focus on strong women from the classical and Biblical traditions. Instagram: Davide Gasparotto, Tyler Green. Air date: July 31, 2025.

Mirko Zilahy"La stanza delle ombre"Mondadori Editorewww.mondadori.itTra le torbide acque del Tevere, ai piedi della basilica di San Paolo, viene ritrovato il cadavere di una donna, in posa come se fosse vittima di un misterioso rito. È allora che il commissario Zuliani convoca Nemo Sperati, giovane docente all'Accademia delle Belle Arti. Quando posa lo sguardo sulla scena del crimine, Nemo sprofonda nella Stanza delle Ombre, il teatro mentale dove è in grado di vedere l'invisibile, riconoscere la firma dell'autore e attribuire l'opera. Perché lui possiede un talento arcano per il tenebrismo, la tecnica di chiaroscuri con cui a partire da dipinti e da scene del crimine evoca particolari nascosti, anomalie impercettibili anche alle più sofisticate tecnologie di indagine. Nel corpo della “Dama delle acque”, il professore riconosce subito la celebre Ophelia di John Everett Millais – esattamente come due settimane prima aveva fatto con il cadavere del direttore di Palazzo Barberini, che riproduceva Giaele e Sisara di Artemisia Gentileschi, da poco rubato. Il caso si complica quando il quadro viene rinvenuto e Nemo scopre che non è autentico, ma opera di Rufo Speranza, il più grande falsario del Novecento morto suicida molti anni prima. E soprattutto… suo padre. È così che Miriam Tiberi, sanguigna ispettrice di polizia che affianca Zuliani, si ritrova sulla pista che conduce direttamente a lui. Per scagionarsi, Nemo dovrà scendere negli abissi del proprio passato, separare il vero dal falso e far luce sul mistero che ammanta la vita e la morte di Rufo Speranza. Ambientato in una Roma notturna e decadente, popolato da personaggi ambigui e pieni di segreti, La Stanza delle Ombre è una corsa attraverso un labirinto di menzogne e verità nel mondo dell'arte e dei falsari. Un romanzo sulle maschere che scegliamo di indossare per proteggerci, per ingannare il mondo, o per gridare la nostra verità.Mirko Zilahy è nato a Roma. Ha conseguito un Phd presso il Trinity College di Dublino, dove ha insegnato Lingua e letteratura italiana. Collabora con il “Corriere della Sera” ed è stato editor per minimum fax nonché traduttore letterario dall'inglese (sue, fra le altre, la traduzione del Cardellino di Donna Tartt, premio Pulitzer 2014, e quella del bestseller Mystic River di Dennis Lehane). È così che si uccide, il romanzo con cui ha esordito nel 2016, è stato un grande successo internazionale di pubblico e critica. Sono seguiti La forma del buio (2017), Così crudele è la fine (2018) e L'uomo del bosco (2021), editi da Longanesi, e Nostra signora delle nuvole (2023) per HarperCollins.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

V dalším díle podcastového speciálu Buchty čtou umění aka umču se Ivana Veselková, Zuzana Fuksová a kunsthistorička a básnířka Marie Šťastná zabývaly vybranými umělkyněmi, ne celým výtvarným stylem - konkrétně barokní malířkou jménem Artemisia Gentileschi a jednou z rokokových portrétistek na dvoře Marie Antoinetty.Všechny díly podcastu Buchty můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

V dalším díle podcastového speciálu Buchty čtou umění aka umču se Ivana Veselková, Zuzana Fuksová a kunsthistorička a básnířka Marie Šťastná zabývaly vybranými umělkyněmi, ne celým výtvarným stylem - konkrétně barokní malířkou jménem Artemisia Gentileschi a jednou z rokokových portrétistek na dvoře Marie Antoinetty.

Artemisia Gentileschi, peintre du début du 17ᵉ siècle à la carrière immense, a été adulée de son vivant dans toute l'Europe. Redécouverte au milieu du 20ᵉ, elle symbolise l'effacement de ces artistes femmes qui ont fait l'histoire de l'art. Une rétrospective de grande ampleur lui est consacrée à Paris. Une exposition à voir au musée Jacquemart-André à Paris jusqu'au 3 août 2025.  Des romans, des films, des bandes dessinées, célèbrent aujourd'hui la légende d'Artemisia Gentileschi. L'œuvre de cette peintre italienne du début du 17ᵉ siècle n'en finit pas d'être redécouverte, complétée par de nouveaux documents et de nouveaux tableaux. Des recherches récentes dessinent plus précisément sa forte personnalité à sa peinture virtuose, sensuelle et éclectique.Artemisia Gentileschi a grandi dans l'atelier de son père Orazio à Rome, c'est là qu'elle s'est formée, c'est là aussi qu'elle sera violée à 16 ans par un des assistants. S'ensuivra un procès intenté par son père contre l'agresseur, dont les minutes sont restées célèbres.Pierre Curie est commissaire de l'exposition du musée Jacquemart André. « Agostino Tassi est condamné, mais à peine, il doit s'exiler, mais ne s'exile pas, c'est Artemisia qui quittera Rome pour Florence, elle se marie – mariage arrangé par son père – parce qu'après ce procès, elle est une personne sociale détruite, violée, non mariée, sans protection, sans métier. Elle se sauve à Florence où elle va développer une carrière très différente, déployer ses ailes comme artiste, adopter un style qui lui est personnel et qui va varier tout au long de sa vie ».La grande peintureArtemisia Gentileschi est influencée par Le Caravage, maître du clair obscur au réalisme cru. Comme lui, elle attaque la toile sans dessin préparatoire. À Florence, elle fréquente la cour des Médicis, apprend la musique, la poésie, participe à plusieurs grandes commandes de peinture, vit de son art et possède son propre atelier. Elle n'hésite pas à représenter l'action violente, sujet à la mode, comme dans le tableau Judith et sa servante portant nonchalamment la tête décapitée du général Holopherne dans un panier. « Ce n'est pas une artiste féminine, ce n'est pas une femme qui fait dans la dentelle, c'est un grand peintre qui se met artistiquement au niveau des hommes de son temps, qui peint les mêmes choses avec la même puissance ».Le nu fémininArtemisia Gentileschi est aussi une rare femme peintre du 17ᵉ siècle à représenter des nus féminins, une caractéristique de son travail. « Elle peint un autoportrait où elle se représente entièrement nue, et nous avons aussi une très belle Cléopâtre. Ce sont presque toujours des autoportraits corporels très sensuels avec des formes rondes et elle y pose son visage. C'est étonnant d'autant qu'à l'époque le grand miroir en pied n'existe pas ».De Rome à Florence, en passant par Londres ou Naples, Artemisia Gentileschi  laisse une œuvre résiliente menée sur près de 40 ans, une durée tout à fait exceptionnelle pour l'époque.À écouter aussi1. Artemisia, pouvoir, gloire et passions d'une femme peintre

Comedian Nick Mohammed on his stand-up show Mr Swallow, and Deep Cover, his action thriller about a group of comedy improvisers.Kate Wasserberg, Artistic Director of Theatr Clywd on the theatre's £50 million redevelopment, and opening the new auditorium with a production of the musical Tick Tick... Boom!Ulrich Birkmaier, senior conservator of paintings at the J Paul Getty Museum in LA on restoring a work by Artemisia Gentileschi damaged during the catastrophic Beirut explosion in 2020.Theatre critic Michael Coveney pays tribute to pioneering stage designer William Dudley.Presenter: Nick Ahad Producer: Ekene Akalawu

durée : 01:59:35 - Les Matins du samedi - par : Nicolas Herbeaux - Cette semaine, dans les matins du samedi, on s'intéresse à la masculinité chez les adolescents, à la vie aux côtés des oiseaux et à l'exposition consacrée à Artemisia Gentileschi au Musée Jacquemart André. - réalisation : Jean-Christophe Francis - invités : Philippe J. Dubois Ornithologue, ingénieur écologue, directeur des Editions "Delachaux et Niestlé".; Sigolène Vinson Écrivain; Pierre Curie Conservateur et historien de l'art français; Stéphanie Lamy Spécialiste des guerres de l'information et militante féministe. Autrice de "La terreur masculiniste" aux éditions du Détour.

durée : 00:19:01 - France Culture va plus loin le samedi - par : Nicolas Herbeaux, Pauline Chanu - Cette semaine, Nicolas Herbeaux reçoit Pierre Curie, conservateur au Musée Jacquemart André qui consacre une exposition à la peintre Artemisia Gentileschi. L'exposition "Artemisia, l'héroïne de l'art" est à visiter jusqu'au 3 août 2025. - réalisation : Jean-Christophe Francis - invités : Pierre Curie Conservateur et historien de l'art français

Nous sommes le 30 janvier 1649, à Naples. Dans une lettre qu'elle adresse à Antonio Ruffo, l'un de ses commanditaires, lui annonçant le prochain envoi d'un tableaux, Artemisia Gentileschi écrit : «… Le nom d'une femme soulève des doutes jusqu'à ce que son travail soit vu…» Huit mois plus tard, le 7 août, Artemisia, âgée de cinquante-six ans, ajoute : « Mon illustre seigneurie, je vais vous montrer ce qu'une femme peut faire ». Le 13 novembre de la même année, l'artiste insiste : "Avec moi, Votre Seigneurie ne perdra pas et vous trouverez l'esprit de César dans l'âme d'une femme". Avant de conclure : "Je ne vous dérangerai plus avec ce bavardage féminin, car les œuvres parleront d'elles-mêmes". Née à Rome, fille de peintre, Artemisia commence sa formation artistique dans l'atelier de son père. Alors qu'elle n'a pas dix-huit ans, un événement violent change le cours de sa vie : elle est violée par un collaborateur de l'atelier familial. Un viol qui va entacher durablement sa réputation et orienter toute sa ultérieure. Le procès de son violeur, qui sera aussi le sien, va marquer les esprits de ses contemporains et la postérité. En 1916, commentant l'une des peintures parmi les plus célèbres de l'artiste « Judith décapitant Holopherne », le critique d'art Roberto Longhi note : « Qui pourrait penser que sous un drap étudié de candeurs et d'ombres glacées dignes d'un Vermeer grandeur nature, pouvait se dérouler une boucherie aussi brutale et atroce (…) ? Longhi ajoute : « (…) ce qui surprend, c'est l'impassibilité féroce de qui a peint tout cela et a même réussi à vérifier que le sang giclant avec violence peut orner le jet central d'un vol de gouttes sur les deux bords ! » . Artemisia Gentileschi : de l'infamie peur naître la force … Avec les Lumières d'Anne Hustache, historienne de l'art. Sujets traités : Artémisia Gentileschi, Antonio Ruffo, artiste, réputation, viol, infamie , Rome, peintre, tableau Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Fue la primera mujer en ingresar en la Accademia del Disegno (Academia del Dibujo) de Florencia. Una pintora italiana del siglo XVII que triunfó como artista en un mundo exclusivamente masculino. Esta es la historia de Artemisia Gentileschi.Sígueme en las diferentes redes sociales:X (Twitter): https://twitter.com/lasreinaspod Instagram: https://www.instagram.com/lasreinaspodcast/ Facebook: https://www.facebook.com/lasreinaspodcastTikTok: https://www.tiktok.com/@lasreinaspodcast Buy me a Coffee: https://www.buymeacoffee.com/lasreinaspod Hosted on Acast. See acast.com/privacy for more information.

durée : 00:16:26 - Les Midis de Culture - par : Marie Labory, Marie Sorbier - Les critiques discutent de l'exposition "Artemisia, héroïne de l'art" que le musée Jacquemart-André à Paris consacre à Artemisia Gentileschi, peintre romaine du XVIIᵉ siècle qui a marqué l'histoire de l'art de son époque. - réalisation : Laurence Malonda - invités : Stéphane Corréard Editorialiste au Journal des Arts; Corinne Rondeau Maître de conférences en esthétique et sciences de l'art à l'Université de Nîmes et critique d'art

Hasta hace algunos años no empezó valorarse el papel de las mujeres en la historia del arte. La gran pintora italiana Artemisia Gentileschi (1593-c. 1656) desafió con su extraordinario talento las convenciones de género del barroco. En este episodio del podcast de ‘Historia y Vida', Isabel Margarit y Ana Echeverría revelan los aspectos personales y artísticos de esta artista ambiciosa, a veces feroz y siempre libre.

If you enjoy the show please support us on Patreon from as little as £1 per month: https://www.patreon.com/RockPaperSwordsPodcast ELIZABETH FREMANTLE is an award winning author of historical fiction. Her most recent novel, DISOBEDIENT, about the Italian painter Artemisia Gentileschi, won the HWA Gold Crown 2024. Her first novel, QUEEN'S GAMBIT, about Tudor Queen Katherine Parr, was adapted as the major motion picture FIREBRAND, starring Alicia Vikander and Jude Law. She has written several other novels set in the Tudor period and, as E.C. Fremantle, a pair of  historical thrillers. Welcome, Liz, to RPS! Follow us on Facebook: https://www.facebook.com/RockPaperSwordsPodcast and X https://twitter.com/rock_swords

Jusqu'au 1ᵉʳ mars, à la galerie Templon, à Paris, l'artiste Prune Nourry expose son dernier projet, une série de Vénus en terre et bronze qui rejoindront en 2026 l'atrium de la nouvelle gare Saint-Denis Pleyel. Dans cet épisode du « Goût de M », elle revient sur la genèse de ces sculptures qui évoquent les représentations de la femme au paléolithique.Mais ce sont de vrais modèles avec lesquels elle a travaillé : huit femmes victimes de violences, qui ont été prises en charge par la Maison des femmes de Saint-Denis, et qui ont accepté de poser pour elle dans leur intimité. « Je sculptais autant grâce à leur histoire, à leurs mots, à leur confiance que par rapport à leur corps », précise l'artiste qui vient d'avoir 40 ans et qui nous reçoit dans son atelier parisien du 12e arrondissement.Si le thème de la femme imprègne son œuvre et son admiration pour les artistes féminines (Artemisia Gentileschi, Germaine Richier, Louise Bourgeois, Kiki Smith…), Prune Nourry manifeste aussi une curiosité pour le corps humain, l'hybridation, « cette possibilité d'une symbiose entre les espèces, cette idée de l'interdépendance », que lui avait révélée plus jeune les cours de biologie. Dès l'enfance, celle qui a vécu entourée de textiles – ses parents travaillaient dans le tissu – s'est passionnée pour les formes et la sensualité des matières. La terre et l'argile sont rapidement devenues ses matériaux de prédilection.Depuis six saisons, la journaliste et productrice Géraldine Sarratia interroge la construction et les méandres du goût d'une personnalité. Qu'ils ou elles soient créateurs, artistes, cuisiniers ou intellectuels, tous convoquent leurs souvenirs d'enfance, tous évoquent la dimension sociale et culturelle de la construction d'un corpus de goûts, d'un ensemble de valeurs.Un podcast produit et présenté par Géraldine Sarratia (Genre idéal) préparé avec l'aide de Diane Lisarelli et Juliette SavardRéalisation : Emmanuel BauxMusique : Gotan Project Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

From why the façade of San Lorenzo was never completed, to the use of the “golden ratio” in the Medici Palace, to the speed of Caravaggio's painting technique and his use of the camera obscura, to future podcasts on Sofonisba Anguissola and Artemisia Gentileschi,  to why Bramante is considered the first High Renaissance architect, and much, much more - this episode answers the very questions that you ask me about the great art, artists and history of the Italian Renaissance!

This week, Sara brings us the incomparable Italian painter Artemisia Gentileschi! She is considered one of the foremost painters of the 17th century, eclipsing her father's skill and considered more brazen than Caravaggio himself. Due to her own exceptional skill and brilliant business tactics, Artemisia's popularity exploded and she painted commissions for the most elite patrons across all of Europe, becoming so successful she didn't even "need a husband" anymore. However, much of her life and success was overshadowed by her sexual assault at 17 years old and the public trial that followed. Much of her work reflects that brutal experience, too. Artemisia and her work has recently come back into the spotlight in the wake of the #metoo movement; Her paintings have become emblematic of the strong, powerful woman in the face of the violence inflected upon her. Her story is one of great independent success despite the odds and she is most definitely a BROAD You Should Know! — A Broad is a woman who lives by her own rules. Broads You Should Know is the podcast about the Broads who helped shape our world! 3 Ways you can help support the podcast: Write a review on iTunes Share your favorite episode on social media / tell a friend about the show! Send us an email with a broad suggestion, question, or comment at BroadsYouShouldKnow@gmail.com — Broads You Should Know is hosted by Sara Gorsky. IG: @SaraGorsky Web master / site design: www.BroadsYouShouldKnow.com — Broads You Should Know is produced by Sara Gorsky & edited by Chloe Skye

Peter Filichia, James Marino, and Michael Portantiere talk about The Light and The Dark (the life and times of Artemisia Gentileschi) @ 59e59, Wicked Movie, Charles Dickens’ A Christmas Carol by Neil Bartlett @ Shakespeare Theater of New Jersey, White Christmas @ Paper Mill Playhouse, Never Too Late @ STAR read more The post This Week on Broadway for December 8, 2024: The Light and The Dark @ 59e59 appeared first on BroadwayRadio.

We're astrology bitches now! Join us for the first in our series of GEEK OUT episodes, where we let our nerd flags fly and dive into art plus one of our special interests. In this episode, Devon brings back her 20-something, woo-crazed, almost-professional astrologer self to give a star-influenced diagnosis of your hosts and famous artists of the past. Turns out there's might be some planetary influence on the kind of art you make. And why Artemisia Gentileschi was a badass and Picasso suckedddd. We had a good time with that one. Support the show: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@heywhatareyouworking⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on IG Follow the hosts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@andreaguzzetta⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on IG ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@speaking_in_rainbows⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on IG ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@devonwalzart⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on IG

durée : 00:59:57 - Fictions / Théâtre et Cie - Dans cette pièce, Serge Rezvani met en scène Artemisia Gentileschi, femme peintre de la Renaissance italienne victime d'un viol, dialoguant avec un autre peintre sur les femmes et les violences dont elles sont victimes.

durée : 00:59:57 - Fictions / Théâtre et Cie - Dans cette pièce, Serge Rezvani met en scène Artemisia Gentileschi, femme peintre de la Renaissance italienne victime d'un viol, dialoguant avec un autre peintre sur les femmes et les violences dont elles sont victimes.

Vita e curiosità su Galileo e Galilei - Spendieren Sie einen Cafè (1€)? Donate a coffee (1€)? https://ko-fi.com/italiano Livello B1Buongiorno cari amici e amanti dell'italiano e benvenuti all'episodio numero 161. Torniamo a parlare di personaggi famosi. Voi sapete che abbiamo parlato di artisti come Giuseppe Verdi, Caravaggio, Benvenuto Cellini e poi anche di donne come Artemisia Gentileschi e poi abbiamo parlato di persone che hanno fatto la storia nella politica, nella società, nella pedagogia italiana. Bene oggi voglio parlarvi di un personaggio storico, pioniere della fisica e dell'astronomia e cioè: signore e signori vi presento Galileo Galilei.Galilei nasce a Pisa, in Toscana, il 15 febbraio del 1564. Proviene da un'antica famiglia, famosa e importante ma ormai decaduta e che si trova in gravi difficoltà economiche. Il padre, musicista lo porta a studiare. Le sue passioni però sono considerate in famiglia troppo teoriche anche perché hanno bisogno di guadagnare soldi, ma, pur non rinunciando a studiare, si dedica ad inventare cose che gli portano successo. Inventa molti strumenti di misurazione scientifica, come per esempio il compasso geometrico per usi militari e un termoscopio, conosciuto anche come termometro galileiano, un termometro che misura la temperatura. Questo termometro e un cilindro di vetro, riempito di alcool. All'interno ci sono delle ampolle riempite a loro volta di un liquido colorato con delle targhette dove si legge la temperatura. Quando si raggiunge l'equilibrio termico è possibile leggere la temperatura atmosferica....The full transcript of this Episode is available via "Luisa's learn Italian Premium", Premium is no subscription and does not incur any recurring fees. You can just shop for the materials you need or want and shop per piece. Prices start at 0.20 Cent (i. e. Eurocent). - das komplette Transcript / die Show-Notes zu allen Episoden sind über Luisa's Podcast Premium verfügbar. Den Shop mit allen Materialien zum Podcast finden Sie unterhttps://premium.il-tedesco.itLuisa's Podcast Premium ist kein Abo - sie erhalten das jeweilige Transscript/die Shownotes sowie zu den Grammatik Episoden Übungen die Sie "pro Stück" bezahlen (ab 25ct). https://premium.il-tedesco.itMehr info unter www.il-tedesco.it bzw. https://www.il-tedesco.it/premiumMore information on www.il-tedesco.it or via my shop https://www.il-tedesco.it/premium

Did you know that: · Vincent van Gogh's attempt to start an artist's colony with Paul Gauguin lasted only nine weeks, ending in his infamous "ear episode"? · Pablo Picasso was a prime suspect in the disappearance of the Mona Lisa? · Artemisia Gentileschi was tortured with thumbscrews to verify her testimony at her own rapist's trial? · Norman Rockwell's critics said his work would never be accepted as "high art"--and he agreed? These stories--and many more--shaped the work these artists left behind. In their art are lessons common to the human experience about the wonder and struggle of being alive: dreams lost, perspectives changed, and humility derived through suffering. Russ Ramsey will join us to dig into these artists' stories to mine the transcendent beauty and hard lessons we can take from their masterpieces and their lives. Each story from some of history's most celebrated artists applies the beauty of the Gospel in a way that speaks to the suffering and hope we all face.See omnystudio.com/listener for privacy information.

This is the second instalment of a three-part episode. How many women artists do you know? Despite the work of activist groups and scholars alike, women are still troublingly absent from the history of art. Historian and broadcaster Katy Hessel wants to change that. In September 2024 she came to the Intelligence Squared stage in conversation with the journalist, author and podcaster Pandora Sykes to write women back into art history. Discussing her bestselling book The Story of Art Without Men, she paid homage to the greats such as Artemisia Gentileschi, Frida Kahlo, Hilma af Klint, Tracey Emin and Kara Walker while also shining a light on lesser known figures such as Lavinia Fontana, thought to be one of the first women in Western art to paint female nudes in 1595. This is the second instalment of a three-part episode. If you'd like to become a Member and get access to the full conversation immediately as an early access subscriber, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series ... Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. ... Let us know your thoughts! Take a moment to fill in our Intelligence Squared Audience Survey in the link below and be in with the chance of winning a £50 Amazon gift card. https://docs.google.com/forms/d/e/1FAIpQLSfA1Tsxmitg7Gg6xyalWWNUqVRpl76fBQ7nVL6FDkOBng9KXQ/viewform Learn more about your ad choices. Visit podcastchoices.com/adchoices

It is time once again for our Round Up episode for the month of September, where we talk about some of the most interesting and timely art news stories of the last month with our writers here at Artnet. This month, Art Angle co-hosts Ben Davis and Kate Brown are joined by senior writer Sarah Cascone, and the three stories they discuss all center around museums. The first is the announcement that longtime director of New York's Museum of Modern Art Glenn Lowry will retire after 30 years, which marks the end of an era, and perhaps the beginning of something new. Artnet's Katya Kazakina wrote an article speculating on who might replace Lowry, and the panel discusses what this means for the future of one of the world's most famous museums. There's been a lot of leadership around New York museums, with the news of Alex Rüger taking over the role of director at the Frick Collection from Ian Wardropper, who is stepping down in 2025; plus the departure of Klaudio Rodriguez from the Bronx Museum, which has seen three directors in just seven years. Next up, the trio takes a deep dive into an article penned by Ben Davis that shares the result of an analysis he did looking at the shows on view at over 200 museums across the United States to see which artists are cropping up most frequently. The results were surprising, and give us all a window into the cultural zeitgeist. Finally, we talk about the news of a rediscovered painting by beloved Baroque artist Artemisia Gentileschi that is going on view in Texas, based on a story written by Sarah Cascone.

This is the first instalment of a three-part episode. How many women artists do you know? Despite the work of activist groups and scholars alike, women are still troublingly absent from the history of art. Historian and broadcaster Katy Hessel wants to change that. In September 2024 she came to the Intelligence Squared stage in conversation with the journalist, author and podcaster Pandora Sykes to write women back into art history. Discussing her bestselling book The Story of Art Without Men, she paid homage to the greats such as Artemisia Gentileschi, Frida Kahlo, Hilma af Klint, Tracey Emin and Kara Walker while also shining a light on lesser known figures such as Lavinia Fontana, thought to be one of the first women in Western art to paint female nudes in 1595. This is the first instalment of a three-part episode. If you'd like to become a Member and get access to the full conversation immediately as an early access subscriber, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series ... Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. ... Let us know your thoughts! Take a moment to fill in our Intelligence Squared Audience Survey and be in with the chance of winning a £50 Amazon gift card. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Artists have used their tools not just to capture beauty and transcendence, but also the essence of what it means to be human. In this episode, we learn from history's greatest artists about loss, hope, the ugly, and the sublime.What lessons can we take from these broken artists? What might their observations about the world tell us about God?(04:39) - - Creations and experiences (12:55) - - Albert Bierstadat (16:09) - - Artemisia Gentileschi (23:00) - - Vincent Van Gogh (33:15) - - The Yellow House and the Ear episode (41:37) - - Van Gogh and faith (49:23) - - Five Minute Jesus (54:11) - - Transcendence

Talk Art returns for Season 23! We meet Culture-loving Rob Rinder MBE and Architecture-fan Rylan Clark as they follow in the footsteps of 19th century romantic poet Lord Byron, and other Grand Tourists, on the 200th anniversary of his death.We discuss Caravaggio, Murano glass blowing, Artemisia Gentileschi & her censored ‘Allegory of Inclination' (1816) and what it was like to become nude life models themselves. We explore how they met the Venice-based drag/art collective House of Serenissima, and hear all the gossip from the historic era of the Grand Tour.Rob and Rylan's Grand Tour follows Rob Rinder and Rylan Clark – presenters, friends, and men who love the finer things in life – as they discover the greatest art treasures in Italy, finding out more about themselves along the way. Together, they retrace the steps of countless English aristocrats who took the Grand Tour – the original gap year – leaving behind the confines of British society for freedom and discovery abroad. But can the Grand Tour still work its magic today?Starting their journey in the winding canals of Venice, Rylan and Rob are ready to embark on the Grand Tour, once a cultural rite of passage designed to turn young men into distinguished gentlemen. In the city, they unveil one of the largest canvas paintings in the world, Tintoretto's Il Paradiso, leaving them in awe. They also learn about the legacy of Italian painter Canaletto before heading off to the quaint island of Murano, famous for its glass blowing art. Rob, a lover of opera and poetry, attempts to realise a lifelong dream by conducting Vivaldi's Four Seasons in the same church it was first performed in. Meanwhile, Rylan learns all about the lesser known side of the famous Venice Carnival. In episode two, Rob and Rylan head to the Renaissance city of Florence, the “Beating Heart of Tuscany”. Famous for its many museums and art galleries, this charming city is oozing with history around every corner. Set out to uncover the secrets of the Renaissance period, the pair soak up the sights, including the well known Uffizi Gallery in the historic centre, home to pieces by legendary artists Leonardo da Vinci, Michelangelo and Raffaello. They go on to visit more iconic locations: the Stibbert Museum, the Bargello Museum, Piazzale Michelangelo, Piazza Santa Croce during the final of the Calcio Storico, Piazza della Signoria, Piazza Santa Maria Novella, and Ponte alle Grazie. Along the trip, the duo learnt what it meant to be a Grand Tourist, trying on flamboyant Italian looks, fencing, dancing.On their final stop, the dynamic duo head to Italy's capital city, Rome. Here they enjoy exploring the classical ruins of the famous Colosseum and the Roman Forum as well as the Pantheon. Channelling their love of opera, Rylan and Rob enjoy a rooftop performance with sensational views of the city in the background.Rob and Rylan's Grand Tour is available now to stream on BBC iPlayer.Follow @RobRinder and @Rylan Hosted on Acast. See acast.com/privacy for more information.

Om konstnären som under 1600-talet erövrade Europa med sitt måleri. Hon genomlevde både övergrepp och smutskastning. Men hennes driv gick inte att kväsa och hon målade sig rakt in i konsthistorien. Nya avsnitt från P3 Historia hittar du först i Sveriges Radio Play. Redaktionen för detta avsnitt består av:Elina Perdahl - programledare och manusEmilia Mellberg - producent, research och manusZardasht Rad - scenuppläsareViktor Bergdahl - ljuddesign och slutmixMedverkar gör också Alexandra Fried, lektor i konst- och bildvetenskap vid Göteborgs universitet och medskapare till Konsthistoriepodden.Vill du veta mer om Artemisia Gentileschi? Här är några av de böcker som ligger till grund för avsnittet:Artemisia Gentileschi av Jonathan JonesArtemisia Gentileschi the language of painting av Jesse M LockerArtemisia Gentileschi av Sheila Barker

Artemisia Gentileschi was one of the most famed and respected painters in 17th century Europe, but after she died her story - and many of her works - were lost. Now award-winning artist Lindsay Huss helps us uncover her incredible life.   Music for this episode provided by Marc Nelson, Advent Chamber Orchestra, Catrin Finch, John Harrison, and the Wichita State University Chamber Players Learn more about your ad choices. Visit podcastchoices.com/adchoices

Artemisia Gentileschi (1593- c.1656) was an Italian Baroque painter. She was one of the most accomplished 17th century artists, painting naturalistic depictions of forms and figures. But, her achievements have often been overshadowed by scandals in her personal life. For Further Reading:  A Fuller Picture of Artemisia Gentileschi Isn't She Good – For a Woman? Artemisia's Moment Orazio and Artemisia Gentileschi Historically, women have been told to make themselves smaller, to diminish themselves. Some have used that idea to their advantage, disappearing into new identities. For others, a disappearance was the end to their stories, but the beginning of a new chapter in their legacies. This month we're telling the stories of these women: we're talking about disappearing acts. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones and Abbey Delk. Special thanks to Shira Atkins.Original theme music composed by Miles Moran.Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

We meet the LEGENDARY, trailblazing artist, author, educator and feminist icon Judy Chicago (b. 1939, Chicago, USA!!! We explore her major retrospective in New York's New Museum. Judy Chicago: Herstory spans her epic sixty-year career to encompass the full breadth of the artist's contributions across painting, sculpture, installation, drawing, textiles, photography, stained glass, needlework, and printmaking.Expanding the boundaries of a traditional museum survey, the exhibition will place six decades of Chicago's work in dialogue with work by other women across centuries in a unique Fourth Floor installation. Entitled “The City of Ladies,” this exhibition-within-the-exhibition will feature artworks and archival materials from over eighty artists, writers, and thinkers, including Simone de Beauvoir, Hildegard of Bingen, Artemisia Gentileschi, Zora Neale Hurston, Frida Kahlo, Hilma af Klint, and Virginia Woolf, among many others.Taking over four floors of the Museum, “Herstory” traces the entirety of Chicago's practice from her 1960s experiments in Minimalism and her revolutionary feminist art of the 1970s to her narrative series of the 1980s and 1990s in which she expanded her focus to confront environmental disaster, birth and creation, masculinity, and mortality. Contextualizing her feminist methodology within the many art movements in which she has participated—and from whose histories she has frequently been erased—“Herstory” will showcase Chicago's tremendous impact on American art and highlight her critical role as a cultural historian claiming space for women artists previously omitted from the canon.Summer 2024, Serpentine gallery in London will present a new exhibition of Judy Chicago. Revelations will be Chicago's first solo presentation in a major London institution. One of the most provocative and influential artists working today, Chicago came to prominence in the late 1960s when she challenged the male-dominated landscape of the art world by making work that was boldly from a woman's perspective.With a specific focus on drawing – a medium that has occupied Chicago's artistic practice for over seven-decades – Judy Chicago: Revelations charts the arc of the artist's career allowing visitors to uncover the breadth of her practice. It brings together archival and never-before-seen artworks, preparatory studies, notebooks and sketchbooks that reveal her working process and rigour in incorporating intensive, often years-long research. The exhibition presents the ways in which drawing functions as a mode to express Chicago's innermost thoughts, hopes and, at times, most painful memories and experiences.Judy Chicago lives and works in New Mexico, USA.Follow @Judy.Chicago and @NewMuseum on InstagramVisit HERSTORY at the New Museum until 3rd March 2024: https://www.newmuseum.org/exhibitions/view/judy-chicago-herstoryVisit Judy's official website: https://judychicago.com/ Hosted on Acast. See acast.com/privacy for more information.

This 2015 episode covers Artemisia Gentileschi, often called the greatest female painter of the Baroque period. Her work is extraordinary, and reflects the influences of her father Orazio Gentileschi and Caravaggio.See omnystudio.com/listener for privacy information.