Podcasts about Artemisia Gentileschi

Artemisia Gentileschi, peintre du début du 17ᵉ siècle à la carrière immense, a été adulée de son vivant dans toute l'Europe. Redécouverte au milieu du 20ᵉ, elle symbolise l'effacement de ces artistes femmes qui ont fait l'histoire de l'art. Une rétrospective de grande ampleur lui est consacrée à Paris. Une exposition à voir au musée Jacquemart-André à Paris jusqu'au 3 août 2025.  Des romans, des films, des bandes dessinées, célèbrent aujourd'hui la légende d'Artemisia Gentileschi. L'œuvre de cette peintre italienne du début du 17ᵉ siècle n'en finit pas d'être redécouverte, complétée par de nouveaux documents et de nouveaux tableaux. Des recherches récentes dessinent plus précisément sa forte personnalité à sa peinture virtuose, sensuelle et éclectique.Artemisia Gentileschi a grandi dans l'atelier de son père Orazio à Rome, c'est là qu'elle s'est formée, c'est là aussi qu'elle sera violée à 16 ans par un des assistants. S'ensuivra un procès intenté par son père contre l'agresseur, dont les minutes sont restées célèbres.Pierre Curie est commissaire de l'exposition du musée Jacquemart André. « Agostino Tassi est condamné, mais à peine, il doit s'exiler, mais ne s'exile pas, c'est Artemisia qui quittera Rome pour Florence, elle se marie – mariage arrangé par son père – parce qu'après ce procès, elle est une personne sociale détruite, violée, non mariée, sans protection, sans métier. Elle se sauve à Florence où elle va développer une carrière très différente, déployer ses ailes comme artiste, adopter un style qui lui est personnel et qui va varier tout au long de sa vie ».La grande peintureArtemisia Gentileschi est influencée par Le Caravage, maître du clair obscur au réalisme cru. Comme lui, elle attaque la toile sans dessin préparatoire. À Florence, elle fréquente la cour des Médicis, apprend la musique, la poésie, participe à plusieurs grandes commandes de peinture, vit de son art et possède son propre atelier. Elle n'hésite pas à représenter l'action violente, sujet à la mode, comme dans le tableau Judith et sa servante portant nonchalamment la tête décapitée du général Holopherne dans un panier. « Ce n'est pas une artiste féminine, ce n'est pas une femme qui fait dans la dentelle, c'est un grand peintre qui se met artistiquement au niveau des hommes de son temps, qui peint les mêmes choses avec la même puissance ».Le nu fémininArtemisia Gentileschi est aussi une rare femme peintre du 17ᵉ siècle à représenter des nus féminins, une caractéristique de son travail. « Elle peint un autoportrait où elle se représente entièrement nue, et nous avons aussi une très belle Cléopâtre. Ce sont presque toujours des autoportraits corporels très sensuels avec des formes rondes et elle y pose son visage. C'est étonnant d'autant qu'à l'époque le grand miroir en pied n'existe pas ».De Rome à Florence, en passant par Londres ou Naples, Artemisia Gentileschi  laisse une œuvre résiliente menée sur près de 40 ans, une durée tout à fait exceptionnelle pour l'époque.À écouter aussi1. Artemisia, pouvoir, gloire et passions d'une femme peintre

Artemisia Gentileschi, peintre du début du 17ᵉ siècle à la carrière immense, a été adulée de son vivant dans toute l'Europe. Redécouverte au milieu du 20ᵉ, elle symbolise l'effacement de ces artistes femmes qui ont fait l'histoire de l'art. Une rétrospective de grande ampleur lui est consacrée à Paris. Une exposition à voir au musée Jacquemart-André à Paris jusqu'au 3 août 2025.  Des romans, des films, des bandes dessinées, célèbrent aujourd'hui la légende d'Artemisia Gentileschi. L'œuvre de cette peintre italienne du début du 17ᵉ siècle n'en finit pas d'être redécouverte, complétée par de nouveaux documents et de nouveaux tableaux. Des recherches récentes dessinent plus précisément sa forte personnalité à sa peinture virtuose, sensuelle et éclectique.Artemisia Gentileschi a grandi dans l'atelier de son père Orazio à Rome, c'est là qu'elle s'est formée, c'est là aussi qu'elle sera violée à 16 ans par un des assistants. S'ensuivra un procès intenté par son père contre l'agresseur, dont les minutes sont restées célèbres.Pierre Curie est commissaire de l'exposition du musée Jacquemart André. « Agostino Tassi est condamné, mais à peine, il doit s'exiler, mais ne s'exile pas, c'est Artemisia qui quittera Rome pour Florence, elle se marie – mariage arrangé par son père – parce qu'après ce procès, elle est une personne sociale détruite, violée, non mariée, sans protection, sans métier. Elle se sauve à Florence où elle va développer une carrière très différente, déployer ses ailes comme artiste, adopter un style qui lui est personnel et qui va varier tout au long de sa vie ».La grande peintureArtemisia Gentileschi est influencée par Le Caravage, maître du clair obscur au réalisme cru. Comme lui, elle attaque la toile sans dessin préparatoire. À Florence, elle fréquente la cour des Médicis, apprend la musique, la poésie, participe à plusieurs grandes commandes de peinture, vit de son art et possède son propre atelier. Elle n'hésite pas à représenter l'action violente, sujet à la mode, comme dans le tableau Judith et sa servante portant nonchalamment la tête décapitée du général Holopherne dans un panier. « Ce n'est pas une artiste féminine, ce n'est pas une femme qui fait dans la dentelle, c'est un grand peintre qui se met artistiquement au niveau des hommes de son temps, qui peint les mêmes choses avec la même puissance ».Le nu fémininArtemisia Gentileschi est aussi une rare femme peintre du 17ᵉ siècle à représenter des nus féminins, une caractéristique de son travail. « Elle peint un autoportrait où elle se représente entièrement nue, et nous avons aussi une très belle Cléopâtre. Ce sont presque toujours des autoportraits corporels très sensuels avec des formes rondes et elle y pose son visage. C'est étonnant d'autant qu'à l'époque le grand miroir en pied n'existe pas ».De Rome à Florence, en passant par Londres ou Naples, Artemisia Gentileschi  laisse une œuvre résiliente menée sur près de 40 ans, une durée tout à fait exceptionnelle pour l'époque.À écouter aussi1. Artemisia, pouvoir, gloire et passions d'une femme peintre

Comedian Nick Mohammed on his stand-up show Mr Swallow, and Deep Cover, his action thriller about a group of comedy improvisers.Kate Wasserberg, Artistic Director of Theatr Clywd on the theatre's £50 million redevelopment, and opening the new auditorium with a production of the musical Tick Tick... Boom!Ulrich Birkmaier, senior conservator of paintings at the J Paul Getty Museum in LA on restoring a work by Artemisia Gentileschi damaged during the catastrophic Beirut explosion in 2020.Theatre critic Michael Coveney pays tribute to pioneering stage designer William Dudley.Presenter: Nick Ahad Producer: Ekene Akalawu

1/ En fait-on trop sur Artemisia Gentileschi ? 2/ Cimabue, "L'art dégénéré", l'art de l'affiche...: les grandes expos du printemps. 3/ Les coups de cœur des invités. Retrouvez Le Club Le Figaro Culture présenté par Jean-Christophe Buisson. Il reçoit Éric Biétry-Rivierre, Léopoldine Frèrejacques, Stéphanie Belpêche et Bénédicte Bonne Saint-Georges.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 01:59:35 - Les Matins du samedi - par : Nicolas Herbeaux - Cette semaine, dans les matins du samedi, on s'intéresse à la masculinité chez les adolescents, à la vie aux côtés des oiseaux et à l'exposition consacrée à Artemisia Gentileschi au Musée Jacquemart André. - réalisation : Jean-Christophe Francis - invités : Philippe J. Dubois Ornithologue, ingénieur écologue, directeur des Editions "Delachaux et Niestlé".; Sigolène Vinson Écrivain; Pierre Curie Conservateur et historien de l'art français; Stéphanie Lamy Spécialiste des guerres de l'information et militante féministe. Autrice de "La terreur masculiniste" aux éditions du Détour.

durée : 00:19:01 - France Culture va plus loin le samedi - par : Nicolas Herbeaux, Pauline Chanu - Cette semaine, Nicolas Herbeaux reçoit Pierre Curie, conservateur au Musée Jacquemart André qui consacre une exposition à la peintre Artemisia Gentileschi. L'exposition "Artemisia, l'héroïne de l'art" est à visiter jusqu'au 3 août 2025. - réalisation : Jean-Christophe Francis - invités : Pierre Curie Conservateur et historien de l'art français

durée : 01:59:35 - Les Matins du samedi - par : Nicolas Herbeaux - Cette semaine, dans les matins du samedi, on s'intéresse à la masculinité chez les adolescents, à la vie aux côtés des oiseaux et à l'exposition consacrée à Artemisia Gentileschi au Musée Jacquemart André. - réalisation : Jean-Christophe Francis - invités : Philippe J. Dubois Ornithologue, ingénieur écologue, directeur des Editions "Delachaux et Niestlé".; Sigolène Vinson Écrivain; Pierre Curie Conservateur et historien de l'art français; Stéphanie Lamy Spécialiste des guerres de l'information et militante féministe. Autrice de "La terreur masculiniste" aux éditions du Détour.

Nous sommes le 30 janvier 1649, à Naples. Dans une lettre qu'elle adresse à Antonio Ruffo, l'un de ses commanditaires, lui annonçant le prochain envoi d'un tableaux, Artemisia Gentileschi écrit : «… Le nom d'une femme soulève des doutes jusqu'à ce que son travail soit vu…» Huit mois plus tard, le 7 août, Artemisia, âgée de cinquante-six ans, ajoute : « Mon illustre seigneurie, je vais vous montrer ce qu'une femme peut faire ». Le 13 novembre de la même année, l'artiste insiste : "Avec moi, Votre Seigneurie ne perdra pas et vous trouverez l'esprit de César dans l'âme d'une femme". Avant de conclure : "Je ne vous dérangerai plus avec ce bavardage féminin, car les œuvres parleront d'elles-mêmes". Née à Rome, fille de peintre, Artemisia commence sa formation artistique dans l'atelier de son père. Alors qu'elle n'a pas dix-huit ans, un événement violent change le cours de sa vie : elle est violée par un collaborateur de l'atelier familial. Un viol qui va entacher durablement sa réputation et orienter toute sa ultérieure. Le procès de son violeur, qui sera aussi le sien, va marquer les esprits de ses contemporains et la postérité. En 1916, commentant l'une des peintures parmi les plus célèbres de l'artiste « Judith décapitant Holopherne », le critique d'art Roberto Longhi note : « Qui pourrait penser que sous un drap étudié de candeurs et d'ombres glacées dignes d'un Vermeer grandeur nature, pouvait se dérouler une boucherie aussi brutale et atroce (…) ? Longhi ajoute : « (…) ce qui surprend, c'est l'impassibilité féroce de qui a peint tout cela et a même réussi à vérifier que le sang giclant avec violence peut orner le jet central d'un vol de gouttes sur les deux bords ! » . Artemisia Gentileschi : de l'infamie peur naître la force … Avec les Lumières d'Anne Hustache, historienne de l'art. Sujets traités : Artémisia Gentileschi, Antonio Ruffo, artiste, réputation, viol, infamie , Rome, peintre, tableau Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Un podcast su Artemisia Gentileschi e Marlene Dumas.

Fue la primera mujer en ingresar en la Accademia del Disegno (Academia del Dibujo) de Florencia. Una pintora italiana del siglo XVII que triunfó como artista en un mundo exclusivamente masculino. Esta es la historia de Artemisia Gentileschi.Sígueme en las diferentes redes sociales:X (Twitter): https://twitter.com/lasreinaspod Instagram: https://www.instagram.com/lasreinaspodcast/ Facebook: https://www.facebook.com/lasreinaspodcastTikTok: https://www.tiktok.com/@lasreinaspodcast Buy me a Coffee: https://www.buymeacoffee.com/lasreinaspod Hosted on Acast. See acast.com/privacy for more information.

durée : 00:16:26 - Les Midis de Culture - par : Marie Labory, Marie Sorbier - Les critiques discutent de l'exposition "Artemisia, héroïne de l'art" que le musée Jacquemart-André à Paris consacre à Artemisia Gentileschi, peintre romaine du XVIIᵉ siècle qui a marqué l'histoire de l'art de son époque. - réalisation : Laurence Malonda - invités : Stéphane Corréard Editorialiste au Journal des Arts; Corinne Rondeau Maître de conférences en esthétique et sciences de l'art à l'Université de Nîmes et critique d'art

IL DRAMMA DI VITTORIO SGARBI: La Malattia e la Forza dell'Arte!Vittorio Sgarbi si apre in un'intervista sincera su malattia e depressione. Nonostante tutto, l'arte resta la sua forza. Ecco le sue parole e il suo omaggio ad Artemisia Gentileschi.#VittorioSgarbi #Arte #Intervista #Depressione #Forza #ArtemisiaGentileschi #Cleopatra #Mostra #Pittura #Cultura

Zihin Koleksiyoncusu Aslı Kotaman'ın Kara Karga Yayınları'ndan çıkan Sanatın Erkeksiz Tarihi, kadın sanatçıların tarih boyunca karşılaştığı engelleri, erkek egemen yapının onları nasıl gölgede bıraktığını ve bu görünmezliği aşma mücadelelerini anlatıyor. Kotaman'la sohbet ederken en çok aklımda kalan cümlesi şu oldu: “Sanat tarihine bakarken sadece ‘Kadın sanatçılar nerede?' diye sormak yetmez, ‘Neden yok sayıldılar?' sorusunu da sormalıyız.”Linda Nochlin'in o meşhur sorusu, “Sanatta büyük kadın sanatçı yok mu?” da temel tartışmalarından biri. Kitapta Mihri Müşfik, Hale Asaf, Artemisia Gentileschi, Frida Kahlo, Georgia O'Keeffe, Lee Krasner, Louise Bourgeois, Barbara Kruger ve Tracey Emin gibi pek çok güçlü kadın sanatçının hikâyesini okuyorsunuz. Ama itiraf etmeliyim ki tüm bu etkileyici anlatıya rağmen, daha derin bir içerik beklentim tam olarak karşılanmadı. Kotaman da bu eleştirime hak veriyor ve kitabın daha kapsamlı olabileceğini kabul ediyor. Yine de onun bilgisi, donanımı ve samimi anlatımı, sanatın eksik yazılmış tarihini sorgulamak için çok önemli bir kapı aralıyor. Aslı Kotaman ile sanatın erkeksiz tarihini tüm detaylarıyla ve en gerçekçi haliyle konuştuk...Söyleşi: Ebru D. DedeoğluVideo

Hasta hace algunos años no empezó valorarse el papel de las mujeres en la historia del arte. La gran pintora italiana Artemisia Gentileschi (1593-c. 1656) desafió con su extraordinario talento las convenciones de género del barroco. En este episodio del podcast de ‘Historia y Vida', Isabel Margarit y Ana Echeverría revelan los aspectos personales y artísticos de esta artista ambiciosa, a veces feroz y siempre libre.

Artemisia Gentileschi was was one of the most accomplished and influential artists of the Baroque period (Baroque painting often dramatizes scenes using chiaroscuro light effects). Despite facing numerous challenges in a male-dominated society, she managed to carve out a successful career and leave an indelible mark on the art world.

If you enjoy the show please support us on Patreon from as little as £1 per month: https://www.patreon.com/RockPaperSwordsPodcast ELIZABETH FREMANTLE is an award winning author of historical fiction. Her most recent novel, DISOBEDIENT, about the Italian painter Artemisia Gentileschi, won the HWA Gold Crown 2024. Her first novel, QUEEN'S GAMBIT, about Tudor Queen Katherine Parr, was adapted as the major motion picture FIREBRAND, starring Alicia Vikander and Jude Law. She has written several other novels set in the Tudor period and, as E.C. Fremantle, a pair of  historical thrillers. Welcome, Liz, to RPS! Follow us on Facebook: https://www.facebook.com/RockPaperSwordsPodcast and X https://twitter.com/rock_swords

Send us a textDe víctima a creador: cómo el arte transforma el dolor en poder

Jusqu'au 1ᵉʳ mars, à la galerie Templon, à Paris, l'artiste Prune Nourry expose son dernier projet, une série de Vénus en terre et bronze qui rejoindront en 2026 l'atrium de la nouvelle gare Saint-Denis Pleyel. Dans cet épisode du « Goût de M », elle revient sur la genèse de ces sculptures qui évoquent les représentations de la femme au paléolithique.Mais ce sont de vrais modèles avec lesquels elle a travaillé : huit femmes victimes de violences, qui ont été prises en charge par la Maison des femmes de Saint-Denis, et qui ont accepté de poser pour elle dans leur intimité. « Je sculptais autant grâce à leur histoire, à leurs mots, à leur confiance que par rapport à leur corps », précise l'artiste qui vient d'avoir 40 ans et qui nous reçoit dans son atelier parisien du 12e arrondissement.Si le thème de la femme imprègne son œuvre et son admiration pour les artistes féminines (Artemisia Gentileschi, Germaine Richier, Louise Bourgeois, Kiki Smith…), Prune Nourry manifeste aussi une curiosité pour le corps humain, l'hybridation, « cette possibilité d'une symbiose entre les espèces, cette idée de l'interdépendance », que lui avait révélée plus jeune les cours de biologie. Dès l'enfance, celle qui a vécu entourée de textiles – ses parents travaillaient dans le tissu – s'est passionnée pour les formes et la sensualité des matières. La terre et l'argile sont rapidement devenues ses matériaux de prédilection.Depuis six saisons, la journaliste et productrice Géraldine Sarratia interroge la construction et les méandres du goût d'une personnalité. Qu'ils ou elles soient créateurs, artistes, cuisiniers ou intellectuels, tous convoquent leurs souvenirs d'enfance, tous évoquent la dimension sociale et culturelle de la construction d'un corpus de goûts, d'un ensemble de valeurs.Un podcast produit et présenté par Géraldine Sarratia (Genre idéal) préparé avec l'aide de Diane Lisarelli et Juliette SavardRéalisation : Emmanuel BauxMusique : Gotan Project Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

From why the façade of San Lorenzo was never completed, to the use of the “golden ratio” in the Medici Palace, to the speed of Caravaggio's painting technique and his use of the camera obscura, to future podcasts on Sofonisba Anguissola and Artemisia Gentileschi,  to why Bramante is considered the first High Renaissance architect, and much, much more - this episode answers the very questions that you ask me about the great art, artists and history of the Italian Renaissance!

This week, Sara brings us the incomparable Italian painter Artemisia Gentileschi! She is considered one of the foremost painters of the 17th century, eclipsing her father's skill and considered more brazen than Caravaggio himself. Due to her own exceptional skill and brilliant business tactics, Artemisia's popularity exploded and she painted commissions for the most elite patrons across all of Europe, becoming so successful she didn't even "need a husband" anymore. However, much of her life and success was overshadowed by her sexual assault at 17 years old and the public trial that followed. Much of her work reflects that brutal experience, too. Artemisia and her work has recently come back into the spotlight in the wake of the #metoo movement; Her paintings have become emblematic of the strong, powerful woman in the face of the violence inflected upon her. Her story is one of great independent success despite the odds and she is most definitely a BROAD You Should Know! — A Broad is a woman who lives by her own rules. Broads You Should Know is the podcast about the Broads who helped shape our world! 3 Ways you can help support the podcast: Write a review on iTunes Share your favorite episode on social media / tell a friend about the show! Send us an email with a broad suggestion, question, or comment at BroadsYouShouldKnow@gmail.com — Broads You Should Know is hosted by Sara Gorsky. IG: @SaraGorsky Web master / site design: www.BroadsYouShouldKnow.com — Broads You Should Know is produced by Sara Gorsky & edited by Chloe Skye

Un'opera d'arte è talento e ispirazione, genio e passione ma è fatta di materia e materiali, quindi è anche chimica, fisica e biologia. Un'opera d'arte è anche scienza. In questa puntata speciale, intervisto Jana Striova, ricercatrice senior all'Istituto Nazionale di Ottica del CNR (CNR-INO) di Firenze. Se vuoi, puoi dare un'occhiata al sito del Gruppo Beni Culturali dell'Istituto Nazionale di Ottica del CNR, oppure contattare Jana Striova tramite email. Ringraziamenti: partner di progetto ed enti finanziatori Opificio delle Pietre Dure, El.En., Museo Galileo, Fondazione Alinari per la Fotografia, Gallerie degli Uffizi, Fondazione Casa Buonarroti, Calliope Arts, Fondazione Peggy Guggenheim di Venezia, Regione Toscana Giovanisì (progetto DIAGNOSE). Per approfondire i temi della puntata Pittura di Artemisia Gentileschi. Disegno di Leonardo. Dagherrotipi. Gelatine. Learn more about your ad choices. Visit megaphone.fm/adchoices

Peter Filichia, James Marino, and Michael Portantiere talk about The Light and The Dark (the life and times of Artemisia Gentileschi) @ 59e59, Wicked Movie, Charles Dickens’ A Christmas Carol by Neil Bartlett @ Shakespeare Theater of New Jersey, White Christmas @ Paper Mill Playhouse, Never Too Late @ STAR read more The post This Week on Broadway for December 8, 2024: The Light and The Dark @ 59e59 appeared first on BroadwayRadio.

We're astrology bitches now! Join us for the first in our series of GEEK OUT episodes, where we let our nerd flags fly and dive into art plus one of our special interests. In this episode, Devon brings back her 20-something, woo-crazed, almost-professional astrologer self to give a star-influenced diagnosis of your hosts and famous artists of the past. Turns out there's might be some planetary influence on the kind of art you make. And why Artemisia Gentileschi was a badass and Picasso suckedddd. We had a good time with that one. Support the show: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@heywhatareyouworking⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on IG Follow the hosts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@andreaguzzetta⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on IG ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@speaking_in_rainbows⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on IG ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@devonwalzart⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on IG

durée : 00:59:57 - Fictions / Théâtre et Cie - Dans cette pièce, Serge Rezvani met en scène Artemisia Gentileschi, femme peintre de la Renaissance italienne victime d'un viol, dialoguant avec un autre peintre sur les femmes et les violences dont elles sont victimes.

durée : 00:59:57 - Fictions / Théâtre et Cie - Dans cette pièce, Serge Rezvani met en scène Artemisia Gentileschi, femme peintre de la Renaissance italienne victime d'un viol, dialoguant avec un autre peintre sur les femmes et les violences dont elles sont victimes.

Vita e curiosità su Galileo e Galilei - Spendieren Sie einen Cafè (1€)? Donate a coffee (1€)? https://ko-fi.com/italiano Livello B1Buongiorno cari amici e amanti dell'italiano e benvenuti all'episodio numero 161. Torniamo a parlare di personaggi famosi. Voi sapete che abbiamo parlato di artisti come Giuseppe Verdi, Caravaggio, Benvenuto Cellini e poi anche di donne come Artemisia Gentileschi e poi abbiamo parlato di persone che hanno fatto la storia nella politica, nella società, nella pedagogia italiana. Bene oggi voglio parlarvi di un personaggio storico, pioniere della fisica e dell'astronomia e cioè: signore e signori vi presento Galileo Galilei.Galilei nasce a Pisa, in Toscana, il 15 febbraio del 1564. Proviene da un'antica famiglia, famosa e importante ma ormai decaduta e che si trova in gravi difficoltà economiche. Il padre, musicista lo porta a studiare. Le sue passioni però sono considerate in famiglia troppo teoriche anche perché hanno bisogno di guadagnare soldi, ma, pur non rinunciando a studiare, si dedica ad inventare cose che gli portano successo. Inventa molti strumenti di misurazione scientifica, come per esempio il compasso geometrico per usi militari e un termoscopio, conosciuto anche come termometro galileiano, un termometro che misura la temperatura. Questo termometro e un cilindro di vetro, riempito di alcool. All'interno ci sono delle ampolle riempite a loro volta di un liquido colorato con delle targhette dove si legge la temperatura. Quando si raggiunge l'equilibrio termico è possibile leggere la temperatura atmosferica....The full transcript of this Episode is available via "Luisa's learn Italian Premium", Premium is no subscription and does not incur any recurring fees. You can just shop for the materials you need or want and shop per piece. Prices start at 0.20 Cent (i. e. Eurocent). - das komplette Transcript / die Show-Notes zu allen Episoden sind über Luisa's Podcast Premium verfügbar. Den Shop mit allen Materialien zum Podcast finden Sie unterhttps://premium.il-tedesco.itLuisa's Podcast Premium ist kein Abo - sie erhalten das jeweilige Transscript/die Shownotes sowie zu den Grammatik Episoden Übungen die Sie "pro Stück" bezahlen (ab 25ct). https://premium.il-tedesco.itMehr info unter www.il-tedesco.it bzw. https://www.il-tedesco.it/premiumMore information on www.il-tedesco.it or via my shop https://www.il-tedesco.it/premium

Did you know that: · Vincent van Gogh's attempt to start an artist's colony with Paul Gauguin lasted only nine weeks, ending in his infamous "ear episode"? · Pablo Picasso was a prime suspect in the disappearance of the Mona Lisa? · Artemisia Gentileschi was tortured with thumbscrews to verify her testimony at her own rapist's trial? · Norman Rockwell's critics said his work would never be accepted as "high art"--and he agreed? These stories--and many more--shaped the work these artists left behind. In their art are lessons common to the human experience about the wonder and struggle of being alive: dreams lost, perspectives changed, and humility derived through suffering. Russ Ramsey will join us to dig into these artists' stories to mine the transcendent beauty and hard lessons we can take from their masterpieces and their lives. Each story from some of history's most celebrated artists applies the beauty of the Gospel in a way that speaks to the suffering and hope we all face.See omnystudio.com/listener for privacy information.

This is the second instalment of a three-part episode. How many women artists do you know? Despite the work of activist groups and scholars alike, women are still troublingly absent from the history of art. Historian and broadcaster Katy Hessel wants to change that. In September 2024 she came to the Intelligence Squared stage in conversation with the journalist, author and podcaster Pandora Sykes to write women back into art history. Discussing her bestselling book The Story of Art Without Men, she paid homage to the greats such as Artemisia Gentileschi, Frida Kahlo, Hilma af Klint, Tracey Emin and Kara Walker while also shining a light on lesser known figures such as Lavinia Fontana, thought to be one of the first women in Western art to paint female nudes in 1595. This is the second instalment of a three-part episode. If you'd like to become a Member and get access to the full conversation immediately as an early access subscriber, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series ... Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. ... Let us know your thoughts! Take a moment to fill in our Intelligence Squared Audience Survey in the link below and be in with the chance of winning a £50 Amazon gift card. https://docs.google.com/forms/d/e/1FAIpQLSfA1Tsxmitg7Gg6xyalWWNUqVRpl76fBQ7nVL6FDkOBng9KXQ/viewform Learn more about your ad choices. Visit podcastchoices.com/adchoices

It is time once again for our Round Up episode for the month of September, where we talk about some of the most interesting and timely art news stories of the last month with our writers here at Artnet. This month, Art Angle co-hosts Ben Davis and Kate Brown are joined by senior writer Sarah Cascone, and the three stories they discuss all center around museums. The first is the announcement that longtime director of New York's Museum of Modern Art Glenn Lowry will retire after 30 years, which marks the end of an era, and perhaps the beginning of something new. Artnet's Katya Kazakina wrote an article speculating on who might replace Lowry, and the panel discusses what this means for the future of one of the world's most famous museums. There's been a lot of leadership around New York museums, with the news of Alex Rüger taking over the role of director at the Frick Collection from Ian Wardropper, who is stepping down in 2025; plus the departure of Klaudio Rodriguez from the Bronx Museum, which has seen three directors in just seven years. Next up, the trio takes a deep dive into an article penned by Ben Davis that shares the result of an analysis he did looking at the shows on view at over 200 museums across the United States to see which artists are cropping up most frequently. The results were surprising, and give us all a window into the cultural zeitgeist. Finally, we talk about the news of a rediscovered painting by beloved Baroque artist Artemisia Gentileschi that is going on view in Texas, based on a story written by Sarah Cascone.

This is the first instalment of a three-part episode. How many women artists do you know? Despite the work of activist groups and scholars alike, women are still troublingly absent from the history of art. Historian and broadcaster Katy Hessel wants to change that. In September 2024 she came to the Intelligence Squared stage in conversation with the journalist, author and podcaster Pandora Sykes to write women back into art history. Discussing her bestselling book The Story of Art Without Men, she paid homage to the greats such as Artemisia Gentileschi, Frida Kahlo, Hilma af Klint, Tracey Emin and Kara Walker while also shining a light on lesser known figures such as Lavinia Fontana, thought to be one of the first women in Western art to paint female nudes in 1595. This is the first instalment of a three-part episode. If you'd like to become a Member and get access to the full conversation immediately as an early access subscriber, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series ... Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. ... Let us know your thoughts! Take a moment to fill in our Intelligence Squared Audience Survey and be in with the chance of winning a £50 Amazon gift card. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Based between New York and Los Angeles, Katherina Olschbaur explores the relationship between representation and abstraction, creating the distinct viewpoints on light, color and form. Her work draws on references from culture and art history to her own experiences and personal memories. In this episode, she talks about the baroque Italian painter Artemisia Gentileschi. In The Love of Art podcast, artists are invited to speak about other artists that fascinate them (musicians, writers, filmmakers, actors, designers…) in a very personal way. The Love of Art (L'Amour de l'Art) is a podcast by Perrotin The episode with Katherina Olschbaur was recorded on September 2, 2024 at Perrotin Paris Interview conducted by: Vanessa Clairet Stern Production and sound design: Seb Lascoux Language: English Graphic design: Perrotin Music: CDM MusicHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Artists have used their tools not just to capture beauty and transcendence, but also the essence of what it means to be human. In this episode, we learn from history's greatest artists about loss, hope, the ugly, and the sublime.What lessons can we take from these broken artists? What might their observations about the world tell us about God?(04:39) - - Creations and experiences (12:55) - - Albert Bierstadat (16:09) - - Artemisia Gentileschi (23:00) - - Vincent Van Gogh (33:15) - - The Yellow House and the Ear episode (41:37) - - Van Gogh and faith (49:23) - - Five Minute Jesus (54:11) - - Transcendence

Talk Art returns for Season 23! We meet Culture-loving Rob Rinder MBE and Architecture-fan Rylan Clark as they follow in the footsteps of 19th century romantic poet Lord Byron, and other Grand Tourists, on the 200th anniversary of his death.We discuss Caravaggio, Murano glass blowing, Artemisia Gentileschi & her censored ‘Allegory of Inclination' (1816) and what it was like to become nude life models themselves. We explore how they met the Venice-based drag/art collective House of Serenissima, and hear all the gossip from the historic era of the Grand Tour.Rob and Rylan's Grand Tour follows Rob Rinder and Rylan Clark – presenters, friends, and men who love the finer things in life – as they discover the greatest art treasures in Italy, finding out more about themselves along the way. Together, they retrace the steps of countless English aristocrats who took the Grand Tour – the original gap year – leaving behind the confines of British society for freedom and discovery abroad. But can the Grand Tour still work its magic today?Starting their journey in the winding canals of Venice, Rylan and Rob are ready to embark on the Grand Tour, once a cultural rite of passage designed to turn young men into distinguished gentlemen. In the city, they unveil one of the largest canvas paintings in the world, Tintoretto's Il Paradiso, leaving them in awe. They also learn about the legacy of Italian painter Canaletto before heading off to the quaint island of Murano, famous for its glass blowing art. Rob, a lover of opera and poetry, attempts to realise a lifelong dream by conducting Vivaldi's Four Seasons in the same church it was first performed in. Meanwhile, Rylan learns all about the lesser known side of the famous Venice Carnival. In episode two, Rob and Rylan head to the Renaissance city of Florence, the “Beating Heart of Tuscany”. Famous for its many museums and art galleries, this charming city is oozing with history around every corner. Set out to uncover the secrets of the Renaissance period, the pair soak up the sights, including the well known Uffizi Gallery in the historic centre, home to pieces by legendary artists Leonardo da Vinci, Michelangelo and Raffaello. They go on to visit more iconic locations: the Stibbert Museum, the Bargello Museum, Piazzale Michelangelo, Piazza Santa Croce during the final of the Calcio Storico, Piazza della Signoria, Piazza Santa Maria Novella, and Ponte alle Grazie. Along the trip, the duo learnt what it meant to be a Grand Tourist, trying on flamboyant Italian looks, fencing, dancing.On their final stop, the dynamic duo head to Italy's capital city, Rome. Here they enjoy exploring the classical ruins of the famous Colosseum and the Roman Forum as well as the Pantheon. Channelling their love of opera, Rylan and Rob enjoy a rooftop performance with sensational views of the city in the background.Rob and Rylan's Grand Tour is available now to stream on BBC iPlayer.Follow @RobRinder and @Rylan Hosted on Acast. See acast.com/privacy for more information.

Om konstnären som under 1600-talet erövrade Europa med sitt måleri. Hon genomlevde både övergrepp och smutskastning. Men hennes driv gick inte att kväsa och hon målade sig rakt in i konsthistorien. Nya avsnitt från P3 Historia hittar du först i Sveriges Radio Play. Redaktionen för detta avsnitt består av:Elina Perdahl - programledare och manusEmilia Mellberg - producent, research och manusZardasht Rad - scenuppläsareViktor Bergdahl - ljuddesign och slutmixMedverkar gör också Alexandra Fried, lektor i konst- och bildvetenskap vid Göteborgs universitet och medskapare till Konsthistoriepodden.Vill du veta mer om Artemisia Gentileschi? Här är några av de böcker som ligger till grund för avsnittet:Artemisia Gentileschi av Jonathan JonesArtemisia Gentileschi the language of painting av Jesse M LockerArtemisia Gentileschi av Sheila Barker

Artemisia Gentileschi was one of the most famed and respected painters in 17th century Europe, but after she died her story - and many of her works - were lost. Now award-winning artist Lindsay Huss helps us uncover her incredible life.   Music for this episode provided by Marc Nelson, Advent Chamber Orchestra, Catrin Finch, John Harrison, and the Wichita State University Chamber Players Learn more about your ad choices. Visit podcastchoices.com/adchoices

PopaHALLics #126 "Hit Man & Hitmakers"Wouldn't it be nice to learn more about the Beach Boys and Neil Young? We enjoy a documentary and a biography giving new insights into these influential musicians and their place in pop culture. We also laugh at a sexy fake hit man, cheer on "The Bear" and "Sweeth Tooth," and are very glad Lady Jane Grey does not lose her head in the swashbuckling, dryly funny reimagining "My Lady Jane."Streaming:"Hit Man," Netflix. In this action comedy directed by Richard Linklater, a dweeby college professor (Glen Powell, "Anyone But You") pretends to be a hit man for police investigations. What happens when he falls for a sexy suspect (Adria Arjona) who thinks he's a cool, confident killer?"My Lady Jane," Amazon Prime. Wait, Lady Jane Grey does NOT get "the chop" at the Tower of London? This reimagining of her life is like "The Princess Bride," with adventure, oodles and oodles of sex, and magic realism. As in people can turn into animals!"The Bear," Hulu. Season 3 finds tormented chef Carmie (Jeremy Allen White) continuing to chase a Michelin star, with lots more yelling in the kitchen and more emphasis on the characters around him."Sweet Tooth," Netflix. The third and final season of this sweet, gentle drama finds Gus the deer boy and his friend Big Man trying to get to Alaska and hook up with Gus' mom, who's trying to stop the plague "the Sick.""The Beach Boys," Disney +. This fan-friendly documentary traces the history of the band known for surf anthems through "Pet Sounds," a revolutionary album in its time, and beyond. Tons of never-before-seen photos, great stories, and critical insights into the band's importance from the likes of Lindsey Buckingham, producer Don Was, and Janelle Monae.Books:"Disobedient," by Elizabeth Fremantle. This novel based on the life of Artemisia Gentileschi—the greatest female painter of the Renaissance—finds her refusing to be silent about a rape and having "visual revenge" in the creation of her masterpiece, "Judith Beheading Holofernes.""Shakey: Neil Young's Biography," by Jimmy McDonough. This 2002 mammoth biography is the definitive look at the life and art of the enigmatic rocker. It was authorized by Young and yet still manages to hold his feet to the fire for questionable creative decisions and the many times he treated those closest to him badly. Music:Since we talk about the Beach Boys and Neil Young, let's have fun, fun, fun with a playlist featuring lots of music from both! PopaHALLics #126 Playlist kicks off with a song by the Four Freshmen, who heavily influenced Beach Boys' leader Brian Wilson's ideas about harmonies.Click through the links above to watch, read, and listen to what we're talking about.

‘Now You See Us: Women Artists in Britain 1520-1920' is an ambitious group show at TATE BRITAIN that charts the 400 year long journey that it took for women to become recognised as professional artists which paved the way for future generations and established what it meant to be a woman in the British art world.  On Tuesday 14 May 2024, at the Press View of the exhibition ‘Now You See Us:  Women Artists in Britain 1520-1920', RNIB Connect Radio's Toby Davey was joined by Tim Batchelor, Assistant Assistant Curator of the exhibition, to find out more about the 400 year journey that it took for women to become recognised as professional Artists along with an insight into the work of some of the 100 Women Artists featured in the exhibition. About the exhibition ‘Expressionists - Kandinsky, Münter And The Blue Rider' - The exhibition ‘Now You See Us: Women Artis in Britain 1520-1920' covers the period in which women were visibly working as professional artists, but went against societal expectations to do so. Featuring over 100 artists, the exhibition will celebrate well-known names such as Artemisia Gentileschi, Angelica Kauffman, Julia Margaret Cameron and Gwen John, alongside many others who are only now being rediscovered. Their careers were as varied as the works they produced: some prevailed over genres deemed suitable for women like watercolour landscapes and domestic scenes. Others dared to take on subjects dominated by men like battle scenes and the nude, or campaigned for equal access to training and membership of professional institutions. Tate Britain will showcase over 200 works, including oil painting, watercolour, pastel, sculpture, photography and ‘needlepainting' to tell the story of these trailblazing artists. ‘Now You See Us' begins at the Tudor court with Levina Teerlinc, many of whose miniatures will be brought together for the first time in four decades, and Esther Inglis, whose manuscripts contain Britain's earliest known self-portraits by a woman artist. The exhibition will then look to the 17th century. Focus will be given to one of art history's most celebrated women artists, Artemisia Gentileschi, who created major works in London at the court of Charles I, including the recently rediscovered Susannah and the Elders 1638-40, on loan from the Royal Collection for the very first time. The exhibition will also look to women such as Mary Beale, Joan Carlile and Maria Verelst who broke new ground as professional portrait painters in oil. In the 18th century, women artists took part in Britain's first public art exhibitions, including overlooked figures such as Katherine Read and Mary Black; the sculptor Anne Seymour Damer; and Margaret Sarah Carpenter, a leading figure in her day but little heard of now. The show will look at Angelica Kauffman and Mary Moser, the only women included among the Founder Members of the Royal Academy of Arts; it took 160 years for membership to be granted to another woman. Women artists of this era are often dismissed as amateurs pursuing ‘feminine' occupations like watercolour and flower painting, but many worked in these genres professionally: needlewoman Mary Linwood, whose gallery was a major tourist attraction; miniaturist Sarah Biffin, who painted with her mouth, having been born without arms and legs; and Augusta Withers, a botanical illustrator employed by the Horticultural Society. The Victorian period saw a vast expansion in public exhibition venues. Now You See Us will showcase major works by critically appraised artists of this period, including Elizabeth Thompson's monumental The Roll Call 1874 (Thompson's work prompted critic John Ruskin to retract his statement that “no women could paint”), and nudes by Henrietta Rae and Annie Swynnerton, which sparked both debate and celebration.  The exhibition will also look at women's connection to activism, including Florence Claxton's satirical ‘Woman's Work': A Medley 1861 which will be on public display for the first time since it was painted; and an exploration of the life of Barbara Leigh Smith Bodichon, an early member of the Society of Female Artists who is credited with the campaign for women to be admitted to the Royal Academy Schools. On show will be the student work of women finally admitted to art schools, as well as their petitions for equal access to life drawing classes. With the exhibition ending in the early 20th century with women's suffrage and the First World War. Women artists like Gwen John, Vanessa Bell and Helen Saunders played an important role in the emergence of modernism, abstraction and vorticism, but others, such as Anna Airy, who also worked as a war artist, continued to excel in conventional traditions. The final artists in the show, Laura Knight and Ethel Walker, offer powerful examples of ambitious, independent, confident professionals who achieved critical acclaim and finally membership of the Royal Academy. ‘Now You See Us - Women Artists in Britain 1520-1920' continues at TATE BRITAIN until 13  October 2024.  Description tours are available for blind and partially sighted people but need to be booked in advance via hello@tate.org.uk or on 020 7887 8888. More details about ‘Now You See Us:  Women Artists in Britain 1520 - 1920' at Tate Britain can be found by visiting the following pages of the Tate website- https://www.tate.org.uk/whats-on/tate-britain/women-artists-in-britain-1520-1920 Image shows: Gwen John, Self-Portrait, 1902. Photo Tate (Mark Heathcote and Samuel Cole), a painting of a white woman wearing a red blouse and a broach with her hair light brown tied up against a dark brown background.

On the podcast this week, Elizabeth Fremantle is interviewed about her historical novel Disobedient, which is the choice for this month's Church Times Book Club. She is in conversation with Sarah Meyrick. Natalie K. Watson has written this month's book club essay about Disobedient. Disobedient is an enthralling historical novel that retells the turbulent life of the great Renaissance painter Artemisia Gentileschi. As a young artist in Rome in the early 17th century, Artemisia outstrips her brothers and contemporary male artists in talent. Her initial struggle as a painter in a male-dominated society is nothing compared with the dramatic turn of events that occur when a handsome male tutor is employed by her father to teach her linear perspective. Her rage against the trauma that she experiences at the hands of her tutor and the way in which law and society then fail her is expressed through her art. The story centres on her motivation for creating the brutal painting Judith Slaying Holofernes — a critical point, at which her art takes a dark turn. Disobedient is published Penguin Books at £9.99 (Church Times Bookshop £8.99). https://chbookshop.hymnsam.co.uk/books/9781405952811/disobedient?vc=CT203 Sarah Meyrick is a novelist. Her latest novel is Joy and Felicity (Sacristy Press, 2021). The Church Times Book Club is run in association with the Festival of Faith and Literature. https://faithandliterature.hymnsam.co.uk Sign up to receive the free Book Club email once a month. Featuring discussion questions, podcasts and discounts on each book: churchtimes.co.uk/newsletter-signup Discuss this month's book at facebook.com/groups/churchtimesbookclub Photo: © J. P. Masclet Try 10 issues of the Church Times for £10 or get two months access to our website and apps, also for £10. Go to churchtimes.co.uk/new-reader

En pleno s. XVII, la artista Artemisia Gentileschi destacó por su tremenda habilidad con el manejo del color y la luz, así como la capacidad de transmitir emociones a través de sus obras. Todo ello, en una época donde el papel de la mujer en el arte quedaba relegado a un segundo plano. Terminó triunfando y siendo reconocida en las principales cortes europeas. Te contamos su historia.  Y descubre más historias curiosas en el canal National Geographic y en Disney +.

Artemisia Gentileschi (1593- c.1656) was an Italian Baroque painter. She was one of the most accomplished 17th century artists, painting naturalistic depictions of forms and figures. But, her achievements have often been overshadowed by scandals in her personal life. For Further Reading:  A Fuller Picture of Artemisia Gentileschi Isn't She Good – For a Woman? Artemisia's Moment Orazio and Artemisia Gentileschi Historically, women have been told to make themselves smaller, to diminish themselves. Some have used that idea to their advantage, disappearing into new identities. For others, a disappearance was the end to their stories, but the beginning of a new chapter in their legacies. This month we're telling the stories of these women: we're talking about disappearing acts. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones and Abbey Delk. Special thanks to Shira Atkins.Original theme music composed by Miles Moran.Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

Welcome to another enthralling week of low brow art and art history gossip! Join us as we venture through the life of totally-ahead-of-her-time-the-most-baddest-baddie… I mean this bitch was THE BITCH of the Baroque. There will be Jack Black quotes, chopped off heads, torture, and more! But don't worry, our girl comes out ON TOP! DISCLAIMER: Our dear Baroque BB's… please be warned this episode does have re-telling of sexual assault. We know that for many many of us, we can relate to being sexually assaulted. If this is at all triggering for you, we recommend skipping this one, but don't worry our next episode will be right around the corner! As always, we love you the MOST! Xoxo, the Baroque B's

Art historian and Professor Griselda Pollock traces the memories of contemporary artist women like Sutapa Biswas, one of her students in the 1980s, and the entanglements in feminist, queer, and postcolonial thinking in art schools and universities. Griselda Pollock has long advocated for the critical function of contemporary art - and artists - in society. Whether paintings, drawings, or sculptures, these media can translate the traumatic legacies of colonialism, imperialism, and migration into visual form, and serve as refusals to forget - especially in our memory-effacing digital age. Born in apartheid South Africa, Griselda has lectured in global contexts; at the University of Leeds in the 1980s, she encountered Sutapa Biswas, a ‘force of nature' and one of the institution's first POC art students. She shares her experience of the two-way flows of teaching and learning. Drawing on stills from the artist's new film work Lumen (2021), and historic ‘Housewives with Steak-Knives' (1984-1985), she highlights both Bengali Indian imagery, and motifs of 17th and 18th century Old/Dutch Masters like Vermeer and Rembrandt - and why the artist ‘didn't need Artemisia Gentileschi' when she had the Hindu goddess Kali. Engaging with leaders of the Blk Art Group like Lubaina Himid, Sonia Boyce, and Claudette Johnson, we find connections with the first generation of British artists, born in the UK of migrant parents. Griselda also shares the important work of art historians and academics beyond Western/Europe, like Homi K. Bhabha, Gayatri Chakravorty Spivak, Chandra Mohanty, Catherine de Zegher, and Hiroko Hagewara. We discuss how being open to challenge and conversation, unsettling your own assumptions, denormalising and widening visibility are all ongoing obligations. Still, with Coral Woodbury's paintings, layered atop H.W. Jansen's History of Art (1968), we see how little the education system has changed. Griselda concludes with thoughts on Vincent van Gogh, Paul Gauguin, and challenging the norms of modernist colonial tourism within the confines of free speech and market demand. Medium and Memory, curated by Griselda Pollock, ran at HackelBury Fine Art in London until 18 November 2023. An expanded exhibition of Coral Woodbury's Revised Edition runs until 4 May 2024. Griselda Pollock on Gauguin is published by Thames & Hudson, and available from 28 May 2024. For more from Lubaina Himid, hear the artist on their work Lost Threads (2021, 2023), at the Holburne Museum in Bath: pod.link/1533637675/episode/4322d5fba61b6aed319a973f70d237b0 And read about their recent exhibition at Tate Modern, and work with the Royal Academy (RA) in London, in gowithYamo: gowithyamo.com/blog/the-revolutionary-act-of-walking-in-the-city For more about The Thin Black Line exhibition at the Institute of Contemporary Arts (ICA) in London (1985), hear curator Dorothy Price on Claudette Johnson's And I Have My Own Business in This Skin (1982) at the Courtauld Gallery in London: pod.link/1533637675/episode/707a0e05d3130f658c3473f2fdb559fc For more about the artist Gego, who practiced in Germany and South America, read my article about Measuring Infinity at the Guggenheim Bilbao (2023), in gowithYamo: gowithyamo.com/blog/infinite-viewpoints-gego-at-the-guggenheim-bilbao WITH: Griselda Pollock, Professor of Social and Critical Histories of Art and Director of CentreCATH (Centre for Cultural Analysis, Theory & History) at the University of Leeds. WITH: Griselda Pollock, Professor of Social and Critical Histories of Art and Director of CentreCATH (Centre for Cultural Analysis, Theory & History) at the University of Leeds. She won the Holberg Prize in 2020 for her contributions to feminism in art history and cultural studies, books, and exhibitions. She is the curator of Medium and Memory. ART: ‘Lumen, Sutapa Biswas (2017) and Lubaina Himid, from the Revised Edition series, Coral Woodbury (2023)'. PRODUCER: Jelena Sofronijevic.

Per la prima volta il pubblico australiano potrà ammirare un'opera di Artemisia Gentileschi, oltre a capolavori di Lavinia Fontana e Sofonisba Anguissola.

We meet the LEGENDARY, trailblazing artist, author, educator and feminist icon Judy Chicago (b. 1939, Chicago, USA!!! We explore her major retrospective in New York's New Museum. Judy Chicago: Herstory spans her epic sixty-year career to encompass the full breadth of the artist's contributions across painting, sculpture, installation, drawing, textiles, photography, stained glass, needlework, and printmaking.Expanding the boundaries of a traditional museum survey, the exhibition will place six decades of Chicago's work in dialogue with work by other women across centuries in a unique Fourth Floor installation. Entitled “The City of Ladies,” this exhibition-within-the-exhibition will feature artworks and archival materials from over eighty artists, writers, and thinkers, including Simone de Beauvoir, Hildegard of Bingen, Artemisia Gentileschi, Zora Neale Hurston, Frida Kahlo, Hilma af Klint, and Virginia Woolf, among many others.Taking over four floors of the Museum, “Herstory” traces the entirety of Chicago's practice from her 1960s experiments in Minimalism and her revolutionary feminist art of the 1970s to her narrative series of the 1980s and 1990s in which she expanded her focus to confront environmental disaster, birth and creation, masculinity, and mortality. Contextualizing her feminist methodology within the many art movements in which she has participated—and from whose histories she has frequently been erased—“Herstory” will showcase Chicago's tremendous impact on American art and highlight her critical role as a cultural historian claiming space for women artists previously omitted from the canon.Summer 2024, Serpentine gallery in London will present a new exhibition of Judy Chicago. Revelations will be Chicago's first solo presentation in a major London institution. One of the most provocative and influential artists working today, Chicago came to prominence in the late 1960s when she challenged the male-dominated landscape of the art world by making work that was boldly from a woman's perspective.With a specific focus on drawing – a medium that has occupied Chicago's artistic practice for over seven-decades – Judy Chicago: Revelations charts the arc of the artist's career allowing visitors to uncover the breadth of her practice. It brings together archival and never-before-seen artworks, preparatory studies, notebooks and sketchbooks that reveal her working process and rigour in incorporating intensive, often years-long research. The exhibition presents the ways in which drawing functions as a mode to express Chicago's innermost thoughts, hopes and, at times, most painful memories and experiences.Judy Chicago lives and works in New Mexico, USA.Follow @Judy.Chicago and @NewMuseum on InstagramVisit HERSTORY at the New Museum until 3rd March 2024: https://www.newmuseum.org/exhibitions/view/judy-chicago-herstoryVisit Judy's official website: https://judychicago.com/ Hosted on Acast. See acast.com/privacy for more information.

Bruce Gulland and Megan Nollet talk about the interesting art and life of the Italian painter Artemisia Gentileschi.https://spotlightenglish.com/?p=3468Download our app for Android at http://bit.ly/spotlight-androidDownload our app for iOS at http://bit.ly/spotlight-appleFacebook: https://www.facebook.com/spotlightradioAre you learning English? Are you looking for a way to practice your English? Listen to Spotlight to learn about people and places all around the world. You can learn English words, and even practice English by writing a comment.Visit our website to follow along with the script: http://spotlightenglish.com

Víctima de una violación en su juventud, la famosa pintora italiana del siglo XVII triunfó como artista en un mundo exclusivamente masculino: el de las principales cortes europeas.

I am so excited to say that my guest on the great women artists podcast is one of the most pioneering – and my favourite – writers alive today, Elif Shafak! In this episode, we talk about the power of storytelling, the importance of writing women's lives into history and fighting for their rights. Shafak has said: "...as a young Turkish student, it occurred to me that the history that was taught to me top down could be seen in different ways depending on who is telling the stories..." We speak about Artemisia Gentileschi to Frida Kahlo, Ana Mendieta to Georgia O'Keeffe; Shafak's upbringing and the importance of multitudinous narratives, and the power of images when it comes to writing novels. We explore the similarities between a painting and a novel; how storytelling can be transmitted through so many different artforms, from word of mouth or the written word. As a novelist, Shafak spends so much time dreaming up worlds, and, in a way, this is not that dissimilar from an artist. But we also talk about the importance of emotion, and how stories can give us that, as Shafak has said: “Why is it that we underestimate feelings and perceptions? I think it's going to be one of our biggest intellectual challenges, because our political systems are replete with emotions … and yet within the academic and among the intelligentsia, we are yet to take emotions seriously…” Shafak is the author of 19 books, which have been translated into 57 languages. A shortlister for the Booker Prize and Women's Prize for Fiction, she holds a PhD in political science and she has taught at universities in Turkey, the US and the UK. A Fellow and a Vice President of the Royal Society of Literature, Shafak is also instrumental in her work as an advocate for women's rights, LGBTQ+ rights and freedom of expression. A twice TED Global speaker, Shafak contributes to publications around the world, such as the Guardian with her poignant articles on women's rights in Turkey. Books by Elif: https://www.waterstones.com/book/how-to-stay-sane-in-an-age-of-division/elif-shafak/9781788165723 https://www.waterstones.com/book/the-bastard-of-istanbul/elif-shafak/9780241972908 https://www.waterstones.com/book/three-daughters-of-eve/elif-shafak/9780241978887 https://www.waterstones.com/book/10-minutes-38-seconds-in-this-strange-world/elif-shafak/9780241979464 https://www.waterstones.com/book/the-island-of-missing-trees/elif-shafak/9780241988725 -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.instagram.com/famm.mougins // https://www.merrellpublishers.com/9781858947037 ENJOY!!! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield https://www.thegreatwomenartists.com/

Fracasa la investidura de un arrogante Feijóo Una obra perdida de Artemisia Gentileschi vuelve a casa ¿Trap en el Reina Sofía? Varias menores, chantajeadas con falsos desnudos generados por IA Hollywood entierra el hacha de guerra

This 2015 episode covers Artemisia Gentileschi, often called the greatest female painter of the Baroque period. Her work is extraordinary, and reflects the influences of her father Orazio Gentileschi and Caravaggio.See omnystudio.com/listener for privacy information.

THIS WEEK on the GWA Podcast, we interview the acclaimed novelist, essayist and author of 18 books, SIRI HUSTVEDT! From memoir to poetry, non-fiction to fiction, Hustvedt's writing has touched on the topics of psychoanalysis, philosophy, neuroscience, literature, and art. Long-listed for the Booker Prize and winner of the Los Angeles Times Book Prize for Fiction, Hustvedt's The Blazing World is a provocative novel about an artist, Harriet Burden, who after years of being ignored attempts to reveal the misogyny in art by asking three male friends to exhibit her work under their name. It is of course a triumph, and other bestsellers include What I Loved and The Summer Without Men. Born in Northfield, Minnesota to a Norwegian mother and an American father, and based in NYC since 1978, it wasn't until 1995 that Hustvedt began writing about art. Since then, her art writing oeuvre has expanded enormously with numerous books and essays published to acclaim – which often focus on the fate of female artists in history, the biases of history making, and discuss the likes of Louise Bourgeois, Alice Neel, Adrian Piper, Lee Krasner, Betye Saar, Joan Mitchell, Dora Maar, among others – which I can't wait to get into later on in this episode… Hustvedt's writing is both eye-opening and groundbreaking. She has questioned how we measure greatness, if art has a gender, the effect of art and literature existing in our memory and the future of fiction. She has looked at the masculine traits of the mind and the female traits of emotion, the domestic vs the intellectual, and analysed how historians have not just told the narrative of art, but the narrative of the world. She has asked why absence is so prevalent and explored how women have reconfigured the body after years of what she calls ‘fictive' spaces… I love her writing and it's allowed me to unlock elements (and see things differently) in books, art, and more that exist in my memory. Favourite books include A Woman Looking at Men Looking At Women: Essays on Art, Sex and the Mind and, more recently, Mothers, Fathers and Others – which is part memoir, part psychological study. So I couldn't be more delighted to have her on the podcast today. Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/ THIS EPISODE IS GENEROUSLY SUPPORTED BY OCULA: https://ocula.com/