Podcasts about Holofernes

Send us a textThe Court of Lorenzo de' Medici Part 2: Lucrezia Tornabuoni Lucrezia Tornabuoni (1427-1482) was one of the key figures in both the political and cultural influence of the Medici family during the late 15th century. She served as a diplomat and stateswoman in the place of her ill husband, Piero the Gouty, and helped manage affairs for Lorenzo and Giuliano during their premature rise to power. In addition to her stately duties, Lucrezia was also an important patron and an achieved poet. This episode looks at the broader scope of Lucrezia's achievements and positions them against the thriving cultural output that occurred during Lorenzo's reign. Importantly, it appears that Lucrezia was not merely the mother of a cultural giant, but directly influenced major cultural shifts in Florence and helped solidify Medici power for her son.   Looking closely at her sacre storie, particularly the violent story of Judith and Holofernes, we can observe Lucrezia as a participant in both skilled literary production and in the propagation of Medici prestige. Her poetry produces the similar effects of Cosimo de' Medici's patronage of Donatello, and his bronze David and Judith and Holofernes that were in the Medici Palace. Follow us/shop/watch: https://linktr.ee/italian_renaissance_podcastGet additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast Support the show

Shakespeare Unlearned: Pedantry, Nonsense, and the Philology of Stupidity (Oxford UP, 2024) dances along the borderline of sense and nonsense in early modern texts, revealing overlooked opportunities for understanding and shared community in words and ideas that might in the past have been considered too silly to matter much for serious scholarship. Each chapter pursues a self-knowing, gently ironic study of the lexicon and scripting of words and acts related to what has been called 'stupidity' in work by Shakespeare and other authors. Each centers significant, often comic situations that emerge -- on stage, in print, and in the critical and editorial tradition pertaining to the period -- when rigorous scholars and teachers meet language, characters, or plotlines that exceed, and at times entirely undermine, the goals and premises of scholarly rigor. Each suggests that a framing of putative 'stupidity' pursued through lexicography, editorial glossing, literary criticism, and pedagogical practice can help us put Shakespeare and semantically obscure historical literature more generally to new communal ends. Words such as 'baffle' in Twelfth Night or 'twangling' and 'jingling' in The Tempest, and characters such as Sir Andrew Aguecheek and Holofernes the pedant, might in the past have been considered unworthy of critical attention -- too light or obvious to matter much for our understanding of Shakespeare and his contemporaries. Adam Zucker's meditation on the limits of learnedness and the opportunities presented by a philology of stupidity argues otherwise. Adam Zucker is a faculty member in the English Department at the University of Massachusetts Amherst, where he teaches courses on Shakespeare and other 16th and 17th Century authors. In addition to Shakespeare Unlearned (Oxford University Press, 2024), he is the author of The Places of Wit in Early Modern English Comedy (Cambridge University Press, 2011) and the co-editor of essay collections Historical Affects and the Early Modern Theater (Routledge, 2015); and Localizing Caroline Drama: Politics and Economics of the Early Modern English Stage, 1625-1642 (Palgrave Macmillan, 2006). Adam lives in Northampton, MA with his family, where he plays loud twangling instruments in the bands Outro, Bring It to Bear, The Young Old, and The Father Figures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Shakespeare Unlearned: Pedantry, Nonsense, and the Philology of Stupidity (Oxford UP, 2024) dances along the borderline of sense and nonsense in early modern texts, revealing overlooked opportunities for understanding and shared community in words and ideas that might in the past have been considered too silly to matter much for serious scholarship. Each chapter pursues a self-knowing, gently ironic study of the lexicon and scripting of words and acts related to what has been called 'stupidity' in work by Shakespeare and other authors. Each centers significant, often comic situations that emerge -- on stage, in print, and in the critical and editorial tradition pertaining to the period -- when rigorous scholars and teachers meet language, characters, or plotlines that exceed, and at times entirely undermine, the goals and premises of scholarly rigor. Each suggests that a framing of putative 'stupidity' pursued through lexicography, editorial glossing, literary criticism, and pedagogical practice can help us put Shakespeare and semantically obscure historical literature more generally to new communal ends. Words such as 'baffle' in Twelfth Night or 'twangling' and 'jingling' in The Tempest, and characters such as Sir Andrew Aguecheek and Holofernes the pedant, might in the past have been considered unworthy of critical attention -- too light or obvious to matter much for our understanding of Shakespeare and his contemporaries. Adam Zucker's meditation on the limits of learnedness and the opportunities presented by a philology of stupidity argues otherwise. Adam Zucker is a faculty member in the English Department at the University of Massachusetts Amherst, where he teaches courses on Shakespeare and other 16th and 17th Century authors. In addition to Shakespeare Unlearned (Oxford University Press, 2024), he is the author of The Places of Wit in Early Modern English Comedy (Cambridge University Press, 2011) and the co-editor of essay collections Historical Affects and the Early Modern Theater (Routledge, 2015); and Localizing Caroline Drama: Politics and Economics of the Early Modern English Stage, 1625-1642 (Palgrave Macmillan, 2006). Adam lives in Northampton, MA with his family, where he plays loud twangling instruments in the bands Outro, Bring It to Bear, The Young Old, and The Father Figures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Shakespeare Unlearned: Pedantry, Nonsense, and the Philology of Stupidity (Oxford UP, 2024) dances along the borderline of sense and nonsense in early modern texts, revealing overlooked opportunities for understanding and shared community in words and ideas that might in the past have been considered too silly to matter much for serious scholarship. Each chapter pursues a self-knowing, gently ironic study of the lexicon and scripting of words and acts related to what has been called 'stupidity' in work by Shakespeare and other authors. Each centers significant, often comic situations that emerge -- on stage, in print, and in the critical and editorial tradition pertaining to the period -- when rigorous scholars and teachers meet language, characters, or plotlines that exceed, and at times entirely undermine, the goals and premises of scholarly rigor. Each suggests that a framing of putative 'stupidity' pursued through lexicography, editorial glossing, literary criticism, and pedagogical practice can help us put Shakespeare and semantically obscure historical literature more generally to new communal ends. Words such as 'baffle' in Twelfth Night or 'twangling' and 'jingling' in The Tempest, and characters such as Sir Andrew Aguecheek and Holofernes the pedant, might in the past have been considered unworthy of critical attention -- too light or obvious to matter much for our understanding of Shakespeare and his contemporaries. Adam Zucker's meditation on the limits of learnedness and the opportunities presented by a philology of stupidity argues otherwise. Adam Zucker is a faculty member in the English Department at the University of Massachusetts Amherst, where he teaches courses on Shakespeare and other 16th and 17th Century authors. In addition to Shakespeare Unlearned (Oxford University Press, 2024), he is the author of The Places of Wit in Early Modern English Comedy (Cambridge University Press, 2011) and the co-editor of essay collections Historical Affects and the Early Modern Theater (Routledge, 2015); and Localizing Caroline Drama: Politics and Economics of the Early Modern English Stage, 1625-1642 (Palgrave Macmillan, 2006). Adam lives in Northampton, MA with his family, where he plays loud twangling instruments in the bands Outro, Bring It to Bear, The Young Old, and The Father Figures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Shakespeare Unlearned: Pedantry, Nonsense, and the Philology of Stupidity (Oxford UP, 2024) dances along the borderline of sense and nonsense in early modern texts, revealing overlooked opportunities for understanding and shared community in words and ideas that might in the past have been considered too silly to matter much for serious scholarship. Each chapter pursues a self-knowing, gently ironic study of the lexicon and scripting of words and acts related to what has been called 'stupidity' in work by Shakespeare and other authors. Each centers significant, often comic situations that emerge -- on stage, in print, and in the critical and editorial tradition pertaining to the period -- when rigorous scholars and teachers meet language, characters, or plotlines that exceed, and at times entirely undermine, the goals and premises of scholarly rigor. Each suggests that a framing of putative 'stupidity' pursued through lexicography, editorial glossing, literary criticism, and pedagogical practice can help us put Shakespeare and semantically obscure historical literature more generally to new communal ends. Words such as 'baffle' in Twelfth Night or 'twangling' and 'jingling' in The Tempest, and characters such as Sir Andrew Aguecheek and Holofernes the pedant, might in the past have been considered unworthy of critical attention -- too light or obvious to matter much for our understanding of Shakespeare and his contemporaries. Adam Zucker's meditation on the limits of learnedness and the opportunities presented by a philology of stupidity argues otherwise. Adam Zucker is a faculty member in the English Department at the University of Massachusetts Amherst, where he teaches courses on Shakespeare and other 16th and 17th Century authors. In addition to Shakespeare Unlearned (Oxford University Press, 2024), he is the author of The Places of Wit in Early Modern English Comedy (Cambridge University Press, 2011) and the co-editor of essay collections Historical Affects and the Early Modern Theater (Routledge, 2015); and Localizing Caroline Drama: Politics and Economics of the Early Modern English Stage, 1625-1642 (Palgrave Macmillan, 2006). Adam lives in Northampton, MA with his family, where he plays loud twangling instruments in the bands Outro, Bring It to Bear, The Young Old, and The Father Figures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Shakespeare Unlearned: Pedantry, Nonsense, and the Philology of Stupidity (Oxford UP, 2024) dances along the borderline of sense and nonsense in early modern texts, revealing overlooked opportunities for understanding and shared community in words and ideas that might in the past have been considered too silly to matter much for serious scholarship. Each chapter pursues a self-knowing, gently ironic study of the lexicon and scripting of words and acts related to what has been called 'stupidity' in work by Shakespeare and other authors. Each centers significant, often comic situations that emerge -- on stage, in print, and in the critical and editorial tradition pertaining to the period -- when rigorous scholars and teachers meet language, characters, or plotlines that exceed, and at times entirely undermine, the goals and premises of scholarly rigor. Each suggests that a framing of putative 'stupidity' pursued through lexicography, editorial glossing, literary criticism, and pedagogical practice can help us put Shakespeare and semantically obscure historical literature more generally to new communal ends. Words such as 'baffle' in Twelfth Night or 'twangling' and 'jingling' in The Tempest, and characters such as Sir Andrew Aguecheek and Holofernes the pedant, might in the past have been considered unworthy of critical attention -- too light or obvious to matter much for our understanding of Shakespeare and his contemporaries. Adam Zucker's meditation on the limits of learnedness and the opportunities presented by a philology of stupidity argues otherwise. Adam Zucker is a faculty member in the English Department at the University of Massachusetts Amherst, where he teaches courses on Shakespeare and other 16th and 17th Century authors. In addition to Shakespeare Unlearned (Oxford University Press, 2024), he is the author of The Places of Wit in Early Modern English Comedy (Cambridge University Press, 2011) and the co-editor of essay collections Historical Affects and the Early Modern Theater (Routledge, 2015); and Localizing Caroline Drama: Politics and Economics of the Early Modern English Stage, 1625-1642 (Palgrave Macmillan, 2006). Adam lives in Northampton, MA with his family, where he plays loud twangling instruments in the bands Outro, Bring It to Bear, The Young Old, and The Father Figures. Learn more about your ad choices. Visit megaphone.fm/adchoices

Shakespeare Unlearned: Pedantry, Nonsense, and the Philology of Stupidity (Oxford UP, 2024) dances along the borderline of sense and nonsense in early modern texts, revealing overlooked opportunities for understanding and shared community in words and ideas that might in the past have been considered too silly to matter much for serious scholarship. Each chapter pursues a self-knowing, gently ironic study of the lexicon and scripting of words and acts related to what has been called 'stupidity' in work by Shakespeare and other authors. Each centers significant, often comic situations that emerge -- on stage, in print, and in the critical and editorial tradition pertaining to the period -- when rigorous scholars and teachers meet language, characters, or plotlines that exceed, and at times entirely undermine, the goals and premises of scholarly rigor. Each suggests that a framing of putative 'stupidity' pursued through lexicography, editorial glossing, literary criticism, and pedagogical practice can help us put Shakespeare and semantically obscure historical literature more generally to new communal ends. Words such as 'baffle' in Twelfth Night or 'twangling' and 'jingling' in The Tempest, and characters such as Sir Andrew Aguecheek and Holofernes the pedant, might in the past have been considered unworthy of critical attention -- too light or obvious to matter much for our understanding of Shakespeare and his contemporaries. Adam Zucker's meditation on the limits of learnedness and the opportunities presented by a philology of stupidity argues otherwise. Adam Zucker is a faculty member in the English Department at the University of Massachusetts Amherst, where he teaches courses on Shakespeare and other 16th and 17th Century authors. In addition to Shakespeare Unlearned (Oxford University Press, 2024), he is the author of The Places of Wit in Early Modern English Comedy (Cambridge University Press, 2011) and the co-editor of essay collections Historical Affects and the Early Modern Theater (Routledge, 2015); and Localizing Caroline Drama: Politics and Economics of the Early Modern English Stage, 1625-1642 (Palgrave Macmillan, 2006). Adam lives in Northampton, MA with his family, where he plays loud twangling instruments in the bands Outro, Bring It to Bear, The Young Old, and The Father Figures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Shakespeare Unlearned: Pedantry, Nonsense, and the Philology of Stupidity (Oxford UP, 2024) dances along the borderline of sense and nonsense in early modern texts, revealing overlooked opportunities for understanding and shared community in words and ideas that might in the past have been considered too silly to matter much for serious scholarship. Each chapter pursues a self-knowing, gently ironic study of the lexicon and scripting of words and acts related to what has been called 'stupidity' in work by Shakespeare and other authors. Each centers significant, often comic situations that emerge -- on stage, in print, and in the critical and editorial tradition pertaining to the period -- when rigorous scholars and teachers meet language, characters, or plotlines that exceed, and at times entirely undermine, the goals and premises of scholarly rigor. Each suggests that a framing of putative 'stupidity' pursued through lexicography, editorial glossing, literary criticism, and pedagogical practice can help us put Shakespeare and semantically obscure historical literature more generally to new communal ends. Words such as 'baffle' in Twelfth Night or 'twangling' and 'jingling' in The Tempest, and characters such as Sir Andrew Aguecheek and Holofernes the pedant, might in the past have been considered unworthy of critical attention -- too light or obvious to matter much for our understanding of Shakespeare and his contemporaries. Adam Zucker's meditation on the limits of learnedness and the opportunities presented by a philology of stupidity argues otherwise. Adam Zucker is a faculty member in the English Department at the University of Massachusetts Amherst, where he teaches courses on Shakespeare and other 16th and 17th Century authors. In addition to Shakespeare Unlearned (Oxford University Press, 2024), he is the author of The Places of Wit in Early Modern English Comedy (Cambridge University Press, 2011) and the co-editor of essay collections Historical Affects and the Early Modern Theater (Routledge, 2015); and Localizing Caroline Drama: Politics and Economics of the Early Modern English Stage, 1625-1642 (Palgrave Macmillan, 2006). Adam lives in Northampton, MA with his family, where he plays loud twangling instruments in the bands Outro, Bring It to Bear, The Young Old, and The Father Figures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Shakespeare Unlearned: Pedantry, Nonsense, and the Philology of Stupidity (Oxford UP, 2024) dances along the borderline of sense and nonsense in early modern texts, revealing overlooked opportunities for understanding and shared community in words and ideas that might in the past have been considered too silly to matter much for serious scholarship. Each chapter pursues a self-knowing, gently ironic study of the lexicon and scripting of words and acts related to what has been called 'stupidity' in work by Shakespeare and other authors. Each centers significant, often comic situations that emerge -- on stage, in print, and in the critical and editorial tradition pertaining to the period -- when rigorous scholars and teachers meet language, characters, or plotlines that exceed, and at times entirely undermine, the goals and premises of scholarly rigor. Each suggests that a framing of putative 'stupidity' pursued through lexicography, editorial glossing, literary criticism, and pedagogical practice can help us put Shakespeare and semantically obscure historical literature more generally to new communal ends. Words such as 'baffle' in Twelfth Night or 'twangling' and 'jingling' in The Tempest, and characters such as Sir Andrew Aguecheek and Holofernes the pedant, might in the past have been considered unworthy of critical attention -- too light or obvious to matter much for our understanding of Shakespeare and his contemporaries. Adam Zucker's meditation on the limits of learnedness and the opportunities presented by a philology of stupidity argues otherwise. Adam Zucker is a faculty member in the English Department at the University of Massachusetts Amherst, where he teaches courses on Shakespeare and other 16th and 17th Century authors. In addition to Shakespeare Unlearned (Oxford University Press, 2024), he is the author of The Places of Wit in Early Modern English Comedy (Cambridge University Press, 2011) and the co-editor of essay collections Historical Affects and the Early Modern Theater (Routledge, 2015); and Localizing Caroline Drama: Politics and Economics of the Early Modern English Stage, 1625-1642 (Palgrave Macmillan, 2006). Adam lives in Northampton, MA with his family, where he plays loud twangling instruments in the bands Outro, Bring It to Bear, The Young Old, and The Father Figures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

—[Tía Roma], ¿te acuerdas de cuando mi hija [pasó] una tarde... por donde tú vives... y entró en tu choza y vino contándome, horrorizada, la pobreza y escasez que allí vio? ... Rufina [me contó] que tu vivienda es un cubil, una inmundicia hecha con adobes, tablas viejas y planchas de hierro, el techo de paja y tierra; me dijo que ni tú ni tus nietos tenéis cama y dormís sobre un montón de trapos.... Yo debí tenerte lástima y no te la tuve. Debí regalarte una cama, pues nos has servido bien; querías mucho a mi mujer, quieres a mis hijos, y en tantos años que [trabajas] aquí jamás nos has robado ni el valor de un triste clavo. Pues bien; si entonces no se me pasó por la cabeza socorrerte, ahora sí. »Diciendo esto, [Torquemada] se aproximó al lecho y... [dijo]: —Tía Roma, ven acá, toca aquí. Mira qué blandura. ¿Ves este colchón de lana encima de un colchón de muelles? Pues es para ti, para ti, para que descanses tus huesos duros y te despatarres a tus anchas. »Esperaba el tacaño una explosión de gratitud por dádiva tan espléndida, y ya le parecía estar oyendo las bendiciones de la tía Roma, cuando ésta salió por un registro muy diferente.... —... Vaya con lo que se le ocurre... ¡Darme a mí los colchones, que ni tan siquiera caben por la puerta de mi casa!... Y aunque cupieran... he vivido tantísimos años durmiendo en duro..., y en estas blanduras no pegaría los ojos. Dios me libre de tenderme ahí. ¿Sabe lo que le digo? Que quiero morirme en paz... pero con la conciencia [limpia] .... Guárdese sus colchones, que yo tengo un camastro hecho de sacos de trapo, con una manta por encima, que es la gloria divina... Ya lo quisiera usted... Aquello sí que es rico para dormir a pierna suelta... —Pues dámelo, dámelo, tía Roma —dijo el avaro con aflicción—. Si mi hijo [Valentín] se salva, me comprometo a dormir en él lo que me queda de vida y a no comer más que las [porquerías] que tú comes. —... ¡Ay, señor, a cada paje su ropaje! A usted le sienta eso como a las burras [los aretes]. Y todo ello es porque está afligido; pero si se pone bueno el niño, volverá usted a ser más malo que Holofernes.1 Tiene razón la tía Roma en este pasaje de la novela Torquemada en la hoguera, escrita por el autor español Benito Pérez Galdós. Es infinitamente mejor dormir en un colchón duro y morir en paz y con la conciencia tranquila, que dormir en un colchón suave y morir en conflicto y con la conciencia atormentada. Y aunque el niño se salve, Torquemada en realidad no tiene la menor intención de enmendar su conducta malvada. Pero si eso lo sabe la tía Roma, claro que lo sabe Dios. Y sin embargo da lo mismo que cumpla o no semejante penitencia, ya que a Dios no lo podemos comprar con ningún sacrificio que hagamos. Nuestro Padre celestial no quiere sacrificios de nuestra parte, sino más bien que lo amemos.2 Determinemos entonces amar a Dios de todo corazón y vivir con una conciencia limpia, como quería la tía Roma y como lo hizo San Pablo,3 de modo que antes de morir, al igual que le ocurrió al niño Valentín al final de la novela, bien pudiéramos ver que los ángeles nos están llamando.4 Carlos ReyUn Mensaje a la Concienciawww.conciencia.net 1 Benito Pérez Galdós, Torquemada en la hoguera, publicado en Colección Alianza Cien (Madrid, Alianza Editorial, 1996), pp. 82‑85; y Diego Marín, Literatura española, Tomo 2: Época moderna, «Torquemada en la hoguera» (New York: Holt, Rinehart and Winston, 1968), pp. 122-24. 2 Os 6:6 3 Hch 23:1 4 Galdós, Torquemada, Alianza Cien, p. 90; y Marín, Literatura española, «Torquemada», pp. 125-26.

Daily Readings: Jeremiah 41 - 42, Judith 12 - 14, Proverbs 17: 13 - 16

Fr. Mike points out Israel's continual disbelief in the prophet Jeremiah, and also explains who the queen of heaven refers to. We also conclude the book of Judith with Judith's song of praise. Today's readings are Jeremiah 43-44, Judith 15-16, and Proverbs 17:17-20.. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.

In our reading of Jeremiah today, Fr. Mike highlights Ishmael's insurrection against Gedaliah and Jeremiah's response. We also read about the defeat of Holofernes and the praise of Judith for her courage and virtue. Today's readings are Jeremiah 41-42, Judith 12-14, and Proverbs 17:13-16. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.

Fr. Mike expands on our reading today from Proverbs about the need to guard our speech toward one another. In Jeremiah, we see the final wave of destruction of Jerusalem and the events that followed. Today's readings are Jeremiah 39-40, Judith 10-11, and Proverbs 17:9-12. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.

Fr. Mike points out how, like King Jehoiakim, we too can dismiss God's teachings instead of letting them cut into our hearts. The readings are Jeremiah 35-36, Judith 6-7, and Proverbs 17:1-4. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.

Fr. Mike points out the difference between the insincere repentance of King Zedekiah and the people in Jerusalem, and the true repentance of the people in the Book of Judith. The readings are Jeremiah 33-34, Judith 3-5, and Proverbs 16:29-33. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.

Wouter Post in gesprek met oudhistoricus en auteur Anton van Hooff over tirannicide of tirannenmoord. Bronnen en links bij deze uitzending: - 'Tirannenmoord. Van Caesar tot Hitler', Anton van Hooff: https://www.omniboek.nl/boek/tirannenmoord/ - 'Lucifer verzwelgt Brutus, Cassius, and Judas Iskariot' in Dante's 'Inferno': https://houghtonlib.tumblr.com/post/615018399768182784/lucifer-devours-brutus-cassius-and-judas - 'Judith onthoofdt Holofernes', door Caravaggio: https://nl.wikipedia.org/wiki/Judith_onthoofdt_Holofernes_(Caravaggio) - 'Balthazar Gerards. Moordenaar en martelaar', Nanne Bosma: https://www.dbnl.org/tekst/bosm029balt01_01/bosm029balt01_01_0003.php - De podcast 'Byzantium & Friends' van Anthony Kaldellis: https://byzantiumandfriends.podbean.com/ (31:25) - De Baltische weg: https://nl.wikipedia.org/wiki/Baltische_Weg (39:04) - Het 'Plakkaat van Verlatinge' (1581), het Nationaal Archief: https://www.nationaalarchief.nl/beleven/onderwijs/bronnenbox/plakkaat-van-verlatinge-1581 - Historicus Geerten Waling over het 'Plakkaat van Verlatinge': https://www.maastrichtuniversity.nl/nl/agenda/plakkaat-van-verlatinghe (40:55)

Judith 1-7 forms the first half of the book which focuses on painting a portrait of the enemy, who by all accounts is overwhelmingly powerful and unstoppable. Nebuchadnezzar sends his commander-in-chief Holofernes to subdue all peoples who oppose him. Everyone submits quickly to this juggernaut, except for the Jews. They pray and work hard to defend themselves, but things have become desperate and now they must trust God until the very end, or surrender as well. Enjoy this sample from Lesson 2, "Holofernes Wars Against the Nations," from Dr. Nick's course, "Judith: Blessed Among Women." Anyone can join our community of students and stream the entire audio lesson and full course (and other courses too!) whenever they wish.

Join Sam, John, and Ron as they survey the story of Judith, an imaginative, highly fictionalized romance, portraying an Assyrian invasion of Israel led by a man named Holofernes. He besieges the town of Bethulia, where a widow named Judith dwells. Find out how she kept her head under pressure, glorified God, and saved her people from the Assyrian invaders. 

We've come to the last four reliefs carved in the paving stones of the terrace of pride. We're almost on our way to the next terrace of Purgatory . . . but not quite. Dante the pilgrim has to pay attention to four final moments, four final exemplars, some of whom are stated outright and some of whom are strangely occluded.Join me, Mark Scarbrough, as we look through this last passage on the reliefs in the road bed. There are still plenty of surprises under our feet!Please consider donating to help me cover licensing, streaming, hosting, web domain, and other fees associated with this unsponsored podcast. If you'd like to make a contribution, you can do so at this PayPal link.Here are the segments of this episode of WALKING WITH DANTE:[01:24] My English translation of the passage: PURGATORIO, Canto XII, lines 49 - 60. If you'd like to read along or drop a comment to continue the conversation, please visit my website, markscarbrough.com.[02:42] The final figures in the hard pavement: Alcmeon (and Eriphyle), Sennacherib, Tomyris (and Cyrus), and Holofernes (and Judith).[11:16] The craft of the passage: children killing their parents v. women killing warlords, sacred spaces v. profane/political slaughter, occluded v. presented figures.[15:41] Curiosities in the passage: the unnamed figures, the allegory of the hard pavement, the connection between Sennacherib and Satan, and the odd notion of Holofernes' "relics."[21:24] Our final discussion on the virtue of humility: its possible evolutionary necessity for a communal animal.

Super Bowl Performance, Cell Phone Blackout, the Ethiopian Orthodox Church's new stronghold on believers. A wake up call to the drunken, so you don't have to go through what Noah, Ben Hadad, & Holofernes went through.

Divine judgment is a recurring theme in many apocryphal writings, including the book of Judith. The Book of Judith is a great book, that portrays an Assyrian invasion of Israel led by a man named Holofernes. He besieges the town of Bethulia, where a widow named Judith dwells. Frustrated by the lack of faith in God shown by Bethulia's leaders, Judith concocts a plan of her own. She takes matters into her own hands, seducing and murdering Holofernes in his tent. The death of Holofernes gives the Israelites faith and they rout the Assyrian forces, securing victory for Israel 1. The book of Judith is a fascinating example of how divine judgment can be portrayed in literature. It shows how faith in God can lead to victory over seemingly insurmountable odds. The story of Judith is a testament to the power of faith and the importance of taking action when faced with adversity. In conclusion, the Book of Judith is a hidden gem of apocryphal literature that deserves more attention. Its portrayal of divine judgment is both imaginative and inspiring, and its message of faith and action is as relevant today as it was when it was written. The parallels to divine retribution on Western culture is striking. Find out more on #theforefrontradio --- Send in a voice message: https://podcasters.spotify.com/pod/show/theforefront/message Support this podcast: https://podcasters.spotify.com/pod/show/theforefront/support

Holofernes, the ruthless Seleucid general, has besieged the Judean town of Besulia to crush the rebellious citizenry. With no food or water, the townspeople grow more despondent with each passing day. But Yehudis, the daughter of Yochanan the Kohein Godol, has a plan to rid the world of Holofernes and save the town.

This episode addresses three more of Caravaggio's innovative early paintings in Rome, Italy. Each of the paintings treats conventional subjects in unconventional ways, including using well-known prostitutes as models for the Virgin Mary and Mary Magdalene, and introducing unprecedented violence into the Judith subject.

Bry and Fry are joined by Eric of Saint Podcast to discuss the history of saint art - from the early devotional depictions of suffering, straight into eroticism and clever inclusions of mistresses and lovers.    Find Eric and Saint Podcast: https://www.saintpodcast.com/   Show Notes/Works Discussed:    Giotto's Frescos of St. Francis: https://www.wga.hu/html_m/g/giotto/assisi/upper/index.html   Mosaics of St. Sebastian in Ravenna: https://www.johnsanidopoulos.com/2019/12/the-two-earliest-images-of-saint.html   Bronzino's St. Sebastian:  https://www.museothyssen.org/sites/default/files/styles/full_resolution/public/imagen/obras/1985.2_san-sebastian.jpg   Sistine Chapel's Last Judgement St. Blaise and St. Catherine: https://cdn.kastatic.org/ka-perseus-images/288a83f4d2603e2782bad6e6c0c5d84696c03ba5.jpg    Jean Fouquet's Melun Diptych: https://upload.wikimedia.org/wikipedia/commons/thumb/e/e7/Fouquet_Madonna.jpg/800px-Fouquet_Madonna.jpg   Caravaggio's John the Baptist:  https://media.mutualart.com/Images//2018_04/10/07/073604980/6c3752da-8079-4e58-aa93-239cff297a5a.Jpeg   Caravaggio's Judith and Holofernes:  https://upload.wikimedia.org/wikipedia/commons/thumb/9/9d/Judith_Beheading_Holofernes-Caravaggio_%28c.1598-9%29.jpg/1280px-Judith_Beheading_Holofernes-Caravaggio_%28c.1598-9%29.jpg   Caravaggio's St. Catherine of Alexandria: https://upload.wikimedia.org/wikipedia/commons/thumb/c/c5/Caravaggio_-_Saint_Catherine_of_Alexandria_%28post-restoration_image%29.jpg/800px-Caravaggio_-_Saint_Catherine_of_Alexandria_%28post-restoration_image%29.jpg   Cristoforo Allori's Judith and Holofernes: https://en.wikipedia.org/wiki/Cristofano_Allori#/media/File:Judith_with_the_Head_of_Holofernes_by_Cristofano_Allori.jpg    Da Vinci's John the Baptist: https://en.wikipedia.org/wiki/Saint_John_the_Baptist_%28Leonardo%29#/media/File:Leonardo_da_Vinci_-_Saint_John_the_Baptist_C2RMF_retouched.jpg   Guilia Farnese as the Virgin Mary with Pope Alexander VI:  https://en.wikipedia.org/wiki/Giulia_Farnese#/media/File:Alexander_VI_guilia.jpg

Against all apparent odds, when it seemed Jerusalem and all the Holy Land were threatened with being overrun by the enemy, Judith decapitates Holofernes, who is a type of the antichrist. All this is written to give us unconquerable hope in the Triumph of Mary's Immaculate Heart, who sinlessness defeats satan. This podcast is sample chapter from ⁠"Crushing satan's head: The Virgin Mary's Victory over the Antichrist Foretold in the Old Testament"⁠. Narrated by the author, Fr James Mawdsley. Ad Jesum per Mariam!

Fr. Mike points out Israel's continual disbelief in the prophet Jeremiah, and also explains who the queen of heaven refers to. We also conclude the book of Judith with Judith's song of praise. Today's readings are Jeremiah 43-44, Judith 15-16, and Proverbs 17:17-20. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.

In our reading of Jeremiah today, Fr. Mike highlights Ishmael's insurrection against Gedaliah and Jeremiah's response. We also read about the defeat of Holofernes and the praise of Judith for her courage and virtue. Today's readings are Jeremiah 41-42, Judith 12-14, and Proverbs 17:13-16. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.

Judit se mantiene firme en el Señor y con paciencia espera el momento para tomar acción y someter a sus enemigos. Judit se gana la confianza de Holofernes y de sus guardias, estableciendo rutinas de oración para purificarse y encomendarse a Yahvé. Una noche, inspirada por Yahvé, Judit pone una trampa a Holofernes y sus hombres, preparando alimentos y vino y embriagando a todos. Una vez que solo estaban Judit y Holofernes, Judit tomó un arma de la tienda de Holofernes, pidió fuerza a Yahvé y decapitó al rey de sus enemigos. Judit huye del campamento y regresa con su pueblo. Judit entrega la cabeza de la cabeza de Holofernes y todos exaltan a Yahvé. Al día siguiente el pueblo de Israel sale en contra de sus enemigos, con la cabeza de Holofernes en su estandarte... Hoy leemos Jeremías 41-42; Judit 12-14; Proverbios 17:13-16.A partir de enero del 2023, Fray Sergio Serrano, OP leerá toda la Biblia en 365 episodios. Además compartirá reflexiones y comentarios para ir conociendo más la Palabra de Dios al caminar por la Historia de la Salvación.Aquí puedes obtener más información y el plan de lectura.Un poco más de The Great Adventure Bible, la Biblia que seguirá el podcast de La Biblia en un Año:Codificación de colores para fácil referencia: Usa el famoso Sistema de Aprendizaje de la Cronología de la Biblia de The Great Adventure (“The Bible Timeline” ®️) creado por Jeff Cavins, experto en Sagradas Escrituras, y que es utilizado por cientos de miles de católicos para aprender a leer la Biblia.Artículos que te ayudan a comprender el panorama completo de la Historia de la Salvación.Recuadros con eventos clave que ayudan a identificar los puntos importantes en la Biblia.Cuadros detallados que ofrecen la visión panorámica de los personajes y eventos clave, las alianzas importantes, mapas y el contexto histórico.Mapas a todo color que ayudan a visualizar los lugares donde sucedieron las historias bíblicas.

Fr. Mike expands on our reading today from Proverbs about the need to guard our speech toward one another. In Jeremiah, we see the final wave of destruction of Jerusalem and the events that followed. Today's readings are Jeremiah 39-40, Judith 10-11, and Proverbs 17:9-12. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.

Judit se levanta y se despoja de sus vestidos de viuda y su tristeza, ungiéndose con perfumes exquisitos y ropas de cuando era feliz con su esposo. Así, con confianza en su Dios, va al campamento de sus enemigos y pide una entrevista con Holofernes. Holofernes sale al encuentro de Judit y escucha sus palabras. Judit habla palabras que inspiró Yahvé en ella para engañar a Holofernes y hacerle creer que está a su servicio y se ha vuelto contra su propio pueblo. Holofernes cree las palabras de Judit y confía en ella... Hoy leemos Jeremías 39-40; Judit 10-11; Proverbios 17:9-12.A partir de enero del 2023, Fray Sergio Serrano, OP leerá toda la Biblia en 365 episodios. Además compartirá reflexiones y comentarios para ir conociendo más la Palabra de Dios al caminar por la Historia de la Salvación.Aquí puedes obtener más información y el plan de lectura.Un poco más de The Great Adventure Bible, la Biblia que seguirá el podcast de La Biblia en un Año:Codificación de colores para fácil referencia: Usa el famoso Sistema de Aprendizaje de la Cronología de la Biblia de The Great Adventure (“The Bible Timeline” ®️) creado por Jeff Cavins, experto en Sagradas Escrituras, y que es utilizado por cientos de miles de católicos para aprender a leer la Biblia.Artículos que te ayudan a comprender el panorama completo de la Historia de la Salvación.Recuadros con eventos clave que ayudan a identificar los puntos importantes en la Biblia.Cuadros detallados que ofrecen la visión panorámica de los personajes y eventos clave, las alianzas importantes, mapas y el contexto histórico.Mapas a todo color que ayudan a visualizar los lugares donde sucedieron las historias bíblicas.

Fr. Mike points out how, like King Jehoiakim, we too can dismiss God's teachings instead of letting them cut into our hearts. The readings are Jeremiah 35-36, Judith 6-7, and Proverbs 17:1-4. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.

Holofernes ordenó a todo su ejército a movilizarse contra Betulia, ocupando los accesos de la montaña y comenzando las hostilidades contra los Israelitas. El ejército de Holofernes levantó su campamento al rededor de Betulia. Yahvé indicó a Holofernes a no atacar, sino a cortar el suministro del pueblo, para que ninguno de sus hombres cayera en combate. Los israelitas veían como sus hijos y sus mujeres morían de sed, por lo que levantaron su voz a Yahvé, reconociendo su pecado y aceptando la entrega de sus tierras a Holofernes, para que así no tuvieran que ver a sus hijos y a sus mujeres morir... Hoy leemos Jeremías 35-36; Judit 6-7; Proverbios 17:1-4.A partir de enero del 2023, Fray Sergio Serrano, OP leerá toda la Biblia en 365 episodios. Además compartirá reflexiones y comentarios para ir conociendo más la Palabra de Dios al caminar por la Historia de la Salvación.Aquí puedes obtener más información y el plan de lectura.Un poco más de The Great Adventure Bible, la Biblia que seguirá el podcast de La Biblia en un Año:Codificación de colores para fácil referencia: Usa el famoso Sistema de Aprendizaje de la Cronología de la Biblia de The Great Adventure (“The Bible Timeline” ®️) creado por Jeff Cavins, experto en Sagradas Escrituras, y que es utilizado por cientos de miles de católicos para aprender a leer la Biblia.Artículos que te ayudan a comprender el panorama completo de la Historia de la Salvación.Recuadros con eventos clave que ayudan a identificar los puntos importantes en la Biblia.Cuadros detallados que ofrecen la visión panorámica de los personajes y eventos clave, las alianzas importantes, mapas y el contexto histórico.Mapas a todo color que ayudan a visualizar los lugares donde sucedieron las historias bíblicas.

Fr. Mike points out the difference between the insincere repentance of King Zedekiah and the people in Jerusalem, and the true repentance of the people in the Book of Judith. The readings are Jeremiah 33-34, Judith 3-5, and Proverbs 16:29-33. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.

In today's reading from Jeremiah, Fr. Mike points out how God rejoices in doing us good, and wants to pour out his grace and mercy upon us. As we begin reading from Judith, he explains that, while it might not be historically accurate, the story is there to convey truth. The readings are Jeremiah 32, Judith 1-2, and Proverbs 16:25-28. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.

Next Chapter Podcasts presents the complete Play On Podcast series, LOVE'S LABOUR'S LOST, in its entirety. The Play On Podcast series, “LOVE'S LABOUR'S LOST”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by JOSH WILDER. Each episode was directed by NELSON T. EUSEBIO the THIRD. The cast is as follows: RUSSELL G. JONES as THE KING OF NAVARRE and THE FORESTER MATTHEW ELIJAH WEBB as BEROWNE ASHLEY BRYANT as THE PRINCESS and JAQUENETTA TIFFANY RACHELLE STEWART as ROSALINE TONYA PINKINS as MARIA, HOLOFERNES, and HIEMS SHAWN RANDALL as COSTARD and DUMAINE BRANDON JONES as DON ADRIANO DE ARMADO and LONGAVILLE WALTER COPPAGE as MOTH, BOYET, DULL and MARCADE SARITA COVINGTON as LADY NATHANIEL and KATHARINE Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON Original Music and Sound Design by LINDSAY JONES.  Sound engineering by SADAHARU YAGI.  Mix Engineer and Dialogue Editor: LARRY WALSH.  Podcast Mastering by GREG CORTEZ at New Monkey Studio.  Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “LOVE'S LABOUR'S LOST” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. For more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Learn more about your ad choices. Visit megaphone.fm/adchoices

“The Nine Worthies” goes from bad to worse, much to the delight of the audience, who laugh uproariously until the unexpected entrance of Marcade, a messenger from France. The news he delivers brings everyone's joy to an end, leaving the King and his friends to reconcile with the sudden departure of the Princess and her company. They vow to reunite in one year's time, provided the men complete works of service prescribed by the Ladies. **** The Play On Podcast series, “LOVE'S LABOUR'S LOST”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by JOSH WILDER. Each episode was directed by NELSON T. EUSEBIO the THIRD. The cast is as follows: RUSSELL G. JONES as THE KING OF NAVARRE and THE FORESTER MATTHEW ELIJAH WEBB as BEROWNE ASHLEY BRYANT as THE PRINCESS and JAQUENETTA TIFFANY RACHELLE STEWART as ROSALINE TONYA PINKINS as MARIA, HOLOFERNES, and HIEMS SHAWN RANDALL as COSTARD and DUMAINE BRANDON JONES as DON ADRIANO DE ARMADO and LONGAVILLE WALTER COPPAGE as MOTH, BOYET, DULL and MARCADE SARITA COVINGTON as LADY NATHANIEL and KATHARINE Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON Original Music and Sound Design by LINDSAY JONES.  Sound engineering by SADAHARU YAGI.  Mix Engineer and Dialogue Editor: LARRY WALSH.  Podcast Mastering by GREG CORTEZ at New Monkey Studio.  Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “LOVE'S LABOUR'S LOST” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. For more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Learn more about your ad choices. Visit megaphone.fm/adchoices

The four men, still in their Muscovite disguises, say goodbye to the Ladies, who laugh at their abysmal performances. Soon, the men return undisguised only to be berated by the women for their antics. Berowne blames Boyet for spoiling their fun when Costard arrives to invite them to their play, “The Nine Worthies”. The King resists but the Princess persuades him to see the show. That evening, the Royals attend the play at Howard University's Ira Aldridge Theater and are delighted by the accidental comedy staged by Holofernes, Don Armado, Moth, Costard and the rest of the players. The Play On Podcast series, “LOVE'S LABOUR'S LOST”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by JOSH WILDER. Each episode was directed by NELSON T. EUSEBIO the THIRD. The cast is as follows: RUSSELL G. JONES as THE KING OF NAVARRE and THE FORESTER MATTHEW ELIJAH WEBB as BEROWNE ASHLEY BRYANT as THE PRINCESS and JAQUENETTA TIFFANY RACHELLE STEWART as ROSALINE TONYA PINKINS as MARIA, HOLOFERNES, and HIEMS SHAWN RANDALL as COSTARD and DUMAINE BRANDON JONES as DON ADRIANO DE ARMADO and LONGAVILLE WALTER COPPAGE as MOTH, BOYET, DULL and MARCADE SARITA COVINGTON as LADY NATHANIEL and KATHARINE Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON Original Music and Sound Design by LINDSAY JONES.  Sound engineering by SADAHARU YAGI.  Mix Engineer and Dialogue Editor: LARRY WALSH.  Podcast Mastering by GREG CORTEZ at New Monkey Studio.  Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “LOVE'S LABOUR'S LOST” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. For more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Learn more about your ad choices. Visit megaphone.fm/adchoices

Holofernes and Nathaniel pontificate about linguistics over dinner until Armado arrives. Holofernes perks up when Armado describes his friendship with the King, who has asked Armado to present a “delightful performance” for them all to enjoy. Holofernes proposes that they present “The Nine Worthies” and assigns their parts, with Armado as Judas Maccabeus and Moth as Hercules. Back at the Princess's tent, she and her girlfriends laugh in delight at the love letters and gifts the King and his pals have sent to woo them. Soon, Boyet arrives laughing at what he's just seen: The King, Berowne, Longaville and Dumaine have put on disguises and plan to court the ladies as “Muscovites”. The Princess convinces her friends to get back at the men by disguising themselves as each other: The Princess will pretend to be Rosaline, Rosaline will pretend to be the Princess, Maria will be Katharine and Katharine will be Maria. The suitors arrive in their Muscovite costumes with the Howard Marching band in tow and end up getting completely fooled by the ladies.  The Play On Podcast series, “LOVE'S LABOUR'S LOST”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by JOSH WILDER. Each episode was directed by NELSON T. EUSEBIO the THIRD. The cast is as follows: RUSSELL G. JONES as THE KING OF NAVARRE and THE FORESTER MATTHEW ELIJAH WEBB as BEROWNE ASHLEY BRYANT as THE PRINCESS and JAQUENETTA TIFFANY RACHELLE STEWART as ROSALINE TONYA PINKINS as MARIA, HOLOFERNES, and HIEMS SHAWN RANDALL as COSTARD and DUMAINE BRANDON JONES as DON ADRIANO DE ARMADO and LONGAVILLE WALTER COPPAGE as MOTH, BOYET, DULL and MARCADE SARITA COVINGTON as LADY NATHANIEL and KATHARINE Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON Original Music and Sound Design by LINDSAY JONES.  Sound engineering by SADAHARU YAGI.  Mix Engineer and Dialogue Editor: LARRY WALSH.  Podcast Mastering by GREG CORTEZ at New Monkey Studio.  Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “LOVE'S LABOUR'S LOST” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. For more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nathaniel and Holofernes congratulate each other on their handling of Berowne's letter and agree to use it as an example of bad writing. Back at Howard University's Clark Hall, Berowne paces nervously, ruminating on his love for Rosaline. He hides when King Navarre enters, reading a love letter he wrote to the Princess out loud to himself. Navarre takes cover when Longaville enters and reads his own letter to Margaret, and Longaville hides when Dumaine enters to read the letter he's writing to Maria. Soon, all four friends step forward to accuse each other of hypocrisy, with Berowne taking the lead in shaming the others. It all comes to a screeching halt when Jacquenetta enters with Berowne's letter, which he desperately tries–and fails–to snatch back. With everything finally revealed, Berowne convinces his friends to abandon their vows and strive instead to be the best lovers they can be in winning the affections of the Princess and her friends. The Play On Podcast series, “LOVE'S LABOUR'S LOST”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by JOSH WILDER. Each episode was directed by NELSON T. EUSEBIO the THIRD. The cast is as follows: RUSSELL G. JONES as THE KING OF NAVARRE and THE FORESTER MATTHEW ELIJAH WEBB as BEROWNE ASHLEY BRYANT as THE PRINCESS and JAQUENETTA TIFFANY RACHELLE STEWART as ROSALINE TONYA PINKINS as MARIA, HOLOFERNES, and HIEMS SHAWN RANDALL as COSTARD and DUMAINE BRANDON JONES as DON ADRIANO DE ARMADO and LONGAVILLE WALTER COPPAGE as MOTH, BOYET, DULL and MARCADE SARITA COVINGTON as LADY NATHANIEL and KATHARINE Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON Original Music and Sound Design by LINDSAY JONES.  Sound engineering by SADAHARU YAGI.  Mix Engineer and Dialogue Editor: LARRY WALSH.  Podcast Mastering by GREG CORTEZ at New Monkey Studio.  Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “LOVE'S LABOUR'S LOST” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. For more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a rehearsal room at the Howard Conservatory of Music, Don Armado debates the nature of love with Moth before releasing Costard from bondage to deliver a love letter he wrote to Jacquenetta. Costard celebrates his payment and is about to set off on his errand when Berowne hires him to deliver a love letter he wrote to Rosaline. Off campus, the Princess and her entourage admire the king performing dressage on his horse as they prepare to hunt. Costard arrives to deliver Berowne's letter to Rosaline but accidentally delivers Armado's letter, which Boyet reads out loud to the delight of all the ladies as they set off on the deer hunt. Later, the scholars Nathaniel and Holofernes critique the deer hunt on a bus ride back to campus. Jaquenetta gets on board and asks Nathaniel to read the letter Costard delivered to her out loud because she cannot read it herself. Holofernes realizes that the letter has been delivered to the wrong person. She tells Jaquenetta to bring it to the King. Jaquenetta sets off, taking Costard with her. The Play On Podcast series, “LOVE'S LABOUR'S LOST”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by JOSH WILDER. Each episode was directed by NELSON T. EUSEBIO the THIRD. The cast is as follows: RUSSELL G. JONES as THE KING OF NAVARRE and THE FORESTER MATTHEW ELIJAH WEBB as BEROWNE ASHLEY BRYANT as THE PRINCESS and JAQUENETTA TIFFANY RACHELLE STEWART as ROSALINE TONYA PINKINS as MARIA, HOLOFERNES, and HIEMS SHAWN RANDALL as COSTARD and DUMAINE BRANDON JONES as DON ADRIANO DE ARMADO and LONGAVILLE WALTER COPPAGE as MOTH, BOYET, DULL and MARCADE SARITA COVINGTON as LADY NATHANIEL and KATHARINE Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON Original Music and Sound Design by LINDSAY JONES.  Sound engineering by SADAHARU YAGI.  Mix Engineer and Dialogue Editor: LARRY WALSH.  Podcast Mastering by GREG CORTEZ at New Monkey Studio.  Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “LOVE'S LABOUR'S LOST” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. For more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Learn more about your ad choices. Visit megaphone.fm/adchoices

Costard is put under the guard of Don Armado, who continues to dote on Jaquenetta. Meanwhile, the Princess, chauffeured by her Counsellor (Boyet) arrives on campus at Howard University in her Model T along with her Ladies-In-Waiting (Rosaline, Maria and Katharine). She sends Boyet to announce their arrival to the King of Navarre, who sends back word that he cannot house the Ladies under his roof but will provide shelter in a tent on campus, instead. The Princess is offended and demands that the King answer her father's suit: that he return the land of Aquitaine to France. The King counters that her father has not paid him back the money he lent for her father's war. The Princess accuses Navarre of lying and asks Boyet to provide proof of payment. Boyet says it will take another day for that proof to arrive. As they banter, Berowne tries to flirt with Rosaline, who turns him away. Dumaine and Longaville are smitten with Katharine and Maria, and ask Boyet for their names. He teasingly obliges. After the men depart, Boyet tells the Princess he believes the King is in love with her. She laughs it off as she strolls to their newly erected tent. The Play On Podcast series, “LOVE'S LABOUR'S LOST”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by JOSH WILDER. Each episode was directed by NELSON T. EUSEBIO the THIRD. The cast is as follows: RUSSELL G. JONES as THE KING OF NAVARRE and THE FORESTER MATTHEW ELIJAH WEBB as BEROWNE ASHLEY BRYANT as THE PRINCESS and JAQUENETTA TIFFANY RACHELLE STEWART as ROSALINE TONYA PINKINS as MARIA, HOLOFERNES, and HIEMS SHAWN RANDALL as COSTARD and DUMAINE BRANDON JONES as DON ADRIANO DE ARMADO and LONGAVILLE WALTER COPPAGE as MOTH, BOYET, DULL and MARCADE SARITA COVINGTON as LADY NATHANIEL and KATHARINE Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON Original Music and Sound Design by LINDSAY JONES.  Sound engineering by SADAHARU YAGI.  Mix Engineer and Dialogue Editor: LARRY WALSH.  Podcast Mastering by GREG CORTEZ at New Monkey Studio.  Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “LOVE'S LABOUR'S LOST” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. For more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Learn more about your ad choices. Visit megaphone.fm/adchoices

By Paul Tran

Kathleen opens the show drinking her favorite beer: a Spotted Cow from New Glarus Brewing Company in Wisconsin. She celebrates the start of the 2022 World Cup in Qatar wearing her USA beanie and reviews all of the fun she had during her weekend outside of Minneapolis, meeting Louie Anderson's sister and gambling on Minnesota's paper pull tabs. QUEEN NEWS: Kathleen shares a throwback video of Queen Dolly singing with her sisters Stella (whom Kathleen loves) and Frieda at Thanksgiving. “GOOD BAD FOOD”: In her quest for delicious not-so-nutritious food AND in continuing her search for the best Ranch, Kathleen samples Heluva Good Bacon Horseradish Dip and Hidden Valley Ranch Bugles.UPDATES: Kathleen gives an update on Boris Becker's prison term, Elizabeth Holmes is finally sentenced for her Theranos scam, Banksy is caught on camera and urges shoplifters to target Guess stores, Nigerian Instagram influencer Hushpuppi is arrested in Dubai, and Jerry Falwell's “Pool Boy” tells all. “HOLY SHIT THEY FOUND IT”: Kathleen is amazed to read about the discovery of a black-naped pheasant pigeon that hasn't been sighted for almost 140 years. FRONT PAGE PUB NEWS: Kathleen shares articles on the recent sighting of the legendary grizzly bear ”The Boss” in Banff National Park, Taylor Swift breaks the internet during the presale of her 2023 Tour, the sale of Steve Jobs' used Birkenstock sandals, a chain-smoking grandpa runs a marathon in 3.5 hours, thousands of mink flee their cages during a robbery in Ohio, she reads a list of things that World Cup fans are restricted from doing in Qatar, homeowners find a $137M Caravaggio painting depicting Judith beheading Holofernes, an 11-year-old showcases the highest IQ in history, and the New York Zoo announces the historic birth of twin Asian Elephants.WHAT TO WATCH THIS WEEK: Kathleen recommends watching The Crown Season 5 on Netflix, and God Forbid on Hulu. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Fr. Mike points out Israel's continual disbelief in the prophet Jeremiah, and also explains who the queen of heaven refers to. We also conclude the book of Judith with Judith's song of praise. Today's readings are Jeremiah 43-44, Judith 15-16, and Proverbs 17:17-20. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.

In our reading of Jeremiah today, Fr. Mike highlights Ishmael's insurrection against Gedaliah and Jeremiah's response. We also read about the defeat of Holofernes and the praise of Judith for her courage and virtue. Today's readings are Jeremiah 41-42, Judith 12-14, and Proverbs 17:13-16. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.

Fr. Mike expands on our reading today from Proverbs about the need to guard our speech toward one another. In Jeremiah, we see the final wave of destruction of Jerusalem and the events that followed. Today's readings are Jeremiah 39-40, Judith 10-11, and Proverbs 17:9-12. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.

Fr. Mike points out how, like King Jehoiakim, we too can dismiss God's teachings instead of letting them cut into our hearts. The readings are Jeremiah 35-36, Judith 6-7, and Proverbs 17:1-4. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.

Fr. Mike points out the difference between the insincere repentance of King Zedekiah and the people in Jerusalem, and the true repentance of the people in the Book of Judith. The readings are Jeremiah 33-34, Judith 3-5, and Proverbs 16:29-33. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.

In today's reading from Jeremiah, Fr. Mike points out how God rejoices in doing us good, and wants to pour out his grace and mercy upon us. As we begin reading from Judith, he explains that, while it might not be historically accurate, the story is there to convey truth. The readings are Jeremiah 32, Judith 1-2, and Proverbs 16:25-28. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.