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12 episodes with holbein
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2 episodes with holbein
2 episodes with holbein
2 episodes with holbein
2 episodes with holbein
2 episodes with holbein
2 episodes with holbein
Host Natalie Grueninger speaks with Dr Christina Faraday about her new book, 'The Story of Tudor Art', a first-of-its-kind survey of 16th-century English art. They explore how Tudor art functioned as communication and status—covering portraits, miniatures, tapestries, household objects, royal effigies, patrons from kings to middling professionals, and artists such as Holbein, Hilliard, and lesser-known women makers. The episode also discusses imported art, surprising everyday objects that reveal court life, and an upcoming exhibition, Tudor Contemporary, which pairs modern responses with historical works. Visit Dr Faraday's official website https://www.christinajfaraday.com/ Find out more about your host at https://www.nataliegrueninger.com Support Talking Tudors on Patreon!
For many of us, travel to Japan is something we do once in a while. We save and plan, then journey to a country that offers so much to our mokuhanga practice. But for others, the trip becomes extended, and Japan becomes a place to build a life and make work. Japan becomes central to who they are and how they see the world. On this episode of The Unfinished Print: A Mokuhanga Podcast, I speak with Sarah Brayer, a visual artist who has made her home in Kyoto, where she has created a wide range of visual art such as mokuhanga, poured washi, fusuma murals, and aquatint. In our interview, we focus on Sarah's mokuhanga history, her studies with Toshi Yoshida, her life in Kyoto and how the city shapes her work. We also discuss her mokuhanga work, how she views the medium and where it fits into her life today. Sarah Brayer - website, Instagram River Mist Kyoto (1982) 7" x 21" aquatint - is an intaglio printmaking technique used to create rich tonal effects rather than lines alone. By dusting a metal plate with fine resin particles and then heating it to adhere the grains, the artist creates a textured, acid-resistant surface. When the plate is placed in acid, the exposed areas etch around the resin particles, producing a range of tones similar to watercolor washes. By stopping out areas and etching in stages, printmakers can build subtle gradients, deep shadows, and layered atmospheres, making aquatint especially popular for expressive, painterly prints. etching - is an intaglio printmaking process in which an image is created by using acid to bite lines into a metal plate. The plate is first coated with a waxy, acid-resistant ground, and the artist draws through this ground with a needle to expose the metal beneath. When the plate is submerged in acid, the exposed lines are etched into the surface. After the ground is removed, ink is worked into these incised lines, the surface is wiped clean, and dampened paper is pressed onto the plate with a high-pressure press, transferring the inked image. Etching allows for incredibly fine detail, expressive line quality, and a wide range of textures. raku yaki - raku ware is a traditional Japanese pottery style that originated in 16th-century Kyoto and is closely tied to the tea ceremony. Characterized by hand-shaped forms, low-temperature firing, and simple glazes that embody wabi-sabi, it was historically cooled in the open air and produced by the Raku family lineage. In contrast, Western raku refers to a later adaptation in which red-hot pieces are placed into combustible materials to create dramatic crackle and metallic effects, a process distinct from the original Japanese method. Kyoto Seika University - located in Kyoto, Japan, is a leading private institution specializing in art and design education. It offers undergraduate and graduate programs in fields such as painting, sculpture, graphic design, and manga. Known for its rigorous curriculum, Kyoto Seika emphasizes both practical skills and creative expression. With a strong tradition of nurturing talented artists and designers, the university fosters a dynamic environment that encourages innovation and artistic growth. ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century. Torii Kyomasu II (1706-1763) Mary Cassatt (1844–1926) was an American painter and printmaker who became a prominent figure in the French Impressionist movement. Known for her intimate portrayals of women and children, she used soft yet expressive color, loose brushwork, and innovative printmaking techniques to capture everyday domestic life. Living much of her career in Paris, she exhibited with artists like Degas, who influenced her approach to composition and perspective. Cassatt's work remains celebrated for its sensitivity, modernity, and groundbreaking representation of women's experiences. Ren Brown Collection - is gallery in Bodega Bay, California featuring contemporary Japanese prints, handmade ceramics and jewelry, Japanese antiques, and works by California artists and sculptors. Each piece reflects a dedication to quality, cultural heritage, and creative expression. Micah Schwaberow (1948-2022) - was an American mokuhanga printmaker who fused Western and Eastern imagery to create a unique perspective. His work often featured landscapes, portraits, and cultural themes. Celebration (2015) 10" x 5 1/2" bokashi - is a mokuhanga technique, where the pigment fades from a heavy colour to a softer, broad colour. Made famous by prints designed by Hokusai and Hiroshige, this technique is, for me, the most popular technique utilized by mokuhanga printmakers. There are various types: Ichimoji-bokashi or straight line graduation, used in the above mentioned Hiroshige and Hokusai prints. Ichimoji-mura-bokashi or straight line gradation with uneven edge. Ō-bokashi or wide gradation, Ate-nashi-bokashi or gradation without definition. Futa-iro-bokashi or two tone gradation, and ita-bokashi or softer-edge gradation, where the block is cut in a specific way to achieve this style of gradation. All of these styles of bokashi technique take practice and skill but are very much doable. A wonderful example of bokashi in the sky can be found below, in a print by Paul Binnie. Acropolis - Night (2007) 11.85" × 16.46" Utagawa Hiroshige (1797-1858) - born in Edo, Hiroshige is famous for his landscape series of that burgeoning city. The most famous series being, One Hundred Famous Views of Edo (1856-1859), and the landcape series, Fifty-Three Stations of the Tōkaidō (1833-1834). His work highlights bokashi, and bright colours. More info about his work can be found, here. Sumidagawa (from Forty-Eight Famous Views of Edo) (ca. 1861) 8 7/8" x 6 7/16" Kawase Hasui (1883-1957), a designer of more than six hundred woodblock prints, is one of the most famous artists of the shin-hanga movement of the early twentieth century. Hasui began his career under the guidance of Kaburaki Kiyokata (1878-1971), joining several artistic societies early on. However, it wasn't until he joined the Watanabe atelier in 1918 that he began to gain significant recognition. Watanabe Shōzaburō (1885-1962) commissioned Hasui to design landscapes of the Japanese countryside, small towns, and scenes of everyday life. Hasui also worked closely with the carvers and printers to achieve the precise quality he envisioned for his prints. Honmonji Temple in Snow at Ikegami (1931) 15.5" x 10.25" Daniel Kelly - is a visual artist and printmaker based in Kyoto, Japan. Daniel Kelly has shown all over the world, and is many museum collections as well. More information can be found, here. Three Persimmons (2015) 12″ x 40.5″ nezumi ban - otherwise known as the "mouse block" or "grey block," this is usually the first base color in a mokuhanga design. Because mokuhanga relies on building color through layered printing, the grey block forms the foundation of the image. This technique was widely used during the golden age of ukiyo-e in the Edo period (1603–1868) and the shin-hanga (new print) period (1910-1960). Mendocino Art Center - is a creative retreat and cultural landmark and is a place where artists and visitors alike can explore art, and connect in a profoundly inspiring coastal environment. More info, here. sizing/dosa - is a liquid form (prepared) animal glue which is brushed onto your washi, hanji, or other natural papers to stiffen the paper and prepare it for keeping the colour in your woodblock print. It has come to pass that size tends to be acidic and will break down the print over time. It's a bit of a double edged sword. Recipes for size can be found, here. arches - is a brand of Western watercolour paper that is acid-free. Tōsai Pigment Paste - is a brand of pigments manufactured by Holbein, Japan. They were conceived by mokuhanga printmaker Richard Steiner. Tōsai is the name given to Richard by his teacher. Richard's invteriew with The Unfinished Print can be found, here. Kathy Caraccio - is a master printer, artist, curator, professor, and collector who has collaborated with hundreds of artists from around the world. Through her studio, she has fostered a vibrant, supportive community rooted in shared creativity and craft. More info can be found, here. Oriental Bleak - mixed media collage 22" x 22" fusuma - is a traditional Japanese sliding panel used as a door or room divider in homes, temples, and tea rooms. Made with a wooden frame covered in layers of paper or cloth, fusuma slide along wooden tracks and can be removed or rearranged to change the layout of a space. They are often decorated with painted landscapes, patterns, or calligraphy. © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)
Waldy and Bendy discuss the many record sales that have happened in the art world recently. Bendy has a chat with Elizabeth Goldring about her new Holbein book, while Waldy dives into the thrills of Bosch's Garden of Earthly Delights. See the show notes here: https://zczfilms.com/podcasts/waldy-bendy/season-5-episode-11-auction-records-smashed-bosch-and-holbein/ Watch on YouTube here: https://youtu.be/eqBLVvW1tQM
We all think we know Henry VIII. A huge man in cloth of gold, hands on hips, staring down from a Holbein portrait. Six wives. Two beheaded. Monasteries destroyed. Rome defied. But the real Henry is far more complex — and far more frightening. In this Beginner's Guide to Henry VIII, I take you from his birth in 1491 to his death in 1547, exploring the rise of a charming Renaissance prince… and the fall into tyranny that changed England forever. You'll discover: How Henry went from second son to king at 17 His early talents — theology, music, languages, sport His achievements: the navy, Parliament, the English Bible, the break with Rome Why he didn't die a Protestant The truth behind the six wives and the politics of each marriage His darker side — executions, rebellions, monasteries destroyed, and the terror of the 1530s Why historians still argue about his legacy today Henry VIII's reign was a turning point in English history: religiously, politically, culturally. He is both a state-builder and a tyrant, a man of dazzling intelligence and devastating brutality. So… was Henry VIII a great king, a monster, or both? Let me know what you think in the comments. If you enjoyed this beginner's guide, please like the video, subscribe, and ring the bell for more Tudor history every week. You can view other videos about him in my Henry VIII playlist - https://www.youtube.com/playlist?list=PLepqWJ7TpkrI08JG1cwz7UqUYNxFHsPRv
Henry VIII's commanding gaze, Thomas More's intellect, Anne of Cleves' cautious poise; Hans Holbein's portraits didn't just depict the Tudors, they defined them. His astonishing realism gave us not just faces but personalities. But how do we truly know the artist behind the art?Professor Suzannah Lipscomb welcomes back Dr. Elizabeth Goldring, whose groundbreaking research using cutting-edge technology and scientific analysis has uncovered the secrets beneath Holbein's paint layers, revealing hidden colours, lost details, and radical working methods.Shakespeare's Male Muse: A Mystery Solved?A Tudor Mystery: The Girl Who Could Be QueenPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on Hosted on Acast. See acast.com/privacy for more information.
À Montmartre, la police découvre le cadavre du financier Jean Holbein. Mais en allant prévenir sa famille, elle trouve Holbein bien vivant à la fête d'anniversaire de sa fille. L'enquête révèle que la victime, sosie d'Holbein, pourrait être Charles Montier. Alors, qui est vraiment mort ? Charles ou Jean ?***Fiction radiophonique diffusée dans l'émission « les Maitres du mystère », de Germaine Beaumont et Pierre Billard – « Monsieur Holbein, financier » d'après un texte de Francis Didelot – Réalisation Pierre Billard - Musique originale André Popp – Première diffusion le 27/11/1962 sur la Chaîne France II Régionale de la RTF – Avec : Robert Murzeau, Lisette Lemaire, Henri Poirier, Jacqueline Rivière, Gaétan Jor, Geneviève Morel, Pierre Marteville, Jean Bolo, Jacques Plee, Michel Puterflam, Jacques Hilling – Un podcast INA.
À Montmartre, la police découvre le cadavre du financier Jean Holbein. Mais en allant prévenir sa famille, elle trouve Holbein bien vivant à la fête d'anniversaire de sa fille. L'enquête révèle que la victime, sosie d'Holbein, pourrait être Charles Montier. Alors, qui est vraiment mort ? Charles ou Jean ?***Fiction radiophonique diffusée dans l'émission « les Maitres du mystère », de Germaine Beaumont et Pierre Billard – « Monsieur Holbein, financier » d'après un texte de Francis Didelot – Réalisation Pierre Billard - Musique originale André Popp – Première diffusion le 27/11/1962 sur la Chaîne France II Régionale de la RTF – Avec : Robert Murzeau, Lisette Lemaire, Henri Poirier, Jacqueline Rivière, Gaétan Jor, Geneviève Morel, Pierre Marteville, Jean Bolo, Jacques Plee, Michel Puterflam, Jacques Hilling – Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Renaissance English History Podcast: A Show About the Tudors
In Tudor England, portraits became more than decoration, they were tools of influence. This minicast explores how Renaissance humanism brought individuality and ambition to English art, from Holbein's lifelike studies of Henry VIII's court to Elizabeth I's carefully crafted royal image. Hosted on Acast. See acast.com/privacy for more information.
Hans Holbein was undoubtedly our window into the court of King Henry VIII. His remarkable portrait collection allows us to see who the figures of the Tudor court were, from Henry VIII's queens to his political enemies, lawyers, churchmen and much more. To discuss this remarkable man with me, I am pleased to welcome Dr Elizabeth Goldring back onto the podcast for a discussion based around her upcoming book, Holbein, Renaissance Master. From Holbein's early life to the methods he used, to symbolism in his imagery, all will be discussed, so settle in as Elizabeth and I explore the life of the 16th centuries greatest artist.
In this episode Natalie Grueninger interviews Dr Elizabeth Goldring about her new biography 'Holbein: Renaissance Master'. They trace Hans Holbein's journey from Augsburg and Basel to Tudor England, his key patrons including Erasmus and Thomas More, his role at Henry VIII's court, and his lasting impact on portraiture and Tudor culture. The conversation also highlights archival discoveries, Holbein's workshop practices, the Greenwich revels, and the painter's remarkable ability to adapt politically and artistically through changing times. Learn more about Dr Goldring https://warwick.ac.uk/fac/arts/ren/centrestaff/elizabethgoldring/ The Tudor Heart Appeal https://www.britishmuseum.org/tudor-heart-appeal Find out more about your host at https://www.nataliegrueninger.com Support Talking Tudors on Patreon!
When you picture Henry VIII, do you see Holbein's towering figure in furs and jewels—broad, bearded, and imposing? That image is iconic... but it's not the full story. In this video, I'm going back to the start of Henry's reign to ask: What did Henry VIII really look like when he took the throne in 1509? Before the tyranny, before the weight gain, before the codpieces and propaganda, Henry was something else entirely. Discover how contemporary eyewitnesses described him What portraits and armour tell us about his build and features And why our mental image of Henry is shaped more by politics than portraits Who would you cast as young Henry in a film or series? Let me know in the comments! Watch next: Tracking Henry VIII's Weight Gain… Through His Armour - https://youtu.be/sesuSTxpXMs?si=rZ1_jWVl1l-jQ8FZ Don't forget to like, subscribe, and tap the bell for more myth-busting Tudor history from The Anne Boleyn Files. #HenryVIII #TudorHistory #YoungHenryVIII #AnneBoleynFiles #TudorMonarchy #HolbeinMyth #TudorPortraits #EarlyModernHistory
I caught up with Dr Tracy Borman OBE at Harvington History Festival to talk to her about Holbein's fascinating painting, 'The Ambassadors,' and how it captures the political intrigue of the time through its rich symbolism and hidden messages. Chapters00:00 Introduction to Tudor England's Pivotal Year02:52 The Significance of Holbein's Painting05:56 Decoding the Messages in the Painting08:52 The Relationship Between the Ambassadors12:04 The Journey of the Painting to the National GalleryHi! I'm Philippa, welcome to the British History Channel. Thank you for listening. You can watch this video here. There are many more here for you to browse through including over 40 fantastic historian interviews with people such as Tracy Borman OBE, Gareth Russell, Helen Carr and many more. Buy books from these incredible historians, shipped worldwide from Blackwells - https://www.blackwells.co.uk?a_aid=PhilippaB (This is an affiliate link. I get a commission on books sold via this link but they are at no extra cost to you).If you're not already, please subscribe and press the bell to get notified when a new video goes live. Want more British History and more contact with me? Join at www.Patreon.com/BritishHistory to enjoy Historical Book Club, early access to content, exclusive blogs, discounts on British History Events and take part in Book Club! All for £5/month.You can also give me one off support by donating at www.buymeacoffee.com/PhilippaYou can always support me for free by subscribing, liking, commenting and sharing my videos.Receive weekly history news from me by subscribing to my Substack at https://philippab.substack.com/ Visit https://www.BritishHistoryTours.com for full details of history tours and events.⚔️⚔️⚔️⚔️⚔️About PhilippaPhilippa is a Historian and History Event OrganiserPhilippa Lacey Brewell lives in Central England and is well respected in her field as a historian and tour guide. She is the owner and founder of British History Tours, a tour company for those who love British History.Philippa entertains thousands each week with her videos and stories from across the UK and British History. This ability to engage an audience, as well as being an expert in traveling the historical sites of the UK, makes her your perfect guide.I'd really appreciate your help in making this show the best it can be. I know time is precious but if you do have 10 minutes you can spare to fill out this anonymous listener survey, I'd be really grateful - http://bit.ly/britishhistorypodcast-surveyPhilippa founded award-winning Historic Tour Operator British History Tours in 2014. Find out about these luxury, fully-escorted, immersive historical experiences at BritishHistoryTours.com Hosted on Acast. See acast.com/privacy for more information.
Hans Holbein's Tudor masterpiece known as the Ambassadors was painted in 1533, the year when Henry VIII changed the course of history. Religious turmoil sweeps through Europe and Anne Boleyn is Queen of England. Two Ambassadors choose to capture this pivotal moment of religious and political upheaval, but who were they and what did they want this painting to convey? In today's episode we join Tracy Borman, Chief Historian, as she explores the painting known as The Ambassadors, by Hans Holbein. You can view The Ambassadors in high resolution here. Thank you to the National Gallery for letting us record in front of the painting.
Hans Holbein's masterwork The Ambassadors is an exquisite portrait of two 16th-century diplomats. But, as well as being artistically impressive, the painting is also crammed with symbols and hidden messages. This Long Read written by historian Tracy Borman deciphers the clues hidden in Holbein's work that betray the turbulence of a fateful year. HistoryExtra Long Reads brings you the best articles from BBC History Magazine, direct to your ears. Today's feature originally appeared in the June 2025 issue, and has been voiced in partnership with the RNIB. Learn more about your ad choices. Visit podcastchoices.com/adchoices
THE CHRISTOPHER GIBBS AESTHETIC. Lucy Moore is an author and historian, well-known for her engaging biographies, including of the dancer Nijinsky, the politician and rake Lord Hervey, and three generations of Indian princesses in Maharanis. She wrote Anything Goes: A Biography of the Roaring Twenties and the widely acclaimed In Search of Us: Adventures in Anthropology. As Editor of the book Christopher Gibbs: His World she sought to create an enduring memorial to Christopher Gibbs, the renowned British antiques dealer, decorator, and quintessential English gentleman-aesthete, who died in Morocco in 2018. “The gentleman-aesthete is a great English tradition and he was part of that.” “One of the great triumphs of his working life was discovering an unattributed Holbein” “Extraordinary personal charm, which was reflected in the places that he created”
Who was Anne Boleyn? Helene Harrison reviews documents, images, letters, biographies, and more to consider the various ways Anne Boleyn's image has been created.Show Notes:Carol Ann Lloydwww.carolannlloyd.com@shakeuphistorypatreon.com/carolannlloydThe Tudors by NumbersCourting the Virgin Queen Helene Harrisontudorblogger.com@tudorbloggerThe Many Faces of Anne Boleyn: Interpreting Image and PerceptionTudor Executions: From Nobility to the BlockElizabethan Rebellions: Conspiracy, Intrigue, and TreasonHistory shows us what's possible.
Last year I went to an exhibition at the Städel museum in Frankfurt that was entitled Holbein and the Renaissance in the North. That is the elder Holbein, the father of the Holbein who came to England. This exhibition has now ended, but there is still a great summary available on the Städel website.Though obviously not present at the exhibition, one key focus was the Fugger chapel in the church of St. Anne in Augsburg, one of the earliest and most significant Renaissance building north of the Alps. I wanted to kick off this episode with this chapel and then move on to Holbein, Burgkmair etc. But as I dug deeper and deeper into the late 15th and early 16th century art in Southern Germany, the more connections and links emerged that I hope you will find as fascinating as I did.Links to artworks:Fugger chapel: Die Fuggerkapelle | St. Anna AugsburgRiemenschneider Heilig Blut Altar: The Altar of the Holy Blood | ReliquarianThe Hare: Young Hare, 1502 - Albrecht Durer - WikiArt.orgSchongauer St. Anthony: Martin Schongauer | Saint Anthony Tormented by Demons | The Metropolitan Museum of ArtRhinocerus: Albrecht Dürer | The Rhinoceros | The Metropolitan Museum of ArtRitter, Tod und Teufel and other works: Albrecht Dürer (1471–1528) - The Metropolitan Museum of ArtThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I...
Welcome to another captivating episode of Talking Tudors, hosted by Natalie Grueninger. In this episode, Natalie is joined by renowned historian and author Professor Tracy Borman to discuss her latest book, 'Holbein: The Ambassadors.' Together, they delve into the mysteries and historical significance of Hans Holbein's famous painting, "The Ambassadors," created in the pivotal year of 1533. Tracy shares her insights about the French diplomats portrayed in the painting, Jean de Dinteville and Georges de Selve, and explores the rich symbolism hidden within the artwork. Discover the tumultuous backdrop of Tudor England, marked by Henry VIII's dramatic break with the Catholic Church, and learn how Holbein masterfully navigated the religious and political divides of his time. Join Natalie and Tracy as they unravel the many secrets held within "The Ambassadors," offering listeners a fascinating glimpse into the life and legacy of Holbein and the vibrant, dangerous world of the Tudor dynasty. Whether you're a seasoned Tudor enthusiast or new to the era, this conversation promises to ignite your curiosity and enhance your understanding of this extraordinary period in history. Enjoy! Visit Professor Tracy Borman's official website https://www.tracyborman.co.uk/ Find out more about your host at https://www.nataliegrueninger.com Join me for '365 Days with Katherine of Aragon'! https://onthetudortrail.com/Blog/2025/04/05/365-days-with-katherine-of-aragon-2/ Support Talking Tudors on Patreon
Waste No Day: A Plumbing, HVAC, and Electrical Motivational Podcast
Join the Waste No Day! Facebook group: https://bit.ly/3xbqEj0 Follow Waste No Day on YouTube: https://bit.ly/3xlDLhD Adam Holbein is the highest-grossing salesman at Eco Plumbers, Electricians, and HVAC Technicians, Ohio's leading home services company. He started as a plumbing installer in 2013, moved into plumbing sales, and became the top performer before transitioning to HVAC sales. With an average sale of $19,000 and a 60% conversion rate, he is one of the fastest-growing sales professionals in the industry. In this episode, we talked about HVAC average ticket size, conversion rates, psychological sales tactics...
Uncover the shocking secrets of classic works of art by da Vinci, Holbein, van Eyck, and others! Hidden symbols and surprises are revealed in famous artworks that will amaze you.
We probably think that the only artists working in the Tudor court were men, like Holbein and Hilliard. But new research is revealing that women were painting the Tudors too, and they were probably more active than we have previously suspected.Professor Suzannah Lipscomb is joined by miniatures experts Emma Rutherford and Alan Derbyshire to discuss two of these artists - Susanna Horenbout and Levina Teerlinc - and also finds out about a stunning new discovery of a portrait of a notorious Tudor Queen.Presented by Professor Susannah Lipscomb. The researcher is Alice Smith, the audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.Not Just the Tudors is a History Hit podcast.Music by Epidemic Sounds and All3 Media Music.Related episodes:A Tudor Mystery: https://podfollow.com/not-just-the-tudors/episode/5e47b2618a2d57498af383103e62be4af0afdca5/viewWho Painted Anne Dudley?: https://podfollow.com/not-just-the-tudors/episode/bcd6084fd52449f3e447223f778b32e9a4ea7f69/viewSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://uk.surveymonkey.com/r/6FFT7MK
Kritik über die einzige Neuinszenierung bei den diesjährigen Festspielen / Die Schau "Der ältere Holbein" im Schaetzlerpalais in Augsburg / Das Nürnberger Bardentreffen beginnt
There are two sketches by Hans Holbein which are said to depict Anne Boleyn. One is in the British Museum, while the other is in the royal collection. The latter sketch is the more controversial, as the sitter is in a state of undress, has what appears to be blonde hair and a decidedly full double chin, and yet, the inscription labelling the sketch as her, is believed to have been added by Sir John Cheke, a man who personally knew Anne Boleyn, or did he? In todays episode of the Tudor Chest podcast, I am chatting to Emma Demerath who recently graduated from John Cabot University in Massachusetts, with a degree in Art History. Emma has discovered holes in many of the conclusions historians have made in relation to this sketch, but moreover, has examined the imagery on its reverse, which may very well hold the key to identifying the actual sitter of the piece.
This week's topic of discussion is Holbein's masterpiece from one of the most important years in British history – 1533. This was the year that Henry VIII broke from the Catholic church, married Anne Boleyn and had a daughter who would become one of England's most popular monarchs, Elizabeth I... Support the Show.
In this episode, Sara Houghteling (special projects coordinator in the Research and Academic Program) speaks with Jennifer Nelson, a poet and scholar of early modern art at the University of Delaware. Through the lens of their first book on Holbein, and a second, forthcoming, on Cranach, Nelson describes how comparative studies of elite cultural production can allow us to the see the category of art as capacious, and capable of dismantling our concept of mastery. They offer concrete advice on writing—from tone, to endings, clarity, and decisive punctuation—and speak about their own writerly process, in which ideas often manifest first in poetry and later in prose.
Découvrez l'abonnement "Au Coeur de l'Histoire +" et accédez à des heures de programmes, des archives inédites, des épisodes en avant-première et une sélection d'épisodes sur des grandes thématiques. Profitez de cette offre sur Apple Podcasts dès aujourd'hui ! Peintre et enlumineur de génie au service de la royauté, Jean Fouquet a fait entrer la Renaissance en France. Virginie Girod vous raconte l'histoire de cette star du XVe siècle, un peu oubliée ! Un récit inédit en partenariat avec le musée de Cluny, à Paris, qui accueille l'exposition Les arts en France sous Charles VII, du 12 mars au 16 juin 2024. Si la France du XVe siècle subit les ravages de la Guerre de Cent Ans, les arts ne sont pas délaissés pour autant. On est en plein dans ce qu'on appellera plus tard le gothique international. Quand Jean Fouquet naît à Tours, l'effervescence artistique vient notamment des peintres "primitifs" flamands. On attribue au peintre Jan Van Eyck la création de la peinture à l'huile au début des années 1430. Parfaitement initié à cette technique, ce n'est cependant pas suffisant pour Jean Fouquet. Il part travailler en Italie où se déroule une autre révolution artistique : la Renaissance Italienne, le Quattrocento ! Le peintre y fréquente l'un des plus grands artistes de son temps, Fra Angelico, surnommé le "peintre des anges". Quand Jean Fouquet rentre en France, il se fait vite un nom d'artiste virtuose. Les commandes affluent, y compris au sommet de l'État. Vers 1450, le roi Charles VII lui commande son portrait. Jean Fouquet innove : personne avant lui n'avait peint un roi de France d'une manière aussi réaliste ! Le tableau servira de modèle pour les artistes après lui. Évidemment, après le roi, les aristocrates veulent aussi se faire peindre par Fouquet. Vous connaissez forcément la Vierge et l'enfant sous les traits d'Agnès Sorel qu'il a réalisé pour le trésorier du roi. Après cette commande, Jean Fouquet est définitivement devenu le peintre de la cour de France. Thèmes abordés : peinture, Renaissance italienne, Charles VII, Guerre de Cent Ans "Au Coeur de l'Histoire" est un podcast Europe 1 Studio- Présentation : Virginie Girod - Production : Caroline Garnier - Réalisation : Nicolas Gaspard- Composition de la musique originale : Julien Tharaud et Sébastien Guidis- Rédaction et Diffusion : Nathan Laporte- Communication : Marie Corpet- Visuel : Sidonie Mangin Ressources en ligne : http://expositions.bnf.fr/fouquet/reperes/chrono/index.htm https://www.persee.fr/doc/bec_0373-6237_1950_num_108_1_461404_t1_0182_0000_000 https://www.beauxarts.com/grand-format/splendeurs-et-mysteres-du-diptyque-de-melun-de-jean-fouquet/#&gid=1&pid=1 Bibliographie : Paul Wescher, Jean Fouquet et son temps, Holbein, 1947. François avril et Marie-Thérèse Gousset (dir.), Jean Fouquet, peintre et enlumineur du XVe siècle, BnF, 2003.
Een Ongelooflijke met een van de meest geniale teksten van de afgelopen eeuwen, een schilderij waar – als je daarnaar kijkt - je je geloof verliest, een popzanger die misschien wel de grootste theoloog is van dit moment en een van de meest glorieuze én ontstellende momenten in de operageschiedenis. Kortom, een aflevering waarin je veel gaat beleven, maar ook met verstilde momenten. Willem Jan Otten is voor de tweede keer te gast in de Ongelooflijke. Hij is dichter en schrijver van verhalen, toneel, beschouwingen en essays. Otten is eredoctor van de Universiteit van Utrecht en ontving in 2014 de prestigieuze P.C. Hooftprijs voor zijn werk. In zijn nieuwe boek 'Wie zeggen de mensen dat ik ben?' - dat hij samen maakte met kunstenaar Paul van Dongen - zoekt hij de betekenis van Jezus in de kunst. En dan specifiek de kunst van na de beruchte 'dood van God' van Friedrich Nietzsche. Want God mag dan wel dood verklaard zijn, stelt Otten, maar van zijn zoon komen we niet af. David Boogerd in gesprek met Willem Jan Otten en uiteraard vaste gast theoloog Stefan Paas, professor aan de VU in Amsterdam en de Theologische Universiteit Utrecht.
This week I talked about Holbein at the Tudor Court exhibition at Buckingham Palace and the incredible 'Tales of Youth. The Big History Night In' event in aid of Papyrys. You can watch this episode on Youtube https://youtube.com/live/end9-ZoK3OQLinks Mentioned: * British History Patreon - https://www.patreon.com/britishhistory * Papyrus - https://www.papyrus-uk.org/ * Virtual Tour of the Holbein exhibition - https://www.rct.uk/collection/themes/exhibitions/holbein-at-the-tudor-court/the-queens-gallery-buckingham-palace/virtual-tour Other links you may be interested in: * British History Tours: https://britishhistorytours.com/ * The Stuarts Online History Festival - https://TheStuarts2024.eventbrite.co.ukBritish History is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit philippab.substack.com/subscribe
Jim Holbein is an expert about international trade topics based on over 30 years of government and private sector experience. Jim previously served as a Senior Executive at the U.S. at the International Trade Commission (USITC). Additionally, he managed the NAFTA trade dispute settlement process while at the U.S. Department of Commerce and served as a diplomat and trade negotiator for the U.S. Department of State. Over the last six years, Jim has developed expertise in the emerging sector of digital assets, blockchain, decentralized finance (DeFi), and decentralized autonomous organizations (DAO). He has written several articles on these topics, which build on his experiences leading IT development projects. Jim is an accomplished author and editor with 18 articles, 10 webinars and 5 podcast dealing with international trade and digital assets issues since he joined the law firm in 2020. Jim received his J.D. from the University of Arkansas at Fayetteville and received his bachelor's degree from the University of California at Santa Barbara. He is licensed to practice law in the District of Columbia.
Welcome to the "House of Holbein"! We're reviewing one of the most famous portraits by Hans Holbein and answering all your burning questions about it: Who are these guys? What are all the things on those shelves? What the heck is that thing in the middle of the floor?
Natalie Grueninger speaks with Kate Heard about the life and work of Hans Holbein and the Royal Collection Trust's exhibition, Holbein at the Tudor Court. Find out more about the exhibition. https://www.rct.uk/collection/themes/exhibitions/holbein-at-the-tudor-court/the-queens-gallery-buckingham-palace Find out more about your host at https://www.nataliegrueninger.com Buy Talking Tudors merchandise at https://talkingtudors.threadless.com/ Support Talking Tudors on Patreon Join 'A Weekend with Elizabeth I' https://www.eventbrite.com.au/e/a-weekend-with-elizabeth-i-tickets-769340547287
How we visualise the Tudors largely comes from their portraits painted by Hans Holbein the Younger. Between 1526 and 1543, he captured the elite of the Tudor court and beyond - Henry VIII, Anne Boleyn, Jane Seymour, Thomas Cromwell, politicians, courtiers, soldiers and countless others. Every Holbein portrait seems to have begun with a drawing taken at a live sitting. An exhibition of these drawings in now on at Buckingham Palace and allows us to see Holbein's process at work. In this episode of Not Just the Tudors, Professor Suzannah Lipscomb tours the exhibition with its curator Dr. Kate Heard and art historian Dr. Elizabeth Goldring. This episode was produced by Rob Weinberg.Discover the past with exclusive history documentaries and ad-free podcasts presented by world-renowned historians from History Hit. Watch them on your smart TV or on the go with your mobile device. Get 50% off your first 3 months with code TUDORS. Sign up now for your 14-day free trial here >You can take part in our listener survey here >
The Tudors are one of the most well-known of the English royal dynasties for several reasons: the larger than life characters, the multiple marriages and Virgin Queen, and the extraordinary portraits. When Hans Holbein the Younger became Henry VIII's painter, he helped create an image of the king that has shaped our understanding of the Tudors. Franny Moyle joins us to share her research into how Holbein helped create the legacy of Henry VIII.Show Notes:Carol Ann Lloydwww.carolannlloyd.com@shakeuphistorypatreon.com/carolannlloydThe Tudors by Numbers, published by Pen and SwordFranny MoyleFrannymoyle.comThe King's Painter: The Life and Times of Hans Holbein(Can buy dedicated copy of the UK hardback, which has the best images, on her website)@frannymoyleCreative Director: Lindsey LindstromMusic: History by Andy_Grey via Audio Jungle, Music Broadcast LicenseLet's shake up history together!@shakeuphistory
This week: live art and activism. Performance art has long been used as a vehicle for protest and political activism and now, in its tenth edition, the Performa Biennial in New York has a new programme dedicated to artists exploring the subject. Protest and Performance: A Way of Life, which started as part of the 19-day festival this week, features eight events involving artists from across the world but with particular links to the Middle East, While it was programmed months ahead of the present war in Gaza, it has inevitably gained further relevance. We talk to Defne Ayas, the senior program advisor, and Kathy Noble, the senior curator at Performa, about the programme. In the UK, the National Trust, which looks after historic buildings and landscapes across Britain, has become the subject of a row between its current management and campaigners who argue that it has strayed from its essential remit. The Art Newspaper's associate digital editor, Alexander Morrison, speaks to Martin Drury, a former director-general of the Trust, about why it has prompted such an intense debate. And this episode's Work of the Week is Hans Holbein the Younger's portrait of Derich Born from 1533, a newly restored painting that features in an exhibition at the Queen's Gallery in London, one of the principal venues for the UK's Royal Collection. The show, Holbein at the Tudor Court, is curated by Kate Heard, and she tells us about the picture.Performa Biennial 2023, New York, until 19 November. Visit performa2023.org for details of events in the Protest and Performance strand.Holbein at the Tudor Court, Queen's Gallery, London, until 14 April 2024 Hosted on Acast. See acast.com/privacy for more information.
Reinhardt, Anjawww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei
Hans Holbein the Younger painted The Ambassadors in 1533. It is a massive, life sized double portrait filled with symbolism that gives us insights into the political and religious upheaval of the day. Still today, it is probably best known for the anamorphic skull cutting across the floor in the composition. In the Ambassadors, Holbein presents the symbol of mortality as a specter that looms ever present though sometimes difficult to make sense of. It can feel like an odd intrusion disrupting a picture carefully and beautifully constructed but if we shift our view a little we can see that nothing lasts forever. Life and the world are constantly changing but there can be a beauty in that too if we can bring ourselves to look at it from the right perspective. Check out my other podcast Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Art historian Melanie V. Taylor talks with Dr Emmeson about the link between Holbein's portrait of Cromwell and the recent discovery of Cromwell's Book of Hours. They explore how Mantel sees the significance of its placement in the historic painting and what it says about Cromwell's religious persuasion. https://wolfhallweekend.com/dr-owen-emmerson/ https://melanievtaylor.co.uk/about/ -- Credits: Hosted by: David Holland/Melanie V. Taylor Guests: Melanie V. Taylor and Dr. Owen Emmerson -- Commercial free episodes: Patreon.com/TudorsDynasty --- Send in a voice message: https://podcasters.spotify.com/pod/show/rebecca-larson/message Support this podcast: https://podcasters.spotify.com/pod/show/rebecca-larson/support
If like many of you, you are listening to this podcast on your morning or evening commute and you happen to live in London, you may be one of the 20 million souls going through Cannon Street Station every year. Few of them will be aware that under their feet lay the vestiges of the great Hanseatic Kontor in London that goes back to 1176. If people know about the Steelyard, it is mainly through the portraits of merchants painted by Holbein between 1532 and 1536 at a time when the Kontor had only about 60 years left. But there is a lot to tell about this now vanished building, its inhabitants and trade. It is a story of infighting between the various cities that were still to officially form the Hanseatic league, of trading privileges granted to fund first a crusade and then the hundred year's war, and it is also a great opportunity to introduce the oldest, largest and richest member of the Hanseatic League, the city of Cologne. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansFor this episode I again reliedheavily on:Derek Keene: Guildhall and Stalhof in LondonStuart Jenkins: Leben im Stalhof, both in Die Hanse, Lebenswirklichkeit undMythos, herausgegeben von Jürgen Bracker, Volker Henn and Rainer PostelPhilippe Dollinger: Die Hanse Rolf Hammel-Kieslow: Die Hanse
If like many of you, you are listening to this podcast on your morning or evening commute and you happen to live in London, you may be one of the 20 million souls going through Cannon Street Station every year. Few of them will be aware that under their feet lay the vestiges of the great Hanseatic Kontor in London that goes back to 1176. If people know about the Steelyard, it is mainly through the portraits of merchants painted by Holbein between 1532 and 1536 at a time when the Kontor had only about 60 years left. But there is a lot to tell about this now vanished building, its inhabitants and trade. It is a story of infighting between the various cities that were still to officially form the Hanseatic league, of trading privileges granted to fund first a crusade and then the hundred year's war, andit is also a great opportunity to introduce the oldest, largest and richest member of the Hanseatic League, the city of Cologne. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans
June 22: Saints John Fisher, Bishop and Martyr, and Thomas More, Martyr John Fisher: 1469–1535; Thomas More: 1478–1535 Optional Memorial; Liturgical Color: Red Patron Saint of the Diocese of Rochester (Fisher) and of lawyers and politicians (More) They would not bend to the marriage In 1526 a German painter named Hans Holbein could not find work in Basel, Switzerland. The Reformation had come to town. It shattered the stained glass, burned the wooden statues, and sliced up the oil paintings. Protestants don't “do” great art. There were no more commissions. So Holbein went north, to Catholic England, in search of wealthy patrons for his craft. On his way, he passed through the Netherlands to procure letters of introduction from the great humanist Desiderius Erasmus. Erasmus was a friend of Sir Thomas More, an English humanist of the highest caliber. And thus it came to pass that one fine day, in England in 1527, Thomas More sat patiently while Holbein's brush worked its magic. Holbein's extraordinary portrait of Thomas More captures the man for all seasons, as one contemporary called More, at the pinnacle of his powers. More's head and torso fill the frame. There is no need for context, landscape, or a complex backdrop. More's mind is what matters. He is what matters. Nothing else. The shimmering velvet of his robes, the weighty gold chain of office resting on his shoulders, the detailed rose badge of the House of Tudor lying on his chest, all tell the viewer something important—this is not a frivolous man. He serves the King. His work is consequential. He also wears a ring. He is married and has children. He dons a cap. It is England, and he is cold. His stubble is visible. He is tired from overwork and did not have time to shave. He holds a small slip of paper—perhaps a bribe he rejected. His gaze, slightly off center, is earnest, serious, and calm. It is almost as if he is searching the room, attentive to any threat lurking behind the painter. He is watchful. The entirety of the work conveys that elusive quality that denotes great art—interior movement. The gears of More's brain are rotating. His personality has force. The viewer feels it. Saint Thomas More was the greatest Englishman of his generation. In a land with a highly educated aristocratic class, his erudition was unequalled. He was a devoted family man who carried out an extensive correspondence with his children and ensured that his daughters were as well educated as his sons. He served the English crown faithfully both at home and abroad. He charmed his many friends with a rich and engaging personality. He published scholarly works and communicated with other humanists of his era. Yet despite all of these accomplishments, the fraught times he lived in eventually overwhelmed him. He could not save his own head. More was a thoughtful and serious Catholic. He refused to bend to the will of King Henry VIII regarding divorce and Henry's self-appointment as head of the Church in England. For his silence, or lack of explicit support for Henry, More was brought to court, where a perjurer's words knifed him in the heart. More was condemned to death by beheading. This was a favor from the King, who admired More but could not brook his dissent. More had originally been sentenced to a far crueler form of capital punishment, but Henry decreed that his life end with one blow of the axe. So the unconquered Thomas More climbed a shaky scaffold on July 6, 1535, and had his head lopped off. His head was stuck on a pole on London bridge for one month afterward, a trophy to barbarity. More died a martyr to the indissolubility of marriage. Saint John Fisher was an academic who held various high positions at the University of Cambridge, one of the two universities in all of England, eventually becoming its Chancellor for life. He was a Renaissance humanist, like Thomas More, who encouraged the study of Latin, Greek, and Hebrew. Fisher was the personal tutor of Henry VIII when Henry was a boy, and he preached the funeral homily of Henry's father, Henry VII. John Fisher lived a life of extreme personal austerity and even placed a human skull on the table during meals to remind himself of his eventual end. He had many of the same qualities as More—great learning, personal uprightness, and academic accomplishments. But easy times don't make martyrs. When King Henry wanted to annul his marriage to Catherine of Aragon, Fisher became her most ardent supporter. He openly stated in court that he would die for the indissolubility of marriage, thus incurring the lasting wrath of his former pupil Henry. All the bishops of England, save Fisher and two others, lost their courage and acquiesced, without a fight, to Henry VIII's takeover of the Catholic Church in England. Their weakness brought to a sudden, crashing end a thousand years of Catholicism in England. The faith endured in some form, of course, but would never be the culture-forming force it had been for so many centuries. It is an embarrassment of Catholic history that almost all the bishops of England fell like dominoes, one after another, at one slight puff of the breath of King Henry VIII on their cheeks. After various nefarious machinations, John Fisher was imprisoned in the harshest of conditions for over a year, even being deprived access to a priest. During this time, the Pope named him a cardinal, although Henry refused him the ceremonial placing of the red hat on his head. After a brief trial with the usual perjury, Cardinal John Fisher was beheaded on June 22, 1535. In order to avoid inevitable comparisons between Cardinal Fisher and John the Baptist, King Henry moved the cardinal's execution to avoid any connection to June 24th's Feast of Saint John the Baptist. Both Johns were martyrs to marriage. But there was no silver platter for John Fisher. His head was placed on a pole on London bridge for two weeks, only to be replaced by Thomas More's head. Saints John Fisher and Thomas More were beatified in 1886 along with fifty-four other English martyrs. The two were canonized together in 1935. Saints John Fisher and Thomas More, through your intercession, give all Catholics courage to resist the pressure to conform to falsehood, to the broad way, to popular opinion. You were both thoughtful and granite-like in your resistance. Help us to be likewise when times call for such.
In this special episode, Dr. Owen Emmerson joins us to talk about his amazing career as a cultural historian and assistant curator of Hever Castle (Anne Boleyn's childhood home). As a Boleyn and Tudor history expert, you may recognize him from shows such as Netflix's Blood, Sex & Royalty, BBC's Who Do You Think You Are and The Boleyns: A Scandalous Family, along with multiple other shows on the BBC, HistoryHit, Amazon, etc. He is also the co-author of four books, his newest being Holbein's Latest Gem.Dr. Emmerson and his fellow curators at Hever Castle recently made a remarkable discovery: finding and identifying Thomas Cromwell's Book of Hours. This is a groundbreaking revelation, as they have confirmed links between Cromwell's Book of Hours with both Anne Boleyn and Catherine of Aragon's prayer books. In this episode, we have the exclusive opportunity to learn more about this extraordinary study and what it means for not only developing Tudor history, but how it shapes our overall connection with the past. Support the show
Experts at Hever Castle - the childhood home of Anne Boleyn - have made an extraordinary discovery. They've established that an ornate 1527 prayer book — kept in a Cambridge library for more than 350 years — belonged to Henry VIII's Chief Minister Thomas Cromwell and appears in Holbein's portrait of him. Identical books were also owned by Catherine of Aragon and Anne Boleyn.In today's episode of Not Just the Tudors, Professor Suzannah Lipscomb goes to Hever Castle to find out more.This episode was produced by Rob Weinberg.Discover the past on History Hit with ad-free original podcasts and documentaries released weekly presented by world renowned historians including Dan Snow, Suzannah Lipscomb, Lucy Worsley, Matt Lewis, Tristan Hughes and more. Get 50% off your first 3 months with code TUDORS. Download the app on your smart TV or in the app store or sign up here. You can take part in our listener survey here.For more Not Just The Tudors content, subscribe to our Tudor Tuesday newsletter here. Hosted on Acast. See acast.com/privacy for more information.
We meet Nicholas Cullinan, leading art historian, curator and current Director of the National Portrait Gallery in London.The new National Portrait Gallery opens its doors to the public on 22nd June 2023. The Gallery is home to the most extensive collection of portraits in the world, from the 8th century. The NPG collection has over 220,000 works, 150,000 of which are illustrated from the 16th century to the present day in a wide variety of different mediums.The National Portrait Gallery tells the story of the people who have shaped British history through the medium of portraits and encourages and promotes portraiture in all media. The Gallery houses the most extensive collection of portraits in the world, which offers unique insights into the men and women who have and who are contributing to the culture, identity and rich diversity of Britain. The Gallery aims to be the foremost centre for the study of and research into portraiture, as well as making its work and activities of interest and accessible to as wide a range of visitors as possible.Founded in 1856 and located just off Trafalgar Square, the National Portrait Gallery is home to the largest collection of portraiture in the world, featuring famous men and women who have helped shape British history from the great Tudor courts to the present day, with contemporary portraits reflecting the diversity, inventiveness and multi-culturalism of modern-day Britain. By weaving together 500 years of history, art, biography and fame, the Gallery offers a unique and fascinating insight into those individuals that together characterise a nation. Visitors can come face to face with kings and queens, courtiers and courtesans, politicians and poets, soldiers and scientists, artists and writers, philosophers and film stars. Its 3,000 paintings feature some of the most iconic and instantly recognisable faces in British history, from Elizabeth I to Tracey Emin, with artists ranging from Holbein to Hockney. Behind each image is a fascinating story giving an insight into an individual who stood out in their generation and enriched our culture and national consciousness.Follow @NationalPortraitGalleryVisit: www.npg.org.uk/ Hosted on Acast. See acast.com/privacy for more information.
Find out about a special New Year's gift Anne Boleyn commissioned from Hans Holbein the Younger for Henry VIII. #holbein #tudorhistory #tudorart #henryviii You can find my books on Amazon at http://viewauthor.at/claireridgway
Mokuhanga is a lot of things. It is a meditative process even at its most chaotic. And a lot like meditation, where you need patience, calm, and to breathe, it is a craft that pushes you to be your best. I speak with mokuhanga printmaker and author Faith Stone on this episode of The Unfinished Print. Faith's current work is to preserve the Buddha woodblock, a once-thriving tradition within mokuhanga, to preserve it for years to come. Faith speaks with me about her introduction to Tibetan Buddhist Thangka painting, the history of these beautiful images, her process, tools and materials. She also discusses experimentation, her teachers within her life, and what inspiration means to her. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Faith Stone - website, Instagram Thangka paintings - known as “sacred paintings,” originated from Tibet. They are commissioned for various reasons, some for meditation, prosperity, merit, etc. Depending on the commission, thangka paintings use multiple pigments and imagery. Peaceful or ferocious deities and mandalas can be pictured. Rudi's Bakery - established in Boulder, Colorado, in 1976, this once mom-and-pop shop bakery serves organic and gluten-free baked goods around the United States. Celestial Seasonings - is an American tea company based in Boulder, Colorado. It started in 1969. Colorado - established by settlers in 1876 but initially inhabited by many Native American peoples, such as the Cheyenne, Pueblo, Ute, Comanche, and Apache. The state is known for the Rocky Mountains and the Colorado Eastern Plains. For more information about Colorado, check out its tourist and visitor info here. Zoo New England - comprises both the Franklin Park Zoo and the Stone Zoo. Founded in 1912, the FPZ is on 72 acres of land in Franklin Park, Boston. The Stone Zoo is 26 acres near the Spot Pond reservoir and located in Stoneham, Massachusetts, about 12 miles (19km) away from each other. More info found here. Albert Rudolph (Swami Rudrinanda) [1928-1973] - was a spiritual teacher and yogi originallty from New York City. Pointillism - is a technique in painting conceived by Georges Paul Seurat (1859-1891) and Paul Signac (1863-1935), where small compounded dabs of colour create an image. More info from Sotheby's, here. Paul Signac - Portrait Of Félix Fénéon 1890, oil on canvas Shiva - is one of the principal deities of Hinduism, which creates, protects, and transforms the universe. More info can be found here. Ganesh - in Hinduism, Ganesh is one of Shiva's offspring. Ganesh is a benevolent deity said to remove obstacles in your life, both spiritually and materially. More info can be found, here. Durga - is, in Hinduism, the mother protector of the universe and a warrior goddess. Depicted with eight hands in the form of a mudra, Durga holds eight weapons. More info can be found, here. Waves On The Turquoise Lake - was an art exhibition at The University of Colorado at the Boulder Art Museum in 2006. It exhibited Tibetan artists from Tibet and in exile from around the world. Karma Phuntsok - is a contemporary Tibetan artist who lives and works in Australia. His work is his take on Buddhist art and history. More info can be found on his website, here. Van Buddha - painting El Dorado Canyon State Park - was established in 1978 and is located near Boulder, Colorado. It is 885 acres known for hiking, rock climbing, and mountain biking. Tara - is one of the most powerful deities in the Buddhist pantheon. Some Buddhist traditions see her as a guide, as a bodhisattva, or as a philosophy of living. Find more info, here. Faith Stone - 22" x 28" Mount Wai'ale'ale - is a volcano on the island of Kaua'i, Hawai'i. The mountain is 5,148 ft. It is one of the rainiest on the planet, with 460 inches of rain annually. Shakti - has many meanings, such as goddess energy, death and life, and the natural elements of the universe. The Aisa Society has an excellent article for a detailed description of Shakti, here. Rama - is an important deity in Hinduism, and is the seventh avatar of Vishnu. Shoichi Kitamura - is a woodblock carver and printmaker and has been involved in MI Lab through demonstrations. More info can be found, here. Kyoto Senbon Torii (2021) Hiroki Morinoue - is a mokuhanga printmaker and artist living in Holualoa, Big Island, Hawai'i. He is a co-founding member of the Holualoa Foundation For Arts & Culture, the establishment of the Donkey Mill Art Center and Studio 7 Fine Arts. Iceberg Cube (2016) Anderson Ranch Arts Center - located in Snowmass, Colorado- was established in 1966 by Paul Solder, who worked in Japanese ceramics called raku. Today it is an international Arts Center with artist-in-residence programs, visiting artists, a print shop, wood turning, master classes and more. Information can be found here. Information can be found, here. Gotō Hidehiko (b.1953) - is a mokuhanga printmaker and tool maker based in Japan. He makes and teaches seminars about the construction of the mokuhanga tool, the baren. Stone Window -20-3/4" x 17" April Vollmer - is an established artist who works predominantly in mokuhanga. Her book Japanese Woodblock Print Workshop is one of the most authoritative books on the subject and has influenced many mokuhanga artists. Dark Light (2015) 16.5" x 13.5" MI Lab - is a mokuhanga residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here. Rocky Mountain College of Art and Design - located in Denver, Colorado and was founded by Philip J. Steele in 1963. It is an art school with many different programs and subjects in the arts. You can find more information here. Mayumi Oda - is a Buddhist teacher and artist who works and lives in Hawai'i. Her work has travelled the world. Mayumi is also an environmental activist and continues to live and work at Ginger Hill Farm, an eco-retreat on the Big Island of Hawai'i. More information about Mayumi Oda's work can be found here. Storyville II - silkscreen, 24.6" x 33.9" Jing Jing Tsong - is an American illustrator of books. She is also a printmaker in lithography and monoprints. You can find her work on her website, here. Munakata Shikō (志功棟方) - (1903-1975) arguably one of the most famous modern printmakers; Shikō is renowned for his prints of women, animals, the supernatural and Buddhist deities. He made his prints with an esoteric fervour where his philosophies about mokuhanga were just as interesting as his print work. Hanami no Saku (Tanizaki Utauta Nangasaku - 1956) Bodhisattva - a person who has achieved enlightenment through spiritual practice, whether meditation or through good deeds. The word "bodhisattva" can are found in Indian Buddhism and its associated traditions, as representing the Buddha and his transformations. In the Mahanaya tradition of Buddhism, a bodhisattva desires enlightenment as a buddha. kozo paper - is paper made from mulberry bark and is commonly used in woodblock printmaking. Manjushuri - is the bodhisattva of wisom and is associated with the Mahayana tradition of Buddhism. Faith Stone - 22" x 28" Vajrakilaya - is a wrathful deity in Tibetan Buddhism who embodies the enlightenment of all Buddhas. Commonly described as a deity with three faces, all with a crown of skulls, with six arms carrying various ritual implements in Tibetan Buddhism. Cow Rinpoche - is a painting by Karma Phutsok. This particular series of paintings shows animals in exhalted positions on a lotus. They are depicted like a traditional thangka painting. Dakini As Art - is an online art gallery which sells and distributes Buddhist art throughout the world. More info can be found on their website, here. Lakshmi - is a goddess in the Hindu pantheon of deities and is the goddess of wealth and prosperity, sitting on the lotus throne. Kehinde Wiley - is a portrait artist based in New York City. His work focuses on fusing the past and the present while creating a dialgoue about power, gender, race and reimagining the past. More information can be found on his website here. Portrait Of A Young Gentleman (2021) oil on linen and canvas LaToya Hobbs - is a painter and printmaker based in Baltimore, Maryland. She explores relief printmaking and painting together in her works. Her topics deal with the Black female body and stereotypes. More information can be found on LaToya's website here. Nina's Gaze - relief, ink and acrylic on wood (2019) 20" x 16" hangintō sizes - the hangitō is a stylized Japanese mokuhanga tool. It is the primary tool in mokuhanga and is used in cutting lines and for colour blocks. It comes in various sizes depending on your ability and the technique. The lower number on the handle signifies the blade's thinness, therefore, the experience of the carver. kentō - is the registration system used by printmakers in order to line up the colour woodblocks with your key block, or outline block, carved first. McClains Woodblock Print Supply Co. - based in Portland, Oregon, McClain's is the go-to supplier of woodblock print tools in the United States. Their website can be found here. The Unfinished Print interview with Daniel Jasa of McClain's can be found here. floating kentō - is a removable registration system attached to the block when printing. As the kentō isn't affixed to the block, blotting and immaculate borders are positives of this registration method. It is an "L" shape. baren - is a Japanese word to describe a flat, round-shaped disc, predominantly used in creating Japanese woodblock prints. It is traditionally made of a cord of various types and a bamboo sheath, although baren have many variations. urauchi - is a way of backing Japanese washi paper to the back of works on paper. This process is used in bookbinding, scrolls and can be used in mokuhanga. Ozu Washi - is a paper store located in the Nihonbashi district of Tokyo. website, Instagram alum -is a binder used in paper mounting, fabric dyeing, household items such as fire extinguishers, and baking powder. It is also used in size for washi to hold pigments better in your works. Tetsuo Sayama - was an instructor at MI Lab until his passing in 2019. He worked closely with students, was a scholar of Japanese printmaking history, and left an impression on many who got to know him. Washi Arts is an online brick-and-mortar paper store in Blaine, Washington, USA. They sell Japanese papers for crafts, bookbinding, mokuhanga, and other artistic media. More info can be found on their website here. Shin-Torinoko paper - is a mass produced, machine made Japanese paper that is relatively inexpensive. It comes in various weights and colours. More info can be found, here. kitakata - is a specific type of washi made of Philippine gampi, and sulphite pulp. For bookbinding, and mokuhanga and other types of printmaking. More info, here. Saraswati - is the Hindu goddess of knowldedge and dispells ignorance. monoprint - is a type of relief print which uses metal or glass, even wood. The final outcome is one good print. Grumbacher - is an art supply company started by Max Grumbacher in 1905 in New York City. It is now owned and operated by Chartpak Inc. More info, here. Winsor & Newton - is a British artist supply company, started in 1832, which sells artist materials such as pigments, brushes, paper, etc. More info can be found, here. M. Graham & Co. - is a company founded in the late 1990's which provides many different types of pigments for all kinds of artists. More info can be found, here. Da Vinci Paint Co. - was founded in 1975 in Orange County, California. They make an assortment of watercolours, oils, heavy-body and fluid acryl, and gouache. More info here. Tōsai Pigment Paste - is a brand of pigments manufactured by Holbein, Japan. They were conceived by mokuhanga printmaker Richard Steiner. Tōsai is the name given to Richard by his teacher. Richard's invteriew with The Unfinished Print can be found, here. Roslyn Kean - is an Australian printmaker who makes her ball bearing baren called the Kean Ball Bearing Baren. The KBB baren comes in two sizes and are lighter than the yuki baren or other ball-bearing barens. Roslyn's baren are made of high-grade plastic. For more information about Roslyn, her work, and baren can be found, here. Defining The Edge 1 - 70 x 50 cm sumi - is a rich black stick or liquid used by artists, calligraphers, and traditional Japanese horimono tattoo artists. Sumi is made from the soot of burnt lamp oil. Sumi is used predominantly in key blocks in traditional mokuhanga and to mix pigments. Pigment Tōkyō conducts a great interview with their chief of pigments, Kei Iwaizumi, about sumi ink, here. tapa cloth - is a designed barkcloth found throughout the islands of the South Pacific, French Polynesia, New Zealand, and Hawai'i, where it is called kapa. Kapa is made slightly differently than tapa; different shapes are used for a more robust design. Japanese book-binding - in Japan, the binding of books began with scroll books based on the Chinese method. Other binding methods evolved, such as flutter books (sempūyō) and butterfly books (detchōsō). By the Edo Period (1603-1868) and with the relative peace of the period, washi paper was produced steadily, creating a demand for books. Tale of Genji and Tales of Ise were published in this form for the first time. * shallow carving - is a way to add dimension and texture to a woodblock. Various sizes of u gouges work well. It can make beautiful shades of colour within your work. Maile Andrade - is a mixed media artist who has focused on the Hawai'ian kapa process of weaving mentioned above. Kapa, made with mulberry bark, was used for clothing and blankets in Hawai'i. Maile uses kapa in various ways in her 2019 exhibit at the University of Hawai'i at Mānoa, here Moana (Ocean) - 30.4 x 30.4 cm mokuhanga brushes - come in a variety of shapes and sizes. Smaller brushes (surikomebake) have long handles and are numbered regarding bristle size, and are used for various sizes of colour blocks. Flat back brushes (marubake), are like a shoe brush and are for wider areas for printing. They also come in various numbered sizes. Brushes are traditionally made of horsehair from the horse's tail, although the smaller surikomebake are made of deer hair. You can find mokuhanga brushes most anywhere today such as McClains, Terry McKenna, Michihamono, Jackson's Art Supplies, and many other places. sharpening stones - these stones come in a variety of grits, colours, and sizes. Some stones are natural or composite. They vary in price from the ridiculously expensive to the more affordable. Generally, for your mokuhanga you will need a 1000-grit stone to start, and in time you can explore various other methods of sharpening your tools. An excellent video to begin with is Terry McKenna's video on sharpening here. Karma & Faith: The Artwork of Karma Phuntok and Faith Stone - is the self published book made for their Denver exhibition in 2019. Tassajara Zen Center - is a Buddhist monastary and zen center located in San Fransisco. They have published cookbooks since the 1970's. Tibet House - is a not-for-profit cultural preservation society to preserve Tibetan culture worldwide. There are many Tibet House offices and buildings around the globe. More information can be found at Tibet House US here. John Lewis - played a large part in many important events in the civil rights movements of the 1960s in the United States. Was one of the founding members of the Student Nonviolent Coordinating Committee in 1960-1971. More information about John Lewis and his essential work can be found here at Stanford University: The Martin Luther King, Jr. Research and Education Institute. Kannon - is the deity of compassion in Buddhism. Kannon Reigen Ki - Ima Kumano Temple from the series The Miracles of Kannon by Utagawa Hiroshige II (1829-1869) 9.6" x 14" Shoshoni Yoga Retreat - is a yoga retreat in Rollinsville, Colorado. The retreats are much like an ashram experience, with meditation, yoga, meals and selfless service. Find more info here. * Ikegami, Kojiro, and Barbara B. Stephan. Japanese Book Binding: Instructions from a Master Craftsman. New York etc.: Weatherhill, 1990. © Popular Wheat Productions opening and closing musical credit - Dropkick Murphy's, Where Trouble Is At. From the album, This Machine Still Kills Fascists (2021) on Dummy Luck Music. logo designed and produced by Douglas Batchelor and André Zadorozny Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***
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Within the framework of mokuhanga, you have the freedom to go anywhere, try anything and explore so many places with your own work. The skies the limit. Whether through colour, shapes, size, or technique, you are able to explore as far as you want. On this episode of the Unfinished Print, I speak with mokuhanga printmaker, teacher and artist Kate MacDonagh. Based in Dublin, Kate's mokuhanga live in the ethereal, through colour and shape, making abstract work which engages and attracts. Kate speaks to me about her artistic background, gallery experience, teaching and the adaptation of mokuhanga. We discuss the mokuhanga aesthetic, bad days and believing in yourself, local shopping for your materials, abstraction and colour, the spiritual realm, and residencies and travel. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Kate MacDonagh - website, Instagram Cadence - diptych Museum of Fine Arts, Boston - is an art museum located in Boston, Massachusetts, USA and was founded in 1870. With over 450,000 works in the museum, the MFA is one of the most distinguished museums in the world. In regards to mokuhanga, the MFA has had a long relationship with the Japanese woodblock print starting from the late 19th century. It was the first museum in the US to develop a Japanese art collection, and with the help of major donations the MFA developed one of the most important Japanese print collections in the world. More information about the museum can be found, here. Information regarding their Japanese collection can be found, here. To browse some of their digitized collection, here. ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century. The National Print Museum - one of a kind in Ireland, is a print museum located in Dublin. It was founded in 1996 and is a registered charity focusing on education. More info about the museum can be found, here. Debra Bowden - is a mokuhanga printmaker, bookbinder, and artist based in Thomastown (Grennan), Ireland. She conducts mokuhanga workshops in and around Ireland. About all I could find of her is through Facebook, although that hasn't been updated since 2018. Her website doesn't seem to exist any longer. You can find her Facebook page, here. Tangent Script I Nagasawa Art Park (MI Lab) Awaji City - Nagasawa Art Park was an artist-in-residence program located in Awaji City, Hyōgo Prefecture, Japan. It was open for 12 years before evolving into MI Lab in 2012. More info, here. Robert Blackburn (1920-2003) - was an African American printmaker based in New York City. His lithogrpahy work represented his life experiences, being influenced by the Harlem Renaissance, and American society at large. His studio and his workshop in Chelsea attracted artists from around the world. More information about Robert Blackburn, his life and work can be found here from the Smithsonian, and here, from The Elizabeth Foundation for the Arts where the Robert Blackwell Printmaking Workshop Program continues today. Color Symphony (1960) - lithograph The Kentler International Drawing Space - is an art gallery located in Red Hook, Brooklyn, New York. It has hosted several mokuhanga centred exhibitions. The most recent was Between Worlds as hosted by The Mokuhanga Sisters, from July 17 - July 31, 2022. More info, here. Keiko Kadota (1942-2017) - was the director of Nagasawa Art Park at Awaji City from 1997-2011, and then of MI Lab at Lake Kawaguchi from 2011 until her passing. MI Lab - is a mokuhanga residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here. Graphic Studio, Dublin - is a printmakers studio located in Dublin, Ireland. The studio was established in 1960 as a space for printmakers to share ideas and their works. The gallery was established in 1980 as Dublin's first fine art gallery. It is a space where printmakers are able to work in a subsidized environment with the freedom to create work. Kate has been on the Board of Directors since 2019. More info about the Graphic Studio can be found, here. gomazuri - is a mokuhanga technique where slight pressure is used with pigments too make a “spotty” image, what look like sesame seeds. It can add depth to your prints. sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self-made prints was a breakthrough for printmakers moving away from where only a select group of carvers, printers and publishers created woodblock prints. kizuki kozo - is a handmade Japanese paper with many uses. Of a moderate weight and cooked with caustic soda. It's widely available. Ozu Washi - is a paper store located in the Nihonbashi district of Tokyo. website, Instagram Chester Beatty Museum - is a museum and library founded by the American-British philanthropist Sir Alfred Chester Beatty (1875-1968). He was made an honourary citizen of Ireland in 1957. The museum is located in Dublin Castle. More info can be found, here. Rebecca Salter - is the President of The Royal Academy of Arts, in London, England. She is also an artist who has written two books about Japanese woodblock printing, Japanese Woodblock Printing (2001), and Japanese Popular Prints (2006). She worked with the Satō Woodblock Print Workshop, documenting their process. Her interview with The Unfinished Print can be found, here. 2017-12 (mixed media on paper 20 ½ x 20 ½ ins) [2017] shina - is a type of Japanese plywood used in mokuhanga. Not all shina is made equally, buyer beware. Lucy May Schofield - is a printmaker, photographer, and scroll maker (kakemono, 掛物) and is based in England. website, Instagram. Lucy's interview with The Unfinished Print can be found, here. The Blue Between Us The Mokuhanga Sisters - are a mokuhanga collective consisting of Yoonmi Nam, Mariko Jesse, Lucy May Schofield, Melissa Schulenberg, Kate MacDonagh, Katie Baldwin, Mia-O, Patty Hudak, and Natasha Norman. Instagram Yoonmi Nam (b. 1974) - is a contemporary mokuhanga printmaker, lithographer, sculptor, and teacher, based in Lawrence, Kansas. Her work can be found, here. Her interview with The Unfinished Print can be found, here. Book of Bamboo (2020 - 8 3/5 × 12 1/5 in | 21.8 × 31 cm) Melissa Schulenberg - is a woodblock printmaker and professor of Art and Art History at St. Lawrence University, Canton, NY. Some of her work can be found on her website, here. Stumps (reduction) 23.6 x 16 in Katie Baldwin - is a contemporary mokuhanga printmaker, illustrator, book maker, and artist based in Huntsville, Alabama. Her work can be found, here. Her interview with The Unfinished Print can be found, here. Outside (2012 - woodblock and letterpress) Between Worlds - was a mokuhanga specific show hosted by the Kentler International Drawing Space from July 17 - July 31, 2022. bokashi - is a Japanese term associated with the gradation of water into ink. There are several types of bokashi. For more information regarding these types of bokashi please check out Professor Claire Cuccio's lecture called “A Story in Layers,” for the Library of Congress, and the book Japanese Printmaking by Tōshi Yoshida, and Rei Yuki. Below are the following types of bokashi. This is from the Yoshida book: ichimonji bokashi - straight line gradation ichimonji mura bokashi - straight line gradation with an uneven edg. Ō-bokashi - a gradual shading over a wide area atenashi bokashi - gradation without definition futairo bokashi - two tone gradation Northumberland, Britain - is a county located in the northernmost area of Britain. It shares a border with Scotland. It is known for its nature, industry, castles, and history. More info, here. Centre Culturel Irelandais - is located in Paris, France. It is a cultural center for Irish culture and events in France. There are artist in residence programs, exhibtions, concerts and more. For information regarding the CCI in Paris, here. Georges Seurat (1859-1891) - was one of the pioneers of Neo Impressionism, a term coined by art critic Félix Fénéon (1861-1944). Seurat used Pointillism, where different colours are dabbed on various areas of the canvas and it is through the eyes that colour blends together. Through these new ideas, as well as the concept of Divisionism, the Neo Impressionists created a new way of seeing the canvas. Deeply rooted in the “science” of painting, Seurat attempted successfully to blend the past and his present through painting, during his short life. The Harbour of Honfleur (1886) oil on canvas Musée d'Orsay - located in Paris, France the Musée d'Orsay is an art museum established in 1986. Mostly holding and exhibiting French art from the years 1848-1914, the MO conatins many Impressionist and Post Impressionsit paintings and works. More info can be found, here. Sligo, Ireland - is a town with a population of 19,199, located in County Sligo, in the province of Connacht in Ireland. it is the final resting place of poet YB Yeats (1865-1939) More info can be found, here. nori - is a type of paste made from starch. It is used when making mokuhanga. You can make nori from any type of material made from starch. For instance, paste can be made with tapioca, rice, corn, even potato. You can purchase nori pretty much anywhere but making it is more environmentally friendly. Laura Boswell has a great recipe, here. mokuhanga in the 1950's and 1960's - Japanese woodblock printmaking became quite popular after World War II. With Japan growing exponentially post war, through industry and art, the independent philosphy that the West perpetuated began to filter into the Jpaanese art world. Sōsaku hanga became increadingly popular where there is only one carver, printer and draughtsman. These prints touched on various themes, but especially in the abstract. Artists such as Shigeru Hatsuyama (1897-1973), and Kiyoshi Saitō (1907-1997) spring to mind, who created a new kind of mokuhanga by using various techniques, colours, and sizes that were unique and expressive. Oliver Statler's book, written in 1956, Modern Japanese Prints : An Art Reborn, was published because the art form was growing so quickly. It is a great summary on the sōsaku hanga movement during that time. Nymphs (Birds and Flowers) by Shigeru Hatsuyama House in Aizu (1972) by Kiyoshi Saitō hangitō - a Japanese carving knife which is primarily used for mokuhanga and comes in a variety of blade sizes. McClains has a varied assortment, here. kentō - is the registration system used by printmakers in order to line up the colour woodblocks with your key block, or outline block, carved first. nikawa - this definition from the Yamatane Museum of Art in Tōkyō is the perfect definition of nikawa, better than I could ever write. I've included it here, verbatim, describing how nikawa is used in nihon-ga painting, A gelatin made by boiling and extracting protein from skins and bones of animals and fish, it has long been used as an adhesive. Since the pigments used in nihonga have no adhesive strength, the use of nikawa is needed to fix them to the surface of the painting. The two types commonly used now are shika nikawa (industrially processed from cow skin, bones, and tendons) and sanzenbon (which is made by hand, of the same materials). gum arabic - is a sap from two types of Acacia tree. In art it is used as a binder for pigments which creates viscosity (depending on how much or little is applied to your pigments) for your watercolours and oils. Rachel Levitas has a fine description on how she uses gum arabic in her work, here. Holbein - is a pigment company with offices located in Japan, The United States, and Canada. They offer high end gouache, watercolour, and pigment pastes. sumi - is a rich black stick, or liquid used by artists, calligraphers, and traditional Japanese horimono tattoo artists. It is made from the soot of burnt lamp oil. Used in key blocks predominantly in traditional mokuhanga, it can also be used to mix pigments. Pigment Tōkyō conducts a great interview with their chief of pigments, Kei Iwaizumi, about sumi ink, here. International Mokuhanga Conference - is a bi-yearly conference dedicated to mokuhanga which started in 2011 by the International Mokuhanga Association. Each conference is themed. The latest conference was in 2021, delayed a year because of the pandemic. More information can be found, here. Mariko Jesse - is an illustrator, and mokuhanga printmaker who splits her time in Tōkyō, London, and California. Her work can be found, here. Mariko is also a part of the collective, wood+paper+box, which can be found, here. Two Frogs Six Leaves Patty Hudak - is an American artist who splits her time between Vermont and NYC, who works in installation, and mokuhanga. She has travelled the world, and is a part of three artist collectives. Patty's interview with The Unfinished Print can be found, here. Force of Nature 1 print panels - artworks, like woodblock prints, can come in various numbers of panels. Single panel is one print, diptychs are two panels, triptychs are three panels, quadriptych is four panels, pentaptych is five panels. The Art Institute of Chicago - is an art museum located in Chicago, Illinois, USA. Founded both as a school and a museum of fine arts in 1879. It is built on the debris from the Great Chicago Fire of 1871. Its research library was opened in 1901 and the new wing was opened in 2009. More information about the AIC's history can be found on their website, here. Recollections of Tokyo: 1923-1945 - was a mokuhanga and lithography print show held at The Art Institute of Chicago from July 2 - September 25, 2022. It showed works by U'nichi Hiratsuka (1895-1997), Kawakami Sumio (1895-1972), Oda Kazuma (1882-1956) amongst others. More info can be found, here. Paul Furneaux - is a Scottish born mokuhanga printmaker and teacher who uses the medium of mokuhanga creating pieces of work that are third dimensional, abstract and sculptural. Lewis: Orange Black (2020) 135 x 183 x 5 cm mokuhanga stretched over three aluminium panels coated with resin coating Lascaux UV Spray coating - is a UV protecting archival varnish produced by Lascaux, a manufacturer of artist materials since 1963. This is the product used by mokuhanga artist Paul Furneaux for some of his works. More info about their products can be found on their website, here. Lafcadio Hearn (1850-1904) - also known as Koizumi Yakumo, was an Irish/Greek/Japanese author, translator, and teacher of Japanese culture and customs to the West. He spent a portion of his life in Japan where he studied and taught. His most famous books are Glimpses of Unfamiliar Japan (1894), and Kwaidan: Stories and Studies of Strange Things (1904). An interesting article in The Paris Review about Lafcadio Hearn can be found, here. Yuki Onna (雪女) - was a short story as written from the Japanese ghost story by Lafcadio Hearn, in Kwaidan, in 1904. According to an article about the story by Yoko Makino in 1991, Hearn contends he heard the tale from a someone in Musashino, a district in what is Tōkyō today. There are many different legends of this story from around Japan. You can read the Hearn story, here. Your First Print: David Bull - this was the first DVD I ever purchased on how to make mokuhanga. This was in and around 2007. While I look back at that time thinking about why I didn't take it up as seriously as I do now, I sometime wonder, "Where would I be now in my Mokuhanga journey?" I realize that that is a redundant way of thinking. I am where I am now today, and to be happy with just that. You can still find this product on Dave's website. © Popular Wheat Productions opening and closing musical credit - Hater Players, by Black Star from the album Mos Def and Talib Kweli are Black Star (1998). Released on Rawkus Records. logo designed and produced by Douglas Batchelor and André Zadorozny Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***
In which the Musical Man decides to get down at the Haus of Holbein with his ex-wives. Donate today via Patreon: patreon.com/musicalmanpod / Twitter: @musicalmanpod / Podbean: musicalmanpod.podbean.com / Email: musicalmanpod@gmail.com
The time and dedication that it takes to make mokuhanga is well known. And if it isn't then it really should be. It feels that it's easy to follow social media, and watch the pretty prints come out of nowhere, but behind all those nice pictures is a lot of hard work, and dedication. One person who is a prime example of this hard work, dedication and passion for the craft, is Lucy May Schofield. Based in England, Lucy has been making mokuhanga for some time. She has travelled the world, using her environment, and her passion to create mokuhanga that is expressive and powerful. On this episode of The Unfinished Print, I speak with Lucy about how she discovered mokuhanga, her time at MI Lab, Lucy's love of bokashi, and her mokuhanga relationships; those that have helped her along the way. Lucy also speaks on the Mokuhanga Sisters Collective, how grants and scholarships assist in Lucy's artistic pursuits, as well as how her other artistic endeavours affect her mokuhanga. Lucy's is a story which explores independence, pilgrimage, freedom, and how it affects a persons life. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Artists works follow after the note about them. Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Lucy May Schofield - website, Instagram Rebecca Salter - is the President of The Royal Academy of Arts, in London, England. She is also an artist who has written two books about Japanese woodblock printing, Japanese Woodblock Printing (2001), and Japanese Popular Prints (2006). She worked with the Satō Woodblock Print Workshop, documenting their process. Her interview with The Unfinished Print can be found, here. Untitled 2015-14 (2015) Royal Academy of Arts - is an English art institution which as been in operation for 250 years. More info, here. Fukuoka, Prefecture, Japan - is a Prefecture in the second most southern part of the Japanese archipelago. It is known for is temples, hot springs, and natural beauty. Fukuoka tourist website, here. kotatsu - is a low table, electrically heated by an internal heater underneath the table itself, more info, here. Munakata Shikō (志功棟方) - (1903-1975) arguably one of the most famous modern printmakers, Shiko is famous for his prints of women, animals, the supernatural, and Buddhist deities. He made his prints with an esoteric fervour where his philosophies about mokuhanga were just as interesting as his print work. Hizakura no Saku (1978) colour lithograph New Year Card - called nengajo (年賀状) in Japanese, these cards have been traditionally passed from person to person since the Heian Period (794-1185). Mokuhanga practitioners make them as well, creating a new one every year focusing on the zodiac sign of the year as a theme. shina - is a type of wood used in mokuhanga. It is part of the linden family of trees. This wood is produced in various parts of the world, such as Japan and Russia. Not all shina is created equal so buyer beware. magnolia wood - a straight grained hard wood located in North America and Asia. more info, here. washi paper - (和紙) is a type of Japanese paper made with the fibres of either gampi, mitsumata, or mulberry. It is versatile and can be used in many ways. International Mokuhanga Conference - is a bi-yearly conference dedicated to mokuhanga which started in 2011 by the International Mokuhanga Association. Each conference is themed. The latest conference was in 2021, delayed a year because of the pandemic. More information can be found, here. Ralph Kiggell (1960-2022) - was one of the most important mokuhanga practitioners to have made work. Originally from England, Ralph lived and worked in Thailand. Ralph pushed the boundaries of mokuhanga with extremely large pieces, jigsaw carving, and by using fantastic colour for his work. He also worked with the International Mokuhanga Conference to promote mokuhanga around the world. He will be greatly missed. Ralph's work can be found, here. His obituary in The Guardian can be found, here. His interview with The Unfinished Print can be found, here. Pool Diver (1996) Keiko Hara - is an artist who works, and teaches in Walla Walla, Washington. She is a painter, and printmaker in various relief mediums, such as mokuhanga. Untitled (2019) Keiko Kadota - (d. 2017) was a director of MI Lab and of Nagasawa Art Park, previously. She was a mentor to many mokuhanga practitioners and helped to promote mokuhanga around the world. MI Lab - is a mokuhanga residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here. Kate MacDonagh - is an Irish mokuhanga printmaker based in Dublin, Ireland. Kanreki was an exhibition curated by Kate MacDonagh at The Model, Sligo. Kate's website. Katsutoshi Yuasa - is a printmaker and artist based in Tokyo, Japan. His work tends to be large scale, and created through photography, bits, and focuses on the overall "image" itself. His interview with The Unfinished Print can be found, here. website, Instagram I-know-not-what (2022) oil-based mokuhanga kirazruri - is a style of printing which uses mica to give a silver, glittering tone to the print. Mica is used as a lovely addition to your print. You can find more information, here. Hiroki Satake - is a mokuhanga printmaker, and instructor based in Japan. He has taught at MI Lab, as well as given demonstrations regarding tool sharpening, around the world. Carol Wilhide Justin - is a mokuhanga printmaker based in London, England. Her work focuses on the natural world and the process of making mokuhanga. Carol's interview with The Unfinished Print can be found, here. Asemic Writing Tochigi, Prefecture - is a Japanese Prefecture sandwiched between Saitama, Ibaraki, Fukushima, and Gunma Prefectures. It is famous for its autumnal leaves, temples, and UNESCO World Heritage Site, Nikkō. More info, here. Nishijin - is an area in Fukuoka City known for its shopping district. inaka (田舎) - is a Japanese word for “country-side.” Kurokawa Onsen (黒川温泉) - is a hot spring town located on the island of Kyushu, near Mount Aso, the largest active volcano in Japan. It is famous of its traditional style inns, hot springs, baths, and food. More info, here. Beppu (別府市) - is a hot spring town located in Kyushu. More info, here. matsuri (祭り）- is the Japanese word for “festival.” Japan is a country famous of it's festivals. Each Prefecture, city, town, municipality has a special festival for their area, connected to the seasons, gods, or harvests. Itoshima (糸島市) - is a city in Fukuoka Prefecture, popular for its beaches, surfing, and nature. Northumberland, Britain - is a county located in the northernmost area of Britain. It shares a border with Scotland. It is known for its nature, industry, castles, and history. https://www.visitnorthumberland.com cyanotype - a type of work which uses iron compounds, and when exposed to UV light creates various blues. More info, here. Indigo dyeing - made famous in the Edo Period (1603-1968), indigo dyeing has been a part of Japanese handicrafts for a long time. Shikoku is famous for it, towns such as Mima, Wakimachi, Tokushima, amongst others continue to produce hand dyed garments of indigo.More info can be found, here, and here. Awagami - is arguably the largest paper making company in Japan at the moment. With a large International name, Awagami sponsors, and promotes its paper all over the world. More information can be found on its website, here. 88 Temple Pilgrimage - associated with the Buddhist priest Kōbō Daishi (Kūkai) [774-835]. It is one of the few circular pilgrimages in the world. You can walk, or drive the pilgrimage. You can also see it in parts, called kuguri-uchi. Essentially you can walk this pilgrimage in order, backwards or frontwards as they are all temples associated with Kūkai. If you do make the pilgrimage by foot, it is a commitment, but extremely rewarding. Pilgrims are called ō-henro. More info, here. Ō-settai - are gifts, such as lodging, food, money, or clothing. They are given by non-pilgrims to pilgrims on they journey of the 88 Temples. More info can be found, here. QEST - is the Queen Elizabeth Scholarship Trust, and is given to British craftspeople who are given money to pursue training and education in their specific field and medium. More info, here. kōzo - is a paper made from the bark of the mulberry bush. It is used in mokuhanga frequently, and comes in various weights. YInMn - is a blue colour discovered by Professor Mas Subramanian in 2009. Helen Frankenthaler (1928-2011) - was an American abstract impressionist painter who enjoyed experimenting, discovering new ways of expression through paint. More info, here. Echizen - is a region in Fukui Prefecture, Japan associated with Japanese paper making. It has a long history of paper making. There are many paper artisans in the area. One famous person is Iwano Ichibei whom Megan mentions in this episode. He is a Living National Treasure in paper making, and the ninth generation of his family still making paper today. More info can be found here in English, and here in Japanese. Paul Furneaux - is a Scottish born mokuhanga printmaker and teacher who uses the medium of mokuhanga in order to create pieces of work that are third dimensional, and abstract. The Mokuhanga Sisters - are a mokuhanga collective consisting of Yoonmi Nam, Mariko Jesse, Lucy May Schofield, Melissa Schulenberg, Kate MacDonagh, Katie Baldwin, Mia-O, Patty Hudak, and Natasha Norman. Instagram Yasuyuki Sato - is the Chair of Center for the Science of Human Endeavor/CfSHE, and Director of the Mokuhanga Conference. Yoonmi Nam (b. 1974) - is a contemporary mokuhanga printmaker, lithographer, sculptor, and teacher, based in Lawrence, Kansas. Her work can be found, here. Her interview with The Unfinished Print can be found, here. More Beer...For Instance (2013) Katie Baldwin - a woodblock printmaker, letterpress, screen printer. website, Instagram Raft (shore) #2 (2013) Mariko Jesse - is an illustrator, and mokuhanga printmaker based in Tōkyō, London, and California. Her work can be found, here. Mariko is also a part of the collective, wood+paper+box, which can be found, here. Between Times - folded screen with mokuhanga wood+paper+box - is a collaborative art group made up of Katie Baldwin, Mariko Jesse, and Yoonmi Nam. It is based on their experiences at Nagasawa Art Park, the precursor of MI Lab. Patty Hudak - is an American artist who splits her time between Vermont and NYC, who works in installation, and mokuhanga. She has travelled the world, and is a part of three artist collectives. Patty's interview with The Unfinished Print can be found, here. Melissa Schulenberg - is a woodblock printmaker and professor of Art and Art History at St. Lawrence University, Canton, NY. Some of her work can be found, here. Newcastle University - is a public research university located in Newcastle-Upon-Tyne, Britain. London College of Printing - now called the London College of Communication, is an art college associated with the University of the Arts London. Toshio Sayama - is an instructor at MI Lab as well as on the MI Lab Committee Board. Borderless scroll - is the Mokuhanga Sisters collaborative scroll. Shown in Nara during the International Mokuhanga Conference, as well as at the Southern Vermont Art Center. nori - is a type of paste made from starch. It is usually used when making mokuhanga. You can make nori from any type of material made of starch. For instance, paste can be made with tapioca, rice, corn, even potato. You can purchase nori pretty much anywhere but making it is more environmentally friendly. Laura Boswell has a great recipe, here. bokashi - is a Japanese term associated with the gradation of water into ink. There are several types of bokashi. For more information regarding these types of bokashi please check out Professor Claire Cuccio's lecture called “A Story in Layers,” for the Library of Congress, and the book Japanese Printmaking by Tōshi Yoshida, and Rei Yuki. Below are the following types of bokashi. This is from the Yoshida book: ichimonji bokashi - straight line gradation ichimonji mura bokashi - straight line gradation with an uneven edg. Ō-bokashi - a gradual shading over a wide area atenashi bokashi - gradation without definition futairo bokashi - two tone gradation Utamaro - A Prelude To Desire Series - is a series created by Kitagawa Utamaro (1750-1806) in 1799. His designs changed the whole perspective of shunga, erotic prints. Below is as print as designed by Utamaro and Lucy's self-produced print, Prelude To Desire IV. shunga (春画)- is a type of mokuhanga which is connected with the ukiyo-e period of the Japanese print. The theme is sexuality, whether male-female, or male-male. Many print designers helped to create these prints, and were very popular. Utagawa Hiroshige (1797-1858) - born in Edo, Hiroshige is famous for his landscape series of that burgeoning city. The most famous series being, One Hundred Famous Views of Edo (1856-1859), and the landcape series, Fifty-Three Stations of the Tōkaidō (1833-1834). His work highlights bokashi, and bright colours. More info about his work can be found, here. Ōmayagashi - from One Hundred Famous Views of Edo Northumberland National Park - is a park in Northumberland , England. It is considered a “dark skies” park where the night sky is preserved by having no artificial lighting in the area. Holbein - is a pigment company with offices located in Japan, The United States, and Canada. They offer high end gouache, watercolour, and pigment pastes. scrolls - called kakemono 掛物 or emakimono 絵巻物 in Japanese. These scrolls contain many different types of themes and subjects. More info can be found, here. The Legend of Gisho Turner Design Gouache - is a company based in Osaka, Japan. The make acrylic and design (water based) gouache. Oak gall - is a type of plant swelling, which can be found in various plants. Oak gall is made by the Gall Wasp. The ink and pigment made form oak gall has been used for centuries. hanshita - is a thin sheet of gampi paper that is pasted, reverse side, on a piece of wood. This is a guide, carved onto the block and is generally used for the key block and subsequent colour blocks. Methods such as acetate with water based pigment, can also be used rather than the thin gampi paper, which can cause misregistration if not pasted correctly. The Japanese Paper Place - is a Toronto based Japanese paper store servicing the Mokuhanga community for many years. Interview with the Nancy Jacobi of the JPP can be found, here. Ozuwashi - is a brick and mortar paper store located in the Nihonbashi district of Tōkyō. More info here. You can purchase all types of paper that Lucy mentions ion her interview, such as pansion, and sekishu. Chine-collé - is a two layered printmaking process where the paper is placed onto an inked metal plated run through a press. More info, here. © Popular Wheat Productions opening and closing musical credit - The Smiths - The Headmaster Ritual from the album Meat Is Murder (1985) logo designed and produced by Douglas Batchelor and André Zadorozny Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***
Elizabeth I understood the power of monarchial magnificence. Author and historian Siobhan Clarke shares how the Queen used portraits to create the lasting image of Gloriana.Show Notes: Carol Ann Lloydwww.carolannlloyd.com@shakeuphistorypatreon.com/carolannlloydDr. Joanne Paulthehistoryguides.comGloriana: Elizabeth I and the Art of QueenshipWe mentioned bookdepository.com to order from the US as well as the UK.Creative Director: Lindsey LindstromMusic: History by Andy_Grey via Audio Jungle, Music Broadcast License
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