Making The Arts Accessible

In this episode, recorded at Tom and Caroline's house, we have a great discussion about audio description.  Tom is a general all-round arts-lover and has been blind all his life so has used audio description for many years now, particularly for theatre, opera and for historic buildings.  And Caroline, his wife, has supported him in this, and was on the board of Vocaleyes for five years.  So they are both full of lots of thoughts on what works, what doesn't and how people can make their work or their space accessible to blind people.Thanks for listening! You can follow me on Twitter, or for all podcast episodes, and other things including my sounds blog (slog?), visit my website www.alicegilmour.com.

Ben Wilson is an actor, theatre-maker, audio description consultant and recently became Extant's first trainee Artistic Director.  We talk about how he combines these different roles, what it's like having a portfolio career like so many of us in the arts, on his requirements as a blind actor,  on questions like why do West End shows have different access providers every week in each different venue, and should arts organisations and directors who have never cast a disabled actor on their stage still be given a platform.   Enjoy! LinksExtant Theatrehttps://extant.org.uk/ Graeae Theatrehttps://graeae.org/ Ramps on the Moon Projecthttps://rampsonthemoon.co.uk/ Sheffield Theatreswww.sheffieldtheatres.co.uk Oliver Twist – NT At Homehttps://www.ntathome.com/products/oliver-twist Georgie Morrell – comedian, actor, writerhttp://georgiemorrell.co.uk/ Thanks for listening! You can follow me on Twitter, or for all podcast episodes, and other things including my sounds blog (slog?), visit my website www.alicegilmour.com.

In this episode, I'm talking to Emily Malen who is Front of House and Access Development Manager at Theatre Royal Nottingham and Royal Concert Hall.  What she stresses is the importance of listening and learning from your audiences, and always pushing forward, looking at the latest technology, training your staff, communicating with every department in the building, and also your visiting audience, and visiting show.Links Royal Theatre Nottingham and Royal Concert Hallhttps://trch.co.uk/whats-on/ Attitude is Everythinghttps://attitudeiseverything.org.uk/ Vocaleyes – audio description listings and informationhttps://vocaleyes.co.uk/ StageText – captions in theatrehttps://www.stagetext.org/ TheatreSign – BSL interpreters and performanceshttps://theatresign.com/ Signed Culture – supporting BSL access to the artshttps://www.signedculture.org.uk/ Thanks for listening! You can follow me on Twitter, or for all podcast episodes, and other things including my sounds blog (slog?), visit my website www.alicegilmour.com.

I talk to Jonathan Suffolk, Director of Production at The Curve, Leicester who headed up the team at The National Theatre who developed their smart caption glasses.  These augmented reality glasses provide captions for people who are D/deaf or hard of hearing, without them having to turn and read captions on a screen at the side or over the top of a stage.  We get quite techy and hear how it all works in detail.  And he talks very honestly about how access works in a major theatre and how it rubs up against the eternal economic difficulties in the arts.Links: The National Theatre Caption Glasseshttps://www.nationaltheatre.org.uk/your-visit/access/caption-glasses The National Theatre, London, UKhttps://www.nationaltheatre.org.uk/ Leicester Curve Theatrehttps://www.curveonline.co.uk/ Stagetext – providing captions for theatreshttps://www.stagetext.org/ Galapro – providing captions and audio descriptions to phoneshttps://playbill.com/article/the-new-technology-about-to-revolutionize-broadway The Arts Council's ‘Let's Create' strategyhttps://www.artscouncil.org.uk/lets-create Thanks for listening! You can follow me on Twitter, or for all podcast episodes, and other things including my sounds blog (slog?), visit my website www.alicegilmour.com.

In this episode, I talk to Hannah Thompson, Professor of French and Critical Disability studies at Royal Holloway, University of London, who describes herself as partially blind and is an expert in audio description. She recently co-created a FutureLearn course on audio description called ‘Creating Audio Description: Equality, Diversity and Inclusion', which explores how to design and create audio descriptions and audio introductions for TV, film and theatre, and she's full of fascinating insights on how audio description can become part of the creative process which ultimately makes a better artistic product, whilst improving the audio description experience for the user.Links: Hannah Thompsonhttp://hannah-thompson.blogspot.com/ Future Learn course - Creating Audio Description: Equality, Diversity and Inclusionhttps://www.futurelearn.com/courses/creating-audio-description-for-equality-diversity-and-inclusion The Smartify app (sign up and search for The Royal Holloway Art Gallery)https://smartify.org/ Play Flightpaths by Extanthttps://extant.org.uk/productions/digital-flight-paths/ Watch herehttps://flightpaths.extant.org.uk/ Vocaleyes websitehttps://vocaleyes.co.uk/Thanks for listening! You can follow me on Twitter, or for all podcast episodes, and other things including my sounds blog (slog?), visit my website www.alicegilmour.com.

In this conversation, I hear from actor Dan Parr about how he first got into audio describing whilst performing in Road at Leeds Playhouse, and how he and three other actors from that show have gone on to create their own company, Hear The Picture, where they create audio description in character, based in Sheffield.Linkshttps://twitter.com/hearthepicture?lang=enHear The Picture – an actor led audio description company where they describe in character https://www.sheffieldtheatres.co.uk/A theatre complex in Sheffield, comprising the Crucible, the Lyceum and the Tanya Moiseiwitsch Playhouse. These theatres make up the largest regional theatre complex outside the London region and show a variety of in-house and touring productions. https://leedsplayhouse.org.uk/One of the largest producing theatres in the north, and awarded the UK's Most Welcoming Theatre at the UK Theatre Awards 2022. https://www.rampsonthemoon.co.uk/A collaborative project between six different UK theatres aiming to enrich the stories we tell and the way we tell them by normalising the presence of D/deaf and disabled people both on and off stage. https://graeae.org/World class theatre and training from D/deaf and disabled artists https://cripticarts.org/They produce work with deaf and disabled artists, support deaf and disabled people in the arts, and support other organisations with trainingThanks for listening! You can follow me on Twitter, or for all podcast episodes, and other things including my sounds blog (slog?), visit my website www.alicegilmour.com.

I talk to Jonathan Penny about audio description for TV.  He worked at ITV and is now at Channel 4 heading up their access services.   And we also cover a bit about live subtitles, and how TV companies are starting to look at creating audio introductions to help blind and partially sighted viewers have more information about a show before watching it as there is only so much you can describe within the show.Links ITV's accessibility inbox - accessibility@itv.com - for comments/complaints/to find out more about the users' forum ITV's accessibility statement - https://www.itv.com/terms/articles/accessibility VocalEyes – www.vocaleyes.co.uk FutureLearn course - https://www.futurelearn.com/courses/creating-audio-description-for-equality-diversity-and-inclusion Trigger Point character introductions - https://www.youtube.com/watch?v=_oJazqxGxSA Scottish Opera Audio Described performances - https://www.scottishopera.org.uk/discover-opera/accessible-performances/  Thanks for listening! You can follow me on Twitter, or for all podcast episodes, and other things including my sounds blog (slog?), visit my website www.alicegilmour.com.

My conversation with Paul who is a BSL interpreter, covered how he prepares to sign an opera, what more theatres can do to welcome D/deaf audiences, and a look back at some of the wonderful shows he has signed over the years.Paul's website:http://www.paulwhittaker.org.uk/Opera North upcoming signed performanceshttps://www.operanorth.co.uk/access/signed-performances/Thanks for listening! You can follow me on Twitter, or for all podcast episodes, and other things including my sounds blog (slog?), visit my website www.alicegilmour.com.

I chat to Philippa about her work with Talking Birds theatre company in Coventry and especially the invention of a mobile captioning system - The Difference Engine.  With this system, people can get captions on their phones which is particularly useful for smaller arts organisations (it's very reasonable!), and for events held in unusual spaces.  Philippa also talks about how they created a Citizens Assembly during the Coventry City of Culture which means local people now have a say in the artistic and creative vision for the city.LinksTalking Birds Theatre Companyhttps://talkingbirds.co.ukThe Difference Enginehttps://talkingbirds.co.uk/deShoot Festival, Access Coventry, and Artists' Manifestohttps://www.coventryshootfestival.com/access-coventry Thanks for listening! You can follow me on Twitter, or for all podcast episodes, and other things including my sounds blog (slog?), visit my website www.alicegilmour.com.

In this episode, I talk to Vicky about her work as an audio describer, and an access champion, what she thinks of relaxed performances, and her work with Mind The Gap which champions access to creative careers for  disabled artists.  And there's a good story about a pie.LinksJack Thorne, McTaggart Lecturehttps://www.youtube.com/watch?v=oxUZPMBRIPUVicky's Disability and Equality Training Companyhttps://totallyinclusivepeople.com/Vocaleyes – the UK's audio description organisationhttps://vocaleyes.co.uk/Mind The Gap, England's leading learning disability performance and live arts company.https://www.mind-the-gap.org.uk/ Thanks for listening! You can follow me on Twitter, or for all podcast episodes, and other things including my sounds blog (slog?), visit my website www.alicegilmour.com.

In this trailer, I discuss why I made the podcast and what it's all about.Thanks for listening! You can follow me on Twitter, or for all podcast episodes, and other things including my sounds blog (slog?), visit my website www.alicegilmour.com.