Podcasts about National Theatre

Send a textAfter the recent opening of Man and Boy in the Dorfman Theatre, National Theatre, Laurie Kynaston sat down with us to talk about this rare revival, working with director Anthony Lau on this new production and sharing the stage with acting legends Ben Daniels and Malcolm Sinclair. Our discussion delves into the contemporary revival of Terence Rattigan's plays and the reasons his character-driven stories remain relevant to modern audiences. Laurie himself made his debut in another Rattigan play: The Winslow Boy and tells us about the full-circle elements of his turn in this latest project. details the history of Man and Boy, noting its initial lack of success , and describes his first impressions of the script and the character of Basil Anthony. The conversation also addresses the technical challenges of performing in the round and the spatial awareness required to remain visible to a surrounding audience. Additionally, the interview examines Kynaston's history of portraying strained father-son dynamics , covering the emotional weight of The Son and the logistical process of joining the cast of Long Day's Journey Into Night on short notice.In our new interview with Laurie Kynaston, he shares his personal outlook on the industry and reflections on his career progression. He addresses the socio-economic barriers currently facing the theatre, specifically the issues of rising ticket prices and classism. We hear him reflect on his own beginnings at Theatr Clwyd in North Wales, while expressing concern that potential audiences are being priced out of the arts. As he transitions into more prominent leading roles, he shares his optimism about the future as well as his gratitude to being welcomed in certain circles in the theatre world. It's a truly endearing conversation and as Laurie continues through his 30s, we look forward to seeing his shift from younger male parts to mature roles that reflect his already wise worldview.Man and Boy runs at Dorfman Theatre, National Theatre until 14 March.

Rosamund Pike, the Emmy and Golden Globe winner, is known for standout roles in Saltburn, her Oscar nominated lead in Gone Girl, and Made in Dagenham. Next month she stars on the West End stage, coming back to the role of Jessica Parks, the maverick judge at the heart of the National Theatre's hit play Inter Alia, also filmed for NT Live screenings. She joined Anita Rani to discuss her role that explores motherhood, masculinity and the complexities of justice.It's more than a decade since Nadiya Hussain became a household name after winning the Great British Bake Off. Since then, she's fronted her own cookery shows, written more than a dozen cookbooks and a series of children's books. Her latest collection of recipes is called Quick Comforts, and Nadiya joined presenter Clare McDonnell to talk about finding comfort in food, her career so far and lots more.In December 2024, Dominque Pelicot and 46 other men were found guilty of the aggravated rape of his wife Gisèle. Another two were found guilty of attempted rape and a further two were found guilty of sexual assault. Dominque had drugged Gisèle with medication without her knowledge, raped her and invited other men to rape her, filming as they did so. At least another 20 men who took part in these rapes could not be identified. Waving her right to anonymity, Gisèle Pelicot declared that shame has to change sides. Despite her becoming a household name, not only in her native France but around the world, very little was known about Gisèle herself. She has written her memoir, A Hymn to Life, with writer Judith Perrignon and Judith joins Nuala McGovern to discuss.Dr Punam Krishan is a Glasgow based NHS GP and the resident doctor on the BBC's Morning Live programme. Back in 2024 she was a contestant on Strictly Come Dancing where she was the first dancer to perform a Bollywood routine. But six months ago, at the age of 42, she was diagnosed with breast cancer, and has since gone through treatment. She has recently written about how being a doctor didn't prepare her for the experience of being a patient. Dr Punam joined Anita to discuss.Ketamine has become a worryingly popular recreational drug among young people, and the consequences can be devastating. That's according to a specialist NHS clinic which reports that some teenagers suffer such severe bladder damage from taking it, that some rely on incontinence pads. To discuss the implications, Anita was joined by Dr Alison Downey, Consultant Urologist at Mid Staffs NHS Foundation Trust, who is treating young people with ketamine related bladder problems. Also joining them is Eva, who has stopped using ketamine and is receiving support from the hub.The award-winning internationally renowned Welsh harpist and composer Catrin Finch first came to prominence in her early 20s as the official Royal Harpist to King Charles, the-then Prince of Wales. She achieved chart success with her No. 1 recording of Bach's Goldberg Variations and has performed with many of the world's leading orchestras. Catrin, who began playing the harp at just six years old, has a new album, Notes to Self, a series of reflective and deeply personal new tracks she has composed for Katy, her 13-year-old-self. She joined Nuala and performed live in the studio. Presenter: Anita Rani Producer: Annette Wells

Rosamund Pike, the Emmy and Golden Globe winner, is known for standout roles in Saltburn, her Oscar nominated lead in Gone Girl, and Made in Dagenham. Next month she stars on the West End stage, coming back to the role of Jessica Parks, the maverick judge at the heart of the National Theatre's hit play Inter Alia, also filmed for NT Live screenings. She joins Anita Rani to discuss her role that explores motherhood, masculinity and the complexities of justice. Ketamine has become a worryingly popular recreational drug among young people, and the consequences can be devastating. That's according to a specialist NHS clinic which reports that some teenagers suffer such severe bladder damage from taking it, that some rely on incontinence pads. To discuss the implications, Anita is joined by Dr Alison Downey, Consultant Urologist at Mid Staffs NHS Foundation Trust, who is treating young people with ketamine related bladder problems. They are also joined by Faye Maloney, Director of The Lifeboat Recovery Community Hub, along with Eva, who has stopped using ketamine and is receiving support from the hub. The American writer Madeline Cash has just published her debut novel Lost Lambs — already an instant bestseller — and she's only 29. She won high praise from Lena Dunham, who has called her ‘a voice like no other'. Lost Lambs follows the Flynn family — parents Bud and Catherine and their three teenage daughters — whose decision to open their marriage plunges the household into chaos. As the Winter Olympics comes to a close, BBC sports reporter Katie Falkingham joins Anita to discuss the standout female athletes and record breaking performances.Presenter: Anita Rani Producer: Dianne McGregor

Catherine Dyson's latest play, The Last Picture, focuses on an emotional support dog, Sam, who is taking a group of school children on a trip around an exhibit focusing on Europe in 1939. She chats to Hannah about empathy, dogs, antisemitism, audiobooks and the National Theatre. You can see The Last Picture in Manchester, Bristol and Guildford. More details and tickets here: https://ett.org.uk/our-work/the-last-picture/ Become a Standard Issue supporter here: Standard Issue Podcast | creating a magazine for ears, by women for women | Patreon Learn more about your ad choices. Visit megaphone.fm/adchoices

Media planners and buyers, like many in adland, have been tackling a period of immense change. AI, media fragmentation and budget restraints are all impacting the roles within media. At the end of January Campaign hosted Media Week Live, a conference for media planners and buyers, discussing how their roles are changing and what the future of the media agency looks like. Leaders from X, Pinterest, Omnicom, WPP, Publicis and the National Theatre joined to share their perspectives from the top.Campaign's media journalists hosted the event: media editor Beau Jackson and deputy media editor Shauna Lewis. The pair join tech and multimedia editor Lucy Shelley to discuss the future of the media planner and buyer, what part creativity plays in the media plan, how media planners work alongside AI and what challenges media agency leaders are facing this year.Further reading:What does it take to be a media agency chief investment officer?'Frustrating' and 'disappointing': media buyers on Google's action against Kantar Media and BarbThe Lists 2025: Top 10 media buyers‘The weather is changing': How much should publishers fret about Google AI Overviews?Will media buyers be the first victims of AI?Media buying among 'first areas to go' with rise of AI, says MediaMonks co-founder Hosted on Acast. See acast.com/privacy for more information.

My guest this episode is the globally-renowned, multi-award-winning playwright, poet, and performer, Inua Ellams MBE FRSL, whose work has been produced by the National Theatre, the Royal Shakespeare Company and BBC / Disney+'s Doctor Who, to name just three. Research Producer: Eileen Gbagbo

National Theatre reconstruction of New Scene, Roma music genre halgató, Eccentric Czech adventurer: Jan “Eskimo” Welzl  

National Theatre reconstruction of New Scene, Roma music genre halgató, Eccentric Czech adventurer: Jan “Eskimo” Welzl  

Sledges, Corkscrews, and other fears.Based on a post by Jorunn, in 4 parts. Listen to the ►Podcast at Connected.Once at the starting point, we both sat down on our sledges. I was grateful only a few others were preparing to ride, but gasped again when I saw how youthful their faces were. I doubted anyone here was over thirty years old. I wondered whether Jorunn was punishing me, or perhaps was hoping I would voluntarily quit the tour.“I don’t know if I can do this, Jorunn. I’m afraid.”Jorunn looked me in the eye with a grim look on her face.“Afraid is coming home with my mother, and finding my father sleeping with another woman. Afraid is watching how he broke apart my family and wondering how my mom and I would go on. Afraid is me cutting off my father and not wanting to ever see him again.”“Afraid is quitting a dead-end job and trying to earn a living as a vlogger in one of the most expensive countries on earth. Afraid is checking every morning for clicks, likes, and followers, and finding out the numbers did not change.”“Afraid is starting a private small-group tour company, all by myself, and weaving my way through the many regulations, laws, and insurance requirements. Afraid is knowing I have to book at least one trip a month just to cover those costs.”“Afraid is taking a group of six to Svalbard for a glacier hike in early summer, and spotting a polar bear less than 200 meters away lumbering towards us. Afraid is watching our guide fire off the last of her flares, but seeing the bear still coming. Afraid is the look in our guide’s eyes as she reached for her rifle.”“You don’t need to be afraid of sledging, Gunnar. What you need to be afraid of is being too afraid to try sledging. Meet me at the bottom of the hill. Either make the run or turn in your sledge and take the Metro down the hill.”I watched Jorunn push off and head down the run, then thought about her words. I lived a good life in Minnesota, meeting Solveig in college and then stepping right into a lifetime job with the 3M company. Adventure was going to our lake cabin where the only challenges were fighting off mosquitos, and figuring out how to remove burnt marshmallows off the end of a stick. After our first child, Solveig and I stopped doing anything like sledding, and instead sat and watched our kids having all the fun.What am I doing here in Norway? Why am I here? Jorunn answered that question for me. I pushed off and started my run.I fought my way down the mountain, and as I approached the end of the run, I was happy to see it level off. I saw Jorunn standing next to her sledge, her small camera pointed at me. I raised both hands over my head, waved, then yelled, “I did it!” I coasted to a stop three meters past her.Jorunn ran up to me, and as I stood, she hugged me. “I’m proud of you Gunnar.” As we hugged, under the clear blue skies and chilly temperatures, I closed my eyes and went back 35 years to a small hill in Minneapolis, where I hugged Solvieg after sledding. Jorunn released me and stepped back.I yelped, “It was wonderful! I kept to the side as other people whizzed past me. A few sections were bumpy, and my teeth rattled. The only time I was scared was when there was a steep drop-off on one side. Don’t you use guardrails in Norway?”“You may have seen a few small concrete walls, but we believe in personal responsibility here in Norway. If you cannot manage a sledge, you should not make the run. The authorities do monitor the conditions and sometimes close the run when it is too icy.”“Does that mean you believed in me? Believed I could make it down the hill?”“There is nothing wrong with you, Gunnar. While I was waiting here at the bottom of the hill, I read about your Iron Range in Minnesota. You are rusty. There is a Wizard of Oz Museum there. You are the Tin Man. This tour is the Oil Can. Figure it out. The Oil Can only works if you pick it up and use it. Stand tall and walk proudly for as long as you can. If you fall, get up and keep going.”It was an interesting way to look at life. I was only 56 years old, but for the last few years, I acted like I was 80. I still have many years to go sledging, if only I was not afraid to try.I turned to Jorunn. “Let’s go again!”Pea SoupDecember 16 - Mid-DayAfter three more runs, Jorunn and I turned in our sledges and ate lunch at the beautiful Frognersteren Restaurant on top of the hill. I followed her suggestion of a thick pea soup with meatballs and potatoes. It was delicious. As we sipped hot chocolate, it felt good to be alive again.“A week ago, I was in a nursing home in Minnesota. After my wife died, no one visited me, not even my adult children. I was alone. It was a terrible place, run by a terrible nurse. I had to get out. I made plans with my lawyer, then walked out the front door and got on a plane to come to Norway. What’s the worst place you have ever been?”“Dublin, Ireland. After the divorce, my mother and I were struggling financially. We had gone from living a comfortable life to living paycheck to paycheck. I saw a post on the Internet for a job as a body double for a Vikings television program. I wasn’t sure what a body double did, but it paid well for a short gig. I took all my clothes off while a dozen people stared at me and took photos and videos. I hadn’t been naked in front of any man in over a year, since before the divorce. They must have liked me because I got the part, and they flew me to Dublin. The next morning, I went to the studios. I sat there in a robe while they cut and styled my hair to match the actress I was portraying. Then off to the makeup department, where I removed my robe while they applied fake tattoos and full body makeup so I would look dirty in all the right places.”“After lunch in the studio, the costume department placed me in a white linen tunic. When it was time to film, they told me to stand in front of the lead actor while he lifted the tunic off me and tossed it aside. He was much older than me, and with his beard, he reminded me of my father. He exuded the same swagger as if the world revolved only around him. I would be fully exposed to him, and to the camera crew, who were filming me from behind. They told me to act submissive and let the lead actor hug me. It took several takes and a few tweaks before the director was happy.”“Next, I was ordered to lay down on a stylized Viking bed covered with furs. The sex scene was to be filmed twice. Once for television, then for an unrated video release. The make-up people gave me a once over, then thankfully positioned a flesh-covered patch over my vagina. In the first shot, I was naked, but the lead actor remained fully clothed. He stood and positioned himself between my legs, and they told me to keep my vagina pressed tight against his crotch as he bucked against me. We needed to make the audience believe we were having sex while showing them nothing. I remained in this position while they adjusted the lighting and camera angles, and beneath his trousers, I felt the lead actor’s erect cock pressed against me.”“The director yelled, ‘Action’. Once again, they told me to be submissive, and let the lead actor take charge. He started humping against me. Looking up at him, he was still a handsome man, and I wondered how many women around the world dreamed or fantasized about being in the same place I was. I wasn’t one of them, but I understood this was why they hired me, so I accepted it. Like earlier, it took several takes. The director would review the shot and make small adjustments each time. After the last take, I saw a large wet spot on the front of the lead actor’s trousers.”“Then it was time for the unrated scene. A host of costume and make-up people swarmed around the actor while I lay there naked. This time, he was to be naked as he approached the bed. The camera angle was off to the side to avoid full frontal and he used his left hand to shield his erection, thankfully contained in a flesh-covered sock. The scene began with the lead actor approaching me, and once in position, he began humping against me. His covered cock slid against the covering over my vagina, but the sensations passed right through. My nipples became erect, and I felt my wetness building.”“After several takes, the director was happy, and we moved on to the last scene for which I was needed. In this one, the lead actor would be laying on top of me, his arms extended and propping himself up with his hands placed on either side of my body. This scene was more challenging because it needed to be mixed with prior facial cuts shot separately with the lead male actor and lead female actress. The scene would be filmed from several angles including above and below. As the director reviewed the earlier footage, the makeup people worked on my face and hair.”“The next thing I felt was the lead actor lying on top of me, his body pressing his erect cock against the patch covering my vagina. I wanted to turn away, but he told me to look at him because it would help him release his creative juices. I feared the possible double entendre. Here I was, face-to-face with the avatar of the man I hated more than anyone, the man who destroyed our family. When the director was ready, he said to go at it and try to simulate real sex. He yelled 'Action’. I was sweating under the lights, and the patch covering my vagina began to slip, aided by the movement of the lead actor’s covered cock. As my pussy became more exposed, I was afraid his cock might slide into me, so I yelled 'Cut!’. Everything stopped, and I pushed him off.”“That was enough. I yelled I was through, gathered my things, and headed for the front door. I paid my own way back to Oslo, and thought about filing a protest, but later learned what they did was mostly proper. Most sex scenes are between two body doubles. It is rare, but sometimes a lead actor will film such scenes if they have it in their nudity clause. I had a new appreciation for body doubles, but my own acting career lasted one day, and looking at the final scenes after release, I was on screen for eight seconds, and no one knew it was me!”I said, “Wow. We have something in common. The nursing home did everything properly, but like you, I couldn’t stand it any longer, so I headed for the front door. I’m sorry for your terrible experience.”Jorunn shook her head, “Don’t be sorry. The experience ended up changing my life for the better. After I got back to Oslo, I swore to never work for anyone else again. I wanted to direct my own scenes, so I started doing vlogs. That led to the creation of my tour company. As things turned out, I walked out one door and right into something I loved. Plus, I walked out wearing this really cool, braided leather Viking headband I have on now. You are halfway there. You have walked out the front door. Now you must find something, or someone, to love.”A profound statement from someone so young.SpikersuppaDecember 16 - AfternoonI noticed the sun getting low on the horizon. Jorunn caught my glance and said, “The sun sets early here in Oslo, around 3:30 in the afternoon. In some of the northern cities, it set last month and will not rise again until spring.”I didn’t want to spend the rest of the day looking at museums, and flushed with my success on the hill, I took a chance. “Do you ice skate?”Jorunn replied, “I do, but not very well.”I said, “If you know of a skating rink with lights, maybe we can go there and skate.”“There is a nice lighted one in downtown Oslo called Spikersuppa,” said Jorunn. “When the sun goes down in Oslo, the twinkling lights are turned on, bringing with them their magic. The ice-skating rink is close to the Christmas market, which is our agenda for tonight.”“That sounds great to me,” I replied.We took the T-bane back to downtown Oslo and arrived as the sun was setting. There weren’t any clouds, but the multi-layered horizon was still beautiful. Orange along the bottom, and above it, increasingly darker hues of blue and purple, before turning to black in the night sky. After leaving the train station Jorunn and I walked along a pedestrian-only street named 'Karl Johns gate’ passing high-end stores and restaurants. Jorunn either pointed to, or mentioned, notable downtown buildings such as the Royal Palace, Parliament, the National Theatre, the Grand Hotel, and the original University of Oslo buildings. We also passed the brilliantly lit Freia clock, associated with the long-time Norwegian chocolate maker, and the unofficial symbol of Oslo.We rented skates and then stepped tentatively onto the ice. It wasn’t a big rink, and fortunately, not crowded. In the middle was a frozen water fountain. Christmas music was playing and twinkling lights glowed all around us.“I played ice hockey in Minnesota when I was in high school, but haven’t skated since.”“My father used to take me to figure skating lessons when I was young, but I stopped. I kept falling when trying to do spins.”“Maybe we can help each other out. Have you ever tried ice dancing?”Jorunn laughed. “No! Never!”“Neither have I. But a wise woman once told me that I should not be afraid of ice dancing. What I should be afraid of is being too afraid to try ice dancing.”Jorunn smiled, “A very wise woman, indeed! Let’s try it and see what happens.”I remember watching the wonderful British duo of Jayne Torvill and Christopher Dean ice dancing in their last Olympics in 1994. The Olympics were here in Norway, in Lillehammer. I was not about to try any lifts or spins, but I reached my right arm behind Jorunn and placed my hand on her right hip. Taking her left hand in mine, I held her left arm across my body.“Ready?” I asked.Jorunn nodded, and together we pushed off. Right. Left. Right. Left. We moved slowly, side-by-side, in a steady rhythm, and made it around the rink making only a few wobbles. After three more passes, my ancient muscle memory awoke, and I wanted to do more. We separated and I joined my right hand to her left. “We can take longer strides and skate a little faster this way.”After another trip around the rink, we added a slow weaving pattern. Coming out of the last turn, I told Jorunn, “Here is your chance to be a figure skater. I’ll hold your hand. Try a spin.”I skated slightly just ahead of Jorunn, then pulled her forward so she would have enough speed. I raised her hand into the air as she went past, and she started spinning. She yelled, “I’m doing it.” And she was, at least until her speed slowed and she fell into me. “Dam toe pick!” she yelled. With her arms around me, our eyes met. Then she wrinkled her nose, her signature facial expression on the vlogs indicating she didn’t like something. Just as quickly, her face lit up and her big smile glowed. “I’m laughing too hard inside. That was such fun!” She burst out laughing and I joined her. We finally broke the ice, here on the ice.Jorunn separated from me and said, “It is time for Christmas Market.” I helped her up and we turned in our skates. The nearby lights and sounds beckoned.The Christmas MarketDecember 16 - EveningThe sun set long ago and was now just a memory. It was completely dark, but downtown Oslo turned into a Christmas wonderland. There were twinkling lights on almost every tree, with the large and stately buildings surrounding us outlined in white lights to accompany their dramatic uplighting. Oslo was so different than Minneapolis. In downtown Minneapolis, 30-year-old buildings were being torn down to build taller ones in the same location. Here, the buildings were massive, centuries-old, covering an entire block, and they were still in use, letting everyone appreciate the history and architecture. Jorunn and I saw glass-covered buildings in Oslo, with their clean modern architecture, but this was the heart of the city. The life, the pulse, and vitality of Oslo all sprang from here.Towering above everything at the Christmas Market was a brilliantly lit Ferris wheel, each spoke outlined in white lights. I looked at Jorunn and she nodded. She took my hand, and we ran for the Ferris wheel, artfully dodging between the growing number of people.When we boarded, we found each of the seats enclosed in a glass bubble, possibly as a safety measure, or just as likely, protection from the cold. One of the benefits of this was being able to move around a bit, which afforded us a 360-degree aerial view of downtown Oslo. We paused near the top, where Jorunn pulled out her camera.Jorunn said, “It’s rather romantic up here. We should do a selfie.” She sat down right me. “Kiss me. On the lips. Just a quick one. I have the timer set for three seconds. We’ll put our lips together and hold them for a few seconds until the flash goes off.”“Jorunn, I am much older than you. I don’t think it will look very romantic.”“Gunnar, you’re not too old to kiss someone. And if I need to, I can do a little digital touchup, or just flash a quick cut. It will be perfect.”“How do want me to kiss you? Do you want my eyes open or closed? Should I look at the camera or…”Jorunn quickly reached behind my head and pulled me to her. As our lips met, I closed my eyes, and my mouth responded. I felt her softness and a quick tease as Jorunn’s tongue glazed over my lips. A flash went off. But Jorunn did not separate, nor did I. I opened my eyes, and saw that Jorunn’s eyes closed. As our lips pressed together, it felt so warm and comfortable.We separated, and Jorunn said, “Perfect!” Then she looked at the photo just taken. I thought about the sequence of her words and her actions. Jorunn switched over to video and began doing her vlog. She was speaking in English. Immersed in Norwegian for three days, it almost sounded like a foreign language to me. When Jorunn finished, I asked her why she didn’t record her vlogs in Norwegian.She surprised me by continuing in English. “Norwegians already live here. Who would watch my videos if I recorded them in Norwegian? If someone in Norway wants to see the view from the top of this Ferris wheel, they will come here and ride it. People from every continent watch my videos and speak at least some English. It used to bother me when I would get comments on my videos complaining I spoke with a Norwegian accent. Now I just laugh.”I asked her, “Every continent? Including Antarctica?”“Yes. The Norwegian Polar Institute has a year-round research station in Antarctica named 'Troll’. Their mission is to study the polar regions and the effects of global warming and pollution. It’s not a tourist destination, but they have talked to me about possibly going there. They want to do more outreach, to spread the word to younger audiences on social media. I have followers there, but we haven’t been able to work out the permissions and details. The

Sledges, Corkscrews, and other fears.Based on a post by Jorunn, in 4 parts. Listen to the ►Podcast at Connected.Once at the starting point, we both sat down on our sledges. I was grateful only a few others were preparing to ride, but gasped again when I saw how youthful their faces were. I doubted anyone here was over thirty years old. I wondered whether Jorunn was punishing me, or perhaps was hoping I would voluntarily quit the tour.“I don’t know if I can do this, Jorunn. I’m afraid.”Jorunn looked me in the eye with a grim look on her face.“Afraid is coming home with my mother, and finding my father sleeping with another woman. Afraid is watching how he broke apart my family and wondering how my mom and I would go on. Afraid is me cutting off my father and not wanting to ever see him again.”“Afraid is quitting a dead-end job and trying to earn a living as a vlogger in one of the most expensive countries on earth. Afraid is checking every morning for clicks, likes, and followers, and finding out the numbers did not change.”“Afraid is starting a private small-group tour company, all by myself, and weaving my way through the many regulations, laws, and insurance requirements. Afraid is knowing I have to book at least one trip a month just to cover those costs.”“Afraid is taking a group of six to Svalbard for a glacier hike in early summer, and spotting a polar bear less than 200 meters away lumbering towards us. Afraid is watching our guide fire off the last of her flares, but seeing the bear still coming. Afraid is the look in our guide’s eyes as she reached for her rifle.”“You don’t need to be afraid of sledging, Gunnar. What you need to be afraid of is being too afraid to try sledging. Meet me at the bottom of the hill. Either make the run or turn in your sledge and take the Metro down the hill.”I watched Jorunn push off and head down the run, then thought about her words. I lived a good life in Minnesota, meeting Solveig in college and then stepping right into a lifetime job with the 3M company. Adventure was going to our lake cabin where the only challenges were fighting off mosquitos, and figuring out how to remove burnt marshmallows off the end of a stick. After our first child, Solveig and I stopped doing anything like sledding, and instead sat and watched our kids having all the fun.What am I doing here in Norway? Why am I here? Jorunn answered that question for me. I pushed off and started my run.I fought my way down the mountain, and as I approached the end of the run, I was happy to see it level off. I saw Jorunn standing next to her sledge, her small camera pointed at me. I raised both hands over my head, waved, then yelled, “I did it!” I coasted to a stop three meters past her.Jorunn ran up to me, and as I stood, she hugged me. “I’m proud of you Gunnar.” As we hugged, under the clear blue skies and chilly temperatures, I closed my eyes and went back 35 years to a small hill in Minneapolis, where I hugged Solvieg after sledding. Jorunn released me and stepped back.I yelped, “It was wonderful! I kept to the side as other people whizzed past me. A few sections were bumpy, and my teeth rattled. The only time I was scared was when there was a steep drop-off on one side. Don’t you use guardrails in Norway?”“You may have seen a few small concrete walls, but we believe in personal responsibility here in Norway. If you cannot manage a sledge, you should not make the run. The authorities do monitor the conditions and sometimes close the run when it is too icy.”“Does that mean you believed in me? Believed I could make it down the hill?”“There is nothing wrong with you, Gunnar. While I was waiting here at the bottom of the hill, I read about your Iron Range in Minnesota. You are rusty. There is a Wizard of Oz Museum there. You are the Tin Man. This tour is the Oil Can. Figure it out. The Oil Can only works if you pick it up and use it. Stand tall and walk proudly for as long as you can. If you fall, get up and keep going.”It was an interesting way to look at life. I was only 56 years old, but for the last few years, I acted like I was 80. I still have many years to go sledging, if only I was not afraid to try.I turned to Jorunn. “Let’s go again!”Pea SoupDecember 16 - Mid-DayAfter three more runs, Jorunn and I turned in our sledges and ate lunch at the beautiful Frognersteren Restaurant on top of the hill. I followed her suggestion of a thick pea soup with meatballs and potatoes. It was delicious. As we sipped hot chocolate, it felt good to be alive again.“A week ago, I was in a nursing home in Minnesota. After my wife died, no one visited me, not even my adult children. I was alone. It was a terrible place, run by a terrible nurse. I had to get out. I made plans with my lawyer, then walked out the front door and got on a plane to come to Norway. What’s the worst place you have ever been?”“Dublin, Ireland. After the divorce, my mother and I were struggling financially. We had gone from living a comfortable life to living paycheck to paycheck. I saw a post on the Internet for a job as a body double for a Vikings television program. I wasn’t sure what a body double did, but it paid well for a short gig. I took all my clothes off while a dozen people stared at me and took photos and videos. I hadn’t been naked in front of any man in over a year, since before the divorce. They must have liked me because I got the part, and they flew me to Dublin. The next morning, I went to the studios. I sat there in a robe while they cut and styled my hair to match the actress I was portraying. Then off to the makeup department, where I removed my robe while they applied fake tattoos and full body makeup so I would look dirty in all the right places.”“After lunch in the studio, the costume department placed me in a white linen tunic. When it was time to film, they told me to stand in front of the lead actor while he lifted the tunic off me and tossed it aside. He was much older than me, and with his beard, he reminded me of my father. He exuded the same swagger as if the world revolved only around him. I would be fully exposed to him, and to the camera crew, who were filming me from behind. They told me to act submissive and let the lead actor hug me. It took several takes and a few tweaks before the director was happy.”“Next, I was ordered to lay down on a stylized Viking bed covered with furs. The sex scene was to be filmed twice. Once for television, then for an unrated video release. The make-up people gave me a once over, then thankfully positioned a flesh-covered patch over my vagina. In the first shot, I was naked, but the lead actor remained fully clothed. He stood and positioned himself between my legs, and they told me to keep my vagina pressed tight against his crotch as he bucked against me. We needed to make the audience believe we were having sex while showing them nothing. I remained in this position while they adjusted the lighting and camera angles, and beneath his trousers, I felt the lead actor’s erect cock pressed against me.”“The director yelled, ‘Action’. Once again, they told me to be submissive, and let the lead actor take charge. He started humping against me. Looking up at him, he was still a handsome man, and I wondered how many women around the world dreamed or fantasized about being in the same place I was. I wasn’t one of them, but I understood this was why they hired me, so I accepted it. Like earlier, it took several takes. The director would review the shot and make small adjustments each time. After the last take, I saw a large wet spot on the front of the lead actor’s trousers.”“Then it was time for the unrated scene. A host of costume and make-up people swarmed around the actor while I lay there naked. This time, he was to be naked as he approached the bed. The camera angle was off to the side to avoid full frontal and he used his left hand to shield his erection, thankfully contained in a flesh-covered sock. The scene began with the lead actor approaching me, and once in position, he began humping against me. His covered cock slid against the covering over my vagina, but the sensations passed right through. My nipples became erect, and I felt my wetness building.”“After several takes, the director was happy, and we moved on to the last scene for which I was needed. In this one, the lead actor would be laying on top of me, his arms extended and propping himself up with his hands placed on either side of my body. This scene was more challenging because it needed to be mixed with prior facial cuts shot separately with the lead male actor and lead female actress. The scene would be filmed from several angles including above and below. As the director reviewed the earlier footage, the makeup people worked on my face and hair.”“The next thing I felt was the lead actor lying on top of me, his body pressing his erect cock against the patch covering my vagina. I wanted to turn away, but he told me to look at him because it would help him release his creative juices. I feared the possible double entendre. Here I was, face-to-face with the avatar of the man I hated more than anyone, the man who destroyed our family. When the director was ready, he said to go at it and try to simulate real sex. He yelled 'Action’. I was sweating under the lights, and the patch covering my vagina began to slip, aided by the movement of the lead actor’s covered cock. As my pussy became more exposed, I was afraid his cock might slide into me, so I yelled 'Cut!’. Everything stopped, and I pushed him off.”“That was enough. I yelled I was through, gathered my things, and headed for the front door. I paid my own way back to Oslo, and thought about filing a protest, but later learned what they did was mostly proper. Most sex scenes are between two body doubles. It is rare, but sometimes a lead actor will film such scenes if they have it in their nudity clause. I had a new appreciation for body doubles, but my own acting career lasted one day, and looking at the final scenes after release, I was on screen for eight seconds, and no one knew it was me!”I said, “Wow. We have something in common. The nursing home did everything properly, but like you, I couldn’t stand it any longer, so I headed for the front door. I’m sorry for your terrible experience.”Jorunn shook her head, “Don’t be sorry. The experience ended up changing my life for the better. After I got back to Oslo, I swore to never work for anyone else again. I wanted to direct my own scenes, so I started doing vlogs. That led to the creation of my tour company. As things turned out, I walked out one door and right into something I loved. Plus, I walked out wearing this really cool, braided leather Viking headband I have on now. You are halfway there. You have walked out the front door. Now you must find something, or someone, to love.”A profound statement from someone so young.SpikersuppaDecember 16 - AfternoonI noticed the sun getting low on the horizon. Jorunn caught my glance and said, “The sun sets early here in Oslo, around 3:30 in the afternoon. In some of the northern cities, it set last month and will not rise again until spring.”I didn’t want to spend the rest of the day looking at museums, and flushed with my success on the hill, I took a chance. “Do you ice skate?”Jorunn replied, “I do, but not very well.”I said, “If you know of a skating rink with lights, maybe we can go there and skate.”“There is a nice lighted one in downtown Oslo called Spikersuppa,” said Jorunn. “When the sun goes down in Oslo, the twinkling lights are turned on, bringing with them their magic. The ice-skating rink is close to the Christmas market, which is our agenda for tonight.”“That sounds great to me,” I replied.We took the T-bane back to downtown Oslo and arrived as the sun was setting. There weren’t any clouds, but the multi-layered horizon was still beautiful. Orange along the bottom, and above it, increasingly darker hues of blue and purple, before turning to black in the night sky. After leaving the train station Jorunn and I walked along a pedestrian-only street named 'Karl Johns gate’ passing high-end stores and restaurants. Jorunn either pointed to, or mentioned, notable downtown buildings such as the Royal Palace, Parliament, the National Theatre, the Grand Hotel, and the original University of Oslo buildings. We also passed the brilliantly lit Freia clock, associated with the long-time Norwegian chocolate maker, and the unofficial symbol of Oslo.We rented skates and then stepped tentatively onto the ice. It wasn’t a big rink, and fortunately, not crowded. In the middle was a frozen water fountain. Christmas music was playing and twinkling lights glowed all around us.“I played ice hockey in Minnesota when I was in high school, but haven’t skated since.”“My father used to take me to figure skating lessons when I was young, but I stopped. I kept falling when trying to do spins.”“Maybe we can help each other out. Have you ever tried ice dancing?”Jorunn laughed. “No! Never!”“Neither have I. But a wise woman once told me that I should not be afraid of ice dancing. What I should be afraid of is being too afraid to try ice dancing.”Jorunn smiled, “A very wise woman, indeed! Let’s try it and see what happens.”I remember watching the wonderful British duo of Jayne Torvill and Christopher Dean ice dancing in their last Olympics in 1994. The Olympics were here in Norway, in Lillehammer. I was not about to try any lifts or spins, but I reached my right arm behind Jorunn and placed my hand on her right hip. Taking her left hand in mine, I held her left arm across my body.“Ready?” I asked.Jorunn nodded, and together we pushed off. Right. Left. Right. Left. We moved slowly, side-by-side, in a steady rhythm, and made it around the rink making only a few wobbles. After three more passes, my ancient muscle memory awoke, and I wanted to do more. We separated and I joined my right hand to her left. “We can take longer strides and skate a little faster this way.”After another trip around the rink, we added a slow weaving pattern. Coming out of the last turn, I told Jorunn, “Here is your chance to be a figure skater. I’ll hold your hand. Try a spin.”I skated slightly just ahead of Jorunn, then pulled her forward so she would have enough speed. I raised her hand into the air as she went past, and she started spinning. She yelled, “I’m doing it.” And she was, at least until her speed slowed and she fell into me. “Dam toe pick!” she yelled. With her arms around me, our eyes met. Then she wrinkled her nose, her signature facial expression on the vlogs indicating she didn’t like something. Just as quickly, her face lit up and her big smile glowed. “I’m laughing too hard inside. That was such fun!” She burst out laughing and I joined her. We finally broke the ice, here on the ice.Jorunn separated from me and said, “It is time for Christmas Market.” I helped her up and we turned in our skates. The nearby lights and sounds beckoned.The Christmas MarketDecember 16 - EveningThe sun set long ago and was now just a memory. It was completely dark, but downtown Oslo turned into a Christmas wonderland. There were twinkling lights on almost every tree, with the large and stately buildings surrounding us outlined in white lights to accompany their dramatic uplighting. Oslo was so different than Minneapolis. In downtown Minneapolis, 30-year-old buildings were being torn down to build taller ones in the same location. Here, the buildings were massive, centuries-old, covering an entire block, and they were still in use, letting everyone appreciate the history and architecture. Jorunn and I saw glass-covered buildings in Oslo, with their clean modern architecture, but this was the heart of the city. The life, the pulse, and vitality of Oslo all sprang from here.Towering above everything at the Christmas Market was a brilliantly lit Ferris wheel, each spoke outlined in white lights. I looked at Jorunn and she nodded. She took my hand, and we ran for the Ferris wheel, artfully dodging between the growing number of people.When we boarded, we found each of the seats enclosed in a glass bubble, possibly as a safety measure, or just as likely, protection from the cold. One of the benefits of this was being able to move around a bit, which afforded us a 360-degree aerial view of downtown Oslo. We paused near the top, where Jorunn pulled out her camera.Jorunn said, “It’s rather romantic up here. We should do a selfie.” She sat down right me. “Kiss me. On the lips. Just a quick one. I have the timer set for three seconds. We’ll put our lips together and hold them for a few seconds until the flash goes off.”“Jorunn, I am much older than you. I don’t think it will look very romantic.”“Gunnar, you’re not too old to kiss someone. And if I need to, I can do a little digital touchup, or just flash a quick cut. It will be perfect.”“How do want me to kiss you? Do you want my eyes open or closed? Should I look at the camera or…”Jorunn quickly reached behind my head and pulled me to her. As our lips met, I closed my eyes, and my mouth responded. I felt her softness and a quick tease as Jorunn’s tongue glazed over my lips. A flash went off. But Jorunn did not separate, nor did I. I opened my eyes, and saw that Jorunn’s eyes closed. As our lips pressed together, it felt so warm and comfortable.We separated, and Jorunn said, “Perfect!” Then she looked at the photo just taken. I thought about the sequence of her words and her actions. Jorunn switched over to video and began doing her vlog. She was speaking in English. Immersed in Norwegian for three days, it almost sounded like a foreign language to me. When Jorunn finished, I asked her why she didn’t record her vlogs in Norwegian.She surprised me by continuing in English. “Norwegians already live here. Who would watch my videos if I recorded them in Norwegian? If someone in Norway wants to see the view from the top of this Ferris wheel, they will come here and ride it. People from every continent watch my videos and speak at least some English. It used to bother me when I would get comments on my videos complaining I spoke with a Norwegian accent. Now I just laugh.”I asked her, “Every continent? Including Antarctica?”“Yes. The Norwegian Polar Institute has a year-round research station in Antarctica named 'Troll’. Their mission is to study the polar regions and the effects of global warming and pollution. It’s not a tourist destination, but they have talked to me about possibly going there. They want to do more outreach, to spread the word to younger audiences on social media. I have followers there, but we haven’t been able to work out the permissions and details. The

Sledges, Corkscrews, and other fears.Based on a post by Jorunn, in 4 parts. Listen to the ►Podcast at Connected.Once at the starting point, we both sat down on our sledges. I was grateful only a few others were preparing to ride, but gasped again when I saw how youthful their faces were. I doubted anyone here was over thirty years old. I wondered whether Jorunn was punishing me, or perhaps was hoping I would voluntarily quit the tour.“I don’t know if I can do this, Jorunn. I’m afraid.”Jorunn looked me in the eye with a grim look on her face.“Afraid is coming home with my mother, and finding my father sleeping with another woman. Afraid is watching how he broke apart my family and wondering how my mom and I would go on. Afraid is me cutting off my father and not wanting to ever see him again.”“Afraid is quitting a dead-end job and trying to earn a living as a vlogger in one of the most expensive countries on earth. Afraid is checking every morning for clicks, likes, and followers, and finding out the numbers did not change.”“Afraid is starting a private small-group tour company, all by myself, and weaving my way through the many regulations, laws, and insurance requirements. Afraid is knowing I have to book at least one trip a month just to cover those costs.”“Afraid is taking a group of six to Svalbard for a glacier hike in early summer, and spotting a polar bear less than 200 meters away lumbering towards us. Afraid is watching our guide fire off the last of her flares, but seeing the bear still coming. Afraid is the look in our guide’s eyes as she reached for her rifle.”“You don’t need to be afraid of sledging, Gunnar. What you need to be afraid of is being too afraid to try sledging. Meet me at the bottom of the hill. Either make the run or turn in your sledge and take the Metro down the hill.”I watched Jorunn push off and head down the run, then thought about her words. I lived a good life in Minnesota, meeting Solveig in college and then stepping right into a lifetime job with the 3M company. Adventure was going to our lake cabin where the only challenges were fighting off mosquitos, and figuring out how to remove burnt marshmallows off the end of a stick. After our first child, Solveig and I stopped doing anything like sledding, and instead sat and watched our kids having all the fun.What am I doing here in Norway? Why am I here? Jorunn answered that question for me. I pushed off and started my run.I fought my way down the mountain, and as I approached the end of the run, I was happy to see it level off. I saw Jorunn standing next to her sledge, her small camera pointed at me. I raised both hands over my head, waved, then yelled, “I did it!” I coasted to a stop three meters past her.Jorunn ran up to me, and as I stood, she hugged me. “I’m proud of you Gunnar.” As we hugged, under the clear blue skies and chilly temperatures, I closed my eyes and went back 35 years to a small hill in Minneapolis, where I hugged Solvieg after sledding. Jorunn released me and stepped back.I yelped, “It was wonderful! I kept to the side as other people whizzed past me. A few sections were bumpy, and my teeth rattled. The only time I was scared was when there was a steep drop-off on one side. Don’t you use guardrails in Norway?”“You may have seen a few small concrete walls, but we believe in personal responsibility here in Norway. If you cannot manage a sledge, you should not make the run. The authorities do monitor the conditions and sometimes close the run when it is too icy.”“Does that mean you believed in me? Believed I could make it down the hill?”“There is nothing wrong with you, Gunnar. While I was waiting here at the bottom of the hill, I read about your Iron Range in Minnesota. You are rusty. There is a Wizard of Oz Museum there. You are the Tin Man. This tour is the Oil Can. Figure it out. The Oil Can only works if you pick it up and use it. Stand tall and walk proudly for as long as you can. If you fall, get up and keep going.”It was an interesting way to look at life. I was only 56 years old, but for the last few years, I acted like I was 80. I still have many years to go sledging, if only I was not afraid to try.I turned to Jorunn. “Let’s go again!”Pea SoupDecember 16 - Mid-DayAfter three more runs, Jorunn and I turned in our sledges and ate lunch at the beautiful Frognersteren Restaurant on top of the hill. I followed her suggestion of a thick pea soup with meatballs and potatoes. It was delicious. As we sipped hot chocolate, it felt good to be alive again.“A week ago, I was in a nursing home in Minnesota. After my wife died, no one visited me, not even my adult children. I was alone. It was a terrible place, run by a terrible nurse. I had to get out. I made plans with my lawyer, then walked out the front door and got on a plane to come to Norway. What’s the worst place you have ever been?”“Dublin, Ireland. After the divorce, my mother and I were struggling financially. We had gone from living a comfortable life to living paycheck to paycheck. I saw a post on the Internet for a job as a body double for a Vikings television program. I wasn’t sure what a body double did, but it paid well for a short gig. I took all my clothes off while a dozen people stared at me and took photos and videos. I hadn’t been naked in front of any man in over a year, since before the divorce. They must have liked me because I got the part, and they flew me to Dublin. The next morning, I went to the studios. I sat there in a robe while they cut and styled my hair to match the actress I was portraying. Then off to the makeup department, where I removed my robe while they applied fake tattoos and full body makeup so I would look dirty in all the right places.”“After lunch in the studio, the costume department placed me in a white linen tunic. When it was time to film, they told me to stand in front of the lead actor while he lifted the tunic off me and tossed it aside. He was much older than me, and with his beard, he reminded me of my father. He exuded the same swagger as if the world revolved only around him. I would be fully exposed to him, and to the camera crew, who were filming me from behind. They told me to act submissive and let the lead actor hug me. It took several takes and a few tweaks before the director was happy.”“Next, I was ordered to lay down on a stylized Viking bed covered with furs. The sex scene was to be filmed twice. Once for television, then for an unrated video release. The make-up people gave me a once over, then thankfully positioned a flesh-covered patch over my vagina. In the first shot, I was naked, but the lead actor remained fully clothed. He stood and positioned himself between my legs, and they told me to keep my vagina pressed tight against his crotch as he bucked against me. We needed to make the audience believe we were having sex while showing them nothing. I remained in this position while they adjusted the lighting and camera angles, and beneath his trousers, I felt the lead actor’s erect cock pressed against me.”“The director yelled, ‘Action’. Once again, they told me to be submissive, and let the lead actor take charge. He started humping against me. Looking up at him, he was still a handsome man, and I wondered how many women around the world dreamed or fantasized about being in the same place I was. I wasn’t one of them, but I understood this was why they hired me, so I accepted it. Like earlier, it took several takes. The director would review the shot and make small adjustments each time. After the last take, I saw a large wet spot on the front of the lead actor’s trousers.”“Then it was time for the unrated scene. A host of costume and make-up people swarmed around the actor while I lay there naked. This time, he was to be naked as he approached the bed. The camera angle was off to the side to avoid full frontal and he used his left hand to shield his erection, thankfully contained in a flesh-covered sock. The scene began with the lead actor approaching me, and once in position, he began humping against me. His covered cock slid against the covering over my vagina, but the sensations passed right through. My nipples became erect, and I felt my wetness building.”“After several takes, the director was happy, and we moved on to the last scene for which I was needed. In this one, the lead actor would be laying on top of me, his arms extended and propping himself up with his hands placed on either side of my body. This scene was more challenging because it needed to be mixed with prior facial cuts shot separately with the lead male actor and lead female actress. The scene would be filmed from several angles including above and below. As the director reviewed the earlier footage, the makeup people worked on my face and hair.”“The next thing I felt was the lead actor lying on top of me, his body pressing his erect cock against the patch covering my vagina. I wanted to turn away, but he told me to look at him because it would help him release his creative juices. I feared the possible double entendre. Here I was, face-to-face with the avatar of the man I hated more than anyone, the man who destroyed our family. When the director was ready, he said to go at it and try to simulate real sex. He yelled 'Action’. I was sweating under the lights, and the patch covering my vagina began to slip, aided by the movement of the lead actor’s covered cock. As my pussy became more exposed, I was afraid his cock might slide into me, so I yelled 'Cut!’. Everything stopped, and I pushed him off.”“That was enough. I yelled I was through, gathered my things, and headed for the front door. I paid my own way back to Oslo, and thought about filing a protest, but later learned what they did was mostly proper. Most sex scenes are between two body doubles. It is rare, but sometimes a lead actor will film such scenes if they have it in their nudity clause. I had a new appreciation for body doubles, but my own acting career lasted one day, and looking at the final scenes after release, I was on screen for eight seconds, and no one knew it was me!”I said, “Wow. We have something in common. The nursing home did everything properly, but like you, I couldn’t stand it any longer, so I headed for the front door. I’m sorry for your terrible experience.”Jorunn shook her head, “Don’t be sorry. The experience ended up changing my life for the better. After I got back to Oslo, I swore to never work for anyone else again. I wanted to direct my own scenes, so I started doing vlogs. That led to the creation of my tour company. As things turned out, I walked out one door and right into something I loved. Plus, I walked out wearing this really cool, braided leather Viking headband I have on now. You are halfway there. You have walked out the front door. Now you must find something, or someone, to love.”A profound statement from someone so young.SpikersuppaDecember 16 - AfternoonI noticed the sun getting low on the horizon. Jorunn caught my glance and said, “The sun sets early here in Oslo, around 3:30 in the afternoon. In some of the northern cities, it set last month and will not rise again until spring.”I didn’t want to spend the rest of the day looking at museums, and flushed with my success on the hill, I took a chance. “Do you ice skate?”Jorunn replied, “I do, but not very well.”I said, “If you know of a skating rink with lights, maybe we can go there and skate.”“There is a nice lighted one in downtown Oslo called Spikersuppa,” said Jorunn. “When the sun goes down in Oslo, the twinkling lights are turned on, bringing with them their magic. The ice-skating rink is close to the Christmas market, which is our agenda for tonight.”“That sounds great to me,” I replied.We took the T-bane back to downtown Oslo and arrived as the sun was setting. There weren’t any clouds, but the multi-layered horizon was still beautiful. Orange along the bottom, and above it, increasingly darker hues of blue and purple, before turning to black in the night sky. After leaving the train station Jorunn and I walked along a pedestrian-only street named 'Karl Johns gate’ passing high-end stores and restaurants. Jorunn either pointed to, or mentioned, notable downtown buildings such as the Royal Palace, Parliament, the National Theatre, the Grand Hotel, and the original University of Oslo buildings. We also passed the brilliantly lit Freia clock, associated with the long-time Norwegian chocolate maker, and the unofficial symbol of Oslo.We rented skates and then stepped tentatively onto the ice. It wasn’t a big rink, and fortunately, not crowded. In the middle was a frozen water fountain. Christmas music was playing and twinkling lights glowed all around us.“I played ice hockey in Minnesota when I was in high school, but haven’t skated since.”“My father used to take me to figure skating lessons when I was young, but I stopped. I kept falling when trying to do spins.”“Maybe we can help each other out. Have you ever tried ice dancing?”Jorunn laughed. “No! Never!”“Neither have I. But a wise woman once told me that I should not be afraid of ice dancing. What I should be afraid of is being too afraid to try ice dancing.”Jorunn smiled, “A very wise woman, indeed! Let’s try it and see what happens.”I remember watching the wonderful British duo of Jayne Torvill and Christopher Dean ice dancing in their last Olympics in 1994. The Olympics were here in Norway, in Lillehammer. I was not about to try any lifts or spins, but I reached my right arm behind Jorunn and placed my hand on her right hip. Taking her left hand in mine, I held her left arm across my body.“Ready?” I asked.Jorunn nodded, and together we pushed off. Right. Left. Right. Left. We moved slowly, side-by-side, in a steady rhythm, and made it around the rink making only a few wobbles. After three more passes, my ancient muscle memory awoke, and I wanted to do more. We separated and I joined my right hand to her left. “We can take longer strides and skate a little faster this way.”After another trip around the rink, we added a slow weaving pattern. Coming out of the last turn, I told Jorunn, “Here is your chance to be a figure skater. I’ll hold your hand. Try a spin.”I skated slightly just ahead of Jorunn, then pulled her forward so she would have enough speed. I raised her hand into the air as she went past, and she started spinning. She yelled, “I’m doing it.” And she was, at least until her speed slowed and she fell into me. “Dam toe pick!” she yelled. With her arms around me, our eyes met. Then she wrinkled her nose, her signature facial expression on the vlogs indicating she didn’t like something. Just as quickly, her face lit up and her big smile glowed. “I’m laughing too hard inside. That was such fun!” She burst out laughing and I joined her. We finally broke the ice, here on the ice.Jorunn separated from me and said, “It is time for Christmas Market.” I helped her up and we turned in our skates. The nearby lights and sounds beckoned.The Christmas MarketDecember 16 - EveningThe sun set long ago and was now just a memory. It was completely dark, but downtown Oslo turned into a Christmas wonderland. There were twinkling lights on almost every tree, with the large and stately buildings surrounding us outlined in white lights to accompany their dramatic uplighting. Oslo was so different than Minneapolis. In downtown Minneapolis, 30-year-old buildings were being torn down to build taller ones in the same location. Here, the buildings were massive, centuries-old, covering an entire block, and they were still in use, letting everyone appreciate the history and architecture. Jorunn and I saw glass-covered buildings in Oslo, with their clean modern architecture, but this was the heart of the city. The life, the pulse, and vitality of Oslo all sprang from here.Towering above everything at the Christmas Market was a brilliantly lit Ferris wheel, each spoke outlined in white lights. I looked at Jorunn and she nodded. She took my hand, and we ran for the Ferris wheel, artfully dodging between the growing number of people.When we boarded, we found each of the seats enclosed in a glass bubble, possibly as a safety measure, or just as likely, protection from the cold. One of the benefits of this was being able to move around a bit, which afforded us a 360-degree aerial view of downtown Oslo. We paused near the top, where Jorunn pulled out her camera.Jorunn said, “It’s rather romantic up here. We should do a selfie.” She sat down right me. “Kiss me. On the lips. Just a quick one. I have the timer set for three seconds. We’ll put our lips together and hold them for a few seconds until the flash goes off.”“Jorunn, I am much older than you. I don’t think it will look very romantic.”“Gunnar, you’re not too old to kiss someone. And if I need to, I can do a little digital touchup, or just flash a quick cut. It will be perfect.”“How do want me to kiss you? Do you want my eyes open or closed? Should I look at the camera or…”Jorunn quickly reached behind my head and pulled me to her. As our lips met, I closed my eyes, and my mouth responded. I felt her softness and a quick tease as Jorunn’s tongue glazed over my lips. A flash went off. But Jorunn did not separate, nor did I. I opened my eyes, and saw that Jorunn’s eyes closed. As our lips pressed together, it felt so warm and comfortable.We separated, and Jorunn said, “Perfect!” Then she looked at the photo just taken. I thought about the sequence of her words and her actions. Jorunn switched over to video and began doing her vlog. She was speaking in English. Immersed in Norwegian for three days, it almost sounded like a foreign language to me. When Jorunn finished, I asked her why she didn’t record her vlogs in Norwegian.She surprised me by continuing in English. “Norwegians already live here. Who would watch my videos if I recorded them in Norwegian? If someone in Norway wants to see the view from the top of this Ferris wheel, they will come here and ride it. People from every continent watch my videos and speak at least some English. It used to bother me when I would get comments on my videos complaining I spoke with a Norwegian accent. Now I just laugh.”I asked her, “Every continent? Including Antarctica?”“Yes. The Norwegian Polar Institute has a year-round research station in Antarctica named 'Troll’. Their mission is to study the polar regions and the effects of global warming and pollution. It’s not a tourist destination, but they have talked to me about possibly going there. They want to do more outreach, to spread the word to younger audiences on social media. I have followers there, but we haven’t been able to work out the permissions and details. The

Sledges, Corkscrews, and other fears.Based on a post by Jorunn, in 4 parts. Listen to the ►Podcast at Connected.Once at the starting point, we both sat down on our sledges. I was grateful only a few others were preparing to ride, but gasped again when I saw how youthful their faces were. I doubted anyone here was over thirty years old. I wondered whether Jorunn was punishing me, or perhaps was hoping I would voluntarily quit the tour.“I don’t know if I can do this, Jorunn. I’m afraid.”Jorunn looked me in the eye with a grim look on her face.“Afraid is coming home with my mother, and finding my father sleeping with another woman. Afraid is watching how he broke apart my family and wondering how my mom and I would go on. Afraid is me cutting off my father and not wanting to ever see him again.”“Afraid is quitting a dead-end job and trying to earn a living as a vlogger in one of the most expensive countries on earth. Afraid is checking every morning for clicks, likes, and followers, and finding out the numbers did not change.”“Afraid is starting a private small-group tour company, all by myself, and weaving my way through the many regulations, laws, and insurance requirements. Afraid is knowing I have to book at least one trip a month just to cover those costs.”“Afraid is taking a group of six to Svalbard for a glacier hike in early summer, and spotting a polar bear less than 200 meters away lumbering towards us. Afraid is watching our guide fire off the last of her flares, but seeing the bear still coming. Afraid is the look in our guide’s eyes as she reached for her rifle.”“You don’t need to be afraid of sledging, Gunnar. What you need to be afraid of is being too afraid to try sledging. Meet me at the bottom of the hill. Either make the run or turn in your sledge and take the Metro down the hill.”I watched Jorunn push off and head down the run, then thought about her words. I lived a good life in Minnesota, meeting Solveig in college and then stepping right into a lifetime job with the 3M company. Adventure was going to our lake cabin where the only challenges were fighting off mosquitos, and figuring out how to remove burnt marshmallows off the end of a stick. After our first child, Solveig and I stopped doing anything like sledding, and instead sat and watched our kids having all the fun.What am I doing here in Norway? Why am I here? Jorunn answered that question for me. I pushed off and started my run.I fought my way down the mountain, and as I approached the end of the run, I was happy to see it level off. I saw Jorunn standing next to her sledge, her small camera pointed at me. I raised both hands over my head, waved, then yelled, “I did it!” I coasted to a stop three meters past her.Jorunn ran up to me, and as I stood, she hugged me. “I’m proud of you Gunnar.” As we hugged, under the clear blue skies and chilly temperatures, I closed my eyes and went back 35 years to a small hill in Minneapolis, where I hugged Solvieg after sledding. Jorunn released me and stepped back.I yelped, “It was wonderful! I kept to the side as other people whizzed past me. A few sections were bumpy, and my teeth rattled. The only time I was scared was when there was a steep drop-off on one side. Don’t you use guardrails in Norway?”“You may have seen a few small concrete walls, but we believe in personal responsibility here in Norway. If you cannot manage a sledge, you should not make the run. The authorities do monitor the conditions and sometimes close the run when it is too icy.”“Does that mean you believed in me? Believed I could make it down the hill?”“There is nothing wrong with you, Gunnar. While I was waiting here at the bottom of the hill, I read about your Iron Range in Minnesota. You are rusty. There is a Wizard of Oz Museum there. You are the Tin Man. This tour is the Oil Can. Figure it out. The Oil Can only works if you pick it up and use it. Stand tall and walk proudly for as long as you can. If you fall, get up and keep going.”It was an interesting way to look at life. I was only 56 years old, but for the last few years, I acted like I was 80. I still have many years to go sledging, if only I was not afraid to try.I turned to Jorunn. “Let’s go again!”Pea SoupDecember 16 - Mid-DayAfter three more runs, Jorunn and I turned in our sledges and ate lunch at the beautiful Frognersteren Restaurant on top of the hill. I followed her suggestion of a thick pea soup with meatballs and potatoes. It was delicious. As we sipped hot chocolate, it felt good to be alive again.“A week ago, I was in a nursing home in Minnesota. After my wife died, no one visited me, not even my adult children. I was alone. It was a terrible place, run by a terrible nurse. I had to get out. I made plans with my lawyer, then walked out the front door and got on a plane to come to Norway. What’s the worst place you have ever been?”“Dublin, Ireland. After the divorce, my mother and I were struggling financially. We had gone from living a comfortable life to living paycheck to paycheck. I saw a post on the Internet for a job as a body double for a Vikings television program. I wasn’t sure what a body double did, but it paid well for a short gig. I took all my clothes off while a dozen people stared at me and took photos and videos. I hadn’t been naked in front of any man in over a year, since before the divorce. They must have liked me because I got the part, and they flew me to Dublin. The next morning, I went to the studios. I sat there in a robe while they cut and styled my hair to match the actress I was portraying. Then off to the makeup department, where I removed my robe while they applied fake tattoos and full body makeup so I would look dirty in all the right places.”“After lunch in the studio, the costume department placed me in a white linen tunic. When it was time to film, they told me to stand in front of the lead actor while he lifted the tunic off me and tossed it aside. He was much older than me, and with his beard, he reminded me of my father. He exuded the same swagger as if the world revolved only around him. I would be fully exposed to him, and to the camera crew, who were filming me from behind. They told me to act submissive and let the lead actor hug me. It took several takes and a few tweaks before the director was happy.”“Next, I was ordered to lay down on a stylized Viking bed covered with furs. The sex scene was to be filmed twice. Once for television, then for an unrated video release. The make-up people gave me a once over, then thankfully positioned a flesh-covered patch over my vagina. In the first shot, I was naked, but the lead actor remained fully clothed. He stood and positioned himself between my legs, and they told me to keep my vagina pressed tight against his crotch as he bucked against me. We needed to make the audience believe we were having sex while showing them nothing. I remained in this position while they adjusted the lighting and camera angles, and beneath his trousers, I felt the lead actor’s erect cock pressed against me.”“The director yelled, ‘Action’. Once again, they told me to be submissive, and let the lead actor take charge. He started humping against me. Looking up at him, he was still a handsome man, and I wondered how many women around the world dreamed or fantasized about being in the same place I was. I wasn’t one of them, but I understood this was why they hired me, so I accepted it. Like earlier, it took several takes. The director would review the shot and make small adjustments each time. After the last take, I saw a large wet spot on the front of the lead actor’s trousers.”“Then it was time for the unrated scene. A host of costume and make-up people swarmed around the actor while I lay there naked. This time, he was to be naked as he approached the bed. The camera angle was off to the side to avoid full frontal and he used his left hand to shield his erection, thankfully contained in a flesh-covered sock. The scene began with the lead actor approaching me, and once in position, he began humping against me. His covered cock slid against the covering over my vagina, but the sensations passed right through. My nipples became erect, and I felt my wetness building.”“After several takes, the director was happy, and we moved on to the last scene for which I was needed. In this one, the lead actor would be laying on top of me, his arms extended and propping himself up with his hands placed on either side of my body. This scene was more challenging because it needed to be mixed with prior facial cuts shot separately with the lead male actor and lead female actress. The scene would be filmed from several angles including above and below. As the director reviewed the earlier footage, the makeup people worked on my face and hair.”“The next thing I felt was the lead actor lying on top of me, his body pressing his erect cock against the patch covering my vagina. I wanted to turn away, but he told me to look at him because it would help him release his creative juices. I feared the possible double entendre. Here I was, face-to-face with the avatar of the man I hated more than anyone, the man who destroyed our family. When the director was ready, he said to go at it and try to simulate real sex. He yelled 'Action’. I was sweating under the lights, and the patch covering my vagina began to slip, aided by the movement of the lead actor’s covered cock. As my pussy became more exposed, I was afraid his cock might slide into me, so I yelled 'Cut!’. Everything stopped, and I pushed him off.”“That was enough. I yelled I was through, gathered my things, and headed for the front door. I paid my own way back to Oslo, and thought about filing a protest, but later learned what they did was mostly proper. Most sex scenes are between two body doubles. It is rare, but sometimes a lead actor will film such scenes if they have it in their nudity clause. I had a new appreciation for body doubles, but my own acting career lasted one day, and looking at the final scenes after release, I was on screen for eight seconds, and no one knew it was me!”I said, “Wow. We have something in common. The nursing home did everything properly, but like you, I couldn’t stand it any longer, so I headed for the front door. I’m sorry for your terrible experience.”Jorunn shook her head, “Don’t be sorry. The experience ended up changing my life for the better. After I got back to Oslo, I swore to never work for anyone else again. I wanted to direct my own scenes, so I started doing vlogs. That led to the creation of my tour company. As things turned out, I walked out one door and right into something I loved. Plus, I walked out wearing this really cool, braided leather Viking headband I have on now. You are halfway there. You have walked out the front door. Now you must find something, or someone, to love.”A profound statement from someone so young.SpikersuppaDecember 16 - AfternoonI noticed the sun getting low on the horizon. Jorunn caught my glance and said, “The sun sets early here in Oslo, around 3:30 in the afternoon. In some of the northern cities, it set last month and will not rise again until spring.”I didn’t want to spend the rest of the day looking at museums, and flushed with my success on the hill, I took a chance. “Do you ice skate?”Jorunn replied, “I do, but not very well.”I said, “If you know of a skating rink with lights, maybe we can go there and skate.”“There is a nice lighted one in downtown Oslo called Spikersuppa,” said Jorunn. “When the sun goes down in Oslo, the twinkling lights are turned on, bringing with them their magic. The ice-skating rink is close to the Christmas market, which is our agenda for tonight.”“That sounds great to me,” I replied.We took the T-bane back to downtown Oslo and arrived as the sun was setting. There weren’t any clouds, but the multi-layered horizon was still beautiful. Orange along the bottom, and above it, increasingly darker hues of blue and purple, before turning to black in the night sky. After leaving the train station Jorunn and I walked along a pedestrian-only street named 'Karl Johns gate’ passing high-end stores and restaurants. Jorunn either pointed to, or mentioned, notable downtown buildings such as the Royal Palace, Parliament, the National Theatre, the Grand Hotel, and the original University of Oslo buildings. We also passed the brilliantly lit Freia clock, associated with the long-time Norwegian chocolate maker, and the unofficial symbol of Oslo.We rented skates and then stepped tentatively onto the ice. It wasn’t a big rink, and fortunately, not crowded. In the middle was a frozen water fountain. Christmas music was playing and twinkling lights glowed all around us.“I played ice hockey in Minnesota when I was in high school, but haven’t skated since.”“My father used to take me to figure skating lessons when I was young, but I stopped. I kept falling when trying to do spins.”“Maybe we can help each other out. Have you ever tried ice dancing?”Jorunn laughed. “No! Never!”“Neither have I. But a wise woman once told me that I should not be afraid of ice dancing. What I should be afraid of is being too afraid to try ice dancing.”Jorunn smiled, “A very wise woman, indeed! Let’s try it and see what happens.”I remember watching the wonderful British duo of Jayne Torvill and Christopher Dean ice dancing in their last Olympics in 1994. The Olympics were here in Norway, in Lillehammer. I was not about to try any lifts or spins, but I reached my right arm behind Jorunn and placed my hand on her right hip. Taking her left hand in mine, I held her left arm across my body.“Ready?” I asked.Jorunn nodded, and together we pushed off. Right. Left. Right. Left. We moved slowly, side-by-side, in a steady rhythm, and made it around the rink making only a few wobbles. After three more passes, my ancient muscle memory awoke, and I wanted to do more. We separated and I joined my right hand to her left. “We can take longer strides and skate a little faster this way.”After another trip around the rink, we added a slow weaving pattern. Coming out of the last turn, I told Jorunn, “Here is your chance to be a figure skater. I’ll hold your hand. Try a spin.”I skated slightly just ahead of Jorunn, then pulled her forward so she would have enough speed. I raised her hand into the air as she went past, and she started spinning. She yelled, “I’m doing it.” And she was, at least until her speed slowed and she fell into me. “Dam toe pick!” she yelled. With her arms around me, our eyes met. Then she wrinkled her nose, her signature facial expression on the vlogs indicating she didn’t like something. Just as quickly, her face lit up and her big smile glowed. “I’m laughing too hard inside. That was such fun!” She burst out laughing and I joined her. We finally broke the ice, here on the ice.Jorunn separated from me and said, “It is time for Christmas Market.” I helped her up and we turned in our skates. The nearby lights and sounds beckoned.The Christmas MarketDecember 16 - EveningThe sun set long ago and was now just a memory. It was completely dark, but downtown Oslo turned into a Christmas wonderland. There were twinkling lights on almost every tree, with the large and stately buildings surrounding us outlined in white lights to accompany their dramatic uplighting. Oslo was so different than Minneapolis. In downtown Minneapolis, 30-year-old buildings were being torn down to build taller ones in the same location. Here, the buildings were massive, centuries-old, covering an entire block, and they were still in use, letting everyone appreciate the history and architecture. Jorunn and I saw glass-covered buildings in Oslo, with their clean modern architecture, but this was the heart of the city. The life, the pulse, and vitality of Oslo all sprang from here.Towering above everything at the Christmas Market was a brilliantly lit Ferris wheel, each spoke outlined in white lights. I looked at Jorunn and she nodded. She took my hand, and we ran for the Ferris wheel, artfully dodging between the growing number of people.When we boarded, we found each of the seats enclosed in a glass bubble, possibly as a safety measure, or just as likely, protection from the cold. One of the benefits of this was being able to move around a bit, which afforded us a 360-degree aerial view of downtown Oslo. We paused near the top, where Jorunn pulled out her camera.Jorunn said, “It’s rather romantic up here. We should do a selfie.” She sat down right me. “Kiss me. On the lips. Just a quick one. I have the timer set for three seconds. We’ll put our lips together and hold them for a few seconds until the flash goes off.”“Jorunn, I am much older than you. I don’t think it will look very romantic.”“Gunnar, you’re not too old to kiss someone. And if I need to, I can do a little digital touchup, or just flash a quick cut. It will be perfect.”“How do want me to kiss you? Do you want my eyes open or closed? Should I look at the camera or…”Jorunn quickly reached behind my head and pulled me to her. As our lips met, I closed my eyes, and my mouth responded. I felt her softness and a quick tease as Jorunn’s tongue glazed over my lips. A flash went off. But Jorunn did not separate, nor did I. I opened my eyes, and saw that Jorunn’s eyes closed. As our lips pressed together, it felt so warm and comfortable.We separated, and Jorunn said, “Perfect!” Then she looked at the photo just taken. I thought about the sequence of her words and her actions. Jorunn switched over to video and began doing her vlog. She was speaking in English. Immersed in Norwegian for three days, it almost sounded like a foreign language to me. When Jorunn finished, I asked her why she didn’t record her vlogs in Norwegian.She surprised me by continuing in English. “Norwegians already live here. Who would watch my videos if I recorded them in Norwegian? If someone in Norway wants to see the view from the top of this Ferris wheel, they will come here and ride it. People from every continent watch my videos and speak at least some English. It used to bother me when I would get comments on my videos complaining I spoke with a Norwegian accent. Now I just laugh.”I asked her, “Every continent? Including Antarctica?”“Yes. The Norwegian Polar Institute has a year-round research station in Antarctica named 'Troll’. Their mission is to study the polar regions and the effects of global warming and pollution. It’s not a tourist destination, but they have talked to me about possibly going there. They want to do more outreach, to spread the word to younger audiences on social media. I have followers there, but we haven’t been able to work out the permissions and details. The

In this episode of The Ugandan Boy Talk Show, Bonny sits down with Logose Patience — a 22-year-old filmmaker, writer, poet, former NRG radio presenter, and now Director & Producer at Play It Loud.Logose takes us through her unbelievable journey:• Writing for 10 years and staging her first National Theatre production at 19• Her poetry journey and performing on stage• Running businesses in high school and making her first 1M• Starting content creation and working at Livara• Getting hospitalized and bouncing back to win the Beast MVPs• How she landed a job at NRG and transitioned to Play It Loud• Balancing school, work, mental health, and the entertainment industry00:00 - Host Introduces Logose Patience and Episode Highlights03:53 - Logose's Experience During Internet Lockdown and Drive11:14 - Logose's Philosophy on Film, Creation, Teamwork, and Recognition24:09 - From Childhood Diaries to National Theatre at 1940:20 - Logose's Business Ventures and Making Her First Million48:09 - Overcoming Hospitalization to Win NRG MVPs58:11 - Emotional Shift from Radio to Film and Cultural Storytelling01:05:45 - Behind the Scenes of 'Aziza Finds Love' and Play It Loud's Vision01:11:06 - Balancing School, Work, and the 'Matrix' of Expectations01:22:29 - Logose Shares a Personal Story About Telling Her Crush01:24:40 - Quick Answers on Insecurities, Achievements, and Collaborations01:32:56 - Host and Guest Share Outro and Inspiring MessagesThis is a raw, inspiring, and eye-opening conversation for creatives, students, and anyone trying to find their identity in the real world.Subscribe for more powerful conversations every week.#UgandanBoyTalkShow#UgandaPodcast#BonnyKibuuka#NRGRadio#PlayItLoud#MakerereUniversity#UgandaCreatives#WomenInMedia#UgandanFilm

Send a textIn this new interview, we sat down with the luminous Dino Fetscher as he continues his run in Oh, Mary! in the West End. Following his Olivier-nominated turn as Felix Turner in the National Theatre's devastating revival of The Normal Heart, Dino has returned to the stage in a role that is as chaotic as it is brilliant: playing Mary Todd Lincoln's Teacher in Cole Escola's subversive smash hit. The show has been received heartily by critics and audiences alike, with laughter erupting from the Trafalgar Theatre every night. In the show, he stars opposite Mason Alexander Park as Mary Todd Lincoln and Giles Terera as Abraham Lincoln. In a heartfelt conversation with us, Dino Fetscher opened about his journey from breakout star in Cucumber and Banana to becoming one of the most visible openly gay actors of his generation. We hear him talk about the transformative experience of playing Felix Turner in The Normal Heart where he describes the characters and those lost in the AIDS epidemic as being like "ancestors" - all part of a chosen family of LGBTQ+ individuals. With LGBTQ stories slowly becoming more mainstream, Dino also tells us about the importance of using anger in the right way to encourage positive change for the community. It's a truly endearing conversation and we look forward to seeing Dino continue to thrive as an actor and advocate.

Gyles has been an admirer of this guest since the 1960s: it's the great actor, Sir Derek Jacobi. Ever since he was recruited into Sir Laurence Olivier's bold new National Theatre at the Old Vic, Jacobi has been at the forefront of British acting talent. Gyles has seen him on stage many times - in Olivier's famous production of Othello, in Much Ado About Nothing, in Cyrano de Bergerac. You may also know Derek from his brilliant TV work - in I, Claudius and Last Tango in Halifax... he's also the voice of In The Night Garden. In this warm and rambling conversation, Derek tells Gyles about his young life in Leytonstone in East London, where his father owned a confectioners shop. He tells him about his childhood love of dressing up and his early exposure to theatre, when he was picked to go up on stage at the Palladium. He tells Gyles about his experience of stage fright and about his happy marriage. This is a wonderful episode with a great, and charming, man. Enjoy this. Hosted on Acast. See acast.com/privacy for more information.

“I'm Mandy – buy me.” Peter Mandelson's career finally collapses in a scandal more poisonous than Profumo, more serious than Partygate, and more shameful than Suez. How did Mandelson get away with his shifty behaviour for so long? Will Starmer's errors of judgment taint his government irrevocably? And how come it's on British figures like Mandelson and Andrew Mountbatten-Windsor who are suffering the consequences of their associations with Epstein?  ESCAPE ROUTES • Raf recommends the app DJay Pro for Mac, Windows, iOS and Android. • Ros went to see the National Theatre production of Terence Rattigan's Man And Boy.  • Jonn is watching A Knight Of The Seven Kingdoms, the Game of Thrones spin-off, on Sky Atlantic.  • Andrew recommends the Marvel series Wonder Man on Disney+.  www.patreon.com/ohgodwhatnow Presented by Andrew Harrison with Jonn Elledge, Ros Taylor and Rafael Behr. Audio Production by Robin Leeburn and Tom Taylor. Art direction: James Parrett. Theme tune by Cornershop. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. OH GOD, WHAT NOW? is a Podmasters production. www.podmasters.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

Now for the next in our regular slots here on RNIB Connect Radio highlighting what is on offer at the National Theatre in London for blind and partially sighted people with audio description.RNIB Connect Radio's Toby Davey was joined again by David Bellwood, Head of Access at the National Theatre to chat about a few up-coming audio described shows at the NT and a couple that are available online with audio description via NT at home.Audio described performances included: ‘The Playboy of the Western World' Friday 20 February, 7.30pm, touch tour 5.30pm, National's Littleton Theatre.‘Man and Boy' Saturday 28 February 1.30pm, touch tour 11.30am, National's Dorfman Theatre.‘Summer Folk' Saturday 4 April 2pm, touch tour 12noon and Monday 20 April 7.30pm, touch tour 5.30pm, National's Olivier Theatre.From NT at home with audio description David recommended ‘The Land of the Living' and ‘A Tupperware of Ashes'.To find out more about the National Theatre's audio description offer and services for blind and partially sighted people do either call the NT on 020 7452 3961 or visit the NT website - https://www.nationaltheatre.org.ukAnd for more about NT at home and to view many theatre productions online with audio description do visit - https://www.ntathome.com(Image shows National Theatre logo, A capital N and T in black against a white background)

Uganda's comedy and entertainment industry wouldn't be the same without Uncle Mark (Mark Agaba), an economist, social worker, stand-up comedian, radio presenter, and one of the most trusted MCs in the country.In this exclusive deep-dive interview, we walk through his extraordinary journey:His childhood dreamsHis first MC gig (with his mother!)The famous flower girl storyPerforming at the National Theatre with Fun FactoryWinning Comedian of the YearHis viral moments with Ronny and SibiyaBecoming a radio presenter “by accident.”The Bald EraHis relationship with Uncle MoLife lessons, faith, legacy, and building the 360-Degree MC brandThis is one of the most inspiring stories ever told on The Ugandan Boy Talk Show.✨ If you love Ugandan comedy, radio culture, storytelling, or behind-the-scenes success journeys — this episode is for you.

Helen is a professional moment catcher from Derry whose work is used not only in the theatre, but for portraits, editorial work, promotional campaigns to making celebrities look good in iconic venues such as Wimbledon. She originally trained as an actor but after some time she realised, in her own words, she “preferred observing the chaos rather than being a part of it”. She made that decision in 2012 and has never looked back. Since then she has shot for over 300 productions at venues such as the National Theatre, Royal Court, Young Vic, Donmar, Barbican, Shakespeare's Globe and RSC. Here are some honourable mentions:Prima Facie at the Harold Pinter (London) and John Golden (New York)We Black Woman, Donmar WarehouseOur Empty Theatres, a portfolio capturing over 22 theatres that went dark during the pandemicLong Days Journey Into Night, Wyndham's Theatre with Brian CoxMany backstage shots across major theatres in the countryLehman Trilogy revival at the Gillian LynneCheck out her other projects:“Widening the Lens” with The Act for Change Project Her production company The Question is Productions which shines a light on Irish culture and identity. Their debut short “The Derry Feis” currently in pre-production, anyone wishing to donate to their crowd funder you can do so on her website. helenmurrayphotos.comOn top of all this, she is the chosen winner in the Photography 41 Awards 2025 and Best Production Photography of the Theatre and Technology Awards in 2017. Helen and I discuss her early years as an actor before turning to behind the camera, her process in finding the right picture and how she works with actors to sports personalities to get the perfect shot. As well as her time working with the creative team on Prima Facie and Long Days Journey Into Night and much more. Thank you Helen!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning 

Playwright and BAFTA-nominated screenwriter Moira Buffini on moving between theatre, film, and fiction, writing for yourself instead of the market, and shaping structure by rewriting toward the ending you want readers to feel.    You'll learn:Why “you are the audience” can be a practical rule for cutting through market noise and writing with conviction. A useful way to handle reviews and outside opinions without letting them steer the work. How to build story momentum when you can't fully plot ahead, and why not knowing the next move can be a strength. A structure approach based on “writing toward a feeling” at the end, then layering drafts until the story clicks. What discipline looks like when you're writing big worlds in prose, and how constraints can keep you from getting lost. How a dramatist's instincts (plot, structure, obstacles) can transfer into long-form fiction and help sustain narrative drive.   A grounded reminder about the “mundane” day-to-day of being a professional writer, and why that doesn't cancel the magic. The practical foundations she names for keeping your mind working (sleep, movement, and treating the body as part of the instrument). What it can take to keep writing alongside caring responsibilities, and why persistence is often the hardest part.   The simplest career advice she returns to: don't accept the story that you “can't,” and keep putting in the hours. Resources & Links:

Theatre and opera director Katie Mitchell talks to John Wilson about her career and formative influences. She is renowned for her experimental storytelling on stage, her feminist perspective, and for contemporary reframing of classic plays, she has directed more than 100 productions over more than 30 years. She has worked at the Royal Shakespeare Company, the Royal Opera House and the National Theatre, where - as associate director - she staged bold new versions of work by a wide range of writers including Aeschylus, Virginia Woolf, Chekhov and Sarah Kane. For many theatre goers, she is one of Britain's most important and innovative living directors.Producer: Edwina Pitman

One of the greatest directors of his generation, Sir Richard Eyre shares his insights from a life in theatre and film. From Judy Dench and Ian Holm to Anthony Hopkins and David Harewood, from Olivier to Brando, Eyre offers glimpses into a world of acting stardom and genius. What makes a great actor? What makes a great director? How did Eyre himself rise from being, in his view, an inadequate actor to become Artistic Director at the National Theatre? Eyre, who directed Iris and whose mother suffered from dementia, reveals his wife's diagnosis and the strain that has put on his life. This is a rare conversation that moves from personal tragedy to the heights of success and takes in the importance of love and kindness along the way. 

Welcome to Season 05 Episode 5.10- the "Dead of Winter" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Mr. Paul "The Movie Guy" Preston/Cinema Series, and Dr. Scott Walters/Mrs. Warren's Profession. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Time Stamps (Approximate) Paul Preston/Cinema Series - 01:19 Arts Calendar - 26:05 Scott Walters/National Theatre Live - 27:18 Artist Links Paul Preston "The Movie Guy" LA Film Location Tours Dr.Scott Walters Thinking Out Loud in Public Media "Blizzard Ambience and Music", from the YouTube Channel Martia's Muses, January 2023 Scenes from the following motion pictures: Song Sung Blue, starring Hugh Jackman and Kate Hudson, Davis Entertainment 2025; Marty Supreme, starring Timothée Chalamet and Odessa A'zion, Central Pictures 2025; Hamnet, starring Jessica Buckley and Paul Mescal, Hera Pictures 2025. scene from the National Theatre of London production of Mrs. Warren's Profession by George Bernard Shaw, starring Imelda Staunton and Bessie Carter, 2025. "Punxutawney Rock", from the musical Groundhog Day, music and lyrics by Tim Minchin, book by Danny Rubin, 2017 Box Office at SUNY Fredonia Lake Shore Center for the Arts Main Street Studios Ticket Website WCVF Fredonia WRFA Jamestown   BECOME AN OPERA HOUSE MEMBER!    

Imagination, storytelling, and the human voice are at the heart of this conversation I shared with voice actor and coach Linda Bearman. We talked about her journey from early acting to decades in voiceover, why audio drama is finding new life, and what it really takes to build a career in a changing industry shaped by home studios and AI. Linda offered honest insight into training, discipline, and the business side of voice work, along with a clear reminder that technology cannot replace lived experience, emotional truth, or imagination. More than anything, this episode is about staying human, staying kind, and following the passion that brings stories to life, no matter how fast the world changes. Highlights: 00:10 – Hear why sounding natural and emotionally present matters more than performance tricks in voice acting. 02:52 – Learn why audio drama is resurging and what today's audiences are craving from storytelling again. 10:48 – Understand how voiceover evolved into a true craft and why it demands respect, discipline, and training. 20:17 – Get a clear look at how AI has already changed the voiceover industry and where human voices still hold the edge. 30:18 – Discover why imagination is a muscle that must be trained to bring stories to life through audio alone. 55:22 – Learn why preserving classic radio techniques is essential to developing the next generation of voice actors. About the Guest: Linda Bearman has amassed decades of experience in the performing arts beginning as a child actress and continuing into adulthood. Her career was enriched by studies and performances in the US and abroad working with legendary actors from prestigious theatre's including; The Arena Stage (Washington D.C.), The Actors Studio (NYC), The National Theatre of Great Britain and The Old Vic (UK). After obtaining her degree in Acting, Linda continued performing on stage and screen until moving to Los Angeles where she transitioned into TV production working for King World Productions on shows; The Oprah Winfrey Show, Jeopardy! and Wheel of Fortune. Later, while working for Landmark Productions she was offered a position at the esteemed commercial talent agency, SBV,Inc (Sutton, Barth & Vennari). Becoming a VO agent was a pivotal point in Linda's career as it was there that Linda discovered her passion for voiceover, an art form that perfectly aligned with her acting background and business acumen.  Following seven years at SBV, she relocated to Utah and worked in the casting department of Leucadia Film Corp. while also voicing regional radio and TV commercials. Recognizing the need for a professional full service talent agency in Salt Lake City, she established, co-owned and operated the successful TMG,Inc. (Talent Management Group) in its first decade of business. Her enthusiasm for developing talent led her to become a full-time VO coach, mentoring actors in performance techniques, branding, marketing, and demo production of which several earned industry recognitions. She stays up to date with the latest industry developments and actively shares it with her clients. Linda is honored to serve as a judge for the annual international SOVAS Arts Awards (Society of Voice Arts and Sciences) and delights in performing live recreations of radio shows from the "Golden Age" with REPS (Radio Enthusiasts of Puget Sound) in Seattle, WA each year.  Ways to connect with Linda**:** LinkedIn-Linda Bearman About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes:

Actor Claire Foy on her role as a grieving academic who finds solace in falconry in the film adaptation of Helen Macdonald's award-winning memoir H Is For Hawk. As it goes on display for a period of three months, Chris Cassells of the National Library of Scotland, Ashleigh Hibbins of Perth Museum and playwright and poet Liz Lochhead discuss the cultural significance of the last letter of Mary Queen of Scots, written hours before her execution in 1587. Two of the creative team behind Trolleydarity, a National Theatre of Scotland-backed project which transports hospital patients and staff on multi-sensory micro-adventures talk about their innovative approach to taking art and theatre into NHS settings. And as the Music Venue Trust publishes a report about the fragile ecology of small music venues around the UK, we hear whether there might be hope on the horizon. Presenter: Kirsty Wark Producer: Mark Crossan

Send us a textOver the last few years, Rosie Sheehy has established herself as a force to reckon with. Her latest role sees her making her Royal Court Theatre debut in Luke Norris' Guess How Much I Love You? The new play explores what it means to be in a long term relationship and the difficult choices that come with being in love. She'll be starring opposite Robert Aramayo and Lena Kaur, and we hear her talk affectionately about Luke's writing as well as Jeremy Herrin's masterful direction. Having previously performed at the Old Vic, the National Theatre and the RSC, we hear Rosie share her excitement at being at the Royal Court to debut what is expected to be a searing drama from Luke Norris.In this brand new interview, Rosie Sheehy discusses with us how she balances the light and shade in all her roles and how it's been a joy to develop her character in Guess How Much I Love You? We talk about her Port Talbot roots and look back on some of her recent roles such as her Olivier Award nominated performance as the young woman in Machinal and her heartbreaking role as Julie in Gary Owen's Romeo and Julie. During our conversation, we also talk about Oleanna and her recent reunion with Harry Lighton on his acclaimed new film: Pillion. During our conversation, Rosie tells us how a lot of these dark stories are often still about love and how it can be presented in so many different forms. It's a fascinating conversation as she prepares to begin performances for her latest project which is expected to be another emotional ride.Guess How Much I Love You? runs at the Royal Court Theatre from 16 January - 21 February.

Episode 106: End by David Eldridge Host: Douglas Schatz Guest: David Eldridge Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing.  David Eldridge's new play End is the final instalment of what David has described as a "triptych for the theatre", following Beginning in 2017, and Middle in 2022. Each of the plays in the series presents a snapshot of a couple at a particular time of life. In End we meet a couple who are facing the premature end of their life together. The play is not only an emotionally painful meditation on mortality, but also a testament to the life affirming power of love. As we record this episode End is playing at the National Theatre in London, with Saskia Reeves and Clive Owen as the couple. I was privileged to talk with David about Beginning way back in episode 11 of the podcast, and then Middle in episode 47, so I am delighted to be able complete the trilogy by welcoming David back to talk about End.

In Touch talks to three visually impaired rising stars of show business. Betsy Griffin does many things: she writes music and sings, but her main goal is to become a radio host, where she has already presented on In Touch and a BBC Three Counties Radio show. Eleanor Stollery began performing with the National Theatre in her role of Tiny Tim in A Christmas Carol, and she is now involved with delivering live audio description for theatre performances. Bonnie O'Mera is the star of Maddie + Triggs, a children's TV programme that puts visual impairment at its heart. The three discuss their careers so far and their experiences of working in showbiz with their visual impairments. A very Merry Christmas from the In Touch team: Presenter, Peter White Producer, Beth Hemmings Production Coordinator, Kim Agostino Website image description: Peter White sits smiling in the centre of the image and he is wearing a dark green jumper. Above Peter's head is the BBC logo (three separate white squares house each of the three letters). Bottom centre and overlaying the image are the words "In Touch" and the Radio 4 logo (the word ‘radio' in a bold white font, with the number 4 inside of a white circle). The background is a bright mid-blue with two rectangles angled diagonally to the right. Both are behind Peter, one is a darker blue and the other is a lighter blue.

As the new year arrives, Alex and Sarah look forward to some of the exhilarating theatrical treats in store which range from Aidan Turner's return to the stage opposite Lesley Manvill in Les Liaisons Dangereuses at the National Theatre to Mischief Theatre's first musical Thespians and the Royal Court's 70th anniversary season. Hosted on Acast. See acast.com/privacy for more information.

The ghost is not real, it is only in your ear...Andy Conduit-Turner is joined by A Ghost In Your Ear writer and director Jamie Armitage to discuss the play that uses binaural sound technology to immerse the audience in the terrifying auditory world of the show.An actor arrives late at a sound studio for a last-minute job that he is yet to see the script for: an audiobook recording of a particularly chilling ghost story. But as the evening progresses, the horrors start to escape the pages of the story, and haunt the studio itself...A Ghost In Your Ear is the new play from Jamie Armitage, the writer/director of 2025 sell-out hit An Interrogation. Made in collaboration with Ben and Max Ringham (ANNA, National Theatre and Blindness, Donmar Warehouse). It plays at the Hampstead Theatre in London until January 31st 2026!https://www.hampsteadtheatre.com/whats-on/2025/a-ghost-in-your-ear/www.horrorhangout.co.ukPodcast - https://fanlink.tv/horrorhangoutPatreon - http://www.patreon.com/horrorhangoutFacebook - http://www.facebook.com/horrorhangoutpodcastX - http:/x.com/horror_hangout_TikTok - http://www.tiktok.com/@horrorhangoutpodcastInstagram - http://www.instagram.com/horrorhangoutpodcastAndy - https://www.instagram.com/andyctwrites/Jamie - https://www.instagram.com/jararmitage/Audio credit - Taj Eastonhttp://tajeaston.comSupport this show http://supporter.acast.com/thehorrorhangout. Hosted on Acast. See acast.com/privacy for more information.

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. Back in 2021, we recorded our second ever wrap-up episode for our second play series: Twelfth Night. We both watched two versions of Twelfth Night: Trevor Nunn's 1996 film and She's the Man, then we also each watched an additional version. Kourtney watched the The Globe's 2012 production starring Mark Rylance, and Elyse watched National Theatre's 2017 production featuring Tamsin Greig.  But then, tragedy struck when Kourtney went to edit the episode! The audio files for the majority of the episode were corrupted and could not be used. The only usable audio was the portion of our conversation about She's the Man. So, we released what we could as our "Twelfth Night: Wrap Up" episode.  Since that day, we've dreamed about going back and revisiting the three productions that were lost to technological issues. Today, we are so excited to revisit those productions and share our 2025 thoughts with you.  Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: Join our email list Follow us on Instagram at @shakespeareanyonepod Visit our website at shakespeareanyone.com Support the podcast: Become a patron at patreon.com/shakespeareanyone  Buy us a coffee Bookshop.org: Since 2020, Bookshop.org has raised more than $38 million for independent bookstores. Shop our Shakespeare Anyone? storefront to find books featured on the podcast, books by our guests, and other Shakespeare-related books and gifts. Every purchase on the site financially supports independent bookstores. Libro.fm: Libro.fm makes it possible to purchase audiobooks through your local bookshop of choice. Use our link for 2 free audiobooks when you sign up for a new Libro.fm membership using our link. Find additional links mentioned in the episode in our Linktree. Works referenced: Carroll, Tim, director. Twelfth Night: Live from Shakespeare's Globe. Performance by Stephen Fry, and Mark Rylance, Electric Sky, 2012. Godwin, Simon, director. Twelfth Night. Performance by Tamsin Grieg, et al., National Theatre at Home, 2017, https://www.ntathome.com/products/twelfth-night. Accessed 2025. Nunn, Trevor, director. Twelfth Night; or What You Will. Performance by Imogen Stubbs, Helena Bonham Carter, and Ben Kingsley. Entertainment in Video, 1996.        

In the longest interview we've ever done on Spieling The Beans, my guest is the sixth Artistic Director of the National Theatre (2015-2025), Sir Rufus Norris.

David Harewood, who turned sixty this week, returns as Othello for the third time on stage. It's a role he first took on in 1997, becoming the first black actor to play the part at London's National Theatre. Growing up in multicultural Birmingham in the sixties and seventies, he was born to immigrants from Barbados. Described as gregarious by his teachers at school, Harewood showed an interest in entertaining from an early age and subsequently trained as an actor at the Royal Academy of the Dramatic Arts. In his early twenties, he had a psychotic breakdown, something he spoke about in a recent documentary. A string of roles in TV and film followed. And then came his breakthrough role as CIA agent David Estes in the acclaimed hit US TV show Homeland.Mark Coles looks back at his career. Contributors: Gary Turner – childhood friend Pete Mortiboys – school physical education teacher Jeremy Harrison – Royal Academy of the Dramatic Arts (RADA) classmate and friend Afua Hirsch – broadcaster, journalist and author of the book Brit(ish): On Race, Identity and Belonging Tom Morris – Theatre director and colleague Toby Jones – Actor and colleague Production team: Presenter: Mark Coles Producers: Ben Carter, Laura Cain Editor: Nick Holland and Justine Lang Sound: Gareth Jones Archive LIST COPYRIGHTED ARCHIVE USED Audio of David Harewood as Othello, 2025, Theatre Royal Haymarket, clean from trailer. David Harewood episode of BBC Radio 4 Desert Island Discs, 2022. David Harewood: Psychosis and Me documentary, 2019, for BBC, production company: Films Of Record Limited.

This time we watched the 1973 British horror film Psychomania, a cult biker horror oddity originally filmed as The Living Dead before the title changed. In the United States it appeared as The Death Wheelers. Not to be confused with the 1963 American film Psychomania, also known as Violent Midnight. The film was produced by Benmar Productions, better known for Spaghetti Westerns shot in Spain. They also made Horror Express later the same year with the same writers, which we covered back in episode 7. Psychomania was created in association with Scotia Bar Distributors who had director Don Sharp under long term contract.Don Sharp was born in Tasmania and began as an actor before becoming a director in the mid 1950s. He turned out low and medium budget films including the Tommy Steele musical It's All Happening, then Hammer Films hired him and he made several well received thrillers. He also worked as second unit director on Those Magnificent Men in Their Flying Machines. Quiz time for Jon. Sharp directed BigChrisLee six times. Name them. Beryl Reid plays psychic medium Mrs Latham. She left school at 16 and debuted in 1936 as a music hall performer at the Floral Hall in Bridlington. She became famous on BBC radio in Educating Archie as Monica and as the Brummie Marlene. She later worked for the National Theatre and the Royal Shakespeare Company. She made the very first challenge on Just A Minute in the 1967 pilot. In the late 1970s and early 1980s she played Connie Sachs in Tinker Tailor Soldier Spy and Smiley's People, earning two British Academy Television Award nominations and winning for Smiley's People. Doctor Who fans will know her as Captain Briggs in Earthshock. The same year as Psychomania she appeared in Dr Phibes Rises Again. Ross will always remember her as Grandma in the Adrian Mole TV adaptation. Nicky Henson plays lead biker Tom Latham. A familiar face across British television, he excelled at playing cultivated gents, snobs and playboys. His many guest roles included several appearances in The Bill, A Touch of Frost, Pie in the Sky, Fawlty Towers and Witchfinder General as Trooper Swallow. His first wife was Una Stubbs, with whom he later appeared in EastEnders. Despite living with cancer for twenty years he continued acting on screen until 2018. Robert Hardy plays Chief Inspector Hesseltine. We discussed him fully in episode 41a when we covered The Stalls of Barchester from the BBC Ghost Stories for Christmas series. Academy Award winner George Sanders plays Shadwell. Born in Russia to an English horticulturist mother and a rope maker father, he became a British subject when the family fled during the revolution. His smooth voice and upper class accent made him perfect for polished villains. His roles included Jack Favell in Rebecca, Scott Folliott in Foreign Correspondent, the Saran of Gaza in Samson and Delilah and Addison DeWitt in All About Eve which won him the Oscar for Best Supporting Actor. He voiced Shere Khan in Disney's The Jungle Book and played Simon Templar in several films in The Saint series. British horror fans may know him from the Doomwatch movie as The Admiral. There are brief appearances by June Brown as Mrs Pettibone, John Levene from Doctor Who and Bill Pertwee as a publican. Levene worked with Jon Pertwee who was Bill's second cousin. The soundtrack by John Cameron was released in 2003 by Trunk Records. Cameron said they needed something spooky and different with a rock feeling, all pre synthesizer. They recorded at Shepperton's studios which had not been updated since before the war. He described hooligan musicians scratching inside pianos while the engineer sat there in suit and tie, completely anachronistic.Support this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

Olivier winner Liza Sadovy is In The Frame!Liza is back on stage, starring in the UK premiere of Michael McKeever's play Daniel's Husband at the Marylebone Theatre. The show is directed by Alan Souza with the cast also including David Bedella, Luke Fetherston, Raiko Gohara and Joel Harper-Jackson.Liza won her Olivier Award in 2022 for her performance as Fräulein Schneider in Rebecca Frecknall's West End revival of Cabaret (Playhouse Theatre). She was nominated the following year for her performance as Aunt Eller in Oklahoma! (Young Vic / Wyndham's Theatre). On screen Liza recently wrapped filming The Rumour for Channel 5 and was in the Oscar-nominated film A Real Pain. She is a regular in Patience (Channel 4) and has a recurring role in Season 5 of Strike (BBC/HBO). Some of Liza's other theatre credits include: Hamnet (Garrick Theatre), Living Newspaper (2nd edition), A Separate Reality (Royal Court), Present Laughter (The Old Vic), I'm Not Running, Absolute Hell, Tales from the Vienna Woods, The Heiress (all at the National Theatre), Fiddler on the Roof (Chichester Festival Theatre), Pygmalion (Headlong), Wicked (Victoria Apollo), Oliver! (Sheffield Crucible), Sunday in the Park with George (Wyndham's Theatre and Menier Chocolate Factory), Mrs Klein (Theatre Royal Northampton), Secret Rapture (Bristol Old Vic), Richard II (Berkoff Productions), The Dresser (Duke of York's Theatre), the UK premiere of Into The Woods and Peg (Phoenix Theatre), Alice (RSC), The Slow Drag (Whitehall Theatre), two seasons working with Alan Ayckbourn in Scarborough, Company (Donmar Warehouse and West End), Sugar Hill Blues (Hampstead Theatre) and the first ever National Tour of Jesus Christ, Superstar.In this episode, Liza discusses why she's delighted to be back on stage performing in Daniel's Husband. She also discusses doing radical musical revivals with Cabaret and Oklahoma!, the impact of her Olivier win and how she has navigated such a diverse career.Daniel's Husband runs at the Marylebone Theatre until 10th January. This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Sarah goes to @sohoplace to talk to writer David Eldridge about his two plays running in London at the moment: End at the National Theatre, the completion of his relationships trilogy, and The Spy Who Came In From The Cold, the first adaptation of a John Le Carré novel for the stage. Hosted on Acast. See acast.com/privacy for more information.

Childminders play a vital role in the early years of children's lives, offering care, stability and a familiar face during those formative years. But their numbers are in sharp decline. Many are no longer able to offer places for three and four year olds, citing government funding pressures. Today, Ofsted have released new figures on how many childminders are leaving and joining the profession. Childminder Georgina Young joins Nuala McGovern to share her experience of the joys and challenges of childminding, and what the future might hold for the profession.Saskia Reeves is the theatre, film and TV actor known for her many roles including Katherine Standish in the hit Apple TV series Slow Horses. She's now back at the National Theatre, in a new play, End – the last in a trilogy of plays by David Eldridge - Beginning and Middle – with Clive Owen, exploring love and relationships. Saskia joins Nuala to discuss. The Independent Commission on UK Counterterrorism has just published its report after three years. A long and detailed report, it estimates there are up to 70 UK-linked individuals, mostly women and children—most under 10 years old—believed to still be in camps or other detention centres in Iraq and Syria. Professor of Religion, Gender and Global Security, Katherine Brown, is one of the 14 commissioners. She explains why the women and children remaining in these camps is "unsustainable" and why an organised programme of return, rehabilitation, and integration is, they believe, the best long-term option for managing the risk to public safety. Frank Gardner, the BBC's Security Correspondent, joins them to discuss.Coroners' advice and concerns on maternal deaths in England and Wales are being ignored despite them raising repeated issues, a new study has found. Dr Georgia Richards, the founder of the Preventable Deaths Tracker at Kings College London who is on the line from New Zealand, discusses the findings.Presenter: Nuala McGovern Producer: Kirsty Starkey

The wonderful British actress Rosamund Pike joins Tanya Rose to share her travel secrets today. In this episode, Rosamund unpacks her transformative experience watching the sunrise in Cambodia, her exclusive tour of the Boeing Factory and tells the story of how she once got trapped in Vietnam! Plus, Rosamund discusses her awe-inspiring experience in Jordan and shares tales from the many road trips she's been on in her beloved Citroën DS. Rosamund's new film NOW YOU SEE ME: NOW YOU DON'T is out now in cinemas. Rosamund's incredible performance in the National Theatre's Inter Alia is available to watch in cinemas via NT Live, you can find a screening near you at NTLive.com. Inter Alia is transferring to Wyndam's Theatre in the West End in March 2026! Don't forget to follow @travelsecretsthepodcast and remember, you can watch all of our episodes on YouTube. Places mentioned: Los Angeles, United States The Four Seasons, Los Angeles Tuscany, Italy Petra, Jordan Dead Sea, Jordan Hanoi, Vietnam Boeing Everett Factory, Washington, United States Croatia Prague, Czechia France Hotel Bellevue des Alpes, Switzerland Mount Eiger, Switzerland Kleine Scheidegg, Switzerland Siem Reap, Cambodia China Hisa Franko, Slovenia El Bulli, Spain Santa Fe, New Mexico Louvre, Abu Dhabi Museum of the Future, Dubai Chapters 00:00 Intro 05:30 Secret 1: Number 1 travel destination everybody should go to 08:33 Secret 2: Most unexpected travel experience 19:32 Secret 3: Most Over or Underrated travel experience 28:30 Secret 4: Best Food & Drink while travelling 33:05 Secret 5: Number 1 travel tip 38:09 Secret 6: Poignant memory from a trip 46:13 Secret 7: Special travel photograph 47:50 Outro

This week I blether with the one and only Louise McCarthy. Star of stage and screen, from Mamma Mia in the West End to Still Game, Louise has carved out an incredible career to date. With innate talent and an insatiable appetite for her craft, she has not only pursued opportunities to play interesting characters but has written and produced her own work. From productions with National Theatre of Scotland and the Tron to BBC Scotland's Scot Squad and The Scotts, Louise is a seasoned professional whose passion and creativity drives a need to keep learning and challenging herself. Radiating positivity she is a grafter who loves what she does and does what she loves. This episode is sponsored by the Tron Theatre Panto GALLUS IN WEEGIELAND starring Louise McCarthy playing fromWednesday 19th November to Sunday 4th January 2026! “The West End is in crisis. Our beloved Gallus has their ballet exam today and can't remember the difference between good toes and naughty toes. Then, to make matters worse, their best pal Dinah The Cat (if a feline bezzie is good enough for Taylor it's good enough for Gallus) has vanished. So Gallus decides to skip their dance exam and go searching for Dinah down that mysterious-looking pothole, finding themselves in a land full of mystery and wonder. Dundee. Jokes… Gallus has ended up in…. WEEGIELAND: a winter wonderland populated with strange-talking creatures, a maniacal power-hungry Queen and her son Knavey (quite possibly the hottest Harry Styles rip-off the pantosphere has ever seen). Will Gallus ever find their beloved Dinah The Cat? Will Knavey declare his love for Gallus and live happily ever after? Or the will the evil Queen of Hearts stop true love in its tracks by demanding OFF WITH THEIR HEADS? “ Get your tickets here: https://www.tron.co.uk/shows/gallus-in-weegieland/

Clive Anderson is joined by a giggle of comics or should that be a brace of jokers in the Loose Ends studio this week. Fawlty Towers creator John Cleese recalls being told his nascent sitcom - 50 years old this year - would fail if they didn't "get it out of the hotel more". Sue Perkins describes the urge to get out on a stand up tour again after a decade presenting shows from Great British Bake Off to Just a Minute, her show is called The Eternal Shame of Sue Perkins - what could be so embarrassing? Judi Love is on our screens practically daily - on ITV's Loose Women or shows from Taskmaster to The Wheel but she too is drawn to the stage - what gives? Meanwhile Hugh Dennis is not on tour, but he's on stage, as Rev Chasuble in the National Theatre's production of The Importance of Being Earnest - he may not be planning to go all churchy but he does feel right at home in clerical garb. With music from Editors front man Tom Smith with a track from his forthcoming album There Is Nothing In The Dark That Isn't There In The Light and from Natalie Duncan Trio with her new single Breakaway before her London Jazz Festival gig.Produced by Olive Clancy

Ash Hunter is playing Billy in the premiere of The Meat Kings! (Inc.) of Brooklyn Heights by Hannah Doran at the Park Theatre. The Meat Kings! (Inc.) of Brooklyn Heights is Hannah's debut play and won last year's Papatango New Writing Prize. Ash's character is a young man who steals steaks to pay for his mother's cancer treatment, it's described as a "darkly funny, moving exploration of family, survival and the failing American Dream".Ash was in the original West End cast of Hamilton as the alternate Alexander Hamilton, and he went on the take over and play the role full-time.Some of his recent stage roles include Heathcliff in Emma Rice's production of Wuthering Heights at the National Theatre and the title role in Macbeth at the Leeds Playhouse. He played Nick in Grenfell: In The Words of Survivors at the National Theatre and in New York at St Ann's Warehouse. Alongside lots of other theatre work, Ash has worked extensively on screen.In this episode, Ash discusses why The Meat Kings! (Inc.) of Brooklyn Heights made him want to return to the stage. He also reflects on his musical theatre era in Hamilton and the impact of his journey with Grenfell: In The Words of Survivors.The Meat Kings! (Inc.) of Brooklyn Heights runs at the Park Theatre until 29th November. Visit www.parktheatre.co.uk for info and tickets.This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Not to be dramatic, but Bryan Brown is an Australian icon of the silver screen.

The espionage TV series, Homeland, brought David Harewood international fame but he is also known as the first Black actor to play Othello at the UK's National Theatre when he was in his early 30s. Now, aged almost 60, he is reprising the role of the Moor in Shakespeare's tragedy. The character of Othello is a skillful General, and the only person of colour in the Venetian army. He and Desdemona, the daughter of a rich and prominent citizen, fall in love and marry, against her father's wishes. This autumn's production at the Haymarket Theatre in London's West End is directed by Tom Morris, who co-created War Horse, which has been seen by more than eight million people around the world. Caitlin Fitzgerald stars as Desdemona and Toby Jones as Iago, with music by P J Harvey. Julian May follows David Harewood, Tom Morris and the cast from the beginning of rehearsal to the opening night as they work together to bring to light the dark themes of power, rage and desire in Shakespeare's great play of duplicity, jealousy and deadly masculinity.

This week, Mary Beard grapples with a noisy new version of Euripedes at the National Theatre; and Norma Clarke on the mysterious world of Helen DeWitt's new novel.'Bacchae', by Nima Taleghani, after Euripedes, Olivier Theatre, National Theatre, London, until November 1'Your Name Here', by Helen DeWitt and Ilya GridneffProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

The Royal Albert Hall was the unlikely venue for the biggest Sumo wrestling tournament ever staged outside of Japan on 9th October, 1991. Around forty wrestlers, described in the press as “bouncing like fat Buddhas,” thundered across a ring on clay sourced from a field near Heathrow.  Part of the grand Japan Festival - a four-month cultural takeover marking 100 years of the Japan Society, including kabuki at the National Theatre and Buddhist sculptures at the British Museum - demand for tickets was sky-high, thanks to Channel 4's cult Friday night sumo broadcasts. A Shinto-style canopy was shipped over, and reinforced hotels were arranged for the athletes, complete with detachable showers, reinforced beds, and double-sized meals to help them hit their 7,000-calorie daily target. The lineup featured stars with nicknames like “The Killer Whale,” “The Plum,” and the 37-stone “Dump Truck,” Konishiki Yasokichi. In this episode, Arion, Rebecca and Olly consider the impact the festival had on introducing Londoners to Japanese culture; reveal why the wrestlers had a pit-stop in Anchorage on their way to England; and explain why some fans didn't tell their colleagues they were attending… Further Reading: • ‘Albert Hall hosts first sumo tournament held outside Japan' (The Guardian, 1991): https://www.theguardian.com/theguardian/2013/oct/10/sumo-wrestling-royal-albert-hall • ‘Sumo Wrestling's Solid Foundation in the UK and Europe' (SportsLook, 2023): https://featured.japan-forward.com/sportslook/sumo-wrestlings-solid-foundation-in-the-uk-and-europe/ • ‘Sumo: Terao v Kotogaume 1991 (London)': https://www.youtube.com/watch?v=Fa0TrLXi-uk #Japan #Sport #London #90s Love the show? Support us!  Join 

Matthew Bannister onDame Jane Goodall, the primatologist and environmental campaigner who changed our understanding of animal behaviour. Chris Packham pays tribute.Tony Harrison, the Yorkshire born poet who took his writing to new audiences through theatre and TV. Michael Rosen assesses his work. Lord Menzies Campbell, the former leader of the Liberal Democrats.Danny Thompson, the upright bass player who blended folk and jazz and worked with musicians ranging from Kate Bush, Paul Weller to John Martyn and Donovan - who shares his memories. Interviewee: Chris Packham Interviewee: Professor Ben Garrod Interviewee: Michael Rosen Interviewee: Magnus Linklater Interviewee: Donovan Interviewee: Jacqui McShee Interviewee: Martin SimpsonProducer: Gareth Nelson-DaviesArchive used: Tony Harrison, Meriden, BBC World Service, 21/10/1992; The Mysteries, Cottesloe Theatre, The National Theatre, Channel 4 Television, Directed by Bill Bryden, Writer Tony Harrison,,1985; V by Tony Harrison reads short extract from the poem 'V'. BBC Radio 4, 21/01/2013; Menzies Campbell Elected Leader Of The Liberal Democrats, BBC News, 02/03/06; Menzies Campbell, Desert Island Discs, BBC Radio 4, 17/10/2004; Menzies Campbell, Iraq War, BBC News, 24/02/2009; Danny Thompson plays bass, extract from, Pentangle - Blue Monk, Songs From The Two Brewers, ITV, Danny Thompson YouTube Channel, 08/05/1970;

Welcome back to the latest episode of The Filmmakers Podcast, the show that takes you behind the scenes of making feature films and TV. This week, we are privileged to host the brilliant creative team behind Brides, an urgent and empathetic feature film that tackles one of the most complex and heartbreaking social issues of our time. First, we welcome our Oscar-nominated producer, Nicky Bentham. Known for critically acclaimed and diverse films like the sci-fi hit Moon starring Sam Rockwell, the drama The Duke with Jim Broadbent and Helen Mirren, and the Oscar-qualified short film The After, Nicky is here to discuss her latest powerful project Brides. Joining her is the film's celebrated screenwriter, Suhayla El-Bushra. A renowned playwright and television writer with credits including the TV series Ackley Bridge and a stage adaptation of The Suicide for the National Theatre, Suhayla is the precise and compassionate writer who penned this complex story directed by Nadia Fall. They are here to discuss Brides, a film inspired by real-life events. It follows two disillusioned teenage best friends, Doe and Muna, as they run away from their troubled lives in the UK, making a perilous journey towards Syria. The film, a thought-provoking road drama that stands for empathy and understanding, exploring the vulnerability and desperation that drives marginalized young women to seek identity and belonging in radical choices. The film challenges dominant narratives, insisting that we look at the choices of young people through a lens of compassion rather than condemnation. Let's dive into their conversation about this gripping and vital film. This is The Latest Filmmakers Podcast. OTHER LINKS DIRTY BOY cinema listings FOOD FOR THOUGHT documentary out NOW | Watch it FREE HERE. A documentary exploring the rapid growth and uptake of the veganlifestyle around the world. – And if you enjoyed the film, please take amoment to share & rate it on your favourite platforms. Every review& every comment helps us share the film's important message withmore people. Your support makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, on-set water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written and produced by Giles Alderson @gilesalderson Edited by @tobiasvees Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit megaphone.fm/adchoices

Leonardo DiCaprio and director Paul Thomas Anderson tell Tom about their new film One Battle After Another. Our reviewers tonight are film critic Tim Robey and theatre critic Sarah Crompton. They also review The Land of the Living, David Lan's new play for the National Theatre, directed by Stephen Daldry and starring Juliet Stevenson .And Patricia Lockwood's latest novel Will There Ever Be Another You? Presenter: Tom Sutcliffe Producer: Eliane Glaser

There has been a renewed conversation regarding sex after childbirth following a recent episode of the CBeebies Parenting Helpline podcast which tackled the topic of libido in the time after having a baby. It can be a very confusing time when it comes to your relationship with your body, so how do you navigate those ‘blurred lines' between your roles as mother, partner, and sexual being. Nuala McGovern is joined by journalist and author Nell Frizzell, who's written about her own experiences, and consultant obstetrician and gynaecologist, Dr Karen Joash.Ruby Tui was the star of the last Women's Rugby World Cup, held in her native New Zealand in 2021. She's now regarded by many to be the star of the BBC's coverage of this year's World Cup, held in England. The tournament has broken records, from viewership to ticket sales and reflects the rapidly rising profile of the women's game. Ruby Tui reflects on the tournament and her own journey to the top of the sport.A form of family violence which receives minimal attention and is arguably the most hidden form of abuse within the home is known as CAPVA. This stands for child and adolescent to parent violence and abuse. Today the charity Action for Children has released a report with insights from their parenting support services, which suggests there has been a marked uptake in need for support on this issue. Nuala hears from Martha Hampson, Senior Policy Advisor on Early Help with Action for Children, and Dr Nikki Rutter, assistant professor in the department of sociology at Durham University and child parent violence researcher.Award-winning actor Juliet Stevenson takes the lead in a new play at the National Theatre, The Land of the Living. She plays Ruth, a UN relief worker in post-war Germany, trying to reunite children stolen by the Nazis from Eastern Europe, with their families. With one particular child it becomes a very personal mission. Juliet tells Nuala why she wanted to play this part.Presenter: Nuala McGovern Producer: Kirsty Starkey

The Guilty Feminist 446. Inter AliaPresented by Deborah Frances-White with special guest Suzie MillerRecorded 10 August at the National Theatre in London. Released 18 August.The Guilty Feminist theme composed by Mark Hodge. Get Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-haveMore about Deborah Frances-Whitehttps://deborahfrances-white.comhttps://www.instagram.com/dfdubzhttps://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120More about Suzie Miller and Inter Aliahttps://www.instagram.com/suziemillerwriterhttps://www.nationaltheatre.org.uk/productions/inter-aliahttps://interalia.ntlive.comhttps://shop.nationaltheatre.org.uk/products/inter-alia-national-theatre-2025-playtextFor more information about this and other episodes…visit https://www.guiltyfeminist.comtweet us https://www.twitter.com/guiltfempodlike our Facebook page https://www.facebook.com/guiltyfeministcheck out our Instagram https://www.instagram.com/theguiltyfeministor join our mailing list http://www.eepurl.com/bRfSPTMore Big Speeches workshops now available https://guiltyfeminist.com/big-speeches/Come to a live showEdinburgh book festival https://www.edbookfest.co.uk/the-festival/whats-on/deborah-frances-white-a-little-more-conversationVoices in Your Head at the Edinburgh Fringe https://bookings.shedinburgh.com/event/9854:24/9854:20/The Guilty Feminist at the London Podcast Festival https://www.kingsplace.co.uk/whats-on/london-podcast-festival/Thank you to our amazing Patreon supporters.To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist Hosted on Acast. See acast.com/privacy for more information.