Podcasts about National Theatre

On today's show, two examples of where we've been and new life for an old theatre facade. We highlight the Marrow project underway in Eastern Market, Detroit Perk in Dearborn Heights, and how the facade of the historic National Theatre will go on a new Market Hall near Campus Martius in Detroit, just feet from its original location. Show notes to come Feedback as always - dailydetroit -at- gmail -dot- com or leave a voicemail 313-789-3211.  Follow Daily Detroit on Apple Podcasts: https://podcasts.apple.com/us/podcast/daily-detroit/id1220563942 Or sign up for our newsletter: https://www.dailydetroit.com/newsletter/  

This week I welcomed singer songwriter Cammy Barnes to Up Next Studios to chat about his incredible career to date! From touring the world with the Red Hot Chilli Pipers and National Theatre of Scotland to carving out a hugely successful solo career, Cammy's innate talent and unwavering work ethic have seen him continue to soar as he pursues his passion for sharing his music with live audiences. Follow Cammy: TikTok https://www.tiktok.com/@iamcammybarnes?_t=ZN-8xV2jTau3SY&_r=1 Instagram: https://www.instagram.com/iamcammybarnes?igsh=bzZ3eXJ0ZmI1ZHFy Follow The Braw and The Brave Website: https://www.thebrawandthebrave.com/ YouTube: https://www.youtube.com/@TheBrawandTheBrave TikTok: https://www.tiktok.com/@thebrawandthebrave Instagram: https://www.instagram.com/thebrawandthebravepodcast/ Facebook: https://www.facebook.com/TheBrawandTheBrave

'Raising Hope' star Martha Plimpton joins the show. Over pork chops and braised beans, Martha looks back at the 1985 classic ‘The Goonies,' why she feels embraced in London more than Hollywood, and she reflects on her special relationship with the late River Phoenix. This episode was recorded at Forza Wine at The National Theatre in London's South Bank. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jason Fraley gets ready for National Theatre to stage “Ain't Too Proud: The Life & Times of The Temptations” tomorrow through June 22nd in Washington D.C. He spoke with Tony nominee Jeremy Pope when the show made its East Coast premiere at the Kennedy Center in 2018 before moving to Broadway where it earned 12 Tony nominations, including Best Featured Actor in a Musical for Pope. (Theme Music: Scott Buckley's "Clarion")

On this week's episode of Local Legends, the very last episode of Series 6, Martin is joined around the campfire by award-winning storyteller, performer, author, poet, lyricist, and very nice man, Hugh Lupton!Hugh's career spans over 40 years, both in terms of his solo projects and his partnerships with other artists, writers, musicians, illustrators and performers.As we discussed on Monday's episode, there is a sense in which Hugh is the golden thread that binds together modern British storytelling and several folk traditions, with his glimmer and shine helping to guide the oral tradition into the 21st century.He has, of course, toured both nationally and internationally, and has performed at the RSC, the National Theatre, and the Barbican. His repertoire ranges from Greek epics to the Grimms Fairy Tales, from Norse and Celtic myth to East Anglian folk-tales, and from the Great War to John Clare.Plus, in addition to his award-winning songwriting work, he has also written several excellent books, including Norfolk Folk Tales. You can learn more about Hugh and his work on his website, https://hughlupton.co.uk/, and do check the Diary section - he gets about, so do try to go and see him!For now though, let's gather in close around the Three Ravens campfire, have a sip of whatever's in your nut brown bowl, and listen in, to a chat about the life and work of perhaps the most influential storyteller alive today, the county of Norfolk, and tales such as the Peddlar of Swaffham, Black Shuck, those of fenland folk hero Tom Hickathrift, and so much more, with a true Local Legend: Hugh Lupton!Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Hosted on Acast. See acast.com/privacy for more information.

Clare O'Malley is an Irish singer-songwriter and actress who has captivated audiences across the world. For years, Clare O'Malley has commanded the spotlight—whether it was starring in major theatrical productions in New York City and Ireland's National Theatre, The Abbey, or appearing in films like Creed. She's taken on iconic theatrical roles, earned critical acclaim from The New York Times for delivering “one of the most astonishing performances,” and even found herself on the world's biggest musical stage—as a backing vocalist for Jedward at Eurovision in Azerbaijan. From centre stage to film sets, from Eurovision to sold-out theatres, Clare O'Malley has spent her career bringing other people's stories to life. Now, she's finally telling her own. With the release of her first two tracks on her Debut EP, New Heights and Little Weirdo, Clare is proving that her artistry goes beyond performance—she's a songwriter with something to say. A Legacy of Creativity - A Family of Storytellers: Clare O'Malley's artistic roots are firmly planted in a family legacy of creativity. Her grandmother, Mary O'Malley, founded the Lyric Theatre in Belfast, a key institution in Northern Ireland's arts scene. Her grandfather, Thomas Kinsella, was a renowned Irish poet whose work has resonated with generations. Surrounded by such a rich legacy, Clare was always destined to pursue her own path in storytelling—first as an actor, and now as a songwriter.

Friends - it is our 100th episode!We are so pleased to be here with you, sharing, listening, celebrating.We have a very special conversation to mark the occasion: our very own Michael Shaeffer, host of The Poetry Exchange, talks about the poem that has been a friend to him - 'Having a Coke with You' by Frank O'Hara.10 years...100 episodes...countless more poems, stories, converastions...and now Michael shares his story of connection with O'Hara's gorgeous poem.We're thrilled and immensely grateful to Michael for sitting 'in the other chair' for this one, and sharing the story of his friendship so openly. You'll hear Michael in conversation with Roy McFarlane and Andrea Witzke Slot. Our thanks to the Alfred A. Knopf and the Frank O'Hara estate for allowing us to share the poem with you, and to the South London Gallery for hosting the conversation.Michael talks about his appearance in the re-staging of London Road at the National Theatre, which runs 7th - 21st June. Get your tickets while you can if you're in or around London during this time!As Michael says in this episode, we will be taking a pause from the podcast for a while after this episode, having reached this extraordinary milestone. Michael will also be stepping back from hosting at this point, having co-hosted The Poetry Exchange with Fiona since the very beginning.What an enormous journey it has been for Michael, for us all, and we are so grateful for all your friendship and support along the way.The Poetry Exchange is continuing, and for now we will be focussing on some new collaborations that create live, intimate encounters between people and poems....something that has always been at the heart of The Poetry Exchange.Keep in touch with us to find out more about as these new adventures as they unfold, including ways of being involved. You can sign up to our mailing list at www.thepoetryexchange.co.uk, follow us on Instagram @PoetryExch, or drop us a line any time on hello@thepoetryexchange.co.uk.For now, thank you so much for being with us over the years...for all your love, support and companionship. Here's to living life filled with poems as friends.Thank you for listening,Michael, John and The Poetry Exchange Xx Hosted on Acast. See acast.com/privacy for more information.

We're finally doing this! Jon is so excited and cannot shut up about the 2011 Broadway revival he saw even though we're here to talk about the 2017 West End revival. And of course Aaron has thoughts.Aaron's Socials: @trueaaronchoiAaron's Twitch: @truechoistoryPodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodThreads: @butasongpodNext episode: Weird: The Al Yankovic Story!

Jason Fraley marks the 75th anniversary of Lucille Ball and Desi Arnaz taking their vaudeville act on the road in Chicago then New York City, inspiring CBS to give them their own sitcom with “I Love Lucy.” Jason interviewed their daughter Lucie Arnaz when she toured with “Pippin” at the National Theatre in Washington D.C. in 2014. Don't miss their other chat about the best “I Love Lucy” episodes in our archives at ⁠BeyondTheFamePodcast.com⁠. (Theme Music: Scott Buckley's "Clarion")

June is here and with it are some more theatre reviews, news and fun with Emma and Naomi! Grab a drink and settle!The Big Theatre Question this month: How did your experience of live theatre shape your views?Show notesDear England - https://dearenglandonstage.com/Calamity Jane - https://calamityjanemusical.com/Oscar at the Crown - www.https://oscaratthecrown.com/The Curious Case of Benjamin Button - https://open.spotify.com/album/7IWhVVpdUyaztwVXaBwQc0?si=WlFf6KkST2G4-jGk0lf9PQRedwood - https://open.spotify.com/album/1n8gwER0sd1Vmfu0LsTzrY?si=1s4yWvWdSkigKPYCPaaAvwOperation Mincemeat - https://operationmincemeat.com/Vitamin String Quartet - https://www.vitaminstringquartet.comUnion Chapel - https://unionchapel.org.ukHere We Are at The National Theatre - https://www.nationaltheatre.org.uk/productions/here-we-are/Ben and Imo at The Orange Tree - https://orangetreetheatre.co.uk/whats-on/ben-and-imo/ Hosted on Acast. See acast.com/privacy for more information.

Ihr kennt ihn aus dem „Tatort“, ihr kennt ihn aus „Dr. Stefan Frank“, ihr kennt ihn als „Der Lux“ – aber jetzt lernt ihr ihn nochmal ganz neu kennen. Mein heutiger Gast ist einer, der sich nicht nur auf der Leinwand oder der Theaterbühne zu Hause fühlt, sondern auch in jeder einzelnen seiner Rollen komplett aufgeht. Schauspieler durch und durch: Oliver Mommsen ist bei mir im BB RADIO Mitternachtstalk! Von 2001 bis 2019 war er als Bremer „Tatort“- Ermittler Nils Stedefreund fester Bestandteil des deutschen Sonntagabends.Aktuell seht ihr ihn in der ARD-Krimireihe „Mord oder Watt?“ – als Fernsehkommissar Tim Seebach, alias „Der Lux“. Aber das ist längst nicht alles. Oliver Mommsen ist einer, der sich immer wieder neu erfindet. Sein neuestes Projekt ist der absolute Wahnsinn: „VANYA“, Premiere am 3. August 2025 an der Komödie am Kurfürstendamm – und haltet euch fest: Er spielt ALLE acht Rollen. Allein! Ein Mann, acht Figuren – nach Anton Tschechow, neu interpretiert von Simon Stephens. Das ist nicht nur mutig, das ist Schauspielkunst auf einem ganz anderen Level. Und das alles im Neuen Haus des Berliner Ensemble. Dass er überhaupt auf „VANYA“ gestoßen ist, hat er übrigens seiner Freundin Katja zu verdanken. Die hat auf Social Media die Inszenierung des National Theatre entdeckt – und ihn überredet, sich das Stück mal anzuschauen. Das hat ihn letztlich überzeugt und jetzt schlüpft er auf der Bühne in acht verschiedene Charaktere. Katjas Plan ist aufgegangen. Darüber hinaus spielt er in der ARD-Serie „Schule am Meer“ seit 2022 an der Seite von Anja Kling – und wer ganz genau hingeguckt hat, erinnert sich vielleicht auch noch an seine Rolle als Werbegesicht für Schöfferhofer Weizen. Ja, das war er wirklich! Ob „Junimond“ auf der Kinoleinwand, „Das perfekte Geheimnis“ am St. Pauli Theater oder „Die Tanzstunde“, die für die Saison 2025/26 wieder auf dem Plan steht – Oliver Mommsen ist ein Schauspieler, der sich nicht auf seinen Erfolgen ausruht, sondern sich immer wieder neu herausfordert. In dieser Folge reden wir – oder besser gesagt: redet er – über Mut, über Ängste, über Bühne und Kamera – und darüber, was es heißt, sich ganz allein achtmal auf der Bühne neu zu erfinden. Also: Zurücklehnen und inspirieren lassen. Der BB RADIO Mitternachtstalk – mit Oliver Mommsen. Viel Spaß!

Episode 096: Dealer's Choice by Patrick Marber Host: Douglas Schatz Guest: Patrick Marber Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. A poker game in the basement of a London restaurant is the setting for six men to play out their dreams and disappointments in Patrick Marber's first play, Dealer's Choice. The play premiered at the National Theatre in 1995, and thirty years on a cracking new production is on stage at the Donmar Warehouse in London. I'm delighted to be joined by its director, Matthew Dunster, to explore Marber's perceptive portrait of male conflict and compulsion.

Today's guests are two rising stars in the Australian creative scene—Maggie Lynch and Aimee Forest. They're part of the upcoming production of Legally Blonde: The Musical, hitting the stage at the National Theatre in St Kilda from July 12 to 27. This show is a big moment for both: Aimee steps into the director's chair for the first time, and Maggie leads the charge as choreographer. In this episode, we talk about their creative journeys—how it all started, and how they got to where they are now.

Drew Barr has directed productions of new, modern, and classical plays and musicals for theaters across the United States and around the world. He directed the Dutch-language premiere of the National Theatre of London's War Horse, which opened at Amsterdam's Royal Carré Theatre before a year-long tour of the Netherlands and Belgium. For the National Theatre, he also directed the Australian premiere of War Horse, which ran in Melbourne, Sydney and Brisbane. He was the Resident Director for War Horse on Broadway at Lincoln Center Theater. Also on Broadway, Drew served as associate director for Nicholas Hytner's productions of Sweet Smell of Success, starring John Lithgow, Kelli O'Hara and Brian D'Arcy James and Twelfth Night, starring Helen Hunt, Paul Rudd and Kyra Sedgwick, as well as for Simon McBurney's acclaimed revival of All My Sons by Arthur Miller, starring John Lithgow, Dianne Wiest, Patrick Wilson and Katie Holmes. Drew was associate director and dramaturg for Simon McBurney's production of The Kid Stays in the Picture at the Royal Court Theatre in London.Drew has directed and guest taught for many of the country's leading actor training programs, including the Juilliard School, NYU's Graduate Acting Program, USC's School of Dramatic Arts, SUNY Purchase, the University of Delaware's PTTP, the University of Washington's School of Drama and the Department of Dramatic Art at the University of North Carolina Chapel Hill. He is on the acting faculty of AMDA College of the Performing Arts in Los Angeles. As an actor, Drew appeared on Broadway in Wendy Wasserstein's An American Daughter. He was a founding member of East Coast Artists, a performance collective under the leadership of Richard Schechner, with whom Drew devised and performed in Faust/gastronome, The Three Sisters and Amerika. He toured the country as a member of Maurice Sendak's national children's theater, The Night Kitchen, playing the role of Alligator in the Sendak/Carol King musical, Really Rosie. Drew moved to Lexington with his filmmaker husband, Tim Kirkman, in June of 2024Drew is directing ANGELS IN AMERICA, a play written by Tony Kushner debuted in 1991, that will be presented by ACT OUT THEATRE GROUP and open at the Black Box Theatre in the Pam Miller Downtown Arts Center on 6th June and play the 7th, 13th, 14th and 15th June.A complex and at times metaphorical examination of AIDS and its social impact - this play, that won 3 Tony Awards and a Pulitzer, has been called "a turning point in the history of gay drama."For more and to connect with us, visit https://www.artsconnectlex.org/art-throb-podcast.html

Mickey-Jo recently caught one of the West End's latest new plays: The Fifth Step, by David Ireland.The play, which was commissioned by the National Theatre of Scotland and previously staged at the Edinburgh Festival, is currently running at @SohoPlace in London and stars Jack Lowden and Martin Freeman.Check out this full review for Mickey-Jo's thoughts on the intense, 1 act, 2 hander as well as its themes and staging...•00:00 | introduction01:41 | synopsis / overview08:28 | themes / development16:37 | creative choices / performances•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Jason Fraley interviews three-time Tony nominee Carolee Carmello, who stars in “Kimberly Akimbo” at National Theatre in Washington D.C. tomorrow through June 1st. She also reflects on her career on stage and screen, from Broadway's "Parade" to AMC's first original series "Remember WENN." (Theme Music: Scott Buckley's "Clarion")

Jason Fraley marks the 30th anniversary of John O'Hurley's first appearance as J. Peterman in “Seinfeld" on May 18, 1995. They spoke when O'Hurley played hotshot lawyer Billy Flynn in the iconic musical “Chicago” at the National Theatre in Washington D.C. in 2015. (Theme Music: Scott Buckley's "Clarion")

Sarah Crompton and Alex Wood dive headfirst into Stephen Sondheim and David Ives' Here We Are, wading through the history and themes of the show as it makes its European premiere at the National Theatre. After that, they swim through a wellspring of topics including the Young Vic's exciting new season (with four of Sarah's favourite directors involved) and Cynthia Erivo's fang-tastic West End return in Dracula. Hosted on Acast. See acast.com/privacy for more information.

HERE WE ARE, the final ever musical to feature a score from the legendary composer lyricist Stephen Sondheim, is currently receiving its European premiere with a run at the National Theatre in London. The musical, which features a book by the playwright David Ives, was originally seen Off-Broadway at The Shed in 2023, and is based on two films by Luis Buñuel, The Exterminating Angel (1962) and The Discreet Charm of the Bourgeoisie (1972).The London production features a star-studded cast including Jane Krakowski, Jesse Tyler Ferguson, Rory Kinnear, Martha Plimpton, Harry Hadden-Paton, Paulo Szot, Richard Fleeshman, Chumisa Dornford-May, Tracie Bennett, Cameron Johnson, and Denis O'Hare.Having felt strongly about the production when Mickey-Jo first saw it in New York, check out this full review to find out why he's changed his mind about this musical...•00:00 | introduction 03:11 | overview / adaptation11:07 | the score17:42 | successes25:10 | shortcomings30:12 | performances•get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Acclaimed German journalist and film producer Sandra Maischberger talks about her new documentary about Leni Riefenstahl, which re-examines the life and career of the filmmaker and Nazi propagandist who was one of the most controversial women of the 20th century. Art historian and curator Sandy Nairne, a member of the Queen Elizabeth Memorial Committee, and journalist and broadcaster Nancy Durrant discuss digital designs by teams shortlisted to create the permanent memorial to Queen Elizabeth in St James's Park in London. And Ivor Novello Award-winning musician Martin Green talks about his debut musical for the National Theatre of Scotland, Keli, a story of creativity, music and community which marks 40 years since the Miners' Strikes. Presenter: Kirsty Wark Producer: Mark Crossan

Modern Family star Jesse Tyler Ferguson spills the beans on starring in Here We Are, on now at The National Theatre.Join Chris, Vassos and the Class Behind The Glass every morning from 6.30am for laughs with the listeners and the greatest guests. Listen on your smart speaker, just say: "Play Virgin Radio." Hosted on Acast. See acast.com/privacy for more information.

It's one thing for employers to say that they want to help improve employee mental health, but another thing entirely to actually make it happen. Today, I am joined by Tobba Vigfusdottir, CEO and Founder of Kara Connect, a customised mental health and wellbeing platform for employees.  Tobba has an M.Ed. in Educational Psychology from the University of Washington in Seattle and a B.Ed. from the University of Iceland; both focused on cognitive psychology. Tobba has, throughout her career, focused on the problem of access to help and support. Her experience as a local politician brought forward the systemic problems people face in getting the proper support to get better. Tobba established an online speech therapy company before establishing Kara Connect. She sits on the National Theatre board and the Science and Technology board appointed by the Minister of Innovation. Before entrepreneurship, Tobba was an elected city councillor in Reykjavík for 12 years, a political Advisor to the Minister of Education and a project manager for a women's entrepreneurial program. In a wide-ranging interview, Tobba and I discussed these topics: ✅ The role leadership plays in creating a mentally healthy workplace culture. ✅ What Kara Connect does and how it helps organisations improve workplace wellbeing. ✅ The main or most common mental health and wellbeing challenges in workplaces today. ✅ Ineffective ways companies try to address these challenges. ✅ Approaches that actually work when it comes to supporting mental health and creating healthier workplaces. ✅ What has worked well in terms of business growth and getting the word out about Kara Connect. ✅ And much more. You can find the podcast discussion on the Get More HR Clients website and on the Podcast: A Better HR Business LinkedIn page. You can also find the 'A Better HR Business' podcast on all the main podcast players, including Apple Podcasts and Spotify. Feel free to tag in or share the show with any friends who are busy growing an HR-related business (recruitment, employee engagement, diversity & inclusion, HR admin, etc). Website: www.karaconnect.com. LinkedIn: https://www.linkedin.com/in/tobba-vigfusdottir-17022411/  For show notes and to see details of our previous guests, check out the podcast page here: www.GetMoreHRClients.com/Podcast  HR BUSINESS GROWTH RESOURCES Get the new book - Grow A Successful HR Business Your Way Consulting Services For HR Software And Consulting Firms: Consulting Services. VISIT GET MORE HR CLIENTS Want more clients for your HR-related consultancy or HR Tech business? Visit the Get More HR Clients website for articles, newsletters, podcasts, videos, resources, and more.

Why are there calls to return British art like the original Winnie-the-Pooh doll from America to the UK? Trump and Zelensky have finally signed the US-Ukraine mineral deal, but who is the real winner? With wedding season approaching, what lengths are people willing to take to look slimmer on the big day?Rebecca Moore is joined by Jeevan Vasagar, James Tapper and Vanessa Thorpe, as they battle to pitch the top story of the day.**Join us at the next edition of the News Meeting Live on Tuesday 29th April HEREListen to James Tapper's Sensemaker episode, 'The Down sides of weightloss drugs' HERE Read more about the team's guilty pleasure news stories here:Number of children playing recorder halves in a decadePaul Mescal headlines National Theatre's bold new season as Stormzy debuts for ground-breaking collaborationSlow news: Cumbria tortoise found a mile from home nine months after going missingFollow us on Social Media: @ObserverUK on X, @theObserveruk on Instagram and TikTok@theobserveruk.bsky.social‬ on bluesky Host: Rebecca Moore, executive producer at Tortoise Producer: Casey MagloireExecutive Producers: Rebecca Moore and Jasper Corbett To find out more about The Observer:Subscribe to TheObserver+ on Apple Podcasts for early access and ad-free contentHead to our website observer.co.uk Download the Tortoise app – for a listening experience curated by our journalistsIf you want to get in touch with us directly about a story, or tell us more about the stories you want to hear about contact hello@tortoisemedia.com Hosted on Acast. See acast.com/privacy for more information.

Newly appointed National Theatre Director Indhu Rubasingham becomes the first woman and person of colour to lead the theatre in it's 60 year history. She sat down with Krishnan Guru-Murthy to discuss art, diversity and censorship and taking on her 'dream job.'  Produced by Holly Snelling and Vik Patel.

Sarah Crompton and Alex Wood head to the National Theatre to hear the venue's new director Indhu Rubasingham unveil her bumper season of productions, mapping out plans right the way through to 2027. With huge star names like Paul Mescal, Nicola Coughlan, Lesley Manville and Letitia Wright slated for appearances, there's plenty for audiences to get excited about. But more than that – what does Rubasingham's approach and character mean for the future of the NT? Hosted on Acast. See acast.com/privacy for more information.

This week we welcome back our beloved host, Flick Ford! Joined by guests Thomas Caldwell and Cerise Howard.We review Levan Akin's deeply touching film Crossing, about a retired teacher searching for her estranged niece, a trans woman, with the help of a young man as her translator. It raises challenging issues – particularly around people whose identity has meant they have been isolated from family – and yet it is such a warm, inviting film.Then we compare Stanley Kubrick's frighteningly hilarious Dr. Stranglove or: How I Learned to Stop Worrying and Love the Bomb with its filmed theatrical adaptation from London's National Theatre, NT Live: Dr. Strangelove. In the latter, Steve Coogan plays four roles in the world premiere stage adaptation of Stanley Kubrick's comedy masterpiece, often described as the best political satire of the century, about a rogue U.S. General who triggers a nuclear attack.Triple R's April Amnesty is on now!Subscribe and donate to help keep our beloved community radio station on the airwaves for another year!When you support Triple R, you're supporting Really Real Radio – that means no algorithms, no playlists, no nonsense. Triple R is a champion of local culture and community, and a voice for music and ideas that may not be heard anywhere else.Best of all, when you subscribe during April Amnesty, you'll go into the draw to win a stack of amazing prizes! Subscribe and donate at rrr.org.au.Tune in to Primal Screen each week at 7pm Mondays on Triple R 102.7FM.

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next of his regular audio described theatre reviews for 2025 This week we are taken back to Liverpool in the 1980s with James Graham's powerful new stage adaptation of Alan Bleasdale's BAFTA award-winning TV series Boys from the Blackstuff direct from the National Theatre and London's West End as the touring production visited the Birmingham Repertory Theatre with description by Professional Audio Describer Carolyn Smith. About Boys from the Blackstuff Gizza job. Go on, gizzit. 80s Liverpool. Chrissie, Loggo, George, Dixie and Yosser are used to hard work and providing for their families. But there is no work and there is no money. What are they supposed to do? Work harder, work longer, buy cheaper, spend less? They just need a chance. Life is tough but the lads can play the game. Find jobs, avoid the ‘sniffers' and see if you can have a laugh along the way.  James Graham's powerful new adaptation of Alan Bleasdale's BAFTA award-winning TV series is directed by Kate Wasserberg and comes to The Rep direct from the National Theatre and the West End. Boys from the Blackstuff continues on it's tour of the UK and more details about the show including venues, dates and times of performances can be found by visiting - https://boysfromtheblackstuff.com For more about access at the Birmingham Repertory Theatre do visit - https://www.birmingham-rep.co.uk/your-visit/accessibility/ (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)

Actor Sir Simon Russell Beale is widely acclaimed as one of the greatest actors of his generation. He has played many leading roles at National Theatre and RSC, including Hamlet, Macbeth and King Lear. He is currently starring in Titus Andronicus at the RSC. His awards include three Olivier Awards, two BAFTAs, and a Tony Award in 2022 for his leading role in The Lehman Trilogy, which had transferred from London. Simon Russell Beale was knighted in 2019 for services to drama. Simon tells John Wilson about his childhood and his visits to his family in the boarding school holidays at their home in Penang and Singapore. Trained as a chorister from an early age, he reveals how J.S. Bach's St Matthew Passion evokes the thrill of singing at his choir school. Simon very nearly embarked on a career in music before switching to drama and tells John about the significance of the Macbeth soliloquy that began a lifetime love of Shakespeare. He also reveals the central role that pubs play in the learning of his lines.Producer: Edwina Pitman

Adeel Akhtar is a versatile British actor known for his powerful performances across film, television, and theatre. He gained widespread acclaim for his BAFTA-winning role in the BBC drama “Murdered by My Father,” and won another one, a few years later, for “Sherwood.” His other credits in front of the camera include “Four Lions,” “The Big Sick,” “Enola Holmes,” “Utopia,” and “Sweet Tooth.” On stage, Akhtar has appeared in productions at the National Theatre and the Royal Court. Currently he wows audiences as Lopakhin in a new production of Chekhov's “The Cherry Orchard” at St. Ann's Warehouse in Brooklyn. On this episode he talks about the pleasures of performing “with complete freedom” in that production, interacting with the audience, and the interesting connections he finds between that character and his own return to theater. Plus he explains why he no longer finds himself over-preparing for a role, shares something a valued teacher gave him that changed his approach to the work, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Now for the next in our regular slots here on RNIB Connect Radio highlighting what is on offer at the National Theatre in London for blind and partially sighted people with audio description. RNIB Connect Radio's Toby Davey was joined again by David Bellwood, Head of Access at the National Theatre to chat about a few up-coming audio described shows at the NT and a couple that are available online with audio description via NTatHome.com. Audio described performances included:  Here We Are - Saturday 31 May, 2.15pm, touch tour 12.15pm and Thursday 26 June, 7.30pm, touch tour 5.30pm, National Theatre's Lyttelton Theatre London Road - Friday 20 June, 7.30pm, touch tour 5.30pm, National Theatre's Olivier Theatre Nye - Saturday 26 July, 2pm, touch tour 12noon and Friday 8 August, 7.30pm, touch tour 5.30pm, National Theatre's Olivier Theatre From NTAtHome.com with audio description David recommended ‘Life of Pi' and ‘The Other Place'. To find out more about the National Theatre's audio description offer and services for blind and partially sighted people do either call the NT on 020 7452 3961 or visit the NT website - https://www.nationaltheatre.org.uk And for more about NTatHome.com and to view many theatre productions online with audio description do visit - https://www.ntathome.com (Image shows National Theatre logo, A capital N and T in black against a white background)

JP Jofre is an Argentinian born 2x Grammy Nominated composer and Bandoneon player. His music has been recorded by the London Symphony Orchestra and by artists like Paquito d'Rivera. He's appeared as a performer at Lincoln Center, Carnegie Hall and the Beijing National Theatre.My featured song is “The Gift” my recent collaboration with Grammy winning arranger Michael Abene. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with JP:www.jpjofre.com—----------------------------------------ROBERT'S RECENT SINGLES:“ROUGH RIDER” is Robert's latest single. It's got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Welcome Back to TBOTA!Dan Milne trained as a theatre practitioner after studying English at Cambridge and training at the Drama Studio, London. He has acted with leading UK theatre companies including the Royal Shakespeare Company, National Theatre, Young Vic, and Complicité, as well as regionally with the Royal Exchange Manchester, Birmingham Rep, and Liverpool Everyman. His international tours have taken him to Broadway and festivals in the US, Mexico, India, Australia, and New Zealand. Screen credits include Eastenders, The Nevers, and Star Wars: The Acolyte.As a director, Dan has worked with the RSC and Young Vic and presented work at BAC, Trafalgar Studios, and off-Broadway. He produced the documentary The Longest Game and two features, Never Here and Widow's Walk, and is currently developing The Gate with Camille Thoman and Tobias Menzies. He also co-founded Narativ, a storytelling company born from his acclaimed New York theatre piece Two Men Talking. The company's mission is ‘a world connected by listening and sharing personal stories' - a mission to support people to explore, tell and reflect on the stories of their personal experience.Jane Nash is Director and Lead Trainer of Narativ in London. She believes passionately in the transformative power of Listening & Storytelling and brings a rigorous, compassionate ability to listen in all situations, creating trainings that her clients say are practical, inspiring and always human. Jane developed her love of story and her expertise in the behaviours of personal impact in a career spanning many decades, working internationally as an actor, writer, director and theatre maker. She has appeared in film and on television, and in theatre spaces as diverse as Greenwich Park, St Pancras Station and the Olivier Theatre. She has created many pieces of theatre drawing on elements of personal storytelling - such work includes ‘Big Space', ‘Small Space', and a piece about family currently being developed with Dan and her daughter, entitled ‘All Those Things'.Support this show:Become a patron and help me make this show. Bonus episodes every week: >> ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Robert Neumark Jones | creating podcasts and extra content | Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy me a coffee ☕⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://paypal.me/robertneumark⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Or support me through other ways:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bliss of the Abyss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Give us a rating & review:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Write a review for Bliss of the Abyss ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Like and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠My Webpage:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Robert Neumark Jones | Actor | Voice Artist (robertnj.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠© Robert Neumark Jones

An exciting knowledge and cultural exchange has begun between the National Theatre of Republika Srpska and Visually Impaired Creators Scotland (VICS) to improve theatre accessibility across Scotland and Bosnia. Amelia spoke to Mario Lukajic from The National Theatre of Republika Srpska and Kirin Saeed from VICS to learn more. Learn more about eh National Theatre of Republika Srpska on their website - Добро дошли | Народно позориште РС Learn more about VICS on their website - Visually Impaired Creators Scotland Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font. 

Tilda Swinton talks about her role in Joshua Oppenheimer's post-apocalyptic musical film The End, and about her intention to take a break from acting, Actor and artistic director of the new Welsh National Theatre Michael Sheen, and screenwriter Russell T Davies reveal plans for the company's first season. Plus we discuss the influence of schoolmaster Philip Burton on the legendary actor Richard Burton, as a new book, and a film starring Toby Jones, explore the impact of the teacher on Burton's life. Presenter: Kirsty Wark Producer: Mark Crossan

Welcome to Season 04 Episode 11 - the "Rainforest" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in  northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Mr. Craig Johnson on Present Laughter; Mr. Lars Swanson of the Long Point String Band; and Maestro Glen Cortese on Room 221 - A Sherlock Holmes Opera performed by the WNY Chamber Orchestra Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. And don't forget to enter the giveaway for a $25 gift card from Downtown Brew and 2 tickets to the Cinema Series! Entries must be received by April 12th at 12 noon! Listen to the podcast for the question and answer. Then email your answer to operahouse@fredopera.org. Make sure you put the word "Giveaway" in the subject line and include your preferred contact information. Thanks for listening! Time Stamps (Approximate) 03:00  Mr. Craig Johnson/Present Laughter 21:10   Mr. Lars Swanson/Long Point String Band 36:00  Arts Calendar 39:36  Mr. Glen Cortese/Room 221 Media Rhythm of the Rain, John Claude Gummoe, composer; performed by The Cascades, Nov. 1962, Valiant Records Scene from Present Laughter by Nöel Coward, recorded at the National Theatre, London, November 2019. 5 Miles of Ellum Wood, Bruce Green, composer; performed by the Long Point String Band, May 2020. Happy Hollow, Marcus Martin, composer; performed by the Long Point String Band, May 2020. Scene from The Hound of the Baskervilles, from the novel by Sir Arthur Conan Doyle; featuring Basil Rathbone (Sherlock Holmes), Nigel Bruce (Dr. John Watson), Wendy Barrie (Beryl Stapleton); 20th Century Fox, 1939 Raindrops Keep Falling on my Head, composed by Burt Bacharach and Hal David, performed by B.J. Thomas; from the motion picture Butch Cassidy and the Sundance Kid, October 1969, Sceptre Records. Artist Links Craig Johnson Lars Swanson/Long Point String Band Glen Cortese Box Office at SUNY Fredonia Lake Shore Center for the Arts Main Street Studios Ticket Website WCVF Fredonia WRFA Jamestown Register Here for the 1891 Run/Walk for the Opera House BECOME AN OPERA HOUSE MEMBER!          

We start by discussing the difficult reality of intentional abandonment with 1Xtra's Fee Mak. We also hear from fitness influencer Ashley Cain, with the launch of his new BBC Three series, Into The Danger Zone. We then get into embracing heritage on stage with actress Cherrelle Skeete, who is leading in The National Theatre's play, Alterations.

Peter Capaldi talks about his latest album – Sweet Illusions – a nod to the thriving 80s music scene in Glasgow where Peter made his musical debut fronting The Dreamboys. Through the Shortbread Tin is a new National Theatre of Scotland production about the supposed third century Scottish bard Ossian. Its writer – poet Martin O'Connor – and director Lu Kemp, share their exploration of one of the greatest literary hoaxes of all timeShould Brian Friel be known as short story writer, as much as a playwright? A decade after his death, a new edition of his stories has been published, many of which would inspire his plays such as Faith Healer, Dancing at Lughnasa and his breakthrough Philadelphia, Here I Come! Discussing the often overlooked work of the "Irish Chekhov" is a fellow master of the short story Louise Kennedy, and Dr Kelly Matthews, author of Brian Friel: Beginnings. Presenter: Kirsty Wark Producer: Caitlin Sneddon

Welcome Back to TBOTA!Born in Scotland. Eric MacLennan has been making avant-garde performance work for over forty years. During this time he has worked as an actor and director with many world class companies including DV8 Physical Theatre; David Glass Ensemble; V-TOL; Citizens Theatre Glasgow; Red Shift; Manchester Royal Exchange; Bristol Old Vic; Theatre of Comedy Company; Royal National Theatre Studio; Boilerhouse; Volcano; Lumiere & Son; Shunt; Station House Opera; National Theatre of Scotland; Young Vic and the Almeida.Over the last ten years he has been creating his own distinctive work whose practice occupies a unique space somewhere between theatre, movement and the visual arts. Inspired by philosophy and comedy in equal measure his work questions our unconscious habits, challenges conventions and isn't afraid to say the unsayable!Discussed: Being in Star wars, sources of inspiration, creating your own work, a voyage around my bedroom, performing at Glastonbury, working with Jane Nash, Embarrassing auditions and failed projects, pre show routines, how actors develop superstitions, Spelling 'zhjugdge', regretting your name being Crispin, Lecoque, your favourite spice girl, AND SO MUCH MORESupport this show:Become a patron and help me make this show. Bonus episodes every week: >> ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Robert Neumark Jones | creating podcasts and extra content | Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy me a coffee ☕⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://paypal.me/robertneumark⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Or support me through other ways:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bliss of the Abyss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Give us a rating & review:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Write a review for Bliss of the Abyss ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Like and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠My Webpage:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Robert Neumark Jones | Actor | Voice Artist (robertnj.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠© Robert Neumark Jones

The set and costume designer Bob Crowley says he creates ‘other worlds'. The stage is where his imagination runs riot, at the National Theatre, the Royal Shakespeare Company the Royal Opera House, the West End, Broadway and beyond. He's won numerous Olivier and Tony awards for memorable designs such as the brightly lit revolving horses for Carousel, magical black and white tissue paper drawings evoking the foggy London skyline for Mary Poppins and couture dresses and the River Seine for An American in Paris. He's also worked on many new plays including The History Boys by Alan Bennett. His most recent credits include Richard the Second at the Bridge Theatre in London, with Jonathan Bailey in the title role. Bob's music selection includes Tallis, Gershwin, Schubert and Verdi.

In the week that Dear England, his play about the English football team, reopens at the National Theatre, playwright James Graham has announced that his next play, at the Edinburgh International Festival, will star Succession's Brian Cox and be about the financial crash of 2008. In this revealing conversation he talks to Sarah about his admiration for Southgate, the tragedy behind his play Punch, his horror of social media and why theatre is a vital tool for building empathy and countering toxic masculinity. Hosted on Acast. See acast.com/privacy for more information.

Quinn Metal Corbin is manager of the Great Plains Theater Commons. Corbin has spent more than two decades in the performing arts. She's worked as a casting intern in New York, a script production assistant on a Broadway musical, an assistant to a powerful entertainment agency executive, and an event coordinator for the National Theatre in London among other roles.In addition to her industry jobs, Corbin founded C+C Mini Factory alongside Chelsea Cates. C+C is a photography project featuring miniature figurines placed in quirky settings. They've collaborated with companies like Starbucks and Firefox and were awarded Instagrammer of the Year in 2015 by the Shorty Awards. As manager of the nonprofit Great Plains Theatre Commons, Corbin works to strengthen the local theater scene by fostering new work by playwrights and other theater artists through year-round programming and the annual New Play Festival, which takes place this year from May 25 to 31.Corbin and Michael Griffin are talking about Corbin's odyssey in the entertainment industry, GPTC's mission and how it fits into the changing landscape of live performance.

Join this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/join-You may Stephen from 'Snatch', 'This is England' & 'Pirates of the Caribbean', or perhaps 'Boardwalk Empire', 'Peaky Blinders' or 'Venom'. We chat about flying out to meet with Martin Scorsese & Robert De Niro, his advice to fellow actors and scaring Al Pacino.&Erin is a versatile actress on the rise, from The National Theatre's 'The Crucible', starring alongside Jude Law in 'Firebrand' and playing Princess Anne in 'The Crown'. We chat about her passion for immersing herself in different characters and them working together in their new show 'A Thousand Blows' from Steven Knight the creator of 'Peaky Blinders'.-----------------------------Host - Actor/Writer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Elliot James Langridge⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Please contact (Scott Marshall Partners) -----------------------------We are sponsored by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BetterHelp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ providing you access to the largest online therapy service in the world. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get 10% off⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ your first month at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠betterhelp.com/lifeinfilm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----------------------------'A Thousand Blows' is on Disney + and Hulu now.-----------------------------Thank you to out guests Stephen & Erin.Thank you Isobel and the team at Public EyeAs always thank you to our sponsor Betterhelp-----------------------------If you enjoyed this episode, please review and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You Tube ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠etc and please share. It makes a huge difference. -----------------------------Join us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tik Tok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, @LIFEINFILMpod. Check out the ⁠Patreon⁠ at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/Lifeinfilmpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & Join this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/join-----------------------------Please don't forget to⁠ LIKE & SUBSCRIBE⁠! ╔═╦╗╔╦╗╔═╦═╦╦╦╦╗╔═╗ ║╚╣║║║╚╣╚╣╔╣╔╣║╚╣═╣ ╠╗║╚╝║║╠╗║╚╣║║║║║═╣ ╚═╩══╩═╩═╩═╩╝╚╩═╩═╝Thanks for watching this episode ... see you in the next video!-

Cherry, baby! We are here with two-time Tony-winner and three-time Emmy-winner Cherry Jones. You Might Know Her From The Handmaid's Tale, 24, Transparent, Succession, The West Wing, The Village, The Eyes of Tammy Faye, and her numerous theatre credits including The Heiress, Doubt, Mrs. Warren's Profession, and The Glass Menagerie. Cherry talked to us about playing the real life Eileen Myles on Transparent, grounding the violence on 24, whether or not she'll appear in the final season of The Handmaid's Tale, and she shares with us an actor's secret: her “moment before” from the Broadway production of Doubt. Plus, we got the scoop on going toe to toe with Brian Cox on Succession, whether or not she'd ever play Madame/Mama Rose in Gypsy, and trailblazing as a queer person in entertainment when she won her Tonys. This one was just a total treat!  Patreon: www.patreon.com/youmightknowherfrom Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this episode: Was Sarah Schulman's novel People in Trouble ripped off for Rent? Michael Greif directed Jonathan Larson's original production of Rent Gypsy Rose Lee's autobiography, Gypsy: A Memoir:  June Havoc's 2 memoirs: Early Havoc and More Havoc Arthur Laurents' memoir: Original Story By: Gypsy movie with Rosalind Russell (1962) + Bette Midler tv Gypsy (1993) Our Sunset Boulevard review on Patreon Book about original production of Sunset Boulevard We are digging into the source material for our: YEAR OF Rent | Gypsy | Sunset Boulevard | Chicago The play is called Chicago Bette's Emmy performance of “Rose's Turn” in stirrup pants Spongebob creator Hillenburg sold rights to Nickelodeon and when he died they made a musical and lots of spin-offs Tick Tick Boom introduced Anne to Raul Esparza “Boho Days” 5 Days at Memorial (Apple TV) Nan Pierce on Succession was the bus and truck Katherine Graham After doing Doubt on Broadway, she went on national tour with the show Dennis Haysbert was first President on 24 and then it was Cherry as Allison Taylor Had been doing rep at ART for 10 years when she opened as Catherine in the 1995 revival of The Heiress directed by Gerry Guitierrez Cherry saw Tyne Daly and Angela Lansbury's Gypsy Angela was a tall woman Jane Greenwood was costume designer for The Heiress and the Colleen Dewhurst's A Moon for the Misbegotten Has Colleen's student id card from the American Academy of Dramatic Arts hanging on her wall Played Ma Joad at the National Theatre in London last summer (will not transfer) Jessica Chastain A Doll's House got the phone stuff out of the way at pre-show Testament of Mary with Fiona Shaw Jessica Hecht was so good in Summer of 1976 and Eureka Day Cherry loves J. Smith Cameron in anything M Night Shyamalan's Signs and The Village Former guest of the show Celia Weston told us M Night's camp was fun but didn't inform the work Starred opposite Mel Gibson in the Jodie Foster's film, The Beaver Twelfth Night with Diane Lane (directed by Andrei Serban) Lifetime lesbian movie with Brooke Shields, What Makes a Family (2001) We interviewed Veronica Cartwright who was in The Children's Hour Played Eleanor Roosevelt opposite Hilary Swank's Amelia Eearhart in Amelia  Tina Howe and Jack O'Brien's Pride's Crossing is the thing Cherry wants us to see Played Matt Damon's mom in Ocean's 12 even though she is 14 years younger than him MOVIES CHERRY IS NOT IN: Cold Mountain and A League of Their Own (aka Avita Vayonne)  Does the audiobooks for Little House on the Prairie books Claire Danes reads audiobook of The Handmaid's Tale Essentially played Eileen Myles in Transparent Was NOT in the O'Malley with Mickey Rooney  Was never ASKED to be on The L Word We talked to Barrie Kreinik about Eva La Gallienne and Laurette Taylor but said it was RUMORED, no receipts Character in Noel Coward's Hay Fever based on  Laurette Taylor  Timothee Chalamet's speech at the 2025 SAG Awards “They Like Me” is actually “YOU LIKE ME” “It Came True”

The premiere of David Hare's play Plenty at the National Theatre in 1978 marked him out as one of the UK's most skilled and socially conscious playwrights. Plenty transferred to Broadway, Hare adapted it into a film starring Meryl Streep, and in the following years he became known as a writer for whom the political and the personal are deeply entwined. Often referred to as Britain's pre-eminent ‘state of the nation playwright', his plays in the 1980s examined a wide range of social and political issues, including the Church of England in Racing Demon, the judiciary in Murmuring Judges and party politics in The Absence of War. He tackled international geopolitics in Via Dolorosa - about the Israeli-Palestinian conflict - and the invasion of Iraq with Stuff Happens and the Vertical Hour. Equally skilled as a screenwriter, his film screenplays for The Hours and The Reader saw him twice nominated for Academy Awards. David Hare was knighted in 1998 for ‘services to theatre'. He talks to John Wilson about how his lower-middle class background and family life in Bexhill-on-Sea stimulated his imagination. He pays tribute to some of the most formative people in his life: his Cambridge university tutor, the Welsh writer and academic Raymond Williams, whose maxim that ‘culture is ordinary' had a profound effect on his life as a writer; the actress Kate Nelligan, who starred in several of Hare's plays, including Plenty; and his wife Nicole Farhi who, he says, transformed his idea of himself and who inadvertently helped inspire one of his best loved plays, Skylight. Producer: Edwina Pitman

World Book Café heads to Oslo to Europe's largest Literature House to find out if Norway is the best place in the world to be a writer? Octavia Bright is joined to discuss the highs and lows by the internationally bestselling novelist and climate activist Maja Lunde. Johan Harstad prize winning novelist and the first in-house writer at the National Theatre in Oslo, Gunnhild Oyehaug whose witty and experimental short stories and novels have won her fans around the world and Oliver Lovrenski whose first book was an instant bestseller when it was published in Norway in 2023, when he was just 19. With generous grants for writers to live and work the Norwegian government also buys 1,000 copies of every book published to give to local libraries across the country. The organisation NORLA (Norwegian Literature Abroad) is funded by the ministry of culture and, since 2004, it has contributed to the translation of more than 8,000 books into no less than 73 languages. For a country of 5.5 million people Norwegian literature punches above its weight. However with much of the country's wealth coming from the oil industry do environmental concerns tarnish this utopia for its writers? Producer: Kirsten Locke

We're honoured to have the great Dame Penelope Wilton as our very special guest on Rosebud today, in a rare podcast interview for this distinguished and well-loved actress. Penelope talks to Gyles about her happy childhood, in and around Knightsbridge and Kensington in London - we find out about her interesting neighbours, Mr Onion and the one-armed colonel. She tells Gyles about her mother's illness and her unhappy time at boarding school. She talks about her drama school days, and her breakthrough role in Harold Pinter's classic play Betrayal at the National Theatre. She talks about the roles on TV which made her a household name: Ever Decreasing Circles and, more recently, Afterlife. We're delighted to give Rosebud listeners the chance to spend time with this delightful, talented performer. Enjoy this. Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

We're honoured to have the great Dame Penelope Wilton as our very special guest on Rosebud today, in a rare podcast interview for this distinguished and well-loved actress. Penelope talks to Gyles about her happy childhood, in and around Knightsbridge and Kensington in London - we find out about her interesting neighbours, Mr Onion and the one-armed colonel. She tells Gyles about her mother's illness and her unhappy time at boarding school. She talks about her drama school days, and her breakthrough role in Harold Pinter's classic play Betrayal at the National Theatre. She talks about the roles on TV which made her a household name: Ever Decreasing Circles and, more recently, Afterlife. We're delighted to give Rosebud listeners the chance to spend time with this delightful, talented performer. Enjoy this. Learn more about your ad choices. Visit podcastchoices.com/adchoices

A new version of Oscar Wilde's iconic play The Importance of Being Earnest is enjoying a sold-out run at the National Theatre. Jen caught up with its stars, Sharon D Clarke, Ronke Adekoluejo and Eliza Scanlen, to chat about the enduring appeal of the play, how they're bringing it to a fresh audience, and accessibility of theatre in the UK. The run is now sold out except for Rush tickets, but you can catch it on NT Live from February 20. Learn more about your ad choices. Visit megaphone.fm/adchoices

Afternoon Drama by Tim Price, author of the National Theatre hit Nye.Tensions flare in the North Wales climbing community when a steel bolt appears on a sea cliff in Anglesey. Rhodri, a passionate adventure climber is totally against using bolts, but he's desperate to get the first ascent on a new climbing route, one that could really change his fortunes, and the future of his marriage is dependent on raising enough money to qualify for a spouse visa.CASTRhodri - Sion EifionMatilde - Norah Lopez HoldenGwion - Dion LloydAubrey - Ian Dunnett JnrEmily - Lauren MoraisDan - Nuhazet Diaz CanoJosepa - Zoila GarmanProduction Co-ordinators - Eleri McAuliffe and Lindsay ReesSound Design - Catherine RobinsonDirected by John NortonA BBC Audio Wales Production

2024 has been the year of the iconic lovers Romeo and Juliet, and director Sam Gold has brought a bold new production of the timeless tragedy to Broadway. With a fresh, contemporary approach, Gold transforms Shakespeare's classic love story into an immersive experience that features a dynamic young cast led by Rachel Zegler (West Side Story) and Kit Connor (Heartstopper) and an innovative score by Grammy-winning musician Jack Antonoff, blending live music seamlessly into the action. Gold discusses how he re-envisioned the play for today's world, capturing the urgency and intensity of youth while staying true to the emotional heart of the original. He reflects on the challenges and joys of reinterpreting a well-known story and shares the creative process behind staging a Romeo and Juliet that feels relevant to a whole new generation of theatergoers, many of whom may be seeing their first Broadway. Sam Gold is a Tony Award-winning director with an extensive Broadway and theater resume. His Broadway credits include An Enemy of the People (this season) with Jeremy Strong and Michael Imperioli, Macbeth with Daniel Craig and Ruth Negga, King Lear with Glenda Jackson, A Doll's House, Part 2 (Tony Award Nomination), The Glass Menagerie, Fun Home (Tony Award), The Real Thing, The Realistic Joneses, and Seminar. Recent credits include Hamlet at The Public Theater, Othello at New York Theatre Workshop, The Flick (Lucille Lortel Award nomination) at Playwrights Horizons, Barrow Street Theatre, and the National Theatre, The Glass Menagerie (Toneelgroep, Amsterdam), John (Signature Theatre; Obie Award, Lortel and Drama Desk Award nominations), The Village Bike (MCC Theatre), and Uncle Vanya (Soho Repertory Theatre; Drama Desk nomination), among many others. From the Shakespeare Unlimited podcast. Published December 16, 2024. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.