Podcasts about artistic directors

Eric Jacobsen is a renowned cellist who is also the Music Director of the Virginia Symphony Orchestra. He is known for combining fresh interpretations of traditional works with cutting-edge collaborations across musical genres. If I've got this right he's also the Music Director of the Orlando Philharmonic Orchestra and the Principal Guest Conductor of the Classical Tahoe Musical Festival. Eric is also the artistic director and co-founder of The Knights, an adventurous NYC-based chamber orchestra. Their current endeavors include a residency at Carnegie Hall. Their collaborators include Yo-Yo Ma and Bela Fleck.My featured song is “Ma Petite Fleur String Quartet”, my recent release which transforms my jazz ballad into a classical string quartet piece. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH ERIC:www.jacobseneric.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

This March, Ennis will once again become a haven for readers and writers as the Ennis Book Club Festival celebrates a very special milestone, its 20th anniversary. Over two decades, the festival has grown into one of Ireland's most loved literary gatherings, known for its warm welcome, lively discussion and impressive line-up of authors. Artistic Director, Martina Durac joined Alan Morrissey on Friday's Morning Focus to look ahead to the festival.

What would it take to present THE COMPLETE BACH? Thanks to an extraordinary 11-year project underway in Worcester, MA, you can find out! Starting in 2024 and continuing through March 21, 2035, Music Worcester is presenting a series of concerts encompassing all of Johann Sebastian Bach's massive compositional output. Chris Shepherd is Artistic Director of THE COMPLETE BACH, and he talked with Suzanne about how and why this project came to life.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   John Fisher: Artistic Director of Theatre Rhino John Fisher, Artistic Director of Theatre Rhino, and writer/dictor/actor in “Left Field,” which runs at Theatre Rhino from February 19th to March 15th , in conversation with Richard Wolinsky. Recorded February 4, 2026. Theatre Rhino is the longest running LGBTQ+ theatre company in America, and John Fisher has been its Artistic Director since 2002. His latest show, “Left Field” is about a gay man from San Francisco who, through a bizarre series of events, winds up as President of the United States. Written as a response to the Trump regime and its fascist agenda, “Left Field” is a comedy with serious overtones about a man who finds himself in the presidency with a completely opposite series of priorities. In this interview, John Fisher discusses the process of working on “Left Field,” and goes into detail about what an actor perceives on stage, and the changing Bay Area theatre audience.   Todd Haynes: Award-winning Independent Filmmaker Todd Haynes, independent filmmaker, in conversation with host Richard Wolinsky. Recorded February 27, 2025. The director of ten feature length films, Todd Haynes is an independent film-maker with his roots in New Queer Cinema. After coming to the attention of the film community with his short film, Superstar: The Karen Carpenter Story, in which the “actors” were Barbie Dolls, he achieved fame with his first feature, Poison, which told three stories in different ways, all of which commented on the AIDS epidemic. He followed that with the much-lauded Safe, and then moved on to mainstream success with the lush melodrama, Far from Heaven. His later films include Velvet Goldmine, focusing on the glam rock era, I'm Not There, in which several actors portrayed Bob Dylan, Carol, Dark Waters, Wonderstruck, and his latest film, May December(Netflix). His documentary, Velvet Underground, is available on Apple Plus. Along the way there was a miniseries, Mildred Pierce, starring Kate Winslet, on HBO (streaming on MAX). All his films are available streaming. Todd Haynes will soon be filming a gay romance, “El Noche,” with Pedro Pascal, in the coming months.   Review of “The Mountaintop” by Katori Hall, directed by Michael Socrates Moran at Oakland Theatre Project through Feb. 15, 2026. Review of “The Cherry Orchard” by Anton Chekhov, directed by Carey Perloff, at Marin Theatre through Feb. 22, 2026.   The post Bookwaves/Artwaves – February 12, 2026: John Fisher – Todd Haynes appeared first on KPFA.

Raymond O. Caldwell is the Artistic Director of the Fountain Theatre in Los Angeles. Now living in Los Angeles, Caldwell has spent the last 16 years in Washington, DC as a director, writer, producer, and educator. Raymond was a faculty member and resident director at Howard University's Department of Theatre Arts. He was part of the National Arts Strategy Executive Leadership group at Harvard, holds an MFA in Acting/New Play Development from Ohio State University, and a BFA in Acting from the University of Florida. On this podcast he speaks on the intersection of art and social justice and his latest production: Poetry for the People: The June Jordan Experiencehttps://www.fountaintheatre.com/ https://www.instagram.com/diprimaradio/?hl=enkbla1580

Walk by any neighborhood park, and you'll usually see some kids running around and playing. It's supposed to be a place where they're safe, but that's not always true. At some parks, there's a poison lurking in the soil:  lead. Verite News, a partner news outlet of WWNO and WRKF, tested sites across New Orleans. As health reporter Halle Parker explains, most playgrounds in the city had unsafe levels of lead.The New Orleans Book Festival at Tulane returns to The Crescent City March 12-15. The annual event will feature bestselling authors, filmmakers, politicians, musicians, TV personalities and more. Cheryl Landrieu is a lawyer, author and founder of the book festival. She joins us for more on this year's event. February — Black History Month — is the shortest month of the calendar year. But it is rich in African American cultural contributions and celebrations. Anthony Bean, Founder & Artistic Director of the Anthony Bean Community Theater & Acting School, is celebrating more than 50 years of Black Theatre rooted in New Orleans. Bean joins us to look back on the legacy he and his late Monroe began with the Ethiopian Theater in the 7th Ward to center Black artists and storytellers.__Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber and our assistant producer is Aubry Procell. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App, and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

Mayra Bullock (Houston, TX) began her dance training in the Houston IndependentSchool District and continued her education at the University of Texas at El Paso (UTEP), and later at the University of St. Thomas. While at UTEP, she served as Artistic Director of the Victory Warriors Drill & Dance Academy before returning to Houston in 2006 to serve as Assistant Director of the Fort Bend Academy of Arts and Dance.Mayra made her professional Houston dance debut in 2008 with Urban Souls Dance Company in Across the Waters, a work examining the 1994 genocide in Rwanda. She became USDC's Rehearsal Director in 2019 and Managing Director in 2025.Mayra currently serves on the board of directors for the Edison Arts Foundation and holds a B.F.A. in Dance Performance and an M.Ed. in Curriculum & Instruction. Coming soon is Urban Soul's ‘Truth Be Told' Performance at the Hobby Center in Houston. It is their Annual Black History Month show and they will be celebrating 100yrs and highlighting some amazing community members. @skadan1357 @urbansoulsdance#mayrabullock #urbansoul #gogetit Chip Baker Social Mediahttps://www.wroteby.me/chipbaker

Welcome back to Season 9 of the Recovering Perfectionist Podcast!In this episode, Christine chats with our newest Dance Wellness Community Ambassador and first one to represent Ballet, Ian Parsons. Ian is an internationally recognized ballet educator, choreographer, and former professional dancer whose career spans elite classical performance, commercial theatre, and advanced professional training. A double graduate of Canada's National Ballet School, he completed both the Professional Ballet Program and the highly selective Teacher Training Program for Former Professional Dancers, earning the Betty Oliphant Award for Excellence in Teaching.As a performer, Ian danced with The National Ballet of Canada and Les Ballets de Monte-Carlo, working with choreographers including James Kudelka, John Neumeier, Jiří Kylián, and Jean-Christophe Maillot. His career also includes appearances in the feature film adaptation of Les Misérables, the Olivier Award–nominated West End revival of Cabaret, and the UK and European tour of Cats, with the distinction of performing at the Olivier Awards at the Royal Opera House.Following his performing career, Ian developed an extensive teaching and leadership practice across Canada, the UK, and the United States. He joined the artistic faculty of Canada's National Ballet School, where he taught across all levels of the Professional Ballet Program, from foundational training through to stage-ready repertoire. During his tenure, he created the school's formalized pas de deux curriculum and served as Manager of the International Exchange Program, overseeing international placements for more than 100 students annually. His students have gone on to perform with companies including The Royal Ballet, American Ballet Theatre, Dutch National Ballet, Boston Ballet, Stuttgart Ballet, Houston Ballet, Tulsa Ballet, The Washington Ballet, Miami City Ballet, and The National Ballet of Canada, among many others.In addition to his work at NBS, Ian has taught and choreographed for professional training programs and institutions in Canada and the UK, including Performers College, The School of Ballet Theatre UK, Chantry School, Canada's Ballet Jörgen, and the Maritime Conservatory of Performing Arts, with choreography presented by Youth America Grand Prix and conservatory-level programs across North America and Europe.Ian's teaching philosophy is grounded in classical rigor, musical clarity, and long-term dancer development. Shaped by years of institutional teaching, curriculum design, and mentorship, his work centers on maintaining uncompromising technical standards while supporting dancers as whole artists, with an emphasis on sustainability, agency, and artistic longevity. Ian is currently the Artistic Director of Ballet Theatre of Phoenix and Convergence Ballet, and is based in Phoenix, Arizona.DANCE WELLNESS COMMUNITY:Join us in the INNER CIRCLE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dancewellnesscommunity.com⁠⁠⁠⁠⁠⁠CONNECT WITH IAN:https://www.instagram.com/ianparsonsballet/CHRISTINE BAR NOEL:All The Things! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://beacons.ai/christinebarnoel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/recoveringperfectionistpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/dancewellnesscommunity

Death might be one of the most relational acts possible. I think death is that threshold moment where that illusion is dissolved. Our death is a moment of redistribution of nutrients, of memory, of rhythm, of vibration into the wider field, from the illusion of a single self into the remembering of an entangled self. I love to think about death as a teacher of surrender and a trust in the intelligence of regeneration. - Azul Carolina Duque(Below is the script that you can hear me narrate in this episode.)Its January 20, 2026. I was going to publish this roundtable called death as transformation later this year to inaugurate the 7th season of the conscient podcast but I changed my mind – imagine that - and have added it to season 6 because I've decided to take a long break from producing both of my podcasts and my Substack in order to do some thinking and meditation and self-care but I wanted to get this very special episode out to you now in case I decide not to continue with the podcast after my break.It's one of those pivotal moments. Here's back story on this episode. In November 2025, Artistic Director of New Adventures in Sound Art, Darren Copeland, asked me if I would like to participate in an episode of his monthly Making Waves radio program, which is broadcast on WGXC 90.7 FM in New York's Upper Hudson Valley and also available as a podcast. Darren wanted to talk about one of my favorite topics, climate change and asked me what would I like to talk about specifically? And to my surprise I immediately answered: death. I went on to explain that I meant death in the sense of how our spirit and consciousness continues when our body goes back to the earth, and what might this spirit and consciousness sound like? I was also interested in how this heightened awareness might help us relate to complex issues like climate change and societal disruption. So I helped Darren select an expert panel of sound artists and on December 2, 2025, I moderated a 55 minute recording for the December 13, 2025 edition of Making Waves that featured three former guests of my conscientpodcast : Azul Carolina Duque, who you can hear on e211 art as medicine, Kenneth Newby who you can hear on e207 living with grace and Wendelin Bartley who you can hear on e222 restoring our connection with nature.So what you're about to hear is a rebroadcast of this conversation.This conversation is quite magical because we were able to share some very intimidate stories about our own vulnerabilities, our relationship to death and how our practices as sound artists relates to this transition. You'll hear that I ask each of my guests to respond to this 12-word sentence by a friend of mine, Tim Brodhead: Death as a natural transformation of energy and consciousness, not an end.And won't worry the episode is actually a lot of fun and quite enlightening. It's really more about transition than an end. I'm so pleased that it concludes this chapter of the conscient podcast and in a way begins whatever might come next. Thanks so much for listening. Thank you Darren, Azul, Kenneth and Wendelin.See you next time.  *END NOTES FOR ALL EPISODESHey conscient listeners, I've been producing the conscient podcast as a learning and unlearning journey since May 2020. It's my way to give back.This Indigenous Land Acknowledgement statement was developed by members of the Algonquin community for my former employer the Canada Council for the Arts. I have adapted slightly to make it my own.I acknowledge that my studio, located in Ottawa, is on the unceded, unsurrendered Territory of the Anishinaabe Algonquin Nation whose presence here reaches back to time immemorial.I recognize the Algonquins as the customary keepers and defenders of the Ottawa River Watershed and its tributaries. I honour their long history of welcoming many Nations to this beautiful territory and uphold and uplift the voice and values of our Host Nation.Further, I offer my respect and affirm the inherent and Treaty Rights of all Indigenous Peoples across this land and honour commitments to self-determination and sovereignty that have been made to Indigenous Nations and Peoples.I acknowledge the historical oppression of lands, cultures and the original Peoples in what we now know as Canada and fervently believe the Arts contribute to the healing and decolonizing journey we all share togetherIn parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish a free ‘a calm presence' monthly Substack see https://acalmpresence.substack.com.Your feedback is always welcome at claude@conscient.ca and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.Share what you like, etcI am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on January 9, 2026

In this deep, wide-ranging conversation, host Tom Alverez sits down with acclaimed Indianapolis actor and arts leader Ryan Artzberger to explore a life shaped by theater, family, and community impact.From the Midwest to Juilliard (and Back Again)Ryan shares his journey from growing up in Cleveland to studying at Juilliard, encouraged by a tough-love professor who saw his raw talent. After graduating in the mid-90s, he chased work in New York—waiting tables, walking miles to jobs, soaking up the city's creative energy—before finding long-term artistic roots in Indianapolis.A Pillar of Indiana Repertory TheatreRyan reflects on nearly three decades with the Indiana Repertory Theatre, including 63 productions and 23 performances of A Christmas Carol. He talks about standout roles (especially John Proctor in The Crucible), working with renowned directors, and how IRT became his artistic home.Acting Philosophy: Truth Over TricksRather than forcing emotions, Ryan believes in surrendering to the moment—embracing the unexpected, letting chaos create authenticity, and trusting impulse. Whether on stage or on camera, his approach centers on honesty, listening, and humanity.New York vs. IndianapolisThough he once thought he'd “die in Brooklyn,” Ryan explains how Indianapolis became the home he never knew he wanted—offering balance, family life, and a vibrant (often underrated) talent pool.Indy Shakes & Shakespeare for EveryoneNow Executive Artistic Director of Indy Shakes, Ryan discusses free Shakespeare in the Park at the Taggart Memorial Amphitheater in Riverside Park. He breaks down the $9M restoration project, the picnic-friendly, come-as-you-are vibe, and why Shakespeare was never meant to be elitist.Equity, Access & Community EngagementA major focus of the conversation is inclusion—expanding opportunities for artists of color, building partnerships with Latino and Riverside neighborhoods, creating internships and apprenticeships, and rethinking who theater is for. Ryan is passionate about making Shakespeare reflect the full community.What's Next: “ADO” at the Phoenix TheatreRyan previews “ADO” (Feb 12–March 1), a new commissioned play by Lavina Giovanni that reclaims Much Ado About Nothing—giving Hero voice, agency, and a story beyond her public shaming. Tickets start at $17.Family, Fulfillment & LegacyRyan opens up about his wife Marina, their two grown children, and choosing meaningful work over chasing fame. His definition of success? Great work, strong community, and stories that matter.Final NoteThis episode is a thoughtful, passionate look at how theater can be a refuge, a mirror, and a bridge—and how one artist is helping make Indianapolis a more inclusive, world-class arts city.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 475th episode of THE PLAYWRITING PODCAST. Episode Story Topic: Becoming a Super-Powered Playwright - Part 2   Check out my BIG Brand New Playwriting Event: HOW TO WRITE A FANTASTIC 10 MINUTE PLAY IN 90 MINUTES! https://www.manhattanrep.com/fantastic10   Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre And... My Script Reviews are $200 off.  Get 3 Script Consultations on the same play over time, and a huge discount. https://www.manhattanrep.com/script-review   MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Book it here:   https://www.manhattanrep.com/premiere   Email: How2WritePlays@yahoo.com

Lynne Charles, Artistic Director of English National Ballet School, discusses the school's new Graduate Artist Programme (GAP), a postgraduate program that combines performing with English National Ballet and continued education. Unlike traditional programs where students serve as "free labor," GAP dancers perform with the company while continuing ballet, repertoire, strength training, and audition prep. Lynne shares how ENBS prepares students for professional life, from teaching them to research companies and understand the difference between repertory and choreographer companies, to building sustainable careers through community over competition. She also discusses creating the 4 Pointe method, a holistic approach to pointe work that's reduced injuries by 48% at BYU, and her stance against early competition culture and starting pointe before age 12. Lynne offers refreshingly direct advice on honest teaching, helping dancers showcase their strengths in auditions, and finding companies where they'll thrive. Plus: the school's robust health and wellbeing protocols, the "no phones in the studio" policy, why repertoire class builds community better than variations class, and why being in the corps de ballet is a rite of passage, not a punishment. KEY TOPICS: ENBS Graduate Artist Programme structure and opportunities Understanding different company cultures and contracts 4 Pointe method and injury prevention Audition strategies and company research Building community over competition Safeguarding and student wellbeing protocols LINKS: Read Our Ballet School Summer & Year-Round Reviews: Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok: @BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI            

About This Episode: In this episode of Stageworthy, host Phil Rickaby sits down with Tim Porter, founding Artistic Director of Tweed & Company Theatre, to talk about what it means to build a sustainable professional theatre company outside of major urban centres. This Episode Explores: Founding Tweed & Company and building a company from the ground up Why regional and rural theatre matters in Canada Audience relationships outside major urban centres Sustainability, scale, and expectations in Canadian theatre The difference between serving a community and chasing prestige And much more! Guest:

Dante Micheaux's rich and rollicking poem “Theologies for Korah” is written on the occasion of an infant's baptism, but it's anything but baby talk or bland instruction. Religious figures, rites, and symbols are proffered, not as liturgy or lore to be swallowed whole, eyes shut, but as people, stories, and ideas that cry out to be seen, played with, and engaged with.  We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.  Dante Micheaux is the author of Circus, which won the Four Quartets Prize from the Poetry Society of America and the T. S. Eliot Foundation, and Amorous Shepherd. His poems and translations have appeared in African American Review, The American Poetry Review, Callaloo, Literary Imagination, Poem­-A-Day, Poetry, and Tongue, among other journals and anthologies. Micheaux's other honors include the Oscar Wilde Award, an Amy Clampitt Residency, the Ambit Prize, and a fellowship from The New York Times Foundation. He is a Fellow and Artistic Director at Cave Canem Foundation. Micheaux's most recent work is the libretto, Sky in a Small Cage.Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Rodney Trudgeon's guest on People of Note this week is the newly appointed CEO and Artistic Director of the Cape Town Philharmonic Orchestra, Adriaan Fuchs. Adriaan comes to the post with a wealth of experience in music, fund raising, music administration and artist liason. He has worked not only here at Cape Town Opera, but at the Metropolitan Opera in New York and Carnegie Hall. People of Note – Sunday at 6pm and again on Thursday at midday. Brought to you by PTP.

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 474th episode of THE PLAYWRITING PODCAST. Episode Story Topic: Becoming a Super-Powered Playwright!   Check out my BIG Brand New Playwriting Event: HOW TO WRITE A FANTASTIC 10 MINUTE PLAY IN 90 MINUTES! https://www.manhattanrep.com/fantastic10 Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre And... My Playwriting Coaching is 40% off.  No code needed. Until 1/31/26 https://www.manhattanrep.com/playwriting-coaching   MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Now 40% off   No need for a code here. Book it here:   https://www.manhattanrep.com/premiere   Email: How2WritePlays@yahoo.com

Ep. 173 Scott Speck: Conducting Energy The Pod goes classical this week as Katie welcomes conductor Scott Speck to talk about life as an orchestra conductor, his philosophy around making classical music accessible, and more. The team talks the business of the orchestral world and how to make attending orchestra concerts comfortable for more people. Scott Speck has conducted all over the world and is currently the Artistic Director for the Chicago Philharmonic and Music Director for the Joffrey Ballet, West Michigan Symphony, and Mobile Symphony (https://www.scottspeck.org/). He is also the co-author of Classical Music for Dummies, Opera for Dummies, and Ballet for Dummies.   Follow us on social media and let us know your thoughts and questions - https://linktr.ee/nobusinesslikepod Our theme song is composed by Vic Davi.

Send us a textEpisode 594"Stranger Things"Hope Hynes LoveHope Hynes Love, has been the Artistic Director at East Chapel Hill High School since 2005, and she held the same position at C.E. Jordan High circa. 1996. A teaching artist, she has spent the last twenty years working exclusively as a professional stage actress and director until former students, Matt and Ross Duffer, challenged her to get up to speed for camera work by offering her a cameo in Season Five of Stranger Things.Hope and I talk about teaching, acting, her students, Stranger Things and so much more. Wonderful conversation with a wonderful person.Welcome,Hope Hynes Lovedarektorscut.com#strangerthings   #strangerthings5  #strangerthings4  #strangerthingsedit  #strangerthings3  #strangerthingscommunity  #strangerthingsbreakdown  #strangerthingsfanart  #strangerthingstheme  #vecna  #11 #eleven  #hopperstrangerthings  #dustinhenderson  #horror  #hawkins  #hawkinslab  #hawkinsindiana  #dufferbrothers  #netflixstrangerthings  #strangerthingsnetflix  #theupsidedown #strangerthingsfan  #strangerthingsfandom  #drama  #dramateacher  #teacher #milliebobbybrown  #finnwolfhardedit Instagram: https://www.instagram.com/mondaymorningcritic/Facebook: https://www.facebook.com/darektorscutTikTok: https://www.tiktok.com/@mondaymorningcriticdarektorscut@gmail.comInstagram: https://www.instagram.com/mondaymorningcritic/Facebook: https://www.facebook.com/darektorscutTikTok: https://www.tiktok.com/@mondaymorningcriticdarektorscut@gmail.comdarektorscut.comKael Your Idols: A New Hollywood PodcastA movie discussion podcast about the New Hollywood era from the late 60s through early 80sListen on: Apple Podcasts SpotifySupport the show

This week's Resistance in Residence artist is dancer, choreographer, and storyteller Krissy Keefer. Keefer is the Artistic Director of Dance Brigade and Executive Director of Dance Mission Theater, where she creates and champions socially engaged dance addressing inequality, justice, and community empowerment. Check out Dance Brigade's premiere of MATCH GIRL, a fractured fairy tale about class struggle set against San Francisco's homelessness, addiction, and housing crisis. The show runs from January 17 to February 1, 2026.  Jan 2026: MATCH GIRL PREMIERE Learn more about Dance Brigade here: https://dancemissiontheater.org/dance-brigade/ — Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://www.threads.com/@lawanddis; https://www.instagram.com/lawanddis/ The post Resistance in Residence with Krissy Keefer appeared first on KPFA.

"Dance Talk” ® with Joanne Carey and special guest Artistic Director, Nena GilreathIn this engaging conversation, on this week's episode of "Dance Talk” ® , host Joanne Carey chats with  Nena Gilreath, artistic director of the dance company located in Athens, Georgia, Ballethnic and former dancer with Dance Theatre of Harlem. Nena shares with us her extensive journey in the world of dance, from her humble beginnings in North Carolina to her impactful role in founding the Ballethnic Dance Company. She discusses the challenges she faced, the importance of mentorship, and the power of dance as a means of expression and social change. Nena emphasizes the significance of community in dance and reflects on the profound impact that art can have on individuals and society as a whole.Mrs. Gilreath is a graduate of the North Carolina School of the Arts where she received a Bachelor of Fine Arts in Dance. She began her career by moving to Atlanta and joining the Ruth Mitchell Dance Theatre.  She later joined the Dance Theatre of Harlem, touring nationally and internationally.  In 1988, Ms. Gilreath returned to Atlanta to dance with the Atlanta Ballet.  Finally, on January 15, 1990, along with husband and choreographer Waverly T. Lucas, II they created Ballethnic Dance Company. She has implemented numerous outreach programs including the BUDDY Project through the Atlanta Project, which served as a model for the existing Danseur Development Project.  Ms. Gilreath currently serves as co-founder and co-artistic director of Ballethnic Dance Company and Ballethnic Academy of Dance. She continues her original role as a dance artist and mentor for many young dancers as well as assisting Mr. Lucas in creating Ballethnic's unique style. Ms. Gilreath was creative Loafing's 2000 Best of Atlanta Critics Pick-Best Dancer; she received Atlanta Business League's Success Against the Odds Award in 2001. She, along with Mr. Lucas, received the 2002 Global Diversity Business Exchange Atlanta Entrepreneur Award. In addition, Ms. Gilreath is a recipient of the 2003 Pinnacle Leadership Award. Nena and Waverly were recently selected as the December 2006 Lexus Leaders of the Artsby Georgia Public Broadcasting. Nena was also recognized in Atlanta Magazine's December 2006 issue as one of the “Top Twenty Women in Business”. She is also the recipient of the 2007 Charles Loridans Award. She also received the 2008 Atlanta NAACP President's Award for their positive influence on today's youth.Learn more about Balletnic and their programshttps://ballethnic.org/“Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠Please leave us a Review.Please help support the podcast:⁠⁠⁠https://gofund.me/e561b42ac⁠⁠

Episode 202:For today's guest episode it is a very warm welcome back to Racheal Aanstad. You will remember that Racheal and I have discussed Twelfth Night and A Midsummer Night's Dream on the podcast and now she returns to discuss ‘Troilus and Cressida'. As you will hear Racheal was able to bring thoughts about the history of the play and it's sources, particularly Homer's Iliad, which, I think, really enhances our understanding of this challenging play.Rachel Aanstad is a writer, artist, historian, and Shakespeare nerd with an MFA in theatre. She is the former Artistic Director of the Rose City Shakespeare Company and the author of A Bawdy Twelfth Night or What You Will Encyclopaedia & Dramaturgical Handbook and A Midsummer Night's Dream Illustrated Handbook and Encyclopaedia. She lives in the Pacific Northwest from where I spoke to her over a zoom call.Link to Shakespeare and Friends on YouTube: https://www.youtube.com/@ShakespeareandfriendsLink to A Bawdy Twelfth Night UK: https://www.amazon.co.uk/Encyclopedia-Dramaturgical-Shakespearean-Encyclopedias-Handbooks/dp/B0BT2DZGTK/ref=sr_1_1Link to A Bawdy Twelfth Night USA: https://www.amazon.com/Encyclopedia-Dramaturgical-Shakespearean-Encyclopedias-Handbooks/dp/B0BT2DZGTK/ref=sr_1_1Link to Midsummer Nights Dream UK: https://www.amazon.co.uk/Midsummer-Nights-Illustrated-Handbook-Encyclopedia/dp/B09PKSTL1SLink to Midsummer Nights Dream USA: https://www.amazon.com/Midsummer-Nights-Illustrated-Handbook-Encyclopedia/dp/B09PKSTL1SLink to Marquee TV RSC Production: https://marquee.tv/videos/royal-shakespeare-troilus-cressidaSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

In this episode of The Brainy Ballerina podcast, I'm joined by Margaret Mullin, Artistic Director of Ballet Tucson and former Pacific Northwest Ballet soloist, for an honest conversation about career longevity, leadership, and what it truly takes to sustain a life in ballet, both on and off the stage.Margaret shares her journey from an aspiring dancer growing up in Tucson, to a 14-season professional career at PNB, and ultimately to stepping into artistic directorship during one of the most uncertain moments in our industry. Along the way, she opens up about the realities dancers don't always expect: the sudden drop-off in feedback after joining a major company, the emotional weight of being passed over, and the resilience required to keep showing up.This episode is a must-listen for dancers navigating career transitions, educators thinking about the bigger picture of arts training, and anyone curious about how thoughtful, human-centered leadership can shape the future of ballet.Key Points in This Episode: Training at home vs. leaving early, and the long-term benefits of having access to quality dance training in your community The reality of transitioning from student to professional, including the sudden drop in feedback Why dancers must learn to advocate for themselves and seek out mentorship The emotional impact of casting, being passed over, and finding value beyond roles Why process matters more than performance in long-term artistic growth Skills beyond technique that support career longevity: discipline, resilience, and follow-through Preparing for leadership and life after performance before retirement arrives Why artistic directors need education in management, leadership, and nonprofit work Rethinking what healthy, human-centered leadership in ballet can beConnect with Margaret:WEBSITE: ballettucson.orgINSTAGRAM: instagram.com/margaretmullinBALLET TUCSON INSTAGRAM: instagram.com/ballettucsonSCHOOL OF BALLET TUCSON INSTAGRAM: instagram.com/schoolofballettucsonLinks and Resources:1-1 Career Mentoring: book your complimentary career callGet your copy of The Ultimate Audition GuideLet's connect!My WEBSITE: thebrainyballerina.comINSTAGRAM: instagram.com/thebrainyballerinaQuestions/comments? Email me at caitlin@thebrainyballerina.com

On this episode of Evil Thespian, I am joined by Colm Summers! Colm Summers is the Artistic Director of Working Theater ! Working Theater is a working-class theater company that partners with labor unions, and cultural organizations to create contemporary performance work made for the 21st century. As an Artistic Director, Colm works hard to make certain that the company's ecosystem is built for, and by, underrepresented individuals, intellectuals, and families. Over the course of our conversation, Colm discusses his educational background as a thespian, his work as an Artistic Director at the company, and the details of his journey as an immigrant from Ireland. Listen today! Find Colm Summers on IG here: Colm_SummersVisit Working Theater's website Here! https://theworkingtheater.orgInstagram: @Working.TheaterTikTok: @Working.TheaterRead the Jacobin article on Working Theater: https://jacobin.com/2025/12/theater-working-class-access-unions

Performance and Works used with permission from the artist and venue. Pianist, guitarist and educator Ariel Kasler is a driving force behind the resurgence of jazz and classical music in Northwest Ohio in both his position as the pianist for the Toledo Jazz Orchestra and as the Artistic Director of the Orchard Guitar Festival. As the leader of his own quartet, he performs original jazz compositions and arrangements influenced by Middle Eastern, Jewish, and Israeli music as evidenced on 2015's Above the Sound, the 2022 release Make it Bloom and on this March 23rd, 2025 performance. Featuring Andrew Bishop on Saxophones, Jeff Halsey on Bass, Olman Piedra on Drums and Ariel Kasler on Guitar and Piano, it's the Ariel Kasler Quartet…Live at the Bop Stop.

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 473rd episode of THE PLAYWRITING PODCAST. Episode Story Topic: The Yin and Yang of this World, and WHAT WE CAN DO ABOUT IT TODAY! Check out my BIG Brand New Playwriting Event: HOW TO WRITE A FANTASTIC 10 MINUTE PLAY IN 90 MINUTES! https://www.manhattanrep.com/fantastic10 Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre And... My Playwriting Coaching is 40% off.  Book it here with the discount code: OFF40 https://www.manhattanrep.com/playwriting-coaching   MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Now 40% off   No need for a code here. Book it here:   https://www.manhattanrep.com/premiere   Email: How2WritePlays@yahoo.com

Alan Hovhaness: Unveiling One of the Great Composers of the 20th Century "He has been composing music since he was four years old and at the age of eight found it necessary to defend his original style against the criticisms of his piano teacher. Since then after study in the New England Conservatory; the winning of two Guggenheim grants; and recognition through a National Institute of Arts and Letters award, the critics and the public are mostly on his side. Downes of the New York Times pronounced him "one of the most individual and exotically expressive American composers of the rising generation." In his own words he was led to quote "search for an idiom more worthy of the wonderful tradition I had discovered." For boldness and delicacy of imagination, for originality and individuality without eccentricity, for a great number of compositions each fresh and distinctive, for fusing old melody with modern technique and spirit, in short, for making music to lift the hearts of men as only music can, Bates College wishes to confer upon Alan Hovhaness, the honorary degree of Doctor of Music." Thus reads the declaration read by Charles F. Phillips, the president of Bates College on June 7, 1959. Today it is my honor to present William Holst, Alan Hovhaness' stepson, who served as co-author and curator of the book, Alan Hovhaness: Unveiling One of the Great Composers of the 20th Century. Symphony No. 63, "Loon Lake", Op. 411 was performed by the Royal Scottish National Orchestra, directed by Stewart Robertson, and recorded in 2007 at Henry Wood Hall, in Glasgow, Scotland. "Macedonian Mountain Dance" featuring pianist Sahan Arzruni courtesy otherminds.org Hovhaness: Sonata for Harp & Guitar, Op. 374 "Spirit of Trees" - V. Andante appassionato https://youtu.be/CpaP5Et798A?si=24HqR-pdmKbItb_t Special thanks to Maestro Gerard Schwarz, Artistic and Music Director of the Palm Beach Symphony, Charles Amirkhanian, Executive & Artistic Director, and Liam Herb, Production Director for otherminds.org. Our fact checker was Steve Freides. Our theme music was played by ULULATION! Mister Radio is available wherever you get your podcasts, including iTunes and Spotify. Subscribe to our podcast and leave us a review, and don't forget to tune in for another episode of Mister Radio!

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 472nd episode of THE PLAYWRITING PODCAST. Episode Story Topic: ACTION AND EVENTS ON STAGE VS. TELLING   Check out my BIG Brand New Playwriting Event: HOW TO WRITE A FANTASTIC 10 MINUTE PLAY IN 90 MINUTES! https://www.manhattanrep.com/fantastic10   Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre   And... My Playwriting Coaching is 40% off.  Book it here with the discount code: OFF40 https://www.manhattanrep.com/playwriting-coaching   MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Now 40% off   No need for a code here. Book it here:   https://www.manhattanrep.com/premiere   Email: How2WritePlays@yahoo.com

This week, Newport Classical is the subject of the program with Trevor Neal, Artistic Director, and Oliver Inteeworn, the new Executive Director. We talk about their upcoming spring season and listen to music that relates to those performances. For more information, you can go to www.newportclassical.org

Bongani Bingwa speaks with Greg Homann, Artistic Director of The Market Theatre Foundation, about the theatre’s milestone, marking five decades of fearless storytelling. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702See omnystudio.com/listener for privacy information.

For Woven client, Abby, the experience of cycle charting provided far more insight than simple family planning. It opened up a whole new world of discovery as she recognized the role her reproductive hormones played in her emotional state and creative potential. After charting her cycles with the Creighton Model System, she began working with these natural rhythms instead of against them and her creative and personal endeavors came alive. As a professional dancer and athlete, she used to berate herself for having needs and strengths that morphed throughout her cycle. Now, she changed her perspective to honor them. I'm excited for you to hear more from Abby herself in this episode. Enjoy!NOTE: This episode is appropriate for all audiences.GUEST BIO: Abby is a Jesus follower and professional dancer. She serves as the Artistic Director of a Christian ballet company in Kansas City, Dramatic Truth Ballet Theatre. OTHER HELPFUL EPISODES:Ep. 28: When your body feels brokenEp. 134: Realistic Cycle Syncing for Every Woman, with Megan FallerSend us a textSupport the showOther great ways to connect with Woven Natural Fertility Care: Learn the Creighton Model System with us! Register here! Get our monthly newsletter: Get the updates! Chat about issues of fertility + faith: Substack Follow us on Instagram: @wovenfertility Watch our episodes on YouTube: @wovenfertility Love the content? The biggest gift you could give is to click a 5 star review and write why it was so meaningful! This podcast is provided for educational and informational purposes only and does not constitute providing medical advice or professional services. The information provided should not be used for diagnosing or treating a health problem or disease, and those seeking personal medical advice should consult with a licensed physician. Always seek the advice of your doctor or other qualified health provider regarding a medical condition. If you think you may have a medical emergency, call 911 or go to the nearest emergency room immediately. Neither Woven nor its staff, nor any contributor to this podcast, makes any represe...

In this wide-ranging conversation, we explore the stories, artistry, and leadership behind two of Central Indiana's most influential performing arts forces: Central Indiana Dance Ensemble (CIDE) and the Indiana Repertory Theatre (IRT).The episode opens with the origins of CIDE and its companion school, the Central Indiana Academy of Dance, founded over 25 years ago by former Sacramento Ballet dancer Suzanne DeLay. What began as a response to a major cultural gap—no youth concert ballet company and no local Nutcracker—quickly grew from fewer than 50 dancers into a thriving nonprofit organization. Today, CIDE supports more than 70 company dancers, over 135 Nutcracker performers, and a professional faculty made up entirely of former ballet dancers, emphasizing serious classical training, ensemble excellence, and artistic integrity.Suzanne and her daughter Ashley Jacobs, now co-leading the organization, reflect on ballet as both art and athletic discipline—one that demands musicality, strength, precision, and emotional truth. They discuss evolving ballet culture, increased diversity and inclusion, breaking gender stereotypes, and how strong foundational training allows dancers to adapt across styles, companies, and careers. The conversation also touches on modern stagecraft, including video projection and choreography in productions like Frozen and contemporary Nutcracker stagings.The episode then shifts to theater, tracing Richard's remarkable journey at the Indiana Repertory Theatre—from arriving in Indianapolis in 1981 and landing a stage management role on A Christmas Carol, to a decades-lon g career as IRT's resident dramaturg. Richard shares insights into dramaturgy, directing, arts journalism, and mentorship, reflecting on how encouragement, curiosity, and collaboration shaped his path. He discusses preserving tradition while embracing change, inclusive casting, workplace culture, and why theater remains a vital space for empathy, storytelling, and community connection.Together, these stories reveal a shared truth across dance and theater: great arts organizations are built on vision, discipline, mentorship, and collaboration. Whether nurturing young dancers, preserving theatrical legacy, or adapting art for modern audiences, this episode celebrates the people who keep live performance meaningful—and alive.Support your local arts. Attend performances. Volunteer. Donate. And keep the stories moving.Follow host Tom Alvarez on Facebook, Instagram, Twitter, and TikTok.Watch Tom every other Thursday on Lifestyle Live on WISH-TV, and listen every week on the All- Indiana Podcast Network.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Will Healey is a pianist and composer who plays multiple genres of music including classical, jazz and hip hop. In 2023 he won the Leonard Bernstein Prize from the ASCAP Foundation. He has performed at venues like Jazz at Lincoln Center and Carnegie Hall. His arranging credits include works for the New York Philharmonic and the Albany Symphony. He is the artistic director and founder of ShoutHouse, a group of hip-hop, jazz, and classical musicians. As a pianist, he has performed solo recitals in the United States and abroad. He also plays piano and synthesizers in the Pathos Trio, an award-winning metal-influenced chamber group. He is also a founding member of Upstream, a duo with violinist and composer George Meyer. My featured song is “Moon Shot”, my recent single featuring Mark Lettieri from Snarky Puppy on guitar. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH WILL:www.willhealymusic.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

In this episode of The Piano Pod, host Yukimi Song sits down with concert pianist and recording artist Ammiel Bushakevitz for a wide-ranging conversation on Franz Schubert, the German Lied tradition, and what makes 19th-century music speak powerfully to 21st-century audiences.Ammiel shares insights from his major long-term projects, including Schubert 200 — a multi-album Lied collaboration building toward Schubert's bicentennial in 2028 — and his ongoing recording of Schubert's complete solo piano works. We explore intimacy versus scale, collaboration between singer and pianist, audience-building for a new generation, and why Schubert's music remains profoundly human and relevant today.

This episode is pure theater magic. We sit down with Barry Edelstein, Artistic Director of Old Globe Theatre, as he kicks off the year with Hedda Gabler—starring Katie Holmes. Barry is a producer, director, author, teacher, actor, Rhodes Scholar, Tufts and Oxford alum—and one of the world's leading authorities on Shakespeare. His insight, passion, and command of storytelling will have you absolutely riveted. This is one heck of an interview, and a true honor to have him on set with us.Get your tickets now at theoldglobe.org. Use code LCAD! ❤️ Love your podcast!Become a supporter of this podcast: https://www.spreaker.com/podcast/laura-cain-after-dark--4162487/support.SUBSCRIBE to our YouTube Channel, FOLLOW us on Instagram, Facebook, and TikTok, SHARE, LIKE, and by all means COMMENT.  We love your feedback.  Thanks for being part of the Laura Cain After Dark family.  Love your podcast!

Editor-in-chief Alex Wood is heading back to the 1980s – well, a very specific, very sharp, and very bloody version of them. We're talking about the highly anticipated revival of American Psycho at the Almeida Theatre. Based on the cult-classic novel by Bret Easton Ellis, with a book by Roberto Aguirre-Sacasa and a synth-heavy score by Duncan Sheik, this production marks a significant moment for London theatre. It is the final production from Rupert Goold in his tenure as the Almeida's Artistic Director, revisiting the darkly satirical world of Wall Street that he first brought to life on this stage over a decade ago. We chat to Patrick Bateman himself, returning to the Almeida after The Line of Beauty, Arty Froushan, as well as Emily Barber, Zheng Xi Yong, Daniel Bravo, Tanisha Spring and Oli Higginson. Hosted on Acast. See acast.com/privacy for more information.

Olga Roberts is a former professional ballet dancer and Master Pilates Teacher whose career spans Europe, Australia, and the United States. She was accepted into the Birmingham Royal Ballet at the age of 13 and later trained at the Rambert School of Ballet and Contemporary Dance under former principal dancers Margaret Porter, Anya Linden, and Diana Vere, all partners of Rudolf Nureyev. Her contemporary training included techniques developed by Martha Graham, Merce Cunningham, and Gaga, alongside choreography studies under Dr. Ross McKim, former Artistic Director of Rambert School.Olga holds a Foundation/BA (Hons) Degree from Rambert School and a specialist Teaching Diploma in Contemporary Dance from the Laban Centre in London. She began Pilates training at the age of 11 and later completed 2.5 years of Master teaching Pilates training in Body Control Pilates under Master Teacher Jenny Colbourne, a second-generation Pilates educator trained by Joseph Pilates' protégé Jerome Andrews. She also trained with Master Pilates Teacher Dreas Reyneke, who worked with principal dancers of The Royal Ballet.She is the founder of Body Intelligence Pilates, an advanced movement and conditioning method designed for dancers, athletes, and rehabilitation clients. Olga is an active member of the Royal Academy of Dance (RAD), Pilates Alliance Australasia, and the International Association of Dance Medicine (IADM).In this episode, we discuss: Why Intelligence Beats Intensity in MovementDiscipline of Ballet, Wisdom of PilatesThe Real Core: Beyond Six Packs Alignment Isn't Aesthetic - It's Transformational Why the Right Teacher Isn't OptionalWith podcast host Mark SephtonHope you'll enjoy the episode! Hosted on Acast. See acast.com/privacy for more information.

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 471th episode of THE PLAYWRITING PODCAST. Episode Story Topic: Using AI for Playwriting and your Playwriting Career!   Check out my BIG Brand New Playwriting Event: HOW TO WRITE A FANTASTIC 10 MINUTE PLAY IN 90 MINUTES! https://www.manhattanrep.com/fantastic10 Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre And... My Playwriting Coaching is 40% off.  Book it here: https://www.manhattanrep.com/playwriting-coaching   MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Now 40% off  Book it here:   https://www.manhattanrep.com/premiere   Email: How2WritePlays@yahoo.com

Joining me on the Born To Talk Radio Show podcast is Dr. Wojciech Kocyan. He is Pianist, Clinical Professor in the Music Department at Loyola Marymount University in Los Angeles, President of the Paderewski Music Society in Los Angeles and Artistic Director of the American International Paderewski Piano Competition in Los Angeles. Meet Dr. Wojciech Kocyan. Dr. Wojeich Kocyan was born in Poland.  He studied with two of the world's most esteemed piano pedagogues:  Andrzej Jasinski in Poland, where he received his Masters Degree.  And also with John Perry at the University of Southern California, where he received a Doctor of Musical Arts Degree. He is a laureate of several international piano competitions, including F.Busoni and Viotti, as well as a special prizes winner of the XI International Chopin Competition and the First Prize winner of the Paderewski Piano Competition. The Paderewski Music Society. The Paderewski Music Society in Los Angeles, is a Section 501(c)(3) charitable nonprofit organization. It was established in 2008 by a group of prominent musicians and music lovers alike to uphold the legacy of the great Polish pianist, statesman and philanthropist, Ignacy Jan Paderewski.  Throughout his life he was deeply engaged in the promotion of music and culture and its all-important place in society.  Most recently, the Society established a scholarship fund to aid in the education of most deserving young pianists. Wojciech’s Takeaways. “We want to make the audience aware that there is an international piano competition of the highest order happening right here in Los Angeles. This is an opportunity to hear a lot of wonderful live performances, in a great intimate concert hall. It is an opportunity to meet the best young pianists from around the world, on the cusp of their professional careers. And at the same time to meet other piano afficionados. They discuss the performances in real time with real people, to passionately argue about them, to have your favorites and generally to have a lot of fun – all while supporting high culture and art in our city.” In Closing. There will be a competition at LMU for those of you that can attend from February 8-14th. You will hear 25 of the best young pianists in the world, ages 16-31. Thank you Wojciech for sharing your story with us.  Conversations + Connections = Community Making the world a better place.  One Story at a time.  What's Your Story? I want to share it!     Marsha@borntotalkradioshow.com Facebook Instagram LinkedIn Twitter

We spoke with Vincent J. Orduna, Artistic Director, and Mary Carrick, Director of Marketing and Public Relations at the Omaha Community Playhouse about their production of "The Piano Lesson."  This production opens January 16th and runs until February 8th, 2026. This is August Wilson's fourth play in his ten-play Century Cycle, which explores the African American experience. This play has some unusual twists and turns, and explores family conflicts, and the tension between the generations of past and the future. Listen in to find out more about this production!  "The Piano Lesson" had many awards and nominations, but most notably, it received the 1990 Pulitzer Prize Award for Drama, and also won the New York Drama Critics Circle award, as well as five Tony Award Nominations.  It was also adapted into a television film which earned a Peabody Award. For Tickets:  www.omahaplayhouse.com Omaha Community Playhouse, 6915 Cass Street, Omaha, NE HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Please share, follow us on social media and subscribe!  

Creative Director, Jakari Sherman is a recent MacDowell Fellow and Dance Source Houston Artist-in-Residence, who is considered the first modern choreographer of ‘stepping'. For two decades, Jakari has pioneered the integration of traditional and contemporary stepping into full-length concert works, challenging conventions through storytelling, technology, and cross-disciplinary innovation. Jakari is the former Artistic Director of Washington, DC-based Step Afrika!, and an ethnochoreologist conducting research into the culture and history of stepping and other percussive movement practices. His work has been recognized globally for its unique blend of cultural exploration and energetic percussive dance. He is the Director of Drumfolk and The Migration: Reflections on Jacob Lawrence, both celebrated works of the Houston Theatre District. @jakarijsherman#jakarisherman #tsc #gogetit Chip Baker Social Mediahttps://www.wroteby.me/chipbaker

Saturday Mornings Show” host Glenn van Zutphen and co-host Neil Humphreys sit down with Nurdiana Rahmat—Diana—Artistic Director of Light to Night Singapore 2026, as the iconic festival celebrates its landmark 10th edition with its longest run ever, spanning four weekends across the Civic District. This year’s theme, “The Power in Us,” shines a spotlight on community, co‑creation, and the collective imagination that has shaped Light to Night into one of Singapore’s most beloved public art festivals. Diana shares how this milestone edition honours a decade of artistic experimentation while inviting audiences to play a more active role in shaping the experience. Festivalgoers can look forward to crowd‑favourite projection mappings, new in‑gallery experiences, guided tours, and the return of the vibrant Art x Social: Festival Village. A major highlight is SANTAI, a brand‑new series of interactive installations inspired by the Malay word for “to relax,” inviting visitors to gather, unwind, and encounter art across five key sites—from the Padang to Esplanade Park.See omnystudio.com/listener for privacy information.

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 470th episode of THE PLAYWRITING PODCAST. Episode Story Topic: "It's Time to Learn Something New!" Check out my BIG Brand New Playwriting Event: HOW TO WRITE A FANTASTIC PRODUCTION-BASED PLAY IN 28 DAYS! https://www.manhattanrep.com/28dayplay $50 off until Thursday 1/8/2026 at Midnight. This event happens on Saturday January 10th 2 pm to 5 pm! And Saturday Feb. 7th 2 pm to 5 pm Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre And... MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers.  Now 40% off! Save thousands of dollars. Book it here:   https://www.manhattanrep.com/premiere   And my standard Playwriting Coaching is 40% off! Don't miss the Playwriting Party! Check it out here: https://www.manhattanrep.com/playwriting-coaching   Email: How2WritePlays@yahoo.com

“Burnout is when you reach a point where there is no mystery in the music making anymore and you're just redoing what you've always done. You're reheating it. Self-exploration should be the goal of every musician. The idea of staying connected to sound through listening and really fantasizing is essential. You have to believe there's magic in the room, and then magic happens. What a gift it is to share music with other people in that room at that time.”GRAMMY-nominated conductor James Jordan is recognized and praised throughout the musical world as one of America's pre-eminent conductors, writers and innovators in choral music. He was described as a “visionary” by The Choral Journal, which cited his book Evoking Sound as a “must read.” His more than 60 books explore both the philosophical and spiritual basis of musicianship, as well as aspects of choral rehearsal teaching and learning. His latest book, The Conductor's Triangle, will be released in January 2026. He served as director of the Westminster Conducting Institute for 12 years and is Director of the Choral Institute at Oxford to be held this summer at Worcester College Oxford. He is also Conductor and Artistic Director of The Same Stream Choir and conductor of The Nexus Choral Artists.  He is founder of The Choral Academy, an online resource offering courses in Pedagogy, Conducting and Private Conducting Study. He has also created The Evoking Sound Virtual Classroom that houses his lectures and teaching as a resource, with contributions by Simon Carrington, Weston Noble and others.James Jordan holds a BM from Susquehanna University, a MM in choral conducting and a Ph.D in the Psychology of Music from Temple University where he was a student of Edwin Gordon. He is a conducting student of the legendary teacher Elaine Brown. He holds several conducting certificates from Chorstudio Wilhelm Ehman earned in St. Moritz, Switzerland. He has attended the Laban Institute of Movement Studies in New York. He was a finalist in the Stokowski Conducting Competition sponsored by The Philadelphia Orchestra.James Jordan's research beginning in 1980 regarding applications of Laban to rhythm pedagogy and conducting are pioneering. His books regarding the Application of Music Learning Theory to the Choral rehearsal have revolutionized choral teaching and Learning. His most recent book on this subject, Intonational Solfege (GIA) presents an approach for teaching Intonation skills to choirs. Dr. Jordan is exclusively published by GIA Publications.  James Jordan has been the major author regarding the application of vocal technique to the choral rehearsal. He was a student of Frauke Haasemann and has continued and advanced her work. He explores connections into voice science in the book, The Anatomy of Tone and most recently in the extensive text, Essentials of the Choral Warm-Up (GIA).Dr. Jordan has recorded over 20 CDs with the Westminster Williamson Voices, The Same Stream, and The Westminster Choir. James Jordan is also one of the hosts of the nationally syndicated radio program Sounds Choral on WWFM.org.Dr. Jordan's career and publications have been devoted to innovative educational changes in the choral art which have been embraced around the world. His residencies, master classes and guest conducting have taken him throughout the United States, Canada, Europe, Australia and China. To get in touch with Jim, you can visit thechoralacademy.com, email him at jevoke@mac.com, or find him on Instagram (@wckonductor) or X (@jevoke).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

The Mystic River Chorale is the subject of this week's program with Frank Zilinyi, Artistic Director, and Alice Despar, a member of the Chorale. We talk about what the Chorale has done in the last season and their upcoming concert on Sunday, January 18th at 4 PM at Harkness Chapel at Connecticut College. For more information, you can go to www.mysticriverchorale.org

Navigating the Challenges of Independent Filmmaking: Insights from '25 Cats from Qatar' DirectorIn this episode of the Get Reelisms podcast, hosts Adam Chase Rani and Christine Chen welcome back indie documentary filmmaker Mye Hoang to discuss her latest film '25 Cats from Qatar.' Mye shares her experiences and challenges while touring the film, dealing with distribution, and employing innovative strategies like in-person screenings and merchandise sales to engage audiences and fundraise for cat rescues. The conversation also delves into the importance of passion in filmmaking, the difficulties of marketing independent films, and the increasingly fragmented media landscape. The episode is filled with heartfelt moments, practical advice, and insights into the world of indie filmmaking. Hosts: Adam Rani (@adamthechase)  & Christine Chen (@cchenmtf) About Christine W Chen:Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast.For more information about Christine Chen: christinewchen.comAbout Adam Rani:Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they've built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow.Guest: Mye Hoang is a Los Angeles–based producer and director, best known for her feature documentary Cat Daddies (2022), which she directed, produced, and edited. She previously produced acclaimed indie projects such as Man from Reno and I Will Make You Mine, and launched her career with the coming-of-age narrative Viette (2012). A longtime advocate for Asian-American cinema, Hoang also founded the Asian Film Festival of Dallas and served as Artistic Director of the San Diego Asian Film Festival.. For more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com WEBISODE version of the Podcastgetreelisms.com  00:00 Introduction to the Challenges of YouTube Filmmaking00:36 Meet the Hosts and Special Guest01:53 Touring with '25 Cats from Qatar'10:20 The Cat Crisis in Qatar14:05 Behind the Scenes: Filming in Qatar25:36 The Bigger Picture: Animal Welfare and Distribution Challenges39:03 The Challenge of Competing with Streaming Giants39:28 The Struggle for Financial Viability in Filmmaking42:12 The Reality of Self-Distribution and Live Events44:50 The Importance of Merchandise Revenue47:39 The Difficulties of Independent Film Promotion52:07 The Impact of Social Media and Algorithms57:39 The Frustrations of Booking Theaters and Festivals01:10:34 The Value of Human Connection in Filmmaking01:11:34 Encouragement and Final Thoughts Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

Founder and Artistic Director of Druid Theatre company, Garry Hynes joins Dearbhail to talk about the songs of her life, the death of her beloved wife, Martha O'Neill and the 50th Anniversary of the Galway-based theatre company which she founded, Druid. The conversation co-incides with the publication of ‘Druid Theatre: Fifty Years'.

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 469th episode of THE PLAYWRITING PODCAST. Episode Story Topic: Your Goals for 2026 - A Simple Way!   Check out my BIG Brand New Playwriting Event: HOW TO WRITE A FANTASTIC PRODUCTION-BASED PLAY IN 28 DAYS! https://www.manhattanrep.com/28dayplay $50 off until January 5th, 2026   Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre And...   PLAYWRITING COACHING IS 40% off for THE NEW YEAR! PLAYWRITING COACHING with Ken Wolf https://www.manhattanrep.com/playwriting-coaching   MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Also 40% off which is huge! Book it here:   https://www.manhattanrep.com/premiere     Email: How2WritePlays@yahoo.com

Dance education is evolving , and studio owners are standing right at the center of it.   As our industry evolves, the studios that will thrive are the ones willing to look beyond technique and toward something deeper: leadership, curiosity, collaboration, and belonging.   In this powerful conversation, Olivia Mode-Cater and Inner Circle Program Director Lisa DeMaio sit down with Alicia Graf Mack, newly named Artistic Director of Alvin Ailey American Dance Theater, to explore what it truly means to prepare dancers for the future, not just the stage. This conversation was originally recorded earlier in the Transform My Dance Studio journey and is being re-shared to close out the year, as Alicia steps into this powerful new chapter of leadership. This episode dives deep into what dance education must become in order to truly serve today's dancers and tomorrow's leaders. From pedagogical practices rooted in care and curiosity, to collaborative training models, to the role of equity, diversity, inclusion, and belonging in dance spaces, Alicia challenges studio owners to think beyond technique and toward transformation.  This conversation is about legacy, not just in titles or institutions, but in the ripple effect studio owners create every single day through their teaching, leadership, and choices.  If you're ready to raise dancers who are confident, adaptable, and prepared for a changing industry, this episode will challenge and inspire you.  What You'll Learn in This Episode:  Why pedagogical approach matters more than the steps you teach  How curiosity and collaboration shape stronger, more resilient dancers  What it means to prepare dancers for a 21st-century career  How dance builds confidence, leadership, and life skills  Lessons Alicia learned from iconic mentors Arthur Mitchell and Judith Jamison  Why belonging is essential for excellence in dance education  How studio owners can take practical steps toward equity and inclusion  Where the dance industry is heading and how studios can lead the way  Why longevity in dance requires becoming a multi-hyphenated professional  Alicia Graf Mack is the Artistic Director of Alvin Ailey American Dance Theater and a former principal dancer with the world-renowned company. She previously served as Dean and Director of the Dance Division at The Juilliard School from 2018 to 2025, becoming the first Black person and youngest individual to hold the role. A celebrated artist, educator, and leader, Alicia has performed with Dance Theatre of Harlem, Complexions Contemporary Ballet, and Alonzo King LINES Ballet, and collaborated with artists including Beyoncé, Alicia Keys, and John Legend. She is the host of the podcast Moving Moments and is dedicated to shaping the future of dance through leadership, education, and storytelling.  Join our growing community of people just like you inside our free Facebook group. Click here to join!

Mike Isaacson The Muny's Artistic Director on the upcoming season, and Dr. Tiffany Osborn talks Measles!- h2 full 2134 Wed, 17 Dec 2025 22:03:34 +0000 ynLGyYhDRzJ8HBMS2yCbMM0uo9PwbVOm comedy,religion & spirituality,society & culture,news,government The Dave Glover Show comedy,religion & spirituality,society & culture,news,government Mike Isaacson The Muny's Artistic Director on the upcoming season, and Dr. Tiffany Osborn talks Measles!- h2 The Dave Glover Show has been driving St. Louis home for over 20 years. Unafraid to discuss virtually any topic, you'll hear Dave and crew's unique perspective on current events, news and politics, and anything and everything in between. © 2025 Audacy, Inc. Comedy Religion & Spirituality Society & Culture News Government False