Podcasts about artistic directors

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 473rd episode of THE PLAYWRITING PODCAST. Episode Story Topic: The Yin and Yang of this World, and WHAT WE CAN DO ABOUT IT TODAY! Check out my BIG Brand New Playwriting Event: HOW TO WRITE A FANTASTIC 10 MINUTE PLAY IN 90 MINUTES! https://www.manhattanrep.com/fantastic10 Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre And... My Playwriting Coaching is 40% off.  Book it here with the discount code: OFF40 https://www.manhattanrep.com/playwriting-coaching   MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Now 40% off   No need for a code here. Book it here:   https://www.manhattanrep.com/premiere   Email: How2WritePlays@yahoo.com

Alan Hovhaness: Unveiling One of the Great Composers of the 20th Century "He has been composing music since he was four years old and at the age of eight found it necessary to defend his original style against the criticisms of his piano teacher. Since then after study in the New England Conservatory; the winning of two Guggenheim grants; and recognition through a National Institute of Arts and Letters award, the critics and the public are mostly on his side. Downes of the New York Times pronounced him "one of the most individual and exotically expressive American composers of the rising generation." In his own words he was led to quote "search for an idiom more worthy of the wonderful tradition I had discovered." For boldness and delicacy of imagination, for originality and individuality without eccentricity, for a great number of compositions each fresh and distinctive, for fusing old melody with modern technique and spirit, in short, for making music to lift the hearts of men as only music can, Bates College wishes to confer upon Alan Hovhaness, the honorary degree of Doctor of Music." Thus reads the declaration read by Charles F. Phillips, the president of Bates College on June 7, 1959. Today it is my honor to present William Holst, Alan Hovhaness' stepson, who served as co-author and curator of the book, Alan Hovhaness: Unveiling One of the Great Composers of the 20th Century. Symphony No. 63, "Loon Lake", Op. 411 was performed by the Royal Scottish National Orchestra, directed by Stewart Robertson, and recorded in 2007 at Henry Wood Hall, in Glasgow, Scotland. "Macedonian Mountain Dance" featuring pianist Sahan Arzruni courtesy otherminds.org Hovhaness: Sonata for Harp & Guitar, Op. 374 "Spirit of Trees" - V. Andante appassionato https://youtu.be/CpaP5Et798A?si=24HqR-pdmKbItb_t Special thanks to Maestro Gerard Schwarz, Artistic and Music Director of the Palm Beach Symphony, Charles Amirkhanian, Executive & Artistic Director, and Liam Herb, Production Director for otherminds.org. Our fact checker was Steve Freides. Our theme music was played by ULULATION! Mister Radio is available wherever you get your podcasts, including iTunes and Spotify. Subscribe to our podcast and leave us a review, and don't forget to tune in for another episode of Mister Radio!

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 472nd episode of THE PLAYWRITING PODCAST. Episode Story Topic: ACTION AND EVENTS ON STAGE VS. TELLING   Check out my BIG Brand New Playwriting Event: HOW TO WRITE A FANTASTIC 10 MINUTE PLAY IN 90 MINUTES! https://www.manhattanrep.com/fantastic10   Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre   And... My Playwriting Coaching is 40% off.  Book it here with the discount code: OFF40 https://www.manhattanrep.com/playwriting-coaching   MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Now 40% off   No need for a code here. Book it here:   https://www.manhattanrep.com/premiere   Email: How2WritePlays@yahoo.com

This week, Newport Classical is the subject of the program with Trevor Neal, Artistic Director, and Oliver Inteeworn, the new Executive Director. We talk about their upcoming spring season and listen to music that relates to those performances. For more information, you can go to www.newportclassical.org

For Woven client, Abby, the experience of cycle charting provided far more insight than simple family planning. It opened up a whole new world of discovery as she recognized the role her reproductive hormones played in her emotional state and creative potential. After charting her cycles with the Creighton Model System, she began working with these natural rhythms instead of against them and her creative and personal endeavors came alive. As a professional dancer and athlete, she used to berate herself for having needs and strengths that morphed throughout her cycle. Now, she changed her perspective to honor them. I'm excited for you to hear more from Abby herself in this episode. Enjoy!NOTE: This episode is appropriate for all audiences.GUEST BIO: Abby is a Jesus follower and professional dancer. She serves as the Artistic Director of a Christian ballet company in Kansas City, Dramatic Truth Ballet Theatre. OTHER HELPFUL EPISODES:Ep. 28: When your body feels brokenEp. 134: Realistic Cycle Syncing for Every Woman, with Megan FallerSend us a textSupport the showOther great ways to connect with Woven Natural Fertility Care: Learn the Creighton Model System with us! Register here! Get our monthly newsletter: Get the updates! Chat about issues of fertility + faith: Substack Follow us on Instagram: @wovenfertility Watch our episodes on YouTube: @wovenfertility Love the content? The biggest gift you could give is to click a 5 star review and write why it was so meaningful! This podcast is provided for educational and informational purposes only and does not constitute providing medical advice or professional services. The information provided should not be used for diagnosing or treating a health problem or disease, and those seeking personal medical advice should consult with a licensed physician. Always seek the advice of your doctor or other qualified health provider regarding a medical condition. If you think you may have a medical emergency, call 911 or go to the nearest emergency room immediately. Neither Woven nor its staff, nor any contributor to this podcast, makes any represe...

Will Healey is a pianist and composer who plays multiple genres of music including classical, jazz and hip hop. In 2023 he won the Leonard Bernstein Prize from the ASCAP Foundation. He has performed at venues like Jazz at Lincoln Center and Carnegie Hall. His arranging credits include works for the New York Philharmonic and the Albany Symphony. He is the artistic director and founder of ShoutHouse, a group of hip-hop, jazz, and classical musicians. As a pianist, he has performed solo recitals in the United States and abroad. He also plays piano and synthesizers in the Pathos Trio, an award-winning metal-influenced chamber group. He is also a founding member of Upstream, a duo with violinist and composer George Meyer. My featured song is “Moon Shot”, my recent single featuring Mark Lettieri from Snarky Puppy on guitar. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH WILL:www.willhealymusic.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

In this episode of The Piano Pod, host Yukimi Song sits down with concert pianist and recording artist Ammiel Bushakevitz for a wide-ranging conversation on Franz Schubert, the German Lied tradition, and what makes 19th-century music speak powerfully to 21st-century audiences.Ammiel shares insights from his major long-term projects, including Schubert 200 — a multi-album Lied collaboration building toward Schubert's bicentennial in 2028 — and his ongoing recording of Schubert's complete solo piano works. We explore intimacy versus scale, collaboration between singer and pianist, audience-building for a new generation, and why Schubert's music remains profoundly human and relevant today.

This episode is pure theater magic. We sit down with Barry Edelstein, Artistic Director of Old Globe Theatre, as he kicks off the year with Hedda Gabler—starring Katie Holmes. Barry is a producer, director, author, teacher, actor, Rhodes Scholar, Tufts and Oxford alum—and one of the world's leading authorities on Shakespeare. His insight, passion, and command of storytelling will have you absolutely riveted. This is one heck of an interview, and a true honor to have him on set with us.Get your tickets now at theoldglobe.org. Use code LCAD! ❤️ Love your podcast!Become a supporter of this podcast: https://www.spreaker.com/podcast/laura-cain-after-dark--4162487/support.SUBSCRIBE to our YouTube Channel, FOLLOW us on Instagram, Facebook, and TikTok, SHARE, LIKE, and by all means COMMENT.  We love your feedback.  Thanks for being part of the Laura Cain After Dark family.  Love your podcast!

Editor-in-chief Alex Wood is heading back to the 1980s – well, a very specific, very sharp, and very bloody version of them. We're talking about the highly anticipated revival of American Psycho at the Almeida Theatre. Based on the cult-classic novel by Bret Easton Ellis, with a book by Roberto Aguirre-Sacasa and a synth-heavy score by Duncan Sheik, this production marks a significant moment for London theatre. It is the final production from Rupert Goold in his tenure as the Almeida's Artistic Director, revisiting the darkly satirical world of Wall Street that he first brought to life on this stage over a decade ago. We chat to Patrick Bateman himself, returning to the Almeida after The Line of Beauty, Arty Froushan, as well as Emily Barber, Zheng Xi Yong, Daniel Bravo, Tanisha Spring and Oli Higginson. Hosted on Acast. See acast.com/privacy for more information.

Olga Roberts is a former professional ballet dancer and Master Pilates Teacher whose career spans Europe, Australia, and the United States. She was accepted into the Birmingham Royal Ballet at the age of 13 and later trained at the Rambert School of Ballet and Contemporary Dance under former principal dancers Margaret Porter, Anya Linden, and Diana Vere, all partners of Rudolf Nureyev. Her contemporary training included techniques developed by Martha Graham, Merce Cunningham, and Gaga, alongside choreography studies under Dr. Ross McKim, former Artistic Director of Rambert School.Olga holds a Foundation/BA (Hons) Degree from Rambert School and a specialist Teaching Diploma in Contemporary Dance from the Laban Centre in London. She began Pilates training at the age of 11 and later completed 2.5 years of Master teaching Pilates training in Body Control Pilates under Master Teacher Jenny Colbourne, a second-generation Pilates educator trained by Joseph Pilates' protégé Jerome Andrews. She also trained with Master Pilates Teacher Dreas Reyneke, who worked with principal dancers of The Royal Ballet.She is the founder of Body Intelligence Pilates, an advanced movement and conditioning method designed for dancers, athletes, and rehabilitation clients. Olga is an active member of the Royal Academy of Dance (RAD), Pilates Alliance Australasia, and the International Association of Dance Medicine (IADM).In this episode, we discuss: Why Intelligence Beats Intensity in MovementDiscipline of Ballet, Wisdom of PilatesThe Real Core: Beyond Six Packs Alignment Isn't Aesthetic - It's Transformational Why the Right Teacher Isn't OptionalWith podcast host Mark SephtonHope you'll enjoy the episode! Hosted on Acast. See acast.com/privacy for more information.

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 471th episode of THE PLAYWRITING PODCAST. Episode Story Topic: Using AI for Playwriting and your Playwriting Career!   Check out my BIG Brand New Playwriting Event: HOW TO WRITE A FANTASTIC 10 MINUTE PLAY IN 90 MINUTES! https://www.manhattanrep.com/fantastic10 Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre And... My Playwriting Coaching is 40% off.  Book it here: https://www.manhattanrep.com/playwriting-coaching   MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Now 40% off  Book it here:   https://www.manhattanrep.com/premiere   Email: How2WritePlays@yahoo.com

Joining me on the Born To Talk Radio Show podcast is Dr. Wojciech Kocyan. He is Pianist, Clinical Professor in the Music Department at Loyola Marymount University in Los Angeles, President of the Paderewski Music Society in Los Angeles and Artistic Director of the American International Paderewski Piano Competition in Los Angeles. Meet Dr. Wojciech Kocyan. Dr. Wojeich Kocyan was born in Poland.  He studied with two of the world's most esteemed piano pedagogues:  Andrzej Jasinski in Poland, where he received his Masters Degree.  And also with John Perry at the University of Southern California, where he received a Doctor of Musical Arts Degree. He is a laureate of several international piano competitions, including F.Busoni and Viotti, as well as a special prizes winner of the XI International Chopin Competition and the First Prize winner of the Paderewski Piano Competition. The Paderewski Music Society. The Paderewski Music Society in Los Angeles, is a Section 501(c)(3) charitable nonprofit organization. It was established in 2008 by a group of prominent musicians and music lovers alike to uphold the legacy of the great Polish pianist, statesman and philanthropist, Ignacy Jan Paderewski.  Throughout his life he was deeply engaged in the promotion of music and culture and its all-important place in society.  Most recently, the Society established a scholarship fund to aid in the education of most deserving young pianists. Wojciech’s Takeaways. “We want to make the audience aware that there is an international piano competition of the highest order happening right here in Los Angeles. This is an opportunity to hear a lot of wonderful live performances, in a great intimate concert hall. It is an opportunity to meet the best young pianists from around the world, on the cusp of their professional careers. And at the same time to meet other piano afficionados. They discuss the performances in real time with real people, to passionately argue about them, to have your favorites and generally to have a lot of fun – all while supporting high culture and art in our city.” In Closing. There will be a competition at LMU for those of you that can attend from February 8-14th. You will hear 25 of the best young pianists in the world, ages 16-31. Thank you Wojciech for sharing your story with us.  Conversations + Connections = Community Making the world a better place.  One Story at a time.  What's Your Story? I want to share it!     Marsha@borntotalkradioshow.com Facebook Instagram LinkedIn Twitter

We spoke with Vincent J. Orduna, Artistic Director, and Mary Carrick, Director of Marketing and Public Relations at the Omaha Community Playhouse about their production of "The Piano Lesson."  This production opens January 16th and runs until February 8th, 2026. This is August Wilson's fourth play in his ten-play Century Cycle, which explores the African American experience. This play has some unusual twists and turns, and explores family conflicts, and the tension between the generations of past and the future. Listen in to find out more about this production!  "The Piano Lesson" had many awards and nominations, but most notably, it received the 1990 Pulitzer Prize Award for Drama, and also won the New York Drama Critics Circle award, as well as five Tony Award Nominations.  It was also adapted into a television film which earned a Peabody Award. For Tickets:  www.omahaplayhouse.com Omaha Community Playhouse, 6915 Cass Street, Omaha, NE HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Please share, follow us on social media and subscribe!  

Creative Director, Jakari Sherman is a recent MacDowell Fellow and Dance Source Houston Artist-in-Residence, who is considered the first modern choreographer of ‘stepping'. For two decades, Jakari has pioneered the integration of traditional and contemporary stepping into full-length concert works, challenging conventions through storytelling, technology, and cross-disciplinary innovation. Jakari is the former Artistic Director of Washington, DC-based Step Afrika!, and an ethnochoreologist conducting research into the culture and history of stepping and other percussive movement practices. His work has been recognized globally for its unique blend of cultural exploration and energetic percussive dance. He is the Director of Drumfolk and The Migration: Reflections on Jacob Lawrence, both celebrated works of the Houston Theatre District. @jakarijsherman#jakarisherman #tsc #gogetit Chip Baker Social Mediahttps://www.wroteby.me/chipbaker

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 470th episode of THE PLAYWRITING PODCAST. Episode Story Topic: "It's Time to Learn Something New!" Check out my BIG Brand New Playwriting Event: HOW TO WRITE A FANTASTIC PRODUCTION-BASED PLAY IN 28 DAYS! https://www.manhattanrep.com/28dayplay $50 off until Thursday 1/8/2026 at Midnight. This event happens on Saturday January 10th 2 pm to 5 pm! And Saturday Feb. 7th 2 pm to 5 pm Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre And... MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers.  Now 40% off! Save thousands of dollars. Book it here:   https://www.manhattanrep.com/premiere   And my standard Playwriting Coaching is 40% off! Don't miss the Playwriting Party! Check it out here: https://www.manhattanrep.com/playwriting-coaching   Email: How2WritePlays@yahoo.com

“Burnout is when you reach a point where there is no mystery in the music making anymore and you're just redoing what you've always done. You're reheating it. Self-exploration should be the goal of every musician. The idea of staying connected to sound through listening and really fantasizing is essential. You have to believe there's magic in the room, and then magic happens. What a gift it is to share music with other people in that room at that time.”GRAMMY-nominated conductor James Jordan is recognized and praised throughout the musical world as one of America's pre-eminent conductors, writers and innovators in choral music. He was described as a “visionary” by The Choral Journal, which cited his book Evoking Sound as a “must read.” His more than 60 books explore both the philosophical and spiritual basis of musicianship, as well as aspects of choral rehearsal teaching and learning. His latest book, The Conductor's Triangle, will be released in January 2026. He served as director of the Westminster Conducting Institute for 12 years and is Director of the Choral Institute at Oxford to be held this summer at Worcester College Oxford. He is also Conductor and Artistic Director of The Same Stream Choir and conductor of The Nexus Choral Artists.  He is founder of The Choral Academy, an online resource offering courses in Pedagogy, Conducting and Private Conducting Study. He has also created The Evoking Sound Virtual Classroom that houses his lectures and teaching as a resource, with contributions by Simon Carrington, Weston Noble and others.James Jordan holds a BM from Susquehanna University, a MM in choral conducting and a Ph.D in the Psychology of Music from Temple University where he was a student of Edwin Gordon. He is a conducting student of the legendary teacher Elaine Brown. He holds several conducting certificates from Chorstudio Wilhelm Ehman earned in St. Moritz, Switzerland. He has attended the Laban Institute of Movement Studies in New York. He was a finalist in the Stokowski Conducting Competition sponsored by The Philadelphia Orchestra.James Jordan's research beginning in 1980 regarding applications of Laban to rhythm pedagogy and conducting are pioneering. His books regarding the Application of Music Learning Theory to the Choral rehearsal have revolutionized choral teaching and Learning. His most recent book on this subject, Intonational Solfege (GIA) presents an approach for teaching Intonation skills to choirs. Dr. Jordan is exclusively published by GIA Publications.  James Jordan has been the major author regarding the application of vocal technique to the choral rehearsal. He was a student of Frauke Haasemann and has continued and advanced her work. He explores connections into voice science in the book, The Anatomy of Tone and most recently in the extensive text, Essentials of the Choral Warm-Up (GIA).Dr. Jordan has recorded over 20 CDs with the Westminster Williamson Voices, The Same Stream, and The Westminster Choir. James Jordan is also one of the hosts of the nationally syndicated radio program Sounds Choral on WWFM.org.Dr. Jordan's career and publications have been devoted to innovative educational changes in the choral art which have been embraced around the world. His residencies, master classes and guest conducting have taken him throughout the United States, Canada, Europe, Australia and China. To get in touch with Jim, you can visit thechoralacademy.com, email him at jevoke@mac.com, or find him on Instagram (@wckonductor) or X (@jevoke).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

The Mystic River Chorale is the subject of this week's program with Frank Zilinyi, Artistic Director, and Alice Despar, a member of the Chorale. We talk about what the Chorale has done in the last season and their upcoming concert on Sunday, January 18th at 4 PM at Harkness Chapel at Connecticut College. For more information, you can go to www.mysticriverchorale.org

Navigating the Challenges of Independent Filmmaking: Insights from '25 Cats from Qatar' DirectorIn this episode of the Get Reelisms podcast, hosts Adam Chase Rani and Christine Chen welcome back indie documentary filmmaker Mye Hoang to discuss her latest film '25 Cats from Qatar.' Mye shares her experiences and challenges while touring the film, dealing with distribution, and employing innovative strategies like in-person screenings and merchandise sales to engage audiences and fundraise for cat rescues. The conversation also delves into the importance of passion in filmmaking, the difficulties of marketing independent films, and the increasingly fragmented media landscape. The episode is filled with heartfelt moments, practical advice, and insights into the world of indie filmmaking. Hosts: Adam Rani (@adamthechase)  & Christine Chen (@cchenmtf) About Christine W Chen:Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast.For more information about Christine Chen: christinewchen.comAbout Adam Rani:Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they've built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow.Guest: Mye Hoang is a Los Angeles–based producer and director, best known for her feature documentary Cat Daddies (2022), which she directed, produced, and edited. She previously produced acclaimed indie projects such as Man from Reno and I Will Make You Mine, and launched her career with the coming-of-age narrative Viette (2012). A longtime advocate for Asian-American cinema, Hoang also founded the Asian Film Festival of Dallas and served as Artistic Director of the San Diego Asian Film Festival.. For more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com WEBISODE version of the Podcastgetreelisms.com  00:00 Introduction to the Challenges of YouTube Filmmaking00:36 Meet the Hosts and Special Guest01:53 Touring with '25 Cats from Qatar'10:20 The Cat Crisis in Qatar14:05 Behind the Scenes: Filming in Qatar25:36 The Bigger Picture: Animal Welfare and Distribution Challenges39:03 The Challenge of Competing with Streaming Giants39:28 The Struggle for Financial Viability in Filmmaking42:12 The Reality of Self-Distribution and Live Events44:50 The Importance of Merchandise Revenue47:39 The Difficulties of Independent Film Promotion52:07 The Impact of Social Media and Algorithms57:39 The Frustrations of Booking Theaters and Festivals01:10:34 The Value of Human Connection in Filmmaking01:11:34 Encouragement and Final Thoughts Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

Founder and Artistic Director of Druid Theatre company, Garry Hynes joins Dearbhail to talk about the songs of her life, the death of her beloved wife, Martha O'Neill and the 50th Anniversary of the Galway-based theatre company which she founded, Druid. The conversation co-incides with the publication of ‘Druid Theatre: Fifty Years'.

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 469th episode of THE PLAYWRITING PODCAST. Episode Story Topic: Your Goals for 2026 - A Simple Way!   Check out my BIG Brand New Playwriting Event: HOW TO WRITE A FANTASTIC PRODUCTION-BASED PLAY IN 28 DAYS! https://www.manhattanrep.com/28dayplay $50 off until January 5th, 2026   Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre And...   PLAYWRITING COACHING IS 40% off for THE NEW YEAR! PLAYWRITING COACHING with Ken Wolf https://www.manhattanrep.com/playwriting-coaching   MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Also 40% off which is huge! Book it here:   https://www.manhattanrep.com/premiere     Email: How2WritePlays@yahoo.com

The “fresh, daring and incisive” (Fanfare) compositions of Amy Williams have been presented by leading international performers, including the Pittsburgh Symphony Orchestra, Buffalo Philharmonic Orchestra, JACK Quartet, Bent Frequency, Ensemble Musikfabrik, Wet Ink, International Contemporary Ensemble, Junction Trio, Orpheus, pianist Ursula Oppens, soprano Tony Arnold, and bassist Robert Black. As a member of the Bugallo-Williams Piano Duo, she has performed throughout Europe and the Americas and recorded six critically-acclaimed CDs for Wergo (works of Nancarrow, Stravinsky, Varèse/Feldman and Kurtág), as well as appearing on the Neos and Albany labels. She is a Professor of Composition at the University of Pittsburgh and Artistic Director of the New Music On The Point Festival in Vermont.On January 8, 2026, Williams will perform Morton Feldman's Triadic Memories for Other Minds at Mills College at Northeastern University in Oakland, California. She joins us to talk about her early impressions of Feldman in Buffalo, New York, his influence on 20th century music, and her upcoming performance in Oakland.Music: Triadic Memories by Morton Feldman, performed by Amy Williams (Alan Wonneberger, engineer); Piece for Four Pianos by Morton Feldman, performed by the Bugallo-Williams Piano Duo (WERGO); Piano and String Quartet by Morton Feldman, performed by Amy Williams and the JACK Quartet (live at Black Mountain College)Follow Amy Williams on Instagram.amywilliamsmusic.comFollow us on Instagram and Facebook.otherminds.orgContact us at otherminds@otherminds.org.The Other Minds Podcast is hosted and edited by Joseph Bohigian. Outro music is “Kings: Atahualpa” by Brian Baumbusch (Other Minds Records).

Dance education is evolving , and studio owners are standing right at the center of it.   As our industry evolves, the studios that will thrive are the ones willing to look beyond technique and toward something deeper: leadership, curiosity, collaboration, and belonging.   In this powerful conversation, Olivia Mode-Cater and Inner Circle Program Director Lisa DeMaio sit down with Alicia Graf Mack, newly named Artistic Director of Alvin Ailey American Dance Theater, to explore what it truly means to prepare dancers for the future, not just the stage. This conversation was originally recorded earlier in the Transform My Dance Studio journey and is being re-shared to close out the year, as Alicia steps into this powerful new chapter of leadership. This episode dives deep into what dance education must become in order to truly serve today's dancers and tomorrow's leaders. From pedagogical practices rooted in care and curiosity, to collaborative training models, to the role of equity, diversity, inclusion, and belonging in dance spaces, Alicia challenges studio owners to think beyond technique and toward transformation.  This conversation is about legacy, not just in titles or institutions, but in the ripple effect studio owners create every single day through their teaching, leadership, and choices.  If you're ready to raise dancers who are confident, adaptable, and prepared for a changing industry, this episode will challenge and inspire you.  What You'll Learn in This Episode:  Why pedagogical approach matters more than the steps you teach  How curiosity and collaboration shape stronger, more resilient dancers  What it means to prepare dancers for a 21st-century career  How dance builds confidence, leadership, and life skills  Lessons Alicia learned from iconic mentors Arthur Mitchell and Judith Jamison  Why belonging is essential for excellence in dance education  How studio owners can take practical steps toward equity and inclusion  Where the dance industry is heading and how studios can lead the way  Why longevity in dance requires becoming a multi-hyphenated professional  Alicia Graf Mack is the Artistic Director of Alvin Ailey American Dance Theater and a former principal dancer with the world-renowned company. She previously served as Dean and Director of the Dance Division at The Juilliard School from 2018 to 2025, becoming the first Black person and youngest individual to hold the role. A celebrated artist, educator, and leader, Alicia has performed with Dance Theatre of Harlem, Complexions Contemporary Ballet, and Alonzo King LINES Ballet, and collaborated with artists including Beyoncé, Alicia Keys, and John Legend. She is the host of the podcast Moving Moments and is dedicated to shaping the future of dance through leadership, education, and storytelling.  Join our growing community of people just like you inside our free Facebook group. Click here to join!

"Singing in a choir, you're trying to about five things at the same time, and sometimes you're not even doing it in the language you have spoken your entire life. Sometimes I had to just start with rhythm on one pitch and then build that step by step by step. In the process, I was always trying to teach voice. If the voice mechanism shuts down, that's where you get into problems and they stop engaging. You have to let people in rehearsals make mistakes, especially early on. It's so important. If you think rhythm, tone, rhythm-tone-text, rhythm-tone-dynamics, rhythm-tone-articulation, rhythm-tone-expression, that's six times I should have gone through that section. Then I saw that these kids were actually digging it, getting into it, and they felt that they were learning something."For the past 40 years, Richard Zielinski has taught at five universities, worked as a music director in numerous churches, and has conducted orchestras, choruses and stage productions throughout Europe, Asia, and North America. Zielinski recently retired as the Director of Choral Activities, Chair of Graduate Choral Studies at the University of Oklahoma and as Director of Music Ministries at McFarlin Memorial United Methodist Church in Norman, Oklahoma.  Prior to his appointment at the University of Oklahoma, Richard directed choral programs at University of South Florida (Tampa), Indiana State University (Terre Haute), Mercer University, (Macon, Georgia), State University of New York at Plattsburgh. He has also served as Music Director for the Master Chorale of Tampa Bay, Elgin Choral Union (IL), Vermilion Festival Chorus (IL), and Terre Haute Masterworks Chorale (IN).  In 2005, Richard founded and serves as conductor of the Zielinski Singers. This 40-voice professional chorus combines the talents of the finest choral singers in the United States producing performances, tours and recordings of choral works by American composers.Richard currently serves as Artistic Director and Principal Conductor of the 51st Classical Music Festival and Orchestra located at the Esterhazy Palace in Eisenstadt, Austria.  He is also a recipient of the Gold Medal of Achievement for his artistic achievements and musical contributions in Eisenstadt, Austria as principal conductor and artistic director of the Classical Music Festival.  In 2025 Zielinski was awarded the honorary badge “Meritorious for Polish Culture” from the Minister of Culture and National Heritage of the Republic of Poland for his 32 years of artistic work in Poland.  In 2012, Zielinski and members of the city of Norman, Oklahoma, founded a professional orchestra, The Norman PHILharmonic.  The PHIL's mission is four-fold: to be an innovative and standard-setting orchestra, to commission new works from American composers, to collaborate with area arts programs, and to excite the youth of America about symphonic music.  Throughout his career Zielinski has collaborated with composers Norman Dello Joio, Libby Larsen, John Mackey, Michael Daugherty, Samuel Adler, Eleanor Daley, Marek Jasinski, Rosephanye Powell, Jerod Impichchaachaaha' Tate, James Oliverio, Stephen Paulus, Krzysztof Penderecki and has commissioned numerous works from many of these composers.To get in touch with Rick, you can find him on Facebook (@richard.zielinski.77) or visit richardzielinski.com.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

I live a rather enchanted life these days and for that I ammost grateful.  I am more open to new musical and artistic experiences as I've gotten older due in no small part tomy acquaintance with and participation in programming provided by Beau Bledsoe, Artistic Director of Ensemble Iberica.  I have travelled on two life changing patron trips to Portugal and Ireland. Ensemble Iberica's mission is to  create music and programming that enlightens, heals, and connects audiences and artists globally, with a focus on the music of the Iberian Peninsula and its connected regions like Latin America. Theiraim is to transcend cultural boundaries, foster appreciation for diverse perspectives, and build a more interconnected world through artistic exchange. They achieve this beautifully through performances, educational programs for youth, and intercontinental collaborations.Beau asked if he could come to the Tasty Brew Music Radio Show to introduce our listeners to their latest project Tradición Viva / Living Tradition… a book of stunning pictures by Pultizer prize photographer Dan White  that includes a CD + digital download of multiple Ensemble Iberica performances captured at multiple Kansas City venues. I said yes please! Enjoy my conversation with and carefully curated selections from Beau Bledsoe, Artistic Director of Ensemble Iberica. 

Blake Ellis is the Artistic Director of the Chanticleer Shakespeare Company in Fresno. Blake returned to the program to discuss their upcoming spring production of The Tempest. Playing the role of Prospero, and joining Blake on the program, a tremendous local artist who has appeared extensively on Broadway and in regional theatres, Jacquie Antaramian. Blake and Jacquie break down how Chanticleer decided on The Tempest, and how Jacquie landed the role of Prospero, a role traditionally played by a male. The Christopher Gabriel Program ----------------------------------------------------------- Please Like, Comment and Follow 'The Christopher Gabriel Program' on all platforms: The Christopher Gabriel Program is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. --- The Christopher Gabriel Program | Website | Facebook | X | Instagram | --- Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

Theater, music, so much do at Chanhassen DT. Artistic Director Tamara Kangas Erickson discussed it all with Vineeta on The WCCO Morning News on Thursday.

Mike Isaacson The Muny's Artistic Director on the upcoming season, and Dr. Tiffany Osborn talks Measles!- h2 full 2134 Wed, 17 Dec 2025 22:03:34 +0000 ynLGyYhDRzJ8HBMS2yCbMM0uo9PwbVOm comedy,religion & spirituality,society & culture,news,government The Dave Glover Show comedy,religion & spirituality,society & culture,news,government Mike Isaacson The Muny's Artistic Director on the upcoming season, and Dr. Tiffany Osborn talks Measles!- h2 The Dave Glover Show has been driving St. Louis home for over 20 years. Unafraid to discuss virtually any topic, you'll hear Dave and crew's unique perspective on current events, news and politics, and anything and everything in between. © 2025 Audacy, Inc. Comedy Religion & Spirituality Society & Culture News Government False

On this episode CesarRespino.com brings to you a fellow author at You Can Overcome Anything! Podcast Show by the name of Thomas White.Tom began his career as an actor. Several years later he found himself as the Artistic Director for a theatre in Los Angeles and the winner of several Drama-Logue and Critics' awards for directing. He directed and co-produced the world tour of the Teenage Mutant Ninja Turtles: Coming Out Of Their Shells".The show toured for over two years, was translated into seven different languages and seen by close to a million children. Tom served as President and Creative Director for Maiden Lane Entertainment for 24 years and worked on many large-scale productions that included Harley-Davisdon, Microsoft, Medtronic Diabetes and dozens of others. The Edison Enigma is Tom's third novel following up Justice Rules (which was a finalist in the Pacific Northwest Writers Association 2010 Literary Contest) and The Siren's Scream, a Four Seasons Book Award Winner.Tom's message to you is:If you want to be a writer. You have to write. Good, bad, or sloppy, you can change something, you can't change notning.Where can people find you?To Connect with Thomas White go to:Thomas-white-author.comhttps://youtu.be/Hzwoo_L75REhttps://www.facebook.com/inkydanhttps://www.instagram.com/thomaswhiteauthor/To Connect with CesarRespino go to:

A conversation with CEO and Producing Director, Bryce McDonald, and Artistic Director, Britt Hancock, about our 2026 Season! Support the show

On the 153rd episode of What Is a Good Life?, I'm joined by Ethan Hsieh for a wide-ranging and deeply human conversation on service, being, and what happens when self-work goes too far.Ethan is currently undertaking his PhD research integrating performance-training with 4E cognitive science. With an MA in Professional Practice: Theatre and Drama Facilitation, he has designed and delivered transformational community-building programs, retreats, and workshops across Asia and Europe through his organisation 5ToMidnight, where he is Artistic Director. He also serves as Platform Manager for The Lectern and has co-designed select practices with John Vervaeke, including the Socratic Imaginal Self-Reflection and the Socratic Search Space. Ethan maintains a private coaching practice working with corporate leaders, professional athletes, and social organisations.Together, we explore nihilism, play, embodiment, identity, and the question that now orients Ethan's life: When does being itself become service?This episode invites listeners to loosen self-fixation, recover participation, and rediscover what becomes possible when we allow life—and each other—to change us.For more of Ethan's work:Website: https://www.5tomidnight.org/LinkedIn: https://www.linkedin.com/in/ethan-hsieh-828a63240/For more of my work:Contact me at mark@whatisagood.life if you'd like to explore your own good life through:- 1-on-1 coaching and online group courses: https://www.whatisagood.life/p/individual-coaching- The podcast's YouTube page: https://www.youtube.com/@whatisagoodlife/videos- My newsletter: https://www.whatisagood.life/p/individual-coaching00:00 A Question of Service05:40 Self-Work's Breaking Point 08:04 From Optimization to Orientation12:52 Not Knowing Intimately 16:31 Returning to Play 26:56 Letting Experience In 31:31 Contact With Life36:46 Seeing Others Anew43:42 Identity Held Loosely52:19 Embodiment and Coherence 59:30 What is a good life for Ethan?

In the longest interview we've ever done on Spieling The Beans, my guest is the sixth Artistic Director of the National Theatre (2015-2025), Sir Rufus Norris.

MTU Founder and Artistic Director David Green

Pippa speaks to Bongani Tembe who is CEO and Artistic Director of the Mzansi National Philharmonic Orchestra about their show at City Hall and will feature a mixed programme of both local and international composers, under the baton of conductor Marin Alsop. Lunch with Pippa Hudson is CapeTalk’s mid-afternoon show. This 2-hour respite from hard news encourages the audience to take the time to explore, taste, read and reflect. The show - presented by former journalist, baker and water sports enthusiast Pippa Hudson - is unashamedly lifestyle driven. Popular features include a daily profile interview #OnTheCouch at 1:10pm. Consumer issues are in the spotlight every Wednesday while the team also unpacks all things related to health, wealth & the environment. Thank you for listening to a podcast from Lunch with Pippa Hudson Listen live on Primedia+ weekdays between 13:00 and 15:00 (SA Time) to Lunch with Pippa Hudson broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/MdSlWEs or find all the catch-up podcasts here https://buff.ly/fDJWe69 Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 468th episode of THE PLAYWRITING PODCAST. Episode Story Topic: The Miracle on 36th Street!   Check out my BIG Brand New Playwriting Event: HOW TO WRITE A FANTASTIC PRODUCTION-BASED PLAY IN 28 DAYS! https://www.manhattanrep.com/28dayplay   Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre And... MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Book it here:   https://www.manhattanrep.com/premiere   Email: How2WritePlays@yahoo.com

The Queer Urban Orchestra is a local group and the first orchestra in the city specifically serving the LGBTQ community. Ahead of their Refuge-themed concert, members of the orchestra perform live, and David Bloom, Artistic Director and Conductor, Dave Lohman, Principal Bassoonist, and Brian Shaw, Principal Oboist and Orchestral Manager discuss the mission behind the Queer Urban Orchestra. The group's concert is at the Stephen Wise Free Synagogue on December 13.

Oliver Till, Artistic Director of Kansas City Ballet School, walks us through ChoreoLab, their unique summer program that pairs aspiring dancers with emerging choreographers. The program runs two tracks: Movers (dancers 17+) and Makers (choreographers 18-24). Instead of traditional technique classes, participants collaborate on original work, learning about lighting, costume design, and tech rehearsals along the way. The focus is on the creative process, not just the final product, with dancers exploring new movement styles they wouldn't encounter in standard training. Oliver explains the application process, including in-person auditions for dancers and portfolio-based selection for choreographers. He discusses why the program culminates in a ticketed performance to raise the stakes, and how they've incorporated mindfulness sessions to support mental well-being during the intensive creative process. If you're interested in choreography, want to understand how professional work gets made, or are looking for a summer program that goes beyond technique, this episode breaks down what makes ChoreoLab different. Links: Read Our Ballet School Summer & Year-Round Reviews Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok:  Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI Takeaways: The Mover track is for aspiring dancers aged 17 and up. The Maker track is for aspiring choreographers aged 18 to 24. The program emphasizes collaboration between dancers and choreographers. Participants learn about lighting, costume design, and tech rehearsals. The focus is on the process of creation rather than just the final product. Dancers are encouraged to explore new movement styles and techniques. The application process includes in-person auditions for movers. Makers are selected based on their choreographic ideas and experience. The culmination performance is a ticketed event to enhance accountability. Mindfulness sessions are introduced to support dancers' mental well-being.  

We're watching the weather; Australia's ban on social media for kids; Prison drone drop; Wild African Dogs are more monogamous than humans; The Dayton Performing Arts Alliance and Nutracker at Schuster Center, Dec 13-22. Guests include Brittany Laughlin, VP Marketing and Audience Development; Maestro Keitaro Harada from the Dayton Philharmonic; Brandon Ragland, Artistic Director of the Dayton Ballet

Playing on Air's Leadership team, Artistic Director, Joshua Kahan Brody and Associate Artistic Director & Creative Producer, Garlia Cornelia Jones ‪announce the '25 - '26 Season! Their 1st season together! ​ This new season includes 5 plays, 4 of which are World Premieres and 3 of which are commissions and 1 Playing on Air regular! • 73, SK. Written by Else Went, Directed by Emma Rosa Went • THE CORNER CAFE Written by Charles Mee, Directed by Tom Dugdale • A HEADSPACE MEDITATION Written by Mara Nelson-Greenberg, Directed by Sarah Lunnie • FATHER'S SIN Written by Maleek Rae, Directed by Goldie E. Patrick • THE RED COAT Written and Directed by John Patrick Shanley   WATCH the '25-'26 Announcement Here! ​ Visit our website: www.playingonair.org/2526-season to learn more about the season and SUBSCRIBE to Listen to our upcoming season! ​

Playing on Air is back for a new season!  We've got 5 plays for '25 - '26 Season, 4 of which are new plays, and 3 of those new plays are commissions.  First up, is "73, SK." by Else Went, directed by Emma Rosa Went. "73, SK" features a company of actors each making their Playing on Air debut! We are thrilled to welcome: Olivia Rose Barresi, Paul Joseph Bernardo, Zachary Desmond, Chukwudi Iwuji and Joe McGurl. Playing on Air is hosted by Artistic Director, Joshua Kahan Brody and Associate Artistic Director & Creative Producer, Garlia Cornelia Jones.  ABOUT THE PLAY, "73, SK.": In the Central Coast of California, a community exists over the airwaves, an obscure group of radio operators who key up to discuss the minutiae of their lives and the county's goings on. When an unfortunate event reduces their number, the remaining members mourn, and return to life with renewed purpose. Hosted by Joshua Kahan Brody & Garlia Cornelia Jones Produced by Garlia Cornelia Jones & Joshua Kahan Brody Recording, editing and sound design by John Kilgore Theme Music by Tom Kochan Radio jingle composed and arranged by John Kilgore "Side by Side" Music and lyrics by Harry M. Woods.  Arrangement by Charlie Rosen Featuring Vocal Trio: The New York Nightingales: Katy Lombardi, Brianna Barnhart & Natasha Bergman.  The New York Nightingales was Founded by Jennifer Mergele. Season Artwork: Tylar Greer-Travis Visit our website, www.playingonair.org for more information and to support our programming.

Exploring the connections between Bharata Natyam dance and zazen, Anusha Enryu Fernando helps listeners remember the joy of practice.This conversation was originally recorded on the Paths of Practice Podcast. Listen to more episodes HERE.Today's podcast is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/beherenow and get on your way to being your best self.This time on the BHNN Guest Podcast, Anusha and Vincent discuss:Zen practice and doing full-body meditationsBharata Natyam: a sacred and ancient dance that focuses on the mind-body connectionPaying attention to the body so intently that there is no space for thoughtThe non-abiding mind and continuing to move through human experienceUnderstanding the devotional gestures that are built into zen practiceAnusha's profound experience learning Sanskrit for both ancient dance and studying the dharma The most important vow: to really be alive in this lifeFood preparations, making offerings, and connecting with the ancestors through foodHow people get stuck on the first noble truth and forget that there is joy in practiceCheck out The Great Vow Zen Monastery in Oregon and learn more about residencies, workshops, and more.About Anusha Enryu Fernando:Anusha Enryu Fernando was born in Sri Lanka to a Theravadin Buddhist family. Her grandparents founded the Vipassana Meditation Centre located in Colombo, Sri Lanka in 1957. She began practicing Zen Meditation with Hogen and Chozen Roshi in 2007, and became a dharma holder in 2021. She holds a BA in Religious Studies, specializing in Buddhism and Hinduism from McGill University, and a Masters of Arts in Asian Studies from the University of British Columbia, specializing in Sanskrit. In her dissertation, she translated a Sanskrit poem of the life story of the Buddha, called the Padyacudamani. Enryu has been a teacher and performer of Bharata Natyam, a form of Indian Classical Dance, for the past thirty years and is the founder and Artistic Director of Shakti Dance Society. She has also been the book purchaser at Banyen Books and Sound, Vancouver's iconic spiritual and metaphysical bookstore, for the past twenty-eight years. She is the mother of an adult daughter and lives with her husband, parents, and multiple furry friends in Vancouver, Canada. Read more about Anusha's work in Shakti Dance HERE."Movement is a huge part of the experience of zazen. You're not sitting there like a fallen rock. The connecting with just the aliveness of that experience, that juicy, wonderful aliveness which is movement, is the practice.” –Anusha Enryu FernandoAbout Vincent Moore:Vincent Moore is a creative and creative consultant living in San Francisco, California, with over a decade of experience in the entertainment industry and holds a graduate degree in Buddhist Studies. For years, he performed regularly at the Upright Citizens Brigade Theatre, an improv and sketch comedy theatre based in New York and Los Angeles. As an actor, Vincent performed on Comedy Central, The Tonight Show Starring Jimmy Fallon, The Late Show with Seth Meyers, Above Average, and The UCB Show on Seeso. As a writer, he developed for television as well as stage, including work with the Blue Man Group, and his own written projects have been featured on websites such as Funny or Die. Additionally, he received a Masters of Buddhist Studies from the Institute of Buddhist Studies with a Certificate in Soto Zen Studies and engages in a personal Buddhist practice within the Soto Zen tradition. Vincent is also the creator and host of the podcast, Paths of Practice, which features interviews with Buddhists from all over the world. Learn more on Vincent's website HERE.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We preview Saturday night's Candlelight Concert at First Presbyterian Church in downtown Racine. We speak with Jim Schatzman and Pat Badger, Artistic Director and Associate Conductor respectively of the Choral Arts Society, which is headlining the concert. Other participants will include Mark Paffrath, Victoria Vollman, and dancers from the Studio of Classical Dance Arts.

In this episode of Mission Matters, Adam Torres interviews Abraam Mikhael, Co-Founder, Artistic Director & Filmmaker at the Hollywood Arab Film Festival. Abraam talks about his journey from pharmacy and clinical work to film school and festival leadership, and how his Arab, Christian, immigrant background shapes his storytelling. He also shares the mission behind the festival—to bring authentic, human-centered Arab and diaspora stories to Los Angeles—and gives a glimpse into his upcoming production company and debut feature film centered on redemption and spiritual truth. Follow Adam on Instagram at https://www.instagram.com/askadamtorres/ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: https://missionmatters.lpages.co/podcastguest/ Visit our website: https://missionmatters.com/ More FREE content from Mission Matters here: https://linktr.ee/missionmattersmedia Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 467th episode of THE PLAYWRITING PODCAST. Episode Story Topic: The Three Things you need to FOCUS ON when you are writing a play! LAST DAY! SPECIAL BLACK FRIDAY WEEK SALE on Playwriting Services until Monday December 1, 2025. Everything I offer is on Sale with a BIG DISCOUNT  - up to 50% off! Check it out here! https://www.manhattanrep.com/black-friday   Check out my BIG Brand New Playwriting Event: HOW TO WRITE A FANTASTIC PRODUCTION-BASED PLAY IN 28 DAYS! https://www.manhattanrep.com/28dayplay Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre   And... MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Now 30% off  Book it here:   https://www.manhattanrep.com/premiere   And lastly, My Coaching Program: Write your Own One Actor Show is 30% off  https://www.manhattanrep.com/one-actor-show   Email: How2WritePlays@yahoo.com

In this NBN episode, host Hollay Ghadery speaks with Yvonne Blomer about her stunning narrative poetry, Death of Persephone: A Murder (Caitlin Press, 2024). In Death of Persephone, the patriarchal myth of the maiden taken, raped, and made the potent and sexualized queen of the underworld is questioned, altered, flipped. Instead, we have Stephanie, a girl of seven, taken and raised by her Uncle H. who is obsessed by her, tries to control her, to keep her, to have her even as she blooms out from underneath him. In poems both lyrical and narrative, a woman paints Hecate on a building, a Hyacinth Macaw flies overhead, a detective bumbles from crime to crime. This is a city with a vast underground where bats hang and paperwhites bloom, a city where men still rule. Who sees what, who will pay, and who will survive in this ancient story altered at the core? About Yvonne Blomer: Yvonne Blomer is the author of the critically acclaimed poetry collections The Last Show on Earth (Caitlin Press, 2022) and As if a Raven (Palimpsest Press, 2015) as well as the travel memoir Sugar Ride: Cycling from Hanoi to Kuala Lumpur (Palimpsest Press, 2017). Blomer served as the city of Victoria poet laureate from 2015 to 2018. Through poetry, she has raised awareness for the plight of the Pacific Ocean and its ecology. She is the creator and editor of Refugium: Poems for the Pacific (Caitlin Press, 2017), the first in a trilogy of water-based poetry anthologies that was followed by Sweet Water: Poems for the Watershed (Caitlin Press, 2020). She was the Artistic Director for the weekly Planet Earth Poetry series and edited the anthology Poems for Planet Earth. Yvonne recently edited Hologram: Homage to P.K. Page (Caitlin Press, 2023). She has been longlisted for the CBC Poetry Prize and shortlisted for the Montreal Poetry Prize and the Troubadour International Poetry Prize and won the Gwendolyn MacEwen Poetry Prize for Death of Persephone. She has performed at reading series and festivals in cities across the country and has had poems published in Canada, the UK and Japan. Yvonne lives, works and raises her family on the traditional territories of the WSÁNEĆ (Saanich), Lkwungen (Songhees), Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN episode, host Hollay Ghadery speaks with Yvonne Blomer about her stunning narrative poetry, Death of Persephone: A Murder (Caitlin Press, 2024). In Death of Persephone, the patriarchal myth of the maiden taken, raped, and made the potent and sexualized queen of the underworld is questioned, altered, flipped. Instead, we have Stephanie, a girl of seven, taken and raised by her Uncle H. who is obsessed by her, tries to control her, to keep her, to have her even as she blooms out from underneath him. In poems both lyrical and narrative, a woman paints Hecate on a building, a Hyacinth Macaw flies overhead, a detective bumbles from crime to crime. This is a city with a vast underground where bats hang and paperwhites bloom, a city where men still rule. Who sees what, who will pay, and who will survive in this ancient story altered at the core? About Yvonne Blomer: Yvonne Blomer is the author of the critically acclaimed poetry collections The Last Show on Earth (Caitlin Press, 2022) and As if a Raven (Palimpsest Press, 2015) as well as the travel memoir Sugar Ride: Cycling from Hanoi to Kuala Lumpur (Palimpsest Press, 2017). Blomer served as the city of Victoria poet laureate from 2015 to 2018. Through poetry, she has raised awareness for the plight of the Pacific Ocean and its ecology. She is the creator and editor of Refugium: Poems for the Pacific (Caitlin Press, 2017), the first in a trilogy of water-based poetry anthologies that was followed by Sweet Water: Poems for the Watershed (Caitlin Press, 2020). She was the Artistic Director for the weekly Planet Earth Poetry series and edited the anthology Poems for Planet Earth. Yvonne recently edited Hologram: Homage to P.K. Page (Caitlin Press, 2023). She has been longlisted for the CBC Poetry Prize and shortlisted for the Montreal Poetry Prize and the Troubadour International Poetry Prize and won the Gwendolyn MacEwen Poetry Prize for Death of Persephone. She has performed at reading series and festivals in cities across the country and has had poems published in Canada, the UK and Japan. Yvonne lives, works and raises her family on the traditional territories of the WSÁNEĆ (Saanich), Lkwungen (Songhees), Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

What happens when you put someone on stage to tell their personal story in front of their community? Unexpected and unforgettable connection. In this episode of Cut to the Chase: Podcast, Gregg Goldfarb sits down with David Levy, the Founder and Artistic Director of Cincinnati's True Theatre, for an eye-opening conversation about the power of unscripted, real-life storytelling. Inspired by The Moth, David built a thriving storytelling community in Cincinnati where everyday people take the stage to share honest, personal stories around universal themes, from love to crime to the color blue. In this episode, David pulls back the curtain on how True Theatre operates: how storytellers are selected, how themes are chosen, how live events are produced, and why authenticity—not performance—creates the deepest human connection. Whether you're a storytelling enthusiast, a lawyer looking to improve your narrative skills, or simply curious about personal growth and community-building, this episode offers inspiring stories and a roadmap for getting involved (or even launching your own storytelling event).   What to expect in this episode: How True Theatre turns ordinary people into unforgettable storytellers The secret behind using single-word themes to spark powerful, unexpected stories What really happens behind the scenes: pitches, coaching, and picking the perfect lineup Why raw, unscripted stories connect audiences more than polished performances How storytelling strengthens communities and deepens human connection The surprising ways storytelling transforms self-awareness and personal growth How to start your own storytelling event (with no prior experience) Why authenticity (not perfection) is the ultimate storytelling superpower Upcoming themes for True Theatre: True Love (Jan 22, 2026), True Bird, and a return of True Crime Stay tuned for more updates, and don't miss our next deep dive on Cut to the Chase: Podcast with Gregg Goldfarb!   Subscribe, rate, review, and share this episode of the Cut to the Chase: Podcast!   Resources: Attend a live True Theatre show or livestream: https://truetheatre.org  Pitch a story or start a similar event: Email David Levy at dave@truetheatre.org  Follow @truetheatre on Instagram & Facebook for updates The Moth: https://themoth.org    This episode was produced and brought to you by Reignite Media.  

“Going into high school, I did everything possible to avoid the performing arts. My vice principal called me into the office and said, ‘you can't have an open period. I'm gonig to put you in choir.' Within weeks, it became a life-changing experience for me – I discovered a community, a way to express myself. I knew by the end of my junior year in high school that this is what I wanted to do.” - Brandon Elliott“If you are coming as a conductor to composing, you already have a resource that a lot of composers lack. You know what your singers need. You have already identified a lack in the repertoire that you're looking for, something that you might fill as a composer. If you can get into that mindset with your own ensemble, you'll be so ready, so prepared to take that on for other groups.” - Dale TrumboreDale Trumbore is a Los Angeles-based composer and writer whose music has been called “devastatingly beautiful” (The Washington Post) and praised for its “soaring melodies and beguiling harmonies deployed with finesse” (The New York Times). Trumbore's compositions have been performed widely in the U.S. and internationally by Atlanta Master Chorale, the Chicago Symphony's MusicNOW ensemble, Conspirare and the Miró Quartet, Los Angeles Children's Chorus, Los Angeles Master Chorale, National Youth Choir of Scotland, Pasadena Symphony, Phoenix Chorale, and Seraphic Fire.Trumbore is the recipient of ACDA's inaugural Raymond W. Brock Competition for Professional Composers, an ASCAP Morton Gould Award, and a Chamber Music America Classical Commissioning Grant. She has written extensively about working through creative blocks and establishing a career in music in essays and in two books, Composing a Living (cowritten with Brandon Elliott) and Staying Composed. Learn more about Trumbore's music and writing at daletrumbore.com.Dr. Brandon Elliott is a conductor, educator, and consultant specializing in creative and strategic leadership in the arts and entertainment industry. He is a Professor of Music at Saddleback College and Founder & Artistic Director of Choral Arts Initiative, an award-winning ensemble dedicated to contemporary choral music. A sought-after consultant and Fulbright Specialist, he advises on artist management, organizational change, career development, and the evolving music industry.To get in touch with Dale, you can visit her website, daletrumbore.com, where you can also sign up for her newsletter. To get in touch with Brandon, visit his website, brandon-elliott.com, which also provides links to his social media accounts.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

After a three-year hiatus, I’m excited to be back with MikeyPod. This conversation with Kevin (as a robot) Laibson is exactly what I needed—it cracked open things I’ve been grappling with in my own work. I’ve been thinking about AI and human interaction as I work on my creative projects, and Kevin is exploring these same questions through performance. He’s a director and performer working at the intersection of live performance and emerging technology. His solo show The Harmnf—an adaptation of Chekhov using AI tools—is a meditation on failure, alienation, and our relationship with technology. We talk about directing AI actors, how the show evolved, and what he’s learned about human error and connection when technology mediates everything. This is the kind of peer thinking I need—someone building serious work at the edge of what performance can be. Get tickets for this weekend’s performance of The Harmnf right here. Based in New York City, Kevin Laibson is a director, performer, and educator working at the intersection of live performance and emerging technology. As a mixed-reality artist, he explores what happens when human creativity meets AI and code. His work has been featured at SXSW, SIGGRAPH, and venues including National Sawdust, The Flea, and Abrons Arts Center. He’s served as Artistic Director of Magic Futurebox and The Peoples Improv Theater, and currently leads XR performance research at Agile Lens in collaboration with institutions like the Royal Shakespeare Company and NYU. His solo performance The Harmnf—an adaptation of Chekhov using AI tools—is a meditation on failure, alienation, and our uneasy relationship with technology. This podcast is powered by my subscribers on Patreon who, in addition to the warm feeling they get from co-creating with me, get lots of sweet perks including bonus podcast episodes, free downloads, zines, and more! This week's bonus podcast will feature an extended conversation with today's guest, Kevin! Learn more right here!

We're joined this week by artist Rachel Wright of VirtuoSew Adventures. Ancient history, particularly Egypt, is what captivates and drives her embroidery. For Rachel, it's not the finished product that she enjoys. It's the process of developing a piece and the many adjustments that are involved in getting the needlework to tell the story she wants shared and does so in just the right way. When she needs a break from, what is intense work, she turns to canvas work for an escape. Her approach and insight into her inspiration can be explored in her book, “Dreams of Amarna: Stitching an Egyptological Adventure.” According to Anthea Godfrey, Artistic Director, The Embroiderers Guild, “Dreams of Amarna is an inspirational book that explores Rachel Mary Wright’s passion for ancient Egyptian culture and art. Her enthusiasm for reinventing the visual ideas she has come to admire manifests itself in her own textile journey, which will, I’m sure, encourage embroiderers to do the same.”—Gary Listen to the podcast: Watch the video You can listen by using the player above or you can subscribe to Fiber Talk through iTunes, Amazon Music, Spotify, Audible, Google Podcasts, TuneIn, Podbay, and Podbean. To receive e-mail notification of new podcasts, provide your name and e-mail address below. We do not sell/share e-mail addresses. Here are some links: Rachel Wright’s website VirtuoSew Adventures on Instagram We hope you enjoy this week’s conversation with Rachel Wright. We’re always looking for guests, so let me know if there is someone you’d like me to have on the show.–Gary To add yourself to our mailing list and be notified whenever we post a new podcast, provide your name and email address below. You won’t get spam and we won’t share your address.