Podcasts about artistic directors

Clement Manyathela speaks with Artistic Director at Joburg City Theatres, James Ngcobo, to get an understanding of some of the properties under Joburg City Theatres and how they function. The Clement Manyathela Show is broadcast on 702, a Johannesburg based talk radio station, weekdays from 09:00 to 12:00 (SA Time). Clement Manyathela starts his show each weekday on 702 at 9 am taking your calls and voice notes on his Open Line. In the second hour of his show, he unpacks, explains, and makes sense of the news of the day. Clement has several features in his third hour from 11 am that provide you with information to help and guide you through your daily life. As your morning friend, he tackles the serious as well as the light-hearted, on your behalf. Thank you for listening to a podcast from The Clement Manyathela Show. Listen live on Primedia+ weekdays from 09:00 and 12:00 (SA Time) to The Clement Manyathela Show broadcast on 702 https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/XijPLtJ or find all the catch-up podcasts here https://buff.ly/p0gWuPE Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook https://www.facebook.com/TalkRadio702 702 on TikTok https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.

Gugs Mhlungu chats with Greg Homann, Artistic Director of The Market Theatre, about the theatre’s opening in June 1976 and its evolution from being the theatre of the struggle during apartheid to a leading cultural institution in democratic South Africa. The conversation also reflects on the 50th anniversary programme, which features a diverse line-up of productions and a range of celebratory activities, including exhibitions honouring the theatre's legacy. Gugs Mhlungu gets you ready for the weekend each Saturday and Sunday morning on 702. She is your weekend wake-up companion, with all you need to know for your weekend. The topics Gugs covers range from lifestyle, family, health, and fitness to books, motoring, cooking, culture, and what is happening on the weekend in 702land. Thank you for listening to a podcast from 702 Weekend Breakfast with Gugs Mhlungu. Listen live on Primedia+ on Saturdays and Sundays from 06:00 and 10:00 (SA Time) to Weekend Breakfast with Gugs Mhlungu broadcast on 702 https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/u3Sf7Zy or find all the catch-up podcasts here https://buff.ly/BIXS7AL Subscribe to the 702 daily and weekly newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702See omnystudio.com/listener for privacy information.

Since Autumn first met Leila Awadallah at her aikido dojo, she's wanted to have her on the show. We are blessed to learn Leila's story on our penultimate episode of our art as solidarity season!Leila Awadallah (she/her) is a dancer, choreographer, and film wanderer based between Minneapolis, Mni Sota Makoce and Beirut, Lebanon. Her research in dance centers movement that activates relationships to land / place / peoples, rooted in the context of her own skin as a body and soul that holds indigenous Palestinian, Arab-American, SWANA, Sicilian and mixed Mediterranean worlds and ways. She is the Artistic Director and Founder of the Body Watani (body-as-homeland) dance project and practice in collaboration with Noelle Awadallah, Co-Artistic Director.---⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TRANSCRIPT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠---⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT OUR SHOW⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Endoftheworldshow---HTS ESSENTIALS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT Our Show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Endoftheworldshow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PEEP us on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/endoftheworldpc/⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠

Out of the blue, we're back, with season 2 of the podcast.This summer we're catching up with our favorite folks, hanging out and talking what we've seen, what they've been making, and generally celebrating the fact that immersive is here and not going anywhere.To kick us off in the new era we're joined by: associate producer of the podcast, and an immersive creator in her own right Parker Sela, Executive Editor Emeritus of No Proscenium and co-founder of The Immersive Experience Institute game designer Kathryn Yu, and Artistic Director of After Hours Theatre Company Graham Wetterhahn.The topics du jour are the Without Walls Festival and L.A.'s immersive scene which has been really hopping this year.SHOW NOTESThe Immersive Experience InstituteAfter Hours Theatre CompanyWithout Walls FestivalTea Party at the End of the WorldSuzikAgain AgainThe Apple Avenue Detective AgencyHandle With CareNight WatchL.A. Immersive SceneDatalandDark Library: The Time MachineYou Must Be Here For The ReadingHatch EscapesUndersignedDrowned Out ProductionsConfessionThe Elysian's Spaghetti FestivalBrassroots DistrictHollywood FringeYoko Ono: Music of the MindHospital of EmotionsGhost Town AliveBeyond L.A.The Still PointMasquerade Hosted on Acast. See acast.com/privacy for more information.

Juan Carlos Acosta, Founder and Artistic Director of SACRA/PROFANA, San Diego's leading professional chamber choir, is joined by Phoenix Nguyen, Board Member and Summer Choral Intensive Intern, to chat about how choral music, education outreach, and social impact performance build community and future leaders. They share how accessible, no-audition arts programs strengthen talent pipelines, employee well-being, and regional culture for purpose-driven executives. Listen Where You Live!About Spotlight and Cloudcast Media  "Spotlight On The Community" is the longest running community podcast in the country, continuously hosted by Drew Schlosberg for 20 years.  "Spotlight" is part of Cloudcast Media's line-up of powerful local podcasts, telling the stories, highlighting the people, and celebrating the gravitational power of local.   For more information on Cloudcast and its shows and cities served, please visit www.cloudcastmedia.us. Cloudcast Media | the national leader in local podcasting.   About Mission Fed Credit Union  A community champion for over 60 years, Mission Fed Credit Union with over $6 billion in member assets, is the Sponsor of Spotlight On The Community, helping to curate connectivity, collaboration, and catalytic conversations.  For more information on the many services for San Diego residents, be sure to visit them at https://www.missionfed.com/

As Dark Mofo 2026 gets underway, Artistic Director Chris Twite joins Kaz and Tubes to detail some festival highlights.See omnystudio.com/listener for privacy information.

Today on the Conversations on Dance podcast we are joined by Susan Jaffe, Artistic Director of American Ballet Theatre. Susan reflects on ABT's Spring Season, the challenges of the Met season shifting later into summer, and the company exceeding attendance goals while continuing strong ticket sales. She talk about how Executive Director Barry Hughson's arrival has strengthened fundraising and operations, freeing her to focus on artistic work. She previews the upcoming Met lineup—two weeks of Swan Lake, Cranko's Onegin, and 10 performances of Don Quixote with seven Kitri/Basilio casts. Jaffe details her Don Quixote refresh: keeping the 1978 production, tightening storytelling and pacing, making music cuts, adjusting mime and choreography, and more. See ABT at the Met June 17 - July 18th. Tickets available at ABT.org: https://www.abt.org/performances/summer-season/Listen to our other episodes with Susan here: https://www.conversationsondancepod.com/search?q=susan+jaffeListen to Conversations on Dance ad-free on Patreon: https://www.patreon.com/cw/conversationsondance____________________________________Introduction: Conversations on Dance with Susan JaffeJoin hosts Rebecca King Ferraro and Michael Sean Breeden on the latest episode of the "Conversations on Dance" podcast as they engage with Susan Jaffe, the esteemed artistic director of American Ballet Theatre (ABT). They dive into the intricacies of ABT's performances, the innovations under Jaffe's leadership, and the exciting future of ballet.Reflections on the Spring SeasonSusan Jaffe begins by reflecting on the challenges and triumphs of ABT's spring season. Originally set for mid-April at the Metropolitan Opera House, a shift pushed performances into summer, prompting concerns about audience engagement. Despite these challenges, ABT exceeded attendance expectations, experiencing what Susan coined as “Timothée Chalamet moments” – standing ovations each night. With the support of Executive Director Barry Hughson, the company navigated these changes with finesse, focusing on enriching its artistic offerings while maintaining strong ticket sales.Previewing the Met Season: New Approaches and Old FavoritesAs the discussion shifts to upcoming performances at the Metropolitan Opera House, Susan announces a packed lineup featuring two weeks of "Swan Lake", George Cranko's emotionally rich "Onegin", and a refreshed "Don Quixote" (Don Q). The conversation reveals how adjustments to the season were strategically planned to cater to both New York residents and the influx of summer tourists.Don Quixote Gets a RefreshThe process behind updating "Don Quixote" was intricate, with Susan focusing on tightening storytelling, enhancing choreography, and making selective cuts to maintain audience engagement. Her collaboration with renowned figures such as Susan Jones and forthcoming music director David LaMarche highlights a commitment to retaining the piece's essence while injecting fresh energy.Conclusion: An Invitation to Experience the MagicThe episode closes with an invitation from Susan Jaffe for audiences to experience the magic of ABT's upcoming performances. With refreshed classics and bold new directions, each ballet is crafted to captivate and inspire. Whether a longtime fan or a newcomer, ABT's vibrant season promises unforgettable experiences for all.Join the ConversationListen to the full episode for a detailed exploration of ABT's artistic journey. Subscribe to "Conversations on Dance" for more illuminating discussions on ballet's vibrant tapestry. Visit conversationsondancepod.com for more information and to explore sponsorship opportunities.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.

Jenni Stewart, Executive & Artistic Director, Shakespeare "More Than Shakespeare in the Park" full 637 Wed, 10 Jun 2026 23:57:27 +0000 m3q8VlmfXIChd0Yw1qyKQCEZtxFP9FC6 business CEO Spotlight business Jenni Stewart, Executive & Artistic Director, Shakespeare "More Than Shakespeare in the Park" David Johnson CEO Spotlight 2024 © 2021 Audacy, Inc. Business

This week, we're joined by Tony Gonzalez, the new Artistic Director of Transcendence Theatre Company, for a conversation about his journey with the organization and what's ahead for one of the Bay Area's most unique theatre experiences. ✨

Sophocles' play Antigone was originally performed around 441 B.C.E., but the themes in the play still resonate today. This hour, we revisit the story of Antigone, and ask what it can teach us about compromise, wisdom, extremism, grief, and more. Plus, a look at how modern productions are exploring new ways for audiences to engage with the ancient Greek tragedy. GUESTS: Elizabeth Bobrick: A Visiting Scholar in Wesleyan’s Department of Classical Studies. She also teaches for Wesleyan’s Center for Prison Education. Her Substack is “This Won’t End Well: On Loving Greek Tragedy,” and her writing has also appeared in The New York Times and Salon Bryan Doerries: A writer, director, and translator who currently serves as Artistic Director of Theater of War Productions. He is author of The Theater of War: What Ancient Greek Tragedies Can Teach Us Today, among other books Anna Conser: Assistant Professor of Classics at the University of Cincinnati The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Eugene Amatruda contributed to this show, which originally aired on September 25, 2025.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Imagine a place that dares to speak truths many are afraid to say. A place that celebrates communities too often forgotten and tells the stories rarely heard.  Dr. Laura Scherck Wittcoff sits down with Raymond O. Caldwell, Artistic Director, and Johannah Maynard Edwards, Managing Director, of The Fountain Theatre — a nonprofit performing arts organization in Hollywood, California, that has been producing bold, socially conscious theater for 35 years. Raymond and Johannah share how they found each other through what Johannah calls a "cosmic poof," how they're navigating the transition from the theater's founding leadership into a new generation, and why they believe cultural institutions must serve as places to practice humanity in a post-pandemic world. From the Living Ticket model that removes price barriers to community dramaturgy that develops new plays inside faith communities and neighborhoods across Los Angeles, this conversation is a masterclass in mission-driven, human-centered arts leadership. Founded in 1990 by Deborah Culver and Stephen Sachs, The Fountain Theatre was created as a creative home for artists from diverse cultural backgrounds. Its mission is to develop and present bold new plays and unique interpretations of established works that reflect the cultural richness and social issues of contemporary Los Angeles and the nation. The Fountain Theatre has built a reputation over more than three decades for producing thought-provoking performances and supporting voices that may not always be heard on traditional stages. The organization is also known for presenting flamenco performances and running educational outreach programs that connect young people and communities to the arts. Johannah Maynard Edwards, Managing Director Prior to joining The Fountain, Johannah served as Executive Artistic Director of the National Women's Theater Festival in Raleigh, North Carolina, where she produced, directed, and championed hundreds of productions by artists of underrepresented genders. A nationally recognized leader in arts accessibility, Johannah received the Kennedy Center's LEAD Award for Emerging Leaders and is Chief Ambassador for PAAL, the Parent Artist Advocacy League. She is passionate about developing new sociopolitical work and fostering equitable, inclusive spaces for artists and audiences alike. Raymond O. Caldwell, Artistic Director Prior to The Fountain, Raymond was the Artistic Director at Washington DC's Theater Alliance for six seasons, where he directed, developed, and produced socially conscious, thought-provoking programming that transformed the region and had a global impact. Under his leadership, Theater Alliance was chosen to lead an American Arts Envoy with the U.S. Department of State. He devised and directed new work with 23 artists and activists from Bangladesh, Nepal, India, and the United States exploring what inclusion, diversity, equity, and accessibility mean on the global stage. Raymond was a faculty member and resident director at Harvard University's Department of Theater Arts, holds an MFA in Acting and New Play Development from Ohio State University, and a BFA in Acting from the University of Florida. Dr. Laura Scherck Wittcoff is the host of Small and Gutsy, a podcast spotlighting nonprofits and social enterprises with budgets under $10 million. Small and Gutsy has been ranked number 8 on Feedspot's Top 30 Social Impact Podcasts and number 3 and number 9 by Million Podcasts for the Top 30 Volunteer Podcasts and Youth Empowerment episodes, respectively. - The founding mission of The Fountain Theatre and its 35-year history of producing socially conscious work - How Raymond and Johannah found each other and transitioned into leadership from the theater's founders - Raymond's personal journey from Germany to the U.S., from actor to artistic director, and the mentor who told him "Don't wait for someone to give you a story — go make your own" - Johannah founded her first nonprofit at age 19 at NYU and her philosophy of not waiting for gatekeepers to open the gate - The creation of "Poetry for the People," a play about poet and activist June Jordan, developed over three years and three iterations with playwright Adrienne Torf - How The Fountain Theatre responds to the cultural moment with every production — from the LA fires to ICE enforcement to the situation in Iran - The pandemic of loneliness and the role of cultural institutions as places to practice humanity - Audience cultivation and the challenge of building new, multigenerational audiences in a distracted digital age - Community dramaturgy — developing new plays inside faith communities and neighborhoods across Los Angeles - The Living Ticket model — transparent pricing that trusts audiences to name what they can pay - The Fountain Voices summer education program connects young people with volunteerism, civic engagement, and playwriting - The expansion into flamenco and classical Indian dance programming - Storytelling as a tool for community building - Emergent strategy and the philosophy of critical connection over critical mass - Moving at the pace of humanity as a leadership philosophy - The reveal that The Fountain Theatre operates with a staff of five HOW TO FIND THE FOUNTAIN THEATRE Website: FountainTheatre.com Follow The Fountain Theatre on social media for upcoming productions, events, and community programming. HOW TO CONNECT WITH SMALL & GUTSY Website: SmallandGutsy.org Email: Laura@SmallandGutsy.org Know a nonprofit or social enterprise doing incredible work? Send them our way.

Barry Manilow on maintaining his musical curiosity as he releases his 33rd studio album, What A Time, and what it's like to have one of his biggest hits, Copacabana, sung by Sabrina Carpenter.With the start of the World Cup this week, sports photographer Tom Jenkins, and Tim Marlow, Director of The Design Museum and one of the judges for this year's Football Art Prize at the Millennium Gallery in Sheffield, discuss the art of making art out football.As the Rambert dance company turns 100, Amanda Britton, one of its former leading dancers and now Principal and Artistic Director of Rambert School, reflects on the company's distinctive approach to dance.For 400 years the largest collection of notes - the Codex Atlanticus - by Renaissance polymath Leonardo da Vinci have remained divided with those deemed artistic kept in the UK in the Royal Collection, and those with a scientific focus retained in Italy. Leading authority on all matters Leonardo, Professor Martin Kemp on the new digital platform, the Leonardotheka, which has just reunited the notes and made them publicly accessible.Presenter: Nick Ahad Producer: Ekene Akalawu

Beyond the Gun – Creative Partnerships There's a distinct difference between being cast as an actor in a theatre production and working as a creative collaborator and developing your own work. This session examines how actors can step into producing and move into the developmental life of a project—contributing ideas, shaping the script, and influencing the work as it develops. Actors such as Ngoc Phan, Nicholas Brown, Julia Robertson, Amy Ingram, and Cameron Hurry have expanded their work into producing, writing and directing. This conversation explores how actors can evolve their practice, build a reputation for meaningful creative input, and become initiators and collaborators whose contributions extend beyond performance into the heart of the work itself. Amy is a multi-award-winning actor and theatre-maker based in Brisbane, later this year she will appear in the return season of Pride And Prejudice at QTC and the World Premiere of Suzie Miller's Strong Is The New Pretty touring Nationally. Ngọc is an award-winning actor, director and playwright. Her diverse theatre work includes Vietgone, Boy Swallows Universe and Good Grief (Queensland Theatre), Laurinda (MT), Love Stories (Brisbane Festival/QPAC), Horizon (Playlab Theatre), Medea (Shock Therapy Productions), We're All Gonna Die, Away, A Streetcar Named Desire and Stunt Double (The Farm). Julia Robertson is a multidisciplinary theatre maker, director and actor living and working on Gadigal land. She is the Artistic Director of the award-winning devising group Little Eggs Collective, a recipient of the Ensemble Theatre's Sandra Bates Award for Directing, and a Young Artists Program finalist with Opera Australia. Julia was recently nominated for Best Direction of a Musical at the Sydney Theatre Awards for The Producers (Hayes Theatre Co. / Riverside Parramatta). In 2026, Julia will direct the premiere production of STELLA, The Musical in Melbourne, as well as The Addams Family for Hayes Theatre Co. She will also work as Movement Director on 84 Charing Cross Road for the Ensemble Theatre, and as Assistant Director on Suzie Miller's new work Strong Is the New Pretty for Sydney Theatre Company, Queensland Theatre and Brisbane Festival. Nicholas Brown is a NIDA graduate who has forged an impressive international career across film, television and theatre as an actor, writer, singer, songwriter and leading man with major roles in Bollywood films, Australian drama and as a much-loved ABC Play School presenter. He plays a lead role in upcoming Alex Proyas science fiction musical film R.U.R. As a playwright, Nicholas won the prestigious Nick Enright Prize for Playwriting in the 2024 NSW Premier's Literary Awards for his play Sex Magick which was performed in the 2023 Griffin Theatre season. It was also nominated for a 2025 AWGIE and a 2024 Sydney Theatre Award. Cameron Hurry is a Brisbane based actor and writer. He completed his actor training at the University of Southern Queensland. Cameron's theatre credits include: Pride and Prejudice (Queensland Theatre Company), Unconditional (Playlab Theatre), Three Little Words (Ad Astra), Twelfth Night (4MBS Brisbane Shakespeare Festival), Dance Nation (THAT Production Company), Grand Horizons (PIP Theatre), Frankenstein (Fractal Theatre), Macbeth (JUTE Theatre), Picnic at Hanging Rock (Brisbane Arts Theatre), and Aladdin and the Mysterious Magical Lamp, Jane Eyre, Little Women, Shadowlands (Harvest Rain Theatre Company). His film and television credits include: Spit, Boy Swallows Universe, The Bureau of Magical Things, Young Rock, and Wanted. Cameron has received the Matilda Award for Best Performance in a Supporting Role – Independent Production (Grand Horizons) and has a proud member of MEAA for 20 years.

Listen to Gabe Salazar, the Artistic Director of the Gay Men's Chorus of South Florida, as he sharesthe inspiration for the latest concert which honors the families and community impacted by the Pulse shooting.

Bongani Bingwa speaks to Bongani Tembe, Artistic Director of Johannesburg Philharmonic Orchestra Winter Symphony Season, about the orchestra opening its Winter Symphony Season, running from 4 to 25 June at the Linder Auditorium in Johannesburg. It's set to transform cold evenings into something far more, powerful music that stirs, shakes, and uplifts. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio7See omnystudio.com/listener for privacy information.

Russ is Professor Emeritus of Theatre at the University of Louisville where he was Founding Director of its Peace, Justice & Conflict Transformation program. Before joining UofL he led Chicago's Northlight Theatre as Artistic Director for over a decade. Dr. Vandenbroucke was also on the artistic staffs of the Yale Repertory Theatre in New Haven, the Mark Taper Forum in Los Angeles, and the Repertory Theatre of St. Louis. Plays he has directed, written, or produced have been seen around the country and broadcast on radio or television. Many reflect his long commitment to peace and justice. So do courses he taught at UofL. He was a Rotary Foundation Peace Fellow in Bangkok and a conscientious objector during Vietnam war. Russ Vandenbroucke current writes opinion pieces syndicated by PeaceVoice, a program of the Oregon Peace Institute.

The Artistic Director of the Adelaide Cabaret Festival shares the music, legends and live-performance magic that make cabaret unlike anything else.

RHR interviews Christine Gevert, Founder and Artistic Director of Crescendo.Christine, an internationally acclaimed artist,will perform a solo harpsichord recital. Experience the genius of Wanda Landowska, the legendary keyboard player who brought Baroque harpsichord music back to life. Discover how the... Read More ›

RHR interviews Christine Gevert, Founder and Artistic Director of Crescendo.Christine, an internationally acclaimed artist,will perform a solo harpsichord recital. Experience the genius of Wanda Landowska, the legendary keyboard player who brought Baroque harpsichord music back to life. Discover how the... Read More ›

RHR interviews Christine Gevert, Founder and Artistic Director of Crescendo.Christine, an internationally acclaimed artist,will perform a solo harpsichord recital. Experience the genius of Wanda Landowska, the legendary keyboard player who brought Baroque harpsichord music back to life. Discover how the... Read More ›

Seattle moving people into shelter ahead of the World Cup // Seattle is booming // GUEST: Karen Lund, Artistic Director for Taproot Theater, explains how community donations rebuilt the theater and her faith in the city of Seattle // SCENARIOS!

Time to pop the poppers and open the weird confetti dispenser ball things, because it's our centenary episode of Sherlock Says! This week, Ansel and Rachael are joined by the Artistic Director of the Walking Shadow Theatre Company John Heimbuch to discuss an all-time favorite Holmes story,  The Adventure of Charles Augustus Milverton. Which is named ambiguously because he doesn't have an adventure in it, unless you count dying.Check out John's work at https://walkingshadow.org/Content Warning: Discussion of sexual violenceContact the pod! Linktree at: https://linktr.ee/sherlocksayspod?fbclid=PAAaalIOau9IFlX3ixKFo3lsvmq6U1pYn8m3cf7N6aOqkqUGCljCO0R00KZ3E 

In this episode of ADK Talks, Jane and Steve head to Westport, New York, for a behind-the-scenes look at the Depot Theatre, a professional theatre housed inside a restored 19th-century train station on the shores of Lake Champlain.Guests Erin Jodwin, Artistic Director at the Depot Theatre, and Gigi Mason, Director of the Depot Theatre Academy, share what makes this small, intimate venue such a memorable place to see live performance. From trains rumbling past during shows to actors performing just feet from the audience, the Depot offers a theatre experience that could only happen in the Adirondacks.What you'll hear in this episodeHow a historic Westport train station became a professional theatre.Why the Depot's small space creates such a powerful connection between actors and audiences.What it means to be an Equity theatre and why that matters for professional performers.How the Depot Theatre Academy gives Adirondack kids access to acting, stage management, lighting, sound, sets, costumes, and mentorship.What's on stage for the 2026 season, including Hadestown: Teen Edition, Tick, Tick… Boom!, Incident at Our Lady of Perpetual Help, and Ring of Fire.Why artists are drawn to spending a summer creating theatre in the Adirondacks.How community support, volunteers, and local partnerships help keep the Depot thriving.Favorite Adirondack spots from Erin and Gigi, including the Lake Placid Olympic Oval, a favorite swimming hole near Essex, Goodnow Mountain, and the Champlain Area Trails Quarry Trail.Resources:Depot Theatre Depot Theatre in Westport Champlain Area TrailsJames C. Sheffield Speed Skating Oval in Lake Placid Essex Quarry Nature PreserveSeagle Festival The Hyde Collection Actors' Equity Association Produced by NOVA

Jazz88 Morning Host Peter Solomon speaks with Andrew Wallesch, the Artistic Director of the JazzMn Orchestra, about their Saturday, June 20th appearance with singer Michael Mayo at the 2026 Twin Cities Jazz Festival. Wallesch, a singer himself, discusses Mayo's unique gifts as a vocalist and improvisor. More information on that and other Twin Cities Jazz Festival performances can be found at www.twincitiesjazzfestival.com.

Jazz88 Morning Host Peter Solomon speaks with Andrew Wallesch, the Artistic Director of the JazzMn Orchestra, about their Saturday, June 20th appearance with singer Michael Mayo at the 2026 Twin Cities Jazz Festival. Wallesch, a singer himself, discusses Mayo's unique gifts as a vocalist and improvisor. More information on that and other Twin Cities Jazz Festival performances can be found at www.twincitiesjazzfestival.com.

Wedding season is here and top-rated events producers Marcy Blum and Melissa Sullivan weigh in on etiquette, trends and curious requests they've run into while on the job at some of the jaw-dropping weddings covered by Vogue. When it comes to speeches, Blum has strong feelings: “If it were up to me, never.” Blum and Sullivan sit down with Chloe Malle to take us behind the scenes and reveal what it really takes to get Snoop Dogg to perform at your reception. And when it comes to bringing your dog to a wedding, both warn against it. “I think the dogs are miserable at it,” says Blum. Plus, Nicole Phelps joins for headlines to talk about Henry Zankov's appointment as Artistic Director at Diane Von Furstenberg, the Knicks' big win, Naomi Osaka's court side serve, and Chloe's favorite film of the year so far.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 484th episode of THE PLAYWRITING PODCAST. Episode Story Topic: Writing a Political Play!   MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Now 30% off!   with Code: PREMIERE30  Book it here:   https://www.manhattanrep.com/premiere   Playwriting Coaching  -  Book it here - 40% off with code: OFF40  https://www.manhattanrep.com/playwriting-coaching   SCRIPT REVIEW 40% off with the Code: SCRIPT40 https://www.manhattanrep.com/script-review   Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre   Email: How2WritePlays@yahoo.coms

Reuben Kaye is 2026 Artistic Director of the Adelaide Cabaret Festival. Listen live on the FIVEAA Player. Follow us on Facebook, X and Instagram. Subscribe on YouTubeSee omnystudio.com/listener for privacy information.

(WKXL is celebrating 80yrs of the finest community radio!) In this episode of WKXL's NH Unscripted: during the first half of the show we play two of the four segments from an interview I did with Brendon Fox, the Artistic Director for the Peterborough Players. The final two segments of that interview will air at a later date. Then, Andrew and I talk about shows/productions that are currently up and running as well as point folks to some of the shows/productions/auditions that are coming up. Featured: The Barnstormers, Peterborough Players, Powerhouse Collaborative.(NH Unscripted airs every M/W/F at 9am on WKXL)

Episode 674 also includes an E.W. Poetic Piece titled, “Dreams.” Our music this go round is provided by these wonderful artists: Thelonious Monk, Arrested Development, Branford Marsalis & Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

Isabelle Brouwers is an eloquent advocate for ballet and the way it can speak to young people, audiences and wider communities. She retired from English National Ballet earlier this year to become Artistic Director of Yorkshire Ballet Seminars, which offer opportunities to talented young dancers (the rollcall of past participants is impressive). Isabelle's links with the RAD run deep: she took a Silver Medal at the Genée (now Fonteyn) International Ballet Competition and recently attained the RAD's Professional Dancers' Graduate Teaching Diploma. With a sharp brain and unique international perspective, she tells us about her exciting next steps. Yorkshire Ballet Seminars: https://www.ybss.co.uk/ Why Dance Matters is a dance podcast featuring inspiring conversations with extraordinary people from the world of dance and beyond. Hosted by David Jays, editor of Dance Gazette, this podcast explores how dance shapes lives and why it matters to us all. Brought to you by the RAD, which inspires the world to dance, these insightful stories will surprise and delight. Tune in and discover more on our website Hosted on Acast. See acast.com/privacy for more information.

I'm joined by my good friend Menno van Dyke, artistic director of Circusstad Festival in Rotterdam, for a conversation that starts with a recent circus trip to Stockholm and quickly turns into a masterclass on how audiences decide what to believe.We unpack a museum-style juggling show that uses archives, artifacts, and history to pull kids deeper into the craft and to give adults a new way to watch. From there we get honest about the downside of that same technique: skepticism. When the stakes look too high, some viewers assume it's all a story, which leads to a bigger question about showmanship, credibility, and why “real” physical skills sometimes need more proof than you'd expect.Then Menno takes us behind the scenes of contemporary circus festival programming and how Circusstad Festival Rotterdam helped build a stronger Dutch circus field by creating opportunities for graduates, inviting international companies, and producing new work like a gala night and a family freak show. We finish with the topic we can't stop nerding out about: the seven minute act. We talk structure, dramaturgy, and why short acts can be harder than full shows, plus how a personal circus video archive becomes a living library for anyone who wants to see what makes great acts endure.Subscribe, share this with a fellow circus lover, and leave a review so more listeners can find the show.LINKS:You can find information about the Juggling Tango act here.You can see a filmed version of it here.And this is a link to the Circusstad festival where Menno is the artistic director. If you click it you will currently (03/26) see me, the incomparable Captain Frodo on the front page.Support the show...After a long abscence our Merch Shop is back! Check out t-shirts, hoddies, and hats! Show yourself as a Follower of the Way of the Showman.You can also "listen" to the Way of the Showman at youtube.If you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.If you want to  contact me about anyhthing ou can reach me on thewayoftheshowman@gmail.comYou can find out more on the Way of the Showman website.Follow the Way of the Showman on Instagram.If you're compelled to suport the showes and have the means to do so, you can suport the podcast financially at: https://www.buymeacoffee.com/captainfrodo

(Celebrating 80yrs of spectacular community radio!) The Barnstormers Theatre is celebrating 96yrs and Jordan Ahnquist, Artistic Director and Kate Middleton (with a her new title and duties) stop by the WKXL NH Unscripted studios to tell us all about it. And it's a packed season. A “Summer Soiree Gala” in June, a one person show about Robert Frost, Agatha Christie Murder Mystery, the play called “One of the longest-running non-musical plays in the world…”, “a must-see new play that follows a typical board meeting on what seems like a typical day…” and a play that's “Often hailed as one of the most charming musicals ever written." And that's just scratching the surface!!!

Martha Banta has returned to the Adirondack Theatre Festival. Martha was ATF's founding Artistic Director for its first 13 seasons, where she directed numerous premieres that went on to be produced in New York City and across the country.She directed the first of many ATF productions in an empty Woolworth's storefront on Glen Street and later helped spearhead its transformation into the Wood Theater. Most recently, Martha directed Mamma Mia! for its return to Broadway and the national tour.

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 490th episode of THE PLAYWRITING PODCAST. Episode Story Topic: ACTION!   MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Now until Tuesday May 26, 2026 at Midnight -  50% off!    With the code: OFF50 Book it here:   https://www.manhattanrep.com/premiere   Playwriting Coaching Now until Tuesday May 26, 2026 at Midnight -  50% off!    With the code: OFF50  Book it here:  https://www.manhattanrep.com/playwriting-coaching   AND ALL MY PLAYWRITING SERVICES ARE 50% off Now until Tuesday May 26, 2026 at Midnight   With the code: OFF50  Book it here:  https://www.manhattanrep.com/playwright     Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre And...   Email: How2WritePlays@yahoo.com

On this edition of Take Note, we talk with Marko Marcinko, the Founder and Artistic Director of the Pennsylvania Jazz Alliance. We learn about the Pennsylvania Jazz Alliance and their plans to help celebrate America 250 throughout Pennsylvania.

There are few works in the history of theatre that have entered the emotional bloodstream of humanity quite like Fiddler on the Roof. More than a beloved Broadway musical, it is a profound meditation on family, faith, exile, resilience, identity, love, and the fragile balancing act between tradition and change. Since its debut in 1964, the story of Tevye the milkman, his wife Golde, and their daughters in the tiny shtetl of Anatevka has transcended culture, religion, language, and geography — because beneath its deeply Jewish story lies something universally human: the longing to hold onto one another while the world shifts beneath our feet. Now, in a remarkable and internationally celebrated production presented by the Harold Green Jewish Theatre Company, Fiddler on the Roof returns to the language and cultural heartbeat from which it was born — Yiddish. Performed entirely in Yiddish with English subtitles, this historic production arrives at Toronto's legendary Elgin Theatre from May 25 to June 7 under the direction of Tony and Academy Award winner Joel Grey. What began in New York as a six-week theatrical experiment became an 18-month sensation, earning major awards, standing ovations, and more than 500 performances. Critics called it revelatory. Audiences described it as hauntingly beautiful, deeply human, and emotionally transformative. At the center of this extraordinary artistic achievement stands Zalmen Mlotek — one of the world's foremost authorities on Yiddish theatre and song, Artistic Director of the National Yiddish Theatre Folksbiene, and one of the great guardians of Jewish cultural continuity. Born into one of the most important Yiddish cultural families in North America, Mlotek grew up immersed in the language, music, and memory of Ashkenazi Jewish civilization. His father, Joseph Mlotek, edited the legendary Forverts (Yiddish Forward), while his mother, Eleanor Chana Mlotek, became one of the great archivists of Yiddish folk music. Zalmen himself studied at Juilliard and worked under the legendary Leonard Bernstein before dedicating his life to preserving and revitalizing Yiddish culture through theatre and song. Under his artistic leadership, the National Yiddish Theatre Folksbiene — founded in 1915 and the world's longest continuously operating Yiddish theatre company — has become internationally celebrated for reviving classic Yiddish works and bringing Jewish theatrical history into the modern cultural imagination. Tonight, on The Avrum Rosensweig Show, we explore the enduring power of Fiddler on the Roof, the emotional resonance of hearing it performed in Yiddish, and why this language still carries what Joel Grey calls “history, humour, sorrow and resilience all at once.” For centuries, Yiddish became the emotional heartbeat of Jewish life — the language of storytelling, humour, commerce, lullabies, argument, heartbreak, and survival. Together, we also explore the great Yiddish literary and theatrical tradition shaped by figures such as Sholem Aleichem, I.L. Peretz, Isaac Bashevis Singer, Theo Bikel, Sheldon Harnick, and Itzhak Perlman — and how Yiddish theatre helped shape Broadway itself. But perhaps most importantly, this conversation asks why Fiddler on the Roof continues to unite audiences across generations, faiths, and backgrounds. Why a story rooted in one tiny Jewish village somehow speaks to all humanity. This is not merely an interview about theatre. It is a conversation about memory. About identity. About exile and belonging. About resilience. About family. And about the extraordinary power of language, music, and storytelling to keep a civilization alive. Ladies and gentlemen — Zalmen Mlotek. ——

There are few works in the history of theatre that have entered the emotional bloodstream of humanity quite like Fiddler on the Roof. More than a beloved Broadway musical, it is a profound meditation on family, faith, exile, resilience, identity, love, and the fragile balancing act between tradition and change. Since its debut in 1964, the story of Tevye the milkman, his wife Golde, and their daughters in the tiny shtetl of Anatevka has transcended culture, religion, language, and geography — because beneath its deeply Jewish story lies something universally human: the longing to hold onto one another while the world shifts beneath our feet. Now, in a remarkable and internationally celebrated production presented by the Harold Green Jewish Theatre Company, Fiddler on the Roof returns to the language and cultural heartbeat from which it was born — Yiddish. Performed entirely in Yiddish with English subtitles, this historic production arrives at Toronto's legendary Elgin Theatre from May 25 to June 7 under the direction of Tony and Academy Award winner Joel Grey. What began in New York as a six-week theatrical experiment became an 18-month sensation, earning major awards, standing ovations, and more than 500 performances. Critics called it revelatory. Audiences described it as hauntingly beautiful, deeply human, and emotionally transformative. At the center of this extraordinary artistic achievement stands Zalmen Mlotek — one of the world's foremost authorities on Yiddish theatre and song, Artistic Director of the National Yiddish Theatre Folksbiene, and one of the great guardians of Jewish cultural continuity. Born into one of the most important Yiddish cultural families in North America, Mlotek grew up immersed in the language, music, and memory of Ashkenazi Jewish civilization. His father, Joseph Mlotek, edited the legendary Forverts (Yiddish Forward), while his mother, Eleanor Chana Mlotek, became one of the great archivists of Yiddish folk music. Zalmen himself studied at Juilliard and worked under the legendary Leonard Bernstein before dedicating his life to preserving and revitalizing Yiddish culture through theatre and song. Under his artistic leadership, the National Yiddish Theatre Folksbiene — founded in 1915 and the world's longest continuously operating Yiddish theatre company — has become internationally celebrated for reviving classic Yiddish works and bringing Jewish theatrical history into the modern cultural imagination. Tonight, on The Avrum Rosensweig Show, we explore the enduring power of Fiddler on the Roof, the emotional resonance of hearing it performed in Yiddish, and why this language still carries what Joel Grey calls “history, humour, sorrow and resilience all at once.” For centuries, Yiddish became the emotional heartbeat of Jewish life — the language of storytelling, humour, commerce, lullabies, argument, heartbreak, and survival. Together, we also explore the great Yiddish literary and theatrical tradition shaped by figures such as Sholem Aleichem, I.L. Peretz, Isaac Bashevis Singer, Theo Bikel, Sheldon Harnick, and Itzhak Perlman — and how Yiddish theatre helped shape Broadway itself. But perhaps most importantly, this conversation asks why Fiddler on the Roof continues to unite audiences across generations, faiths, and backgrounds. Why a story rooted in one tiny Jewish village somehow speaks to all humanity. This is not merely an interview about theatre. It is a conversation about memory. About identity. About exile and belonging. About resilience. About family. And about the extraordinary power of language, music, and storytelling to keep a civilization alive. Ladies and gentlemen — Zalmen Mlotek. ——

Paul Malek has built a lot of things. A pre-professional dance training centre. A production company. A media company. A 180-seat theatre. A movement for fair dancer pay that went global. And through all of it, one question has driven him: what does it actually take to create sustainable artists in a world that keeps changing? In this Spotlight Series episode, Loren sits down with Paul Malek, Director, Choreographer, Educator, and founder of Transit Dance in Melbourne, Australia. Paul talks about why being a great dancer is no longer enough, what it means to train artists who can build careers that last, and why curiosity might be the most important skill a dancer can develop. He also gets into the mental health side of the arts, his three guides for living and teaching, and what he wishes more dance teachers understood about the human being standing in front of them. If you're a studio owner, a teacher, or someone building something in this industry, this one is for you. A full transcription of the podcast is here: https://www.acrobaticarts.com/blog/ep-135-building-a-dance-business-with-purpose-with-paul-malek About Paul Paul Malek is a renowned Director, Choreographer, and Educator whose influence extends across theatre and stage in Australia and across the globe. With a fervent dedication to artistic ingenuity, he ignites the ambitions of individuals, businesses, and communities, inspiring them to reach their full potential. Having received formal training in Classical Ballet and Contemporary Dance at the Victorian College of the Arts Secondary School, Paul's early career as a dancer and global performer took him on tours across 5 continents, honing his skills and leadership as a dance captain, rehearsal director, and company manager by the age of 26. Returning to Australia in 2007, the spirit of entrepreneurship beckoned Paul to venture into creating enterprises such as Collaboration the Project (2008 – 2015), which produced ground-breaking events like UNDRGRND Melbourne, Sydney, and Brisbane, Immersed Melbourne Dance Industry Night, DANCE CHAT, DANCE CHAT LIVE, and Project Y (Youth Dance Company), in addition to steering over 16 professional production seasons and tours. This includes award-winning productions Yours Truly, Parkland Avenue and Unanswered. Paul's contributions to the artistic community manifest through his past roles as board member and President of Australian Teachers of Dancing International. A board member of Ausdance Victoria, and the inaugural Artistic Director of the Victorian Dance Festival. A founding member of Dancers Australia, MEAA, Paul champions fair pay for dancers across the industry which goes back to 2013 when he initiated the #paythedancers movement which reached global attention and has continued moving forward. Paul was the co-director of BOOM Media (2011 – 2015), a forward-thinking Marketing and Media Company dedicated to and led by dancers. During this time, he worked as a Videographer, Photographer and Film Editor along his choreographic and producing achievements. He was also the Director of Dance Architect choreographic award and the Dance Architect Education Summit. His choreographic proficiency shines through his work on television shows like Dancing with the Stars and So You Think You Can Dance Australia, alongside crafting captivating performances for numerous corporate events, award ceremonies, music videos and television commercials. A regular on the Dance Festival Circuit, Paul has taught and lectured at Australian Dance Festival, Victorian Dance Festival, MOVE IT London, Dance Summit New York, Come Together Dance Convention to name a few. In 2015, Paul founded Transit Dance, a ground-breaking endeavour that serves as a testament to his visionary leadership. As Artistic Director (2015 – 2024), he spearheaded a diverse spectrum of performance platforms and educational initiatives, housed within his innovative dance and performance precinct in Brunswick, Victoria. He currently continues his influence as Chairman of the Transit Dance Board of Directors. Beyond his instrumental role at Transit Dance, Paul stands as a prominent figure in the realm of motivational speaking, addressing audiences at corporate events, conventions, and festivals globally. As an avid dance photographer his artistic expression extends through his lens, capturing the essence of movement and grace, working alongside esteemed artists to bring their visions to life. Envisioning a world where art and inspiration intertwine seamlessly, Paul Malek strives to leave an indelible mark on the cultural landscape, shaping the future of dance and performance with his unparalleled vision and unwavering commitment to excellence. If you'd like more amazing content more tips and ideas check out our Acrobatic Arts Channel on YouTube. Subscribe Now! Connect with Acrobatic Arts on your favourite social media platform: Instagram: https://www.instagram.com/acrobaticarts/ Facebook: https://www.facebook.com/Acroarts Twitter: https://twitter.com/acrobatic_arts/ Learn more and register for our programs at AcrobaticArts.com

Frank Maugeri, Artistic Director of Cabinet of Curiosity, Sonja Henderson, founder of Mother's Healing Circle, and Samarem, a graduate of the School of Celebration, join Rick Kogan to talk about ‘Honor Thy Mother’, an event recognizing and celebrating women in the community who have made sacrifices for the benefit of others. The event gets underway […]

Zhailon Levingston  is a Louisiana-raised storyteller, director, and activist who co-directed CATS: The Jellicle Ball, an immersive reimagining of the classic musical that premiered in 2024 at New York City's Perelman Arts Center. The production earned him an OBIE Award (co-directing) as well as a Drama Desk, Drama League and Outer Critics Circle Award nominations for Outstanding Direction of a Musical.  Zhailon's first “Broadway” job was selling tickets to Broadway shows in Times Square. In 2017 he sold concessions for multiple Broadway theaters. At 27 years old, he became the youngest Black director in Broadway history, directing the Broadway production of Chicken and Biscuits. His other directing credits include Wonderful Town at New York City Center Encores!; Reconstructing at Brooklyn Academy of Music (co-directed with Rachel Chavkin); Little Miss Perfect (Olney Theater Center); Patience at Second Stage Theater; and Table 17 at MCC Theater (Lortel Award nominee for Outstanding Direction) and currently at Los Angeles' Geffen Playhouse.  Levingston is a board member of the Broadway Advocacy Coalition, Artistic Director of Inheritance Theater Project, and co-created a ‘Theater of Change' course at Columbia University School of Law that is still being taught today. Once a year he returns to his hometown of Shreveport, Louisiana to direct. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Artistic Director, Britt Hancock, speaks with Mary Humphrey about her performance in The Marvelous Wonderettes: Dream on and what lead her to a life on the stage.  She recounts a life of pageantry, dance, choreography, and all things that resulted in a profession in Theatre.  Support the show

Listen to Conversations on Dance ad-free on Patreon: https://www.patreon.com/cw/conversationsondanceToday on the Conversations on Dance podcast we are joined by Alexandra Damiani, Artistic Director of Ballets Jazz Montréal. Alexandra traces her path from early training in France, then heading to New York, where she found healing, new technique, and artistic freedom. She recounts her wide-performing career, and the shift to rehearsal direction and leadership. She discusses moving from New York to Montreal during COVID, balancing motherhood with leadership, strengthening Ballet Jazz Montreal's roots locally while touring, and previews BJM's tour to Houston with Performing Arts Houston. If you are in the Houston area, see Ballets Jazz Montréal in "Dance Me: The Music of Leonard Cohen" June 12 and 13th. Tickets start at $29. More information at performingartshouston.org.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.

With 10 premieres, returning festivals, and artists from around the world, PS21's 2026 season turns its Chatham campus into a living laboratory for contemporary performance.These artists are interrogating the role of American culture and history reflected around the world; engaging PS21's landscape in ever bolder ways; and seeking out community members to help co-author place-based work. Groundtone and Commonground return for the second year—two festivals on each end of the summer, each featuring unexpected performances across the grounds.

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 489th episode of THE PLAYWRITING PODCAST. Episode Story Topic: It's Time to Learn Something New - Part 2   Playwriting Coaching with Ken Wolf   Book it below - 40% off with Code OFF40  https://www.manhattanrep.com/playwriting-coaching   Script Review - 3 scripts consultations on the same play  Book it below.  40% off with Code SCRIPT40 https://www.manhattanrep.com/script-review   MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Book it here:  30% off with the Code PREMIERE30 https://www.manhattanrep.com/premiere   Check out our 3 Tiers of developing your play in NYC with Manhattan Rep:   Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre   Email: How2WritePlays@yahoo.com

On Your World of Creativity, we travel around the world talking with creative practitioners who turn ideas into impact. Today we're stepping into the studio with a guest to explore what it really means to trust yourself, dismantle habits, and make braver, more embodied art. Welcome choreographer, director, educator and author … Alexandra Beller.Alexandra's Website@alexandrabellerdances on InstagramAlexandra on YouTubeAlexandra's Facebook pageLinkedIn: linkedin.com/in/alexandra-beller-0a56a57A former member of the Bill T. Jones/Arnie Zane Dance Company, she is now the Artistic Director of Alexandra Beller/Dances, having created more than 40 dance theater works internationally.Her teaching spans Princeton University, the Laban Institute, and residencies around the globe. In theater, she's worked Off-Broadway and regionally, with credits including Lincoln Center and A.R.T.Alexandra is currently writing two books:The Embodied Conductor (Meredith Music, 2025) andThe Anatomy of Art (Bloomsbury, 2026).Her work blends somatic practice, rigorous inquiry, and creative freedom to help artists deepen their process and unlock new possibilities.1 — The Creative Process as a Living PracticeAlexandra, you've spent decades inside the creative process — as performer, choreographer, director, and educator. What inspired you to write a book about the creative process now, and what do you hope artists take away from it?Follow-up:The Anatomy of Art reads like a field guide for creative life — part poetic meditation, part practical workbook — with chapters on Time, Space, Meaning, Relationship, Process, Material, and more. Each section offers inquiry prompts, embodiment exercises, and devising practices that help artists reconnect to their sensory intelligence and personal voice.You also weave in contributions from seminal voices like Anne Bogart and Deborah Hay, folding perspectives from across disciplines and generations into the book.Can you share how you designed The Anatomy of Art to live at that intersection of instinct and analysis — and why it felt important to create something that offers rigorous tools while still honoring the mystery of making?2 — Trust, Doubt, and Creative CourageYou speak often about trusting yourself in the creative process. That sounds simple — but it's incredibly difficult in practice.What does it really mean to trust yourself as an artist — and how do creatives actually begin to do that?Optional follow-up:What role does doubt play? Is it something to eliminate — or something to work with?3 — Structure and FreedomYou work with systems like Laban and Bartenieff — which are rigorous, structured methodologies — yet your approach is also deeply poetic and personal.How do you balance structure and freedom in your work?And more broadly, how can artists use structure without becoming constrained by it?4 — Dismantling Habits & Artistic ReinventionYou talk about dismantling habits — creatively and personally.Why is breaking creative habits so essential for growth?What happens if we don't?Follow-up:Is there a connection between the parts of ourselves we hide and the habits we form in our art?5 — Joy, Burnout & Staying PorousArtists often struggle with burnout, pressure, comparison, and the fear of not being “enough.”How can artists stay porous and brave without becoming overwhelmed?And how do we create conditions for joy — especially in careers that can feel filled with struggle?Key themes:• The body as intelligence• Trust as a practice, not a personality trait• Structure as a container for freedom• Dismantling habits to create braver work• Joy as a discipline

Robert meets legendary photographer ANTON CORBIJN to discuss his major retrospective opening this weekend in Berlin at Fotografiska museum.The story of Anton Corbijn begins in the quiet corners of a small Dutch island, where he grew up as the son of a vicar. For a young Corbijn, music was an escape, a passion that consumed him. His camera soon became both a tool and a companion, a way to channel his fascination with music and, perhaps more importantly, a means to navigate his own shyness.When Corbijn moved to London in 1979, the city was electric with the energy of bands like The Clash, The Jam, and Joy Division. Within ten days of arriving in England, he managed to photograph Joy Division claiming he was on assignment for a major Dutch magazine, even though he hadn't been officially commissioned.Now, having celebrated his 70th birthday last year, Corbijn looks back on over five decades of work that spans photography, music videos, and film. Corbijn, Anton celebrates his 50-year career and revisits his extensive body of work. Here, you will encounter nearly 150 pieces: iconic portraits of legends like Depeche Mode, Tom Waits, U2, the Rolling Stones, Martin Scorsese, and Marlene Dumas, as well as German icons Nina Hagen, Herbert Grönemeyer, Einstürzende Neubauten and Wim Wenders. His signature black-and-white grainy aesthetic became a defining visual language in his work.A polymath in photography, music videos, feature films, graphic design, and commercials, Dutchman Anton Corbijn is perhaps best known for immortalizing some of the greatest artists of our time. His iconic portraits of musicians, directors, and artists, such as Joy Division, Depeche Mode, Tom Waits, U2, the Rolling Stones, Martin Scorsese, Clint Eastwood, Gerhard Richter, Ai Weiwei, Marlene Dumas among others, are praised for the way they capture the soul and charisma of his subjects.Effortlessly moving in the early 80s from photography into music videos, Corbijn has since made over 80 promos for people like U2, Johnny Cash, Arcade Fire, Depeche Mode, Nirvana, Metallica, Nick Cave, Coldplay, and The Killers. He is the Artistic Director behind the visual output of Depeche Mode. For U2 he has done the principal promotion and sleeve photography for four decades.In 2006 Corbijn started working on his first feature film Control about the life, and death, of Ian Curtis, Joy Division's lead singer. The film won many awards worldwide, including 5 BIFAs and the Camera d'Or Special Mention at Cannes Film Festival 2007. Corbijn has since made The American starring George Clooney (2010), A Most Wanted Man, based on the novel by John Le Carré and featuring the late Philip Seymour Hoffman (2014), and Life, about James Dean and photographer Dennis Stock, which stars Robert Pattinson and Dane DeHaan (2015).In 2023, Corbijn released his first feature documentary Squaring The Circle about the iconic album art design studio Hipgnosis. In 2025, he directed his fifth feature film titled Switzerland starring Helen Mirren.Follow: @AntonCorbijn4RealVisit the exhibition: @Fotografiska.Berlin Hosted on Acast. See acast.com/privacy for more information.

Listen to Conversations on Dance ad-free on Patreon: https://www.patreon.com/cw/conversationsondanceOn today's episode of "Conversations On Dance", we are joined by Amy Watson, Artistic Director of the Royal Danish Ballet. Amy relays her experience as an American born dancer adjusting to the Bournonville style in her first years with the company, before she landed major opportunities leading to her promotion to principal. Amy also opens up about her many plans for the company since securing the role of Artistic Director, including the immense care she is putting into the Bournonville legacy, building new repertoire of the company and providing the dancers with myriad opportunities to explore all avenues of styles and choreography. If you are in the Copenhagen area, you can catch Akram Khan's "Lady Macbeth" until May 19th, and the final program of the season "Giant Steps" featuring the works of George Balanchine and Christopher Wheeldon from May 21st until June 6th. LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.

On this episode of Latinos Out Loud, Rachel La Loca chats with performing arts pros and mother-daughter duo, Rosalba Rolón and Rosal Colón. Rosalba is the Artistic Director of the Pregones and Puerto Rican Traveling Theatre, while her daughter Rosal is an actress, and has now made her stage directorial debut with The Wedding March. You may know Rosal from the many TV roles she's played like “Juliana Ayala” on Power Book III: Raising Kanan (Starz) and “Ouija” on Orange is the New Black (Netflix). Her film credits include The Lost Girls (Netflix), The Dead Don't Die (Focus Features) and Can You Ever Forgive Me? (Fox Searchlight) Part of the company's original musical theater repertory, The Wedding March is based on Judith Ortiz Cofer's acclaimed book Silent Dancing: A Partial Remembrance of a Puerto Rican Childhood. It was first adapted for the stage and directed by Rosalba in 1991, and this revival is a beautiful passing of the baton to her daughter, Rosal. The production is "a lyrical performance on womanhood, memory, and cultural identity as a Puerto Rican woman reclaims the haunting, humorous, and formative tales passed down by generations of women before her. It's a moving journey across Puerto Rico and New York, heritage, and transformation.” The show stars Jenyvette Vega, Gabriel Leyva and Fernando Contreras, and runs at the PRTT through May 3. Click here for tickets Follow Latinos Out Loud
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 …and while you're at it, follow the yellow brick road.#LatinosOutLoud #Podcast #Drama #Pregones #Theatre Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of Latinos Out Loud, Rachel La Loca chats with performing arts pros and mother-daughter duo, Rosalba Rolón and Rosal Colón. Rosalba is the Artistic Director of the Pregones and Puerto Rican Traveling Theatre, while her daughter Rosal is an actress, and has now made her stage directorial debut with The Wedding March. You may know Rosal from the many TV roles she's played like “Juliana Ayala” on Power Book III: Raising Kanan (Starz) and “Ouija” on Orange is the New Black (Netflix). Her film credits include The Lost Girls (Netflix), The Dead Don't Die (Focus Features) and Can You Ever Forgive Me? (Fox Searchlight) Part of the company's original musical theater repertory, The Wedding March is based on Judith Ortiz Cofer's acclaimed book Silent Dancing: A Partial Remembrance of a Puerto Rican Childhood. It was first adapted for the stage and directed by Rosalba in 1991, and this revival is a beautiful passing of the baton to her daughter, Rosal. The production is "a lyrical performance on womanhood, memory, and cultural identity as a Puerto Rican woman reclaims the haunting, humorous, and formative tales passed down by generations of women before her. It's a moving journey across Puerto Rico and New York, heritage, and transformation.” The show stars Jenyvette Vega, Gabriel Leyva and Fernando Contreras, and runs at the PRTT through May 3. Click here for tickets Follow Latinos Out Loud
 Follow Rachel 
 Follow Rosalba
 Follow Rosal
 …and while you're at it, follow the yellow brick road.#LatinosOutLoud #Podcast #Drama #Pregones #Theatre