Podcasts about artistic directors

CapeTalk’s Sara-Jayne Makwala King is joined on Weekend Breakfast by Ralf Schmitt, the Ndlovu Youth Choir’s Artistic Director. See omnystudio.com/listener for privacy information.

Nokukhanya Mtambo speaks to Samukelisiwe Nhlabathi, Head of Read Alex, about the 2025 Alexandra Spelling Bee, where seven primary schools compete at the Alexandra Museum and the long term impact of this on their literacy skills. In other interview Nokukhanya Mtambo speaks to James Ngcobo, Artistic Director at Joburg Theatre, about the upcoming stage adaptation of Dancing the Death Drill and all that listeners and theatre lovers can expect from this masterpiece. 702 Weekend Breakfast with Gugs Mhlungu is broadcast on 702, a Johannesburg based talk radio station, on Saturdays and Sundays Gugs Mhlungu gets you ready for the weekend each Saturday and Sunday morning on 702. She is your weekend wake-up companion, with all you need to know for your weekend. The topics Gugs covers range from lifestyle, family, health, and fitness to books, motoring, cooking, culture, and what is happening on the weekend in 702land. Thank you for listening to a podcast from 702 Weekend Breakfast with Gugs Mhlungu. Listen live on Primedia+ on Saturdays and Sundays from 06:00 and 10:00 (SA Time) to Weekend Breakfast with Gugs Mhlungu broadcast on 702 https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/u3Sf7Zy or find all the catch-up podcasts here https://buff.ly/BIXS7AL Subscribe to the 702 daily and weekly newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.

August 29, 2025 ~ Christopher Collins, President and Artistic Director at the Detroit Jazz Festival preview's this weekend's events.

Adrian Hall  born in Van,  Texas on December 3, 1927 was an American theater director. His directing style has been described as "bold" and his work was considered part of the first and second generation of the regional theater movement of the 1960s and late 1980s. He was the founding Artistic Director of the Trinity Repertory Company in Providence, Rhode Island and in residence from 1963 to 1989, and the Artistic Director of the Dallas Theater Center  from 1983 to 1989. Randy Moore is a founding member of Paul Baker's , Dallas Theatre Center and was in residence from 1961 to 1994. From 1995 to 2012, he migrated to the Denver Center Theatre. He has performed with Denver's Curious Theatre Company, the Alley, the Old Globe, and the Colorado Shakespeare Festival.Today, Randy joins us to discuss the life and work of Adrian Hall and the Dallas Theatre Center.  

The Young Playwrights programme is coming to its finish for 2025 with the performance at the Everyman. To tell us more Mairead caught up with Niall Cleary, Artistic Director of Graffiti Theatre Company Hosted on Acast. See acast.com/privacy for more information.

Shakespeare's Julius Caesar feels urgently contemporary in Rosa Joshi's new production at the Oregon Shakespeare Festival—one of America's largest and longest-running theater festivals, now in its 90th season. Staged in partnership with Seattle's upstart crow collective, the production explores the threat of autocracy, drawing on global histories of dictatorship. Performed entirely by women and nonbinary actors, Joshi's Julius Caesar offers new perspectives on a historically male-dominated political landscape. The result is a fresh reading of Shakespeare's classic tale of power, loyalty, and betrayal. In this episode, Joshi reflects on the production, the politics of performance, and why Shakespeare's plays continue to illuminate moments of crisis. >> Discover more about Julius Caesar at the Oregon Shakespeare Festival From the Shakespeare Unlimited podcast. Published August 25, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Rosa Joshi (she/her) is a director, producer and educator. She currently serves as Associate Artistic Director of Oregon Shakespeare Festival. Rosa's directing work spans from Shakespeare to modern classics and contemporary plays. Throughout her career she has created work independently through self-producing, and in 2006 she co-founded upstart crow collective a company that produces classical plays with diverse casts of women and non-binary people. With upstart crow, she has directed King John, Bring Down the House, Richard III, Titus Andronicus, and Coriolanus. She is committed to creating ambitious productions of classical work featuring women, non-binary, and BIPOC artists. As Interim Artistic Director of Northwest Asian American Theatre, Rosa produced a range of Asian American performances, including: A-Fest, an international performance festival; Traces, a world premiere multi-disciplinary, multi-media, international collaborative work. She was also a Resident Director and Artistic Director of the Second Company at New City Theater, where she directed and produced various classical and contemporary plays. Rosa has been a faculty member at Seattle University and has also taught at The Old Globe University of San Diego Shiley Graduate Theatre Program, Hong Kong University, Hong Kong Academy of Performing Arts, and Cornish College for the Arts. Rosa holds an MFA in Directing from the Yale School of Drama and a BA in Theatre and Psychology from Bucknell University.

The Anfield Wrap's free podcast, after Liverpool clinched a last minute winner against Newcastle at St James Park.John Gibbons hosts Stu Wright, Mo Stewart and Ian Ryan...Also in the show, Neil speaks to playwright Sean McLoughlin and Artistic Director of Tip Tray Theatre Evan Byrne about Sean's new production 'I Am Steven Gerrard'. Download the Peloton app and check out the six Liverpool FC-themed classes, and connect with Neil, John and other Reds by joining the #TAWPelotonClub tag... Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today we go inside the Ruby Season with Nashville Ballet's Artistic Director, Nick Mullikin. Get a first look at the exciting performances planned to celebrate our 40th Anniversary and discover how you can be part of the journey. Because — It's not a moment, it's a movement. 

About This Episode: This week on Stageworthy, host Phil Rickaby is joined by Iain Moggach, former Artistic Director of Theatre by the Bay in Barrie, Ontario. In this thoughtful conversation, Iain shares his journey from actor, administrator, and ultimately artistic director, reflecting on what it means to build theatre outside of a major city centre. He speaks to the unique challenges and opportunities of working in Barrie, and the importance of creating space for regional stories. This episode explores: Iain's journey to theatre leadership The role of mentorship and community in his career path The challenges of running a theatre company outside major urban centres Building partnerships and engaging new audiences in Barrie The importance of perseverance, adaptability, and curiosity in theatre-making Guest:

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 456th episode of THE PLAYWRITING PODCAST. Episode Story Topic: Play Creation Takeaways from 20 Years of Manhattan Rep! Check out Manhattan Rep's INSTAGRAM for more on Manhattan Rep's Celebration of 20 Years, with videos from out productions and so much more! @manhattanrepertorytheatre The Playwright's Reading Room on Zoom starts 9/10!  Come develop your play with me and some of Manhattan Rep's best actors!  Book it at the link below: https://www.manhattanrep.com/reading-room Book a SCRIPT CONSULTATION - Get Productive Feedback and Next Steps! https://www.manhattanrep.com/script-consultation   Book a SHORT PLAY SCRIPT CONSULTATION  https://www.manhattanrep.com/short-script-consultation MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Book it here:  https://www.manhattanrep.com/premiere My Fantastic Playwriting Book on Amazon!  The Complete Fantastic Play Series! https://www.amazon.com/dp/B0DT6LQWZC Manhattan Rep's Play Production Program: https://www.manhattanrep.com/play-production-program Let us help you self-produce your best play in New York City or anywhere in the world. Email: How2WritePlays@yahoo.com

Come September, Singaporeans will have a new reason to step into the city’s arts and heritage spaces. The SG Culture Pass will give every citizen aged 18 and above $100 in credits to spend on performances, exhibitions, workshops and more. Over 400 events are already lined up on its dedicated platform. So, how does the pass work? What’s on offer? And could it inspire more people to embrace local culture? On The Big Story, Nadiah Koh speaks with Dr Shahril Salleh, Founder and Artistic Director of Vox Camerata Limited, and Honorary Lecturer at the University of Queensland, to find out more. See omnystudio.com/listener for privacy information.

Bongani Bingwa speaks to Greg Homann, Artistic Director at The Market Theatre Foundation about the popular show ‘Father & I’ returning to The Market Theatre. The show opened yesterday, 21st August, and runs until the 31st, 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702See omnystudio.com/listener for privacy information.

Puppeteers for Fears' Executive and Artistic Director, Josh Gross, joins the Exchange.

As the National Theatre's production of The Importance of Being Earnest transfers to the West End with Stephen Fry taking the role of Lady Bracknell, but do older actresses lose out when men are cast in women's roles? Nikolai Foster, Artistic Director of the Leicester Curve Theatre and Nicky Clark, founder of the Acting Your Age Campaign discuss. The bestselling author of Yellowface, R.K. Kuang, discusses her new novel Katabasis.Director Daniels Evans talks about his production of Born With Teeth which sees actors Ncuti Gatwa and Edward Bluemel reimagine the relationship of Marlowe and Shakespeare.And we hear archive of the late actor Terence Stamp, one of the defining cinematic figures of his generation talking about working with Federico Fellini.Presenter: Samira Ahmed Producer: Ruth Watts

Hey there, Scorekeepers! On our off weeks for the next few months, we're revisiting ART CLASS, the 12-episode series all about arts and arts education that we released last year. We hope you enjoy taking this stroll down memory lane with us!--This episode was originally released on February 13, 2024.Happy Black History Month, Classmates! This week's ART CLASS is all about healing and self-care. As Black folks and Black artists especially, it's so easy to over-extend ourselves during the month of February, so this week we devote the first part of the episode to delving into our self-care routines. How does one establish boundaries in a world that doesn't want you to have any? Where does self-care intersect with community care? Then, we're joined by an exceptional guest! Last October, we recorded a live show at Lincoln Center's David Geffen Hall, where we were joined by the amazing Jonathan McCrory, Artistic Director of the National Black Theatre, which produced the recent Broadway hit Purlie Victorious starring Leslie Odom, Jr. and Kara Young. We had a powerful conversation all about this incredible piece of theater, its relevance in these times, and what he does to take care of himself (0:26:36). Later, it's time for another installment of Career Day with choreographer, Jennifer Lisette Lopez (0:53:51). Plus, the Morning Announcements with Emile (0:50:55) and a little Pure Black Joy (1:02:02) to get you through the week. Please take your seats, because class is back in session!--Hosts: Lee Bynum (Insta), Rocky Jones (Insta), Paige Reynolds (Insta)Guests: Jonathan McCrory, Jennifer Lisette LopezContributor: Emilia MettenbrinkProducer: Rocky Jones--LinksJonathan McCrory (Website) (Insta)National Black Theatre (Website)Jennifer Lisette Lopez (Website)--Hey hey, THE SCORE is now on social! Follow us @thescorepod on Instagram here and Bluesky here! --New episodes of THE SCORE drop every other Tuesday. If you like what you hear, please support us and SUBSCRIBE to the show on your favorite podcast app and be sure to SHARE our show with your friends. Also, leaving a 5-star REVIEW on Apple Podcasts is a great way to help people find our show. Email your questions or comments to thescorepodcast2.0@gmail.com.Ways to Listen:

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 455th episode of THE PLAYWRITING PODCAST. Episode Story Topic: Stories from 20 Years of Manhattan Rep! Check out Manhattan Rep's INSTAGRAM for more on Manhattan Rep's Celebration of 20 Years, with videos from out productions and so much more! @manhattanrepertorytheatre   The Playwright's Reading Room on Zoom starts 9/10!  Come develop your play with me and some of Manhattan Rep's best actors!  Book it at the link below: https://www.manhattanrep.com/reading-room   Book a SCRIPT CONSULTATION - Get Productive Feedback and Next Steps! https://www.manhattanrep.com/script-consultation   Book a SHORT PLAY SCRIPT CONSULTATION  https://www.manhattanrep.com/short-script-consultation   MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Book it here:  https://www.manhattanrep.com/premiere   My Fantastic Playwriting Book on Amazon!  The Complete Fantastic Play Series! https://www.amazon.com/dp/B0DT6LQWZC   Manhattan Rep's Play Production Program: https://www.manhattanrep.com/play-production-program Let us help you self-produce your best play in New York City or anywhere in the world. Email: How2WritePlays@yahoo.com

Hannah Bos is a Peabody Award winning writer who is co-creator and executive producer of HBO's critically acclaimed comedy series Somebody Somewhere. Along with writing partner Paul Thureen, she received a Humanitas Prize nomination for the Somebody Somewhere pilot and with Paul and Bridget Everett was nominated for a WGA Award for Episodic Comedy. The series has received nominations from the GLAAD Media Awards, Critics' Choice Awards, Gotham Awards, Spirit Awards, TCA & HCA Awards, Dorian TV Awards, and was honored by AFI amongst their Television Programs of the Year in 2022. Hannah and Paul received an Independent Spirit Award nomination for "Best First Screenplay" for their feature Driveways (dir. Andrew Ahn) which premiered at the 2019 Berlin Film Festival (North American premiere at Tribeca Film Festival). Together they have also written for HBO's High Maintenance and Amazon's Mozart in the Jungle. Hannah was a co-founder/co-Artistic Director of The Debate Society, a multiple Obie award winning theater company, co-writing and starring in all the company's plays. She also starred in the premiere of Will Eno's The Open House at the Signature Theatre Company (Drama Desk Award; Lortel Nomination, Featured Actress). Regional acting credits include premieres of Will Eno's Gnit and Lisa Kron's THE VERI**ON PLAY at Humana Festival. TV/Film acting: High Maintenance (HBO), The Outside Story, Timeless Seasons (Rooftop Films), and How to Follow Strangers (PBS). Hannah is a Sundance Institute Fellow. MFA Harvard/MXAT. Mother of Rocket. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Caleb McEwen is Artistic Director at The Brave New Workshop in Minneapolis.

Lynn & Carl speak with organizers & performers of the St. Louis Fringe Festival: Suki Peters, director of "John Hughes Your Own Adventure." Matthew Kerns, President & Artistic Director of the Fest, and burlesque performer Lola Van Ella. Plus Lynn saw East of Wall & Snoopy Presents: A Summer Musical & Carl saw Nobody 2.

This episode of The Other Side of the Bell, featuring trumpet composer educator and entrepreneur Dave Douglas, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Dave Douglas trumpet interview"   About Dave Douglas: Dave Douglas is a prolific trumpeter, composer, educator and entrepreneur from New York City, known for the stylistic breadth of his work and for keeping a diverse set of ensembles and projects active simultaneously.   His most recent project is a rotating ensemble under the name Gifts, and the resulting album included guitarist Rafiq Bhatia, drummer Ian Chang and saxophonist James Brandon Lewis. The group toured and added cellist Tomeka Reid. In January 2025, Gifts Trio featuring drummer Kate Gentile and guitarist Camila Meza, played live shows in London and throughout Europe.   Douglas' unique contributions to improvised music have garnered distinguished recognition, including a Doris Duke Artist Award, a Guggenheim Fellowship, an Aaron Copland award, and two Grammy Award nominations. Douglas' career spans more than 75 unique original recordings as a leader and more than 500 published works.   In August 2024, Sound Prints, the band Douglas co-leads with saxophonist Joe Lovano, performed for a week at New York's storied Village Vanguard, unveiling an entire new set of works from both composers. The band will appear again at the Vanguard in November 2025. Other ensembles include OVERCOME, with vocalists Fay Victor and Camila Meza plus musicians Ryan Keberle, Jorge Roeder, and Rudy Royston; and If There Are Mountains, a sextet with pianist & co-leader Elan Mehler, featuring haiku and poetry from vocalist Dominique Eade.   Douglas is often engaged in special projects which include big bands, tributes, and multi-trumpet ensembles, such as Dizzy Atmosphere: Dizzy Gillespie at Zero Gravity. As a composer, Douglas has received commissions from a variety of organizations including the Trisha Brown Dance Company, Birmingham Contemporary Music Group, Norddeutscher Rundfunk, Essen Philharmonie, The Library of Congress, Stanford University, and Monash Art Ensemble.   Douglas has held several posts as an educator and programmer. From 2002 to 2012, he served as artistic director of the Workshop in Jazz and Creative Music at the Banff Centre in Canada. He is a co-founder and president of FONT aka Festival of New Trumpet Music, which will celebrate its 22nd year in 2025. In 2024, Douglas presented a new group in honor of cofounder Roy Campbell, Jr. The sextet, called Alloy, recorded in January 2025 and will release new music in September 2025.   He is currently on the faculty at Mannes School of Music and The New School of Jazz and Contemporary Music. He was Artistic Director of the Bergamo Jazz Festival for four years, ending in 2019.    In 2025, Douglas will begin a two year residency with the Malmo Academy of Music in Sweden, where he will help in developing a new Masters of Music Composer-Performer.   In 2005, Douglas founded Greenleaf Music, an umbrella company for his recordings, sheet music, podcast, as well as the music of other artists in the modern jazz idiom. Greenleaf Music has now produced countless albums and this year will celebrate its twentieth anniversary.   His podcast, A Noise From The Deep, features engaging interviews with more than 100 creative artists. The show recently diversified with the launch of spin-off Puzzle Corner, which pairs Douglas with NPR's Art Chung, for a fun round of jazz trivia. Greenleaf Music is a pioneering independent music platform with a strong subscription model featuring hours of exclusive content.   Episode Links:   Website: davedouglas.com Greenleaf Music: greenleafmusic.com Greenleaf Music on Bandcamp: glmstore.bandcamp.com Instagram: @davedouglas Facebook: @davedouglasmusic Alloy album page: https://greenleafmusic.com/artists/davedouglas/alloy/ Alloy pre-order: https://davedouglas.bandcamp.com/album/alloy  OR Apple Music/Spotify: https://lnk.to/alloy Alloy album trailer: https://www.youtube.com/watch?v=bmt_bdSrRao   Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credit - John Abbott  Audio Engineer - Ted Cragg

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 454th episode of THE PLAYWRITING PODCAST. Episode Story Topic: Developing Your Plays!   The Playwright's Reading Room on Zoom starts 9/10!  Come develop your play with me and some of Manhattan Rep's best actors!  Book it at the link below: https://www.manhattanrep.com/reading-room   Book a SCRIPT CONSULTATION - Get Productive Feedback and Next Steps! https://www.manhattanrep.com/script-consultation   Book a SHORT PLAY SCRIPT CONSULTATION  https://www.manhattanrep.com/short-script-consultation   MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Book it here:  https://www.manhattanrep.com/premiere   My Fantastic Playwriting Book on Amazon!  The Complete Fantastic Play Series! https://www.amazon.com/dp/B0DT6LQWZC   Manhattan Rep's Play Production Program: https://www.manhattanrep.com/play-production-program Let us help you self-produce your best play in New York City or anywhere in the world.   Email: How2WritePlays@yahoo.com

The General & Artistic Director of the Seattle Opera shares how the business model of the opera, and arts organizations as a whole, have changed over the years. We talk about why producing an opera is expensive, how leaders should approach funding as an investment rather than a charity gift, and lastly he dispels the myth that the opera is just for the elite.All of this along with breaking down Starbucks moving away from pick-up only stores and Zillow being sued. Again.Top Stories1. The business of performance art2. Starbucks to shut down pick-up only concept3. CoStar sues Zillow over copyright infringementAbout guest James Robinson - General & Artistic Director, Seattle Opera:James took over as the General & Artistic Director in September 2024. Prior to this, James was the Artistic Director at the Opera Theater of Saint Louis where he commissioned 11 world premieres. As a stage director, he has also directed at least 75 new productions at the world's top theaters. James is the 5th person to lead the Seattle Opera in the 61 year history.About host Rachel Horgan:Rachel is an independent event producer, emcee and entrepreneur. She worked for the Business Journal for 5 years as their Director of Events interviewing business leaders on stage before launching the weekly podcast. She earned her communication degree from the University of San Diego. Contact:Email: info@theweeklyseattle.comInstagram: @theweeklyseattleWebsite: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theweeklyseattle.com

Welcome our friend Keith Garcia, Artistic Director at the Sie Film Center, to talk about why Elvira: Mistress of the Dark is a near-perfect movie.Follow the show on IG: @didthatagewell TikTok: @didthatagewellpod Watch this episode this episode on YouTube and subscribe to the channel: youtube.com/@didthatagewellEmail: didthatagewell@gmail.com--- Thank you @spydermovingservices for sponsoring Dude, IDK Studios! To get a free quote, visit spydermoving.com Big shoutout to Anew Collective for supporting the show as well! Get your personalized style box by following the link in bio @shopanewcollective and give them a follow for twice-weekly secondhand clothing drops. 

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 453rd episode of THE PLAYWRITING PODCAST. Episode Story Topic: Constant and Never-Ending Improvement - Revisited!   The Playwright's Reading Room on Zoom starts 9/10!  Only 2 out of 4 slots left! Come develop your play with me and some of Manhattan Rep's best actors!  Book it at the link below: https://www.manhattanrep.com/reading-room   Book a SCRIPT CONSULTATION - Get Productive Feedback and Next Steps! https://www.manhattanrep.com/script-consultation   Book a SHORT PLAY SCRIPT CONSULTATION:  https://www.manhattanrep.com/short-script-consultation   MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Book it here:  https://www.manhattanrep.com/premiere   My Fantastic Playwriting Book on Amazon!  The Complete Fantastic Play Series! https://www.amazon.com/dp/B0DT6LQWZC   Manhattan Rep's Play Production Program: https://www.manhattanrep.com/play-production-program Let us help you self-produce your best play in New York City or anywhere in the world.   Email: How2WritePlays@yahoo.com

Join Michael Kissinger, Artistic Director and Founder of the Vancouver Wine & Jazz Festival. This year the festival celebrates it's 25th Anniversary of bringing award winning internationally acclaimed musicians, regional jazz & blues bands, Northwest wines, fine artists, and local cuisine in one location - Esther Short Park in Downtown Vancouver, Washington. Michael takes us back stage to meet some of the musicians and headliners of the largest festival of it's kind in the PNW. This year's festival runs August 22, 23 & 24, 2025. For more:https://www.vancouverwinejazz.com/home.htmlhttps://www.vancouverwinejazz.com/music.htmlhttps://www.bravoconcerts.com/Subscribe to the Morning Blend on your favorite podcast platform.Find this show on the free Hail Mary Media App, along with a radio live-stream, prayers, news, and more.Look through past episodes or support this podcast.The Morning Blend is a production of Mater Dei Radio in Portland, Oregon.

As Maggie Mancinelli-Cahill takes her final bow as Producing Artistic Director at Capital Repertory Theatre, we're marking the end of an extraordinary era in Albany's arts scene, and we are thrilled to have her on the Roundtable this morning.Maggie's final production as Producing Artistic Director closes with “Once” on Sunday, Aug. 10. She's joins us to discuss her journey, her impact, what's next, and what she hopes theREP and the Capital Region's arts scene will continue to grow into.

Sara Raza is the Artistic Director and Chief Curator of the Centre for Contemporary Art (CCA) in Tashkent, Uzbekistan. Of Iranian and Central Asian origin and a member of the international diaspora, Raza focuses on global art and visual cultures from a postcolonial and post-Soviet perspective with a specialism in Orientalism. She is the author of Punk Orientalism: The Art of Rebellion(Black Dog Press, London, 2022). At the helm of the CCA, Raza leads its creative mission to foster cultural and educational partnerships, while championing regional and international artists in their engagement with Uzbekistan's rich cultural heritage and dynamic contemporary art scene. Raza is the recipient of the 11th ArtTable New Leadership Award for Women in the Arts and was honoured by Deutsche Bank and Apollo as one of 40 under 40 global art specialists (thinkers' category). Formerly, she was the Guggenheim UBS MAP Curator for the Middle East and North Africa at the Guggenheim Museum in New York and Curator of Public Programs at Tate Modern in London. She currently teaches in NYU's Media, Cultures, and Communication Department, and is a 2025 Yale School of Art Guest Critic and Visiting Faculty member.She and Zuckerman discuss looking beyond the borders of Europe and the EU, being a global citizen, translation, constellations, mathematics and abstraction, moments of crisis, understanding the present through the past, looking back to look forward, cultures of interruption, finding similarities, punk as a way to combine desperate ideas, reciprocal cultural labor, accessibility, retelling moral tales, art as a re-orientation, and shifting both the imagination and the heart!

Mike Isaacson is the Artistic Director and Executive Producer of The Muny, the third person to hold this position in The Muny's 106 -year history. During his 14 seasons, he has produced 89 Muny shows, 37 new to The Muny stage. He is also a 9 Time Tony Award winning Broadway producer. After his first season at The Muny, The Riverfront Times wrote, “Under the leadership of executive producer Mike Isaacson the quality of Muny productions rose like the proverbial phoenix.” During his tenure, Isaacson has changed the look and feel of The Muny, overseeing a transformation in every aspect of production that culminated in 2019 with the arrival of the theatre's extraordinary James S. McDonnell stage, a state-of-the art stage house that includes revolutionary LED technology, automated sets, and a host of other innovations. In 2016, The Muny embarked on an unprecedented $100 million capital campaign, raising within 5 years a record amount for any theater in the U.S. During the COVID lock-down summer of 2020, Mike produced and created The Muny 2020 Variety Hour, five live online shows that reached a worldwide audience of more than 400,000. For the summer of 2021, The Muny was one of two theaters in the U.S. to reopen, and produced five full productions, receiving acclaim for their artistry and their presence. The 2022 season's productions received 21 nominations from the St. Louis Theatre Critics Circle, more than any other theater in St. Louis. In 2023, The Muny bested its record with 26 nominations, and for it's 2024 season, The Muny received a record 30 nominations – a record for The Muny and for the Theatre Critics Circle. During his time, The Muny's education and outreach programs have grown in number, and their artistic endeavors now incorporate all aspects of theater making – production, performance and administration. The Muny kids and teens are now recognized nationally for their excellence, inspiring a national program where teens from throughout the U.S. audition annually come to St. Louis to be a part of a Muny production. For 27 years, with his partner Kristin Caskey, Mike has produced more than 40 Broadway musicals and plays, national tours, off-Broadway plays, and London productions. This Spring on Broadway, they are producing Jason Robert Brown's The Last Five Years, co-starring Nick Jonas and Adrienne Warren. In 2023, they produced the highly acclaimed Broadway revival of Parade, starring Ben Platt and Micaela Diamond, now on a national tour. Parade also received “Best Revival of a Musical” as well as “Best Musical Revival” from both The Drama Desk and The Outer Critics Circle. In 2022, they produced Neil Simon's Plaza Suite starring Matthew Broderick and Sarah Jessica Parker, which subsequently had a record-breaking run at London's Savoy Theater. Other recent Broadway productions include David Byrne's American Utopia, for which they received a special 2021 Tony Award. It also became a multi-Emmy Award nominated film by Spike Lee for HBO, for which he also served as an executive producer. In 2015, he received the Tony® award for “Best Musical” for the ground-breaking Fun Home. Other producing highlights include Dolls House, Part 2, The Humans (2016 Tony® Award, Best Play); Bring It On The Musical (2013 Tony® nomination for Best Musical); Red (2010 Tony® Award, Best Play); Legally Blonde the Musical (2011 Olivier Award, Best Musical); Thoroughly Modern Millie (2002 Tony® Award, Best Musical); You're a Good Man, Charlie Brown; If/Then; The Seagull; Burn This, Caroline, or Change; One Flew Over the Cuckoo's Nest starring Gary Sinise, and Death of a Salesman (1999 Tony® Award). For the IPN, he served as producer for the Broadway productions of Spamalot (2005 Tony® Award, Best Musical), Ragtime (revival) and The Color Purple. All told, his productions have received more than 139 Tony® Award Nominations, and 40 Tony® Awards. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We had the pleasure of speaking with the new Directorial team – VJ Orduña, the Artistic Director, and Brandon Box-Hidgem, the Assistant Artistic Director. Together, they're bringing new passion, innovation, and a bold vision for the Omaha Community Playhouse! Get to know VJ and Brandon, learn about their creative journey, and get a sneak peek at what's coming up in the 2025-2026 season. First up: The River Bride (Aug. 15–Sept. 14) and Grease (Sept. 12–Oct. 12)! Omaha Community Playhouse Contact Information: Tickets and Information: https://www.omahaplayhouse.com/  Facebook: omahaplayhouse Instagram:@omahaplayhouse Omaha Community Playhouse, 6915 Cass Street, Omaha, NE 68132   LISTEN TO THE PLATTE RIVER BARD PODCAST  Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts.  We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa.  Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on You Tube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!

On this episode of Speaking of Travel, we're heading high into Colorado's San Juan Mountains to uncover the charm and magic of Creede, a tiny town with a mighty story. Once a booming silver mining camp, Creede has transformed into a cultural haven where creativity and adventure collide. At the center of it all is the Creede Repertory Theatre, a nationally renowned professional company that's been telling powerful stories at 9,000 feet for 60 seasons. From its humble beginnings to a vibrant repertory schedule that draws talent and audiences from across the country, the theatre is the heartbeat of this mountain community. I'm joined by Kate Berry, Director of Marketing & Communications, and Emily Van Fleet, Artistic Director, to talk about Creede Rep's origin story, its evolution, and how the arts continue to shape the town's identity. Creede offers a rare kind of magic that stays with you. Fill your days fly fishing, rafting or hiking and spend your nights immersed in compelling performances. There's something for everyone.Creede is calling. Go there. See a show. Breathe the mountain air. Don't miss all Creede has to offer. You won't forget it. A must listen! Only on Speaking of Travel. Thanks for listening to Speaking of Travel! Visit speakingoftravel.net for travel tips, travel stories, and ways you can become a more savvy traveler.

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Jill Collins is a dynamic dancer, choreographer, and educator whose versatile career spans contemporary, theatrical, and Middle Eastern dance. She began performing professionally as a teenager and later earned her BFA in Dance Education from the University of the Arts in Philadelphia. After relocating to Los Angeles in 2007, she joined Jillina's Sahlala Dancers, eventually becoming Artistic Director and owner in 2021. Jill has toured internationally for over a decade with Bellydance Evolution, serving as both featured dancer and rehearsal director, as well as co-director of the company's training branch, BDEx. In 2015, she founded Cathartic Art, a collective dedicated to advocating for mental health through creative performance. In addition to her work with Sahlala, she performs with LA Choreographers & Dancers and holds teaching credentials from Dance Masters of America and SharQuí: The Bellydance Workout.In this episode you will learn about:- How a Craigslist audition unexpectedly launched Jill's journey into belly dance with Jillina's Sahlala Dancers.- The challenges of transitioning from ballet to belly dance—especially shifting posture and grounding.- How the gig and performance landscape changed after the pandemic, including shifts in audience attention and show structure.- The ups and downs of taking over Sahlala Dancers during the pandemic and rebuilding it from near scratch.- Her current focus on work-life balance, adding Zoom rehearsals, and developing educational outreach performances.Show Notes to this episode:Find Jill Collins on Instagram, FB, and Sahlala Dancers website. Details and training materials for the BDE castings are available at www.JoinBDE.comFind out what's missing in your musicality and connection to Arabic music in 60 seconds. Take the quiz: www.maqamquiz.com Created by Maya Youssef.Follow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast

Join Conversations on Dance hosts Rebecca King Ferraro and Michael Sean Breeden for a live podcast recording with Michael Novak, Artistic Director of the legendary Paul Taylor Dance Company. As the company returns to the Vail Dance Festival for the first time since 2018, Novak reflects on honoring the legacy of Paul Taylor—one of the most influential figures in American modern dance—on what would have been Taylor's 95th birthday.This special conversation offers insight into the company's tribute performance, featuring the beloved Company B and the 50th anniversary presentation of Esplanade, a masterwork hailed for transforming everyday movement into mythic dance. This episode is brought to you by Discover Vail and was recorded live from the Vail Dance Festival on July 27, 2025.Tickets to Conversations on Dance at the 2025 Vail Dance Festival on sale now! https://vaildance.org/conversations-on-dance/LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.