Podcasts about artistic directors

Artistic Director of the Australian Shakespeare Company, Glenn Elston OAM, joins Darren James for Talking Melbourne.See omnystudio.com/listener for privacy information.

Welcome back to The Art Bystander, the podcast that explores the stories, ideas, and people shaping the world of contemporary art. Our host Roland-Philippe Kretzschmar is taking you behind the scenes of one of the most influential art fairs in the world — Paris Photo. Founded in 1997, it has become the leading international fair dedicated entirely to photography, a place where artists, collectors, curators, and institutions converge to celebrate and challenge the medium.Joining me are Florence Bourgeois, Director of Paris Photo, and Anna Planas, Artistic Director. Together, they've been redefining what a photography fair can be — expanding its cultural scope, international reach, and curatorial ambition.In this conversation, we'll discuss the evolving role of photography in the art ecosystem, how Paris Photo bridges artistic and commercial worlds, and what it takes to curate a fair that remains both relevant and visionary. So whether you're a collector, a photographer, or simply curious about how images shape our times — this episode is for you. Hosted on Acast. See acast.com/privacy for more information.

2025 marks 30 years since Kiwi dance company Black Grace was formed, and this anniversary will be marked with some new performances. Later this month, the company will stage Paul Taylor's Esplanade, in a double bill with If Ever There Was A Time - an original work by founder Neil Ieremia. Ieremia says when he first started out, there weren't a lot of dance opportunities for Māori men, and he aimed to change that. "I remember when we put on our first show and it actually sold out - it was at the Kenneth Maidment Theatre at the university there. We put on our first show and it sold out before we actually opened, which was quite incredible." The Black Grace double bill tour starts in Auckland on November 21 and continues in Christchurch on November 25 and 26, with tickets available here. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Artistic Director of the Australian Shakespeare Company, Glenn Elston OAM, joins Darren James for Talking Melbourne.See omnystudio.com/listener for privacy information.

This is the third and final part of my conversation with author Rob Schneider, who returns to tell us more about his new book, Queer Musicals — Boy Meets Boy to Jagged Little Pill. On this episode, Fun Home, The Prom, and Jagged Little Pill. Robert W. Schneider is a historian, director, producer, author, educator, and podcast host, and the Artistic Director of the J2 Spotlight Musical Theater Company in New York. And since working as an original programming producer at 54 Below, Rob has directed and produced over 100 concerts for the venue. His first book, 50 Key Stage Musicals, was published in 2022. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members, such as JUDY HUCKA. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please click on this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://broadwaynationpodcast.supercast.tech/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this edition of Bring It On!, hosts Clarence Boone and Gloria Howell spend the hour with Audrey Seader, the Artistic Director and Co-Founder of Off Night Productions. She is here to discuss their upcoming production of Off Night Stories: Immigrants, Refugees, & Asylum Seekers. The play offers the public the opportunity to experience powerful, true …

The Laurie Cadden Show from October 11, 2025 features guest Anne Marie Dupre, Artistic Director of Mostly Opera who joins us with a preview of a fabulous event, Martinis and Musicals at Mondano Restaurant in Old Forge. Also Lauris (and Julie) gives us a recap of this week in sports, plus we highlight some great local events coming your way, and we get a little nostalgic with a few fond memories from the past.

What does it mean to create objects that tell stories, that shape how we feel, live, and connect? For Gabriel Hendifar, Artistic Director and Co-Founder of APPARATUS, design is about more than beautiful lighting and furniture, it’s about creating the container for human experience. Born in Los Angeles to Iranian immigrants, his early world was filled with music, memory, and craft, influences that continue to inform his deeply human approach to design. After a career in fashion, he co-founded APPARATUS in New York in 2012, building it into a 100-person studio renowned for its emotionally charged interiors and sculptural lighting. Listen as Vince and Gabriel discuss the poetry of light, the craftsmanship behind his creative acts, and the importance of designing not just spaces, but a life filled with meaning, discipline, and care. See omnystudio.com/listener for privacy information.

In Episode 47 of The Classical Circuit, Ella chats to Tom Herring, conductor and Artistic Director of SANSARA, about prioritising the wellbeing of the group, remaining true to its values, and his struggles with burnout. Ahead of SANSARA's performance at Britten Weekend at Snape Maltings this Friday, Tom also talked about their Traces of the White Rose project, engaging with political ideas in artistic spaces, and what it is about music that prods us to think critically.-------------------Sansara at Britten WeekendTraces of the White RosePodcast - Traces of the White Rose-------------------Sansara-------------------Follow The Classical Circuit on InstagramDid you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*No offence taken if not.--------------------Music: François Couperin - Le Tic-Toc-Choc ou Les MaillotinsPerformed by Daniel Lebhardt--------------------The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart). Hosted on Acast. See acast.com/privacy for more information.

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 464th episode of THE PLAYWRITING PODCAST. Episode Story Topic: Is your play a Marathon? My Coaching Program: Write your Own One Actor Show is 25% off with the code IAMTHESTAR at checkout. https://www.manhattanrep.com/one-actor-show   Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program AND... Also, Check out Manhattan Rep's INSTAGRAM for more on Manhattan Rep's Celebration of 20 Years, with videos from out productions and so much more! @manhattanrepertorytheatre AND  my standard Playwriting Coaching is 25% off with the code WRITENOW at checkout. https://www.manhattanrep.com/playwriting-coaching And... Script Consultations are 20% off with the code: YESYESYES https://www.manhattanrep.com/script-consultation AND... MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers.  Now 20% off with the Code: YESYOUCAN Book it here:   https://www.manhattanrep.com/premiere   My Fantastic Playwriting Book on Amazon!  The Complete Fantastic Play Series! https://www.amazon.com/dp/B0DT6LQWZC Email: How2WritePlays@yahoo.com

In this episode of the Film Ireland Podcast, we are delighted to once again partner with the Dinard British and Irish Film Festival, which held its 36th edition last month in the picturesque seaside town of Dinard, Brittany. First, we chat with Dominique Green, Artistic Director of Dinard, who shares insights into the festival's vision, programming, and what makes it such a unique event on the film calendar. At the festival, Associate Editor Gemma Creagh caught up with writer/director Damian McCann  to talk about his gripping feature Aontas, where three unlikely women rob a rural Irish Credit Union. Listen back to their conversation for a deep dive into the film's themes and creative process. Finally, we sit down with writer/director Joy Gharoro-Akpojotor to discuss her powerful debut feature Dreamers, exploring ambition, belonging, and the pursuit of hope. Read more about this episode here: www.filmireland.net/podcast-a-look-back-at-dinard-british-irish-film-festival

Opera Road Trip is Operavision's new two-year podcast series, a journey through the 17 countries that currently partner with OperaVision, discovering their operatic history and current relationship with the artform, and meeting along the way young talents finding their voice and seasoned professionals who have devoted their lives to the stage, discovering the diverse paths that have led them to opera and the enduring belief in its relevance, past, present, and future.   Opera Road Trip's third episode is dedicated to opera in Ireland. We hear from Rosetta Cucchi, Artistic Director of Wexford Festival Opera about rediscovering forgotten repertoire; from Fergus Sheil and Diego Fasciati, respectively Artistic Director and CEO of the relatively young Irish National Opera about the birth of their national institution, and from the three mesmerizing Irish mezzosopranos Ann Murray, Tara Erraught and Niamh O'Sullivan about their paths to opera in a country without a developed operatic infrastructure.   Opera Road Trip is hosted by Sebastian F. Schwarz whose curriculum as an opera manager includes positions at Theater an der Wien, Glyndebourne, Teatro Regio Torino, Festival della Valle d'Itria, Hamburgische Staatsoper and Wexford Festival Opera. He is Vice-president of the International Richard Strauss Society, member of the board of the European Musical Theatre Academy and co-founder of the Cesti Competition for Baroque Opera.   All episodes: https://operavision.eu/feature/operav...   Music extracts for Episode 3:   Introduction: Fidelio (Beethoven): Overture, op. 72 He was despised from Messiah (Georg Friedrich Händel): Niamh O'Sullivan Freude schöner Götterfunken from The importance of being Earnest (Gerald Barry) - Nouvel Opéra Fribourg Tranquille nuit, le monde sommeille (Tacea la notte placida) from Le Trouvère (Giuseppe Verdi): Lydia Grindatto, Wexford Festival Opera 2025 Ah! dal ciel discenda un raggio, from Maria Stuarda (Gaetano Donizetti): Tara Erraught, Fergus Sheil (cond.) Irish National Opera 2022 He promised me at parting, from 12 Irish songs, WoO 154 (Ludwig van Beethoven): Ann Murray, Graham Johnson Bonus: Irish National Anthem, Wexford Festival Opera 2025   OperaVision is a freeview opera streaming platform, supported by the European Union's Creative Europe programme.   Watch live streams as the performances themselves unfold in the opera house. Enjoy a variety of shows - including opera, operetta, musical theatre, dance, ballet and concerts. Opera connaisseur or curious newcomer, there is something for everyone on OperaVision.

This is the second part of my conversation with author Rob Schneider, who returns to tell us more about his new book, Queer Musicals — Boy Meets Boy to Jagged Little Pill. On this episode, Falsettos, Hedwig And the Angry Inch, BARE, and Kinky Boots. Robert W. Schneider is a historian, director, producer, author, educator, and podcast host, and the Artistic Director of the J2 Spotlight Musical Theater Company in New York. And since working as an original programming producer at 54 Below, Rob has directed and produced over 100 concerts for the venue. His first book, 50 Key Stage Musicals, was published in 2022. On this first episode in this series, we discuss the musicals Boy Meets Boy, La Cage aux Folles, and The Knife. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please click on this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://broadwaynationpodcast.supercast.tech/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Join host Joanne Carey as she chats with Special Guest: Michael Novak Artistic Director of the Paul Taylor Dance CompanyIn this episode of "Dance Talk” ® with Joanne Carey , host Joanne Carey interviews Michael Novak, the artistic director of the Paul Taylor Dance Company. Michael shares his journey into dance, overcoming personal challenges such as stuttering, and his transition from musical theater to ballet and modern dance. He discusses the importance of authenticity in dance, the role of resident choreographers, and the exciting new educational initiatives at the company's new space. The conversation also highlights the upcoming season at Lincoln Center, featuring a mix of new works and classic pieces, and Michael's vision for the future of the company.Michael Novak: became the second Artistic Director in the history of the Paul Taylor Dance Foundation in September 2018, having been selected by Mr. Taylor months earlier to succeed him upon his death. Novak was nominated for the Clive Barnes Foundation Dance Award for his debut Season. During his career with the Company, he performed fifty-six roles in fifty Taylor dances.Raised in Rolling Meadows, Illinois, Novak began studying dance at age ten and by age seventeen was offered a Presidential Scholarship to attend The University of the Arts in Philadelphia to pursue training in jazz and ballet. In 2005 Novak was admitted to Columbia University's School of General Studies, where he was awarded scholarships for academic excellence. He became a member of the Columbia Ballet Collaborative, the University's critically acclaimed resident company, and was named Artistic Associate responsible for advising on the curation of resident choreographers and directing the group's branding and promotion. At Columbia, Novak became immersed in the study of dance history, which ignited a passion for modern dance. He developed a keen interest in the work of François Delsarte, the 19th Century French movement theorist who codified the system linking emotion and gesture that would inspire the first generation of American modern dancers. At Columbia he performed Mr. Taylor's solo in Aureole, which led him to embrace the Taylor repertoire. In a 2009 program celebrating Diaghilev at Columbia's Miller Theatre, Novak embodied Vaslav Nijinsky's role in L'Après-midi d'un faune with an authenticity that brought him to the attention of dance critics and scholars. Upon graduation, he received his BA in Dance magna cum laude with Departmental Honors, and was elected to Phi Beta Kappa. As a distinguished alumnus, he was the Keynote Speaker for the Class of 2020.The Paul Taylor Dance Company continues to be one of the world's premier dance companies. New York Times hailed his inaugural season as Artistic Director as “groundbreaking and inspirational.” In memory of Mr. Taylor, he launched “The Celebration Tour,” a multi-year international touring retrospective of the Taylor repertoire. He co-directed the Company's first virtual live-streamed benefit, Modern is Now: Stories of our Future,. And during the height of the Covid pandemic, he brought the Taylor Company to sixteen venues in eleven American cities for a total of fifty-one performances, earning the designation “Best of Dance 2021” from The Washington Post. 2021 he selected Taylor alumna and dance educator Carolyn Adams to head the Taylor School showing his commitment to broadening the Foundation's impact in arts education. 2022 Novak selected former New York City Ballet dancer Lauren Lovette to be the Taylor Company's first Resident Choreographer.https://paultaylordance.org/“Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠⁠⁠Follow Joanne Carey on Instagram@westfieldschoolofdanceTune in. Follow. Like us. And SHARE!Please leave us review about our podcast! 

Welcome back to the 256th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 256th episode we have a new artist interview. This particular conversation is between our Co-Artistic Producer Mackenzie Horner and the Director, Costume and Production Designer of the production Romeo Pimp which we recently covered and the Artistic Director of The King Black Box Sophie Ann Rooney. Together they unpack Sophie's creative process — from conceptualizing and designing a piece to bringing Romeo Pimp to life. The conversation dives behind the scenes into rehearsal-room stories, explores the layers of symbolism Sophie wove into the production, and delves into her reflections on what happens when some audience members miss the subtle details embedded in her work.CONTENT WARNING: This conversion about the play Romeo Pimp contains depictions, references, or implications of sexual exploitation & trafficking, grooming & psychological abuse, mental health & dissociation, substance use, violence, threats & intimidation, verbal & sexualized language themes of consent, power, and identity. If you are a victim or survivor of human trafficking, or think someone might be, please contact the Canadian Human Trafficking Hotline to be connected with support services or law enforcement in your community. The Canadian Human Trafficking Hotline can be reached 24/7 by phone at 1-833-900-1010 or online at www.canadianhumantraffickinghotline.ca.Follow Sophie Ann Rooney – Instagram: @shotbylofaFollow The King Black Box – Instagram: @thekingblackboxFollow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com

Nancy Laturno, Founding CEO and Artistic Director for Mainly Mozart, chats about its mission; its youth orchestra; and the largest Mozart Festival in North America.About Spotlight and Cloudcast Media  "Spotlight On The Community" is the longest running community podcast in the country, continuously hosted by Drew Schlosberg for 19 years.  "Spotlight" is part of Cloudcast Media's line-up of powerful local podcasts, telling the stories, highlighting the people, and celebrating the gravitational power of local.   For more information on Cloudcast and its shows and cities served, please visit www.cloudcastmedia.us. Cloudcast Media | the national leader in local podcasting.   About Mission Fed Credit Union  A community champion for over 60 years, Mission Fed Credit Union with over $6 billion in member assets, is the Sponsor of Spotlight On The Community, helping to curate connectivity, collaboration, and catalytic conversations.  For more information on the many services for San Diego residents, be sure to visit them at https://www.missionfed.com/

Tom founded Theatre Now in 2013 and has been the Producing Artistic Director since its inception, working on the development of new musicals through writers' groups, productions, readings, workshops and other developmental programs. Through Theatre Now, Tom produces the annual SOUND BITES Festival of New 10-minute Musicals now entering its twelfth year with over 40 titles available for licensing through Theatre Now's partnership with Music Theatre International (MTI). With Theatre Now Tom has worked with over 200 theatre writers on the development of new musicals.  Prior to Theatre Now Tom was the Artistic Director of ReVision Theatre, a regional theatre in Asbury Park, NJ where he produced The Who's Tommy, and the NJ premiere of Spring Awakening to critical and audience acclaim at sold-out capacity. He helped develop and produced the musical premieres Kingdom by Aaron Jafferis and Ian Willams, a hip-hop rock musical based on the Latin Kings (Winner Best Musical 2008, New Jersey Star Ledger), The Break-up Notebook, The Lesbian Musical by Lori Scarlett, David Manning and Patricia Cotter staring Beth Malone (Winner Best Musical 2010, New Jersey Star. Ledger) and The Bikinis, a jukebox musical featuring hits from the 60's with an original book by Jim Hindman, Ray Roderick and Joseph Baker, featuring Annie Golden, Cheryl Freeman, Karen Quakenbush and Kathy Morath. Following the Revision Theatre's production, The Bikinis was produced at The Goodspeed Opera House and many of the shows Tom has developed have been produced commercially and presented throughout the U.S. at regional theatres. Also with Revision Theatre he produced and directed Hello, Dolly! Starring Richard Skipper as Carol Channing and The Rocky Horror Show (Winner Year End Best Theatre Awards 2011, New Jersey Star Ledger and Tri-City News).  In 1995 Tom founded The Genesius Theatre Guild a non-profit organization dedicated to new works. Notable writers included Andrew Lippa, Adam Gwon, Joe Iconis along with Kerrigan and Lowdermilk who created work through Genesius' new musicals Upstairs At Red cabaret program. Tom worked with playwright Itamar Moses and produced the premiere production of Jonathan Tolin's The Last Sunday In June which became the highlight of Rattlestick Productions 2003 off Broadway season and went on to its commercial New York run at the Century Center Theatre.  Tom was a member of Circle Repertory Company as a LAB member and directed at other prominent NYC companies that included Naked Angels and Ensemble Studio Theatre in addition to directing many plays and musicals at regional theatres across the U.S. Tom attended New York University as an acting major and studied acting with Stella Adler and directing with Suzanne Shepherd and Larry Arrick. ​He has worked in all areas of professional theatre: regional, summer, dinner theatre, off and on Broadway. Tom has taught acting, musical theatre  classes and workshops at The American Musical and Dramatic Academy (AMDA), Wagner College, New York University, The Creative Acting Company, NYC. A member of the Stage Directors and Choreographers Society (SDC) and Actors' Equity Association (AEA), his website can be found at www.ThomasMorrissey.com

"it's also educational there are a lot of younger people who don't know about this history"

 On this episode my guest is Rob Schneider, who returns to the podcast to talk about his new book, Queer Musicals — Boy Meets Boy to Jagged Little Pill. Robert W. Schneider is a historian, director, producer, author, educator, and podcast host, and the Artistic Director of the J2 Spotlight Musical Theater Company in New York. And since working as an original programming producer at 54 Below, Rob has directed and produced over 100 concerts for the venue. His first book, 50 Key Stage Musicals, was published in 2022. On this first episode in this series, we discuss the musicals Boy Meets Boy, La Cage aux Folles, and The Knife. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Professor Brian Hu from SDSU helps us tackle the world of Asian and Asian American cinema as they travel throughout various locales. Hu's position as a film scholar and Artistic Director of the San Diego Asian Film Festival leads us through conversations about how people connect with and discover Asian culture. We touch on how regionality and heritage influence people's interactions with Asian and Asian American media. We also discuss the shifting definitions of Asian American and how that plays out in AAPI/AANHPI film festival creation. Hu guides us through the process of film curation and circulation at AAPI/AANHPI film festivals. In the end, we ask Hu what to look forward to for the upcoming 2025 SDAFF on November 6-15.  Our discussion with Hu leaves us wondering what the future holds for Asian and Asian American media as global industries become more invested in Asian works like K-pop, anime, and Labubus.  Here are some of the references from this episode, for those who want to dig a little deeper:Academic Readings:Worldly Desires: Cosmopolitanism and Cinema in Hong Kong and TaiwanIdentities in Motion: Asian American Film and VideoMaking Asian American Film and Video History, Institutions, MovementsDoogie Kameāloha, M.D.: Gen Z to AAPI Direct Marketing and Its Effects on Native Hawaiians (chapter) Pop Cosmopolitanism: Mapping Cultural Flows in an Age of Media Convergence (chapter)Names and Locations:Payal KapadiaAnna May WongNancy KwanLisa LuJames ShigetaPeter X FengJun OkadaJohn WooDante BoscoIngyu OhDaniel Dae KimBruce LeeJackie ChanHayao MiyazakiStudio GhibliSatoshi KonBig Bang (group)Ang LeeSeafood CityFilm Festivals:San Diego Asian Film FestivalLos Angeles Asian Pacific Film FestivalCineconFestival de CannesBusan Film FestivalGolden Horse Film FestivalSan Francisco Silent Film Festival Berlin Film FestivalMovies, Shows, and Media:A Night of Knowing NothingGodzilla Minus OneUlanHard BoiledFlower Drum SongAll We Imagine As LightNe ZhaNe Zha 2The Untamed (TV Series)Pulp Fiction Chan is MissingButterfly (TV Series)The DebutUltraman seriesGundam seriesThe Fabulous Filipino BrothersSuperstore (TV Series)Destroy All MonstersThe MatrixJoy Luck ClubTFCHaikyu!! The Dumpster BattleCrunchyrollCrunchyroll partners with Delta AirlinesJust According to Keikaku memeNaruto (anime, manga)Animal Crossing Crazy Rich AsiansSinnersX-FilesMillenium ActressPerfect BlueTokyo GodfathersDemon Slayer: Kimetsu no Yaiba- The Movie - Infinity CastleDemon Slayer Infinity Castle US Box Office KPop Demon HuntersMy Neighbor TotoroThe Boy and the HeronParasiteSquid GamesTikTokCriterion Channel Hong Kong Action ClassicsCriterion Channel Asian American 80'sCriterion Channel Asian American Filmmaking 2000-2009 (user list of films from collection)TerminatorJames BondDrive My Car ––––––––––––––––––––––––––––––Share your thoughts via Twitter with Henry, Colin and the How Do You Like It So Far? account! You can also email us at howdoyoulikeitsofarpodcast@gmail.com.Music:“In Time” by Dylan Emmett and “Spaceship” by Lesion X.In Time (Instrumental) by Dylan Emmet https://soundcloud.com/dylanemmetSpaceship by Lesion X https://soundcloud.com/lesionxbeatsCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: https://bit.ly/in-time-instrumentalFree Download / Stream: https://bit.ly/lesion-x-spaceshipMusic promoted by Audio Library https://youtu.be/AzYoVrMLa1Q––––––––––––––––––––––––––––––

Episode 91: Christian McBride. Nine-time GRAMMY winner Christian McBride is one of the most influential jazz artists in the game. His collaborations span icons like Chick Corea, Herbie Hancock, Pat Metheny, James Brown, and Sting. He's the leader of multiple acclaimed bands including the Christian McBride Big Band, Inside Straight, and New Jawn. He also serves as the host of NPR's Jazz Night in America and was the Artistic Director of the Newport Jazz Festival for a decade. His story is incredible, and we're setting the stage here with Part 1, The Early Years. Growing up in Philadelphia, Christian was surrounded by greatness. His high school classmates included Questlove, Black Thought, Joey DeFrancesco, and Kurt Rosenwinkel, just to name a few. In this episode, we talk about those formative years, the Philly music scene, and how he broke into the spotlight with Wynton Marsalis and Freddie Hubbard, along with the wild story of his rare opportunity to play for Miles Davis. We also get into his professional mentality, early lessons on leadership, and what it took to earn respect from legends while still a teenager. Christian is an amazing storyteller, and this conversation is full of history, heart, and laughs. We had the best time recording this one, so I hope you enjoy it as much as we did. Lets go! Special thanks to Apogee Electronics. We used their Apogee HypeMic and Podcast Kit in this episode and they sounded great. Check it out! Apogee HypeMic & Podcast Kit: https://hubs.li/Q03zczhb0 ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! https://www.patreon.com/gowithelmo Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Christian: https://www.instagram.com/chrmcbride/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

An interview with writer, director, translator and theater critic Carol Rocamora, who founded the Philadelphia Festival Theatre for New Plays in 1981, and was its Artistic Director to 1994. Philadelphia-area playwright Michael Hollinger was Rocamora's literary manager in the early 1990s, and credits his time working with Carol at PFT for helping to shape his future career. A blog post on our website, with additional information and images, is here: https://www.aithpodcast.com/blog/philadelphia-festival-theatre-blog-post/Support the show"Adventures in Theater History: Philadelphia" the BOOK can be ordered from independent bookstores and at all online book retailers now! Our website: www.aithpodcast.comOur email address: AITHpodcast@gmail.comBluesky: @aithpodcast.bsky.socialFacebook: https://www.facebook.com/AITHpodcastInstagram: https://www.instagram.com/aithpodcast/ Support us on Patreon! GO HERE© Podcast text copyright, Peter Schmitz. All rights reserved. ℗ All original voice recordings copyright Peter Schmitz. ℗ All original music copyright Christopher Mark Colucci. Used by permission.

Arianne MacBean writes, “Your anger is the spark of your inner fire.” As outlined in her upcoming book, Tough Shit: The Angry Woman's Guide to Embodying Change, that spark is something every woman deserves to honor. This week she joins me for a conversation that's all about reclaiming that fire and learning how to channel it into transformation. Arianne is a licensed marriage and family therapist in Los Angeles with a certificate in somatic psychotherapies and practices. We talk about the power of anger as a tool for self-knowledge, how the patriarchy taught us to suppress it, and why embracing it is one of the most radical acts of self-compassion a woman can take.  Arianne also shares how her background as a dancer and choreographer shaped her somatic therapy work and how tuning into the body allows us to uncover what's really beneath our anger: fear, sadness, hurt, and ultimately, truth. This conversation is such a beautiful reminder that anger isn't something to fix, it's something to feel, follow, and transform. ✨ If you'd like to watch the video version of this episode, you can find it here. What you'll hear about in this episode: Why anger is powerful information, not something to suppress (3:32) How somatic therapy connects movement, body awareness, and emotional healing (5:36) Ways to use anger as armor and as a guide toward deeper healing (13:20) The surprising history behind the phrase “tough shit” and Arianne's reclamation of it (19:30) That there are men actually doing the inner work on themselves, facing hard truths, and learning to show up differently in relationships (34:35) Learn more about Arianne MacBean: Arianne MacBean is a Somatic Psychotherapist, writer, and educator. She taught dance at the middle, high school, and college levels for over twenty years and was the Artistic Director of The Big Show Co., an LA-based dance-theater group. She holds a BA in Dance from UCLA, a Double MFA in Dance & Writing from California Institute of the Arts, and an MA in Counseling Psychology from Pacifica Graduate Institute. She works with individuals and couples to heal from trauma, learn healthy communication skills, and trust the body's wealth of wisdom. Resources & Links: Focused Strategy Sessions with Kate The Divorce Survival Guide Resource BundlePhoenix Rising: A Divorce Empowerment CollectiveKate on InstagramKate on FacebookKate's Substack Newsletter: Divorce Coaching Dispatch The Divorce Survival Guide Podcast Episodes are also available YouTube! Pre-Order Arianne's book, Tough Shit: The Angry Women's Guide to Embodying ChangeArianne's websiteArianne on Instagram Arianne's Substack =================== DISCLAIMER:  THE COMMENTARY AND OPINIONS AVAILABLE ON THIS PODCAST ARE FOR INFORMATIONAL AND ENTERTAINMENT PURPOSES ONLY AND NOT FOR THE PURPOSE OF PROVIDING LEGAL OR PSYCHOLOGICAL ADVICE.  YOU SHOULD CONTACT AN ATTORNEY, COACH, OR THERAPIST IN YOUR STATE TO OBTAIN ADVICE WITH RESPECT TO ANY PARTICULAR ISSUE OR PROBLEM. =================== Episode link: https://kateanthony.com/podcast/episode-341-the-angry-womans-guide-to-embodying-change-with-arianne-macbean/

[@ 13 min] Alright, this week…Carlo Rizzi goes Inside the Huddle. One of the world's foremost opera conductors and Artistic Director of Opera Rara, the latest volume of his Donizetti Song Project (featuring Friend of the Show soprano Ermonela Jaho) just dropped, as the Maestro concludes a run ofTurandot at the Met. The Italian conductor joins OBS to share his passion for Puccini and to offer a few choice words about the situation at La Fenice. [@ 35 min] Plus, in the Two Minute Drill...Rabblerouser and warrior of the resistance Kathryn Needleman is profiled in WashPo, and engaged-to-be married baritone Huw Montague Rendall wins a Gram..…..ophone. GET YOUR VOICE HEARD Stream new episodes every Saturday at 10 AM CT on amplisoundsradio.com operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 463rd episode of THE PLAYWRITING PODCAST. Episode Story Topic: Writing the 1 Actor Show! My Coaching Program: Write your Own One Actor Show is 25% off with the code IAMTHESTAR at checkout. https://www.manhattanrep.com/one-actor-show   Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM for more on Manhattan Rep's Celebration of 20 Years, with videos from out productions and so much more! @manhattanrepertorytheatre AND until October 27, my standard Playwriting Coaching is 40% off with the code PLAYPOD at checkout. https://www.manhattanrep.com/playwriting-coaching And... MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers.  Now 20% off with the Code: YESYOUCAN Book it here:   https://www.manhattanrep.com/premiere   My Fantastic Playwriting Book on Amazon!  The Complete Fantastic Play Series! https://www.amazon.com/dp/B0DT6LQWZC Email: How2WritePlays@yahoo.com

To be artistic director of one of the world's great ballet companies is a daunting task. But Tamara Rojo is accustomed to pressure: as Royal Ballet, artistic director of English National Ballet, and now of San Francisco Ballet (SFB), America's oldest classical company. Tamara has the gift of making each programmes an event; the highlight of her first season at SFB was Mere Mortals, a ballet for the age of AI, which attracted a new audience to watch and party. We ask Tamara: how does she juggle all the demands of her role? And what is it like to lead a major arts organisation in modern America? Tamara Rojo is a celebrated leader and principal dancer who became Artistic Director of San Francisco Ballet in 2022. Previously, she was Artistic Director and Lead Principal of English National Ballet (ENB) for over 10 years, having also been principal dancer of the Royal Ballet. Her repertoire includes lead roles in all full-length ballet classics, as well as works by Balanchine, Robbins, Ashton and MacMillan. Her numerous awards include the Olivier Award for Best Achievement in Dance in 2017 and the Principe de Asturias Award in 2005. In 2016, she was awarded a CBE for services to dance. Listen to RAD's Why Dance Matters podcast now, available on all major listening platforms. Hosted on Acast. See acast.com/privacy for more information.

This episode was recorded live on October 17, 2025 at The Adrienne Arsht Center for the Performing Arts in Miami before the opening of Miami City Ballet's 40th anniversary season. This pre-performance talk coordinated with the all Peck program that the company opened their season with, which included "Year of The Rabbit," "Chutes and Ladders," and "Heatscape."Listen to Conversations on Dance ad-free on Patreon: https://www.patreon.com/cw/conversationsondanceLINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.

Join host Joanne Carey as she chats with Special Guest: Dante Puleio, Artistic Director of Limón Dance CompanyIn this episode of "Dance Talk” ® with Joanne Carey welcomes back Dante Puleio, the artistic director of the Limón Dance Company. They discuss the upcoming season, which celebrates the 80th anniversary of the company, and explore themes of masculinity, queerness, and the legacy of José Limón. Dante shares insights into his journey from dancer to artistic director, the importance of restaging classic works, and the challenges of funding the arts. The conversation highlights the collaborative nature of the rehearsal process and the significance of bridging generations in dance.Dante Puleio is the Artistic Director​ of the Jose Limón Dance Company. A widely respected former member of the Limón Dance Company for more than a decade, Puleio is the sixth Artistic Director in the Company's 75-year history, a position that originated with Doris Humphrey. After a diverse performing career with the Limón Dance Company, touring national and international musical theatre productions, television and film, he received his MFA from University of California, Irvine. His research focuses on contextualizing mid 20th century dance for the contemporary artist and audience. He is committed to implementing that research by celebrating José Limón's historical legacy and reimagining his intention and vision to reflect the rapidly shifting 21st century landscape.You can find information on the Limón Dance Company and all the performances and programs offered on their websitehttps://www.limon.nyc/Instagram @limondance“Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."⁠⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠⁠Follow Joanne Carey on Instagram @westfieldschoolofdanceTune in. Follow. Like us. And SHARE!Please leave us review about our podcast! 

Artistic Director of Dundee Rep and vocal coach to the stars – Andrew Panton is here! The post Andrew Panton appeared first on Putting it Together.

Episode 643 also features an E.W. Poetic Piece titled, "Stellar Son." Our music this go round is provided by these wonderful artists: Thelonious Monk, the Kinks, Roxy Music, Kokorok9 Branford Marsalis & Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors

SPECIAL EPISODE:This week, we dive into the heart of storytelling and community as we gear up for the 30th annual Ojai Storytelling Festival, taking place this Thursday through Sunday (October 23-26) in the beautiful Ojai Valley. I'm joined by two remarkable voices behind the festival: Kara Martin Lakes, the Executive & Artistic Director of Performances To Grow On, which produces the Festival; and Regi Carpenter, internationally acclaimed storyteller and master of ceremonies for the weekend.What we talk aboutKara walks us through this year's schedule — community-free events, workshops, the iconic Sunset Soirée celebration, the Story Slam, and how the festival is being brought into the heart of the town. Ojai Story Fest+2Ojai Story Fest+2Regi reflects on what it means to tell a story — and to hear one — in our modern age, and why the spoken word still has the power to move, to heal, and to connect. Ojai Story Fest+2Ojai Story Fest+2A candid conversation about facing financial hurdles: how the Festival is navigating the loss of a key $25,000 grant from the National Endowment for the Arts (NEA), and what it says about sustaining arts in a small town in today's environment.How the Festival is intentionally reaching into the community — schools, youth outreach, inclusive programming — and why Ojai is the perfect place for this kind of gathering. ojaiwomensfund.org+1A moving (and hilarious) moment from Regi: a story about her mother buying a piano — how a seemingly simple act became a rich metaphor for memory, legacy, and resilience.Tips for listeners: how to get the most out of this year's festival, whether you're coming for one show or planning a whole-weekend pass.And: Why you might consider adding a story to your toolbox — not only as a listener but as a teller.Why this mattersThe Ojai Storytelling Festival isn't just another arts event. It's a gathering where stories live out loud under the oaks, where children in our valley hear voices from around the world, and where the tradition of the spoken word reminds us that despite technology, despite the hustle, what really brings us together is story. The Santa Barbara IndependentListen in ifYou're curious about the behind-the-scenes of a 30-year-old festival.You've ever wondered how arts organizations survive budget setbacks and keep community alive.You love storytelling or want to start telling your own.You're local — or thinking of making the drive to Ojai — and want a preview of what to expect.

Join us as we chat with Pam Victor, Founder/President and Head of Happiness and Scott Braidman Managing and Artistic Director about the past 10 years of the HVC story and where they are headed next. Thanks to a strong board of directors, performers, audience, and community they are smiling ear to ear. Located at 1Mill Valley Road in Hadley they are building out their stage literally and figuratively to encompass more room for more people. Their core values sum up the way that they approach most things: Follow the Joy and Ease Assume Good Will Be of Service Redefine and Disempower Failure Play More Listen in as we lean into improv and how we can play more. Whether you come for a class, or to attend a performance, perhaps a workshop, just come. You will find a place that you can be yourself and enjoy the time away from all the other obligations that weigh you down. Oh, and Bob Lowry if you are listening, we love you, Scott especially. Thanks for joining us.

Join us as we chat with Pam Victor, Founder/President and Head of Happiness and Scott Braidman Managing and Artistic Director about the past 10 years of the HVC story and where they are headed next. Thanks to a strong board of directors, performers, audience, and community they are smiling ear to ear. Located at 1Mill Valley Road in Hadley they are building out their stage literally and figuratively to encompass more room for more people. Their core values sum up the way that they approach most things: Follow the Joy and Ease Assume Good Will Be of Service Redefine and Disempower Failure Play More Listen in as we lean into improv and how we can play more. Whether you come for a class, or to attend a performance, perhaps a workshop, just come. You will find a place that you can be yourself and enjoy the time away from all the other obligations that weigh you down. Oh, and Bob Lowry if you are listening, we love you, Scott especially. Thanks for joining us.

Join us as we chat with Pam Victor, Founder/President and Head of Happiness and Scott Braidman Managing and Artistic Director about the past 10 years of the HVC story and where they are headed next. Thanks to a strong board of directors, performers, audience, and community they are smiling ear to ear. Located at 1Mill Valley Road in Hadley they are building out their stage literally and figuratively to encompass more room for more people. Their core values sum up the way that they approach most things: Follow the Joy and Ease Assume Good Will Be of Service Redefine and Disempower Failure Play More Listen in as we lean into improv and how we can play more. Whether you come for a class, or to attend a performance, perhaps a workshop, just come. You will find a place that you can be yourself and enjoy the time away from all the other obligations that weigh you down. Oh, and Bob Lowry if you are listening, we love you, Scott especially. Thanks for joining us.

Join us as we chat with Pam Victor, Founder/President and Head of Happiness and Scott Braidman Managing and Artistic Director about the past 10 years of the HVC story and where they are headed next. Thanks to a strong board of directors, performers, audience, and community they are smiling ear to ear. Located at 1Mill Valley Road in Hadley they are building out their stage literally and figuratively to encompass more room for more people. Their core values sum up the way that they approach most things: Follow the Joy and Ease Assume Good Will Be of Service Redefine and Disempower Failure Play More Listen in as we lean into improv and how we can play more. Whether you come for a class, or to attend a performance, perhaps a workshop, just come. You will find a place that you can be yourself and enjoy the time away from all the other obligations that weigh you down. Oh, and Bob Lowry if you are listening, we love you, Scott especially. Thanks for joining us.

Episode 191:For today's guest episode it is a welcome return to Ricky Dukes, artistic director of Lazarus Theatre Company. Following on from our conversation about ‘Henry V' Ricky and I went on to discuss ‘Julius Caesar'. Not surprisingly our conversation pulled out some alternative points to those I raised in my episode on the play, especially when it came to talking about aspects of staging the play and the impact of the female roles in the play, which I did not mention in any detail previously. So, please see these two episodes as complimenting each other, but as long as you are familiar with the play you don't need to have listened to my episode first, or, for that matter, our earlier discussion of ‘Heny V', to enjoy this one. Ricky Dukes is an award-winning Director, Practitioner and Teacher based in the West Midlands and London. In 2007 he founded Lazarus Theatre Company and is the company's current Artistic Director for which he won Best Artistic Director in the 2012 Fringe Report Awards. His work is ensemble led with actor detail at its heart creating large scale visual, visceral, and vibrant theatrical experiences. Ricky has gone on to direct over 40 productions for Lazarus Theatre Company including: The Changeling, Hamlet, Doctor Faustus, Oscar Wilde's Salomé, Macbeth, Marlowe's Edward II, The Caucasian Chalk Circle, Tis Pity She's A Whore, and Dido, Queen of Carthage. Ricky also runs workshops for actors under the ‘Lazarus Gym' banner, and I have put links in the show notes to his activities so you can follow that up further if you wish.Check out Lazarus Theatre here: https://www.lazarustheatrecompany.co.ukSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Interview Date: April 13th, 2025Episode Summary:International choreographer, aerialist, and performer Johanna Sapakie (Cirque du Soleil, Super Bowl LIV with Jennifer Lopez, Hustlers, Dita Las Vegas) drops a masterclass in longevity and reinvention. From creating her own “scholarship program” after a studio closed, to bold networking that led to her first agent within months, Johanna shows how resourcefulness plus relentless training turn opportunities into credits. She breaks down the leap from dancer to aerialist/pole artist, how Hustlers led straight to the Super Bowl, and why the real separator isn't trick difficulty—it's entertainment value. We also cover working with A-list artists, targeted demo reels, practical grip/endurance tips, and her current creative leadership role revamping Ringling Brothers. If you're an aspiring pro, this episode is your blueprint for asking clearly, training smart, and staying in the game—decades in.Shownotes:(0:00) — Introductions & career pivots during pandemic(11:46)— Builds DIY scholarship training program(18:48) — First agent & early industry mentors(23:44) — Discovering aerial work, first opportunities(30:28) — Cirque du Soleil breakthrough moment(32:33) — Pole artistry, JLo & Hustlers36:49 — Inside JLo's work ethic & process(42:46) — Training evolution: 20s, 30s, 40s(45:23) — Creative directing Ringling & Dita Las Vegas(50:47) — Entertainment value outlasts technical tricksBiography:Johanna Sapakie is an accomplished Artistic Director, Choreographer and Performer. Johanna has been involved in many projects on stage and on camera including the Super Bowl LIV Halftime Show, Hustlers and Medicine with JLo, Cirque Du Soleil's Michael Jackson ONE and Viva ELVIS, Dancing With the Stars, So You Think You Can Dance, The Tournament of Roses Parade, RuPaul's Drag Race Live, Shiners Nashville, the Arabesque Festival at the Kennedy Center, Songs of Soul and Inspiration with Debbie Allen, the re- release of Michael Jackson's “Blood on the Dance Floor”, Miley Cyrus: Live in Concert World Tour, 2 tours for Madonna and Splendor by Dragone. Johanna is also an accomplished aerial acrobat and performs on many different apparatus including tissú, lyra, spans, hammock, acro & aerial pole, and aerial heart . She has just recently completed the creation of the new residency Dita Las Vegas: A Jubilant Revue as their acrobatic and associate choreographer. Johanna also proudly teaches master classes and workshops around the world in pole, aerial acrobatics and dance. She excels at artist development and act creation.Connect on social media:Instagram: Www.instagram.com/johannasapakiereal

Amazingly, this year marks the 20th Anniversary of the Broadway musical The 25th Annual Putnam County Spelling Bee. In 2005, after an incredibly short development period, opened first off-Broadway at Second Stage Theater, and quickly moved to Circle in the Square Theatre on Broadway. It was nominated for six Tony Awards and won two, including “Best Book of a Musical,” and the show would go on to run for 1,136 performances and be produced around the world. In celebration of that anniversary, two new productions will open this fall. Off-Broadway at New World Stages, performances are scheduled to begin on November 27, and next week, on October 21, Spelling Bee will open at Theater Under the Stars in Houston, Texas, where it is directed and choreographed by my guest today, TUTS's Artistic Director, Dan Knechtges. Not coincidentally, Knechtges made his Broadway debut as the choreographer of the original production, and as you will hear, he was actively involved in every stage of that musical's development from its very first incarnation working closely with composer/lyricist William Finn, and director, James Lapine. Knechtges' other Broadway credits includes the choreography of Sondheim On Sondheim, the revival of 110 in the Shade, and Xanadu, for which he received a Tony Award nomination, and the direction and choreography of the musical Lysistrata Jones. Learn more about your ad choices. Visit megaphone.fm/adchoices

We sit down with Crystal Bain, Owner and Artistic Director, and Jessie Tulleners, Assistant Artistic Director of Ripple Dance Company — the first and only professional contemporary-modern dance company in Coeur d'Alene, Idaho. Founded by Crystal, Ripple Dance Company gives advanced and professional-level dancers the opportunity to continue their artistic journeys right here in our community. The company also offers youth apprenticeships, produces both live and screen dance performances, and even hosts an annual dance film festival. Crystal shares her recent honor as the 2025 Dance Teacher of the Year by the Idaho Dance Education Organization and reflects on her journey as a teacher, choreographer, and creative force shaping the local arts scene. Together, Crystal and Jessie talk about their mission to make a ripple in the community — inspiring others through innovation, education, and a genuine love for movement. Learn more at www.rippledance.com.

In this episode of the Broad Street Review podcast, host Darnelle Radford speaks with Nell Bang-Jensen, CEO and producing director of Fringe Arts, as they reflect on her first year in the role. They discuss the importance of Fringe Arts in supporting new and experimental work, the growth of the festival, and the significance of community engagement in the arts. Nell shares insights on the challenges faced by artists, the role of workshops, and the unique experiences offered by events like Feastival. The conversation also touches on funding challenges and the potential for more festivals in Philadelphia, emphasizing the need for continued support for the arts community.Chapters00:00 Introduction to Fringe Arts and Nell Bang-Jensen02:12 Reflecting on a Year at Fringe Arts04:06 The Importance of Fringe Festivals06:30 Supporting Artists and Workshops08:29 Navigating the Festival Landscape11:04 The Role of Community in the Arts14:19 Festival Growth and Audience Engagement15:29 Curated vs. Neighborhood Festivals17:54 Thematic Hubs and Community Engagement20:35 Challenges with Non-Traditional Spaces23:29 The Future of Fringe Arts25:59 Feastival: A Culinary and Arts Experience28:16 Planning for the Future of Fringe Arts33:51 Community Needs and Artist Support35:59 The Future of Festivals in Philadelphia38:56 Funding Challenges in the Arts39:48 Conclusion and Future AspirationsABOUT NELL BANG-JENSEN (CEO and Producing Director of FringeArts)Nell Bang-Jensen is a Philadelphia-based theater maker and the newly appointed Artistic Director of Theatre Horizon She has created four full-scale, original works, in addition to directing and producing for many of Philadelphia's major theater institutions, including Philadelphia Theatre Company, the Wilma, Pig Iron, and the Painted Bride. Nell is a recipient of a 2019 Map Fund Award, a Next Stage Director's Fellowship from the Drama League (2019), a Thomas J. Watson Fellow (2011-2012), a Frank 5 Fellow for the Aydelotte Foundation (2017), and a participant in the Leadership U: One-on-One program, funded by the Andrew W. Mellon Foundation and administered by Theatre Communications group; a national fellowship given to eight individuals who TCG believes are the core and future of theater. In October 2018, American Theatre magazine named her one of six "theatre workers to know" across the nation.FOR MORE ABOUT FRINGE ARTS: https://fringearts.com

In this episode, WYCE Station Manager Phil Tower speaks with Mary Jennings, Executive Director with The Grand Rapids Ballet, and James Sofranko, the Artistic Director with the Grand Rapids Ballet.Mary and James joined us on the program for a preview of the 2025–2026 season.The season kicks off with the world premiere production of “Sherlock"--October 24-26, 2025, at Peter Martin Wege Theatre. Next up is the timeless holiday classic, “The Nutcracker", December 12-14 & 19-21 at DeVos Performance Hall, and three other dynamic productions throughout the remainder of the Ballet's 2025-2026 season. Tickets for all shows, as well as more information, are available at grballet.comOnline: The Grand Rapids Ballet

A 25 year veteran actor, director, producer and writer who is from Brooklyn, NY / Woodbridge, NJ. Ronnie wrote and starred in I'm Not A Comedian… I'm Lenny Bruce, Directed by Joe Mantegna. The play ran for over 412 performances between Los Angeles, New York, Chicago and the National Tour. He is also known for his television work on CBS' Criminal Minds, FOX's Lethal Weapon as well as a 150 episode arc as Detective Ronnie Dimestico on General Hospital. As an actor, Marmo starred in more than 70 feature films includingDeuces Wild and  Back in the Day. He has directed over 50 stage plays, films and TV series. Ronnie has also produced 12 films and 110 plays/musicals in LA, NYC and CHI. Marmo has been the proud Artistic Director of Theatre 68 in LA and NYC for the last 22 years.

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 462nd episode of THE PLAYWRITING PODCAST. Episode Story Topic: WHAT TO DO WHEN YOU ARE STUCK! Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program AND... Also, Check out Manhattan Rep's INSTAGRAM for more on Manhattan Rep's Celebration of 20 Years, with videos from out productions and so much more! @manhattanrepertorytheatre AND for this week only, my standard Playwriting Coaching is 40% off with the code PLAYPOD at checkout. https://www.manhattanrep.com/playwriting-coaching And... MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers.  Now 20% off with the Code: YESYOUCAN Book it here:   https://www.manhattanrep.com/premiere   My Fantastic Playwriting Book on Amazon!  The Complete Fantastic Play Series! https://www.amazon.com/dp/B0DT6LQWZC Email: How2WritePlays@yahoo.com

On today's episode of "Conversations On Dance" we are joined by superstar NYCB ballerina Tiler Peck and Garen Scribner, former SFB soloist and the Artistic Director of the San Francisco Dance Film Festival. Tiler recounts how her harrowing recovery from a potentially life altering injury was captured on film after Garen suggested the process be turned into a documentary. The resulting project is "Tiler Peck: Suspending Time", a documentary film making its premiere at the SF Dance Film Festival this October 24th at the Lucasfilm Premier Theater. To purchase tickets, visit sfdancefilmfest.org. Announcement:We are thrilled to announce that we will be returning to Miami City Ballet October 17th-19th to host live pre-performance talks for the opening weekend of the company's 40th anniversary season. For each talk, we will be joined by Gonzalo Garcia as he ushers the company into its first season under his direction. Full details below. This program is truly not to be missed: the all Peck program includes ‘Year of the Rabbit', ‘Chutes and Ladders', and ‘Heatscape.' If you are in the Miami area come join us.DETAILS:FRI October 17 with Gonzalo Garcia at 6:30pmSAT October 18 with Gonzalo and Justin Peck at 6:30pmSUN October 19 with Gonzalo and Patricia Delgado at 1pmAdmission to pre-performance talks at the Arsht Center is complimentary with ticket purchase. Tickets available here: https://www.miamicityballet.org/tickets-and-events/202526-season/peck/. If you are unable to join us in person, subscribe to the Conversations on Dance podcast feed through your favorite podcast app, where we will be publishing recordings of the events.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.

Welcome to a new season of Movers & Shapers: A Dance Podcast, hosted by Erin Carlisle Norton, choreographer and Artistic Director of The Moving Architects. In this update episode, Erin shares what she's been up to, including the company's site-specific project Where She Once Stood, which brought Montclair's Crane House & Historic YWCA to life through dance, history, and storytelling. This podcast is made possible this season by The Ohio State University Dance Department's Dance Preservation Grant and a generous anonymous donor. Special thanks to both for supporting the podcast and helping preserve and share dance stories with artists and audiences everywhere. Erin also previews the season ahead, featuring interviews with dancers, choreographers, and leaders shaping contemporary dance today. Tune in for stories, insights, and artistry that continue to inspire, guide, encourage, and connect the dance community. Movers & Shapers: Instagram & Facebook Learn more about The Moving Architects' recent dance project  “Where She Once Stood”  and preview "Where She Once Stood" on State of the Arts. Connect with the podcast and Erin! info@themovingarchitects.org or our Movers & Shapers Instagram.

In this episode, we sit down with Khalia Davis Philp, Producing Artistic Director of The Coterie Theatre in Kansas City. Khalia is a multidisciplinary artist, director, and producer whose journey has taken her from Broadway workshops to children's theaters across the country. In our conversation, she shares the inspirations, mentors, and opportunities that shaped her path, how she came to lead The Coterie, and what it means to center inclusion, creativity, and accessibility in youth-focused theater. Khalia co-leads The Coterie with the managing director, helping guide its performances and programs throughout the Kansas City region. Before taking on that role, she served as Assistant Director for the Broadway-bound world premiere The Hippest Trip: The Soul Train Musical. As the former Artistic Director of Bay Area Children's Theatre (BACT), she oversaw new works like A Kids Play About Racism, which involved over 40 theater partners (including The Coterie) and reached nearly 80,000 viewers via Broadway on Demand — later becoming a free resource for classrooms. She also led The Imaginaries: An Immersive Musical, developed through the BACT Writer's Room to amplify opportunities for BIPOC playwrights and composers. During the pandemic, she and her team pivoted to digital and audio storytelling for young audiences, exploring how digital and theatrical experiences can merge. Her directing and devising credits include the award-nominated She Persisted, The Musical (based on Chelsea Clinton's book); a stage adaptation of Maya Angelou's I Know Why the Caged Bird Sings for New York City Children's Theater; and Arthur and Friends Make a Musical! for First Stage, inspired by the long-running PBS series Arthur. She's worked with major theaters including A.C.T., Atlantic for Kids, Disney Theatrical Group, Spellbound Theatre, and more, and as a producer has helped organizations expand their reach through interactive “edu-tainment,” digital preschool content, and children's media initiatives via her own company, Kids at Heart Productions. In our conversation, we dig into: the mentors and moments that shaped Khalia's artistic identity the choices that led her to Kansas City and her role at The Coterie how she and her team approach season programming and curation what inclusion, representation, and accessibility look like in practice at The Coterie the future she hopes to build through theater that reflects and inspires all ages Tune in to hear how Khalia is helping shape the next generation of storytellers- and to get an inside look at The Coterie's vision for children's theater in Kansas City and beyond!  Follow Khalia on Instagram and visit her website. October is the perfect time for a dental check-up—before the holiday sweets roll in!As the school year settles in, don't forget to schedule your child's yearly dental appointment. Regular visits help catch small issues before they become big problems and keep those smiles healthy and bright Children's Mercy Kansas City is built for kids. That's why we have been taking care of the kids in the community for more than 125 years. Learn more.  What We're Loving In Kansas City Clementine's Ice Cream Sarah and her husband, Shea, recently made it over to the new Clementine's Creamery in Prairie Village. It's known for its small-batch, handcrafted ice cream and has expanded from St. Louis to PV at 6966 Mission Road. The parlor offers 24 chef-inspired flavors daily, including non-dairy, vegan, gluten-free, and sorbet options, with favorites like Gooey Butter Cake and Salted Caramel Cookies & Cream. Guests can enjoy ice cream in waffle bowls, sundaes, floats, or take-home pints. Sarah said it was the best ice cream she's ever had! Trunk or Treat in KC  Megan loves taking her kids to check out a couple of the trunk or treat events in Kansas City every Halloween Season. We have a guide here with the full list!

Interview Date: March 23rd, 2025Episode Summary:This episode spotlights Robert Garland, Artistic Director of Dance Theatre of Harlem (DTH)—former principal dancer, DTH's first resident choreographer, and a Juilliard BFA graduate. Beyond the concert stage, Garland's work spans New York City Ballet, The Royal Ballet, Oakland Ballet, and commercial projects from Sesame Street to Nike and the NAACP Image Awards.Garland traces DTH's roots to Arthur Mitchell's 1969 vision and explains how Mitchell's lecture-demonstration model built audiences and access. He folds in a vivid business/history lesson on George Balanchine—from the Ballets Russes and Coco Chanel's short ballet skirt to the Harlem Renaissance's jazz influence that helped shape neoclassicism and, crucially, how smart repertoire and audience-building choices drove growth. On the business side, Garland stresses that relationships power opportunities and fundraising—“contacts become contracts”—and lifts the curtain on the theater's “cottage industry” (development, marketing, production, stage management). For dancers, he offers pragmatic guidance: cultivate musicianship and form, be multifaceted (social, lighting, admin), and understand cycles of work—pace your week so you peak for shows. He unpacks today's video-first auditions, urging care with presentation, while affirming many legitimate pathways (college, company route, or self-directed study).Show notes:(0:00) – Robert Garland introduction & career highlights(09:41) – Dance Theatre of Harlem origin & mission(14:55) – Juilliard audition story and scholarship journey(16:56) – Balanchine, Coco Chanel, and neoclassicism explained(25:51) – “Contacts = Contracts”: relationships fuel opportunities(33:16) – Careers beyond stage: marketing, production, education(38:27) – Arts education builds empathy and compassion(42:34) – Audition process and rise of video submissions(51:41) – Transition into commercial/TV work with hip-hop artists(1:12:11) – From dancer to choreographer to creative leadershipBiography:Artistic Director Robert Garland was a member of the Dance Theatre of Harlem Company from 1985-1998, achieving the rank of principal dancer. After creating a work for the DTH School Ensemble, Arthur Mitchell invited Mr. Garland to create a work for The Dance Theatre of Harlem Company and appointed him the organization's first Resident Choreographer. Before becoming DTH Artistic Director, he was Director of the Dance Theatre of Harlem school. In 2023, Mr. Garland was appointed the Artistic Director of Dance Theatre of Harlem. His works for the company include Higher Ground, New Bach, Return, Nyman String Quartet No. 2, and The Cookout among others, many are in his signature postmodern-urban-neo-classical style.  In addition to choreographing several ballets for DTH, Mr. Garland has also created works for New York City Ballet, Britain's Royal Ballet, Oakland Ballet and many others.  His commercial work has included music videos, commercials and short films, including the children's television show “Sesame Street”, a Nike commercial featuring New York Yankee Derek Jeter, the NAACP Image Awards, a short film for designer Donna Karan, and the “Charmin Cha-Cha” for Proctor and Gamble. Mr. Garland holds a Bachelor of Fine Arts Degree from the Juilliard School in New York City.Connect on Social Media:Instagram -https://www.instagram.com/robertgarlandWebsite - dancetheatreofharlem.org

This is the second part of this Encore Episode from 2021 featuring a conversation with Irene Sankoff & David Hein — the dynamic writing team and married couple that created the international smash hit musical Come From Away which recently topped American Theatre magazine's list of the most produced plays in America in 2025/26. On the previous episode Irene and David related how they got hooked on musicals, and how they went from their first show based on a true story — My Mother's Lesbian Jewish Wiccan Wedding — to deciding to create a musical based on the real life events that happened in the small town of Gander, Newfoundland in the days following 9/11. They also described what it was like to attend the 10th Anniversary of the events in Gander and then begin to transform the stories they heard there into a musical during an early workshop production at The Canadian Music Theatre Project at Sheridan College. We also explored the classic Broadway shows that influenced and inspired the writing of their book, music, and lyrics for Come From Away. If you missed part one you may want to go back and catch up on that episode before you listen to this one. Today we look at the extensive development process that CFA went through on its journey to Broadway — including a workshop in Seattle, a series of productions at the La Jolla Playhouse, The Seattle Rep, Ford's Theater in DC. and the Royal Alexandra Theatre in Toronto, as well as a thrilling concert presentation in Gander where it all began.  Back in 2015, I served as the Executive Producer and Artistic Director of The 5th Avenue Theatre in Seattle and, as such, I had the great pleasure of co-producing that original Seattle workshop of Come From Away. This was the first time that the show's Tony award winning director Christopher Ashley and choreographer, Kelly Devine began to work on the show — and it was great fun to recall that exciting experience with Irene and David. Come From Away is the fifth musical to originate in Canada and eventually open on Broadway.  The first was 1974's Rockabye Hamlet with book, music and lyrics by Cliff Jones. This rock musical adaptation of Shakespeare was originally titled Kronborg 1582 and was well received, first as a radio series on the CBC, and then at the Charlottetown Theatre Festival and on tour in Canada, before being retitled and opening on Broadway with Gower Champion as the director. It became a legendary flop and closed after 7 performances. Next, in 1980 came the intimate and engaging Billy Bishop Goes To War written by John McLachlan Gray the show featured one actor to playing18 different roles to tell the story of real life Canadian fighter pilot Billy Bishop during the first World War. This show nearly doubled the run of Rockabye Hamlet closing after 12 performances. However, over the next ten years Billy Bishop Goes To War received scores of productions at theaters all across North America.  The Story Of My Life, with music and lyrics by Neil Bartram and book by Brian Hill, opened on Broadway in 2009. Unfortunately, it had an even shorter run than either of the previous two Canadian shows. However, one year earlier, a group of Canadian writers finally scored a significant hit with The Drowsy Chaperone – book by Bob Martin and Don McKellar, and music and lyrics by Lisa Lambert & Greg Morrison. This delightful show opened on Broadway in 2008, received Tony Awards for Best Book and Best Original Score, and ran for 674 performances.   There have been a few other Canadian writers that found success on Broadway – Galt McDermott being the most famous of them – but that was with shows that originated in the US. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's episode of "Conversations On Dance", we are joined by Dante Puleio, Artistic Director of the Limón Dance Company, and esteemed choreographer Diego Vega Solorza, whose work for the company will premiere in the company's upcoming Joyce season. Dante tells us how he became familiar with Diego's work and why it was a natural fit for the company and the season, while Diego dives into his creative process and how the Limón dancers have shaped this particular work. The Limón Dance Company will perform at the storied Joyce theater in New York City from Tuesday, October 14th through Sunday October 19th. To purchase tickets visit joyce.org. SPONSOR:Friday through Sunday, November 7th through 9th, join Amanda Treiber and Company for their debut performances at the Mark O'Donnell Theater in Brooklyn! Featuring a cast of international artists, including dancers and musicians from New York City Ballet, and a world premiere to music by Philip Glass, these performances showcase NYC-based choreographer and dancer Amanda Treiber's ability to create worlds through unique movement vocabularies and her deep collaborations with dancers, musicians, and visual artists. You won't want to miss it! Reserve your tickets today at amandatreiber.com.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.