Podcasts about artistic directors

Cheryl Prashker: Artistic Director for the Goderich Celtic Roots Festival

We were at the dress rehearsal of BIRDY, one Hung Dance's most critically acclaimed productions, which will be premiering in New York at NYU Skirball on July 17 & 18th. BIRDY explores the relationship between freedom, limitation, and identity through a distinctive movement language inspired by Tai Chi, traditional Peking opera and contemporary dance. Related Links: https://talkingtaiwan.com/birdy-explores-universal-themes-of-freedom-limitation-and-identity-relevant-to-taiwan-ep-353/ We sat down to speak with Lai Hung-Chung, Choreographer and Artistic Director of Hung Dance about his artistic vision for BIRDY and Wei-Ping Chen the dance company's Operations Director. Lai told us that the themes of freedom, limitation, and identity not only reflect his personal struggles but also relate to Taiwan's situation.   Hung Dance is an award-winning Taiwanese contemporary dance company founded in 2017. The troupe's name comes from the Chinese character 翃 (Hóng), meaning to fly.   Related Links: https://talkingtaiwan.com/birdy-explores-universal-themes-of-freedom-limitation-and-identity-relevant-to-taiwan-ep-353/

Roise Goan, Artistic Director and CEO of Dublin Theatre Festival, unveils this year's Dublin Theatre Festival Programme.

Crystal Manich has directed over 90 productions of opera, plays, musical theatre, and circus across the USA, Argentina, Australia, and Europe. Her work has been acclaimed by the New York Times, The Wall Street Journal, and other major publications for her “lively” and “imaginative staging.” She wrote and directed her first opera libretto, Time to Act, written with composer Laura Kaminsky, which premiered at the Pittsburgh Opera in 2026. I saw Time to Act and found it to be well-written, hard-hitting, and compelling. She is also the writer-director for Triângulo: A Mixed Martial Arts Opera, which premieres in 2027.Crystal served as Artistic Director for Cirque du Soleil's Crystal and previously on Quidam. She directed the opera The Copper Queen as a western-thriller feature film for Arizona Opera, garnering an award at the 2021 Toronto International Women's Film Festival.She was nominated for a 2021 Chicago EMMY for a multi-camera livestream of Daniel Catán's Spanish-language opera La Hija de Rappaccini for Chicago Opera Theater at the Field Museum.Crystal holds a BFA in Drama-Directing and a Master's in Arts Management from Carnegie Mellon University, a certificate in Business and Management of Entertainment from UCLA Extension, and a Professional Certificate in Screenwriting from UCLA.

For this Out Takes, we were very excited to welcome back MIFF a.k.a the Melbourne International Film Festival which is back in cinemas and online this August. Our special guest was Al Cossar, the Artistic Director of the Melbourne International Film Festival, who discussed with us many of the queer highlights and special events on offer for this year’s festival. We also heard from Dr Patrick Kelly who has curated two films, My Own Private Idaho’ and ‘Scorpio Rising’, that are coming to the Capitol Theatre on Tuesday July 21 for ‘The Best Films You’ve Never Seen: Queer Edition’. The post MIFF 2026 with Al Cossar and the ‘Best Films You’ve Never Seen – Queer Edition’ with Dr Patrick Kelly appeared first on Out Takes.

Subscribe on Substack, Spotify, Apple Podcasts and YouTube (with subtitles) – Applied Theatre PodcastIn this episode I speak with Lara Parmiani, Founder and Artistic Director of LegalAliens Theatre, a migrant-led Theatre of Sanctuary based in Tottenham, North London. Since 2012 LegalAliens has created physically driven, politically engaged theatre platforming migrants and refugees as artists, participants and collaborators. Their Tottenham Project, running weekly since 2018, offers free theatre training for refugees, asylum seekers and migrants at the Engine Room in Tottenham Hale.We speak on the occasion of Ali in Wonder(Eng)land, playing at Jacksons Lane on 14th and 15th July, a reimagining of Alice in Wonderland devised with and performed by an ensemble of migrants and refugees. Ali arrives in a surreal version of England full of rules that keep changing, interviews with no right answers, and helpful people who make everything worse. It's Carroll's Wonderland, just with better paperwork.We discuss:- The evolution of LegalAliens from a professional company of migrant artists to an organisation running weekly applied theatre classes in Tottenham - What prompted the Tottenham Project and how it grew from two people in a room to a company of sixteen preparing for a Jacksons Lane stage-Ali in Wonder(Eng)land — how the idea emerged, and how the 2026 version has been rebuilt with a largely new group.- Holding artistic rigour alongside the real complexity of a room where people are navigating insecure immigration status, mental health challenges, language barriers and a system that keeps moving the goalposts.- Why comedy and absurdism are not ways of softening the brutality but a way in.This episode considers what it means to make work that is both artistically ambitious and genuinely community led, and why those two things are not in opposition. Thank you Lara for your time and your generosity.LegalAliens Theatre:Website http://legalalienstheatre.comInstagram @legalalienstheatreTickets for Ali in Wonder(Eng)land at Jacksons Lane: jacksonslane.org.ukApplied Theatre Podcast:Substack https://appliedtheatrepodcast.substack.comInstagram @AppliedTheatrePodEmail appliedtheatrepodcast@gmail.comSubscribe on Spotify, Apple & Google Podcasts and Youtube (w/subtitles) Applied Theatre Podcast#theatre #appliedtheatre #appliedtheatrepodcast #podcast #migrantarts #legalalienstheatre

Future-proofing rural post offices, what a new park and share facility will do for East Cork, a call for more trees for Cork for shade in the hot weather, a Cork Lido, we chat to the Artistic Director of Centre Stage School as 79 of their dancers represent Ireland at the Dance World Cup and Joe Heffernan on support for people living with someone who is depressed Hosted on Acast. See acast.com/privacy for more information.

HMSG Interview Whit Flint! “Eraserhead”This week we finally chat about one of our favorite films, David Lynch's debut feature, ERASERHEAD (1977). We brought along all of our sweet baby faces to discuss, including friend of the show and multi-hyphenate Whit Flint to get into all the gory details!  We hope you enjoy this freshly served episode!Pardon some of our sound elements this episode! We had some technical challenges this week with our audio in some spots! Sierra is on vacation! More about our Guest! Whit Flint is a theatre and film writer / director, known for a style and avant garde approach based in new European surrealism and theatre of the absurd. He has directed over 30 productions internationally and serves as Artistic Director of the theatre collective, Riot Act, founded in 2015 in East London. Whit received his MFA from East 15 at The University of Essex in the UK and also studied at the Russian Institute of Theatre Arts in Moscow. He was also a member of the Young Vic Directors' Programme and an Invitee Director of Toneelgroep Amsterdam. His life's obsession with the plays of Anton Chekhov has led him to adapt and direct all of the iconic writer's major works, including a radical reimagining of The Seagull entitled The Misbegotten Hope of the Dirty Bird, which will premiere in Brooklyn, New York Fall of 2026. As a filmmaker he wrote and directed Artéfact's recent short films, Lulu and a meditation of Sophocles' plays, Tragic Figure. As an actor, Whit's career spans four and a half decades, most notably in Steven Spielberg's Jurassic Park and most recently received a Broadway World Best Performer nomination as Vanya in the site specific production, Gross Old Man. Whit is also an accomplished abstract painter and is based in Los Angeles.Whit Flint on IMDB: https://www.imdb.com/name/nm0381035/?ref_=mv_descFollow Whit Flint here: https://www.instagram.com/whithertford/Check out Whit's Art here: https://www.instagram.com/whitflint/Support the show

What happens when a ballet company invests in its dancers' futures both on and off the stage?In this episode of The Brainy Ballerina Podcast, I'm joined by Jill Marlow Krutzkamp, former professional dancer and current Artistic Director of the Louisville Ballet Studio Company.Jill shares the story behind an exciting partnership between Louisville Ballet and Bellarmine University that allows dancers to pursue a Bachelor of Arts in Arts Administration while continuing their professional training.Key “Pointes” in this Episode: Jill's professional journey from dancer to arts leader The partnership between Louisville Ballet and Bellarmine University Why higher education matters for aspiring professional dancers Arts administration as a career pathway Preparing dancers for life beyond performance Building sustainable careers in the dance industry The value of dual-career development for young artistsConnect with JillLOUISVILLE BALLET WEBSITE: louisvilleballet.orgLOUISVILLE BALLET STUDIO COMPANY: louisvilleballet.org/studio-company/INSTAGRAM: instagram.com/jillekrutzLinks & Resources:SHOP MSeam Apparel: https://mseamapparel.com/ (use code BRAINY25 at checkout for 25% off all items)SHOP ORZA: www.orzabrand.com (use code BRAINYBALLERINA for 10% off)Let's connect!My WEBSITE: thebrainyballerina.comINSTAGRAM: instagram.com/thebrainyballerinaQuestions/comments? Email me at caitlin@thebrainyballerina.com

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 495th episode of THE PLAYWRITING PODCAST. Episode Story Topic: Writing a Musical!   AND ONLY at Howtowriteplays.com MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Now 40% off!    Book it here:   https://www.howtowriteplays.com/premiere-playwriting-coaching   Playwriting Coaching  - 40% off -  Book it here:  https://www.howtowriteplays.com/consulting-coaching   AT MANHATTANREP.COM Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre   Email: How2WritePlays@yahoo.com

July 10, 2026This week Erika B. Hess returns to the podcast to talk about the Chautauqua Visual Arts Program at the Chautauqua Institution. The program, which was founded in 1909, features a residency program, visiting artists and faculty, public lectures, and exhibitions by professional and emerging artists at The Fowler-Kellogg Art Center & Strohl Art Center.

On The Brian Crombie Hour, Brian celebrates an unforgettable summer of live music with a look at the Toronto Concert Orchestra's exciting concert series at Toronto's historic Palais Royale.In the first half of the program, Brian is joined by Sharon Lee, Artistic Director of the Toronto Concert Orchestra, to discuss the orchestra's five-concert summer series. From an Elton John spectacular and the timeless music of Édith Piaf to opera, a tribute to everyday heroes, and a James Bond-themed finale, Lee shares how the orchestra is bringing together classical music, popular favourites, and cinematic scores in an intimate and accessible concert experience.She also reflects on her journey as a violinist and conductor, the musicians who make up the orchestra, and why the historic Palais Royale provides the perfect setting for an evening of exceptional live performance.In the second half of the show, Brian welcomes Ron Camilleri, better known to audiences as Elton Rohn, whose acclaimed Elton John tribute performance opens the summer series. Backed by his seven-piece band and a live orchestra, Ron discusses recreating the iconic sound of Elton John with beloved hits including Goodbye Yellow Brick Road, Philadelphia Freedom, Tiny Dancer, Rocket Man, and Crocodile Rock.He also shares what goes into transforming himself into Elton John, why fans are encouraged to embrace the colourful spirit of the legendary performer, and how the evening evolves from a concert into a lively celebration.Whether you're a fan of orchestral music, opera, film scores, or the timeless songs of Elton John, this episode offers a behind-the-scenes look at one of Toronto's standout summer concert experiences.A vibrant conversation about music, performance, and the joy of bringing audiences together through live entertainment.

Tom was born and raised in New Jersey. He grew up in the town of Howell, where he attended the Fine and Performing Arts Center at Howell High School. Upon graduation, he attended Mason Gross School of the Arts at Rutgers University (obtaining a BFA in acting), where he also had the opportunity to study Shakespeare at the Globe Theatre in London, England. Tom's first professional job was on the long-running CBS daytime show Guiding Light. During the two and a half years he was on the show, he was nominated for four consecutive Daytime Emmy Awards, winning twice (in 2006 and 2008). Having worked in theater, television, and independent film, he eventually became a series regular on the hit Cinemax show Banshee, playing former neo-Nazi Kurt Bunker. Tom is a founding member and the current Artistic Director of the Apothecary Theatre Company—a NYC-based non-profit that develops and produces world premieres of new plays by up-and-coming playwrights. He made his Broadway debut in 2012 as Judy Garland's last husband, Mickey Deans, in the critically acclaimed End of the Rainbow, directed by Tony Award Winner Terry Johnson. Since his breakout in Ozark and David Fincher's Mank, he has gone on to star in Outer Range, Love and Death, She Said, and HBO's Task. Considering that this interview was done via Zoom (a TOA first), as a means of moving forward in spite of the COVID-19 pandemic, it is befitting that this episode of That One Audition retells the stories of adaptation and triumph that landed Tom Pelphrey right here. Credits: Task Ozark Banshee Outer Range Mank Love and Death She Said Iron Fist Guiding Light Guest Links: IMDB: Tom Pelphrey, actor Instagram: @tommypelphrey THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition THE BRIDGE FOR ACTORS: Become a WORKING ACTOR (50% off special) THE PRACTICE TRACK: Membership to Practice Weekly CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com APPLE PODCASTS: Subscribe to That One Audition on Apple Podcasts SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: HOST/PRODUCER: Alyshia Ochse WRITER: Maddie McCormick WEBSITE & GRAPHICS: Chase Jennings SOCIAL: Alara Cerikcioglu

Petite Jamilla is an internationally acclaimed belly dancer, choreographer, instructor, and performer who began her professional career at just 15 years old. Trained from childhood by her mother, folkloric dancer Jamilla Rasa, and further inspired by Polynesian dance, she has dedicated her life to bridging traditional folkloric roots with contemporary belly dance. Petite Jamilla toured internationally for nearly a decade with Bellydance Superstars, where she became renowned for her signature Double Veil performances, served as the company's spokesperson, and briefly held the role of Artistic Director. A multiple award-winning artist, accomplished choreographer, musician, and sought-after teacher, she continues to share her passion for dance through workshops, performances, and creative projects, inspiring dancers around the world with her distinctive artistry and lifelong commitment to the art form.In this episode you will learn about:- How growing up with a belly dancing mother shaped one dancer's entire artistic journey- What it was like to spend nearly a decade touring the world with Bellydance Superstars- How a fascination with whirling transformed into a signature style of turns and veil work- The emotional transition from an international touring career to motherhood and family life- What it's like to teach belly dance to your own daughter—and let her discover her own voiceShow Notes to this episode:Follow Petite Jamilla on FB, and Instagram.Details the BDE shows and training programs are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast

In this episode of The Impostor Syndrome Files, we talk about career reinvention, identity and what happens when the path you've spent your life pursuing no longer feels aligned. My guest this week is Kate Kayaian, author, speaker and former professional cellist.Kate shares her journey from building a successful career in classical music to realizing, after decades as a performer, that the identity she had always carried no longer fit. We explore the emotional complexity of walking away from something you once loved, especially when it has shaped your sense of self for most of your life.In our conversation, we discuss the stories we tell ourselves about success, obligation and what we “should” want. Kate reflects on the guilt that can come with changing direction after years of investment and achievement, and why so many people stay in careers that no longer fulfill them because they fear disappointing others or starting over.We also talk about how impostor syndrome shows up during periods of transition, the importance of reassessing old narratives and how reconnecting with childhood curiosity can offer clues about what's next. Kate shares why she believes career pivots are becoming increasingly common and why permission to evolve matters more than ever.Finally, we explore the idea that closing one chapter does not erase who we've been. Kate reminds us that we can honor past versions of ourselves while still creating space for new possibilities, new identities and new ways of contributing.About My GuestKate Kayaian is an author, speaker, and career strategist for high achievers who want to build lives of impact, purpose, and sustainable success. A former professional cellist, Kate performed as a soloist, chamber musician, and recitalist in venues ranging from Boston's Jordan Hall to leading European concert halls. She trained at the New England Conservatory of Music and held a fellowship with the New World Symphony Orchestra under Michael Tilson Thomas. Today, Kate's work centers on helping accomplished professionals—creatives, executives, educators, and entrepreneurs—define success on their own terms and create careers that feel as good as they look. Through her 1:1 coaching and her signature group program, the Creatives Leadership Academy, she guides clients to develop clarity, confidence, and the practical strategies needed to lead at the highest level without sacrificing their well-being. She is the author of Beyond Potential, a practical guide for high performers navigating the next chapter of their professional lives, and the host of Tales from The Lane, a podcast exploring the hidden challenges and unexpected joys of success. As a sought-after speaker, Kate delivers keynotes and workshops on leadership presence, mindset transformation, and redefining what's possible for high achievers across industries. Alongside her private practice, Kate serves as President and Artistic Director of the Bermuda Philharmonic Orchestra, where she continues to champion creativity, collaboration, and innovation in the arts. She lives on the island of Bermuda, where she spends her days coaching clients around the world, writing, speaking, and tending to her garden.~Connect with Kate:Website: https://katekayaian.com/ Freebie: https://mailchi.mp/585d0fbc5a61/quarterly-retreat-planning-guide~Connect with Kim and The Impostor Syndrome Files:Join the free Impostor Syndrome Challenge:https://www.kimmeninger.com/challengeLearn more about the Leading Humans discussion group:https://www.kimmeninger.com/leadinghumansgroupJoin the Slack channel to learn from, connect with and support other professionals: https://forms.gle/Ts4Vg4Nx4HDnTVUC6Join the Facebook group:https://www.facebook.com/groups/leadinghumansSchedule time to speak with Kim Meninger directly about your questions/challenges: https://bookme.name/ExecCareer/strategy-sessionConnect on LinkedIn:https://www.linkedin.com/in/kimmeninger/Website:https://www.kimmeninger.com

Today on conduct(her) Kyra and McKenna interview Dr. Marie Bucoy-Calavan, Artistic Director of Choral Arts in Washington D.C.

Creativity through the lens of a multi-hyphanate creative"Creativity is: Authenticity. Helping others find themselves."Alexandra Beller, Artistic Director of Alexandra Beller/Dances, (2002-present), was a member of the Bill T. Jones/Arnie Zane Dance Company from 1995-2001. Alexandra has created over 50 original Dance Theatre works, presented at/commissioned by theatres throughout NYC, and companies in Korea, Hong Kong, Oslo, Cyprus, and the US. Alexandra currently choreographs predominantly for Theatre. Credits: Off Broadway: Sense and Sensibility (Helen Hayes Award, Lortel Nomination, IRNE Best Choreography), The Mad Ones (59E59), Bedlam's Peter Pan (Duke Theatre), How to transcend a happy marriage (Lincoln Center Theatre). Regional: La Jolla Playhouse, The Goodman Theater, Folger Shakespeare Library, ART, Portland Center Stage, Milwaukee Rep. She was on faculty at Princeton from 20152022 and teaches at The Laban Institute for Movement Studies. She currently runs workshops in Somatics, Theater, Laban, Bartenieff, coaches private Somatics clients, and is writing 2 books.https://www.alexandrabeller.com/https://www.alexandrabellerdances.org/https://www.instagram.com/alexandrabellerdances/https://www.linkedin.com/in/alexandra-beller-0a56a57/https://www.tiktok.com/@thelabanistahttps://www.facebook.com/alexandrabellerdanceshttps://www.youtube.com/channel/UC8suG0TLGKqufov8IpqLrKwSend us Fan Mail

Chris Rubio, Co-Founder of Arms Wide Open and Artistic Director of “Tarzan, Beat of the Jungle,” is joined by Shannan Rebold, drama teacher and performer, and actor Matthew Soares to discuss building inclusive performing arts that are “not just a show, but a life changer” for our community. They talk about how the Rising Stars and Inspire programs create opportunities for adults and kids with special needs while strengthening culture, creativity and connectivity for local leaders. Listen Where You Live!About Spotlight and Cloudcast Media  "Spotlight On The Community" is the longest running community podcast in the country, continuously hosted by Drew Schlosberg for 20 years.  "Spotlight" is part of Cloudcast Media's line-up of powerful local podcasts, telling the stories, highlighting the people, and celebrating the gravitational power of local.   For more information on Cloudcast and its shows and cities served, please visit www.cloudcastmedia.us. Cloudcast Media | the national leader in local podcasting.   About Mission Fed Credit Union  A community champion for over 60 years, Mission Fed Credit Union with over $6 billion in member assets, is the Sponsor of Spotlight On The Community, helping to curate connectivity, collaboration, and catalytic conversations.  For more information on the many services for San Diego residents, be sure to visit them at https://www.missionfed.com/

Ariel Fristoe: Theater as a Civic CommonsWhat happens when theater stops asking audiences simply to watch and starts inviting communities to listen, speak, and act?In this conversation, Bill Cleveland talks with Ariel Fristoe, founder and Artistic Director of Out of Hand Theater in Atlanta, about a lifetime spent reclaiming theater's oldest purpose—not entertainment alone, but civic life. Together they explore how storytelling, conversation, and community partnerships can become practical tools for reducing polarization, strengthening democratic participation, and helping neighbors encounter one another as fellow human beings rather than strangers.From foster parenting to community organizing, from performances in living rooms to citywide dinners on racial equity, Ariel describes a practice built on a deceptively simple recipe: Art to open hearts. Information to open minds. Conversation to inspire action.In this episode:Why theater originally existed as a civic commons—and why Ariel believes it should become one again.The story behind Decatur Dinners, where more than 1,200 strangers gathered in homes across one city for conversations about race.Ariel's vision for a modern “federal theatre project” that would put artists to work helping communities address their most pressing challenges.How community conversations created through theater can strengthen civic participation and democratic life.ART IS CHANGE Episode 184 Notable MentionsPeopleAriel Fristoe — Founder and Artistic Director of Out of Hand Theater, nationally recognized for developing theater-based civic engagement models that combine performance, dialogue, and community action.Bill Cleveland — Host of Art Is Change, artist, researcher, and founder of the Center for the Study of Art & Community.Dr. Martin Luther King Jr. — Civil rights leader whose vision of the “Beloved Community” profoundly influences Ariel's work and the mission of Out of Hand Theater.Bryan Stevenson — Civil rights attorney, founder of the Equal Justice Initiative, and author of Just Mercy. Ariel references his conviction that hope is the enemy of injustice.Malunga Casquelourd — Congolese cultural leader and teaching artist whose work at San Quentin Prison used traditional storytelling, music, and movement to create dialogue across prison factions.Nikki Young — Playwright whose work appears in the Decatur Dinners performance excerpt featured in this episode.Jesenia Ingram — Atlanta actor performing the excerpt from Nikki Young's play during the Decatur Dinners segment.Brian Goldstone — Journalist and anthropologist whose Pulitzer Prize-winning book There Is No Place for Us examines housing insecurity and the working poor in Atlanta.Organizations & InitiativesOut of Hand Theater — Atlanta-based theater company working at the intersection of art, civic engagement, and social justice through performances, community dialogue, and partnerships.Community Impact Lab — Out of Hand Theater's national training initiative helping artists, activists, and community leaders develop arts-based civic engagement projects.“Equitable Dinners” — Out of Hand's signature model combining a short play, shared meal, facilitated dialogue, and concrete civic action.“Shows in Homes” — Long-running initiative bringing professional theater into private homes to spark conversations around difficult community issues.“We Hold These Truths” — Out of Hand Theater's America250 initiative using four original plays and community dinners to encourage conversations across political, racial, and cultural differences.Center for the Study of Art & Community — Producer of Art Is Change.Charles F. Kettering Foundation — Partner through its Democracy and the Arts program.National Endowment for the Arts — Federal arts agency supporting public access to the arts, including Out of Hand's America250 initiative.The King Center — Atlanta institution dedicated to advancing Dr. King's philosophy of nonviolence.The Carter Center — International nonprofit advancing peace, democracy, and public health.National Center for Civil and Human Rights — Atlanta museum and educational center exploring links between the U.S. Civil Rights Movement and global human rights.United Way of Greater Atlanta — Regional nonprofit working to improve education, housing, and economic mobility.Atlanta Regional Commission — Metropolitan planning agency serving the Atlanta region.Mixed Blood Theatre — Minneapolis theater company licensing Out of Hand's community dinner model.RealTime Arts — Pittsburgh arts organization presenting Out of Hand's civic engagement model.Events & ProjectsAmerica250 — National commemoration of the 250th anniversary of the Declaration of Independence, inspiring Out of Hand's “We Hold These Truths” initiative.“Decatur Dinners” — Landmark civic arts initiative in which more than 1,200 participants gathered in homes across Decatur for performances and conversations about racial equity.Publications & ResearchThere Is No Place for Us: Working and Homeless in America — Brian Goldstone's Pulitzer Prize-winning investigation into working homelessness in Atlanta.International Journal of Arts Management — Peer-reviewed journal publishing Ariel Fristoe's research on Out of Hand Theater's community-centered business model.Journal of Arts Management, Law, and Society — Scholarly journal publishing research related to arts management and cultural policy.American Theatre — National publication covering nonprofit theater, including Out of Hand Theater's America250 initiative.“Out of Hand Theater: Monetizing Creativity”— Harvard Business School case study examining Out of Hand Theater's innovative business model.Places & InstitutionsMartin Luther King Jr. National Historical Park — Historic district where Ariel Fristoe lives and works.Hope-Hill Elementary School — Neighborhood school Ariel describes as transforming her understanding of segregation and systemic racism.San Quentin Rehabilitation Center — California correctional institution referenced in Bill Cleveland's story about arts-based conflict resolution.Boston Children's Theatre — Historic theater where

RHR interviews Christine Gevert, Founder and Artistic Director of Crescendo.We talk about the upcoming Choral Workshops and Talks taking place at Saint James Place, 352 Main Street, Great Barrington, MA Wednesdays, July 8 – August 5, 2026at Saint James Place, 352... Read More ›

Episode 679 also includes an E.W. Poetic Piece titled, “Light After Dark.” Thank you to Rob Roth for introducing me to Vangeline. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

RHR interviews Christine Gevert, Founder and Artistic Director of Crescendo.We talk about the upcoming Choral Workshops and Talks taking place at Saint James Place, 352 Main Street, Great Barrington, MA Wednesdays, July 8 – August 5, 2026at Saint James Place, 352... Read More ›

MCL Editor Katie Ginn recently interviewed five Mississippi artists whose walk with Christ informs their work onstage and in the studio. They shared about their early (and current) inspirations, how their art impacts their faith, and how anybody can – and should – engage with the arts for God's glory.Meet the artists: Kathy ThibodeauxFounder and Artistic Director, Ballet Magnificat!Katelyn HarbaughPainter, oil and watercolorJohn MaxwellPlaywright and actorMandy EllardPainter, pastel and oilAntonio MackChristian hip-hop artist (stage name Martyrs Tone)

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 494th episode of THE PLAYWRITING PODCAST. Episode Story Topic: Developing Grit!   All my Playwriting Services are 40% off until Wednesday Night July 1 at Midnight. Check it all out at the link below: https://www.manhattanrep.com/playwright   Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre And... Playwriting Coaching  -  Book it here:  https://www.manhattanrep.com/playwriting-coaching at 40% off! Email: How2WritePlays@yahoo.com

Rachel Chavkin received the 2019 Tony Award, Drama Desk Award, and Outer Critics Circle Award for Best Director of a Musical for Anaïs Mitchell's Hadestown. She is a director, writer, and dramaturg, as well as the founding Artistic Director of Brooklyn-based ensemble the TEAM (theteamplays.org), an internationally renowned experimental company whose consensus-driven collaborative process was the subject of the documentary The TEAM Makes a Play (directed by Emmy winner Paulette Douglas). Additional selected: Dave Malloy's Natasha, Pierre, & The Great Comet of 1812 (Broadway featuring Denée Benton & Josh Groban); Carson Kreitzer and Matt Gould's Lempicka (Williamstown); Caryl Churchill's Light Shining in Buckinghamshire (New York Theatre Workshop), Marco Ramirez's The Royale (Old Globe, Lincoln Center); Bess Wohl's Small Mouth Sounds (Ars Nova, Off-Broadway, National Tour); Sarah Gancher's I'll Get You Back Again (Round House); and multiple collaborations with Taylor Mac, including The Lily's Revenge, Act 2 (HERE). In addition to her awards for Hadestown, Chavkin is a recipient of a Tony Award nomination for Best Direction of a Musical, three Obie Awards, a Drama Desk Award, multiple Lortel Award nominations, two Doris Duke Impact Award nominations, and the 2017 Smithsonian Award for Ingenuity along with Dave Malloy. Her first film, Remind Me, was an official selection of the Venice and Beverly Hills Film Festivals. Feature film  - Hadestown and Shrew's Nest (Paramount). Proud NYTW Usual Suspect and Member SDC. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Kingston Chamber Music Festival is the subject of this week's program with Natalie Zhu, Artistic Director. We talk about the upcoming Festival and listen to some of the amazing music that will be presented from July 24th to August 2nd. For more information, you can go to www.kingstonchambermusic.org

Extant the UK's leading professional performing arts company of blind and visually impaired artists is continuing to lead the conversation around accessibility in the arts, returning to the Edinburgh Festival Fringe this summer in partnership with Underbelly as principal venue partner which will include three enhance shows alongside a new visually impaired-led showcase on 18 August 2026 spanning theatre, dance and comedy .RNIB Connect Radio's Toby Davey was joined by Dr Maria Oshodi, Artistic Director and CEO of Extant, for a look back on access at the Edinburgh Festival fringe from taking the ‘Effing and Blinding' Cabaret too the Fringe in 2007, celebrating Extant's 25 anniversary in 2022 by helping Tom Skelton and Amy Bethan Evans to take their shows to the Festival Fringe and following on from the great success of their 2025 programme a look forward to this year's programme including the three enhance shows, the showcase on 18 August at Underbelly and much more besides. To find out more about Extant and their programme of performances and events for the Edinburgh Festival Fringe 2026 do visit their website - https://extant.org.uk(Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underlined with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font)

Front Row Classics is pleased to welcome Oz enthusiast Sean Barrett. Brandon and Sean discuss the effect of The Wizard of Oz on his life and the time he spent at Artistic Director of The Land of Oz theme park. They also chat about its evolution and inspiration to multiple generations. Sean also has credits in film, television and live theater. 

Hudson Valley Shakespeare's summer season is underway in its first permanent home, the Samuel H. Scripps Theater Center. Designed to immerse audiences and actors in the rich landscape of the Hudson Valley, its unique indoor-outdoor setting for the company's open-air productions offers an unparalleled theater experience.The 2026 Season includes Shakespeare's 'As you Like It' and 'King Lear' this month, and in August, a production of 'Les Mis.' Davis McCallum is the Artistic Director and joins us for a preview this morning.

Alessio Bax is a remarkable Italian born classical pianist - a recitalist, a chamber musician, and a soloist. He's appeared with nearly 200 orchestras, including the New York, London, Royal, and St. Petersburg Philharmonics. He has collaborated with Joshua Bell and his wife, Lucille Chung, another world-class concert pianist, among many others. He's the founding Artistic Director of the London Festival of Chamber Music. He performs regularly at festivals all around the world including at Tanglewood. And he's on the piano faculty of the New England Conservatory.  My featured song is “Ma Petite Fleur String Quartet”, my recent release. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH ALESSIO:www.alessiobax.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

Welcome Sean Barrett Front Row Classics is pleased to welcome Oz enthusiast Sean Barrett. Brandon and Sean discuss the effect of The Wizard of Oz on his life and the time he spent at Artistic Director of The Land of Oz theme park. They also chat about its evolution and inspiration to multiple generations. Sean … Continue reading Ep. 464-Chatting All Things Oz with Sean Barrett →

Ever After Productions presents Julian Adair's talented choreography in "A Suite for Small Spaces III" a New Dance Work by Julian Adair. This will be a beautiful and innovative production that you will want to get your tickets NOW for! We talked with Julian Adair, President/Director/Instructor of Adair Dance Academy and Artistic Director of Ever After Productions. Julian has spent 40 years of her life dedicated to teaching students of all ages about the benefits and beauty of dance, and this production is another installment - and a celebration - of her amazing career! Dates: Thursday, July 2 at 7pm and Friday July 3 at 6:30 and 8:30.  Tickets are $15. Tickets and Website: https://shelterbelt.org Shelterbelt Theatre, 4383 Nicholas Street, Ste 204, Omaha, NE HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on You Tube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!    

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 493rd episode of THE PLAYWRITING PODCAST. Episode Story Topic: A CALL TO ACTION!   EVERYTHING - all my playwriting services at ManhattanRep.com are 40% off until June 30, 2026 MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Now 40% off!    Book it here:   https://www.manhattanrep.com/premiere   ALL MY OTHER PLAYWRITING SERVICES are 40% off including Playwriting Coaching and Script Consultations and can be found at: https://www.manhattanrep.com/playwright   Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre And... Playwriting Coaching  -  Book it here at 40% off!  https://www.manhattanrep.com/playwriting-coaching   Email: How2WritePlays@yahoo.com

Gregory Doran stops by on this bonus episode to discuss his production of Shakespeare's Venus and Adonis, performed by puppetry and narrated by Simon Russell Beale. As part of the chat, Doran also dives into the prompts behind his new book Walking Shadow, based on diary entries and experiences following the death of his husband, the legendary actor Antony Sher. Hosted on Acast. See acast.com/privacy for more information.

Twenty years ago, Abraham Burickson and his collaborators asked a simple question: what if a work of art were designed for just one person? Instead of creating experiences for the masses, they spent months crafting deeply personal journeys for an audience of one. That experiment grew into a new way of thinking about design, participation, and transformation. In this revisited episode, Dart and Abraham discuss what those lessons can teach us about management, why experience cannot be fully designed, and how organizations can become platforms for people to create meaning together.Abraham Burickson is an author, speaker, and experience designer who has spent more than two decades exploring how designed experiences can transform people. He is the co-founder and Artistic Director of Odyssey Works and the author of Experience Design: A Participatory Manifesto.In this episode, Dart and Abraham discuss:- How to create a transformative experience for a single individual- Can managers be experience designers?- Why experience is not designable- How to implement experience design at work- Baking experiences within static products- Designing for transformation- Work as a shared experience- The origin story and myths of organizations- And other topics…Abraham Burickson is an author, experience designer, and artist who has spent more than two decades exploring how design shapes human experience. He is the co-founder and Artistic Director of Odyssey Works, where he creates immersive performances for audiences of one, and co-directs the Experience Design Certificate Program. Trained in architecture at Cornell University, his work spans art, design, education, and consulting. He is the author of Experience Design: A Participatory Manifesto and co-author of Odyssey Works: Transformative Experiences for an Audience of One.Resources mentioned:Experience Design, by Abraham Burickson: https://www.amazon.com/Experience-Design-Participatory-Abraham-Burickson/dp/0300269471Odyssey Works, by Abraham Burickson: https://www.amazon.com/Odyssey-Works-Transformative-Experiences-Audience/dp/1616895152The Anatomy of Genres, by John Truby: https://www.amazon.com/Anatomy-Genres-Story-Forms-Explain/dp/0374539227Connect with Abraham:https://www.abrahamburickson.com/https://www.owprograms.com/Work with Dart:Dart is the CEO and co-founder of the work design firm 11fold. Build work that makes employees feel alive, connected to their work, and focused on what's most important to the business. Book a call at 11fold.com.

Send us Fan MailThis week we're talking about the transformative power of arts education for young learners. All across Georgia, DECAL partners with the Alliance Theater in a program bringing drama, music, puppetry, and dance to enhance language, literacy, and math skills for rising Pre-K and Kindergarten students participating in our Summer Transition Program. Joining us to talk about our partnership is Chris Moses, Artistic Director with the Alliance Theater, Susan Adams is our Deputy Commissioner for Georgia's Pre-K Program and Instructional Supports, and Devon Porter is Summer Transition Program and Outreach Manager.Support the show

Bard SummerScape is an annual multi-arts summer festival offering programs in dance, theater, opera, music, and more.Highlights include the Bard Music Festival, SummerScape Opera, major premieres through Fisher Center LAB, and the Spiegeltent.Bard SummerScape is a must-visit destination for breathtaking, thought-provoking performances and gatherings in an idyllic Hudson River Valley setting. There is A LOT. So, we will get a preview of event with Gideon Lester - Fisher Center Artistic Director and Chief Executive.

Nathan Schram is a 2x Grammy winning composer and the violist of the Attacca Quartet. He has collaborated with Sting, Björk, Billie Eilish, David Crosby, and Becca Stevens, among others. He is an Honorary Ambassador to the city of Chuncheon, South Korea. He's released three solo records and several with Attacca, two of which won Grammys for Best Chamber Music Performance. His arrangement of a Radiohead song was nominated for a Grammy. He's also the Founder and Artistic Director of Musicambia which develops music programs and performances inside prisons and jails. His latest work, “Let Me Out”, delves into the world of artificial intelligence. My featured song is “The Week”, from the album East Side Sessions by Project Grand Slam. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH NATHAN:www.nathanschramnoise.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

Heights High 100 Years 100 years ago, back when gas cost 23 cents and the president was Calvin Coolidge, Cleveland Heights High School at Cedar and Lee Roads was constructed. Thousands of alumni and guests from around the country and beyond will be returning to the Heights to celebrate this milestone, and participate in a three-day festival this weekend hosted by the Heights School Foundation. Part of the goal of the festival is to help raise money for the district, which announced last month that it is needs to make at least $5 million in budget cuts over the next two years due to expected revenue losses. We'll spend time on Wednesday's "Sound of Ideas" talking about the role the school has played in the lives of so many over the last century, preview the weekend of festivities, and look towards the future of the district, which has churned out a host of prominent alumni like NFL brothers Travis & Jason Kelce and the Mitchells Ice Cream brothers, Pete & Mike Mitchell. Guests: - Laura Loebl, Executive Director, Heights Schools Foundation, Class of 1987 - Jayla Scruggs, Class of 2026 - Kathy Blackman, Owner, Grog Shop/B Side Lounge, Class of 1986 - Liz Kirby, Superintendent, Cleveland Heights-University Heights School District Juneteenth Celebrations Juneteenth is coming up this Friday, marking five years since then-President Joe Biden made the day a federal holiday. The holiday signifies the day in 1865 where slaves in Texas were informed of their freedom more than two years after the Emancipation Proclamation was signed. Many communities in Northeast Ohio are commemorating the holiday Friday. We'll highlight some of those events for the rest of the show and learn more about the origins of Juneteenth. Guests: - Talise Campbell, Artistic Director of Djapo Cultural Arts Institute - Greg Palumbo, Executive Director, Cuyahoga County's Soldiers' and Sailors' Monument - Tameka Ellington, Ph.D., Curator for Black History, McKinley Presidential Museum and Library

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 492nd episode of THE PLAYWRITING PODCAST. Episode Story Topic: Creating Magic!   Sitewide this month all of my playwriting services up to 40% off - NO CODE! MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Now 40% off!    Book it here:   https://www.manhattanrep.com/premiere   ALL MY OTHER PLAYWRITING SERVICES WITH UP TO 40% OFF ARE HERE: https://www.manhattanrep.com/playwright   Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre And... Playwriting Coaching  -  Book it here:  https://www.manhattanrep.com/playwriting-coaching at 40% off! Email: How2WritePlays@yahoo.com

Clement Manyathela speaks with Artistic Director at Joburg City Theatres, James Ngcobo, to get an understanding of some of the properties under Joburg City Theatres and how they function. The Clement Manyathela Show is broadcast on 702, a Johannesburg based talk radio station, weekdays from 09:00 to 12:00 (SA Time). Clement Manyathela starts his show each weekday on 702 at 9 am taking your calls and voice notes on his Open Line. In the second hour of his show, he unpacks, explains, and makes sense of the news of the day. Clement has several features in his third hour from 11 am that provide you with information to help and guide you through your daily life. As your morning friend, he tackles the serious as well as the light-hearted, on your behalf. Thank you for listening to a podcast from The Clement Manyathela Show. Listen live on Primedia+ weekdays from 09:00 and 12:00 (SA Time) to The Clement Manyathela Show broadcast on 702 https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/XijPLtJ or find all the catch-up podcasts here https://buff.ly/p0gWuPE Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook https://www.facebook.com/TalkRadio702 702 on TikTok https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.

Since Autumn first met Leila Awadallah at her aikido dojo, she's wanted to have her on the show. We are blessed to learn Leila's story on our penultimate episode of our art as solidarity season!Leila Awadallah (she/her) is a dancer, choreographer, and film wanderer based between Minneapolis, Mni Sota Makoce and Beirut, Lebanon. Her research in dance centers movement that activates relationships to land / place / peoples, rooted in the context of her own skin as a body and soul that holds indigenous Palestinian, Arab-American, SWANA, Sicilian and mixed Mediterranean worlds and ways. She is the Artistic Director and Founder of the Body Watani (body-as-homeland) dance project and practice in collaboration with Noelle Awadallah, Co-Artistic Director.---⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TRANSCRIPT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠---⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT OUR SHOW⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Endoftheworldshow---HTS ESSENTIALS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT Our Show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Endoftheworldshow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PEEP us on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/endoftheworldpc/⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠

Out of the blue, we're back, with season 2 of the podcast.This summer we're catching up with our favorite folks, hanging out and talking what we've seen, what they've been making, and generally celebrating the fact that immersive is here and not going anywhere.To kick us off in the new era we're joined by: associate producer of the podcast, and an immersive creator in her own right Parker Sela, Executive Editor Emeritus of No Proscenium and co-founder of The Immersive Experience Institute game designer Kathryn Yu, and Artistic Director of After Hours Theatre Company Graham Wetterhahn.The topics du jour are the Without Walls Festival and L.A.'s immersive scene which has been really hopping this year.SHOW NOTESThe Immersive Experience InstituteAfter Hours Theatre CompanyWithout Walls FestivalTea Party at the End of the WorldSuzikAgain AgainThe Apple Avenue Detective AgencyHandle With CareNight WatchL.A. Immersive SceneDatalandDark Library: The Time MachineYou Must Be Here For The ReadingHatch EscapesUndersignedDrowned Out ProductionsConfessionThe Elysian's Spaghetti FestivalBrassroots DistrictHollywood FringeYoko Ono: Music of the MindHospital of EmotionsGhost Town AliveBeyond L.A.The Still PointMasquerade Hosted on Acast. See acast.com/privacy for more information.

Today on the Conversations on Dance podcast we are joined by Susan Jaffe, Artistic Director of American Ballet Theatre. Susan reflects on ABT's Spring Season, the challenges of the Met season shifting later into summer, and the company exceeding attendance goals while continuing strong ticket sales. She talk about how Executive Director Barry Hughson's arrival has strengthened fundraising and operations, freeing her to focus on artistic work. She previews the upcoming Met lineup—two weeks of Swan Lake, Cranko's Onegin, and 10 performances of Don Quixote with seven Kitri/Basilio casts. Jaffe details her Don Quixote refresh: keeping the 1978 production, tightening storytelling and pacing, making music cuts, adjusting mime and choreography, and more. See ABT at the Met June 17 - July 18th. Tickets available at ABT.org: https://www.abt.org/performances/summer-season/Listen to our other episodes with Susan here: https://www.conversationsondancepod.com/search?q=susan+jaffeListen to Conversations on Dance ad-free on Patreon: https://www.patreon.com/cw/conversationsondance____________________________________Introduction: Conversations on Dance with Susan JaffeJoin hosts Rebecca King Ferraro and Michael Sean Breeden on the latest episode of the "Conversations on Dance" podcast as they engage with Susan Jaffe, the esteemed artistic director of American Ballet Theatre (ABT). They dive into the intricacies of ABT's performances, the innovations under Jaffe's leadership, and the exciting future of ballet.Reflections on the Spring SeasonSusan Jaffe begins by reflecting on the challenges and triumphs of ABT's spring season. Originally set for mid-April at the Metropolitan Opera House, a shift pushed performances into summer, prompting concerns about audience engagement. Despite these challenges, ABT exceeded attendance expectations, experiencing what Susan coined as “Timothée Chalamet moments” – standing ovations each night. With the support of Executive Director Barry Hughson, the company navigated these changes with finesse, focusing on enriching its artistic offerings while maintaining strong ticket sales.Previewing the Met Season: New Approaches and Old FavoritesAs the discussion shifts to upcoming performances at the Metropolitan Opera House, Susan announces a packed lineup featuring two weeks of "Swan Lake", George Cranko's emotionally rich "Onegin", and a refreshed "Don Quixote" (Don Q). The conversation reveals how adjustments to the season were strategically planned to cater to both New York residents and the influx of summer tourists.Don Quixote Gets a RefreshThe process behind updating "Don Quixote" was intricate, with Susan focusing on tightening storytelling, enhancing choreography, and making selective cuts to maintain audience engagement. Her collaboration with renowned figures such as Susan Jones and forthcoming music director David LaMarche highlights a commitment to retaining the piece's essence while injecting fresh energy.Conclusion: An Invitation to Experience the MagicThe episode closes with an invitation from Susan Jaffe for audiences to experience the magic of ABT's upcoming performances. With refreshed classics and bold new directions, each ballet is crafted to captivate and inspire. Whether a longtime fan or a newcomer, ABT's vibrant season promises unforgettable experiences for all.Join the ConversationListen to the full episode for a detailed exploration of ABT's artistic journey. Subscribe to "Conversations on Dance" for more illuminating discussions on ballet's vibrant tapestry. Visit conversationsondancepod.com for more information and to explore sponsorship opportunities.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.

Jenni Stewart, Executive & Artistic Director, Shakespeare "More Than Shakespeare in the Park" full 637 Wed, 10 Jun 2026 23:57:27 +0000 m3q8VlmfXIChd0Yw1qyKQCEZtxFP9FC6 business CEO Spotlight business Jenni Stewart, Executive & Artistic Director, Shakespeare "More Than Shakespeare in the Park" David Johnson CEO Spotlight 2024 © 2021 Audacy, Inc. Business

Sophocles' play Antigone was originally performed around 441 B.C.E., but the themes in the play still resonate today. This hour, we revisit the story of Antigone, and ask what it can teach us about compromise, wisdom, extremism, grief, and more. Plus, a look at how modern productions are exploring new ways for audiences to engage with the ancient Greek tragedy. GUESTS: Elizabeth Bobrick: A Visiting Scholar in Wesleyan’s Department of Classical Studies. She also teaches for Wesleyan’s Center for Prison Education. Her Substack is “This Won’t End Well: On Loving Greek Tragedy,” and her writing has also appeared in The New York Times and Salon Bryan Doerries: A writer, director, and translator who currently serves as Artistic Director of Theater of War Productions. He is author of The Theater of War: What Ancient Greek Tragedies Can Teach Us Today, among other books Anna Conser: Assistant Professor of Classics at the University of Cincinnati The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Eugene Amatruda contributed to this show, which originally aired on September 25, 2025.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Imagine a place that dares to speak truths many are afraid to say. A place that celebrates communities too often forgotten and tells the stories rarely heard.  Dr. Laura Scherck Wittcoff sits down with Raymond O. Caldwell, Artistic Director, and Johannah Maynard Edwards, Managing Director, of The Fountain Theatre — a nonprofit performing arts organization in Hollywood, California, that has been producing bold, socially conscious theater for 35 years. Raymond and Johannah share how they found each other through what Johannah calls a "cosmic poof," how they're navigating the transition from the theater's founding leadership into a new generation, and why they believe cultural institutions must serve as places to practice humanity in a post-pandemic world. From the Living Ticket model that removes price barriers to community dramaturgy that develops new plays inside faith communities and neighborhoods across Los Angeles, this conversation is a masterclass in mission-driven, human-centered arts leadership. Founded in 1990 by Deborah Culver and Stephen Sachs, The Fountain Theatre was created as a creative home for artists from diverse cultural backgrounds. Its mission is to develop and present bold new plays and unique interpretations of established works that reflect the cultural richness and social issues of contemporary Los Angeles and the nation. The Fountain Theatre has built a reputation over more than three decades for producing thought-provoking performances and supporting voices that may not always be heard on traditional stages. The organization is also known for presenting flamenco performances and running educational outreach programs that connect young people and communities to the arts. Johannah Maynard Edwards, Managing Director Prior to joining The Fountain, Johannah served as Executive Artistic Director of the National Women's Theater Festival in Raleigh, North Carolina, where she produced, directed, and championed hundreds of productions by artists of underrepresented genders. A nationally recognized leader in arts accessibility, Johannah received the Kennedy Center's LEAD Award for Emerging Leaders and is Chief Ambassador for PAAL, the Parent Artist Advocacy League. She is passionate about developing new sociopolitical work and fostering equitable, inclusive spaces for artists and audiences alike. Raymond O. Caldwell, Artistic Director Prior to The Fountain, Raymond was the Artistic Director at Washington DC's Theater Alliance for six seasons, where he directed, developed, and produced socially conscious, thought-provoking programming that transformed the region and had a global impact. Under his leadership, Theater Alliance was chosen to lead an American Arts Envoy with the U.S. Department of State. He devised and directed new work with 23 artists and activists from Bangladesh, Nepal, India, and the United States exploring what inclusion, diversity, equity, and accessibility mean on the global stage. Raymond was a faculty member and resident director at Harvard University's Department of Theater Arts, holds an MFA in Acting and New Play Development from Ohio State University, and a BFA in Acting from the University of Florida. Dr. Laura Scherck Wittcoff is the host of Small and Gutsy, a podcast spotlighting nonprofits and social enterprises with budgets under $10 million. Small and Gutsy has been ranked number 8 on Feedspot's Top 30 Social Impact Podcasts and number 3 and number 9 by Million Podcasts for the Top 30 Volunteer Podcasts and Youth Empowerment episodes, respectively. - The founding mission of The Fountain Theatre and its 35-year history of producing socially conscious work - How Raymond and Johannah found each other and transitioned into leadership from the theater's founders - Raymond's personal journey from Germany to the U.S., from actor to artistic director, and the mentor who told him "Don't wait for someone to give you a story — go make your own" - Johannah founded her first nonprofit at age 19 at NYU and her philosophy of not waiting for gatekeepers to open the gate - The creation of "Poetry for the People," a play about poet and activist June Jordan, developed over three years and three iterations with playwright Adrienne Torf - How The Fountain Theatre responds to the cultural moment with every production — from the LA fires to ICE enforcement to the situation in Iran - The pandemic of loneliness and the role of cultural institutions as places to practice humanity - Audience cultivation and the challenge of building new, multigenerational audiences in a distracted digital age - Community dramaturgy — developing new plays inside faith communities and neighborhoods across Los Angeles - The Living Ticket model — transparent pricing that trusts audiences to name what they can pay - The Fountain Voices summer education program connects young people with volunteerism, civic engagement, and playwriting - The expansion into flamenco and classical Indian dance programming - Storytelling as a tool for community building - Emergent strategy and the philosophy of critical connection over critical mass - Moving at the pace of humanity as a leadership philosophy - The reveal that The Fountain Theatre operates with a staff of five HOW TO FIND THE FOUNTAIN THEATRE Website: FountainTheatre.com Follow The Fountain Theatre on social media for upcoming productions, events, and community programming. HOW TO CONNECT WITH SMALL & GUTSY Website: SmallandGutsy.org Email: Laura@SmallandGutsy.org Know a nonprofit or social enterprise doing incredible work? Send them our way.

Barry Manilow on maintaining his musical curiosity as he releases his 33rd studio album, What A Time, and what it's like to have one of his biggest hits, Copacabana, sung by Sabrina Carpenter.With the start of the World Cup this week, sports photographer Tom Jenkins, and Tim Marlow, Director of The Design Museum and one of the judges for this year's Football Art Prize at the Millennium Gallery in Sheffield, discuss the art of making art out football.As the Rambert dance company turns 100, Amanda Britton, one of its former leading dancers and now Principal and Artistic Director of Rambert School, reflects on the company's distinctive approach to dance.For 400 years the largest collection of notes - the Codex Atlanticus - by Renaissance polymath Leonardo da Vinci have remained divided with those deemed artistic kept in the UK in the Royal Collection, and those with a scientific focus retained in Italy. Leading authority on all matters Leonardo, Professor Martin Kemp on the new digital platform, the Leonardotheka, which has just reunited the notes and made them publicly accessible.Presenter: Nick Ahad Producer: Ekene Akalawu

Russ is Professor Emeritus of Theatre at the University of Louisville where he was Founding Director of its Peace, Justice & Conflict Transformation program. Before joining UofL he led Chicago's Northlight Theatre as Artistic Director for over a decade. Dr. Vandenbroucke was also on the artistic staffs of the Yale Repertory Theatre in New Haven, the Mark Taper Forum in Los Angeles, and the Repertory Theatre of St. Louis. Plays he has directed, written, or produced have been seen around the country and broadcast on radio or television. Many reflect his long commitment to peace and justice. So do courses he taught at UofL. He was a Rotary Foundation Peace Fellow in Bangkok and a conscientious objector during Vietnam war. Russ Vandenbroucke current writes opinion pieces syndicated by PeaceVoice, a program of the Oregon Peace Institute.

Wedding season is here and top-rated events producers Marcy Blum and Melissa Sullivan weigh in on etiquette, trends and curious requests they've run into while on the job at some of the jaw-dropping weddings covered by Vogue. When it comes to speeches, Blum has strong feelings: “If it were up to me, never.” Blum and Sullivan sit down with Chloe Malle to take us behind the scenes and reveal what it really takes to get Snoop Dogg to perform at your reception. And when it comes to bringing your dog to a wedding, both warn against it. “I think the dogs are miserable at it,” says Blum. Plus, Nicole Phelps joins for headlines to talk about Henry Zankov's appointment as Artistic Director at Diane Von Furstenberg, the Knicks' big win, Naomi Osaka's court side serve, and Chloe's favorite film of the year so far.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices