Podcasts about West End

Actor Jonathan Roxmouth plays Billy Flynn in the Artscape theatre production of Chicago, the musical. He discusses the role he plays in the acclaimed Broadway and West End hit, with Lester Kiewit. Good Morning Cape Town with Lester Kiewit is a podcast of the CapeTalk breakfast show. This programme is your authentic Cape Town wake-up call. Good Morning Cape Town with Lester Kiewit is informative, enlightening and accessible. The team’s ability to spot & share relevant and unusual stories make the programme inclusive and thought-provoking. Don’t miss the popular World View feature at 7:45am daily. Listen out for #LesterInYourLounge which is an outside broadcast – from the home of a listener in a different part of Cape Town - on the first Wednesday of every month. This show introduces you to interesting Capetonians as well as their favourite communities, habits, local personalities and neighbourhood news. Thank you for listening to a podcast from Good Morning Cape Town with Lester Kiewit. Listen live on Primedia+ weekdays between 06:00 and 09:00 (SA Time) to Good Morning CapeTalk with Lester Kiewit broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/xGkqLbT or find all the catch-up podcasts here https://buff.ly/f9Eeb7i Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

From a childhood in Dundee marked by loss, poverty and resilience, to becoming one of the most respected actors of his generation, Brian Cox's life and career have been defined by an unrelenting pursuit of truth on and off stage. In this in-depth conversation with James O'Brien, the Emmy and Golden Globe winner reflects on the death of his father at eight years old, the formative influence of his mother's struggles with mental health, and the teachers who first spotted his talent.Cox charts his journey from the Dundee Repertory Theatre to the Royal Shakespeare Company, the West End and Hollywood, revisiting the defining roles that shaped his craft- from portraying Hannibal Lecter before Anthony Hopkins to his acclaimed turn as Logan Roy in Succession. He speaks candidly about the compromises and convictions that have steered his career, the cultural and political forces that have shaped his worldview, and his ongoing belief in the power of storytelling to confront injustice.Thoughtful, uncompromising and rich with anecdote, this episode offers a compelling portrait of an actor whose commanding presence is matched by his fierce intellect and refusal to play by the rules.

What happens when a software startup becomes a full-service, AI-powered architecture firm?This week on Practice Disrupted, Evelyn Lee is joined by Patrick Chopson, Co-Founder and Chief Product Officer of Cove Architecture (formerly Cove Tool). What began as a mission to provide architects with performance analysis tools has evolved into Cove Architecture, the first AI-driven practice reimagining how buildings are conceived, coordinated, and delivered.Patrick shares the story of Cove's evolution, from its roots as a SaaS platform to its pivot into consultancy, and now into a full-service design studio backed by over $36 million in venture funding. Their debut project, a multifamily complex in Atlanta's West End, was designed in just 15 days, demonstrating how AI can accelerate timelines by 60%, improve cost accuracy, and cut iteration expenses nearly in half.Beyond efficiency, Patrick envisions AI as a force for design excellence. By offloading code checks, zoning analysis, and cost modeling, architects are freed to focus on creativity, meaning, and beauty. He reflects on how Cove integrates human expertise with machine intelligence, how AI supports senior architects in elevating design, and why training and mentorship must adapt in this new era.The conversation also touches on the business model of architecture: how venture capital is reshaping practice, what “AI-powered but human-centered” really means, and how these tools might democratize design for firms of all sizes.“Being AI-powered doesn't mean removing the human from the process. It means empowering the expert architect to do what they do best: elevate design, mentor the next generation, and create lasting impact.” - Patrick ChopsonThis episode concludes with a reflection on the future of practice: from profitability and scale to sustainability and mentorship. Patrick challenges architects to see AI not as a threat, but as an opportunity to design more bespoke, more sustainable, and more beautiful buildings, and to build a profession that is more resilient for generations to come.Guest:Patrick Chopson, AIA is Co-Founder and Chief Product Officer of Cove Architecture. With a background in mechanical engineering, high-performance building design, and sustainability consulting, Patrick has over 20 years of experience advancing tools that merge technology with design excellence. At Cove Architecture, he leads the charge in creating an AI-powered, human-centered model of practice.Is This Episode for You?This episode is for you if:✅ You're curious about how AI is transforming architectural practice✅ You want to learn how venture-backed firms are reshaping the field✅ You're navigating mentorship and training in an AI-powered environment✅ You believe architecture must evolve to deliver sustainable, bespoke designWhat have you done to take action lately? Share your reflections with us on social and join the conversation.

Aimée Fisher and George Crawford are In The Frame!Real-life couple Aimée and George are currently performing alongside eachother in the West End production of The Great Gatsby at the London Coliseum. They're both in the ensemble, with Aimée playing Gilda Grey whilst covering Myrtle and George covering both Nick and Gatsby. Aimée's theatre credits include Les Miserables (Sondheim Theatre), Wicked (Apollo Victoria), Elf (Dominion) and Groundhog Day (Old Vic). George has been in The Book of Mormon (UK Tour), Newsies (Troubadour Wembley Park), Spend Spend Spend (Royal Exchange) and Forever Plaid (Upstairs at the Gatehouse). Aimée and George first met when they both performed in the UK & Ireland tour of Waitress; Aimee covered Jenna and Dawn whilst George played Ogie.In this episode, Aimée and George discuss all-things Gatsby, life as a couple working in the same industry, memories of meeting on Waitress and lots more.Follow Aimée @aimeelynfisher and George @georgeygriffThe Great Gatsby runs at the London Coliseum until 7th September. This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Jim MacKay reports. 

Dominic speaks to the award-winning composer Jeff Wayne about Two Cities (his Musical adaptation of A Tale of Two Cities) that opened at the Palace Theatre, in London's West End, on 27th February 1969Despite a run of just 44 performances, Two Cities was Nominated for Best Musical at the Evening Standard Awards - with its star Edward Woodward also winning the Best Male Performance for a Musical category for his portrayal of Sydney Carton. Audiences and critics alike also praised Elizabeth Power's performance as Lucie Manette ...All musical excerpts in this episode from "Two Cities" & "The War of the Worlds" have been used with permission from Jeff Wayne Music Group Ltd Support the showIf you'd like to make a donation to support the costs of producing this series you can buy 'coffees' right here https://www.buymeacoffee.com/dominicgerrardThank you so much!Host: Dominic GerrardSeries Artwork: Léna GibertOriginal Music: Dominic GerrardThank you for listening!

The anterior talofibular ligament (ATFL) and the Achilles tendon captures much of our ankle attention. As JOSPT Insights listeners know, there's plenty more to the ankle than the ATFL. Today, Liz Bayley shares her approach to diagnosing, managing and ideally, preventing ankle pain in active people. Liz covers diagnosing the problem, where imaging fits, and how to support return to function, including high-level sport. Liz is a former professional dancer, who now works as a dance-specialist physiotherapist. Her clinic is in London's West End, in close proximity to the freelance professional and student dancers she works with, at Trinity Laban Conservatoire of Music and Dance, and on 'Matilda The Musical' in Covent Garden. ------------------------------ RESOURCES Lateral ankle ligament sprains clinical practice guideline: https://www.jospt.org/doi/10.2519/jospt.2021.0302 Updated model of chronic ankle instability: https://pubmed.ncbi.nlm.nih.gov/31162943/ Predictors of chronic ankle instability: https://pubmed.ncbi.nlm.nih.gov/26912285/ Intrinsic foot muscle training systematic review: https://pubmed.ncbi.nlm.nih.gov/35724360/ Neuromuscular electrical stimulation for foot intrinsic muscles: https://pubmed.ncbi.nlm.nih.gov/35142810/

Dianté Lodge / @diantelodge is currently in the ensemble in EVITA in London's West End! Theatre credits include: MJ The Musical (Prince Edward); Matilda (Cambridge); Peter Pan (The London Palladium); Carousel (Kilworth House); Best of West End (Royal Albert Hall); Coppelia (Cockpit). Film credits include: Snow White (Disney). Television credits include: Royal Variety Performance 2020 (ITV). Workshop credits include: Burlesque; Play On!; Sinbad; KIN. Music video credits include: Hip Neck Spine (Daphne Guinness); Twisted & Black British (V V Brown). Movement director/choreographer credits include: Remembrance Monday (Seven Dials Playhouse); Charity (BFI). Training: Laine Theatre Arts. Want to try our Broadway fitness program for free? ⁠⁠⁠⁠⁠⁠⁠⁠www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Earlier this year, Demetrius Short spoke at Fisk University's Honors Convocation and got some apologies off his chest. He disclosed to his mentors and professors he was sneaking into their offices to sleep on their couches. He was grabbing a tray of chicken legs and hoping the cafeteria workers would look the other way. He was attending class for years without officially being enrolled as a student.Through seven years scraping by in school, Short always kept an internship. With no car, he walked both ways from the Fisk campus to an office in West End, wearing a suit and alligator skin shoes. After graduating, Short used that experience to start a fundraiser 5k where runners are asked to wear suits and sneakers. The Steps of Success 5k is now in its 15th year.When a man can run a 5k in a full business suit, he's got a story worth tuning in for. Join us!

This week on ROAM, John, Dayna, and Shawn unpack John's whirlwind three-day trip to London with his family before heading to Scotland. From scoring an incredible upgrade at the historic Great Scotland Yard Hotel to seeing Hamilton live on the West End, John shares how they made the most of just 72 hours in the city. Highlights include: Surviving the red-eye and jumping straight into a hop-on, hop-off bus tour Exploring Covent Garden's hidden gems and foodie favorites like Dishoom A fancy dinner at Sky Garden with panoramic city views Touring the Tower of London with a Blue Badge guide A relaxing detour to Richmond—yes, the town from Ted Lasso Whether you're planning a short stopover or just love hearing about family travel done right, this episode is packed with tips, laughs, and insider stories.

Jess Folley has been a popstar for almost a decade and she's still only 22. At 14 she won The Voice Kids and later triumphed on X Factor: The Band, with pop group RLY. Since then she's been carving out a career as a songwriter and releasing music under her own name. Jess tells Datshiane Navanayagam about stepping into the corset and heels made famous by Christina Aguilera to play the lead role of Ali Rose in Burlesque the Musical in the West End. Women whose data was leaked after they signed up to a dating safety app have become the target of harassment online. Tea Dating Advice, or Tea as it's known, was set up in the US with a view to allowing women-only-users to do background checks and share their experiences of men they had been dating. But a data breach has seen images, posts and comments from more than 70,000 women who signed up leaked. Datshiane speaks to BBC World Service reporter Jacqui Wakefield and sociologist Dr Jenny van Hooff about the risks of online dating.Research has been published which could pave the way for reducing the incidence of Alzheimer's in women. It shows women with the disease have lower levels of omega fatty acids than men. There's been debate about whether we should be taking fish oil supplements for some time, so will this answer the question? Datshiane is joined by Dr Cristina Legido Quigley, the lead researcher for this study from Kings College London and Dr Susan Kohlhaas from Alzheimer's Research UK which helped fund the work. Former journalist-turned-bestselling-author Elodie Harper has gained a reputation for re-drafting ancient history to centre the women hidden in the margins. Her trilogy The Wolf Den breathed life into the prostituted, enslaved women whose names can still be seen graffitied on the walls of the brothel at Pompeii. Elodie talks to Datshiane about her latest book, Boudicca's Daughter, in which she's turned her imagination to ancient Britain and the women who rose up against Roman rule in the First Century AD, led by the warrior queen Boudicca.Presenter: Datshiane Navanayagam Producer: Andrea Kidd

Madeline Charlemagne is In The Frame!Madeline recently had a big career chapter with Hadestown (Lyric Theatre). She was part of the original West End cast as a Fate and understudy for Eurydice. A few months into the run Madeline took over the role of Eurydice full-time. At the end of her contract, she returned to playing a Fate alongside the original cast for the special filmed performances for the Hadestown live capture. After training at Central School of Speech and Drama, Madeline's early theatre credits include Carousel (Regent's Park Open Air Theatre), Hex (National Theatre), Kick (Lyric Hammersmith), 42 Balloons (Vaudeville Theatre) and The Secret Life of Beas (Almeida Theatre). Next up Madeline is playing Elsa in The Harder They Come (Theatre Royal Stratford East). In this episode Madeline discusses her Hadestown journey, from why she wanted to do a big West End contract, the challenge of taking over as Eurydice and what it was like to film the show. She also talks about her path into theatre, her time training and what she learnt from her first jobs. You can follow Madeline on Instagram: @madcharlemagneThis podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

* Checking in with Councilmember Joe Giarrusso about Mayor Cantrell's indictment, West End, the delay with the Sewerage and Water Board's new substation * How do Jefferson Parish businesses feel about the permitting process? We break down a new survey from the Chamber of Commerce with President Ruth Lawson and go over where there's room for improvement.

We check in with Councilmember Joe Giarrusso about Mayor Cantrell, West End, and the delay with the Sewerage and Water Board's new substation.

01. Bingo Players, Grevvy - Back It Up! 02. Moksi - Ring Ding Ding 03. Alok, Agents Of Time - Fever 04. DJ Susan, Miggy Dela Rosa - Dirty Cat 05. Tony Romera - LFO 06. Maur, Westend, Cami Bear - Over 07. Fedde Le Grand - Liquid Music 08. Cat Dealers, Felguk, Kyra Mastro - Otherside 09. Curbi, Cashew - Danny Phantom 10. Tiesto, Afrojack, Mc Ambush - Light It Up 11. Duck Sauce - You're Nasty 12. Flero - Manhattan Funk 13. Dubdogz, Doriann - Why Not 14. Roxe - Nonstop 15. Jude & Frank, Fdvm - Touch Me 16. Skytech - Sinner 17. Byor - Crashout 18. Richard Grey, Laurent C - Pump up the Jam 19. Nlw - Desires 20. Greg - Pump It Up 21. Nuzb - Say Less 22. Mr. Belt, Wezol - Don't Stop Lovin' 23. Clkout, Matsu, Mike Deuce - Never Felt Before 24. Dont Blink - You Know What I Like 25. Alaia & Gallo - Lipstick 26. Frank Walker, Nathan Nicholson - What Love Feels Like 27. Tujamo, Djs From Mars, Alex Lndn - Everyone Listens To Techno 28. Cyril, James Blunt - Tears Dry Tonight 29. Timmy Trumpet, Dvbbs - Synergy 30. Cassimm - I Like It 31. Ownboss - Somebody To Love 32. Ansun, Closed - Faultless 33. Mph, Ac Slater, Eloise Keeble - Lights On 34. Kream, Camden Cox - Weightless 35. Fatboy Slim, Daniel Steinberg, David Guetta, Morten - Bus Stop Please 36. Shapov, Aspyer - Essami 37. Win Win - Music, Dance, Freedom 38. Luke Miller - Make It Hot

As the National Theatre's production of The Importance of Being Earnest transfers to the West End with Stephen Fry taking the role of Lady Bracknell, but do older actresses lose out when men are cast in women's roles? Nikolai Foster, Artistic Director of the Leicester Curve Theatre and Nicky Clark, founder of the Acting Your Age Campaign discuss. The bestselling author of Yellowface, R.K. Kuang, discusses her new novel Katabasis.Director Daniels Evans talks about his production of Born With Teeth which sees actors Ncuti Gatwa and Edward Bluemel reimagine the relationship of Marlowe and Shakespeare.And we hear archive of the late actor Terence Stamp, one of the defining cinematic figures of his generation talking about working with Federico Fellini.Presenter: Samira Ahmed Producer: Ruth Watts

ITV's Bad Girls burst onto British screens in 1999, plunging viewers behind the gates of fictional Larkhall Prison. Unlike any drama before it, the series offered a raw, unfiltered look at the lives of women navigating incarceration, authority, and survival. With its blend of gritty realism, dark humor, and soap-opera twists, Bad Girls became a prime-time staple—redefining what was possible for female-led storytelling on UK television. At the heart of the show was its brilliant ensemble cast, including the comic partnership of the Two Julies, the formidable Yvonne Atkins, and the infamous officer Sylvia “Bodybag” Hollamby. The characters were deeply flawed, resilient, and relatable, infusing the series with moments of both aching vulnerability and riotous fun. Their dynamic relationships and memorable quirks kept fans hooked, while also revealing the solidarity and divisions found in prison life. Bad Girls wasn't afraid to confront serious issues that most dramas skirted around. From wrongful convictions and miscarriages to domestic abuse, addiction, and institutional corruption, the show tackled taboos head-on. Its honest depictions sparked national debates, paved the way for nuanced LGBTQ+ representation in mainstream media, and highlighted the realities and injustices faced by women inside the prison system. Throughout its eight-season run, the series delivered unforgettable moments—heartbreaking goodbyes, shocking betrayals, ghostly twists, wild escapes, and even musical interludes. Later seasons leaned into high drama and sometimes camp excess, but always circled back to the fierce camaraderie and survival instinct at the series' heart. Viewer loyalty soared, with millions tuning in and supporting iconic characters even as new faces and scandals emerged. Today, Bad Girls stands as a trailblazer in British TV, influencing dramas and pop culture far beyond its original broadcast. Its impact endures: from a beloved West End musical to the enduring popularity of its stars, the legacy of Larkhall lives on—reminding us that, even behind locked doors, hope, humor, and rebellion will always find a way. Talk2TheHand is an independent throwback podcast run by husband and wife, Jimmy and Beth. Obsessed with 90s nostalgia and 90s celebrities, we'll rewind the years and take you back to the greatest era of our lives.   New episodes bursting with nostalgia of the 90s released on Tuesdays. Please subscribe to our podcast and we'll keep you gooey in 1990s love. Find us on Twitter @talk2thehandpod or email us at jimmy@talk2thehand.co.uk or beth@talk2thehand.co.uk

Dans mon Chinatown, c'est le nom de notre série d'été. On vous emmène explorer les quartiers chinois des grandes villes du monde. Aujourd'hui, direction Londres, au Royaume-Uni, dont le Chinatown est l'un des quartiers touristiques incontournables pour qui veut découvrir la capitale britannique. Située dans l'hypercentre de la capitale, on y trouve des restaurants réputés. Comme une vitrine pour la culture chinoise et panasiatique. Mais la présence chinoise à Londres cache une face plus sombre, moins instagrammable. De notre correspondante à Londres, On se trouve ici au cœur de Londres. À deux pas du West End, le quartier des théâtres. Les noms de rue sont écrits en anglais et en chinois. Des lampions surplombent les allées, une immense arche bleue et dorée marque l'entrée de Chinatown, un quartier gourmand, où cette restauratrice est installée depuis 20 ans : « Bonjour, je m'appelle Ellen Chew, j'ai fondé les restaurants Chew. Chinatown, c'est un endroit vraiment important pour moi. Je viens ici quand mon pays me manque. Je viens ici pour la gastronomie, mais cela va au-delà de ça : Chinatown, c'est une communauté d'amis. On vient ici pour manger, mais surtout pour être entre amis. » Son secret : un fabricant traditionnel de nouilles dans une ruelle dérobée. La Singapourienne l'assure : sous des façades bling-bling, Chinatown reste très authentique. Bien que mal nommée. « Quand je suis arrivée il y a 20 ans, on trouvait surtout du canard laqué, des Dim Sums, quelques Japonais, mais surtout de la cuisine cantonaise. Aujourd'hui, ça a changé. On trouve des restaurants malaisiens, singapouriens, vietnamiens, thaïs. Chinatown aujourd'hui, c'est plutôt Asiatown. » Beaucoup plus à l'est, l'ancien quartier des Docks. C'est le Chinatown originel où se sont installé les premiers immigrants chinois, des marins, au 19ᵉ siècle, un quartier rasé pendant la Seconde Guerre mondiale. À deux pas d'ici, la Chine souhaite construire une nouvelle ambassade, juste en face du mythique Tower Bridge. Et ça, ça inquiète fortement la diaspora chinoise et hongkongaise « Non à la répression transnationale chinoise. Non à la méga-ambassade ! Le Parti communiste chinois va s'en servir pour nous espionner, nous les Hongkongais, et les autres. Et c'est dangereux pour la sécurité nationale britannique ! » C'est aussi ici qu'on rencontre Carmen Lau, une activiste hongkongaise qui possède le statut de « citoyenne britannique d'Outre-mer ». Élue locale pro-démocratie, elle a dû fuir Hong-Kong en 2021. Mais continue de subir la répression chinoise. « Le régime chinois et le gouvernement hongkongais ont placé une prime sur ma tête et sur celles d'autres activistes, mes voisins au Royaume-Uni ont reçu des lettres pour les inviter à me livrer à l'ambassade chinoise. Je trouve que le gouvernement britannique n'en fait pas assez pour lutter contre cette forme de répression. » Ces dernières années, 150 000 Hongkongais ont demandé l'asile au Royaume-Uni. Pour Carmen Lau, même à 10 000 km de chez elle, cette diaspora a un rôle à jouer pour l'avenir de Hong Kong. « Nous essayons de recréer notre société civile, nos mouvements de défense des droits humains. Et puis, en tant que Britannique d'Outre-mer, nous avons le droit de vote ici. À nous d'activer ce pouvoir au nom de nos droits. » Si le projet est validé, l'ambassade compterait parmi les plus grandes d'Europe – une sorte de Chinatown de verre et de béton, bien loin des lampions et des canards laqués du West End.   À lire aussiDans mon Chinatown: Lagos, une ville d'opportunités pour les ressortissants chinois

01. Bingo Players, Grevvy - Back It Up! 02. Moksi - Ring Ding Ding 03. Alok, Agents Of Time - Fever 04. DJ Susan, Miggy Dela Rosa - Dirty Cat 05. Tony Romera - LFO 06. Maur, Westend, Cami Bear - Over 07. Fedde Le Grand - Liquid Music 08. Cat Dealers, Felguk, Kyra Mastro - Otherside 09. Curbi, Cashew - Danny Phantom 10. Tiesto, Afrojack, Mc Ambush - Light It Up 11. Duck Sauce - You're Nasty 12. Flero - Manhattan Funk 13. Dubdogz, Doriann - Why Not 14. Roxe - Nonstop 15. Jude & Frank, Fdvm - Touch Me 16. Skytech - Sinner 17. Byor - Crashout 18. Richard Grey, Laurent C - Pump up the Jam 19. Nlw - Desires 20. Greg - Pump It Up 21. Nuzb - Say Less 22. Mr. Belt, Wezol - Don't Stop Lovin' 23. Clkout, Matsu, Mike Deuce - Never Felt Before 24. Dont Blink - You Know What I Like 25. Alaia & Gallo - Lipstick 26. Frank Walker, Nathan Nicholson - What Love Feels Like 27. Tujamo, Djs From Mars, Alex Lndn - Everyone Listens To Techno 28. Cyril, James Blunt - Tears Dry Tonight 29. Timmy Trumpet, Dvbbs - Synergy 30. Cassimm - I Like It 31. Ownboss - Somebody To Love 32. Ansun, Closed - Faultless 33. Mph, Ac Slater, Eloise Keeble - Lights On 34. Kream, Camden Cox - Weightless 35. Fatboy Slim, Daniel Steinberg, David Guetta, Morten - Bus Stop Please 36. Shapov, Aspyer - Essami 37. Win Win - Music, Dance, Freedom 38. Luke Miller - Make It Hot

Double Olivier-Nominated actress, Marisha Wallace hails from North Carolina, USA where her love of singing began in her local church with her family. She made her Broadway debut in Aladdin directed by Casey Nicholaw and, following that, went into the Original Broadway Cast of Something Rotten. A last-minute request to go to London to take over the role of Effie White in Dreamgirls in the West End, a role she was only supposed to do for three weeks, turned into eight years in the role!Marisha went onto star in the Original West End Cast of Waitress playing Becky and the revival of Hairspray at the Coliseum playing Motormouth Maybelle. Her formidable performances led to Director Daniel Fish asking her to play Ado Annie in his ground-breaking production of Oklahoma! at the Young Vic Theatre, for which she was nominated for the WhatsOnStage, Evening Standard and Olivier Award for Best Supporting Actress in a Musical. It was quickly followed by another smash-hit revival, Guys and Dolls at the Bridge Theatre directed by Sir Nicholas Hytner, for which she was nominated for the WhatsOnStage, Evening Standard and Olivier Award for Best Actress in a Musical.On screen Marisha has appeared in the most recent series of Feel Good and Jingle Jangle for Netflix, Almost Never on CBBC, and Aladdin for Disney. Alongside her acting career, she is an international singer-songwriter. She frequently collaborates on new music with songwriting legends Toby Gad (Beyoncé, John Legend) and Steve Anderson (Kylie Minogue). Last year Marisha performed live for HRH King Charles and Queen Camilla on two occasions, as well as at the D-Day at 80 on the BBC, the Royal Variety Performance at the Royal Albert Hall on ITV1, and on Dancing On Ice.Marisha's performance as ‘Sally Bowles' in Rebecca Frecknall's production of Cabaret in the West End, received critical acclaim.

From stage to page, murder-mystery author Jamie West has cracked the code to self-publishing success. His Murder at the Matinee was shortlisted for the 2025 CWA Whodunnit Dagger Award, and his novels have climbed the Amazon bestseller charts.By night, Jamie works backstage on some of London's biggest West End shows. By day, he's built a thriving career as a self-published author.From shaping his covers and marketing campaigns to building a loyal readership, Jamie explains why he chose the indie route over traditional publishing, and shares his advice for anyone wishing to take the same path.

Courtney Stapleton is In The Frame!After training at ArtsEd Courtney made her West End debut in the ensemble of Mamma Mia!, as a cover for Ali. She went on to cover Éponine in Les Misérables and was dance captain for Bat Out of Hell.Courtney joined the original West End cast of Six as the alternate for Seymour and Parr before being cast in the original West End cast of Dear Evan Hansen as standby Zoe and Alana.Courtney starred as Belle in Beauty and the Beast (London Palladium & UK Tour), played Meg in Love Never Dies In Concert (Theatre Royal Drury Lane), Blast in SuperYou (Leicester Curve) and most recently starred as Kelly in The Mad Ones (The Other Palace). Additionally, Courtney has done various short films, workshops and concerts.In this episode Courtney discusses the path of her career, including some of the tougher times and why she's falling back in love with singing and musical theatre. Courtney also reminisces about lots of the shows she has done (including lots of chat about Six) and more pops up along the way.Follow Courtney on Instagram: @courtneyjstapesThis podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

All aboard the Cat Bus for a moving conversation about one of the greatest animations of all time – and the emotional madness of trying to bring that tale to the stage in London's West End. If you're in London at the moment, you need to see the current theatrical adaptation of My Neighbour Totoro currently showing in the West End. Produced by the Royal Shakespeare Company with puppet designs by Jim Henson's Creature Shop, this magical re-telling of the iconic Studio Ghibli animation was written by our guest today, Tom Morton-Smith – a storyteller whose past work includes Oppenheimer (not the Christopher Nolan movie, but an acclaimed stage drama) and Ravens, a Cold War thriller set at the 1972 World Chess Championship. Taking on Totoro was an undertaking as big and daunting as the titular forest spirit himself. Set in post-war Japan, Hayao Miyazaki's story told the tale of a father and his two daughters who move to the edge of an enchanted forest, to be closer to the hospital where the girls' mother is undergoing medical care. As uncertainty gathers, strange creatures reveal themselves to little Satsuki and Mei – leading them on an adventure of wonder and awe. In the spoiler conversation you're about to hear, Tom details how he translated that wonder and awe to the stage. He's also open about his persoal experience, writing the play amid huge change in his family life. The grief and loss – or potential for loss – that sits in the background of the Totoro story is something Tom was moving through himself as he sat down to pen this adaptation.We break down the tale's themes of environmentalism and the kindness we owe to each other. We also get into the darkness of Ghibli that is often erased or reduced in how the west talks about films like this one. Finally, we talk about “ma” – the Japanese word for “emptiness” – that Miyazaki fills Totoro with, and why it might just be the secret to the joy of this film, now more than ever, in a frantic, digital world. Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.Screenwriters – get comprehensive feedback on your latest script from Al Horner by visiting ScriptApart.com/coverage.To get ad-free episodes and exclusive content, join us on Patreon. Hosted on Acast. See acast.com/privacy for more information.

Welcome back to Butt Honestly, the only podcast where your butt dial might just end up on air. This week, someone reached out with a tragic tale: ChatGPT gave them…the runs. (Artificial intelligence, natural consequences.)Our Butt Dials segment is bursting with goodies: an email from a nurse gives the 411 on a new PrEP medication, a listener having a hard time at a nude beach (emphasis on hard), and — because the universe loves us — a full-on booty call from an actual pig on the prowl. Meanwhile, Dr. Carlton returns from his trip over the pound — that's right, from West End musicals to steamy bathhouses, he's been hitting all the cultural landmarks. The guys dish on the Hollywood Bowl, give their review of Jesus Christ Superstar (spoiler: the Lord works in mysterious, jazz-handed ways), and wrap things up with their “Love Language of the Week” — because after all that, we all need a gentle cuddle.Warning: Listening may result in spontaneous laughter, inappropriate beach thoughts, and the uncontrollable urge to slather yourself in Gun Oil while singing show tunes.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

“I like the Pickwick score, it's robust and British. I've often been offered parts in American musicals but I've always turned them down. No matter how good they are, I always feel they are not part of us. That's why I waited and thought of this idea of making a musical of ‘Pickwick.” - Harry Secombe, 1963.And so the idea was realised, based on the 1837 Charles Dickens novel The Posthumous Papers of the Pickwick Club, better known simply as The Pickwick Papers. Harry got the idea for the musical while on holiday in the Bahamas, inspired by the success of Oliver! The writer Wolf Mankowitz agreed to turn it into a musical but faced the considerable challenge of condensing the 250,000words and loosely-linked anecdotes from the original novel into a workable stage production. He eventually decided to use the Pickwick-Bardell breach of promise action as a basic skeleton from which to hang the two-act musical adaptation. Pickwick premiered in Manchester in summer 1963 and as well as Secombe as the titular rotundity featured the likes of Anton Rodgers, Julian Orchard, Hilda Braid, Peter Bull and Norman Rossington among the cast.It swiftly transferred to the West End and two years later opened in the United States. Some of the original British cast reprised their roles (obviously including Harry) but Charlotte Rae came on board as Mrs Bardell and a young scapegrace called Davy Jones took up the part of Sam Weller. The story is he was spotted and signed up for The Monkees during this, and was subsequently replaced by the great Roy Castle. An original cast recording was released on LP in 1963 and in 1969 the BBC broadcast a 90-minute colour adaptation of the musical, adapted for the screen by James Gilbert and Jimmy Grafton. It reunited Secombe with Roy Castle and Julian Orchard and introduced us to Hattie Jacques as Mrs Bardell, Aubrey Woods as Mr Jingle and Robert Dorning as Tupman.This week returning guest Tim Worthington talks all things Pickwick but as you would expect with someone like Tim the conversation is wide-ranging and he pulls many a thread from the tapestry of sixties popular culture!

A controversial gaming parlor announces plans to open this fall in the West End; Henrico Fire officials host 'Girls on Fire' camp for youngsters; it's race week at Richmond Raceway; Henrico supervisors approve participation in opioid-settlement plan, expand Henrico Investment Program boundaries.Support the show

The Henrico Board of Supervisors will meet today; the victim of a fatal West End motorcycle crash is identified; a weekend shooting damages cars in a parking lot at an apartment complex; a 2-mile stretch of Sadler Road is closed for several weeks.Support the show

Dombresky drops a brand new #ProcessRadio featuring bangers from Joshwa, Chicks Luv Us, Tigerblind, Us Two & Franksy, Westend, Disciples and loads more! 01. DumitrEscu - Sitting In The Sun (Walking In The Rain) (Walking In The Rain) 02. Camila Jun - Tell Us 03. Elliot Schooling - Love On 04. Traumer, Marsolo - All the Love 05. BENDER - Stomp 06. Us Two, Franksy - Simulation 07. AstroHertz - Hold Me 08. Toomy Disco - I'm In Love 09. Joshwa - High 10. Patrick Topping - Ocean 11. Dombresky & CHANEY ft. KLP - Running [HOTTEST TRACK] 12. Danny Rhys, Loz Seka - Got To Move 13. Tigerblind - Go All Out 14. Ryan Resso - Get Busy 15. Jordan Peak - Front 2 Back 16. Wodda - Welcome to the Future 17. Chicks Luv Us, Paul Trent - Give It All 18. Max Dean, Luke Dean, Locky - Can't Decide (Westend Edit) 19. Debbie Jacobs - Don't You Want My Love 20. Disciples - Starlight 21. Danny Parton - Luniz 22. Briak, L. Lewis - Class Style

1. Dave Matthias - In The Music 2. Far&High - Life Selector 3. Husko - Milkshake 4. Manuel De La Mare, Luka Kuhnow - You 5. PEACE MAKER! - The Chant 6. Rampa - Everything feat Meggy (Argy Remix) 7. Simenga - MNDU 8. Spinoff, Makla - 911 9. Theus Mago, Kubebe - Casa Furiosa (Club Mix) 10. Westend, ACRAZE - Apple Cider 11. Qubiko - Moving On 12. Matroda - Feel The Heat 13. Zac Samuel - Baby 14. Bacavi - Butterflies

Camille is joined by two very special guests, Charlie and Cat, to chat about one of their favorite musicals currently on West-End and Broadway, Operation Mincemeat.Post-production by Aradia from Fox and Raven Media.Send us your hate mail! Or your fan mail, if you really insist...Support the showCheck out our Bluesky, Instagram, TikTok, Tumblr, and Patreon.Intro and outro music by Julius H.

Kevin had a 360 moment this week as he went to see Oliver on the West End and PJ questions whether it was actually a 360 moment and Kevin retorts that Dua Lipa confused him by saying 'Did a fully 180, baby' because 180 is only a half turn. Ultimate confusion.Then the lads discuss a topic that they've wanted to discuss for ages and kind of already have been discussing in part in previous episodes, especially since they watched Dream Academy on Netflix and it's the iconic world of K-pop. From trainees to debuts, icons to a bias, the lads break it all down and leave no light-stick unturned when delving into South Korea's most lucrative export.Sign up to the I'm Grand Mam Patreon for more stunning content: https://www.patreon.com/imgrandmam ✨ Hosted on Acast. See acast.com/privacy for more information.

AFROJACK drops cuts from Chico Rose, David Guetta, Mau P, Julian Cross, ACRAZE & Westend, Michael Phase & Jop Govers, Martin Garrix & Alesso and many more on a brand new episode of #JackedRadio! Chico Rose (NL) - I Gotta 01:00David Guetta, Audio Bullys, DJs From Mars - Things I Haven't Told You 05:30Matt Faulk - Dream Of You 06:48Chico Rose (NL) - POM 10:04Matroda - Feel The Heat 12:31Camelphat & Elderbrook - Cola (ARTBAT Remix) 14:14ACRAZE x Westend - Apple Cider 16:12Michael Phase & Jop Govers - The Drill 20:30Tigerblind - Go All Out 22:52Martin Ikin, Hayley May - Rush 25:22San Pacho - Ride The Train 29:36Dombresky & CHANEY ft. KLP - Running 32:34Swedish House Mafia - Wait So Long (Agents Of Time Remix) 33:47R3HAB - Where's Billy 37:58Mau P - TESLA 39:25Julian Cross - Risk It All 44:06Martin Garrix & Alesso ft. Shaun Farrugia - Inside Our Hearts 48:12AFROJACK - Never Forget You (Amél Remix) 51:28Lucas & Steve - Wasting Time 55:54AFROJACK, Martin Garrix, David Guetta, Amél - Our Time 57:38

In reporting his 2012 New York Times bestselling biography Bruce-widely regarded as the "definitive biography of Bruce Springsteen" (Asbury Park Press)-celebrated music journalist Peter Ames Carlin gained unprecedented access to Springsteen's inner circle and to The Boss himself. Now, timed to the 50th anniversary of the release of the groundbreaking album, he brings us TONIGHT IN JUNGLELAND: The Making of Born to Run (Doubleday; August 5, 2025; $30), an intimate, behind-the-scenes account, based on brand new reporting, of the writing, recording, and making of one of the most iconic records in rock history.From the opening piano notes of "Thunder Road" to the final outro of "Jungleland," with American anthems like "Born to Run" and "Tenth Avenue Freeze Out" in between, Bruce Springsteen's seminal album, Born to Run, established Springsteen as a creative force in rock and roll. It is indisputably his crowning achievement, which launched him to international superstardom-but it almost never happened.By the spring of 1974, the situation at Columbia Records had become dire for Springsteen. His first two albums had been highly praised but had gained almost no commercial traction. Columbia was not going to pay for a full third album. They agreed to give him enough money to record just one more song; if it sounded like a hit, or even something with a chance of radio play, they'd consider financing a full album. Bruce was determined to craft a song powerful enough to stake the rest of his career on, so he sat on his small bed near the Jersey Shore and picked up his guitar. He listened to the traffic outside his window and envisioned the muscle cars he saw roaring around Asbury Park. Then he pulled some chords out of the air and wrote the words, "Baby, we were born to run."With his back against the wall, Springsteen wrote what has been hailed as a perfect album, a defining moment, and a roadmap for what would become a legendary career. TONIGHT IN JUNGLELAND details the writing and recording of every song on the album, a tortuous process that betrayed the fault lines in Springsteen's psyche and career, even as it revealed the depth of his vision and the power of his determination. It's a journey and a story-from the first harmonica notes of "Thunder Road" and its opening lyric, "The screen door slams, Mary's dress sways," to the "Barefoot girl sitting on the hood of a Dodge" in "Jungleland," with its massive, theatrical finale of raised and crushed dreams against a backdrop of Springsteen's hopeful and melancholic New Jersey ("There's an opera out on the Turnpike / There's a ballet being fought out in the alley. . . Tonight, in Jungleland")-that combines Carlin's signature narrative style, trademark energy, lush music writing, and intellectual style, with unprecedented access to Bruce himself, his bandmates, and his longtime collaborators.A must-read for any music fan, TONIGHT IN JUNGLELAND takes us inside a hallowed creative process and lets us experience history. But don't take our word for it; let Bruce's own words, told to Carlin, reflect the intimacy of the book's storytelling: "You know, I'm very, very fond of [the album]. And on its anniversaries, I get in a car and I play it from start to finish, and I end up at West End court where I wrote it. Right before the end, right before 'Jungleland.' And I sit there by the curb and I let 'Jungleland' play, as I sit outside the little house I wrote it in."Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

It's wedding season and Alex is away at one of the numerous celebrations he's been invited to this summer. Which made him and Sarah think about the way that weddings are used on stage, screen and television. As Beth Steel's Till the Stars Come Down packs them in in the West End, they look back at plays by writers such as Lorca, Shakespeare and more surprisingly Brecht have used the conventions, tensions and hidden dramas of marriage to unpick uncomfortable truths about human nature and how sometimes a wedding ceremony will reveal more than than the bride and groom had bargained for. Hosted on Acast. See acast.com/privacy for more information.

Officials relaunch the JA Career Center at the Junior Achievement Finance Park in Henrico; your chance to see drivers ages 5 to 16 compete at Richmond Raceway next week; August is National Breastfeeding Month, and RHHD officials want the public to know about its services; private West End preschool mourn the loss of longtime owner.Support the show

Rebecca Lock is starring as Caz in Here And Now: The Steps Musical.The show about to kick off a tour, with Rebecca reprising her performance from the show's premiere run last year in Birmingham. Featuring the music of Steps, Here And Now is written by Shaun Kitchener and is produced by Steps and ROYO with Pete Waterman. The show is directed by Rachel Kavanaugh, with choreography by Matt Cole and Matt Spencer-Smith as musical supervisor, orchestrator and arranger.Rebecca's West End credits include: Emily Hobbs in Elf The Musical (Dominion Theatre), Carmen in Curtains (Wyndhams Theatre & Tour), Ms Fleming/Veronica's Mom in Heathers (Theatre Royal Haymarket & The Other Palace), Cheryl Gillan MP in Committee (Donmar Warehouse), Rosie in Mamma Mia! (Novello Theatre), Carlotta Giudicelli in The Phantom of the Opera (Her Majesty's Theatre), Kate Monster/Lucy the S**t in Avenue Q (Noel Coward Theatre), alternate Mary Poppins in Mary Poppins (Prince Edward Theatre), Jellylorum in Cats (New London), Oh! What A Lovely War (The National Theatre), Bertrande De Rols in Martin Guerre (Prince Edward Theatre) and Guest Soloist in the 30th anniversary of Sondheim's Side by Side (Novello Theatre).Some of Rebecca's other theatre credits include: Rosalie Mullins in School of Rock (UK Tour), Mrs Banks in Mary Poppins (International tour), Lilli Vanessi/Kate in Kiss Me Kate (Sheffield Crucible), Isabelle in Moonfleet (Salisbury Playhouse), Mrs Cratchitt in A Christmas Carol (LMTO), Widow Corney in Oliver! (Sheffield Crucible), Gabrielle in Dear World (Charing Cross Theatre), Baroness Schraeder in The Sound of Music (JY Productions/Jordan), Guest Soloist in Sondheim Women (St James), Iris in The Tempest (Theatre Royal Bath), Mary in Merrily We Roll Along (Theatr Clwyd), Svetlana Sergievsky in Chess (Princess of Wales, Toronto), Joan Aldrin in Moon Landing (Derby Playhouse), Gilda in Alfie (Watford Palace), Dorothy Fields Forever (King's Head), Anna in After the Fair (Kings Head) and Nora in The Pirates of Penzance (West Yorkshire Playhouse).Rebecca starred as Mary Critchard in both workshop productions of Redcliffe by Jordan Luke Gage at The Turbine Theatre and The Other Palace. She was also one of seven actors to share the role of Mama Rose in Gypsy In Concert at Alexandra Palace.In this episode Rebecca reveals how she fell in love with Here And Now and why Caz is the hardest role she has played so far. She also reflects on working on Redcliffe, shares memories of performing Gypsy In Concert and discusses learning to say no and the path of her career... and lots more.Here And Now: The Steps Musical kicks off its tour on 29th August. Rebecca is playing Caz until November and the tour continues through to May 2026. Visit www.thestepsmusical.com for info, tour dates and tickets.This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

In this episode of "The Music in Me," I take you on a journey into the whimsical world of Andrew Lloyd Webber's 'Cats.' Join me as I explore how Webber transformed T.S. Eliot's quirky poems into a theatrical masterpiece filled with dancing felines and unforgettable tunes. From its London debut in 1981 to its Broadway triumph, 'Cats' has captivated audiences with its unique blend of music, choreography, and feline flair. Together, we'll unravel the mystery of the Jellicle Cats and discover what makes this show a legend in theater history. Tune in for a delightful adventure through one of the most iconic and bizarre musicals ever created.SONGS MENTIONED..."Memory""Jellical Songs for Jellical Cats""Magical Mr. Mistofelees""Macavity: The Mystery Cat""The Rum Tum Tugger"Nicole Scherzinger: From Pussycat Doll to Tony Nominee EP. 80What did you think of this episode? Support the showKeep listening, keep grooving, and let the music in you continue to shine. Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY: Hayley GremardINTRODUCTION BY: Gavin Bruno

West End star Rosalie Craig will be returning to the stage this summer to appear alongside Sean Hayes in the London transfer of Good Night, Oscar, now playing at the Barbican Theatre. We sat down to have a virtual chat about the show, why it fits the Barbican so well and how for Craig, it's something of a homecoming. Beyond that, she also pined for an actor-musician version of Company – perhaps reuniting with her former co-star, and clarinet-playing friend, Jonathan Bailey... Hosted on Acast. See acast.com/privacy for more information.

In reporting his 2012 New York Times bestselling biography Bruce-widely regarded as the "definitive biography of Bruce Springsteen" (Asbury Park Press)-celebrated music journalist Peter Ames Carlin gained unprecedented access to Springsteen's inner circle and to The Boss himself. Now, timed to the 50th anniversary of the release of the groundbreaking album, he brings us TONIGHT IN JUNGLELAND: The Making of Born to Run (Doubleday; August 5, 2025; $30), an intimate, behind-the-scenes account, based on brand new reporting, of the writing, recording, and making of one of the most iconic records in rock history.From the opening piano notes of "Thunder Road" to the final outro of "Jungleland," with American anthems like "Born to Run" and "Tenth Avenue Freeze Out" in between, Bruce Springsteen's seminal album, Born to Run, established Springsteen as a creative force in rock and roll. It is indisputably his crowning achievement, which launched him to international superstardom-but it almost never happened.By the spring of 1974, the situation at Columbia Records had become dire for Springsteen. His first two albums had been highly praised but had gained almost no commercial traction. Columbia was not going to pay for a full third album. They agreed to give him enough money to record just one more song; if it sounded like a hit, or even something with a chance of radio play, they'd consider financing a full album. Bruce was determined to craft a song powerful enough to stake the rest of his career on, so he sat on his small bed near the Jersey Shore and picked up his guitar. He listened to the traffic outside his window and envisioned the muscle cars he saw roaring around Asbury Park. Then he pulled some chords out of the air and wrote the words, "Baby, we were born to run."With his back against the wall, Springsteen wrote what has been hailed as a perfect album, a defining moment, and a roadmap for what would become a legendary career. TONIGHT IN JUNGLELAND details the writing and recording of every song on the album, a tortuous process that betrayed the fault lines in Springsteen's psyche and career, even as it revealed the depth of his vision and the power of his determination. It's a journey and a story-from the first harmonica notes of "Thunder Road" and its opening lyric, "The screen door slams, Mary's dress sways," to the "Barefoot girl sitting on the hood of a Dodge" in "Jungleland," with its massive, theatrical finale of raised and crushed dreams against a backdrop of Springsteen's hopeful and melancholic New Jersey ("There's an opera out on the Turnpike / There's a ballet being fought out in the alley. . . Tonight, in Jungleland")-that combines Carlin's signature narrative style, trademark energy, lush music writing, and intellectual style, with unprecedented access to Bruce himself, his bandmates, and his longtime collaborators.A must-read for any music fan, TONIGHT IN JUNGLELAND takes us inside a hallowed creative process and lets us experience history. But don't take our word for it; let Bruce's own words, told to Carlin, reflect the intimacy of the book's storytelling: "You know, I'm very, very fond of [the album]. And on its anniversaries, I get in a car and I play it from start to finish, and I end up at West End court where I wrote it. Right before the end, right before 'Jungleland.' And I sit there by the curb and I let 'Jungleland' play, as I sit outside the little house I wrote it in."Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

As Grace Dent takes a short summer break, the team is delving into the archives to bring you some of their favourite episodes. This week, we rewind to January 2023, when Grace welcomed actor James Norton into her home. Grace realised there's a lot more to learn about James, from his idyllic early years in Yorkshire, to a stint at a very religious boarding school, his breakthrough on the West End and, of course, the food that has been with him through it all

Crystal Nicholls is in the studio this month! She is a wellness coach and former West End dancer born in Barbados and now based in London.Crystal spent six years in The Lion King on the West End, and she also danced on cruise ships, and in TV, commercials, and film projects before transitioning into the health and wellness space for the performing arts. She's spoken about how performing eight shows a week, while an amazing experience, was also relentless and led to a sense of burnout.That experience ignited another passion for her: helping other performers feel their best. During the 2020 lockdowns, Crystal got to work retraining as a holistic health coach and nutrition specialist. With a BFA in Performance Dance and more than a decade on the stage, she combines lived experience with science-backed strategies in her coaching work. Her clients include West End performers, commercial dancers, TV actors, companies, and even performers who are transitioning into new careers. She spoke with me about her journey from dancer to coach and how she works to support performer health and change the narrative each dancer carries about their body and their career. She also shared some behind the scenes stories and insights from her dance career and gave her best advice to adult dancers about how to hold on to joy when dancing, balance busy lives, and ways they play a crucial role in the wellness conversation. I loved hearing from Crystal about why health and wellness shouldn't be a luxury, but one of the foundations of dance as an art form. Check it out!Follow Crystal on Instagram: @crystal_nichollsLearn more about Crystal's coaching: crystalnicholls.comCheck out Applause for Thought: applauseforthought.co.ukThe Adult Ballet Studio is now on YouTube! @adultballetstudioMusic in this episode:Waltz of the Flowers - TchaikovskyBarroom Ballet - Silent Film Light - Kevin MacLeodBarroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310Artist: http://incompetech.com/@eblosfield  | theadultballetstudio@gmail.comSupport this podcast on Patreon! https://patreon.com/TheAdultBalletStudio?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link

Henrico County celebrates plans for a new park in the West End; today is National Night Out; back-to-school vaccination clinics planned; our Henrico Small Business Spotlight focus shines on Bloomistry.Support the show

The Platform Mix 569 features Bobby Booshay, from Cleveland, Ohio! He's a DJ and producer that's been making noise playing venues all over the country and has dates coming up playing MGK Day Weekend August 8th-10th, Tampa, Nashville and Scottsdale playing at Barstool and 511 Franklin as well as Mercer Day Party in New York. On top of that he started his own monthly party on the Glamper rooftop called Sunsets and he put the energy from that party straight into today's mix with a bunch of his favorite house tracks including new ones by Fisher, Westend and more. Be sure to follow Bobby on his socials to see all his upcoming gigs, subscribe to my Patreon to see full track lists from the mixes, take a look at my top tracks of the week and get a look into what I'm playing out in my sets. Now turn those speakers up and let's get into it with Bobby Booshay's latest right here, on The Platform. Bobby Booshay: https://www.instagram.com/bobbybooshay216/ The Platform Podcast: https://www.youtube.com/@theplatformmix Patreon: https://www.patreon.com/djdexmke Artwork by Michael Byers-Dent: https://www.instagram.com/byersdent/

Theatre credits include: My Fair Lady; West Side Story (Curve, Leicester); Sister Act (Eventim Apollo/ UK Tour); Grease (UK Tour); Mamma Mia (Novello); Thoroughly Modern Millie (UK Tour); In the Heights (Southwark Playhouse/ King's Cross); Bugsy Malone (Lyric); Jersey Boys (UK Tour). Want to try our Broadway fitness program for free? ⁠⁠⁠⁠⁠⁠⁠www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Oliver drops his brand new HI-LO rework of "KOALA" as well as brand new bangers from Eli Brown, Tchami, KETTAMA & DJ HEARTSTRING, ACRAZE & Westend, Duke Dumont, Michael Bibi and many more on #HeldeepRadio! #heldeepradio | https://twitter.com/OliverHeldens | https://www.facebook.com/OliverHeldens

On today's episode of the Ramp. It. Up! Podcast, we are joined by singer, songwriter, composer, director, actress, and advocate Anita Hollander.  Get to Know Our GuestAnita Hollander has worked throughout Europe, Asia, Russia and America as an actress, singer, composer, lyricist, director, producer, and teacher.  She has premiered new works of composers and playwrights at Carnegie Hall, Playwrights Horizons, and New York Shakespeare Festival, where she sang original work of Philip Glass. She received a Helen Hayes Award nomination for Outstanding Lead Actress in a Musical for the Olney Theatre premiere of The Fifth Season and originated the title role in the award-winning play Gretty Good Time at the Kennedy Center in Washington. As a two-time cancer survivor, Anita has negotiated over half her 50-year performing career on one leg, using her disability not only to enhance her roles, but to enlighten the world about disability and promote greater visibility and employment for performers with disabilities. Anita Hollander has performed throughout the world, including such places as Carnegie Hall, Kennedy Center, London's West End & NY Shakespeare Festival, and her award-winning original solo musicals, Still Standing & Spectacular Falls and film, Everyday Mermaid, have played nationally & internationally. She's guest starred on Law & Order, FBI: Most Wanted, and Welcome To Flatch, and appeared in films such as Handsome Harry and Musical Chairs. A favorite theatrical role was Grizabella in CATS, which she played as a 3-legged cat and won a Broadway World citation. www.anitahollander.comWebsite: https://www.anitahollander.com Facebook: https://www.facebook.com/anita.hollander.56 Instagram: https://www.instagram.com/anitahollander/ YouTube: https://www.youtube.com/@anitahollander Stay Connected to the PodcastInstagram: https://www.instagram.com/ramp.it.up.podcast/Facebook: https://www.facebook.com/ZoeOnWheelz/YouTube: https://www.youtube.com/channel/UCZAnH8I6sGEf7SJ9OKw8dEAEmail: rampituppodcast@gmail.comWe want to hear from you!Support the show

On this week's show, we bring you an informed community conversation about brownfield contaminants at the site of Perry Elementary School in the West End (755 Dixie Hwy, at Broadway). This conversation with Audrey Ernstberger of the Kentucky Resources Council was hosted by the West Jefferson County Community Task Force on July 15, 2025. Perry Elementary is located on property that was owned and operated by Phillip Morris USA, Inc., and was a tobacco stem processing plant. The manufacturing facility used many chemicals that are considered volatile organic compounds (VOCs) that remained in the soil when Jefferson County Public Schools (JCPS) acquired the property. There are concerns about VOCs still currently on the school grounds after construction. If you missed the July 15th meeting at which Audrey Ernstberger, a staff attorney with the Kentucky Resources Council, led the discussion about this concern, you need to listen to this. The recording of the entire meeting is available here at https://transcripts.gotomeeting.com/#/s/d4a36bf5fc8d28119fe8f1e8a59c014cb8cce3193b49420161814284805769a1 Audrey Ernstberger is a staff attorney with the Kentucky Resources Council (https://www.kyrc.org). She graduated from Centre College and earned her JD from UofL's Brandeis School of Law. During law school, her energy law class and experience as a Resilience Justice Fellow researching equitable environmental access for vulnerable communities inspired her to pursue a career in envi-ronmental law. Shortly after law school, she pursued a Master of Laws from George Washington University Law School, attending classes and working as a research assistant to identify legal obstacles to preplanning electric grid development after a natural disaster. Before working for KRC, she worked for the Kentucky Legislative Research Commission as a Legislative Analyst for the House and Senate Economic Development and Workforce Investment Committee. Her advocacy experience includes her time as a Student Attorney at the Harvard Legal Aid Bureau, where she and her co-counsel won a government benefits case on appeal. Do you need more information about environmental concerns and legislation? Please read the “Summer 2025 Work in Motion” by the Kentucky Resources Council (KRC) found at https://acrobat.adobe.com/id/urn:aaid:sc:VA6C2:a79b7ed1-5c54-4776-9cca-8cea310b1b19?fbclid=IwY2xjawL5F1tleHRuA2FlbQIxMABicmlkETFMZDRlY2dvTjUwZEZCd2hlAR4xBilIpk_7ajQQdJqCR51YnouHzHV-_rMMocd5ogXm0mVhJ3XpjheUAlIeUg_aem_NREmXRfdsVVHrwdQrHUM1g&viewer%21megaVerb=group-discover West Jefferson County Community Task Force Monthly Meetings are held on the third Tuesday of each month (except December) 5:30-7pm online. The Task Forcebrings concerns and important information to residents and businesses about environmental, health and wellness issues that impact our communities. Topics vary each month. Join the conversation. Let your voice be heard and get the answers you need. Monthly topics are posted at https://facebook.com/WJCCTF. For more info, call Arnita at 502-645-3588. And we hope you can join us at the annual Environmental Justice Conference organized by WJCCTF, which will be held at the University of Louisville on Saturday, September 20th from 10am-2pm. Registration and more info will be available at https://louisville.edu/sustainability/events/2025-environmental-justice-conference On Truth to Power each week, we bring you community conversations like you won't hear anywhere else! Truth to Power airs every Friday at 9pm, Saturday at 11am, and Sunday at 4pm on Louisville's grassroots, community radio station, Forward Radio 106.5fm WFMP and live streams at https://forwardradio.org. If you like what you hear, share it with someone, donate to keep us on-air, and get involved as a volunteer!

Baroness Margaret Hodge joined Nuala McGovern to talk about why she thinks routine mammograms should be extended to women over 70. The former Labour MP was diagnosed with breast cancer at the age of 80. She requested a mammogram after realising she hadn't been invited to have one in nearly a decade. Routine screening is currently only available in the UK for women aged 50-70.Dame Imelda Staunton, of Vera Drake and Harry Potter fame, and her daughter Bessie Carter, of Bridgerton fame, are starring as mother and daughter in Mrs Warren's Profession by George Bernard Shaw, currently in the West End. The play explores the morals of earning money from prostitution. They joined Kylie Pentelow to talk about the relevance of the play today, and tell us what's it like acting on stage together for the first time in their careers. There are still more statues of men called John than of women in the UK. But this imbalance is being redressed, mainly thanks to local campaigns to memorialise more female figures. A new book, London's Statues of Women, documents all the current statues of, or to, women in the capital. Its author Juliet Rix joined Nuala along with Anya Pearson from Visible Women UK and Joy Battick who has been immortalised herself in bronze not once, but twice.Presenter: Kylie Pentelow Producer: Annette Wells Editor: Corinna Jones

It's the final episode of Series 17 and we're bidding adieu with actor, presenter and author, the gorgeous Stephen Mangan! Fresh from filming his latest series in Grenada, Stephen joined us for a BBQ lunch. We heard about his process when writing children's books, choosing to go to boarding school as a child, his recent stint in the West End in a play about thrupples, how he plans to run a marathon every year for the rest of his life, and mum manages to get him to tell us his confession - a la his Radio 4 series ‘The Confessional'. Thank you Stephen for being a fabulous series finale! Stephen's new series of ‘The Fortune Hotel' starts on the 6th August on ITV1. Hosted on Acast. See acast.com/privacy for more information.