Podcasts about West End

In this episode of the Scottish Property Podcast, Nick and Steven sit down with Angus Johnston, founder of LetUs, a Glasgow-based letting agency specialising in HMOs. Angus shares his fascinating journey from aspiring investment banker and full-time wedding singer to building a business managing over 120 properties – with a strong focus on the student HMO market in Glasgow.Episode Highlights:

Journalist and editor Marianka Swain returns to co-host The West End Frame Show!Andrew and Marianka discuss the West End transfer of Stereophonic (Duke of York's Theatre) as well as the latest news about the new Encores season including Billy Porter in La Cage aux Folles, new plays at the King's Head Theatre, Olly Alexander being cast in The Importance of Being Earnest and lots more.Marianka is a London-based journalist and editor, writing culture articles, reviews and general features for the Telegraph newspaper and for London Theatre. This is her sixth time co-hosting The West End Frame Show! Visit Marianka's website: www.mkmswain.comThis podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

What happens when John Cleese personally selects you to play Basil Fawlty in the West End revival of one of the most iconic sitcoms in TV history? If you're Adam Jackson-Smith, you say yes… and then quietly panic. In this special episode of The Leadership Enigma, we go behind the curtain with the man trusted to resurrect Basil on stage. Adam shares the rollercoaster ride from virtual auditions (complete with tweed jacket and moustache) to 300+ physically demanding performances that quite literally sweated the weight off him. From Zoom auditions with Cleese himself to hilarious backstage stories (including what Jonny Vaughan whispered before curtain up), Adam lifts the lid on the resilience, leadership, and full-body slapstick needed to become a comedy legend — without simply mimicking one.

Last night the winners of this year's Women's Prize were announced. The winner for fiction is Yael van der Wouden for her novel The Safekeep and the non-fiction prize by Rachel Clarke for her book The Story of a Heart, which tracks the lifesaving gift of a transplant. Anita Rani discusses the winning books with the Chair of Judges for the Fiction Prize, author Kit de Waal, and Chair of Judges for the Non-Fiction Prize, journalist and author Kavita Puri.Race Across The World reached its finale on BBC One this week, after a nearly 9,000-mile dash across Asia, from the Great Wall in north eastern China to the southernmost tip of India, via the Himalayan peaks of Nepal. This year's winner were mother and son team Caroline Bridge and her 21-year-old son Tom. Caroline talks to Anita about the experience.An entrepreneur and mother was refused entry to a tech event in London because she had brought her eight-month-old baby with her. Anita speaks to the woman in question, Davina Schonle, and the director and producer Jude Kelly about the issue of banning babies from events of this nature.It's festival season, with Glastonbury starting at the end of June. However it's not just the music and the atmosphere that festival goers need to be thinking about. The UK Health Security Agency has warned that measles is circulating across the country, with high numbers in the South West and London. Anita is joined by the UK Health Security Agency Deputy Director of Vaccination Programmes, Dr Julie Yates - who is the former public health lead in South West on Glastonbury.Grammy-nominated Ute Lemper has had a career spanning stage, film and music. She is renowned for her interpretations of Kurt Weill, Brecht and chanson legends like Marlene Dietrich. Ute won the American Theatre World Award and the Laurence Olivier Award for her performance as Chicago's Velma Kelly both on Broadway and in London's West End, and the Molière Award for her performance as Sally Bowles in Cabaret in Paris. Utel Lemper now has a new album, Pirate Jenny, celebrating the music of legendary composer Kurt Weill. She joins Anita to talk about her passion for his work.Presenter: Anita Rani Producer: Rebecca Myatt

Ken Ludwig's first play, Lend Me a Tenor, was produced on Broadway (1986) and in London by Andrew Lloyd Webber. It won two Tony Awards and was called “one of the classic comedies of the 20th century” by The Washington Post. His Crazy For You was on Broadway for five years, on the West End for three, and won the Tony and Olivier Awards for Best Musical. It has been revived twice in the West End and is currently touring Japan.   His shows have been produced in over 20 languages in more than 30 countries, and many have become standards of the American repertoire.   We'll talk about these shows and many of his others, and we'll discuss his love of Shakespeare!

Ryan Reid is In The Frame!Most recently Ryan completed a three-year run playing Fiyero in the West End production of Wicked (Apollo Victoria), making history as the first black actor to play the role in the UK. Ryan's theatre credits also include Blues in the Night (Hackney Empire), cover Donkey in Shrek (UK & Ireland Tour), cover Benny in In The Heights (Kings Cross Theatre), Marvin in Sweet Charity (Donmar Warehouse) and Angel City 4 in City Of Angels (Garrick).Ryan was part of the original West End cast of Dreamgirls and went on to take over the role of Curtis full-time. He played Ricky in the feature film Land Of Dreams. In this episode Ryan discusses making impact in Wicked, his path into theatre and the things he has learnt along the way. Follow Ryan on Instagram: @ryanreidukThis podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Step into the heart of London's legendary West End Theatre scene with hosts Dan Harris and Claudia Koestler as they sit down with Silvia Melchior from the iconic Donmar Warehouse Theatre!

Composer Alan Menken is the winner of more Academy Awards in competitive categories than any other living person. He's best known for his scores for the animated Disney films including The Little Mermaid, Pocahontas, Aladdin and Beauty and the Beast. His first big hit was the musical Little Shop Of Horrors - one of several he created with lyricist Howard Ashman, his longtime writing partner. Other stage musicals include Sister Act, The Hunchback Of Notre Dame, and Hercules, which recently opened in London's West End. Alan Menken also wrote the scores for Disney films Mirror Mirror, Enchanted and Tangled. As well as eight Academy Awards, he has also won eleven Grammys, seven Golden Globes, two Emmys and a Tony Award.Alan talks to John Wilson about his childhood in New York and the expectations of his parents that he would follow family tradition and become a dentist like his father. A musical talent from a young age, he recalls how seeing Walt Disney's Fantasia was the start of thinking about the marriage of music with story and images. Despite initial ambitions to be a singer-songwriter, enrolling in a workshop in New York for musical theatre composers, lyricists, and librettists led by composer Lehmann Engel taught him how to write for the stage. It is also through Engel that he met lyricist and director Howard Ashman with whom he went on to write many of the hit scores credited as the driving force behind the Disney Renaissance of the 1980s and 1990s. Tragically, Howard Ashman was diagnosed with HIV in 1988 and died at the age of 40 in 1991.Producer: Edwina Pitman

Welcome to the Podcast!!! Sara is just back from a recent trip to London, where a memorable West End show served as a daughter's cherished birthday gift. Anna and Sara celebrate the longevity of their relationship as they acknowledge they've been recording for 5 years! Love Desk: Living together apart Discussing a curious trend of couples choosing to live apart to sidestep domestic disagreements. Is this the way forward to avoid separation and divorce? Hot Topic: Could Chat GPT replace your partner Is AI now your therapist, partner, lover (...?) It's an intriguing idea, AI applications replacing modern romantic relationships. What would you miss? What could AI do better?  Even ChatGPT agrees AI can't replace human connection, but what do you think? Question: "My partner is always saying they are 'fine' even when I know they are not. What can I do?" Who hasn't been here? It can be very hard to understand your feelings, let alone share them with your partner. This might be something your partner has created by deflecting when you share, or you may have never been able to share at all. Listen in to learn how to overcome this.  Till next time! Sara Liddle Email: info@inflori.co.uk Website: www.inflori.co.uk FREE GUIDE: 7 steps to reconnection - www.inflori.co.uk/connection Anna Stratis Email: coachdocanna@gmail.com  Website: www.coachdocanna.com    

Rob Madge grew up staging living room musicals with wigs, smoke machines, and the unwavering support of their parents and grandmother—but what started as childhood play eventually became the viral, heartfelt, and Olivier-nominated solo show My Son's a Queer (But What Can You Do?). In this episode, Rob shares how those home videos evolved into a theatrical sensation, and how a show born during lockdown has become a powerful celebration of queer joy, family, and radical acceptance—now heading to New York City Center for its limited U.S. debut. We talk about everything from queer theory and comedy as activism to being a theater kid in a small UK village and why their grandmother was the ultimate co-conspirator. Rob opens up about the emotional weight of visibility, the importance of letting kids be themselves, and the unshakable confidence that comes from being loved early and completely. Plus, they reflect on their journey from Gavroche to leading their own story—and the joy of tweaking the show for each new audience. Rob Madge is a writer and performer whose solo show My Son's a Queer (But What Can You Do?) earned an Olivier Award nomination following its West End run. They began their career as a child actor in Mary Poppins, Oliver!, and Les Misérables, and trained at Sylvia Young Theatre School before studying English Literature at Warwick University. Rob also stars as the Emcee in Cabaret on the West End, and continues to explore themes of identity, family, and theatricality through their writing and performance. Connect with Rob Instagram: @robmadge02 Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

What if everything you've believed about aging is wrong? This mind-expanding conversation with brain health expert and former West End performer Dan Metcalf will have you rethinking what's actually possible for your energy, vitality, and future.Dan has survived and thrived through childhood asthma, career-ending injury, and even partial brain death. He now teaches a revolutionary approach to wellness that prioritises biology, belief, and brave self-leadership — no matter your age.Inside this episode, we explore:The moment Dan defied medical predictions (twice) — and how it reshaped his understanding of human potentialThe 7 real pillars of health — starting with oxygen and hydration (spoiler: most of us are doing these wrong)The #1 reason your brain might be exhausted — and it has nothing to do with how much you thinkWhy 75% of adults are chronically dehydrated, and how hydration could be the key to your clarityA mindset shift that turns “eating” into nourishingHow proper breathing can regulate your emotions and energy in minutesThe difference between movement and exercise — and why serotonin is your natural antidepressantThe power of embracing challenge to slow aging and sharpen your edgeDan's radical reminder: self-love isn't selfish — it's essential biologyThe belief flip that can change your life: “Somebody has to do it — why not you?”

SO MUCH TO DISCUSS THIS WEEK! With the Tony Awards season underway, we have been getting some SERIOUS Broadway News! We'll break it all down, but first I have a little BONUS for you guys, the Drama Desk Awards Red Carpet! Hear from many of Broadway's Brightest: Nicole Scherzinger, Jasmine Amy Rogers, Jak Malone, Debra Messing, Grey Henson & more!

In this week's episode of MusicalTalk, Nick and Hannah share their thoughts hot off the heels of the very first preview of Disney's Hercules, now making its West End debut at the historic Theatre Royal, Drury Lane. From gospel muses to gods on high, they dive into the show's music, staging, and how it adapts (and evolves) the beloved animated film for the stage. Does it go the distance? Has Alan Menken done it again? And how does this latest Disney stage offering stand alongside its predecessors?

Das ist ein Gespräch, das mir sehr viel Spaß gemacht. Axel Bojanowski und ich haben gleich zu Beginn der virtuellen Session losgelegt und diskutiert, bis ich dann den Notstopp ziehen musste — schließlich sollte das eine Podcast-Folge werden und nicht nur eine höchst interessante Diskussion unter vier Augen. Der Titel dieser Folge ist vielleicht kurios, aber mir ist das Zitat von Karl Popper aus den 1980er Jahren eingefallen: »Wissenschaft ist, wenn man schwarz gekleidet in einem dunklen Kohlenkeller nach einer schwarzen Katze sucht, von der man gar nicht weiß, ob sie existiert.« Davon leiten sich alle möglichen Folgen ab, unter anderem, dass Wissenschaft immer von Annahmen geprägt ist. Sie ist auch mit zum Teil großer Unsicherheit verbunden. Viel Bescheidenheit und Selbstkritik wären in der Interpretation und Darstellung notwendig. Davon ist in der heutigen Welt nicht viel zu finden. Besonders nicht Bescheidenheit und kritische, kluge Reflexion als Fundament unserer politischen und gesellschaftlichen Entscheidungen, eher aktivistische Grabenkämpfe, die mehr mit dem Circus Maximus als mit Expertenwesen zu tun haben.  Wir behandeln folglich in dieser Episode Qualitätsprobleme in der Wissenschaft, Aktivismus, die Rolle von Journalisten und Medien, Anreizsysteme, welche Themen in der Wissenschaft überhaupt diskutiert werden und von wem. Außerdem, welchen Schaden wir anrichten, wenn wir nicht mehr in der Lage sind, in kritischen Zeiten Ideen klug zu reflektieren und was wir mit unseren Kindern und Jugendlichen machen, wenn wir sie ständig mit apokalyptischen Visionen konfrontieren. Wo sind wir also falsch abgebogen? Was können wir alle tun, damit wir ein positives Bild der Zukunft entwickeln können und wir wieder darüber sprechen, wie wir Fortschritt erzielen können und nicht nur ständig im defätistisch/apokalyptischen Denken stecken bleiben. Ich sollte an dieser Stelle nicht vergessen, meinen Gast vorzustellen, auch wenn ihn die meisten sicher schon kennen: Axel Bojanowski diplomierte an der Universität Kiel über Klimaforschung. Seit 1997 arbeitet er als Wissenschaftsjournalist, u. a. für "Die Zeit", "Nature Geoscience", "Geo", "Stern" und der "Süddeutschen Zeitung". Er war Redakteur beim "Spiegel" , dann Chefredakteur bei "Bild der Wissenschaft" und "Natur". Seit August 2020 ist er Chefreporter für Wissenschaft bei "WELT". Bojanowski hat fünf Sachbücher verfasst. Der Berufsverband Deutscher Geowissenschaftler hat ihn 2024 für seine publizistischen Leistungen ausgezeichnet. Aus meiner persönlichen Sicht ist Axel Bojanowski einer der besten Wissenschaftsjournalisten, die ich kenne. Gerade im deutschsprachigen Raum würden wir viel mehr Journalisten seiner Güte dringend benötigen. Er hat auch zwei wichtige und sehr zugängliche Bücher geschrieben, deren Themen natürlich in diesem Gespräch auch thematisiert werden. Wir beginnen mit der Frage, wie die Qualität wissenschaftlicher Aussagen zu beurteilen ist. Wird es immer schwieriger zu erkennen, was ernsthafte Wissenschaft und was irrelevant, falsch oder Ideologie oder Aktivismus ist? »Science und Nature sind mittlerweile journalistische Produkte. Letztlich gelten sie als die wichtigsten Impact-Magazine für die Wissenschaft, aber eigentlich funktionieren sie nach den Gesetzen von Massenmedien.«  Es wird so getan, als ob es vollkommen klar wäre, wie man den Klimawandel begrenzt. Es wird nicht verstanden oder aufgegriffen, dass es sich um komplexe Zielkonflikte handelt. »The time for debate has ended.« Marcia Nutt Funktionieren journalistische Medien heute immer stärker so, dass es um persönliche Absicherung geht, indem man Nachrichten publiziert, von denen man annimmt, dass sie dem aktuellen Zeitgeist entsprechen und somit sozial erwünscht sind?  »Wenn man Artikel dieser Art bringt, hat man nichts zu befürchten.« Welche Geschichten erzählen wir uns als Gesellschaft und unseren Kindern und Jugendlichen? »Es handelt von weitgehend ignorierten Sensationen der jüngeren Menschheitsgeschichte der letzten 200 Jahre, also von der Industrialisierung und ihren Folgen, die die Welt besser gemacht haben, als die meisten Leute ahnen. Diese Geschichten werden kaum erzählt.« Erleben wir aktuell ein Multiorganversagen der wesentlichen Strukturen und Institutionen, die unsere moderne Zivilisation bisher ermöglicht haben? »Covid war sozusagen Klimadebatte im Schnelldurchlauf.« Sollten in einer Krise nicht verschiedene kluge Ideen unterschiedlicher Art diskutiert und abgewogen werden? »Es wurde ganz schnell verlangt, sich einem Lager zuzuordnen. Wenn man das nicht eindeutig selbst tut, dann wird man in ein Lager eingeordnet.« Was ist der Zusammenhang von Risiko, Unsicherheit und welche Entscheidungen folgen aus wissenschaftlicher Erkenntnis? »Man hat bei Covid wie beim Klima hohe Risiken mit mit großen Unsicherheiten verbunden.[…]  Dann wird aber so getan als ob es eindeutig wäre und man im Grunde ganz klare Fakten aus der Wissenschaft bekäme und Handlungsanweisungen — was nie der Fall ist. Aus wissenschaftlichen Fakten folgen keine Handlungensanweisngen. Nie.« Gibt es tatsächlich immer nur die eine richtige Antwort auf ein Problem, follow the science — alternativlos? »Es gibt wahnsinnig viele Möglichkeiten, auf dieses Problem zu reagieren [Klima, Covid|. Es ist letztlich eine Wertefrage.« Finden wir immer wieder dieselbe Lagerbildung vor, die aber aus anderen »Quellen« gespeist ist, etwa Technologieoptimisten vs. -pessimisten, Liberale vs. Etatisten, und dergleichen? Das ist sehr ungünstig, denn:  »Wissenschaft ist nun mal der beste Erkenntnisprozess, den wir haben. […] Um Wissenschaft richtig zu verstehen, müsste man aber Unsicherheiten immer klar mitkommunizieren.« Ist es besser, eine falsche Karte oder gar keine Karte zu haben, wenn man eine Wanderung unternimmt? »Es geht auf diesen Ebenen [wissenschaftliche Prozesse] immer auch um Macht, das darf man nicht vergessen. Wenn man es versäumt, sich auf die Seite zu schlagen, die den Ton angibt, dann verliert man an Einfluss.« Im Journalismus wurde jede Form der Differenzierung sofort bekämpft. Wie kann man aber als Gesellschaft unter solchen Bedingungen bei komplexen Herausforderungen klug entscheiden? Wissenschaft und Journalismus sollten aber beide Prozesse der Wahrheitsfindung sein. Betonung liegt dabei auf »Prozess« — was bedeutet dies für die praktische Umsetzung? Werden Opportunismus und Feigheit, seine eigene Meinung zum Ausdruck zu bringen, zur größten Bedrohung unserer Gesellschaft? »Journalisten sind vor allem feige.« Wie sollten wir mit Unsicherheiten umgehen? »Die Unsicherheiten aber, und das ist ein wichtiger Punkt, können gerade nicht beruhigen. Es sind die Unsicherheiten, ein Problem an sich.« Gibt es nur umstrittene und irrelevante Wissenschafter?  Falsche Prognosen und Aussagen in der Öffentlichkeit haben für opportunistische Wissenschafter auch fast nur positive Seiten und werden in der Praxis kaum bestraft. Sie können dieselben falschen Ideen über Jahrzehnte breit publik machen und werden auch noch belohnt — weil sie ja vermeintlich auf der »richtigen« Seite stehen. Die grundlegende Frage dahinter scheint zu sein: Welche Geschichten erzählt sich eine Gesellschaft, von welchen wird sie geleitet, welche sind konstitutiv für ihre Kultur und wie können wir diese ändern, um damit wieder einen positiven Blick auf die Zukunft zu bekommen? Nadelöhre der Wissenschaft Die Universitäten haben sich, wie auch die Medien, immer weiter homogenisiert — von Vielfalt leider keine Spur.  »Das Milieu verstärkt sich selbst.« Was bedeutet das, etwa am Beispiel der Attributionsforschung? Was bedeutet dies für große politische Projekte, wie die deutsche Energiewende, die nicht nur im großen Maßstab gescheitert ist, sondern auch Deutschland schwer beschädigt hat. Wer trägt dafür nun die Verantwortung? Und die Medien stimmen alle das gleiche Lied an, ohne kritisch zu hinterfragen — warum eigentlich? »Man guckt gar nicht mehr, was stimmt, sondern: Was schreiben die anderen?« Warum ist es so schwer bei Klimafragen, die Fakten korrekt darzustellen? Aktuell wird von Politik und Aktivisten ständig betont, dass es viele Hitzetote gäbe. Es wird nicht erwähnt, dass es zehnmal so viele Kältetote gibt: »Across the 854 urban areas in Europe, we estimated an annual excess of 203 620 deaths attributed to cold and 20 173 attributed to heat.«, Pierre Masselot et al Diese einseitige Propaganda wird überall in der Gesellschaft verbreitet, auch an den Schulen: »Papa, wenn der Meeresspiegel steigt, sterben wir?!« Was richten wir mit unseren Kindern an? »Der Erfolg der menschlichen Zivilisation beruht darauf, dass man sich von der Natur unabhängig gemacht hat und dass man die Natur auch für sich genutzt hat. […] Diese Geschichten des Fortschritts sind wichtig zu verstehen; gerade für Kinder!« Wir leben nicht, wir sterben in Harmonie mit der Natur: »Have you heard people say that humans used to live in balance with nature? […] There was a balance. It wasn't because humans lived in balance with nature. Humans died in balance with nature. It was utterly brutal and tragic.«, Hans Rosling Erst seit rund 100 Jahren können wir davon sprechen, dass Menschen ansatzweise in modernem Lebensstandard leben. »Wir zogen in die Stadt zu einem alten Ehepaar in eine kleine Kammer, wo in einem Bett das Ehepaar, im andern meine Mutter und ich schliefen. Ich wurde in einer Werkstätte aufgenommen, wo ich Tücher häkeln lernte; bei zwölfstündiger fleißiger Arbeit verdiente ich 20 bis 25 Kreuzer im Tage. Wenn ich noch Arbeit für die Nacht nach Hause mitnahm, so wurden es einige Kreuzer mehr. Wenn ich frühmorgens um 6 Uhr in die Arbeit laufen mußte, dann schliefen andere Kinder meines Alters [ca. 11 Jahre] noch.« »Es war ein kalter strenger Winter und in unsre Kammer konnten Wind und Schnee ungehindert hinein. Wenn wir morgens die Tür öffneten, so mußten wir erst das angefrorene Eis zerhacken, um hinaus zu können, denn der Eintritt in die Kammer war direkt vom Hof und wir hatten nur eine einfache Glastür. Heizen konnten wir daheim nicht, das wäre Verschwendung gewesen, so trieb ich mich auf der Straße, in den Kirchen und auf dem Friedhof herum.«, Adelheid Popp ca. 1890 Ist der Mensch das Krebsgeschwür des Planeten? Was passiert, wenn wir über Jahrzehnte solche Narrative in Schulen, Universitäten und Medien verbreiten? Wird der Fortschritt paradoxerweise von denen bekämpft, die fortgeschritten sind? Welches eigenartige und ethisch fragwürdige Signal senden wir da an den Rest der Welt? »Elend bedarf keiner Erklärung. Das ist der Normalfall. Wohlstand bedarf der Erklärung.« Wir scheinen aber in einer Zeit zu leben, wo Wohlstand, zumindest für einige, so normal geworden ist, dass man jedes Gefühl für die realen Prozesse der Welt verlernt hat und ignoriert. Wo man selbst die vermeintlich wichtigsten eigenen Ziele obskuren Ideologien opfert: »Zu Zeiten, wo der Klimawandel angeblich das größte Problem ist, schaltet man klimafreundliche Kernkraftwerke ab.« Warum findet die Diskussion komplexer Phänomene so gespalten und so feindselig und gleichzeitig so pseudo-elitär statt? Wie das gut gemeinte Definieren von simplistischen Indikatoren das Gegenteil des gewünschten Ziels erreichen kann. Aus einem Indikator wird ein Götz, dem bedingungslos in den Untergang gefolgt wird. Klimaschutz nur mit Wind und Sonne ist eine Irreführung deutscher Aktivisten und gedankenloser Politik. Oder ist es vielmehr eine bait and switch Strategie? Man lockt mit dem einen, tauscht es dann aber durch eine andere Sache aus? Man lockt mit Klimawandel, möchte aber tatsächlich eine radikale politische Wende erzielen? Der Gipfel der Ideologie: ein Giga-Projekt wie die »Energiewende« ganz bewusst ohne Kostenkontrolle? Ein Bürger stellt eine Anfrage: »Zunächst dürfen wir anmerken, dass die Bundesregierung keine Gesamtkostenrechnung zur Energiewende unternimmt.«, Frage den Staat (2023) Damit bleibt noch eine grundlegende Frage: Wer soll, oder genauer, wer kann eigentlich die Verantwortung für die komplexen Entscheidungen der heutigen Zeit tragen? Soll eine Expertokratie die Welt retten, oder sind es letztens nur die Menschen selbst, die diese Verantwortung tragen müssen? Referenzen Andere Episoden Episode 125: Ist Fortschritt möglich? Ideen als Widergänger über Generationen Episode 120: All In: Energie, Wohlstand und die Zukunft der Welt: Ein Gespräch mit Prof. Franz Josef Radermacher Episode 118: Science and Decision Making under Uncertainty, A Conversation with Prof. John Ioannidis Episode 116: Science and Politics, A Conversation with Prof. Jessica Weinkle Episode 112: Nullius in Verba — oder: Der Müll der Wissenschaft Episode 109: Was ist Komplexität? Ein Gespräch mit Dr. Marco Wehr Episode 107: How to Organise Complex Societies? A Conversation with Johan Norberg Episode 106: Wissenschaft als Ersatzreligion? Ein Gespräch mit  Manfred Glauninger Episode 96: Ist der heutigen Welt nur mehr mit Komödie beizukommen? Ein Gespräch mit Vince Ebert Episode 94: Systemisches Denken und gesellschaftliche Verwundbarkeit, ein Gespräch mit Herbert Saurugg Episode 93: Covid. Die unerklärliche Stille nach dem Sturm. Ein Gespräch mit Jan David Zimmermann Episode 91: Die Heidi-Klum-Universität, ein Gespräch mit Prof. Ehrmann und Prof. Sommer Episode 86: Climate Uncertainty and Risk, a conversation with Dr. Judith Curry Episode 80: Wissen, Expertise und Prognose, eine Reflexion Episode 76: Existentielle Risiken Episode 74: Apocalype Always Axel Bojanowski Axel Bojanowski, Was Sie schon immer übers Klima wissen wollten, aber bisher nicht zu fragen wagten: Der Klimawandel zwischen Lobbygruppen und Wissenschaft, Westend (2024) Axel Bojanowski, 33 erstaunliche Lichtblicke, die zeigen, warum die Welt viel besser ist, als wir denken, Westend (2025) Homepage Axel Bojanowski Substack Die Welt Twitter/X LinkedIn Fachliche Referenzen Marcia McNutt, The beyond-two-degree inferno, Science Editorial (2015) Patrick Brown, Do Climate Attribution Studies Tell the Full Story? (2025) Roger Pielke Jr., What the media won't tell you about ... hurricanes (2022) Roger Pielke Jr., Making Sense of Trends in Disaster Losses (2022) Roger Pielke Jr., What the media won't tell you about . . . Drought in Western and Central Europe (2022) Rob Henderson, 'Luxury beliefs' are latest status symbol for rich Americans (2019) Bernd Stegemann, Die Klima-Gouvernanten und ihre unartigen Zöglinge (2025) Steven Koonin, Unsettled: What Climate Science Tells Us, What It Doesn't, and Why It Matters, BenBella Books (2021) Hart aber Fair (Sonja Flaßpöhler) (2021) Pierre Masselot et al, Excess mortality attributed to heat and cold; 854 cities in Europe, Lancet Planet Health (2023) Hans Rosling, Factfulness, Sceptre (2018) Adelheid Popp, Jugendgeschichte einer Arbeiterin (1909) Axel Bojanowski, Scheuklappen der Klimaforschung (2024) Frag den Staat: Kosten der Energiewende von 2000 bis 2022 (2023)

Send us a text"Double Double…let's burst a BEAKER  bubble… " with TRACY BEAKER and her real life mum! Yes!! We are thrilled to reveal that joining the Pushy Pushy podcast for 2 parts / 2 episodes is none other than CBBC Star DANI HARMER and her real life Mum and “Mumager” JILL HARMER!! The Pushy Pushy podcast are ecstatic to present this four hander with mother and daughter duo Jill and Dani Harmer chatting to hosts Mark and Nia Jermin. The 4 creatives share collective stories about how much the Industry of Acting as child actor professionally and Mark and Nia learn more about Dani's process and journey through her performing and acting career of almost 30 years… and Dani is only 36!!  It is amazing to hear the experiences of Jill and Dani and how Dani's career progressed through her childhood. Listen for utterly brilliantly stories as the pair recollect how Dani got into acting and performing to making her West End debut at the age of 6 to gaining her first credit at 8 years old before landing the iconic role of Tracy Beaker in 2002. Find out how Dani (and Jill!) kept Dani grounded despite being a household name, a national treasure and the show Tracy Beaker blowing up all over the UK and Europe.It is joyous to hear Dani still having so much love  for the amazing character role she has portrayed since she was 11 years old and how she now she keeps her hand into performing and acting by running her own Drama and Performing Arts School www.daniharmeracademy.com and by stepping behind the camera to direct episodes of The Dumping Ground.If you have a question OR comment for the Pushy Pushy Podcast, please send to hello@markjermin.co.ukPushy Pushy is created and hosted by Mark Jermin and Nia Jermin. You're invited behind the scenes for a weekly gossip directly from a UK in house talent agency and Acting training centre that represents and trains a selection of Actors within the entertainment industry with our industry themed podcast - Pushy Pushy! Have you heard of Pushy Mums, Pushy Dads? Pushy Agents? Pushy Drama Teachers? Coaches, directors, members of production?… Well we have got it all here you to listen to each week on this Pushy Pushy pod! Hosted by a dynamic duo with a wealth of experience within the entertainment industry is leading talent agent Mark Jermin and sister and business partner Nia Jermin who co-ordinates the classes and training side of the companies: Mark Jermin Management and The Mark Jermin School. Whether you're a pushy parent, a driven actor or are just fascinated by show business, you'll get the real deal on how agents discover and manage clients, hilarious audition stories, tips to make it in the industry, the best classes and much more. With a collective 60 years of experience within the Industry between them, , Mark Nia and their regular guest give you unprecedented access to the ups and downs of managing actors (of all ages) and building careers. Learn how the pros help talent transition from...

Broadway Director & Choreographer JoAnn M. Hunter (Bad Cinderella, School of Rock) joins The Art of Kindness with Robert Peterpaul to discuss creating kind communities in theatre, her magical new production of Disney's The Little Mermaid at Paper Mill Playhouse, why she only wants to work with compassionate people and more. JOANN M. HUNTER (Director & Choreographer). Always an honor and treat to be back at Paper Mill Playhouse! Over 30 Broadway, West End, and Australian first-class credits. Directed and choreographed at Carnegie Hall and the Kennedy Center. Early and infant stages: director-choreographer of Jo: The Little Women Musical, Yasuke: The Legend of the Black Samurai, and Birds of New York by Sophie B. Hawkins. I have worked with some extraordinary creatives in my career. How very lucky was I. In honing my craft, I keep my mentors in my heart. I am proud to be a Japanese American woman, and am more than just that. Follow Megan ⁠@meganhilty⁠ Follow us ⁠@artofkindnesspod⁠ / ⁠@robpeterpaul⁠ ⁠Support the show⁠! (⁠https://www.buymeacoffee.com/theaok⁠) Learn more about your ad choices. Visit megaphone.fm/adchoices

Ute Lemper is an internationally celebrated German singer and actress. She first gained international acclaim playing Sally Bowles in Cabaret in Paris, a performance that earned her the Molière Award for Best Newcomer. She went on to star as Velma Kelly in Chicago in both the West End and on Broadway, winning the Olivier Award for Best Actress in a Musical and a Theatre World Award. Her early career also included key roles in Cats in Vienna and Peter Pan and The Blue Angel in Berlin. Ute has become an international cabaret icon, renowned for her interpretations of Kurt Weill, Marlene Dietrich, Édith Piaf, and Astor Piazzolla. She has performed at prestigious venues such as La Scala, Lincoln Center, and the Sydney Opera House. Her recording career includes over 30 albums, with standout projects like Ute Lemper Sings Kurt Weill, Illusions, and Punishing Kiss, featuring songs by Elvis Costello, Tom Waits, and Nick Cave. She was named Billboard's Crossover Artist of the Year in 1993/94. Her film work includes notable roles in L'Autrichienne as Marie Antoinette, Peter Greenaway's Prospero's Books, and Prêt-à-Porter. She also provided the German voice for Ariel in Disney's The Little Mermaid and Esmeralda in The Hunchback of Notre Dame. With multiple Grammy nominations and a ballet created for her by Maurice Béjart, Ute Lemper remains one of the most dynamic and influential performers of her generation .Ute Lemper is our guest in episode 499 of My Time Capsule and chats to Michael Fenton Stevens about the five things she'd like to put in a time capsule; four she'd like to preserve and one she'd like to bury and never have to think about again .For Ute Lemper's concert dates and tickets, music and videos, visit - https://www.utelemper.comFollow Ute Lemper on Instagram: @utelemperFollow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Hosted on Acast. See acast.com/privacy for more information.

Jeffrey Madoff is, as you will discover, quite a fascinating and engaging person. Jeff is quite the creative entrepreneur as this episode's title says. But he really is so much more.   He tells us that he came by his entrepreneurial spirit and mindset honestly. His parents were both entrepreneurs and passed their attitude onto him and his older sister. Even Jeffrey's children have their own businesses.   There is, however, so much more to Jeffrey Madoff. He has written a book and is working on another one. He also has created a play based on the life of Lloyd Price. Who is Lloyd Price? Listen and find out. Clue, the name of the play is “Personality”. Jeff's next book, “Casting Not Hiring”, with Dan Sullivan, is about the transformational power of theater and how you can build a company based on the principles of theater. It will be published by Hay House and available in November of this year.   My conversation with Jeff is a far ranging as you can imagine. We talk about everything from the meaning of Creativity to Imposture's Syndrome. I always tell my guests that Unstoppable Mindset is not a podcast to interview people, but instead I want to have real conversations. I really got my wish with Jeff Madoff. I hope you like listening to this episode as much as I liked being involved in it.       About the Guest:   Jeffrey Madoff's career straddles the creative and business side of the arts. He has been a successful entrepreneur in fashion design and film, and as an author, playwright, producer, and adjunct professor at Parsons School of Design. He created and taught a course for sixteen years called “Creative Careers Making A Living With Your Ideas”, which led to a bestselling book of the same name . Madoff has been a keynote speaker at Princeton, Wharton, NYU and Yale where he curated and moderated a series of panels entitled "Reframing The Arts As Entrepreneurship”. His play “Personality” was a critical and audience success in it's commercial runs at People's Light Theater in Pennsylvania and in Chicago and currently waiting for a theater on The West End in London.   Madoff's next book, “Casting Not Hiring”, with Dan Sullivan, is about the transformational power of theater and how you can build a company based on the principles of theater. It will be published by Hay House and available in November of this year. Ways to connect Jeffrey:   company website: www.madoffproductions.com LinkedIn: https://www.linkedin.com/in/b-jeffrey-madoff-5baa8074/ www.acreativecareer.com Instagram: @acreativecareer   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Well, hi everyone. Welcome to another episode of unstoppable mindset. We're glad to have you on board with us, wherever you happen to be. Hope the day is going well for you. Our guest today is Jeffrey Madoff, who is an a very creative kind of person. He has done a number of things in the entrepreneurial world. He has dealt with a lot of things regarding the creative side of the arts. He's written plays. He taught a course for 16 years, and he'll tell us about that. He's been a speaker in a variety of places. And I'm not going to go into all of that, because I think it'll be more fun if Jeffrey does it. So welcome to unstoppable mindset. We are really glad you're here and looking forward to having an hour of fun. And you know, as I mentioned to you once before, the only rule on the podcast is we both have to have fun, or it's not worth doing, right? So here   Jeffrey Madoff ** 02:13 we are. Well, thanks for having me on. Michael, well, we're really glad   Michael Hingson ** 02:17 you're here. Why don't we start as I love to do tell us kind of about the early Jeffrey growing up, and you know how you got where you are, a little bit or whatever.   Jeffrey Madoff ** 02:28 Well, I was born in Akron, Ohio, which at that time was the rubber capital of the world. Ah, so that might explain some of my bounce and resilience. There   Michael Hingson ** 02:40 you go. I was in Sandusky, Ohio last weekend, nice and cold, or last week,   Jeffrey Madoff ** 02:44 yeah, I remember you were, you were going to be heading there. And, you know, Ohio, Akron, which is in northern Ohio, was a great place to grow up and then leave, you know, so my my childhood. I have many, many friends from my childhood, some who still live there. So it's actually I always enjoy going back, which doesn't happen all that often anymore, you know, because certain chapters in one's life close, like you know, when my when my parents died, there wasn't as much reason to go back, and because the friends that I had there preferred to come to New York rather than me go to Akron. But, you know, Akron was a great place to live, and I'm very fortunate. I think what makes a great place a great place is the people you meet, the experiences you have. Mm, hmm, and I met a lot of really good people, and I was very close with my parents, who were entrepreneurs. My mom and dad both were so I come by that aspect of my life very honestly, because they modeled the behavior. And I have an older sister, and she's also an entrepreneur, so I think that's part of the genetic code of our family is doing that. And actually, both of my kids have their own business, and my wife was entrepreneurial. So some of those things just carry forward, because it's kind of what, you know, what did your parents do? My parents were independent retailers, and so they started by working in other stores, and then gradually, both of them, who were also very independent people, you know, started, started their own store, and then when they got married, they opened one together, and it was Women's and Children's retail clothing. And so I learned, I learned a lot from my folks, mainly from the. Behavior that I saw growing up. I don't think you can really lecture kids and teach them anything, yeah, but you can be a very powerful teacher through example, both bad and good. Fortunately, my parents were good examples. I think   Michael Hingson ** 05:14 that kids really are a whole lot more perceptive than than people think sometimes, and you're absolutely right, lecturing them and telling them things, especially when you go off and do something different than you tell them to do, never works. They're going to see right through it.   Jeffrey Madoff ** 05:31 That's right. That's right. And you know, my kids are very bright, and there was never anything we couldn't talk about. And I had that same thing with my parents, you know, particularly my dad. But I had the same thing with both my parents. There was just this kind of understanding that community, open communication is the best communication and dealing with things as they came up was the best way to deal with things. And so it was, it was, it was really good, because my kids are the same way. You know, there was always discussions and questioning. And to this day, and I have twins, I have a boy and girl that are 31 years old and very I'm very proud of them and the people that they have become, and are still becoming,   Michael Hingson ** 06:31 well and still becoming is really the operative part of that. I think we all should constantly be learning, and we should, should never decide we've learned all there is to learn, because that won't happen. There's always something new,   Jeffrey Madoff ** 06:44 and that's really what's fun. I think that you know for creativity and life at large, that constant curiosity and learning is fuel that keeps things moving forward, and can kindle the flame that lights up into inspiration, whether you're writing a book or a song or whatever it is, whatever expression one may have, I think that's where it originates. Is curiosity. You're trying to answer a question or solve a problem or something. Yeah,   Michael Hingson ** 07:20 and sometimes you're not, and it's just a matter of doing. And it doesn't always have to be some agenda somewhere, but it's good to just be able to continue to grow. And all too often, we get so locked into agendas that we don't look at the rest of the world around us.   Jeffrey Madoff ** 07:41 I Well, I would say the the agenda in and of itself, staying curious, I guess an overarching part of my agenda, but it's not to try to get something from somebody else, right, other than knowledge, right? And so I guess I do have an agenda in that. That's what I find interesting.   Michael Hingson ** 08:02 I can accept that that makes sense.   Jeffrey Madoff ** 08:06 Well, maybe one of the few things I say that does so thank you.   Michael Hingson ** 08:10 I wasn't even thinking of that as an agenda, but just a way of life. But I hear what you're saying. It makes sense. Oh, there are   Jeffrey Madoff ** 08:17 people that I've certainly met you may have, and your listeners may have, also that there always is some kind of, I wouldn't call it agenda, a transactional aspect to what they're doing. And that transactional aspect one could call an agenda, which isn't about mutual interest, it's more what I can get and or what I can sell you, or what I can convince you of, or whatever. And I to me, it's the the process is what's so interesting, the process of questioning, the process of learning, the process of expressing, all of those things I think are very powerful, yeah,   Michael Hingson ** 09:03 yeah, I hear what you're saying. So for you, you were an Akron did you go to college there? Or what did you do after high school? So   Jeffrey Madoff ** 09:11 after high school, I went to the University of Wisconsin, ah, Madison, which is a fantastic place. That's right, badgers, that's right. And, and what really cinched the deal was when I went to visit the school. I mean, it was so different when I was a kid, because, you know, nowadays, the kids that my kids grew up with, you know, the parents would visit 18 schools, and they would, you know, they would, they would file for admission to 15 schools. And I did one in my parents. I said to them, can I take the car? I want to go check out the University. I was actually looking at Northwestern and the University of Wisconsin. And. And I was in Evanston, where Northwestern is located. I didn't see any kids around, and, you know, I had my parents car, and I finally saw a group of kids, and I said, where is everybody? I said, Well, it's exam week. Everybody's in studying. Oh, I rolled up the window, and without getting out of the car, continued on to Madison. And when I got to Madison, I was meeting somebody behind the Student Union. And my favorite band at that time, which was the Paul Butterfield blues band, was giving a free concert. So I went behind the Student Union, and it's a beautiful, idyllic place, lakes and sailboats and just really gorgeous. And my favorite band is giving a free concert. So decision made, I'm going University of Wisconsin, and it was a great place.   Michael Hingson ** 10:51 I remember when I was looking at colleges. We got several letters. Got I wanted to major in physics. I was always science oriented. Got a letter from Dartmouth saying you ought to consider applying, and got some other letters. We looked at some catalogs, and I don't even remember how the subject came up, but we discovered this University California campus, University California at Irvine, and it was a new campus, and that attracted me, because although physically, it was very large, there were only a few buildings on it. The total population of undergraduates was 2700 students, not that way today, but it was back when I went there, and that attracted me. So we reached out to the chair of the physics department, whose name we got out of the catalog, and asked Dr Ford if we could come and meet with him and see if he thought it would be a good fit. And it was over the summer between my junior and senior year, and we went down, and we chatted with him for about an hour, and he he talked a little physics to me and asked a few questions, and I answered them, and he said, you know, you would do great here. You should apply. And I did, and I was accepted, and that was it, and I've never regretted that. And I actually went all the way through and got my master's degree staying at UC Irvine, because it was a great campus. There were some professors who weren't overly teaching oriented, because they were so you research oriented, but mostly the teachers were pretty good, and we had a lot of fun, and there were a lot of good other activities, like I worked with the campus radio station and so on. So I hear what you're saying, and it's the things that attract you to a campus. Those count. Oh,   Jeffrey Madoff ** 12:35 yeah. I mean, because what can you really do on a visit? You know, it's like kicking the tires of a car, right? You know? Does it feel right? Is there something that I mean, sometimes you get lucky and sometimes you do meet a faculty member or someone that you really connect with, and that causes you to really like the place, but you don't really know until you're kind of there, right? And Madison ended up being a wonderful choice. I loved it. I had a double major in philosophy and psychology. You know, my my reasoning being, what two things do I find really interesting that there is no path to making a good income from Oh, philosophy and psychology. That works   Michael Hingson ** 13:22 well you possibly can from psychology, but philosophy, not hardly   Jeffrey Madoff ** 13:26 No, no. But, you know, the thing that was so great about it, going back to the term we used earlier, curiosity in the fuel, what I loved about both, you know, philosophy and psychology used to be cross listed. They were this under the same heading. It was in 1932 when the Encyclopedia Britannica approached Sigmund Freud to write a separate entry for psychology, and that was the first time the two disciplines, philosophy and psychology, were split apart, and Freud wrote that entry, and forever since, it became its own discipline, but the questions that one asks, or the questions that are posed in Both philosophy and psychology, I still, to this day, find fascinating. And, you know, thinking about thinking and how you think about things, I always find very, very interesting.   Michael Hingson ** 14:33 Yeah, and the whole, the whole process, how do you get from here to there? How do you deal with anything that comes up, whether it's a challenge or just fulfilling the life choices that you make and so on. And philosophy and psychology, in a sense, I think, really are significantly different, but they're both very much thinking oriented.   Jeffrey Madoff ** 14:57 Oh, absolutely, it. And you know, philosophy means study of life, right? What psychology is, yeah, so I understand why they were bonded, and now, you know, understand why they also separated. Yeah,   Michael Hingson ** 15:15 I'll have to go look up what Freud said. I have never read that, but I will go find it. I'm curious. Yeah,   Jeffrey Madoff ** 15:23 it's it's so interesting. It's so interesting to me, because whether you believe in Freud or not, you if you are knowledgeable at all, the impact that he had on the world to this day is staggeringly significant. Yeah, because nobody was at posing those questions before, yeah,   Michael Hingson ** 15:46 yeah. And there's, there's no doubt that that he has had a major contribution to a lot of things regarding life, and you're right, whether you buy into the view that he had of a lot of things isn't, isn't really the issue, but it still is that he had a lot of relevant and interesting things to say, and he helps people think that's right, that's right. Well, so what did you do? So you had a double major? Did you go on and do any advanced degree work? No,   Jeffrey Madoff ** 16:17 you know it was interesting because I had thought about it because I liked philosophy so much. And I approached this professor who was very noted, Ivan Saul, who was one of the world Hegelian scholars, and I approached him to be my advisor. And he said, Why do you want me to be your advisor? And I said, because you're one of the most published and respected authors on that subject. And if I'm going to have an advisor, I might as well go for the person that might help me the most and mean the most if I apply to graduate schools. So I did in that case certainly had an agenda. Yeah, and, and he said, you know, Jeff, I just got back from the world Hegelian conference in Munich, and I found it very depressing as and he just paused, and I said, why'd you find it depressing? And he said, Well, there's only one or two other people in the world that I can speak to about Hegel. And I said, Well, maybe you want to choose a different topic so you can make more friends. That depressing. That doesn't sound like it's a mix, you know, good fit for life, right? But so I didn't continue to graduate studies. I took graduate courses. I started graduate courses the second semester of my sophomore year. But I thought, I don't know. I don't want to, I don't want to gain this knowledge that the only thing I can do is pass it on to others. It's kind of like breathing stale air or leaving the windows shut. I wanted to be in a world where there was an idea exchange, which I thought would be a lot more interesting. Yeah. And so there was a brief period where I thought I would get a doctorate and do that, and I love teaching, but I never wanted to. That's not what I wanted to pursue for those reasons.   Michael Hingson ** 18:35 So what did you end up doing then, once you got   Jeffrey Madoff ** 18:37 out of college? Well, there was a must have done something I did. And there's a little boutique, and in Madison that I did the buying for. And it was this very hip little clothing store. And Madison, because it was a big campus, you know, in the major rock bands would tour, they would come into the store because we had unusual things that I would find in New York, you know, when I was doing the buying for it, and I get a phone call from a friend of mine, a kid that I grew up with, and he was a year older, he had graduated school a year before me, and he said, Can you think of a gig that would earn more than bank interest? You know, I've saved up this money. Can you think of anything? And I said, Well, I see what we design. I mean, I see what we sell, and I could always draw. So I felt like I could design. I said, I'll start a clothing company. And Michael, I had not a clue in terms of what I was committing myself to. I was very naive, but not stupid. You know, was ignorant, but not stupid. And different. The difference between being ignorant and being stupid is ignorant. You can. Learn stupids forever, yeah, and that started me on this learning lesson, an entrepreneurial learning lesson, and there was, you know, quite formative for me. And the company was doubling in size every four months, every three months, and it was getting pretty big pretty quick. And you know, I was flying by the seat of my pants. I didn't really know what I was doing, but what I discovered is I had, you know, saleable taste. And I mean, when I was working in this store, I got some of the sewers who did the alterations to make some of my drawings, and I cut apart a shirt that I liked the way it fit, so I could see what the pieces are, and kind of figure out how this all worked. So but when I would go to a store and I would see fabric on the bolt, meaning it hadn't been made into anything, I was so naive. I thought that was wholesale, you know, which it wasn't and but I learned quickly, because it was like you learn quickly, or you go off the edge of a cliff, you go out of business. So it taught me a lot of things. And you know the title of your podcast, the unstoppable, that's part of what you learn in business. If you're going to survive, you've gotta be resilient enough to get up, because you're going to get knocked down. You have to persevere, because there are people that are going to that you're competing with, and there are things that are things that are going to happen that are going to make you want to give up, but that perseverance, that resilience, I think probably creativity, is third. I think it's a close call between perseverance and resilience, because those are really important criteria for a personality profile to have if you're going to succeed in business as an entrepreneur.   Michael Hingson ** 22:05 You know, Einstein once said, or at least he's credited with saying, that the definition of insanity is doing the same thing over and over again and expecting different results, right and and the reality is that good, resilient. People will look at things that didn't go right, and if they really look at them, they'll go, I didn't fail. Yeah, maybe I didn't go right. I may have made a mistake, or something wasn't quite right. What do I do to fix it so that the next time, we won't have the same problem? And I think that's so important. I wrote my book last year, live like a guide dog, true stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith. And it's all about learning to control fear, but it's also all about learning from dogs. I've had eight guide dogs, and my wife had a service dog, and it's all about learning from dogs and seeing why they live in an environment where we are and they feed off of us, if you will. But at the same time, what they don't do is fear like we do. They're open to trust, and we tend not to be because we worry about so many things, rather than just looking at the world and just dealing with our part of it. So it is, it is interesting to to hear you talk about resilience. I think you're absolutely right that resilience is extremely important. Perseverance is important, and they do go together, but you you have to analyze what it is that makes you resilient, or what it is that you need to do to keep being resilient.   Jeffrey Madoff ** 23:48 Well, you're right. And one of the questions that you alluded to the course that I taught for 16 years at Parsons School of Design, which was my course, was called creative careers, making a living with your ideas. And I would ask the students, how many of you are afraid of failing? And probably more than three quarters of the class, their hands went up, and I said to them, you know, if that fear stops you, you'll never do anything interesting, because creativity, true creativity, by necessity, takes you up to and beyond the boundaries. And so it's not going to be always embraced. And you know, failure, I think everyone has to define it for themselves. But I think failure, to me, is and you hear that, you know, failure is a great way to learn. I mean, it's a way. To learn, but it's never not painful, you know, and it, but it is a way to learn if you're paying attention and if you are open to that notion, which I am and was, because, you know, that kind of risk is a necessary part of creativity, going where you hadn't gone before, to try to find solutions that you hadn't done before, and seeing what works. And of course, there's going to be things that don't, but it's only failure if you stop doing what is important to you. Yeah,   Michael Hingson ** 25:39 well, I think you're absolutely right. And one of the things that I used to do and still do, but it started when I was working as program director of our radio station at UC Irvine, was I wanted people to hear what they sounded like on the radio, because I always listened to what I said, and I know it helped me, but getting the other radio personalities to listen to themselves was was well, like herding cats, it just wasn't doable. And what we finally did is we set up, I and the engineer of the radio station, set up a recorder in a locked cabinet, and whenever the board went on in the main studio, the microphone went on, it recorded. So we didn't need to worry about the music. All we wanted was what the people said, and then we would give people the cassettes. And one of the things that I started saying then, and I said it until, like about a year ago, was, you know, you're your own worst critic, if you can learn to grow from it, or if you can learn to see what's a problem and go on, then that's great. What I learned over the last year and thought about is I'm really not my own worst critic. I'm my own best teacher, because I'm the only one who can really teach me anything, and it's better to shape it in a positive way. So I am my own best teacher. And so I think you're right. If you really want to talk about the concept of failure, failure is when you won't get back up. Failure is when you won't do anything to learn and grow from whatever happens to you, even the good stuff. Could I have done it better? Those are all very important things to do.   Jeffrey Madoff ** 27:19 No, I agree. So why did you think it was important for them to hear their voice?   Michael Hingson ** 27:25 Because I wanted them to hear what everyone else heard. I wanted them to hear what they sounded like to their listeners. And the reality is, when we got them to do that, it was, I say it was incredible, but it wasn't a surprise to me how much better they got. And some of those people ended up going into radio broadcasting, going into other kinds of things, but they really learned to hear what everyone else heard. And they they learned how to talk better. They learn what they really needed to improve upon, or they learn what wasn't sounding very good to everyone else, and they changed their habits.   Jeffrey Madoff ** 28:13 Interesting, interesting. So, so part of that also helps them establish a certain on air identity. I would imagine finding their own voice, so to speak, right,   Michael Hingson ** 28:30 or finding a better voice than they than they had, and certainly a better voice than they thought they had. Well, they thought they had a good voice, and they realized maybe it could be better. And the ones who learned, and most of them really did learn from it, came out the better for it.   Jeffrey Madoff ** 28:49 So let me ask you a personal question. You have been sightless since birth? Is that correct?   Michael Hingson ** 28:56 Yeah, I've been blind since birth. And   Jeffrey Madoff ** 28:59 so on a certain level, I was trying to think about this the other night, and how can I phrase this? On a certain level, you don't know what you look like,   Michael Hingson ** 29:15 and from the standpoint of how you look at it, yeah, yeah.   Jeffrey Madoff ** 29:19 And so, so two, that's two questions. One is so many of us for good and bad, our identity has to do with visual first, how do you assess that new person?   Michael Hingson ** 29:39 I don't look at it from a visual standpoint as such. I look at it from all the other senses that I have and use, but I also listen to the person and see how we interact and react to. Each other, and from that, I can draw pretty good conclusions about what an individual is like, so that I can decide if that's a a lovely person, male or female, because I'm using lovely in the sense of it's the kind of person I want to know or not, and so I don't obviously look at it from a visual standpoint. And although I know Helen Keller did it some, I'm not into feeling faces. When I was in college, I tried to convince girls that they should let me teach them Braille, but they had no interest in me showing them Braille, so we didn't do that. I actually a friend of mine and I once went to a girls dorm, and we put up a sign. Wanted young female assistant to aid in scientific Braille research, but that didn't go anywhere either. So we didn't do it. But so Braille pickup. Oh, Braille pickup. On the other hand, I had my guide dog who was in in my current guide dog is just the same chick magnet right from the get go, but, but the the reality is that visual is, I think there's a lot to be said for beauty is only skin deep in a lot of ways. And I think that it's important that we go far beyond just what one person looks like. People ask me all the time, well, if you could see again, would you? Or if you could see, would you? And my response is, I don't need to. I think there's value in it. It is a sense. I think it would be a great adventure, but I'm not going to spend my life worrying about that. Blindness isn't what defines me, and what defines me is how I behave, how I am, how I learn and grow, and what I do to be a part of society and and hopefully help society. I think that's more important.   Jeffrey Madoff ** 31:53 You know, I agree with you, and it's it's also having been blind since birth. It's not like you had a you had an aspect that you lost for some reason, right?   Michael Hingson ** 32:04 But I know some people who became blind later in life, who attended centers where they could learn about what it was like to be blind and learn to be a blind person and and really adapted to that philosophy and continue to do what they did even before they lost their their eyesight, and were just as successful as they ever were, because it wasn't so much about having eyesight, although that is a challenge when you lose it, but it was more important to learn that you could find alternatives to do the same things that you did before. So   Jeffrey Madoff ** 32:41 if you ever have read Marvel Comics, and you know Daredevil has a heightened sense of a vision, or you know that certain things turn into a different advantage, is there that kind of in real life, compensatory heightened awareness of other senses.   Michael Hingson ** 33:08 And the answer is not directly. The answer is, if you choose to heighten those senses and learn to use them, then they can be a help. It's like SEAL Team Six, or Rangers, or whatever, they learn how to observe. And for them, observing goes far beyond just using their eyesight to be able to spot things, although they they certainly use that, but they have heightened all of their other senses because they've trained them and they've taught themselves how to use those senses. It's not an automatic process by any definition at all. It's not automatic. You have to learn to do it. There are some blind people who have, have learned to do that, and there are a number that have not. People have said, well, you know, could any blind person get out of the World Trade Center, and like you did, and my response is, it depends on the individual, not necessarily, because there's so many factors that go into it. If you are so afraid when something like the World Trade Center events happen that you become blinded by fear, then you're going to have a much harder time getting out than if you let fear be a guide and use it to heighten the senses that you have during the time that you need that to occur. And that's one of the things that live like a guide dog is all about, is teaching people to learn to control fear, so that in reality, they find they're much more effective, because when something happens, they don't expect they adopt and adapt to having a mindset that says, I can get through this, and fear is going to help.   Jeffrey Madoff ** 34:53 That's fascinating. So one I could go on in this direction, I'll ask you, one, one other. Question is, how would you describe your dreams?   Michael Hingson ** 35:08 Probably the same way you would, except for me, dreaming is primarily in audio and other interactions and not using eyesight. But at the same time, I understand what eyesight is about, because I've thought about it a lot, and I appreciate that the process is not something that I have, but I understand it, and I can talk about light and eyesight all day. I can I when I was when it was discovered that I was blind for the first several years, I did have some light perception. I never as such, really even could see shadows, but I had some light perception. But if I were to be asked, How would you describe what it's like to see light? I'm not sure how I would do that. It's like asking you tell me what it's like to see put it into words so that it makes me feel what you feel when you see. And it's not the excitement of seeing, but it's the sensation. How do you describe that sensation? Or how do you describe the sensation of hearing their their senses? But I've yet to really encounter someone who can put those into words that will draw you in. And I say that from the standpoint of having done literally hundreds or 1000s of speeches telling my story about being in the World Trade Center, and what I tell people today is we have a whole generation of people who have never experienced or had no memory of the World Trade Center, and we have another generation that saw it mainly from TV and pictures. So they their, their view of it was extremely small. And my job, when I speak is to literally bring them in the building and describe what is occurring to me in such a way that they're with me as we're going down the stairs. And I've learned how to do that, but describing to someone what it's like to see or to hear, I haven't found words that can truly do that yet. Oh,   Jeffrey Madoff ** 37:15 fascinating. Thank you.   Michael Hingson ** 37:20 Well, tell me about creativity. I mean, you do a lot of of things, obviously, with with creativity. So what is creativity?   Jeffrey Madoff ** 37:29 I think that creativity is the compelling need to express, and that can manifest in many, many, many different ways. You have that, you know, just it was fascinating here you talk about you, describing what happened in Twin Towers, you know. And so, I think, you know, you had a compelling need to process what was a historic and extraordinary event through that unique perception that you have, and taking the person, as you said, along with you on that journey, you know, down the stairs and out of the Building. I think it was what 78 stories or something, right? And so I think that creativity, in terms of a trait, is that it's a personality trait that has a compelling need to express in some way. And I think that there is no such thing as the lightning bolt that hits and all of a sudden you come up with the idea for the great novel, The great painting, the great dance, the great piece of music. We are taking in influences all the time and percolating those influences, and they may come out, in my case, hopefully they've come out in the play that I wrote, personality and because if it doesn't relate to anybody else, and you're only talking to yourself, that's you know, not, not. The goal, right? The play is to have an audience. The goal of your book is to have readers. And by the way, did your book come out in Braille?   Michael Hingson ** 39:31 Um, yeah, it, it is available in Braille. It's a bit. Actually, all three of my books are available in with their on demand. They can be produced in braille, and they're also available in audio formats as well. Great.   Jeffrey Madoff ** 39:43 That's great. So, yeah, I think that person, I think that creativity is it is a fascinating topic, because I think that when you're a kid, oftentimes you're told more often not. To do certain things than to do certain things. And I think that you know, when you're creative and you put your ideas out there at a very young age, you can learn shame. You know, people don't like what you do, or make fun of what you do, or they may like it, and it may be great, but if there's, you know, you're opened up to that risk of other people's judgment. And I think that people start retreating from that at a very young age. Could because of parents, could because of teachers, could because of their peer group, but they learn maybe in terms of what they think is emotional survival, although would never be articulated that way, at putting their stuff out there, they can be judged, and they don't like being judged, and that's a very uncomfortable place to be. So I think creativity is both an expression and a process.   Michael Hingson ** 40:59 Well, I'll and I think, I think you're right, and I think that it is, it is unfortunate all too often, as you said, how children are told don't do this or just do that, but don't do this, and no, very few people take the next logical step, which is to really help the child understand why they said that it isn't just don't. It should be. Why not? One of my favorite stories is about a student in school once and was taking a philosophy class. You'll probably have heard this, but he and his classmates went in for the final exam, and the instructor wrote one word on the board, which was why? And then everybody started to write. And they were writing furiously this. This student sat there for a couple of minutes, wrote something on a paper, took it up, handed it in, and left. And when the grades came out, he was the only one who got an A. And the reason is, is because what he put on his paper was, why not, you know, and, and that's very, very valid question to ask. But the reality is, if we really would do more to help people understand, we would be so much better off. But rather than just telling somebody what to do, it's important to understand why?   Jeffrey Madoff ** 42:22 Yeah, I remember when I was in I used to draw all the time, and my parents would bring home craft paper from the store that was used to wrap packets. And so they would bring me home big sheets I could do whatever I wanted on it, you know, and I would draw. And in school I would draw. And when art period happened once or twice a week, and the teacher would come in with her cart and I was drawing, that was when this was in, like, the middle 50s, and Davy Crockett was really a big deal, and I was drawing quite an intricate picture of the battle at the Alamo. And the teacher came over to me and said she wanted us to do crayon resist, which is, you know, they the watercolors won't go over the the crayon part because of the wax and the crayon. And so you would get a different thing that never looked good, no matter who did it, right? And so the teacher said to me, what are you doing? And I said, Well, I'm drawing. It's and she said, Why are you drawing? I said, Well, it's art class, isn't it? She said, No, I told you what to do. And I said, Yeah, but I wanted to do this. And she said, Well, you do what I tell you, where you sit there with your hands folded, and I sat there with my hands folded. You know I wasn't going to be cowed by her. And I've thought back on that story so often, because so often you get shut down. And when you get shut down in a strong way, and you're a kid, you don't want to tread on that land again. Yeah, you're afraid,   Michael Hingson ** 44:20 yeah. Yeah. And maybe there was a good reason that she wanted you to do what she wanted, but she should have taken the time to explain that right, right now, of course, my question is, since you did that drawing with the Alamo and so on, I'm presuming that Davy Crockett looked like Fess Parker, right? Just checking,   Jeffrey Madoff ** 44:42 yeah, yep, yeah. And my parents even got me a coon   Michael Hingson ** 44:47 skin hat. There you go, Daniel Boone and David Crockett and   Jeffrey Madoff ** 44:51 Davy Crockett and so there were two out there. Mine was actually a full coon skin cap with the tail. And other kids had it where the top of it was vinyl, and it had the Disney logo and a picture of Fess Parker. And I said, Now I don't want something, you know, and you are correct, you are correct. It was based on fess Barker. I think   Michael Hingson ** 45:17 I have, I had a coons kid cap, and I think I still do somewhere. I'm not quite sure where it is, but it was a real coonskin cap with a cake with a tail.   Jeffrey Madoff ** 45:26 And does your tail snap off? Um, no, yeah, mine. Mine did the worst thing about the coonskin cap, which I thought was pretty cool initially, when it rained, it was, you know, like you had some wet animal on your Well, yes, yeah, as you did, she did, yeah, animal on your head, right? Wasn't the most aromatic of the hub. No,   Michael Hingson ** 45:54 no, it's but Huh, you got to live with it. That's right. So what is the key to having great creative collaborations? I love collaborating when I wrote my original book, Thunder dog, and then running with Roselle, and then finally, live like a guide dog. I love the idea of collaborating, and I think it made all three of the books better than if it had just been me, or if I had just let someone else do it, because we're bringing two personalities into it and making the process meld our ideas together to create a stronger process.   Jeffrey Madoff ** 46:34 I completely agree with you, and collaboration, for instance, in my play personality, the director Sheldon apps is a fantastic collaborator, and as a result, has helped me to be a better writer, because he would issue other challenges, like, you know, what if we looked at it this way instead of that way? What if you gave that power, that that character, the power in that scene, rather than the Lloyd character? And I loved those kinds of challenges. And the key to a good collaboration is pretty simple, but it doesn't happen often enough. Number one is listening. You aren't going to have a good collaboration if you don't listen. If you just want to interrupt and shut the other person down and get your opinion out there and not listen, that's not going to be good. That's not going to bode well. And it's being open. So people need to know that they're heard. You can do that a number of ways. You can sort of repeat part of what they said, just so I want to understand. So you were saying that the Alamo situation, did you have Davy Crockett up there swinging the rifle, you know? So the collaboration, listening, respect for opinions that aren't yours. And you know, don't try to just defeat everything out of hand, because it's not your idea. And trust developing a trust with your collaborators, so that you have a clearly defined mission from the get go, to make whatever it is better, not just the expression of one person's will over another. And I think if you share that mission, share that goal, that the other person has earned your trust and vice versa, that you listen and acknowledge, then I think you can have great collaboration. And I've had a number of great collaborators. I think I'm a good collaborator because I sort of instinctively knew those things, and then working with Sheldon over these last few years made it even more so. And so that's what I think makes a really great collaboration.   Michael Hingson ** 49:03 So tell me about the play personality. What's it about? Or what can you tell us about it without giving the whole thing away?   Jeffrey Madoff ** 49:10 So have you ever heard of Lloyd Price?   Michael Hingson ** 49:14 The name is familiar. So that's   Jeffrey Madoff ** 49:16 the answer that I usually get is, I'm not really sure. Yeah, it's kind of familiar. And I said, Well, you don't, probably don't know his name, but I'll bet you know his music. And I then apologize in advance for my singing, you know, cause you've got walk, personality, talk, personality, smile, oh yeah, yeah. I love that song, you know. Yeah. Do you know that song once I did that, yes, yeah. So Lloyd was black. He grew up in Kenner, Louisiana. It was he was in a place where blacks were expected to know their place. And. And if it was raining and a white man passed, you'd have to step into a mud puddle to let them pass, rather than just working by each other. And he was it was a tough situation. This is back in the late 1930s and what Lloyd knew is that he wanted to get out of Kenner, and music could be his ticket. And the first thing that the Lloyd character says in the play is there's a big dance opening number, and first thing that his character says is, my mama wasn't a whore. My dad didn't leave us. I didn't learn how to sing in church, and I never did drugs. I want to get that out of the way up front. And I wanted to just blow up all the tropes, because that's who Lloyd was, yeah, and he didn't drink, he didn't learn how to sing in church. And, you know, there's sort of this baked in narrative, you know, then then drug abuse, and you then have redeemed yourself. Well, he wasn't like that. He was entrepreneurial. He was the first. He was the it was really interesting at the time of his first record, 1952 when he recorded Lottie, Miss Claudia, which has been covered by Elvis and the Beatles and Bruce Springsteen and on and on. There's like 370 covers of it. If you wanted to buy a record by a black artist, you had to go to a black owned record store. His records couldn't get on a jukebox if it was owned by a white person. But what happened was that was the first song by a teenager that sold over a million copies. And nobody was prejudiced against green, which is money. And so Lloyd's career took off, and it The story tells about the the trajectory of his career, the obstacles he had to overcome, the triumphs that he experienced, and he was an amazing guy. I had been hired to direct, produce and direct a short documentary about Lloyd, which I did, and part of the research was interviewing him, and we became very good friends. And when I didn't know anything about him, but I knew I liked his music, and when I learned more about him, I said, Lloyd, you've got an amazing story. Your story needs to be told. And I wrote the first few scenes. He loved what I wrote. And he said, Jeff, I want you to do this. And I said, thank you. I want to do it, but there's one other thing you need to know. And he said, What's that? And I said, You're the vessel. You're the messenger, but your story is bigger than you are. And he said, Jeff, I've been waiting for years for somebody to say that to me, rather than just blowing more smoke up my ass. Yeah. And that started our our collaboration together and the story. And it was a great relationship. Lloyd died in May of 21 and we had become very close, and the fact that he trusted me to tell his story is of huge significance to me. And the fact that we have gotten such great response, we've had two commercial runs. We're moving the show to London, is is is really exciting. And the fact that Lloyd, as a result of his talent and creativity, shattered that wall that was called Race music in race records, once everybody understood on the other side that they could profit from it. So there's a lot of story in there that's got a lot of meat, and his great music   Michael Hingson ** 54:04 that's so cool and and so is it? Is it performing now anywhere, or is it? No, we're   Jeffrey Madoff ** 54:12 in between. We're looking actually, I have a meeting this this week. Today is February 11. I have a meeting on I think it's Friday 14th, with my management in London, because we're trying to get a theater there. We did there in October, and got great response, and now we're looking to find a theater there.   Michael Hingson ** 54:37 So what are the chance we're going to see it on Broadway?   Jeffrey Madoff ** 54:41 I hope a very good chance Broadway is a very at this point in Broadway's history. It's it's almost prohibitively expensive to produce on Broadway, the West End has the same cache and. Yeah, because, you know, you think of there's that obscure British writer who wrote plays called William Shakespeare. You may have heard of   Michael Hingson ** 55:07 him, yeah, heard of the guy somewhere, like, like, I've heard of Lloyd Price, yeah, that's   Jeffrey Madoff ** 55:15 it. And so I think that Broadway is certainly on the radar. The first step for us, the first the big step before Broadway is the West End in London. Yeah,   Michael Hingson ** 55:30 that's a great place to go. It is.   Jeffrey Madoff ** 55:32 I love it, and I speak the language, so it's good. Well, there you   Michael Hingson ** 55:35 are. That helps. Yes, well, you're a very creative kind of individual by any standard. Do you ever get involved with or have you ever faced the whole concept of imposter syndrome?   Jeffrey Madoff ** 55:48 Interesting, you mentioned that the answer is no, and I'll tell you why it's no. And you know, I do a fair amount of speaking engagements and that sort of thing, and that comes up particularly with women, by the way, imposter syndrome, and my point of view on it is, you know, we're not imposters. If you're not trying to con somebody and lying about what you do, you're a work in progress, and you're moving towards whatever it is that your goals are. So when my play became a produced commercial piece of theater and I was notarized as a playwright, why was that same person the day before that performance happened? And so I think that rather than looking at it as imposter, I look at it as a part of the process, and a part of the process is gaining that credibility, and you have to give yourself permission to keep moving forward. And I think it's very powerful that if you declare yourself and define yourself rather than letting people define you. So I think that that imposter syndrome comes from that fear, and to me, instead of fear, just realize you're involved in the process and so you are, whatever that process is. And again, it's different if somebody's trying to con you and lie to you, but in terms of the creativity, and whether you call yourself a painter or a musician or a playwright or whatever, if you're working towards doing that, that's what you do. And nobody starts off full blown as a hit, so to speak. Yeah,   Michael Hingson ** 57:44 well, I think you're absolutely right, and I think that it's all about not trying to con someone. And when you are doing what you do, and other people are involved, they also deserve credit, and people like you probably have no problem with making sure that others who deserve credit get the credit. Oh, absolutely, yeah, I'm the same way. I am absolutely of the opinion that it goes back to collaboration. When we're collaborating, I'm I'm very happy to talk about the fact that although I started the whole concept of live like a guide dog, carry Wyatt Kent and I worked on it together, and the two of us work on it together. It's both our books. So each of us can call it our book, but it is a collaborative effort, and I think that's so important to be able to do,   Jeffrey Madoff ** 58:30 oh, absolutely, absolutely, you know, the stuff that I was telling you about Sheldon, the director, you know, and that he has helped me to become a better writer, you know, and and when, as as obviously, you have experienced too, when you have a fruitful collaboration, it's fabulous, because you're both working together to create the best possible result, as opposed to self aggrandizement, right?   Michael Hingson ** 59:03 Yeah, it is. It is for the things that I do. It's not about me and I and I say it all the time when I'm talking to people who I'd like to have hire me to be a speaker. It's not about me, it's about their event. And I believe I can add value, and here's why I think I can add value, but it's not about me, it's about you and your event, right? And it's so important if, if you were to give some advice to somebody starting out, or who wants to be creative, or more creative and so on, what kind of advice would you give them?   Jeffrey Madoff ** 59:38 I would say it's more life advice, which is, don't be afraid of creative risk, because the only thing that you have that nobody else has is who you are. So how you express who you are in the most unique way of who you are? So that is going to be what defines your work. And so I think that it's really important to also realize that things are hard and always take more time than you think they should, and that's just part of the process. So it's not easy. There's all these things out there in social media now that are bull that how people talk about the growth of their business and all of this stuff, there's no recipe for success. There are best practices, but there's no recipes for it. So however you achieve that, and however you achieve making your work better and gaining the attention of others, just understand it's a lot of hard work. It's going to take longer than you thought, and it's can be incredibly satisfying when you hit certain milestones, and don't forget to celebrate those milestones, because that's what's going to give you the strength to keep going forward.   Michael Hingson ** 1:01:07 Absolutely, it is really about celebrating the milestones and celebrating every success you have along the way, because the successes will build to a bigger success. That's right, which is so cool. Well, this has been a lot of fun. We've been doing this for an hour. Can you believe it? That's been great. It has been and I really appreciate you being here, and I I want to thank all of you who are listening, but please tell your friends to get into this episode as well. And we really value your comments, so please feel free to write me. I would love to know what you thought about today. I'm easy to reach. It's Michael M, I C H, A, E, L, H i at accessibe, A, C, C, E, S, S i b, e.com, or you can always go to our podcast page, which is Michael hingson, M, I C H, A, E, L, H i N, G, s o n.com/podcast, where you can listen to or access all the of our podcasts, but they're also available, as most likely you've discovered, wherever you can find podcasts, so you can get them on Apple and all those places and wherever you're listening. We do hope you'll give us a five star review. We really value your reviews, and Jeff has really given us a lot of great insights today, and I hope that you all value that as well. So we really would appreciate a five star rating wherever you're listening to us, and that you'll come back and hear some more episodes with us. If you know of anyone who ought to be a guest, Jeff, you as well. Love You to refer people to me. I'm always looking for more people to have on because I do believe that everyone in the world is unstoppable if you learn how to accept that and move forward. And that gets back to our whole discussion earlier about failure or whatever, you can be unstoppable. That doesn't mean you're not going to have challenges along the way, but that's okay. So we hope that if you do know people who ought to be on the podcast, or if you want to be on the podcast and you've been listening, step up won't hurt you. But again, Jeff, I want to thank you for being here. This has been a lot of fun, and we really appreciate your time. Thank   Jeffrey Madoff ** 1:03:16 you, Michael, for having you on. It was fun. You   **Michael Hingson ** 1:03:23 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Description: With Tony Award-winning record breaker Stereophonic in previews in the West End, chief critic Sarah Crompton and managing editor Alex Wood hopped over to Sonia Friedman Productions offices to talk to Friedman in a wide-ranging interview. Topics included what makes new writing so enticing, why the Broadway model is so hard and why Broadway box office reporting is causing headaches all round. Plus how she's trying to find the next generation of audiences with Hugh Jackman, and why the future of UK theatre concerns her! Hosted on Acast. See acast.com/privacy for more information.

Olivier nominee Aimie Atkinson is In The Frame!Aimie is preparing for the release of her album Queen which will be launched with a special solo concert in the West End on 23rd June at the Vaudeville Theatre. Aimie originated the role of Katherine Howard in Six The Musical in the West End, on tour and on the studio album. After reuniting with the original cast in 2022 for some special performances at Hampton Court Palace and in the West End, this year Aimie's performance as Katherine Howard was seen on the big screen when Six The Musical LIVE hit UK cinemas and broke records. As well as starring as Vivian Ward in the original West End production of Pretty Woman (Piccadilly Theatre/Savoy Theatre), Aimie's theatre credits include Rem in Death Note in Concert (London Palladium/Lyric Theatre), Lucia in Figaro (London Palladium), Daniela in In the Heights (King's Cross Theatre), Serena in Legally Blonde (Kilworth House Theatre), Elizabeth in Dirty Dancing (UK tour), Chloe in Never Forget, Penny in Carnaby Street (Hackney Empire & UK Tour), Luisa in Zorro (UK Tour), Shelby Stevens in Steel Pier (Union Theatre), Vusuvia in Eurobeat (Edinburgh) and Dorothy in The Wizard of Oz (Brighton Theatre Royal). In this episode, Aimie talks about her upcoming album and concert… and why she's terrified about it! She also discusses the path of her career including how she previously left the industry, why she almost didn't go to her Six audition and the reality of why hustling doesn't get any easier… and lots more along the way.Aimie plays the Vaudeville Theatre on 23rd July. Visit www.nimaxtheatres.com for info and tickets. Aimie's album Queen is released on 20th June. This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next of his regular audio described theatre reviews for 2025 We have the smash-hit London Palladium production of Tim Rice and Andrew Lloyd Webber's ‘Joseph and the Amazing Technicolor Dreamcoat' this week as the current touring production visited the Birmingham Hippodrome Theatre with description by Professional audio Describers Julia Grundy and Jonathan Nash. About ‘Joseph and the Amazing Technicolor Dreamcoat' The smash-hit London Palladium production of Tim Rice and Andrew Lloyd Webber's ‘Joseph and the Amazing Technicolor Dreamcoat'  is currently touring the UK. The multi award-winning show has been performed hundreds of thousands of times including multiple runs in the West End and on Broadway, international tours in over 80 countries worldwide and has become one of the world's most beloved family musicals. Featuring much loved pop and musical theatre classics, including Any Dream Will Do, Close Every Door, There's One More Angel In Heaven and Go, Go, Go Joseph. For more about the current tour of ‘Joseph and the Amazing Technicolor Dreamcoat' do visit - https://uk.josephthemusical.com And for more about access at the Birmingham Hippodrome do visit - https://www.birminghamhippodrome.com/plan-your-visit/access/ (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)

JUST DANIEL'S HOUSE ENGINE: EPISODE 28 Just Daniel brings his House Engine to Data Transmission Radio, showcasing some of the very best hot new house records. Music from some of Daniel's favourite artists, and winning tunes from his DJ sets. Non-stop house music energy in this monthly 1hr radio show! This Episode features the likes of Calvin Harris, Dom Dolla, Westend, Odd Mob, Chris Lake, Mau P & more.. Get in touch on the socials: All Platforms - @justdanieluk www.justdanielmusic.com ⚡️Like the Show? Click the [Repost] ↻ button so more people can hear it!

We're finally doing this! Jon is so excited and cannot shut up about the 2011 Broadway revival he saw even though we're here to talk about the 2017 West End revival. And of course Aaron has thoughts.Aaron's Socials: @trueaaronchoiAaron's Twitch: @truechoistoryPodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodThreads: @butasongpodNext episode: Weird: The Al Yankovic Story!

Stephen Grootes speaks to Ella Spira, Director at iGOLI BAR, about bringing South African fine wines to London's West End through a unique collaboration with Cape wineries. The Money Show is a podcast hosted by well-known journalist and radio presenter, Stephen Grootes. He explores the latest economic trends, business developments, investment opportunities, and personal finance strategies. Each episode features engaging conversations with top newsmakers, industry experts, financial advisors, entrepreneurs, and politicians, offering you thought-provoking insights to navigate the ever-changing financial landscape.    Thank you for listening to a podcast from The Money Show Listen live Primedia+ weekdays from 18:00 and 20:00 (SA Time) to The Money Show with Stephen Grootes broadcast on 702 https://buff.ly/gk3y0Kj and CapeTalk https://buff.ly/NnFM3Nk For more from the show, go to https://buff.ly/7QpH0jY or find all the catch-up podcasts here https://buff.ly/PlhvUVe Subscribe to The Money Show Daily Newsletter and the Weekly Business Wrap here https://buff.ly/v5mfetc The Money Show is brought to you by Absa     Follow us on social media   702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/CapeTalk 702 on YouTube: https://www.youtube.com/@radio702   CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/Radio702 CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Theatre is on the brain this week here on this video game podcast that is rapidly becoming more and more of a theatre-podcast by each episode (listen... Gay for PLAY is a double entendre; walk with me...) Our main topic this week the stunning pro-shot of the West End production of Next to Normal: the 2009 Pulitzer-prize winning musical about a woman's mental health and its impact on her and her complicated family. It's a show we forgot how much we loved and we're thrilled to have this new version to chew over and analyze. Before that, we also get into the Patti LuPone drama that shook the theatre world this week, and Eric discusses his latest theme park adventures which you can follow along with on his new YOUTUBE channel! (Watch and Subscribe HERE!)On the video game front, this week we share some more thoughts on Blue Prince now that Eric has played a good deal more & Laurence as rolled credits. We also touch on LOK Digital, a lovely little word/puzzle game we've been playing on mobile. But mainly, we're focused on the video games of days past this week as we both have been having fun with some Emulators across our various devices! We discuss Chibi-Robo, Silent Hill 2, Golden Sun, Twilight Princess, and a host of other classics that we've been revisiting with the power of technology.What Else We're Gay For:ERIC - RuPaul's Drag Race All-Stars 10LAURENCE - Vine: Six Seconds that Changed the World========Get in touch with us!EMAIL US at gayforplaypodcast@gmail.comFOLLOW G4P (& Message us on any of our socials for a link to our Discord!)Twitter: @GayForPlayPodInstagram: @GayForPlayPodTwitch: twitch.tv/gayforplaypod========CREDITSIntro and outro music by Connor Marsh (@connorjmarshmallow)Show art by Benny Kessler (@retro.spectacle.studio) 

Broadway Besties, get ready for the annual Lindsey sTONY AWARDS! Please enjoy my unhinged and VERY hot takes on my nominee and award winners for From the Mezzanine's special award categories, such as Broadway Boyfriend of the Year, Trending Sound of the Year, and FTM's Person of the Year! Let me know your Lindsey sTONY winners!In Broadway News for the week, we uncover the DRAMA with Patti Lupone X Kecia Lewis X Audra McDonald. Website: www.fromthemezzanine.comPatreon: Click HERE to become a Broadway Bestie TikTok: @FromTheMezzanineBroadwayInstagram: @FromTheMezzanineBroadwayYoutube: @FromtheMezzanineBroadwayBroadway Spotify Playlist: https://open.spotify.com/playlist/5t55fULcCqN0NMmK4OnfOA?si=89c08b1a8bb34d95

The Braw and The Brave is a podcast about people and their passions. Episode 240 is in conversation with actor Dani Heron who I invited to Up Next Studios to chat about her incredibly varied and successful career to date. From training in London and starring on the West End, to working on various productions here in Scotland and navigating life as a creative, Dani's talent and innate passion for her craft have seen seen her tackle a number of different roles, ever keen to challenge herself on and off stage. Follow The Braw and The Brave Website: https://www.thebrawandthebrave.com/ YouTube: https://www.youtube.com/@TheBrawandTheBrave TikTok: https://www.tiktok.com/@thebrawandthebrave Instagram: https://www.instagram.com/thebrawandthebravepodcast/ Facebook: https://www.facebook.com/TheBrawandTheBrave

MN ranks 49th out of the 50 states, will MN ever get a budget bill, air quality alert, what's wrong with Skyline Parkway at the West End overlook, Twins talk, text line comments, MN Home School enrollments are soaring, and Jeff from Superior on the poor air quality...See omnystudio.com/listener for privacy information.

Andrew Durand has received a Tony Award nomination for his standout performance in DEAD OUTLAW.  He plays the title role of Elmer McCurdy in this brilliant, dark musical comedy about a mummified corpse. The show is nominated for 7 Tony Awards including Best New Musical. Andrew's Broadway credits include HEAD OVER HEELS, SHUCKED, INK, WAR HORSE and SPRING AWAKENING. He performed in the West End in THE UMBRELLAS OF CHERBOURG and Off-Broadway in THE ROBBER BRIDEGROOM, GIGANTIC, LOVE'S LABOUR'S LOST, THE WILD BRIDE, & THE BURNT PART BOYS.  In this episode, Andrew talks about the meditative process he undertakes to stand perfectly still for 45 minutes during the show, his years working in England in experimental theater and how his instincts have led him to unique shows.  DEAD OUTLAW tickets GOOD NIGHT AND GOOD LUCK Live PBS KISS ME KATE The Tony Awards

In the final episode of Season 2, past guest Alex Bynum takes the mic to interview host Troy Farkas! From the West End of Portsmouth, the two discuss the 6/19 live podcast, why Troy became a yoga teacher this year, and what to expect in Season 3. Plus, Seacoast Rapid Fire -- which may or may not include a rant all of you can relate to.Then, in Part Two, Troy revisits five of the most powerful moments from the podcast so far this year, which includes snippets from Flight House Gym's Jay Collins, Seacoast yoga teacher Ankati Day, Ore Nell's Barbecue owner Will Myska, musician Laura Fox, and Cody and Emily from Treeline Outfitters (39:20).CHAPTERS:Expectations for the 6/19 live show (00:00)Why Troy became a yoga teacher (05:00)Plans for Season 3 + beyond (10:05)How a "life activation" improved Troy's life (16:55)The most difficult & most fulfilling parts of the show (18:45)The "wildest dreams" for the show (23:05)Seacoast Rapid Fire (27:55)SPONSORS: Live Freely Market & Misa's Clean KitchenTop 5 most powerful moments from Season 2 (39:25)UPCOMING EVENTS:The next "Seacoast Stories" LIVE PODCAST is on June 19! It's at The Word Barn in Exeter, N.H., and it will feature conversations with Flight House Gym's ⁠⁠⁠⁠Jay Collins⁠⁠⁠⁠, Live Freely's ⁠⁠⁠⁠Alyssa Pine⁠⁠⁠⁠, and Cup of Joe's ⁠⁠⁠⁠Joanna Kelley⁠⁠⁠⁠. To secure tickets, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠click here. ⁠⁠**THIS THURDAY, June 5: For their weekly Community Night, Ore Nell's Barbecue has selected "Seacoast Stories" as its beneficiary of 20 percent of total revenue from the night! To support the future of this show, we'd love if you grabbed a group and dined at Ore Nell's on Thursday. Ordering takeout is equally supportive

Rachael Nanyonjo (associate director of Retrograde) co-hosts The West End Frame Show!Andrew and Rachael discuss Patti LuPone's apology following her remarks about Kecia Lewis and Audra McDonald as well as the latest theatre news about Hamilton, 13 Going On 30, Top Hat, Orfeh and more.Rachael is associate director on Retrograde in the West End, having previously been associate director for Play On (Lyric Hammersmith / UK Tour) and Newsies (Troubadour Wembley Park). She was the movement director for My Mother's Funeral: The Show (Edinburgh Fringe / UK Tour / New York) and has worked on countless other productions.Rachael is directing a rehearsed reading of There's a Mouse in the Kitchen at this year's Talawa Firsts programme. The theatre company have put together a fortnight of groundbreaking Black British new work at Fairfield Halls in Croydon showcasing new writing and performance around the theme of Stay Strong.You can see There's a Mouse in the Kitchen on 10th July. Visit www.talawa.com for info about the Talawa Firsts programme.Follow Rachael on Instagram @r.nanyonjo and visit her website www.rachaelnanyonjo.comThis podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

In this wide-ranging and entertaining episode, Nick and Steven are joined once again by property investor and entrepreneur Davy Hutton. Known for his straight-talking approach, Davy gives us a raw, honest update on the state of the property market, social inequality, and why the rules are no longer built for the everyday investor.He opens up about mental health, the inspiration behind his new spoken word music album, and why he believes being vulnerable is more powerful than pretending to have it all figured out. Episode Highlights:

In this powerful and timely episode, Adam sits down with Olivier Award-winning director-turned-writer Mark Rosenblatt, the creative force behind Giant, the searing and sensational play that explores the genius and the darkness of Roald Dahl. Starring the legendary John Lithgow—who also took home an Olivier for Best Actor—Giant dives deep into the tangled web of brilliance, grief, controversy, and antisemitism that surrounded one of the world's most beloved and most complicated authors. Recorded in front of a live audience in central London to mark the 20th anniversary of The Heart Cells Foundation, this episode celebrates creativity, courage, and the quiet revolution of stepping into your truth. Just three days before filming, Mark received his own Olivier at the Royal Albert Hall, presented by Ewan McGregor and Elizabeth Debicki. In an emotional and honest conversation, he shares what it felt like to be recognised for his first-ever play and the journey that took him from self-doubt to centre stage. Mark reveals how the seed for Giant was planted when Sir Nicholas Hytner casually suggested he might try writing—an idea that sat dormant until lockdown gave him the space to bring it to life. Inspired by his own childhood love of Dahl's stories, and compelled by the writer's antisemitic remarks during the Lebanon War era, Mark began to unpick the moral complexity of Dahl's legacy. Rather than cancelling Dahl, Mark chose to examine him—with empathy, intellectual honesty, and a dramatic lens that lets the audience grapple with their own beliefs. We talk about the emotional weight of writing as a British Jew exploring antisemitism, the tension of launching a controversial play amid the Israel-Gaza conflict, and how Dahl's personal tragedies—from his daughter's death to his son's life-altering accident—informed both his work and Giant itself. With John Lithgow perfectly cast as Dahl (thanks to Hytner's inspired suggestion) and Elliot Levey winning Best Supporting Actor, Giant has become one of the most talked-about plays in the West End. A Broadway transfer is on the cards. This episode is a tribute to the healing power of art, the bravery of reinvention, and the impact of asking bold questions in a world that often demands easy answers. Special thanks to The Heart Cells Foundation for their incredible work and for hosting this unforgettable live event. www.heartcellsfoundation.com admin@heartcellsfoundation.com

OUR RELEASE OF OUR CHRISTMAS SPECIAL WITH THE ONE AND ONLY DANNY ROBINS - BUT THIS IS THE FULL PATREON VERSION...ENJOY!!!AND REMEMBER TO LISTEN ALL THE WAY TO THE END!!!Welcome dear listeners, to our series of ‘Talk Haunts' – a chat that's all scary ... just for you. So, grab a hot chocolate, maybe a tea, pull up a chair … because this is Haunted UK Podcast's Talk Haunts (a Christmas Special) – with Danny Robins, award-winning writer and broadcaster, creator and presenter of BBC's Uncanny – the podcast, stage and TV show, as well as playwright of 2:22 A Ghost Story which has stunned and captivated audiences in the West End and across the world. Join Steve and Marie as they have a spooky Christmas chat with Danny about his musings on all things ghostly, his own experiences, inspirations, as well as balancing normal life with the paranormal! This is a real in-depth ‘Talk Haunt' you won't want to miss!You can listen to Uncanny's Christmas special on BBC Sounds  from today and Danny's brilliant book Into the Uncanny is, of course, available in all good bookshops. Please check out the extended interview on Haunted UK Podcast Patreon where Danny reveals his true fears, aims to define what a ghost is – and describes Steve and Marie's appearance … Uncanny style! Presented by Steven Holloway and Marie WallerProduced by Pink Flamingo Home StudiosScript editor: Marie Waller Proofreading Do you have an interesting story which features the paranormal?  Or even ideas or stance on the paranormal that you would like to discuss?  If so, we would love you to be a guest on Talk Haunts. Please get in touch via:Website: https://hauntedukpodcast.com/Instagram: Haunted UK PodcastTwitter/X: @hauntedukpodWe're waiting for your stories …You can support us, access bonus material (including bonus Talk Haunts), join our growing community – and follow us for updates at Haunted UK Podcast PatreonThank you so much for listening and supporting us this year! We think you are all amazing and we wish you all a very happy Christmas – and an awesome 2025!Happy Spooky Christmas!

This weekend on Smashi Business Show: Weekend Edition, we break down three major stories shaping the region. India moves to exempt Saudi Arabia's sovereign wealth fund from key investment rules, paving the way for deeper financial ties and major capital inflows. In Dubai, property prices may drop by up to 15% as a record housing supply threatens to outpace population growth. And billionaire landlord Asif Aziz—who owns major parts of London's West End—is relocating to Abu Dhabi, joining a growing wave of wealthy individuals fleeing UK tax changes and investing in the UAE's booming real estate scene.Instagram: https://aug.us/4ihltzQNewsletter: https://aug.us/4jqModrWhatsApp: https://aug.us/40FdYLUTiktok: https://aug.us/4lnV0D8Smashi Business Show (Mon-Friday): https://aug.us/3BTU2MY

This week, Gyles is joined by very special guest Sir David Jason, who talks about memories of his career: how he started out in his local theatre group in north London, and progressed through amateur dramatics, to rep, and finally to the West End and television. There are, of course, a few cameos and helping hands along the way: Brian Epstein, Humphrey Barclay, Ronnie Barker and John Sullivan, to name but a few. You'll know Sir David's television work, because it's legendary: Only Fools and Horses, Open All Hours and Touch of Frost are classics which will be watched for many years to come. But you may not know about his early work on the stage, or his humble roots as a mechanic and then an electrician, or about the impressions he did of his teacher at school, or about the crucial role Ronnie Barker played in getting his career off the ground. This is a funny and touching conversation with one of the true legends of British stage and screen. Thank you to Sir David for your time, and wonderful stories. Sir David's book, This Time Next Year, is out now in paperback, published by Penguin. This episode was recorded at the JW Marriott Grosvenor House hotel in London, thank you to them. Hosted on Acast. See acast.com/privacy for more information.

Matty and Kikau chat with Steven Gross who is currently the program head of The Abbott MFA in Musical Theater Collaboration Program at Temple University. Steven is the founder and CEO of MusicalTheatreSongs.com. His recommendation for today is the television show Hacks. ---Steven Gross has worked on Broadway, Off-Broadway, the West End and internationally as a music director, conductor, pianist, sub and vacation conductor. He is a Lortel Award nominee for Best Musical for his adaption of The Pirates of Penzance at the South Street Seaport. He has conducted the European premieres of The Life, Urinetown, Falsettos, Beehive, Forever Plaid, Closer Than Ever, Flora the Red Menace and other works. He also works extensively as a classical conductor and has appeared with many national and international opera companies, symphony orchestras and festivals. He is as an orchestrator and arranger for many symphony orchestras, theatrical, digital and online productions. His musical Nijinsky has been performed in Berlin, Zurich and Monte Carlo.Steven has collaborated on new musicals with Award-winning composers and lyricists including Benny Andersson & Bjorn Ulvaeus, Sam Carner & Derek Gregor, Douglas Cohen and Zoe Samuel, Cy Coleman, David Friedman, Zina Goldrich & Marcy Heisler, Mark Hollmann & Greg Kotis, Brett Macias, Lauren Taslitz & Danny Ursetti. Steven holds a Doctor of Musical Arts in Conducting from Yale University and is a Fulbright and Rotary Scholar. He has extensive experience working in academia as a clinician, guest artist and professor. 

THURSDAY HR 4 Moe For The Weekend! Jon Busdecker in studio talking about the events happening in Orlando. Silver Spurs Rodeo President of the Board Randy and Miss Silver Spurs Rodeo Baily instudio. Paul owner of Westend and Dom from the Supervillians 18th Annual Hurricane Party

Hadley Fraser is In The Frame! Hadley is preparing to play his biggest solo show yet at Cadogan Hall on Sunday 15th June, which follows the release of his most recent album Things That Come And Go.Presented in association with ADAMA Entertainment and WestWay Music, Hadley's show will feature guest performances from his wife Rosalie Craig (Company/The Light Princess) as well as original Six queens Natalie May Paris and Maiya Quansah-Breed.Hadley's musical theatre credits include Opening Night, City of Angels, Young Frankenstein, The Pajama Game and The Pirate Queen. He has played both Marius and Javert in the West End production of Les Misérables - he also appeared in the film adaptation and played Grantaire in the Les Misérables 25th anniversary concert at the O2 Arena. Hadley played Raoul in the 25th anniversary concert of The Phantom of the Opera at the Royal Albert Hall. Hadley has appeared in concert stagings of musicals such as Dirty Rotten Sounders, The Secret Garden, Chess, South Pacific, Carousel and The Light Princess.He is currently appearing in The Deep Blue Sea at the Theatre Royal Haymarket and has performed in other plays such as The Lehman Trilogy, 2:22 and many more. Hadley has worked on screen, most recently he played the Good King in Disney's live action remake of Snow White.Last week Hadley came into the podcast booth before a performance of The Deep Blue Sea and to talk all-things theatre and the path of his career. In the episode, Hadley discusses his upcoming concert and delves into the premature closing of Opening Night, why he took time out from theatre after doing Pirate Queen on Broadway, how he ended up finding diversity in his career... and lots more pops up along the way!Hadley performs at Cadogan Hall on Sunday 15th June. Visit www.cadoganhall.com for info and tickets. His album Things That Come And Go is out now and you can see Hadley in The Deep Blue Sea at the Theatre Royal Haymarket until 21st June.This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

We're back in the UK, and we have an acting legend joining us this week - it's Jason Isaacs! Jason had already been in touch earlier in the week to apologise for ‘being a vegan who doesn't like vegetables'! But no bother! We cooked up a storm and we love a challenge. And Jason more than made up for it with his excellent table chat; we heard about working with Gillian Anderson on their new film ‘The Salt Path', filming White Lotus, how he married his wife for the health insurance, his encounter with a ghost, turning down West End shows, and we discover that men who are vegan have better erections… Plus Jason even treats us to a magic trick, the must see video will be on our socials this week. Don't miss Jason's beautiful new film The Salt Path, which is out in cinemas this Friday the 30th May. Hosted on Acast. See acast.com/privacy for more information.

It's one of the oldest sins in the world, and yet somehow still the most unthinkable: the exploitation of children by the powerful. And if recent revelations are even half true, America isn't just tolerating it — we may be systematizing it.In 1885, a British journalist exposed a hidden network of child brothels in London's West End — a story so horrific it was dubbed The Maiden Tribute of Modern Babylon. The outcry shook Parliament. A generation later, the Japanese Empire trafficked over 200,000 young women — many underage — as “comfort women” for its soldiers in World War II.This evil isn't new. It's old. It's persistent. And it always hides behind institutions that claim to serve the weak.Today, figures like RFK Jr. are alleging that the U.S. Department of Health and Human Services has served not as a barrier to trafficking, but as a facilitator. Meanwhile, Sean “Diddy” Combs faces a mounting storm of accusations — not just from the media, but from over 80 civil litigants, some of whom were underage at the time of the alleged abuse.The world calls it conspiracy. But what if it's just exposure?This episode is brought to you by our premier sponsors, Armored Republic and Reece Fund, as well as our Patreon members and donors. You can join our Patreon at patreon.com/rightresponseministries or donate at rightresponseministries.com/donate.Today's episode isn't about shock. It's about responsibility. If these things are happening — in our agencies, in our courts, and in our entertainment industry — then we demand justice. As Christians we are called to expose the deeds of darkness, so today, we must name the evil, and refuse to look away.MINISTRY SPONSORS: Reece Fund. Christian Capital. Boldly Deployed https://www.reecefund.com/ Private Family Banking How to Connect with Private Family Banking: FREE 20-MINUTE COURSE Email: chuck@privatefamilybanking.com FREE e-book: How to Build Multi-Generational Wealth Schedule a FREE Discovery Call $4.99 Multi-Generational Wealth Guide Western Front Books. Publishing for men on the right. Not churchy. Christian. https://www.WesternFrontBooks.com/ Mid State Accounting Need help with bookkeeping, tax returns, or fractional CFO services? Call Kailee Smith at 573‑889‑7278 or visit: https://www.midstateaccounting.net Mention the Right Response podcast and get 10% off your first three months. Kingsmen Caps Carry the Crown with Kingsmen Caps — premium headwear made for those who honor Christ as King. https://kingsmencaps.com Squirrelly Joes Coffee – Caffeinating The Modern Reformation Get a free bag of coffee (just pay shipping): https://squirrellyjoes.com/rightresponse

Welcome to Multiverse News, Your source for Information about all your favorite fictional universes.Last week Disney pushed Avengers: Doomsday from its May 1, 2026 release to December 18, 2026 and Avengers: Secret Wars from May 7, 2027 to December 18, 2027. The studio also removed several unannounced Marvel titles from its release calendar: a February 13, 2026 dated release has been removed entirely while November 2026 and 2027 releases have been rebranded from untitled Marvel films, to untitled Disney films.Memorial Day weekend's $326.7 million haul at the domestic box office was enough to earn it the title of the highest grossing Memorial Day weekend ever, with newcomer, Disney's live action Lilo & Stitch remake leading the way with $183 million, overtaking Top Gun: Maverick's $160 million weekend from 2022. Speaking of Tom Cruise, he was no slouch either, with the Mission: Impossible franchise's latest and supposed final installment, The Final Reckoning, earning a franchise high of $77.5 million.While appearing on a recent episode of The Box Office Podcast, Ryan Reynolds revealed he pitched an R-rated Star Wars film to Disney, saying, “I pitched to Disney, I said, ‘Why don't we do an R-rated “Star Wars” property? It doesn't have to be overt, A+ characters. There's a wide range of characters you could use,'” he said. “And I don't mean R-rated to be vulgar. R-rated as a Trojan horse for emotion. I always wonder why studios don't want to just gamble on something like that.” The Deadpool actor clarified the film would not be for him to star in, but contribute behind the scenes by writing and producing. Notably absent from the conversation is Disney's reception to the pitch.After an extensive search auditioning more than 30,000 actors, HBO's Harry Potter series has finally found its Harry, Hermoine and Ron, as Dominic McLaughlin, Arabella Stanton, and Alastair Stout have been cast in the respective roles. Much like their predecessors from the films, our three leads are relative newcomers, with McLaughlin appearing alongside Hagrid-actor Nick Frost in the upcoming Sky comedy, Grow, and Stanton having starred as Matilda in Matilda The Musical on West End from 2023 to 2024, while this will be Stout's first significant role.Kieran Culkin has been cast as Caesar Flickerman in Hunger Games: Sunrise on the Reaping, The Hollywood Reporter has learned exclusively.The reboot of medical comedy Scrubs from Bill Lawrence and ABC currently in development has officially cast Zach Braff who will return to the series to reprise the role of JD, a character he played for 9 seasons.A24 confirmed Alex Garland will write and direct a live-action Elden Ring film with Bandai Namco Entertainment. The acclaimed game won the 2022 Game of the Year Award and has sold over 30 million copies.The Wheel of Time has been canceled after three seasons at Amazon‘s Prime Video. The series, from Sony Pictures Television and Amazon MGM Studios and based on Robert Jordan's best-selling series of fantasy novels, aired its third-season finale on April 17.James Gunn confirmed DC Studios will attend Comic-Con this year(July 24-27) with a panel focusing on Peacemaker season 2. The new season will feature another dance sequence in its opening credits, like season 1.Marvel and DC will be collaborating on a crossover comic between characters for the first time in two decades. A series of one shot comics will be released in September of this year featuring a crossover between Deadpool and Batman, with more character crossovers planned for next year.

In this episode of Welcome to Cloudlandia, we kick off by reflecting on a recent trip to the UK, where London's unexpected warmth mirrored the friendliness of its black cab drivers. Our visit coincided with the successful launch of the 10 Times program in Mayfair, which attracted participants from various countries, adding a rich diversity to the event. Next, we delve into the advancements in AI technology, particularly those related to Google Flow. We discuss how this technology is democratizing creative tools, making it easier to create films and lifelike interactions. This sparks a conversation about the broader implications of AI, including its potential to transform industries like real estate through AI-driven personas and tools that enhance market operations. We then shift our focus to the political arena, where we explore the Democratic Party's attempt to create their own media influencers to match figures like Joe Rogan. The discussion centers on the challenges of capturing consumer attention in a world overflowing with digital content, and the need for meaningful messaging that resonates with everyday life. Finally, we touch on aging, longevity, and productivity. We emphasize the importance of staying engaged and productive as we age, inspired by remarkable individuals achieving significant milestones beyond 60. SHOW HIGHLIGHTS In our recent trip to the UK, we experienced the unexpected warmth of London and engaged with the local culture, which included charming interactions with black cab drivers. This atmosphere set the tone for a successful event launch in Mayfair with global participants. We discussed the sparse historical records left by past civilizations, such as the Vikings, and how this impacts our understanding of history, drawing a parallel to the rich experiences of our recent travels. AI advancements, particularly Google Flow, are revolutionizing the creative landscape by democratizing filmmaking tools, allowing for lifelike scenes and interactions to be created easily and affordably. The potential of AI in the real estate market was explored, using the example of Lily Madden, an AI-driven persona in Portugal, which highlights the challenge of consumer attention in an ever-saturated digital content environment. We analyzed the Democratic Party's approach to media influencers in the 2024 election, noting the need for genuine engagement with voters' lives amidst fierce competition for attention in today's media landscape. The discussion shifted to aging and longevity, focusing on productivity and engagement in later years. We emphasized the importance of remaining active and contributing meaningfully past the age of 60. We wrapped up the episode with excitement about future projects, including a new workshop and book, highlighting our commitment to staying creatively engaged and inviting listeners to join us in future discussions. Links: WelcomeToCloudlandia.com StrategicCoach.com DeanJackson.com ListingAgentLifestyle.com TRANSCRIPT (AI transcript provided as supporting material and may contain errors) Dean: Mr sullivan it has to be recorded because it's uh historic thinking it's historic thinking in a historic time things cannot be historic if they're not recorded, that is true, it's like if, uh, yeah, if a tree falls in the forest yeah, it's a real. Dan: It's a real problem with what happened here in the Americas, because the people who were here over thousands of years didn't have recordings. Dean: They didn't write it down. They didn't write it down. Dan: No recordings, I mean they chipped things. Dean: They didn't write it down. Dan: They didn't write it down no recordings, no recordings. Yeah, I mean, they chip things into rock, but it's, you know, it's not a great process really. Dean: I think that's funny, you know, because that's always been the joke that Christopher Columbus, you know, discovered America in 1492. But meanwhile they've been here. There have been people, the sneaky Vikings, and stuff. How do you explain that in the Spaniards? Dan: Yep. Dean: Yeah. Dan: Yeah Well, writing. You know, writing was an important thing. Dean: Yeah, yeah. Dan: We don't know much. We don't, yeah, we really don't know much about the Vikings either, because they didn't they weren't all that great at taking notes. I mean, all the Vikings put together don't equal your journals. Dean: That's true. All the Viking lore's the not what's happening. So it's been a few weeks yeah I was in the uk, we were in the uk for a couple weekends for uh-huh okay, it was great, wonderful weather, I mean we had the very unusual. Dan: It was great, wonderful weather. Dean: I mean we had the very unusual weather for May. It was, you know, unseasonably warm 75, 80, nice bright oh my goodness. Dan: Yeah, really terrific. And boy is the city packed. London is just packed. Dean: And getting packed dirt, huh. Dan: Yeah, yeah, just so many people on the street. Dean: I always, I always laugh, because one time I was there in June which is typically when I go, and it was. It was very funny because I'd gotten a black cab and just making conversation with the driver and he said so how long are you here? And I said I'm here for a week. He said, oh, for the whole summer, because it was beautifully warm here for the whole summer. Yeah, that's so funny, I hear hear it's not quite. Dan: They're fun to talk to. Dean: Oh man for sure. Dan: Yeah, they know so much. Dean: Yes, I hear Toronto. Not quite that warm yet, but get in there I think today is predicted to be the crossover day we had just a miserable week. Dan: It was nonstop rain for five days. Oh my goodness, Not huge downpour, but just continual, you know, just continual raining. Dean: But it speeded up the greening process because I used to have the impression that there was a day in late May, maybe today like the 25th, when between last evening and this morning, the city workers would put all the leaves on the trees like yesterday there were no leaves, and but actually there were. Dan: We're very green right now because of all the rain. Dean: Oh, that's great yeah. Two weeks I'll be there in. I arrived 17th. Dan: Yeah, yeah, I'm trying to think of the date I'm actually arriving. Dean: I'm arriving on the 6th A strategic coach, you're going to be here, yeah we're doing on Tuesday. This month is Strategic Coach. Dan: Yeah, because of fathers. Dean: Right, right, right right, so we're doing. Yeah, so that Tuesday, that's exciting. Dan: Tuesday, Wednesday, Of course, our week is 19th, 18th, I think it's the 17th 17th is the workshop day and we have a garden party the night before and the day I know we have two parties. Dean: Yeah, I love I can't go wrong yeah and hopefully we'll have our table 10 on the. Uh well, we'll do it at the one, we'll do it at the one, that's great. You've been introduced to the lobster spoons. I hear. Dan: It's been good, that's a great little spot. I didn't overdo it, but I did have my two. I had two lobster spoons Okay, they're perfect. Dean: I took one of my teams there about uh, six weeks ago, and we, everybody got two we got two lobster spoons and it was good, yeah, but the food was great service with service was great. Dan: Yeah, yeah, yeah all right. Dean: Well then, we got something I'm excited about. That's great. So any, uh, anything notable from your trip across the pond no, uh, we um jump things up um. Dan: Last October we introduced the 10 times program in London so uh 25 to 30. I think we have 25 to 30 now and uh, so when I was there um last two weeks, it'll be, um, um two weeks or last week no, it was last week. Um, I'm just trying to get my, I'm just trying to get my bearings straight here. When did I get home? I think I got home just this past Tuesday. Dean: This past Tuesday. Dan: So it would have been the previous Thursday. I had a morning session and afternoon session, and in the morning it was just for 10 times and in the afternoon it was just for 10 times and in the afternoon it was for everybody. So we had about 30 in the morning and we had about 120 in the afternoon. Dean: Oh, very nice yeah. Dan: And you know a lot of different places. We had Finland, estonia, romania, dubai, South Africa quite a mix. Quite a mix of people from. You know all sorts of places and you know great getting together great. You know couple of tools. You know fairly new tools A couple of tools, you know fairly new tools and you know good food good hotel, it's the Barclay, which is in. Mayfair. Okay, and it's a nice hotel, very nice hotel. This is the third year in a row that we've been there and you know we sort of stretched their capacity. Dean: 120 is about the upper limit and what they've been to the the new four seasons at uh, trinity square, at tower bridge. It's beautiful, really, really nice, like one of my favorites no, because the building is iconic. I mean Just because the building is iconic. I mean that's one of the great things about the. Dan: Four Seasons. Dean: Yeah, and about London in specific, but I mean that. Four Seasons at. Dan: Trinity it's beautiful, stunning, love it. Yeah, we had an enjoyable play going week um we did four, four, four musicals, actually four, four different. Uh, musicals we were there one not good at all probably one of the worst musicals I've seen um and uh, but the other three really terrific. And boy, the talent in that city is great. You know just sheer talent. Dean: What's the latest on your Personality? Yeah, personality. Dan: Yeah, the problem is that London's a hot spot right now and there's a queue for people who want to have plays there. Oh okay, Actually they have more theaters than Broadway does Is that right On the West End yeah, west End, but they're all lined up. Problem is it's not a problem, it's just a reality is that you have some plays that go for a decade. You know, like Les Mis has been in the same theater now for 20 years. So there's these perennials that just never move. And then there's hot competition for the other theaters, you know I wonder is Hamilton? Dean: there, I don't think so, I just wonder about that actually, whether it was a big hit in the UK or whether it's too close. Dan: Yeah, I'm not entirely sure why it was a great play in the United States. I went to see it, you know. I mean it bears no historical similarity to what the person actually was. Dean: No. Dan: So you know, I mean, if people are getting their history from going to that play, they don't have much history. Dean: That's funny, yeah, and I'm not a rap. Dan: I'm not a fan of rap, so it's not the oh God. I'm not the target, definitely not the target audience for that particular play. But we saw a really terrific one and. I have to say, in my entire lifetime this may have been one of the best presentations, all told. You know talent, plot, everything. It's cook. It's the curious case of Benjamin Button button, which is okay. Yeah, I've seen the movie which you. You probably saw the movie. Dean: I did. Dan: Yeah, and this is Fitzgerald. It's Fitzgerald. Dean: Yes. Dan: And it is just a remarkable, remarkable presentation. They have about, I would say, 15 actors and they're literally on stage for the entire two and a half hours. And they are literally on stage for the entire two and a half hours and they are the music. So every actor can sing, every actor can dance and every actor can play at least one musical instrument. And they have 30 original songs and then you know the plot. And they pull off the plot quite convincingly with the same actors, starting off at age 70, and he more or less ends up at around age 25, and then they very ingeniously tell the rest of the story. And very gripping, very gripping very moving and very gripping, very gripping very moving, beautiful voices done in. Sort of the style of music is sort of Irish. You know it takes place in Cornwall, which is very close to you know, just across the Irish Sea from Ireland. So it's that kind of music. It's sort of Irish folk music and you know it's sort of violins and flutes and guitars and that sort of thing, but just a beautifully, beautifully done presentation. On its way to New York, I suspect, so you might get a chance to see it there. Dean: Oh wow, that's where it originated, in London. Dan: No, yeah, it's just been. It was voted the number one new musical in London for this year, for 2025. Yeah, but I didn't know what to expect, you know, and I hadn't seen the movie, I knew the plot, I knew somebody's born, old and gets younger. Yeah, just incredibly done. And then there's another one, not quite so gripping. It's called Operation Mincemeat. Do you know the story? Dean: No, I do not. Dan: Yeah, it's a true story, has to do with the Second World War and it's one of those devious plots that the British put together during the Second World War, where to this was probably 1940, 42, 43, when the British had largely defeated the Germans in North Africa, the next step was for them to come across the Mediterranean and invade Europe, the British and Americans. And the question was was it going to be Sicily or was it going to be the island of Sardinia? And so, through a very clever play of Sardinia, and so, through a very clever play, a deception, the British more or less convinced the Germans that it was going to be Sardinia, when in fact it was going to be Sicily. And the way they did this is they got a dead body, a corpse, and dressed him off in a submarine off the coast of spain. The body, floated to shore, was picked up by the spanish police, who were in cahoots, more or less, with the germans, and they gave it to the germans. And the Germans examined everything and sent the message to Berlin, to Hitler, that the invasion was gonna be in Sardinia, and they moved their troops to Sardinia to block it. and the invasion of Sicily was very fast and very successful, but an interesting story. But it's done as a musical with five actors playing 85 different parts. Oh my yeah. Dean: Wow, 85 parts. Dan: Yeah. Dean: It sounds like. Dan: I thought, you were describing Weekend at Bernie's Could be. Dean: Could be if I had seen it If I had seen it. It was funny? Dan: Yeah, it's kind of like Weekend at Bernie's right, right, right, I don't know. I don't know what I'm talking about, but I know you are. And three of them were women who took a lot of male parts, but very, very good comic comic actors, and three of them were women who took a lot of male parts, but very, very good comic actors. It's done in sort of a musical comedy, which is interesting given the subject matter. And then I saw a re-revival of the play Oliver about Oliver Twist, a re-revival of the play Oliver about Oliver Twist and just a sumptuous big musical. Big, you know, big stage, big cast, big music, everything like you know Dickens was a good writer. Dean: Yes, um, dan, have you? Dan? Did you see or hear anything about the new Google Flow release that just came out two or three days ago? I have not. I've been amazed at how fast people adopt these things and how clearly this is going to unlock a new level of advancement in AI. Here thing kind of reminded me of how Steve Jobs used to do the product announcement. You know presentations where you'd be on stage of the big screen and then the. It was such an iconic thing when he released the iPhone into the world and you look back now at what a historically pivotal moment that was. And now you look at what just happened with flow from a prompt. So you say what you describe, what the scene is, and it makes it with what looked like real people having real dialogue, real interactions. And so there's examples of people at a car show talking like being interviewed about their thoughts about the new cars and the whole background. Dan, all the cars are there in the conference. You know the big conference setting with people milling around the background noises of being at a car show. The guy with the microphone interviewing people about their thoughts about the new car, interviewing people about their thoughts about the new car. There's other examples of, you know, college kids out on spring break, you know, talking to doing man-on-the-street interviews with other college kids. Or there's a stand-up comedian doing a stand-up routine in what looks like a comedy club. And I mean these things, dan, you would have no idea that these are not real humans and it's just like the convergence of all of those things like that have been slowly getting better and better in terms of like picture, um, you know, pick, image creation and sound, uh, syncing and all of that things and movies, getting it all together, uh, into one thing. And there, within 48 hours of it being released, someone had released a short feature, a short film, 13 minutes, about the moment that they flipped the switch on color television, and it was like I forget who the, the two, uh in the historic footage, who the people were where they pushed the button and then all of a sudden it switched to color, um broadcasting. But the premise of the story is that they pushed the button and everything turned to color, except the second guy in the thing. He was like it didn't turn him to color and it was. He became worldwide known as the colorless man and the whole story would just unfolded as kind of like a mini documentary and the whole thing was created by one guy, uh in since it was released and it cost about 600 in tokens to create the the whole thing and they were uh in the comments and uh, things are the the description like to create that, whatever that was, would have cost between three to $500,000 to create in tradition, using traditional filmmaking. It would have cost three to 500,000 to create that filmmaking it would have cost three to 500,000 to create that. And you just realize now, dan, that the words like the, the, the um, creativity now is real, like the capability, is what Peter Diamandis would call democratized right. It's democratized, it's at the final pinnacle of it, and you can only imagine what that's going to be like in a year from now, or two years from now, with refinement and all of this stuff. And so I just start to see now how this the generative creative AI I see almost you know two paths on it is the generative creative side of it, the research and compilation or assimilation of information side of AI. And then what people are talking about what we're hearing now is kind of agentic AI, where it's like the agents, where where AIs will do things for you right, like you can train an AI to do a particular job, and you just realize we are really like on the cusp of something I mean like we've never seen. I mean like we've never seen. I just think that's a very interesting it's a very interesting thought right now, you know, of just seeing what is going to be the. You know the vision applied to that capability. You know what is going to be the big unlock for that, and I think that people I can see it already that a lot of people are definitely going down the how path with AI stuff, of learning how to do it. How do I prompt, how do I use these tools, how do I do this, and I've already I've firmly made a decision to I'm not going to spend a minute on learning how to do those things. I think it's going to be much more useful to take a step back and think about what could these be used for. You know what's the best, what's the best way to apply this capability, because there's going to be, you know, there's going to be a lot of people who know how to use these tools, and I really like your idea of keeping Well, what would you use it for? Well, I think what's going to be a better application is like so one of the examples, dan, that they showed was somebody created like a 80s sitcom where they created the whole thing. I mean, imagine if you could create even they had one that was kind of like all in the family, or you know, or uh imagine you could create an entire sitcom environment with a cast of characters and their ai uh actors who can deliver the lines and, you know, do whatever. You could feed a script to them, or it could even write the script I think that what would be more powerful is to think. I I think spending my time observing and thinking about what would be the best application of these things like ideas coming. Dan: I think that somebody's going no no, I'm asking the question specifically. What would you, dean jackson, do with it? That's what. That's what I'm saying oh not what? Not what anybody could do with it, but what? Dean: would you? Dan: do with it um well, I haven't. Dean: I haven't well for one let's let's say using it. I, years ago, I had this thought that as soon as AI was coming and you'd see some of the 11 labs and the HN and you'd see all these video avatars, I had the thought that I wonder what would happen. Could I take an AI and turn this AI into the top real estate agent in a market, even though she doesn't exist? And I went this is something I would have definitely used. I could have used AI Charlotte to help me do, but at the time I used GetMagic. Do you remember Magic, the task service where you could just ask Magic to do? Dan: something, and it was real humans, right. Dean: So I gave magic a task to look up the top 100 female names from the 90s and the top 100 surnames and then to look for interesting combinations that are, you know, three or four syllables maximum and com available so that I could create this persona, one of the ones that I thought, okay, how could I turn Lily Madden Home Services into? How would you use Lily Madden in that way? So I see all of the tools in place right now. So I see all of the tools in place right now. There was an AI realtor in Portugal that did $100 million in generate $100 million in real estate sales. Now that's gross sales volume. That would be about you know, two or $3 million in in revenue. Yeah, commissions for the thing. But you start to see that because it's just data. You know the combinations of all of these things to be able to create. What I saw on the examples of yesterday was a news desk type of news anchor type of thing, with the screen in the background reporting news stories, and I immediately had that was my vision of what Lily Madden could do with all of the homes that have come on the market in Winter Haven, for instance, every day doing a video report of those, and so you start to see setting up. All these things are almost like you know. If you know what I say complications, do you know what? Those are? The little you know? All those magical kind of mechanical things where the marble goes this way and then it drops into the bucket and that lowers it down into the water, which displaces it and causes that to roll over, to this amazing things. I see all these tools as a way to, in combination, create this magical thing. I know how to generate leads for people who are looking for homes in Winter Haven. I know how to automatically set up text and email, and now you can even do AI calling to these people to set them on an email that every single day updates them with all the new homes that come on the market. Does a weekly, you know video. I mean, it's just pretty amazing how you could do that and duplicate that in you know many, many markets. That would be a scale ready algorithm. That's. Dan: That's one thought that I've had with it yeah, you know the the thing that i'm'm thinking here is you know, I've had a lot of conversations with Peter over Peter Diamandis over the years and I said you know, everything really comes down to competition, though. Dean: Everything really comes down to competition though. Dan: The main issue of competition is people's attention, the one thing that's absolutely limited. Everybody talks everything's expanding, but the one thing that's not expanding and can't expand is actually the amount of attention that people have for looking at things you know, engaging with new things. So for example. You asked me the question was I aware of this new thing from Google? From Google and right off the bat, I wouldn't be because I'm not interested in anything that Google does. Period, period, so I wouldn't see it. But I would have no need for this new thing. So this new thing, because what am I going to do with it? Dean: I mean, I don't know. But I recall that that was kind of your take on zoom in two months. Dan: Yeah but, uh. But if the cove, if covet had not happened, I would still not be using zoom yeah, yeah, because there was nobody. There was nobody at the other end that's exactly right. Dean: You didn't have a question that Zoom was the answer to. Dan: Yeah. And I think that that's the thing right now is we don't have a question that the new Google Flow Because this seems to me to be competition with something that already exists, in the sense that there are people who are creating, as you say, $500,000 versions of this and this can be done for $600. Dean: Well, in that particular field, now I can see there's going to be some fierce competition where there will be a few people who take advantage of this and are creating new things advantage of this and are creating new things, and probably a lot of people are put out of work, but not I. I what is so like? Dan: uh, you know, no, and it's not it's not based on their skill and it's it's on their base. There's no increase in the number of amount of attention in the world to look at these things. Dean: There's no increase there's no increase of attention. Yes, the world to look at these things. Dan: There's no increase. There's no increase of attention. Dean: Yes, which it's so eerily funny, but in my journal last night, after watching a lot of this stuff, I like to look at the edges of this and my thought exactly was that this is going to increase by multiples the amount of content that is created. But if I looked at it, that the maximum allowable or available attention for one person is, at the maximum, 16 hours a day, if you add 100% of their available attention bandwidth, you could get 1, 1000 minutes or 100 of those jacksonian units everybody that we only have those. We only have 110 minute units and we're competing. We're competing against the greatest creators ever Like we're creating. We're competing against the people who are making the tippy top shows on Netflix and the tippy top shows on any of these streaming things. I don't think that it's, I think, the novelty of it to everybody's. It's in the wow moment right now that I think everybody's seeing wow, I can't believe you could do this. And it's funny to look at the comments because everybody's commenting oh, this is the end of Hollywood, hollywood's over. I don't think so. Dan: Hollywood's been kind of over for the last five or ten years. I mean it's very interesting. I think this is a related topic. I'm just going to bounce it off you. The Democratic Party has decided that they have to create their own Joe Rogan, because they now feel that Joe Rogan as a person, but also, as you know, a kind of reality out in the communication world tipped the election in 2024. Dean: Who have they nominated? Dan: Yeah, that Trump being on Joe Rogan and a few other big influencers was the reason, and so they're pouring billions of dollars now into creating their own Joe Rogans. But the truth of it is they had a Joe Rogan. He was called Joe Rogan and he was a Democrat. Dean: Yeah, and he was a Democrat. Dan: Yeah, so you got to work out the problem. Why did Joe Rogan Democrat become Joe Rogan Republican is really the real issue question. And they were saying they're going to put an enormous amount of money into influencers because they feel that they have a fundamental messaging problem. Dean: Look how that worked out for them, with Kamala I mean they had all the A-listers. Dan: Well, they had $2 billion I mean Trump spent maybe a quarter of that and they had all the A-listers. They had Oprah. They had, you know, they had just Beyonce, they just had everybody and it didn't make any difference. So I was thinking about it. They think they have a messaging problem. They actually have an existential problem because nobody can nobody can figure out why the democratic party should even exist. This is the fundamental issue why, why, why should a party like this even exist? Dean: I I can't I? Dan: I don't know, I mean, can you answer the question? I can't answer the question I really don't know why this party actually exists. So it's a more fundamental problem to get people's attention. They have no connection, I think, with how the majority of people who show up and vote are actually going about life, are actually going about life. So you have these new mediums of communication and I'm using Google Flow as an example but do you actually have anything to communicate? Dean: Right, it all definitely comes down to the idea. It's capability and ability. I think that that's where we get into the capability column in the VCR formula. That capability is one thing is why I've always said that idea is the most valuable, you know? Dan: um, yeah, because you know, execution of a better idea, a capability paired with a better ability, is going to create a better result but if it's just a way of selling something that people were resisting buying and they were resisting buying in the first place have you really? Dean: made it. Dan: Have you really made a breakthrough? Dean: Have you really made a breakthrough? That was my next journey in my journal was after I realized that. Okay, first of all, everybody is competing for the same 1,000 minutes available each day per human for attention each day per human for attention, and they can't you know, do you can't use all of that time for consuming content there has to be. They're using, you know, eight hours of it for, uh, for working, and you know four hours of it for all the stuff around that, and it's probably, you know, three or four hours a day of available attention. Dan: Boy, that would be a lot. Dean: I think you're right, like I think that's the thing. I'm just assuming that's the, you know, that's the. Well, when you, you know, in the 50s, Dan, what was the? I mean that was kind of the. There was much less competition for attention in the 50s in terms of much less available, right, like you look at, I was thinking that's the people you know, getting up in the morning, having their breakfast, getting to work, coming home, having their dinner and everybody sitting down watching TV for a few hours a night. That's. That seems like that was the american dream, right? Or they were going bowling or going, uh, you know it was the american habit yeah, that's what I meant. That that's it exactly, exactly. The norm, but now, that wasn't there were three channels. Yeah, and now the norm is that people are walking around with their iPhones constantly attached to drip content all day. Dan: Well, I don't know, because I've never Not. Dean: you drip content, all well. Dan: Well, I don't know, because I've never not you and I have never. I've never actually done that, so I don't actually, I don't actually know what, what people are do, I do know that they're doing it because I can? I can observe that when I'm in any situation that I'm watching people doing something that I would never do. In other words, I can be waiting for a plane to leave, I'm in the departure lounge and I'm watching, just watching people. I would say 80 or 90 percent of the people. I'm watching are looking at their phones, yeah, but. Dean: I'm not, but I'm not yes, yes, I'm actually. Dan: I'm actually watching them and uh, wondering what are they? Doing why? Dean: no. Dan: I'm. I'm wondering why they're doing what they're doing. Yeah, yeah, yeah. And, for example, I never watch the movie when I'm on an airplane, but I notice a lot of people watching the screen. Yeah, so, and you know, if anything, I've got my Kindle and I'm reading my latest novel. Yes, that's basically what I'm doing now, so so, you know, I think we're on a fundamental theme here is that we talk about the constant multiplication of new means to do something. Constant multiplication of new means to do something, but the only value of that is that you've got someone's attention. Yes, and my thing, my thinking, is that google flow will only increase the competition for getting yes, attention, attention that nobody, nobody's getting anyway. Dean: That's exactly right, that's it. And then my next thought is to what end? Dan: Well, they're out competing some other means. Dean: In other words, there's probably an entire industry of creating video content that has just been created, too, based on this new capability. I so I just think, man, these whole, I think that you know, I'm just, I'm just going. Dan: I'm just going ahead a year and we just got on our podcast and it'll be you. It won't be me. Dan did you see what such and such company just brought out? And I'll tell you, no, I didn't. And they say this is the thing that puts the thing I was talking about a year ago completely out of. Dean: Isn't that funny, that's what I'm seeing. It probably was a year ago that we had the conversation about Charlotte. Dan: Well, no, it was about six months ago. I think it was six months ago. Dean: Maybe yeah. Dan: But we were talking about Notebook, we were talking about Google. Dean: Notebook. Dan: I had one of my team members do it for me three or four times and then I found that the two people talking it just wasn't that interesting. It really didn't do it so I stopped't want to be dismissive here and I don't want to be there but what if this new thing actually isn't really new because it hasn't expanded the amount of tension that's available on the planet? Dean: biggest thing you have to, the biggest thing that you have to increase for something to be really new is actually to increase the amount of human attention that there is on the planet, and I don't know how you do that because, right, it seems to be limited yeah, well, I guess I mean you know, one path would be making it so that there it takes less time to do the things that they're spending their time other than it seems to me, the only person who's got a handle on this right now is Donald Trump. Dan: Donald seems to have a greater capacity to get everybody's attention than anyone anyone in my lifetime. Mm-hmm, yeah, he seems to have. Dean: I mean you look at literally like what and the polarizing attention that he gets. Like certainly you'd have to say he doesn't care one way or the other. Dan: He doesn't really care love or love, love or hate. He's kind of got your attention yeah one thing that I'm. He's got Canada's attention yeah. Dean: I mean really. Dan: That and $7 will get you a latte today getting. Canada's attention. Dean: It won't get you an. Americano, but it'll get you a Canadiano, okay. Dan: Yeah, it's so funny because I just I've created a new form and. I do it with perplexity it's called a perplexity search and give you a little background to this. For the last almost 20, 25 years 24, I think it is I've had a discussion group here in Toronto. Dean: It's about a dozen people. Right. Dan: And and every quarter we send in articles and then we create an article book, usually 35, 40 articles, which is really interesting, and it's sort of the articles sort of represent a 90 to 180 day sense of what's going on in the world. You know, you kind of get a sense from the articles what was going on in the world and increasingly, especially since AI came out. I said, you know, these articles aren't very meaty. They don't know it's one person's opinion about something or one person's. You know, they've got it almost like a rant that they put into words about some issues so what I? resorted to is doing perplexity search where, for example, I have one that I've submitted. This was the week when we had to submit our articles and we'll be talking about them in July, the second week of July. So they have to be formatted, they have to be printed. July, so they have to be formatted, they have to be printed, they have to be the book has to be put together and the book has to be sent out. Usually, everybody has about four weeks to read 35 articles. So my articles I have four articles this time and they all took the form, and one of them was 10 reasons why American consumers will always like their gas-fueled cars. Okay, and there were 10 reasons. And then I say, with each of the reasons, give me three bullet point, statistical proof of why this is true. And it comes out to about five pages, and then I have it write an introduction and a conclusion. This is a format that I've created with Propoxy. It takes me about an hour to start, to finish, to do the whole thing, and I read this and I said this is really, really good, this is really good. You know this is very meaty, you know it's got. You know it's just all fact, fact, fact, fact, fact, and it's all put together and it's organized. So I don't know what the response is going to be, because this is the first time I did it, but I'll never get an article from the New York Times or an article from the Wall Street Journal again and submit it, because my research is just incredibly better than their research, you know. And so my sense is that, when it comes to this new AI thing, people who are really good at something are going to get better at something, and that's the only change that's going to take place, and the people who are not good at something are going to become it's going to become more and more revealed of how not good they are. Yeah, yeah, like the schmucks are going to look schmuckier, the schmuckification of America and you can really see this because it's now the passion of the news media in the United States to prove how badly they were taken in by the Biden White House, that basically he, basically he wasn't president for the last four years, for the last four years there were a bunch of aides who had access to the pen, the automatic pen where you could sign things, and now they're in a race of competition how brutally and badly they were taken in by the White House staff during the last four years. But I said, yeah, but you know, nobody was ever seduced who wasn't looking for sex. You were looking to be deceived. Yeah, you know, all you're telling us is what easily bribe-able jerks you actually are right now, and so I think we're. You know. I'm taking this all back to the start of this conversation, where you introduced me to Google Flow. Yeah, and I'll be talking to Mike Koenigs in you know a few days, and I'm sure Mike is on to this and he will have Mike, if there's anybody in our life who will have done something with this. Dean: it's Mike Koenigs that's exactly right. Dan: You're absolutely right. Dean: Yeah. Dan: Mike will have three or four presentations using this. Yes, but the big thing I come down to. What do you have that is worth someone else's attention to pay attention to? Do you have something to communicate? Dean: Do you have something to communicate that? And my sense is it can only be worth their time if it's good for them to pay attention to you for a few minutes. You're exactly right, that is an ability. Do you have the ability to get somebody's attention? Because the capability to create that, content is going to be. Dan: There's's going to be only a few people at the tippy top that have well, that's not going to be the issue that's not going to be the issue that's not going to be the issue, that's the how is taken care of. Yes, that's exactly it. The question is the why? Dean: yes, I put it, you were saying the same thing. I think that that it's the what I just said, the why and the what. Why are we? What? To what end are we doing this? And then, what is it that's going to capture somebody's attention? Uh, for this, and I think that that's yeah, I mean, it's pretty amazing to be able to see this all unfold. Dan: Hmm. Dean: You know, yeah, yeah. But there's always going to be a requirement for thinking about your thinking and the people who think about their thinking. I think that people this is what I see as a big problem is that people are seeing AI as a surrogate for thinking that oh what a relief I don't have to think anymore. Dan: Yeah. Dean: I saw a meme that said your Gen Z doctors are cheating their way through medical school using chat GPT. Probably time to start eating your vegetables, it's probably time to start living healthily. Exactly yes. Dan: It's very interesting. I was interviewed two or three days ago by New Yorker magazine actually. Dean: Really Wow. Dan: Fairly, and it was on longevity. Dean: OK, because you're on the leaderboard right. Dan: The longevity, yeah, and, and they had interviewed Peter Diamandis and they said you ought to talk to Ann Sullivan, nice guy, the interviewer. I said the biggest issue about, first of all, we're up against a barrier that I don't see any progress with, and that is that our cells reproduce about 50 times. That seems to be built in and that most takes us to about 120,. You know, and there's been very few. We only have evidence of one person who got to 120, 121, 122, a woman in France, and she died about 10 years ago. I do think that there can be an increase in the usefulness of 120 years. In other words, I think that I think there's going to be progress in people just deciding well, I got 120 years and I'm going to use them as profitably as I can, and I said that's kind of where I that's kind of where I am right now and, uh, I said, uh, I have this thing called one 56, but the purpose of the one 56 is so that I don't, um, uh, misuse my time right now. Right, that's really, that's really the reason for it. And I said you know, at 81, I'm doing good. I'm as ambitious as I've ever been. I'm as energetically productive as I've ever been. That's pretty good. That's pretty good because when I look around me, I don't see that being true for too many other people and see that being true for too many other people. It was really, really interesting, I said, if we could get half the American population to be more productive from years 60 to 100, a 40-year period. I said it would change the world. It would totally change the world. So I said the question is do you have actually anything to be usefully engaged with once you get to about 60 years old? Do you have something that's even bigger and better than anything you've done before? And I said you know, and my sense is that medicine and science and technology is really supporting you if you're interested in doing that. But whether it's going to extend our lifetime much beyond what's possible right now. I said I don't think we're anywhere near that. Dean: I don't either. Yeah, I think you look at that, but I think you hit it on the head. That of the people who are the centenarians, the people who make it past a hundred. They're typically, they're just hung on. They made it past there but they haven't really had anything productive going on in their life for a long time since 85 years old, very rare to see somebody. Uh, yeah, you know, I mean you think about Charlie Bunger, you know, died at 99. And you look at, norman Lear made it to 101. And George Burns to 100. But you can count on one hand the people who are over 80 that are producing. Yeah, you're in a rare group. Where do you stand on the leaderboard right now? Dan: I was number 12 out of 3,000. That was about four months ago. Dean: That was about four months ago. Dan: I only get the information because David Hasse sends it to me. My numbers were the same. In other words, it's based on your rate of aging. Dean: That's what the number is when I was number one. Dan: the number, was this, and my number is still the same number. And when I was number one, the number was this and my number is still the same number. It just means that I've been out-competed by 11 others, including the person who's paying for the whole thing, brian Johnson. But you know useful information, yeah. Dean: But you know useful information. Dan: Yeah, you know and you know. But the big thing is I'm excited about the next workshop we're doing this quarter. I'm excited about the next book we're writing for this quarter. So so I've always got projects to be excited about. Dean: I love it All righty, I love it Alrighty. Okay, dan, that was a fun discussion. I'll be back next week, me too. I'll see you right here. 1:03:42 - Dan: Yeah, me too. Awesome See you there. Okay, bye, bye,

Stereophonic is a play about the creative process, power dynamics and fraught personal relationships of a 1970s rock band. It won a Tony and many other awards on Broadway. Now Stereophonic has come to the West End. Playwright David Adjmi and Will Butler, sometime of Arcade Fire, who has written the music, discuss their own artistic process as they created it. Plus Skin from Skunk Anansie on their first LP in almost a decade, news of a new exhibition shedding light on painter Joseph Wright of Derby's artistic process and Alexander Larman joins Antony Gormley to pay tribute to Alan Yentob.Presenter: Nick Ahad Producer: Simon Richardson

This week, we're throwing it back to our unforgettable conversation with the sensational Beverley Knight – a true powerhouse of British music and theatre.In this episode, Beverley reflects on the people and moments that have shaped her extraordinary career, from being championed by legends like Prince and David Bowie to sharing a stage with Stevie Wonder, her journey is nothing short of iconic. And with an Olivier Award under her belt for her role in Sylvia, she continues to shine as one of the West End's brightest stars.An episode packed with star power, humility, and inspiration – enjoy!For all the latest news, click here to follow us on Instagram!***Please take the time to rate and review us on Apple Podcasts or wherever you get your pods. It means a great deal to the show and will make it easier for other potential listeners to find us. Thanks!*** Hosted on Acast. See acast.com/privacy for more information.

Jill Halfpenny has been an actor since the age of 10, first coming to our screens in Byker Grove in 1989, and most recently appearing in the Channel 5 drama The Feud. She has also appeared in Coronation Street, Eastenders, numerous TV dramas, on the West End stage and in Strictly Come Dancing.We shared our thoughts on dealing with downtime as performers, which has its challenges even in a busy career.Jill has a son Harvey who is nearly 17, and they clearly have a close relationship, based on honesty and openness, including during difficult times such as when her partner Matt died suddenly 8 years ago, in circumtances similar to how she lost her Dad aged 4. Sadly they both had unexpected heart attacks. Jill has recently written a beautiful memoir 'A Life Reimagined', which touches on both these deaths.Finally, I tried out Jill's Agony Aunt skills as she has a podcast 'Dear Jill' where she answers listeners' questions, from her Newcastle studio. I can now tell you that I am either on the right tracks as a mum or Jill was being extremely kind to me!Spinning Plates is presented by Sophie Ellis-Bextor, produced by Claire Jones and post-production by Richard Jones. Hosted on Acast. See acast.com/privacy for more information.

Though she carries one of the most prominent last names in modern Napa Valley history, Jamie Araujo didn't grow up a wine brat or even a Napa kid at all. By the time the Araujos purchased the iconic Eisele Vineyard and launched their wine brand, Jamie was already in college on the East Coast. And she kept going east—eventually all the way to London's West End, where she built a career as a professional actor. We sat down with Jamie to talk about her fascinating journey: from theater and television to working with some of the biggest names in wine, and ultimately returning to the family business at Araujo Estate Wines. Along the way, we explored the next chapter for the Araujo family—Accendo Cellars—as well as Jamie's own project, Trois Noix. Most importantly, we discussed how Jamie is working to help shape Napa Valley's future for the better in meaningful ways. So pour yourself a glass of your favorite wine and settle in—you're going to love this story. (Unless your favorite wine happens to be an old Araujo Syrah… in that case, please call us—we'd love to come over and listen with you.) [EP 372] For more visit: accendocellars.com and troisnoixwine.com www.instagram.com/troisnoixwine/ https://www.instagram.com/accendocellars/

SEASON 2 - EPISODE 142 - Michael Shannon - Actor Actor Michael Shannon (THE BIKERIDERS, GEORGE & TAMMY, MAN OF STEEL) joins us in this episode of the Team Deakins Podcast. We worked with Michael on REVOLUTIONARY ROAD, and we had a wonderful time catching up with him. Michael shares how he first stumbled into acting, which early-career play of his took him from a tiny theatre in Chicago to the West End and Off-Broadway, and why the experience of actors coming up today is so unlike his own. We also discuss his longtime collaborative relationship with director Jeff Nichols (Season 1, Episode 28), and we reflect on his penchant for projects concerning the end of the world. We also discuss his work in TAKE SHELTER, and we learn how Michael coped with sleeping in an abandoned building during the shoot. Throughout the conversation, Michael shares his opinions on rehearsing, remaining in character after a long day, and repetitive takes, and after learning Michael just directed his first film, we ask if his perspective as an actor has changed at all. - Recommended Viewing: TAKE SHELTER - This episode is sponsored by Profoto & Aputure

THE BLIND PRINCE - William Ormstein was an intimidating man, both in frame, in personality but also in power. A West End mogul who seemed to have it all... but it would seem.. when we heard his tale - he could have had a lot more. The game really was afoot so Sherlock and I donned disguises, whole new characters to lure in the elusive Miss Adler. Part 2 of 5 This episode contains swearing, references to child abuse, deliberate reckless endangerment. Listener discretion is advised.For merchandise and transcripts go to: www.sherlockandco.co.uk For ad-free, early access to adventures in full go to www.patreon.com/sherlockandco To get in touch via email: docjwatsonmd@gmail.com Follow me @DocJWatsonMD on twitter and BlueSky, or sherlockandcopod on TikTok, instagram and YouTube.  This podcast is property of Goalhanger Podcasts. Copyright 2025.SHERLOCK AND CO. Based on the works of Sir Arthur Conan Doyle Paul Waggott as Dr. John Watson Harry Attwell as Sherlock Holmes Marta da Silva as Mariana Ametxazurra Karim Kronfli as William Ormstein Written by Joel Emery Directed by Adam Jarrell Editing and Sound Design by Holy Smokes Audio Produced by Neil Fearn and Jon Gill Executive Producer Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices

MUSICCassie Ventura testified yesterday in the Sean "Diddy" Combs' federal sex-trafficking trial alleging years of abuse during their 11-year relationship.· Kim Kardashian testified in a Paris court yesterday, while wearing $7 million dollars in diamonds, about the 2016 armed robbery where masked gunmen stole millions of dollars worth of jewelry from her hotel suite. During her three-hour testimony, she faced her alleged attackers for the first time.· Foo Fighters announce their first performance of 2025Foo Fighters will be playing October 4th'at Singapore F1 Grand Prix, along with the likes of Elton John, The Smashing Pumpkins and BABYMETAL.· Morgan Wallen finally spoke about his abrupt exit from "Saturday Night Live" last month. As we all know -- the cast members, the host, and the musical guest all love on each other after the show while the credits were rolling . . . but NOT Morgan. He left right away and then caused a bit of a stir when he posted "Get me to God's country" from the tarmac. But now, we finally know what went down. Morgan recently did a funny interview with Caleb Pressley, where he talked about what happened that night. In the 1990s, at a dinner party hosted by Elton John, actors Sylvester Stallone and Richard Gere nearly got into a physical altercation over Princess Diana. According to Elton John's autobiography "Me," Diana and Gere were engrossed in conversation, which reportedly irritated Stallone, who had attended the party with hopes of courting Diana. The situation escalated to the point where Elton John's husband, David Furnish, found Stallone and Gere confronting each other, seemingly on the verge of a fistfight· TVSarah Sherman is breaking her silence on that controversial "White Lotus" sketch on SNLAmazon Prime has announced a reboot of 'American Gladiators', which featured muscle-bound 'gladiators" trying to prevent contestants from finishing physically demanding obstacles. MOVING ON INTO MOVIE NEWS:Cynthia Erivo will star in a one-woman version of Dracula in London's West End next year, playing all 23 characters herself including Count Dracula, Van Helsing, Mina, and Renfield.! Morris the alligator in "Happy Gilmore" passed away recently -- he was estimated to be at least 80, and may have been as old as 100.· MISC:A Polish company called Volonaut has unveiled the Airbike, a flying machine that looks like a lot like the speeder bikes featured in the movie Return of the Jedi. The 2025 Sports Illustrated Swimsuit cover models has been revealed! Airbnb Founder and CEO Brian Chesky announced that they're adding new services like massages and personal training, plus experiences tailored to specific locations . . . like a pastry-making class in Paris or a gallery tour in New York City. AND FINALLYThat's an expensive song … We all know concerts are expensive, but a new report breaks down the costs by song for some of the biggest tours of the summer.AND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.