Podcasts about Arts council

In this episode, we feature an event with Colm Tóibín in conversation with Garth Risk Hallberg, held at the Montclair Literary Festival for the launch of Toibin's latest book, The News from Dublin.Colm Tóibín is the author of eleven novels, including Long Island, an Oprah's Book Club Pick; The Magician, winner of the Rathbones Folio Prize; The Master, winner of the Los Angeles Times Book Prize; Brooklyn, winner of the Costa Book Award; and Nora Webster, winner of the Hawthornden Prize, as well as three story collections and several books of criticism. He is the Irene and Sidney B. Silverman Professor of the Humanities at Columbia University and was named the 2022–2024 Laureate for Irish Fiction by the Arts Council of Ireland. In 2021, he was awarded the David Cohen Prize for Literature.Garth Risk Hallberg's first novel, City on Fire, was a New York Times and international bestseller and was selected as one of the best books of 2015 by The Washington Post, Los Angeles Times, San Francisco Chronicle, The Wall Street Journal, NPR, and Vogue. It was the basis for the Apple TV+ series of the same name. His second novel, The Second Coming, about a troubled teen whose father is a recovering addict, was released in 2024 and is in paperback now. He is also the author of the novella A Field Guide to the North American Family. In 2017, Granta named him one of the Best of Young American Novelists. His work has been translated into seventeen languages.Resources:Seamus Heaney 1995 Nobel Prize Speech ( Poetry in Conflict quote)Thomas Mann's Brother Hitler EssayBooks:A full list of the books and authors mentioned in this episode is available here.Register for Upcoming Events.The Watchung Booksellers Podcast is produced by Kathryn Counsell and Marni Jessup and is recorded at Watchung Booksellers in Montclair, NJ. The show is edited by Kathryn Counsell.Original music is composed and performed by Violet Mujica. Research and show notes by Caroline Shurtleff.Thanks to all the staff at Watchung Booksellers and The Kids' Room!If you liked our episode please like, follow, and share!Stay in touch!Email: wbpodcast@watchungbooksellers.comSocial: @watchungbooksellersSign up for our newsletter to get the latest on our shows, events, and book recommendations!

Send us Fan MailIn this episode Magnus has a conversation with Carol Olson, Executive Director of the Ventana Wilderness Alliance, about wilderness, responsibility, and the increasingly difficult art of protecting a place people love.GOOD LINKS:Big Sur Wilderness and Conservation ActFull text — Congress.govPublic Law details — GovInfoSummary — Ventana Wilderness AllianceVentana Wilderness AllianceOfficial websiteWikipediaBig Sur LUP DownloadBig Sur LCP Defense Committee — download pageCounty of Monterey — LUP Tables & FiguresBig Sur Coast LUP Update project pageAdler Ranch / Esselen Land TransferKQED — California Tribe Regains Ancestral LandsWestern Rivers ConservancyEsselen Tribe official newsThe Wilderness Act / Definition of WildernessThe Wilderness SocietyU.S. Fish & Wildlife ServiceFull text PDF — USDALand Back MovementLANDBACK.org — the movement's own siteNPR overview (2024)Sierra Club featureYale Environment 360It's time to rethink the idea of the "Indigenous"Shelley Alden BrooksMonterey County Weekly profileBook — UC PressBook — AmazonSupport the show_________________________________________________This podcast is a production of the Henry Miller Memorial Library with support from The Arts Council for Monterey County! Let us know what you think!SEND US AN EMAIL! 

Kristen Chesak from the Arts Council gives us details on this week's Arts events.See omnystudio.com/listener for privacy information.

It's summer time at the Hays Arts Council and enrollment is open for youth and adult classes. The summer exhibit "Seasons of Summer" will also be on display June 18-July 18. Becky Kiser, new reporter, talks with Chandler Reich on this episode of the Hays Post Podcast.  Listen Here

Send us Fan MailIn this episode of A Big Sur Podcast, I speak with the writer and journalist Matti Friedman about his remarkable book Out of the Sky — a work that begins with four words from the Bible, “Out of the sky,” and unfolds into a meditation on fear, memory, survival, aviation, mythology, Jewish history, and the strange psychological atmosphere that has surrounded Israel since October 7, 2023.We carry Matti Friedman's books at the Henry Miller Library.Important links:Matti Friedman's WebsiteMatti Friedman with Dan SenorNicholas Kristof in NYTMagnus Substack about some of this.Support the show_________________________________________________This podcast is a production of the Henry Miller Memorial Library with support from The Arts Council for Monterey County! Let us know what you think!SEND US AN EMAIL! 

Kristen Chesak from the Arts Council brings us this week's big events in the Arts including The Gilmore Festival and more.See omnystudio.com/listener for privacy information.

Oliver meets funny woman Ailish McCarthy who took on the Arts Council to get funding for comedians and for the state to recognise comedy as an Art Form.

Part two of two programmes on Dance has stories and poems from Arthur Watson, Patricia Donnellan, Patrick Glynn and Eileen Donnellan.               With music from Mules and Men, Martin Hayes and Charlie McGettigan Mountshannon Arts is supported by the Arts Council of Ireland and Clare County Council. Originally broadcast 4th April  2026

Kristen Chesak from the Arts Council give us the weekly schedule of events in the Arts, including the Gilmore Festival opening and May Art HopSee omnystudio.com/listener for privacy information.

Kool-Aid, Delaware Punch, Scott's interview with the Arts Council of Brazos Valley, SiriusXM, Spotify, Trader Joe's facing a lawsuit over under-caffeinated coffee, Little Caesars testing drone delivery, On This Day in History — plus more news. 

Send us Fan MailA conversation with artist Katie Holten about life and art, climate and action, walking and inaction! Katie's websiteAnnouncement for her new book!Support the show_________________________________________________This podcast is a production of the Henry Miller Memorial Library with support from The Arts Council for Monterey County! Let us know what you think!SEND US AN EMAIL! 

Guest Host: John Gerardi The Fresno Arts Council outlined major governance and transparency reforms to retain its role as Fresno County’s official arts funding representative after a $1.8 million embezzlement scandal. Changes include hiring an independent accounting firm to oversee and process all financial transactions, removing prior paid leadership, and requiring daily board‑level monitoring of bank activity, with multiple approvals for every payment. After reviewing the reforms, the Fresno County Board of Supervisors unanimously approved keeping the council as the county’s “local partner” with the California Arts Council and National Endowment for the Arts. Please Like, Comment and Follow 'Philip Teresi on KMJ' on all platforms: --- Philip Teresi on KMJ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. -- Philip Teresi on KMJ Weekdays 2-6 PM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Website | Facebook | Instagram | X | Podcast | Amazon | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

Your easy weekly guide to the music biz and how it all works. Become a ⁠⁠⁠⁠⁠⁠⁠⁠⁠Superfan of the podcast for free – and enjoy the exclusive weekly Lock-in bonus section!⁠⁠⁠⁠This week... → Geese have been one of the big breakthrough rock bands of the last year. But now some of the marketing tactics that helped them cut through are under the spotlight…→ Live Nation has lost a major lawsuit in the US that could see it forced to sell its Ticketmaster division. But is that likely to happen?→ 739.1m - that's how many streams the new BTS album got in its first week (and yes, this is an official, not-made-up number this time…)→ There's a big argument in the UK between the Music Venue Trust and collecting society PRS for Music, and it's all about how royalties from concerts are collected and divided…→ While we're on the subject of live music in the UK, a new report from a parliamentary committee made some interesting recommendations for reforms…And in the special post-show lock-in section just for our ⁠⁠Patreon Superfans⁠⁠, Steve and Stu prop themselves at the bar – and Steve's getting the first round in – as they discuss this week's bonus material:Steve shares a story about trying to bring artist Victor Jones to the UK and wonders if he could sleep in Steve's loft;"Industry Plants" – the music industry's "conspiracy theory", and a chance to reminisce about major labels using offshoots to appear independent.Almost-free-jazz: analysis of the UK parliamentary report showing that Jazz receives only 2% of Arts Council grant money, compared to 49% for Opera and 24% for Classical music.Physical Tickets: do you collect your paper ticket stubs?75,000 AI tracks are now uploaded to Deezer every day. Vintage merch value: the prices of secondhand band t-shirts are soaring –  so what have Steve and Stu got in their wardrobes?===================================As ever, we welcome your feedback, emails and – in particular – any questions you might have about how the music biz works!Email us: ⁠⁠thepriceofmusicpodcast@gmail.com⁠⁠See you next week!Steve and Stuart======TPOM online: http://tpom.uk/Support The Price of Music on Patreon:⁠⁠https://www.patreon.com/ThePriceofMusic⁠⁠Follow Steve on X - @steve_lamacqFollow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodFor sponsorship opportunities, please email - ⁠⁠joe@musically.com

Guest Host: John Gerardi The Fresno Arts Council outlined major governance and transparency reforms to retain its role as Fresno County’s official arts funding representative after a $1.8 million embezzlement scandal. Changes include hiring an independent accounting firm to oversee and process all financial transactions, removing prior paid leadership, and requiring daily board‑level monitoring of bank activity, with multiple approvals for every payment. After reviewing the reforms, the Fresno County Board of Supervisors unanimously approved keeping the council as the county’s “local partner” with the California Arts Council and National Endowment for the Arts. Please Like, Comment and Follow 'Philip Teresi on KMJ' on all platforms: --- Philip Teresi on KMJ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. -- Philip Teresi on KMJ Weekdays 2-6 PM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Website | Facebook | Instagram | X | Podcast | Amazon | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

J. Ross Parrelli is a rapper, slam poet, educator, and founder of Beats Lyrics Leaders — a hip hop arts education organization that has worked with over 50,000 students across 150+ classrooms, from military academies to Native American reservations. In this conversation, J. Ross and Jen go deep on what it actually costs to speak your truth and what it gives back. J. Ross shares the story of being publicly defamed for standing and serving on matters she believed in. They also get into killer stories from J. Ross's OG days; rap and slam poetry as the original truth-telling art forms, what it looks like to win a crowd that has already turned their backs on you (literally!), why J. Ross prefers consideration over empathy, and how Beats Lyrics Leaders teaches kids to find their voice before the world trains it out of them. Here's J. Ross Parrelli's talk from the TEDxFolsom stage in 2025. https://www.youtube.com/watch?v=wK5d4hrPmc4&list=PLoiAX9Nj300p_XILWp-Zv5WaYkrphncUT&index=1 Guest Bio: J Ross Parrelli is a global touring, award-winning recording artist, civic leader, and frequency architect rewiring community through education, the creative economy, and advocacy. As founder of Beats Lyrics Leaders and Kidzapalooza.org, and leader of the Creative Economy Entrepreneurship Initiative at Roseville Venture Lab, she builds pipelines from arts education to workforce for creatives while serving in regional leadership roles on the Auburn Economic Development Commission, Placer County Economic Development Board, and Arts Council of Placer County. A former elected trustee of Auburn Union School District, active advocate with Arts Now – Create California and Right to Start, and a recent TEDx speaker, she brings a systems-level lens to equity, access, and opportunity in the arts, entrepreneurship, and innovation. Website: https://jrossinspires.com Instagram: https://instagram.com/jrossparrelli Facebook: https://Facebook.com/JRossParrelli YouTube: https://youtube.com/jrossparrelli LinkedIn: https://Linkedin.com/JRossParrelli   About Jen Oliver:Jen Oliver is a speaker, podcaster, and communications coach - equipping people to speak with greater impact and presence. Whether you are speaking on stage, promoting your brand, or voicing your needs in a relationship - communicating with your truest voice and cultivating human connection with your audience is the key to influence. Jen coaches individuals privately and within her Signature group programs - in addition to delivering workshops as a guest expert in a variety of settings. Jen serves as a 4-season Executive Producer, Director of Curation, and Speaker Coach for TEDxFolsom. She is a committed force behind WomanSpeak™ - an internationally recognized body of work teaching the art and soul of public speaking. Jen is on a mission to support 1 million women as they speak with uncommon levels of freedom and confidence. Tap into more at REALjenoliver.comemail: jen@REALjenoliver.compodcast website: ListenForREAL.com90-day TEDx Talk ACCELERATORWomanSpeak™website: REALJenOliver.comLinkedIn:@thejenoliverInstagram: @realjenoliverFacebook: @jen.oliver.806001If you believe conversations like these belong in the world, please subscribe, rate & review this podcast - and even better, share it with someone else as a REAL conversation starter. Subscribe to all things Jen at REALJenOliver.

Hello Adventurers! It’s time to Unpack our latest Adventure with our host, Connie's Uncle Chris, and his cheeky soundboard Ziggy!

Send us Fan Mail"At intervals the condor passed, huge as an ocean liner.” Henry Miller in Big Sur and the OrangesBesides marveling at the exceptional beauty and almost mysterious power of these amazing birds Joe Burnett and I discuss work in Big Sur and Monterey. We talk about the rebuilding of the Ventana Wildlife Sanctuary after the 2020 Dolan Fire, how the sanctuary supports releasing, feeding, monitoring and recapturing condors to test for lead poisoning—the leading mortality threat—using radio and GPS transmitters to track a flock of 113 birds, including wild-born untagged chicks. VWS outreach now centers on getting ranchers and hunters to switch to non-lead ammunition, which the program helps by providing free ammo, though non-lead .22 availability is a major hurdle. Joe describes vaccinating about 90% of the population against highly pathogenic avian influenza, ongoing disease and blood-lead testing, wildfire impacts, public engagement while tracking birds, and resources and documentaries available through the organization's website.Thanks for listening!Magnus Ventana Wildlife SocietyThe beautiful documentary Condor CanyonSupport the show_________________________________________________This podcast is a production of the Henry Miller Memorial Library with support from The Arts Council for Monterey County! Let us know what you think!SEND US AN EMAIL! 

In this episode of Community Connection, Tina Cosby discusses the importance of voting and civic engagement with her listeners. She highlights the upcoming deadline for voter registration in Indiana and encourages everyone to take advantage of the resources available on the Indiana Voters dot I in dot gov website. Judith Thomas, President and CEO of the Indy Arts Council and Loc Co-Chair for the 2026 NCAA Men's Tournament, joins the show to talk about the city's preparations for the NCAA's Final Four weekend, including the Swish event. The conversation also touches on the intersection of sports, arts, and culture in Indianapolis.See omnystudio.com/listener for privacy information.

People. People are what make a house a home. On realising this, in this final episode, Connie and the gang set about putting on a welcome party for the family when they arrive. They think of everything: tables, chairs, welcome flags, and even an exploding barbecue.

The spring snow risk forecast from the Utah Avalanche Center forecast, Summit County Councilmember Megan McKenna recaps Wednesday's meeting including the sheriff's office expansion and Cline Dahle development's zoning issues, Weilenmann School of Discovery Principal Elizabeth Phillips details the new PEAK program designed to help young athletes balance school and training and the Arts Council of Park City and Summit County's Jocelyn Scudder and Mountain Town Music's Brian Richards talk about this month's musical gallery stroll.

Send us Fan MailThe Mysterious World of the Bull Kelp Foresta New Heyday BookI sit down with artist, photographer, and author Josie Iselin, and what begins as a conversation about kelp opens into an exploration of the intricate world in the waters just off our coast.Josie traces her own path into that world—from artist to something closer to a naturalist of the shoreline—guided by curiosity, attention, and a willingness to look closely at what most of us walk past. Kelp, in her telling, is not just seaweed but a kind of language: a way of reading the ocean's health, its rhythms, and its disturbances.We talk about the fragile balance of the kelp forests—about urchin barrens and restoration efforts, including diver-led removal and the promise (and limits) of lab-grown kelp. We touch on kelp's often overstated role as a carbon sink, I learned the meaning of the “wrack line” as a living archive of the sea, and the ongoing tensions around sea otter reintroduction.Threaded through it all is Josie's project Above Below: The Mysterious World of Bull Kelp, created with illustrator Ellen Litwiller—first as a digital exploration, now as a beautifully realized book available where books are sold and at the Henry Miller Library.It's a conversation about paying attention and what the edge of the ocean might still teach us if we take the time to walk down to the shoreline and slow down long enough to see it./MagnusSupport the show_________________________________________________This podcast is a production of the Henry Miller Memorial Library with support from The Arts Council for Monterey County! Let us know what you think!SEND US AN EMAIL! 

In this episode, recorded on location, host Mark Norman meets members of the Turning Tides Project to talk about their Arts Council funded project AND 'OTHER' STORIES which presents the work of a group of artists with and without 'learning disability' and 'autism' labels.And 'Other' Stories reworks fairy tales and folktales in different ways to challenge our ideas about disability. It invites you to:Consider the human tendency to exclude and create "Other".Look for ways we can value our rich heritage of traditional stories in a way that respects everyone, as equal.Immerse yourself in multi-sensory approaches to storytelling.Experience an approach to presenting information that gives everyone equal access to that information.Mark discusses the project with facilitators Abi and Jane from Turning Tides, along with two of the participants.

Send us Fan MailIn this episode, I sit down with Bree Karpavage, the Open Studios and Tannery Arts Center Manager from Arts Council Santa Cruz County, to break down Santa Cruz Open Studios and why it's become a core event for artists and the wider community. We talk through how the tour works, what it takes for artists to join, and why art visibility, education, and funding all connect. • What Santa Cruz Open Studios is and how the October art tour works • The scale of participation across the county and how to plan a route • The financial impact for artists and what $1.4M in art sales signals • Who Open Studios is best for and what artists need to prepare • Professional development workshops that teach business skills for artists • How the application and jury process works and what gets submitted • Studio accessibility plus host locations for artists without public-ready spaces • Barriers to entry, including fees and the emerging artist fund • Why art matters to community health, culture, and voice Find Bree:Tannery Arts CenterOpen Studios Santa Cruz CountyArts Council Santa Cruz Santa Cruz CountyInstagramFacebookSupport the show

On this month's episode, The Stinging Fly poetry editor Annemarie Ní Churreáin is joined by poets Simon Costello and Jane Robinson to read from and discuss their poems that appear in The Stinging Fly Issue 53 Volume Two, the climate issue.Simon Costello is from Tullamore, Co. Offaly. His poetry has been published in The Poetry Review, Poetry London, Poetry Ireland Review, The Stinging Fly, bath magg, New England Review, The London Magazine, The North, The Moth, Magma, The Rialto, The Irish Times and RTÉ. He has been awarded first prize in The Patrick Kavanagh Award for Poetry (2024), Southword Editor's Poetry Award (2023), The Rialto Nature Competition; Place Poetry Prize (2021). In 2021, he was highly commended in The Moth Poetry Prize. In 2024, his poetry chapbook Saturn Devouring was published by The Lifeboat Press. He is currently a Government of Ireland IRC Scholar and PhD candidate. He teaches at the Mary Lavin Centre/School of English in University College Dublin and also works for Granta magazine. He lives in Dublin.Jane Robinson's collections, Journey to the Sleeping Whale (Salmon, 2018) and Island and Atoll (Salmon, 2023), as well as other poems and essays, reflect her deep ecological awareness. With a doctorate in Biology from Caltech, Jane is also a recipient of the Shine-Strong and Strokestown Poetry awards. She lives in Dublin.Annemarie Ní Churreáin is a poet from northwest Donegal. Her books include Bloodroot (Doire Press, 2017), The Poison Glen (The Gallery Press, 2021) and Ghostgirl (Donegal County Archives, 2023). Her work has been shortlisted for the Shine Strong Award for Best Debut Collection (IRE) and for the Ledbury Hellens Best Second Collection (UK). She is a recipient of the Arts Council's Next Generation Artist Award, The Markievicz Award, and a forthcoming 2025 Hawthornden Foundation Residency (NYC). Ní Churreáin is a former fellow of Akademie Schloss Solitude Fellowship (GR). Her writing for stage has appeared at the Abbey National Theatre of Ireland.  Her poetry has been toured widely through Ireland, Europe and America. She is the poetry editor at The Stinging Fly Magazine. www.studiotwentyfive.comThe Stinging Fly Podcast invites writers from the latest issue of The Stinging Fly to read and discuss their work. Previous episodes of the podcast ⁠⁠can be found here⁠⁠. The podcast's theme music is ⁠⁠‘Sale of Lakes', by Divan⁠⁠. All of the ⁠⁠Stinging Fly archive⁠⁠ is available to ⁠⁠subscribers.⁠⁠

In part two, we continue our adventure to learn how to make a house a home. We meet John-Paul, an artist and visionary with a keen creative eye. He helps Connie and the gang find the inspiration to decorate the house using a ‘special things’ box the family sent.

Send a textAlison van Diggelen – Journalist, interviewer, and author of The Love Project: A Journey of Intimate Conversations.Photo is of Alison and her Mom.Alison's website.Buy "The Love Project" at your local bookstore.May we suggest the Henry Miller Library.>>>>>>>>>>>>>Topics in This EpisodeThe origins of The Love ProjectLove across generationsThe power of listeningStorytelling as connectionLove as a verb (and noun)A Quote from the Episode“Love isn't something we possess. It's something we practice.”Final ThoughtWe often speak about love as if it were a feeling that descends upon us like weather, it does, but there's more...Perhaps love encompasses much more— a choice, repeated in small acts, day after day.Support the show_________________________________________________This podcast is a production of the Henry Miller Memorial Library with support from The Arts Council for Monterey County! Let us know what you think!SEND US AN EMAIL!

Send us Fan MailOn this episode of Inside Arts Council Santa Cruz County. We talk with Grants Manager Tamara Liu about how local artists and arts organizations fund their work, why public benefit matters, and how equity efforts are reshaping who receives support. We share clear advice on eligibility, applications, and ways to get involved.• What a grant is • Where re-granted funds come from locally• Eligibility tied to residency and public sharing• How to simplify the application and submit work samples• Why demand exceeds supply and how reviews work• Equity progress across South County and communities of color and queer artists• Links between arts education, grants, and Open Studios• The council's role in advocacy, training, and connections• How donors and volunteers expand flexible fundingFind Tamara: Arts Council Santa Cruz Santa Cruz CountyInstagramFacebookSupport the show

Send us Fan MailOn this episode of Inside Arts Council Santa Cruz County, we look at how the arts education fuels an entire creative ecosystem from first encounters in classrooms to paid teen teaching roles, veteran artists in schools, and dance programs for seniors living with dementia. Sarah Brothers Bot the Arts Education Director shares how Arts Council Santa Cruz County connects schools, artists, and families to make the arts a durable force for learning and belonging.• Why arts education builds skills like empathy, resilience, and critical thinking• How Spectra teaching artists are trained and matched with schools• What makes Mariposa Arts a paid teen-to-child teaching pathway• How we train generalist teachers to integrate arts across subjects• Why Family Arts Nights deepen parent-school trust• Expanding to seniors and adult learners with movement and dance• Funding challenges and the need for ongoing advocacy• How grants, Open Studios, and education reinforce each otherFind Sarah at:Mariposa ArtsArts Council Santa Cruz Santa Cruz CountyInstagramFacebookSupport the show

Send a textShamergenceThe skeptic asks, “Is it real?” The shaman asks, “Did it help?”COME MEET ROB SOMERS ON SATURDAY, MARCH 21>>>>>>>>>>Carlos CastanedaJoseph CampbellThe SamplesOzymandias >>>>>>>>>>>>>>>>Shaman, Skeptic, and the Voice in the BellySupport the show_________________________________________________This podcast is a production of the Henry Miller Memorial Library with support from The Arts Council for Monterey County! Let us know what you think!SEND US AN EMAIL!

Hazel Baker hosts a London History Podcast episode with author and Lambeth tour guide David Turnbull exploring the musical legacy of the 1951 Festival of Britain and how, 75 years on, music again anchors South Bank celebrations with Danny Boyle's “You Are Here.” They discuss the Royal Festival Hall's symbolic opening night and its British-focused programme, the festival's nationwide reach through choral competitions, mass singalongs and the HMS Campania tour, and the Arts Council's opera commissions and controversies, including Alan Bush's Wat Tyler. The conversation traces how the festival's optimism and internationalism helped shape later British sounds, spotlighting calypso's unofficial anthem by Lord Kitchener, the arrival of the Trinidad All Steel Percussion Orchestra, and popular dance culture at Battersea Pleasure Gardens, alongside details of Turnbull's limited-time walking tour.

David Grimes wears many hats. By day, he's a middle school science teacher in Westerville. He's also a leader in his local union and has spent the last two years as a community leader serving on Westerville's city council. In 2026, he added Westerville Mayor to that list. In this episode, he takes a look back at some of what he has accomplished in city government already, a look ahead at what he hopes to do as mayor, and a look around at his fellow educators who could be great in public office, including another Westerville teacher and WEA leader who joined Grimes in the city council chambers this year.TIME MACHINE | Click here to hear then-city council candidate David Grimes on the OEA podcast when he was first running for office in 2023.SUBSCRIBE | Click here to subscribe to Public Education Matters on Apple Podcasts or click here to listen on Spotify so you don't miss a thing. You can also find Public Education Matters on many other platforms. Click here for some of those links so you can listen anywhere. And don't forget you can listen to all of the previous episodes anytime on your favorite podcast platform, or by clicking here.Featured Public Education Matters guest: David Grimes, Westerville Education Association SecretaryA 7th grade science teacher in Westerville City Schools, David Grimes also serves as Westerville Mayor, a position to which he was appointed in January, 2026. He has served as a Westerville City Council member since 2024. Grimes serves as Council Representative to the Parks and Recreation Advisory Board and the Uptown Westerville, Inc. Board. He is also actively involved with Sustainable Westerville, WeRISE Westerville, the Westerville Queer Collective, the Arts Council of Westerville, Westerville Garden Club, Friends of Alum Creek and Tributaries, the Westerville Historical Society, and the Westerville Education Association, for which he serves as Secretary. Grimes is also a former Ohio's New Educators Member Ambassador and former president of Otterbein Middle Level Association. Connect with OEA:Email educationmatters@ohea.org with your feedback or ideas for future Public Education Matters topicsLike OEA on FacebookFollow OEA on TwitterFollow OEA on InstagramGet the latest news and statements from OEA hereLearn more about where OEA stands on the issues Keep up to date on the legislation affecting Ohio public schools and educators with OEA's Legislative WatchAbout us:The Ohio Education Association represents nearly 120,000 teachers, faculty members and support professionals who work in Ohio's schools, colleges, and universities to help improve public education and the lives of Ohio's children. OEA members provide professional services to benefit students, schools, and the public in virtually every position needed to run Ohio's schools.Public Education Matters host Katie Olmsted serves as Media Relations Consultant for the Ohio Education Association. She joined OEA in May 2020, after a ten-year career as an Emmy Award-winning television reporter, anchor, and producer. Katie comes from a family of educators and is passionate about telling educators' stories and advocating for Ohio's students. She lives in Central Ohio with her husband and two young children. This episode was recorded on January 19, 2026.

Connie’s family are super good friends with a family that come from a country that isn't safe for them to live anymore. Connie is on a mission to make their house a home before they arrive, but she needs help... “I need to know how to make a house a home and fast. Family friends are fleeing from a war-torn country and they need our help to settle in here. They sent their stuff by boat a week ago. And they are coming by plane today!”

Colm Tóibín is the author of eleven novels, three short story collections and several works of nonfiction. He has written countless articles, plays, an opera libretto and a collection of poetry, and been a finalist for the Booker Prize multiple times He is perhaps best known for his novel Brooklyn, which was made into a movie that was nominated for three Oscars. Set in the middle of the 20th century, Brooklyn is about Eilis Lacey who leaves her small town in Ireland for New York. After building a life there, she is drawn back home and has to choose where she wants to forge her future. Tóibín opens his lecture with the moment of his father's wake in his childhood home in which he hears, as a child, the real life story that would later inspire his character of Elis Lacey. From there, Tóibín's talk is a captivating story of all of his stories, and a kind of master class for writing a novel. He is a writer known for rendering the quiet intimacies between characters, revealing powerful emotional undercurrents and their deep longings.  He is a writer who makes you care about the tiny details of a life – the buttons on a coat or the emotional reverberations of a silence. In this talk, he illuminates his craft, and pulls the curtain back on how his own life shaped his most famous novels. Colm Tóibín is the author of eleven novels, including Long Island, an Oprah's Book Club Pick; The Magician, winner of the Rathbones Folio Prize; The Master, winner of the Los Angeles Times Book Prize; Brooklyn, winner of the Costa Book Award; and Nora Webster; as well as two story collections and several books of criticism. He is the Irene and Sidney B. Silverman Professor of the Humanities at Columbia University and was named the 2022–2024 Laureate for Irish Fiction by the Arts Council of Ireland. He was shortlisted three times for the Booker Prize. He was also awarded the Bodley Medal, the Würth Prize for European Literature, and the Prix Femina spécial for his body of work.

Send a textIn this episode of A Big Sur Podcast, I sit down with Brita Ostrom — longtime Esalen resident and author of Steeped: A Big Sur Elixir of Sulfur and Sage.Brita's life bridges several revolutions at once: the islands of the Pacific Northwest, the Haight-Ashbury explosion of 1966–67, the psychedelic and political turbulence of the Summer of Love, and the early, formative years of the Esalen Institute.We talk about Haight Street — the overwhelming beauty of it all: the posters, the music, the saturated colors. And later, how the fog began to settle in. About sidewalks so crowded you could barely move, and children who quietly went missing. About free love and jealousy, about massage tables and incense, about the uneasy dance between material success and spiritual seeking.Brita describes arriving at Esalen for the first time — the candlelit baths, the shock of nakedness, the silkiness of sulfur water against cold skin. She reflects on figures like Fritz Perls, Storm, and Lars — and on what it meant to come of age inside a cultural experiment that promised liberation but carried its own tensions and blind spots.This is not nostalgia. It is a reckoning.What does it mean to “drop out”? What does it cost? What does it give?What remains when the fog clears?Brita's memoir is a meditation on community, intimacy, ritual, and the long arc of a life shaped by Big Sur's muse-like pull.As she writes in her dedication:“Dedicated to those who walk this earth while gazing at the stars.”I hope you'll enjoy this thoughtful, tender, and at times unsparing conversation.— MagnusEsalen InstituteHaight-AshburyGolden Gate ParkHenry Miller Memorial LibraryPeople MentionedFritz PerlsAlan WattsEbba MalmborgCarlos CastanedaCesar ChavezKen KeseyDennis MurphySelig MorgenrathBands of the Era (Referenced in the Conversation)Grateful DeadJefferson AirplaneMoby GrapeQuicksilver Messenger ServiceThe CharlatansSupport the show_________________________________________________This podcast is a production of the Henry Miller Memorial Library with support from The Arts Council for Monterey County! Let us know what you think!SEND US AN EMAIL!

Dr Katy Radford MBE is Northern Ireland's first ever director of the Office of Identity and Cultural Expression. The office, created as part of the ‘New Decade, New Approach' deal, says it aims to ‘promote and protect the cultural heritage of all communities in Northern Ireland'. Dr Radford was hired alongside Irish Language Commissioner Pól Deeds and Commissioner for Ulster Scots and Ulster British Identity Lee Reynolds – but she says she's ‘not quite sure' what their relationship entails yet. Having served as Equality Commissioner and the Vice-Chair of the Arts Council of Northern Ireland, she's bringing extensive experience to her new role. Dr Katy Radford MBE joins Ciarán Dunbar. Hosted on Acast. See acast.com/privacy for more information.

After the shocking news that a longtime, now-former Fresno Art Council employee stole $1.5 million in taxpayer funds, the Fresno art community is voicing its outrage, knowing that dollars dedicated to funding their projects are now corrupted. Mayor Dyer and City Council leadership released a statement regarding the missing funds. The Clovis City Council approved to display the national motto ''in God we Trust'' in the council chambers. Between November and December of last year a community survey was conducted on the proposal. Please Like, Comment and Follow 'Philip Teresi on KMJ' on all platforms: --- Philip Teresi on KMJ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. -- Philip Teresi on KMJ Weekdays 2-6 PM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Website | Facebook | Instagram | X | Podcast | Amazon | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

After the shocking news that a longtime, now-former Fresno Art Council employee stole $1.5 million in taxpayer funds, the Fresno art community is voicing its outrage, knowing that dollars dedicated to funding their projects are now corrupted. Mayor Dyer and City Council leadership released a statement regarding the missing funds. The Clovis City Council approved to display the national motto ''in God we Trust'' in the council chambers. Between November and December of last year a community survey was conducted on the proposal. Please Like, Comment and Follow 'Philip Teresi on KMJ' on all platforms: --- Philip Teresi on KMJ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. -- Philip Teresi on KMJ Weekdays 2-6 PM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Website | Facebook | Instagram | X | Podcast | Amazon | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

Send us a textAndrew Munn in conversation!Deep Listening, Between Cage and Wagner, from Silence to Parsifal. Listening for the unheard, where sound becomes ceremony.>>>>>>>>>>>>>>>Links to more on what we spoke of:ANDREW MUNNShort video from the HMML performance.Peter MatteiJohn CagePauline OliverosDeep ListeningRami SarieddeineShanghai Concert HallTanglewoodParsifalMagic FluteElektraSupport the show_________________________________________________This podcast is a production of the Henry Miller Memorial Library with support from The Arts Council for Monterey County! Let us know what you think!SEND US AN EMAIL!

We didn't want to talk about Donald Trump during this Black History Month Round Table (15:45). But POTUS forced our hand when he posted a vile, racist AI video depicting Barack and Michelle Obama as apes just hours before we recorded this episode. Trump's unconscionable action is a reminder we've still got a long ways to go. Darren W. Jordan, Garfield Morgan, and Lorelle Whittingham, and Renee Williams bring their artists' perspectives to this important feature interview (starting at 2:20) presented by Mercedes-Benz Edmonton West. THIS EPISODE IS PRESENTED BY HANSEN DISTILLERY. HANSEN IS WISHING CANADA'S ATHLETES BEST OF LUCK AT THE 2026 OLYMPIC WINTER GAMES. RAISE A GLASS TO TEAM CANADA: https://hansendistillery.com/ 45:25 | Edmonton Arts Council CEO Renee Williams joins Darren and Lorelle around the Real Talk Round Table.  5 ARTISTS, 1 LOVE: https://www.5artists1love.com/ EDM. ARTS COUNCIL: https://www.edmontonarts.ca/blog/living-portraits-celebrating-black-artists-in-edmonton SHARE YOUR STORY: talk@ryanjespersen.com 1:27:10 | Real Talkers share their thoughts (and generous Super Chat contributions) in our Live Chat powered by Park Power. SAVE on INTERNET, ELECTRICITY, and NATURAL GAS: https://parkpower.ca/realtalk/ 1:32:10 | Jonathan chastises Jespo's "unserious" approach to the nukes-in-Canada discussion, Mike has a hot take on the Gavin McKenna assault charges story, Andrea says she'd "die for this country" were the U.S. to invade Canada, and Mary Ann checks in from Ixtapa, Mexico with thoughts on ICE. It's The Flamethrower presented by the DQs of Northwest Edmonton and Sherwood Park!  FIRE UP YOUR FLAMETHROWER: talk@ryanjespersen.com  WHEN YOU VISIT THE DQs IN PALISADES, NAMAO, NEWCASTLE, WESTMOUNT, or BASELINE ROAD, BE SURE TO TELL 'EM REAL TALK SENT YOU!  FOLLOW US ON TIKTOK, X, INSTAGRAM, and LINKEDIN: @realtalkrj & @ryanjespersen  JOIN US ON FACEBOOK: @ryanjespersen  REAL TALK MERCH: https://ryanjespersen.com/merch RECEIVE EXCLUSIVE PERKS - BECOME A REAL TALK PATRON: patreon.com/ryanjespersen THANK YOU FOR SUPPORTING OUR SPONSORS! https://ryanjespersen.com/sponsors The views and opinions expressed in this show are those of the host and guests and do not necessarily reflect the position of Relay Communications Group Inc. or any affiliates.

Gray Augustus is the new executive director of the Idaho Falls Arts Council. He recently attended a meet and greet where he was able to better understand what the community wants from the local arts council. He shared his aspirations for the future of the arts in Idaho Falls with BYU-Idaho Radio

When a compassionate helpline counsellor begins to grow concerned for the safety of one of her clients, she's forced to decide whether to trust her instincts or follow protocol. Safe is a tense, quietly powerful drama about the weight of responsibility and the courage it takes to listen. Get to know the filmmaker: What motivated you to make this film? Honestly it started with the concept of showcasing our lead actress (Kelsey Cooke) and her talent – holding the audience attention and emotions as the sole person on-screen (supported by some incredible voice actors of course). Once we had the concept and decided how to approach it thematically, it became all about bringing authenticity to such a heavy topic and trying to do so in a way that did not feel exploitative but felt, informative and considered. I wrote the film alongside Kelsey Cooke who brought such depth to everything that we did. From the idea to the finished product, how long did it take for you to make this film? We had the concept in November 2024, but commitments on other projects meant we agreed to only start working on it at the end of January 2025. We wrote between February and March, applied for the Arts Council of the Isle of Man Short Film Fund and were awarded that in April. Location scouting on the isle took place shortly after with production in June and post production in July-August.  How would you describe your film in two words!? That's tough – and I think all of us will have different words for it but for me as director it would be: Vulnerable. Honest.  —— Subscribe to the podcast: Tweets by wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

https://milfordarts.org

Terrance Cummings' 'Art for Change' at the Arts Council of Princeton explores race, class, and shared humanity through vibrant, layered artwork. The exhibition sparks dialogue, challenges perceptions, and runs through Feb. 7th.

For the latest our Arts and Media Correspondent Evelyn O'Rourke.

For the latest Evelyn O'Rourke our Arts and Media Correspondent

When a 10-year-old kid starts taking notes to critique his Aunt's directing of a Severna Park High School play, you know there is a budding theater kid in there. Fast forward about twenty years, and that kid graduated from Severna Park High and has just won an Annie Award in Arts Education from the Arts Council of Anne Arundel County. Along the way, Atticus Boidy has made a huge name for himself in the realm of the theatrical arts in Anne Arundel County. He teaches at the Children's Theatre of Annapolis, consults with many elementary and high schools in the county, and works with AACC and many other theater companies in the region. Along the way, he has launched his own consulting firm-- Theatrical Success Consulting. Truly a fascinating individual! Have a listen! LINKS: Atticus Boidy (Website) Theatrical Success Consulting (Website)  

What happens when curiosity, resilience, and storytelling collide over a lifetime of building something meaningful? In this episode, I welcome Nick Francis, founder and CEO of Casual Films, for a thoughtful conversation about leadership, presence, and what it takes to keep going when the work gets heavy. Nick's journey began with a stint at BBC News and a bold 9,000-mile rally from London to Mongolia in a Mini Cooper, a spirit of adventure that still fuels how he approaches business and life today. We talk about how that early experience shaped Casual into a global branded storytelling company with studios across five continents, and what it really means to lead a creative organization at scale. Nick shares insights from growing the company internationally, expanding into Southeast Asia, and staying grounded while producing hundreds of projects each year. Along the way, we explore why emotionally resonant storytelling matters, how trust and preparation beat panic, and why presence with family, health, and purpose keeps leaders steady in uncertain times. This conversation is about building an Unstoppable life by focusing on what matters most, using creativity to connect people, and choosing clarity and resilience in a world full of noise. Highlights: 00:01:30 – Learn how early challenges shape resilience and long-term drive. 00:06:20 – Discover why focusing on your role creates calm under pressure. 00:10:50 – Learn how to protect attention in a nonstop world. 00:18:25 – Understand what global growth teaches about leadership. 00:26:00 – Learn why leading with trust changes relationships. 00:45:55 – Discover how movement and presence restore clarity. About the Guest: Nick Francis is the founder and CEO of Casual, a global production group that blends human storytelling, business know-how, and creativity turbo-charged by AI. Named the UK's number one brand video production company for five years, Casual delivers nearly 1,000 projects annually for world-class brands like Adobe, Amazon, BMW, Hilton, HSBC, and P&G. The adventurous spirit behind its first production – a 9,000-mile journey from London to Mongolia in an old Mini – continues to drive Casual's growth across offices in London, New York, LA, San Francisco, Amsterdam, Barcelona, Sydney, Singapore, Hong Kong and Greater China. Nick previously worked for BBC News and is widely recognised for his expertise in video storytelling, brand building, and corporate communications. He is the founding director of the Casual Films Academy, a charity helping young filmmakers develop skills by producing films for charitable organisations. He is also the author of ‘The New Fire: Harness the Power of Video for Your Business' and a passionate advocate for emotionally resonant, behaviorally grounded storytelling. Nick lives in San Francisco, California, with his family. Ways to connect with Nick**:** Website: https://www.casualfilms.com/ YouTube: https://www.youtube.com/@casual_global  Instagram: https://www.instagram.com/casualglobal/  Facebook: https://www.facebook.com/CasualFilms/  Nick's LinkedIn: https://www.linkedin.com/in/nickfrancisfilm/  Casual's LinkedIn: https://www.linkedin.com/company/casual-films-international/  Beyond Casual - LinkedIn Newsletter: https://www.linkedin.com/build-relation/newsletter-follow?entityUrn=6924458968031395840 About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:21 Well, hello everyone. I am your host, Mike hingson, that's kind of funny. We'll talk about that in a second, but this is unstoppable mindset. And our guest today is Nick Francis, and what we're going to talk about is the fact that people used to always ask me, well, they would call me Mr. Kingston, and it took me, as I just told Nick a master's degree in physics in 10 years to realize that if I said Mike hingson, that's why they said Mr. Kingston. So was either say Mike hingson or Michael hingson. Well, Michael hingson is a lot easier to say than Mike hingson, but I don't really care Mike or Michael, as long as it's not late for dinner. Whatever works. Yeah. Well, Nick, welcome to unstoppable mindset. We're glad you're Nick Francis  02:04 here. Thanks, Mike. It's great to be here. Michael Hingson  02:08 So Nick is a marketing kind of guy. He's got a company called casual that we'll hear about. Originally from England, I believe, and now lives in San Francisco. We were talking about the weather in San Francisco, as opposed to down here in Victorville. A little bit earlier. We're going to have a heat wave today and and he doesn't have that up there, but you know, well, things, things change over time. But anyway, we're glad you're here. And thanks, Mike. Really looking forward to it. Tell us about the early Nick growing up and all that sort of stuff, just to get us started. Nick Francis  02:43 That's a good question. I grew up in London, in in Richmond, which is southwest London. It's a at the time, it wasn't anything like as kind of, it's become quite kind of shishi, I think back in the day, because it's on the west of London. The pollution from the city used to flow east and so, like all the kind of well to do people, in fact, there used to be a, there used to be a palace in Richmond. It's where Queen Elizabeth died, the first Queen Elizabeth, that is. And, yeah, you know, I grew up it was, you know, there's a lot of rugby played around there. I played rugby for my local rugby club from a very young age, and we went sailing on the south coast. It was, it was great, really. And then, you know, unfortunately, when I was 10 years old, my my dad died. He had had a very powerful job at the BBC, and then he ran the British Council, which is the overseas wing of the Arts Council, so promoting, I guess, British soft power around the world, going and opening art galleries and going to ballet in Moscow and all sorts. So he had an incredible life and worked incredibly hard. And you know, that has brought me all sorts of privileges, I think, when I was a kid. But, you know, unfortunately, age 10 that all ended. And you know, losing a parent at that age is such a sort of fundamental, kind of shaking of your foundations. You know, you when you're a kid, you feel like a, you're going to live forever, and B, the things that are happening around you are going to last forever. And so, you know, you know, my mom was amazing, of course, and, you know, and in time, I got a new stepdad, and all the rest of it. But you know, that kind of shaped a lot of my a lot of my youth, really. And, yeah, I mean, Grief is a funny thing, and it's funny the way it manifests itself as you grow. But yeah. So I grew up there. I went to school in the Midlands, near where my stepdad lived, and then University of Newcastle, which is up in the north of England, where it rains a lot. It's where it's where Newcastle Football Club is based. And you know is that is absolutely at the center of the city. So. So the city really comes alive there. And it was during that time that I discovered photography, and I wanted to be a war photographer, because I believe that was where life was lived at the kind of the real cutting edge. You know, you see the you see humanity in its in its most visceral and vivid color in terrible situations. And I kind of that seemed like an interesting thing to go to go and do. Michael Hingson  05:27 Well, what? So what did you major in in college in Newcastle? So I did Nick Francis  05:31 history and politics, and then I went did a course in television journalism, and ended up working at BBC News as a initially running on the floor. So I used to deliver the papers that you know, when you see people shuffling or not, they do it anymore, actually, because everything, everything's digital now digital, yeah, but when they were worried about the the auto cues going down, they we always had to make sure that they had the up to date script. And so I would be printing in, obviously, the, you know, because it's a three hour news show, the scripts constantly evolving, and so, you know, I was making sure they had the most up to date version in their hands. And it's, I don't know if you have spent any time around live TV Mike, but it's an incredibly humbling experience, like the power of it. You know, there's sort of two or 3 million people watching these two people who are sitting five feet in front of me, and the, you know, the sort of slightly kind of, there was an element of me that just wanted to jump in front of them and kind of go, ah. And, you know, never, ever work in live TV, ever again. But you know, anyway, I did that and ended up working as a producer, writing and developing, developing packets that would go out on the show, producing interviews and things. And, you know, I absolutely loved it. It was, it was a great time. But then I left to go and set up my company. Michael Hingson  06:56 I am amazed, even today, with with watching people on the news, and I've and I've been in a number of studios during live broadcasts and so on. But I'm amazed at how well, mostly, at least, I've been fortunate. Mostly, the people are able to read because they do have to read everything. It isn't like you're doing a lot of bad living in a studio. Obviously, if you are out with a story, out in the field, if you will, there, there may be more where you don't have a printed script to go by, but I'm amazed at the people in the studio, how much they are able to do by by reading it all completely. Nick Francis  07:37 It's, I mean, the whole experience is kind of, it's awe inspiring, really. And you know, when you first go into a Live, a live broadcast studio, and you see the complexity, and you know, they've got feeds coming in from all over the world, and you know, there's upwards of 100 people all working together to make it happen. And I remember talking to one of the directors at the time, and I was like, How on earth does this work? And he said, You know, it's simple. You everyone has a very specific job, and you know that as long as you do your bit of the job when it comes in front of you, then the show will go out. He said, where it falls over is when people start worrying about whether other people are going to are going to deliver on time or, you know, and so if you start worrying about what other people are doing, rather than just focusing on the thing you have to do, that's where it potentially falls over, Michael Hingson  08:29 which is a great object lesson anyway, to worry about and control and don't worry about the rest Nick Francis  08:36 for sure. Yeah, yeah, for sure. You know, it's almost a lesson for life. I mean, sorry, it is a lesson for life, and Michael Hingson  08:43 it's something that I talk a lot about in dealing with the World Trade Center and so on, and because it was a message I received, but I've been really preaching that for a long time. Don't worry about what you can't control, because all you're going to do is create fear and drive yourself Nick Francis  08:58 crazy, completely, completely. You know. You know what is it? Give me the, give me this. Give me the strength to change the things I can. Give me the give me the ability to let the things that I can't change slide but and the wisdom to know the difference. I'm absolutely mangling that, that saying, but, yeah, it's, it's true, you know. And I think, you know, it's so easy for us to in this kind of modern world where everything's so media, and we're constantly served up things that, you know, shock us, sadness, enrage us, you know, just to be able to step back and say, actually, you know what? These are things I can't really change. I'd have to just let them wash over me. Yeah, and just focus on the things that you really can change. Michael Hingson  09:46 It's okay to be aware of things, but you've got to separate the things you can control from the things that you can and we, unfortunately aren't taught that. Our parents don't teach us that because they were never taught it, and it's something. That, just as you say, slides by, and it's so unfortunate, because it helps to create such a level of fear about so many things in our in our psyche and in our world that we really shouldn't have to do Nick Francis  10:13 completely well. I think, you know, obviously, but you know, we've, we've spent hundreds, if not millions of years evolving to become humans, and then, you know, actually being aware of things beyond our own village has only been an evolution of the last, you know what, five, 600 years, yeah. And so we are just absolutely, fundamentally not able to cope with a world of such incredible stimulus that we live in now. Michael Hingson  10:43 Yeah, and it's only getting worse with all the social media, with all the different things that are happening and of course, and we're only working to develop more and more things to inundate us with more and more kinds of inputs. It's really unfortunate we just don't learn to separate ourselves very easily from all of that. Nick Francis  11:04 Yeah, well, you know, it's so interesting when you look at the development of VR headsets, and, you know, are we going to have, like, lenses in our eyes that kind of enable us to see computer screens while we're just walking down the road, you know? And you look at that and you think, well, actually, just a cell phone. I mean, cell phones are going to be gone fairly soon. I would imagine, you know, as a format, it's not something that's going to abide but the idea that we're going to create technology that's going to be more, that's going to take us away from being in the moment more rather than less, is kind of terrifying. Because, I would say already, even with, you know, the most basic technology that we have now, which is, you know, mind bending, compared to where we were even 20 years ago, you know, to think that we're only going to become more immersive is, you know, we really, really as a species, have to work out how we are going to be far better at stepping away from this stuff. And I, you know, I do, I wonder, with AI and technology whether there is, you know, there's a real backlash coming of people who do want to just unplug, yeah, Michael Hingson  12:13 well, it'll be interesting to see, and I hope that people will learn to do it. I know when I started hearing about AI, and one of the first things I heard was how kids would use it to write their papers, and it was a horrible thing, and they were trying to figure out ways so that teachers could tell us something was written by AI, as opposed to a student. And I almost immediately developed this opinion, no, let AI write the papers for students, but when the students turn in their paper, then take a day to in your class where you have every student come up and defend their paper, see who really knows it, you know. And what a great teaching opportunity and teaching moment to to get students also to learn to do public speaking and other things a little bit more than they do, but we haven't. That hasn't caught on, but I continue to preach it. Nick Francis  13:08 I think that's really smart, you know, as like aI exists, and I think to to pretend somehow that, you know, we can work without it is, you know, it's, it's, it's, yeah, I mean, it's like, well, saying, you know, we're just going to go back to Word processors or typewriters, which, you know, in which it weirdly, in their own time, people looked at and said, this is, you know, these, these are going to completely rot our minds. In fact, yeah, I think Plato said that was very against writing, because he believed it would mean no one could remember anything after that, you know. So it's, you know, it's just, it's an endless, endless evolution. But I think, you know, we have to work out how we incorporate into it, into our education system, for sure. Michael Hingson  13:57 Well, I remember being in in college and studying physics and so on. And one of the things that we were constantly told is, on tests, you can't bring calculators in, can't use calculators in class. Well, why not? Well, because you could cheat with that. Well, the reality is that the smart physicists realized that it's all about really learning the concepts more than the numbers. And yeah, that's great to to know how to do the math. But the the real issue is, do you know the physics, not just the math completely? Nick Francis  14:34 Yeah. And then how you know? How are the challenges that are being set such that you know, they really test your ability to use the calculator effectively, right? So how you know? How are you lifting the bar? And in a way, I think that's kind of what we have to do, what we have to do now, Michael Hingson  14:50 agreed, agreed. So you were in the news business and so on, and then, as you said, you left to start your own company. Why did you decide to do that? Nick Francis  14:59 Well, a friend of. Ryan and I from University had always talked about doing this rally from London to Mongolia. So, and you do it in an old car that you sort of look at, and you go, well, that's a bit rubbish. It has to have under a one liter engine. So it's tiny, it's cheap. The idea is it breaks down you have an adventure. And it was something we kind of talked about in passing and decided that would be a good thing to do. And then over time, you know, we started sending off. We you know, we applied, and then we started sending off for visas and things. And then before we knew it, we were like, gosh, so it looks like we're actually going to do this thing. But by then, you know, my job at the BBC was really taking off. And so I said, you know, let's do this, but let's make a documentary of it. So long story short, we ended up making a series of diary films for Expedia, which we uploaded onto their website. It was, you know, we were kind of pitching this around about 2005 we kind of did it in 2006 so it was kind of, you know, nobody had really heard of YouTube. The idea of making videos to go online was kind of unheard of because, you know, broadband was just kind of getting sorry. It wasn't unheard of, but it was, it was very, it was a very nascent industry. And so, yeah, we went and drove 9000 miles over five weeks. We spent a week sitting in various different repair yards and kind of break his yards in everywhere from Turkey to Siberia. And when we came back, it became clear that the internet was opening up as this incredible medium for video, and video is such a powerful way to share emotion with a dispersed audience. You know, not that I would have necessarily talked about it in that in those terms back then, but it really seemed like, you know, every every web page, every piece of corporate content, could have a video aspect to it. And so we came back and had a few fits and starts and did some, I mean, we, you know, we made a series of hotel videos where we were paid 50 quid a day to go and film hotels. And it was hot and it was hard work. And anyway, it was rough. But over time, you know, we started to win some more lucrative work. And, you know, really, the company grew from there. We won some awards, which helped us to kind of make a bit of a name for ourselves. And this was, there's been a real explosion in technology, kind of shortly after when we did this. So digital SLRs, so, you know, old kind of SLR cameras, you know, turned into digital cameras, which could then start to shoot video. And so it, there was a real explosion in high quality video produced by very small teams of people using the latest technology creatively. And that just felt like a good kind of kick off point for our business. But we just kind of because we got in in kind of 2006 we just sort of beat a wave that kind of started with digital SLRs, and then was kind of absolutely exploded when video cell phones came on the market, video smartphones. And yeah, you know, because we had these awards and we had some kind of fairly blue chip clients from a relatively early, early stage, we were able to grow the company. We then expanded to the US in kind of 2011 20 between 2011 2014 and then we were working with a lot of the big tech companies in California, so it felt like we should maybe kind of really invest in that. And so I moved out here with some of our team in 2018 at the beginning of 2018 and I've been here ever since, wow. Michael Hingson  18:44 So what is it? What was it like starting a business here, or bringing the business here, as opposed to what it was in England? Nick Francis  18:53 It's really interesting, because the creatively the UK is so strong, you know, like so many, you know, from the Beatles to Led Zeppelin to the Rolling Stones to, you know, and then on through, like all the kind of, you know, film and TV, you know, Brits are very good at kind of Creating, like, high level creative, but not necessarily always the best at kind of monetizing it, you know. I mean, some of those obviously have been fantastic successes, right? And so I think in the UK, we we take a lot longer over getting, getting to, like, the perfect creative output, whereas the US is far more focused on, you know, okay, we need this to to perform a task, and frankly, if we get it 80% done, then we're good, right? And so I think a lot of creative businesses in the UK look at the US and they go, gosh. Firstly, the streets are paved with gold. Like the commercial opportunity seems incredible, but actually creating. Tracking it is incredibly difficult, and I think it's because we sort of see the outputs in the wrong way. I think they're just the energy and the dynamism of the US economy is just, it's kind of awe inspiring. But you know, so many businesses try to expand here and kind of fall over themselves. And I think the number one thing is just, you have to have a founder who's willing to move to the US. Because I think Churchill said that we're two two countries divided by the same language. And I never fully understood what that meant until I moved here. I think what it what he really means by that is that we're so culturally different in the US versus the UK. And I think lots of Brits look at America and think, Well, you know, it's just the same. It's just a bit kind of bigger and a bit Brasher, you know, and it and actually, I think if people in the US spoke a completely different language, we would approach it as a different culture, which would then help us to understand it better. Yeah. So, yeah. I mean, it's been, it's been the most fabulous adventure to move here and to, you know, it's, it's hard sometimes, and California is a long way from home, but the energy and the optimism and the entrepreneurialism of it, coupled with just the natural beauty is just staggering. So we've made some of our closest friends in California, it's been absolutely fantastic. And across the US, it's been a fantastic adventure for us and our family. Michael Hingson  21:30 Yeah, I've had the opportunity to travel all over the US, and I hear negative comments about one place or another, like West Virginia, people eat nothing but fried food and all that. But the reality is, if you really take an overall look at it, the country has so much to offer, and I have yet to find a place that I didn't enjoy going to, and people I never enjoyed meeting, I really enjoy all of that, and it's great to meet people, and it's great to experience so much of this country. And I've taken that same posture to other places. I finally got to visit England last October, for the first time. You mentioned rugby earlier, the first time I was exposed to rugby was when I traveled to New Zealand in 2003 and found it pretty fascinating. And then also, I was listening to some rugby, rugby, rugby broadcast, and I tuned across the radio and suddenly found a cricket game that was a little bit slow for me. Yeah, cricket to be it's slow. Nick Francis  22:41 Yeah, fair enough. It's funny. Actually, we know what you're saying about travel. Like one of the amazing things about our Well, I kind of learned two sort of quite fundamentally philosophical things, I think, you know, or things about the about humans and the human condition. Firstly, like, you know, traveling across, you know, we left from London. We, like, drove down. We went through Belgium and France and Poland and Slovenia, Slovakia, Slovenia, like, all the way down Bulgaria, across Turkey into Georgia and Azerbaijan and across the Caspian Sea, and through Turkmenistan, Uzbekistan, Kyrgyzstan, Kazakhstan, into Russia, and then down into Mongolia. When we finished, we were due north of Jakarta, right? So we drove, we drove a third of the way around the world. And the two things that taught me were, firstly that human people are good. You know, everywhere we went, people would invite us in to have meals, or they'd like fix our car for not unit for free. I mean, people were so kind everywhere we went. Yeah. And the other thing was, just, when we get on a plane and you fly from here to or you fly from London, say to we, frankly, you fly from London to Turkey, it feels unbelievably different. You know, you fly from London to China, and it's, you know, complete different culture. But what our journey towards us, because we drove, was that, you know, while we might not like to admit it, we're actually quite, you know, Brits are quite similar to the French, and the French actually are quite similar to the Belgians, and Belgians quite similar to the Germans. And, you know, and all the way through, actually, like we just saw a sort of slowly changing gradient of all the different cultures. And it really, you know, we are just one people, you know. So as much as we might feel that, you know, we're all we're all different, actually, when you see it, when you when you do a drive like that, you really, you really get to see how slowly the cultures shift and change. Another thing that's quite funny, actually, was just like, everywhere we went, we would be like, you know, we're driving to Turkey. They'd be like, Oh, God, you just drove through Bulgaria, you know, how is like, everything on your car not been stolen, you know, they're so dodgy that you Bulgarians are so dodgy. And then, you know, we'd get drive through the country, and they'd be like, you know, oh, you're going into Georgia, you know, gosh, what you go. Make, make sure everything's tied down on your car. They're so dodgy. And then you get into Georgia, and they're like, Oh my God, you've just very driven through Turkey this, like, everyone sort of had these, like, weird, yeah, kind of perceptions of their neighbors. And it was all nonsense, yeah, you know. Michael Hingson  25:15 And the reality is that, as you pointed out, people are good, you know, I think, I think politicians are the ones who so often mess it up for everyone, just because they've got agendas. And unfortunately, they teach everyone else to be suspicious of of each other, because, oh, this person clearly has a hidden agenda when it normally isn't necessarily true at all. Nick Francis  25:42 No, no, no, certainly not in my experience, anyway, not in my experience. But, you know, well, oh, go ahead. No, no. It's just, you know, it's, it is. It's, it is weird the way that happens, you know, well, they say, you know, if, if politicians fought wars rather than, rather than our young men and women, then there'd be a lot less of them. Yeah, so Well, Michael Hingson  26:06 there would be, well as I tell people, you know, I I've learned a lot from working with eight guy dogs and my wife's service dog, who we had for, oh, gosh, 14 years almost, and one of the things that I tell people is I absolutely do believe what people say, that dogs love unconditionally, unless they're just totally traumatized by something, but they don't trust unconditionally. The difference between dogs and people is that dogs are more open to trust because we've taught ourselves and have been taught by others, that everyone has their own hidden agenda. So we don't trust. We're not open to trust, which is so unfortunate because it affects the psyche of so many people in such a negative way. We get too suspicious of people, so it's a lot harder to earn trust. Nick Francis  27:02 Yeah, I mean, I've, I don't know, you know, like I've been, I've been very fortunate in my life, and I kind of always try to be, you know, open and trusting. And frankly, you know, I think if you're open and trusting with people, in my experience, you kind of, it comes back to you, you know, and maybe kind of looking for the best in everyone. You know, there are times where that's not ideal, but you know, I think you know, in the overwhelming majority of cases, you know, actually, you know, you treat people right? And you know what goes what goes around, comes around, absolutely. Michael Hingson  27:35 And I think that's so very true. There are some people who just are going to be different than that, but I think for the most part, if you show that you're open to trust people will want to trust you, as long as you're also willing to trust Nick Francis  27:51 them completely. Yeah, completely. Michael Hingson  27:54 So I think that that's the big thing we have to deal with. And I don't know, I hope that we, we will learn it. But I think that politicians are really the most guilty about teaching us. Why not to trust but that too, hopefully, will be something we deal with. Nick Francis  28:12 I think, you know, I think we have to, you know, it's, it's one of the tragedies of our age, I think, is that the, you know, we spent the 20th century, thinking that sex was the kind of ultimate sales tool. And then it took algorithms to for us to realize that actually anger and resentment are the most powerful sales tools, which is, you know, it's a it's something which, in time, we will work out, right? And I think the problem is that, at the minute, these tech businesses are in such insane ascendancy, and they're so wealthy that it's very hard to regulate them. And I think in time, what will happen is, you know, they'll start to lose some of that luster and some of that insane scale and that power, and then, you know, then regulation will come in. But you know whether or not, we'll see maybe, hopefully our civilization will still be around to see that. Michael Hingson  29:04 No, there is that, or maybe the Vulcans will show up and show us a better way. But you know, Nick Francis  29:11 oh, you know, I'm, I'm kind of endlessly optimistic. I think, you know, we are. We're building towards a very positive future. I think so. Yeah, it's just, you know, get always bumps along the way, yeah. Michael Hingson  29:24 So you named your company casual. Why did you do that? Or how did that come about? Nick Francis  29:30 It's a slightly weird name for something, you know, we work with, kind of, you know, global blue chip businesses. And, you know, casual is kind of the last thing that you would want to associate with, a, with a, with any kind of services business that works in that sphere. I think, you know, we, the completely honest answer is that the journalism course I did was television, current affairs journalism, so it's called TV cadge, and so we, when we made a film for a local charity as part of that course. Course, we were asked to name our company, and we just said, well, cash, cash casual, casual films. So we called it casual films. And then when my friend and I set the company up, kind of formally, to do the Mongol Rally, we, you know, we had this name, you know, the company, the film that we'd made for the charity, had gone down really well. It had been played at BAFTA in London. And so we thought, well, you know, we should just, you know, hang on to that name. And it didn't, you know, at the time, it didn't really seem too much of an issue. It was only funny. It was coming to the US, where I think people are a bit more literal, and they were a bit like, well, casual. Like, why casual, you know. And I remember being on a shoot once. And, you know, obviously, kind of some filmmakers can be a little casual themselves, not necessarily in the work, but in the way they present themselves, right? And I remember sitting down, we were interviewing this CEO, and he said, who, you know, who are you? Oh, we're casual films. He's like, Oh, is that why that guy's got ripped jeans? Is it? And I just thought, Damn, you know, we really left ourselves open to that. There was also, there was a time one of our early competitors was called Agile films. And so, you know, I remember talking to one of our clients who said, you know, it's casual, you know, when I have to put together a little document to say, you know, which, which supplier we should choose, and when I lay it on my boss's desk, and one says casual films, and one says agile films, it's like those guys are landing the first punch. But anyway, we, you know, we, what we say now is like, you know, we take a complex process and make it casual. You know, filmmaking, particularly for like, large, complex organizations where you've got lots of different stakeholders, can be very complicated. And so, yeah, we sort of say, you know, we'll take a lot of that stress off, off our clients. So that's kind of the rationale, you know, that we've arrived with, arrived at having spoken to lots of our clients about the role that we play for them. So, you know, there's a kind of positive spin on it, I guess, but I don't know. I don't know whether I'd necessarily call it casual again. I don't know if I'm supposed to say that or not, but, oh, Michael Hingson  32:00 it's unique, you know? So, yeah, I think there's a lot of merit to it. It's a unique name, and it interests people. I know, for me, one of the things that I do is I have a way of doing this. I put all of my business cards in Braille, so the printed business cards have Braille on them, right? Same thing. It's unique completely. Nick Francis  32:22 And you listen, you know what look your name is an empty box that you fill with your identity. They say, right? And casual is actually, it's something we've grown into. And you know it's we've been going for nearly 20 years. In fact, funny enough for the end of this year is the 20th anniversary of that first film we made for the for the charity. And then next summer will be our 20th anniversary, which is, you know, it's, it's both been incredibly short and incredibly long, you know, I think, like any kind of experience in life, and it's been some of the hardest kind of times of my entire life, and some of the best as well. So, you know, it's, it is what it is, but you know, casual is who we are, right? I would never check, you know? I'd never change it. Michael Hingson  33:09 Now, no, of course not, yeah. So is the actual name casual films, or just casual? Nick Francis  33:13 So it was casual films, but then everyone calls us casual anyway, and I think, like as an organization, we probably need to be a bit more agnostic about the outcome. Michael Hingson  33:22 Well, the reason I asked, in part was, is there really any filming going on anymore? Nick Francis  33:28 Well, that's a very that's a very good question. But have we actually ever made a celluloid film? And I think the answer is probably no. We used to, back in the day, we used to make, like, super eight films, which were films, I think, you know, video, you know, ultimately, if you're going to be really pedantic about it, it's like, well, video is a digital, digital delivery. And so basically, every film we make is, is a video. But there is a certain cachet to the you know, because our films are loved and crafted, you know, for good or ill, you know, I think to call them, you know, they are films because, because of the, you know, the care that's put into them. But it's not, it's, it's not celluloid. No, that's okay, yeah, well, Michael Hingson  34:16 and I know that, like with vinyl records, there is a lot of work being done to preserve and capture what's on cellular film. And so there's a lot of work that I'm sure that's being done to digitize a lot of the old films. And when you do that, then you can also go back and remaster and hopefully in a positive way, and I'm not sure if that always happens, but in a positive way, enhance them Nick Francis  34:44 completely, completely and, you know, it's, you know, it's interesting talking about, like, you know, people wanting to step back. You know, obviously vinyl is having an absolute as having a moment right now. In fact, I just, I just bought a new stylist for my for my record. Play yesterday. It sounded incredible as a joy. This gave me the sound quality of this new style. It's fantastic. You know, beyond that, you know, running a company, you know, we're in nine offices all over the world. We produce nearly 1000 projects a year. So, you know, it's a company. It's an incredibly complicated company. It's a very fun and exciting company. I love the fact that we make these beautifully creative films. But, you know, it's a bit, I wouldn't say it's like, I don't know, you don't get many MBAs coming out of business school saying, hey, I want to set up a video production company. But, you know, it's been, it's been wonderful, but it's also been stressful. And so, you know, I've, I've always been interested in pottery and ceramics and making stuff with my hands. When I was a kid, I used to make jewelry, and I used to go and sell it in nightclubs, which is kind of weird, but, you know, it paid for my beers. And then whatever works, I say kid. I was 18. I was, I was of age, but of age in the UK anyway. But now, you know, over the last few 18 months or so, I've started make, doing my own ceramics. So, you know, I make vases and and pictures and kind of all sorts of stuff out of clay. And it's just, it's just to be to unplug and just to go and, you know, make things with mud with your hands. It's just the most unbelievably kind of grounding experience. Michael Hingson  36:26 Yeah, I hear you, yeah. One of the things that I like to do is, and I don't get to do it as much as I would like, but I am involved with organizations like the radio enthusiasts of Puget Sound, which, every year, does recreations of old radio shows. And so we get the scripts we we we have several blind people who are involved in we actually go off and recreate some of the old shows, which is really a lot of fun, Nick Francis  36:54 I bet, yeah, yeah, sort of you know that connection to the past is, is, yeah, it's great radio. Radio is amazing. Michael Hingson  37:03 Anyway, what we have to do is to train some of the people who have not had exposure to old radio. We need to train them as to how to really use their voices to convey like the people who performed in radio, whatever they're doing, because too many people don't really necessarily know how to do that well. And it is, it is something that we're going to work on trying to find ways to get people really trained. And one of the ways, of course, is you got to listen to the old show. So one of the things we're getting more and more people to do when we do recreations is to go back and listen to the original show. Well, they say, Well, but, but that's just the way they did it. That's not necessarily the way it should be done. And the response is, no, that's not really true. The way they did it sounded natural, and the way you are doing it doesn't and there's reality that you need to really learn how to to use your voice to convey well, and the only way to do it is to listen to the experts who did it. Nick Francis  38:06 Yeah, well, it's, you know, it's amazing. The, you know, when the BBC was founded, all the news readers and anyone who appeared on on the radio to to present or perform, had to wear like black tie, like a tuxedo, because it was, you know, they're broadcasting to the nation, so they had to, you know, they had to be dressed appropriately, right, which is kind of amazing. And, you know, it's interesting how you know, when you, when you change your dress, when you change the way you're sitting, it does completely change the way that you project yourself, yeah, Michael Hingson  38:43 it makes sense, yeah, well, and I always enjoyed some of the old BBC radio shows, like the Goon Show, and completely some of those are so much fun. Nick Francis  38:54 Oh, great, yeah, I don't think they were wearing tuxedo. It's tuxedos. They would Michael Hingson  38:59 have been embarrassed. Yeah, right, right. Can you imagine Peter Sellers in a in a tux? It just isn't going to happen. Nick Francis  39:06 No, right, right. But yeah, no, it's so powerful. You know, they say radio is better than TV because the pictures are better. Michael Hingson  39:15 I agree. Yeah, sure, yeah. Well, you know, I I don't think this is quite the way he said it, but Fred Allen, the old radio comedian, once said they call television the new medium, because that's as good as it's ever going Nick Francis  39:28 to get. Yeah, right, right, yeah. Michael Hingson  39:32 I think there's truth to it. Whether that's exactly the way he said it or not, there's truth to that, yeah, but there's also a lot of good stuff on TV, so it's okay. Nick Francis  39:41 Well, it's so interesting. Because, you know, when you look at the it's never been more easy to create your own content, yeah, and so, you know, and like, in a way, TV, you know, he's not wrong in that, because it suddenly opened up this, this huge medium for people just to just create. Right? And, you know, and I think, like so many people, create without thinking, and, you know, and certainly in our kind of, in the in the world that we're living in now with AI production, making production so much more accessible, actually taking the time as a human being just to really think about, you know, who are the audience, what are the things that are going to what are going to kind of resonate with them? You know? Actually, I think one of the risks with AI, and not just AI, but just like production being so accessible, is that you can kind of shoot first and kind of think about it afterwards, and, you know, and that's never good. That's always going to be medium. It's medium at best, frankly. Yeah, so yeah, to create really great stuff takes time, you know, yeah, to think about it. Yeah, for sure, yeah. Michael Hingson  40:50 Well, you know, our podcast is called unstoppable mindset. What do you think that unstoppable mindset really means to you as a practical thing and not just a buzzword. Because so many people talk about the kinds of buzzwords I hear all the time are amazing. That's unstoppable, but it's really a lot more than a buzzword. It goes back to what you think, I think. But what do you think? Nick Francis  41:15 I think it's something that is is buried deep inside you. You know, I'd say the simple answer is, is just resilience. You know, it's, it's been rough. I write anyone running a small business or a medium sized business at the minute, you know, there's been some tough times over the last, kind of 1824, months or so. And, you know, I was talking to a friend of mine who she sold out of her business. And she's like, you know, how are things? I was like, you know, it's, it's, it's tough, you know, we're getting through it, you know, we're changing a lot of things, you know, we're like, we're definitely making the business better, but it's hard. And she's like, Listen, you know, when three years before I sold my company, I was at rock bottom. It was, I genuinely thought it was so stressful. I was crushed by it, but I just kept going. And she's just like, just keep going. And the only difference between success and failure is that resilience and just getting up every day and you just keep, keep throwing stuff at the wall, keep trying new things, keep working and trying to be better. I think, you know, it's funny when you look at entrepreneurs, I'm a member of a mentoring group, and I hope I'm not talking out of school here, but you know, there's 15 entrepreneurs, you know, varying sizes of business, doing all sorts, you know, across all sorts of different industries. And if you sat on the wall, if you were fly on the wall, and you sit and look at these people on a kind of week, month to month basis, and they all present on how their businesses are going. You go, this is this being an entrepreneur does not look like a uniformly fun thing, you know, the sort of the stress and just, you know, people crying and stuff, and you're like, gosh, you know, it's so it's, it's, it's hard, and yet, you know, it's people just keep coming back to it. And yet, I think it's because of that struggle that you have to kind of have something in built in you, that you're sort of, you're there to prove something. And I, you know, I've thought a lot about this, and I wonder whether, kind of, the death of my father at such a young age kind of gave me this incredible fire to seek His affirmation, you know. And unfortunately, obviously, the tragedy of that is like, you know, the one person who would never give me affirmation is my dad. And yet, you know, I get up every day, you know, to have early morning calls with the UK or with Singapore or wherever. And you know, you just just keep on, keeping on. And I think that's probably what and knowing I will never quit, you know, like, even from the earliest days of casual, when we were just, like a couple of people, and we were just, you know, kids doing our very best, I always knew the company was going to be a success act. Like, just a core belief that I was like, this is going to work. This is going to be a success. I didn't necessarily know what that success would look like. I just but I did know that, like, whatever it took, we would map, we'd map our way towards that figure it out. We'd figure it out. And I think, you know, there's probably something unstoppable. I don't know, I don't want to sound immodest, but I think there's probably something in that that you're just like, I am just gonna keep keep on, keeping on. Michael Hingson  44:22 Do you think that resilience and unstoppability are things that can be taught, or is it just something that's built into you, and either you have it or you don't? Nick Francis  44:31 I think it's something that probably, it's definitely something that can be learned, for sure, you know. And there are obviously ways that it can there's obviously ways it can be taught. You know, I was, I spent some time in the reserve, like the Army Reserve in the UK, and I just, you know, a lot of that is about teaching you just how much further you can go. I think what it taught me was it was so. So hard. I mean, honestly, some of the stuff we did in our training was, like, you know, it's just raining and raining and raining and, like, because all your kits soaking wet is weighs twice what it did before, and you just, you know, sleeping maybe, you know, an hour or two a night, and, you know, and there wasn't even anyone shooting at us, right? So, you know, like the worst bit wasn't even happening. But like, and like, in a sense, I think, you know, that's what they're trying to do, that, you know, they say, you know, train hard and fight easy. But I remember sort of sitting there, and I was just exhausted, and I just genuinely, I was just thought, you know, what if they tell me to go now, I just, I can't. I literally, I can't, I can't do it. Can't do it. And then they're like, right, lads, put your packs on. Let's go and just put your pack on. Off you go, you know, like, this sort of, the idea of not, like, I was never going to quit, just never, never, ever, you know, and like I'd physically, if I physically, like, literally, my physical being couldn't stand up, you know, I then that was be, that would be, you know, if I was kind of, like literally incapacitated. And I think what that taught me actually, was that, you know, you have what you believe you can do, like you have your sort of, you have your sort of physical envelope, but like that is only a third or a quarter of what you can actually achieve, right, you know. And I think what that, what the that kind of training is about, and you know, you can do it in marathon training. You can do it in all sorts of different, you know, even, frankly, meditate. You know, you train your mind to meditate for, you know, an hour, 90 minutes plus. You know, you're still doing the same. You know, there's a, there's an elasticity within your brain where you can teach yourself that your envelope is so much larger. Yeah. So, yeah, you know, like, is casual going to be a success? Like, I'm good, you know, I'm literally, I won't I won't stop until it is Michael Hingson  46:52 right, and then why stop? Exactly, exactly you continue to progress and move forward. Well, you know, when everything feels uncertain, whether it's the markets or whatever, what do you do or what's your process for finding clarity? Nick Francis  47:10 I think a lot of it is in having structured time away. I say structured. You build it into your calendar, but like, but it's unstructured. So, you know, I take a lot of solace in being physically fit. You know, I think if you're, if you feel physically fit, then you feel mentally far more able to deal with things. I certainly when I'm if I'm unfit and if I've been working too much and I haven't been finding the time to exercise. You know, I feel like the problems we have to face just loom so much larger. So, you know, I, I'll book out. I, you know, I work with a fan. I'm lucky enough to have a fantastic assistant who, you know, we book in my my exercise for each week, and it's almost the first thing that goes in the calendar. I do that because I can't be the business my my I can't be the leader my business requires. And it finally happened. It was a few years ago I kind of, like, the whole thing just got really big on me, and it just, you know, and I'm kind of, like, being crushed by it. And I just thought, you know what? Like, I can't, I can't fit other people's face mask, without my face mask being fit, fitted first. Like, in order to be the business my business, I keep saying that to be the lead in my business requires I have to be physically fit. So I have to look after myself first. And so consequently, like, you know, your exercise shouldn't be something just get squeezed in when you find when you have time, because, you know, if you've got family and you know, other things happening, like, you know, just will be squeezed out. So anyway, that goes in. First, I'll go for a bike ride on a Friday afternoon, you know, I'll often listen to a business book and just kind of process things. And it's amazing how often, you know, I'll just go for a run and, like, these things that have been kind of nagging away in the back of my mind, just suddenly I find clarity in them. So I try to exercise, like, five times a week. I mean, that's obviously more than most people can can manage, but you know that that really helps. And then kind of things, like the ceramics is very useful. And then, you know, I'm lucky. I think it's also just so important just to appreciate the things that you already have. You know, I think one of the most important lessons I learned last year was this idea that, you know, here is the only there. You know, everyone's working towards this kind of, like, big, you know, it's like, oh, you know, when I get to there, then everything's going to be okay, you know. And actually, you know, if you think about like, you know, and what did you want to achieve when you left college? Like, what was the salary band that you want? That you wanted to achieve? Right? A lot of people, you know, by the time you hit 4050, you've blown way through that, right? And yet you're still chasing the receding Summit, yeah, you know. And so actually, like, wherever we're trying to head to, we're already there, because once you get there, there's going to be another there that you're trying to. Head to right? So, so, you know, it's just taking a moment to be like, you know, God, I'm so lucky to have what I have. And, you know, I'm living in, we're living in the good old days, like right now, right? Michael Hingson  50:11 And the reality is that we're doing the same things and having the same discussions, to a large degree, that people did 50, 100 200 years ago. As you pointed out earlier, the fact is that we're, we're just having the same discussions about whether this works, or whether that works, or anything else. But it's all the same, Nick Francis  50:33 right, you know. And you kind of think, oh, you know, if I just, just, like, you know, if we just open up these new offices, or if we can just, you know, I think, like, look, if I, if I'd looked at casual when we started it as it is now, I would have just been like, absolute. My mind would have exploded, right? You know, if you look at what we've achieved, and yet, I kind of, you know, it's quite hard sometimes to look at it and just be like, Oh yeah, but we're only just starting. Like, there's so much more to go. I can see so much further work, that we need so many more things, that we need to do, so many more things that we could do. And actually, you know, they say, you know, I'm lucky enough to have two healthy, wonderful little girls. And you know, I think a lot of bread winners Look at, look at love being provision, and the idea that, you know, you have to be there to provide for them. And actually, the the truest form of love is presence, right? And just being there for them, and like, you know, not being distracted and kind of putting putting things aside, you know, not jumping on your emails or your Slack messages or whatever first thing in the morning, you know. And I, you know, I'm not. I'm guilty, like, I'm not, you know, I'm not one of these people who have this kind of crazy kind of morning routine where, like, you know, I'm incredibly disciplined about that because, you know, and I should be more. But like, you know, this stuff, one of the, one of the things about having a 24 hour business with people working all over the world is there's always things that I need to respond to. There's always kind of interesting things happening. And so just like making sure that I catch myself every so often to be like, I'm just going to be here now and I'm going to be with them, and I'm going to listen to what they're saying, and I'm going to respond appropriately, and, you know, I'm going to play a game with them, or whatever. That's true love. You know? Michael Hingson  52:14 Well, there's a lot of merit to the whole concept of unplugging and taking time and living in the moment. One of the things that we talked about in my book live like a guide dog, that we published last year, and it's all about lessons I've learned about leadership and teamwork and preparedness from eight guide dogs and my wife's service dog. One of the things that I learned along the way is the whole concept of living in the moment when I was in the World Trade Center with my fifth guide dog, Roselle. We got home, and I was going to take her outside to go visit the bathroom, but as soon as I took the harness off, she shot off, grabbed her favorite tug bone and started playing tug of war with my retired guide dog. Asked the veterinarians about him the next day, the people at Guide Dogs for the Blind, and they said, Well, did anything threaten her? And I said, No. And they said, there's your answer. The reality is, dogs live in the moment when it was over. It was over. And yeah, right lesson to learn. Nick Francis  53:15 I mean, amazing, absolutely amazing. You must have taken a lot of strength from that. Michael Hingson  53:20 Oh, I think it was, it was great. It, you know, I can look back at my life and look at so many things that have happened, things that I did. I never thought that I would become a public speaker, but I learned in so many ways the art of speaking and being relaxed at speaking in a in a public setting, that when suddenly I was confronted with the opportunity to do it, it just seemed like the natural thing to do. Nick Francis  53:46 Yeah, it's funny, because I think isn't public speaking the number one fear. It is. It's the most fit. It's the most feared thing for the most people. Michael Hingson  53:57 And the reality is going back to something that we talked about before. The reality is, audiences want you to succeed, unless you're a jerk and you project that, audiences want to hear what you have to say. They want you to be successful. There's really nothing to be afraid of but, but you're right. It is the number one fear, and I've never understood that. I mean, I guess I can intellectually understand it, but internally, I don't. The first time I was asked to speak after the World Trade Center attacks, a pastor called me up and he said, we're going to we're going to have a service outside for all the people who we lost in New Jersey and and that we would like you to come and speak. Take a few minutes. And I said, Sure. And then I asked him, How many people many people were going to be at the service? He said, 6000 that was, that was my first speech. Nick Francis  54:49 Yeah, wow. But it didn't bother me, you know, no, I bet Michael Hingson  54:54 you do the best you can, and you try to improve, and so on. But, but it is true that so many people. Are public speaking, and there's no reason to what Nick Francis  55:03 did that whole experience teach you? Michael Hingson  55:06 Well, one of the things that taught me was, don't worry about the things that you can't control. It also taught me that, in reality, any of us can be confronted with unexpected things at any time, and the question is, how well do we prepare to deal with it? So for me, for example, and it took me years after September 11 to recognize this, but one of the things that that happened when the building was hit, and Neither I, nor anyone on my side of the building really knew what happened. People say all the time, well, you didn't know because you couldn't see it. Well, excuse me, it hit 18 floors above us on the other side of the building. And the last time I checked X ray vision was fictitious, so nobody knew. But did the building shake? Oh, it tipped. Because tall buildings like that are flexible. And if you go to any tall building, in reality, they're made to buffet in wind storms and so on, and in fact, they're made to possibly be struck by an airplane, although no one ever expected that somebody would deliberately take a fully loaded jet aircraft and crash it into a tower, because it wasn't the plane hitting the tower as such that destroyed both of them. It was the exploding jet fuel that destroyed so much more infrastructure caused the buildings to collapse. But in reality, for me, I had done a lot of preparation ahead of time, not even thinking that there would be an emergency, but thinking about I need to really know all I can about the building, because I've got to be the leader of my office, and I should know all of that. I should know what to do in an emergency. I should know how to take people to lunch and where to go and all that. And by learning all of that, as I learned many and discovered many years later, it created a mindset that kicked in when the World Trade Center was struck, and in fact, we didn't know until after both towers had collapsed, and I called my wife. We I talked with her just before we evacuated, and the media hadn't even gotten the story yet, but I never got a chance to talk with her until after both buildings had collapsed, and then I was able to get through and she's the first one that told us how the two buildings had been hit by hijacked aircraft. But the mindset had kicked in that said, You know what to do, do it and that. And again, I didn't really think about that until much later, but that's something that is a lesson we all could learn. We shouldn't rely on just watching signs to know what to do, no to go in an emergency. We should really know it, because the knowledge, rather than just having information, the true intellectual knowledge that we internalize, makes such a big difference. Nick Francis  57:46 Do you think it was the fact that you were blind that made you so much more keen to know the way out that kind of that really helped you to understand that at the time? Michael Hingson  57:56 Well, what I think is being blind and growing up in an environment where so many things could be unexpected, for me, it was important to know so, for example, when I would go somewhere to meet a customer, I would spend time, ahead of time, learning how to get around, learning how to get to where they were and and learning what what the process was, because we didn't have Google Maps and we didn't have all the intellectual and and technological things that we have today. Well intellectual we did with the technology we didn't have. So today it's easier, but still, I want to know what to do. I want to really have the answers, and then I can can more easily and more effectively deal with what I need to deal with and react. So I'm sure that blindness played a part in all of that, because if I hadn't learned how to do the things that I did and know the things that I knew, then it would have been a totally different ball game, and so sure, I'm sure, I'm certain that blindness had something to do with it, but I also know that, that the fact is, what I learned is the same kinds of things that everyone should learn, and we shouldn't rely on just the signs, because what if the building were full of smoke, then what would you do? Right? And I've had examples of that since I was at a safety council meeting once where there was somebody from an electric company in Missouri who said, you know, we've wondered for years, what do we do if there's a fire in the generator room, in the basement, In the generator room, how do people get out? And he and I actually worked on it, and they developed a way where people could have a path that they could follow with their feet to get them out. But the but the reality is that what people first need to learn is eyesight is not the only game in town. Yeah, right. Mean, it's so important to really learn that, but people, people don't, and we take too many things for granted, which is, which is really so unfortunate, because we really should do a li

Send us a textWelcome to a new mini series of the Alternative Stories and Fake Realities Podcast This week we have short fiction from Welsh poet, novelist and short story writer Christopher Meredith.   The story you're about to hear is a seasonal piece set in the early 1960s in south Wales.  It's  called 'The Cavalry' and it's from Chris's brilliant collection 'Brief Lives' which is published by Seren.You can order a copy of Brief Lives here https://www.serenbooks.com/book/brief-lives/ Christopher Meredith is the award-winning author of five novels and five collections of poetry and also tranlsates Welsh to English. Prizes include an Eric Gregory Award, the Arts Council of Wales Young Writer Prize and the Fiction Prize for his first novel, Shifts. His second novel, Griffri, was shortlisted for the Book of the Year Award.  His collection of poems, The Meaning of Flight, was long-listed for The Book of the Year Award 2006.  He has given readings all over Britain and Europe as well as in Israel/Palestine and the USA.  Born and brought up in Tredegar, he was a steelworker and a schoolteacher before becoming a professor of creative writing at the University of Glamorgan. He lives in Brecon. A collection of six short fictions, titled Brief Lives, was released in 2018. Find out more about Christopher Meredith by visiting his website here https://christophermeredit9.wixsite.com/websiteAll content in audio, onscreen and in print is protected and may not be copied or used for any purposes including generative AI/AI training.Join us next week on the alternative stories and fake realities podcast for award winning audio drama.  The Angry House by Thomas Wrightson is a ghost story set in Cornwall in the late 1990s and it was the winner of the 2025 Pen to Print Audio play competition.  Production, sound design and editing in this episode were by Chris Gregory.If you'd like to support the work of Alternative Stories, gain early access to many of our podcasts and hear exclusive bonus episodes please consider joining our Patreon.  You can find a link here: https://www.patreon.com/AltStoriesSupport the show

We sit down with Melanie Cooper, Executive Director of the Arts Council of York County, for a wide-ranging conversation about creativity in York County. We discuiss how the arts fuel economic growth, mental health, and a community's sense of place. From galleries, festivals, classes, and the Ag + Art Tour to youth advisory programs and artist studios, Melanie explains how the Arts Council supports creatives while helping revitalize Old Town and reflects candidly on the tension between art, entertainment, and making a living as an artist in a changing city.Melanie Cooper is the Executive Director of the Arts Council of York County where she has occupied multiple roles for over a decade. With a background in arts, culture, and civic engagement, from Alaska public affairs to historic site work, she now champions local artists, creative programs, and cultural growth throughout Rock Hill and York County.